All language subtitles for Love.and.Hip.Hop.Atlanta.S03E19.Reunion.Pt2.1080p.AMZN.WEB-DL.DDP2.0.H.264-NTb_track3_[eng]

PREVIOUSLY ON LOVE & HIP-HOP:

ATLANTA: THE REUNION...

SHE WAS COMPLETELY AND

UTTERLY OBSESSED WITH ME.

YOU MAD 'CAUSE I AIN'T GIVE

YOU NO [bleep]; ANYWAY.

I DON'T GIVE A [bleep].

OH!

WHERE WAS YOU JUST WITH ME

LAST WEEK, SCRAPPY?

WHOSE [bleep] WAS YOU [bleep]?

[cheers and applause]

CAN WE GET A LIE DETECTOR

TEST?

YOU ANSWERED NO.

THE LIE DETECTOR TEST SHOWS THAT

YOU WERE NOT TELLING THE TRUTH.

WHOA.

THANK YOU.

IS THERE ANYTHING THAT

RASHEEDA NEED TO KNOW?

I WANTED TO SHUT HER

THE [bleep] UP.

REALLY, KIRK?

DON'T DO THAT

WITH ALL THESE SECURITIES.

WE DO IT RIGHT NOW.

[bleep].

COME OVER--YOU COME OVER HERE.

SO LET'S DO IT NOW.

COME OVER HERE.

[bleep] YOU.

[all shouting]

AND STILL TO COME ON OUR EPIC

THREE-PART REUNION...

[all shouting indistinctly]

PEOPLE RUNNING THROUGH HERE

LIKE A [bleep] RAMPAGE.

[Stevie grunting]

I THOUGHT WE WAS

IN THE EXORCIST.

I DID THAT, BITCH.

NEXT THING YOU KNOW, I MEAN,

WE BOTH WERE SWINGING.

THE RAGE IS TOO MUCH.

WHO ELSE WANT TO GET SOME?

NEEDS TO BE SOME MANDATORY

DRUG TESTING AROUND HERE.

[shouting indistinctly]

DON'T PUSH YOUR HEAD FROM ME,

BITCH.

IF YOU WANT TO SAY NEGATIVE

COMMENTS BECAUSE

I SMOKE A BLUNT OR TWO,

[bleep] YOU.

THE ONLY THING I REGRET...

[crowd chattering indistinctly]

IS THE SECURITY GUARDS

BEING IN MY WAY.

I'M HERE.

JOSELINE, CALM DOWN.

IF THE SECURITY GUARDS

WASN'T THERE, STEVIE WOULD

[bleep] BREAK HIS NECK.

I'M NOT--

THE ONE THAT HE AIN'T GOT.

SHE'S JUST A NASTY

INDIVIDUAL.

[all chattering indistinctly]

BITCH IS CRAZY.

SHE'S NUTS.

WHY YOU DON'T WANT THE

CAMERAS TO GO AHEAD AND FILM?

WHEN IT'S ALL SAID AND DONE,

SHE GONNA GET HIM HURT.

BECAUSE YOU KNEW YOU WAS

GONNA BE EXPOSED.

YOU WANT A SHOW?

I'LL GIVE YOU A SHOW.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* 'SUP ♪

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE ♪

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

WHAT'S UP, Y'ALL?

HOW Y'ALL DOING?

[cheers and applause]

HERE WE GO, EVERYBODY.

LET'S GET IN OUR POSITIONS,

PLEASE.

[cheers and applause]

AND WE'RE BACK WITH MORE FROM

OUR CAST ON LOVE & HIP-HOP:

ATLANTA: THE REUNION.

WHAT?

both: WHAT?

WHAT?

WHAT, [bleep]?

WHAT?

both: WHAT, [bleep]?

WHAT, [bleep]?

DON'T DO THAT

WITH ALL THESE SECURITIES.

DON'T DO THAT

WITH ALL THESE SECURITIES.

OH.

JUST DO THAT OUT THERE.

WE DO IT RIGHT NOW.

YOUR [bleep].

WE COULD DO IT RIGHT NOW.

[bleep], LET'S DO IT NOW.

YOU COME OVER HERE.

I'M NOT DOING NOTHING.

OH!

WHAT THE [bleep]?

THE [bleep] OUT OF HERE,

BITCH.

MOTHER[bleep].

[bleep] YOU.

[bleep] BITCH!

YO, GET THE [bleep].

COME HERE.

LOOK OUT.

GET OFF ME.

GET THE [bleep] OFF ME.

OFF ME, BITCH.

GET OFF ME.

YEAH, BITCH.

[screams]

GET OFF ME!

GET OFF ME.

GET OFF ME, MAN.

[bleep], YEAH, GET OFF ME.

[all screaming indistinctly]

YEAH, SHOOT YOUR MOUTH,

BITCH!

[all screaming indistinctly]

YO, GET THE [bleep] OFF ME.

I DID THAT.

I DID THAT, BITCH.

GUESS WHAT?

[all screaming indistinctly]

YO, HO, GET OFF ME.

WATCH YOUR COCAINE!

[bleep] COCAINE.

[all screaming indistinctly]

JOSELINE, YOU A WACK-ASS

BITCH.

LET HIM GO.

LET GO OF ME.

GET OFF ME.

CHILL, CHILL.

GET OFF ME.

GET MY GIRL!

GET MY GIRL.

WALK OUT.

GET THE [bleep] OFF ME.

GET MY GIRL!

LET GO OF ME.

[all screaming indistinctly]

NO, NO.

ALTHEA.

Y'ALL GOT TO ADMIT I'M GOOD.

I'M GOOD!

YEAH, BITCH.

I'M GOOD.

CAN Y'ALL GET OFF ME?

[bleep] OFF ME.

GET THE [bleep] OFF ME.

[all screaming indistinctly]

RIGHT HERE.

JOSELINE, CALM DOWN.

STOP, STEVIE'S RIGHT.

WHATEVER.

WHERE'S THE PHONE RIGHT NOW?

[all screaming indistinctly]

GET OFF ME.

[all chattering indistinctly]

[all screaming indistinctly]

LET ME GO.

LET ME GO!

[all chattering indistinctly]

[bottles clinking]

WHOA, WHOA, WHOA, WHOA, WHOA!

[all chattering indistinctly]

BITCH!

COME ON, MAN.

[bleep].

[all chattering indistinctly]

LET'S MOVE THE AUDIENCE OUT,

PLEASE.

AUDIENCE DEPARTMENT.

AUDIENCE, WE'RE GONNA LOCK YOU

GUYS OUT IN THE HALLWAY.

JUST A SHORT WHILE AGO, SOME

OF OUR CAST MEMBERS GOT INTO A

PHYSICAL ALTERCATION, AND THE

SITUATION SPIRALED OUT OF

CONTROL.

WE HAD TO RELEASE OUR AUDIENCE

AND SECURE THE STAGE.

EVEN THE POLICE WERE CALLED.

DESPITE ALL THE DRAMA YOU SEE ON

TV, LOVE & HIP-HOP DOES NOT

CONDONE THE VIOLENCE THAT

RESULTS WHEN THE CAST

DECIDES TO TAKE MATTERS

INTO THEIR OWN HANDS.

WE DID NOT EXPECT THINGS TO

ESCALATE THE WAY THEY DID

OR AS QUICKLY.

JUST HOURS BEFORE THE REUNION

SHOW, STEVIE J. AND BENZINO

WENT BACK AND FORTH ON TWITTER

IN A SERIOUS WAR OF WORDS.

LAST NIGHT, STEVIE J. POSTED

A VERY COMPROMISING PICTURE

OF ALTHEA.

THEN THIS MORNING, BENZINO

TWEETED THAT STEVIE J. AND

JOSELINE WERE NOT REALLY

MARRIED

AND THAT HE CLAIMED TO HAVE

PROOF.

AND THAT'S WHERE THINGS WERE

LEFT BEFORE THEY SAW EACH OTHER

FOR THE FIRST TIME RIGHT HERE ON

THIS STAGE.

NOW I'M SITTING HERE WITH THE

REST OF THE CAST WHO HAS CHOSEN

TO STAY AND FINISH THE SHOW.

LET'S CHECK IN WITH KIRK,

RASHEEDA, SCRAPPY, BAMBI,

ERICA D., KARLIE, NIKKO,

YUNG JOC, TONY, KALENNA,

MOMMA DEE, ASHLEY, AND DAWN.

ARE YOU GUYS SHELL-SHOCKED?

'CAUSE I'M SHELL-SHOCKED.

YES.

THAT WAS CRAZY.

I AM STILL IN A LEVEL OF

DISBELIEF.

LIKE, REALLY?

DID THAT JUST GO DOWN?

OKAY, SO PEOPLE FROM TIME TO

TIME THINK THAT THE SHOW IS

SCRIPTED.

THAT FIGHT WAS REAL.

AND THINGS ESCALATED

REALLY FAST.

WHAT WAS SCARY FOR ME WAS, I'M

SITTING HERE, WE WERE TALKING

ABOUT SHOES, AND FOR SOMEBODY TO

ESCALATE FROM ZERO...

TO 100.

REAL QUICK.

100 THAT QUICK,

LIKE, I'M LIKE, "WELL, DAMN.

LIKE, SHE WASN'T EVEN MAD.

I WAS JUST TALKING TO HER."

LOOK HOW ALL OF US ARE

DRESSED.

LIKE, WE ALL LOOK GOOD, RIGHT?

I SAY APPEARANCE IS EVERYTHING.

WHEN I FIRST LOOKED AT HER, I'M

LIKE, "WHAT DOES SHE HAVE ON?"

THAT DOESN'T LOOK LIKE--

WELL, THAT'S WHAT SHE SPOKE

TO ME ABOUT.

WHEN SHE SAT DOWN, SHE SAID TO

ME, "I DIDN'T WANT TO DRESS LIKE

I WAS GOING TO THE OSCARS."

SEE--

"I WANTED TO BE MYSELF."

IT LOOK LIKE SHE CAME FOR A

STREET FIGHT, THOUGH.

I THINK SHE CAME WITH THE

INTENTION TO SOMETHING.

OKAY, SO LET ME

JUST ASK Y'ALL.

WHAT HAPPENED?

IT STARTED OFF WITH STEVIE

SAYING IT WAS HOT.

JOSELINE WAS SAYING,

"YES, IS THE A.C. ON?"

BENZINO PIPED IN AND SAID--

YOU HEARD HIM, DIDN'T YOU,

RASHEEDA?

YEAH, I DID.

HE SAID, "THAT'S THAT COKE."

[laughs]

AND STEVIE HEARD HIM, AND

THEN ALTHEA PIPED IN, AND AFTER

YOU DID YOUR INTRODUCTION,

STEVIE JUST WENT AT 'EM LIKE--

I HEARD THAT.

I HEARD THAT "[bleep] YOU.

YOU A [bleep]."

YES.

AND IT WENT DOWN.

[bleep] YOU.

DON'T DO THAT

WITH ALL SECURITIES.

JUST DO THAT OUT THERE.

WE DO IT RIGHT NOW.

YOU'RE [bleep].

WE CAN DO IT--

OH, NO, BITCH.

COME OVER--YOU COME OVER HERE.

[bleep].

COME OVER HERE.

I'M NOT DOING NOTHING.

GET OUT OF HERE, BITCH.

MOTHER[bleep].

JOSELINE, SHE WAS JUST ON

SOME NEXT LEVEL [bleep].

SHE JUST GOT UP AND JUST KEPT

GOING.

AND STRAIGHT WENT FOR ALTHEA,

KNOCKED--

ALL I KNOW IS STUFF STARTED

FLIPPING, AND THEY ON THE FLOOR

FIGHTING.

AND IT WAS CRAZY.

[all shouting indistinctly]

[bleep]. [bleep].

BITCH. [bleep].

BITCH!

IT SEEMS LIKE THIS WAS THAT

ONE MOMENT WHERE SHE TOOK IT

UPON HERSELF TO ACTUALLY FOLLOW

THE LEAD OF HER MAN.

HE JUMPED UP AND CONVINCED HER

TO ATTACK.

I DON'T THINK SHE WAS ABLE TO

CONTROL THAT ENRAGED EMOTION AT

THAT MOMENT.

ONCE IT HAPPENED, THERE WAS NO

CONTROLLING IT.

HER AND ALTHEA HAVE BEEN

GOING AT IT FOR A LONG TIME.

HER AND TAMMY BEEN GOING AT IT

FOR A LONG TIME.

I MEAN, FOR A LONG TIME.

HER AND MIMI BEEN GOING AT IT

FOR A LONG TIME.

THE RAGE IS TOO MUCH.

I MEAN, YOU FIGHTING FOUR

OR FIVE PEOPLE FOR NO REASON,

I MEAN,

YOU GOT TAMMY SITTING HERE

HAVING A PEACEFUL CONVERSATION

WITH MOMMA DEE, AND SHE JUST GET

HIT OUT THE BLUE.

[all shouting indistinctly]

LET ME TELL YOU THIS TOO.

THAT'S GOT TO BE CRAZY

FOR TAMMY, BECAUSE

SHE JUST JOINED US.

WAKA'S NOT HERE, YOU KNOW.

SHE JUST JOINED US.

AND I'M LIKE,

"I'M NOT LEAVING THIS ROOM

UNTIL TAMMY'S OUT THIS ROOM."

EXACTLY.

SO, MOMMA DEE,

WHAT HAPPENED WITH TAMMY?

'CAUSE I WAS SURPRISED

TO SEE TAMMY INVOLVED.

ALL THE COMMOTION HAPPENED ON

THIS SIDE OF THE STAGE, AND THEN

IT ESCALATED OVER THERE.

AND THEN I THOUGHT, "OKAY,

THEY'RE HANDLING IT.

SECURITY'S HANDLING IT."

SO DEB AND TAMMY, THEY CAME IN.

TAMMY SAT NEXT TO ME, WE WERE

TALKING ABOUT WHAT HAD HAPPENED,

AND DEB SAID, "WELL, MY THING--

MY SON IS NOT HERE, AND LET ME

PROTECT MY DAUGHTER-IN-LAW."

RIGHT.

[all chattering indistinctly]

NO, NO, NO, NO.

NOT EVEN 20 SECONDS,

JOSELINE CUT--TOOK A BIG--

SHE JUST CAME RUNNING.

AND JUST STARTED

ATTACKING HER AND TOOK HER

WHOLE PONYTAIL OFF.

[all chattering indistinctly]

WATCH OUT.

AND I MEAN, I SAW DEB'S EYES,

AND THERE WAS NOTHING

I COULD DO.

I MEAN, EVERYTHING JUST HAPPENED

IN SECONDS.

WHO HERE HAS A RELATIONSHIP

WITH JOSELINE?

NOBODY.

EVERYBODY HAS HAD SOME TYPE OF

RUN-IN WITH HER.

I THINK, KARLIE, YOU'RE

PROBABLY THE CLOSEST PERSON.

LIKE, YOU GUYS SEEM TO HAVE A

GOOD RELATIONSHIP.

I MEAN, JOSELINE AND I HAVE

HAD OUR ISSUES IN THE PAST LIKE

A LOT OF ON THIS STAGE HAVE HAD

BACK AND FORTH ISSUES.

AND THEN WE'RE FRIENDS

AND THEN WE'RE NOT.

YOU KNOW, I MEAN, LIKE,

CORDIAL FRIENDS.

BUT KEEP IT REAL, THOUGH,

KARLIE, Y'ALL AIN'T FRIENDS.

RIGHT, WE'RE NOT.

NO, I NEVER SAID WE WERE.

YOU SPOKE TO ME, YOU WAS

LIKE, "I DON'T KNOW ABOUT

TALKING TO HER BECAUSE

YOU KNOW HOW SHE IS."

I NEVER SAID WE WERE FRIENDS.

I SAID EVERYBODY'S HAD THEIR

ISSUES ON STAGE,

EVERYBODY HERE.

EVERY TIME SHE ADDRESSES

SOMEBODY, IT'S ALWAYS "NONE OF

THEM BITCHES UP THERE AIN'T"--

SHE ALWAYS CALLING--

I'M THE BEST, BITCH.

SHE GOT SOMETHING

GOING ON WITH HER.

SHE'S INSECURE.

HER EGO.

SHE'S VERY INSECURE.

IT'S NEVER A HAPPY MOMENT

WITHIN HER.

BENZINO HAS ACCUSED HER OF

HAVING A DRUG PROBLEM.

YEAH, THAT'S ONE OF THE

ISSUES.

I'M NOT GONNA JUST

PUT IT ON DRUGS.

I THINK THAT'S THE BIGGEST DRUG,

THE FAME OF IT ALL,

JUST THAT ATTENTION.

THAT'S THE BIGGEST.

TO BE A HIT

EVERY MONDAY NIGHT.

FAME AND ATTENTION

IS THE WORST THING

TO EVER BE ADDICTED TO.

IT REALLY IS.

A LOT OF PEOPLE CANNOT HANDLE

FAME.

YES, MA'AM.

A MONSTER HAS BEEN CREATED,

AND THE ONLY WAY TO PUT THIS

FIRE OUT IS TO EXTINGUISH IT.

BECAUSE IF YOU DON'T, SHE'S

GONNA TEAR DOWN THIS WHOLE

EMPIRE.

KARLIE, YOU'VE HAD YOUR

ISSUES WITH ALTHEA IN THE PAST

ABOUT BENZINO.

HOW DID YOU FEEL ABOUT JOSELINE

ATTACKING HER?

THEY'VE BEEN GOING AT IT FOR

A LONG TIME.

YOU KNOW WHAT I MEAN?

SO WHEN YOU FINALLY SEE SOMEBODY

THAT YOU'VE BEEN GOING AT IT ON

SOCIAL MEDIA, YOU KIND OF LIKE--

A LOT BUBBLES UP.

I CAN'T FRONT.

A LOT OF TENSION BUBBLES UP

INSIDE.

Y'ALL SAYING SOME CRAZY ASS

[bleep] ON SOCIAL MEDIA.

BUT I ALSO CAN'T REALLY

AGREE, BECAUSE YOU AND ALTHEA

DON'T REALLY GET ALONG, AND YOU

WERE SITTING THERE LIKE A GROWN

WOMAN AND SHE SAT THERE LIKE A

GROWN WOMAN,

AND IT WAS NO PROBLEM.

WHAT DO YOU GUYS THINK ABOUT

STEVIE POSTING THE PICTURE

OF ALTHEA?

WAS THAT, LIKE, TOO LOW?

BENZINO BEEN POSTING STUFF

TOO, BUT WHEN YOU POST THAT ONE,

YOU REALLY WAS INSINUATING THAT

WAS YOU AND IT WAS HER.

THAT WAS REALLY, LIKE, A LOW,

LOW, LOW, LOW BLOW.

RIGHT.

THAT PICTURE THAT STEVIE

POSTED WAS ALREADY A PICTURE

THAT HAD ALREADY

HIT THE INTERNET.

SO STEVIE INTENTIONALLY WENT AND

POSTED IT TO PISS HIM OFF.

WHAT HAPPENED WITH THEM AND WHAT

HAPPENS WITH PEOPLE IS, THEY

FEEL LIKE, "OH, AIN'T NOBODY

ABOUT TO DO ME LIKE THIS OR SAY

THIS TO ME OR DO THAT TO ME."

AND THEY GO TO ANY LIMIT

TO TRY TO PROVE A POINT.

THEY START HITTING

BELOW THE BELT.

THAT'S WHEN BELOW THE BELT

GET CRAZY.

BECAUSE YOU GOT THESE CAMERAS,

YOU GOT EVERYBODY STANDING UP

HERE TRYING TO PROVE A POINT

TRYING TO MAKE SOMEBODY LOOK

WORSE THAN THE NEXT PERSON.

EXACTLY.

AND THAT'S WHERE STUFF GOT

OUT OF HAND.

AND TODAY, I JUST FEEL LIKE,

YOU KNOW WHAT?

THIS IS AN EMBARRASSMENT.

FOR ME, I JUST KNOW THAT

BENZINO AND STEVIE IS JUST AT

THE BOILING POINT WHERE IT'S

LIKE YOU KNOW,

"YOU DISRESPECTED MY LADY

AND YOU SAYING ONE THING,

YOU PUTTING PICTURES OUT."

AND BENZ--I MEAN, BENZINO

WAS JUST LIKE, "I'M OVER IT."

AND I HEARD HIM SAY HE'S OVER IT

BEFORE, BUT I TOLD RASHEEDA

SEVERAL TIMES THAT THIS IS A

DIFFERENT BENZINO.

NORMALLY, BENZINO AND STEVIE,

YOU KNOW, THEY HAVE THEIR LITTLE

ISSUES, AND THEN BE, "BRO.

I LOVE YOU, BRO."

THEY GOT THIS BROMANCE THING.

THIS TIME, I DON'T SEE THAT.

NO, THIS WAS IT.

STEVIE AND BENZINO HAVE BEEN

HAVING THIS BROMANCE BACK AND

FORTH FOR MANY, MANY YEARS.

LIKE, ONE MINUTE,

THEY'RE FRIENDS;

THE NEXT MINUTE, THEY'RE NOT.

SO THEY PROBABLY BE FRIENDS

TOMORROW, HOPEFULLY.

YOU KNOW?

I DOUBT IT.

IT'S OVER WITH.

THAT IS OVER WITH.

IT'S OVER WITH, YEAH.

NO, THIS WAS IT.

THIS WAS IT.

THIS IS, LIKE,

THE LAST STRAW.

WELL, I HOPE THAT'S NOT THE

CASE, BUT WE'LL SEE.

OKAY, LET'S GO TO BREAK RIGHT

NOW, BUT WHEN WE RETURN, PULLED

PONYTAILS AND STAIRWELL

SMACK-DOWNS.

IT GOT REAL IN HERE.

THIS IS LOVE & HIP-HOP: ATLANTA:

THE REUNION.

WE'LL BE RIGHT BACK.

JOSELINE JUST TRIED TO PULL

SOMETHING ON THE [bleep] STAGE.

I'M ABOUT TO

JUMP IN THIS [bleep].

JOSELINE, LET HER GO.

JUST LET HER GO.

[all shouting indistinctly]

DON'T PUSH YOUR HEAD FROM ME,

BITCH!

I WAS LIVID.

THERE NEEDS TO BE

SOME MANDATORY DRUG TESTING

AROUND HERE.

SOMEBODY NEEDS TO DO

AN INTERVENTION

AND HELP THIS YOUNG LADY.

COCAINE IS A HELL OF A DRUG,

BABY.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* THIS IS THE LIFE

♪ THIS IS THE LIFE

WELCOME BACK TO LOVE &

HIP-HOP: ATLANTA: THE REUNION.

PLEASE WELCOME MIMI, ARIANE,

DEB, AND TAMMY

WHO HAVE FINALLY JOINED US

AFTER THE BRAWL EARLIER TODAY.

THANKS FOR BEING HERE, LADIES.

SO HOW'S EVERYBODY FEELING?

GOOD.

MIMI, SO I UNDERSTAND EARLIER

AFTER THE INCIDENT, YOU WEREN'T

FEELING WELL.

ARE YOU OKAY NOW?

I HURT MY HAND.

YOUR BLOOD PRESSURE WAS

THROUGH THE ROOF.

MY BLOOD PRESSURE

WAS VERY HIGH.

I WAS LIVID.

WHAT HAPPENED BACKSTAGE?

ARIANE AND I WERE GOING UP TO

OUR DRESSING ROOM, AND THEY WERE

COMING UP THE STAIRS.

HE WENT UP FIRST;

SHE WENT UP BEHIND HIM.

WE'RE COMING DOWN AT THE SAME

TIME, LIKE THIS.

AND SHE SAID,

"WHAT DID YOU SAY?"

AND I'M LIKE, "GIRL,

EVERYTHING IS NOT ABOUT YOU."

AND SHE TRIED TO HIT ME,

AND SHE PULLED MY HAIR.

WAIT, WAIT.

WE'RE [bleep] LEAVING!

WAIT, WAIT, WAIT, WAIT.

ALL RIGHT.

JOSELINE.

[all screaming indistinctly]

OH, NO!

[all screaming indistinctly]

NO! HELP!

[all screaming indistinctly]

STEFAN.

LET IT GO, LET IT GO, LET IT GO.

COME ON, JOSELINE.

JOSELINE, LET HER GO.

JOSELINE, JOSELINE,

STOP FIGHTING.

MOVE THE CAMERA.

JOSELINE, LET GO.

LET GO!

JOSELINE, LET GO!

LET HER GO.

JUST LET HER GO.

RELAX.

MIMI, COME ON!

NO.

STUPID [bleep]!

PUSH YOUR HEAD FROM ME,

BITCH!

DON'T SWING ON ME.

YOU KEEP HOUNDING ME, BITCH.

[all screaming indistinctly]

KEEP EVERYBODY IN THEIR

ROOMS, PLEASE.

YOU ARE WALKING.

MOVE.

[all chattering indistinctly]

OUT! GET OUT!

GET OUT!

SO, ARIANE,

WHAT DID YOU DO...

I WAS IN FRONT--

WHEN THIS HAPPENED?

I WAS IN FRONT OF MIMI, AND I

TURNED AROUND, AND I JUST SAW

THE HAIR PULLING.

AND MIMI WAS ON THE FLOOR,

JOSELINE WAS ON THE FLOOR.

AND I KNOW IT HAD TO CATCH

YOU OFF GUARD, BECAUSE FROM LAST

TIME WE SEEN THAT YOU AND

STEVIE WERE IN A GOOD PLACE.

AS YOU CAN SEE FROM WHAT

HAPPENED ON THE STAGE,

SHE WASN'T ALL

IN HER RIGHT MIND FRAME.

DID YOU SEE STEVIE BACKSTAGE?

YEAH, HE WALKED UP

BEFORE SHE DID.

HE WAS SO--

DID HE SAY ANYTHING

TO YOU AT THE TIME?

HE DIDN'T SAY TWO WORDS.

HE WAS SO GONE.

LIKE, EYES JUST OUT OF HERE.

[door squeaking]

[all chattering indistinctly]

HE DIDN'T EVEN SEE ME.

NIKKO, WHERE WERE YOU WHEN

ALL THIS WAS GOING DOWN?

[all screaming indistinctly]

SECURITY RUSHED ME

TO A WHOLE NOTHER AREA.

[all chattering indistinctly]

NOBODY CAME AND TOLD ME

ANYTHING.

I'M IN A WHOLE NOTHER ROOM BY

MYSELF SEPARATED FROM MYSELF.

I'M TRYING TO FIGURE OUT THE

NEXT MOVE, MAN.

WHAT WE DOING?

COCAINE IS A HELL OF A DRUG,

BABY.

SO YOU DIDN'T KNOW WHERE MIMI

WAS AT THE TIME.

I DIDN'T KNOW ANYTHING.

WERE YOU WORRIED ABOUT HER?

WERE YOU LOOKING FOR HER?

ABSOLUTELY.

[snickers]

I ASKED SECURITY "WHERE'S MIMI?"

SHE SAID "SHE'S OKAY.

SHE'S RUSHED TO THE ROOM.

SHE'S TOOKEN CARE OF."

SO I'M ASSUMING THAT SHE'S GOOD.

MM-MM.

AND THEY RUSHED ME

TO THE ROOM.

ARIANE, I SEE YOU

SHAKING YOUR HEAD.

WHAT DO YOU THINK?

I JUST FEEL LIKE HE COULD

HAVE FOUGHT TO GET TO HER.

I KNOW WHAT YOU FELT.

BUT WHAT YOU FEEL AND WHAT

HAPPENED, THAT'S THE SITUATION.

OKAY.

WE ALREADY KNOW ME AND YOU

DON'T HAVE A GREAT

UNDERSTANDING.

YOU KNOW, YOU DON'T LIKE ME

FOR WHATEVER REASON.

I DON'T KNOW WHY.

THAT'S NEITHER

HERE NOR THERE.

WHAT DO YOU THINK ABOUT THE

WAY ARIANE FEELS, THAT NIKKO

SHOULD HAVE LOOKED FOR YOU

THROUGH ALL OF THIS CHAOS?

I KNOW HOW IT IS WHEN YOU'RE

DOING THE REUNION.

THEY KEEP EVERYBODY SEPARATED.

EVERYBODY'S IN DIFFERENT

ROOMS.

IT'S JUST A BIG LACK OF

COMMUNICATION.

WHAT DO YOU THINK, KIRK?

I WOULDN'T EVEN CARE WHAT

THEY TOLD ME AT THIS POINT.

RASHEEDA'S NOT GONNA BE LEFT OR

RIGHT.

WE GONNA BE IN THE SAME ROOM

BECAUSE I DON'T REALLY CARE

ABOUT WHAT PEOPLE TELL YOU TO

DO.

SO I MEAN, IT'S A LEARNING

LESSON FOR HIM, YOU KNOW.

WE SHOULDN'T EVEN HAVE TO BE

AROUND HIM.

IT'S REALLY DISRESPECTFUL, AND

IT'S TOO CRAZY.

THIS HAS HAPPENED ON MORE

THAN ONE OCCASION, AND NOT JUST

WITH ME; WITH OTHER

CAST MEMBERS, OTHER PEOPLE,

AND IT'S JUST UNCALLED FOR.

SHE GETS AWAY WITH IT.

HER FIGHTING, HER ATTACKING

PEOPLE, IT JUST KEEPS HAPPENING.

TAMMY, WHAT HAPPENED

WITH YOU AND JOSELINE?

LIKE, LAST THING I REMEMBER,

YOU WERE SITTING HERE.

YOU WERE LOOKING BEAUTIFUL.

AND I LOOKED BACK, AND ALL HELL

WAS BREAKING LOOSE.

I THINK I WAS SITTING TOO

PRETTY.

YES.

[laughter]

THAT MIGHT HAVE BEEN A

PROBLEM, TAMMY.

ALL I REMEMBER WAS, I WAS

SITTING NEXT TO MY GIRL BAM,

ALL THE CHAOS BROKE OUT, AND

SHE CAME FROM AROUND THE CORNER

AND WAS LIKE,

"I DON'T LIKE YOU NEITHER."

AND SHE TRIED TO SWING

AND SHE MISSED

AND SHE CAUGHT MY PONYTAIL.

I'M GLAD SHE DID, 'CAUSE

THAT [bleep] CAME RIGHT OFF.

JOSELINE.

[all screaming indistinctly]

LET ME GO.

LET ME GO!

[all chattering indistinctly]

[bottles clinking]

WHOA, WHOA, WHOA, WHOA, WHOA!

[all chattering indistinctly]

BITCH!

COME ON, MAN.

GET THE [bleep] UP OUT OF HERE.

THAT'S MY DAUGHTER-IN-LAW.

OKAY, OKAY.

[bleep] YOU GONNA PUSH ME.

I'M TRYING TO HELP YOU.

DEB, SO DID THINGS GET

PHYSICAL WITH YOU AND JOSELINE?

WERE YOU DEFENDING TAMMY?

YES.

[all screaming indistinctly]

DON'T GET IN THIS FIGHT.

I DON'T WANT TO FIGHT

NO OLD LADIES.

I'M REALLY UNHAPPY AT THE

FACT THAT I HAD TO APPEAR

LIKE THAT.

LIKE, ONE, IS I LOVE WOMEN,

PERIOD.

YES, MA'AM.

AND I'M FOR THEM.

BUT THAT WASN'T A NORMAL WOMAN I

WAS DEALING WITH AT THAT TIME.

[laughter]

THAT WAS AN--

I MEAN, SHE WASN'T--

IN HER RIGHT MIND.

LISTEN TO ME.

SHE CAME UP LIKE HERCULES.

WITH FOUR MEN OVER HER.

NO, SHE WAS FIGHTING

IN VERSACE HEELS.

THAT WASN'T A NORMAL

INDIVIDUAL.

SHE HAD SOME REAL POTENT STUFF

GOING ON UP INSIDE OF HER.

YES, I DID HAVE TO GET THAT WAY.

BUT WE WERE NOT DEALING WITH A

HUMAN AT THAT TIME.

THIS IS CRAZY.

DEB SHOULDN'T HAVE TO--YOU

KNOW, SHE GONNA DEFEND HER

DAUGHTER-IN-LAW, BUT SHE WAS PUT

IN A POSITION THAT

SHE'S NOT USED TO.

DEB AIN'T WITH ALL THAT.

SWEETHEART, LET ME SET THE

RECORD STRAIGHT.

DEB IS WITH IT AT THE CLUB.

[all chattering]

I'M JUST SAYING SHE DIDN'T

COME HERE TO FIGHT NOBODY.

BUT I'M WITH IT IF IT COMES

MY WAY.

WHERE'S WAKA, BY THE WAY?

HE'S ACTUALLY ON TOUR

RIGHT NOW.

THANK GOD HE WASN'T HERE, 'CAUSE

THIS WOULD HAVE BEEN A WHOLE

DIFFERENT SITUATION.

WHAT HAPPENED

WHEN YOU TOLD HIM?

HAVE YOU SPOKEN TO HIM?

YES, I SPOKE TO HIM.

OKAY, SO YOU KNOW JOSELINE

JUST TRIED TO PULL SOMETHING

ON THE [bleep] STAGE, RIGHT?

NO, [bleep] HIM, 'CAUSE HE'S

SUPPOSED TO BE HERE WITH ME.

COULD YOU HEAR ME?

HE WAS SUPPOSED TO BE HERE--

COULD YOU HEAR ME?

I MEAN, OF COURSE.

IT'S HIS MOTHER AND HIS WIFE.

I WAS KIND OF DISAPPOINTED HE

WASN'T HERE TODAY, BUT GOD WORK

IN MYSTERIOUS WAYS.

'CAUSE LORD KNOWS,

IF THAT MAN WAS HERE,

I DON'T THINK WE WOULD BE ABLE

TO CONTINUE TO SIT HERE...

[laughter]

TO TALK ABOUT IT AFTERWARDS.

I'M GRATEFUL

THAT WAKA WASN'T HERE.

HE WOULD HAVE BEEN THE SECOND

ANIMAL IN THE ROOM.

I KNOW KIRK WAS

LOOKING OUT FOR YOU.

HE SAID HE WAS NOT LEAVING HERE

UNTIL HE MADE SURE THAT TAMMY

WAS SAFE OFF THE STAGE.

SHOUT-OUT TO KIRK.

I KNOW IN THE SAME SITUATION,

HE WOULD MAKE SURE

RASHEEDA'S GOOD.

I REALLY FELT LIKE IT WAS

A TAKEN ADVANTAGE SITUATION

BECAUSE WAKA WASN'T HERE.

I FELT THE NEED, LIKE, "OKAY,

I'M ABOUT TO JUMP IN THIS

[bleep], BECAUSE YOU REAL

DISRESPECTFUL RIGHT NOW.

YEAH.

ALL THE SUDDEN, OUT OF

NOWHERE, WHEN SHE CAME AND HIT

TAMMY, I RAN OVER TO THE COUCH

'CAUSE TAMMY TURNED AROUND

AND SAID, "TAKE MY WATCH."

SO I TOOK HER WATCH.

[laughter]

"TAKE MY WATCH."

TAKE MY WATCH.

I GRABBED IT, AND KIRK WAS LIKE,

"GET OUT OF HERE.

I'MA MAKE SURE THEY GOOD."

IT'S TOTAL DISRESPECT.

IT'S GONE WAY TOO FAR.

PEOPLE ARE ON ANOTHER LEVEL ON

SUBSTANCES, WHATEVER IT IS

THAT THEY GOT GOING ON.

AND WE SITTING PRETTY AND CUTE

AND EVERYTHING, AND WE TRYING TO

HANDLE OUR BUSINESS.

AND PEOPLE RUNNING THROUGH HERE

LIKE A [bleep] RAMPAGE.

[all screaming indistinctly]

LET HIM GO.

LET GO OF ME.

GET OFF ME.

GET OFF ME, STEVIE.

I THOUGHT WE WAS

IN THE EXORCIST.

[laughter]

LITERALLY.

BECAUSE THAT WAS NOT JOSELINE

THAT WE WERE DEALING WITH TODAY

AT ALL.

YOU COULD SEE IT IN HER EYES,

YOU COULD SEE HER MOVEMENT,

HOW SHE WAS MOVING AROUND

AND ALL.

THAT WASN'T HER.

WHEN SHE STOOD UP THERE ON

STAGE, SHE ACTUALLY WAS KEYING

IN, WHO'S NEXT?

WHO ELSE WANT TO GET SOME?

NO, STOP.

WHO ELSE WANT TO GET SOME?

THAT WAS NOT HER.

THAT WAS AN ANIMAL OR SOMETHING

THAT WAS INSIDE OF HER.

SO WHATEVER SHE WAS USING

OR WHATEVER SHE WAS ON...

SOME GOOD [bleep].

IT NEEDS TO BE SOME MANDATORY

DRUG TESTING AROUND HERE.

ABSOLUTELY.

THAT'S WHAT NEEDS TO HAPPEN.

I'M NOT GONNA SAY THAT THAT'S

WHAT SHE WAS ON, BUT ALLEGEDLY

SHE WAS ON SOMETHING.

SHE NEEDS HELP, AND INSTEAD

OF TALKING ABOUT IT, SOMEBODY

NEEDS TO DO AN INTERVENTION AND

HELP THIS YOUNG LADY.

SO MOST OF Y'ALL THINK THAT

JOSELINE HAS A SUBSTANCE ABUSE

PROBLEM.

JUST ISSUES PERIOD.

NOT SUBSTANCE ISSUES.

IT'S NOT JUST THAT.

JOSELINE HAS--KNOWING HER

HISTORY AND THE LIFE THAT SHE

CAME FROM, OKAY?

JOSELINE HAS ISSUES, PERIOD.

EXACTLY.

THIS IS BEYOND DRUGS.

THAT'S HER MEDICATION.

RIGHT.

TO EASE HER PAIN.

YES.

FOR WHAT SHE'S GOING THROUGH.

OKAY, IT'S THE BAND-AID.

SO YOU THINK THAT STEVIE

ALSO HAS A PROBLEM?

'CAUSE--

I THINK THEY--

WELL, I THINK STEVIE--I'M

SORRY, I THINK HE GOT ISSUES.

WHAT ABOUT YOU, MIMI?

IT'S SOMETHING GOING ON

WITH THEMSELVES.

DO YOU THINK STEVIE

ALSO HAS A PROBLEM?

NO COMMENT.

[laughs]

IT'S SAD.

I COME FROM A FAMILY OF

SUBSTANCE ABUSE.

I'M USED TO IT.

I KNOW WHAT IT LOOKS LIKE.

I GREW UP AROUND IT.

I'VE DONE BEEN THROUGH A LOT,

SO I KNOW WHAT THAT IS,

AND I FEEL BAD FOR HER.

BUT SHE NEEDS GOD.

SHE NEEDS JESUS.

YES, SHE DOES.

[cheers and applause]

Y'ALL WANT TO

TAKE A JESUS BREAK?

YES.

[laughter]

LORD GOD.

WE'LL TAKE A BREAK.

MORE LOVE & HIP-HOP:

ATLANTA: THE REUNION

WHEN WE COME BACK.

SHE JUST CAME IMMEDIATELY,

LIKE, "RAH, RAH, RAH,"

OUT THE GATE.

'CAUSE SHE'S REALLY A COWARD.

I FEEL BAD FOR HER.

SHE HAS A LOT OF

MENTAL ISSUES.

HAVE YOU WITNESSED

ANY SUBSTANCE ABUSE?

YES.

IT'S JUST SAD.

SHE NEEDS HELP.

EVERYBODY RAN LIKE BITCHES

YESTERDAY.

I WAS LIKE, "THAT'S REALLY,

REALLY [bleep]."

I COULD NOT BELIEVE IT.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* THIS IS THE LIFE

♪ THIS IS THE LIFE

WELCOME BACK TO LOVE &

HIP-HOP: ATLANTA: THE REUNION.

I WISH JOSELINE WAS HERE FOR

THIS DISCUSSION, BUT AS YOU

KNOW, SECURITY HAD TO ESCORT HER

OUT OF THE BUILDING FOLLOWING

THE ALTERCATION EARLIER TODAY.

AS WE SAW THIS SEASON, JOSELINE

AND TAMMY HAD UNFINISHED

BUSINESS TO RESOLVE,

SO LET'S WATCH.

MY HUSBAND IS A NEW PARTNER

IN HIP HOP WEEKLY.

THE BOSS MAN IS HOOKING ME UP

WITH GETTING A SPREAD.

SO I INVITED TAMMY TO COME

THROUGH BECAUSE SHE'S

A PERSONAL STYLIST.

THIS [bleep] BETTER BE SEXY.

CAN I SLIDE BACK HERE?

YES.

YOU SHOULD BE ABLE TO FIT--

WHAT, YOU ABOUT A 4?

NO, BITCH.

I KNOW I'M A SIZE 2, HONEY,

SO I CAN FIT THROUGH ANYTHING.

OH, THAT'S A CATSUIT.

OH, HONEY, I GOT TO SHOW ASS.

[laughs]

I GOT ASS,

BUT I AIN'T GOT THAT MUCH--

YOUR ASS IS BIGGER THAN

MINES, BITCH.

OH, HELL NO.

THIS WOULD BE A LOOK FOR

IN THE KITCHEN, NOTHING BUT

THONGS AND A LITTLE TOP,

A LITTLE BRA UNDER IT.

IN THE KITCHEN?

THAT'S HOW I KEEP MY MAN.

AND THAT'S HOW I GOT HIM

TO MARRY ME IN TWO YEARS

AND TWO MONTHS.

I WANT YOU TO GET WITH IT,

'CAUSE I SEE YOU'RE STILL

WALKING AROUND WITH THAT TATTOO.

SPEAKING OF JOSELINE,

SHE HAD A SPREAD

FOR HIP HOP WEEKLY MAGAZINE.

SHE PICKED OUT THIS SHEER THING,

AND I'M LIKE, "MM, NO."

AND SHE'S LIKE, "WELL,

THIS IS WHAT GOT ME MARRIED,

AND YOU SHOULD TAKE SOME NOTES."

OOH!

SHE WAS, YOU KNOW, COOL.

YOU UNDERSTAND ME, YOU COULD SEE

YOURSELF BEING COOL WITH HER,

BUT I DON'T LIKE TO BE LOOKING

OVER MY SHOULDER LIKE, "IS THIS

BITCH GONNA COME FOR ME?

I TELL YOU WHAT.

IT DOESN'T MATTER HOW COOL SHE

APPEARS TO BE WITH YOU.

SHE WILL STAB YOU IN YOUR

[bleep] BACK.

SAID SOMETHING ABOUT MIMI

KNEW ABOUT THE PHOTO SHOOT.

OH, YEAH.

THAT WAS CRAZY.

I HOPE THIS BITCH TAMMY

DIDN'T TELL HER, 'CAUSE IF I HAD

THIS BITCH ALL UP IN MY HOUSE,

AND YOU GOING AROUND TELLING

THESE OLD, RAGGEDY COUGARS MY

BUSINESS, I'MA HAVE A

CONVERSATION WITH BOTH OF THEM

HOS ONE DAY.

I'M AROUND TOWN, AND I HEAR THAT

YOU GOING BACK, TELLING MIMI

ABOUT ME DOING THIS MAGAZINE.

FIRST, I WAS TALKING TO MY

FRIEND RASHEEDA AND HER FRIEND

MIMI WAS THERE.

WE WAS HAVING A CONVERSATION

ABOUT HOW I FELT ABOUT YOU

INVITING ME TO YOUR HOME.

AND I FEEL LIKE YOU WAS KIND OF

TAKING SHOTS.

ALL I REMEMBER WAS BEING

NOTHING BUT NICE TO YOU.

NICE?

NOW YOU COMING OUT YOUR MOUTH

SIDEWAYS.

I'LL TELL YOU WHAT YOU SAID.

"MAYBE I COULD TEACH YOU

SOMETHING SO YOU COULD HAVE A

RING ON YOUR FINGER INSTEAD OF

THAT TATTOO."

YOU GOT TO GO TALK TO YOUR

LITTLE GIRLFRIEND.

NO, I DON'T HAVE LITTLE

GIRLFRIENDS.

WE'RE ALL GROWN WOMEN.

LEARN HOW TO STOP

STRADDLING THE FENCE.

IT'S NOT GOOD FOR YOU.

IT'S NOT GOOD IN THE STREETS,

HONEY.

FOR PROSTITUTES MAYBE.

GET WITH THE WINNING TEAM,

HO.

WHAT WINNING TEAM, BITCH?

WHAT WINNING TEAM?

YOU COME FROM A STRIPPER TO A

PROSTITUTE TO A HO.

BITCH, I CAME WITH MONEY.

CHILD, PLEASE.

EVERYTHING YOU HAVE

IS RENTED, BITCH.

MY [bleep] OWN

EVERYTHING HE GOT, HO.

LOOK AT THAT [bleep]

CHEAP-ASS CAR.

[laughter]

TAMMY.

DO YOU THINK SHE CAME AT YOU

WRONG ABOUT YOUR RING?

YEAH.

THE WAY I LOOKED AT THAT

SITUATION IS, WHEN I FIRST GOT

THERE, SHE WAS STRAIGHT THROWING

SHOTS.

AND I EVEN HUMBLED MYSELF IN

THAT MOMENT, BECAUSE I COULD

HAVE WENT IN THEN.

BUT I'M LIKE, YOU KNOW, I'MA

GIVE HER THE BENEFIT OF A DOUBT.

MAYBE I'M TRIPPING.

I'M THE TYPE OF PERSON,

IF I INVITE YOU TO MY HOME, IF I

EVEN INVITE YOU IN MY PRESENCE,

WE'RE WOMEN.

I LOVE BEAUTIFUL WOMENS.

DON'T BE INTIMIDATED BY

SOMEONE'S PRESENCE AND TRY TO

THROW SHOTS AT THEM.

DON'T TRY TO ACT LIKE

YOU'RE HIGHER THAN ANYONE

WHEN YOU'RE NOT EVEN THAT.

YOU KNOW WHAT I'M SAYING?

THAT WAS MY WHOLE POINT.

BUT MIMI DID WARN YOU.

SHE SAID THAT BE CAREFUL,

'CAUSE JOSELINE WILL

STAB YOU IN THE BACK.

SO WHAT DO YOU THINK NOW?

SHE WAS DEAD ON.

AND WE WASN'T EVEN FRIENDS FOR

HER TO STAB ME IN THE BACK.

SHE JUST CAME IMMEDIATELY,

LIKE, "RAH, RAH, RAH,"

OUT THE GATE.

AND I'M LIKE, "YO."

LIKE, "YOU WANT TO BE COOL WITH

ME OR DO YOU JUST WANT SOMEBODY

THAT YOU CAN TRY TO CLOWN ON?

'CAUSE I'M NOT THAT--

THAT AIN'T ME.

YOU KNOW, YOU--PICK ANOTHER

FRIEND, 'CAUSE THAT AIN'T--

I'M NOT THAT."

WERE YOU GUYS STILL HAVING

BEEF?

TO ME, BEEF IS LIKE,

YOU FELT THE WAY I FELT;

I FELT THE WAY I FELT.

WE EXPRESSED IT.

THAT'S THAT.

DO I SEE YOU,

I WANT TO FIGHT YOU?

WE CAN GO THERE.

I COME FROM THAT.

BUT I'M A GROWN WOMAN WITH A

NINE-YEAR-OLD DAUGHTER.

I DON'T GOT TIME FOR THAT.

YOU KNOW WHAT I'M SAYING?

WHAT DID YOU THINK

ABOUT THAT, DEB?

JOSELINE IS VERY, VERY

TERRITORIAL, AND SHE HAS TO BE

THE CENTER OF ATTENTION AT ALL

TIMES.

YOU UNDERSTAND WHAT I'M SAYING?

SO EVEN THE SUN, MOON, AND

STARS CAN'T RISE ABOVE HER.

BUT I DON'T UNDERSTAND WHY

SHE WAS TERRITORY TO--

I HAVE A HUSBAND.

I DON'T--I DON'T WANT YOUR MAN.

I'M NOT COMING FOR YOU.

YOU KNOW, SO I DON'T UNDERSTAND

WHY WOULD YOU COME IN FOR ME?

YOU'RE BEAUTIFUL.

IT HAD NOTHING TO DO WITH

STEVIE.

AND THAT JUST--

I DIDN'T UNDERSTAND THAT.

BUT YOU AREN'T LIKE A WEAK

LITTLE LAMB, THOUGH.

YOU THREW OUT

THE CHEAP CAR SHOT.

[laughs]

BUT I WISH I WOULD HAVE NEVER

LET HER GET ME TO THAT POINT.

THAT'S THE OLD TAMMY.

I'M FROM BALTIMORE.

AT THE END OF THE DAY.

I CAN GO AND GET RATCHET

AND ALL OF THAT.

BUT WHO WANTS TO DO THAT?

LIKE I SAID.

SO FOR ME TO EVEN REVERT TO THAT

PISSED ME OFF.

RIGHT.

SO, MIMI, WERE YOU SURPRISED

WHEN YOU SEE JOSELINE AVOID A

CONFRONTATION WITH TAMMY

IN THE RESTAURANT

WHERE YOU GUYS MET UP?

WERE YOU SURPRISED THAT SHE

WALKED AWAY?

NO.

'CAUSE SHE'S REALLY A COWARD.

MM.

AT THE END OF THE DAY.

THAT'S VERY TYPICAL.

I THINK IT'S INSECURITY

ISSUES AS WELL.

INSECURITY, THAT'S MORE SO

WHERE THEY'RE--

THAT'S LIKE TO THE FOREFRONT

OF THE SITUATION, BECAUSE A VERY

SECURE WOMAN WHO KNOWS WHO THEY

ARE AND IS NOT, YOU KNOW,

TRIPPING OFF OF THE NEXT WOMAN

WOULDN'T EVEN DO STUFF

LIKE THAT.

AT ALL.

DAWN, WHAT ABOUT YOU?

WHAT IS YOUR ASSESSMENT OF

EVERYTHING?

KNOWING JOSELINE,

SHE HAS A LOT OF INSECURITIES

AND A LOT OF MENTAL ISSUES

THAT NEED TO BE ADDRESSED.

AND I THINK, LIKE, WITH HER

SEEING BEAUTIFUL WOMEN,

SHE ALWAYS IS VERY INSECURE.

AS FAR AS WHEN WOMEN

COME AROUND.

SHE'S VERY TERRITORIAL.

MM-HMM.

IF YOU'RE HER FRIEND,

SHE DON'T WANT YOU

TO TALK TO ANYBODY.

LIKE, WHEN I WAS AROUND

JOSELINE, IF I SAY I'MA BRING

SOMEBODY, "WHAT YOU BRING HER

FOR?"

IT'S JUST US.

IT WAS JUST ALWAYS US.

TO SEE HER LIKE THAT, EVEN

THOUGH WE'RE NOT SPEAKING, IT

KIND OF BREAKS MY HEART.

YOU KNOW, UM...

'CAUSE I REALLY HAD LOVE FOR

HER.

RIGHT.

AND I KNOW IT HURTS YOU.

YEAH, I MEAN, WE REALLY

HAD A GOOD RELATIONSHIP,

AS FAR AS ME

TRYING TO TEACH HER.

'CAUSE SHE'S YOUNGER THAN ME.

I JUST FEEL LIKE, YOU KNOW,

A LOT--

LET ME CALM DOWN.

SO HAVE YOU WITNESSED

ANY SUBSTANCE ABUSE?

'CAUSE FROM WHAT I'M HEARING--

YES.

EVERYBODY SAYS THAT THEY JUST

FEEL LIKE THERE'S SOMETHING--

AT FIRST, IT WASN'T, YOU

KNOW, AS MUCH.

IT WAS JUST THE SMOKING.

BUT WHEN HER AND STEVIE GOT

TOGETHER, IT JUST--WHOO!

IT CHANGED.

SHE WENT FROM, LIKE, THIS PERSON

TO LIKE SOMEBODY ELSE.

IT WAS, "OH, I'M THE BEST.

I'M THE BEAUTIFUL"--YOU KNOW.

AND IT WAS LIKE, "JOSELINE,

LIKE, YOU KNOW, WE STARTING OFF

TRYING TO DO SOMETHING.

LIKE, CALM DOWN."

IT'S JUST SAD.

IT'S REALLY, REALLY SAD.

AT THE END OF THE DAY,

I FEEL BAD FOR HER.

SHE NEEDS HELP.

RIGHT.

OKAY, ON THAT NOTE,

WE GOT TO TAKE A BREAK.

BUT WHEN LOVE & HIP-HOP:

ATLANTA: THE REUNION RETURNS,

ARE THE JORDANS REALLY MARRIED?

STAY TUNED.

SHE COMES FROM PROSTITUTION.

I SEE STEVIE AS HER PIMP.

MAN, IS REALLY

THAT [bleep] UP?

HE'S DR. JEKYLL.

JOSELINE HAS COME IN BETWEEN

THE FRIENDSHIP.

I'M AT MY VERY WIT'S END

WITH ALL THE BULL[bleep]

AND THE SHENANIGANS.

I'M THE MOTHER[bleep]

YOU DON'T WALK OVER.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* THIS IS THE LIFE

♪ THIS IS THE LIFE

WELCOME BACK TO LOVE &

HIP-HOP: ATLANTA: THE REUNION.

AS YOU ALREADY KNOW, STEVIE AND

JOSELINE WERE ESCORTED OUT BY

SECURITY AFTER THE PHYSICAL

ALTERCATION THAT TOOK PLACE.

JUST HOURS BEFORE THE REUNION

SHOW, STEVIE J. AND BENZINO

WENT BACK AND FORTH ON TWITTER.

AND BENZINO CLAIMS TO HAVE PROOF

THAT JOSELINE AND STEVIE J.

WERE NOT MARRIED.

WHO HERE THINKS THAT THEY REALLY

WERE MARRIED?

I DON'T GET WITH THAT.

LET ME TELL YOU ONE THING

ABOUT WOMEN.

YOU GET MARRIED, HONEY, YOUR ASS

IS BROADCASTING THAT.

THE BIGGEST [bleep]

IN YOUR LIFE.

HONEY, PICTURES.

"LOOK AT ME.

LOOK AT MY CREW."

EVEN IF THEY WENT TO VEGAS

TO ELOPE, YOU--

THAT [bleep]

GONNA BE ON INSTAGRAM.

THEY BOTH STAY ON THE GRAM.

DAWN, WHAT ABOUT YOU?

I KNOW THAT THEY'RE NOT.

WHAT DO YOU KNOW?

HOW DO YOU

KNOW FOR SURE THAT THEY'RE NOT?

WELL, YOU KNOW, DOING

THE INCIDENCE FROM LAST SEASON,

STEVIE GAVE MIMI A RING AND

JOSELINE A RING AT THE SAME

TIME.

AND THAT KILLED HER SPIRIT.

THAT EMBARRASSED HER.

SHE CRIED FOR DAYS BEHIND THAT.

AND SHE ALWAYS VOWED TO, LIKE,

STEVIE--TO MAKE HIM NOT

EMBARRASS HER AGAIN.

YOU KNOW, SHE WAS LIKE, "OH,

I'M GONNA GET YOU."

SO THE THING IS, WITH HIM,

"LET'S CALL BENZINO AND PUT

THIS ARTICLE IN THE MAGAZINE."

AND THAT'S WHAT HAPPENED.

AND SHE CALLED ME AND TOLD ME

THAT, AND I WAS KIND OF LIKE,

UPSET ABOUT IT.

I'M LIKE, "WHY ARE YOU LETTING

HIM PRETEND OR IF--YOU KNOW,

LIKE YOU GUYS ARE MARRIED,

KNOWING YOU NOT?"

SHE WAS LIKE, "I DON'T KNOW.

STEVIE JUST DID THAT."

YOU KNOW, JUST TO MAKE THE

PUBLIC FEEL LIKE SHE WASN'T

EMBARRASSED, BECAUSE

THAT TORE HER DOWN.

LIKE, THAT--

DO YOU THINK STEVIE DID NOT

REALLY WANT TO LEGITIMATELY

MARRY HER?

NO, I DON'T THINK SO.

I DON'T REALLY THINK STEVIE--

HE KNOWS HER.

HE KNOWS SHE'S VULNERABLE.

REMIND YOU, SHE COMES FROM

THAT ELEMENT: PROSTITUTION.

THEY DEPEND ON THE MAN.

LIKE, I SEE STEVIE AS HER PIMP,

NOT AS HER HUSBAND OR BOYFRIEND.

MIMI, DO YOU SEE STEVIE

AS HER PIMP?

I DON'T SEE NONE OF IT.

I DON'T CARE.

THEY CAN DO THEM.

IF THEY MARRIED; IF THEY'RE NOT,

I--GUESS WHAT.

I GOT SO MUCH GOING ON

IN MY LIFE, I REALLY DON'T

GIVE A [bleep].

DO YOU THINK THAT BENZINO

KNEW THAT THEY WEREN'T MARRIED

WHEN HE PUT IT ON THE COVER

OF THE MAGAZINE?

I'M THINKING BENZINO

PROBABLY DIDN'T KNOW.

BECAUSE STEVIE HAD SO MUCH

INFLUENCE.

BENZINO IS A CARING AND LOVING

PERSON.

SO WHEN HE'S FRIENDS WITH

SOMEBODY, HE'S DEEP WITH THEM.

AND ANYTHING THEY SAY, HE'LL

TAKE IT AS--

YOU KNOW, BEING CREDIBLE.

AND STEVIE HAS MANIPULATED HIM,

AND I FEEL THAT HE PROBABLY DID

NOT KNOW.

BUT I'M THINKING EVENTUALLY IT

PROBABLY SETTLED IN THAT THEY

WEREN'T.

THIS IS MY OPINION.

I DON'T FEEL LIKE STEVIE J.

MANIPULATED BENZINO

IN ANY KIND OF WAY.

HOW I DO FEEL IS THAT BENZINO

AND STEVIE HAS THIS WEIRD KIND

OF RELATIONSHIP.

BENZINO IS VERY OVERPROTECTIVE

OF HIS FRIENDS, AND

HE'S TERRITORIAL AS WELL.

AND SO SOON AS HE FEELS LIKE

YOU'RE SLIPPING AWAY,

IT'S LIKE--

IT'S--THEY HAVE THIS WEIRD

RELATIONSHIP.

I DO KNOW THAT BENZINO LOVES

STEVIE LIKE A BROTHER, AND FOR

JOSELINE AND THEIR CRAZY

RELATIONSHIP HAS COME IN BETWEEN

THE FRIENDSHIP.

DO YOU THINK BENZINO IS ANY

WAY KIND OF JEALOUS OF STEVIE

AND JOSELINE'S RELATIONSHIP?

THAT'S DEEP.

THAT'S SO DEEP.

I THINK HE IS.

LET ME SAY THIS

ABOUT BENZINO.

I'MA BE HONEST.

I DON'T THINK HE'S JEALOUS

OF STEVIE.

OH.

STEVIE AND THEM PUT OFF

A CERTAIN AIR.

LIKE WHEN THEY SAT BY US

ON THE COUCH, I WAS LIKE,

"IS THIS THE DAY THEY SPEAKING

OR ARE THEY HOLLYWOOD?"

RIGHT.

SO WHEN THEY REACHED OVER--

WHEN STEVIE SAID WHAT'S UP?

IT MADE ME DOUBT.

I SAID, "OH, OKAY,

WE COOL TODAY.

WHAT'S UP?"

AND EVEN JOSELINE SAID HELLO.

I WAS LIKE, WOW.

OH, HEY.

'CAUSE SHE'S

WALKED BY ME BEFORE.

AND I DON'T KNOW HOW TO DO THAT.

LIKE, IF WE COOL, WE COOL.

BENZINO'S ONE OF THEM OLD-SCHOOL

TRUE TO THE STREET OLD--

HE JUST A REAL O.G. TYPE OF--

IF HE WITH YOU, HE WITH YOU.

AND FOR HIM AND STEVIE--

'CAUSE HE HIT ME

WITH SO MUCH STEVIE STUFF,

IT TAKES ME WITH WITH STEVIE.

'CAUSE I BE LIKE, I KNOW SO MUCH

ABOUT STEVIE BECAUSE OF BENZINO,

IT MADE ME BE LIKE, "DAMN,

IS HE REALLY THAT [bleep] UP?"

HE'S DR. JEKYLL.

HE'LL BE COOL ONE DAY; THE NEXT

DAY--YOU JUST NEVER KNOW

WHAT YOU'RE GONNA GET

AT ANY GIVEN TIME.

YOU JUST SIT BACK AND LIKE,

"OKAY, WHICH STEVIE

AM I GONNA GET TODAY?"

AND, LIKE, SEEING HIM TODAY

WAS VERY SURPRISING THAT HE

WAS--HE WAS VERY PLEASANT WHEN

HE CAME OUT.

VERY.

HIS ENERGY WASN'T SHIFTING,

IT WASN'T ANYTHING.

HER ENERGY, ON THE OTHER HAND,

WAS.

HER ENERGY, I FEEL LIKE,

TOOK OVER THIS WHOLE BUILDING.

OH, [bleep].

WHEN THEY WALKED IN AND SAT

DOWN, DIDN'T YOU FEEL IT?

ABSOLUTELY.

AND WHEN SHE SAID--

AND I TOLD KIRK, I WAS LIKE,

"MM."

ABSOLUTELY.

I DID.

WELL, Y'ALL SURE

DIDN'T GIVE ME A SIGN.

[laughter]

MORE LOVE & HIP-HOP: ATLANTA:

THE REUNION WHEN WE RETURN.

I'M NOT A BIG OLD STEVIE J.

FAN.

HE TURNED INTO A WORSE PERSON

WHEN HE GOT WITH HER.

THAT'S B.S.

THEY LIKE WHITNEY

AND BOBBY BROWN.

NO.

[laughter]

NO, NO, NO.

THEY JUST, THEY DON'T WANT TO

FACE THE REALITY OF EVERYTHING.

THEY DIDN'T WANT TO

HEAR THE TRUTH.

I COME EVERYWHERE

READY TO FIGHT.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* THIS IS THE LIFE

♪ THIS IS THE LIFE

WELCOME BACK TO LOVE &

HIP-HOP: ATLANTA: THE REUNION.

SO DOES ANYBODY ELSE HAVE

ANYTHING TO SAY ABOUT WHAT

HAPPENED AND WHAT WENT DOWN

AND--

I WAS JUST THINKING BACK TO

WHAT DAWN WAS SAYING.

I THINK JOSELINE

IS A BEAUTIFUL GIRL

WHO HAS THE POTENTIAL

TO BE SOMETHING SO GREAT.

BECAUSE PEOPLE DO LOVE HER IN

SPITE OF EVERYTHING THAT SHE'S

DONE.

I JUST KNOW SHE'S A PRODUCT OF

HER ENVIRONMENT.

AND SHE NEEDS THAT GUIDANCE.

AND I THINK SHE NEEDS A HUG.

LIKE THAT GUIDANCE AND THAT HELP

WILL COME TO HER.

SHE AIN'T GONNA GET IT

WITH STEVIE.

I'M NOT EVEN TALKING

ABOUT HIM.

I'M JUST

SO YOU DON'T THINK THE

COMBINATION OF HER AND STEVIE

TOGETHER IS--

THEY'RE LIKE FIRE AND FIRE.

IT'S FIRE AND FIRE.

WOW.

IT SEEMS LIKE, TO ME, THAT

SHE ACTUALLY BRINGS STEVIE DOWN.

ABSOLUTELY.

NO DISRESPECT.

SHE DOES.

AND I'M NOT A BIG OLD STEVIE

J. FAN, BUT IT SEEMS LIKE

SHE BRINGS HIS VALUE DOWN.

AND--YOU KNOW.

ALL THE WAY.

I'M NOT TRYING TO BE FUNNY.

I BEG TO DIFFER.

I THINK SHE TURNED HIM UP.

SO, LIKE, HE GOT A LOT OF

BROWNIE POINTS WHEN HE GOT

WITH HER.

YEAH.

LIKE WOMEN START

LOOKING AT HIM DIFFERENTLY.

NOT THE BROWNIE POINTS,

THOUGH.

I'M TALKING ABOUT AS A PERSON.

HE TURNED INTO A WORSE PERSON

WHEN HE GOT WITH HER, JUST THE

PERSON THAT HE WAS.

I THINK THAT IT'S SOMETHING

THAT, LIKE, AT THE END OF THE

DAY, AND I STILL GOT TO GO

THERE.

THIS AIN'T NO JOSELINE'S FAULT.

THIS IS WHO HE IS.

IT'S THE SAME THING WITH

EVERY ONE OF US THAT'S SITTING

HERE AND EVERYBODY HERE'S

DONE SOME CRAZY STUFF

THAT'S HERE, OKAY?

THE WORLD WANT TO SAY

THAT IT'S LOVE & HIP-HOP.

HELL NO, IT AIN'T.

IT'S THE INDIVIDUAL.

IT'S IN YOU.

MM.

IT JUST TOOK THE RIGHT PERSON

TO BRING IT UP OUT OF YOU.

ABSOLUTELY.

'CAUSE YOU ARE WHO YOU ARE AT

THE END OF THE DAY.

CAN'T NOBODY DO THIS.

SO TO BLAME STEVIE FOR

JOSELINE'S BEHAVIOR OR JOSELINE

FOR HIS, THAT'S B.S.

WHAT'S IN YOU IS IN YOU.

YEP.

I JUST FEEL LIKE THEY'RE LIKE

THE TOTAL COUPLE OF LOVE &

HIP-HOP.

THEY'RE LIKE THE WHITNEY

AND BOBBY BROWN.

NO.

[laughter]

NO, NO, NO.

FOLLOW THE BEANS.

IT WAS BOBBY BROWN.

NO, NO, NO.

NO.

YOU ARE,

BUT DON'T USE THEM TWO.

I HAVE TO.

BECAUSE YOU JUST--

DO YOU KNOW THEM?

NO, LET ME TELL YOU

WHY I SAY THAT, DEB.

LISTEN TO ME, SWEETHEART.

ONE MINUTE, SOMEBODY SAYING SHE

FEEL LIKE STEVIE TURNED JOSELINE

UP; SOMEBODY SAYING THEY FEEL

LIKE JOSELINE TURNED STEVIE UP.

IT'S LIKE, THEY ARE WHO THEY ARE

WITH OR WITHOUT EACH OTHER.

PEOPLE TRIED TO BLAME, YOU KNOW,

WHITNEY'S LIFE ON BOBBY.

THEY TRIED TO SAY WHITNEY

BROUGHT BOBBY UP OR WHATEVER.

THEY ARE WHO THEY ARE, AND

COLLECTIVELY THEY WORK TOGETHER

EVEN IF IT'S A DISASTERPIECE,

IT'S STILL--

A BEAUTIFUL DISASTER.

WELL, IT IS.

IT'S A COMBINATION OF WHO THEY

ARE TOGETHER COLLECTIVELY AND

WHAT THIS SHOW AND WHAT THE

SOCIAL MEDIA REALM AND WHAT THE

WORLD HAS CREATED.

I DON'T THINK IT'S JUST--

IT'S NOT ABOUT DRUGS.

SO WHAT YOU'RE SAYING IS THAT

FOR TELEVISION LIFE...

THEY'RE A COMBUSTIBLE PAIR.

THEY WERE A SUCCESS,

BUT IN REAL LIFE,

IT'S A TRAGIC--

THAT'S HOW I FEEL.

IT'S A HARMONIOUS, TRAGIC

LOVE STORY.

I CAN SEE YOUR POINT.

WE'VE GOT TO TAKE A BREAK,

BUT WHEN WE GET BACK,

WE'LL GET STEVIE J., JOSELINE,

ALTHEA, AND BENZINO'S

SIDE OF THE STORY.

STAY TUNED.

SIDE OF WHAT STORY?

[laughter]

THEY DIDN'T WANT

THE REUNION TO HAPPEN.

IT STARTED BY BENZINO

TALKING [bleep].

WE SHOULD BE ABLE TO SAY,

LIKE, WHATEVER THE [bleep]

WE WANT TO SAY.

THERE WAS A LOT OF SKELETONS

THAT WAS GONNA

COME OUT THE CLOSET.

WHY YOU DON'T WANT THE CAMERAS

TO GO AHEAD AND FILM?

YOU KNOW WHY?

BECAUSE YOU KNEW YOU WAS

GONNA BE EXPOSED.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* THIS IS THE LIFE

♪ THIS IS THE LIFE

EVERYBODY RAN LIKE BITCHES

YESTERDAY.

I WAS LIKE, "THAT'S REALLY,

REALLY [bleep]."

I COULD NOT BELIEVE IT.

DID YOU COME TO THE REUNION

READY TO FIGHT?

I COME EVERYWHERE

READY TO FIGHT.

I THOUGHT THAT THE RULES

WERE, YOU SIT ON THE COUCH,

SAY WHAT YOU WANT,

BUT NOBODY GETS UP TO FIGHT.

I'M AT MY VERY WIT'S END

WITH ALL THE BULL[bleep]

AND THE SHENANIGANS.

I'M THE MOTHER[bleep]

YOU DON'T WALK OVER.

IT STARTED BY BENZINO

TALKING [bleep].

WE SHOULD BE ABLE TO SAY,

LIKE, WHATEVER THE [bleep]

WE WANT TO SAY.

I KNOW EXACTLY WHY HE DID IT.

BECAUSE THERE WAS A LOT

OF SKELETONS THAT WAS GONNA

COME OUT THE CLOSET.

THEY DIDN'T WANT

THE REUNION TO HAPPEN.

I MEAN, THEY LOOKED A MESS,

AND THEY JUST DIDN'T WANT TO

FACE THE REALITY OF EVERYTHING.

THEY DIDN'T WANT TO

HEAR THE TRUTH.

WHY YOU DON'T WANT THE

CAMERAS TO GO AHEAD AND FILM?

YOU KNOW WHY?

BECAUSE YOU KNEW YOU WAS

GONNA BE EXPOSED.

NEXT TIME ON THE FINALE OF

THE LOVE & HIP-HOP:

ATLANTA REUNION...

YOU'RE VERY FAKE.

FAKE FOR WHAT?

I KNOW YOU PUT THAT TAPE OUT.

YOU'RE A [bleep] FRAUD.

YOU'RE A MISOGYNISTIC [bleep].

YOU DON'T LIKE WOMEN FOR REAL.

WILL YOU TAKE

THE LIE DETECTOR TEST?

YOU CAN'T OWN UP TO ANYTHING.

WOULD I EVER RELEASE A TAPE

FOR MONEY, NO.

WOULD I EVER RELEASE IT

FOR REVENGE?

YES.

all: OOH.

YIKES.

FORGIVE ME IF I LIKE HIS SEX.

EXCUSE ME.

I WAS LOOKING FOR A MAN TO

JUMP ON WHEN I SEEN IT, SO...

[laughter]

I'M JUST SAYING.

STEVIE, COME ON, MAN!

[shouts indistinctly]

THAT'S ALTHEA!

YO, GET OFF ME.

DO YOU HAVE ANY REGRETS

ABOUT THE FIGHT?

ABOUT WHAT FIGHT?

SHE ATTACKED US.

WE DIDN'T GO ATTACK HER.

IF YOU CAN'T TAKE IT,

DON'T DISH IT.

THE FIRST THING THAT CLICKED

IN MY HEAD WAS "PUNCH THAT HO,

'CAUSE SHE DESERVE IT."

I DIDN'T GO AFTER HER MAN.

HER MAN CAME AFTER ME.

I WOULD [bleep] BREAK HER

PRETTY FACE RIGHT NOW.

PLOP!

SHE GONNA GET HIM HURT.

YOU WANT TO SAY NEGATIVE

COMMENTS, [bleep] YOU.

THAT'S VAGINA.

ASK STEVIE IF HE'S [bleep]

CRAZY.

IF THE SECURITY GUARDS WASN'T

THERE, I WOULD HAVE BEAT HIM UP

AND HIS BITCH UP.

SHE'S JUST A NASTY

INDIVIDUAL.

I WOULD BEAT YOUR ASS.

THAT BITCH IS CRAZY.

SHE'S NUTS.

YOU WANT TO SHOW?

I'LL GIVE YOU A SHOW.

MOTHER[bleep]!

AFTER WE CAME OFF STAGE TO GO

IN THE BACK TO GET IN THE

ELEVATOR, NIKKO--

HE WAS WALKING IN THE ELEVATOR

WITHOUT MIMI.

HE LEFT MIMI.

NIKKO RAN OFF.

BITCH ASS NIKKO.

NIKKO DIDN'T DO NOTHING.

HE'S A [bleep] [bleep].

HE RAN OFF.

AND THEN WHEN HE SEEN US COME

BY THE ELEVATOR, 'CAUSE BACK

WHEN WE WAS TO THE ELEVATORS, HE

WAS THERE WITH THE SECURITY

GUARD.

AND ME AND STEVIE WAS RIGHT

THERE BY THE HALLWAY.

THAT DUDE WENT RIGHT IN THE

ELEVATOR SO FAST, 'CAUSE HE WAS

LIKE, "ANYBODY COULD GET IT.

ANYBODY."

HE RAN IN THE ELEVATOR

LIKE A BITCH THAT HE IS.