Original subtitles

(siren wails)

(Carmen Townsend's "Without My Love" playing)

(Gail) SO ROMANTIC.

(thud)

UH, WHAT WAS THAT?

(Nick) I DON'T WANT TO KNOW.

* GIVE HER A GO *

* STILL BUSTED BROKE, THERE'S NO BANKIN' ON THIS *

* HEART OF GOLD *

OW!

SORRY. JUST A NAIL.

OKAY? JUST A NAIL.

* IF SHE COULD BE AS LOYAL AS THE LOW FUEL LIGHT *

* LOYAL AS THE LOW, LOW, LOW *

(pants)

HEY, UM, MAYBE-- MAYBE THIS WASN'T

THE RIGHT PLACE TO, UH, TO DO THIS. HMM?

YOUR CAR'S OUT BACK.

YEAH. YEAH, LET'S DO IT IN THE PARKING LOT.

THAT'S SUPER STEALTH.

YOU WANT TO COME BACK TO MY PLACE?

I'M ALLERGIC TO YOUR CHEAP SHEETS, REMEMBER?

OKAY, PRINCESS.

HOW ABOUT YOUR PLACE? PARENTS ARE OUT OF TOWN, RIGHT?

YEAH, YEAH. IT'S JUST THAT THEY'RE REDOING THE ROOF, AND...

I'M STAYING AT ANDY'S, SO...

OKAY.

(sighs)

SO WHAT DO YOU WANT TO DO?

(sighs)

YOU RELAX. I'M NOT GONNA ASK YOU TO CUDDLE ME, OKAY?

OH. NO, I KNOW. YOU'RE NOT EXACTLY THE GIRLFRIEND TYPE.

GUYS INVITED ME FOR A BEER AT THE PENNY, IF YOU WANT TO COME.

GIRLS WON'T FLIRT WITH YOU IF I'M THERE, RIGHT? BUDDY?

RIGHT, 'CAUSE ACTUALLY HANGING OUT ISN'T ALLOWED.

SAYS WHO?

SAYS YOU, LIKE, A MILLION TIMES.

YOU KEEP SAYING THAT'S WHAT YOU WANT, SO...

THEN I GUESS I'M GETTING WHAT I WANT.

(Andy) EW. THESE ARE SO GROSS.

HEY.

HEY.

HEY.

(sighs) ANDY, WHY DID YOU BUY THESE? LOOK AT THEIR--

THEY'RE ZOMBIE BRIDES. LOOK AT THEIR SMILES.

I KNOW.

YOU HAVE TO START PRACTICING, THOUGH, 'CAUSE VERY SOON,

EVERYBODY'S GONNA BE WATCHING YOU.

DON'T. I CAN'T EVEN THINK ABOUT WALKING DOWN THE AISLE

AND HAVING ALL EYES STARING AT ME.

ALTHOUGH I THINK I TALKED JERRY

INTO A-A WEDDING IN THE DOMINICAN REPUBLIC.

REALLY? DESTINATION WEDDING?

WANT TO KEEP IT SMALL,

BUT YOU AND SAM WILL COME, THOUGH, RIGHT? YEAH, OF COURSE.

COULD TAKE SOME VACATION TIME, MAKE A REAL HOLIDAY OUT OF IT.

YEAH, I CAN'T EVEN PICTURE SAM ON VACATION.

HE DOESN'T EVEN OWN SHORTS.

I DON'T MEAN TO BE A PARTY POOPER,

BUT YOU DID OFFER ME THE COUCH, RIGHT?

YEAH.

WELL... I'D KIND OF LIKE TO USE IT,

'CAUSE I'M PRETTY TIRED,

SO WHY DON'T YOU TAKE YOUR GIGGLES TO THE BEDROOM?

WHOA. OKAY.

YOU ARE SUCH A CHARMER.

(sighs)

(Traci) GOOD NIGHT, GAIL.

(Eux Autres) * SO I'M NOT COMING HOME TONIGHT *

(Andy speaks indistinctly)

(Traci) IT'S GONNA BE FUN.

(Andy speaks indistinctly)

(Traci laughs and speaks indistinctly)

* WHAT WAS WRONG WITH ME *

SO THE WEDDING'S GONNA BE IN DOMINICAN REPUBLIC.

I WAS THINKING MAYBE WE COULD TAKE A WEEK OR TWO

AND HAVE OUR FIRST VACATION TOGETHER.

GREAT.

W--COME ON. WE'VE NEVER BEEN ANYWHERE TOGETHER.

I MEAN, WE'VE NEVER BEEN TO A COTTAGE,

WE'VE NEVER EVEN BEEN CAMPING...

WE WENT TO SUDBURY.

OH, YEAH, I FORGOT. HOW ROMANTIC.

(gun racks)

COME ON. YOUR BEST FRIEND AND MY BEST FRIEND

ARE GETTING MARRIED. IT'S A BIG DEAL.

(holsters gun)

WHAT'S WRONG WITH CITY HALL?

CITY HALL? THAT'S YOUR IDEA OF A DREAM WEDDING?

WHY DO PEOPLE HAVE TO GET MARRIED AT ALL?

(police radio chatter)

(door buzzes and beeps)

(indistinct conversations)

(door closes) SO WHAT DO YOU THINK ABOUT ME AND YOU,

AFTER THE CEREMONY,

TAKING OFF ON THIS? HMM?

AND WE JUST SAIL AWAY UNDER THE STARS, ME AND YOU.

YOU DON'T KNOW HOW TO SAIL.

HOW HARD COULD IT BE TO DRIVE A BOAT?

BUT THE LAST TIME THAT YOU WENT OUT WITH THE MARINE UNIT,

YOU FELL IN THE WATER,

AND THE DIVE TEAM HAD TO PULL YOU OUT.

UM...

THE WATER WAS CHOPPY, AND I HAD THAT INNER EAR THING.

(chuckles)

YOU HATE THE BOAT.

I DO NOT HATE THE BOAT.

IT IS VERY SWEET AND ROMANTIC. IT'S JUST...

I DON'T KNOW. I THOUGHT WE'D KEEP IT SIMPLE.

MY MOM AND LEO, YOUR FAMILY, OUR FRIENDS.

IS THAT OKAY?

NO WORRIES.

ARE YOU SURE?

SIMPLE IS SIMPLE,

AND YOU ARE THE BRIDE. (kisses)

ALL RIGHT. ASSIGNMENTS ARE ON THE BOARD. IT'S CHANGE-UP DAY.

YOU'VE ALL GOT NEW PARTNERS, SO GET TO KNOW EACH OTHER.

KEEPS YOU MORE ALERT ON THE ROAD.

AND ON A PERSONAL NOTE,

I WOULD LIKE TO THANK YOU ALL FOR YOUR BABY NAME SUGGESTIONS,

BUT AFTER CAREFUL CONSIDERATION,

I WILL NOT BE NAMING MY CHILD "NINJA."

TOLD YOU. (officers groaning)

OR "OLIVER."

I WEEP FOR THAT CHILD.

(laughter)

THAT IS YOUR LOSS, MY FRIEND.

I KNOW. ALL RIGHT. DISMISSED. GO.

(indistinct conversations)

UH, OLIVER?

YEAH.

DOV AND I ARE PARTNERS TODAY,

BUT WE ALREADY KNOW EACH OTHER.

WELL, UH, HOW WELL DO WE REALLY KNOW ANYONE?

PRETTY WELL, YOU KNOW. WE'RE ROOMMATES.

IT'S TRUE. SOMETIMES I DO HIS DIRTY LAUNDRY BY MISTAKE.

WHAT'S HIS MIDDLE NAME?

BILL.

T-TED.

YOU PUT MONEY ON THAT?

SEE?

SO MUCH TO LEARN.

I DON'T KNOW ABOUT YOU, BUT I ACTUALLY COMPLETELY LOST TRACK.

THOSE SHOTS JUST KEPT APPEARING IN FRONT OF ME. IT WAS INSANE.

I KNOW. I HAVEN'T HAD A BOILERMAKER SINCE THE ACADEMY.

NORMALLY, I DON'T DRINK LIKE THAT,

BUT YOU ARE A VERY BAD INFLUENCE. AH.

(giggles) HEY.

HELLO.

COLLINS, LET'S GO.

LATER, GUYS.

BYE.

SO DID YOU SLEEP WITH HIM LAST NIGHT OR SOMETHING?

NO. I WISH.

SORRY.

YOU GUYS, LIKE, A THING OR SOME--

OH, GOD, NO. NO, NOT AT ALL.

YOU KNOW WHAT? I PROBABLY SHOULDN'T HAVE SAID ANYTHING.

WHAT?

OKAY. YOU DIDN'T HEAR THIS FROM ME.

HE SORT OF... CAUGHT SOMETHING OVER IN AFGHANISTAN.

(whispers indistinctly)

OH.

I JUST THOUGHT YOU SHOULD KNOW.

NOW IT'S LIKE...

YEAH.

(sirens wail in distance)

OKAY, I GOTTA ASK YOU SOMETHING.

MM-HMM. DO ALL GUYS HATE WEDDINGS?

I DON'T KNOW. I LIKE WEDDINGS.

OPEN BAR, DANCING, MEETING NEW PEOPLE...

YES. THANK YOU. EXACTLY.

YOU KNOW, YOU NEED TO TELL SAM THAT.

DOMINICAN REPUBLIC'S GONNA BE LIKE A VACATION.

OOH, WELL, A VACATION-- THAT'S A DIFFERENT THING.

WHAT? WHAT DO YOU MEAN?

IT'S A BIG STEP-- JUST THE TWO OF YOU,

NO DISTRACTIONS-- YOU GOTTA BE SURE.

YOU KNOW,

WHAT IF ALL THE FASCINATING CONVERSATION RUNS OUT,

YOU'RE LEFT WITH NOTHING TO SAY TO EACH OTHER? THEN WHAT?

THEN YOU STILL GOT THE BEACH.

WELL, YOU ALWAYS GOT THE BEACH.

(woman) Unit 1509, are you 10-8?

(radio static) GO AHEAD.

(radio static) Attend 1801 King Street

regarding a domestic disturbance. (radio static)

1509, WE'RE ON IT.

(woman) GET OUT OF MY APARTMENT RIGHT NOW.

(man) I'M NOT GOING ANYWHERE. YOU TELL ME THE TRUTH.

THEN I'LL HAVE SECURITY...

TELL ME WHAT HAPPENED! (shouting indistinctly)

(knock on door)

POLICE! OPEN UP! OH. (woman) I DON'T KNOW WHAT YOU'RE TALKING ABOUT!

OH. (man) YOU THINK I'M KIDDING?

(Nick) POLICE! WE'RE COMING IN! HOW DO YOU EVEN KNOW WHERE I LIVE?!

I KNOW WHAT YOU DO. I KNOW WHAT YOU MADE HER DO! (Nick) WHOA! STOP! STOP.

(pants) OFFICER. GOOD.

LISTEN, MY--MY-- MY GIRLFRIEND'S MISSING.

LIZ ADAMS. SHE'S BEEN GONE A WEEK NOW.

I CAN'T FIND HER, AND SHE WON'T CALL ME BACK.

DID IT EVER OCCUR TO YOU

THAT SHE MIGHT NOT WANT TO TALK TO YOU?

YOU KNOW WHERE SHE IS! OKAY, OKAY, COME ON, LET'S CALM DOWN,

STEP OUTSIDE IN THE HALL, HAVE A CHAT, ALL RIGHT?

YOU OKAY?

YEAH.

ALL RIGHT. WHAT'S YOUR NAME?

RACHEL FINDLAY.

LOOK, THIS IS MY APARTMENT,

AND THAT MAN HAS NO RIGHT BEING HERE.

CAN YOU PLEASE MAKE SURE THAT HE LEAVES?

ABSOLUTELY. OFFICER COLLINS IS GONNA CALM HIM DOWN.

UM, LIZ ADAMS--HE SAID THAT SHE WAS MISSING. YOU KNOW HER?

NOT VERY WELL.

OKAY. WHAT DO YOU DO?

I'M A STUDENT. UM, I'M GETTING MY M.B.A.

(police radio chatter)

SO YOUR GIRLFRIEND--SHE SAY ANYTHING TO YOU BEFORE SHE LEFT?

YOU TWO HAVE A FIGHT? ANYTHING?

I THINK SOMETHING HAPPENED, SOMETHING BAD.

IT'S RACHEL'S FAULT. SHE GOT HER INTO THIS.

OKAY. RACHEL. WHY?

SHE'S LIZ'S PIMP, OR--OR MADAM.

I DON'T EVEN KNOW WHAT YOU CALL IT.

SO YOUR GIRLFRIEND'S A PROSTITUTE?

AN ESCORT. WHAT'S THE DIFFERENCE?

LIZ AND I HAVE BEEN TOGETHER FOR TWO YEARS,

AND SHE'S BEEN LYING TO ME THE WHOLE TIME.

IF THIS WOMAN'S MISSING,

YOU NEED TO ANSWER OUR QUESTIONS.

I DON'T SEE A WARRANT.

YOU'RE RIGHT. WE DON'T HAVE A WARRANT...

BUT WE CAN GET ONE. IT'S JUST GONNA BE A HASSLE.

YOU KNOW, WE'RE GONNA HAVE TO SEIZE YOUR COMPUTERS

AND ALL YOUR RECORDS, MAKE CALLS TO ALL YOUR CLIENTS.

I THINK I'M GONNA CALL MY LAWYER.

RACHEL, YOUR FRIEND IS MISSING.

LOOK, I DON'T KNOW WHERE SHE IS.

SHE'S PROBABLY OUT OF TOWN.

MAYBE, BUT YOU RUN AN ESCORT AGENCY--

ELITE COMPANIONS IS NOT AN ESCORT AGENCY.

THE GIRLS PROVIDE COMPANIONSHIP. THAT'S IT.

OHH.

WELL, IF LIZ IS HURT, AND ONE OF HER JOHNS IS INVOLVED,

THEN YOU'LL BE LIABLE.

FORGET LIABLE. YOU'LL BE CHARGED.

(police radio chatter)

LIZ GET ANY CALLS RECENTLY?

I DON'T KNOW.

SHE MANAGES HER OWN BOOKINGS. IT'S ALL DONE ONLINE.

OKAY. WELL, HOW ABOUT A PASSWORD?

WE CAN START WITH THAT.

(keys clicking) OKAY, HERE SHE IS. "LIZ ADAMS." PROFESSIONAL NAME--"AMBER."

(mouse clicks)

$1,500 FOR DINNER AND CONVERSATION?

(Dov) AND SEX.

NO, NO, NO, NO. 3 GRAND FOR AN "INTIMATE ENCOUNTER."

OKAY, YOU GUYS, SHE HASN'T BEEN GOING TO CLASS.

AIRLINES DON'T HAVE HER ON ANY FLIGHT LISTS,

AND THERE'S NO ACTIVITY ON HER CREDIT CARD.

WELL, THAT SAID, SHE COULD BE HIDING OUT, PAYING CASH.

IT'S A CASH BUSINESS, RIGHT?

WE HAD ANOTHER ESCORT FROM THAT AGENCY

THAT WENT MISSING A MONTH AGO.

HER NAME IS NICOLE MARSHALL.

IT'S ONE OF JERRY'S CASES, AND IT'S STILL ACTIVE.

SHE CALLED 9-1-1, AND THEN SHE DISAPPEARED.

HER CONDO WAS IMMACULATE.

THERE WAS NO SIGNS OF A STRUGGLE,

NO D.N.A., NO FINGERPRINTS, NOTHING.

NICOLE MARSHALL--LAST SEEN A MONTH AGO--AUGUST 28. (beeps)

(man) 9-1-1. What is your emergency?

(woman) There's someone at my door.

I think he's trying to break in. Please--

Okay, ma'am? Try and stay calm. What's your name?

Nicole Marshall.

Okay, Nicole? The police are on their way. (knock on door)

He won't stop knocking.

I can't see who he is, and he won't answer.

THEY ACTUALLY LOOK PRETTY SIMILAR--

BLONDE, LONG HAIR, FAIR SKIN.

WHAT, YOU THINK THERE'S A CONNECTION?

UH, OKAY, GUYS, I HAVE A LIST OF ALL LIZ ADAMS' CLIENTS.

THERE AREN'T THAT MANY.

COUPLE OF REGULARS, ONCE-WEEKLIES.

INCLUDING THE GUY SHE WENT ON A DATE WITH AT THE ARCHER HOTEL

THE NIGHT SHE DISAPPEARED-- "NiceGuy 76."

THIS GUY SEE ANY OTHER ESCORTS?

UH, I GOT A LIST OF ALL HIS ACTIVITY, LAST TWO YEARS.

"NICOLE MARSHALL."

PROFESSIONAL NAME--VALENTINA. AUGUST 28.

WE HAVE TWO ESCORTS, BOTH FROM THE SAME AGENCY.

BOTH WENT MISSING AFTER A DATE AT THE ARCHER WITH NiceGuy 76.

(Frank) "LIZ ADAMS."

YOU TRACED HER CREDIT CARDS, CELL PHONE RECORDS?

LAST CALL WAS TO HER BOYFRIEND BEFORE SHE DISAPPEARED,

AND NOW HER PHONE'S OFF, SO WE CAN'T TRACK IT.

IT'S BEEN A WEEK, FRANK. THE CLOCK'S RUNNING DOWN.

SO WHAT DO YOU WANT TO DO?

WELL, THE ESCORT AGENCY IS COOPERATING.

WE KNOW THE JOHN'S GOT ANOTHER BOOKING TONIGHT WITH A GIRL

AT HIS FAVORITE HOTEL ROOM. (buzzer, beep)

WE FIGURE WE BRING HIM IN, AND WE, UH, KEEP HIM FOR QUES--

PULL HER, AND PUT ME IN.

PUT YOU IN?

YEAH, I MEAN, I FIT THE PATTERN, RIGHT?

BOTH GIRLS ARE BLONDE, MID-20s.

I MEAN, I'M RIGHT IN HIS SNACK BRACKET.

PECK, THESE ARE HIGH-END ESCORTS.

SIR. I VISITED EVERY COUNTRY IN EUROPE BEFORE I WAS 18.

JE PARLE FRANCAIS.

SHE HASN'T HAD THE PROPER TRAINING.

SO LET'S TRAIN HER.

WE GOT THE FOXY BROWN OF UNDERCOVER ESCORTS

IN-HOUSE, RIGHT?

HOTEL ROOM RAID OF '98-- 7 JOHNS ARRESTED.

MORALITY SQUAD WANTED HER FOR MONTHS AFTER THAT, RIGHT?

OKAY, WHO ARE WE TALKING ABOUT?

OFFICER WILLIAMS.

NOELLE?

(police radio chatter)

DON'T MAKE ME REGRET THIS.

(pats arm) THERE YOU GO.

OKAY, YOUR PROFILE IS YOUR FIRST POINT OF CONTACT

WITH THE JOHN, SO IT HAS TO PROJECT THE RIGHT IMAGE.

HOW ABOUT ANASTASIA? OR FRANCESCA?

I'M NOT A DRAG QUEEN.

I NEED SOMETHING THAT'S CLASSY AND EXOTIC.

(sighs) ARIEL? OR BELLE?

YOU'RE NAMING PRINCESSES.

OR JASMINE?

JASMINE. YOU COULD TOTALLY MAKE THAT WORK.

ALL RIGHT. JASMINE'S FINE. JUST...

(keyboard clicks) READ IT BACK TO ME.

ALL RIGHT.

"TREAT YOURSELF TO A LUXURIOUS RENDEZVOUS WITH JASMINE.

"JASMINE ENJOYS SHARING DELICIOUS MEALS

AND STIMULATING CONVERSATION."

YEAH, "STIMULATING" HAS ONE "L."

GRAMMAR COUNTS. YOU KNOW WHAT? I'M LEAVING.

(keyboard clicks)

ALL RIGHT. SHE IS RIGHT.

THESE GUYS-- THEY WANT EDUCATED WOMEN.

ALL RIGHT, AND WE NEED TO ADD SOMETHING.

UH...

"LET HER FILL YOUR NEED

FOR THE ULTIMATE GIRLFRIEND EXPERIENCE."

GIRLFRIEND EXPERIENCE?

OKAY, GET IT OUT OF YOUR HEAD

THAT YOU'RE A HOOKER IN A BETTER OUTFIT.

THESE ARE POWERFUL MEN

WITH STRESSFUL JOBS.

THEY WANNA TELL YOU THINGS

THAT THEY WON'T EVEN TELL THEIR WIVES.

YOUR JOB IS TO LISTEN, MAKE 'EM FEEL LIKE

THEY CAN TELL YOU ANYTHING. MAKE 'EM FEEL LIKE THEY'RE

THE MOST IMPORTANT MAN IN THE ROOM.

CAN YOU DO THAT?

(breathy voice) ABSOLUTELY. OKAY, NO.

NO, SEE, THAT'S YOUR FIRST MISTAKE.

DON'T TRY TO BE SEXY.

JUST... YOU HAVE TO BE REAL.

THIS HARD DRIVE HOLDS

40 HOURS OF DIGITIZED 9-1-1 CALLS.

NOW ALL OF THESE CAME IN

THE WEEK AFTER, UH, NICOLE MARSHALL DISAPPEARED.

(crunching) YOU TWO ARE GOING TO LISTEN TO THE CALLS--

ALL OF THE CALLS.

WE'RE LOOKING FOR PATTERNS, NEW EVIDENCE, ANYTHING.

NOW MOST OF THE CALLS ARE GONNA SEEM UNRELATED.

AND IF NOT, THEY'RE A PRANK.

ALL RIGHT, BUT THERE IS NO SKIPPING.

ABSOLUTELY NO SKIPPING.

YOU ARE GOING TO LISTEN TO EVERY SINGLE CALL

IN ITS ENTIRETY.

ARE WE BEING PUNISHED FOR SOMETHING?

POLICE OFFICERS, AREN'T YOU?

YEAH.

WELL, THIS IS WHAT POLICE OFFICERS DO. (Dov crunching)

GIVE ME A CHIP THERE, PAL.

THANK YOU. YOU'RE NOT GONNA NEED THESE.

(crunches)

OLIVER?

WHAT?

YOU'RE A JOHN. YOU'RE A CLIENT WHO'S BOOKED ME. (hits shoulder)

I AM?

YEAH. SIT.

(crunches)

(whispers) ALL RIGHT.

(sighs)

HI.

HI.

IT'S NICE TO MEET YOU.

I'M GISELLE.

HEY, GISELLE.

AND, UH, YOU ARE...

PETER.

OKAY. PETER. PETER WHAT?

PETER...

PETER... PARKER.

(chuckles)

THAT'S FUNNY.

UM, BUT I DON'T KNOW. I...

YOU LOOK MORE LIKE THE KIND OF GUY

WHO WAS NAMED AFTER HIS GRANDFATHER.

I WAS NAMED AFTER MY GREAT-UNCLE... OLIVER.

AND ARE YOU A FAMILY MAN, OLIVER?

THREE GIRLS.

THREE GIRLS? MM-HMM.

WOW. SO YOU MUST HAVE YOUR HANDS FULL.

YOU KNOW HAVE NO IDEA, GISELLE.

OOH, I AM THE OLDEST OF FOUR GIRLS.

I HAVE A PRETTY GOOD IDEA.

I, UH... WELL, I SHARE THE LOAD WITH MY WIFE.

ACTUALLY, MY WIFE DOES ALL THE WORK, AND SHE KNOWS IT.

YOU KNOW WHAT?

WHAT?

WE'RE ALL JUST DOING THE BEST WE CAN.

SOMETIMES WE GET LUCKY, AND THE... PEOPLE WE'RE WITH--

THEY UNDERSTAND AND SUPPORT THAT.

WOW.

YOU STILL GOT IT, WILLIAMS.

MM-HMM.

WOW.

POINT IS, MAKE A CONNECTION. MAKE IT REAL.

GOT IT?

ALL RIGHT. LET'S GET YOUR PICTURE TAKEN.

(groans)

(male dispatcher) 9-1-1. What is your emergency?

(elderly woman) I was at an antique fair down in Caledon,

and I saw that young lady who was missing--Nicole Marshall?

I'm positive it was her. She was bidding on a trunk.

They were calling it a Jenny Lind,

but there's no way those buttons were brass.

Can you describe the woman?

(teakettle whistling) Mm, she had red hair.

Oh, one moment. There goes my teakettle.

WE'RE TAKING CALLS FROM THE ANTIQUE ROADSHOW,

AND GAIL'S GOING UNDERCOVER WITH HER NEW BOYFRIEND.

IT'S OKAY IF YOU'RE NOT OVER HER.

LOOK, JUST 'CAUSE YOU'RE NOT OVER SUE,

DOESN'T MEAN I'M NOT OVER GAIL.

YOU HAVE A DIFFERENT GIRL IN YOUR BED EVERY WEEK.

SOMETIMES YOU DON'T EVEN CHANGE THE SHEETS.

ONLY WHEN I DON'T HAVE TIME.

ALL I'M SAYING IS IT'S OKAY.

LOOK, SOMETIMES THE ONLY WAY TO BEAT QUALITY IS WITH QUANTITY.

(taps key)

OKAY, SO WE'RE ALL SET.

NiceGuy76 LIKED MY PROFILE. DINNER AT THE ARCHER, 10:00,

AND HE EVEN BOOKED THE PENTHOUSE SUITE.

10:00 P.M.? MM-HMM.

ALL RIGHT, WELL, WE DON'T HAVE TIME FOR A WARRANT,

SO WE WON'T BE WIRED FOR AUDIO.

THE BEST WE CAN DO IS TAP INTO HOTEL CAMERAS.

ARE YOU SURE YOU WANNA DO THIS TONIGHT?

IF HE WANTS TO MEET TONIGHT, I'M READY.

I MEAN, WHY WOULD WE GIVE HIM A CHANCE TO RECONSIDER?

LET'S DO IT.

NOELLE?

SHE SAYS SHE'S READY.

OKAY.

ALL RIGHT, YOU'RE NOT A COP. YOU'RE AN ESCORT.

YOU WON'T BE ARMED, SO IF ANYTHING HAPPENS,

SPRAY THIS IN HIS EYES AND GET OUT OF THERE. GOT IT?

UH-HUH.

SURE YOU'RE READY FOR THIS?

ABSOLUTELY.

I CAN DO THIS.

***

(man) GUYS, I'M SORRY. MY HANDS ARE TIED.

MY CLIENTS DO HAVE AN EXPECTATION OF PRIVACY.

WE ONLY HAVE CAMERAS DOWN HERE. THERE ARE NONE UPSTAIRS.

YOU MUST GET A LOT OF THESE LADIES COMING THROUGH HERE, HUH?

MAYBE. I DON'T KNOW.

COULD NEVER TELL WHO THEY ARE.

REALLY?

LET ME HELP YOU. THEY'RE DROP-DEAD.

THEY ARRIVE ALONE.

THEY LEAVE ALONE A FEW HOURS LATER.

THEY COME BACK AGAIN AND AGAIN.

I MEAN, THERE'S THAT.

THESE ARE THE GIRLS YOU GUYS MAKE ALL YOUR MONEY ON.

CAN'T ARREST TWO PEOPLE FOR HAVING DINNER.

AND WE'RE HARDLY GOING TO FOLLOW THEM UP TO THEIR ROOMS.

WHY DON'T YOU SHOW ME YOUR SECURITY SETUP?

YOU BET. RIGHT THIS WAY.

GAVIN.

YOU'RE THE ONLY ONE THAT KNOWS WE'RE HERE TONIGHT.

OF COURSE.

THIS'LL WORK.

YEAH.

YEAH. THIS'LL-- THIS'LL BE JUST FINE.

(woman speaking indistinctly)

HEY.

HEY.

YOU LOOK AMAZING.

THANK YOU. SO DO YOU.

OKAY, SO A CAR'S GONNA TAKE YOU TO THE ARCHER,

YOU KNOW, SO YOU MAKE AN ENTRANCE.

JERRY WANTED ME TO REMIND YOU

THAT THERE HAS TO BE AN EXCHANGE OF MONEY.

SO AS SOON AS YOU GUYS GET UP TO THE ROOM,

YOU KNOW, MAKE SURE HE PAYS YOU.

OKAY.

UH, WHEN HE DOES,

YOU NEED TO CALL ROOM SERVICE

AND ORDER A BOTTLE OF CHAMPAGNE,

'CAUSE THAT'S THE SIGNAL FOR US.

OKAY.

ME AND NICK ARE GONNA BE THERE THE WHOLE TIME.

WHEN YOU GUYS ARE COMING UPSTAIRS,

WE'RE GONNA BE IN THE HALLWAY.

I KNOW. OKAY.

(zips pouch)

WHAT'S UP?

JUST, I DON'T HAVE EARRINGS.

OH. PFFT. TAKE MINE.

HERE, SERIOUSLY. THANK YOU.

I DON'T NEED THEM. THEY'LL LOOK BETTER ON YOU ANYWAY.

HERE. (earrings clatter)

OKAY, WHAT DO YOU THINK?

IT'S GONNA LOOK GREAT.

PERFECT GIRLFRIEND MATERIAL? HMM? YEAH.

HMM? HMM?

ARE YOU NERVOUS? IT'S OKAY.

IT'S FINE. USE IT. I MEAN, IT'S A FIRST DATE.

YOU SHOULD BE NERVOUS. YES.

LOOK, THIS IS THE COOLEST PART ABOUT BEING UNDERCOVER. MM-HMM.

THE MORE REAL YOU ARE, THE MORE THEY'RE GONNA BUY IT.

OKAY. LOOK, THE CAR'S HERE, SO I'M GONNA MEET YOU THERE.

ALL RIGHT. (sighs)

(horns honk in distance)

(siren wailing in distance)

THANK YOU.

(indistinct conversations)

(horn honks in distance)

SHE'S ON HER WAY IN.

***

(lowered voice) HERE WE GO.

LET ME GUESS.

APPLETINI.

I DON'T LIKE FRUITY DRINKS. TEQUILA.

OH, WELL, YOU KNOW, TECHNICALLY, THE AGAVE IS A FRUIT PLANT.

OH, IS THAT WHAT YOU DO? YOU LECTURE PEOPLE ON ALCOHOL?

ONLY PEOPLE LIKE YOU.

AREN'T YOU WORKING?

WHAT, ARE YOU GONNA REPORT ME?

(bottle clatters)

(glass clatters) IS THAT YOUR TELL?

WHAT? YOU GET NERVOUS, YOU START PLAYING WITH YOUR EARRING.

THESE AREN'T EVEN MINE. THEY'RE MY FRIEND'S.

SHE LENT THEM TO ME 'CAUSE I'M STAYING AT HER HOUSE

BECAUSE MY PLACE IS BEING RENOVATED,

AND THEY'RE NOT EVEN REALLY MY STYLE,

BUT I MEAN, I GUESS THEY'RE NICE, BUT...

(laughs) I DON'T WHY I'M TALKING SO MUCH.

UH... (chuckles)

BECAUSE HE'S LATE.

HEY.

THIS GUY STANDS YOU UP,

YOU GOTTA DUMP HIM.

SERIOUSLY.

PROMISE ME?

PROMISE.

(clink)

(siren wailing in distance)

WHAT IF HE DOESN'T SHOW?

HE'LL SHOW. HE'S A ROMANTIC.

PAYING FOR SEX IS ROMANTIC?

HE'S NOT PAYING FOR SEX.

HE'S PAYING TO HAVE PECK LOOK AT HIM

LIKE HE'S EVERYTHING SHE COULD EVER WANT IN A MAN.

JERRY...

YOU DO REALIZE THAT YOU ARE EVERYTHING

I COULD EVER WANT IN A MAN.

YEAH. I KNOW. I GET IT.

YOU JUST DON'T LIKE BOATS.

(scoffs)

JERRY.

OKAY.

HI.

HI. CHARLIE DAVIS. NICE TO MEET YOU.

HI. NICE TO MEET YOU, TOO.

UM, CAN I GET YOU A DRINK?

I--ACTUALLY, I'VE ALREADY GOT ONE.

(glass clatters)

I WOULD LOVE ANOTHER ONE, THOUGH.

ARE YOU OKAY?

(giggles) YEAH. UH, APPLETINI?

UH, APPLETINI AND A CRANBERRY JUICE, PLEASE.

***

SO, JASMINE,

YOU'RE NOT WHAT I WAS EXPECTING.

OH. RACHEL SAID THAT YOU WANTED TO MEET SOMEONE NEW.

YOU DON'T HAVE TO BE NERVOUS. I'M NOT GONNA BITE.

SO WHY DO YOU DO THIS?

WHY NOT?

YOU KNOW, IT'S FUNNY.

BACK IN COLLEGE, A GIRL LIKE YOU

WOULDN'T GIVE ME TIME OF DAY, AND NOW I MAKE YOU NERVOUS.

HEY, NO, NO. IT'S A COMPLIMENT.

REALLY, I MEAN, YOU'RE--YOU'RE VERY BEAUTIFUL.

THAT MADE YOU UNCOMFORTABLE, THOUGH. WHY?

I... DON'T KNOW.

WELL, EITHER YOU DISAGREE,

WHICH MEANS YOU'RE VERY INSECURE,

OR... YOU KNOW IT'S THE TRUTH,

BUT YOU THINK IT'S SOCIALLY UNACCEPTABLE TO ADMIT IT.

I-I HONESTLY DON'T KNOW WHAT TO SAY.

I'M JUST FASCINATED TO KNOW WHY A WOMAN LIKE YOU

WOULD WANNA BE SEEN WITH SOMEONE LIKE ME.

WELL, MAYBE YOU'RE THE ONE WHO'S DEEPLY INSECURE.

NOW WE'RE GETTING SOMEWHERE.

(man) SO WOULD YOU LIKE TO SEE SOME MENUS?

HEY, YEAH, PLEASE. THANK YOU.

***

(female dispatcher) 9-1-1. What is your emergency?

(elderly man) Yes, hello. My name is Clarence Dodgson.

Can you put me through to the Lost and Found Department?

OH, SERIOUSLY, KILL ME. SHOOT ME IN THE FACE WITH YOUR GUN. Well, I don't know.

I found this necklace while I was out walking.

It's gold and has a heart-shaped locked.

The person who dropped it must be very upset.

LOOK... (stammers)

NOBODY CALLS IN TO REPORT LOST AND FOUND.

OKAY, JUST--JUST SKIP IT.

NO. OLIVER SAID WE GOTTA LISTEN TO ALL OF 'EM

ALL THE WAY THROUGH.

THIS IS ABOUT AS BAD AS THE THREE PEOPLE

THAT CALLED 9-1-1 OVER PIZZAS.

IT'S NOTHIN'. JUST SKIP IT. (taps key)

Sir, if there's no emergency, I have to clear the line.

Well, I found it on the ground

while I was walking my dog Atticus

by Moore Park.

And there's an inscription.

Just a moment. Let me get my other glasses.

Yes, that's better. It says "Nicole."

It looks to me like a keepsake, so I wanted to call it in.

(taps key)

GOLD HEART-SHAPED NECKLACE.

THAT'S NOT NOTHIN'.

I STARTED THE BUSINESS IN MY PARENTS' BASEMENT,

AND, UM, I HAD NO IDEA IT WOULD GO SO BIG SO FAST.

AND IT'S WEIRD BEING IN CHARGE OF 200 PEOPLE,

MOSTLY 'CAUSE THEY WANT ME TO--

THEY EXPECT ME TO ACT A CERTAIN WAY,

LIKE... TOUGH, DECISIVE, NO FEAR.

IT'S NOT WHO I AM.

KIND OF WHO THEY NEED ME TO BE.

YEAH, MY FRIENDS ARE LIKE THAT.

SORT OF SEE ME THIS ONE WAY,

NO MATTER WHAT I DO.

AND THE WEIRD THING IS, IT'S SORT OF GETTING EASIER

FOR ME TO BE THAT PERSON.

WELL... I MUST BE GETTING GOOD AT IT.

(chuckles)

YOU WANNA GET OUT OF HERE?

YEAH, SURE.

HEY, CAN I HAVE THE, UM, CAN I HAVE THE BILL, PLEASE?

(cell phone beeps)

(indistinct conversations)

(Charlie) THANK YOU.

(button clicks)

(speaks inaudibly)

(elevator bell dings, doors open)

(elevator doors close)

SO, UH, WHAT FLOOR ARE YOU ON?

I AM IN THE PENTHOUSE.

(button clicks)

BUT... I THOUGHT WE'D GO FOR A LITTLE RIDE FIRST.

(button clicks)

(beep)

McNALLY, THEY'RE RIGHT BEHIND YOU.

(elevator doors close)

(elevator doors open)

(elevator bell dings, doors open)

(receiver clatters)

(cell phone rings)

(beep)

YEAH.

HEY, LISTEN, NOBODY'S IN THE ELEVATOR. WHERE ARE THEY?

WHAT? HOLD ON.

(beep)

SAM, YOU GOT A VISUAL?

WHAT DO YOU MEAN? THEY JUST WENT IN THE ELEVATOR.

THEY'RE NOT UPSTAIRS?

ALL RIGHT, HANG ON.

WHERE ARE THEY?

WHERE ARE THEY?

WHERE ARE THEY?

(pounding keys)

***

(siren wailing in distance)

OKAY, COME ON. COME ON.

GOT HER. THERE.

IN THE GARAGE.

SO I GUESS THIS IS, UH, P3?

SORRY. I ALWAYS GET LOST IN THESE THINGS.

DON'T WORRY. I KNOW WHERE I PARKED.

SMART GIRL.

OKAY, GUYS, THEY'RE IN THE PARKING GARAGE, THIRD LEVEL.

OKAY.

(button clicks) LEVEL 3. THE GARAGE.

(button clicks)

(sighs)

WE'LL TAKE THE STAIRS. IT'LL BE FASTER.

HAD TO BE THE PENTHOUSE.

(sighs and sniffles)

(opens car door)

LADIES FIRST.

HEY, SO, LISTEN, UM,

NOT TO BE BORING, BUT...

YEAH. NO, OF COURSE.

I MEAN, THAT'S ALWAYS AN AWKWARD MOMENT, RIGHT?

NO, NOT AT ALL. UM... LET'S GET IN THE CAR FIRST.

OKAY.

(opens car door)

HERE.

THANK YOU.

IT'S OKAY. I'M SURE YOU'RE WORTH IT.

NOW WE CAN JUST RELAX. BE OURSELVES.

UM, SO WHERE ARE WE GOING?

(starts engine) YOU'LL SEE.

YEAH, IT'S JUST, USUALLY MY DATES

LIKE TO GO RIGHT UPSTAIRS.

WELL, WHAT'S THE FUN IN THAT?

I DON'T LIKE SURPRISES.

I TOLD YOU.

DON'T BE NERVOUS.

IT'S TIME YOU LEARNED TO DO WHAT I TELL YOU.

(loud knock on window)

NiceGuy. NiceGuy76.

I THOUGHT THAT WAS YOU.

WHO THE HELL ARE YOU? GET OUT OF THE CAR.

WHAT THE...

GET OVER HERE. GET OFF!

AAH! WHAT ARE YOU DOING, HUH?

WHAT THE HELL IS GOING ON?

YOU GOT A NAME? CHARLIE DAVIS.

CHARLIE DAVIS, YOU'RE UNDER ARREST FOR SOLICITATION. (handcuffs clicking)

WHAT?!

YOU OKAY? YEAH, I'M FINE.

WHAT ARE YOU, A COP?

I'M SORRY.

SO ALL THAT STUFF THAT WAS SAID IN THERE--WHAT WAS THAT?

SHUT UP. GET OFF OF ME! I DIDN'T DO ANYTHING!

OH, YEAH?

DO THE NAMES LIZ ADAMS AND NICOLE MARSHALL

MEAN ANYTHING TO YOU? HUH?

OR MAYBE YOU KNOW THEM AS AMBER AND VALENTINA?

I DON'T KNOW WHAT YOU'RE TALKING ABOUT. (panting)

(grunts)

ARE YOU OKAY?

YEAH, I'M FINE.

OKAY. McNALLY'S GONNA STAY WITH YOU.

QUICK DEBRIEF HERE AT THE HOTEL,

AND THEN YOU CAN GO HOME, ALL RIGHT?

OKAY.

PECK.

MM-HMM?

YOU DID GOOD.

ALL RIGHT. LET'S TALK WITH THIS GUY.

COME ON, BUDDY.

(siren wailing)

(door beeps and buzzes)

(cell phone beeps)

YOU KNOW, I'VE HAD THIS FOR A WHILE.

I STILL CAN'T FIGURE IT OUT.

YOU MUST BE GOOD WITH THIS.

YOU'RE A COMPUTER PROGRAMMER, RIGHT?

YEAH, I BET YOU KNOW YOUR WAY AROUND THE INTERNET,

HOW TO BE UNTRACEABLE...

INVISIBLE.

WELL... (beep)

WELL, MODERN TECHNOLOGY. IT IS AMAZING.

(sniffs)

YOU'RE STILL HUMAN, THOUGH, AREN'T YOU, CHARLIE, HMM?

FUNNY THING ABOUT PEOPLE--

THEY'RE CREATURES OF HABIT.

LIKE YOUR THING, APPARENTLY, IS BLONDES.

LIZ ADAMS.

NICOLE MARSHALL.

(filtered voice) BEAUTIFUL GIRLS, CHARLIE.

THEY'RE EXPENSIVE. HMM?

SO LET'S START WITH LIZ.

YOU WERE WITH HER LAST MONDAY NIGHT, RIGHT?

YES, I WAS. WE HAD DINNER,

AND THEN WE WENT TO MY HOTEL ROOM,

AND THEN I WENT TO THE MERCURY UNTIL 3:00 A.M.

(filtered voice) YOU CAN CHECK MY CREDIT CARD.

I SPENT LIKE $800.

(cell phone rings)

(sighs)

(ring, beep)

YEAH?

(police radio chatter)

WHAT'S UP?

YOU'RE NOT GONNA BELIEVE THIS. WHAT?

GUESS WHO JUST WALKED IN. WHO?

MEET LIZ ADAMS.

LIZ. WE'RE VERY HAPPY TO SEE YOU.

WHAT'S GOING ON?

YOUR BOYFRIEND FILED A MISSING PERSONS REPORT.

HE REPORTED ME MISSING?

WHY?

WHERE HAVE YOU BEEN ALL WEEK?

I WENT TO A B&B IN NIAGARA.

WHY WAS YOUR PHONE OFF?

DREW AND I HAD A FIGHT.

I NEEDED A LITTLE TIME TO MYSELF.

OKAY.

DID YOUR JOHN DO THAT?

WHAT ARE YOU TALKING ABOUT?

WE TALKED TO RACHEL FINDLAY, LIZ.

WE KNOW ABOUT ELITE COMPANIONS.

(sighs) COULD YOU COME WITH ME, PLEASE?

(door buzzes and beeps)

(door closes)

DO YOU KNOW THIS GUY?

LIZ?

WE'RE NOT GONNA ARREST YOU.

WE JUST NEED SOME INFORMATION, OKAY?

IT'S CHARLIE.

(speaking inaudibly)

HE'S ONE OF MY WEEKLIES.

RIGHT. CAN YOU CONFIRM YOU WERE WITH HIM ON MONDAY NIGHT?

YES.

LIZ, WITH THESE TYPES OF JOHNS,

THE BEHAVIOR ALWAYS ESCALATES. IT STARTS WITH A BLACK EYE,

AND THEN IT'S SOMETHING A LOT WORSE.

WHAT ARE YOU TALKING ABOUT?

CHARLIE DIDN'T HIT ME.

IT WAS DREW.

IT WAS MY BOYFRIEND.

***

(door beeps)

(man) THANK YOU. (telephone rings)

(Chris) SO, MR. DODGSON... DIVISION 15.

YOU CALLED 9-1-1 LAST MONTH ABOUT A NECKLACE?

Y-YES. I-I HAVE IT RIGHT HERE.

I'D ALMOST, UH, FORGOTTEN IT, UH, UNTIL YOU CALLED.

CAN YOU TELL ME WHERE YOU FOUND IT?

ATTICUS AND I DO OUR WALKING IN MOORE PARK.

I FOUND IT BY THE BACK.

WHERE EXACTLY?

ABOUT 30 FEET PAST A BLUE SHED,

THERE'S A FALLEN TREE.

I FOUND IT RIGHT THERE, O-ON THE PATH BY THE TREE.

(lowered voice) MOORE PARK-- COULD BE POTENTIAL DUMP SITE.

(lowered voice) YEAH, YEAH, LET'S CUT HIM LOOSE

AND CHECK IT OUT.

UM, UH, THANK YOU.

YEAH. THANK YOU. (chuckles)

(telephone ringing)

CHARLIE'S ALIBI CHECKED OUT.

I KICKED HIM ON A PROMISE TO APPEAR.

HE'S A FREE MAN.

GREAT.

YEAH, WELL, ACCORDING TO LIZ,

IT WAS HER BOYFRIEND WHO HIT HER

AFTER HE FOUND OUT WHAT SHE WAS DOING FOR A LIVING.

THAT'S WHY SHE LEFT TOWN.

YOU THINK SHE'S TELLING THE TRUTH?

I DON'T KNOW. MAYBE?

YOU KNOW, OR MAYBE SHE'S PROTECTING THE JOHN.

I SUPPOSE THAT'S GOOD BUSINESS.

YOU KNOW, BUT CHARLIE GOES HOME,

AND HE GETS RID OF ANY EVIDENCE

THAT COULD TIE HIM TO NICOLE'S DISAPPEARANCE.

WE'RE BACK TO SQUARE ONE.

HEY.

HEARD YOU'RE NOT COMING TO MY WEDDING.

WHAT? WHO TOLD YOU THAT?

IT'S THE WORD ON THE STREET.

(scoffs)

IT'S TOO BAD 'CAUSE I THOUGHT YOU'D BE MY BEST MAN.

THOUGHT YOU'D NEVER ASK.

ALL RIGHT, SO THIS IS THE THING WITH THE BEST MAN--

HE USUALLY COMES TO THE WEDDING.

(sighs)

COULDN'T JUST HAVE IT AT CITY HALL, HUH?

OKAY, YOU KNOW WHAT? WHY DON'T YOU JUST TELL ANDY THE TRUTH?

IT'S NOT SUCH A BIG DEAL. SO YOU'RE AFRAID OF FLYING.

I NEVER SAID THAT.

I JUST HATE TAKING MY BOOTS OFF AT THE AIRPORT.

OKAY.

WHAT'S WEIRD IS THAT I WAS MORE HONEST WITH THAT GUY

THAN I HAVE BEEN WITH ANYONE IN, LIKE, A REALLY LONG TIME.

YEAH, AND YOU DID GREAT.

SAM'S GONNA ACTUALLY PICK ME UP.

UM, I'M GONNA STAY AT HIS PLACE TONIGHT.

OH, GREAT. NOW I HAVE THAT VISUAL IN MY HEAD.

(chuckles) I WAS GONNA ASK YOU IF YOU WANTED A RIDE HOME.

NO, I THINK I'M--I'M ACTUALLY GONNA GET A CAB

BACK TO YOUR PLACE.

HEY, ARE YOU, UH, ARE YOU FREE? WHERE TO?

I'M GONNA GO TO QUEEN AND CARLISLE IN LESLIEVILLE.

YEAH.

(horn honks in distance)

LISTEN, GAIL, IF-- IF YOU DON'T,

YOU KNOW, WANNA BE ALONE TONIGHT, I GET IT.

I'M OKAY. I'M GOOD.

I'M JUST--I'M JUST TIRED. (car doors close)

AND IT'S GONNA BE REALLY NICE HAVING THE PLACE TO MYSELF.

(car engine starts) OKAY. YOU HAVE YOUR KEY?

YEAH. ALL RIGHT.

SEE YA LATER.

SEE YOU TOMORROW. BYE.

BYE.

(closes car door)

(car departs)

(sighs) THANK YOU.

(cell phone beeps)

(radio chatter)

UH, HEY, IT'S ME.

UM... SO, YOU KNOW, I'M ON MY OWN TONIGHT,

AND I'M AT ANDY'S, AND I WAS JUST SORT OF THINKING MAYBE, UH,

MAYBE WE SHOULD TALK.

AND I-I KNOW IT'S BEEN A REALLY LONG DAY,

BUT, WELL, FRANK GAVE ME TOMORROW OFF,

SO, UH, JUST, UH, CALL ME.

(beep)

(radio chatter continues)

SO WHAT IS YOUR MIDDLE NAME?

EZEKIEL. IT MEANS "STRENGTH OF GOD."

OKAY, WAIT. SO YOUR FULL NAME MEANS

"BEAR WITH THE STRENGTH OF GOD" EPSTEIN?

YEAH. GUESS IT DOES.

(chuckles) HEY, THERE'S THE BLUE SHED.

IT'S GOTTA BE AROUND HERE SOMEWHERE.

THERE'S THE TREE.

(exhales deeply) CREEPY OUT HERE.

YEAH, MAYBE YOU'LL FIND YOUR NEXT DATE HERE.

YOU KNOW WHAT? YOU'RE RIGHT.

I'M NOT OVER GAIL, OKAY?

BUT SHE'S WITH NICK NOW,

SO WHAT ELSE AM I SUPPOSED TO DO, RIGHT?

THAT'S OKAY. HEY, YOU'RE MOVING ON.

IT'S NORMAL. BUT, UH, MAYBE JUST TRY TO MOVE ON A LITTLE SLOWER.

WE GOT REALLY THIN WALLS.

(police radio chatter)

DOV, COME HERE.

(thunder rumbling)

(police radio chatter)

(thunder rumbling)

HEY, SAM, UH... I'M STILL WAITING AT THE HOTEL.

YOU KNOW WHAT? IT'S A REALLY NICE NIGHT,

SO I'M JUST GONNA WALK. BYE.

(engine revving)

(horn honks)

(chuckles)

I-I LEFT YOU A MESSAGE THAT SAID

YOU DIDN'T HAVE TO PICK ME UP.

THE TRUCK JUST DROVE ITSELF OVER HERE.

I THINK THE ALIGNMENT'S OFF.

OH, RIGHT.

I GOT GAIL'S FULL STATEMENT. (seat belt clicks)

UM, WHOLE CONVERSATION, THE EXCHANGE--

IT CAN WAIT.

WE HAD TO CUT THE GUY LOOSE ABOUT AN HOUR AGO.

WHAT? WHY?

THE MISSING GIRL, LIZ ADAMS--

IT TURNS OUT SHE WASN'T MISSING.

SHE, UH, SHE JUST WENT ON HOLIDAY.

SHE SHOWED UP AT THE STATION ABOUT AN HOUR AGO.

WHAT, SO THIS WHOLE STING OPERATION--

I MEAN, GAIL GOING UNDERCOVER AS A CALL GIRL--

EVERYTHING WAS FOR NOTHING?

I REALLY WANNA SEE YOU TONIGHT, AND I--

I WANT YOU TO COME OVER TO ANDY'S.

(beep)

(knock on door)

SO HOW LONG IS PECK STAYING WITH YOU?

COUPLE OF DAYS. OKAY.

I GUESS TILL HER PARENTS COME BACK FROM A CONFERENCE

IN NEW ZEALAND. OH.

(grunts)

(screaming)

UHH!

YOU WANT ME TO TAKE YOU HOME?

I MEAN, GAIL HAD A TOUGH SHIFT.

MAYBE I SHOULD BE WITH HER.

AAH!

(screaming)

AAH! OHH!

(grunting)

(muffled scream)

***