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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,620 --> 00:00:02,448 PREVIOUSLY ON 2 00:00:02,448 --> 00:00:03,724 LOVE & HIP HOP: ATLANTA. 3 00:00:03,724 --> 00:00:05,206 ARE YOU STILL SEEING HER? 4 00:00:05,206 --> 00:00:05,896 KHADIJAH? 5 00:00:05,896 --> 00:00:08,172 I AM NO LONGER CHEATIN'’ 6 00:00:08,172 --> 00:00:08,862 ON YOU. 7 00:00:08,862 --> 00:00:09,517 OKAY. 8 00:00:09,517 --> 00:00:10,172 YOU TOLD ME 9 00:00:10,172 --> 00:00:11,034 YOU WAS GOIN'’ OUT OF TOWN, 10 00:00:11,034 --> 00:00:12,344 BUT NOW YOU WITH A TELETUBBY? 11 00:00:12,344 --> 00:00:13,137 OH, WOW. 12 00:00:13,137 --> 00:00:13,793 COME ON, HOLD UP. 13 00:00:13,793 --> 00:00:14,827 IT IS SO OVER, '’CAUSE I 14 00:00:14,827 --> 00:00:16,827 COULD HAVE ANY MAN I WANT. 15 00:00:16,827 --> 00:00:19,896 I'’M OFFICIALLY MRS. MALPHURS. 16 00:00:19,896 --> 00:00:20,758 WE GOT MARRIED ALREADY. 17 00:00:20,758 --> 00:00:21,413 WHAT? 18 00:00:21,413 --> 00:00:22,758 THAT'’S JUST REAL [bleep] 19 00:00:22,758 --> 00:00:24,689 I WASN'’T VERY EXCITED 20 00:00:24,689 --> 00:00:26,379 WHEN THE NEWS WAS BROKEN TO ME, 21 00:00:26,379 --> 00:00:27,551 BUT I AM SO 22 00:00:27,551 --> 00:00:28,206 HAPPY. 23 00:00:28,206 --> 00:00:28,931 THERE'’S SOMETHIN'’ 24 00:00:28,931 --> 00:00:29,931 I WANT TO TALK TO YOU ABOUT. 25 00:00:29,931 --> 00:00:30,862 I'’M GOING TO A FERTILITY 26 00:00:30,862 --> 00:00:32,758 CLINIC. 27 00:00:32,758 --> 00:00:34,103 ALTHEA. 28 00:00:34,103 --> 00:00:34,931 BABY, WHAT'’S THAT? 29 00:00:34,931 --> 00:00:35,689 WILL YOU MARRY ME? 30 00:00:35,689 --> 00:00:36,482 YES. 31 00:00:36,482 --> 00:00:37,206 DID YOU EVER HAVE A TALK 32 00:00:37,206 --> 00:00:37,896 WITH STEVIE 33 00:00:37,896 --> 00:00:38,551 THAT HE KNEW ME? 34 00:00:38,551 --> 00:00:39,206 NO. 35 00:00:39,206 --> 00:00:39,862 BUT YOU KNOW 36 00:00:39,862 --> 00:00:41,827 THAT WE DID IT ONE NIGHT. 37 00:00:41,827 --> 00:00:43,793 I NEVER HAD SEX WITH HER. 38 00:00:43,793 --> 00:00:44,655 I DON'’T WANT TO TALK 39 00:00:44,655 --> 00:00:46,034 ABOUT SMASHING, '’CAUSE I 40 00:00:46,034 --> 00:00:47,000 DIDN'’T SMASH. 41 00:00:47,000 --> 00:00:47,689 OH, YOU DID. 42 00:00:47,689 --> 00:00:49,275 LIFE DOESN'’T STOP 43 00:00:49,275 --> 00:00:51,206 BECAUSE SOMEONE PASSES. 44 00:00:51,206 --> 00:00:52,379 HER DAD JUST DIED. 45 00:00:52,379 --> 00:00:53,758 I FEEL LIKE SHE'’S WEARING 46 00:00:53,758 --> 00:00:56,275 THIS SMILE TO COVER UP A LOT OF 47 00:00:56,275 --> 00:00:57,620 WHAT'’S REALLY HURTING HER. 48 00:00:57,620 --> 00:00:58,448 SO WHAT'’S HURTING HER? 49 00:00:58,448 --> 00:00:59,551 YOU GOT TO KNOW. 50 00:00:59,551 --> 00:01:00,620 YOU. 51 00:01:00,620 --> 00:01:01,275 THE ONLY PERSON 52 00:01:01,275 --> 00:01:03,068 THAT HAS BEEN THERE FOR ME? 53 00:01:03,068 --> 00:01:04,000 NIKKO. 54 00:01:04,000 --> 00:01:05,655 I'’VE BEEN GETTING HIT UP. 55 00:01:05,655 --> 00:01:07,000 I SAW SOMETHING ON MEDIATAKEOUT 56 00:01:07,000 --> 00:01:08,931 ABOUT YOU BEING MARRIED. 57 00:01:08,931 --> 00:01:10,034 IS THERE ANY 58 00:01:10,034 --> 00:01:13,758 TRUTH TO THIS? 59 00:01:13,758 --> 00:01:15,241 YES, THERE IS. 60 00:01:15,241 --> 00:01:17,827 ♪ THIS IS THE LIFE 61 00:01:17,827 --> 00:01:18,482 ♪ YEAH 62 00:01:18,482 --> 00:01:20,068 ♪ THIS IS THE LIFE 63 00:01:20,068 --> 00:01:20,758 ♪ '’SUP ♪ 64 00:01:20,758 --> 00:01:22,655 ♪ THIS IS THE LIFE 65 00:01:22,655 --> 00:01:23,310 ♪ HUH 66 00:01:23,310 --> 00:01:27,172 ♪ THIS IS THE LIFE 67 00:01:27,172 --> 00:01:27,862 ♪ HUH 68 00:01:27,862 --> 00:01:28,758 ♪ THERE AIN'’T NOTHING LIKE ♪ 69 00:01:28,758 --> 00:01:29,862 ♪ HIP-HOP MUSIC 70 00:01:29,862 --> 00:01:31,172 ♪ MUSIC 71 00:01:36,551 --> 00:01:43,896 ♪ THIS IS THE LIFE 72 00:01:43,896 --> 00:01:45,241 I'’VE BEEN GETTIN'’ HIT UP 73 00:01:45,241 --> 00:01:47,034 LEFT AND RIGHT '’BOUT 74 00:01:47,034 --> 00:01:48,206 SOMETHING ON MEDIATAKEOUT 75 00:01:48,206 --> 00:01:50,172 ABOUT YOU BEING MARRIED. 76 00:01:50,172 --> 00:01:53,000 IS THERE ANY TRUTH? 77 00:01:53,000 --> 00:01:55,034 YES, THERE IS. 78 00:01:55,034 --> 00:01:56,310 IT WAS SOMETHIN'’ THAT I BEEN-- 79 00:01:56,310 --> 00:01:57,379 I WAS GONNA TAKE TO MY GRAVE 80 00:01:57,379 --> 00:01:58,517 WITH ME. 81 00:01:58,517 --> 00:02:01,586 YES, I AM MARRIED. 82 00:02:01,586 --> 00:02:03,103 WHEN I SAW THE MEDIATAKEOUT 83 00:02:03,103 --> 00:02:03,965 ARTICLE I THOUGHT, 84 00:02:03,965 --> 00:02:05,586 "THIS CAN'’T POSSIBLY BE 85 00:02:05,586 --> 00:02:06,275 TRUE." 86 00:02:06,275 --> 00:02:08,931 BUT NEVER IN MY WILDEST DREAMS 87 00:02:08,931 --> 00:02:09,586 DID I THINK 88 00:02:09,586 --> 00:02:10,862 HE WOULD JUST SIT HERE, 89 00:02:10,862 --> 00:02:13,620 CALM, AND SAY, "YEAH. 90 00:02:13,620 --> 00:02:14,344 I'’M MARRIED." 91 00:02:14,344 --> 00:02:15,517 I'’M SO EXHAUSTED 92 00:02:15,517 --> 00:02:16,551 THAT I CAN'’T EVEN CUSS 93 00:02:16,551 --> 00:02:17,241 YOU THE [bleep] OUT 94 00:02:17,241 --> 00:02:18,344 LIKE I WANT TO. 95 00:02:18,344 --> 00:02:19,448 I'’M BEIN'’ HONEST WITH YOU. 96 00:02:19,448 --> 00:02:21,413 THAT'’S THE LOVE I GOT FOR YOU. 97 00:02:21,413 --> 00:02:23,241 THAT IS NOT A [bleep] PRIZE 98 00:02:23,241 --> 00:02:23,931 FOR ME. 99 00:02:23,931 --> 00:02:24,724 I'’M SORRY. 100 00:02:24,724 --> 00:02:26,793 I WENT HARD FOR THIS MAN, 101 00:02:26,793 --> 00:02:28,068 EVEN WHEN EVERYONE WAS 102 00:02:28,068 --> 00:02:30,344 ATTACKING HIM, DISCREDITING HIM. 103 00:02:30,344 --> 00:02:31,172 AND THEN HE TURNS 104 00:02:31,172 --> 00:02:33,310 AROUND AND STABS ME IN THE BACK? 105 00:02:33,310 --> 00:02:35,137 I FEEL LIKE A FOOL. 106 00:02:35,137 --> 00:02:36,241 YOU DIDN'’T THINK, AT THE 107 00:02:36,241 --> 00:02:38,206 TIME THAT YOU DECIDED TO BE 108 00:02:38,206 --> 00:02:39,310 IN A RELATIONSHIP WITH ME, 109 00:02:39,310 --> 00:02:40,103 THAT THAT IS SOMETHING 110 00:02:40,103 --> 00:02:41,068 THAT I SHOULD KNOW? 111 00:02:41,068 --> 00:02:42,689 I WANTED TO TELL YOU 112 00:02:42,689 --> 00:02:43,793 WHEN I WANTED TO TELL YOU. 113 00:02:43,793 --> 00:02:44,689 WHICH WAS NEVER. 114 00:02:44,689 --> 00:02:45,344 WHICH WAS-- 115 00:02:45,344 --> 00:02:47,413 NEVER. 116 00:02:47,413 --> 00:02:48,793 BUT I DIDN'’T LIE TO YOU. 117 00:02:48,793 --> 00:02:49,896 THE QUESTION WAS NEVER ASKED 118 00:02:49,896 --> 00:02:50,551 UNTIL NOW. 119 00:02:50,551 --> 00:02:51,689 YOU DID, AT SOME POINT, 120 00:02:51,689 --> 00:02:53,689 INTEND ON GETTING A DIVORCE. 121 00:02:53,689 --> 00:02:54,448 ABSOLUTELY. 122 00:02:54,448 --> 00:02:57,310 WHEN? 123 00:02:57,310 --> 00:02:58,724 NOT ONLY IS THIS IDIOT 124 00:02:58,724 --> 00:03:00,586 STILL MARRIED, 125 00:03:00,586 --> 00:03:01,724 BUT HE CAN'’T EVEN TELL ME WHEN 126 00:03:01,724 --> 00:03:02,413 HE'’S PLANNING 127 00:03:02,413 --> 00:03:04,000 ON GETTING A DIVORCE. 128 00:03:04,000 --> 00:03:06,310 I'’M JUST STUNNED AND CONFUSED. 129 00:03:06,310 --> 00:03:07,448 I'’M HAVING A HARD TIME 130 00:03:07,448 --> 00:03:09,517 EVEN BELIEVING THIS CONVERSATION 131 00:03:09,517 --> 00:03:11,965 IS REALLY HAPPENING. 132 00:03:11,965 --> 00:03:13,275 WHAT I DECIDED TO DO 133 00:03:13,275 --> 00:03:15,000 HASN'’T AFFECTED US. 134 00:03:15,000 --> 00:03:15,758 I BEEN WITH YOU. 135 00:03:15,758 --> 00:03:16,620 I HAVEN'’T BEEN WITH HER. 136 00:03:16,620 --> 00:03:17,517 I DON'’T GET IT. 137 00:03:17,517 --> 00:03:18,413 LIKE, YOU WANT ME TO JUST-- 138 00:03:18,413 --> 00:03:19,068 I DON'’T KNOW WHAT YOU 139 00:03:19,068 --> 00:03:19,758 WANT ME TO DO. 140 00:03:19,758 --> 00:03:20,586 AND THAT'’S THE POINT. 141 00:03:20,586 --> 00:03:24,931 YOU DON'’T GET IT. 142 00:03:24,931 --> 00:03:26,241 IT'’S MY WHOLE POINT. 143 00:03:26,241 --> 00:03:27,068 SO YOU LEAVIN'’? 144 00:03:27,068 --> 00:03:28,413 YES, I AM. 145 00:03:28,413 --> 00:03:29,068 YOU HAVEN'’T EVEN 146 00:03:29,068 --> 00:03:29,758 FINISHED YOUR WINE YET. 147 00:03:29,758 --> 00:03:30,413 I HAVEN'’T FINISHED 148 00:03:30,413 --> 00:03:31,068 MY WINE. 149 00:03:31,068 --> 00:03:31,793 AND WE HAVEN'’T FINISHED 150 00:03:31,793 --> 00:03:32,448 TALKIN'’. 151 00:03:32,448 --> 00:03:33,103 WHAT ELSE DO YOU HAVE 152 00:03:33,103 --> 00:03:33,793 TO SAY TO ME? 153 00:03:33,793 --> 00:03:34,482 I WANT YOU TO WALK OUT OF 154 00:03:34,482 --> 00:03:36,793 HERE WITH A DIFFERENT ATTITUDE. 155 00:03:36,793 --> 00:03:38,793 HOOK UP. 156 00:03:38,793 --> 00:03:39,655 IT'’S HITTIN'’ ME RIGHT NOW. 157 00:03:39,655 --> 00:03:41,482 I WANT YOU-- 158 00:03:41,482 --> 00:03:43,827 IT'’S ME, YOU, AND YOUR WIFE. 159 00:03:43,827 --> 00:03:45,275 I'’M PUBLICLY WITH YOU. 160 00:03:45,275 --> 00:03:46,344 THAT'’S WHAT WE'’RE DOIN'’. 161 00:03:46,344 --> 00:03:47,000 YOU'’RE DIGGING 162 00:03:47,000 --> 00:03:48,310 YOURSELF A [bleep] HOLE. 163 00:03:48,310 --> 00:03:49,448 I WOULD STOP RIGHT NOW. 164 00:03:49,448 --> 00:03:52,344 CAN WE DO DINNER LATER? 165 00:03:52,344 --> 00:03:53,241 IS THIS REALLY [bleep] 166 00:03:53,241 --> 00:03:54,206 HAPPENIN'’ RIGHT NOW? 167 00:03:54,206 --> 00:03:54,965 THIS IS HAPPENIN'’. 168 00:03:54,965 --> 00:03:55,758 WE'’RE DONE TALKING. 169 00:03:55,758 --> 00:03:59,724 [bleep] IN AWE RIGHT NOW. 170 00:03:59,724 --> 00:04:01,379 I MAY BE GRIEVING, BUT I'’M 171 00:04:01,379 --> 00:04:02,275 CLEAR ENOUGH TO KNOW 172 00:04:02,275 --> 00:04:04,172 THAT THIS ENTIRE YEAR OF MY LIFE 173 00:04:04,172 --> 00:04:05,793 HAS BEEN A COMPLETE LIE, 174 00:04:05,793 --> 00:04:10,448 AND THIS MAN HAS DISAPPOINTED ME 175 00:04:10,448 --> 00:04:14,068 FOR THE LAST TIME. 176 00:04:14,068 --> 00:04:17,965 HEY! 177 00:04:17,965 --> 00:04:19,344 I LOVE THAT RHYTHM, BABY. 178 00:04:19,344 --> 00:04:20,344 I LOVE THAT RHYTHM. 179 00:04:20,344 --> 00:04:21,413 THI THI AND I FINALLY 180 00:04:21,413 --> 00:04:22,517 DECIDED ON A DATE 181 00:04:22,517 --> 00:04:23,517 TO GET MARRIED. 182 00:04:23,517 --> 00:04:24,206 SO TONIGHT 183 00:04:24,206 --> 00:04:25,275 I'’M THROWIN'’ A BIG BACHELOR 184 00:04:25,275 --> 00:04:25,965 PARTY. 185 00:04:25,965 --> 00:04:26,620 I MEAN, WE GETTING READY 186 00:04:26,620 --> 00:04:27,655 TO PARTY OUR ASS OFF. 187 00:04:27,655 --> 00:04:28,310 LET'’S CRACK 188 00:04:28,310 --> 00:04:29,586 THE CHAMPAGNE, HEY. 189 00:04:29,586 --> 00:04:30,344 CAN YOU BELIEVE IT? 190 00:04:30,344 --> 00:04:32,517 I'’M OFF THE MARKET. 191 00:04:32,517 --> 00:04:33,172 all: HEY! 192 00:04:33,172 --> 00:04:35,344 I'’LL DRINK TO A HONEY. 193 00:04:35,344 --> 00:04:36,758 IN RECORD TIME. 194 00:04:36,758 --> 00:04:37,517 BUT YOU KNOW WHAT, FELLAS? 195 00:04:37,517 --> 00:04:38,172 YOU CAN BE WITH SOMEBODY 196 00:04:38,172 --> 00:04:38,931 FOR ONE YEAR AND 197 00:04:38,931 --> 00:04:39,586 SAY, "YOU KNOW WHAT? 198 00:04:39,586 --> 00:04:40,241 THIS IS RIGHT. 199 00:04:40,241 --> 00:04:40,931 IT'’S EVERYTHING 200 00:04:40,931 --> 00:04:42,379 I WANT IN A WOMAN FOR 201 00:04:42,379 --> 00:04:43,103 THE REST OF MY LIFE." 202 00:04:43,103 --> 00:04:43,793 YOU HAPPY. 203 00:04:43,793 --> 00:04:44,448 I MEAN, 204 00:04:44,448 --> 00:04:45,172 THAT'’S WHAT IT'’S ABOUT. 205 00:04:45,172 --> 00:04:45,862 IT REALLY AIN'’T 206 00:04:45,862 --> 00:04:46,586 ABOUT THE GOOD TIMES. 207 00:04:46,586 --> 00:04:47,241 IF YOU CAN MAKE IT 208 00:04:47,241 --> 00:04:47,965 THROUGH THE BAD TIMES, 209 00:04:47,965 --> 00:04:48,793 YOU GOOD. 210 00:04:48,793 --> 00:04:49,724 I SAY THE BAD TIMES 211 00:04:49,724 --> 00:04:50,586 BUILD YOUR RELATIONSHIP, 212 00:04:50,586 --> 00:04:51,344 '’CAUSE IT'’S GONNA BE YOUR 213 00:04:51,344 --> 00:04:52,000 STRENGTH. 214 00:04:52,000 --> 00:04:53,344 FIRST OF ALL, YOU CAN'’T SAY 215 00:04:53,344 --> 00:04:54,896 TOO MUCH OF ANYTHING RIGHT NOW. 216 00:04:54,896 --> 00:04:55,551 LET ME TELL YOU 217 00:04:55,551 --> 00:04:56,206 ABOUT A SORRY PUP. 218 00:04:56,206 --> 00:04:57,000 WAIT, WAIT, TOASTER 219 00:04:57,000 --> 00:04:57,965 GETTIN'’ OUT THE DOGHOUSE. 220 00:04:57,965 --> 00:04:58,689 THAT'’S WHAT THAT IS. 221 00:04:58,689 --> 00:04:59,344 HOLD ON. 222 00:04:59,344 --> 00:05:00,000 HE GOT THIS BIG "I'’M 223 00:05:00,000 --> 00:05:02,310 SORRY" BANNER ON THE FRONT YARD. 224 00:05:02,310 --> 00:05:03,000 WHAT? 225 00:05:03,000 --> 00:05:03,793 HE GETS UP AND SAYS, 226 00:05:03,793 --> 00:05:04,931 "SORRY," I'’M SITTING THERE. 227 00:05:04,931 --> 00:05:05,758 I'’M EATIN'’ THE BEANS AND 228 00:05:05,758 --> 00:05:06,724 IT'’S LIKE, "OH, ZINO, 229 00:05:06,724 --> 00:05:07,931 YOU GOT TO SAY SORRY, TOO." 230 00:05:07,931 --> 00:05:08,724 WHAT DID YOU DO? 231 00:05:08,724 --> 00:05:09,620 WHAT AM I SAYING SORRY FOR? 232 00:05:09,620 --> 00:05:10,655 '’CAUSE I WENT TO THE CABIN 233 00:05:10,655 --> 00:05:12,068 WITH ZINO TO FISH. 234 00:05:12,068 --> 00:05:12,758 YEAH, 235 00:05:12,758 --> 00:05:14,482 YOU WAS FISHIN'’ TWO BIG ASSES. 236 00:05:14,482 --> 00:05:15,206 RASHEEDA AND I 237 00:05:15,206 --> 00:05:16,931 HAVE PUT THE CABIN BEHIND US, 238 00:05:16,931 --> 00:05:18,206 AND AS A MAN BEING MARRIED 239 00:05:18,206 --> 00:05:19,448 FOR 14 YEARS, 240 00:05:19,448 --> 00:05:22,758 I'’M WISHIN Z AND THI GOOD LUCK. 241 00:05:22,758 --> 00:05:24,379 DID Y'’ALL SIGN THE PRE-NUP? 242 00:05:24,379 --> 00:05:25,413 I DON'’T NEED A PRE-NUP 243 00:05:25,413 --> 00:05:26,965 WITH THI. 244 00:05:26,965 --> 00:05:27,620 THE MOMENT 245 00:05:27,620 --> 00:05:28,896 YOU SIGN A PRE-NUP, YOU 246 00:05:28,896 --> 00:05:30,000 PUTTIN'’ ALL KIND OF VOODOO 247 00:05:30,000 --> 00:05:30,655 ON YOUR MARRIAGE. 248 00:05:30,655 --> 00:05:31,310 OKAY. 249 00:05:31,310 --> 00:05:32,758 '’CAUSE YOU'’RE ALREADY SAYIN'’ 250 00:05:32,758 --> 00:05:34,034 SOMETHING'’S GONNA HAPPEN. 251 00:05:34,034 --> 00:05:35,034 TOAST TO NO PRE-NUP. 252 00:05:35,034 --> 00:05:35,758 TOAST TO VOODOO. 253 00:05:35,758 --> 00:05:37,137 AND A HAPPY MARRIAGE. 254 00:05:37,137 --> 00:05:38,000 HAPPY MARRIAGE. 255 00:05:38,000 --> 00:05:38,793 TOAST TO HAPPY MARRIAGE. 256 00:05:38,793 --> 00:05:40,000 HERE WE GO. 257 00:05:40,000 --> 00:05:40,655 THE WHOLE THING 258 00:05:40,655 --> 00:05:41,931 ABOUT A MARRIAGE IS THAT YOU 259 00:05:41,931 --> 00:05:43,034 PLAN ON BEIN'’ TOGETHER 260 00:05:43,034 --> 00:05:43,689 FOREVER. 261 00:05:43,689 --> 00:05:45,344 A PRE-NUP KIND OF STATES 262 00:05:45,344 --> 00:05:47,655 THAT IT MIGHT NOT LAST. 263 00:05:47,655 --> 00:05:48,413 AND I KNOW WE GON'’ 264 00:05:48,413 --> 00:05:49,827 BE TOGETHER FOREVER. 265 00:05:49,827 --> 00:05:51,517 KISS HER. 266 00:05:51,517 --> 00:05:52,172 Y'’ALL DON'’T-- 267 00:05:52,172 --> 00:05:53,689 Y'’ALL NOT THINKING. 268 00:05:53,689 --> 00:05:54,827 THIS IS WHAT I THOUGHT 269 00:05:54,827 --> 00:05:55,931 A BACHELOR PARTY SHOULD BE. 270 00:05:55,931 --> 00:05:57,172 THIS IS ALL IT'’S ABOUT. 271 00:05:57,172 --> 00:05:58,068 DOUBLE THE FUN. 272 00:05:58,068 --> 00:05:58,965 WELL, THAT'’S A TATTOO 273 00:05:58,965 --> 00:06:00,034 OF MY FIANCEE. 274 00:06:00,034 --> 00:06:01,344 THAT'’S MY BABY. 275 00:06:01,344 --> 00:06:04,965 BABY, I LOVE YOU. 276 00:06:04,965 --> 00:06:05,758 LADIES AND GENTLEMEN, 277 00:06:05,758 --> 00:06:06,413 I WANT TO MAKE AN 278 00:06:06,413 --> 00:06:07,310 ANNOUNCEMENT. 279 00:06:07,310 --> 00:06:10,241 AT MY WEDDING, STEVIE J. 280 00:06:10,241 --> 00:06:13,310 AKA SLEAZO IS GONNA BE MY BEST 281 00:06:13,310 --> 00:06:16,931 MAN. 282 00:06:16,931 --> 00:06:22,206 HEY, SHOTS FOR ALL MY GUYS. 283 00:06:22,206 --> 00:06:24,310 KKK, TURN THE MUSIC UP, BAKE IT. 284 00:06:24,310 --> 00:06:25,413 IT FEELS GOOD TO KNOW 285 00:06:25,413 --> 00:06:26,413 THAT MY MAN HAS FINALLY 286 00:06:26,413 --> 00:06:27,655 FOUND SOMEBODY THAT HE 287 00:06:27,655 --> 00:06:28,448 CAN SETTLE DOWN 288 00:06:28,448 --> 00:06:29,827 WITH AND CALL HIS OWN. 289 00:06:29,827 --> 00:06:31,482 LET'’S THROW SOME RICE. 290 00:06:31,482 --> 00:06:32,448 CONGRATULATIONS, BRO. 291 00:06:32,448 --> 00:06:33,103 OH, SLEAZE. 292 00:06:33,103 --> 00:06:33,793 GOT LOVE. 293 00:06:33,793 --> 00:06:34,517 YOU'’LL BE THE BEST MAN, 294 00:06:34,517 --> 00:06:35,172 RIGHT? 295 00:06:35,172 --> 00:06:36,103 BE THERE. LISTEN. 296 00:06:36,103 --> 00:06:37,068 WE GOIN'’ TO L.A. 297 00:06:37,068 --> 00:06:38,310 I'’M BACK ON MY MUSIC LINE WITH 298 00:06:38,310 --> 00:06:39,000 SNOOP. 299 00:06:39,000 --> 00:06:40,000 WHOO. 300 00:06:40,000 --> 00:06:41,103 HE KNOWS THAT I MAKE CLASSICS 301 00:06:41,103 --> 00:06:41,793 WITH BIG-- 302 00:06:41,793 --> 00:06:42,448 BIG WOULD BE [bleep] 303 00:06:42,448 --> 00:06:44,000 PROUD OF YOU RIGHT NOW. 304 00:06:44,000 --> 00:06:45,000 IT'’S ABOUT TIME TO SHOW THE 305 00:06:45,000 --> 00:06:46,000 WORLD WHO THE [bleep] YOU ARE, 306 00:06:46,000 --> 00:06:46,655 SLEAZO. 307 00:06:46,655 --> 00:06:47,310 I CAN'’T WAIT. 308 00:06:47,310 --> 00:06:48,206 COME ON, STEVIE J. 309 00:06:48,206 --> 00:06:49,241 I'’M GOING THERE TO SUPPORT 310 00:06:49,241 --> 00:06:50,517 SLEAZO, DOING HIS NEW SONG 311 00:06:50,517 --> 00:06:51,344 WITH SNOOP, AND YOU KNOW, 312 00:06:51,344 --> 00:06:52,793 I'’M A BIG FAN OF SNOOP, SO. 313 00:06:52,793 --> 00:06:53,793 TRUST ME, IT'’S A GREAT 314 00:06:53,793 --> 00:06:55,000 SITUATION FOR HIS CAREER. 315 00:06:55,000 --> 00:06:56,241 IT'’S [bleep] CRACK. 316 00:06:56,241 --> 00:06:56,931 LOVE YOU, [bleep]. 317 00:06:56,931 --> 00:07:00,034 LOVE YOU TOO. 318 00:07:00,034 --> 00:07:05,724 [bleep] LET'’S TURN IT UP, HEY. 319 00:07:05,724 --> 00:07:06,931 WHAT YOU DOIN'’ STILL ASLEEP? 320 00:07:06,931 --> 00:07:08,689 MY HEAD IS KILLIN'’ ME. 321 00:07:08,689 --> 00:07:10,344 THAT AIN'’T MY PROBLEM. 322 00:07:10,344 --> 00:07:11,000 AFTER A NIGHT 323 00:07:11,000 --> 00:07:12,551 OF HAVIN'’ MAD DRINKS AND SHOUT 324 00:07:12,551 --> 00:07:13,965 WITH THE BOYS, THE LAST THING 325 00:07:13,965 --> 00:07:15,793 ANY MAN NEED IS TO BE WOKEN UP 326 00:07:15,793 --> 00:07:17,586 BY THE PUERTO RICAN ALARM CLOCK. 327 00:07:17,586 --> 00:07:18,241 THEY HAD 328 00:07:18,241 --> 00:07:19,965 A BACHELOR PARTY FOR Z. 329 00:07:19,965 --> 00:07:21,034 IT WAS CRAZY? 330 00:07:21,034 --> 00:07:21,862 DID YOU [bleep] THEA WHILE 331 00:07:21,862 --> 00:07:23,000 YOU WAS IN THE BACHELOR'’S PARTY? 332 00:07:23,000 --> 00:07:23,689 IT WAS ONLY US GUYS. 333 00:07:23,689 --> 00:07:24,344 WASN'’T SHE-- 334 00:07:24,344 --> 00:07:25,000 SHE WASN'’T ONE OF THE-- 335 00:07:25,000 --> 00:07:25,931 SHE WASN'’T ONE OF THE STRIPPERS? 336 00:07:25,931 --> 00:07:26,586 IT WAS ME-- 337 00:07:26,586 --> 00:07:27,275 SHE WASN'’T ONE 338 00:07:27,275 --> 00:07:28,379 OF THE POLE TWERKERS. 339 00:07:28,379 --> 00:07:29,068 DID YOU [bleep] THE BITCH 340 00:07:29,068 --> 00:07:29,724 BEFORE SHE 341 00:07:29,724 --> 00:07:30,896 GOT MARRIED TO YOUR BESTIE? 342 00:07:30,896 --> 00:07:32,344 NOW, THIS IS ONE COMPLICATION 343 00:07:32,344 --> 00:07:33,379 I DIDN'’T CONSIDER 344 00:07:33,379 --> 00:07:34,517 WHEN ZINO ASKED ME TO BE 345 00:07:34,517 --> 00:07:35,482 HIS BEST MAN. 346 00:07:35,482 --> 00:07:36,448 SEE, JOSELINE STILL 347 00:07:36,448 --> 00:07:37,931 THINKS I SMASHED SHORTY, 348 00:07:37,931 --> 00:07:38,965 AND SHE GETS MADDER 349 00:07:38,965 --> 00:07:40,068 AND MADDER EVERY TIME 350 00:07:40,068 --> 00:07:41,241 SHE HEARS THAT NAME. 351 00:07:41,241 --> 00:07:42,724 JOSELINE BE THE ONE TO STAND UP 352 00:07:42,724 --> 00:07:44,000 WHEN THE MINISTER ASKS, "DOES 353 00:07:44,000 --> 00:07:46,068 ANYBODY HAVE ANY OBJECTIONS?" 354 00:07:46,068 --> 00:07:48,000 SO, BENZINO ASKED YOU TO BE 355 00:07:48,000 --> 00:07:49,275 IN HIS WEDDING WITH THE BITCH 356 00:07:49,275 --> 00:07:49,965 THAT HE'’S 357 00:07:49,965 --> 00:07:51,689 GONNA MARRY, THAT YOU [bleep]. 358 00:07:51,689 --> 00:07:52,827 WHAT YOU TALKIN'’ '’BOUT? 359 00:07:52,827 --> 00:07:53,655 BENZINO KNOWS 360 00:07:53,655 --> 00:07:54,965 ALL ABOUT HIS SMASHIN'’, 361 00:07:54,965 --> 00:07:56,103 BUT HE WANTS STEVIE IN THE 362 00:07:56,103 --> 00:07:56,862 WEDDING, TOO. 363 00:07:56,862 --> 00:07:58,034 YOU DUMB [bleep]. 364 00:07:58,034 --> 00:07:59,586 YOU LOOKIN'’ REAL [bleep] STUPID. 365 00:07:59,586 --> 00:08:00,241 THAT'’S 366 00:08:00,241 --> 00:08:01,000 WHY YOU SLEEP IN THE DOGHOUSE. 367 00:08:01,000 --> 00:08:01,758 THAT'’S WHY WE AIN'’T 368 00:08:01,758 --> 00:08:02,413 SLEPT TOGETHER IN HOW 369 00:08:02,413 --> 00:08:03,068 LONG? 370 00:08:03,068 --> 00:08:03,758 I HAVE DEFINITELY 371 00:08:03,758 --> 00:08:04,655 BEEN IN THE DOGHOUSE 372 00:08:04,655 --> 00:08:06,068 LONGER THAN I EXPECTED. 373 00:08:06,068 --> 00:08:06,758 AND I 374 00:08:06,758 --> 00:08:08,000 SUSPECT THIS NEWS ABOUT ME GOIN'’ 375 00:08:08,000 --> 00:08:08,965 TO L.A. IS GONNA 376 00:08:08,965 --> 00:08:10,000 HAVE ME IN THE DOGHOUSE A 377 00:08:10,000 --> 00:08:11,000 L'’IL BIT LONGER. 378 00:08:11,000 --> 00:08:12,034 I GOT TO TALK TO YOU. 379 00:08:12,034 --> 00:08:13,344 I GOT TO GO OUT OF TOWN. 380 00:08:13,344 --> 00:08:14,379 I GOT TO GO TO L.A. 381 00:08:14,379 --> 00:08:15,482 TO HANDLE SOME BIDNESS. 382 00:08:15,482 --> 00:08:16,896 I GOT TO GET IN THE STUDIO. 383 00:08:16,896 --> 00:08:18,000 WHY YOU GOT TO GO TO L.A. 384 00:08:18,000 --> 00:08:19,000 TO GET IN THE STUIDO? 385 00:08:19,000 --> 00:08:19,655 BECAUSE. 386 00:08:19,655 --> 00:08:20,344 YOU DO WORK FROM HOME. 387 00:08:20,344 --> 00:08:21,206 I'’M GETTIN'’ IN THE STUIDO-- 388 00:08:21,206 --> 00:08:22,034 I'’M GETTIN'’ IN STUDIO 389 00:08:22,034 --> 00:08:23,620 WITH MY UNCLE. 390 00:08:23,620 --> 00:08:25,689 WHO THE HELL IS YOUR UNCLE? 391 00:08:25,689 --> 00:08:27,482 SNOOP D-O-DOUBLE-G. 392 00:08:27,482 --> 00:08:28,137 ARE YOU GOIN'’? 393 00:08:28,137 --> 00:08:29,000 I'’M GLAD THAT YOU'’RE GOIN'’ 394 00:08:29,000 --> 00:08:30,172 TO DO SOMETHIN'’ PRODUCTIVE, AND 395 00:08:30,172 --> 00:08:30,862 I LOVE SNOOP DOGG, 396 00:08:30,862 --> 00:08:32,000 SO TELL HIM--HEY, WAIT A MINUTE. 397 00:08:32,000 --> 00:08:32,965 WAIT UP, WHY I CAN'’T GO? 398 00:08:32,965 --> 00:08:33,620 '’CAUSE Y'’ALL 399 00:08:33,620 --> 00:08:34,793 COULD PUT ME ON THE REMIX. 400 00:08:34,793 --> 00:08:35,689 I'’LL TAKE YOU NEXT TIME. 401 00:08:35,689 --> 00:08:36,344 OH, OKAY. 402 00:08:36,344 --> 00:08:37,068 WELL, TAKE ME THE NEXT TIME, BUT 403 00:08:37,068 --> 00:08:38,000 AIN'’T NO TELLIN'’ WHAT I'’M GONNA 404 00:08:38,000 --> 00:08:38,689 DO THIS TIME. 405 00:08:38,689 --> 00:08:39,793 SO ONCE I GIVE YOU A CALL THAT 406 00:08:39,793 --> 00:08:40,689 WEEKEND, I'’M GON'’ SEE WHO YOU 407 00:08:40,689 --> 00:08:41,344 WITH. 408 00:08:41,344 --> 00:08:42,000 '’CAUSE TRUST ME, 409 00:08:42,000 --> 00:08:43,103 MY EYES IS REAL CLOSE TO YOU. 410 00:08:43,103 --> 00:08:43,793 I DON'’T KNOW. 411 00:08:43,793 --> 00:08:44,793 I THINK I ASKED ZINO 412 00:08:44,793 --> 00:08:46,103 TO GO, IF I REMEMBER. 413 00:08:46,103 --> 00:08:47,413 YOU ASKED BENZINO TO GO? 414 00:08:47,413 --> 00:08:48,586 YOU WON'’T LET ME GO TO L.A., 415 00:08:48,586 --> 00:08:49,206 BUT YOU GOIN'’ TO 416 00:08:49,206 --> 00:08:50,275 L.A. WITH GRANDPAPA? 417 00:08:50,275 --> 00:08:51,172 I'’M GLAD THAT'’S WHAT YOU 418 00:08:51,172 --> 00:08:52,448 WANT TO DO, '’CAUSE BELIEVE YOU 419 00:08:52,448 --> 00:08:53,931 ME, BEFORE YOU GOIN'’ OUT OF TOWN 420 00:08:53,931 --> 00:08:54,586 A BITCH 421 00:08:54,586 --> 00:08:56,620 IS GONNA BE OUT THIS HOUSE, BYE. 422 00:08:56,620 --> 00:08:58,586 BYE, MAKE SURE YOU DON'’T TAKE 423 00:08:58,586 --> 00:09:01,896 NONE OF MY THINGS. 424 00:09:01,896 --> 00:09:03,724 YOU'’RE FULL OF [bleep]. 425 00:09:03,724 --> 00:09:04,689 ♪ DON'’T COME LOOKIN ♪ 426 00:09:04,689 --> 00:09:05,482 ♪ FOR LOVE 427 00:09:05,482 --> 00:09:07,689 BUT AFTER JOC TRY TO PLAY ME, 428 00:09:07,689 --> 00:09:09,482 NOT ONLY DID I BUY THE SONG 429 00:09:09,482 --> 00:09:10,551 BUT I TOOK YOU 430 00:09:10,551 --> 00:09:11,551 OFF. 431 00:09:11,551 --> 00:09:12,551 YOU KNOW WHAT, JOC? 432 00:09:12,551 --> 00:09:13,517 I'’M GON'’ LEAVE YOUR CAREER 433 00:09:13,517 --> 00:09:15,862 WHERE I FOUND IT, IN THE TRASH. 434 00:09:15,862 --> 00:09:16,517 DO YOU THINK 435 00:09:16,517 --> 00:09:17,448 HE LEAKED THE TAPE? 436 00:09:17,448 --> 00:09:18,965 LIKE, I DON'’T REALLY BELIEVE 437 00:09:18,965 --> 00:09:21,137 THAT HE WOULD [bleep] DO THAT. 438 00:09:21,137 --> 00:09:22,000 WHAT? 439 00:09:22,000 --> 00:09:22,827 GIRL, BELIEVE IT. 440 00:09:22,827 --> 00:09:24,586 HE LEAKED THE TAPE. 441 00:09:24,586 --> 00:09:26,586 THE CHICK HE MARRYING, 442 00:09:26,586 --> 00:09:27,689 I KNOW THE BROAD. 443 00:09:27,689 --> 00:09:28,793 LIKE, KNOW HER? 444 00:09:28,793 --> 00:09:32,689 I DID AT ZINO CRIB. 445 00:09:32,689 --> 00:09:50,758 OH, MY GOD. 446 00:09:50,758 --> 00:09:51,586 THAT'’S RIGHT. 447 00:09:51,586 --> 00:09:52,310 I'’M A SUCKER 448 00:09:52,310 --> 00:09:53,689 FOR LOVE, BUT MOREOVER, 449 00:09:53,689 --> 00:09:54,931 A SUCKER FOR PEACE IN MY 450 00:09:54,931 --> 00:09:55,586 LIFE. 451 00:09:55,586 --> 00:09:56,241 PUERTO RICAN PRINCESS 452 00:09:56,241 --> 00:09:56,931 HAD THIS BEE 453 00:09:56,931 --> 00:09:57,586 IN HER BONNET 454 00:09:57,586 --> 00:09:58,551 ABOUT COMIN'’ TO L.A. TO 455 00:09:58,551 --> 00:09:59,275 MEET SNOOP, 456 00:09:59,275 --> 00:10:00,724 SO WHO BETTER TO MAKE HER HAPPY 457 00:10:00,724 --> 00:10:02,000 THAN THE GOOD GUY? 458 00:10:02,000 --> 00:10:03,793 ♪ HOLLYWOOD 459 00:10:03,793 --> 00:10:05,206 ♪GONNA BE A STAR ♪ 460 00:10:05,206 --> 00:10:07,551 ♪UP IN HOLLYWOOD ♪ 461 00:10:07,551 --> 00:10:08,896 ♪ NEED TO HAVE A STAR 462 00:10:08,896 --> 00:10:11,137 ♪DOWN ON HOLLYWOOD ♪ 463 00:10:11,137 --> 00:10:12,310 SURPRISE. 464 00:10:12,310 --> 00:10:13,655 GUESS WHO'’S IN L.A.? 465 00:10:13,655 --> 00:10:14,724 YEAH, ME, WHAT'’S Y'’ALL THOUGHT? 466 00:10:14,724 --> 00:10:15,379 I WAS 467 00:10:15,379 --> 00:10:16,517 MAD AT THIS [bleep]. 468 00:10:16,517 --> 00:10:17,310 I TOLD MY HUSBAND 469 00:10:17,310 --> 00:10:19,310 IT WAS EITHER GONNA BE ME OR 470 00:10:19,310 --> 00:10:22,000 GRANDPAPA. 471 00:10:22,000 --> 00:10:22,793 YOU PICK. 472 00:10:22,793 --> 00:10:25,068 ♪ I KNOW WHY'’RE ON THAT ♪ 473 00:10:25,068 --> 00:10:26,206 SO HE WENT WITH THE SMART 474 00:10:26,206 --> 00:10:27,275 WAY AND HE CHOSE TO TAKE ME 475 00:10:27,275 --> 00:10:28,137 BECAUSE HE KNOWS I 476 00:10:28,137 --> 00:10:29,655 WOULDN'’T BE HERE FOR HIM TO PAY. 477 00:10:29,655 --> 00:10:30,862 I LOVE L.A. 478 00:10:30,862 --> 00:10:32,862 I WANT TO LIVE HERE. 479 00:10:32,862 --> 00:10:33,689 YOU WANT TO WHAT? 480 00:10:33,689 --> 00:10:34,827 I WANT TO LIVE HERE. 481 00:10:34,827 --> 00:10:36,344 CHANGE IS ALWAYS GOOD, 482 00:10:36,344 --> 00:10:38,103 BUT I DON'’T KNOW ABOUT LIVIN'’ 483 00:10:38,103 --> 00:10:39,068 HERE. 484 00:10:39,068 --> 00:10:40,068 FOR NOW, IT'’S 485 00:10:40,068 --> 00:10:40,965 ABOUT MAKIN'’ MOVES 486 00:10:40,965 --> 00:10:41,620 AND CONNECTIN'’ 487 00:10:41,620 --> 00:10:42,551 WITH ALL THE POWER PLAYERS 488 00:10:42,551 --> 00:10:43,206 IN THE 489 00:10:43,206 --> 00:10:44,931 INDUSTRY, LIKE THE SNOOP 490 00:10:44,931 --> 00:10:46,103 D-O-DOUBLE-G. 491 00:10:46,103 --> 00:10:47,724 WHO BETTER THAN THAT? 492 00:10:47,724 --> 00:10:51,137 STEVIE J. 493 00:10:51,137 --> 00:10:52,206 MY FAVORITE. 494 00:10:52,206 --> 00:10:54,137 WHAT'’S UP WITH YOU? 495 00:10:54,137 --> 00:10:54,827 HOW YOU BEEN? 496 00:10:54,827 --> 00:10:55,482 GOOD. 497 00:10:55,482 --> 00:10:56,724 HEY, SNOOP, NICE TO MEET YOU. 498 00:10:56,724 --> 00:10:57,379 HI, BEAUTIFUL. 499 00:10:57,379 --> 00:10:58,344 HOW YOU BEEN? 500 00:10:58,344 --> 00:11:00,655 WHAT'’S UP, MISS LOVELY, 501 00:11:00,655 --> 00:11:03,206 BEAUTIFUL, HERNANDEZ-JORDAN? 502 00:11:03,206 --> 00:11:04,310 THANK YOU. 503 00:11:04,310 --> 00:11:05,000 YOU KNOW, MAN, I GOT 504 00:11:05,000 --> 00:11:05,896 TO GET YOU ON THE AIR, MAN. 505 00:11:05,896 --> 00:11:07,034 I'’D LOVE TO. 506 00:11:07,034 --> 00:11:07,724 WELL, COME ON. 507 00:11:07,724 --> 00:11:08,379 LET'’S GO GET IT, THEN. 508 00:11:08,379 --> 00:11:09,034 I'’M STILL A FAN. 509 00:11:09,034 --> 00:11:09,724 COME ON. 510 00:11:09,724 --> 00:11:10,793 OOH, YOU GOT SOME SEXY GIRLS 511 00:11:10,793 --> 00:11:11,724 IN HERE. 512 00:11:11,724 --> 00:11:12,586 COME ON, THEY'’RE THE WEATHER 513 00:11:12,586 --> 00:11:13,241 GIRLS, YOU KNOW? 514 00:11:13,241 --> 00:11:14,137 I GOT WEATHER GIRLS ON MY 515 00:11:14,137 --> 00:11:14,827 SHOW. 516 00:11:14,827 --> 00:11:15,931 SNOOP AND I LAYIN'’ 517 00:11:15,931 --> 00:11:17,310 DOWN THIS TRACK TOMORROW, 518 00:11:17,310 --> 00:11:19,137 BUT TODAY HE'’S GIVIN'’ US AN 519 00:11:19,137 --> 00:11:21,103 INTERVIEW AT HIS OWN PODCAST. 520 00:11:21,103 --> 00:11:21,793 CAN WE MAKE ONE 521 00:11:21,793 --> 00:11:22,448 OF THE WEATHER GIRLS 522 00:11:22,448 --> 00:11:23,551 WALK BY HERE RIGHT NOW? 523 00:11:23,551 --> 00:11:24,206 THIS IS 524 00:11:24,206 --> 00:11:25,931 THE GGN NEWS NETWORK, BABY. 525 00:11:25,931 --> 00:11:26,827 THIS IS MY SHOW. 526 00:11:26,827 --> 00:11:27,448 OKAY. 527 00:11:27,448 --> 00:11:28,620 I LOVE IT. I LOVE IT. 528 00:11:28,620 --> 00:11:29,344 THANKS FOR HAVING US. 529 00:11:29,344 --> 00:11:30,344 COME ON, STEVIE J. 530 00:11:30,344 --> 00:11:31,758 YOU KNOW YOU WELCOME ANY TIME, 531 00:11:31,758 --> 00:11:32,655 LOVE ONE. 532 00:11:32,655 --> 00:11:34,206 WHAT MADE YOU DECIDE TO GET BACK 533 00:11:34,206 --> 00:11:35,931 IN THE LAB AND RECORD? 534 00:11:35,931 --> 00:11:37,137 WELL, I NEVER GOT OUT OF IT, 535 00:11:37,137 --> 00:11:37,931 YOU KNOW WHAT I'’M SAYIN'’, 536 00:11:37,931 --> 00:11:38,586 BUT AT THE END OF THE 537 00:11:38,586 --> 00:11:40,034 DAY I HAD TO DO WHAT I 538 00:11:40,034 --> 00:11:40,931 HAD TO DO IN ORDER 539 00:11:40,931 --> 00:11:42,793 TO MAKE MYSELF RELEVANT AGAIN. 540 00:11:42,793 --> 00:11:43,758 SNOOP IS A PRETTY COOL GUY, 541 00:11:43,758 --> 00:11:44,413 YOU KNOW. 542 00:11:44,413 --> 00:11:45,068 HE'’S BEEN IN THE GAME 543 00:11:45,068 --> 00:11:46,206 FOR, LIKE, I MEAN, 40 YEARS? 544 00:11:46,206 --> 00:11:47,172 SO I'’M EXCITED. 545 00:11:47,172 --> 00:11:48,310 NOW YOU, I WANT TO ASK YOU, 546 00:11:48,310 --> 00:11:50,379 '’CAUSE A LOT OF FEMALES LOVE YOU 547 00:11:50,379 --> 00:11:51,517 AND LOVE HOW YOU GET IN. 548 00:11:51,517 --> 00:11:52,689 HOW DOES IT FEEL NOW 549 00:11:52,689 --> 00:11:53,379 YOU A ROLE MODEL? 550 00:11:53,379 --> 00:11:54,000 AND I KNOW 551 00:11:54,000 --> 00:11:54,965 THAT AIN'’T WHAT YOU DID IT FOR, 552 00:11:54,965 --> 00:11:56,000 BUT THAT'’S WHAT YOU ARE, NOW. 553 00:11:56,000 --> 00:11:57,000 THAT'’S CRAZY. 554 00:11:57,000 --> 00:11:59,310 TO HAVE THE DOGGFATHER SAY 555 00:11:59,310 --> 00:12:00,413 GREAT THINGS ABOUT THE PUERTO 556 00:12:00,413 --> 00:12:02,000 RICAN PRINCESS FEELS AMAZING. 557 00:12:02,000 --> 00:12:02,655 FOR A PERSON LIKE HIM 558 00:12:02,655 --> 00:12:03,586 TO BELIEVE IN ME IT JUST 559 00:12:03,586 --> 00:12:04,551 MEAN A LOT. 560 00:12:04,551 --> 00:12:05,310 THAT WAS A AWESOME 561 00:12:05,310 --> 00:12:06,379 EXPERIENCE, MAN. 562 00:12:06,379 --> 00:12:07,896 YES, SIR, IN A REAL WAY. 563 00:12:07,896 --> 00:12:08,724 SO TOMORROW WE 564 00:12:08,724 --> 00:12:09,379 IN THE LAB, MAN. 565 00:12:09,379 --> 00:12:10,034 YEAH. 566 00:12:10,034 --> 00:12:10,827 KNOW WHAT I'’M SAYIN'’? 567 00:12:10,827 --> 00:12:11,482 I CAN'’T WAIT, MAN. 568 00:12:11,482 --> 00:12:12,206 PUT THE THING DOWN, RIGHT? 569 00:12:12,206 --> 00:12:12,896 PUT THE THING DOWN. 570 00:12:12,896 --> 00:12:13,551 COME ON, MAN.. 571 00:12:13,551 --> 00:12:14,206 THE JOINT THAT ME 572 00:12:14,206 --> 00:12:15,793 AND SNOOP DID IS BANANAS, 573 00:12:15,793 --> 00:12:16,724 AND THIS IS A RETURN TO 574 00:12:16,724 --> 00:12:17,517 GREATNESS. 575 00:12:17,517 --> 00:12:18,310 YOU KNOW, I BEEN WAITIN'’ 576 00:12:18,310 --> 00:12:19,551 FOR THIS FOR A LONG TIME. 577 00:12:19,551 --> 00:12:20,482 TOMORROW IS 578 00:12:20,482 --> 00:12:22,517 GONNA BE A BIG DAY. 579 00:12:22,517 --> 00:12:23,172 THANKS. 580 00:12:23,172 --> 00:12:24,344 THANK YOU FOR HAVIN'’ US. 581 00:12:24,344 --> 00:12:27,344 [singing Spanish] 582 00:12:27,344 --> 00:12:34,034 ♪ 583 00:12:34,034 --> 00:12:35,620 THAT SONG IS WHACK. 584 00:12:35,620 --> 00:12:37,689 I'’M ON MY WAY TO L.A. 585 00:12:37,689 --> 00:12:39,068 I GOT THE BAGS PACKED, AND ALL 586 00:12:39,068 --> 00:12:39,862 THE SUDDEN I GET THIS TEXT 587 00:12:39,862 --> 00:12:41,827 SAYIN'’, "YO, BRO, I DON'’T THINK 588 00:12:41,827 --> 00:12:42,758 IT'’D BE A GOOD IDEA FOR 589 00:12:42,758 --> 00:12:43,620 YOU TO COME TO L.A." 590 00:12:43,620 --> 00:12:47,137 FIRST THING COMES TO MY MIND 591 00:12:47,137 --> 00:12:49,034 IS JOSELINE HERNANDEZ. 592 00:12:49,034 --> 00:12:51,000 WHAT ARE YOU DOIN'’? 593 00:12:51,000 --> 00:12:52,482 WHAT ARE YOU SINGIN'’? 594 00:12:52,482 --> 00:12:53,206 I DON'’T KNOW, EITHER, 595 00:12:53,206 --> 00:12:54,896 TRUST ME, BABY, GUESS WHAT. 596 00:12:54,896 --> 00:12:56,482 HUH? 597 00:12:56,482 --> 00:12:57,827 I'’M NOT GOIN'’ TO L.A. 598 00:12:57,827 --> 00:13:00,000 WHY YOU NOT GOIN'’? 599 00:13:00,000 --> 00:13:01,379 YOU ALREADY KNOW WHAT IT IS. 600 00:13:01,379 --> 00:13:03,724 JOSELINE HERNANDEZ. 601 00:13:03,724 --> 00:13:04,379 I DON'’T KNOW 602 00:13:04,379 --> 00:13:05,413 WHY SHE BE ACTIN'’ LIKE THAT. 603 00:13:05,413 --> 00:13:06,241 '’CAUSE SHE'’S [bleep] CRAZY, 604 00:13:06,241 --> 00:13:06,931 MAN. 605 00:13:06,931 --> 00:13:07,655 LIKE, I'’M GETTIN'’ TIRED 606 00:13:07,655 --> 00:13:08,482 OF THIS [bleep]. 607 00:13:08,482 --> 00:13:09,344 YOU HEARD THE NEW SONG? 608 00:13:09,344 --> 00:13:10,379 THAT'’S THE SONG I WAS SINGIN'’. 609 00:13:10,379 --> 00:13:12,137 [singing] 610 00:13:12,137 --> 00:13:13,172 I DON'’T KNOW WHAT THE [bleep]. 611 00:13:13,172 --> 00:13:13,896 EVEN MY FATHER, 612 00:13:13,896 --> 00:13:14,689 MY FATHER'’S PUERTO RICAN. 613 00:13:14,689 --> 00:13:15,551 HE'’S LIKE, "I DON'’T KNOW WHAT 614 00:13:15,551 --> 00:13:16,310 THE [bleep] SHE'’S SAYIN'’." 615 00:13:16,310 --> 00:13:17,000 YEAH, LIKE, 616 00:13:17,000 --> 00:13:17,862 WHAT LANGUAGE IS SHE SPEAKIN'’? 617 00:13:17,862 --> 00:13:18,655 SHE CAN'’T EVEN CRY 618 00:13:18,655 --> 00:13:20,379 IN ENGLISH. 619 00:13:20,379 --> 00:13:21,137 MY THING IS, 620 00:13:21,137 --> 00:13:23,344 HE'’S FOCUSING ALL ON HER MUSIC, 621 00:13:23,344 --> 00:13:24,620 AND TO BE HONEST WIT'’ YOU, 622 00:13:24,620 --> 00:13:25,275 WE TALKIN'’ 623 00:13:25,275 --> 00:13:26,758 ABOUT A GRAMMY-AWARD-WINNING 624 00:13:26,758 --> 00:13:27,827 PRODUCER, LIKE, 625 00:13:27,827 --> 00:13:30,241 HIS REPUTATION IS BEIN'’ SCARRED 626 00:13:30,241 --> 00:13:31,413 BECAUSE HE THINKS THAT SHE'’S A 627 00:13:31,413 --> 00:13:32,379 STAR. 628 00:13:32,379 --> 00:13:33,310 FOR REAL, I'’M NOT GONNA 629 00:13:33,310 --> 00:13:34,344 KEEP GOIN'’ BACK AND FORTH 630 00:13:34,344 --> 00:13:35,965 WITH STEVIE OVER JOSELINE. 631 00:13:35,965 --> 00:13:36,862 IT'’S GETTIN'’ TOO MUCH. 632 00:13:36,862 --> 00:13:37,586 I DIDN'’T WANT TO, LIKE, 633 00:13:37,586 --> 00:13:38,758 SAY ANYTHING UNTIL YOU GOT BACK, 634 00:13:38,758 --> 00:13:40,482 BUT JOSELINE BE 635 00:13:40,482 --> 00:13:43,310 TAKIN'’ SHOTS AT ME ON INSTAGRAM. 636 00:13:43,310 --> 00:13:44,275 WHEN? 637 00:13:44,275 --> 00:13:47,275 LIKE, COUPLE DAYS AGO. 638 00:13:47,275 --> 00:13:48,448 I THINK JOSELINE REALLY 639 00:13:48,448 --> 00:13:49,413 DOES HATE ALTHEA 640 00:13:49,413 --> 00:13:51,344 BECAUSE EVERYTHING THAT JOSELINE 641 00:13:51,344 --> 00:13:53,172 WANTS TO BE, ALTHEA IS. 642 00:13:53,172 --> 00:13:56,689 TALENTED, BEAUTIFUL, STRONG. 643 00:13:56,689 --> 00:13:58,724 WHAT SHE SAY? 644 00:13:58,724 --> 00:14:00,482 LOOK AT ALL OF THIS. 645 00:14:00,482 --> 00:14:01,344 SHE JUST BE SAYIN-- 646 00:14:01,344 --> 00:14:02,241 WHAT? 647 00:14:02,241 --> 00:14:02,931 SHE WAS LIKE, 648 00:14:02,931 --> 00:14:03,896 "NOW I GOT TO BEAT YOUR ASS," 649 00:14:03,896 --> 00:14:04,551 AND ALL OF THAT. 650 00:14:04,551 --> 00:14:05,689 BEAT--BEAT--BEAT YOUR ASS? 651 00:14:05,689 --> 00:14:07,620 RIGHT, ALL OF THIS STUFF. 652 00:14:07,620 --> 00:14:08,931 SO YEAH, SHE'’S LIKE CYBER-- 653 00:14:08,931 --> 00:14:10,000 TRYIN'’ TO CYBERBULLY ME, 654 00:14:10,000 --> 00:14:11,068 LIKE, YOU SEEN HER ALL THE TIME 655 00:14:11,068 --> 00:14:12,000 OUT IN PUBLIC, PLEASE. 656 00:14:12,000 --> 00:14:12,724 ALL I KNOW IS THAT SHE 657 00:14:12,724 --> 00:14:13,827 AIN'’T PUTTIN'’ HER HANDS ON YOU. 658 00:14:13,827 --> 00:14:14,931 I'’M SO SICK OF ALL THAT, BAE. 659 00:14:14,931 --> 00:14:15,586 NO, FORGET ABOUT IT. 660 00:14:15,586 --> 00:14:17,103 LET'’S GO SWIMMIN'’. 661 00:14:17,103 --> 00:14:17,896 LET ME PUT MY BATHING SUIT 662 00:14:17,896 --> 00:14:18,551 ON. 663 00:14:18,551 --> 00:14:21,551 PUT THAT BRAZILIAN ONE ON. 664 00:14:21,551 --> 00:14:22,724 I'’LL BE BACK IN A SECOND. 665 00:14:22,724 --> 00:14:23,551 NICE. 666 00:14:23,551 --> 00:14:25,793 INSTAGRAM REALLY ISN'’T THE PLACE 667 00:14:25,793 --> 00:14:26,448 TO TAKE OUT 668 00:14:26,448 --> 00:14:27,482 YOUR FRUSTRATIONS AND 669 00:14:27,482 --> 00:14:29,103 EVERYTHING FOR THE WORLD TO SEE. 670 00:14:29,103 --> 00:14:29,793 BUT HEY, 671 00:14:29,793 --> 00:14:30,724 SOMETIMES, YOU KNOW WHAT I'’M 672 00:14:30,724 --> 00:14:31,379 SAYING, YOU GOT TO DO 673 00:14:31,379 --> 00:14:35,517 WHAT YOU GOT TO DO. 674 00:14:35,517 --> 00:14:36,275 I MEAN, WHAT ABOUT 675 00:14:36,275 --> 00:14:37,275 THE PRODUCTION OF THAT TAPE, 676 00:14:37,275 --> 00:14:37,965 THOUGH? 677 00:14:37,965 --> 00:14:39,448 IT WASN'’T A HOMEMADE TAPE. 678 00:14:39,448 --> 00:14:40,103 THE INITIAL TAPE 679 00:14:40,103 --> 00:14:40,793 WAS HOMEMADE. 680 00:14:40,793 --> 00:14:42,586 THE INITIAL TAPE? 681 00:14:42,586 --> 00:14:43,241 THE INITIAL TAPE. 682 00:14:43,241 --> 00:14:55,793 OH, WAIT. 683 00:14:55,793 --> 00:14:56,793 SO WAKA AND I JUST 684 00:14:56,793 --> 00:14:58,034 DROPPED CHARLIE TO THE AIRPORT. 685 00:14:58,034 --> 00:14:58,689 SHE SPENDS THE 686 00:14:58,689 --> 00:14:59,931 SUMMERS WITH HER DAD, 687 00:14:59,931 --> 00:15:01,206 AND IT'’S HARD FOR US. 688 00:15:01,206 --> 00:15:03,034 WE MISS HER, ESPECIALLY WAKA. 689 00:15:03,034 --> 00:15:04,586 HE MISSES HER MORE THAN ME. 690 00:15:04,586 --> 00:15:07,517 IT'’S SUPER CUTE. 691 00:15:07,517 --> 00:15:08,241 I MISS CHARLIE. 692 00:15:08,241 --> 00:15:11,137 CHARLIE NEED TO COME BACK. 693 00:15:11,137 --> 00:15:12,413 I LOVE HER. 694 00:15:12,413 --> 00:15:13,724 EVERY YEAR THIS COMES AROUND, 695 00:15:13,724 --> 00:15:14,413 SUMMERTIME. 696 00:15:14,413 --> 00:15:15,482 WE HAVE TO DROP HER OFF. 697 00:15:15,482 --> 00:15:17,586 WE GO THROUGH THE SAME THING. 698 00:15:17,586 --> 00:15:18,551 I'’M READY TO GO RIGHT BACK 699 00:15:18,551 --> 00:15:20,310 IN THE AIRPORT AND GET HER. 700 00:15:20,310 --> 00:15:21,413 YOU KNOW, THE HOUSE 701 00:15:21,413 --> 00:15:23,000 IS GONNA FEEL EMPTY AND LONELY 702 00:15:23,000 --> 00:15:23,724 NOW THAT SHE'’S GONE, 703 00:15:23,724 --> 00:15:24,931 BUT WHEN WE HAVE ANOTHER BABY, 704 00:15:24,931 --> 00:15:26,034 WE'’LL HAVE, YOU KNOW, 705 00:15:26,034 --> 00:15:27,103 A LITTLE VOID TO FILL. 706 00:15:27,103 --> 00:15:28,000 AND WHEN CHARLIE COMES BACK 707 00:15:28,000 --> 00:15:30,068 SHE CAN HELP US WITH THE BABY. 708 00:15:30,068 --> 00:15:30,758 GIVE HER SOMEBODY 709 00:15:30,758 --> 00:15:31,896 TO PLAY WITH. 710 00:15:31,896 --> 00:15:34,206 SPEAKING OF THAT, THINK I'’M 711 00:15:34,206 --> 00:15:37,551 GONNA GO TO A FERTILITY CLINIC. 712 00:15:37,551 --> 00:15:38,206 YOU FERTILE. 713 00:15:38,206 --> 00:15:39,482 I KNOW THAT THING FOR REAL. 714 00:15:39,482 --> 00:15:40,172 YOU DON'’T KNOW THAT 715 00:15:40,172 --> 00:15:41,896 UNLESS I'’M HAVING A BABY. 716 00:15:41,896 --> 00:15:43,103 IT WAS, WHAT, NINE YEARS 717 00:15:43,103 --> 00:15:44,034 AGO. 718 00:15:44,034 --> 00:15:45,034 IT'’S BEEN A WHILE SINCE I 719 00:15:45,034 --> 00:15:46,068 BEEN PREGNANT WITH CHARLIE, 720 00:15:46,068 --> 00:15:46,793 SO I JUST WANT TO MAKE SURE 721 00:15:46,793 --> 00:15:48,000 EVERYTHING IS OKAY. 722 00:15:48,000 --> 00:15:49,241 PLUS, DEB KEEPS TALKIN'’ 723 00:15:49,241 --> 00:15:50,620 ABOUT TWINS, AND I 724 00:15:50,620 --> 00:15:51,689 DEFINITELY COULD USE SOME HELP 725 00:15:51,689 --> 00:15:52,448 WITH THAT. 726 00:15:52,448 --> 00:15:53,103 YOU MIGHT WANT 727 00:15:53,103 --> 00:15:54,379 TO GET CHECKED TOO, BABY. 728 00:15:54,379 --> 00:15:55,241 YOUR BOY'’S NOT DOIN'’ THAT. 729 00:15:55,241 --> 00:15:56,172 I'’M SORRY, BABY. 730 00:15:56,172 --> 00:15:57,896 YOU DON'’T KNOW. 731 00:15:57,896 --> 00:15:58,689 [bleep] IS NOT TOUCHIN'’ 732 00:15:58,689 --> 00:15:59,896 MY [bleep], YOU KNOW. 733 00:15:59,896 --> 00:16:00,586 IT'’S NOT YOUR [bleep], 734 00:16:00,586 --> 00:16:01,862 IT'’S YOUR SPERM. 735 00:16:01,862 --> 00:16:02,586 THEY NOT TOUCHIN'’ 736 00:16:02,586 --> 00:16:04,034 THAT WITH NO TOOLS, OR NO-- 737 00:16:04,034 --> 00:16:06,241 NO, YOU EJACULATE IN A CUP. 738 00:16:06,241 --> 00:16:06,931 I'’LL HELP YOU DO IT. 739 00:16:06,931 --> 00:16:07,758 IT'’S UNCOMFORTABLE. 740 00:16:07,758 --> 00:16:08,586 I CAN MAKE 741 00:16:08,586 --> 00:16:09,896 THE DOCTOR'’S OFFICE WORK. 742 00:16:09,896 --> 00:16:10,689 I CAN BORROW, LIKE, 743 00:16:10,689 --> 00:16:11,551 A DOCTOR'’S SMOCK, 744 00:16:11,551 --> 00:16:12,206 OR GO 745 00:16:12,206 --> 00:16:13,275 GET A LITTLE DOCTOR UNIFORM, 746 00:16:13,275 --> 00:16:14,034 AND WE CAN JUST SLIDE 747 00:16:14,034 --> 00:16:15,034 INTO THE NEXT ROOM. 748 00:16:15,034 --> 00:16:15,827 WE CAN MAKE THIS FUN, 749 00:16:15,827 --> 00:16:16,482 I MEAN WE MARRIED. 750 00:16:16,482 --> 00:16:17,310 THAT'’S WHAT MARRIED COUPLES DO, 751 00:16:17,310 --> 00:16:18,000 RIGHT? 752 00:16:18,000 --> 00:16:22,034 THEY--THEY HAVE, YOU KNOW, FUN. 753 00:16:22,034 --> 00:16:23,206 TALK ABOUT HOW UGLY MY BABY 754 00:16:23,206 --> 00:16:23,896 IS WITH A NAPPY HEAD. 755 00:16:23,896 --> 00:16:24,551 I CAN'’T-- 756 00:16:24,551 --> 00:16:25,517 NO, MY BABY'’S GON'’ BE PRETTY. 757 00:16:25,517 --> 00:16:26,758 I DON'’T KNOW ABOUT YOUR END, 758 00:16:26,758 --> 00:16:27,551 '’BOUT YOUR GENES, 759 00:16:27,551 --> 00:16:30,379 BUT OVER HERE WE 760 00:16:30,379 --> 00:16:35,241 PRODUCE NOTHIN'’ BUT GOOD GENES. 761 00:16:35,241 --> 00:16:37,862 ♪ I KNOW YOU WORK HARD 762 00:16:37,862 --> 00:16:40,551 ♪ GET YOUR HANDS DIRTY 763 00:16:40,551 --> 00:16:41,206 ♪ YOU BE PLAYING 764 00:16:41,206 --> 00:16:43,068 ♪ IN THEM STREETS, BUT 765 00:16:43,068 --> 00:16:45,068 ♪ DADDY ISN'’T WORTH IT ♪ 766 00:16:45,068 --> 00:16:46,448 LISTEN TO YOU. 767 00:16:46,448 --> 00:16:47,793 [imitates singing] 768 00:16:47,793 --> 00:16:49,310 SO MISS KARLIE REDD HAS BEEN 769 00:16:49,310 --> 00:16:51,103 BLOWIN'’ UP MY PHONE, CALLIN'’ 770 00:16:51,103 --> 00:16:52,344 ME, ASKING ME WOULD ME 771 00:16:52,344 --> 00:16:53,137 AND KALENNA COME DOWN 772 00:16:53,137 --> 00:16:54,655 TO THE STUDIO, '’CAUSE SHE 773 00:16:54,655 --> 00:16:56,000 HAS SOME BUSINESS DECISION 774 00:16:56,000 --> 00:16:57,034 SHE NEED TO MAKE. 775 00:16:57,034 --> 00:16:58,586 LORD ONLY KNOWS WHAT KARLIE 776 00:16:58,586 --> 00:16:59,758 REDD GOT GOIN'’ ON. 777 00:16:59,758 --> 00:17:01,310 ANYWAY, WHAT THE HELL IS UP? 778 00:17:01,310 --> 00:17:02,000 GIRL, 779 00:17:02,000 --> 00:17:03,620 WHEN JOC AND I WAS ALL GOOD, 780 00:17:03,620 --> 00:17:05,034 WE DID A SONG TOGETHER, 781 00:17:05,034 --> 00:17:06,172 AND HE FEELS 782 00:17:06,172 --> 00:17:07,551 LIKE IT'’S A HIT. 783 00:17:07,551 --> 00:17:09,034 HE TOOK IT TO THE LABEL 784 00:17:09,034 --> 00:17:09,827 AND EVERYTHING. 785 00:17:09,827 --> 00:17:11,586 BUT AFTER HE TRY TO PLAY 786 00:17:11,586 --> 00:17:14,724 ME, A SISTA WENT AND GOT SMART. 787 00:17:14,724 --> 00:17:16,137 HON, T, I BOUGHT THE SONG 788 00:17:16,137 --> 00:17:17,172 FROM THE PRODUCER. 789 00:17:17,172 --> 00:17:19,241 HERE'’S MY CONTRACT. 790 00:17:19,241 --> 00:17:21,689 NOW THE SONG BELONGS TO ME. 791 00:17:21,689 --> 00:17:22,344 NOW THAT WAS 792 00:17:22,344 --> 00:17:23,379 A BOLD-ASS MOVE. 793 00:17:23,379 --> 00:17:24,034 NOW I AIN'’T TRYING 794 00:17:24,034 --> 00:17:24,931 TO KNOCK KARLIE HUSTLE 795 00:17:24,931 --> 00:17:26,275 OR NOTHIN'’, BUT I JUST WANTED 796 00:17:26,275 --> 00:17:27,172 TO KNOW WHAT SHE DOIN'’ 797 00:17:27,172 --> 00:17:28,344 WHAT'’S BEST FOR BUSINESS 798 00:17:28,344 --> 00:17:29,068 AND AIN'’T OVER HERE 799 00:17:29,068 --> 00:17:30,689 ON SOME OLD EMOTIONAL SCORNED 800 00:17:30,689 --> 00:17:31,965 FEMALE TYPE [bleep]. 801 00:17:31,965 --> 00:17:34,068 NOT ONLY DID I BUY THE SONG, 802 00:17:34,068 --> 00:17:37,379 BUT I TOOK YOU OFF. 803 00:17:37,379 --> 00:17:38,620 YOU'’RE OFF THE SONG. 804 00:17:38,620 --> 00:17:39,413 SO I 805 00:17:39,413 --> 00:17:42,172 PUT YOUNG DRO IN THE SONG. 806 00:17:42,172 --> 00:17:43,551 ARE YOU MAKING A DECISION 807 00:17:43,551 --> 00:17:46,034 BASED ON PERSONAL? 808 00:17:46,034 --> 00:17:48,827 OR IS IT CLEARLY BUSINESS? 809 00:17:48,827 --> 00:17:49,689 AND KEEP IN MIND, HONEY. 810 00:17:49,689 --> 00:17:50,344 AS YOU CAN HEAR, 811 00:17:50,344 --> 00:17:51,758 IT'’S CLEARLY BUSINESS. 812 00:17:51,758 --> 00:17:53,965 NO, BUT YOUR AMMUNITION 813 00:17:53,965 --> 00:17:55,206 FROM THE RIP, 814 00:17:55,206 --> 00:17:56,793 IT'’S ON SOME PERSONAL [bleep], 815 00:17:56,793 --> 00:17:57,655 CORRECT? 816 00:17:57,655 --> 00:17:59,000 YES, ABSOLUTELY. 817 00:17:59,000 --> 00:18:00,482 DO NOT [bleep] WITH ME. 818 00:18:00,482 --> 00:18:01,137 LISTEN TO YOU. 819 00:18:01,137 --> 00:18:02,103 JOC SHOULD KNOW BETTER 820 00:18:02,103 --> 00:18:03,517 THAN TO MESS WITH KARLIE REDD. 821 00:18:03,517 --> 00:18:04,655 I'’M FUN, I'’M 822 00:18:04,655 --> 00:18:06,551 FREAKY, AND I TURN UP. 823 00:18:06,551 --> 00:18:07,206 BUT WHEN IT COME 824 00:18:07,206 --> 00:18:08,000 TO THE BUSINESS? 825 00:18:08,000 --> 00:18:08,655 YOU DON'’T WANT TO 826 00:18:08,655 --> 00:18:09,482 MESS WITH ME. 827 00:18:09,482 --> 00:18:11,172 OKAY, I FEEL YOU, 828 00:18:11,172 --> 00:18:12,620 AND YOU--AND YOUR FEELINGS, 829 00:18:12,620 --> 00:18:13,620 LIKE IT'’S NO TOMORROW. 830 00:18:13,620 --> 00:18:14,413 IN THIS INDUSTRY, 831 00:18:14,413 --> 00:18:15,655 IT'’S BUILT OFF RELATIONSHIPS, 832 00:18:15,655 --> 00:18:16,517 AND PEOPLE WATCH HOW YOU 833 00:18:16,517 --> 00:18:17,137 MOVE. 834 00:18:17,137 --> 00:18:18,413 IT'’S BUILT OFF LOYALTY, 835 00:18:18,413 --> 00:18:19,172 YOU KNOW WHAT I'’M SAYIN'’? 836 00:18:19,172 --> 00:18:19,862 RIGHT, BUT HE 837 00:18:19,862 --> 00:18:21,758 WASN'’T LOYAL TO ME AT ALL. 838 00:18:21,758 --> 00:18:22,413 BUT THAT'’S 839 00:18:22,413 --> 00:18:23,586 ON SOME PERSONAL [bleep]. 840 00:18:23,586 --> 00:18:24,965 NO, NO, IT'’S NOT PERSONAL. 841 00:18:24,965 --> 00:18:25,965 SWEETHEART, IT'’S NOT PERSONAL. 842 00:18:25,965 --> 00:18:26,620 WHY NOT? 843 00:18:26,620 --> 00:18:27,275 BECAUSE I'’M GONNA 844 00:18:27,275 --> 00:18:27,965 TELL YOU WHY. 845 00:18:27,965 --> 00:18:30,000 AFTER WE BROKE UP, 846 00:18:30,000 --> 00:18:30,827 I DIDN'’T HEAR NOTHIN'’ 847 00:18:30,827 --> 00:18:31,724 ABOUT THE RECORD. 848 00:18:31,724 --> 00:18:33,068 I HAD HIS OWN LAWYER SEND IT 849 00:18:33,068 --> 00:18:34,206 IN WRITIN'’, LIKE, LOOK, IF YOU 850 00:18:34,206 --> 00:18:35,000 AIN'’T GONNA DO NOTHIN'’ WITH 851 00:18:35,000 --> 00:18:36,551 THE RECORD, WE NEED TO KNOW. 852 00:18:36,551 --> 00:18:37,379 AND THERE WAS NO RESPONSE. 853 00:18:37,379 --> 00:18:38,034 NO RESPONSE. 854 00:18:38,034 --> 00:18:38,724 OKAY, WELL, 855 00:18:38,724 --> 00:18:39,413 BUSINESS IS BUSINESS. 856 00:18:39,413 --> 00:18:40,068 YOU DONE, THEN. 857 00:18:40,068 --> 00:18:41,827 WHAT WE TALKIN'’ ABOUT? 858 00:18:41,827 --> 00:18:42,827 I HOPE KARLIE'’S TELLIN'’ 859 00:18:42,827 --> 00:18:44,137 THE TRUTH ABOUT WHAT SHE DID 860 00:18:44,137 --> 00:18:45,379 AND HOW SHE DID IT. 861 00:18:45,379 --> 00:18:46,137 THE MUSIC INDUSTRY IS 862 00:18:46,137 --> 00:18:47,034 UNFORGIVING. 863 00:18:47,034 --> 00:18:47,862 IF SHE PULLS A STUNT 864 00:18:47,862 --> 00:18:49,689 LIKE THIS ON JOC, THIS SINGLE 865 00:18:49,689 --> 00:18:50,620 MIGHT BE THE ONLY THING 866 00:18:50,620 --> 00:18:52,000 SHE EVER RELEASES. 867 00:18:52,000 --> 00:18:53,034 SO WHEN YOU TOLD JOC YOU WAS 868 00:18:53,034 --> 00:18:53,965 TAKIN'’ HIM OFF THE RECORD, 869 00:18:53,965 --> 00:18:55,586 WHAT DID HE SAY? 870 00:18:55,586 --> 00:18:56,620 HE DOESN'’T KNOW. 871 00:18:56,620 --> 00:18:57,344 WHAT? 872 00:18:57,344 --> 00:18:58,241 HE HASN'’T RETURNED 873 00:18:58,241 --> 00:18:59,793 A CALL, A TEXT, 874 00:18:59,793 --> 00:19:01,517 HIS OWN LAWYER'’S CALLS, 875 00:19:01,517 --> 00:19:02,862 BUT HE SHALL SOON 876 00:19:02,862 --> 00:19:05,068 FIND OUT. 877 00:19:05,068 --> 00:19:07,137 I'’M GONNA COVER MY TRACKS AGAIN 878 00:19:07,137 --> 00:19:07,896 AND INVITE HIM 879 00:19:07,896 --> 00:19:08,827 TO THE VIDEO SHOOT. 880 00:19:08,827 --> 00:19:09,586 THAT'’S [bleep] PERFECT. 881 00:19:09,586 --> 00:19:10,310 WHEN YOU DOIN'’ THE VIDEO? 882 00:19:10,310 --> 00:19:11,689 I'’M DOIN'’ THAT, LIKE, ASAP. 883 00:19:11,689 --> 00:19:13,827 IT IS ALL ABOUT THE BUSINESS. 884 00:19:13,827 --> 00:19:14,482 [bleep], YOU WASTIN'’ 885 00:19:14,482 --> 00:19:19,241 VALUABLE STUDIO TIME. 886 00:19:19,241 --> 00:19:24,931 [hip-hop music playing] 887 00:19:24,931 --> 00:19:25,586 HI, BOO. 888 00:19:25,586 --> 00:19:26,275 HEY, BOO. 889 00:19:26,275 --> 00:19:27,310 HI, BOOS. 890 00:19:27,310 --> 00:19:28,000 HEY, HOW ARE YOU? 891 00:19:28,000 --> 00:19:31,413 I'’M DEALING. 892 00:19:31,413 --> 00:19:32,620 THERE'’S NO POINT IN ME TRYING 893 00:19:32,620 --> 00:19:33,517 TO KEEP NIKKO'’S MARRIAGE A 894 00:19:33,517 --> 00:19:34,172 SECRET. 895 00:19:34,172 --> 00:19:36,344 IT'’S ALL OVER THE INTERNET. 896 00:19:36,344 --> 00:19:37,068 SO I'’M GONNA 897 00:19:37,068 --> 00:19:38,482 TELL ARIANE AND ERICA 898 00:19:38,482 --> 00:19:39,517 EVERYTHING BEFORE THEY 899 00:19:39,517 --> 00:19:40,965 GET A CHANCE TO ASK ME. 900 00:19:40,965 --> 00:19:42,310 THIS IS GONNA BE HARD FOR ME, 901 00:19:42,310 --> 00:19:44,172 BECAUSE THESE TWO HAVE HATED 902 00:19:44,172 --> 00:19:45,862 NIKKO SINCE THE BEGINNING. 903 00:19:45,862 --> 00:19:46,586 OKAY, FIRST THINGS 904 00:19:46,586 --> 00:19:47,655 FIRST. 905 00:19:47,655 --> 00:19:48,586 I DON'’T WANT ANY 906 00:19:48,586 --> 00:19:50,068 "I TOLD YOU SO"S. 907 00:19:50,068 --> 00:19:51,137 I CAN'’T MAKE PROMISES 908 00:19:51,137 --> 00:19:52,137 LIKE THAT, BUT GO AHEAD. 909 00:19:52,137 --> 00:19:53,172 ARIANE. 910 00:19:53,172 --> 00:19:54,068 JUST SAY YOU'’LL TRY. 911 00:19:54,068 --> 00:19:54,758 I'’LL TRY. 912 00:19:54,758 --> 00:19:55,724 OKAY. 913 00:19:55,724 --> 00:19:56,965 LET ME JUST GIVE IT TO YOU 914 00:19:56,965 --> 00:19:57,620 STRAIGHT. 915 00:19:57,620 --> 00:19:58,517 OKAY. 916 00:19:58,517 --> 00:20:01,517 SO MY BOYFRIEND 917 00:20:01,517 --> 00:20:03,448 IS MARRIED. 918 00:20:03,448 --> 00:20:06,241 NO. 919 00:20:06,241 --> 00:20:07,551 HOW LONG? 920 00:20:07,551 --> 00:20:10,689 SINCE '’07. 921 00:20:10,689 --> 00:20:12,586 HE'’S THE GREATEST MANIPULATOR 922 00:20:12,586 --> 00:20:13,931 WALKING. 923 00:20:13,931 --> 00:20:14,758 I PICKED UP 924 00:20:14,758 --> 00:20:15,517 ON HIS BULL[bleep] THE 925 00:20:15,517 --> 00:20:17,413 MOMENT I FIRST MET HIM. 926 00:20:17,413 --> 00:20:18,724 ALL HE'’S CONTINUOUSLY 927 00:20:18,724 --> 00:20:21,137 DONE IS PROVEN HIMSELF TO BE 928 00:20:21,137 --> 00:20:23,172 THE SCUMBAG PARASITE 929 00:20:23,172 --> 00:20:25,379 THAT I'’VE ALWAYS THOUGHT HE WAS. 930 00:20:25,379 --> 00:20:27,655 HE SAYS THAT HE'’S WITH ME, 931 00:20:27,655 --> 00:20:29,034 AND HE WASN'’T GONNA 932 00:20:29,034 --> 00:20:30,448 SAY ANYTHING '’CAUSE HE 933 00:20:30,448 --> 00:20:31,448 WAS GONNA GET A DIVORCE. 934 00:20:31,448 --> 00:20:32,103 AND YOU BELIEVE HIM? 935 00:20:32,103 --> 00:20:32,862 I'’M TELLIN'’ YOU 936 00:20:32,862 --> 00:20:33,758 WHAT CAME OUT OF HIS MOUTH. 937 00:20:33,758 --> 00:20:34,413 OKAY. 938 00:20:34,413 --> 00:20:36,413 WHEN DID YOU FIND OUT? 939 00:20:36,413 --> 00:20:37,758 HOW? 940 00:20:37,758 --> 00:20:39,310 IT WAS ON SOCIAL MEDIA. 941 00:20:39,310 --> 00:20:40,517 WHEN YOU FOUND OUT 942 00:20:40,517 --> 00:20:42,000 VIA SOCIAL MEDIA-- 943 00:20:42,000 --> 00:20:42,724 I CONFRONTED HIM. 944 00:20:42,724 --> 00:20:44,586 HE WAS VERY NONCHALANT ABOUT IT. 945 00:20:44,586 --> 00:20:45,517 LIKE IT WAS NOTHING. 946 00:20:45,517 --> 00:20:46,448 LIKE, YEAH. 947 00:20:46,448 --> 00:20:47,793 OKAY, I'’M MARRIED, BASICALLY. 948 00:20:47,793 --> 00:20:48,448 SO WHAT? 949 00:20:48,448 --> 00:20:49,103 GET OVER IT. 950 00:20:49,103 --> 00:20:49,931 LIKE, WHAT'’S THE BIG DEAL? 951 00:20:49,931 --> 00:20:51,034 AS MUCH AS I BLAME MIMI 952 00:20:51,034 --> 00:20:51,724 FOR THE CHOICES 953 00:20:51,724 --> 00:20:53,000 SHE'’S MADE IN HER LIFE, HOW WAS 954 00:20:53,000 --> 00:20:53,655 SHE SUPPOSED TO KNOW 955 00:20:53,655 --> 00:20:55,034 THAT HER BOYFRIEND WAS MARRIED? 956 00:20:55,034 --> 00:20:56,275 THAT'’S JUST CRAZY. 957 00:20:56,275 --> 00:20:57,310 MIMI HAS BEEN GOING 958 00:20:57,310 --> 00:20:59,000 THROUGH ISSUE ON TOP OF ISSUE. 959 00:20:59,000 --> 00:21:00,034 AND IT REALLY SEEMS LIKE 960 00:21:00,034 --> 00:21:01,724 NIKKO WAS THE BEGINNING 961 00:21:01,724 --> 00:21:02,655 OF HER DOWNFALL. 962 00:21:02,655 --> 00:21:04,310 I MEAN, SO MUCH STUFF HAS BEEN 963 00:21:04,310 --> 00:21:06,896 SURFACED AND LEAKED, I MEAN. 964 00:21:06,896 --> 00:21:08,482 AND IT ALL INVOLVES HIM. 965 00:21:08,482 --> 00:21:09,724 WHAT BOTHERS ME 966 00:21:09,724 --> 00:21:10,862 THE MOST ABOUT THIS IS 967 00:21:10,862 --> 00:21:12,206 I WAS DEFENDING HIM. 968 00:21:12,206 --> 00:21:14,103 I DEFENDED HIM TO YOU GUYS 969 00:21:14,103 --> 00:21:16,758 OVER AND OVER AND OVER AGAIN. 970 00:21:16,758 --> 00:21:18,965 I FEEL DISRESPECTED. 971 00:21:18,965 --> 00:21:20,827 I FEEL PLAYED. 972 00:21:20,827 --> 00:21:23,137 THIS TAPE? 973 00:21:23,137 --> 00:21:24,896 PURPOSELY DONE. 974 00:21:24,896 --> 00:21:25,551 DO YOU THINK 975 00:21:25,551 --> 00:21:26,896 HE LEAKED THE TAPE? 976 00:21:26,896 --> 00:21:28,172 LIKE, I DON'’T WANT TO BELIEVE 977 00:21:28,172 --> 00:21:30,310 THAT HE WOULD [bleep] DO THAT. 978 00:21:30,310 --> 00:21:31,275 WHAT? 979 00:21:31,275 --> 00:21:32,034 GIRL, BELIEVE IT. 980 00:21:32,034 --> 00:21:34,448 '’CAUSE IF HE WAS MARRIED, 981 00:21:34,448 --> 00:21:35,448 AND HE DONE STRUNG YOU ALONG 982 00:21:35,448 --> 00:21:36,103 LIKE A LIL PUPPY 983 00:21:36,103 --> 00:21:37,965 THIS WHOLE TIME? 984 00:21:37,965 --> 00:21:39,413 HE LEAKED THE TAPE. 985 00:21:39,413 --> 00:21:41,482 IF MIMI IS EVER GOING 986 00:21:41,482 --> 00:21:42,689 TO UNDERSTAND WHO SHE'’S DEALING 987 00:21:42,689 --> 00:21:44,000 WITH, THE TIME IS 988 00:21:44,000 --> 00:21:45,103 RIGHT NOW. 989 00:21:45,103 --> 00:21:46,034 HE'’S MARRIED. 990 00:21:46,034 --> 00:21:47,344 HE LEAKED THE TAPE. 991 00:21:47,344 --> 00:21:49,448 HE USED YOU, PERIOD. 992 00:21:49,448 --> 00:21:50,379 MIMI, WHAT ABOUT THE PRODUCTION 993 00:21:50,379 --> 00:21:51,275 OF THAT TAPE, THOUGH? 994 00:21:51,275 --> 00:21:52,655 '’CAUSE THAT WAS JUST NOT NO 995 00:21:52,655 --> 00:21:53,517 [bleep] TAPE. 996 00:21:53,517 --> 00:21:55,586 IT WASN'’T A HOMEMADE TAPE. 997 00:21:55,586 --> 00:21:56,827 THE INITIAL TAPE 998 00:21:56,827 --> 00:21:58,034 WAS HOMEMADE. 999 00:21:58,034 --> 00:21:59,448 THE INITIAL TAPE. 1000 00:21:59,448 --> 00:22:00,103 OH MY-- 1001 00:22:00,103 --> 00:22:02,000 YOU'’VE HAD MULTIPLE TAPES. 1002 00:22:02,000 --> 00:22:03,344 YES. 1003 00:22:03,344 --> 00:22:05,206 OH. 1004 00:22:05,206 --> 00:22:07,310 BOOM. AND THERE IT IS. 1005 00:22:07,310 --> 00:22:08,206 THERE WE GO. 1006 00:22:08,206 --> 00:22:09,172 FOR MONTHS, 1007 00:22:09,172 --> 00:22:11,655 MIMI HAS BEEN DOWN OUR THROATS, 1008 00:22:11,655 --> 00:22:13,724 ADAMANTLY SAYING SHE HAD 1009 00:22:13,724 --> 00:22:17,000 NOTHING TO DO WITH THE SEX TAPE. 1010 00:22:17,000 --> 00:22:19,896 AND NOW THERE'’S A NEW STORY? 1011 00:22:19,896 --> 00:22:21,379 THE COMPANY SAID, 1012 00:22:21,379 --> 00:22:23,793 "WE DON'’T HAVE ENOUGH FOOTAGE." 1013 00:22:23,793 --> 00:22:24,724 BECAUSE IT HAS TO BE 1014 00:22:24,724 --> 00:22:25,379 A CERTAIN AMOUNT 1015 00:22:25,379 --> 00:22:27,482 OF FOOTAGE TO SELL. 1016 00:22:27,482 --> 00:22:28,344 SO YOU GUYS WENT BACK 1017 00:22:28,344 --> 00:22:29,655 AND DID ADDITIONAL FOOTAGE. 1018 00:22:29,655 --> 00:22:31,620 CORRECT. 1019 00:22:31,620 --> 00:22:32,551 SO WHY WE DIDN'’T GET 1020 00:22:32,551 --> 00:22:33,724 ALL THIS FROM THE BEGINNING? 1021 00:22:33,724 --> 00:22:34,758 '’CAUSE I DIDN'’T FEEL 1022 00:22:34,758 --> 00:22:36,000 LIKE I NEEDED TO DIVULGE ALL 1023 00:22:36,000 --> 00:22:38,862 THAT FROM THE BEGINNIN'’. 1024 00:22:38,862 --> 00:22:40,344 WOW, THAT'’S A LIE. 1025 00:22:40,344 --> 00:22:41,758 MIMI HAS BEEN FLAT-OUT LYIN'’ 1026 00:22:41,758 --> 00:22:43,551 TO US SINCE DAY ONE. 1027 00:22:43,551 --> 00:22:45,344 MAKES ME WONDER WHAT ELSE HAVE 1028 00:22:45,344 --> 00:22:46,862 YOU BEEN LYIN'’ TO US ABOUT? 1029 00:22:46,862 --> 00:22:48,000 HE AND HIS WIFE, 1030 00:22:48,000 --> 00:22:48,931 THEY'’RE IN CAHOOTS 1031 00:22:48,931 --> 00:22:50,275 BEHIND ALL OF THIS. 1032 00:22:50,275 --> 00:22:51,206 I'’M SORRY. 1033 00:22:51,206 --> 00:22:51,896 I HAVE-- 1034 00:22:51,896 --> 00:22:53,827 I HAVE TO AGREE WITH YOU. 1035 00:22:53,827 --> 00:22:55,137 THIS IS A WHOLE SET UP. 1036 00:22:55,137 --> 00:22:56,068 THIS IS A WHOLE-- 1037 00:22:56,068 --> 00:22:57,482 A PLAYIN'’. 1038 00:22:57,482 --> 00:22:59,310 AND WHAT EATS ME UP IS YOU COULD 1039 00:22:59,310 --> 00:23:01,448 HAVE GOT ANY RANDOM-ASS HO OUT 1040 00:23:01,448 --> 00:23:02,103 HERE. 1041 00:23:02,103 --> 00:23:03,172 IT'’S SO MANY THIRSTY HOS. 1042 00:23:03,172 --> 00:23:04,379 BUT YOU GOT A MOTHER. 1043 00:23:04,379 --> 00:23:05,517 WHICH MEANS HE NEVER CARED 1044 00:23:05,517 --> 00:23:07,344 ABOUT YOU OR EVA. 1045 00:23:07,344 --> 00:23:08,000 AND THAT [bleep] 1046 00:23:08,000 --> 00:23:09,827 IS NOT HELPING ME, PERIOD. 1047 00:23:09,827 --> 00:23:10,758 AIN'’T NOBODY HELPING ME BUT 1048 00:23:10,758 --> 00:23:12,586 ME. 1049 00:23:12,586 --> 00:23:13,965 OKAY. 1050 00:23:13,965 --> 00:23:15,655 SO WE GON'’ CONTINUE TO [bleep]. 1051 00:23:15,655 --> 00:23:16,896 I MADE THE DECISION I MADE, AND 1052 00:23:16,896 --> 00:23:18,482 THAT'’S WHAT THE [bleep] IT IS. 1053 00:23:18,482 --> 00:23:20,413 PERIOD. 1054 00:23:20,413 --> 00:23:21,310 MY BACK WAS AGAINST THE WALL, 1055 00:23:21,310 --> 00:23:22,000 AND I HAD 1056 00:23:22,000 --> 00:23:22,655 TO MAKE A CHOICE. 1057 00:23:22,655 --> 00:23:23,310 GOT THAT. 1058 00:23:23,310 --> 00:23:24,000 DO YOU? 1059 00:23:24,000 --> 00:23:25,068 I HAVE THAT. 1060 00:23:25,068 --> 00:23:26,655 LET'’S BE CLEAR, '’CAUSE YOU 1061 00:23:26,655 --> 00:23:27,517 GOT ME [bleep]ED UP RIGHT NOW. 1062 00:23:27,517 --> 00:23:28,172 NO, I DON'’T. 1063 00:23:28,172 --> 00:23:28,931 YEAH, YOU DO. 1064 00:23:28,931 --> 00:23:29,896 STOP. 1065 00:23:29,896 --> 00:23:31,931 UNTIL YOU ARE IN MY SHOES, 1066 00:23:31,931 --> 00:23:33,862 YOU CAN NOT SAY [bleep] TO ME. 1067 00:23:33,862 --> 00:23:34,517 OKAY. 1068 00:23:34,517 --> 00:23:35,586 I'’M READY TO GO, OKAY? 1069 00:23:35,586 --> 00:23:38,034 I HAD ENOUGH. 1070 00:23:38,034 --> 00:23:38,793 ARIANE AND ERICA 1071 00:23:38,793 --> 00:23:39,448 KNOW EXACTLY WHAT 1072 00:23:39,448 --> 00:23:40,103 I'’VE BEEN THROUGH 1073 00:23:40,103 --> 00:23:41,068 THESE PAST COUPLE OF WEEKS, 1074 00:23:41,068 --> 00:23:42,275 AND FOR THEM TO SIT HERE AND 1075 00:23:42,275 --> 00:23:43,689 JUST JUDGE ME SOME MORE? 1076 00:23:43,689 --> 00:23:45,172 IT'’S JUST TOO MUCH FOR ME, 1077 00:23:45,172 --> 00:23:46,655 AND I DON'’T HAVE TO LISTEN 1078 00:23:46,655 --> 00:23:47,413 TO IT. 1079 00:23:47,413 --> 00:23:49,344 THE MAIN THING NOW IS WE GOT 1080 00:23:49,344 --> 00:23:50,793 TO LOOK AT YOUR HUSBAND. 1081 00:23:50,793 --> 00:23:51,620 WE HAVE TO BASICALLY SEE 1082 00:23:51,620 --> 00:23:54,482 IF MY HUSBAND IS NOT POLLUTED. 1083 00:23:54,482 --> 00:23:55,482 I HURT JOSELINE SO MUCH. 1084 00:23:55,482 --> 00:23:56,206 I JUST DON'’T WANT 1085 00:23:56,206 --> 00:24:04,896 TO HURT HER NO MORE. 1086 00:24:04,896 --> 00:24:06,862 ♪A HARD BAIT ♪ 1087 00:24:06,862 --> 00:24:09,517 ♪UNDER THE MOONLIGHT ♪ 1088 00:24:09,517 --> 00:24:11,310 ♪ A COOL TOUCH 1089 00:24:11,310 --> 00:24:13,241 ♪ BREAKING THE SILENCE 1090 00:24:13,241 --> 00:24:15,793 ♪ AS THE STARS ALIGN 1091 00:24:15,793 --> 00:24:19,000 ♪ WE CAN WATCH THE SPARKS FLY 1092 00:24:19,000 --> 00:24:25,000 ♪ TWO BODIES BREATHE 1093 00:24:25,000 --> 00:24:27,689 ♪ AND MOVE AT THE SAME TIME 1094 00:24:27,689 --> 00:24:28,965 THE DOCTOR'’S OFFICE, 1095 00:24:28,965 --> 00:24:30,344 THE NEEDLES, THE TESTS, 1096 00:24:30,344 --> 00:24:31,724 IT'’S ALL NERVE-WRACKING, 1097 00:24:31,724 --> 00:24:32,931 BUT IT'’S NECESSARY. 1098 00:24:32,931 --> 00:24:34,103 I KNOW I CAN GET PREGNANT. 1099 00:24:34,103 --> 00:24:35,241 I MEAN, I HAVE CHARLIE. 1100 00:24:35,241 --> 00:24:36,413 BUT THE FACT IS, 1101 00:24:36,413 --> 00:24:37,448 WE'’VE BEEN TRYING, AND I 1102 00:24:37,448 --> 00:24:38,758 HAVEN'’T GOTTEN PREGNANT YET. 1103 00:24:38,758 --> 00:24:39,586 SO I NEED TO MAKE SURE 1104 00:24:39,586 --> 00:24:40,241 THAT EVERYTHING 1105 00:24:40,241 --> 00:24:43,000 IS OKAY WITH BOTH ME AND WAKA. 1106 00:24:43,000 --> 00:24:44,034 WE'’VE GOT SOME OF YOUR TESTS 1107 00:24:44,034 --> 00:24:44,724 BACK. 1108 00:24:44,724 --> 00:24:45,379 THEY LOOK FINE. 1109 00:24:45,379 --> 00:24:46,275 THERE'’S NO EVIDENCE 1110 00:24:46,275 --> 00:24:48,413 OF POLLUTION OR INFECTION 1111 00:24:48,413 --> 00:24:49,689 OR PROBLEMS THAT, UH... 1112 00:24:49,689 --> 00:24:50,724 THANK YOU. 1113 00:24:50,724 --> 00:24:51,862 YOU HAPPY? 1114 00:24:51,862 --> 00:24:52,965 I'’M NOT POLLUTED. 1115 00:24:52,965 --> 00:24:54,620 THAT MIGHT GET IN THE WAY. 1116 00:24:54,620 --> 00:24:56,931 BUT THE MAIN THING NOW IS WE GOT 1117 00:24:56,931 --> 00:24:58,275 TO LOOK AT YOUR HUSBAND. 1118 00:24:58,275 --> 00:24:59,172 WE HAVE TO BASICALLY SEE 1119 00:24:59,172 --> 00:25:00,517 IF MY HUSBAND IS NOT POLLUTED. 1120 00:25:00,517 --> 00:25:01,758 YEAH, WE'’VE GOT TO TALK 1121 00:25:01,758 --> 00:25:03,448 ABOUT, YOU KNOW, 1122 00:25:03,448 --> 00:25:06,482 DRUGS, ALCOHOL, WHAT YOUR SEX 1123 00:25:06,482 --> 00:25:07,448 LIFE IS LIKE. 1124 00:25:07,448 --> 00:25:08,103 OKAY. 1125 00:25:08,103 --> 00:25:09,931 AND, I DON'’T KNOW. 1126 00:25:09,931 --> 00:25:10,931 THAT'’S SOME PRETTY 1127 00:25:10,931 --> 00:25:11,931 PERSONAL STUFF HERE. 1128 00:25:11,931 --> 00:25:14,103 YEAH, SO DEB, 1129 00:25:14,103 --> 00:25:14,931 DO YOU MIND? 1130 00:25:14,931 --> 00:25:15,586 ALL RIGHT, 1131 00:25:15,586 --> 00:25:16,517 SO JUST ADD MY OWN QUESTION, 1132 00:25:16,517 --> 00:25:17,724 THEN I CAN LEAVE. 1133 00:25:17,724 --> 00:25:19,034 OKAY. 1134 00:25:19,034 --> 00:25:19,689 IS THERE ANY WAY 1135 00:25:19,689 --> 00:25:20,586 THAT YOU COULD PLANT THREE 1136 00:25:20,586 --> 00:25:22,689 IN THERE AT ONE TIME? 1137 00:25:22,689 --> 00:25:23,827 NO. 1138 00:25:23,827 --> 00:25:25,103 DEB HAS LOST HER MIND. 1139 00:25:25,103 --> 00:25:26,172 SHE CAN HAVE THREE KIDS 1140 00:25:26,172 --> 00:25:27,137 IF SHE WANTS TO. 1141 00:25:27,137 --> 00:25:28,551 I MEAN, WE WAS PUSHIN'’ IT WITH 1142 00:25:28,551 --> 00:25:29,862 TWO, BUT THREE? 1143 00:25:29,862 --> 00:25:30,827 NO. 1144 00:25:30,827 --> 00:25:31,482 I WAS VERY FERTILE, 1145 00:25:31,482 --> 00:25:32,137 SO I DON'’T THINK 1146 00:25:32,137 --> 00:25:35,172 MY SON'’S GONNA BE ANY PROBLEM. 1147 00:25:35,172 --> 00:25:36,034 MOST OF MY CONCERN 1148 00:25:36,034 --> 00:25:37,275 WITH MY HUSBAND 1149 00:25:37,275 --> 00:25:38,793 IS THAT, COUPLE YEARS AGO HE WAS 1150 00:25:38,793 --> 00:25:40,758 SHOT, AND HE KIND OF FLATLINED 1151 00:25:40,758 --> 00:25:41,655 AND CAME BACK TO LIFE. 1152 00:25:41,655 --> 00:25:43,103 HE WAS PARALYZED ON ONE 1153 00:25:43,103 --> 00:25:43,931 SIDE, AND HE WAS ON A LOT 1154 00:25:43,931 --> 00:25:44,758 OF MEDICATIONS. 1155 00:25:44,758 --> 00:25:45,724 COULD THAT BE A FACTOR 1156 00:25:45,724 --> 00:25:46,724 IN ME GETTING 1157 00:25:46,724 --> 00:25:47,551 PREGNANT? 1158 00:25:47,551 --> 00:25:48,517 WELL, THAT CERTAINLY 1159 00:25:48,517 --> 00:25:49,172 CAN BE A FACTOR. 1160 00:25:49,172 --> 00:25:49,862 WHAT ABOUT COMING 1161 00:25:49,862 --> 00:25:50,793 INTO THE FERTILITY 1162 00:25:50,793 --> 00:25:52,620 CLINIC TO DO THE SEMEN ANALYSIS? 1163 00:25:52,620 --> 00:25:53,275 I DON'’T KNOW 1164 00:25:53,275 --> 00:25:54,689 HOW HE WILL FEEL ABOUT THAT. 1165 00:25:54,689 --> 00:25:56,379 WE NEED HIM TO ABSTAIN 1166 00:25:56,379 --> 00:25:57,517 FOR AT LEAST TWO DAYS 1167 00:25:57,517 --> 00:25:58,517 BEFORE WE DO THE SEMEN 1168 00:25:58,517 --> 00:25:59,413 ANALYSIS. 1169 00:25:59,413 --> 00:26:00,827 RIGHT. OKAY. 1170 00:26:00,827 --> 00:26:02,068 I'’M TRYING TO IMAGINE TELLING 1171 00:26:02,068 --> 00:26:03,206 WAKA HE CAN'’T HAVE NONE FOR 1172 00:26:03,206 --> 00:26:05,000 TWO DAYS, BUT A MAN'’S GOT TO DO 1173 00:26:05,000 --> 00:26:05,689 WHAT HE HAS TO DO. 1174 00:26:05,689 --> 00:26:06,448 I MEAN, HE WANTS THESE 1175 00:26:06,448 --> 00:26:07,275 BABIES. 1176 00:26:07,275 --> 00:26:08,344 SO WHAT IS THE PROCESS? 1177 00:26:08,344 --> 00:26:10,241 LIKE, HOW DO YOU GET THE SPERM? 1178 00:26:10,241 --> 00:26:12,172 SOMETIMES THE GUYS LIKE HELP. 1179 00:26:12,172 --> 00:26:13,586 BUT WE HAVE A QUIET, 1180 00:26:13,586 --> 00:26:14,931 SOUNDPROOFED ROOM. 1181 00:26:14,931 --> 00:26:16,241 WE HAVE MAGAZINES. 1182 00:26:16,241 --> 00:26:17,275 WE HAVE VIDEOS. 1183 00:26:17,275 --> 00:26:18,068 WE WOULD HAVE A CUP 1184 00:26:18,068 --> 00:26:19,310 BACK THERE LIKE THIS, 1185 00:26:19,310 --> 00:26:20,862 AND HE CAN PROVIDE THE SPECIMEN. 1186 00:26:20,862 --> 00:26:21,517 I'’M SURE 1187 00:26:21,517 --> 00:26:23,034 HE'’S GONNA BE SUPPORTIVE, BUT 1188 00:26:23,034 --> 00:26:24,206 YOU'’VE GOT SOME SWEET-TALKING 1189 00:26:24,206 --> 00:26:28,172 TO DO BETWEEN NOW AND THEN. 1190 00:26:28,172 --> 00:26:34,517 YEAH, I THINK I GOT IT. 1191 00:26:34,517 --> 00:26:36,655 ♪ CUT FROM THE SAME CLOTH 1192 00:26:36,655 --> 00:26:37,413 ♪ IT AIN'’T '’BOUT ♪ 1193 00:26:37,413 --> 00:26:39,000 ♪ WHAT THE GAME COSTS 1194 00:26:39,000 --> 00:26:39,655 ♪ I COME FROM A 1195 00:26:39,655 --> 00:26:41,206 ♪ BLOODLINE OF LEADERS 1196 00:26:41,206 --> 00:26:43,620 ♪ TO BE HONEST, I WANT ANOTHER 1197 00:26:43,620 --> 00:26:45,068 ♪ COUNT THE PROMISE TO 1198 00:26:45,068 --> 00:26:46,448 ♪ HUNDRED, THOUGH, YES 1199 00:26:46,448 --> 00:26:47,275 ♪ WHO'’S TOLD '’EM ♪ 1200 00:26:47,275 --> 00:26:48,862 ♪ WHAT YOU'’RE THINKING? ♪ 1201 00:26:48,862 --> 00:26:50,000 ♪ THE WORLD IS MINE 1202 00:26:50,000 --> 00:26:51,379 ♪ FOR THE TAKIN'’ ♪ 1203 00:26:51,379 --> 00:26:55,068 ♪ THE SOUL IS NEVER GON'’ ♪ 1204 00:26:55,068 --> 00:26:57,448 ♪ BREAK ME, NO 1205 00:26:57,448 --> 00:26:59,000 THINK WE GOT IT, BRO. 1206 00:26:59,000 --> 00:27:00,034 KILLT IT. 1207 00:27:00,034 --> 00:27:00,724 YOU LIKE THAT? 1208 00:27:00,724 --> 00:27:01,448 YEAH. 1209 00:27:01,448 --> 00:27:03,793 WHEN I WROTE THIS JOINT DNA, I 1210 00:27:03,793 --> 00:27:05,241 HAD ONE PERSON IN MIND FOR THIS 1211 00:27:05,241 --> 00:27:06,241 TRACK, AND THAT WAS THE 1212 00:27:06,241 --> 00:27:09,000 DOGGFATHER, SNOOP D-O-DOUBLE-G. 1213 00:27:09,000 --> 00:27:10,310 HE KILLT IT, AND WE 1214 00:27:10,310 --> 00:27:11,413 ABOUT TO WIN IT, 1215 00:27:11,413 --> 00:27:13,000 AND I'’M LOVIN'’ LIFE RIGHT NOW. 1216 00:27:13,000 --> 00:27:14,379 FEELS SO GOOD TO BE BACK IN THE 1217 00:27:14,379 --> 00:27:15,931 LAB, ESPECIALLY WITH A G 1218 00:27:15,931 --> 00:27:17,000 LIKE YOURSELF, MAN. 1219 00:27:17,000 --> 00:27:18,793 FOR YOU, LIKE, SANCTIONIN'’ ME, 1220 00:27:18,793 --> 00:27:19,620 YOU KNOW WHAT I'’M SAYIN'’, 1221 00:27:19,620 --> 00:27:20,620 THAT MEANS A LOT FOR ME. 1222 00:27:20,620 --> 00:27:22,724 AND I APPRECIATE THAT, MAN. 1223 00:27:22,724 --> 00:27:23,379 THANKS FOR JUMPIN'’ 1224 00:27:23,379 --> 00:27:24,137 ON THE DNA WITH ME. 1225 00:27:24,137 --> 00:27:25,655 NAW, WE GOT THE SAME DNA. 1226 00:27:25,655 --> 00:27:26,379 IT ONLY MAKES SENSE 1227 00:27:26,379 --> 00:27:27,034 TO GET ON WIT'’ YOU, 1228 00:27:27,034 --> 00:27:27,793 '’CAUSE IT'’S GON'’ 1229 00:27:27,793 --> 00:27:28,931 BE SOME CLASSIC MATERIAL, 1230 00:27:28,931 --> 00:27:29,689 AND IT FEELS GOOD. 1231 00:27:29,689 --> 00:27:30,344 THIS IS WHAT YOUR 1232 00:27:30,344 --> 00:27:31,448 BLESSING AND YOUR CALLING 1233 00:27:31,448 --> 00:27:32,241 IS, TO DO MUSIC. 1234 00:27:32,241 --> 00:27:33,413 YOU PLAY SO MANY INSTRUMENTS. 1235 00:27:33,413 --> 00:27:34,620 YOU KNOW HOW TO MAKE THE SOUND. 1236 00:27:34,620 --> 00:27:35,517 SO I WANTED TO BE A INSTRUMENT 1237 00:27:35,517 --> 00:27:36,172 FOR YOU. 1238 00:27:36,172 --> 00:27:37,517 I WANTED TO GIVE YOU MY VOICE 1239 00:27:37,517 --> 00:27:38,379 AND ALLOW MY VOICE 1240 00:27:38,379 --> 00:27:40,103 TO BE A PART OF YOUR ALBUM. 1241 00:27:40,103 --> 00:27:40,965 I'’LL TOAST TO THAT. 1242 00:27:40,965 --> 00:27:42,241 COME ON, MAN, ONE MORE TIME. 1243 00:27:42,241 --> 00:27:43,448 ONE MORE TIME. 1244 00:27:43,448 --> 00:27:45,724 HEY. 1245 00:27:45,724 --> 00:27:46,379 I BEEN IN THE GAME 1246 00:27:46,379 --> 00:27:47,068 FOR A LONG TIME, 1247 00:27:47,068 --> 00:27:47,758 BUT NOT LONG AS 1248 00:27:47,758 --> 00:27:48,413 YOU. 1249 00:27:48,413 --> 00:27:49,344 I USED TO GO TO THE CONCERTS 1250 00:27:49,344 --> 00:27:50,000 AND WATCH YOU, 1251 00:27:50,000 --> 00:27:51,448 AND BACKSTAGE'’D BE LIKE A 1252 00:27:51,448 --> 00:27:52,827 MILLION, BILLION CHICKS 1253 00:27:52,827 --> 00:27:53,482 HANGING AROUND. 1254 00:27:53,482 --> 00:27:54,137 YEAH. YEAH. 1255 00:27:54,137 --> 00:27:55,586 AS YOU GET OLDER, YOU GET WISER. 1256 00:27:55,586 --> 00:27:56,241 YOU DON'’T EVEN GO 1257 00:27:56,241 --> 00:27:56,931 BACKSTAGE. 1258 00:27:56,931 --> 00:27:57,586 WE GO 1259 00:27:57,586 --> 00:27:58,827 TO THE NEXT LOCATION AND TRYIN'’ 1260 00:27:58,827 --> 00:28:00,413 TO BE STRONG ENOUGH TO DO 1261 00:28:00,413 --> 00:28:01,655 YOUR SHOW FOR TOMORROW. 1262 00:28:01,655 --> 00:28:03,103 D-O-DOUBLE-G IS DROPPIN'’ 1263 00:28:03,103 --> 00:28:04,586 SOME KNOWLEDGE ON ME RIGHT NOW. 1264 00:28:04,586 --> 00:28:05,620 SO RIGHT NOW, 1265 00:28:05,620 --> 00:28:06,379 IMMA TAKE THE TIME 1266 00:28:06,379 --> 00:28:08,103 TO TALK TO SNOOP ABOUT A COUPLE 1267 00:28:08,103 --> 00:28:10,034 OF LIFE LESSONS. 1268 00:28:10,034 --> 00:28:11,310 I GOT A LITTLE SITUATION, 1269 00:28:11,310 --> 00:28:12,862 A LITTLE DILEMMA, MAN. 1270 00:28:12,862 --> 00:28:13,793 YOU KNOW HOW WE 1271 00:28:13,793 --> 00:28:15,310 VALUE OUR FAMILIES 1272 00:28:15,310 --> 00:28:17,137 AND OUR LOVED ONES. 1273 00:28:17,137 --> 00:28:18,758 I GOT TO BE HONEST WITH YOU. 1274 00:28:18,758 --> 00:28:20,379 YOU KNOW, ZINO'’S MY BRO, 1275 00:28:20,379 --> 00:28:23,758 AND HE ABOUT TO GET MARRIED. 1276 00:28:23,758 --> 00:28:26,000 AND THE CHICK HE MARRYING-- 1277 00:28:26,000 --> 00:28:26,827 I KNOW THE BROAD. 1278 00:28:26,827 --> 00:28:27,724 YOU MEAN, LIKE, KNOW HER? 1279 00:28:27,724 --> 00:28:28,862 LIKE, I MEAN-- 1280 00:28:28,862 --> 00:28:29,827 I KNOW WHAT YOU MEAN 1281 00:28:29,827 --> 00:28:31,034 WHEN YOU SAY YOU KNOW HER. 1282 00:28:31,034 --> 00:28:31,862 I WORE IT. 1283 00:28:31,862 --> 00:28:33,482 MAN, YOU WORE IT FOR A NIGHT. 1284 00:28:33,482 --> 00:28:35,482 AND I DID IT AT ZINO CRIB. 1285 00:28:35,482 --> 00:28:37,448 OH, MY GOD. 1286 00:28:37,448 --> 00:28:38,103 THAT'’S RIGHT. 1287 00:28:38,103 --> 00:28:39,517 WHEN IT COMES DOWN TO IT, 1288 00:28:39,517 --> 00:28:40,758 I SMASHED SHORTY. 1289 00:28:40,758 --> 00:28:41,413 I BEEN KEEPING 1290 00:28:41,413 --> 00:28:42,586 IT FROM JOSELINE, 1291 00:28:42,586 --> 00:28:44,379 AND I HAVEN'’T ADMITTED TO ZINO, 1292 00:28:44,379 --> 00:28:45,310 BUT IT'’S JUST SOMETHIN'’ THAT 1293 00:28:45,310 --> 00:28:46,758 HAPPENED IN THE PAST. 1294 00:28:46,758 --> 00:28:48,586 BUT IF IMMA STAND NEXT TO ZI 1295 00:28:48,586 --> 00:28:50,206 WHEN HE GETS MARRIED, 1296 00:28:50,206 --> 00:28:52,034 MAYBE I NEED TO COME CLEAN. 1297 00:28:52,034 --> 00:28:53,034 WELL, YOU GOT TO LET HIM KNOW 1298 00:28:53,034 --> 00:28:54,206 BEFORE HE TIE THE KNOT 1299 00:28:54,206 --> 00:28:56,241 THAT SHE IS PART OF 1300 00:28:56,241 --> 00:28:58,413 THE COLLECTION. 1301 00:28:58,413 --> 00:28:59,379 SHE KINDA TOLD HIM, 1302 00:28:59,379 --> 00:29:00,137 BUT THEN I WAS JUST, 1303 00:29:00,137 --> 00:29:00,827 LIKE, 1304 00:29:00,827 --> 00:29:01,620 I DIDN'’T WANT TO GET INTO THE 1305 00:29:01,620 --> 00:29:03,068 MIDDLE OF IT, '’CAUSE, LIKE, 1306 00:29:03,068 --> 00:29:06,275 I AIN'’T TELL JOSELINE. 1307 00:29:06,275 --> 00:29:06,965 WELL, THAT'’S 1308 00:29:06,965 --> 00:29:08,413 WHERE THE PROBLEM GON'’ BE AT. 1309 00:29:08,413 --> 00:29:09,620 THAT'’S WHERE THE REAL PROBLEM 1310 00:29:09,620 --> 00:29:10,275 GON'’ BE. 1311 00:29:10,275 --> 00:29:11,758 THANKS, THANKS, SNOOP. 1312 00:29:11,758 --> 00:29:12,724 I BEEN HOLDIN'’ IT 1313 00:29:12,724 --> 00:29:14,000 BACK FROM EVERYBODY BECAUSE I 1314 00:29:14,000 --> 00:29:15,068 DIDN'’T WANT TO HURT HIM, 1315 00:29:15,068 --> 00:29:16,172 NOR DO I WANT TO HURT MY BABY. 1316 00:29:16,172 --> 00:29:16,862 YOU KNOW WHAT I'’M 1317 00:29:16,862 --> 00:29:17,517 SAYING? 1318 00:29:17,517 --> 00:29:18,310 SO NOW IT'’S TO THE POINT WHERE I 1319 00:29:18,310 --> 00:29:19,586 GOT TO COME CLEAN WITH MYSELF. 1320 00:29:19,586 --> 00:29:20,413 YEAH, '’CAUSE EVERYBODY 1321 00:29:20,413 --> 00:29:21,310 GONNA BE HURT THE MINUTE 1322 00:29:21,310 --> 00:29:22,172 IF IT GET OUT. 1323 00:29:22,172 --> 00:29:23,655 SHE GON'’ TRIP. 1324 00:29:23,655 --> 00:29:24,448 WELL, YOU KNOW WHAT'’S GON'’ 1325 00:29:24,448 --> 00:29:25,103 WORK? 1326 00:29:25,103 --> 00:29:27,275 IF YOU TELL HER FIRST. 1327 00:29:27,275 --> 00:29:28,241 THAT MAKES SENSE. 1328 00:29:28,241 --> 00:29:28,965 YEAH, YOU TELL HER FIRST. 1329 00:29:28,965 --> 00:29:29,724 SO I GOT TO TELL HER TONIGHT, 1330 00:29:29,724 --> 00:29:30,379 THEN. 1331 00:29:30,379 --> 00:29:31,034 YEAH. 1332 00:29:31,034 --> 00:29:31,689 YOU GOT TO TELL HER TONIGHT. 1333 00:29:31,689 --> 00:29:32,344 I HURT JOSELINE SO MUCH. 1334 00:29:32,344 --> 00:29:33,000 I JUST DON'’T WANT 1335 00:29:33,000 --> 00:29:33,862 TO HURT HER NO MORE. 1336 00:29:33,862 --> 00:29:35,000 THE TRUTH HURTS, BUT IT'’S 1337 00:29:35,000 --> 00:29:37,379 BETTER WHEN IT COME FROM YOU. 1338 00:29:37,379 --> 00:29:38,206 AND YOU GOT TO LET 1339 00:29:38,206 --> 00:29:39,551 MY NIECE-Y KNOW WHAT'’S UP. 1340 00:29:39,551 --> 00:29:40,379 YOU GOT TO TELL HER TONIGHT. 1341 00:29:40,379 --> 00:29:41,034 YOU GOT TO KEEP IT 1342 00:29:41,034 --> 00:29:42,413 100 WIT'’ HER. 1343 00:29:42,413 --> 00:29:44,000 SHE GON'’ RESPECT THAT. 1344 00:29:44,000 --> 00:29:44,724 UNFORTUNATELY, 1345 00:29:44,724 --> 00:29:46,551 SNOOP IS 100% RIGHT. 1346 00:29:46,551 --> 00:29:47,896 I'’M NOT LOOKIN'’ FORWARD 1347 00:29:47,896 --> 00:29:49,310 TO THIS RIGHT HERE. 1348 00:29:49,310 --> 00:29:50,172 HEY, DO YOU SON 1349 00:29:50,172 --> 00:29:51,551 GOT ONE OF THOSE HELMETS FOR ME, 1350 00:29:51,551 --> 00:29:52,206 '’CAUSE I MIGHT-- 1351 00:29:52,206 --> 00:29:53,172 YEAH, YOU GON'’ NEED A HELMET. 1352 00:29:53,172 --> 00:29:53,862 YEAH. 1353 00:29:53,862 --> 00:29:54,517 WELL, MAYBE YOU 1354 00:29:54,517 --> 00:29:56,241 WANT TO TELL HER WHEN-- 1355 00:29:56,241 --> 00:29:57,137 A GROUP OF PEOPLE IS AROUND. 1356 00:29:57,137 --> 00:29:57,793 YEAH. 1357 00:29:57,793 --> 00:29:58,965 MAYBE WALKIN'’ OUT OF THE COURT 1358 00:29:58,965 --> 00:30:01,931 BUILDING, OR SOMETHIN'’. 1359 00:30:01,931 --> 00:30:02,620 I WANT YOU TO GO 1360 00:30:02,620 --> 00:30:03,448 IN THERE AND FINISH IT. 1361 00:30:03,448 --> 00:30:04,344 MAKE SURE THAT [bleep] TAKE OFF. 1362 00:30:04,344 --> 00:30:05,068 YOU'’RE NOT ON THE RECORD 1363 00:30:05,068 --> 00:30:05,758 ANYMORE. 1364 00:30:05,758 --> 00:30:06,655 I'’M SORRY. 1365 00:30:06,655 --> 00:30:07,448 YOU DIDN'’T HANDLE YOUR 1366 00:30:07,448 --> 00:30:09,068 BUSINESS AND YOU 1367 00:30:09,068 --> 00:30:10,344 WILL NEVER GET ANY PERCENTAGE. 1368 00:30:10,344 --> 00:30:12,206 THE TAPE THAT ACTUALLY CAME 1369 00:30:12,206 --> 00:30:27,482 OUT MIGHT BE JUST ONE OF OTHERS. 1370 00:30:27,482 --> 00:30:30,000 ♪ I KNOW YOU WORK HARD 1371 00:30:30,000 --> 00:30:31,827 ♪ ITCHING AND SKIRTING 1372 00:30:31,827 --> 00:30:32,655 I'’M HERE SHOOTING 1373 00:30:32,655 --> 00:30:33,310 THE MUSIC VIDEO 1374 00:30:33,310 --> 00:30:35,448 FOR HEARTBREAKERS BY MYSELF. 1375 00:30:35,448 --> 00:30:37,137 YOUNG DRO IS GONNA COME THROUGH 1376 00:30:37,137 --> 00:30:38,724 LATER AND MAKE HIS APPEARANCE, 1377 00:30:38,724 --> 00:30:40,379 BUT THE BOTTOM LINE IS, 1378 00:30:40,379 --> 00:30:43,034 JOC HAS BEEN REPLACED. 1379 00:30:43,034 --> 00:30:44,310 I INVITED JOC HERE 1380 00:30:44,310 --> 00:30:45,344 SO HE CAN CHECK OUT THE 1381 00:30:45,344 --> 00:30:47,275 SCENE AND KNOW THAT YOU WILL 1382 00:30:47,275 --> 00:30:49,586 NEVER MESS WITH KARLIE REDD. 1383 00:30:49,586 --> 00:30:50,655 ♪ WANT TO CRY ME 1384 00:30:50,655 --> 00:30:51,827 ♪ A RIVER, BOY? 1385 00:30:51,827 --> 00:30:53,000 ♪ YOU TWIST AND TOSS ME 1386 00:30:53,000 --> 00:30:54,482 ♪ LIKE I WAS A TOY 1387 00:30:54,482 --> 00:30:57,310 ♪ NOW I GOT TO LET YOU GO 1388 00:30:57,310 --> 00:31:00,206 ♪ I'’M TAKING BACK CONTROL ♪ 1389 00:31:00,206 --> 00:31:01,482 ♪ I'’M TIRED OF YOUR LIES ♪ 1390 00:31:01,482 --> 00:31:03,172 ♪ AND YOUR CHEATING 1391 00:31:03,172 --> 00:31:04,000 ♪ I NEVER THOUGHT I'’D BE ♪ 1392 00:31:04,000 --> 00:31:05,241 ♪ THE ONE TO LEAVE 1393 00:31:05,241 --> 00:31:06,379 ♪ YEAH, I WAS OVER IT 1394 00:31:06,379 --> 00:31:07,896 ♪ NOW I'’M OVER YOU ♪ 1395 00:31:07,896 --> 00:31:09,172 ♪ FAKE BREAK-UPS 1396 00:31:09,172 --> 00:31:10,310 ♪ BUT WE AIN'’T THROUGH ♪ 1397 00:31:10,310 --> 00:31:11,724 ♪ I'’M LOVING YOU AGAIN ♪ 1398 00:31:11,724 --> 00:31:13,034 ♪ BUT I DON'’T KNOW WHY ♪ 1399 00:31:13,034 --> 00:31:14,000 ♪ NOW WE RIGHT BACK 1400 00:31:14,000 --> 00:31:17,724 ♪ WHERE WE ARE 1401 00:31:17,724 --> 00:31:18,379 I GOT A TEXT 1402 00:31:18,379 --> 00:31:19,413 FROM KARLIE ABOUT MEETIN'’ 1403 00:31:19,413 --> 00:31:20,862 AT THE SOUND STAGE. 1404 00:31:20,862 --> 00:31:21,517 KIND OF BEEN TRYIN'’ 1405 00:31:21,517 --> 00:31:22,551 TO AVOID THE SITUATION, 1406 00:31:22,551 --> 00:31:23,586 BUT I BEEN HEARIN'’ WORD 1407 00:31:23,586 --> 00:31:24,310 FROM MY MANAGEMENT 1408 00:31:24,310 --> 00:31:25,137 THAT KARLIE BEEN MAKIN'’ 1409 00:31:25,137 --> 00:31:26,000 SOME PHONE CALLS 1410 00:31:26,000 --> 00:31:27,275 THAT SHE SHOULDN'’T BE MAKIN'’. 1411 00:31:27,275 --> 00:31:28,793 SO I FIGURED I'’D MAKE 1412 00:31:28,793 --> 00:31:31,965 MY PRESENCE FELT TODAY. 1413 00:31:31,965 --> 00:31:32,620 HEY. 1414 00:31:32,620 --> 00:31:34,241 SO, MAN, YOU TEXT ME. 1415 00:31:34,241 --> 00:31:35,655 YES, I TEXT YOU, AND-- 1416 00:31:35,655 --> 00:31:36,724 ABOUT YOUR VIDEO SHOOT, 1417 00:31:36,724 --> 00:31:38,344 AND I'’M HERE. 1418 00:31:38,344 --> 00:31:39,103 WHAT'’S UP? 1419 00:31:39,103 --> 00:31:39,965 I WAS SHOOTING THE VIDEO 1420 00:31:39,965 --> 00:31:40,689 FOR HEARTBREAKER. 1421 00:31:40,689 --> 00:31:41,448 THAT'’S CLEAR. 1422 00:31:41,448 --> 00:31:42,689 THAT'’S-- 1423 00:31:42,689 --> 00:31:43,344 AND I TOOK YOU 1424 00:31:43,344 --> 00:31:45,137 OFF THE RECORD. 1425 00:31:45,137 --> 00:31:46,586 DRO'’S ON THE VERSE NOW. 1426 00:31:46,586 --> 00:31:47,241 DRO? 1427 00:31:47,241 --> 00:31:49,000 I HANDLE MY BUSINESS 1428 00:31:49,000 --> 00:31:51,137 BY BUYIN'’ THE RECORD 1429 00:31:51,137 --> 00:31:52,068 FROM THE PRODUCER 1430 00:31:52,068 --> 00:31:54,275 AND I'’M THE WRITER. 1431 00:31:54,275 --> 00:31:55,206 YOU KNOW, IT'’S JUST FUNNY 1432 00:31:55,206 --> 00:31:56,413 CONSIDERING, YOU KNOW, SAYIN'’ 1433 00:31:56,413 --> 00:31:57,413 I BOUGHT YOU THIS RECORD. 1434 00:31:57,413 --> 00:31:58,517 I INTRODUCED YOU 1435 00:31:58,517 --> 00:32:01,620 TO THE WRITER, THE PRODUCER, 1436 00:32:01,620 --> 00:32:02,551 AND I PULL IT UP ON HERE 1437 00:32:02,551 --> 00:32:03,724 TO CHECK ON YOU, THIS IS 1438 00:32:03,724 --> 00:32:04,965 WHAT I GET HIT IN THE FACE WITH. 1439 00:32:04,965 --> 00:32:06,413 I DID GET HIT IN THE FACE 1440 00:32:06,413 --> 00:32:07,172 WHEN I PULLED UP 1441 00:32:07,172 --> 00:32:08,482 TO THE FASHION SHOW TOO, 1442 00:32:08,482 --> 00:32:09,137 RIGHT? 1443 00:32:09,137 --> 00:32:09,793 OKAY. 1444 00:32:09,793 --> 00:32:10,655 THE WAY YOU BEEN ACTIN'’ 1445 00:32:10,655 --> 00:32:11,310 IN THE STREETS 1446 00:32:11,310 --> 00:32:12,275 WITH ALL THESE DIFFERENT SIDE 1447 00:32:12,275 --> 00:32:12,965 CHICKS? 1448 00:32:12,965 --> 00:32:13,620 MM-HMM. 1449 00:32:13,620 --> 00:32:14,689 THAT WAS CRAZY RECKLESS. 1450 00:32:14,689 --> 00:32:15,413 AND I CAME TO YOU, 1451 00:32:15,413 --> 00:32:16,931 I SAID TO YOU, "I STILL WANT TO 1452 00:32:16,931 --> 00:32:19,172 HANDLE THE BUSINESS WITH YOU," 1453 00:32:19,172 --> 00:32:19,931 AND YOU STILL-- 1454 00:32:19,931 --> 00:32:21,413 YOU STILL WENT ABOUT IT. 1455 00:32:21,413 --> 00:32:22,379 SO WHY DIDN'’T THE BUSINESS 1456 00:32:22,379 --> 00:32:23,034 GET HANDLED? 1457 00:32:23,034 --> 00:32:23,689 BECAUSE I 1458 00:32:23,689 --> 00:32:24,620 COULDN'’T CONTACT YOU. 1459 00:32:24,620 --> 00:32:25,620 YOU WERE BUSY. 1460 00:32:25,620 --> 00:32:26,310 YOU GOT IN TOUCH WITH ME 1461 00:32:26,310 --> 00:32:27,000 ABOUT THE VIDEO. 1462 00:32:27,000 --> 00:32:27,655 '’CAUSE YOU NOT 1463 00:32:27,655 --> 00:32:28,310 HANDLING BUSINESS. 1464 00:32:28,310 --> 00:32:29,413 I HOPE EVERYTHING WORK 1465 00:32:29,413 --> 00:32:30,068 OUT FOR YOU. 1466 00:32:30,068 --> 00:32:33,275 GOD BLESS YOU 1467 00:32:33,275 --> 00:32:35,793 AND YOUR HEATHEN ASS. 1468 00:32:35,793 --> 00:32:37,034 I'’M NOT SURPRISED AT ALL 1469 00:32:37,034 --> 00:32:38,103 THAT KARLIE WOULD TRY SOMETHIN'’ 1470 00:32:38,103 --> 00:32:38,793 LIKE THIS. 1471 00:32:38,793 --> 00:32:40,103 I MEAN, IT'’S SAD, '’CAUSE KARLIE 1472 00:32:40,103 --> 00:32:41,482 REALLY THINKS SHE PULLED A BOSS 1473 00:32:41,482 --> 00:32:42,724 MOVE, BUT SHE GON'’ LEARN 1474 00:32:42,724 --> 00:32:44,206 TODAY--I MEAN, 1475 00:32:44,206 --> 00:32:45,758 EITHER WAY IT GOES, 1476 00:32:45,758 --> 00:32:48,206 JOC STILL GON'’ GET PAID. 1477 00:32:48,206 --> 00:32:48,896 GOD BLESS YOU, 1478 00:32:48,896 --> 00:32:49,517 KARLIE. 1479 00:32:49,517 --> 00:32:50,241 GET BACK TO WHAT YOU DOIN'’. 1480 00:32:50,241 --> 00:32:50,931 EXCUSE ME. 1481 00:32:50,931 --> 00:32:51,586 YOU SAID YOU WERE GONNA 1482 00:32:51,586 --> 00:32:53,137 PAY ME FOR AND EVERYTHING. 1483 00:32:53,137 --> 00:32:54,172 YOU SHOULD HANDLE YOUR BUSINESS 1484 00:32:54,172 --> 00:32:55,206 LIKE I HANDLE MINE. 1485 00:32:55,206 --> 00:32:56,827 YOU RIGHT, AND YOU DON'’T HAVE 1486 00:32:56,827 --> 00:32:57,482 THE FULL PRODUCER AGREEMENT. 1487 00:32:57,482 --> 00:32:58,137 I HANDLE MY--YES, 1488 00:32:58,137 --> 00:32:58,827 I DO HAVE IT. 1489 00:32:58,827 --> 00:32:59,620 YOU HAVE PARTIAL. 1490 00:32:59,620 --> 00:33:00,275 NO, I DO. 1491 00:33:00,275 --> 00:33:01,241 I HAVE THE FULL ONE. 1492 00:33:01,241 --> 00:33:01,931 GOD BLESS YOU. 1493 00:33:01,931 --> 00:33:02,620 DO YOU KNOW HOW MANY PEOPLE 1494 00:33:02,620 --> 00:33:03,965 I GOT RAPPIN'’ ON THE RECORD? 1495 00:33:03,965 --> 00:33:04,689 I WANT YOU TO GO 1496 00:33:04,689 --> 00:33:05,517 IN THERE AND FINISH IT. 1497 00:33:05,517 --> 00:33:06,896 MAKE [bleep] TAKE OFF, '’CAUSE AS 1498 00:33:06,896 --> 00:33:09,206 LONG AS I GET MY PERCENTAGE 1499 00:33:09,206 --> 00:33:09,965 WE GOOD. 1500 00:33:09,965 --> 00:33:10,620 YOU DIDN'’T HANDLE YOUR 1501 00:33:10,620 --> 00:33:11,275 BUSINESS, AND YOU 1502 00:33:11,275 --> 00:33:12,379 WILL NEVER GET ANY PERCENTAGE. 1503 00:33:12,379 --> 00:33:13,034 GOD BLESS YOU. 1504 00:33:13,034 --> 00:33:13,724 OKAY? 1505 00:33:13,724 --> 00:33:14,379 BE BLESSED. 1506 00:33:14,379 --> 00:33:15,517 JOC CAN TALK ALL 1507 00:33:15,517 --> 00:33:17,068 THE TRASH HE WANT. 1508 00:33:17,068 --> 00:33:18,103 AT THE END OF THE DAY, 1509 00:33:18,103 --> 00:33:20,000 THIS IS MY SONG. 1510 00:33:20,000 --> 00:33:21,241 YOU KNOW WHAT, JOC? 1511 00:33:21,241 --> 00:33:22,103 IMA LEAVE YOUR CAREER 1512 00:33:22,103 --> 00:33:23,448 WHERE I FOUND IT, IN THE TRASH. 1513 00:33:23,448 --> 00:33:24,103 THERE'’S NOTHIN'’ 1514 00:33:24,103 --> 00:33:24,793 BUT LOVE, BABY. 1515 00:33:24,793 --> 00:33:25,448 GOD BLESS YOU. 1516 00:33:25,448 --> 00:33:26,275 I'’M GON'’ LEAVE YOUR CAREER 1517 00:33:26,275 --> 00:33:28,068 WHERE I FOUND IT, IN THE TRASH. 1518 00:33:28,068 --> 00:33:30,793 WHERE YOU SAID 1519 00:33:30,793 --> 00:33:41,482 IT WAS ALL GOIN'’ DOWN IT. 1520 00:33:41,482 --> 00:33:42,793 I HAVEN'’T SPOKEN TO NIKKO 1521 00:33:42,793 --> 00:33:43,655 SINCE HE ADMITTED 1522 00:33:43,655 --> 00:33:44,793 HE WAS MARRIED. 1523 00:33:44,793 --> 00:33:46,310 I HAVE SO MANY QUESTIONS 1524 00:33:46,310 --> 00:33:47,103 THAT I ALMOST 1525 00:33:47,103 --> 00:33:47,793 PICKED UP THE PHONE 1526 00:33:47,793 --> 00:33:49,137 AND CALLED HIM, UNTIL I 1527 00:33:49,137 --> 00:33:51,172 REALIZED THERE'’S ONE PERSON 1528 00:33:51,172 --> 00:33:51,862 IN THE WORLD 1529 00:33:51,862 --> 00:33:53,689 THAT HAS ALL THE ANSWERS. 1530 00:33:53,689 --> 00:33:54,551 SO I REACHED 1531 00:33:54,551 --> 00:33:56,310 OUT TO NIKKO'’S OLD ROOMMATE, 1532 00:33:56,310 --> 00:33:59,379 JOHNNY CROME. 1533 00:33:59,379 --> 00:34:00,689 HOW YOU DOIN'’? 1534 00:34:00,689 --> 00:34:01,344 YOU LOOK GREAT. 1535 00:34:01,344 --> 00:34:02,241 NIKKO AND JOHNNY WERE, 1536 00:34:02,241 --> 00:34:03,241 LIKE, BEST FRIENDS. 1537 00:34:03,241 --> 00:34:04,620 THEY ROOMMATED TOGETHER, 1538 00:34:04,620 --> 00:34:05,896 THEY ALSO DID THE VIDEO 1539 00:34:05,896 --> 00:34:07,793 NY 2 LA, STARRING ME. 1540 00:34:07,793 --> 00:34:08,965 AND I KNEW THAT NIKKO AND 1541 00:34:08,965 --> 00:34:09,931 JOHNNY HAD SOME KIND 1542 00:34:09,931 --> 00:34:11,000 OF FALLING OUT, 1543 00:34:11,000 --> 00:34:12,103 BUT I NEVER REALLY CARED 1544 00:34:12,103 --> 00:34:12,827 TO FIND OUT WHAT 1545 00:34:12,827 --> 00:34:15,862 HAPPENED UNTIL NOW. 1546 00:34:15,862 --> 00:34:17,551 SO, JOHNNY, 1547 00:34:17,551 --> 00:34:19,000 HAVE NOT SEEN YOU IN A WHILE. 1548 00:34:19,000 --> 00:34:20,034 IT'’S BEEN A MINUTE. 1549 00:34:20,034 --> 00:34:22,758 I BEEN HEARIN'’ A LOT OF-- 1550 00:34:22,758 --> 00:34:23,862 LOT OF CHATTER OUT THERE. 1551 00:34:23,862 --> 00:34:25,137 WHAT'’S THIS ALL ABOUT? 1552 00:34:25,137 --> 00:34:27,482 I HAVE A LOT OF QUESTIONS. 1553 00:34:27,482 --> 00:34:29,206 CONCERNIN'’ NIKKO, OBVIOUSLY. 1554 00:34:29,206 --> 00:34:29,896 ABSOLUTELY. 1555 00:34:29,896 --> 00:34:30,551 OKAY. 1556 00:34:30,551 --> 00:34:31,379 >>ABSOLUTELY. 1557 00:34:31,379 --> 00:34:32,137 SO WHAT YOU WANT TO TALK 1558 00:34:32,137 --> 00:34:33,103 ABOUT? 1559 00:34:33,103 --> 00:34:34,517 WELL, FIRST I WANT TO, LIKE, 1560 00:34:34,517 --> 00:34:35,551 WHAT HAPPENED WIT'’ Y'’ALL? 1561 00:34:35,551 --> 00:34:37,068 LIKE, I MEAN-- 1562 00:34:37,068 --> 00:34:39,068 I MEAN, BASICALLY NIKKO 1563 00:34:39,068 --> 00:34:40,689 WAS SUPPOSED TO BE MY BOY, 1564 00:34:40,689 --> 00:34:42,000 MY BROTHER, AND AS 1565 00:34:42,000 --> 00:34:43,620 SOON AS EVERYTHING WENT LEFT 1566 00:34:43,620 --> 00:34:45,931 AFTER THE NY 2 LA VIDEO SHOOT, 1567 00:34:45,931 --> 00:34:46,586 YOU SAW. 1568 00:34:46,586 --> 00:34:47,379 HE WAS GONE. 1569 00:34:47,379 --> 00:34:49,275 HE HAD A WHOLE NEW AGENDA. 1570 00:34:49,275 --> 00:34:50,000 JUST LIKE THAT? 1571 00:34:50,000 --> 00:34:50,689 JUST LIKE THAT. 1572 00:34:50,689 --> 00:34:51,896 HE WAS OUT OF HERE. 1573 00:34:51,896 --> 00:34:52,965 AND HE FELT LIKE, 1574 00:34:52,965 --> 00:34:53,689 YOU KNOW, "I GOT 1575 00:34:53,689 --> 00:34:55,000 ANOTHER OPPORTUNITY." 1576 00:34:55,000 --> 00:34:55,724 I'’M OUT. 1577 00:34:55,724 --> 00:34:57,448 YOU, YEAH. 1578 00:34:57,448 --> 00:35:00,551 SO WHAT QUESTIONS DO YOU HAVE? 1579 00:35:00,551 --> 00:35:01,310 WHAT DO YOU WANT TO KNOW? 1580 00:35:01,310 --> 00:35:02,689 LIKE, WHAT--WHAT'’S ON YOUR MIND? 1581 00:35:02,689 --> 00:35:04,310 JUST TALK TO ME. 1582 00:35:04,310 --> 00:35:05,310 FIRST THINGS FIRST, 1583 00:35:05,310 --> 00:35:08,620 I FOUND OUT NIKKO'’S MARRIED. 1584 00:35:08,620 --> 00:35:09,965 UH-HUH. 1585 00:35:09,965 --> 00:35:11,068 A COUPLE OF WEEKS AGO. 1586 00:35:11,068 --> 00:35:12,620 THEY'’RE NOT ONLY--HAVE-- 1587 00:35:12,620 --> 00:35:14,206 HAVE BEEN TOGETHER FOR LIKE, 1588 00:35:14,206 --> 00:35:15,379 A DECADE, NOW. 1589 00:35:15,379 --> 00:35:17,172 BUT THEY GOT A DEEP CONNECTION. 1590 00:35:17,172 --> 00:35:19,000 IT'’S AN EMOTIONAL CONNECTION. 1591 00:35:19,000 --> 00:35:19,689 THEY'’RE, LIKE, 1592 00:35:19,689 --> 00:35:20,413 BUSINESS PARTNERS. 1593 00:35:20,413 --> 00:35:21,620 THEY HAD A GROUP TOGETHER. 1594 00:35:21,620 --> 00:35:22,724 THEY MAKE MUSIC TOGETHER. 1595 00:35:22,724 --> 00:35:23,793 THEY DO EVERYTHING TOGETHER. 1596 00:35:23,793 --> 00:35:24,965 I KNOWN THEM FOR YEARS, 1597 00:35:24,965 --> 00:35:25,620 AND THAT'’S WHY I 1598 00:35:25,620 --> 00:35:26,310 THOUGHT MAYBE YOU 1599 00:35:26,310 --> 00:35:28,413 WAS AWARE OF THE SITUATION, 1600 00:35:28,413 --> 00:35:30,034 THAT SHE WAS--THAT THEY WERE 1601 00:35:30,034 --> 00:35:31,896 STILL TOGETHER. 1602 00:35:31,896 --> 00:35:32,655 I DIDN'’T REALLY KNOW 1603 00:35:32,655 --> 00:35:33,862 THE CAPACITY 1604 00:35:33,862 --> 00:35:35,241 TO WHICH Y'’ALL'’S RELATIONSHIP OR 1605 00:35:35,241 --> 00:35:36,724 WHAT IT WAS BASED ON. 1606 00:35:36,724 --> 00:35:37,448 YOU KNOW WHAT I MEAN? 1607 00:35:37,448 --> 00:35:38,896 SO I CAN ONLY GO BY WHAT HE 1608 00:35:38,896 --> 00:35:39,724 TOLD ME. 1609 00:35:39,724 --> 00:35:40,655 BUT I ASKED HIM. 1610 00:35:40,655 --> 00:35:43,793 I SAID, "YOU KNEW THE SEX TAPE 1611 00:35:43,793 --> 00:35:44,620 WAS OUT THERE. 1612 00:35:44,620 --> 00:35:45,724 YOU DIDN'’T THINK TO TELL ME 1613 00:35:45,724 --> 00:35:46,896 THAT YOU WERE MARRIED?" 1614 00:35:46,896 --> 00:35:48,517 NIKKO IS VERY CALCUALATED 1615 00:35:48,517 --> 00:35:49,172 IN THAT WAY. 1616 00:35:49,172 --> 00:35:50,068 I KNOW HIM. 1617 00:35:50,068 --> 00:35:51,310 I KNOW THE WAY HIS MIND THINK. 1618 00:35:51,310 --> 00:35:52,758 HE DIDN'’T THINK HIS WIFE 1619 00:35:52,758 --> 00:35:54,206 WAS GONNA HAVE A PROBLEM 1620 00:35:54,206 --> 00:35:55,482 WITH HIM DOIN'’ A SEX TAPE 1621 00:35:55,482 --> 00:35:57,068 WITH SOMEBODY ELSE? 1622 00:35:57,068 --> 00:35:58,551 DO YOU THINK THAT THE-- 1623 00:35:58,551 --> 00:36:01,068 THE SEX TAPE WAS LEAKED? 1624 00:36:01,068 --> 00:36:03,241 COME ON, THAT WAS NOT 1625 00:36:03,241 --> 00:36:04,344 BY ACCIDENT. 1626 00:36:04,344 --> 00:36:05,620 IT'’S A SET-UP, MAN. 1627 00:36:05,620 --> 00:36:07,517 THE FIGHT'’S BEEN FIXED, MIMI. 1628 00:36:07,517 --> 00:36:09,000 IT'’S A SET-UP. 1629 00:36:09,000 --> 00:36:10,000 IT'’S ONE THING 1630 00:36:10,000 --> 00:36:11,517 TO HEAR FROM MY GIRLS 1631 00:36:11,517 --> 00:36:12,758 WHO DON'’T LIKE NIKKO, 1632 00:36:12,758 --> 00:36:14,103 TO SAY HE SET ME UP. 1633 00:36:14,103 --> 00:36:16,310 BUT IT'’S A WHOLE OTHER THING TO 1634 00:36:16,310 --> 00:36:18,206 HEAR IT FROM SOMEONE WHO REALLY 1635 00:36:18,206 --> 00:36:20,000 KNOWS NIKKO. 1636 00:36:20,000 --> 00:36:20,689 I KNOW, YOU KNOW, 1637 00:36:20,689 --> 00:36:21,689 JUST FROM CONVERSATION, 1638 00:36:21,689 --> 00:36:22,931 WE HAD TALKED ABOUT THAT. 1639 00:36:22,931 --> 00:36:24,827 HE WAS LIKE, "YO. 1640 00:36:24,827 --> 00:36:25,482 I MIGHT TRY 1641 00:36:25,482 --> 00:36:27,793 TO GET HER ON CAMERA." 1642 00:36:27,793 --> 00:36:32,206 GET ME ON CAMERA UNKNOWINGLY? 1643 00:36:32,206 --> 00:36:33,620 THE WAY IT WAS PUT, 1644 00:36:33,620 --> 00:36:34,758 IT WAS DEFINITELY, 1645 00:36:34,758 --> 00:36:36,344 LIKE, UNKNOWINGLY. 1646 00:36:36,344 --> 00:36:37,620 BETRAYAL DOESN'’T EVEN 1647 00:36:37,620 --> 00:36:38,620 BEGIN TO DESCRIBE 1648 00:36:38,620 --> 00:36:40,000 HOW I FEEL RIGHT NOW. 1649 00:36:40,000 --> 00:36:40,758 THE MAN 1650 00:36:40,758 --> 00:36:42,068 WHO I THOUGHT I WAS IN LOVE 1651 00:36:42,068 --> 00:36:43,586 WITH TURNS OUT TO BE SOMEONE 1652 00:36:43,586 --> 00:36:45,137 WHO I DON'’T EVEN KNOW. 1653 00:36:45,137 --> 00:36:46,172 THE THOUGHT OF THAT 1654 00:36:46,172 --> 00:36:48,551 MAKES ME SICK TO MY STOMACH. 1655 00:36:48,551 --> 00:36:50,172 THE TAPE THAT ACTUALLY CAME 1656 00:36:50,172 --> 00:36:55,000 OUT MIGHT BE JUST ONE OF OTHERS, 1657 00:36:55,000 --> 00:36:56,655 NUMEROUS, I MEAN... 1658 00:36:56,655 --> 00:36:58,103 SO HE MIGHT HAVE 1659 00:36:58,103 --> 00:37:01,344 SECRETLY FILMED US. 1660 00:37:01,344 --> 00:37:03,310 IT'’S POSSIBLE. 1661 00:37:03,310 --> 00:37:05,724 SO--SO WHAT YOU GONNA DO? 1662 00:37:05,724 --> 00:37:06,620 HOW YOU--LIKE, WHERE YOU 1663 00:37:06,620 --> 00:37:07,310 GONNA GO WITH IT? 1664 00:37:07,310 --> 00:37:08,482 NIKKO HAS CLEARLY 1665 00:37:08,482 --> 00:37:09,586 UNDERESTIMATED ME. 1666 00:37:09,586 --> 00:37:10,448 IF HE THINKS I'’M JUST GONNA 1667 00:37:10,448 --> 00:37:11,103 SIT HERE 1668 00:37:11,103 --> 00:37:12,482 AND LET THAT [bleep] RIDE? 1669 00:37:12,482 --> 00:37:13,724 I GOT MY FRIENDS CLOSE, 1670 00:37:13,724 --> 00:37:15,310 BUT NOW I NEED TO KEEP MY 1671 00:37:15,310 --> 00:37:17,379 ENEMIES CLOSER, BECAUSE NIKKO 1672 00:37:17,379 --> 00:37:20,172 IS INDEED MY NEW ENEMY. 1673 00:37:20,172 --> 00:37:21,517 THE BALL IS IN YOUR COURT. 1674 00:37:21,517 --> 00:37:23,482 YOU GOT TO CALL A SHOT HERE. 1675 00:37:23,482 --> 00:37:24,517 IT'’S LIKE SLEEPIN'’ 1676 00:37:24,517 --> 00:37:25,413 WITH THE ENEMY. 1677 00:37:25,413 --> 00:37:26,586 SOMETHING LIKE THAT. 1678 00:37:26,586 --> 00:37:27,448 IT'’S KIND OF CRAZY. 1679 00:37:27,448 --> 00:37:30,827 IT'’S CRAZY. 1680 00:37:30,827 --> 00:37:32,724 IT'’S REAL CRAZY. 1681 00:37:32,724 --> 00:37:33,965 I CAME HERE TONIGHT FULLY 1682 00:37:33,965 --> 00:37:35,275 PREPARED TO TELL JOSELINE 1683 00:37:35,275 --> 00:37:54,103 ABOUT THE WHOLE ALTHEA 1684 00:37:54,103 --> 00:37:55,000 ♪ THE WAY YOU'’RE LOOKING ♪ 1685 00:37:55,000 --> 00:37:57,000 ♪ AT ME GOT ME GONE 1686 00:37:57,000 --> 00:37:58,172 ♪ NEVER HAD A LOVE 1687 00:37:58,172 --> 00:37:59,862 ♪JUST KNOCK ME DOWN ♪ 1688 00:37:59,862 --> 00:38:01,034 ♪ I'’M HARDLY HERE TONIGHT ♪ 1689 00:38:01,034 --> 00:38:03,137 ♪ JUST WANNA JUMP 1690 00:38:03,137 --> 00:38:04,000 ♪ WITH BOTH FEET 1691 00:38:04,000 --> 00:38:05,586 ♪ INTO THIS LOVE 1692 00:38:05,586 --> 00:38:06,620 ♪ MY TENDER ONLY CROAK 1693 00:38:06,620 --> 00:38:08,275 ♪ YOU GOT THE STUFF 1694 00:38:08,275 --> 00:38:09,517 ♪MAKE A BROTHER WANT ♪ 1695 00:38:09,517 --> 00:38:11,172 ♪ TO STOP THE RUN 1696 00:38:11,172 --> 00:38:12,448 ♪ LIKE A PIMP LIFE 1697 00:38:12,448 --> 00:38:14,758 ♪ OH, MAYBE NOT LOVE 1698 00:38:14,758 --> 00:38:18,862 ♪ MAKE IT GIVE IT UP 1699 00:38:18,862 --> 00:38:23,172 ♪WHOA, OH, OH, OH ♪ 1700 00:38:23,172 --> 00:38:29,896 ♪ I'’M READY TO JUMP ♪ 1701 00:38:29,896 --> 00:38:31,275 YOU LOOKIN'’ AMAZIN'’. 1702 00:38:31,275 --> 00:38:32,275 COME HERE, MY PUERTO RICAN 1703 00:38:32,275 --> 00:38:33,241 MERMAID. 1704 00:38:33,241 --> 00:38:34,103 I CAME HERE TONIGHT 1705 00:38:34,103 --> 00:38:34,793 FULLY PREPARED 1706 00:38:34,793 --> 00:38:36,344 TO TELL JOSELINE ABOUT THE WHOLE 1707 00:38:36,344 --> 00:38:37,827 ALTHEA THING, GET IT OUT 1708 00:38:37,827 --> 00:38:40,551 THE WAY, 1709 00:38:40,551 --> 00:38:46,034 AND MOVE ON WITH OUR LIVES. 1710 00:38:46,034 --> 00:38:47,241 BUT WHY DO TODAY 1711 00:38:47,241 --> 00:38:48,000 WHAT YOU CAN PUT OFF 1712 00:38:48,000 --> 00:38:49,448 UNTIL TOMORROW? 1713 00:38:49,448 --> 00:38:50,310 LET'’S GO, BABY. 1714 00:38:50,310 --> 00:38:52,068 LET'’S GO. 1715 00:38:52,068 --> 00:38:52,793 TONIGHT, 1716 00:38:52,793 --> 00:38:53,896 MY PUERTO RICAN PRINCESS 1717 00:38:53,896 --> 00:38:55,275 IS LOOKIN'’ MIGHTY LOVELY, 1718 00:38:55,275 --> 00:38:56,103 AND TONIGHT, 1719 00:38:56,103 --> 00:38:58,137 MY DRY SPELL MIGHT BE OVER WITH. 1720 00:38:58,137 --> 00:38:59,068 SORRY, SNOOP. 1721 00:38:59,068 --> 00:39:00,551 WE GOT THE SATIN SHEETS IN 1722 00:39:00,551 --> 00:39:02,000 MY LUXURY SUITE, 1723 00:39:02,000 --> 00:39:03,620 EVERYTHING IS REAL SWEET. 1724 00:39:03,620 --> 00:39:05,034 I GUESS THE TRUTH IS GON'’ 1725 00:39:05,034 --> 00:39:12,206 HAVE TO WAIT. 1726 00:39:12,206 --> 00:39:13,137 NEXT TIME ON 1727 00:39:13,137 --> 00:39:14,689 LOVE & HIP HOP ATLANTA. 1728 00:39:14,689 --> 00:39:15,448 YOU DON'’T HAVE NO RESPECT 1729 00:39:15,448 --> 00:39:16,103 FOR ME. 1730 00:39:16,103 --> 00:39:16,793 I DON'’T. 1731 00:39:16,793 --> 00:39:17,448 I DON'’T [bleep] 1732 00:39:17,448 --> 00:39:18,344 HAVE NO RESPECT FOR YOU. 1733 00:39:18,344 --> 00:39:19,068 THAT'’S THE BOTTOM [bleep] 1734 00:39:19,068 --> 00:39:19,758 LINE. 1735 00:39:19,758 --> 00:39:20,413 OKAY. 1736 00:39:20,413 --> 00:39:21,620 AND I'’M [bleep] LEAVIN'’. 1737 00:39:21,620 --> 00:39:22,275 ALL RIGHT. 1738 00:39:22,275 --> 00:39:23,379 MY BOYS IS GOOD, TRUST ME. 1739 00:39:23,379 --> 00:39:24,379 OKAY, I FELT LIKE WE'’VE BEEN 1740 00:39:24,379 --> 00:39:25,793 TOGETHER FOR FOUR YEARS, 1741 00:39:25,793 --> 00:39:26,793 AND I HAVEN'’T GOTTEN 1742 00:39:26,793 --> 00:39:27,655 PREGNANT YET, SO WE NEED 1743 00:39:27,655 --> 00:39:29,000 TO FIGURE OUT WHAT IS GOING ON. 1744 00:39:29,000 --> 00:39:30,000 ONCE YOUR SPECIMEN IS 1745 00:39:30,000 --> 00:39:31,517 COLLECTED, PUT IT IN THE CABINET 1746 00:39:31,517 --> 00:39:32,517 WITH THE DOOR. 1747 00:39:32,517 --> 00:39:33,172 GOT IT. 1748 00:39:33,172 --> 00:39:34,620 THANK YOU. 1749 00:39:34,620 --> 00:39:36,310 THAT WAS ORGASM, HE CALLED. 1750 00:39:36,310 --> 00:39:37,000 I GOT NOTHING 1751 00:39:37,000 --> 00:39:38,000 TO DO WITH THAT GIRL, BRO. 1752 00:39:38,000 --> 00:39:38,689 WHO? 1753 00:39:38,689 --> 00:39:39,310 WITH JOSELINE. 1754 00:39:39,310 --> 00:39:40,310 I COULDN'’T DEAL WITH IT NO MORE. 1755 00:39:40,310 --> 00:39:41,000 DEAL WITH WHAT? 1756 00:39:41,000 --> 00:39:41,862 HUNTIN'’ THE SMASH. 1757 00:39:41,862 --> 00:39:43,000 HER WANTIN'’ TO SMASH YOU. 1758 00:39:43,000 --> 00:39:43,965 YEAH. 1759 00:39:43,965 --> 00:39:45,931 I GOT SOMEBODY RIGHT HERE 1760 00:39:45,931 --> 00:39:47,275 THAT CAN SAY THAT FOR HIMSELF. 1761 00:39:47,275 --> 00:39:48,482 SOMEBODY IN HERE IS SMASHED. 1762 00:39:48,482 --> 00:39:50,724 SOMEBODY IN HERE. 1763 00:39:50,724 --> 00:39:51,620 AND IT'’S NOT ME. 1764 00:39:51,620 --> 00:39:52,827 I'’VE GOT TO TELL JOSELINE 1765 00:39:52,827 --> 00:39:53,896 HER NAME IS BEING DRAGGED 1766 00:39:53,896 --> 00:39:54,620 IN THESE STREETS. 1767 00:39:54,620 --> 00:39:56,000 YOU KNOW, I'’M IN THE STUDIO. 1768 00:39:56,000 --> 00:39:57,413 I'’M TALKIN'’ TO SNOOP, 1769 00:39:57,413 --> 00:39:58,793 AND, YOU KNOW WHAT I'’M SAYING? 1770 00:39:58,793 --> 00:40:00,068 SOME THINGS WAS ON MY MIND 1771 00:40:00,068 --> 00:40:01,000 OR WHATEVER, AND I'’M-- 1772 00:40:01,000 --> 00:40:01,655 I JUST WANT TO 1773 00:40:01,655 --> 00:40:02,827 GET IT OFF MY CHEST. 1774 00:40:02,827 --> 00:40:03,482 HOLD ON, HOLD ON. 1775 00:40:03,482 --> 00:40:05,206 WORD AROUND TOWN IS YOU [bleep]. 1776 00:40:05,206 --> 00:40:06,068 GUESS WHERE THAT COME FROM? 1777 00:40:06,068 --> 00:40:06,758 BENZINO. 1778 00:40:06,758 --> 00:40:07,448 I'’M JUST SAYIN'’. 1779 00:40:07,448 --> 00:40:08,172 YOUR HOMIE, YOUR BESTIE, 1780 00:40:08,172 --> 00:40:09,000 HE GONNA DRIVE YOU CRAZY. 1781 00:40:09,000 --> 00:40:09,655 I'’M NOT GONNA 1782 00:40:09,655 --> 00:40:10,310 DISRESPECT YOU-- 1783 00:40:10,310 --> 00:40:11,137 I'’M NOT DISRESPECTING YOU. 1784 00:40:11,137 --> 00:40:11,896 '’CAUSE YOU WANT TO BE W-- 1785 00:40:11,896 --> 00:40:12,551 OH, NO, YOU ARE. 1786 00:40:12,551 --> 00:40:13,206 YOU HURT MAMA. 1787 00:40:13,206 --> 00:40:13,896 YOU HURT MY SOUL. 1788 00:40:13,896 --> 00:40:15,000 AND YOU HURT MY MIND EVERY DAY. 1789 00:40:15,000 --> 00:40:15,655 I HURT YOUR MIND? 1790 00:40:15,655 --> 00:40:16,310 YES, YOU DO. 1791 00:40:16,310 --> 00:40:17,206 I'’M SO OVER YOU. 1792 00:40:17,206 --> 00:40:17,896 YOU NEED TO GET 1793 00:40:17,896 --> 00:40:18,551 YOURSELF TOGETHER. 1794 00:40:18,551 --> 00:40:19,931 YOU OVER WHO? YOU OVER WHO? 1795 00:40:19,931 --> 00:40:22,862 I'’M OVER YOU. 1796 00:40:22,862 --> 00:40:42,206 YOU'’LL NEVER BE OVER ME. 1797 00:40:42,206 --> 00:40:43,689 NOW I GOT TO BEAT YOUR ASS. 1798 00:40:43,689 --> 00:40:44,896 OH, WAIT UP. 1799 00:40:44,896 --> 00:40:46,000 THAT'’S NOT HOW YOU SPELL "BEAT 1800 00:40:46,000 --> 00:40:47,310 YOUR [bleep]," HOW THE 1801 00:40:47,310 --> 00:40:48,482 [bleep] ARE YOU EVEN, LIKE-- 1802 00:40:48,482 --> 00:40:49,448 KNOW WHAT THAT SAYS? 1803 00:40:49,448 --> 00:40:51,724 "NOW I BEAT YOUR--I--NOW I 1804 00:40:51,724 --> 00:40:53,896 GOT"--WHAT THE [bleep]? 1805 00:40:53,896 --> 00:40:54,724 SHE'’S LIKE, SHE SAID-- 1806 00:40:54,724 --> 00:40:55,379 WHO WROTE THIS, 1807 00:40:55,379 --> 00:40:56,034 A THIRD-GRADER? 1808 00:40:56,034 --> 00:40:56,827 "NOW THERE'’S SOMETHIN'’ 1809 00:40:56,827 --> 00:40:57,482 I ALREADY KNEW. 1810 00:40:57,482 --> 00:40:58,241 NOW I GOT TO BEAT YOUR ASS." 1811 00:40:58,241 --> 00:40:59,448 "NOW I GOT BEAT"--OH, 1812 00:40:59,448 --> 00:41:01,724 SO YOU GOT "NOW I GOT BEAT YO"-- 1813 00:41:01,724 --> 00:41:03,931 THAT--THAT'’S BEAT? 1814 00:41:03,931 --> 00:41:06,206 B-I-T'’S NOT BEAT. THAT'’S BIT. 1815 00:41:06,206 --> 00:41:06,655 "NOW I BIT YOUR--" 111636