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PREVIOUSLY ON
LOVE & HIP HOP: ATLANTA.
ARE YOU STILL SEEING HER?
KHADIJAH?
I AM NO LONGER CHEATIN'’
ON YOU.
OKAY.
YOU TOLD ME
YOU WAS GOIN'’ OUT OF TOWN,
BUT NOW YOU WITH A TELETUBBY?
OH, WOW.
COME ON, HOLD UP.
IT IS SO OVER, '’CAUSE I
COULD HAVE ANY MAN I WANT.
I'’M OFFICIALLY MRS. MALPHURS.
WE GOT MARRIED ALREADY.
WHAT?
THAT'’S JUST REAL [bleep]
I WASN'’T VERY EXCITED
WHEN THE NEWS WAS BROKEN TO ME,
BUT I AM SO
HAPPY.
THERE'’S SOMETHIN'’
I WANT TO TALK TO YOU ABOUT.
I'’M GOING TO A FERTILITY
CLINIC.
ALTHEA.
BABY, WHAT'’S THAT?
WILL YOU MARRY ME?
YES.
DID YOU EVER HAVE A TALK
WITH STEVIE
THAT HE KNEW ME?
NO.
BUT YOU KNOW
THAT WE DID IT ONE NIGHT.
I NEVER HAD SEX WITH HER.
I DON'’T WANT TO TALK
ABOUT SMASHING, '’CAUSE I
DIDN'’T SMASH.
OH, YOU DID.
LIFE DOESN'’T STOP
BECAUSE SOMEONE PASSES.
HER DAD JUST DIED.
I FEEL LIKE SHE'’S WEARING
THIS SMILE TO COVER UP A LOT OF
WHAT'’S REALLY HURTING HER.
SO WHAT'’S HURTING HER?
YOU GOT TO KNOW.
YOU.
THE ONLY PERSON
THAT HAS BEEN THERE FOR ME?
NIKKO.
I'’VE BEEN GETTING HIT UP.
I SAW SOMETHING ON MEDIATAKEOUT
ABOUT YOU BEING MARRIED.
IS THERE ANY
TRUTH TO THIS?
YES, THERE IS.
♪ THIS IS THE LIFE
♪ YEAH
♪ THIS IS THE LIFE
♪ '’SUP ♪
♪ THIS IS THE LIFE
♪ HUH
♪ THIS IS THE LIFE
♪ HUH
♪ THERE AIN'’T NOTHING LIKE ♪
♪ HIP-HOP MUSIC
♪ MUSIC
♪ THIS IS THE LIFE
I'’VE BEEN GETTIN'’ HIT UP
LEFT AND RIGHT '’BOUT
SOMETHING ON MEDIATAKEOUT
ABOUT YOU BEING MARRIED.
IS THERE ANY TRUTH?
YES, THERE IS.
IT WAS SOMETHIN'’ THAT I BEEN--
I WAS GONNA TAKE TO MY GRAVE
WITH ME.
YES, I AM MARRIED.
WHEN I SAW THE MEDIATAKEOUT
ARTICLE I THOUGHT,
"THIS CAN'’T POSSIBLY BE
TRUE."
BUT NEVER IN MY WILDEST DREAMS
DID I THINK
HE WOULD JUST SIT HERE,
CALM, AND SAY, "YEAH.
I'’M MARRIED."
I'’M SO EXHAUSTED
THAT I CAN'’T EVEN CUSS
YOU THE [bleep] OUT
LIKE I WANT TO.
I'’M BEIN'’ HONEST WITH YOU.
THAT'’S THE LOVE I GOT FOR YOU.
THAT IS NOT A [bleep] PRIZE
FOR ME.
I'’M SORRY.
I WENT HARD FOR THIS MAN,
EVEN WHEN EVERYONE WAS
ATTACKING HIM, DISCREDITING HIM.
AND THEN HE TURNS
AROUND AND STABS ME IN THE BACK?
I FEEL LIKE A FOOL.
YOU DIDN'’T THINK, AT THE
TIME THAT YOU DECIDED TO BE
IN A RELATIONSHIP WITH ME,
THAT THAT IS SOMETHING
THAT I SHOULD KNOW?
I WANTED TO TELL YOU
WHEN I WANTED TO TELL YOU.
WHICH WAS NEVER.
WHICH WAS--
NEVER.
BUT I DIDN'’T LIE TO YOU.
THE QUESTION WAS NEVER ASKED
UNTIL NOW.
YOU DID, AT SOME POINT,
INTEND ON GETTING A DIVORCE.
ABSOLUTELY.
WHEN?
NOT ONLY IS THIS IDIOT
STILL MARRIED,
BUT HE CAN'’T EVEN TELL ME WHEN
HE'’S PLANNING
ON GETTING A DIVORCE.
I'’M JUST STUNNED AND CONFUSED.
I'’M HAVING A HARD TIME
EVEN BELIEVING THIS CONVERSATION
IS REALLY HAPPENING.
WHAT I DECIDED TO DO
HASN'’T AFFECTED US.
I BEEN WITH YOU.
I HAVEN'’T BEEN WITH HER.
I DON'’T GET IT.
LIKE, YOU WANT ME TO JUST--
I DON'’T KNOW WHAT YOU
WANT ME TO DO.
AND THAT'’S THE POINT.
YOU DON'’T GET IT.
IT'’S MY WHOLE POINT.
SO YOU LEAVIN'’?
YES, I AM.
YOU HAVEN'’T EVEN
FINISHED YOUR WINE YET.
I HAVEN'’T FINISHED
MY WINE.
AND WE HAVEN'’T FINISHED
TALKIN'’.
WHAT ELSE DO YOU HAVE
TO SAY TO ME?
I WANT YOU TO WALK OUT OF
HERE WITH A DIFFERENT ATTITUDE.
HOOK UP.
IT'’S HITTIN'’ ME RIGHT NOW.
I WANT YOU--
IT'’S ME, YOU, AND YOUR WIFE.
I'’M PUBLICLY WITH YOU.
THAT'’S WHAT WE'’RE DOIN'’.
YOU'’RE DIGGING
YOURSELF A [bleep] HOLE.
I WOULD STOP RIGHT NOW.
CAN WE DO DINNER LATER?
IS THIS REALLY [bleep]
HAPPENIN'’ RIGHT NOW?
THIS IS HAPPENIN'’.
WE'’RE DONE TALKING.
[bleep] IN AWE RIGHT NOW.
I MAY BE GRIEVING, BUT I'’M
CLEAR ENOUGH TO KNOW
THAT THIS ENTIRE YEAR OF MY LIFE
HAS BEEN A COMPLETE LIE,
AND THIS MAN HAS DISAPPOINTED ME
FOR THE LAST TIME.
HEY!
I LOVE THAT RHYTHM, BABY.
I LOVE THAT RHYTHM.
THI THI AND I FINALLY
DECIDED ON A DATE
TO GET MARRIED.
SO TONIGHT
I'’M THROWIN'’ A BIG BACHELOR
PARTY.
I MEAN, WE GETTING READY
TO PARTY OUR ASS OFF.
LET'’S CRACK
THE CHAMPAGNE, HEY.
CAN YOU BELIEVE IT?
I'’M OFF THE MARKET.
all: HEY!
I'’LL DRINK TO A HONEY.
IN RECORD TIME.
BUT YOU KNOW WHAT, FELLAS?
YOU CAN BE WITH SOMEBODY
FOR ONE YEAR AND
SAY, "YOU KNOW WHAT?
THIS IS RIGHT.
IT'’S EVERYTHING
I WANT IN A WOMAN FOR
THE REST OF MY LIFE."
YOU HAPPY.
I MEAN,
THAT'’S WHAT IT'’S ABOUT.
IT REALLY AIN'’T
ABOUT THE GOOD TIMES.
IF YOU CAN MAKE IT
THROUGH THE BAD TIMES,
YOU GOOD.
I SAY THE BAD TIMES
BUILD YOUR RELATIONSHIP,
'’CAUSE IT'’S GONNA BE YOUR
STRENGTH.
FIRST OF ALL, YOU CAN'’T SAY
TOO MUCH OF ANYTHING RIGHT NOW.
LET ME TELL YOU
ABOUT A SORRY PUP.
WAIT, WAIT, TOASTER
GETTIN'’ OUT THE DOGHOUSE.
THAT'’S WHAT THAT IS.
HOLD ON.
HE GOT THIS BIG "I'’M
SORRY" BANNER ON THE FRONT YARD.
WHAT?
HE GETS UP AND SAYS,
"SORRY," I'’M SITTING THERE.
I'’M EATIN'’ THE BEANS AND
IT'’S LIKE, "OH, ZINO,
YOU GOT TO SAY SORRY, TOO."
WHAT DID YOU DO?
WHAT AM I SAYING SORRY FOR?
'’CAUSE I WENT TO THE CABIN
WITH ZINO TO FISH.
YEAH,
YOU WAS FISHIN'’ TWO BIG ASSES.
RASHEEDA AND I
HAVE PUT THE CABIN BEHIND US,
AND AS A MAN BEING MARRIED
FOR 14 YEARS,
I'’M WISHIN Z AND THI GOOD LUCK.
DID Y'’ALL SIGN THE PRE-NUP?
I DON'’T NEED A PRE-NUP
WITH THI.
THE MOMENT
YOU SIGN A PRE-NUP, YOU
PUTTIN'’ ALL KIND OF VOODOO
ON YOUR MARRIAGE.
OKAY.
'’CAUSE YOU'’RE ALREADY SAYIN'’
SOMETHING'’S GONNA HAPPEN.
TOAST TO NO PRE-NUP.
TOAST TO VOODOO.
AND A HAPPY MARRIAGE.
HAPPY MARRIAGE.
TOAST TO HAPPY MARRIAGE.
HERE WE GO.
THE WHOLE THING
ABOUT A MARRIAGE IS THAT YOU
PLAN ON BEIN'’ TOGETHER
FOREVER.
A PRE-NUP KIND OF STATES
THAT IT MIGHT NOT LAST.
AND I KNOW WE GON'’
BE TOGETHER FOREVER.
KISS HER.
Y'’ALL DON'’T--
Y'’ALL NOT THINKING.
THIS IS WHAT I THOUGHT
A BACHELOR PARTY SHOULD BE.
THIS IS ALL IT'’S ABOUT.
DOUBLE THE FUN.
WELL, THAT'’S A TATTOO
OF MY FIANCEE.
THAT'’S MY BABY.
BABY, I LOVE YOU.
LADIES AND GENTLEMEN,
I WANT TO MAKE AN
ANNOUNCEMENT.
AT MY WEDDING, STEVIE J.
AKA SLEAZO IS GONNA BE MY BEST
MAN.
HEY, SHOTS FOR ALL MY GUYS.
KKK, TURN THE MUSIC UP, BAKE IT.
IT FEELS GOOD TO KNOW
THAT MY MAN HAS FINALLY
FOUND SOMEBODY THAT HE
CAN SETTLE DOWN
WITH AND CALL HIS OWN.
LET'’S THROW SOME RICE.
CONGRATULATIONS, BRO.
OH, SLEAZE.
GOT LOVE.
YOU'’LL BE THE BEST MAN,
RIGHT?
BE THERE. LISTEN.
WE GOIN'’ TO L.A.
I'’M BACK ON MY MUSIC LINE WITH
SNOOP.
WHOO.
HE KNOWS THAT I MAKE CLASSICS
WITH BIG--
BIG WOULD BE [bleep]
PROUD OF YOU RIGHT NOW.
IT'’S ABOUT TIME TO SHOW THE
WORLD WHO THE [bleep] YOU ARE,
SLEAZO.
I CAN'’T WAIT.
COME ON, STEVIE J.
I'’M GOING THERE TO SUPPORT
SLEAZO, DOING HIS NEW SONG
WITH SNOOP, AND YOU KNOW,
I'’M A BIG FAN OF SNOOP, SO.
TRUST ME, IT'’S A GREAT
SITUATION FOR HIS CAREER.
IT'’S [bleep] CRACK.
LOVE YOU, [bleep].
LOVE YOU TOO.
[bleep] LET'’S TURN IT UP, HEY.
WHAT YOU DOIN'’ STILL ASLEEP?
MY HEAD IS KILLIN'’ ME.
THAT AIN'’T MY PROBLEM.
AFTER A NIGHT
OF HAVIN'’ MAD DRINKS AND SHOUT
WITH THE BOYS, THE LAST THING
ANY MAN NEED IS TO BE WOKEN UP
BY THE PUERTO RICAN ALARM CLOCK.
THEY HAD
A BACHELOR PARTY FOR Z.
IT WAS CRAZY?
DID YOU [bleep] THEA WHILE
YOU WAS IN THE BACHELOR'’S PARTY?
IT WAS ONLY US GUYS.
WASN'’T SHE--
SHE WASN'’T ONE OF THE--
SHE WASN'’T ONE OF THE STRIPPERS?
IT WAS ME--
SHE WASN'’T ONE
OF THE POLE TWERKERS.
DID YOU [bleep] THE BITCH
BEFORE SHE
GOT MARRIED TO YOUR BESTIE?
NOW, THIS IS ONE COMPLICATION
I DIDN'’T CONSIDER
WHEN ZINO ASKED ME TO BE
HIS BEST MAN.
SEE, JOSELINE STILL
THINKS I SMASHED SHORTY,
AND SHE GETS MADDER
AND MADDER EVERY TIME
SHE HEARS THAT NAME.
JOSELINE BE THE ONE TO STAND UP
WHEN THE MINISTER ASKS, "DOES
ANYBODY HAVE ANY OBJECTIONS?"
SO, BENZINO ASKED YOU TO BE
IN HIS WEDDING WITH THE BITCH
THAT HE'’S
GONNA MARRY, THAT YOU [bleep].
WHAT YOU TALKIN'’ '’BOUT?
BENZINO KNOWS
ALL ABOUT HIS SMASHIN'’,
BUT HE WANTS STEVIE IN THE
WEDDING, TOO.
YOU DUMB [bleep].
YOU LOOKIN'’ REAL [bleep] STUPID.
THAT'’S
WHY YOU SLEEP IN THE DOGHOUSE.
THAT'’S WHY WE AIN'’T
SLEPT TOGETHER IN HOW
LONG?
I HAVE DEFINITELY
BEEN IN THE DOGHOUSE
LONGER THAN I EXPECTED.
AND I
SUSPECT THIS NEWS ABOUT ME GOIN'’
TO L.A. IS GONNA
HAVE ME IN THE DOGHOUSE A
L'’IL BIT LONGER.
I GOT TO TALK TO YOU.
I GOT TO GO OUT OF TOWN.
I GOT TO GO TO L.A.
TO HANDLE SOME BIDNESS.
I GOT TO GET IN THE STUDIO.
WHY YOU GOT TO GO TO L.A.
TO GET IN THE STUIDO?
BECAUSE.
YOU DO WORK FROM HOME.
I'’M GETTIN'’ IN THE STUIDO--
I'’M GETTIN'’ IN STUDIO
WITH MY UNCLE.
WHO THE HELL IS YOUR UNCLE?
SNOOP D-O-DOUBLE-G.
ARE YOU GOIN'’?
I'’M GLAD THAT YOU'’RE GOIN'’
TO DO SOMETHIN'’ PRODUCTIVE, AND
I LOVE SNOOP DOGG,
SO TELL HIM--HEY, WAIT A MINUTE.
WAIT UP, WHY I CAN'’T GO?
'’CAUSE Y'’ALL
COULD PUT ME ON THE REMIX.
I'’LL TAKE YOU NEXT TIME.
OH, OKAY.
WELL, TAKE ME THE NEXT TIME, BUT
AIN'’T NO TELLIN'’ WHAT I'’M GONNA
DO THIS TIME.
SO ONCE I GIVE YOU A CALL THAT
WEEKEND, I'’M GON'’ SEE WHO YOU
WITH.
'’CAUSE TRUST ME,
MY EYES IS REAL CLOSE TO YOU.
I DON'’T KNOW.
I THINK I ASKED ZINO
TO GO, IF I REMEMBER.
YOU ASKED BENZINO TO GO?
YOU WON'’T LET ME GO TO L.A.,
BUT YOU GOIN'’ TO
L.A. WITH GRANDPAPA?
I'’M GLAD THAT'’S WHAT YOU
WANT TO DO, '’CAUSE BELIEVE YOU
ME, BEFORE YOU GOIN'’ OUT OF TOWN
A BITCH
IS GONNA BE OUT THIS HOUSE, BYE.
BYE, MAKE SURE YOU DON'’T TAKE
NONE OF MY THINGS.
YOU'’RE FULL OF [bleep].
♪ DON'’T COME LOOKIN ♪
♪ FOR LOVE
BUT AFTER JOC TRY TO PLAY ME,
NOT ONLY DID I BUY THE SONG
BUT I TOOK YOU
OFF.
YOU KNOW WHAT, JOC?
I'’M GON'’ LEAVE YOUR CAREER
WHERE I FOUND IT, IN THE TRASH.
DO YOU THINK
HE LEAKED THE TAPE?
LIKE, I DON'’T REALLY BELIEVE
THAT HE WOULD [bleep] DO THAT.
WHAT?
GIRL, BELIEVE IT.
HE LEAKED THE TAPE.
THE CHICK HE MARRYING,
I KNOW THE BROAD.
LIKE, KNOW HER?
I DID AT ZINO CRIB.
OH, MY GOD.
THAT'’S RIGHT.
I'’M A SUCKER
FOR LOVE, BUT MOREOVER,
A SUCKER FOR PEACE IN MY
LIFE.
PUERTO RICAN PRINCESS
HAD THIS BEE
IN HER BONNET
ABOUT COMIN'’ TO L.A. TO
MEET SNOOP,
SO WHO BETTER TO MAKE HER HAPPY
THAN THE GOOD GUY?
♪ HOLLYWOOD
♪GONNA BE A STAR ♪
♪UP IN HOLLYWOOD ♪
♪ NEED TO HAVE A STAR
♪DOWN ON HOLLYWOOD ♪
SURPRISE.
GUESS WHO'’S IN L.A.?
YEAH, ME, WHAT'’S Y'’ALL THOUGHT?
I WAS
MAD AT THIS [bleep].
I TOLD MY HUSBAND
IT WAS EITHER GONNA BE ME OR
GRANDPAPA.
YOU PICK.
♪ I KNOW WHY'’RE ON THAT ♪
SO HE WENT WITH THE SMART
WAY AND HE CHOSE TO TAKE ME
BECAUSE HE KNOWS I
WOULDN'’T BE HERE FOR HIM TO PAY.
I LOVE L.A.
I WANT TO LIVE HERE.
YOU WANT TO WHAT?
I WANT TO LIVE HERE.
CHANGE IS ALWAYS GOOD,
BUT I DON'’T KNOW ABOUT LIVIN'’
HERE.
FOR NOW, IT'’S
ABOUT MAKIN'’ MOVES
AND CONNECTIN'’
WITH ALL THE POWER PLAYERS
IN THE
INDUSTRY, LIKE THE SNOOP
D-O-DOUBLE-G.
WHO BETTER THAN THAT?
STEVIE J.
MY FAVORITE.
WHAT'’S UP WITH YOU?
HOW YOU BEEN?
GOOD.
HEY, SNOOP, NICE TO MEET YOU.
HI, BEAUTIFUL.
HOW YOU BEEN?
WHAT'’S UP, MISS LOVELY,
BEAUTIFUL, HERNANDEZ-JORDAN?
THANK YOU.
YOU KNOW, MAN, I GOT
TO GET YOU ON THE AIR, MAN.
I'’D LOVE TO.
WELL, COME ON.
LET'’S GO GET IT, THEN.
I'’M STILL A FAN.
COME ON.
OOH, YOU GOT SOME SEXY GIRLS
IN HERE.
COME ON, THEY'’RE THE WEATHER
GIRLS, YOU KNOW?
I GOT WEATHER GIRLS ON MY
SHOW.
SNOOP AND I LAYIN'’
DOWN THIS TRACK TOMORROW,
BUT TODAY HE'’S GIVIN'’ US AN
INTERVIEW AT HIS OWN PODCAST.
CAN WE MAKE ONE
OF THE WEATHER GIRLS
WALK BY HERE RIGHT NOW?
THIS IS
THE GGN NEWS NETWORK, BABY.
THIS IS MY SHOW.
OKAY.
I LOVE IT. I LOVE IT.
THANKS FOR HAVING US.
COME ON, STEVIE J.
YOU KNOW YOU WELCOME ANY TIME,
LOVE ONE.
WHAT MADE YOU DECIDE TO GET BACK
IN THE LAB AND RECORD?
WELL, I NEVER GOT OUT OF IT,
YOU KNOW WHAT I'’M SAYIN'’,
BUT AT THE END OF THE
DAY I HAD TO DO WHAT I
HAD TO DO IN ORDER
TO MAKE MYSELF RELEVANT AGAIN.
SNOOP IS A PRETTY COOL GUY,
YOU KNOW.
HE'’S BEEN IN THE GAME
FOR, LIKE, I MEAN, 40 YEARS?
SO I'’M EXCITED.
NOW YOU, I WANT TO ASK YOU,
'’CAUSE A LOT OF FEMALES LOVE YOU
AND LOVE HOW YOU GET IN.
HOW DOES IT FEEL NOW
YOU A ROLE MODEL?
AND I KNOW
THAT AIN'’T WHAT YOU DID IT FOR,
BUT THAT'’S WHAT YOU ARE, NOW.
THAT'’S CRAZY.
TO HAVE THE DOGGFATHER SAY
GREAT THINGS ABOUT THE PUERTO
RICAN PRINCESS FEELS AMAZING.
FOR A PERSON LIKE HIM
TO BELIEVE IN ME IT JUST
MEAN A LOT.
THAT WAS A AWESOME
EXPERIENCE, MAN.
YES, SIR, IN A REAL WAY.
SO TOMORROW WE
IN THE LAB, MAN.
YEAH.
KNOW WHAT I'’M SAYIN'’?
I CAN'’T WAIT, MAN.
PUT THE THING DOWN, RIGHT?
PUT THE THING DOWN.
COME ON, MAN..
THE JOINT THAT ME
AND SNOOP DID IS BANANAS,
AND THIS IS A RETURN TO
GREATNESS.
YOU KNOW, I BEEN WAITIN'’
FOR THIS FOR A LONG TIME.
TOMORROW IS
GONNA BE A BIG DAY.
THANKS.
THANK YOU FOR HAVIN'’ US.
[singing Spanish]
♪
THAT SONG IS WHACK.
I'’M ON MY WAY TO L.A.
I GOT THE BAGS PACKED, AND ALL
THE SUDDEN I GET THIS TEXT
SAYIN'’, "YO, BRO, I DON'’T THINK
IT'’D BE A GOOD IDEA FOR
YOU TO COME TO L.A."
FIRST THING COMES TO MY MIND
IS JOSELINE HERNANDEZ.
WHAT ARE YOU DOIN'’?
WHAT ARE YOU SINGIN'’?
I DON'’T KNOW, EITHER,
TRUST ME, BABY, GUESS WHAT.
HUH?
I'’M NOT GOIN'’ TO L.A.
WHY YOU NOT GOIN'’?
YOU ALREADY KNOW WHAT IT IS.
JOSELINE HERNANDEZ.
I DON'’T KNOW
WHY SHE BE ACTIN'’ LIKE THAT.
'’CAUSE SHE'’S [bleep] CRAZY,
MAN.
LIKE, I'’M GETTIN'’ TIRED
OF THIS [bleep].
YOU HEARD THE NEW SONG?
THAT'’S THE SONG I WAS SINGIN'’.
[singing]
I DON'’T KNOW WHAT THE [bleep].
EVEN MY FATHER,
MY FATHER'’S PUERTO RICAN.
HE'’S LIKE, "I DON'’T KNOW WHAT
THE [bleep] SHE'’S SAYIN'’."
YEAH, LIKE,
WHAT LANGUAGE IS SHE SPEAKIN'’?
SHE CAN'’T EVEN CRY
IN ENGLISH.
MY THING IS,
HE'’S FOCUSING ALL ON HER MUSIC,
AND TO BE HONEST WIT'’ YOU,
WE TALKIN'’
ABOUT A GRAMMY-AWARD-WINNING
PRODUCER, LIKE,
HIS REPUTATION IS BEIN'’ SCARRED
BECAUSE HE THINKS THAT SHE'’S A
STAR.
FOR REAL, I'’M NOT GONNA
KEEP GOIN'’ BACK AND FORTH
WITH STEVIE OVER JOSELINE.
IT'’S GETTIN'’ TOO MUCH.
I DIDN'’T WANT TO, LIKE,
SAY ANYTHING UNTIL YOU GOT BACK,
BUT JOSELINE BE
TAKIN'’ SHOTS AT ME ON INSTAGRAM.
WHEN?
LIKE, COUPLE DAYS AGO.
I THINK JOSELINE REALLY
DOES HATE ALTHEA
BECAUSE EVERYTHING THAT JOSELINE
WANTS TO BE, ALTHEA IS.
TALENTED, BEAUTIFUL, STRONG.
WHAT SHE SAY?
LOOK AT ALL OF THIS.
SHE JUST BE SAYIN--
WHAT?
SHE WAS LIKE,
"NOW I GOT TO BEAT YOUR ASS,"
AND ALL OF THAT.
BEAT--BEAT--BEAT YOUR ASS?
RIGHT, ALL OF THIS STUFF.
SO YEAH, SHE'’S LIKE CYBER--
TRYIN'’ TO CYBERBULLY ME,
LIKE, YOU SEEN HER ALL THE TIME
OUT IN PUBLIC, PLEASE.
ALL I KNOW IS THAT SHE
AIN'’T PUTTIN'’ HER HANDS ON YOU.
I'’M SO SICK OF ALL THAT, BAE.
NO, FORGET ABOUT IT.
LET'’S GO SWIMMIN'’.
LET ME PUT MY BATHING SUIT
ON.
PUT THAT BRAZILIAN ONE ON.
I'’LL BE BACK IN A SECOND.
NICE.
INSTAGRAM REALLY ISN'’T THE PLACE
TO TAKE OUT
YOUR FRUSTRATIONS AND
EVERYTHING FOR THE WORLD TO SEE.
BUT HEY,
SOMETIMES, YOU KNOW WHAT I'’M
SAYING, YOU GOT TO DO
WHAT YOU GOT TO DO.
I MEAN, WHAT ABOUT
THE PRODUCTION OF THAT TAPE,
THOUGH?
IT WASN'’T A HOMEMADE TAPE.
THE INITIAL TAPE
WAS HOMEMADE.
THE INITIAL TAPE?
THE INITIAL TAPE.
OH, WAIT.
SO WAKA AND I JUST
DROPPED CHARLIE TO THE AIRPORT.
SHE SPENDS THE
SUMMERS WITH HER DAD,
AND IT'’S HARD FOR US.
WE MISS HER, ESPECIALLY WAKA.
HE MISSES HER MORE THAN ME.
IT'’S SUPER CUTE.
I MISS CHARLIE.
CHARLIE NEED TO COME BACK.
I LOVE HER.
EVERY YEAR THIS COMES AROUND,
SUMMERTIME.
WE HAVE TO DROP HER OFF.
WE GO THROUGH THE SAME THING.
I'’M READY TO GO RIGHT BACK
IN THE AIRPORT AND GET HER.
YOU KNOW, THE HOUSE
IS GONNA FEEL EMPTY AND LONELY
NOW THAT SHE'’S GONE,
BUT WHEN WE HAVE ANOTHER BABY,
WE'’LL HAVE, YOU KNOW,
A LITTLE VOID TO FILL.
AND WHEN CHARLIE COMES BACK
SHE CAN HELP US WITH THE BABY.
GIVE HER SOMEBODY
TO PLAY WITH.
SPEAKING OF THAT, THINK I'’M
GONNA GO TO A FERTILITY CLINIC.
YOU FERTILE.
I KNOW THAT THING FOR REAL.
YOU DON'’T KNOW THAT
UNLESS I'’M HAVING A BABY.
IT WAS, WHAT, NINE YEARS
AGO.
IT'’S BEEN A WHILE SINCE I
BEEN PREGNANT WITH CHARLIE,
SO I JUST WANT TO MAKE SURE
EVERYTHING IS OKAY.
PLUS, DEB KEEPS TALKIN'’
ABOUT TWINS, AND I
DEFINITELY COULD USE SOME HELP
WITH THAT.
YOU MIGHT WANT
TO GET CHECKED TOO, BABY.
YOUR BOY'’S NOT DOIN'’ THAT.
I'’M SORRY, BABY.
YOU DON'’T KNOW.
[bleep] IS NOT TOUCHIN'’
MY [bleep], YOU KNOW.
IT'’S NOT YOUR [bleep],
IT'’S YOUR SPERM.
THEY NOT TOUCHIN'’
THAT WITH NO TOOLS, OR NO--
NO, YOU EJACULATE IN A CUP.
I'’LL HELP YOU DO IT.
IT'’S UNCOMFORTABLE.
I CAN MAKE
THE DOCTOR'’S OFFICE WORK.
I CAN BORROW, LIKE,
A DOCTOR'’S SMOCK,
OR GO
GET A LITTLE DOCTOR UNIFORM,
AND WE CAN JUST SLIDE
INTO THE NEXT ROOM.
WE CAN MAKE THIS FUN,
I MEAN WE MARRIED.
THAT'’S WHAT MARRIED COUPLES DO,
RIGHT?
THEY--THEY HAVE, YOU KNOW, FUN.
TALK ABOUT HOW UGLY MY BABY
IS WITH A NAPPY HEAD.
I CAN'’T--
NO, MY BABY'’S GON'’ BE PRETTY.
I DON'’T KNOW ABOUT YOUR END,
'’BOUT YOUR GENES,
BUT OVER HERE WE
PRODUCE NOTHIN'’ BUT GOOD GENES.
♪ I KNOW YOU WORK HARD
♪ GET YOUR HANDS DIRTY
♪ YOU BE PLAYING
♪ IN THEM STREETS, BUT
♪ DADDY ISN'’T WORTH IT ♪
LISTEN TO YOU.
[imitates singing]
SO MISS KARLIE REDD HAS BEEN
BLOWIN'’ UP MY PHONE, CALLIN'’
ME, ASKING ME WOULD ME
AND KALENNA COME DOWN
TO THE STUDIO, '’CAUSE SHE
HAS SOME BUSINESS DECISION
SHE NEED TO MAKE.
LORD ONLY KNOWS WHAT KARLIE
REDD GOT GOIN'’ ON.
ANYWAY, WHAT THE HELL IS UP?
GIRL,
WHEN JOC AND I WAS ALL GOOD,
WE DID A SONG TOGETHER,
AND HE FEELS
LIKE IT'’S A HIT.
HE TOOK IT TO THE LABEL
AND EVERYTHING.
BUT AFTER HE TRY TO PLAY
ME, A SISTA WENT AND GOT SMART.
HON, T, I BOUGHT THE SONG
FROM THE PRODUCER.
HERE'’S MY CONTRACT.
NOW THE SONG BELONGS TO ME.
NOW THAT WAS
A BOLD-ASS MOVE.
NOW I AIN'’T TRYING
TO KNOCK KARLIE HUSTLE
OR NOTHIN'’, BUT I JUST WANTED
TO KNOW WHAT SHE DOIN'’
WHAT'’S BEST FOR BUSINESS
AND AIN'’T OVER HERE
ON SOME OLD EMOTIONAL SCORNED
FEMALE TYPE [bleep].
NOT ONLY DID I BUY THE SONG,
BUT I TOOK YOU OFF.
YOU'’RE OFF THE SONG.
SO I
PUT YOUNG DRO IN THE SONG.
ARE YOU MAKING A DECISION
BASED ON PERSONAL?
OR IS IT CLEARLY BUSINESS?
AND KEEP IN MIND, HONEY.
AS YOU CAN HEAR,
IT'’S CLEARLY BUSINESS.
NO, BUT YOUR AMMUNITION
FROM THE RIP,
IT'’S ON SOME PERSONAL [bleep],
CORRECT?
YES, ABSOLUTELY.
DO NOT [bleep] WITH ME.
LISTEN TO YOU.
JOC SHOULD KNOW BETTER
THAN TO MESS WITH KARLIE REDD.
I'’M FUN, I'’M
FREAKY, AND I TURN UP.
BUT WHEN IT COME
TO THE BUSINESS?
YOU DON'’T WANT TO
MESS WITH ME.
OKAY, I FEEL YOU,
AND YOU--AND YOUR FEELINGS,
LIKE IT'’S NO TOMORROW.
IN THIS INDUSTRY,
IT'’S BUILT OFF RELATIONSHIPS,
AND PEOPLE WATCH HOW YOU
MOVE.
IT'’S BUILT OFF LOYALTY,
YOU KNOW WHAT I'’M SAYIN'’?
RIGHT, BUT HE
WASN'’T LOYAL TO ME AT ALL.
BUT THAT'’S
ON SOME PERSONAL [bleep].
NO, NO, IT'’S NOT PERSONAL.
SWEETHEART, IT'’S NOT PERSONAL.
WHY NOT?
BECAUSE I'’M GONNA
TELL YOU WHY.
AFTER WE BROKE UP,
I DIDN'’T HEAR NOTHIN'’
ABOUT THE RECORD.
I HAD HIS OWN LAWYER SEND IT
IN WRITIN'’, LIKE, LOOK, IF YOU
AIN'’T GONNA DO NOTHIN'’ WITH
THE RECORD, WE NEED TO KNOW.
AND THERE WAS NO RESPONSE.
NO RESPONSE.
OKAY, WELL,
BUSINESS IS BUSINESS.
YOU DONE, THEN.
WHAT WE TALKIN'’ ABOUT?
I HOPE KARLIE'’S TELLIN'’
THE TRUTH ABOUT WHAT SHE DID
AND HOW SHE DID IT.
THE MUSIC INDUSTRY IS
UNFORGIVING.
IF SHE PULLS A STUNT
LIKE THIS ON JOC, THIS SINGLE
MIGHT BE THE ONLY THING
SHE EVER RELEASES.
SO WHEN YOU TOLD JOC YOU WAS
TAKIN'’ HIM OFF THE RECORD,
WHAT DID HE SAY?
HE DOESN'’T KNOW.
WHAT?
HE HASN'’T RETURNED
A CALL, A TEXT,
HIS OWN LAWYER'’S CALLS,
BUT HE SHALL SOON
FIND OUT.
I'’M GONNA COVER MY TRACKS AGAIN
AND INVITE HIM
TO THE VIDEO SHOOT.
THAT'’S [bleep] PERFECT.
WHEN YOU DOIN'’ THE VIDEO?
I'’M DOIN'’ THAT, LIKE, ASAP.
IT IS ALL ABOUT THE BUSINESS.
[bleep], YOU WASTIN'’
VALUABLE STUDIO TIME.
[hip-hop music playing]
HI, BOO.
HEY, BOO.
HI, BOOS.
HEY, HOW ARE YOU?
I'’M DEALING.
THERE'’S NO POINT IN ME TRYING
TO KEEP NIKKO'’S MARRIAGE A
SECRET.
IT'’S ALL OVER THE INTERNET.
SO I'’M GONNA
TELL ARIANE AND ERICA
EVERYTHING BEFORE THEY
GET A CHANCE TO ASK ME.
THIS IS GONNA BE HARD FOR ME,
BECAUSE THESE TWO HAVE HATED
NIKKO SINCE THE BEGINNING.
OKAY, FIRST THINGS
FIRST.
I DON'’T WANT ANY
"I TOLD YOU SO"S.
I CAN'’T MAKE PROMISES
LIKE THAT, BUT GO AHEAD.
ARIANE.
JUST SAY YOU'’LL TRY.
I'’LL TRY.
OKAY.
LET ME JUST GIVE IT TO YOU
STRAIGHT.
OKAY.
SO MY BOYFRIEND
IS MARRIED.
NO.
HOW LONG?
SINCE '’07.
HE'’S THE GREATEST MANIPULATOR
WALKING.
I PICKED UP
ON HIS BULL[bleep] THE
MOMENT I FIRST MET HIM.
ALL HE'’S CONTINUOUSLY
DONE IS PROVEN HIMSELF TO BE
THE SCUMBAG PARASITE
THAT I'’VE ALWAYS THOUGHT HE WAS.
HE SAYS THAT HE'’S WITH ME,
AND HE WASN'’T GONNA
SAY ANYTHING '’CAUSE HE
WAS GONNA GET A DIVORCE.
AND YOU BELIEVE HIM?
I'’M TELLIN'’ YOU
WHAT CAME OUT OF HIS MOUTH.
OKAY.
WHEN DID YOU FIND OUT?
HOW?
IT WAS ON SOCIAL MEDIA.
WHEN YOU FOUND OUT
VIA SOCIAL MEDIA--
I CONFRONTED HIM.
HE WAS VERY NONCHALANT ABOUT IT.
LIKE IT WAS NOTHING.
LIKE, YEAH.
OKAY, I'’M MARRIED, BASICALLY.
SO WHAT?
GET OVER IT.
LIKE, WHAT'’S THE BIG DEAL?
AS MUCH AS I BLAME MIMI
FOR THE CHOICES
SHE'’S MADE IN HER LIFE, HOW WAS
SHE SUPPOSED TO KNOW
THAT HER BOYFRIEND WAS MARRIED?
THAT'’S JUST CRAZY.
MIMI HAS BEEN GOING
THROUGH ISSUE ON TOP OF ISSUE.
AND IT REALLY SEEMS LIKE
NIKKO WAS THE BEGINNING
OF HER DOWNFALL.
I MEAN, SO MUCH STUFF HAS BEEN
SURFACED AND LEAKED, I MEAN.
AND IT ALL INVOLVES HIM.
WHAT BOTHERS ME
THE MOST ABOUT THIS IS
I WAS DEFENDING HIM.
I DEFENDED HIM TO YOU GUYS
OVER AND OVER AND OVER AGAIN.
I FEEL DISRESPECTED.
I FEEL PLAYED.
THIS TAPE?
PURPOSELY DONE.
DO YOU THINK
HE LEAKED THE TAPE?
LIKE, I DON'’T WANT TO BELIEVE
THAT HE WOULD [bleep] DO THAT.
WHAT?
GIRL, BELIEVE IT.
'’CAUSE IF HE WAS MARRIED,
AND HE DONE STRUNG YOU ALONG
LIKE A LIL PUPPY
THIS WHOLE TIME?
HE LEAKED THE TAPE.
IF MIMI IS EVER GOING
TO UNDERSTAND WHO SHE'’S DEALING
WITH, THE TIME IS
RIGHT NOW.
HE'’S MARRIED.
HE LEAKED THE TAPE.
HE USED YOU, PERIOD.
MIMI, WHAT ABOUT THE PRODUCTION
OF THAT TAPE, THOUGH?
'’CAUSE THAT WAS JUST NOT NO
[bleep] TAPE.
IT WASN'’T A HOMEMADE TAPE.
THE INITIAL TAPE
WAS HOMEMADE.
THE INITIAL TAPE.
OH MY--
YOU'’VE HAD MULTIPLE TAPES.
YES.
OH.
BOOM. AND THERE IT IS.
THERE WE GO.
FOR MONTHS,
MIMI HAS BEEN DOWN OUR THROATS,
ADAMANTLY SAYING SHE HAD
NOTHING TO DO WITH THE SEX TAPE.
AND NOW THERE'’S A NEW STORY?
THE COMPANY SAID,
"WE DON'’T HAVE ENOUGH FOOTAGE."
BECAUSE IT HAS TO BE
A CERTAIN AMOUNT
OF FOOTAGE TO SELL.
SO YOU GUYS WENT BACK
AND DID ADDITIONAL FOOTAGE.
CORRECT.
SO WHY WE DIDN'’T GET
ALL THIS FROM THE BEGINNING?
'’CAUSE I DIDN'’T FEEL
LIKE I NEEDED TO DIVULGE ALL
THAT FROM THE BEGINNIN'’.
WOW, THAT'’S A LIE.
MIMI HAS BEEN FLAT-OUT LYIN'’
TO US SINCE DAY ONE.
MAKES ME WONDER WHAT ELSE HAVE
YOU BEEN LYIN'’ TO US ABOUT?
HE AND HIS WIFE,
THEY'’RE IN CAHOOTS
BEHIND ALL OF THIS.
I'’M SORRY.
I HAVE--
I HAVE TO AGREE WITH YOU.
THIS IS A WHOLE SET UP.
THIS IS A WHOLE--
A PLAYIN'’.
AND WHAT EATS ME UP IS YOU COULD
HAVE GOT ANY RANDOM-ASS HO OUT
HERE.
IT'’S SO MANY THIRSTY HOS.
BUT YOU GOT A MOTHER.
WHICH MEANS HE NEVER CARED
ABOUT YOU OR EVA.
AND THAT [bleep]
IS NOT HELPING ME, PERIOD.
AIN'’T NOBODY HELPING ME BUT
ME.
OKAY.
SO WE GON'’ CONTINUE TO [bleep].
I MADE THE DECISION I MADE, AND
THAT'’S WHAT THE [bleep] IT IS.
PERIOD.
MY BACK WAS AGAINST THE WALL,
AND I HAD
TO MAKE A CHOICE.
GOT THAT.
DO YOU?
I HAVE THAT.
LET'’S BE CLEAR, '’CAUSE YOU
GOT ME [bleep]ED UP RIGHT NOW.
NO, I DON'’T.
YEAH, YOU DO.
STOP.
UNTIL YOU ARE IN MY SHOES,
YOU CAN NOT SAY [bleep] TO ME.
OKAY.
I'’M READY TO GO, OKAY?
I HAD ENOUGH.
ARIANE AND ERICA
KNOW EXACTLY WHAT
I'’VE BEEN THROUGH
THESE PAST COUPLE OF WEEKS,
AND FOR THEM TO SIT HERE AND
JUST JUDGE ME SOME MORE?
IT'’S JUST TOO MUCH FOR ME,
AND I DON'’T HAVE TO LISTEN
TO IT.
THE MAIN THING NOW IS WE GOT
TO LOOK AT YOUR HUSBAND.
WE HAVE TO BASICALLY SEE
IF MY HUSBAND IS NOT POLLUTED.
I HURT JOSELINE SO MUCH.
I JUST DON'’T WANT
TO HURT HER NO MORE.
♪A HARD BAIT ♪
♪UNDER THE MOONLIGHT ♪
♪ A COOL TOUCH
♪ BREAKING THE SILENCE
♪ AS THE STARS ALIGN
♪ WE CAN WATCH THE SPARKS FLY
♪ TWO BODIES BREATHE
♪ AND MOVE AT THE SAME TIME
THE DOCTOR'’S OFFICE,
THE NEEDLES, THE TESTS,
IT'’S ALL NERVE-WRACKING,
BUT IT'’S NECESSARY.
I KNOW I CAN GET PREGNANT.
I MEAN, I HAVE CHARLIE.
BUT THE FACT IS,
WE'’VE BEEN TRYING, AND I
HAVEN'’T GOTTEN PREGNANT YET.
SO I NEED TO MAKE SURE
THAT EVERYTHING
IS OKAY WITH BOTH ME AND WAKA.
WE'’VE GOT SOME OF YOUR TESTS
BACK.
THEY LOOK FINE.
THERE'’S NO EVIDENCE
OF POLLUTION OR INFECTION
OR PROBLEMS THAT, UH...
THANK YOU.
YOU HAPPY?
I'’M NOT POLLUTED.
THAT MIGHT GET IN THE WAY.
BUT THE MAIN THING NOW IS WE GOT
TO LOOK AT YOUR HUSBAND.
WE HAVE TO BASICALLY SEE
IF MY HUSBAND IS NOT POLLUTED.
YEAH, WE'’VE GOT TO TALK
ABOUT, YOU KNOW,
DRUGS, ALCOHOL, WHAT YOUR SEX
LIFE IS LIKE.
OKAY.
AND, I DON'’T KNOW.
THAT'’S SOME PRETTY
PERSONAL STUFF HERE.
YEAH, SO DEB,
DO YOU MIND?
ALL RIGHT,
SO JUST ADD MY OWN QUESTION,
THEN I CAN LEAVE.
OKAY.
IS THERE ANY WAY
THAT YOU COULD PLANT THREE
IN THERE AT ONE TIME?
NO.
DEB HAS LOST HER MIND.
SHE CAN HAVE THREE KIDS
IF SHE WANTS TO.
I MEAN, WE WAS PUSHIN'’ IT WITH
TWO, BUT THREE?
NO.
I WAS VERY FERTILE,
SO I DON'’T THINK
MY SON'’S GONNA BE ANY PROBLEM.
MOST OF MY CONCERN
WITH MY HUSBAND
IS THAT, COUPLE YEARS AGO HE WAS
SHOT, AND HE KIND OF FLATLINED
AND CAME BACK TO LIFE.
HE WAS PARALYZED ON ONE
SIDE, AND HE WAS ON A LOT
OF MEDICATIONS.
COULD THAT BE A FACTOR
IN ME GETTING
PREGNANT?
WELL, THAT CERTAINLY
CAN BE A FACTOR.
WHAT ABOUT COMING
INTO THE FERTILITY
CLINIC TO DO THE SEMEN ANALYSIS?
I DON'’T KNOW
HOW HE WILL FEEL ABOUT THAT.
WE NEED HIM TO ABSTAIN
FOR AT LEAST TWO DAYS
BEFORE WE DO THE SEMEN
ANALYSIS.
RIGHT. OKAY.
I'’M TRYING TO IMAGINE TELLING
WAKA HE CAN'’T HAVE NONE FOR
TWO DAYS, BUT A MAN'’S GOT TO DO
WHAT HE HAS TO DO.
I MEAN, HE WANTS THESE
BABIES.
SO WHAT IS THE PROCESS?
LIKE, HOW DO YOU GET THE SPERM?
SOMETIMES THE GUYS LIKE HELP.
BUT WE HAVE A QUIET,
SOUNDPROOFED ROOM.
WE HAVE MAGAZINES.
WE HAVE VIDEOS.
WE WOULD HAVE A CUP
BACK THERE LIKE THIS,
AND HE CAN PROVIDE THE SPECIMEN.
I'’M SURE
HE'’S GONNA BE SUPPORTIVE, BUT
YOU'’VE GOT SOME SWEET-TALKING
TO DO BETWEEN NOW AND THEN.
YEAH, I THINK I GOT IT.
♪ CUT FROM THE SAME CLOTH
♪ IT AIN'’T '’BOUT ♪
♪ WHAT THE GAME COSTS
♪ I COME FROM A
♪ BLOODLINE OF LEADERS
♪ TO BE HONEST, I WANT ANOTHER
♪ COUNT THE PROMISE TO
♪ HUNDRED, THOUGH, YES
♪ WHO'’S TOLD '’EM ♪
♪ WHAT YOU'’RE THINKING? ♪
♪ THE WORLD IS MINE
♪ FOR THE TAKIN'’ ♪
♪ THE SOUL IS NEVER GON'’ ♪
♪ BREAK ME, NO
THINK WE GOT IT, BRO.
KILLT IT.
YOU LIKE THAT?
YEAH.
WHEN I WROTE THIS JOINT DNA, I
HAD ONE PERSON IN MIND FOR THIS
TRACK, AND THAT WAS THE
DOGGFATHER, SNOOP D-O-DOUBLE-G.
HE KILLT IT, AND WE
ABOUT TO WIN IT,
AND I'’M LOVIN'’ LIFE RIGHT NOW.
FEELS SO GOOD TO BE BACK IN THE
LAB, ESPECIALLY WITH A G
LIKE YOURSELF, MAN.
FOR YOU, LIKE, SANCTIONIN'’ ME,
YOU KNOW WHAT I'’M SAYIN'’,
THAT MEANS A LOT FOR ME.
AND I APPRECIATE THAT, MAN.
THANKS FOR JUMPIN'’
ON THE DNA WITH ME.
NAW, WE GOT THE SAME DNA.
IT ONLY MAKES SENSE
TO GET ON WIT'’ YOU,
'’CAUSE IT'’S GON'’
BE SOME CLASSIC MATERIAL,
AND IT FEELS GOOD.
THIS IS WHAT YOUR
BLESSING AND YOUR CALLING
IS, TO DO MUSIC.
YOU PLAY SO MANY INSTRUMENTS.
YOU KNOW HOW TO MAKE THE SOUND.
SO I WANTED TO BE A INSTRUMENT
FOR YOU.
I WANTED TO GIVE YOU MY VOICE
AND ALLOW MY VOICE
TO BE A PART OF YOUR ALBUM.
I'’LL TOAST TO THAT.
COME ON, MAN, ONE MORE TIME.
ONE MORE TIME.
HEY.
I BEEN IN THE GAME
FOR A LONG TIME,
BUT NOT LONG AS
YOU.
I USED TO GO TO THE CONCERTS
AND WATCH YOU,
AND BACKSTAGE'’D BE LIKE A
MILLION, BILLION CHICKS
HANGING AROUND.
YEAH. YEAH.
AS YOU GET OLDER, YOU GET WISER.
YOU DON'’T EVEN GO
BACKSTAGE.
WE GO
TO THE NEXT LOCATION AND TRYIN'’
TO BE STRONG ENOUGH TO DO
YOUR SHOW FOR TOMORROW.
D-O-DOUBLE-G IS DROPPIN'’
SOME KNOWLEDGE ON ME RIGHT NOW.
SO RIGHT NOW,
IMMA TAKE THE TIME
TO TALK TO SNOOP ABOUT A COUPLE
OF LIFE LESSONS.
I GOT A LITTLE SITUATION,
A LITTLE DILEMMA, MAN.
YOU KNOW HOW WE
VALUE OUR FAMILIES
AND OUR LOVED ONES.
I GOT TO BE HONEST WITH YOU.
YOU KNOW, ZINO'’S MY BRO,
AND HE ABOUT TO GET MARRIED.
AND THE CHICK HE MARRYING--
I KNOW THE BROAD.
YOU MEAN, LIKE, KNOW HER?
LIKE, I MEAN--
I KNOW WHAT YOU MEAN
WHEN YOU SAY YOU KNOW HER.
I WORE IT.
MAN, YOU WORE IT FOR A NIGHT.
AND I DID IT AT ZINO CRIB.
OH, MY GOD.
THAT'’S RIGHT.
WHEN IT COMES DOWN TO IT,
I SMASHED SHORTY.
I BEEN KEEPING
IT FROM JOSELINE,
AND I HAVEN'’T ADMITTED TO ZINO,
BUT IT'’S JUST SOMETHIN'’ THAT
HAPPENED IN THE PAST.
BUT IF IMMA STAND NEXT TO ZI
WHEN HE GETS MARRIED,
MAYBE I NEED TO COME CLEAN.
WELL, YOU GOT TO LET HIM KNOW
BEFORE HE TIE THE KNOT
THAT SHE IS PART OF
THE COLLECTION.
SHE KINDA TOLD HIM,
BUT THEN I WAS JUST,
LIKE,
I DIDN'’T WANT TO GET INTO THE
MIDDLE OF IT, '’CAUSE, LIKE,
I AIN'’T TELL JOSELINE.
WELL, THAT'’S
WHERE THE PROBLEM GON'’ BE AT.
THAT'’S WHERE THE REAL PROBLEM
GON'’ BE.
THANKS, THANKS, SNOOP.
I BEEN HOLDIN'’ IT
BACK FROM EVERYBODY BECAUSE I
DIDN'’T WANT TO HURT HIM,
NOR DO I WANT TO HURT MY BABY.
YOU KNOW WHAT I'’M
SAYING?
SO NOW IT'’S TO THE POINT WHERE I
GOT TO COME CLEAN WITH MYSELF.
YEAH, '’CAUSE EVERYBODY
GONNA BE HURT THE MINUTE
IF IT GET OUT.
SHE GON'’ TRIP.
WELL, YOU KNOW WHAT'’S GON'’
WORK?
IF YOU TELL HER FIRST.
THAT MAKES SENSE.
YEAH, YOU TELL HER FIRST.
SO I GOT TO TELL HER TONIGHT,
THEN.
YEAH.
YOU GOT TO TELL HER TONIGHT.
I HURT JOSELINE SO MUCH.
I JUST DON'’T WANT
TO HURT HER NO MORE.
THE TRUTH HURTS, BUT IT'’S
BETTER WHEN IT COME FROM YOU.
AND YOU GOT TO LET
MY NIECE-Y KNOW WHAT'’S UP.
YOU GOT TO TELL HER TONIGHT.
YOU GOT TO KEEP IT
100 WIT'’ HER.
SHE GON'’ RESPECT THAT.
UNFORTUNATELY,
SNOOP IS 100% RIGHT.
I'’M NOT LOOKIN'’ FORWARD
TO THIS RIGHT HERE.
HEY, DO YOU SON
GOT ONE OF THOSE HELMETS FOR ME,
'’CAUSE I MIGHT--
YEAH, YOU GON'’ NEED A HELMET.
YEAH.
WELL, MAYBE YOU
WANT TO TELL HER WHEN--
A GROUP OF PEOPLE IS AROUND.
YEAH.
MAYBE WALKIN'’ OUT OF THE COURT
BUILDING, OR SOMETHIN'’.
I WANT YOU TO GO
IN THERE AND FINISH IT.
MAKE SURE THAT [bleep] TAKE OFF.
YOU'’RE NOT ON THE RECORD
ANYMORE.
I'’M SORRY.
YOU DIDN'’T HANDLE YOUR
BUSINESS AND YOU
WILL NEVER GET ANY PERCENTAGE.
THE TAPE THAT ACTUALLY CAME
OUT MIGHT BE JUST ONE OF OTHERS.
♪ I KNOW YOU WORK HARD
♪ ITCHING AND SKIRTING
I'’M HERE SHOOTING
THE MUSIC VIDEO
FOR HEARTBREAKERS BY MYSELF.
YOUNG DRO IS GONNA COME THROUGH
LATER AND MAKE HIS APPEARANCE,
BUT THE BOTTOM LINE IS,
JOC HAS BEEN REPLACED.
I INVITED JOC HERE
SO HE CAN CHECK OUT THE
SCENE AND KNOW THAT YOU WILL
NEVER MESS WITH KARLIE REDD.
♪ WANT TO CRY ME
♪ A RIVER, BOY?
♪ YOU TWIST AND TOSS ME
♪ LIKE I WAS A TOY
♪ NOW I GOT TO LET YOU GO
♪ I'’M TAKING BACK CONTROL ♪
♪ I'’M TIRED OF YOUR LIES ♪
♪ AND YOUR CHEATING
♪ I NEVER THOUGHT I'’D BE ♪
♪ THE ONE TO LEAVE
♪ YEAH, I WAS OVER IT
♪ NOW I'’M OVER YOU ♪
♪ FAKE BREAK-UPS
♪ BUT WE AIN'’T THROUGH ♪
♪ I'’M LOVING YOU AGAIN ♪
♪ BUT I DON'’T KNOW WHY ♪
♪ NOW WE RIGHT BACK
♪ WHERE WE ARE
I GOT A TEXT
FROM KARLIE ABOUT MEETIN'’
AT THE SOUND STAGE.
KIND OF BEEN TRYIN'’
TO AVOID THE SITUATION,
BUT I BEEN HEARIN'’ WORD
FROM MY MANAGEMENT
THAT KARLIE BEEN MAKIN'’
SOME PHONE CALLS
THAT SHE SHOULDN'’T BE MAKIN'’.
SO I FIGURED I'’D MAKE
MY PRESENCE FELT TODAY.
HEY.
SO, MAN, YOU TEXT ME.
YES, I TEXT YOU, AND--
ABOUT YOUR VIDEO SHOOT,
AND I'’M HERE.
WHAT'’S UP?
I WAS SHOOTING THE VIDEO
FOR HEARTBREAKER.
THAT'’S CLEAR.
THAT'’S--
AND I TOOK YOU
OFF THE RECORD.
DRO'’S ON THE VERSE NOW.
DRO?
I HANDLE MY BUSINESS
BY BUYIN'’ THE RECORD
FROM THE PRODUCER
AND I'’M THE WRITER.
YOU KNOW, IT'’S JUST FUNNY
CONSIDERING, YOU KNOW, SAYIN'’
I BOUGHT YOU THIS RECORD.
I INTRODUCED YOU
TO THE WRITER, THE PRODUCER,
AND I PULL IT UP ON HERE
TO CHECK ON YOU, THIS IS
WHAT I GET HIT IN THE FACE WITH.
I DID GET HIT IN THE FACE
WHEN I PULLED UP
TO THE FASHION SHOW TOO,
RIGHT?
OKAY.
THE WAY YOU BEEN ACTIN'’
IN THE STREETS
WITH ALL THESE DIFFERENT SIDE
CHICKS?
MM-HMM.
THAT WAS CRAZY RECKLESS.
AND I CAME TO YOU,
I SAID TO YOU, "I STILL WANT TO
HANDLE THE BUSINESS WITH YOU,"
AND YOU STILL--
YOU STILL WENT ABOUT IT.
SO WHY DIDN'’T THE BUSINESS
GET HANDLED?
BECAUSE I
COULDN'’T CONTACT YOU.
YOU WERE BUSY.
YOU GOT IN TOUCH WITH ME
ABOUT THE VIDEO.
'’CAUSE YOU NOT
HANDLING BUSINESS.
I HOPE EVERYTHING WORK
OUT FOR YOU.
GOD BLESS YOU
AND YOUR HEATHEN ASS.
I'’M NOT SURPRISED AT ALL
THAT KARLIE WOULD TRY SOMETHIN'’
LIKE THIS.
I MEAN, IT'’S SAD, '’CAUSE KARLIE
REALLY THINKS SHE PULLED A BOSS
MOVE, BUT SHE GON'’ LEARN
TODAY--I MEAN,
EITHER WAY IT GOES,
JOC STILL GON'’ GET PAID.
GOD BLESS YOU,
KARLIE.
GET BACK TO WHAT YOU DOIN'’.
EXCUSE ME.
YOU SAID YOU WERE GONNA
PAY ME FOR AND EVERYTHING.
YOU SHOULD HANDLE YOUR BUSINESS
LIKE I HANDLE MINE.
YOU RIGHT, AND YOU DON'’T HAVE
THE FULL PRODUCER AGREEMENT.
I HANDLE MY--YES,
I DO HAVE IT.
YOU HAVE PARTIAL.
NO, I DO.
I HAVE THE FULL ONE.
GOD BLESS YOU.
DO YOU KNOW HOW MANY PEOPLE
I GOT RAPPIN'’ ON THE RECORD?
I WANT YOU TO GO
IN THERE AND FINISH IT.
MAKE [bleep] TAKE OFF, '’CAUSE AS
LONG AS I GET MY PERCENTAGE
WE GOOD.
YOU DIDN'’T HANDLE YOUR
BUSINESS, AND YOU
WILL NEVER GET ANY PERCENTAGE.
GOD BLESS YOU.
OKAY?
BE BLESSED.
JOC CAN TALK ALL
THE TRASH HE WANT.
AT THE END OF THE DAY,
THIS IS MY SONG.
YOU KNOW WHAT, JOC?
IMA LEAVE YOUR CAREER
WHERE I FOUND IT, IN THE TRASH.
THERE'’S NOTHIN'’
BUT LOVE, BABY.
GOD BLESS YOU.
I'’M GON'’ LEAVE YOUR CAREER
WHERE I FOUND IT, IN THE TRASH.
WHERE YOU SAID
IT WAS ALL GOIN'’ DOWN IT.
I HAVEN'’T SPOKEN TO NIKKO
SINCE HE ADMITTED
HE WAS MARRIED.
I HAVE SO MANY QUESTIONS
THAT I ALMOST
PICKED UP THE PHONE
AND CALLED HIM, UNTIL I
REALIZED THERE'’S ONE PERSON
IN THE WORLD
THAT HAS ALL THE ANSWERS.
SO I REACHED
OUT TO NIKKO'’S OLD ROOMMATE,
JOHNNY CROME.
HOW YOU DOIN'’?
YOU LOOK GREAT.
NIKKO AND JOHNNY WERE,
LIKE, BEST FRIENDS.
THEY ROOMMATED TOGETHER,
THEY ALSO DID THE VIDEO
NY 2 LA, STARRING ME.
AND I KNEW THAT NIKKO AND
JOHNNY HAD SOME KIND
OF FALLING OUT,
BUT I NEVER REALLY CARED
TO FIND OUT WHAT
HAPPENED UNTIL NOW.
SO, JOHNNY,
HAVE NOT SEEN YOU IN A WHILE.
IT'’S BEEN A MINUTE.
I BEEN HEARIN'’ A LOT OF--
LOT OF CHATTER OUT THERE.
WHAT'’S THIS ALL ABOUT?
I HAVE A LOT OF QUESTIONS.
CONCERNIN'’ NIKKO, OBVIOUSLY.
ABSOLUTELY.
OKAY.
>>ABSOLUTELY.
SO WHAT YOU WANT TO TALK
ABOUT?
WELL, FIRST I WANT TO, LIKE,
WHAT HAPPENED WIT'’ Y'’ALL?
LIKE, I MEAN--
I MEAN, BASICALLY NIKKO
WAS SUPPOSED TO BE MY BOY,
MY BROTHER, AND AS
SOON AS EVERYTHING WENT LEFT
AFTER THE NY 2 LA VIDEO SHOOT,
YOU SAW.
HE WAS GONE.
HE HAD A WHOLE NEW AGENDA.
JUST LIKE THAT?
JUST LIKE THAT.
HE WAS OUT OF HERE.
AND HE FELT LIKE,
YOU KNOW, "I GOT
ANOTHER OPPORTUNITY."
I'’M OUT.
YOU, YEAH.
SO WHAT QUESTIONS DO YOU HAVE?
WHAT DO YOU WANT TO KNOW?
LIKE, WHAT--WHAT'’S ON YOUR MIND?
JUST TALK TO ME.
FIRST THINGS FIRST,
I FOUND OUT NIKKO'’S MARRIED.
UH-HUH.
A COUPLE OF WEEKS AGO.
THEY'’RE NOT ONLY--HAVE--
HAVE BEEN TOGETHER FOR LIKE,
A DECADE, NOW.
BUT THEY GOT A DEEP CONNECTION.
IT'’S AN EMOTIONAL CONNECTION.
THEY'’RE, LIKE,
BUSINESS PARTNERS.
THEY HAD A GROUP TOGETHER.
THEY MAKE MUSIC TOGETHER.
THEY DO EVERYTHING TOGETHER.
I KNOWN THEM FOR YEARS,
AND THAT'’S WHY I
THOUGHT MAYBE YOU
WAS AWARE OF THE SITUATION,
THAT SHE WAS--THAT THEY WERE
STILL TOGETHER.
I DIDN'’T REALLY KNOW
THE CAPACITY
TO WHICH Y'’ALL'’S RELATIONSHIP OR
WHAT IT WAS BASED ON.
YOU KNOW WHAT I MEAN?
SO I CAN ONLY GO BY WHAT HE
TOLD ME.
BUT I ASKED HIM.
I SAID, "YOU KNEW THE SEX TAPE
WAS OUT THERE.
YOU DIDN'’T THINK TO TELL ME
THAT YOU WERE MARRIED?"
NIKKO IS VERY CALCUALATED
IN THAT WAY.
I KNOW HIM.
I KNOW THE WAY HIS MIND THINK.
HE DIDN'’T THINK HIS WIFE
WAS GONNA HAVE A PROBLEM
WITH HIM DOIN'’ A SEX TAPE
WITH SOMEBODY ELSE?
DO YOU THINK THAT THE--
THE SEX TAPE WAS LEAKED?
COME ON, THAT WAS NOT
BY ACCIDENT.
IT'’S A SET-UP, MAN.
THE FIGHT'’S BEEN FIXED, MIMI.
IT'’S A SET-UP.
IT'’S ONE THING
TO HEAR FROM MY GIRLS
WHO DON'’T LIKE NIKKO,
TO SAY HE SET ME UP.
BUT IT'’S A WHOLE OTHER THING TO
HEAR IT FROM SOMEONE WHO REALLY
KNOWS NIKKO.
I KNOW, YOU KNOW,
JUST FROM CONVERSATION,
WE HAD TALKED ABOUT THAT.
HE WAS LIKE, "YO.
I MIGHT TRY
TO GET HER ON CAMERA."
GET ME ON CAMERA UNKNOWINGLY?
THE WAY IT WAS PUT,
IT WAS DEFINITELY,
LIKE, UNKNOWINGLY.
BETRAYAL DOESN'’T EVEN
BEGIN TO DESCRIBE
HOW I FEEL RIGHT NOW.
THE MAN
WHO I THOUGHT I WAS IN LOVE
WITH TURNS OUT TO BE SOMEONE
WHO I DON'’T EVEN KNOW.
THE THOUGHT OF THAT
MAKES ME SICK TO MY STOMACH.
THE TAPE THAT ACTUALLY CAME
OUT MIGHT BE JUST ONE OF OTHERS,
NUMEROUS, I MEAN...
SO HE MIGHT HAVE
SECRETLY FILMED US.
IT'’S POSSIBLE.
SO--SO WHAT YOU GONNA DO?
HOW YOU--LIKE, WHERE YOU
GONNA GO WITH IT?
NIKKO HAS CLEARLY
UNDERESTIMATED ME.
IF HE THINKS I'’M JUST GONNA
SIT HERE
AND LET THAT [bleep] RIDE?
I GOT MY FRIENDS CLOSE,
BUT NOW I NEED TO KEEP MY
ENEMIES CLOSER, BECAUSE NIKKO
IS INDEED MY NEW ENEMY.
THE BALL IS IN YOUR COURT.
YOU GOT TO CALL A SHOT HERE.
IT'’S LIKE SLEEPIN'’
WITH THE ENEMY.
SOMETHING LIKE THAT.
IT'’S KIND OF CRAZY.
IT'’S CRAZY.
IT'’S REAL CRAZY.
I CAME HERE TONIGHT FULLY
PREPARED TO TELL JOSELINE
ABOUT THE WHOLE ALTHEA
♪ THE WAY YOU'’RE LOOKING ♪
♪ AT ME GOT ME GONE
♪ NEVER HAD A LOVE
♪JUST KNOCK ME DOWN ♪
♪ I'’M HARDLY HERE TONIGHT ♪
♪ JUST WANNA JUMP
♪ WITH BOTH FEET
♪ INTO THIS LOVE
♪ MY TENDER ONLY CROAK
♪ YOU GOT THE STUFF
♪MAKE A BROTHER WANT ♪
♪ TO STOP THE RUN
♪ LIKE A PIMP LIFE
♪ OH, MAYBE NOT LOVE
♪ MAKE IT GIVE IT UP
♪WHOA, OH, OH, OH ♪
♪ I'’M READY TO JUMP ♪
YOU LOOKIN'’ AMAZIN'’.
COME HERE, MY PUERTO RICAN
MERMAID.
I CAME HERE TONIGHT
FULLY PREPARED
TO TELL JOSELINE ABOUT THE WHOLE
ALTHEA THING, GET IT OUT
THE WAY,
AND MOVE ON WITH OUR LIVES.
BUT WHY DO TODAY
WHAT YOU CAN PUT OFF
UNTIL TOMORROW?
LET'’S GO, BABY.
LET'’S GO.
TONIGHT,
MY PUERTO RICAN PRINCESS
IS LOOKIN'’ MIGHTY LOVELY,
AND TONIGHT,
MY DRY SPELL MIGHT BE OVER WITH.
SORRY, SNOOP.
WE GOT THE SATIN SHEETS IN
MY LUXURY SUITE,
EVERYTHING IS REAL SWEET.
I GUESS THE TRUTH IS GON'’
HAVE TO WAIT.
NEXT TIME ON
LOVE & HIP HOP ATLANTA.
YOU DON'’T HAVE NO RESPECT
FOR ME.
I DON'’T.
I DON'’T [bleep]
HAVE NO RESPECT FOR YOU.
THAT'’S THE BOTTOM [bleep]
LINE.
OKAY.
AND I'’M [bleep] LEAVIN'’.
ALL RIGHT.
MY BOYS IS GOOD, TRUST ME.
OKAY, I FELT LIKE WE'’VE BEEN
TOGETHER FOR FOUR YEARS,
AND I HAVEN'’T GOTTEN
PREGNANT YET, SO WE NEED
TO FIGURE OUT WHAT IS GOING ON.
ONCE YOUR SPECIMEN IS
COLLECTED, PUT IT IN THE CABINET
WITH THE DOOR.
GOT IT.
THANK YOU.
THAT WAS ORGASM, HE CALLED.
I GOT NOTHING
TO DO WITH THAT GIRL, BRO.
WHO?
WITH JOSELINE.
I COULDN'’T DEAL WITH IT NO MORE.
DEAL WITH WHAT?
HUNTIN'’ THE SMASH.
HER WANTIN'’ TO SMASH YOU.
YEAH.
I GOT SOMEBODY RIGHT HERE
THAT CAN SAY THAT FOR HIMSELF.
SOMEBODY IN HERE IS SMASHED.
SOMEBODY IN HERE.
AND IT'’S NOT ME.
I'’VE GOT TO TELL JOSELINE
HER NAME IS BEING DRAGGED
IN THESE STREETS.
YOU KNOW, I'’M IN THE STUDIO.
I'’M TALKIN'’ TO SNOOP,
AND, YOU KNOW WHAT I'’M SAYING?
SOME THINGS WAS ON MY MIND
OR WHATEVER, AND I'’M--
I JUST WANT TO
GET IT OFF MY CHEST.
HOLD ON, HOLD ON.
WORD AROUND TOWN IS YOU [bleep].
GUESS WHERE THAT COME FROM?
BENZINO.
I'’M JUST SAYIN'’.
YOUR HOMIE, YOUR BESTIE,
HE GONNA DRIVE YOU CRAZY.
I'’M NOT GONNA
DISRESPECT YOU--
I'’M NOT DISRESPECTING YOU.
'’CAUSE YOU WANT TO BE W--
OH, NO, YOU ARE.
YOU HURT MAMA.
YOU HURT MY SOUL.
AND YOU HURT MY MIND EVERY DAY.
I HURT YOUR MIND?
YES, YOU DO.
I'’M SO OVER YOU.
YOU NEED TO GET
YOURSELF TOGETHER.
YOU OVER WHO? YOU OVER WHO?
I'’M OVER YOU.
YOU'’LL NEVER BE OVER ME.
NOW I GOT TO BEAT YOUR ASS.
OH, WAIT UP.
THAT'’S NOT HOW YOU SPELL "BEAT
YOUR [bleep]," HOW THE
[bleep] ARE YOU EVEN, LIKE--
KNOW WHAT THAT SAYS?
"NOW I BEAT YOUR--I--NOW I
GOT"--WHAT THE [bleep]?
SHE'’S LIKE, SHE SAID--
WHO WROTE THIS,
A THIRD-GRADER?
"NOW THERE'’S SOMETHIN'’
I ALREADY KNEW.
NOW I GOT TO BEAT YOUR ASS."
"NOW I GOT BEAT"--OH,
SO YOU GOT "NOW I GOT BEAT YO"--
THAT--THAT'’S BEAT?
B-I-T'’S NOT BEAT. THAT'’S BIT.
"NOW I BIT YOUR--"
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