All language subtitles for Rookie.Blue.S03E04.Girls.Night.Out.1080p.AMZN.WEB-DL.DDP5.1.H264-SiGMA_track3_[eng]

(The Audition)
* I FEEL MY TEMPERATURE RISING *

I'M TELLING YOU, IT'S THE EYES.

THEY'RE THE WINDOWS TO THE SOUL.
EYES CAN'T LIE.

YOU KNOW THEY SAY THAT 60%
OF MEN LOOK AT YOUR EYES FIRST?

YEAH, WELL, 60% OF MEN
ARE LYING...

WITH THEIR MOUTHS.
(pops lips)

IT'S ALL ABOUT LIPS,
McNALLY...

BIG, RED LIPS. IT'S PRIMAL.
IT'S KIND OF LIKE A--

IT'S LIKE A MONKEY'S BUTT.

OH, THAT'S REALLY NICE.
THAT'S VERY APPEALING.

JUST TRYING TO BE HONEST.

YOU WANT TO BE HONEST,
BE HONEST. BOOBS.

ALL THAT OTHER STUFF
IS WINDOW DRESSING.

OOH. THE DETECTIVE SPEAKS.

DETECTIVE IN TRAINING.

NOT TILL TOMORROW.

WHAT ARE YOU DOING?

NOTHING.

THAT'S NOT FOR ME.
THAT IS NOT HAPPENING.

NO. I'M NOT GOING DANCING.

TOMORROW'S MY FIRST DAY.
I HAVE TO WORK IN THE MORNING.
SO DO WE.

SO WHAT? SHE DOESN'T WANT TO
CELEBRATE, THAT'S HER PROBLEM.

COME ON. YOU HAVE WORKED
YOUR ASS OFF TO GET THIS.

LOOK, IT'S SATURDAY NIGHT.

WE'RE YOUNG,
WE HAVE BRAS,

AND YOU HAVE
A PROMOTION. OKAY?

ALL RIGHT? WE'RE NOT GOING OUT
TO TRY TO PICK UP GUYS.
(cork pops)

WE'RE GOING OUT
TO TAKE YOU FOR ONE DRINK.
(chants) ONE DRINK...

ONE DRINK.
JUST ONE DRINK,
JUST ONE DRINK.

NO, I CAN'T!

(both chant) YES, YOU CAN!

FINE.
ONE DRINK TO SHUT YOU UP.

(all laugh)
(glasses clink)

* I'VE NEVER FELT THIS WAY
ABOUT SOMEONE, WHOA *

* WHOA *

* OH *

MAN, LAST NIGHT WAS CRAZY.

YEAH.

THOSE E.T.F. GUYS
SURE KNOW HOW TO PARTY, HUH?

NO DOUBT.

I WISH I'D KNOWN WE WERE
GONNA HAVE PEOPLE OVER.

I WOULD HAVE INVITED
TRACI AND ANDY...

MAYBE EVEN, YOU KNOW, GAIL.

YEAH, ME, TOO.

THING IS, LAST NIGHT WASN'T
REALLY MY IDEA, YOU KNOW?

SUE AND THE E.T.F. GUYS

JUST WANTED TO
TAKE MY MIND OFF THINGS.

OH, OKAY.
WELL, MAYBE NEXT TIME.

MORNING. (sighs) HEY.
HEY.

OH. DON'T DO THAT. I'LL CLEAN UP
AFTER I GET BACK FROM SHIFT.

I GOT IT.

ALL RIGHT, WELL, I GOTTA GO.
SEE YOU GUYS LATER.

LATER.
BYE.

(sighs)

YOU GONNA GO
TO YOUR APPOINTMENT TODAY?

I DON'T KNOW. I TRIED THERAPY
WHEN MY BROTHER DIED.

TALKING DOESN'T REALLY HELP.

LOOK, IF GOING TO SEE THE SHRINK
GETS YOU BACK ON THE JOB FASTER,

I SAY YOU DO IT...

AND ONCE YOU'RE BACK ON
THE STREET, MAKING A DIFFERENCE,

YOU'LL FEEL BETTER.

MAYBE.

GONNA SEE YOU AFTER WORK?

YEAH.

GO TO THAT APPOINTMENT.

(tires screech)

(Andy)
OHH. THANKS FOR THE RIDE.

NO PROBLEM.

(sighs)

HEY. WE'RE HERE.

(groans)

I'VE NEVER SEEN YOU GUYS
LIKE THIS BEFORE.

WHY DIDN'T YOU
JUST CALL IN SICK?

'CAUSE... TRACI'S FIRST DAY.
SHE NEEDS US.

YEAH, AND I NEED A MINT.

HO HO HO. (laughs)
ROUGH NIGHT?

LET'S JUST SAY WE KEPT THE PARTY
GOING IN YOUR HONOR.

LOOKING GOOD, TRACE--
I MEAN, DETECTIVE.

HEY. I'M NOT THERE YET.
HOW'S DOV?

OH, THE SAME.

I CAN'T FIGURE OUT WHAT TO DO
TO MAKE HIM FEEL BETTER.

OH, IT SUCKS THAT
WE CAN'T HELP HIM OUT.

WHY CAN'T WE JUST COME OVER,
COOK SOME FOOD,

AND RENT SOME BATMAN MOVIES?

YOU KNOW, I DON'T THINK HE WANTS
TO HANG OUT WITH US ANYWAYS.

WHY NOT? WE'RE FUN.

WELL, MAYBE HE JUST NEEDS
A LITTLE TIME TO HIMSELF,

SORT SOME THINGS OUT.

PLEASE. HEY, YOU.

IF YOU EVER CARED
ABOUT ME AT ALL,

YOU'D FIND ME SOME COFFEE.

LET'S GO.

(man) CALL ME,
LET ME KNOW WHAT HAPPENS.

SO?

YOU READY TO DO THIS?

ALREADY HELPED C.I.B.
PROCESS THREE BODIES.

NOW I'M GOING OVER
REPORTS FROM LAST NIGHT,

SEE IF THERE'S ANYTHING
I SHOULD CARRY OVER.

WOW, WAY TO WORK IT.

WELL, I JUST DON'T WANT
PEOPLE THINKING

I GOT THIS PROMOTION BECAUSE
I'M SLEEPING WITH JERRY.

NO ONE'S GONNA THINK THAT.

I WOULD.

YOU GOTTA SHAKE OFF
THAT NEGATIVITY.

OKAY? COME OUT OF
THE GATE RUNNING.

YOU ARE TRACI NASH,

AND YOU ARE HERE
BECAUSE YOU DESERVE TO BE HERE,

AND THAT'S
WHAT EVERYBODY'S GONNA KNOW.

OKAY.

THAT'S A GOOD PEP TALK,
COACH.

MM-HMM.
GOT YOUR BACK, TRACI.

ALL RIGHT.

ALL RIGHT. GO BREAK A LEG.

(chuckles)

(indistinct conversations)

(man speaks indistinctly
over P.A.)

DID YOU HAVE A NICE TIME
WITH THE GIRLS LAST NIGHT?

I'M NOT IN THE MOOD FOR YOU.

YOU KNOW, IT'S A SCIENTIFIC FACT
THAT THE OXYGEN ABOVE A BAR TOP

IS THE THINNEST, SO IT'S
NO WONDER YOUR HEAD HURTS.

***

(hums)

I GOT YOUR TEXTS.

OH, MY GOD.

NOW THE REALLY GOOD STUFF--

THAT STARTED COMING
AROUND 2:00 OR 3:00.

NO. YOU... YOU HAVE TO E--
NICK, YOU HAVE TO ERASE THOSE.

ERASE THE EVIDENCE THAT THE FUN,
CAREFREE GAIL I ONCE KNEW

STILL EXISTS? NOT A CHANCE.

(telephones ringing)

NICK, I'M ACTUALLY NOT JOKING.

OKAY, LET'S HAVE A ROUND
OF APPLAUSE FOR NASH,

WHO WILL BE STARTING HER 6-MONTH
ROTATION WITH THE D's TODAY.

(cheering)
NOW I FINALLY GET WHAT YOU SAW
IN JERRY. (chuckles)

ALL RIGHT,
IT'S SUNDAY MORNING.

LOTS OF PEOPLE MOVING
IN AND OUT OF THE CITY,

SO LET'S KEEP THE ROADS MOVING,

AND WE'LL HAVE
A NICE, QUIET MORNING.

(murmuring)

CAR ASSIGNMENTS
ARE ON THE BOARD.

I, OF COURSE, WILL BE...
ON DESK DUTY.

OH, WHAT'S THE MATTER,
WILLIAMS?

CAN'T CUT IT ON THE STREET
ANYMORE? (chuckles)

ALL RIGHT. OKAY. LET'S GO. GO.
(laughter)

(indistinct conversations)

(Noelle) NASH.
DO YOU KNOW WHERE JERRY IS?

HEADQUARTERS BEEN CALLING HIM,
VOICE MAIL... WHAT'S GOING ON?

HE GOT A NEW SMARTPHONE.

HE CAN'T FIGURE OUT
HOW IT WORKS.

(laughs)
WHY ARE YOU WEARING A SWEATER?

IT'S, LIKE,
A MILLION DEGREES IN HERE.

YEAH, WELL, YOU'LL HAVE TO PICK
UP THE CASE FILE FOR HIM, THEN.

SO MY FIRST ASSIGNMENT

IS PICKING UP
DETECTIVE BARBER'S PAPERWORK?

YEAH, YOU MAKE YOUR BED,
YOU LIE IN IT...

EVEN IF YOUR BED IS A DESK,
AND YOU HATE IT.

JUST THINK OF IT
AS A DISPLAY OF GRATITUDE

FOR JERRY
GETTING YOU THIS GIG.

EPSTEIN,
WHAT ARE YOU DOING HERE?

I GOTTA GET BACK TO WORK.

I MEAN, I'LL--I'LL DO ANYTHING--
I'LL WASH SQUAD CARS,

I'LL INVENTORY
THE EVIDENCE ROOM...

I CAN'T BRING YOU BACK UNTIL
THE POLICE SHRINK CLEARS YOU,

AND DR. MANSFIELD
WON'T CLEAR YOU

UNLESS YOU ACTUALLY GO
TO YOUR APPOINTMENTS.

I WENT... ONCE. IT WAS STUPID.
WE BOTH JUST SAT THERE.

I DON'T NEED A SHRINK.
I GOTTA GET BACK ON THE JOB.

NOT TILL YOU'RE CLEARED.

YOU NEED TO DEAL
WITH WHAT HAPPENED HERE.

I KNOW WHAT HAPPENED.
KID HAD A GUN.

HE FIRED IT AT ME.
I SHOT HIM.

SORRY, EPSTEIN.
MY HANDS ARE TIED.

(chewing)

(door opens)

(Oliver) HEY.

HEY. HOW'S IT GOING?

ARE YOU LEAVING
WITHOUT SAYING "HI"

TO YOUR FAVORITE
TRAINING OFFICER?

NOELLE'S BUSY, SO--

NICE. EPSTEIN, YOU HAVEN'T
LOST YOUR SENSE OF HUMOR.

HAVE A GOOD SHIFT.

OH, HOLD ON, HOLD ON.

COME HERE.

HOW ARE YOU?

GOOD.

OKAY, QUESTION--

WHEN YOU GOT SHOT
AND YOU WERE OFF THE JOB,

WHAT DID YOU DO?

I, UH... I-I HELPED OUT WITH
IZZY AND MADDIE'S SOCCER TEAMS,

WHICH MOSTLY MEANT THAT I-
I BROUGHT THE SLICED ORANGES

AND I, UH,
I CHEERED MY HEAD OFF.

KIND OF REMINDED ME

THAT I'M NOT JUST A UNIFORM
AND A GUN AND A BADGE,

THAT I CAN HELP
WITHOUT CHASING BAD GUYS.

YOU'RE A GOOD DAD.

YOUR GIRLS
ARE LUCKY TO HAVE YOU.

(door opens)

(door closes)

(beeps)

GOOD MORNING, McNALLY.

YOU LOOK ABSOLUTELY RAVISHING.

NASH'S FIRST DAY, AND YOU'RE
GOING OUT THERE HUNGOVER.

NICE WORK. REAL ROOKIE MOVE.

OKAY, I'VE BEEN DOING THIS JOB
FOR TWO YEARS NOW,

I KNOW EXACTLY WHAT I'M DOING,
AND I'M NOT HUNGOVER.

YOU GOT SPARKLES
IN YOUR HAIR.

DO NOT. (whispers) STOP.

(normal voice) YOU KNOW,
YOU COULD HAVE COME WITH US.

I HAD YOUR SKINNY JEANS
AND BANDANNA ALL PICKED OUT.

NOT EVEN IF YOU MAKE CHIEF.
ALL RIGHT. LET ME DO THAT.

CAN I DO IT NOW?
LET ME DO IT.
YOU KNOW WHAT?

YOU JUST--YOU JUST CAN'T
TURN IT OFF, CAN YOU?

YOU NEED TO TURN IT ON
TO GET THE COFFEE TO COME OUT.

I'M NOT TALKING
ABOUT THE MACHINE.

I'M TALKING ABOUT YOU.

YOU'RE CONSTANTLY
A TRAINING OFFICER.

YOU CAN'T TURN IT OFF.

ARE YOU CALLING ME
A CONTROL FREAK?

HOW MANY TIMES HAVE YOU
LET A ROOKIE DRIVE,

WHILE YOU'VE BEEN
A TRAINING OFFICER?

FREAK.

(beeps)

COME ON. YOU GOTTA LET US
FUMBLE AROUND, YOU KNOW,

FIGURE IT OUT FOR OURSELVES.
THAT'S HOW WE LEARN.

(liquid trickles)

EXHIBIT "A."

SEE YOU ON THE ROAD,
McNALLY.

FEELS PRETTY GOOD
GETTING BEHIND THE WHEEL.

(clears throat) THAT, UH,
BLUE SEDAN JUST DROVE BY--

WHAT WAS THE MARKER?

ALPHA-YANKEE-YANKEE-FOXTROT-
6-7-NINER.

DRIVER WAS A CLEAN-SHAVEN,
FIGHTING-AGE MALE.

CURRENTLY 50 METERS
TO YOUR 6:00.

ARMY HOTSHOT.

I'M JUST USED TO
KEEPING MY EYES OPEN.

WELL, LET'S KEEP OUR EYES OPEN
AND OUR MOUTHS SHUT.

(static)

(woman) We've got a 9-1-1 call

for a 2-car MVA
on Villiers, east of Cherry.

(click, static)

(static)

1505. WE'LL TAKE THAT.

(static, siren wails,
engine revs)

(Oliver) Dispatch, this is Shaw.

Can we get some units
to lock up the street?

(woman) 1522, can you attend?

(man) 10-4. On our way.

(woman) Do you need
any more cars there?

1502 ON SCENE
OF THE M.V.A.

WE HAVE THREE PEOPLE AT LEAST,
IN NEED OF MEDICAL ATTENTION.

Copy.
IS ANYBODY HURT?

DID WE ORDER
GIRL STRIPPERS?
EMS is en route...

PERFECT.

COME HERE. YOU NEED
TO TELL ME WHAT HAPPENED, OKAY?

OKAY. WE WERE DRIVING,
AND THEN--BLAMO!

YEAH, YOUR MOM
MUST BE REAL PROUD.

YOU'VE GOTTA BE MORE SPECIFIC.
STAND UP.

THE CAR WAS PARKED
ON THE SHOULDER, AND WE HIT IT.

ALL RIGHT.
WHO WAS DRIVING?

(girls giggle)

YEAH.

OKAY. I'M GONNA
CHECK THE OTHER CAR.

OKAY.

(Oliver) YOU ALL RIGHT?

ALL RIGHT, LOOK AT ME.

RIGHT OVER HERE.

NO, DON'T LOOK AT HER.
LOOK AT ME.

SHAW.
(Oliver) WHAT?

WHAT'S THE SitRep?

ROOKIE SPEAKS G.I. JOE.
I'M TRYING TO TRANSLATE.

WELL, THESE ENCHANTING BEINGS
HIT THAT CAR,

PUSHED IT
ONTO THE TRAIN TRACKS.

I'M GETTING MARRIED
IN SEVEN HOURS.

GOOD FOR YOU.
LOOK AT ME.

(police radio chatter)

BETTER CALL THE D's. LOOKS LIKE
TRACI JUST GOT HER FIRST CASE.

***

(siren whoops,
police radio chatter)

(Oliver) THAT'S OKAY.
CALL EVERYONE.

TELL 'EM TO MEET YOU HERE.

(Traci) HEY.

HEY.

SO I HEARD THE ACTION
ON THE WAY OVER.

DO WE KNOW
WHO WAS DRIVING?

WELL, DETECTIVE, THESE THREE
ARE PLAYING "I AM SPARTACUS."

EACH ONE OF THEM SAY
THAT THEY WERE DRIVING,

SO WE CAN'T ARREST
ANY OF THEM.

WHERE'S THE BODY?

OVER THERE? OKAY.

(Oliver) ALL RIGHT.
TAKE IT FROM THE TOP.

HEY. GOT HERE
AS FAST AS I COULD.

HEY, WHERE'S JERRY?

LEFT HIM A MESSAGE.
SHOULD BE ON HIS WAY OVER.

ALL RIGHT. WELL, UNTIL THEN...
WELCOME TO YOUR CRIME SCENE.

WHERE DO WE START?

OKAY.

OKAY, IT LOOKS LIKE THE VICTIM
HAS A LARGE LACERATION--

A LARGE LACERATION
IN HIS FOREHEAD...

CONSISTENT WITH BLOOD SPATTER
ON THE WINDSHIELD. NO SEAT BELT.

THERE'S NO S--

LOOKS LIKE HE, UH, HIT HIS HEAD,
PROBABLY DIED INSTANTLY.

SO WHAT'S THE CHARGE?

IMPAIRED OPERATION
CAUSING DEATH.

THAT'S IF WE CAN FIGURE OUT

WHO WAS DRIVING
THE CAR THAT HIT HIM.

YEAH.

EXCUSE ME,
WHO'S IN CHARGE HERE?

UH, I AM. OFFICER NASH.

HI. I'M KEN WHITE. I'M WITH
THE CITY TRANSPORTATION OFFICE.

LOOK, FOLKS,
WE GOT TRAINS BACKED UP

ALL THE WAY
TO BURLINGTON AND AJAX.

OKAY, WELL, YOU WANT TO
TELL THAT TO THIS GUY?

OKAY, WELL, THE WHOLE REGION
IS AT A STANDSTILL

BECAUSE OF THIS ONE CAR.
CAN'T YOU JUST MOVE IT?

NOT UNTIL I GET THE GO-AHEAD
FROM DETECTIVE BARBER.

WAIT. YOU JUST TOLD ME
THAT YOU WERE IN CHARGE.

(man) UH, SARGE,
YOU GOT A SECOND?

(clears throat) OKAY, NASH.

IF YOU'RE COMFORTABLE
MAKING THE CALL, GO FOR IT.

TEN MINUTES. GIVE 'EM
TEN MORE MINUTES, PLEASE.

(dog barking in distance)

27 TRAINS ARE
AT A STANDSTILL!

THEY'RE BLOCKING MAJOR ARTERIES
ALL ACROSS THE G.T.A.!

WHAT'S UP, TRACE?

WELL, TRAFFIC RECON TEAM
IS DONE, AND...

I MEAN, IT LOOKS LIKE
I.D.E.N.T. HAS WHAT THEY NEED.

LOOK, IT'S NOT JUST
A MATTER OF--OF TRAFFIC.

IT'S A MATTER OF PUBLIC SAFETY.

WHAT IF AN AMBULANCE WERE TO GET
STALLED ON ITS WAY TO A CALL B--
ENOUGH! WE GET IT.

OKAY. NASH.
WHAT'S IT GONNA BE?

MOVE THE CAR.

OKAY.

(Andy) ALL RIGHT.
ON THREE?

ONE, TWO, THREE.

(grunts)

(sighs)

THE GIRL WITH THE GREEN DRESS
WAS IN THE BACK.

THE LADY WITH THAT "BRIDE" THING
ACROSS HER CHEST--

SHE WAS DRIVING. I SAW HER
GET OUT OF THE DRIVER'S SEAT.

SO THE BRIDE WAS DRIVING.
YOU SURE?

'COURSE I'M SURE.
I'M AN IRONMAN.

I'M IN PEAK MENTAL
AND PHYSICAL CONDITION.

GET THE HELL
OFF THE BIKE.

ALL RIGHT.
I'M GONNA TELL OLIVER.

SADLY, THIS HEARTWARMING
DISPLAY OF SISTERHOOD

HAS COME TO AN END.
WE HAVE AN EYEWITNESS. GET UP.

ANGELA KEHOE...

YOU'RE UNDER ARREST FOR IMPAIRED
OPERATION CAUSING DEATH.
(handcuffs clicking)

"DEATH"?
WHAT ARE YOU TALKING ABOUT?

"WHAT AM I TALKING ABOUT"?

THERE'S A DEAD MAN IN THAT
"PARKED CAR" THAT YOU HIT.

THE CAR WASN'T EVEN--

WHOA.
(Nick) WHOA, WHOA,
WHOA, WHOA. HEY.

DON'T.
I WILL HIT A GIRL. NASH.

OKAY, SO HERE'S
YOUR DRIVER.

AND WHAT ABOUT THESE TWO?

OH, THOSE ARE
YOUR PARTING GIFTS

FOR ASSAULTING AN OFFICER,
BOTH OF THEM.

ALL RIGHT, WELL, GET EVERYONE
BACK TO THE STATION,

AND GIVE THE DRIVER
A BREATHALYZER TEST.

(man) YOU ARE NEEDED HERE,
ACTUALLY, YEAH.

ROOKIE'S ALL GROWED UP.

(man speaks indistinctly)

(man) JOHN, 1408--FIND OUT
WHERE THEY ARE, WILL YOU?

(woman) HARRY?

(cell phone ringtone playing)

(ringtone continues)

(siren wailing in distance,
horn honks)

(knocks on roof)

YOU'RE THE COP
WHO SHOT MY BROTHER.

WE DON'T NEED YOUR CHARITY.

I JUST WANTED TO--

I DON'T CARE WHAT YOU WANT.

OKAY. LOOK, I'M SORRY,
I'M SORRY--

YOU DON'T GET TO USE THIS
TO MAKE YOURSELF FEEL BETTER.

OKAY, THEN PLEASE JUST
TELL ME WHAT I CAN DO.

I'LL DO ANYTHING.
JUST... PLEASE.

FINE.

I NEED A RIDE.

(whirring)

MAKE SURE THAT'S WHEN WE...

WHO SAID
THIS CAR COULD BE MOVED?
I DID,

BUT I CHECKED WITH I.D.E.N.T.
I CHECKED WITH TRAFFIC RECON.

THEY ALL GOT WHAT THEY NEEDED
BEFORE THE CAR WAS MOVED.

WHAT ABOUT THE CORONER?

OR DID YOU GET YOUR MEDICAL
DEGREE WHILE I WASN'T LOOKING?

(whirring stops)

NO, OF COURSE NOT, BUT I--

FRANK. FRANK.
I ORDERED NASH TO MOVE THE CAR.

WHERE THE HELL
HAVE YOU BEEN?

I'VE BEEN CALLING YOU
ALL MORNING.

IT'S MY NEW PHONE.
UH, I DON'T--

WELL, I DON'T REALLY
KNOW WHAT IT IS.

IT'S JUST IT'S NOT, UH,
IT'S NOT RECEIVING CALLS.

THIS CASE BETTER BE
AS SOLID AS YOU THINK IT IS,

OR HEADS WILL ROLL--
YOUR HEAD, DETECTIVE BARBER.

YOU DIDN'T HAVE TO DO THAT.

NO, Y-Y-YEAH, I DID.
I SHOULD HAVE BEEN HERE.

IT'S GONNA BE OKAY.

(man) DETECTIVE BARBER.

HOW'S IT GOING, TEDD?

I'M JUST PEACHY, JERRY.
THANKS FOR ASKING.

YOU TWO, HOWEVER--
YOU'VE HAD BETTER DAYS.

REALLY? WHY'S THAT?

MM. SEE THIS?

HAVE A LOOK.

INTERCOSTAL LACERATION.

KIND OF LOOKS
LIKE A KNIFE WOUND.

YEAH, IT DOES.

MM, YEAH, I CAN'T
BE CERTAIN, BUT, UH,

I'D BET
MY 9 IRON ON IT.

HE WAS STABBED?

YEAH, AND LONG DEAD
BY THE TIME THOSE WOMEN HIT HIM.

SO I COMPROMISED
THE SCENE OF A HOMICIDE?

YEAH. LIKE I SAID,
YOU'VE HAD BETTER DAYS.

(sighing)

(Jerry) NO.

(Traci) COME ON.

TRACI, YOU NEED TO STAY

AS FAR AWAY FROM THIS
INVESTIGATION AS POSSIBLE.

THIS IS MY MESS.
I NEED TO FIX IT.

NO, I'M NOT GONNA LET YOU

GET YANKED OFF
YOUR DETECTIVE ROTATION

BECAUSE OF SOMETHING
I SHOULD HAVE BEEN ON TOP OF.

HEY, THE VICTIM'S
NAMED JESSE SALENKO,

UM, HE'S 28 YEARS OLD,

AND PRIORS INCLUDE POSSESSION
WITH THE INTENT TO TRAFFIC.

WOW. OKAY.
(sighs)

UH, SAMMY, CAN YOU TAKE COLLINS
AND GIVE NOTIFICATION?

YOU GOT A NEXT OF KIN?

YEAH, HIS BROTHER PAUL.
UH, NO RECORD, BUT SAME ADDRESS.

ALL RIGHT, UM...
(clears throat) THE REST OF YOU,

PROCESS THE BRIDE
AND RELEASE HER FRIENDS.

I'M GONNA TALK
TO THE DRUG SQUAD

AND SEE IF THEY GOT ANY MORE
INFORMATION ON OUR VICTIM.

(Traci) JERRY.

(Jerry) NO.

IF SHE KNOWS WHAT'S GOOD
FOR HER, SHE'LL BACK OFF.

IT WAS JUST
A ROOKIE MISTAKE.

YEAH,
AND I LET HER MAKE IT.

(siren wailing in distance)

(car door closes,
police radio chatter)

UH, DEATH NOTIFICATIONS
ARE, UH...

COMPLICATED, SO JUST...

FOLLOW MY LEAD, YOU KNOW?

(buzzer, telephone rings)

(man) Hello?

MR. SALENKO?

Yeah? Who's this?

UH, THIS IS
OFFICER SAM SWAREK.

CAN MY PARTNER AND I
COME UP

AND TALK TO YOU
FOR A FEW MINUTES?

Yeah, sure.

(buzzer)

(door opens)

YOU'RE GONNA LOVE
THIS PART OF THE JOB.

(police radio chatter)

PAUL SALENKO?

YEAH.

CAN WE STEP INSIDE
FOR A MINUTE?

WHY? WHAT DO YOU WANT?

SIR, PLEASE?

SO IS THIS ABOUT MY BROTHER?

MR. SALENKO, I'M VERY SORRY
TO TELL YOU THIS,

BUT YOUR BROTHER IS DEAD.

W-WHAT DO YOU MEAN? WHAT--
WHAT HAPPENED TO JESSE?

WE'VE JUST STARTED
THE INVESTIGATION,

AND WE'LL LET YOU KNOW
AS SOON AS WE CAN, OKAY?

DID SOMEONE HURT HIM?
PLEASE JUST TELL ME THE TRUTH.

IT LOOKS THAT WAY, YEAH.

(whispers) OH, JEEZ.

HEY. YOU'RE ALL RIGHT.
I GOT YOU.

I THINK I'M GONNA BE SICK.

HEY, JUST BREATHE IN
THROUGH YOUR MOUTH,

OUT THROUGH YOUR NOSE. OKAY?
THAT'LL HELP WITH YOUR STOMACH.

(pants)

(police radio chatter)

(camera shutter clicks)
PLEASE.
YOU HAVE TO LET HER GO.

HER WEDDING IS IN,
LIKE, FOUR HOURS.

YEAH, WELL, MAYBE YOU SHOULD
HAVE THOUGHT ABOUT THAT

BEFORE YOU WENT OUT
AND GOT HAMMERED.

IT WAS HER BRILLIANT IDEA.

YEAH, AND IF WE
HAD IT YOUR WAY,

WE WOULD HAVE GONE TO THE BALLET
AND BEEN IN BED BY 10:00.

YES, AND BEEN PROPERLY
RESTED FOR THE WEDDING.

OH, AND ALSO? NOT IN JAIL.
IS IT WEIRD

THAT I FIND THE SOUND
OF THEIR BICKERING COMFORTING?

LIKE WAVES LAPPING
AGAINST THE SHORE.

SOUNDS LIKE DINNER
AT YOUR MA'S HOUSE.

I'D LIKE TO CALL
MY BROTHER COLE.

HE'S THE GROOM
AND A LAWYER.

OOH. OKAY.

HERE YOU GO.

WHERE'D YOU GET THAT?

UH, CLUB 191,
THE AFTER-HOURS BAR WE WERE AT.

(papers rustle)

(sighs)

WHERE ARE WE HEADED?

JUST DRIVE.

I'M--I'M--I'M HAPPY TO TAKE YOU
ANYWHERE YOU NEED TO GO.

I JUST--I HAVE AN APPOINT--

I WANT YOU TO TELL ME
WHAT HAPPENED

THE DAY
YOU KILLED MY BROTHER,

AND IT'LL BE EASIER
IF YOU DRIVE WHILE WE TALK.

THAT WAY, WE DON'T HAVE TO
LOOK AT EACH OTHER.

THE BRIDAL PARTY

WAS AT THE EXACT SAME
AFTER-HOURS CLUB AS THE VICTIM.

OKAY, DIDN'T JERRY
TELL YOU TO BACK OFF?

NEW PLAN--WE KEEP THE GIRLS
HERE A LITTLE LONGER,

AND THEN WE INTERVIEW THEM
AS POTENTIAL WITNESSES.

THEY REMEMBER JESSE SALENKO
FROM THE CLUB, THEN MAYBE

THEY'LL REMEMBER SOMETHING
TO HELP US CATCH HIS KILLER.

UM, SHOULDN'T WE JUST
TAKE THIS ONE ON THE CHIN

AND, YOU KNOW,
CATCH 'EM NEXT TIME?

NO, BECAUSE
HALF THE DIVISION THINKS

I ONLY GOT THIS PROMOTION
'CAUSE I'M SLEEPING WITH JERRY.

YEAH, AND I GOT HER
INTO THIS MESS

BECAUSE I WENT ALL
TONY ROBBINS ON HER.

WAIT, YOU WANT US TO GET FIRED
SO YOU CAN KEEP YOUR PROMOTION?

GAIL, I HAVE WORKED HARDER THAN
YOU HAVE IN YOUR ENTIRE LIFE

TO GET HERE, SO YOU'RE
GONNA HELP ME STAY HERE.

THAT'S NOT A REQUEST.
YES, MA'AM.

WHERE DO YOU WANT US TO GO?
ANDY AND I TAKE THE BRIDE.
YOU TWO TAKE THE HARPIES.

OKAY.

OKAY.

I NEEDED SOME FRESH AIR,
SO I WENT OUT BACK.

THERE WAS A GUY OUT THERE,
HE TOLD ME HIS NAME WAS JESSE

AND ASKED ME
IF I WANTED TO PARTY,

I SAID "NO"
AND I WENT BACK INSIDE.

WAS THAT THE ONLY CONTACT
YOU HAD WITH THE VICTIM?

YES.

(door opens)

(door closes)

DID JESSE SEEM
AGITATED OR SCARED

LIKE SOMEONE WAS AFTER HIM?

NO.

HE WAS HAVING A GOOD TIME.

HE KEPT BUYING
ANGIE AND ME DRINKS.

WHAT ABOUT YOU?

(scoffs) BROOKE WAS
TOO MUCH OF A SNOB

TO EVEN GIVE HIM
THE TIME OF DAY.

WELL, NOW THAT WE KNOW
HE WAS A DRUG DEALER,

I'D SAY MY JUDGMENT
IS PRETTY GOOD.

CONGRATULATIONS
ON YOUR JUDGMENT.

CONGRATULATIONS
ON BEING A WHORE.

HEY!

THAT'S ENOUGH. STOP!
GO TO YOUR CORNER.
(Gail) HEY!

WHAT'S THAT
ON YOUR SHOULDER?

LOOKS LIKE A SEAT BELT BURN,
OFFICER DIAZ.

CONSISTENT WITH SOMEONE
WHO WAS IN THE DRIVER'S SEAT

WHEN THE ACCIDENT HAPPENED.

SO OUR IRONMAN WAS WRONG.

WELL, HE SAID HE READ "BRIDE"
ON THE DRIVER'S SASH.

MAYBE HE STOPPED READING BEFORE
HE GOT TO THE "MAID" PART.

(Chris pants)

I THINK YOU'D BETTER CALL
THAT LAWYER. COME ON. LET'S GO.

(chair clatters)

(Chris) COME ON.
(door opens, beeps)

HEY. WHAT'S WRONG WITH YOU?
(door closes)

YOU TAKE YOUR BEST GIRLFRIEND
CLUBBING

THE NIGHT BEFORE HER WEDDING,

YOU LET HER GET IN A CAR
WITH A DRUNK DRIVER,

AND THEN YOU LET HER
TAKE THE RAP

FOR A CRIME
THAT SHE DIDN'T EVEN COMMIT.

THAT'S NICE WORK.

I DON'T EVEN REMEMBER
GETTING IN THE CAR.

I WAS COMPLETELY
OUT OF IT BY THEN.

I DON'T THINK YOU GET HOW THIS
WHOLE MAID OF HONOR THING WORKS.

I MEAN, THE BRIDE
IS SUPPOSED TO GET WASTED

WHILE YOU LOOK AFTER HER.

I WANTED TO TALK
TO ANGIE LAST NIGHT,

BUT I DIDN'T HAVE THE NERVE,

SO I DRANK... A LOT.

LET ME GUESS.
YOU SLEPT WITH HER FIANCE?

(sighs)

I THINK SHE'S MAKING A MISTAKE,
MARRYING COLE.

I WANTED TO TELL HER THAT
BEFORE IT WAS TOO LATE,

BUT THEN SHE TOOK OFF
WITH THAT JESSE GUY.

DOES THAT SOUND LIKE SOMEONE
WHO SHOULD BE GETTING MARRIED?

YOUR MAID OF HONOR
JUST TOLD MY COLLEAGUE

SOMETHING VERY INTERESTING.
SHE SAID THAT

YOU WERE WITH THE VICTIM
FOR MOST OF THE NIGHT.
(door closes)

I DON'T KNOW
WHY SHE'D SAY THAT.

ANGELA.

OKAY, YES, WE TALKED.

WE DID A RAIL TOGETHER...

AND THEN THIS OTHER GUY
SHOWED UP, TOTALLY FREAKED OUT,

AND SAID HE NEEDED
TO TALK TO JESSE.

TALK ABOUT WHAT?

I DON'T KNOW--HE DRAGGED JESSE
OFF TOWARDS THE PARKING LOT,

AND THAT WAS THE LAST
THAT I SAW OF EITHER OF THEM.

WELL, DID YOU CATCH
THE OTHER GUY'S NAME?

I ASSUMED
IT WAS JESSE'S BROTHER

BECAUSE JESSE KEPT
CALLING HIM "LITTLE BRO."

LIKE, "RELAX, LITTLE BRO."
"I'LL DEAL WITH IT, LITTLE BRO."

LET'S GET A SKETCH ARTIST IN
HERE, AND IF THE GUY ANGELA SAW

IS A MATCH FOR THE VICTIM'S
LITTLE BROTHER, BRING HIM IN.

MM-HMM. FEEL LIKE SOLVING
A MURDER ON YOUR FIRST SHIFT?

***

ALL RIGHT.

WELL, WE'LL SIT
ON PAUL SALENKO

UNTIL YOU SEND
THE COMPOSITE SKETCH.

THANKS.

WE GOT A POSSIBLE SUSPECT
FOR OUR HOMICIDE, AND...

IT'S THE VICTIM'S BROTHER.
IMAGINE THAT.

GUY WAS SO BROKEN UP,

I NEVER WOULD HAVE GUESSED
HE WAS INVOLVED.

YEAH, WELL,
YOU GOT A LOT TO LEARN.

(police radio chatter)

(clears throat) OKAY,
SO THEORIES--WHAT DO YOU GOT?

UH, WELL, USUAL MOTIVES
ARE LOVE AND MONEY, SO...

MAYBE PAUL KILLED HIS BROTHER

'CAUSE THEY WERE IN LOVE
WITH THE SAME GIRL.

RIGHT, WELL,
OUR VICTIM'S GOT A RAP SHEET

FOR COCAINE POSSESSION
AND TRAFFICKING.

OKAY. OKAY.
SO HE WAS AN ENTREPRENEUR.

MAYBE HIS LITTLE BROTHER
WANTED IN ON THE BUSINESS.

THINK THAT'S BETTER.

(siren wailing)

TELL ME AGAIN
FROM THE BEGINNING.

YEAH, I...
I-I ALREADY TOLD YOU I--

NOT THE VERSION I READ
IN THE POLICE REPORT. THE TRUTH.

YOUR BROTHER WAS
BEHIND THE COUNTER.

I THOUGHT HE WORKED THERE,
BUT SOMETHING WAS OFF.

I ASKED HIM TO STEP OUT
BEHIND THE COUNTER

AND SHOW ME HIS HANDS, BUT...

HE DIDN'T. HE DUCKED,
AND WHEN HE STOOD BACK UP...

HE HAD A GUN.

WHY DID YOU GO
INTO THE STORE?

I NEEDED LICORICE.

I KNOW IT SOUNDS STUPID,
BUT THAT'S THE TRUTH.

DID HE DIE RIGHT AWAY?

WHAT?

WHEN THE BULLET FROM YOUR GUN
PUT A HOLE

IN MY BROTHER'S CHEST,
DID HE DIE RIGHT AWAY?

(sighs)

YOUR BROTHER WAS BLEEDING OUT,
BUT HE WAS STILL BREATHING.

I TRIED TO KEEP HIM ALIVE
UNTIL THE MEDICS GOT THERE.

HOW HARD DID YOU TRY?

I DON'T WANT TO TALK
ABOUT THIS ANYMORE.

YOU'RE GONNA TELL ME WHAT I WANT
TO KNOW. THAT'S HOW THIS WORKS.

YOUR BROTHER HAD A GUN.
HE SHOT AT ME.

I HAD NO CHOICE
BUT TO SHOOT HIM.

YOU DON'T KNOW ANYTHING
ABOUT MY BROTHER.

I KNOW I WAS HAVING A PERFECTLY
GOOD LIFE UNTIL HE CAME ALONG.

ALL HE HAD TO DO
WAS SHOW ME HIS HANDS.

I'M SORRY.

(seat belt clicks)

(hangs up receiver)

FIRST THE BRIDE WAS DRIVING.

NOW THE BRIDESMAID'S DRIVING.

NEXT, IT'LL BE THE BRIDE'S
THIRD COUSIN WITH THE WONKY EYE.

HEY, YOU BEEN GETTING ANY PHOTOS
BY ACCIDENT FROM JERRY?

HE'S BEEN SENDING 'EM TO ALL OF
US SINCE HE GOT THAT NEW PHONE.

LAST WEEK, HE SENT ME ONE
WHERE HE'S IN SHORTS.

IT WAS AWKWARD.

CHRIS, WHEN WE WERE TOGETHER,
WAS I INCONSISTENT?

W-WHAT DO YOU MEAN?

HOT ONE MINUTE,
THEN COLD THE NEXT?

UH, YEAH, YOU KNOW?

A LITTLE, MAYBE, BUT HEY,
THAT WAS HALF THE FUN

OF DATING YOU, YOU KNOW?
ALWAYS KEPT ME ON MY TOES.

(telephone rings)

I THINK I'M A SOCIOPATH.

GAIL,
YOU'RE NOT A SOCIOPATH.

WELL, THEN WHY CAN'T I
EXPRESS MYSELF

IN A WAY THAT IS NOT DRIPPING
WITH SARCASM OR CONTEMPT

UNLESS I'M DRUNK, APPARENTLY?

OKAY, YOU GOT A HARD SHELL,

BUT YOU KNOW,
ONCE YOU CRACK IT--

DON'T SAY "OOEY GOOEY CENTER."
THAT'S REALLY GROSS.

IT'S NOT A BAD QUALITY.

IT'S JUST WHO YOU ARE,

AND IT WAS WORTH IT
TO BE WITH YOU.

YOU ARE SUCH A SAP.

THANK YOU.

(cell phone alert chimes, beep)

McNALLY SENT THE POLICE SKETCH.
IT'S PAUL SALENKO.

YEP. HE FOOLED US ONCE.

THIS TIME, WE'RE BRINGING HIM IN
NO MATTER WHAT.

POLICE!

CLEARING UPSTAIRS.

COPY THAT.

POLICE!

(police radio chatter)

(Paul) I DIDN'T TAKE IT.
I DON'T HAVE IT! OKAY, OKAY.

SWAREK! HE'S OUT BACK
AND HE'S GOT COMPANY.

(Paul) JUST LET ME GO, MAN.
(grunts)

I DIDN'T TAKE YOUR MONEY, MAN.
IT WASN'T ME.

(Paul grunts)

IT WASN'T ME!

GET IN THE CAR!

HEY!

(engine revving,
tires screeching)

HEY! POLICE! STOP THE CAR NOW!

(Sam) HOLSTER THAT WEAPON!

COLLINS!
HOLSTER THAT WEAPON!

I CAN SHOOT THE TIRE OUT!

YEAH. PUT IT AWAY!

(car horn honks, tires screech)

DO YOU KNOW WHAT HAPPENS

IF YOU SHOOT OUT THE TIRE
OF A CAR GOING THAT FAST? HUH?

TAGS ARE FROM NEW YORK STATE.
ALPHA-OSCAR-CHARLIE-8-9-6-3.

LEAST YOU DID
SOMETHING RIGHT.

NINE TIMES OUT OF TEN,
I MAKE THAT SHOT.

IS THAT RIGHT?
YOU JUST MISSED TWICE.

IF YOU HADN'T CHASED AFTER HIM
IN THE FIRST PLACE,

WE'D BE TAILING HIM IN OUR CAR
INSTEAD OF SHOOTING OFF ROUNDS

IN THE STREET. JERRY, IT'S SAM.
WE JUST LOST SALENKO.

(grunts)

VLADO BOBAS,
DRUG TRAFFICKER FROM ROCHESTER.

OUR MURDER VICTIM,
JESSE SALENKO,

AND HIS YOUNGER BROTHER,
WORK FOR THIS GUY,

RUNNING COCAINE
ACROSS THE BORDER.

DRUG SQUAD FOUND OUT

THAT THEY DIDN'T PAY UP
AFTER THE SHIPMENT.

THEY OWED HIM 50 GRAND.

SO WHAT, HE COMES TO COLLECT,
THEY DON'T PAY,

AND THEN THIS JESSE KID
GETS A KNIFE IN THE RIBS?

AND THEN THEY GRAB HIS KID
BROTHER RIGHT OUT FROM UNDER US.

OKAY, SO IF WE FIND THE KID
WITHIN THE NEXT HOUR,

WE GOT BOBAS.

IF NOT, WE'RE GONNA BE FISHING
THE KID OUT OF ASHBRIDGES BAY--

BOBAS IS LONG GONE.

ALL RIGHT.
WELL, LET'S GET 'EM.

I WILL GO BACK TO THE DESK.

ALL RIGHT.
CALL GUNS & GANGS.

GET LOCAL ADDRESSES
FOR KNOWN ASSOCIATES.

YEAH, I'LL GET NASH
TO CALL BORDER SERVICES

IN CASE THEY HEAD TO NEW YORK.

VERY GOOD.

WHAT CAN I DO?

OKAY--
(man) I WILL PROSECUTE
THIS ENTIRE DIVISION

IF MY FIANCEE IS NOT
RELEASED IMMEDIATELY.

I CAN MAKE THE CALL.

I'M AN ATTORNEY
WITH SHEPHARD & BLAKE.

AND I AM AN OFFICER
WITH CALM YOUR ASS DOWN.

SO YOU LOWER VOICE AND YOU SPEAK
TO ME LIKE I'M A HUMAN BEING.

MY FIANCEE IS BEING UNDULY
DETAINED DESPITE THE FACT

THAT SHE HAS ALREADY PROVIDED
WITNESS TESTIMONY.

WHAT'S HE TALKING ABOUT?

I NEED TO HOLD ON TO THE BRIDE
A LITTLE LONGER.

NO, NO. I CAN'T DEAL
WITH THIS RIGHT NOW.

JUST MAKE HIM GO AWAY.

JUST--JERRY, JUST GIVE ME
TEN MORE MINUTES.

I HAVE A FEELING THE BRIDE'S
STILL HIDING SOMETHING,

SO IF I CAN GET HER TO T--

OKAY, UNLESS SHE'S HIDING
PAUL SALENKO IN HER PURSE,

I NEED YOU TO
PUT THOSE FEELINGS ASIDE

AND JUST RELEASE HER,
PLEASE.

(Cole) IS THERE SOMEBODY HERE
WHO ACTUALLY KNOWS

WHAT THE LAW SAYS?

TRACE. BRIDE'S
BREATHALYZER TEST RESULTS.

UM, THERE WERE DRUGS IN THE CAR,
SO WE GAVE HER A DRUG TEST, TOO.

TEST CAME BACK NEGATIVE?

YEAH, I MEAN, MUST HAVE BELONGED
TO ONE OF THE OTHER GIRLS.

BUT SHE TOLD US THAT SHE WAS
DOING COCAINE WITH THE VICTIM

BEHIND THE CLUB.

OKAY, BUT WHY WOULD SHE
LIE TO A POLICE OFFICER

ABOUT TAKING ILLEGAL DRUGS,
IF SHE WAS CLEAN?

(sighs) OKAY, C--JUST--
CAN YOU HELP NOELLE WITH THE--

WITH THE GROOM? I'M JUST GONNA
TAKE ANOTHER CRACK AT ANGELA.

ALL RIGHT. WHAT ABOUT JERRY?

SCREW JERRY.

TEST SAYS YOU WEREN'T
ON ANY DRUGS LAST NIGHT.

(door closes)

WHAT WERE YOU DOING
BEHIND THE CLUB WITH JESSE?

I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.

ANGELA...

I'M TRYING TO SOLVE A MURDER.

YOU'RE ONE OF THE LAST PEOPLE
WHO HAD CONTACT WITH THE VICTIM.

JUST TELL ME WHAT HAPPENED.

JESSE BOUGHT ME A FEW DRINKS.

HE WAS CUTE AND FUNNY, AND...

HE COULD TELL
I WAS STRESSED OUT, SO HE...

ASKED ME IF I WANTED
TO GO BACK TO HIS PLACE

AND BLOW OFF SOME STEAM.

SO YOU DID? YOU DIDN'T?
DID YOU GO BACK WITH HIM?

I WAS GOING TO.

YEAH, I THOUGHT,
"WHAT'S ONE LITTLE TRANSGRESSION

BEFORE A LIFETIME
OF COMMITMENT?"

UH, BUT THEN
HIS BROTHER SHOWED UP, AND...

THEY BOTH DISAPPEARED.

(sighs)

COLE WANTED TO GET MARRIED
SO BADLY,

AND I DIDN'T WANT HIM TO THINK
THAT I WASN'T READY,

AND I THOUGHT THAT
IF I PRETENDED LONG ENOUGH,

IT WOULD START TO FEEL REAL.

YEAH, FAKE IT TILL YOU MAKE IT.
TRUST ME, I'VE BEEN THERE.

I'M SORRY I CAN'T HELP YOU.

WE'VE SEARCHED HIS CAR,

WE'VE TALKED TO
HIS KNOWN ASSOCIATES, WE'VE...

CHECKED HIS APARTMENT
ON DUNDAS,

AND ALL OF OUR LEADS ARE
COMING UP EMPTY, SO... (sighs)

IF YOU CAN THINK
OF ANYTHING ELSE...

JESSE DIDN'T LIVE ON DUNDAS.

(button clicks)

HE LIVED AT 418 HASTINGS.

HE TEXTED ME HIS ADDRESS SO
I COULD MEET UP WITH HIM LATER.

HELLO?

HELLO--
YEAH, I HATE THIS PHONE.

JESSE SALENKO HAS A LOFT
AT QUEEN AND HASTINGS.

I THOUGHT HE LIVED
WITH HIS BROTHER.

HE DOES. THIS APARTMENT
ISN'T IN THE SYSTEM.

OKAY, YEAH,
THAT'S WORTH A SHOT.

(Sam) COLLINS.

PERIMETER.

BUT THIS IS
THE PART I'M GOOD AT.

GUYS, YOU READY?

STAY CLOSE.

NASH, WE'RE GOOD.

TAKEDOWN.

(bang)

(Sam) POLICE!
DON'T MOVE! DON'T MOVE!

GET DOWN! DO NOT MOVE!
(crackling)

(Nick) STOP STRUGGLING,
IT'LL STOP HURTING.

(thud, Bobas moaning)

THANKS.

(Paul coughs)

(panting)

THIS IS McNALLY.
THE ROOM IS SECURE.

(Andy) COME ON. LET'S GO.

HEY. FOUND IT UNDER
THE BOTTOM DRESSER DRAWER.

IT'S WHERE I USED TO KEEP
MY CONTRABAND AT THE BASE.

NO, NO, THAT'S NASH'S WIN.

(car door closes)

SEE THEM PUT YOU
BACK IN UNIFORM AFTER THIS.

(chuckles)

HOOAH.

[chatter over p.a.]

JESSE--THE VICTIM--HE WANTED TO
SELL THE SHIPMENT AT A MARKUP,

PAY BOBAS BACK HIS MONEY,
AND KEEP THE DIFFERENCE.

SO HOW'D HE END UP
WITH A KNIFE IN HIS RIBS?

WELL, BOBAS SHOWED UP AT
THEIR LOFT, DEMANDING HIS MONEY,

AND JESSE WASN'T THERE,

SO HIS LITTLE BROTHER
WENT TO THE CLUB TO WARN HIM--

BOBAS MUST HAVE
FOLLOWED HIM.

HE FOUND JESSE IN THE CAR,
AND HE STABBED HIM.

ANYTHING ELSE?

WELL, YOU KNOW,

ACCORDING TO
HIS LITTLE BROTHER,

JESSE DIDN'T WANT TO BE
A RUNNER HIS WHOLE LIFE.

HE WANTED RESPECT, HE WANTED
PEOPLE TO TAKE HIM SERIOUSLY,

AND... HE GOT TOO BIG TOO FAST.

SO I GOT IN CONTACT
WITH THE ROCHESTER P.D.,

AND THEY WILL BE SHUTTING DOWN
BOBAS' OPERATION IN THE MORNING.

WELL DONE. YOU, TOO.

STICK WITH THIS GUY,
YOU'LL BE PERMANENT, NO TIME.

THANK YOU, SIR.

I'M SO GLAD WE CAN STILL
BE FRIENDS, YOU KNOW,

AFTER EVERYTHING.

ME, TOO.

SO I'LL MEET YOU
IN THE PARKING LOT?

ACTUALLY, I'M PROBABLY
GONNA GO STRAIGHT HOME.

I'LL JUST CATCH A RIDE
WITH SOMEONE ELSE.

YOU'RE NOT COMING
TO THE PENNY?

NO WAY.

WELL, WE'RE CELEBRATING
TRACI'S FIRST DAY.

I MEAN, DRINKS ARE ON ANDY.
OW! WHAT THE HELL WAS--

DID YOU FEEL THAT?

BECAUSE THAT'S HOW MY HEAD
FEELS AFTER LAST NIGHT.

I'M GOING HOME.

(sighs) OH...

AND BY THE WAY,
I MAY OR MAY NOT HAVE PUKED

IN THE BACKSEAT OF YOUR CAR
ON THE RIDE IN THIS MORNING.

WHAT?

STILL FRIENDS?

YOU AND ME?
TO THE END OF TIME?

HEY, TRACE,
LET ME DO THAT.

DON'T.

WE'RE PARTNERS, RIGHT?
SO YOUR MESS IS MY MESS.

YEAH.

THAT'S WHY I TOOK
THE HIT WITH FRANK.

YOU ALSO GAVE UP ON ME TODAY.

I MADE A MISTAKE

AND I NEEDED YOU TO LET ME
FIX IT, NOT DISMISS ME.

TRACE, I-I DON'T
WANT YOU TAKING A FALL

FOR MAKING A DECISION THAT
WASN'T YOURS IN THE FIRST PLACE.

I CAN HANDLE MYSELF.

YEAH, ABSOLUTELY.

I MEAN, YOU--
YOU PROVED THAT TODAY.

TRACE, YOU ARE
A DYNAMITE DETECTIVE.

LOOK, I'M, UH...

I HAVEN'T BEEN...

HANDLING THINGS WELL...

AND I'M SORRY.

OKAY?

I LOVE HAVING YOU
AS A PARTNER.

MM?

(Oliver) HEY, HONEY?

HEY. HOW WAS YOUR DAY?
(chuckles)

I ALMOST PEPPER-SPRAYED
A LAWYER IN A TUXEDO.

ALL RIGHT. SEE?

THAT'S ALL THE MORE REASON
TO BE BACK ON THE BEAT WITH US.

I CAN'T.

LOOK, JUST TALK
TO FRANK, OKAY?

HE'LL BE POWERLESS
AGAINST THOSE DIMPLES.

I'M PREGNANT.

OHH.

(clears throat)

I'M GIVING YOU
ALL THOSE CRACKS,

RAZZING YOU ABOUT NOT BEING
ABLE TO HACK IT ON THE STREET.

YEAH. THANK YOU.

THAT IS THE BEST NEWS--
COME HERE--EVER.

AW, MAN!

(chuckles)

SO? YOU WORKING ON NAMES? OLLIE?
OLLIE WILLIAMS? OLIVER WILLIAMS?

HUH? IT'S A NAME OF POWER.

ACTUALLY, THE BABY'S GONNA
HAVE FRANK'S LAST NAME.

(whispers)
THAT SON OF A BITCH.

(chuckles)
LET ME BUY YOU A DRINK.

(normal voice) YES. YES, DO.
MM-HMM.

HEY. HAVE FUN BABYSITTING?

HE'S NOT THE WORST ROOKIE
I'VE EVER HAD.

WATCH IT.

SOMETIMES, UH...

I HOLD ON A LITTLE TIGHT
BECAUSE I DON'T WANT

YOU GUYS TO GET HURT
OR SCREW UP.

I DON'T KNOW.

TRACI MESSED UP. YOU KNOW?
THE WORLD DIDN'T END.

SHE'S GONNA MAKE
A HELL OF A DETECTIVE.

YEAH, WELL, WE, UH,

WE WERE TRAINED BY THE BEST.

WANT A RIDE TO THE PENNY?

SURE, IF I DRIVE.

MY TRUCK? Y--

YES, BECAUSE
YOU LET NICK DRIVE.

WELL, THAT WAS B--
THAT WAS BECAUSE OF YOU.

YEAH, BUT I WANT TO DRIVE.
YOU NEVER LET ME DRIVE.

DON'T HIT ANYTHING,
ALL RIGHT?

YEAH, YEAH,
YEAH, YEAH, YEAH.

(sighs)

TWO WORDS--RESTRAINING ORDER.

HEY, YOU CAN PRETEND
TO HATE ME ALL YOU LIKE.

I GOT A DOZEN TEXTS
THAT SAY OTHERWISE.

I WAS DRUNK,

AND I CONFUSED YOUR PHONE NUMBER
WITH SOMEONE ELSE'S.

YOU KNOW WHAT? I LIKE YOU.
I'M NOT AFRAID TO TELL YOU...

WHEN I'M SOBER.

GOOD NIGHT, GAIL.

DO YOU WANT TO GO TO DINNER?

WELL, THAT DEPENDS.

IF I SAY "YES,"

YOU GONNA BE ALL ICE QUEEN
WITH ME AGAIN TOMORROW?

(Dan Griffin's "Lorne Park"
playing)

THIS IS JUST ME, MAN...
BEING ME.

* I DON'T FLY A BANNER *

WELL, IN THAT CASE...

* ABOVE MY HEAD *

I'LL COOK.

* ANYMORE *

* YEARS HAVE COME BETWEEN US *

* ARE YOU STILL *

* BEAUTIFUL? *
(cell phone ringtone playing,
water running)

DOV?

(rattle)

(ringtone continues playing)

* I WAS WALKING BACKWARDS *

(beep)

HELLO?

* TO THE HOUSE *

OH, HE'S IN THE SHOWER.
CAN I TAKE A MESSAGE?

* I WAS BORN *

OH, HE--HE DIDN'T GO
TO HIS APPOINTMENT?

* WHEN THE GRASS GREW OVER *

OKAY. WELL, UM, HE PROBABLY
JUST FORGOT ABOUT IT.
(rustling, opens drawer)

(closes drawer)
HE'S BEEN REALLY BUSY.

* HELD MY OWN *

YEAH.

I WILL. I'LL HAVE HIM CALL YOU.

* COULD I ASK FORGIVENESS *

OKAY. THANKS.

* OR IS IT TOO LATE FOR LOVE? *

HEY.

HEY.

(pants) HOW WAS YOUR DAY?

IT WAS GOOD.

WHAT'D YOU DO TODAY?

I-I CALLED YOU A COUPLE TIMES,
BUT THERE WAS NO ANSWER.

OH, YEAH. I WENT TO MY
APPOINTMENT WITH DR. MANSFIELD.

REALLY?

YEAH, IT WAS GOOD, ACTUALLY.
YOU KNOW WHAT?

THINK I HAD A BREAKTHROUGH.

* WILL YOU SEE ME AFTER DARK? *

SO, UH, I WAS THINKING,
UH, TOMORROW NIGHT, UH,

INVITING GAIL AND ANDY AND TRACI
OVER FOR A MOVIE NIGHT.

WOULD YOU BE COOL WITH THAT?

(chuckles)
YEAH, THAT'D BE GREAT.
OKAY.

HEY.

I'M GLAD YOU'RE HERE.

* TO YOUR STREETLIGHTS
HUNG LIKE HALOS IN THE NIGHT *

* LORNE PARK *

***