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These are the user uploaded subtitles that are being translated: 1 00:00:01,102 --> 00:00:02,136 *** 2 00:00:02,170 --> 00:00:04,338 (siren wailing in distance) 3 00:00:05,306 --> 00:00:06,974 (lock clicks) 4 00:00:07,007 --> 00:00:08,309 GAIL? 5 00:00:10,778 --> 00:00:12,346 YOU HOME? 6 00:00:12,380 --> 00:00:13,847 (lock clicks) 7 00:00:15,483 --> 00:00:18,619 HEY, REMEMBER WHAT WE TALKED ABOUT. 8 00:00:18,652 --> 00:00:23,724 COMPLETELY UNCOOL TO WALK AROUND NAKED IN SOMEONE ELSE'S PLACE. 9 00:00:26,294 --> 00:00:27,828 GAIL? 10 00:00:27,861 --> 00:00:30,698 HEY. 11 00:00:30,731 --> 00:00:32,032 OH. 12 00:00:32,066 --> 00:00:34,435 (both grunting) 13 00:00:34,468 --> 00:00:38,106 AAH! 14 00:00:38,139 --> 00:00:39,440 (groans) 15 00:00:39,473 --> 00:00:42,476 (panting) 16 00:00:51,885 --> 00:00:53,821 (siren wailing) 17 00:00:53,854 --> 00:00:55,789 YOU'RE UP EARLY. 18 00:00:55,823 --> 00:00:56,790 (typing on keyboard) HEY. 19 00:00:56,824 --> 00:00:58,592 HEY. (mug clatters) 20 00:00:58,626 --> 00:01:00,694 MMM. CHECK THIS OUT. 21 00:01:00,728 --> 00:01:03,164 (coffee pours) 22 00:01:03,197 --> 00:01:04,898 OH, I THOUGHT YOU PASSED THIS CASE OFF 23 00:01:04,932 --> 00:01:06,100 TO HOMICIDE SQUAD LAST NIGHT. 24 00:01:06,134 --> 00:01:07,868 OOH. SORRY. WRONG FILE. 25 00:01:07,901 --> 00:01:09,002 OH. 26 00:01:09,036 --> 00:01:11,172 (chuckles) 27 00:01:11,205 --> 00:01:12,340 WHAT'S THIS? 28 00:01:12,373 --> 00:01:14,608 THAT'S OUR FUTURE. 29 00:01:14,642 --> 00:01:17,178 I FIGURED AFTER WE GET MARRIED, WE'RE GONNA NEED A NEW PLACE. 30 00:01:17,211 --> 00:01:18,312 (gasps) 31 00:01:18,346 --> 00:01:20,814 SO I HAVE BEEN LOOKING. 32 00:01:20,848 --> 00:01:24,418 AND I KNOW YOU WANT TO LIVE NEAR THE DOWNTOWN. 33 00:01:24,452 --> 00:01:27,521 SO ALL THESE HOUSES ARE A 10-MINUTE DRIVE 34 00:01:27,555 --> 00:01:30,791 FROM CITY CENTER, AND THEY'RE IN GOOD NEIGHBORHOODS. 35 00:01:30,824 --> 00:01:33,994 TREE-LINED STREETS, GOOD SCHOOLS. 36 00:01:34,027 --> 00:01:35,929 THEY ALL HAVE FOUR BEDROOMS. 37 00:01:35,963 --> 00:01:37,831 YEAH. ONE FOR US, 38 00:01:37,865 --> 00:01:40,134 AND THERE'S ONE FOR LEO, AND THERE'S THE OFFICE, 39 00:01:40,168 --> 00:01:43,204 AND THE OTHER ONE COULD BE FOR, UM... 40 00:01:43,237 --> 00:01:45,206 A NURSERY. 41 00:01:45,239 --> 00:01:47,040 (groans) JERRY. 42 00:01:47,074 --> 00:01:49,477 I KNOW. I KNOW. I'M NOT-- I'M NOT SAYING TOMORROW. 43 00:01:49,510 --> 00:01:51,379 JUST SOMEDAY. 44 00:01:51,412 --> 00:01:52,980 IF--IF WE WANT. 45 00:01:53,013 --> 00:01:55,949 WHAT I WANT IS TO BE A GOOD MOM 46 00:01:55,983 --> 00:01:57,618 TO THE CHILD THAT I ALREADY HAVE... 47 00:01:57,651 --> 00:01:58,919 MM-HMM. 48 00:01:58,952 --> 00:02:02,890 AND TO DO MY BEST AT THE JOB THAT I JUST BARELY STARTED. 49 00:02:02,923 --> 00:02:06,794 AND ALL I WANT IS FOR YOU TO BE HAPPY. 50 00:02:09,096 --> 00:02:11,064 YOU KNOW WHAT? 51 00:02:11,098 --> 00:02:13,467 WE GOT A LOT OF TIME TO TALK ABOUT IT. 52 00:02:15,035 --> 00:02:16,504 OR NOT TALKING ABOUT IT. 53 00:02:16,537 --> 00:02:18,406 I MEAN, ACTUALLY, I QUITE LIKE IT WHEN WE DON'T TALK. 54 00:02:18,439 --> 00:02:20,174 ME, TOO. REALLY? 55 00:02:30,083 --> 00:02:31,352 (indistinct conversations) 56 00:02:31,385 --> 00:02:33,187 OH, IS IT BRIGHT IN HERE, 57 00:02:33,221 --> 00:02:35,055 OR AM I BEING BLINDED 58 00:02:35,088 --> 00:02:38,626 BY THE RADIANT GLOW OF OUR MAMA-TO-BE? 59 00:02:38,659 --> 00:02:42,330 WHAT THE HELL COLOR IS MORNING CHARTREUSE? 60 00:02:42,363 --> 00:02:45,499 THAT IS AWESOME. UH, I LOVE THIS ONE. 61 00:02:45,533 --> 00:02:48,602 IT'S, UH, YELLOWISH, IN THE... 62 00:02:48,636 --> 00:02:50,471 IT'S IN THE YELLOW FAMILY. 63 00:02:50,504 --> 00:02:52,340 HMM. IT'S NICE. 64 00:02:52,373 --> 00:02:54,041 YOU HAVEN'T PAINTED THE BABY'S ROOM? 65 00:02:54,074 --> 00:02:56,210 OKAY, I MAY LOOK LIKE A HOUSE, 66 00:02:56,244 --> 00:02:57,945 BUT I STILL HAVE ANOTHER MONTH TO GO, 67 00:02:57,978 --> 00:02:59,880 WHICH IS GOOD BECAUSE I OBVIOUSLY NEED 68 00:02:59,913 --> 00:03:01,749 ANOTHER COUPLE WEEKS TO PICK A DAMN COLOR! 69 00:03:01,782 --> 00:03:03,651 NO. NO. NO. YOU KNOW, YOU'RE RIGHT. YOU'RE RIGHT. 70 00:03:03,684 --> 00:03:05,319 THERE'S NO RUSH. THERE'S ABSOLUTELY NO RUSH. 71 00:03:05,353 --> 00:03:07,355 YOU GOT THE NAME. YOU GOT YOUR GO BAG. 72 00:03:07,388 --> 00:03:08,789 YOU'RE READY. YOU'RE READY. 73 00:03:08,822 --> 00:03:10,658 (whispers) IT'S GOOD. YOU'RE GOOD. 74 00:03:10,691 --> 00:03:14,428 (normal voice) YOU'RE GOOD. EVERYTHING'S GOOD. 75 00:03:14,462 --> 00:03:15,563 HEY, BUDDY. 76 00:03:15,596 --> 00:03:16,730 BUDDY. 77 00:03:16,764 --> 00:03:17,765 (groans) 78 00:03:17,798 --> 00:03:19,833 SAMMY. (pours coffee) 79 00:03:22,202 --> 00:03:23,971 OH, WHAT'S THIS? 80 00:03:24,004 --> 00:03:27,775 WELL, A GROOM IS SUPPOSED TO GET HIS BEST MAN A GIFT. 81 00:03:27,808 --> 00:03:28,976 SO IT'S A POCKET WATCH. 82 00:03:29,009 --> 00:03:30,177 AH. 83 00:03:30,210 --> 00:03:31,612 SO YOU CAN BE AT THE CHURCH ON TIME. 84 00:03:31,645 --> 00:03:34,147 EXCEPT IT'S NOT GONNA BE A CHURCH. IT'S GONNA BE A BEACH, 85 00:03:34,181 --> 00:03:37,217 SO I DON'T KNOW IF IT'S GONNA GO WITH YOUR MANKINI. 86 00:03:37,251 --> 00:03:39,219 YEAH. ALL RIGHT. AM I SUPPOSED TO GET YOU SOMETHING? 87 00:03:39,253 --> 00:03:40,954 NO. NO. NO. 88 00:03:40,988 --> 00:03:42,856 YOU JUST GOTTA BE THERE, BUD. 89 00:03:42,890 --> 00:03:45,426 YOU KNOW, MAKE SURE THAT I DON'T... (inhales deeply) 90 00:03:45,459 --> 00:03:47,661 MAKE TOO BIG OF A FOOL OF MYSELF. 91 00:03:47,695 --> 00:03:49,096 SO I HAVE TO DO MAGIC? 92 00:03:49,129 --> 00:03:50,998 OH, THAT'S FUNNY. 93 00:03:51,031 --> 00:03:53,166 OH, AND APPARENTLY, IT'S BAD LUCK 94 00:03:53,200 --> 00:03:55,202 TO, UH, GIVE A WATCH AS A GIFT, 95 00:03:55,235 --> 00:03:57,237 SO IF YOU WANNA THROW ME, LIKE, 5 OR 10 BUCKS, 96 00:03:57,271 --> 00:03:58,906 THEN TECHNICALLY, IT'S NOT A GIFT. 97 00:03:58,939 --> 00:04:00,173 10 BUCKS? 98 00:04:00,207 --> 00:04:02,443 YEAH. OR YOU BUY ME A ROUND. THEN WE'RE SQUARE. 99 00:04:02,476 --> 00:04:03,677 HERE YOU GO. 100 00:04:03,711 --> 00:04:04,978 THAT'S FUNNY. 101 00:04:05,012 --> 00:04:08,015 (police radio chatter) 102 00:04:10,618 --> 00:04:11,919 HEY, NASH. 103 00:04:11,952 --> 00:04:13,421 HAVE YOU SEEN McNALLY? 104 00:04:13,454 --> 00:04:14,755 NO, NOT THIS MORNING. 105 00:04:14,788 --> 00:04:15,856 NO? 106 00:04:15,889 --> 00:04:17,725 OKAY, LISTEN UP. 107 00:04:17,758 --> 00:04:19,460 FOR THOSE OF YOU WEREN'T THERE LAST NIGHT, 108 00:04:19,493 --> 00:04:20,928 LET ME BRING YOU UP TO SPEED. 109 00:04:20,961 --> 00:04:23,631 WE SENT OFFICER PECK UNDERCOVER ON A MISSING PERSONS CASE 110 00:04:23,664 --> 00:04:27,067 ONLY TO FIND OUT THAT PERSON WASN'T ACTUALLY MISSING. 111 00:04:27,100 --> 00:04:29,737 ON THE OTHER HAND, OFFICER EPSTEIN AND DIAZ 112 00:04:29,770 --> 00:04:32,139 FOLLOWED UP ON A POTENTIALLY RELATED COLD CASE, 113 00:04:32,172 --> 00:04:33,841 AND LATE LAST NIGHT, FOUND THE BODY 114 00:04:33,874 --> 00:04:37,811 OF NICOLE MARSHALL AT MOORE PARK. 115 00:04:37,845 --> 00:04:39,780 MARSHALL WAS A CALL GIRL 116 00:04:39,813 --> 00:04:41,782 THAT DID GO MISSING A MONTH AGO. 117 00:04:41,815 --> 00:04:43,083 WHERE WE AT WITH IT? 118 00:04:43,116 --> 00:04:44,552 WE'RE NOT. I MEAN, NOW THAT THERE'S A BODY, 119 00:04:44,585 --> 00:04:46,019 IT'S BEING HANDED OFF TO HOMICIDE. 120 00:04:46,053 --> 00:04:47,455 HAVE YOU SEEN McNALLY THIS MORNING? 121 00:04:47,488 --> 00:04:48,656 NO. NO? 122 00:04:48,689 --> 00:04:50,591 (beeps) 123 00:04:50,624 --> 00:04:53,627 (Frank speaking indistinctly) 124 00:04:57,097 --> 00:05:00,634 (telephone rings) 125 00:05:00,668 --> 00:05:04,505 (ring) 126 00:05:04,538 --> 00:05:08,376 (ring) 127 00:05:08,409 --> 00:05:12,346 (ring) 128 00:05:12,380 --> 00:05:15,015 (ring) 129 00:05:15,048 --> 00:05:16,149 HELLO? 130 00:05:16,183 --> 00:05:19,186 GOOD MORNING. UH, I'M SURE YOU AND PECK 131 00:05:19,219 --> 00:05:21,054 were staying up late last night painting each other's toenails, 132 00:05:21,088 --> 00:05:22,390 but you're supposed to be at work. 133 00:05:22,423 --> 00:05:23,957 SAM. 134 00:05:23,991 --> 00:05:26,760 SAM, IT'S GAIL. 135 00:05:28,729 --> 00:05:31,732 (sirens wailing) 136 00:05:34,802 --> 00:05:36,570 (camera shutter clicks, police radio chatter) 137 00:05:36,604 --> 00:05:38,238 HE MUST HAVE STUCK HER WITH SOMETHING. 138 00:05:38,271 --> 00:05:40,140 SHE'S GOT A NEEDLE MARK ON HER NECK. 139 00:05:43,043 --> 00:05:45,045 ANY DIZZINESS OR NAUSEA? 140 00:05:45,078 --> 00:05:47,381 NO. JUST A HEADACHE. 141 00:05:48,916 --> 00:05:51,785 ALL RIGHT, FOLKS, THE LAB MAKES THIS TOP PRIORITY, 142 00:05:51,819 --> 00:05:53,053 SO EVERYTHING GETS COPIED 143 00:05:53,086 --> 00:05:54,622 TO HEADQUARTERS AND ALL DIVISIONS. YEAH? 144 00:05:54,655 --> 00:05:56,590 ANDY, YOU OKAY? 145 00:05:56,624 --> 00:05:58,025 YEAH. 146 00:05:58,892 --> 00:06:01,395 McNALLY, YOU ABLE TO WALK THROUGH IT? 147 00:06:01,429 --> 00:06:05,265 YEAH, UM, I-I CAME HOME, UM... 148 00:06:06,967 --> 00:06:09,369 I-I COULDN'T HAVE BEEN, YOU KNOW, 149 00:06:09,403 --> 00:06:11,572 LATER THAN TEN MINUTES AFTER GAIL GOT HERE. 150 00:06:11,605 --> 00:06:13,707 BUT IT WAS DARK, 151 00:06:13,741 --> 00:06:15,809 AND THE LAMP WAS ON THE GROUND. 152 00:06:15,843 --> 00:06:18,145 GAIL WAS LYING RIGHT OVER THERE, 153 00:06:18,178 --> 00:06:20,013 AND WHEN I CHECKED HER, WHEN I FLIPPED HER OVER, 154 00:06:20,047 --> 00:06:21,849 SHE WAS UNCONSCIOUS, SHE HAD, UH, BLOOD ON HER FACE, 155 00:06:21,882 --> 00:06:24,017 AND HER HANDS WERE ZIP-TIED. 156 00:06:24,918 --> 00:06:26,520 UM, THAT'S--THAT'S WHEN HE-- 157 00:06:26,554 --> 00:06:29,022 HE GRABBED ME AND HE... 158 00:06:29,056 --> 00:06:32,025 I DON'T--I DON'T KNOW. THAT'S ALL I CAN REMEMBER. 159 00:06:32,059 --> 00:06:33,160 DID YOU SEE HIS FACE? 160 00:06:33,193 --> 00:06:34,928 NOPE. 161 00:06:34,962 --> 00:06:36,864 I MEAN, I KNOW THAT HE WAS STRONGER THAN ME. 162 00:06:36,897 --> 00:06:38,031 HE WAS TALLER THAN ME. 163 00:06:38,065 --> 00:06:40,434 I MEAN, I TRIED TO FIGHT HIM OFF. 164 00:06:40,468 --> 00:06:42,235 DO YOU HAVE ANY IDEA WHAT HE SHOT HER UP WITH? 165 00:06:42,269 --> 00:06:44,705 THERE'S NO WAY TO TELL WITHOUT A BLOOD TEST. 166 00:06:44,738 --> 00:06:47,407 ALL RIGHT, ANDY, YOU'RE GONNA GO TO THE HOSPITAL, OKAY? 167 00:06:47,441 --> 00:06:48,842 NO. NO. 168 00:06:48,876 --> 00:06:50,711 LISTEN, WE NEED TO FOCUS ON GAIL. 169 00:06:50,744 --> 00:06:52,746 IF THE DRUG IS STILL IN YOUR BLOOD, IT'S EVIDENCE. 170 00:06:52,780 --> 00:06:54,548 IT MIGHT BE THE FASTEST WAY TO FIND HER. 171 00:06:54,582 --> 00:06:56,183 COME ON. 172 00:06:56,216 --> 00:06:57,851 LET'S GET YOU CHANGED. I'LL GO WITH YOU. 173 00:07:02,389 --> 00:07:04,958 (exhales deeply, lowered voice) HE CAME PREPARED, 174 00:07:04,992 --> 00:07:07,094 YOU KNOW, ZIP TIES, SOME KIND OF SEDATIVE. 175 00:07:07,127 --> 00:07:08,929 McNALLY MUST HAVE SURPRISED HIM. 176 00:07:08,962 --> 00:07:10,998 SHE'S LUCKY HE DIDN'T GRAB HER, TOO. 177 00:07:11,031 --> 00:07:12,332 (exhales deeply) 178 00:07:13,701 --> 00:07:15,368 (man) WHAT'S YOUR 20? 179 00:07:15,402 --> 00:07:17,671 (police radio chatter) 180 00:07:17,705 --> 00:07:19,473 WHAT'S GOING ON? 181 00:07:19,507 --> 00:07:21,208 PLEASE. I-I GOTTA GET IN THERE. 182 00:07:21,241 --> 00:07:22,843 DIAZ, YOU GOTTA CALM DOWN, PAL. 183 00:07:22,876 --> 00:07:24,978 IT'S GAIL. I KNOW. ALL THE MORE REASON 184 00:07:25,012 --> 00:07:26,780 NOT TO STORM IN THERE AND CONTAMINATE THE SCENE. 185 00:07:26,814 --> 00:07:28,716 WE'RE GONNA GET THIS RIGHT, OKAY? 186 00:07:28,749 --> 00:07:30,050 HOW'S ANDY? 187 00:07:30,083 --> 00:07:31,985 SHE'S OKAY. SAM IS WITH HER. 188 00:07:32,019 --> 00:07:33,787 (sirens whoop) 189 00:07:33,821 --> 00:07:35,789 CANVASSED THE NEIGHBORS. NO ONE SAW ANYTHING. 190 00:07:35,823 --> 00:07:37,725 ALL RIGHT, THEN YOU KEEP CANVASSING. 191 00:07:37,758 --> 00:07:39,459 NEXT BLOCK, BLOCK AFTER THAT. YOU TALK TO EVERYBODY. 192 00:07:39,493 --> 00:07:41,294 NO DETAIL IS TOO SMALL. 193 00:07:41,328 --> 00:07:42,830 ALL RIGHT? KEEP IT TOGETHER. 194 00:07:42,863 --> 00:07:44,264 ALL RIGHT? 195 00:07:44,297 --> 00:07:46,166 ON IT. 196 00:07:46,199 --> 00:07:49,136 COME ON, PEOPLE. LET'S MOVE IT BACK. 197 00:07:49,169 --> 00:07:51,605 WRONG DAY TO PISS ME OFF. 198 00:07:54,241 --> 00:07:56,209 NOELLE, YOU DON'T NEED TO BE HERE. 199 00:07:56,243 --> 00:07:58,646 MISSING OFFICER. WE ALL NEED TO BE HERE. 200 00:07:58,679 --> 00:08:01,214 WE GOT ANYTHING? 201 00:08:01,248 --> 00:08:04,384 FRANK, HER WHOLE FAMILY'S POLICE. THEY'RE GONNA FIND OUT. 202 00:08:04,417 --> 00:08:07,721 HER BROTHER'S IN DEEP COVER. I'LL HAVE HIS HANDLER GET WORD. 203 00:08:07,755 --> 00:08:10,223 NO SURVEILLANCE CAMERAS. 204 00:08:10,257 --> 00:08:12,960 (sirens continue wailing) 205 00:08:12,993 --> 00:08:15,963 SIR, ANDY'S GIVEN HER STATEMENT. 206 00:08:15,996 --> 00:08:17,698 I'M GOING WITH HER TO MEMORIAL. 207 00:08:17,731 --> 00:08:19,833 LOOK, SIR, I'M REALLY SORRY. 208 00:08:19,867 --> 00:08:20,968 WHAT? 209 00:08:21,001 --> 00:08:22,369 I JUST SHOULD'VE FOUGHT HARDER. 210 00:08:22,402 --> 00:08:24,004 I MEAN, SHE WAS IN MY APARTMENT, AND-- 211 00:08:24,037 --> 00:08:26,574 McNALLY. DON'T. WE ARE GOING TO FIND HER. 212 00:08:26,607 --> 00:08:30,310 EVERY OFFICER IN THE CITY IS GONNA BE ON THIS UNTIL WE DO. 213 00:08:30,343 --> 00:08:31,478 OKAY? 214 00:08:31,511 --> 00:08:32,580 NASH. YEAH? 215 00:08:32,613 --> 00:08:34,314 WE'LL GO IN MY SQUAD CAR. 216 00:08:34,347 --> 00:08:36,750 HEY. A-ARE YOU SURE YOU DON'T WANT ME TO GO WITH YOU? 217 00:08:36,784 --> 00:08:38,852 YEAH. 218 00:08:38,886 --> 00:08:41,221 (siren wails) 219 00:08:47,227 --> 00:08:48,729 WHAT'S HE DOING HERE? 220 00:08:48,762 --> 00:08:51,231 OKAY, LOOK, LUKE CAUGHT THE NICOLE MARSHALL CASE. 221 00:08:51,264 --> 00:08:53,000 IT'S THE SAME M.O. AS PECK. 222 00:08:53,033 --> 00:08:55,002 A BLONDE CALL GIRL TAKEN FROM HER APARTMENT. 223 00:08:55,035 --> 00:08:56,637 WE HAVE TO CONSIDER THAT THEY'RE CONNECTED. 224 00:08:56,670 --> 00:08:57,638 CALLAGHAN. 225 00:08:57,671 --> 00:08:58,672 HOW LONG SHE BEEN GONE? 226 00:08:58,706 --> 00:09:01,074 McNALLY SAW HER JUST AFTER 2:00 A.M. 227 00:09:02,375 --> 00:09:04,878 CORONER'S STILL WITH THE BODY, BUT NICOLE MARSHALL HAD, UH, 228 00:09:04,912 --> 00:09:06,446 WOUNDS ON HER THAT HAD STARTED TO HEAL. 229 00:09:06,479 --> 00:09:07,681 SO HE KEPT HER ALIVE? 230 00:09:07,715 --> 00:09:08,949 ABOUT 24 HOURS. 231 00:09:08,982 --> 00:09:11,418 OKAY, SO IT'S THE SAME GUY WE'VE GOT. 232 00:09:11,451 --> 00:09:13,787 WE GOT 14 HOURS. 233 00:09:13,821 --> 00:09:16,089 ALL RIGHT, LET'S GET MOVING. 234 00:09:27,134 --> 00:09:30,103 (breathing heavily) 235 00:09:30,137 --> 00:09:33,774 *** 236 00:09:36,076 --> 00:09:39,346 (woman speaks indistinctly over P.A.) 237 00:09:39,379 --> 00:09:41,782 (exhales deeply) 238 00:09:41,815 --> 00:09:43,016 YOU OKAY? 239 00:09:43,050 --> 00:09:44,652 YEAH, I JUST GOTTA SIT DOWN. 240 00:09:44,685 --> 00:09:46,854 I ALWAYS GOTTA SIT DOWN. 241 00:09:46,887 --> 00:09:48,922 SWOLLEN ANKLES. SORE BACK. 242 00:09:48,956 --> 00:09:50,691 HOW DID YOU HANDLE THIS? 243 00:09:50,724 --> 00:09:51,759 I WAS 17. 244 00:09:51,792 --> 00:09:53,193 RIGHT. 245 00:09:53,226 --> 00:09:55,395 HEY. UH, WHAT DID THEY SAY? 246 00:09:55,428 --> 00:09:58,531 UH, SOME KIND OF TRANQUILIZER. UH, BLOOD'S GONE TO THE LAB. 247 00:09:58,565 --> 00:10:00,033 THEY SHOULD HAVE AN ANSWER IN A COUPLE HOURS. 248 00:10:00,067 --> 00:10:02,435 AND YOU? I'M FINE. HOSPITAL CLEARED ME. 249 00:10:02,469 --> 00:10:04,437 I GUESS NOW WE JUST HAVE TO WAIT FOR THE RESULTS. 250 00:10:04,471 --> 00:10:06,339 UH, YEAH. REALLY, I'M FINE. 251 00:10:06,373 --> 00:10:07,675 I'M GONNA GET BACK TO WORK. 252 00:10:07,708 --> 00:10:08,709 ANDY. 253 00:10:08,742 --> 00:10:11,812 LOOK, GAIL IS MISSING. OKAY, I GOTTA GO. 254 00:10:11,845 --> 00:10:13,814 BLOOD WORK'S GONNA TAKE A WHILE. 255 00:10:13,847 --> 00:10:17,117 I MEAN, IF I COULD GET UP, I'D BE OUT THERE MYSELF. 256 00:10:17,150 --> 00:10:19,019 OKAY. FINE. BUT LET ME CALL FOR A RELAY. 257 00:10:19,052 --> 00:10:20,788 I'LL HAVE A SQUAD CAR MEET YOU OUTSIDE, 258 00:10:20,821 --> 00:10:22,155 TAKE YOU TO THE STATION. ALL RIGHT. 259 00:10:22,189 --> 00:10:23,456 OKAY. 260 00:10:23,490 --> 00:10:25,192 ALL RIGHT, LISTEN UP. 261 00:10:25,225 --> 00:10:26,694 SOME OF YOU MAY KNOW, 262 00:10:26,727 --> 00:10:30,497 LAST NIGHT WE RAN A STING OPERATION AT THE ARCHER HOTEL. 263 00:10:30,530 --> 00:10:33,200 OFFICER PECK WAS THE BAIT. 264 00:10:33,233 --> 00:10:34,802 JUST AFTER 2:00 A.M., 265 00:10:34,835 --> 00:10:37,570 OFFICER McNALLY AND PECK WERE ASSAULTED 266 00:10:37,604 --> 00:10:40,007 AT McNALLY'S HOME. 267 00:10:40,040 --> 00:10:41,274 PECK WAS ABDUCTED. 268 00:10:41,308 --> 00:10:42,275 NO WITNESSES. 269 00:10:42,309 --> 00:10:44,678 SAME M.O. AS NICOLE MARSHALL-- 270 00:10:44,712 --> 00:10:46,613 BLONDE CALL GIRL LAST SEEN AT THE ARCHER. 271 00:10:46,646 --> 00:10:48,348 OUR PRIME SUSPECT WAS 272 00:10:48,381 --> 00:10:51,084 THE SUBJECT OF LAST NIGHT'S OPERATION. 273 00:10:51,118 --> 00:10:52,886 ONE CHARLES DAVIS, AGE 32, 274 00:10:52,920 --> 00:10:55,588 OWNER OF A BIO SOFTWARE COMPANY, 275 00:10:55,622 --> 00:10:57,825 AND LAST KNOWN CLIENT OF NICOLE MARSHALL. 276 00:10:57,858 --> 00:10:59,326 YOU BROUGHT THAT GUY IN LAST NIGHT. 277 00:10:59,359 --> 00:11:00,427 YEAH, AND WE LET HIM GO 278 00:11:00,460 --> 00:11:02,295 ABOUT AN HOUR BEFORE PECK WENT MISSING. 279 00:11:02,329 --> 00:11:05,799 BUT IF YOU GRABBED HIM, HE KNOWS GAIL'S POLICE. 280 00:11:05,833 --> 00:11:07,901 PREDATORS LIKE THAT ARE ARROGANT. 281 00:11:07,935 --> 00:11:09,202 THE FACT THAT SHE'S A COP 282 00:11:09,236 --> 00:11:10,570 MIGHT MAKE IT THAT MUCH MORE OF A THRILL. 283 00:11:10,603 --> 00:11:12,773 WE'RE WAITING FOR A WARRANT, 284 00:11:12,806 --> 00:11:16,009 AND DETECTIVE CALLAGHAN'S GONNA BE HANDLING THE MARSHALL ANGLE. 285 00:11:16,043 --> 00:11:17,845 DIAZ, COLLINS, 286 00:11:17,878 --> 00:11:20,881 YOU HELP HIM OUT. ANYTHING HE NEEDS. 287 00:11:20,914 --> 00:11:22,649 ALL RIGHT. LET'S GO. 288 00:11:24,084 --> 00:11:25,485 (Jerry) COLLINS. 289 00:11:25,518 --> 00:11:28,355 (indistinct conversations) 290 00:11:32,826 --> 00:11:35,428 WE RECOVERED PECK'S PHONE AT THE SCENE, 291 00:11:35,462 --> 00:11:39,166 AND IT SHOWS 2 CALLS TO YOU AT 1:46 AND 2:05. 292 00:11:39,199 --> 00:11:40,768 SO WHAT WAS THAT ABOUT? 293 00:11:40,801 --> 00:11:42,836 SHE LEFT ME A COUPLE MESSAGES. WANTED TO SEE ME. 294 00:11:42,870 --> 00:11:45,272 YOU DIDN'T GO SEE HER? 295 00:11:45,305 --> 00:11:48,909 ACTUALLY, UH, I DIDN'T CHECK MY PHONE TILL THIS MORNING. 296 00:11:48,942 --> 00:11:51,578 ALL RIGHT. I'M GONNA NEED THE MESSAGES, 297 00:11:51,611 --> 00:11:53,246 'CAUSE WE GOTTA PUT A TIME LINE TOGETHER FOR PECK. 298 00:11:53,280 --> 00:11:54,581 YES, SIR. YEAH. 299 00:11:54,614 --> 00:11:56,383 ABSOLUTELY. 300 00:11:56,416 --> 00:11:57,717 GOOD. 301 00:12:01,054 --> 00:12:02,990 DETECTIVE CALLAGHAN, WHAT CAN I DO TO HELP? 302 00:12:03,023 --> 00:12:04,691 GRAB A BOX. 303 00:12:04,724 --> 00:12:06,994 I.D.E.N.T. HASN'T FOUND ANYTHING OVER AT ANDY'S PLACE YET, 304 00:12:07,027 --> 00:12:08,829 BUT WE KNOW THIS GUY. HE USED GLOVES, 305 00:12:08,862 --> 00:12:11,098 ZIP TIES, SOME KIND OF SEDATIVE. 306 00:12:11,131 --> 00:12:13,433 GUY THIS ORGANIZED, IT'S NOT HIS FIRST TIME. 307 00:12:13,466 --> 00:12:15,468 I WANT YOU TO GO THROUGH THESE UNSOLVED CASES. 308 00:12:15,502 --> 00:12:16,870 LOOK FOR ANYTHING THAT POPS, 309 00:12:16,904 --> 00:12:19,907 SO ASSAULTS INVOLVING NEEDLES, INJECTIONS, CALL GIRLS. 310 00:12:19,940 --> 00:12:21,608 SIR, HOW IS THAT GONNA HELP US FIND GAIL? 311 00:12:21,641 --> 00:12:24,411 IT'S CALLED POLICE WORK, OFFICER... 312 00:12:24,444 --> 00:12:25,879 COLLINS. COLLINS. 313 00:12:25,913 --> 00:12:27,114 IF WE BRING IN CHARLIE DAVIS, 314 00:12:27,147 --> 00:12:28,415 HE'S GOT GAIL LOCKED UP SOMEWHERE, 315 00:12:28,448 --> 00:12:30,383 WE'RE GONNA NEED ALL THE LEVERAGE WE CAN GET. 316 00:12:30,417 --> 00:12:33,821 THE MORE WE CAN TIE TO HIM, BETTER CHANCE WE HAVE. 317 00:12:33,854 --> 00:12:36,189 YOU GUYS ALREADY HAD TO LET HIM GO ONCE. 318 00:12:36,223 --> 00:12:37,958 LET'S MAKE SURE THAT DOESN'T HAPPEN AGAIN. 319 00:12:43,630 --> 00:12:44,998 ALL RIGHT. 320 00:12:45,032 --> 00:12:47,134 THIS WARRANT COVERS ALL OF DAVIS' PROPERTIES. 321 00:12:47,167 --> 00:12:48,768 TEAM ONE, YOU'RE ON THE HOUSE. 322 00:12:48,802 --> 00:12:50,537 TEAM TWO, YOU'RE SEARCHING THE BOAT AT THE MARINA. 323 00:12:50,570 --> 00:12:52,339 TEAM THREE, WE GOT THE OFFICE. 324 00:12:52,372 --> 00:12:57,377 NOW ANYONE FINDS ANYTHING, YOU CALL IT IN IMMEDIATELY. 325 00:12:57,410 --> 00:12:58,812 ALL RIGHT. LET'S GO. 326 00:13:00,380 --> 00:13:03,183 ALL RIGHT, E.T.F.'s MOVING OUT THREE T.A.C. TEAMS. 327 00:13:03,216 --> 00:13:04,317 THEY'LL MEET US THERE. 328 00:13:04,351 --> 00:13:05,385 OKAY. 329 00:13:05,418 --> 00:13:07,320 McNALLY. 330 00:13:07,354 --> 00:13:08,688 WHAT ARE YOU DOING HERE? 331 00:13:08,721 --> 00:13:10,290 THE HOSPITAL CLEARED ME. 332 00:13:10,323 --> 00:13:12,359 NOELLE AND TRACI ARE WAITING ON THE A LITTLE BIT RESULTS. 333 00:13:12,392 --> 00:13:14,727 ANDY, YOU DON'T HAVE TO DO THIS, OKAY? 334 00:13:14,761 --> 00:13:16,396 YOU WERE ASSAULTED AND DRUGGED. 335 00:13:16,429 --> 00:13:17,497 LET HER WORK. 336 00:13:17,530 --> 00:13:19,499 COME ON. ANDY'S THE ONLY PERSON 337 00:13:19,532 --> 00:13:22,135 WE KNOW FOR SURE WHO'S HAD ANY CONTACT WITH THIS GUY. 338 00:13:22,169 --> 00:13:24,071 HOSPITAL SAID SHE'S OKAY. LET HER DO HER JOB. 339 00:13:24,104 --> 00:13:25,638 WE NEED EVERYONE WE CAN GET, RIGHT? 340 00:13:25,672 --> 00:13:28,608 FINE. BUT I DON'T WANT YOU ANYWHERE NEAR THAT SEARCH. 341 00:13:28,641 --> 00:13:30,343 OKAY. 342 00:13:32,245 --> 00:13:34,014 YOU GOOD? I'M GOOD, JERRY. 343 00:13:34,047 --> 00:13:35,916 OKAY. HEAD OVER TO THE ARCHER. SEE IF ANYONE SAW CHARLIE DAVIS 344 00:13:35,949 --> 00:13:38,318 BACK THERE AFTER WE RELEASED HIM. OKAY. 345 00:13:38,351 --> 00:13:39,819 I'LL GET A RIDE WITH McNALLY, ALL RIGHT? 346 00:13:39,853 --> 00:13:41,821 OKAY. 347 00:13:41,855 --> 00:13:43,156 GREAT TO HAVE YOU BACK, BUDDY. 348 00:13:46,126 --> 00:13:48,896 UM, THANKS FOR THAT. 349 00:13:48,929 --> 00:13:50,998 I'M JUST HERE TILL WE FIND HER. 350 00:13:59,907 --> 00:14:02,809 WHY DIDN'T YOU ANSWER THE PHONE? 351 00:14:02,842 --> 00:14:05,012 WHEN GAIL CALLED YOU LAST NIGHT, WHY DIDN'T YOU ANSWER? 352 00:14:05,045 --> 00:14:08,215 I WAS TIRED. WE CALL EACH OTHER A LOT. 353 00:14:08,248 --> 00:14:09,883 I THOUGHT IT WASN'T IMPORTANT. 354 00:14:09,917 --> 00:14:12,152 (scoffs) WHY? 'CAUSE YOU'RE FRIENDS WITH BENEFITS? 355 00:14:12,185 --> 00:14:13,486 IS THAT ONE OF THE BENEFITS? 356 00:14:13,520 --> 00:14:15,188 YOU--YOU DON'T NEED TO BE THERE WHEN SOMEBODY NEEDS YOU? 357 00:14:15,222 --> 00:14:16,623 LOOK, YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 358 00:14:16,656 --> 00:14:17,891 I KNOW GAIL DESERVES BETTER. 359 00:14:17,925 --> 00:14:20,527 (scoffs) RIGHT. BETTER. LIKE YOU. 360 00:14:20,560 --> 00:14:22,395 YEAH, SOMEBODY WHO ACTUALLY CARES ABOUT HER. 361 00:14:22,429 --> 00:14:24,231 SOMEBODY WHO'D ANSWER THE PHONE WHEN SHE CALLS. 362 00:14:24,264 --> 00:14:25,665 SOMEBODY WHO WOULD NEVER LET THIS HAPPEN TO HER. 363 00:14:25,698 --> 00:14:27,267 OH, YOU THINK THIS IS MY FAULT? YOU DON'T? 364 00:14:27,300 --> 00:14:29,369 YOU WANT TO HIT ME? HIT ME. 365 00:14:29,402 --> 00:14:31,438 THAT'S NOT GONNA HELP US FIND HER. 366 00:14:37,344 --> 00:14:38,979 WE NEED TO TALK TO ALL OF YOUR EMPLOYEES, 367 00:14:39,012 --> 00:14:40,547 EVERYBODY WHO WAS ON SHIFT LAST NIGHT. 368 00:14:40,580 --> 00:14:42,349 THEN I'M AFRAID YOU'RE GOING TO HAVE TO COME BACK. 369 00:14:42,382 --> 00:14:44,517 THE EVENING SHIFT DOESN'T BEGIN FOR ANOTHER SIX HOURS. 370 00:14:44,551 --> 00:14:46,186 WHAT ARE YOU STILL DOING HERE? 371 00:14:46,219 --> 00:14:47,988 IT'S CONFERENCE SEASON. I HAVEN'T EVEN BEEN HOME YET. 372 00:14:48,021 --> 00:14:50,257 WHAT'S THIS ABOUT? PART OF OUR INVESTIGATION. 373 00:14:50,290 --> 00:14:52,492 I ALREADY TOLD DETECTIVE BARBER, THIS HOTEL IS NOT RESPONSIBLE 374 00:14:52,525 --> 00:14:55,062 FOR ACTIVITY THAT TAKES PLACE BETWEEN CONSENTING ADULTS. 375 00:14:55,095 --> 00:14:56,997 OKAY, LOOK, WE NEED TO KNOW IF YOU'VE SEEN THIS MAN 376 00:14:57,030 --> 00:14:58,765 BETWEEN 1:30 AND 2:00 A.M. 377 00:14:58,798 --> 00:14:59,899 I THOUGHT YOU ARRESTED HIM. 378 00:14:59,933 --> 00:15:01,768 HE ABDUCTED ONE OF OUR OFFICERS LAST NIGHT. 379 00:15:01,801 --> 00:15:03,370 WHAT? 380 00:15:03,403 --> 00:15:05,805 YEAH. WE THINK THAT HE CAME BACK AND HE FOLLOWED HER FROM HERE. 381 00:15:05,838 --> 00:15:08,808 YOUR SECURITY CAMERAS-- DO THEY RECORD TO A HARD DRIVE? 382 00:15:08,841 --> 00:15:11,378 YES. YES. UH, IT HOLDS 30 DAYS' WORTH OF FOOTAGE. 383 00:15:11,411 --> 00:15:13,613 GREAT. GET IT ALL, PLEASE. WE'LL NEED EVERYTHING. 384 00:15:13,646 --> 00:15:14,747 OKAY. 385 00:15:16,683 --> 00:15:18,585 YEAH. I GOT CHARLIE DAVIS RIGHT HERE. 386 00:15:18,618 --> 00:15:21,955 WE GRABBED HIM FROM HIS OFFICE, AND WE BROUGHT HIM IN. 387 00:15:27,227 --> 00:15:29,963 NO, WE DIDN'T FIND ANYTHING. WHAT ABOUT THE BOAT? 388 00:15:31,698 --> 00:15:34,267 (door beeps and buzzes) 389 00:15:34,301 --> 00:15:36,069 OKAY, CHARLIE. 390 00:15:38,005 --> 00:15:40,307 I'M GETTING A LITTLE TIRED OF THIS. 391 00:15:40,340 --> 00:15:42,242 SO WHY DON'T YOU TELL ME WHERE MY OFFICER IS? 392 00:15:44,144 --> 00:15:45,778 LOOK... 393 00:15:47,480 --> 00:15:49,449 IF SHE'S OKAY, 394 00:15:49,482 --> 00:15:51,484 I'M GONNA MAKE IT CLEAR THAT YOU COOPERATED. 395 00:15:51,518 --> 00:15:54,988 I TOLD YOU, I DON'T KNOW WHERE THAT BITCH IS. 396 00:15:55,022 --> 00:15:57,724 (grunts) 397 00:15:57,757 --> 00:16:00,627 (filtered voice) I SWEAR TO GOD, IF ANYTHING HAPPENED TO HER, 398 00:16:00,660 --> 00:16:02,595 I MEAN, IF YOU HURT HER IN ANY WAY, 399 00:16:02,629 --> 00:16:04,197 THAT WON'T BE ANYTHING 400 00:16:04,231 --> 00:16:06,166 COMPARED TO THE PAIN THAT I'M GONNA BRING DOWN ON YOU. 401 00:16:06,199 --> 00:16:09,169 (grunts) HEY. HEY, I WAS HERE LAST NIGHT. 402 00:16:09,202 --> 00:16:11,371 ALL RIGHT? I WAS IN THIS CHAIR. 403 00:16:11,404 --> 00:16:14,941 AND THEN I WENT HOME. THERE ARE CAMERAS ALL OVER MY HOUSE. 404 00:16:14,974 --> 00:16:17,144 CHECK WITH THE SECURITY COMPANY. THEY'LL CONFIRM IT. 405 00:16:18,578 --> 00:16:20,413 LOOK, I... (groans) 406 00:16:20,447 --> 00:16:23,183 I KNOW THIS MUST BE EMBARRASSING FOR YOU, 407 00:16:23,216 --> 00:16:26,719 SCREWING UP TWICE IN 24 HOURS. 408 00:16:26,753 --> 00:16:31,991 (pants) BUT WHOEVER GRABBED THAT COP LAST NIGHT, 409 00:16:32,025 --> 00:16:33,526 IT WASN'T ME. 410 00:16:33,560 --> 00:16:36,063 (sighs) 411 00:16:36,096 --> 00:16:38,531 (rattling) 412 00:16:38,565 --> 00:16:40,433 YOU KNOW, DETECTIVE, I HOPE YOU HAVE OTHER INTERESTS 413 00:16:40,467 --> 00:16:45,238 OUTSIDE THIS JOB, BECAUSE ONCE MY LAWYERS ARE DONE WITH YOU, 414 00:16:45,272 --> 00:16:46,806 YOU'RE NOT GONNA HAVE IT ANYMORE. 415 00:16:46,839 --> 00:16:48,708 (door beeps and buzzes) 416 00:16:58,051 --> 00:16:59,919 (door opens) 417 00:17:13,133 --> 00:17:15,468 WHERE AM I? 418 00:17:16,536 --> 00:17:18,471 AH. 419 00:17:18,505 --> 00:17:20,440 YOU'RE AWAKE. 420 00:17:20,473 --> 00:17:23,410 WHAT'S--WHAT'S IN MY ARM? (water running) 421 00:17:26,279 --> 00:17:29,048 I'M JUST TRYING TO KEEP YOU HYDRATED. 422 00:17:30,817 --> 00:17:35,122 THAT SEDATIVE CAN GIVE YOU AN AWFUL HEADACHE. 423 00:17:35,155 --> 00:17:36,956 YEAH. 424 00:17:36,989 --> 00:17:39,926 SO WILL SMASHING YOUR ELBOW IN MY FACE. 425 00:17:40,993 --> 00:17:43,130 SORRY THAT HAD TO HAPPEN. 426 00:17:44,597 --> 00:17:46,966 DON'T WORRY, THOUGH. 427 00:17:46,999 --> 00:17:49,936 I'M GONNA GET YOU ALL FIXED UP. 428 00:17:51,003 --> 00:17:54,407 YOU KNOW, FOR SOMEONE WHO'S TRYING TO SCARE ME, 429 00:17:54,441 --> 00:17:57,210 IT SOUNDS LIKE YOU'RE WEARING TAP SHOES. 430 00:17:59,612 --> 00:18:01,948 THEY'RE ACTUALLY... 431 00:18:02,615 --> 00:18:04,884 WING TIPS. 432 00:18:04,917 --> 00:18:06,319 I TAKE IT BACK. 433 00:18:07,287 --> 00:18:09,622 WING TIPS ARE TERRIFYING. 434 00:18:14,361 --> 00:18:17,397 I THINK... MAYBE... 435 00:18:17,430 --> 00:18:19,299 YOU WOKE UP TOO EARLY. 436 00:18:20,500 --> 00:18:22,802 YOU SHOULD REALLY GET SOME REST. WHAT ARE YOU DOING? 437 00:18:22,835 --> 00:18:24,771 NO. WAIT. WAIT. WAIT. WAIT. WAIT. WAIT. WAIT. 438 00:18:24,804 --> 00:18:26,673 WHAT ARE YOU DOING? WHAT ARE YOU DOING? SHH. SHH. SHH. JUST RELAX. 439 00:18:26,706 --> 00:18:29,576 JUST... RELAX. 440 00:18:31,878 --> 00:18:34,314 I'M GONNA TAKE CARE OF YOU. 441 00:18:36,716 --> 00:18:38,117 THIS IS EVERYTHING FROM THE ARCHER. 442 00:18:38,151 --> 00:18:40,387 THERE'S NO SIGN THAT DAVIS CAME BACK AFTER WE GRABBED HIM. 443 00:18:40,420 --> 00:18:43,089 NOTHING ON CAMERA ANYWAY. THE COVERAGE IS PRETTY CRAPPY. 444 00:18:43,122 --> 00:18:44,924 WELL, THE SEARCH AT DAVIS' PLACE DIDN'T TURN UP ANYTHING. 445 00:18:44,957 --> 00:18:46,226 WHAT ABOUT HIS ALIBI? 446 00:18:46,259 --> 00:18:48,495 IT CHECKS OUT. SECURITY COMPANY HAS HIM HOME 447 00:18:48,528 --> 00:18:50,330 15 MINUTES AFTER WE RELEASED HIM. 448 00:18:50,363 --> 00:18:51,631 I MEAN, THE GUY WAS HOME ALL NIGHT. 449 00:18:51,664 --> 00:18:55,368 SO WE'RE BACK TO ZERO. NO CLOSER TO FINDING GAIL. 450 00:18:55,402 --> 00:18:58,070 WELL, WE EXPAND OUR SEARCH. LOOK FOR ANOTHER SUSPECT. 451 00:18:58,104 --> 00:19:00,006 LUKE, TELL ME YOU GOT SOMETHING. 452 00:19:00,039 --> 00:19:01,608 MAYBE. 453 00:19:01,641 --> 00:19:02,909 OKAY, YEAH, I'LL TAKE A "MAYBE." 454 00:19:02,942 --> 00:19:04,577 DIAZ AND THE NEW KID FOUND A COUPLE OF BODIES 455 00:19:04,611 --> 00:19:07,280 RELATED TO SOME OLD CASES. IT'S NOT EXACTLY ON PATTERN, BUT-- 456 00:19:07,314 --> 00:19:08,615 CALL GIRLS? 457 00:19:08,648 --> 00:19:09,916 NO. ONE OF THE VICTIMS HAD BEEN TRANQUILIZED 458 00:19:09,949 --> 00:19:12,319 WITH A MIXTURE OF KETAMINE AND ACEPROMAZINE. 459 00:19:12,352 --> 00:19:14,321 I TRACED HER BACK TO A DINNER RESERVATION 460 00:19:14,354 --> 00:19:16,223 AT THE ARCHER HOTEL THE NIGHT SHE DISAPPEARED. 461 00:19:16,256 --> 00:19:17,657 SO THE CONNECTION'S THE HOTEL. 462 00:19:17,690 --> 00:19:18,991 LIKE I SAID, MAYBE. 463 00:19:19,025 --> 00:19:21,127 SOMEONE WHO WORKS THERE. MAKES SENSE. 464 00:19:21,160 --> 00:19:23,330 OKAY, THE ONLY STAFF THAT KNEW IT WAS A STING OPERATION 465 00:19:23,363 --> 00:19:25,298 WAS CRONE, THE MANAGER. 466 00:19:25,332 --> 00:19:27,500 EVERYONE ELSE THOUGHT IT WAS BUSINESS AS USUAL. 467 00:19:27,534 --> 00:19:29,101 STAFF WOULD BE THE PERFECT COVER. 468 00:19:29,135 --> 00:19:30,737 LOTS OF OPPORTUNITY TO PICK A TARGET. 469 00:19:30,770 --> 00:19:32,772 SURE. MAKE CASUAL CONVERSATION, 470 00:19:32,805 --> 00:19:34,441 BUT NOBODY REALLY NOTICES YOU'RE THERE. 471 00:19:34,474 --> 00:19:36,476 AND THEY KNOW EXACTLY WHERE THE CAMERAS ARE 472 00:19:36,509 --> 00:19:40,547 AND HOW NOT TO BE SEEN IF THEY FOLLOW SOMEBODY HOME. 473 00:19:40,580 --> 00:19:44,584 (indistinct conversations) 474 00:19:45,485 --> 00:19:46,853 (groans) 475 00:19:46,886 --> 00:19:48,020 IT'S BRAXTON HICKS. 476 00:19:48,054 --> 00:19:49,322 WHAT? 477 00:19:49,356 --> 00:19:51,258 FALSE LABOR. 478 00:19:51,291 --> 00:19:52,992 IT'S THE DRESS REHEARSAL BEFORE THE BIG SHOW. 479 00:19:53,025 --> 00:19:54,661 I HAD 'EM FOR WEEKS. 480 00:19:54,694 --> 00:19:59,532 YEAH. WELL, MR. BRAXTON HICKS CAN KISS MY PREGNANT ASS. 481 00:19:59,566 --> 00:20:01,534 THESE JUST KEEP GETTING WORSE. 482 00:20:01,568 --> 00:20:02,602 SINCE WHEN? 483 00:20:02,635 --> 00:20:04,604 OH, LAST NIGHT. 484 00:20:04,637 --> 00:20:06,739 FRANK ORDERED THAI FOOD, AND THEY HAVEN'T STOPPED SINCE. 485 00:20:08,040 --> 00:20:11,711 WELL, FALSE LABOR'S NOT SUPPOSED TO LAST THAT LONG. 486 00:20:11,744 --> 00:20:13,680 NOELLE. 487 00:20:13,713 --> 00:20:15,415 THIS COULD BE THE REAL THING. 488 00:20:15,448 --> 00:20:18,184 NO. NO WAY. NOT TODAY. 489 00:20:18,217 --> 00:20:20,820 NOT WITH GAIL OUT THERE SOMEWHERE WITH SOME PSYCHO. 490 00:20:20,853 --> 00:20:24,190 BUT JERRY'S GOT THE WHOLE SERVICE OUT LOOKING FOR HER. 491 00:20:24,223 --> 00:20:25,758 I MEAN, RIGHT NOW YOU JUST NEED TO BE CONCERNED 492 00:20:25,792 --> 00:20:27,294 ABOUT YOURSELF FOR ONCE. 493 00:20:27,327 --> 00:20:29,596 I AM NOT HAVING THIS BABY YET. 494 00:20:29,629 --> 00:20:31,531 OKAY. 495 00:20:33,165 --> 00:20:35,502 BUT IF YOU ARE HAVING THIS BABY, 496 00:20:35,535 --> 00:20:39,539 I THINK WE SHOULD CALL FRANK. LET HIM KNOW. 497 00:20:39,572 --> 00:20:40,940 NO. 498 00:20:40,973 --> 00:20:43,976 NOT WITH GAIL STILL MISSING. HE HAS ENOUGH TO WORRY ABOUT. 499 00:20:44,010 --> 00:20:45,912 I... 500 00:20:45,945 --> 00:20:48,147 I JUST HOPE THEY'RE GETTING CLOSE. 501 00:20:48,180 --> 00:20:51,751 (indistinct conversations) 502 00:20:51,784 --> 00:20:53,620 22 STAFF ON SHIFT LAST NIGHT 503 00:20:53,653 --> 00:20:55,388 IN THE LOUNGE, LOBBY, AND KITCHEN, 504 00:20:55,422 --> 00:20:58,057 INCLUDING SIX WITH PRIORS. 505 00:20:58,090 --> 00:21:00,059 SIX? THAT SOUNDS LIKE A LOT. 506 00:21:00,092 --> 00:21:02,462 HOSPITALITY INDUSTRY? NOT REALLY. 507 00:21:02,495 --> 00:21:03,996 WE GOT THREE ASSAULTS, TWO DRUG CHARGES, 508 00:21:04,030 --> 00:21:05,698 AND A MAIL FRAUD. 509 00:21:05,732 --> 00:21:06,999 (sighs) 510 00:21:07,033 --> 00:21:09,802 HEY, SAM. WHAT ABOUT THIS GUY? 511 00:21:09,836 --> 00:21:10,837 BARTENDER? 512 00:21:10,870 --> 00:21:11,971 UH-HUH. 513 00:21:12,004 --> 00:21:14,106 HE WAS HOVERING ALL NIGHT. 514 00:21:14,140 --> 00:21:17,377 SO ANYTHING GAIL SAID TO DAVIS, HE COULD'VE HEARD. YEAH. 515 00:21:17,410 --> 00:21:18,378 LET ME SEE THIS. 516 00:21:18,411 --> 00:21:20,380 "SETH MacKEIGAN. 517 00:21:20,413 --> 00:21:22,849 MINOR ASSAULT, POSSESSION WITH INTENT." 518 00:21:22,882 --> 00:21:25,084 IT'S HIM. IT'S GOTTA BE. 519 00:21:25,117 --> 00:21:27,186 I MEAN, THE BAR CLOSES AT 1:00. HE WOULD'VE HAD TIME. 520 00:21:27,219 --> 00:21:29,288 IT SAYS HE DRIVES A GRAY CAMRY. 521 00:21:31,157 --> 00:21:32,692 LOOK AT THIS PICTURE. 522 00:21:32,725 --> 00:21:35,528 SURVEILLANCE TOOK IT 30 SECONDS AFTER GAIL'S CAB LEFT. 523 00:21:37,196 --> 00:21:38,531 YEAH, GRAY CAMRY. 524 00:21:38,565 --> 00:21:40,299 HOW FAST CAN WE HAVE E.T.F AT HIS HOUSE? 525 00:21:40,333 --> 00:21:42,101 WHOA. WHOA. WHOA. WE'RE NOT GONNA BUST SOME GUY 526 00:21:42,134 --> 00:21:44,036 ON SOME MINOR CHARGES FROM A COUPLE OF YEARS AGO 527 00:21:44,070 --> 00:21:46,038 FOR THE FACT THAT HE WAS NEAR THE HOTEL WHERE HE WORKS. 528 00:21:46,072 --> 00:21:47,474 YEAH, BUT WHAT IF THIS IS THE GUY? 529 00:21:47,507 --> 00:21:49,342 THEN WE PROVE IT. 530 00:21:49,376 --> 00:21:51,411 YOU KNOW WHAT? WE'VE BLOWN THIS TWICE ALREADY 531 00:21:51,444 --> 00:21:54,180 BY JUMPING THE GUN, SO WE JUST GOTTA SLOW THINGS DOWN 532 00:21:54,213 --> 00:21:57,183 AND TAKE OUR TIME AND--AND PUT THESE PIECES TOGETHER. 533 00:21:57,216 --> 00:21:59,519 OKAY. OKAY. YOU KNOW, IT'S JUST-- CHASING FALSE LEADS 534 00:21:59,552 --> 00:22:01,821 IS NOT GONNA HELP US GET GAIL ANY FASTER. 535 00:22:05,525 --> 00:22:08,127 OKAY, PECK GOT INTO SKYVIEW CAB 302. 536 00:22:08,160 --> 00:22:10,963 GO TALK TO THE CAB DRIVER. 537 00:22:10,997 --> 00:22:13,099 SEE IF HE REMEMBERS BEING FOLLOWED BY MacKEIGAN. 538 00:22:13,132 --> 00:22:15,134 THEN MAYBE I CAN GET ANOTHER WARRANT. 539 00:22:15,167 --> 00:22:17,069 NO. WE DON'T HAVE TIME FOR THAT. 540 00:22:17,103 --> 00:22:19,305 LOOK, JERRY. IT'S HIM. IT'S THE BARTENDER, OKAY? 541 00:22:19,338 --> 00:22:20,907 HE SITS ALL NIGHT WITH THESE GIRLS, OKAY, 542 00:22:20,940 --> 00:22:23,342 ASKS THEM WHO THEY ARE, UH, WHAT THEY DO, 543 00:22:23,376 --> 00:22:25,144 WHETHER THEY LIVE ALONE OR NOT. HE CAN ASK 'EM ANYTHING, 544 00:22:25,177 --> 00:22:26,613 AND THEY JUST THINK HE'S BEING NICE. 545 00:22:26,646 --> 00:22:28,247 LOOK, JERRY, I THINK McNALLY'S RIGHT. 546 00:22:28,280 --> 00:22:30,282 WE'VE GOT A WINDOW. LET'S CHECK ON THIS GUY RIGHT NOW. 547 00:22:30,316 --> 00:22:32,351 ALL RIGHT. ALL RIGHT. FINE. I'M GONNA TRACK DOWN THE CAB DRIVER. 548 00:22:32,385 --> 00:22:33,753 YOU GUYS GO TO THE HOTEL. 549 00:22:33,786 --> 00:22:35,522 LEARN ANYTHING THAT YOU CAN ABOUT MacKEIGAN, 550 00:22:35,555 --> 00:22:38,190 ANYTHING THAT CAN GET US THROUGH THE DOOR. 551 00:22:38,224 --> 00:22:41,260 AND NOBODY MAKES A MOVE ON HIM UNTIL I SAY SO. 552 00:22:45,064 --> 00:22:46,766 THESE ARE ALL SUSPICIOUS DEATHS? 553 00:22:46,799 --> 00:22:48,768 UH, WOMEN ALL OVER THE CITY, THE LAST TEN YEARS. 554 00:22:48,801 --> 00:22:51,804 NOW THE RED ONES ARE WHERE THE BODIES WERE DISCOVERED. 555 00:22:51,838 --> 00:22:54,140 THE GREEN ONES WERE WHERE THEY WERE ABDUCTED 556 00:22:54,173 --> 00:22:55,374 OR WHERE THEY LIVED. 557 00:22:55,408 --> 00:22:57,076 AND THEY TRACE BACK TO THE HOTEL. 558 00:22:57,109 --> 00:22:58,878 AT LEAST TWO, MAYBE THREE. 559 00:22:58,911 --> 00:23:00,713 WHICH ONE IS PECK? 560 00:23:00,747 --> 00:23:02,782 UH, WE AGREED WE'RE NOT PUTTING HER UP THERE. 561 00:23:02,815 --> 00:23:04,183 RIGHT HERE. 562 00:23:04,216 --> 00:23:06,519 THESE ONES FIT. THIS IS WHERE WE'RE GONNA FIND HIM. 563 00:23:06,553 --> 00:23:07,987 WHY IS HE DUMPING THEM IN THE CITY? 564 00:23:08,020 --> 00:23:10,823 KNOWS THE AREA. IT'S HIS COMFORT ZONE. 565 00:23:10,857 --> 00:23:12,792 SIR, PERMISSION TO TAKE OUT A SQUAD? 566 00:23:13,760 --> 00:23:14,961 AND GO WHERE? 567 00:23:14,994 --> 00:23:17,597 NO OFFENSE. I KNOW THIS IS POLICE WORK, 568 00:23:17,630 --> 00:23:19,432 BUT WE'RE NOT DETECTIVES. WE'RE GRUNTS. 569 00:23:19,466 --> 00:23:21,501 PATROL OFFICERS. WE SHOULD BE OUT THERE ON THE STREETS. 570 00:23:21,534 --> 00:23:23,135 YOU DON'T EVEN KNOW WHAT YOU'RE LOOKING FOR. 571 00:23:23,169 --> 00:23:25,605 HE'S BEEN DUMPING THE BODIES IN THE SAME 10-BLOCK AREA. 572 00:23:25,638 --> 00:23:27,373 IF WE BEEF UP POLICE PRESENCE IN HIS COMFORT ZONE, 573 00:23:27,406 --> 00:23:29,742 MAYBE HE'LL STAY AWAY FROM IT. WE COULD BUY GAIL SOME TIME. 574 00:23:29,776 --> 00:23:31,410 I'M WITH NICK ON THIS ONE, SIR. 575 00:23:31,444 --> 00:23:33,713 I SAY WE RIDE AROUND AND SEE WHAT WE SEE. 576 00:23:36,749 --> 00:23:38,284 THERE'S A LOT OF PEOPLE HERE. 577 00:23:38,317 --> 00:23:39,986 EVERYBODY'S ON THIS THING, LUKE, 578 00:23:40,019 --> 00:23:41,821 SO I REALLY THINK THAT WE SHOULD BE 579 00:23:41,854 --> 00:23:43,923 OUT ON THE STREETS LOOKING FOR OUR GIRL. 580 00:23:46,726 --> 00:23:49,061 I'LL LET DISPATCH KNOW IF I CAN NARROW IT DOWN ANY FURTHER. 581 00:23:51,197 --> 00:23:53,399 ANY LUCK WITH THE FOOTAGE WE GAVE YOU? 582 00:23:53,432 --> 00:23:54,867 YEAH. WE NEED SOME MORE INFORMATION 583 00:23:54,901 --> 00:23:56,603 ON ONE OF YOUR STAFF-- SETH MacKEIGAN. 584 00:23:56,636 --> 00:23:58,304 WE NEED HIS VEHICLE PASS FOR THE PARKING LOT 585 00:23:58,337 --> 00:23:59,639 AND HIS WORK SCHEDULE SINCE HE STARTED HERE. 586 00:23:59,672 --> 00:24:02,475 SURE. BUT IF YOU WANT TO TALK TO HIM, HE'S RIGHT THERE. 587 00:24:02,509 --> 00:24:03,676 SETH. 588 00:24:03,710 --> 00:24:04,711 HEY. 589 00:24:04,744 --> 00:24:05,812 HEY. HEY! 590 00:24:08,515 --> 00:24:09,682 STOP! 591 00:24:09,716 --> 00:24:10,950 OKAY. OKAY. OKAY. OKAY. OKAY. OKAY. 592 00:24:10,983 --> 00:24:12,251 OKAY. OKAY. 593 00:24:12,284 --> 00:24:13,620 YEAH? WHAT'D YOU DO WITH HER, HUH? 594 00:24:13,653 --> 00:24:15,154 EASY. EASY. EASY. WHAT'D YOU DO WITH HER? 595 00:24:15,187 --> 00:24:16,523 WHAT? DO WITH WHO? 596 00:24:16,556 --> 00:24:18,825 JASMINE, THE BLONDE WHO WAS AT THE BAR LAST NIGHT. 597 00:24:18,858 --> 00:24:20,259 YOU FOLLOWED HER HOME. 598 00:24:20,292 --> 00:24:21,460 I DON'T KNOW WHAT THE HELL YOU'RE TALKING ABOUT. 599 00:24:21,494 --> 00:24:23,362 YEAH, RIGHT. WHY'D YOU RUN? 600 00:24:23,395 --> 00:24:27,033 'CAUSE HE WAS TRYING TO FLUSH THAT DOWN THE TOILET. NO, THAT IS NOT MINE. 601 00:24:27,066 --> 00:24:29,836 LAST NIGHT--WHERE'D YOU GO WHEN YOU LEFT HERE? 602 00:24:29,869 --> 00:24:32,404 I-I--JETPACK. IT'S--IT'S AN AFTER-HOURS CLUB. 603 00:24:32,438 --> 00:24:33,706 I DEEJAY THERE SOMETIMES. 604 00:24:33,740 --> 00:24:35,307 OH, YEAH? WHAT TIME WAS THAT? 605 00:24:35,341 --> 00:24:37,977 I-I GOT THERE JUST BEFORE 2:00, AND THEN LEFT AT 5:00. 606 00:24:38,010 --> 00:24:39,345 REALLY? 607 00:24:39,378 --> 00:24:41,080 YEAH. AND SOME OF THE STAFF WERE THERE. YOU CAN ASK THEM. 608 00:24:41,113 --> 00:24:43,783 YEAH, WE'LL DO THAT. 609 00:24:43,816 --> 00:24:46,519 (police radio chatter) 610 00:24:47,554 --> 00:24:49,121 OKAY. OW. 611 00:24:49,155 --> 00:24:50,557 OW. 612 00:24:51,357 --> 00:24:52,959 OKAY, THAT'S OKAY. THAT IS OKAY. 613 00:24:52,992 --> 00:24:56,028 THEY ARE-- ARE HALF AN HOUR APART STILL, 614 00:24:56,062 --> 00:24:58,931 SO, YOU KNOW, EVEN IF IT IS LABOR, 615 00:24:58,965 --> 00:25:01,568 THEN YOU GOT PLENTY OF TIME. 616 00:25:01,601 --> 00:25:05,572 YOU KNOW, SOME PEOPLE, IT CAN TAKE A-A COUPLE OF DAYS. 617 00:25:05,605 --> 00:25:08,741 (cell phone rings) 618 00:25:08,775 --> 00:25:10,276 (ring) 619 00:25:10,309 --> 00:25:12,979 (beep) JERRY, I'VE CALLED YOU, LIKE, THREE TIMES. 620 00:25:13,012 --> 00:25:15,281 YEAH. I CAN'T, UH, 621 00:25:15,314 --> 00:25:17,149 I CAN'T GET THIS STUPID THING OFF MUTE. 622 00:25:17,183 --> 00:25:18,417 OKAY, DON'T DO IT NOW 623 00:25:18,450 --> 00:25:19,552 BECAUSE YOU'RE JUST GONNA END UP HANGING UP ON ME. 624 00:25:19,586 --> 00:25:20,987 What do you got? 625 00:25:21,020 --> 00:25:23,823 UH, THE LAB RESULTS FROM ANDY'S BLOOD CAME IN. 626 00:25:23,856 --> 00:25:25,558 Yeah, let me guess-- Ketamine and Acepromazine. 627 00:25:25,592 --> 00:25:26,959 HOW'D YOU KNOW? 628 00:25:26,993 --> 00:25:29,762 WELL, NICOLE MARSHALL ALSO HAD TRACES OF IT IN HER SYSTEM. 629 00:25:29,796 --> 00:25:31,130 IT'S A MEDICAL TRANQUILIZER, 630 00:25:31,163 --> 00:25:33,600 BUT THE MIX IS TRICKY TO ADMINISTER IN THE PROPER DOSE. 631 00:25:33,633 --> 00:25:36,468 SO WE'RE LOOKING FOR SOMEBODY WHO KNOWS WHAT THEY'RE DOING. 632 00:25:36,502 --> 00:25:37,570 ANY LEADS? 633 00:25:37,604 --> 00:25:38,871 Well, we think Peck may have been followed 634 00:25:38,905 --> 00:25:40,807 by a staff member at the Archer. 635 00:25:40,840 --> 00:25:42,675 A HISTORY OF DRUGS. I'M WORKING ON IT NOW. 636 00:25:42,709 --> 00:25:44,711 You think he's the guy? 637 00:25:44,744 --> 00:25:46,312 I DON'T... (sighs) 638 00:25:46,345 --> 00:25:49,816 LOOK, HE BETTER BE, BECAUSE I'M--I'M RUNNING OUT OF OPTIONS. 639 00:25:49,849 --> 00:25:52,852 I WOULD COME AND JOIN YOU, BUT, UM, 640 00:25:52,885 --> 00:25:56,222 I KINDA HAVE A BIT OF A SITUATION HERE. 641 00:25:56,255 --> 00:25:57,489 NOELLE'S IN LABOR. 642 00:25:57,523 --> 00:25:59,458 ALREADY? Yeah, but don't tell Frank 643 00:25:59,491 --> 00:26:00,827 BECAUSE SHE DOESN'T WANT HIM TO WORRY. 644 00:26:00,860 --> 00:26:02,829 YEAH. YEAH. NO, YOU STAY THERE, 645 00:26:02,862 --> 00:26:04,063 AND I'LL CALL YOU AS SOON AS WE KNOW SOMETHING. 646 00:26:04,096 --> 00:26:06,032 (Noelle screams) OW! 647 00:26:06,065 --> 00:26:08,167 OKAY, JER, I GOTTA GO. I'LL TALK TO YOU LATER. 648 00:26:08,200 --> 00:26:09,435 ALL RIGHT. 649 00:26:09,969 --> 00:26:11,203 (cell phone beeps) 650 00:26:15,842 --> 00:26:18,210 (dog barking in distance) 651 00:26:28,254 --> 00:26:29,722 ROSS PERIK? 652 00:26:29,756 --> 00:26:31,123 UH, THAT'S RIGHT. 653 00:26:31,157 --> 00:26:33,726 I'M DETECTIVE JERRY BARBER, 15 DIVISION. 654 00:26:33,760 --> 00:26:36,162 I HAVE A FEW QUESTIONS ABOUT ONE OF YOUR FARES LAST NIGHT. 655 00:26:36,195 --> 00:26:37,496 DO YOU MIND IF I COME IN A MINUTE? 656 00:26:37,529 --> 00:26:40,099 UH, BY ALL MEANS, DETECTIVE. COME ON IN. 657 00:26:40,132 --> 00:26:41,533 THANKS. 658 00:26:47,707 --> 00:26:49,842 (dog continues barking) 659 00:26:49,876 --> 00:26:54,146 *** 660 00:26:55,848 --> 00:26:58,617 SO, YOU HAD A QUESTION ABOUT ONE OF MY FARES? 661 00:26:58,651 --> 00:26:59,986 YEAH, A WOMAN YOU PICKED UP LAST NIGHT 662 00:27:00,019 --> 00:27:01,688 AT THE ARCHER AROUND 1:30. 663 00:27:01,721 --> 00:27:03,790 UH, I'M THERE A LOT. I DON'T REALLY, UH, 664 00:27:03,823 --> 00:27:05,624 PAY A LOT OF ATTENTION TO FACES. 665 00:27:05,658 --> 00:27:08,194 WELL, SHE'S BLONDE, UH, MID-20s, 666 00:27:08,227 --> 00:27:09,729 QUITE POSSIBLY NOT VERY NICE. 667 00:27:09,762 --> 00:27:11,931 OH, YES, THAT DOES RING A BELL. 668 00:27:11,964 --> 00:27:14,967 AND YOU DROPPED HER OFF AT 2768 CARLAW. 669 00:27:17,236 --> 00:27:19,338 SHE'S A POLICE OFFICER. 670 00:27:19,371 --> 00:27:21,273 YEAH, THAT'S RIGHT. 671 00:27:21,307 --> 00:27:23,676 I NEVER WOULD HAVE GUESSED THAT FROM THE WAY SHE WAS DRESSED. 672 00:27:23,710 --> 00:27:25,778 OH, SO YOU DO REMEMBER? 673 00:27:25,812 --> 00:27:27,479 UH, W-WAS THERE A PROBLEM? 674 00:27:27,513 --> 00:27:29,782 DID SHE... COMPLAIN ABOUT THE SERVICE? 675 00:27:29,816 --> 00:27:32,651 NOW DO YOU REMEMBER BEING FOLLOWED? 676 00:27:32,685 --> 00:27:35,387 OR MAYBE YOU SAW SOMEONE WHEN YOU DROPPED HER OFF? 677 00:27:35,421 --> 00:27:37,924 YOU KNOW, COME TO THINK OF IT, THERE MAY HAVE BEEN 678 00:27:37,957 --> 00:27:39,926 A SET OF LIGHTS BEHIND ME FOR A WHILE, 679 00:27:39,959 --> 00:27:42,294 BUT IT'S, UH... IT'S HARD TO SAY. 680 00:27:42,328 --> 00:27:43,996 OKAY. DO YOU REMEMBER A COLOR OR MAKE? 681 00:27:45,064 --> 00:27:46,933 UH, NO, I'M SORRY. 682 00:27:46,966 --> 00:27:48,534 (sighs) ALL RIGHT. 683 00:27:48,567 --> 00:27:50,369 WOULD YOU HAPPEN TO KNOW WHAT TIME YOU DROPPED HER OFF? 684 00:27:50,402 --> 00:27:53,139 IT MIGHT HELP US FIGURE OUT WHO ELSE WAS ON THE STREET. 685 00:27:53,172 --> 00:27:55,674 UH... I-I'M NOT SURE. 686 00:27:55,708 --> 00:27:58,344 UM, UH, PROBABLY 1:45, 2:00-ISH. 687 00:27:58,377 --> 00:28:01,247 WELL, YOUR METER WOULD HAVE THE EXACT TIME, RIGHT? 688 00:28:01,280 --> 00:28:02,815 UNLESS YOU WEREN'T RUNNING YOUR METER. 689 00:28:02,849 --> 00:28:04,450 I KNOW SOMETIMES THOSE THINGS GET, UH... 690 00:28:04,483 --> 00:28:05,752 (sniffs) SWITCHED OFF-- 691 00:28:05,785 --> 00:28:06,919 BY ACCIDENT, OF COURSE. 692 00:28:06,953 --> 00:28:10,389 NO. DETECTIVE, I ALWAYS RUN MY METER. 693 00:28:10,422 --> 00:28:13,459 IT'S THE LAW. I'LL JUST GET THE LOG. 694 00:28:13,492 --> 00:28:15,394 WOULD YOU, UM... 695 00:28:15,427 --> 00:28:17,429 COULD YOU JUST WAIT HERE FOR A SECOND? 696 00:28:17,463 --> 00:28:19,498 YEAH, THAT'D BE GREAT. THANK YOU. 697 00:28:23,502 --> 00:28:25,471 EVERY EMPLOYEE WHO HAD CONTACT WITH GAIL LAST NIGHT 698 00:28:25,504 --> 00:28:26,839 CHECKS OUT. 699 00:28:26,873 --> 00:28:28,741 OKAY, SO--SO WHO ELSE DID SHE HAVE CONTACT WITH? 700 00:28:28,775 --> 00:28:30,509 MAYBE SHE TALKED TO ONE OF THE CUSTOMERS. 701 00:28:30,542 --> 00:28:33,412 NO. NO. I MEAN, I TOOK HER OUT HERE PERSONALLY, 702 00:28:33,445 --> 00:28:36,382 AND I PUT HER STRAIGHT IN A CAB. 703 00:28:37,383 --> 00:28:38,818 (sighs) SO YOU PUT HER IN A CAB... 704 00:28:38,851 --> 00:28:39,986 I PUT HER IN THE CAB. I TOLD HER 705 00:28:40,019 --> 00:28:41,353 THAT I WOULD BE STAYING WITH YOU. 706 00:28:41,387 --> 00:28:43,555 YOU KNOW, THAT SHE WOULD HAVE THE PLACE TO HERSELF. 707 00:28:45,057 --> 00:28:46,826 MAYBE SOMEONE OVERHEARD YOU-- 708 00:28:46,859 --> 00:28:49,128 SOMEONE YOU WOULDN'T EVEN THINK WAS LISTENING. 709 00:28:49,161 --> 00:28:50,797 SAME CABBIES COME HERE EVERY NIGHT. 710 00:28:50,830 --> 00:28:53,232 PEOPLE GET IN, TELL THEM EXACTLY WHERE THEY LIVE. 711 00:28:53,265 --> 00:28:55,067 THE CAB DRIVER. 712 00:28:55,101 --> 00:28:57,669 (Velcro tears) THAT'S WHO JERRY WANTED US TO CHECK OUT, 713 00:28:57,703 --> 00:28:59,205 BUT THEN HE SAID HE WOULD DO IT. 714 00:28:59,238 --> 00:29:01,107 (cell phone dialing) I HOPE HE ANSWERS HIS DAMN PHONE. 715 00:29:01,140 --> 00:29:03,876 THREE MONTHS, YOU'D THINK HE'D FIGURE OUT HOW TO USE IT. 716 00:29:03,910 --> 00:29:05,845 (breathing heavily) 717 00:29:05,878 --> 00:29:07,179 COME ON. 718 00:29:18,257 --> 00:29:20,726 THIS, UH, PICTURE ON YOUR BOOKSHELF-- 719 00:29:20,759 --> 00:29:23,229 WHERE IS IT? 720 00:29:23,262 --> 00:29:25,031 MY GIRLFRIEND AND I ARE GETTING MARRIED, 721 00:29:25,064 --> 00:29:27,867 AND WE'RE LOOKING FOR A PLACE TO HONEYMOON. 722 00:29:27,900 --> 00:29:31,103 OH, UH, THAT'S SOMALIA. 723 00:29:34,907 --> 00:29:38,110 SOMALIA? HUH. 724 00:29:40,746 --> 00:29:42,214 WHAT WERE YOU DOING THERE? 725 00:29:44,250 --> 00:29:46,685 CHARITY WORK. WITH DOCTORS ABROAD. 726 00:29:48,254 --> 00:29:50,389 YOU'RE A VOLUNTEER? 727 00:29:50,422 --> 00:29:51,891 M.D., ACTUALLY. 728 00:29:51,924 --> 00:29:54,060 OR I USED TO BE. 729 00:29:54,093 --> 00:29:56,495 I NEEDED A CHANGE. 730 00:29:56,528 --> 00:29:59,899 SOMETHING A LITTLE LESS STRESSFUL. 731 00:29:59,932 --> 00:30:01,733 I'M SURE YOU UNDERSTAND, DETECTIVE. 732 00:30:01,767 --> 00:30:03,069 (clicks tongue) 733 00:30:04,070 --> 00:30:06,038 BELIEVE ME, I DO. 734 00:30:08,207 --> 00:30:09,909 SO, UH... 735 00:30:09,942 --> 00:30:12,211 DO YOU MISS IT-- MEDICINE? 736 00:30:12,244 --> 00:30:13,245 SOMETIMES. 737 00:30:13,279 --> 00:30:14,480 (unholsters gun) (blade plunges) 738 00:30:14,513 --> 00:30:17,116 (grunts) 739 00:30:17,149 --> 00:30:18,317 (grunting continues) 740 00:30:18,350 --> 00:30:20,452 (breath quavers) 741 00:30:20,486 --> 00:30:23,155 (grunting) 742 00:30:23,189 --> 00:30:24,456 (blade slices) 743 00:30:26,092 --> 00:30:27,559 I'M SORRY... 744 00:30:27,593 --> 00:30:29,761 BUT YOU SHOULDN'T HAVE COME HERE. 745 00:30:31,197 --> 00:30:32,731 (blade plunges) (grunts) 746 00:30:32,764 --> 00:30:36,368 (gasping) 747 00:30:38,504 --> 00:30:42,674 (panting) 748 00:30:44,010 --> 00:30:46,145 OKAY. SKYVIEW CAB NUMBER 302 749 00:30:46,178 --> 00:30:47,980 IS REGISTERED TO A ROSS PERIK. 750 00:30:48,014 --> 00:30:49,315 (beeping) 26 SPRINGMORE. 751 00:30:49,348 --> 00:30:50,816 ALL RIGHT. CALL JERRY AGAIN. 752 00:30:50,849 --> 00:30:52,318 TELL HIM NOT TO GO IN WITHOUT BACKUP. 753 00:30:52,351 --> 00:30:53,485 TELL HIM TO WAIT FOR US. 754 00:30:53,519 --> 00:30:56,722 (siren wailing) 755 00:30:57,856 --> 00:31:02,028 (breathing unevenly) (cell phone buzzes) 756 00:31:02,061 --> 00:31:04,430 (buzzes) 757 00:31:04,463 --> 00:31:06,598 (continues breathing unevenly) (buzzes) 758 00:31:06,632 --> 00:31:08,334 (gasps and exhales) 759 00:31:08,367 --> 00:31:10,169 (door opens) 760 00:31:12,538 --> 00:31:16,275 (panting) 761 00:31:19,078 --> 00:31:20,512 (coughs) 762 00:31:22,081 --> 00:31:24,750 (clattering) 763 00:31:24,783 --> 00:31:26,218 YOU'RE A COP. 764 00:31:26,252 --> 00:31:27,886 (murmurs) WHAT? 765 00:31:27,920 --> 00:31:30,589 WHY DIDN'T YOU TELL ME?! 766 00:31:30,622 --> 00:31:33,725 (pants) I'M THE ONE TAKING CARE OF YOU. 767 00:31:37,930 --> 00:31:40,832 (knife clatters) COME ON. LET'S GO! 768 00:31:40,866 --> 00:31:43,970 (muffled whimpering) 769 00:31:46,272 --> 00:31:48,640 (sniffles and gasps softly) 770 00:31:48,674 --> 00:31:51,743 (breathing unevenly) 771 00:31:56,348 --> 00:31:58,050 (beeps) 772 00:31:58,084 --> 00:32:00,319 (groaning softly) 773 00:32:00,352 --> 00:32:02,621 (Perik) COME ON! LET'S GO! 774 00:32:06,292 --> 00:32:09,228 (exhales sharply) 775 00:32:09,261 --> 00:32:13,599 (groaning softly) 776 00:32:15,001 --> 00:32:17,703 I'M GONNA GET YOU OUT OF HERE. 777 00:32:17,736 --> 00:32:21,173 I JUST NEED A LITTLE MORE TIME. 778 00:32:21,207 --> 00:32:23,175 (grunts loudly) (grunts) 779 00:32:23,209 --> 00:32:24,943 (objects clattering) 780 00:32:24,977 --> 00:32:28,080 (both grunting) 781 00:32:31,250 --> 00:32:33,019 (grunting continues) 782 00:32:33,052 --> 00:32:35,087 (muffled scream) (grunts loudly) 783 00:32:35,121 --> 00:32:36,755 (mutters indistinctly) 784 00:32:36,788 --> 00:32:39,325 (grunts and gasps) 785 00:32:39,358 --> 00:32:42,228 (muffled screaming) 786 00:32:42,261 --> 00:32:44,063 OKAY. COME ON. 787 00:32:44,096 --> 00:32:46,098 (muffled whimpering) COME ON! 788 00:32:46,132 --> 00:32:50,069 (whimpering continues) 789 00:32:50,102 --> 00:32:53,272 (muffled) OH, GOD, NO! 790 00:32:53,305 --> 00:32:55,741 *** 791 00:32:56,342 --> 00:33:00,746 *** 792 00:33:05,851 --> 00:33:08,720 IT'S JERRY'S CAR. HE'S STILL HERE. 793 00:33:10,456 --> 00:33:14,026 (police radio chatter) 794 00:33:17,196 --> 00:33:19,298 (doorbell rings) 795 00:33:19,331 --> 00:33:22,134 (knock on door) 796 00:33:22,168 --> 00:33:25,371 (radio chatter continues) 797 00:33:26,805 --> 00:33:28,407 JERRY'S DOWN. WHAT? 798 00:33:28,440 --> 00:33:30,909 (both unholster guns) 799 00:33:30,942 --> 00:33:32,478 (Sam) POLICE! 800 00:33:35,147 --> 00:33:36,815 McNALLY, CLEAR THE HOUSE. 801 00:33:36,848 --> 00:33:38,517 (loud clatter) 802 00:33:38,550 --> 00:33:42,788 (radio static) 1519, I GOT A 10-33 AT 26, UH, SPRINGMORE. 803 00:33:42,821 --> 00:33:45,524 I'VE GOT AN OFFICER DOWN. I NEED MEDICS RIGHT AWAY, PLEASE. 804 00:33:45,557 --> 00:33:47,359 (radio static) (female dispatcher) 1519, EMS is being 805 00:33:47,393 --> 00:33:50,429 dispatched to your location. JERRY? JERRY! 806 00:33:50,462 --> 00:33:51,797 JERRY! All units, Code 1. 807 00:33:51,830 --> 00:33:53,565 Officer down... HOW YOU DOING, SAMMY? 808 00:33:53,599 --> 00:33:55,401 IT'S OKAY. WE'RE HERE, BROTHER. ALL RIGHT? 809 00:33:55,434 --> 00:33:57,103 I repeat-- we have an officer down, 810 00:33:57,136 --> 00:33:58,937 26 Springmore, near... 811 00:33:58,970 --> 00:34:00,672 (weakly) SAMMY. SAMMY. 812 00:34:00,706 --> 00:34:03,109 HE HAS HER. HE LEFT. 813 00:34:03,142 --> 00:34:05,444 WHAT? HE LEFT. 814 00:34:05,477 --> 00:34:07,213 MY PHONE IS IN HIS POCKET. 815 00:34:07,246 --> 00:34:08,747 IT'S WHAT? 816 00:34:08,780 --> 00:34:10,816 MY PHONE... IS IN HIS POCKET. 817 00:34:10,849 --> 00:34:12,584 YOU PUT YOUR PHONE IN HIS POCKET? 818 00:34:12,618 --> 00:34:15,687 (breathing heavily) JUST FOLLOW THE PHONE... 819 00:34:15,721 --> 00:34:17,856 (chuckles) ...AND YOU'LL FIND HIM. ALL RIGHT. 820 00:34:17,889 --> 00:34:19,491 MY PHONE-- OKAY, ALL RIGHT, ALL RIGHT. 821 00:34:19,525 --> 00:34:21,493 HEY. HERE. 822 00:34:21,527 --> 00:34:23,262 LOOK, THE HOUSE IS CLEAR. PERIK'S GONE. 823 00:34:23,295 --> 00:34:25,597 I THINK HE WAS KEEPING HER IN THE BASEMENT. OKAY. I GOT THIS. 824 00:34:25,631 --> 00:34:27,266 ALL RIGHT, I NEED YOU TO CALL IN, 825 00:34:27,299 --> 00:34:30,969 GET 'EM TO TRACK JERRY'S CELL PHONE RIGHT NOW, OKAY? OKAY. 826 00:34:31,002 --> 00:34:33,672 ALL RIGHT. IT'S WITH THE SUBJECT, AND HE'S GOT GAIL! 827 00:34:33,705 --> 00:34:35,674 (radio static) OKAY, DISPATCH, UM... 828 00:34:35,707 --> 00:34:39,145 WE NEED G.P.S. ON A DETECTIVE JERRY BARBER'S PHONE NUMBER. 829 00:34:39,178 --> 00:34:40,579 HIS CELL NUMBER. (radio static) 830 00:34:40,612 --> 00:34:42,080 Copy that. I'll have the comm center... 831 00:34:42,114 --> 00:34:44,116 YOU DID GOOD, BUD. WE'RE GONNA GET HER, ALL RIGHT? 832 00:34:44,150 --> 00:34:45,517 GOOD JOB. 833 00:34:45,551 --> 00:34:47,486 (breathing unevenly) 834 00:34:47,519 --> 00:34:49,121 YOU FINALLY FOUND A USE FOR THAT CELL PHONE, HUH? 835 00:34:49,155 --> 00:34:50,222 (chuckles weakly) 836 00:34:50,256 --> 00:34:51,257 (exhales) 837 00:34:51,290 --> 00:34:52,691 JERRY? 838 00:34:52,724 --> 00:34:54,025 JERRY, STAY WITH ME. 839 00:34:54,059 --> 00:34:56,595 JERRY? JERRY? 840 00:34:58,130 --> 00:34:59,598 THAT'S IT. LOOK AT ME. 841 00:34:59,631 --> 00:35:02,501 (engine rumbling) 842 00:35:02,534 --> 00:35:06,004 (Katie Costello's "Stranger" playing) 843 00:35:08,073 --> 00:35:09,475 (exhales) 844 00:35:09,508 --> 00:35:13,812 * STRANGER, I'VE KNOWN YOU FOR SO LONG * 845 00:35:13,845 --> 00:35:15,647 (sirens wailing) 846 00:35:15,681 --> 00:35:19,651 * I FOUND YOU LOST WITH A COMPASS IN THE FOG * 847 00:35:19,685 --> 00:35:22,154 (tires screeching, thud) 848 00:35:22,188 --> 00:35:27,959 (vehicles, sirens stop) * STRANGER, YOU KNOW ME TOO MUCH * 849 00:35:27,993 --> 00:35:30,429 (speaking inaudibly) * ILLUSIONARY SELF * 850 00:35:30,462 --> 00:35:33,999 * HAD NOT BEEN TOUCHED * 851 00:35:34,032 --> 00:35:38,003 * UNTIL YOU * 852 00:35:38,036 --> 00:35:44,075 * HUMMING HALLELUJAH IN THE DARK * 853 00:35:44,109 --> 00:35:45,944 * THE SUN MIGHT RISE * 854 00:35:45,977 --> 00:35:48,647 * AS SOMETIMES DOES IT FALL * 855 00:35:48,680 --> 00:35:50,216 (handle clicks) 856 00:35:50,249 --> 00:35:54,386 * HALLELUJAH * 857 00:35:54,420 --> 00:35:57,756 * HALLELUJAH * 858 00:35:57,789 --> 00:35:59,325 (speaking inaudibly) 859 00:35:59,358 --> 00:36:03,695 * AHH, AHH * 860 00:36:06,031 --> 00:36:11,670 * STRANGER, YOU'VE FOLLOWED ME SO FAR * 861 00:36:11,703 --> 00:36:13,138 (sirens wailing) 862 00:36:13,171 --> 00:36:18,277 * UNTIL THE ROADS CONVERGED, AS DID THE STARS * 863 00:36:18,310 --> 00:36:22,281 * NOT TONIGHT * 864 00:36:22,314 --> 00:36:28,354 * HUMMING HALLELUJAH IN THE NIGHT * 865 00:36:28,387 --> 00:36:29,955 * THE SUN MIGHT RISE * 866 00:36:29,988 --> 00:36:33,992 * AS SOMETIMES DOES IT FALL * 867 00:36:34,025 --> 00:36:38,697 * HALLELUJAH * 868 00:36:38,730 --> 00:36:40,832 * HALLELUJAH * 869 00:36:40,866 --> 00:36:44,970 * HALLELUJAH * 870 00:36:45,003 --> 00:36:46,772 * HALLELUJAH * 871 00:36:46,805 --> 00:36:51,577 * HALLELUJAH * 872 00:36:51,610 --> 00:36:53,445 * HALLELUJAH * 873 00:36:53,479 --> 00:36:58,417 * HALLELUJAH * 874 00:36:58,450 --> 00:37:01,052 * HALLELUJAH * 875 00:37:02,621 --> 00:37:09,127 * HALLELUJAH * 876 00:37:13,098 --> 00:37:15,434 (woman speaking indistinctly on P.A.) 877 00:37:15,467 --> 00:37:17,269 (sighs) 878 00:37:35,253 --> 00:37:37,556 HEY, TRACE, UM... 879 00:37:37,589 --> 00:37:38,990 CALL ME WHEN YOU GET THIS. 880 00:37:39,024 --> 00:37:41,226 UM, I'LL TRY YOU AT HOME AGAIN. 881 00:37:41,259 --> 00:37:46,298 (sirens wailing) 882 00:37:46,332 --> 00:37:49,701 SWAREK, WHAT'S THE WORD? 883 00:37:50,969 --> 00:37:54,673 (clears throat) UH... STAB WOUND TO THE ABDOMEN. 884 00:37:54,706 --> 00:37:56,207 IT'S BAD. (sighs) 885 00:37:56,241 --> 00:37:58,143 WHEN WILL WE KNOW? 886 00:37:58,176 --> 00:38:00,346 (clicks tongue) 887 00:38:00,379 --> 00:38:03,281 YOU HEARD. WE GOT GAIL BACK. YEAH. 888 00:38:03,315 --> 00:38:04,850 YEAH, CALLAGHAN AND THE BOYS, 889 00:38:04,883 --> 00:38:06,652 THEY, UH, NARROWED DOWN WHERE THEY THOUGHT THEY MIGHT BE, 890 00:38:06,685 --> 00:38:09,054 SO, WE, UM... WE WERE, UH... WE WERE IN THE NEIGHBORHOOD. 891 00:38:09,087 --> 00:38:10,889 PHONE TRACE TOOK US RIGHT TO HIM. 892 00:38:10,922 --> 00:38:12,223 YEAH, CAN YOU BELIEVE THAT JERRY 893 00:38:12,257 --> 00:38:13,425 FINALLY FIGURED OUT HOW TO WORK THAT THING? 894 00:38:13,459 --> 00:38:15,394 HOW'S GAIL? 895 00:38:15,427 --> 00:38:17,228 UH... SHE'S GOOD. MM. 896 00:38:17,262 --> 00:38:18,430 YOU KNOW. I MEAN, SHE'S UPSTAIRS. 897 00:38:18,464 --> 00:38:20,031 HE DIDN'T-- 898 00:38:20,065 --> 00:38:21,633 SHE'S OKAY. 899 00:38:22,834 --> 00:38:25,704 FRANK, WHAT DO WE KNOW ABOUT THIS GUY? 900 00:38:25,737 --> 00:38:27,339 WELL, CALLAGHAN'S WORKING ON IT NOW. 901 00:38:27,373 --> 00:38:30,041 BUT IT LOOKS LIKE HE WAS SOME KIND OF A, UH, 902 00:38:30,075 --> 00:38:32,911 DOCTOR, LOST HIS LICENSE ABOUT SIX, SEVEN YEARS AGO. 903 00:38:32,944 --> 00:38:34,413 SERGEANT, HAVE YOU BEEN ABLE TO GET AHOLD OF TRACI? 904 00:38:34,446 --> 00:38:35,747 'CAUSE I CAN'T GET HER. 905 00:38:35,781 --> 00:38:37,416 NO. SHE HASN'T BEEN PICKING UP. 906 00:38:37,449 --> 00:38:39,518 LAST I HEARD, SHE WAS WAITING HERE FOR YOUR LAB RESULTS. 907 00:38:39,551 --> 00:38:41,353 (woman on P.A.) Dr. Stevens to Admitting. 908 00:38:41,387 --> 00:38:44,523 Dr. Stevens, come to Admitting. 909 00:38:44,556 --> 00:38:48,660 (gasps softly) SHE IS BEAUTIFUL. 910 00:38:48,694 --> 00:38:52,531 AND HEALTHY. YOU DID GREAT. 911 00:38:52,564 --> 00:38:55,834 (laughs) HAPPENED SO FAST, I DIDN'T HAVE MUCH CHOICE. 912 00:38:55,867 --> 00:38:57,469 (laughs) 913 00:38:57,503 --> 00:38:59,571 I KINDA ALWAYS WANTED A GIRL. 914 00:38:59,605 --> 00:39:03,409 (laughs) NO, SORRY, NASH. (baby fussing) 915 00:39:03,442 --> 00:39:06,545 SHE IS ALL MINE. 916 00:39:06,578 --> 00:39:08,580 (laughs) WELL... 917 00:39:09,748 --> 00:39:11,917 PROBABLY GONNA HAVE TO GET ONE OF MY OWN, 918 00:39:11,950 --> 00:39:13,552 'CAUSE JERRY'S GONNA INSIST 919 00:39:13,585 --> 00:39:15,421 WHEN HE MEETS THIS LITTLE ANGEL. MM-HMM. 920 00:39:15,454 --> 00:39:17,155 (laughs) 921 00:39:17,188 --> 00:39:19,290 (fussing continues) YES, YOU. OOH. 922 00:39:19,324 --> 00:39:20,892 (babbling and fussing) (laughs) 923 00:39:20,926 --> 00:39:23,695 I KNOW YOU WANTED TO WAIT, BUT, UH... OHH. 924 00:39:23,729 --> 00:39:25,263 YOU THINK WE CAN CALL FRANK NOW? 925 00:39:25,296 --> 00:39:27,633 (both laugh) OKAY. 926 00:39:27,666 --> 00:39:28,700 OKAY. (both laugh) 927 00:39:28,734 --> 00:39:30,902 OHH... (laughs) 928 00:39:30,936 --> 00:39:34,172 (cell phone beeping) 929 00:39:34,205 --> 00:39:36,908 OH, THEY MUST HAVE FOUND GAIL. I'VE GOT LIKE TEN MESSAGES. 930 00:39:36,942 --> 00:39:38,977 (beeping) 931 00:39:41,413 --> 00:39:43,248 (breathes deeply) 932 00:39:47,218 --> 00:39:50,121 (man speaking indistinctly on P.A.) 933 00:39:52,758 --> 00:39:54,025 ANDY. 934 00:39:57,729 --> 00:39:59,931 WHAT'S GOING ON? 935 00:40:03,669 --> 00:40:05,103 WHERE'S JERRY? 936 00:40:07,639 --> 00:40:09,708 TRACI... 937 00:40:09,741 --> 00:40:11,477 OH... (voice breaking) WHERE IS HE? 938 00:40:12,744 --> 00:40:15,881 I'M S-- (voice breaking) I'M SO SORRY. 939 00:40:15,914 --> 00:40:17,816 NO. (crying) 940 00:40:17,849 --> 00:40:20,919 (crying) NO! 941 00:40:20,952 --> 00:40:23,822 NO! (sniffling) 942 00:40:25,624 --> 00:40:28,627 ("One Way" by Rose Cousins playing) 943 00:40:42,407 --> 00:40:45,744 * I BREAK * 944 00:40:45,777 --> 00:40:50,115 * WHERE YOU BEND * 945 00:40:50,148 --> 00:40:56,087 * I TAKE WHAT YOU SEND * 946 00:40:56,121 --> 00:41:02,260 * AND WE BOTH PRETEND * 947 00:41:02,293 --> 00:41:05,130 * BUT I START * 948 00:41:05,163 --> 00:41:08,433 * WHERE YOU END * 949 00:41:08,466 --> 00:41:15,874 *** 950 00:41:23,248 --> 00:41:25,884 * I'VE GOT * 951 00:41:25,917 --> 00:41:29,187 * ONE WAY * 952 00:41:29,220 --> 00:41:33,391 *** 953 00:41:33,424 --> 00:41:35,126 * OH * 954 00:41:35,160 --> 00:41:37,228 * AND I BREAK * 955 00:41:37,262 --> 00:41:42,167 * WHERE YOU BEND * 956 00:41:42,200 --> 00:41:48,206 * I TAKE WHAT YOU SEND * 957 00:41:48,239 --> 00:41:52,310 * WE BOTH PRETEND * 958 00:41:52,343 --> 00:41:56,314 * BUT I KNOW THAT I START * 959 00:41:56,347 --> 00:41:59,050 * WHERE YOU END * 960 00:41:59,084 --> 00:42:10,461 * WHERE YOU END * 961 00:42:11,429 --> 00:42:18,203 * WHERE YOU END * 962 00:42:21,139 --> 00:42:23,141 *** 67928

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