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These are the user uploaded subtitles that are being translated: 1 00:00:02,433 --> 00:00:03,100 PREVIOUSLY ON 2 00:00:03,100 --> 00:00:04,833 LOVE & HIP-HOP: ATLANTA... 3 00:00:04,833 --> 00:00:05,600 AS ME AND WAKA 4 00:00:05,600 --> 00:00:07,300 LEAVE THE COURTHOUSE, 5 00:00:07,300 --> 00:00:08,833 ONLY THING I COULD THINK ABOUT 6 00:00:08,833 --> 00:00:10,833 IS, I'M HIS WIFE. 7 00:00:10,833 --> 00:00:13,467 WE GOT MARRIED ALREADY. 8 00:00:13,467 --> 00:00:14,767 THAT'S JUST REAL [bleep], 9 00:00:14,767 --> 00:00:15,900 LIKE, FOR REAL. 10 00:00:15,900 --> 00:00:16,933 EVERYBODY'S STILL TALKING 11 00:00:16,933 --> 00:00:17,967 ABOUT THAT MIMI TAPE. 12 00:00:17,967 --> 00:00:18,633 I'M THINKING 13 00:00:18,633 --> 00:00:19,500 WE PUT HER ON THE COVER. 14 00:00:19,500 --> 00:00:20,500 I JUST DON'T KNOW IF THIS IS 15 00:00:20,500 --> 00:00:21,400 A GOOD IDEA RIGHT HERE. 16 00:00:21,400 --> 00:00:22,200 BUT THINK ABOUT--SLEAZE. 17 00:00:22,200 --> 00:00:22,867 HOW MUCH TIME WE GOT? 18 00:00:22,867 --> 00:00:24,000 SLEAZE, WE DON'T EVEN GOT 19 00:00:24,000 --> 00:00:25,500 24 HOURS. 20 00:00:25,500 --> 00:00:26,933 I WANT TO PUT MIMI ON THE COVER. 21 00:00:26,933 --> 00:00:27,733 YOU COULD, AND I WILL SUE 22 00:00:27,733 --> 00:00:28,400 THE [bleep] OUT OF YOU. 23 00:00:28,400 --> 00:00:29,100 HAVE YOU EVER 24 00:00:29,100 --> 00:00:30,700 HEARD OF FREEDOM OF PRESS? 25 00:00:30,700 --> 00:00:31,367 HOW DID I END UP 26 00:00:31,367 --> 00:00:32,900 IN THE MAGAZINE WITH THE COVER 27 00:00:32,900 --> 00:00:33,967 OF YOUR BABY MAMA IN THERE 28 00:00:33,967 --> 00:00:34,967 TALKING ABOUT A SEX TAPE? 29 00:00:34,967 --> 00:00:36,133 I DIDN'T DO--I AIN'T HAVE 30 00:00:36,133 --> 00:00:36,800 NOTHING TO DO WITH THIS. 31 00:00:36,800 --> 00:00:37,933 YOU HAD A LOT TO DO WITH IT. 32 00:00:37,933 --> 00:00:38,767 DO YOU HAVE ANY QUESTIONS 33 00:00:38,767 --> 00:00:39,667 OR CONCERNS ABOUT THE PROPERTY? 34 00:00:39,667 --> 00:00:40,800 YES, I HAVE A QUESTION. 35 00:00:40,800 --> 00:00:43,100 ARE YOU [bleep] MY MAN? 36 00:00:43,100 --> 00:00:44,867 I ABSOLUTELY AM EVERY NIGHT. 37 00:00:44,867 --> 00:00:45,533 BITCH. 38 00:00:45,533 --> 00:00:46,767 I WILL [bleep] YOU-- 39 00:00:46,767 --> 00:00:47,467 TRYING TO GET IT RIGHT. 40 00:00:47,467 --> 00:00:48,167 SO YOU STILL HAVING SEX 41 00:00:48,167 --> 00:00:48,833 WITH HER? 42 00:00:48,833 --> 00:00:49,533 NO, I'M NOT. 43 00:00:49,533 --> 00:00:50,200 REALLY? 44 00:00:50,200 --> 00:00:51,500 I'M TELL--YEAH, REALLY. 45 00:00:51,500 --> 00:00:52,200 IF YOU GONNA CONTINUE 46 00:00:52,200 --> 00:00:52,867 TO [bleep] HER, 47 00:00:52,867 --> 00:00:54,700 YOU CANNOT EVEN LOOK AT ME 48 00:00:54,700 --> 00:00:55,600 AGAIN. 49 00:00:55,600 --> 00:00:56,533 UNDERSTAND. 50 00:00:56,533 --> 00:00:57,700 I UNDERSTAND THIS. 51 00:00:57,700 --> 00:00:58,367 DO YOU? 52 00:00:58,367 --> 00:00:59,200 'CAUSE I'VE NEVER JUDGED YOU 53 00:00:59,200 --> 00:01:00,133 FOR [bleep] YOU'VE EVER DONE. 54 00:01:00,133 --> 00:01:00,967 AM I JUDGING YOU NOW? 55 00:01:00,967 --> 00:01:02,067 AM I JUDGING YOU RIGHT NOW? 56 00:01:02,067 --> 00:01:03,833 "OH, YOU A PORN STAR?" 57 00:01:03,833 --> 00:01:05,267 MY DAD HAD A STROKE. 58 00:01:05,267 --> 00:01:07,067 HE'S DYING RIGHT NOW. 59 00:01:07,067 --> 00:01:08,200 I JUST WANT TO GIVE YOU A HUG 60 00:01:08,200 --> 00:01:10,600 TO LET YOU KNOW IT IS OKAY, BOO. 61 00:01:14,567 --> 00:01:16,067 * THIS IS THE LIFE 62 00:01:16,067 --> 00:01:17,067 ♪ THIS IS THE LIFE 63 00:01:17,067 --> 00:01:17,733 * YEAH 64 00:01:17,733 --> 00:01:18,500 * THIS THE LIFE 65 00:01:18,500 --> 00:01:19,500 ♪ THIS IS THE LIFE 66 00:01:19,500 --> 00:01:20,167 * 'SUP ♪ 67 00:01:20,167 --> 00:01:20,967 * THIS THE LIFE 68 00:01:20,967 --> 00:01:21,867 ♪ THIS IS THE LIFE 69 00:01:21,867 --> 00:01:22,533 * HUH 70 00:01:22,533 --> 00:01:23,300 * THIS THE LIFE 71 00:01:23,300 --> 00:01:26,567 ♪ THIS IS THE LIFE 72 00:01:26,567 --> 00:01:27,233 * HUH 73 00:01:27,233 --> 00:01:28,133 ♪ THERE AIN'T NOTHING LIKE ♪ 74 00:01:28,133 --> 00:01:29,400 ♪ HIP-HOP MUSIC 75 00:01:29,400 --> 00:01:30,300 ♪ MUSIC 76 00:01:30,300 --> 00:01:31,300 * THIS IS THE LIFE 77 00:01:31,300 --> 00:01:35,733 ♪ THIS IS THE LIFE 78 00:01:48,500 --> 00:01:51,367 MY DAD PASSED AWAY LAST NIGHT 79 00:01:51,367 --> 00:01:52,667 AFTER THE STROKE 80 00:01:52,667 --> 00:01:55,133 AND HIS LEG BEING AMPUTATED. 81 00:01:55,133 --> 00:01:56,767 HE JUST DIDN'T HAVE THE STRENGTH 82 00:01:56,767 --> 00:01:58,567 TO GO ON ANY LONGER, 83 00:01:58,567 --> 00:02:00,200 AND NOW HE'S AT PEACE. 84 00:02:00,200 --> 00:02:02,567 HE WAS MY LAST LIVING PARENT. 85 00:02:02,567 --> 00:02:03,533 HE WAS THE ONLY PERSON 86 00:02:03,533 --> 00:02:05,533 I HAD IN THIS WHOLE WORLD 87 00:02:05,533 --> 00:02:06,633 THAT I COULD JUST 88 00:02:06,633 --> 00:02:09,733 TALK TO AND BE OPEN WITH. 89 00:02:12,600 --> 00:02:13,400 * 'CAUSE HE WAS LIKE ♪ 90 00:02:13,400 --> 00:02:15,533 ♪ A FLOWER READY TO BLOOM 91 00:02:15,533 --> 00:02:16,500 ♪ SPREAD HIS WINGS 92 00:02:16,500 --> 00:02:18,600 ♪ AND FLY OFF TO THE MOON 93 00:02:18,600 --> 00:02:19,400 ♪ I JUST THOUGHT 94 00:02:19,400 --> 00:02:20,433 ♪ IT WAS TOO SOON 95 00:02:20,433 --> 00:02:21,367 INSTEAD OF GRIEVING, 96 00:02:21,367 --> 00:02:23,067 I HAVE TO SPEND ALL MY TIME 97 00:02:23,067 --> 00:02:24,167 DEFENDING MY ACTIONS 98 00:02:24,167 --> 00:02:27,567 TO EVERYONE, EVEN MY FRIENDS. 99 00:02:30,900 --> 00:02:32,200 I DID A RADIO INTERVIEW, 100 00:02:32,200 --> 00:02:33,167 AND I GOT A MESSAGE 101 00:02:33,167 --> 00:02:34,533 FROM STEVIE SAYING, 102 00:02:34,533 --> 00:02:36,933 "KARMA IS A BITCH," ON THE DAY 103 00:02:36,933 --> 00:02:38,133 MY FATHER PASSED AWAY. 104 00:02:38,133 --> 00:02:39,500 REAL CLASSY WAY TO SHOW 105 00:02:39,500 --> 00:02:41,100 YOUR CONDOLENCES, STEVIE. 106 00:02:41,100 --> 00:02:42,300 WHAT ARE THOSE? 107 00:02:42,300 --> 00:02:43,333 THESE ARE PICTURES 108 00:02:43,333 --> 00:02:45,567 OF MOMMY WITH GRANDPA. 109 00:02:45,567 --> 00:02:46,800 MY GRANDPA? 110 00:02:46,800 --> 00:02:47,633 YES, YOUR GRANDPA. 111 00:02:47,633 --> 00:02:48,733 * I WASN'T PREPARED ♪ 112 00:02:48,733 --> 00:02:50,600 ♪ FOR MY LIFE AHEAD 113 00:02:50,600 --> 00:02:52,833 ♪ AND NOW I'M SITTING ALONE ♪ 114 00:02:52,833 --> 00:02:53,967 ♪ WISHING I WAS DEAD 115 00:02:53,967 --> 00:02:55,633 ♪ AND GONE 116 00:02:55,633 --> 00:02:56,800 ♪ I'M NOT AS STRONG ♪ 117 00:02:56,800 --> 00:02:57,933 ♪ AS I THOUGHT I WAS 118 00:02:57,933 --> 00:02:58,633 RIGHT NOW, 119 00:02:58,633 --> 00:03:00,133 I FEEL LIKE THE ONLY PEOPLE 120 00:03:00,133 --> 00:03:01,567 I HAVE ON MY SIDE 121 00:03:01,567 --> 00:03:03,067 IS NIKKO AND MY DAUGHTER. 122 00:03:03,067 --> 00:03:04,833 WITHOUT THEM, I FEEL LIKE ALL 123 00:03:04,833 --> 00:03:07,067 OF THIS WOULD BE WAY TOO MUCH. 124 00:03:07,067 --> 00:03:07,967 HERE. 125 00:03:07,967 --> 00:03:09,133 THERE'S MOMMY, 126 00:03:09,133 --> 00:03:11,133 AND THERE'S YOUR GRANDPA.5 127 00:03:18,267 --> 00:03:19,233 * IT'S THE HEARTBREAKER ♪ 128 00:03:19,233 --> 00:03:20,433 ♪ LIKE A HARD-ON 129 00:03:20,433 --> 00:03:22,700 * I KNOW YOU WORK HARD 130 00:03:22,700 --> 00:03:25,667 ♪ ITCHING AND SKIRTING 131 00:03:25,667 --> 00:03:26,567 ♪ YOU'LL BE PLAYING ♪ 132 00:03:26,567 --> 00:03:27,433 ♪ IN THEM STREETS 133 00:03:27,433 --> 00:03:30,667 ♪ BUT, DADDY, IS IT WORTH IT? 134 00:03:30,667 --> 00:03:32,733 ♪ I-I-I 135 00:03:32,733 --> 00:03:33,767 ♪ FAKE BREAKUPS 136 00:03:33,767 --> 00:03:35,133 ♪ BUT WE AIN'T THROUGH ♪ 137 00:03:35,133 --> 00:03:36,200 ♪ I'M LOVING YOU AGAIN ♪ 138 00:03:36,200 --> 00:03:37,067 ♪ BUT I DON'T KNOW WHY ♪ 139 00:03:37,067 --> 00:03:37,700 [laughs] 140 00:03:37,700 --> 00:03:38,467 OH, YOU GOOD? 141 00:03:38,467 --> 00:03:39,133 YEAH, HOW Y'ALL FEEL 142 00:03:39,133 --> 00:03:39,800 ABOUT IT? 143 00:03:39,800 --> 00:03:40,667 I'M GOOD. 144 00:03:40,667 --> 00:03:41,467 SO I'MA COME IN AND LISTEN. 145 00:03:41,467 --> 00:03:42,233 NOW THAT JOC AND I 146 00:03:42,233 --> 00:03:43,333 ARE IN A GOOD PLACE, 147 00:03:43,333 --> 00:03:44,467 WE'RE BACK IN THE STUDIO WORKING 148 00:03:44,467 --> 00:03:45,900 ON OUR TRACK, HEARTBREAKERS. 149 00:03:45,900 --> 00:03:46,567 OF COURSE, 150 00:03:46,567 --> 00:03:48,067 THE LAST TIME WE TRIED THIS, 151 00:03:48,067 --> 00:03:49,167 THINGS DIDN'T GO SO WELL. 152 00:03:49,167 --> 00:03:50,467 JOC ACCUSED ME 153 00:03:50,467 --> 00:03:51,767 OF MESSING WITH JEREMIAH, 154 00:03:51,767 --> 00:03:53,533 BUT I FOUND OUT HE WAS MESSING 155 00:03:53,533 --> 00:03:54,533 WITH THE HELP, 156 00:03:54,533 --> 00:03:56,233 AND IT'S BEEN NOTHING BUT DRAMA. 157 00:03:56,233 --> 00:03:57,900 BUT I'D LIKE TO THINK 158 00:03:57,900 --> 00:03:59,067 WE'VE PASSED ALL THAT. 159 00:03:59,067 --> 00:03:59,900 GOT THROUGH IT. 160 00:03:59,900 --> 00:04:00,967 YEAH. 161 00:04:00,967 --> 00:04:02,067 HOW YOU FEEL? 162 00:04:02,067 --> 00:04:02,733 GOOD. 163 00:04:02,733 --> 00:04:03,767 WE DO GOOD WORK WHEN WE 164 00:04:03,767 --> 00:04:05,900 AIN'T AT EACH OTHER'S NECK. 165 00:04:05,900 --> 00:04:06,567 I AGREE. 166 00:04:06,567 --> 00:04:07,600 THIS IS WHAT HAPPENS. 167 00:04:07,600 --> 00:04:09,433 WE GOOD UNTIL WE BE 168 00:04:09,433 --> 00:04:10,100 ON THAT BULL[bleep]. 169 00:04:10,100 --> 00:04:13,067 ARE YOU STILL SEEING HER? 170 00:04:13,067 --> 00:04:16,133 KHADIJAH, TELETUBBY, THE HELP? 171 00:04:16,133 --> 00:04:17,100 BABY, LOOK, 172 00:04:17,100 --> 00:04:18,100 I'M NOT SEEING KHADIJAH ANYMORE. 173 00:04:18,100 --> 00:04:19,167 WHY CAN'T YOU LOOK ME 174 00:04:19,167 --> 00:04:19,833 IN MY EYES? 175 00:04:19,833 --> 00:04:21,533 I'M LOOKING YOU. 176 00:04:21,533 --> 00:04:22,200 UH-HUH. 177 00:04:22,200 --> 00:04:25,133 I AM NO LONGER CHEATING 178 00:04:25,133 --> 00:04:25,933 ON YOU. 179 00:04:25,933 --> 00:04:26,600 OKAY. 180 00:04:26,600 --> 00:04:27,833 THAT BETTER FOR YOU? 181 00:04:27,833 --> 00:04:28,500 I DON'T KNOW 182 00:04:28,500 --> 00:04:29,400 IF HE'S TELLING ME THE TRUTH 183 00:04:29,400 --> 00:04:31,133 ABOUT THAT TELETUBBY OR NOT, 184 00:04:31,133 --> 00:04:32,433 BUT I'M WILLING TO GIVE HIM 185 00:04:32,433 --> 00:04:34,067 THE BENEFIT OF THE DOUBT, 186 00:04:34,067 --> 00:04:35,833 AT LEAST FOR NOW. 187 00:04:35,833 --> 00:04:37,567 THIS IS A GOOD FREAKING SONG. 188 00:04:37,567 --> 00:04:38,700 I'M SO EXCITED. 189 00:04:38,700 --> 00:04:39,433 I PLAYED THE RECORD 190 00:04:39,433 --> 00:04:40,500 FOR A FEW PEOPLE, 191 00:04:40,500 --> 00:04:42,867 AND IN THE PROCESS OF, 192 00:04:42,867 --> 00:04:43,900 I GOT A FEW PEOPLE LIKE, 193 00:04:43,900 --> 00:04:45,433 "OH, JOC GOT SOMETHING 194 00:04:45,433 --> 00:04:46,167 UP HIS SLEEVE." 195 00:04:46,167 --> 00:04:48,067 AND I'M LIKE, "NO, KARLIE 196 00:04:48,067 --> 00:04:49,100 GOT SOMETHING UP HER SLEEVE." 197 00:04:49,100 --> 00:04:49,833 SO CHECK IT OUT. 198 00:04:49,833 --> 00:04:50,933 MADE IT TO NEW YORK. 199 00:04:50,933 --> 00:04:51,700 YOU KNOW, I'M FITTING TO SIT 200 00:04:51,700 --> 00:04:52,567 DOWN WITH SOME VERY IMPORTANT 201 00:04:52,567 --> 00:04:53,633 PEOPLE, MAN, TO HANDLE SOME 202 00:04:53,633 --> 00:04:54,533 OF MY BUSINESS, 203 00:04:54,533 --> 00:04:56,233 AND AT THE SAME TIME, 204 00:04:56,233 --> 00:04:57,367 I'MA SEE IF I CAN HELP PUT 205 00:04:57,367 --> 00:04:59,067 LITTLE MISS KARLIE REDD ON TOO. 206 00:04:59,067 --> 00:05:00,233 AND IF KARLIE CAN ACTUALLY 207 00:05:00,233 --> 00:05:02,500 MANAGE TO ACT RIGHT, 208 00:05:02,500 --> 00:05:03,767 WE COULD ACTUALLY HAVE A HIT ON 209 00:05:03,767 --> 00:05:05,067 OUR HANDS, YOU KNOW WHAT I MEAN? 210 00:05:05,067 --> 00:05:06,800 I'M A SALESMAN AT HEART, 211 00:05:06,800 --> 00:05:07,533 YOU KNOW WHAT I'M SAYING. 212 00:05:07,533 --> 00:05:08,500 SO WHEN I--WHEN I WALK IN, 213 00:05:08,500 --> 00:05:09,400 IF IT'S NOT SOMETHING 214 00:05:09,400 --> 00:05:10,067 I CAN BELIEVE IN, 215 00:05:10,067 --> 00:05:10,733 IT'S GONNA BE HARD 216 00:05:10,733 --> 00:05:11,400 FOR ME TO SELL IT. 217 00:05:11,400 --> 00:05:12,533 PEOPLE UNDERESTIMATE ME 218 00:05:12,533 --> 00:05:13,267 AS AN ARTIST, 219 00:05:13,267 --> 00:05:13,933 BUT IT'S TIME 220 00:05:13,933 --> 00:05:15,367 TO CHANGE ALL THAT. 221 00:05:15,367 --> 00:05:16,267 THE FACT THAT JOC 222 00:05:16,267 --> 00:05:18,067 IS WILLING TO PUSH THIS SONG 223 00:05:18,067 --> 00:05:19,067 LET'S ME KNOW 224 00:05:19,067 --> 00:05:21,167 HE SUPPORTS ME 100%, 225 00:05:21,167 --> 00:05:22,333 AND MAYBE IT'S TIME FOR ME TO 226 00:05:22,333 --> 00:05:24,367 STOP WORRYING ABOUT MISS PIGGY 227 00:05:24,367 --> 00:05:25,167 AND START FOCUSING 228 00:05:25,167 --> 00:05:26,367 ON ME AND JOC. 229 00:05:26,367 --> 00:05:27,467 [giggles] 230 00:05:27,467 --> 00:05:28,533 WHAT? 231 00:05:28,533 --> 00:05:30,333 I LOVE YOU AND I WANT YOU-- 232 00:05:30,333 --> 00:05:31,767 I WANT YOU TONIGHT, AND I-- 233 00:05:31,767 --> 00:05:33,067 [giggles] 234 00:05:33,067 --> 00:05:34,967 NO? 235 00:05:34,967 --> 00:05:37,333 [mumbling] 236 00:05:37,333 --> 00:05:39,067 LET ME--JOC, LET ME OFF! 237 00:05:39,067 --> 00:05:41,400 AH, AH! [laughs] 238 00:05:47,467 --> 00:05:48,633 LAST TIME I CHECKED, 239 00:05:48,633 --> 00:05:50,067 HIP-HOP WEEKLY WAS A MAGAZINE 240 00:05:50,067 --> 00:05:51,200 THAT I WAS A PARTNER IN, 241 00:05:51,200 --> 00:05:53,767 SO TO SEE MY WIFE IN CENTERFOLD 242 00:05:53,767 --> 00:05:55,467 AND THEN MY EX ON THE COVER-- 243 00:05:55,467 --> 00:05:56,733 THAT'S MAKING ME LOOK NUTS 244 00:05:56,733 --> 00:05:57,800 OUT HERE IN THE STREET. 245 00:05:57,800 --> 00:05:59,400 SO I CAME OVER TO FIND OUT 246 00:05:59,400 --> 00:06:01,433 WHAT THE HELL ZINO WAS THINKING. 247 00:06:01,433 --> 00:06:02,867 GRIGIO. 248 00:06:02,867 --> 00:06:03,833 SLEAZE. 249 00:06:03,833 --> 00:06:05,333 YOU DID IT AGAIN. 250 00:06:05,333 --> 00:06:07,567 "MIMI UNLEASHED." 251 00:06:07,567 --> 00:06:08,733 YEAH, IT'S DOPE, RIGHT? 252 00:06:08,733 --> 00:06:11,967 ACTUALLY, I DON'T LOVE IT. 253 00:06:11,967 --> 00:06:13,733 THE PUERTO RICAN PRINCESS 254 00:06:13,733 --> 00:06:15,100 IS IN AN UPROAR RIGHT NOW. 255 00:06:15,100 --> 00:06:15,767 UH-HUH. 256 00:06:15,767 --> 00:06:16,667 SO I'M IN THE STUDIO 257 00:06:16,667 --> 00:06:18,067 RECORDING, AND IN COMES 258 00:06:18,067 --> 00:06:19,767 THE HUMAN TORNADO WITH THIS. 259 00:06:19,767 --> 00:06:20,433 WHO? 260 00:06:20,433 --> 00:06:21,100 JOSELINE. 261 00:06:21,100 --> 00:06:22,267 COME ON, MAN, WE ALREADY-- 262 00:06:22,267 --> 00:06:23,067 ACTUALLY, I THOUGHT 263 00:06:23,067 --> 00:06:24,800 AS A PARTNER IN HIP-HOP WEEKLY 264 00:06:24,800 --> 00:06:27,800 I WOULD GET A TEXT, A EMAIL 265 00:06:27,800 --> 00:06:29,433 OR ANYTHING ABOUT THE COVER. 266 00:06:29,433 --> 00:06:30,267 I THOUGHT THAT WE HAD 267 00:06:30,267 --> 00:06:31,367 A CONVERSATION ABOUT IT. 268 00:06:31,367 --> 00:06:32,067 YOU KNEW ABOUT IT, 269 00:06:32,067 --> 00:06:33,267 AND YOU KNEW WE HAD DEADLINE. 270 00:06:33,267 --> 00:06:34,067 I DON'T REMEMBER 271 00:06:34,067 --> 00:06:35,333 THE WHOLE LOGISTICS 272 00:06:35,333 --> 00:06:36,633 OF THE CONVERSATION WITH Z, 273 00:06:36,633 --> 00:06:38,367 BUT I WOULD NEVER EVER, EVER 274 00:06:38,367 --> 00:06:39,833 AGREE TO PUT MIMI ON THE COVER, 275 00:06:39,833 --> 00:06:41,133 ESPECIALLY WITH JOSELINE 276 00:06:41,133 --> 00:06:42,067 ON THE CENTERFOLD. 277 00:06:42,067 --> 00:06:43,600 THAT RIGHT THERE IS A RECIPE FOR 278 00:06:43,600 --> 00:06:45,300 DISASTER IN THE JORDAN HOUSE. 279 00:06:45,300 --> 00:06:46,200 THIS AIN'T "SLEEPING ON 280 00:06:46,200 --> 00:06:47,233 THE COUCH" MAD. 281 00:06:47,233 --> 00:06:48,267 THIS IS "GET THE [bleep] OUT" 282 00:06:48,267 --> 00:06:49,067 MAD. 283 00:06:49,067 --> 00:06:50,200 SLEAZE, COME ON, DO YOU KNOW 284 00:06:50,200 --> 00:06:51,200 HOW MUCH MONEY WE'RE GONNA 285 00:06:51,200 --> 00:06:51,867 MAKE OFF OF THAT? 286 00:06:51,867 --> 00:06:52,867 I MEAN, WHY ARE YOU--WHY 287 00:06:52,867 --> 00:06:54,067 DOES IT BOTHER YOU LIKE THAT, 288 00:06:54,067 --> 00:06:54,700 SLEAZE? 289 00:06:54,700 --> 00:06:55,633 THAT'S A GOOD LOOK FOR YOU. 290 00:06:55,633 --> 00:06:56,833 IT AIN'T ABOUT THE MONEY. 291 00:06:56,833 --> 00:06:58,333 IT'S ABOUT HOW THEY'RE GONNA 292 00:06:58,333 --> 00:06:59,433 SEE EVA'S MOM. 293 00:06:59,433 --> 00:07:01,433 SHE ALREADY [bleep] THAT UP. 294 00:07:01,433 --> 00:07:02,433 SHE DID THAT. 295 00:07:02,433 --> 00:07:03,400 YOU HAD NOTHING TO DO WITH THAT. 296 00:07:03,400 --> 00:07:04,133 I DON'T WANT TO PROMOTE 297 00:07:04,133 --> 00:07:05,400 HER NEW PORN STAR LIFE. 298 00:07:05,400 --> 00:07:06,500 WE'VE BEEN TALKED ABOUT IT 299 00:07:06,500 --> 00:07:07,167 AT THE RESTAURANT. 300 00:07:07,167 --> 00:07:07,967 YEAH, WE TALKED ABOUT IT, 301 00:07:07,967 --> 00:07:09,133 AND THEN WE SAY WE'D SLEEP ON IT 302 00:07:09,133 --> 00:07:09,800 AND GET BACK. 303 00:07:09,800 --> 00:07:10,733 WE NEVER GOT BACK. 304 00:07:10,733 --> 00:07:12,267 NOW THIS IS WHAT I SEE. 305 00:07:12,267 --> 00:07:13,333 THIS IS WHAT I SEE. 306 00:07:13,333 --> 00:07:14,200 WHOSE IDEA WAS IT 307 00:07:14,200 --> 00:07:16,200 TO PUT MIMI AND JOSELINE? 308 00:07:18,733 --> 00:07:19,800 THAT WAS MY IDEA. 309 00:07:19,800 --> 00:07:21,800 I KNEW IT WAS ZINO'S IDEA. 310 00:07:21,800 --> 00:07:23,500 I THOUGHT YOU WOULD LOVE IT. 311 00:07:23,500 --> 00:07:24,367 IT MAKES YOU LOOK GOOD. 312 00:07:24,367 --> 00:07:25,067 JUST TO GET ME-- 313 00:07:25,067 --> 00:07:26,500 JUST TO GET ME KILLED AT HOME. 314 00:07:26,500 --> 00:07:27,500 THE MAGAZINE HAS GOT 315 00:07:27,500 --> 00:07:29,233 MY HOUSE TURNED UPSIDE DOWN 316 00:07:29,233 --> 00:07:30,833 BECAUSE SHE DOESN'T SEE HERSELF 317 00:07:30,833 --> 00:07:32,067 AS JUST A CENTERFOLD. 318 00:07:32,067 --> 00:07:34,133 SHE SEES--"OH, WHO PUT MY FACE 319 00:07:34,133 --> 00:07:35,267 NEXT TO MIMI'S FACE 320 00:07:35,267 --> 00:07:36,833 ON THE COVER OF THE MAGAZINE?" 321 00:07:36,833 --> 00:07:37,700 LISTEN, SLEAZE, YOU GOT TO 322 00:07:37,700 --> 00:07:39,433 PUT YOUR FOOT DOWN AT HOME, MAN. 323 00:07:39,433 --> 00:07:40,867 YOU'RE THE MAN ANY [bleep] WAY. 324 00:07:40,867 --> 00:07:42,067 PUT MY FOOT DOWN? 325 00:07:42,067 --> 00:07:43,400 LISTEN, ARE YOU THOR, 326 00:07:43,400 --> 00:07:44,533 OR ARE YOU MIGHTY MOUSE? 327 00:07:44,533 --> 00:07:45,267 WHICH ONE IS IT? 328 00:07:45,267 --> 00:07:46,267 LIKE, COME ON. 329 00:07:46,267 --> 00:07:47,567 MY ASS IS GONNA BE DEAD 330 00:07:47,567 --> 00:07:49,367 IF I DON'T FIX THIS. 331 00:07:49,367 --> 00:07:50,100 THERE AIN'T NO GUNS 332 00:07:50,100 --> 00:07:52,667 IN THE HOUSE, RIGHT? 333 00:07:52,667 --> 00:07:53,900 I AM CONCERNED ABOUT THE FACT 334 00:07:53,900 --> 00:07:55,933 THAT THIS IS A VERY FAINT LINE. 335 00:07:55,933 --> 00:07:57,300 WHAT DOES THAT MEAN? 336 00:07:57,300 --> 00:07:58,067 IT CAN MEAN THAT THERE'S 337 00:07:58,067 --> 00:07:59,400 PROBLEMS WITH THE PREGNANCY. 338 00:07:59,400 --> 00:08:01,067 IS THAT JOC OVER THERE? 339 00:08:01,067 --> 00:08:01,933 I CAN'T BELIEVE THIS 340 00:08:01,933 --> 00:08:02,600 MOTHER[bleep]. 341 00:08:02,600 --> 00:08:03,900 HE TOLD ME HE WAS OUT OF TOWN. 342 00:08:03,900 --> 00:08:04,567 HE SAID HE HAD TO GO 343 00:08:04,567 --> 00:08:05,267 HANDLE SOME BUSINESS. 344 00:08:05,267 --> 00:08:06,500 HE AIN'T OUT OF TOWN. 345 00:08:06,500 --> 00:08:08,267 THAT'S THAT [bleep] BITCH. 346 00:08:08,267 --> 00:08:10,267 THAT'S MISS PIGGY. 347 00:08:19,533 --> 00:08:20,233 YOU'VE BEEN HERE? 348 00:08:20,233 --> 00:08:20,933 YEAH, THIS WHERE I USED 349 00:08:20,933 --> 00:08:22,600 TO GET MY MATERIAL AT. 350 00:08:22,600 --> 00:08:23,633 I'VE OFFICIALLY STARTED 351 00:08:23,633 --> 00:08:25,433 PRODUCTION ON MY DRESS LINE, 352 00:08:25,433 --> 00:08:26,867 KLASS 6. 353 00:08:26,867 --> 00:08:27,833 I'VE ALWAYS HAD A INTEREST 354 00:08:27,833 --> 00:08:28,500 IN FASHION, 355 00:08:28,500 --> 00:08:29,267 BUT I'VE NEVER BEEN 356 00:08:29,267 --> 00:08:30,067 IN THE RIGHT PLACE 357 00:08:30,067 --> 00:08:32,667 TO MAKE IT A REALITY UNTIL NOW. 358 00:08:32,667 --> 00:08:34,067 I'M A SINGLE WOMAN AGAIN, 359 00:08:34,067 --> 00:08:35,767 SO I HAVE ALL THE TIME 360 00:08:35,767 --> 00:08:36,433 IN THE WORLD 361 00:08:36,433 --> 00:08:37,733 TO PUT ALL MY ENERGY 362 00:08:37,733 --> 00:08:40,233 INTO KLASS 6 TO BE SUCCESSFUL. 363 00:08:40,233 --> 00:08:41,233 GETTING IT OFF THE GROUND HAS 364 00:08:41,233 --> 00:08:43,400 BEEN KEEPING ME VERY, VERY BUSY. 365 00:08:43,400 --> 00:08:45,267 SO TODAY I'M PUTTING KARLIE REDD 366 00:08:45,267 --> 00:08:46,067 TO WORK. 367 00:08:46,067 --> 00:08:47,133 ALL MY DRESSES ARE MADE 368 00:08:47,133 --> 00:08:47,967 OF ONE MATERIAL, 369 00:08:47,967 --> 00:08:49,900 WHICH IS LYCRA 4-WAY STRETCH, 370 00:08:49,900 --> 00:08:50,800 TO COMPLEMENT EACH 371 00:08:50,800 --> 00:08:51,833 AND EVERY WOMAN'S FIGURE. 372 00:08:51,833 --> 00:08:52,500 RIGHT. 373 00:08:52,500 --> 00:08:53,167 IT'S NOT JUST 374 00:08:53,167 --> 00:08:55,833 TOWARDS THE BIG BOOTY CHEEKS, 375 00:08:55,833 --> 00:08:57,667 BUT YOU GOT THE RIGHT CURVES, 376 00:08:57,667 --> 00:08:58,333 GIRL. 377 00:08:58,333 --> 00:09:00,600 TOOTY-BOOTY, YES. 378 00:09:00,600 --> 00:09:02,233 MY LINE IS FOR ALL WOMEN. 379 00:09:02,233 --> 00:09:04,200 KLASS 6 AIMS TO PLEASE, 380 00:09:04,200 --> 00:09:05,233 AND I'M GETTING READY 381 00:09:05,233 --> 00:09:06,167 FOR A FASHION SHOW 382 00:09:06,167 --> 00:09:08,067 TO SHOW OFF ALL MY DESIGNS. 383 00:09:08,067 --> 00:09:10,100 AND IT'S GONNA BE--WHAT? 384 00:09:10,100 --> 00:09:11,267 HOT. 385 00:09:11,267 --> 00:09:12,600 WAIT, ENOUGH ABOUT ME. 386 00:09:12,600 --> 00:09:14,167 WHAT'S UP WITH YOU? 387 00:09:14,167 --> 00:09:16,067 OH, GIRL. 388 00:09:16,067 --> 00:09:16,667 THERE'S A SONG 389 00:09:16,667 --> 00:09:17,867 THAT JOC AND I DID TOGETHER. 390 00:09:17,867 --> 00:09:19,233 IT'S A GOOD SONG, 391 00:09:19,233 --> 00:09:21,100 BUT WHAT'S EVEN BETTER IS, 392 00:09:21,100 --> 00:09:24,100 JOC WENT TO NEW YORK 393 00:09:24,100 --> 00:09:25,100 AND TALKED TO HIS LABEL 394 00:09:25,100 --> 00:09:25,800 ABOUT THE SONG. 395 00:09:25,800 --> 00:09:26,467 I WAS LIKE-- 396 00:09:26,467 --> 00:09:27,133 OH, HE'S TRYING 397 00:09:27,133 --> 00:09:27,967 TO GET COOL POINTS. 398 00:09:27,967 --> 00:09:30,467 GIRL, I WAS LIKE, YEAH, 399 00:09:30,467 --> 00:09:32,433 WHEN HE CAME HOME. 400 00:09:32,433 --> 00:09:33,567 YOU STUPID. 401 00:09:33,567 --> 00:09:34,533 AND HIS LABEL 402 00:09:34,533 --> 00:09:36,633 SAID THAT THEY LOVE THE SONG. 403 00:09:36,633 --> 00:09:37,467 THAT'S GOOD. 404 00:09:37,467 --> 00:09:38,800 I'M HAPPY FOR YOU. 405 00:09:38,800 --> 00:09:40,233 I GOT TO GIVE JOC CREDIT. 406 00:09:40,233 --> 00:09:41,267 JOC SAID HE WILL MAKE 407 00:09:41,267 --> 00:09:42,100 THIS A HIT SONG, 408 00:09:42,100 --> 00:09:43,533 AND IT LOOKS LIKE HE FINALLY 409 00:09:43,533 --> 00:09:45,067 FOLLOWED UP ON HIS WORD. 410 00:09:45,067 --> 00:09:46,700 IT MEANS A LOT TO ME THAT JOC 411 00:09:46,700 --> 00:09:48,800 THINKS HIGHLY OF MY CAREER 412 00:09:48,800 --> 00:09:50,733 AND OUR SHARED SUCCESS. 413 00:09:50,733 --> 00:09:52,367 I WANT TO BE ABLE TO SAY, 414 00:09:52,367 --> 00:09:53,067 "I GOT A MAN. 415 00:09:53,067 --> 00:09:53,967 WE DOING THIS BUSINESS, 416 00:09:53,967 --> 00:09:55,733 BUT WE ALSO IN A RELATIONSHIP." 417 00:09:55,733 --> 00:09:56,767 WE WALKING DOWN THE STREET, 418 00:09:56,767 --> 00:09:57,867 LIKE--YOU KNOW, 419 00:09:57,867 --> 00:09:59,167 WE MAKING POWER MOVES, 420 00:09:59,167 --> 00:10:00,633 BUT THIS IS MY MAN 421 00:10:00,633 --> 00:10:01,933 AT THE SAME TIME. 422 00:10:01,933 --> 00:10:03,133 THEN THIS WEEKEND, I'M LIKE, 423 00:10:03,133 --> 00:10:04,300 "BABY, I WANT TO SPEND SOME TIME 424 00:10:04,300 --> 00:10:05,367 WITH YOU," AND HE'S LIKE, "OH, 425 00:10:05,367 --> 00:10:06,667 I GOT--I GOT SOME BUSINESS 426 00:10:06,667 --> 00:10:07,333 OUT OF TOWN." 427 00:10:07,333 --> 00:10:08,000 I'M LIKE, 428 00:10:08,000 --> 00:10:08,767 "OKAY, OKAY, WHATEVER." 429 00:10:08,767 --> 00:10:09,900 FOR HOW LONG? 430 00:10:09,900 --> 00:10:12,133 FEW DAYS. HE'LL BE BACK. 431 00:10:12,133 --> 00:10:13,333 ALL I KNOW IS, HE BETTER 432 00:10:13,333 --> 00:10:17,000 NOT POP UP IN NO OTHER CITY 433 00:10:17,000 --> 00:10:18,533 WITH NO DIFFERENT BITCHES. 434 00:10:18,533 --> 00:10:19,633 HE OUT OF TOWN. 435 00:10:19,633 --> 00:10:20,900 YOU LONELY. YOU WANT TO KICK IT. 436 00:10:20,900 --> 00:10:21,900 KICK IT WITH YOUR GIRL. 437 00:10:21,900 --> 00:10:22,567 YES. 438 00:10:22,567 --> 00:10:23,233 GOT A COUPLE 439 00:10:23,233 --> 00:10:23,900 OF FASHION EVENTS 440 00:10:23,900 --> 00:10:25,800 I WANT YOU TO COME WITH ME TO, 441 00:10:25,800 --> 00:10:26,467 BUT I GOT TO GET YOU 442 00:10:26,467 --> 00:10:29,233 IN A KLASS 6 DRESS, YOU KNOW. 443 00:10:29,233 --> 00:10:30,300 WE CAN LET YOUR TITTIES OUT 444 00:10:30,300 --> 00:10:31,467 LIKE... 445 00:10:31,467 --> 00:10:33,233 THEY--NO, THEY ASKED ME 446 00:10:33,233 --> 00:10:33,900 IF THEY CAN BREATHE. 447 00:10:33,900 --> 00:10:34,767 I DON'T EVEN LIKE WEARING BRAS. 448 00:10:34,767 --> 00:10:35,433 YOU AIN'T EVEN GOT 449 00:10:35,433 --> 00:10:36,100 TO WEAR NO BRA. 450 00:10:36,100 --> 00:10:36,900 THAT'S WHAT I'M SAYING. 451 00:10:36,900 --> 00:10:37,867 JUST LET IT ALL HANG OUT. 452 00:10:37,867 --> 00:10:38,600 WHAT COLOR YOU GONNA PUT 453 00:10:38,600 --> 00:10:39,700 ME IN? 454 00:10:39,700 --> 00:10:40,633 I DON'T KNOW. 455 00:10:40,633 --> 00:10:42,300 RED. KARLIE REDD. 456 00:10:42,300 --> 00:10:43,000 NOT WITH RED-- 457 00:10:43,000 --> 00:10:44,333 I MEAN, THE BLOND HAIR. 458 00:10:44,333 --> 00:10:46,333 LET'S GET SOMETHING ELSE. 459 00:10:52,600 --> 00:10:53,800 I HAVE TO MEET WITH MY SON 460 00:10:53,800 --> 00:10:54,467 TODAY. 461 00:10:54,467 --> 00:10:56,267 I WAS DISAPPOINTED THAT I WASN'T 462 00:10:56,267 --> 00:10:58,133 ABLE TO SHARE THEIR MARRIAGE, 463 00:10:58,133 --> 00:11:00,200 FIRST MOMENT OF THE BONDING. 464 00:11:00,200 --> 00:11:00,967 IT'S A BIT SELFISH, 465 00:11:00,967 --> 00:11:03,267 BUT I FELT I DESERVE THAT. 466 00:11:03,267 --> 00:11:04,867 SO NOW I NEED TO EXPLAIN TO HIM 467 00:11:04,867 --> 00:11:06,333 WHAT WAS GOING ON WITH ME. 468 00:11:06,333 --> 00:11:07,100 I WANTED TO TALK 469 00:11:07,100 --> 00:11:08,600 ABOUT MY REACTION 470 00:11:08,600 --> 00:11:10,467 WHEN YOU GUYS LET ME AND MONA 471 00:11:10,467 --> 00:11:13,467 KNOW THAT YOU RAN OFF 472 00:11:13,467 --> 00:11:14,567 AND ELOPED. 473 00:11:14,567 --> 00:11:16,067 I WAS, LIKE, JOYOUS, 474 00:11:16,067 --> 00:11:16,833 AND IT WAS SOMETHING 475 00:11:16,833 --> 00:11:18,500 THAT I REALLY WANTED TO DO. 476 00:11:18,500 --> 00:11:20,800 I WAS ROBBED OF THAT. 477 00:11:20,800 --> 00:11:24,367 IT'S LIKE I LOST ANOTHER SON 478 00:11:24,367 --> 00:11:25,067 BECAUSE OF 479 00:11:25,067 --> 00:11:26,567 WHAT HAPPENED TO KAYO. 480 00:11:26,567 --> 00:11:27,233 I KNOW MY MOM 481 00:11:27,233 --> 00:11:28,433 FEEL LITTLE SALTY 'CAUSE 482 00:11:28,433 --> 00:11:29,467 SHE FEEL LIKE SHE LOST A SON 483 00:11:29,467 --> 00:11:30,367 'CAUSE I'M GETTING MARRIED, 484 00:11:30,367 --> 00:11:31,800 LIKE, I'M GONE FOREVER. 485 00:11:31,800 --> 00:11:32,467 BUT GUESS WHAT, 486 00:11:32,467 --> 00:11:33,833 MAN, I'M A MAMA BOY, MAN. 487 00:11:33,833 --> 00:11:35,633 I NEVER, EVER GO NOWHERE. 488 00:11:35,633 --> 00:11:36,533 WAS THIS A PART OF YOUR 489 00:11:36,533 --> 00:11:37,333 GRIEF? 490 00:11:37,333 --> 00:11:38,067 REAL TALK, 491 00:11:38,067 --> 00:11:39,467 I DON'T EVEN HAVE GRIEF. 492 00:11:39,467 --> 00:11:40,233 IT'S NOT HEALTHY 493 00:11:40,233 --> 00:11:41,500 TO BE THAT NUMB. 494 00:11:41,500 --> 00:11:42,933 I UNDERSTAND IN REGARD. 495 00:11:42,933 --> 00:11:44,500 LIKE, THAT RIGHT THERE--THAT'S 496 00:11:44,500 --> 00:11:45,900 A CHAPTER IN LIFE. 497 00:11:45,900 --> 00:11:47,067 IT HURT. 498 00:11:47,067 --> 00:11:48,600 DON'T THINK IT DON'T HURT, 499 00:11:48,600 --> 00:11:49,467 BUT THE MOST POSITIVE 500 00:11:49,467 --> 00:11:52,067 I COULD SAY IS, I FEEL LIKE HE 501 00:11:52,067 --> 00:11:53,667 AIN'T STRESSED OUT NO MORE. 502 00:11:53,667 --> 00:11:54,767 YOU WANT TO KNOW SOMETHING 503 00:11:54,767 --> 00:11:56,067 THAT I REALLY KNOW 504 00:11:56,067 --> 00:11:57,767 THAT HE'S HAPPY ABOUT? 505 00:11:57,767 --> 00:11:59,333 'CAUSE HE REALLY, REALLY 506 00:11:59,333 --> 00:12:00,467 WANTED Y'ALL TO GET MARRIED. 507 00:12:00,467 --> 00:12:01,667 YEAH, YEAH, HE LOVED TAMMY. 508 00:12:01,667 --> 00:12:02,433 YEAH, HE LOVED TAMMY. 509 00:12:02,433 --> 00:12:03,433 HE TOLD ME TO MARRY TAMMY. 510 00:12:03,433 --> 00:12:04,400 HE LOVED HER. 511 00:12:04,400 --> 00:12:05,100 I KNOW WAKA, 512 00:12:05,100 --> 00:12:06,133 BECAUSE AT THE END OF THE DAY, 513 00:12:06,133 --> 00:12:07,200 EVEN THOUGH IT'S A GROWN MAN 514 00:12:07,200 --> 00:12:08,933 THAT WAS SITTING ACROSS FROM ME, 515 00:12:08,933 --> 00:12:09,933 IT WAS PRETTY MUCH LIKE 516 00:12:09,933 --> 00:12:10,767 MY FIRST TIME 517 00:12:10,767 --> 00:12:12,267 SEEING MY SON GROW UP. 518 00:12:12,267 --> 00:12:13,067 AND I'M SO HAPPY, 519 00:12:13,067 --> 00:12:14,533 AND I'M SO PROUD OF HIM. 520 00:12:14,533 --> 00:12:18,467 SO NOW I GOT A DAUGHTER. 521 00:12:18,467 --> 00:12:19,467 I AIN'T MAKE THIS MOVE FOR 522 00:12:19,467 --> 00:12:22,633 PAINS AND OTHER PEOPLE DECISION. 523 00:12:22,633 --> 00:12:23,633 I DID IT FOR ME. 524 00:12:23,633 --> 00:12:24,400 IT'S NOT DONE-- 525 00:12:24,400 --> 00:12:26,433 EVERYBODY TO SEE AND THE RING 526 00:12:26,433 --> 00:12:27,767 IS HOT, THE THIS AND THAT. 527 00:12:27,767 --> 00:12:28,433 WE AIN'T GET A RING 528 00:12:28,433 --> 00:12:29,467 PURPOSELY. 529 00:12:29,467 --> 00:12:30,767 RING IS DECORATION. 530 00:12:30,767 --> 00:12:32,533 I RATHER GET A FOUNDATION. 531 00:12:32,533 --> 00:12:33,267 THAT'S WHY I AIN'T WANT 532 00:12:33,267 --> 00:12:34,100 NO BIG WEDDING. 533 00:12:34,100 --> 00:12:34,767 YOU STILL GOT 534 00:12:34,767 --> 00:12:35,900 TO GIVE ME GRANDKIDS. 535 00:12:35,900 --> 00:12:36,600 Y'ALL SHOULD REALLY HAVE 536 00:12:36,600 --> 00:12:37,567 TWINS NOW. 537 00:12:37,567 --> 00:12:38,600 DONE GOD WANT IT TO HAPPEN, 538 00:12:38,600 --> 00:12:39,433 IT'S GONNA HAPPEN. 539 00:12:39,433 --> 00:12:40,667 BRING THE GRANDKIDS ON. 540 00:12:40,667 --> 00:12:41,933 NOW I'M READY FOR THAT. 541 00:12:41,933 --> 00:12:42,733 LET'S GO. 542 00:12:42,733 --> 00:12:43,767 BRING ME MY BABIES, 543 00:12:43,767 --> 00:12:44,967 AND JUST FOR THAT, 544 00:12:44,967 --> 00:12:47,300 I GET TWO AT ONE TIME. 545 00:12:47,300 --> 00:12:48,400 CAN I GET A HUG? 546 00:12:48,400 --> 00:12:51,400 OH, YOU WANT SOME LOVE? 547 00:12:51,400 --> 00:12:53,400 YOU WANT TO HUG WAKA FLOCKA? 548 00:13:01,500 --> 00:13:02,667 TODAY I'M DRAGGING RASHEEDA 549 00:13:02,667 --> 00:13:04,733 TO THE DOCTOR'S OFFICE WITH ME. 550 00:13:04,733 --> 00:13:05,433 HI, HOW ARE YOU? 551 00:13:05,433 --> 00:13:06,400 I'M VERY WELL, THANK YOU. 552 00:13:06,400 --> 00:13:07,600 ALL RIGHT, IF YOU CAN JUST 553 00:13:07,600 --> 00:13:08,667 FILL THIS ONE OUT FOR ME. 554 00:13:08,667 --> 00:13:10,267 YES, MA'AM, THANK YOU. 555 00:13:10,267 --> 00:13:12,867 I'M SO NERVOUS RIGHT NOW. 556 00:13:12,867 --> 00:13:14,667 I TOOK A HOME PREGNANCY TEST, 557 00:13:14,667 --> 00:13:15,933 AND IT CAME OUT POSITIVE, 558 00:13:15,933 --> 00:13:17,267 SO NOW I'M HERE TO FIGURE OUT 559 00:13:17,267 --> 00:13:19,200 IF IT'S REALLY REAL. 560 00:13:19,200 --> 00:13:20,367 YOU GOT ME DAMN NERVOUS 561 00:13:20,367 --> 00:13:21,067 UP IN HERE. 562 00:13:21,067 --> 00:13:24,067 I'M SO NERVOUS, RASHEEDA. 563 00:13:24,067 --> 00:13:24,700 DON'T BE, THOUGH. 564 00:13:24,700 --> 00:13:25,533 IT'S GONNA BE OKAY. 565 00:13:25,533 --> 00:13:27,067 JUST A LOT GOING ON. 566 00:13:27,067 --> 00:13:28,500 WHAT HAS BEEN GOING ON? 567 00:13:28,500 --> 00:13:30,267 GIRL, FOUND MOLD 568 00:13:30,267 --> 00:13:31,733 IN THE HOUSE. 569 00:13:31,733 --> 00:13:32,600 I TOLD VICK--I WAS LIKE, 570 00:13:32,600 --> 00:13:34,900 "LISTEN, WE CAN'T STAY HERE. 571 00:13:34,900 --> 00:13:35,967 LIKE, MOLD IS SERIOUS." 572 00:13:35,967 --> 00:13:37,067 YOU DON'T WANT TO BE 573 00:13:37,067 --> 00:13:38,733 PREGNANT IN A HOUSE 574 00:13:38,733 --> 00:13:40,333 WITH A BUNCH OF DAMN MOLD. 575 00:13:40,333 --> 00:13:41,533 SO, YOU KNOW, 576 00:13:41,533 --> 00:13:43,067 WE'RE ON A HUNT FOR A NEW HOUSE. 577 00:13:43,067 --> 00:13:44,133 MM. 578 00:13:44,133 --> 00:13:45,500 I'M PREGNANT. 579 00:13:45,500 --> 00:13:46,167 TRYING TO FIGURE OUT 580 00:13:46,167 --> 00:13:47,700 HOW ALL THAT FITS IN WITH TRYING 581 00:13:47,700 --> 00:13:48,867 TO FINISH AN ALBUM. 582 00:13:48,867 --> 00:13:49,533 GIRL... 583 00:13:49,533 --> 00:13:50,200 WHO DOES THAT? 584 00:13:50,200 --> 00:13:52,067 IT'S A LOT. 585 00:13:52,067 --> 00:13:53,367 I AIN'T GONNA LIE TO YOU. 586 00:13:53,367 --> 00:13:54,733 BUT I TELL YOU, MA'AM, 587 00:13:54,733 --> 00:13:55,867 I'M STRESSED OUT. 588 00:13:55,867 --> 00:13:57,767 I DON'T KNOW IF TIMING IS RIGHT 589 00:13:57,767 --> 00:13:59,367 TO HAVE A LITTLE BABY. 590 00:13:59,367 --> 00:14:01,333 HOW MANY WILL THAT BE 591 00:14:01,333 --> 00:14:02,200 FOR HIM? 592 00:14:02,200 --> 00:14:03,400 NINE. 593 00:14:03,400 --> 00:14:04,433 IT'LL BE NINE OF 'EM. 594 00:14:04,433 --> 00:14:06,067 ARE YOU SERIOUS? 595 00:14:06,067 --> 00:14:07,633 WELL, DAMN, 596 00:14:07,633 --> 00:14:09,533 THAT'S A LOT OF DAMN KIDS, BOO. 597 00:14:09,533 --> 00:14:10,300 NOW, I KNOW 598 00:14:10,300 --> 00:14:11,200 THAT TONY AND KALENNA 599 00:14:11,200 --> 00:14:13,233 GOT MESHACH TOGETHER, BUT, BOO, 600 00:14:13,233 --> 00:14:14,200 I DIDN'T KNOW YOU WAS, 601 00:14:14,200 --> 00:14:16,067 LIKE, STEPMOM OF THE YEAR. 602 00:14:16,067 --> 00:14:16,767 MISS KALENNA? 603 00:14:16,767 --> 00:14:17,433 YES, MA'AM. 604 00:14:17,433 --> 00:14:18,333 DR. RANDELL IS READY 605 00:14:18,333 --> 00:14:19,133 TO SEE YOU. 606 00:14:19,133 --> 00:14:20,267 UH-OH, GIRL, 607 00:14:20,267 --> 00:14:20,933 YOU WANT ME TO COME? 608 00:14:20,933 --> 00:14:21,600 COME WITH ME. 609 00:14:21,600 --> 00:14:22,267 OH, I'M COMING. 610 00:14:22,267 --> 00:14:23,600 I'M COMING. 611 00:14:23,600 --> 00:14:24,733 NOW, I AIN'T PASSING JUDGMENT 612 00:14:24,733 --> 00:14:26,067 ON NOBODY BECAUSE KIRK 613 00:14:26,067 --> 00:14:27,700 DOES HAVE FIVE KIDS, 614 00:14:27,700 --> 00:14:29,400 BUT ONE THING I DO KNOW 615 00:14:29,400 --> 00:14:31,533 IS, WHEN YOU HAVE THAT MANY KIDS 616 00:14:31,533 --> 00:14:33,567 IN YOUR LIFE, IT'S STRESSFUL, 617 00:14:33,567 --> 00:14:35,067 AND IT COULD 'CAUSE A WHOLE, 618 00:14:35,067 --> 00:14:36,200 WHOLE LOT OF DIFFERENT THINGS 619 00:14:36,200 --> 00:14:37,400 IN YOUR RELATIONSHIP. 620 00:14:37,400 --> 00:14:38,433 HI, KALENNA, HOW ARE YOU? 621 00:14:38,433 --> 00:14:39,267 I'M VERY WELL, THANK YOU. 622 00:14:39,267 --> 00:14:39,933 HOW ARE YOU? 623 00:14:39,933 --> 00:14:40,600 I'M DOING WELL. 624 00:14:40,600 --> 00:14:41,300 I'M DR. RANDELL. 625 00:14:41,300 --> 00:14:42,467 NICE TO MEET YOU. 626 00:14:42,467 --> 00:14:43,467 SO YOU THINK YOU'RE PREGNANT. 627 00:14:43,467 --> 00:14:44,133 I DO. 628 00:14:44,133 --> 00:14:45,267 WELL, THE TEST SHOWS 629 00:14:45,267 --> 00:14:47,233 THAT INDEED YOU ARE PREGNANT. 630 00:14:47,233 --> 00:14:48,667 OH, CHILD. 631 00:14:48,667 --> 00:14:50,400 AND TODAY THIS WOULD MAKE YOU 632 00:14:50,400 --> 00:14:52,867 APPROXIMATELY NINE WEEKS 633 00:14:52,867 --> 00:14:54,067 PREGNANT. 634 00:14:54,067 --> 00:14:54,700 REALLY? 635 00:14:54,700 --> 00:14:56,167 AND YOUR DUE DATE 636 00:14:56,167 --> 00:14:58,067 IS GOING TO BE A CHRISTMAS BABY. 637 00:14:58,067 --> 00:14:58,700 WHAT? 638 00:14:58,700 --> 00:15:00,800 DECEMBER 25TH. 639 00:15:00,800 --> 00:15:01,633 SPECIAL. 640 00:15:01,633 --> 00:15:02,400 BUT I AM CONCERNED 641 00:15:02,400 --> 00:15:03,067 ABOUT THE FACT 642 00:15:03,067 --> 00:15:05,067 THAT THIS IS A VERY FAINT LINE. 643 00:15:05,067 --> 00:15:07,467 NORMALLY, THE LINE IS DARKER 644 00:15:07,467 --> 00:15:08,400 FOR THE TEST LINE 645 00:15:08,400 --> 00:15:10,067 TO MATCH THE CONTROL LINE. 646 00:15:10,067 --> 00:15:10,767 IN YOUR SITUATION, 647 00:15:10,767 --> 00:15:12,567 IT'S A FAINT LINE. 648 00:15:12,567 --> 00:15:13,633 SO IT MAY BE THAT-- 649 00:15:13,633 --> 00:15:14,733 WHAT DOES THAT MEAN? 650 00:15:14,733 --> 00:15:15,500 IT CAN MEAN THAT THERE'S 651 00:15:15,500 --> 00:15:16,800 A PROBLEM WITH THE PREGNANCY. 652 00:15:16,800 --> 00:15:18,100 HAVE YOU HAD ANY PROBLEMS? 653 00:15:18,100 --> 00:15:20,067 STRESS WITH A CAPITAL S. 654 00:15:20,067 --> 00:15:20,800 YOU KNOW, JUST THINKING 655 00:15:20,800 --> 00:15:22,900 ABOUT, LIKE, IF TIMING IS RIGHT, 656 00:15:22,900 --> 00:15:24,167 YOU KNOW, TO HAVE A BABY. 657 00:15:24,167 --> 00:15:24,900 SO I'VE BEEN STRESSING 658 00:15:24,900 --> 00:15:26,100 REALLY BIG ON THAT. 659 00:15:26,100 --> 00:15:27,167 ANY BLEEDING? 660 00:15:27,167 --> 00:15:29,767 I MEAN, A LITTLE SPOTTING. 661 00:15:29,767 --> 00:15:30,600 HAVE YOU BEEN REALLY ACTIVE 662 00:15:30,600 --> 00:15:31,267 LATELY? 663 00:15:31,267 --> 00:15:32,100 YOU SAID YOU STARTED TO HAVE-- 664 00:15:32,100 --> 00:15:32,800 I HAVE. 665 00:15:32,800 --> 00:15:33,833 I'M STILL WORKING. 666 00:15:33,833 --> 00:15:35,267 TELL HIM ABOUT THE MOLD. 667 00:15:35,267 --> 00:15:36,800 OH, AND YEAH--AND ACTUALLY, 668 00:15:36,800 --> 00:15:39,100 WE JUST HAD A PROBLEM WITH MOLD. 669 00:15:39,100 --> 00:15:40,467 WOULD THAT HAVE ANY EFFECT 670 00:15:40,467 --> 00:15:42,200 ON MY BABY BECAUSE OF THE 671 00:15:42,200 --> 00:15:42,933 MOLD IN THE HOUSE? 672 00:15:42,933 --> 00:15:43,600 YOU KNOW, IT SORT OF 673 00:15:43,600 --> 00:15:44,267 CHANGES THINGS. 674 00:15:44,267 --> 00:15:45,633 I WASN'T EXPECTING THIS, 675 00:15:45,633 --> 00:15:46,300 BUT THERE'S A LOT 676 00:15:46,300 --> 00:15:47,567 OF EXPLANATIONS. 677 00:15:47,567 --> 00:15:48,700 IT COULD ALSO MEAN THAT THERE'S 678 00:15:48,700 --> 00:15:50,200 PROBLEMS WITH THE PREGNANCY, 679 00:15:50,200 --> 00:15:51,167 BUT I THINK AT THIS POINT, WE'LL 680 00:15:51,167 --> 00:15:52,167 DO AN ULTRASOUND AND SEE WHAT'S 681 00:15:52,167 --> 00:15:52,833 GOING ON. 682 00:15:52,833 --> 00:15:55,233 OKAY. 683 00:15:55,233 --> 00:15:56,900 I'M SO SORRY. 684 00:15:56,900 --> 00:15:59,333 LIFE DOESN'T STOP BECAUSE, 685 00:15:59,333 --> 00:16:01,633 YOU KNOW, SOMEONE PASSES. 686 00:16:01,633 --> 00:16:04,300 IT'S OKAY TO NOT BE OKAY. 687 00:16:04,300 --> 00:16:05,867 IT'S OKAY TO HURT 688 00:16:05,867 --> 00:16:08,533 AND TO CRY AND BE VULNERABLE. 689 00:16:15,833 --> 00:16:16,700 OKAY. 690 00:16:16,700 --> 00:16:18,533 LOOK AT THAT. 691 00:16:18,533 --> 00:16:19,700 THERE'S A BABY. 692 00:16:19,700 --> 00:16:21,100 THERE'S THE BABY'S HEARTBEAT. 693 00:16:21,100 --> 00:16:21,900 OH. 694 00:16:21,900 --> 00:16:23,300 EVERYTHING LOOKS WONDERFUL, 695 00:16:23,300 --> 00:16:24,067 AND YOU CAN SEE 696 00:16:24,067 --> 00:16:24,767 THE HEARTBEAT RIGHT THERE. 697 00:16:24,767 --> 00:16:25,700 LOOK AT THAT. 698 00:16:25,700 --> 00:16:26,367 OH, MY GOD. 699 00:16:26,367 --> 00:16:29,067 THAT LOOKS GREAT. 700 00:16:29,067 --> 00:16:30,400 SO NOTHING TO WORRY ABOUT. 701 00:16:30,400 --> 00:16:31,367 SO THE FAINT LINE 702 00:16:31,367 --> 00:16:32,400 IS NOTHING TO REALLY-- 703 00:16:32,400 --> 00:16:33,467 FAINT LINE MEANS NOTHING 704 00:16:33,467 --> 00:16:34,600 AT THIS POINT. 705 00:16:34,600 --> 00:16:36,400 THANK GOD EVERYTHING IS OKAY. 706 00:16:36,400 --> 00:16:37,633 WHETHER OR NOT ME AND TONY 707 00:16:37,633 --> 00:16:39,400 IS READY FOR THIS BABY, 708 00:16:39,400 --> 00:16:40,500 IT'S COMING. 709 00:16:40,500 --> 00:16:41,867 OH, I'M ABOUT TO CRY. 710 00:16:41,867 --> 00:16:42,533 I KNOW, RIGHT? 711 00:16:42,533 --> 00:16:43,200 THERE'S A PICTURE 712 00:16:43,200 --> 00:16:44,067 OF YOUR BABY. 713 00:16:44,067 --> 00:16:47,167 OH, THIS SUGAR. 714 00:16:47,167 --> 00:16:48,267 SEEING MY LITTLE SUGAR 715 00:16:48,267 --> 00:16:49,400 ON THE ULTRASOUND, 716 00:16:49,400 --> 00:16:50,800 I'M SO EXCITED ABOUT BRINGING 717 00:16:50,800 --> 00:16:52,200 ANOTHER BABY INTO THIS WORLD. 718 00:16:52,200 --> 00:16:52,933 IT PUTS EVERYTHING 719 00:16:52,933 --> 00:16:53,900 IN PERSPECTIVE FOR ME. 720 00:16:53,900 --> 00:16:55,767 WE'RE SO LUCKY, 721 00:16:55,767 --> 00:16:56,600 AND I'MA DO EVERYTHING THAT I 722 00:16:56,600 --> 00:16:58,600 CAN DO TO PROTECT THIS NEW LIFE. 723 00:16:58,600 --> 00:16:59,367 OKAY, SO NOW WHAT YOU NEED 724 00:16:59,367 --> 00:17:00,700 TO PROMISE ME TO DO IS WHAT? 725 00:17:00,700 --> 00:17:01,733 NOT STRESS. 726 00:17:01,733 --> 00:17:02,667 AND DEFINITELY 727 00:17:02,667 --> 00:17:04,100 NO INTERCOURSE. 728 00:17:04,100 --> 00:17:04,933 I'M NOT GONNA LIE TO YOU. 729 00:17:04,933 --> 00:17:06,200 I HAVE A LOT OF SEX. 730 00:17:06,200 --> 00:17:06,933 IT'S RECOMMENDED 731 00:17:06,933 --> 00:17:08,467 THAT YOU DON'T DO THAT. 732 00:17:08,467 --> 00:17:09,833 HOW ABOUT SEX TOYS? 733 00:17:09,833 --> 00:17:11,633 SEX TOYS--PROBABLY NOT 734 00:17:11,633 --> 00:17:12,900 RECOMMENDED, ESPECIALLY THE FACT 735 00:17:12,900 --> 00:17:13,567 THAT YOU'RE HAVING 736 00:17:13,567 --> 00:17:14,233 SOME BLEEDING. 737 00:17:14,233 --> 00:17:14,900 I KNOW. I KNOW. 738 00:17:14,900 --> 00:17:15,600 THAT'S A SIGN 739 00:17:15,600 --> 00:17:16,900 OF THREATENING TO MISCARRY, 740 00:17:16,900 --> 00:17:18,467 AND WE WANT TO DELIVER A BABY 741 00:17:18,467 --> 00:17:19,833 ON CHRISTMAS DAY, RIGHT? 742 00:17:19,833 --> 00:17:20,500 YOU GOT A POINT. 743 00:17:20,500 --> 00:17:21,233 WE'RE IN THIS TOGETHER, 744 00:17:21,233 --> 00:17:21,900 RIGHT? 745 00:17:21,900 --> 00:17:22,567 YES, SIR. 746 00:17:22,567 --> 00:17:23,967 LOOKS LIKE MY DAYS OF TURNING UP 747 00:17:23,967 --> 00:17:25,900 IS TURNED DOWN FOR A WHILE, 748 00:17:25,900 --> 00:17:27,067 BUT TRUST AND BELIEVE, 749 00:17:27,067 --> 00:17:28,167 I'LL BE TURNING UP AGAIN. 750 00:17:28,167 --> 00:17:29,867 WHEN NEW YEAR'S EVE ROLL AROUND, 751 00:17:29,867 --> 00:17:31,600 I'LL BE BACK IN FULL FORCE. 752 00:17:31,600 --> 00:17:33,600 I'S THE MAMA. 753 00:17:42,667 --> 00:17:43,967 I'M TRYING SO HARD 754 00:17:43,967 --> 00:17:44,633 TO BE STRONG, 755 00:17:44,633 --> 00:17:45,500 BUT WITH EVERYTHING 756 00:17:45,500 --> 00:17:46,400 THAT I'M DEALING WITH, 757 00:17:46,400 --> 00:17:47,700 IT'S JUST NOT EASY. 758 00:17:47,700 --> 00:17:49,067 STEVIE'S TEXT MESSAGES 759 00:17:49,067 --> 00:17:50,967 SENT ME OVER THE EDGE, 760 00:17:50,967 --> 00:17:52,200 SO WHEN ARIANE REACHED OUT 761 00:17:52,200 --> 00:17:54,233 TO SEND HER CONDOLENCES, I SAID, 762 00:17:54,233 --> 00:17:55,600 "GIRL, LET'S MEET UP." 763 00:17:55,600 --> 00:17:56,500 IT REALLY MEANS A LOT 764 00:17:56,500 --> 00:17:57,433 THAT SHE REACHED OUT, 765 00:17:57,433 --> 00:17:58,300 AND I COULD REALLY 766 00:17:58,300 --> 00:18:00,367 USE A FRIEND RIGHT NOW. 767 00:18:05,800 --> 00:18:07,167 YOU GIVE THE BEST HUGS. 768 00:18:07,167 --> 00:18:08,100 DESPITE WHAT I MAY THINK 769 00:18:08,100 --> 00:18:10,833 ABOUT THIS TAPE, I LOVE MIMI. 770 00:18:10,833 --> 00:18:12,067 I ABSOLUTELY HATE 771 00:18:12,067 --> 00:18:12,967 WHAT'S GOING ON, 772 00:18:12,967 --> 00:18:15,567 BUT SHE JUST LOST HER DAD, AND I 773 00:18:15,567 --> 00:18:17,567 HAVE TO BE HERE FOR MY FRIEND. 774 00:18:20,233 --> 00:18:22,133 I'M SO SORRY. 775 00:18:22,133 --> 00:18:24,300 YEAH, MY DADDY 776 00:18:24,300 --> 00:18:26,400 REALLY WAS MY FRIEND, YOU KNOW. 777 00:18:26,400 --> 00:18:27,533 I KNOW. 778 00:18:27,533 --> 00:18:29,267 THIS IS SO FINAL. 779 00:18:29,267 --> 00:18:30,067 LIKE, THERE'S NO MORE 780 00:18:30,067 --> 00:18:30,900 PHONE CALLS. 781 00:18:30,900 --> 00:18:32,400 THERE'S NO MORE-- 782 00:18:32,400 --> 00:18:34,133 I CAN'T HEAR HIM LAUGH ANYMORE. 783 00:18:34,133 --> 00:18:35,200 THERE'S NO MORE. 784 00:18:35,200 --> 00:18:35,867 IT JUST-- 785 00:18:35,867 --> 00:18:37,200 HOW ARE YOU FEELING, THOUGH? 786 00:18:37,200 --> 00:18:38,500 LIKE-- 787 00:18:38,500 --> 00:18:40,100 I JUST KNOW I GOT TO GET UP 788 00:18:40,100 --> 00:18:40,800 IN THE MORNING, 789 00:18:40,800 --> 00:18:42,500 AND I GOT TO CONTINUE 790 00:18:42,500 --> 00:18:43,433 TO... 791 00:18:43,433 --> 00:18:44,267 YES. 792 00:18:44,267 --> 00:18:46,167 GO ON WITH-- 793 00:18:46,167 --> 00:18:46,833 LIFE. 794 00:18:46,833 --> 00:18:49,133 LIFE DOESN'T STOP BECAUSE, 795 00:18:49,133 --> 00:18:52,067 YOU KNOW, SOMEONE PASSES. 796 00:18:52,067 --> 00:18:52,733 IT'S OKAY 797 00:18:52,733 --> 00:18:53,900 TO BE VULNERABLE, THOUGH. 798 00:18:53,900 --> 00:18:54,867 THAT'S WHY WHEN I CALLED 799 00:18:54,867 --> 00:18:56,500 YOU YESTERDAY, I WAS LIKE, 800 00:18:56,500 --> 00:18:57,500 "I NEED TO SEE YOU," 'CAUSE 801 00:18:57,500 --> 00:18:58,800 I WANTED TO SEE YOUR FACE. 802 00:18:58,800 --> 00:19:00,233 I KNOW THIS FEELING 803 00:19:00,233 --> 00:19:02,067 ALL TOO WELL. 804 00:19:02,067 --> 00:19:03,133 YEAH, I KNOW. 805 00:19:03,133 --> 00:19:04,833 IT SUCKS AND IT HURTS, 806 00:19:04,833 --> 00:19:06,833 AND I'M SO SORRY. 807 00:19:09,267 --> 00:19:11,933 IT'S OKAY TO NOT BE OKAY. 808 00:19:11,933 --> 00:19:13,400 IT'S OKAY TO HURT 809 00:19:13,400 --> 00:19:16,467 AND TO CRY AND BE VULNERABLE. 810 00:19:16,467 --> 00:19:17,767 IT'S OKAY. 811 00:19:17,767 --> 00:19:21,433 YOUR DAD JUST DIED. 812 00:19:21,433 --> 00:19:23,100 BUT I DON'T HAVE A CHOICE. 813 00:19:23,100 --> 00:19:23,833 YOU DO HAVE A CHOICE. 814 00:19:23,833 --> 00:19:24,500 NO. 815 00:19:24,500 --> 00:19:26,067 YOU'RE NOT BY YOURSELF. 816 00:19:26,067 --> 00:19:26,767 AND THEN STEVIE 817 00:19:26,767 --> 00:19:28,067 JUST DID NOT HELP. 818 00:19:28,067 --> 00:19:29,700 FIRST, HE CALLS MY PHONE, 819 00:19:29,700 --> 00:19:30,567 AND I ANSWER, 820 00:19:30,567 --> 00:19:32,367 AND HE PROCEEDS TO SAY TO ME, 821 00:19:32,367 --> 00:19:34,300 "IF YOU EVER GET ON RADIO AGAIN 822 00:19:34,300 --> 00:19:35,533 AND SAY THAT I DON'T TAKE CARE 823 00:19:35,533 --> 00:19:36,300 OF MY KIDS--" 824 00:19:36,300 --> 00:19:37,367 AND THEN CALLED ME A HO 825 00:19:37,367 --> 00:19:39,167 AND THEN HUNG UP IN MY FACE. 826 00:19:39,167 --> 00:19:40,300 THEN HE PROCEEDED TO SEND ME 827 00:19:40,300 --> 00:19:41,733 A TEXT MESSAGE 828 00:19:41,733 --> 00:19:44,600 THAT SAID "KARMA IS A BITCH." 829 00:19:44,600 --> 00:19:45,800 I HONESTLY DON'T KNOW 830 00:19:45,800 --> 00:19:47,067 WHY STEVIE FELT THE DAY 831 00:19:47,067 --> 00:19:48,900 THAT MY DAD DIED WAS A GOOD DAY 832 00:19:48,900 --> 00:19:50,067 TO COME FOR ME. 833 00:19:50,067 --> 00:19:50,967 BUT NOTHING STEVIE 834 00:19:50,967 --> 00:19:52,400 DOES SURPRISES ME ANYMORE. 835 00:19:52,400 --> 00:19:54,467 I JUST WONDER WHY I STILL LET 836 00:19:54,467 --> 00:19:57,100 HIM HAVE ANY EFFECT OVER ME. 837 00:19:57,100 --> 00:20:01,733 AS HORRIBLE AS STEVIE IS TO ME, 838 00:20:01,733 --> 00:20:03,967 I STILL WANT HIM AND EVA 839 00:20:03,967 --> 00:20:05,600 TO HAVE A GOOD RELATIONSHIP. 840 00:20:05,600 --> 00:20:06,267 OF COURSE. 841 00:20:06,267 --> 00:20:08,167 I KNOW HOW IMPORTANT IT IS. 842 00:20:08,167 --> 00:20:09,867 WHATEVER ANIMOSITY THAT MAN 843 00:20:09,867 --> 00:20:14,500 HAS FOR ME IS SO INTENSE. 844 00:20:14,500 --> 00:20:15,500 AND RIGHT NOW, YOU DON'T HAVE 845 00:20:15,500 --> 00:20:16,467 TIME FOR THAT [bleep]. 846 00:20:16,467 --> 00:20:17,133 YOU HAVE ENOUGH-- 847 00:20:17,133 --> 00:20:17,867 I DON'T HAVE ANY ENERGY 848 00:20:17,867 --> 00:20:18,533 TO GIVE. 849 00:20:18,533 --> 00:20:19,200 THAT TOO. 850 00:20:19,200 --> 00:20:20,300 MY THING IS THIS: 851 00:20:20,300 --> 00:20:21,533 I HAVE MOVED ON. 852 00:20:21,533 --> 00:20:22,833 HE'S MOVED ON. 853 00:20:22,833 --> 00:20:24,467 WHAT IS YOUR PROBLEM? 854 00:20:24,467 --> 00:20:25,900 I'M HAPPY. 855 00:20:25,900 --> 00:20:27,367 I HAVE SOMEBODY FINALLY 856 00:20:27,367 --> 00:20:29,500 WHO'S IN MY CORNER. 857 00:20:29,500 --> 00:20:31,200 I'M GONNA ACCEPT IT. 858 00:20:31,200 --> 00:20:31,933 I'M TELLING YOU RIGHT NOW. 859 00:20:31,933 --> 00:20:33,533 I'M GOING TO ACCEPT IT. 860 00:20:33,533 --> 00:20:34,300 I AM. 861 00:20:34,300 --> 00:20:35,800 I'M ACCEPTING YOUR HAPPINESS 862 00:20:35,800 --> 00:20:36,833 FOR YOU. 863 00:20:36,833 --> 00:20:38,500 I AM. 864 00:20:38,500 --> 00:20:39,267 THANK YOU. 865 00:20:39,267 --> 00:20:40,433 MIMI NEEDS ALL THE SUPPORT 866 00:20:40,433 --> 00:20:41,400 SHE CAN GET RIGHT NOW, 867 00:20:41,400 --> 00:20:42,533 AND AS MUCH AS I DON'T CARE 868 00:20:42,533 --> 00:20:43,367 FOR NIKKO, 869 00:20:43,367 --> 00:20:44,967 IF SHE SAYS HE'S THERE FOR HER, 870 00:20:44,967 --> 00:20:45,633 ALL I CAN DO 871 00:20:45,633 --> 00:20:48,267 IS ACCEPT THAT AND MOVE ON. 872 00:20:48,267 --> 00:20:50,433 IF YOU NEED ME FOR ANYTHING, 873 00:20:50,433 --> 00:20:52,567 ANYTHING, 874 00:20:52,567 --> 00:20:53,800 I WILL DROP IT-- 875 00:20:53,800 --> 00:20:54,733 WHAT I'M DOING. 876 00:20:54,733 --> 00:20:56,167 I WILL BE THERE. 877 00:20:56,167 --> 00:20:57,767 THANK YOU. 878 00:20:57,767 --> 00:20:59,233 REALLY EXCITED THAT YOU 879 00:20:59,233 --> 00:21:01,367 ARE ON YOUR JOB AS A MANAGER. 880 00:21:01,367 --> 00:21:02,067 I LOVE YOU, BABY. 881 00:21:02,067 --> 00:21:02,900 OH, PLEASE. 882 00:21:02,900 --> 00:21:03,567 YOU'LL ALWAYS BE 883 00:21:03,567 --> 00:21:04,733 RUNNING THEM [bleep] GAME. 884 00:21:04,733 --> 00:21:05,600 YOU DON'T LOVE NOBODY. 885 00:21:05,600 --> 00:21:07,600 YOU ONLY LOVE YOU. 886 00:21:17,833 --> 00:21:20,333 OKAY, SO YOU ARE GONNA BE 887 00:21:20,333 --> 00:21:23,933 EXCITED, BECAUSE THE EMAILS 888 00:21:23,933 --> 00:21:25,600 ARE FLOODING FOR NO R.I.P. 889 00:21:25,600 --> 00:21:26,600 A LOT OF THE EMAILS 890 00:21:26,600 --> 00:21:27,633 THAT WE'RE GETTING 891 00:21:27,633 --> 00:21:28,667 ARE FROM PEOPLE 892 00:21:28,667 --> 00:21:29,767 WHO EITHER KNOW SOMEONE 893 00:21:29,767 --> 00:21:30,700 WHO COMMITTED SUICIDE 894 00:21:30,700 --> 00:21:32,133 BECAUSE OF ONLINE BULLYING OR-- 895 00:21:32,133 --> 00:21:32,800 HEY. 896 00:21:32,800 --> 00:21:33,533 MMM, HEY, BOO. 897 00:21:33,533 --> 00:21:34,233 HOW YOU GUYS DOING? 898 00:21:34,233 --> 00:21:35,267 WHAT'S UP? 899 00:21:35,267 --> 00:21:36,267 DEB WAS A LITTLE UPSET 900 00:21:36,267 --> 00:21:37,833 WITH ME AND WAKA FOR ELOPING, 901 00:21:37,833 --> 00:21:39,067 BUT WE GONNA BE OKAY. 902 00:21:39,067 --> 00:21:40,600 I'M SO PROUD OF HER THAT SHE'S 903 00:21:40,600 --> 00:21:42,300 ABLE TO JUST TAKE ALL HER HURT 904 00:21:42,300 --> 00:21:44,333 AND HER LOSS THIS YEAR 905 00:21:44,333 --> 00:21:45,067 AND JUST PUT IT 906 00:21:45,067 --> 00:21:46,900 INTO THIS MOVEMENT, NO R.I.P. 907 00:21:46,900 --> 00:21:48,767 I LOVE KAYO, AND I'M HERE 908 00:21:48,767 --> 00:21:50,567 TO HELP IN ANY WAY I CAN. 909 00:21:50,567 --> 00:21:51,667 SO WHAT'D I MISS? 910 00:21:51,667 --> 00:21:52,933 WE'RE TRYING TO COME TOGETHER 911 00:21:52,933 --> 00:21:53,967 TO BRING AWARENESS 912 00:21:53,967 --> 00:21:55,400 WITH T-SHIRTS, LIKE, 913 00:21:55,400 --> 00:21:56,767 JUST SOME PROMO ITEMS 914 00:21:56,767 --> 00:21:58,367 TO JUST KIND OF GET OUT THERE. 915 00:21:58,367 --> 00:21:59,567 PARDON ME, SIMONE, 916 00:21:59,567 --> 00:22:01,367 YOU HAVE A PHONE CALL. 917 00:22:01,367 --> 00:22:02,900 EXCUSE ME. EXCUSE ME. 918 00:22:02,900 --> 00:22:04,933 ALL RIGHT. 919 00:22:04,933 --> 00:22:07,633 SO FAMILY-WISE... 920 00:22:07,633 --> 00:22:08,767 [giggles] 921 00:22:08,767 --> 00:22:10,100 YOU KNOW, I MET WITH WAKA, 922 00:22:10,100 --> 00:22:11,133 'CAUSE, AS YOU KNOW, 923 00:22:11,133 --> 00:22:13,067 I WASN'T VERY EXCITED 924 00:22:13,067 --> 00:22:15,367 WHEN THE NEWS WAS BROKEN TO ME. 925 00:22:15,367 --> 00:22:16,067 I THINK MY DREAMS 926 00:22:16,067 --> 00:22:17,467 WERE SHATTERED, 927 00:22:17,467 --> 00:22:18,567 YOU KNOW, 'CAUSE I DID WANT 928 00:22:18,567 --> 00:22:19,733 TO DO THIS BIG WEDDING, 929 00:22:19,733 --> 00:22:21,067 AND IT WAS REALLY MY WEDDING 930 00:22:21,067 --> 00:22:21,833 THAT I WAS DOING. 931 00:22:21,833 --> 00:22:23,833 BUT I REALLY WANTED TO TELL YOU 932 00:22:23,833 --> 00:22:25,267 THAT I AM SO, 933 00:22:25,267 --> 00:22:27,267 SO HAPPY TO HAVE YOU 934 00:22:27,267 --> 00:22:28,533 AS MY DAUGHTER. 935 00:22:28,533 --> 00:22:29,567 YOU KNOW KAYO'S HAPPY. 936 00:22:29,567 --> 00:22:30,233 YEAH. 937 00:22:30,233 --> 00:22:30,900 HE'S LIKE, 938 00:22:30,900 --> 00:22:31,900 "YEAH, IT HAPPENED. 939 00:22:31,900 --> 00:22:32,567 IT'S DONE." 940 00:22:32,567 --> 00:22:34,567 YEAH, I'M IN GOOD HANDS HERE. 941 00:22:34,567 --> 00:22:37,367 CHARLIE--SHE EVEN HAS A SENSE 942 00:22:37,367 --> 00:22:38,133 OF A FAMILY NOW. 943 00:22:38,133 --> 00:22:38,800 LIKE-- 944 00:22:38,800 --> 00:22:39,600 CHARLIE ALWAYS BEEN A PART 945 00:22:39,600 --> 00:22:40,267 OF THE FAMILY, SO-- 946 00:22:40,267 --> 00:22:40,933 YEAH, IT'S-- 947 00:22:40,933 --> 00:22:41,833 EVEN WHEN I WASN'T A PART, 948 00:22:41,833 --> 00:22:43,300 SHE WAS ALWAYS A PART. 949 00:22:43,300 --> 00:22:45,100 BOTH DEB AND WAKA LOVE CHARLIE 950 00:22:45,100 --> 00:22:46,433 LIKE SHE'S THEIR OWN, 951 00:22:46,433 --> 00:22:47,400 AND WAKA AND CHARLIE 952 00:22:47,400 --> 00:22:48,667 RELATIONSHIP IS AMAZING. 953 00:22:48,667 --> 00:22:50,300 LIKE, I COULDN'T ASK FOR MORE. 954 00:22:50,300 --> 00:22:51,800 DEB JUST LOVE KIDS AND BABIES, 955 00:22:51,800 --> 00:22:53,933 SO I THINK THIS MIGHT BE TIME TO 956 00:22:53,933 --> 00:22:56,200 GIVE HER THOSE BABIES SHE WANTS. 957 00:22:56,200 --> 00:22:56,867 THAT'S SOMETHING 958 00:22:56,867 --> 00:22:59,133 I WANT TO TALK TO YOU ABOUT TOO. 959 00:22:59,133 --> 00:23:01,267 I'M NOT--NO, I'M NOT PREGNANT. 960 00:23:01,267 --> 00:23:01,967 LOOK, I DON'T WANT 961 00:23:01,967 --> 00:23:03,267 YOUR HEART TO STOP. 962 00:23:03,267 --> 00:23:04,500 YO, I WAS JUST LIKE-- 963 00:23:04,500 --> 00:23:05,667 SERIOUSLY, 964 00:23:05,667 --> 00:23:06,400 LIKE, NO, Y'ALL 965 00:23:06,400 --> 00:23:08,200 DID NOT JUST DO THIS TO ME. 966 00:23:08,200 --> 00:23:11,400 NO, BUT I DO WANT TO GO TO-- 967 00:23:11,400 --> 00:23:12,467 I WANT TO GO TO A FERTILITY 968 00:23:12,467 --> 00:23:13,167 CLINIC, 969 00:23:13,167 --> 00:23:14,533 NOT TO GET ANYTHING DONE. 970 00:23:14,533 --> 00:23:15,600 I JUST WANTED TO CHECK 971 00:23:15,600 --> 00:23:16,267 EVERYTHING, 972 00:23:16,267 --> 00:23:17,467 MAKING SURE EVERYTHING IS, YOU 973 00:23:17,467 --> 00:23:20,967 KNOW, FUNCTIONING PROPERLY. 974 00:23:20,967 --> 00:23:22,300 REALLY, AND I DON'T WANT TO GO 975 00:23:22,300 --> 00:23:24,900 BY MYSELF, SO WHO BETTER TO GO 976 00:23:24,900 --> 00:23:25,867 TO THAN THE SOURCE 977 00:23:25,867 --> 00:23:28,967 THAT I KNOW IS GONNA HOOK IT UP? 978 00:23:28,967 --> 00:23:31,600 YOU JUST CARRY AND I'LL KEEP. 979 00:23:31,600 --> 00:23:32,567 DON'T WORRY ABOUT THE BABY. 980 00:23:32,567 --> 00:23:33,233 I WANT TO GO 981 00:23:33,233 --> 00:23:34,200 TO A FERTILITY CLINIC. 982 00:23:34,200 --> 00:23:35,133 I MEAN, I KNOW THERE'S NOTHING 983 00:23:35,133 --> 00:23:36,100 WRONG WITH ME, 984 00:23:36,100 --> 00:23:36,833 AND I KNOW THERE'S NOTHING 985 00:23:36,833 --> 00:23:37,500 WRONG WITH WAKA, 986 00:23:37,500 --> 00:23:39,967 BUT I THINK HE SMOKES TOO MUCH. 987 00:23:39,967 --> 00:23:41,167 AND HE'S A WILD BOY, 988 00:23:41,167 --> 00:23:42,600 AND HE'S DONE A LOT OF PARTYING 989 00:23:42,600 --> 00:23:43,267 IN THE PAST. 990 00:23:43,267 --> 00:23:43,933 I JUST WANT TO MAKE SURE 991 00:23:43,933 --> 00:23:45,067 EVERYTHING ON HIS END 992 00:23:45,067 --> 00:23:47,133 IS OPERATING RIGHT. 993 00:23:47,133 --> 00:23:49,667 GIVE ME MY GRANDKIDS 994 00:23:49,667 --> 00:23:50,533 AND I'M HAPPY. 995 00:23:50,533 --> 00:23:51,433 WE CAN WORK ON THAT. 996 00:23:51,433 --> 00:23:52,100 LET'S START WITH THE 997 00:23:52,100 --> 00:23:53,567 FERTILITY CLINIC AND JUST SEE 998 00:23:53,567 --> 00:23:55,567 WHAT THEY TALK ABOUT AND THEN-- 999 00:24:00,633 --> 00:24:01,867 SO WHAT ARE WE THINKING FOR 1000 00:24:01,867 --> 00:24:03,200 THIS KIND OF MOVE RIGHT HERE? 1001 00:24:03,200 --> 00:24:04,700 I'MA JUST DO A WIDE SHOT, 1002 00:24:04,700 --> 00:24:05,867 ANOTHER TIGHT SHOT, 1003 00:24:05,867 --> 00:24:07,133 DO SOME MORE PICKUPS, A B-ROLL 1004 00:24:07,133 --> 00:24:07,800 OVER THERE. 1005 00:24:07,800 --> 00:24:08,533 OKAY. 1006 00:24:08,533 --> 00:24:09,300 MY LOVELY WIFE 1007 00:24:09,300 --> 00:24:10,933 HAS BEEN MAD AT ME FOR SO LONG. 1008 00:24:10,933 --> 00:24:11,967 SHE SAW THE PICTURES 1009 00:24:11,967 --> 00:24:12,733 IN THE PHONE. 1010 00:24:12,733 --> 00:24:14,433 SHE THINK I'M SMASHING ALTHEA, 1011 00:24:14,433 --> 00:24:15,433 AND TO PUT THE NAIL 1012 00:24:15,433 --> 00:24:17,067 IN THE COFFIN, ZINO SCREWS ME UP 1013 00:24:17,067 --> 00:24:18,433 BY PUTTING MIMI ON THE COVER 1014 00:24:18,433 --> 00:24:19,800 AND MY WIFE IN THE CENTERFOLD. 1015 00:24:19,800 --> 00:24:21,967 OH, MAN, DEFINITELY SICK 1016 00:24:21,967 --> 00:24:23,067 OF BEING IN THE DOG HOUSE, 1017 00:24:23,067 --> 00:24:23,700 SO I PUT SOMETHING 1018 00:24:23,700 --> 00:24:24,733 SPECIAL TOGETHER. 1019 00:24:24,733 --> 00:24:26,067 I CALLED IN A BUNCH OF FAVORS. 1020 00:24:26,067 --> 00:24:26,967 IN NO TIME AT ALL, 1021 00:24:26,967 --> 00:24:28,200 I PUT THE VIDEO TOGETHER. 1022 00:24:28,200 --> 00:24:29,067 SHE GONNA HAVE A BUNCH 1023 00:24:29,067 --> 00:24:30,233 OF SCREAMING FANS THERE. 1024 00:24:30,233 --> 00:24:32,233 WE GONNA HAVE FUN, A NICE VIDEO 1025 00:24:32,233 --> 00:24:33,200 ALL FOR MY BABY. 1026 00:24:33,200 --> 00:24:34,633 BABY, WHAT'S GOOD? 1027 00:24:34,633 --> 00:24:35,500 HEY, STEVIE. 1028 00:24:35,500 --> 00:24:36,767 IT WAS ONLY RIGHT. 1029 00:24:36,767 --> 00:24:37,533 AREN'T YOU EXCITED 1030 00:24:37,533 --> 00:24:38,300 ABOUT TODAY? 1031 00:24:38,300 --> 00:24:40,300 I AM SUPER EXCITED, BABE. 1032 00:24:40,300 --> 00:24:40,967 YOU KNOW WHAT? 1033 00:24:40,967 --> 00:24:42,067 AFTER ALL THE BULL[bleep] 1034 00:24:42,067 --> 00:24:42,767 WE'VE BEEN GOING THROUGH, 1035 00:24:42,767 --> 00:24:44,433 HE DEFINITELY KNOW HOW TO GET 1036 00:24:44,433 --> 00:24:46,333 ME BACK ON HIS GOOD SIDE, 1037 00:24:46,333 --> 00:24:47,967 AND IT'S BY DOING THAT MUSIC 1038 00:24:47,967 --> 00:24:49,067 AND SHOOTING THEM VIDEO, 'CAUSE 1039 00:24:49,067 --> 00:24:49,967 THAT'S THE ONLY THING 1040 00:24:49,967 --> 00:24:51,867 THAT'S GONNA BE WITH ME FOREVER. 1041 00:24:51,867 --> 00:24:52,767 COME ON, I GOT TO TAKE HER. 1042 00:24:52,767 --> 00:24:53,633 COME HERE. 1043 00:24:53,633 --> 00:24:55,233 AM I LOOKING DECENT? 1044 00:24:55,233 --> 00:24:57,200 THAT OUTFIT. WHOO. 1045 00:24:57,200 --> 00:24:58,400 YOU KNOW, I'M JUST REALLY 1046 00:24:58,400 --> 00:25:00,833 EXCITED THAT YOU ARE ON YOUR JOB 1047 00:25:00,833 --> 00:25:01,767 AS A MANAGER. 1048 00:25:01,767 --> 00:25:02,433 I LOVE YOU, BABY. 1049 00:25:02,433 --> 00:25:03,900 OH, PLEASE, YOU ALWAYS 1050 00:25:03,900 --> 00:25:05,300 BE RUNNING THEM [bleep] GAME. 1051 00:25:05,300 --> 00:25:06,233 YOU DON'T LOVE NOBODY. 1052 00:25:06,233 --> 00:25:07,267 YOU ONLY LOVE YOU. 1053 00:25:07,267 --> 00:25:08,067 I WANT YOU TO UNDERSTAND 1054 00:25:08,067 --> 00:25:08,867 YOU DESERVE THIS. 1055 00:25:08,867 --> 00:25:10,267 DO YOU UNDERSTAND THAT? 1056 00:25:10,267 --> 00:25:10,933 THIS IS WHAT I NEED. 1057 00:25:10,933 --> 00:25:11,600 THIS IS WHAT I'VE BEEN 1058 00:25:11,600 --> 00:25:12,267 WAITING FOR. 1059 00:25:12,267 --> 00:25:12,933 THIS IS WHAT I'VE BEEN 1060 00:25:12,933 --> 00:25:13,600 ASKING FOR. 1061 00:25:13,600 --> 00:25:14,267 WELL, THIS IS WHAT 1062 00:25:14,267 --> 00:25:14,933 I'M GIVING YOU. 1063 00:25:14,933 --> 00:25:15,600 I ENDURE A LOT OF STUFF 1064 00:25:15,600 --> 00:25:16,267 FROM YOU. 1065 00:25:16,267 --> 00:25:16,933 YOU KNOW THAT. 1066 00:25:16,933 --> 00:25:17,600 AND THIS IS WHAT IT-- 1067 00:25:17,600 --> 00:25:18,267 WHAT DID I DO? 1068 00:25:18,267 --> 00:25:19,100 I'M A GOOD GUY. 1069 00:25:19,100 --> 00:25:19,967 YOU DONE A LOT OF LITTLE 1070 00:25:19,967 --> 00:25:21,067 SNEAK [bleep] WITH THEM DIRTY 1071 00:25:21,067 --> 00:25:22,200 ASS RAGGEDY HOS, 1072 00:25:22,200 --> 00:25:22,900 BUT YOU KNOW WHAT? 1073 00:25:22,900 --> 00:25:23,567 AT THE END OF THE DAY, 1074 00:25:23,567 --> 00:25:24,500 THIS IS WHAT I NEED YOU TO DO, 1075 00:25:24,500 --> 00:25:25,400 HANDLE YOUR BUSINESS 1076 00:25:25,400 --> 00:25:26,067 AS A MANAGER. 1077 00:25:26,067 --> 00:25:26,767 THAT'S WHAT THIS ALL IS 1078 00:25:26,767 --> 00:25:27,500 ABOUT, BUSINESS, RIGHT? 1079 00:25:27,500 --> 00:25:28,167 GOOD. 1080 00:25:28,167 --> 00:25:28,833 MATTER OF FACT, 1081 00:25:28,833 --> 00:25:30,800 YOU OWE ME A COUPLE OF THINGS. 1082 00:25:30,800 --> 00:25:31,533 I NEED YOU TO GIVE ME A 1083 00:25:31,533 --> 00:25:33,633 HEADLINER AS SLEAZY AND ZINO 1084 00:25:33,633 --> 00:25:34,300 FOR A WHOLE MONTH. 1085 00:25:34,300 --> 00:25:34,967 OH... 1086 00:25:34,967 --> 00:25:35,700 I WANTED TO TALK TO YOU 1087 00:25:35,700 --> 00:25:36,933 ABOUT SLEAZY AND ZINO. 1088 00:25:36,933 --> 00:25:39,533 IT'S JUST LIKE--YOU KNOW, 1089 00:25:39,533 --> 00:25:41,167 IT'S A LITTLE PAPERWORK PROBLEM, 1090 00:25:41,167 --> 00:25:42,733 SOME PERMITS, 1091 00:25:42,733 --> 00:25:45,367 LITTLE LICENSING ISSUES. 1092 00:25:45,367 --> 00:25:46,067 AND EVERYTHING-- 1093 00:25:46,067 --> 00:25:47,067 LET'S FOCUS ON A BIGGER 1094 00:25:47,067 --> 00:25:48,067 AND BETTER THING, 1095 00:25:48,067 --> 00:25:50,600 JOSELINE HERNANDEZ IN LIGHTS. 1096 00:25:50,600 --> 00:25:51,300 OKAY. 1097 00:25:51,300 --> 00:25:53,200 I KNOW STEVIE'S BEING EXTRA, 1098 00:25:53,200 --> 00:25:54,467 EXTRA NICE 'CAUSE HE WANTS 1099 00:25:54,467 --> 00:25:55,867 MY KITTY CAT BACK, BUT, BABY, 1100 00:25:55,867 --> 00:25:56,933 IT'S GONNA TAKE YOU A LITTLE 1101 00:25:56,933 --> 00:25:58,333 BIT MORE THAN JUST ONE VIDEO 1102 00:25:58,333 --> 00:26:00,067 AND ONE SONG TO GET BACK 1103 00:26:00,067 --> 00:26:01,600 IN THIS LITTLE PURR RIGHT HERE. 1104 00:26:01,600 --> 00:26:03,100 MAYBE I'LL WAIT TILL TONIGHT 1105 00:26:03,100 --> 00:26:04,367 TO SEE HOW I FEEL, 1106 00:26:04,367 --> 00:26:05,767 AND THEN WE'LL SEE WHAT HAPPEN. 1107 00:26:05,767 --> 00:26:06,433 ALL RIGHT, ALL RIGHT, 1108 00:26:06,433 --> 00:26:07,133 ALL RIGHT, 1109 00:26:07,133 --> 00:26:09,133 LET'S TURN UP FOR THIS SCENE. 1110 00:26:09,133 --> 00:26:13,133 FROM THE TOP, LET'S DO IT. 1111 00:26:13,133 --> 00:26:15,700 TURN IT UP! TURN IT UP! 1112 00:26:15,700 --> 00:26:17,567 HANDS UP! 1113 00:26:17,567 --> 00:26:19,100 HANDS UP. 1114 00:26:19,100 --> 00:26:23,100 [singing in Spanish] 1115 00:26:35,633 --> 00:26:37,067 SOMETIMES YOU GOT TO BACK UP 1116 00:26:37,067 --> 00:26:38,267 OFF THAT BEEFCAKE 1117 00:26:38,267 --> 00:26:39,167 AND DO YOUR OWN THING. 1118 00:26:39,167 --> 00:26:40,300 LOOK, YOU KEEP THE [bleep] 1119 00:26:40,300 --> 00:26:41,300 AWAY FOR A FEW, 1120 00:26:41,300 --> 00:26:42,067 AND HERE THEY COME BACK 1121 00:26:42,067 --> 00:26:43,267 WITH NEW SONGS, VIDEOS, 1122 00:26:43,267 --> 00:26:44,700 AND NEW EVERYTHING. 1123 00:26:44,700 --> 00:26:45,600 I LOVE MY HUSBAND, 1124 00:26:45,600 --> 00:26:47,533 BUT I'MA ALWAYS LOOK OUT FOR ME. 1125 00:26:47,533 --> 00:26:49,833 HEY, HEY, HEY, HEY. 1126 00:26:49,833 --> 00:26:51,800 HEY! 1127 00:26:51,800 --> 00:26:52,933 HER DAD JUST DIED. 1128 00:26:52,933 --> 00:26:53,900 I FEEL LIKE SHE'S 1129 00:26:53,900 --> 00:26:55,300 WEARING THIS SMILE 1130 00:26:55,300 --> 00:26:56,733 TO COVER UP A LOT 1131 00:26:56,733 --> 00:26:58,200 OF WHAT'S REALLY HURTING HER. 1132 00:26:58,200 --> 00:26:59,067 SO WHAT'S HURTING HER? 1133 00:26:59,067 --> 00:27:00,100 YOU GOT TO KNOW. 1134 00:27:00,100 --> 00:27:01,067 YOU. 1135 00:27:01,067 --> 00:27:03,067 ME? 1136 00:27:06,167 --> 00:27:07,800 * IF YOUR LOVE IS FOR ME 1137 00:27:07,800 --> 00:27:09,067 ♪ FOR ME 1138 00:27:09,067 --> 00:27:10,333 ♪ I DON'T NEED NOTHING ELSE ♪ 1139 00:27:10,333 --> 00:27:11,200 ♪ BABY 1140 00:27:11,200 --> 00:27:12,800 ♪ WHEN I FALL ASLEEP 1141 00:27:12,800 --> 00:27:14,700 ♪ AT NIGHT 1142 00:27:14,700 --> 00:27:16,067 HEY, BABE? 1143 00:27:16,067 --> 00:27:17,300 KALENNA? 1144 00:27:17,300 --> 00:27:18,533 YO, EVER SINCE OUR HOME STUDIO 1145 00:27:18,533 --> 00:27:19,667 TURNED UP WITH MOLD, 1146 00:27:19,667 --> 00:27:20,767 WE'VE BEEN JUGGLING, 1147 00:27:20,767 --> 00:27:22,133 TRYING TO PAY OUR BILLS. 1148 00:27:22,133 --> 00:27:23,533 WE NOW BEEN LIVING IN A CRAMPED 1149 00:27:23,533 --> 00:27:25,200 SITUATION IN THIS HOTEL. 1150 00:27:25,200 --> 00:27:26,700 WITH KALENNA BEING PREGNANT, 1151 00:27:26,700 --> 00:27:28,333 THE PRESSURE'S REALLY ON ME NOW. 1152 00:27:28,333 --> 00:27:29,233 I GOT TO FIND A PLACE 1153 00:27:29,233 --> 00:27:30,400 FOR US TO LIVE, 1154 00:27:30,400 --> 00:27:31,300 AND I GOT TO FIGURE OUT 1155 00:27:31,300 --> 00:27:32,067 A WAY FOR US 1156 00:27:32,067 --> 00:27:33,833 TO MOVE FORWARD PERSONALLY 1157 00:27:33,833 --> 00:27:35,367 AND WITH OUR BUSINESS. 1158 00:27:35,367 --> 00:27:38,133 THERE YOU GO. WHAT'S UP? 1159 00:27:38,133 --> 00:27:39,500 WHAT YOU LISTENING TO, MAMA? 1160 00:27:39,500 --> 00:27:41,333 THE FINAL MIX ON MURDER. 1161 00:27:41,333 --> 00:27:42,167 YOU LIKE IT? 1162 00:27:42,167 --> 00:27:43,067 I THINK I WANT TO FIX 1163 00:27:43,067 --> 00:27:44,233 A COUPLE THINGS. 1164 00:27:44,233 --> 00:27:44,967 I'M TRYING NOT TO STRESS 1165 00:27:44,967 --> 00:27:45,833 TOO HARD ABOUT IT, 1166 00:27:45,833 --> 00:27:47,967 BUT I CAN'T TAKE THIS HOTEL. 1167 00:27:47,967 --> 00:27:48,900 THIS [bleep] IS A MESS. 1168 00:27:48,900 --> 00:27:51,733 I THINK WE GOT 2.2 WEEKS 1169 00:27:51,733 --> 00:27:52,967 BEFORE WE OUT OF HERE. 1170 00:27:52,967 --> 00:27:53,633 ALL RIGHT, 1171 00:27:53,633 --> 00:27:55,300 I'M COUNTING RIGHT NOW. 1172 00:27:55,300 --> 00:27:56,300 I LOVE MY HUSBAND, 1173 00:27:56,300 --> 00:27:57,433 BUT TWO AND A HALF WEEKS 1174 00:27:57,433 --> 00:27:58,800 IS TWO WEEKS TOO LATE FOR US 1175 00:27:58,800 --> 00:28:00,533 TO BE COOPED UP IN THIS HOTEL. 1176 00:28:00,533 --> 00:28:01,400 IT'S LEFT ME NOTHING 1177 00:28:01,400 --> 00:28:03,067 TO THINK ABOUT BUT THIS NEW BABY 1178 00:28:03,067 --> 00:28:03,900 AND WHAT A BIG CHANGE 1179 00:28:03,900 --> 00:28:05,467 IT'S GONNA BE FOR US. 1180 00:28:05,467 --> 00:28:08,733 I DEFINITELY WAS A LITTLE 1181 00:28:08,733 --> 00:28:09,433 ON THE FENCE 1182 00:28:09,433 --> 00:28:11,067 ABOUT IF IT WAS THE RIGHT TIME 1183 00:28:11,067 --> 00:28:12,367 TO HAVE A BABY. 1184 00:28:12,367 --> 00:28:13,200 WELL-- 1185 00:28:13,200 --> 00:28:14,700 AND THEN I GO 1186 00:28:14,700 --> 00:28:15,967 TO THE DOCTOR'S, 1187 00:28:15,967 --> 00:28:19,067 AND I SEE THIS LITTLE BABY. 1188 00:28:19,067 --> 00:28:19,767 YEAH? 1189 00:28:19,767 --> 00:28:20,933 AND I DON'T WANT TO MESS 1190 00:28:20,933 --> 00:28:22,800 WITH OUR SERENDIPITY 1191 00:28:22,800 --> 00:28:24,600 AT THIS POINT, YOU KNOW? 1192 00:28:24,600 --> 00:28:25,600 THERE'S GONNA BE SOME THINGS 1193 00:28:25,600 --> 00:28:26,500 WE GONNA HAVE TO 1194 00:28:26,500 --> 00:28:28,200 REALLY THINK ABOUT CHANGING. 1195 00:28:28,200 --> 00:28:29,200 MESHACH HAS BEEN LIVING 1196 00:28:29,200 --> 00:28:30,367 WITH MY MOTHER AND MY FATHER 1197 00:28:30,367 --> 00:28:31,233 WHILE ME AND TONY'S BEEN 1198 00:28:31,233 --> 00:28:31,933 GRINDING, 1199 00:28:31,933 --> 00:28:33,467 WORKING ON OUR NEW STUDIO, 1200 00:28:33,467 --> 00:28:34,767 WORKING ON OUR BUSINESS, 1201 00:28:34,767 --> 00:28:36,300 TRYING TO GET OUR MONEY RIGHT, 1202 00:28:36,300 --> 00:28:37,567 TRYING TO GET A NEW HOUSE. 1203 00:28:37,567 --> 00:28:39,300 BUT WE GOT TO WATCH OUR MONEY 1204 00:28:39,300 --> 00:28:39,967 RIGHT NOW. 1205 00:28:39,967 --> 00:28:41,167 I'M NERVOUS, VICK. 1206 00:28:41,167 --> 00:28:43,067 LIKE, I WANT TO BE A GOOD MOM, 1207 00:28:43,067 --> 00:28:43,900 A BETTER WIFE. 1208 00:28:43,900 --> 00:28:44,900 BE EASY. 1209 00:28:44,900 --> 00:28:45,633 DOCTOR TOLD YOU 1210 00:28:45,633 --> 00:28:46,967 TO TAKE A MINUTE, RIGHT? 1211 00:28:46,967 --> 00:28:49,300 RELAX, JUST CHILL. 1212 00:28:49,300 --> 00:28:51,233 I'MA TELL YOU, IT WAS SERIOUS 1213 00:28:51,233 --> 00:28:52,600 AT THAT DOCTOR'S OFFICE. 1214 00:28:52,600 --> 00:28:54,067 WHAT YOU MEAN? 1215 00:28:54,067 --> 00:28:57,367 HE GAVE ME INSTRUCTIONS. 1216 00:28:57,367 --> 00:28:59,767 WHAT KIND OF INSTRUCTIONS? 1217 00:28:59,767 --> 00:29:02,633 NO SEX. 1218 00:29:02,633 --> 00:29:04,600 OH, BOY. 1219 00:29:04,600 --> 00:29:07,267 SO I CAN'T GET THE GOODY-GOODY. 1220 00:29:07,267 --> 00:29:08,967 WELL, YOU COULD DO SOMETHING. 1221 00:29:08,967 --> 00:29:09,633 LET ME CALL ONE 1222 00:29:09,633 --> 00:29:10,300 OF MY HOME GIRLS 1223 00:29:10,300 --> 00:29:10,967 AND TELL HER TO GO 1224 00:29:10,967 --> 00:29:12,567 GET ME SOME KNEEPADS. 1225 00:29:12,567 --> 00:29:13,967 I WAS JUST PLAYING, BABY. 1226 00:29:13,967 --> 00:29:15,133 I HOPE SO. 1227 00:29:15,133 --> 00:29:17,133 COME ON OVER HERE. 1228 00:29:25,433 --> 00:29:26,567 THE THING THAT AFFECTED ME 1229 00:29:26,567 --> 00:29:27,633 THE MOST WAS SEEING 1230 00:29:27,633 --> 00:29:29,567 HOW HURT MIMI WAS BY THE WAY 1231 00:29:29,567 --> 00:29:30,700 STEVIE TREATED HER, 1232 00:29:30,700 --> 00:29:31,367 SO I'M GOING 1233 00:29:31,367 --> 00:29:32,900 STRAIGHT TO THE SOURCE MYSELF 1234 00:29:32,900 --> 00:29:34,233 AND SEE--WHY ARE YOU ACTING 1235 00:29:34,233 --> 00:29:35,567 LIKE SUCH AN ASS, STEVIE? 1236 00:29:35,567 --> 00:29:36,333 HAVEN'T SEEN YOU IN A WHILE. 1237 00:29:36,333 --> 00:29:37,267 THERE'S A LOT GOING ON. 1238 00:29:37,267 --> 00:29:39,600 YEAH, IT IS A LOT GOING ON. 1239 00:29:39,600 --> 00:29:41,600 SAW THE TAPE? 1240 00:29:41,600 --> 00:29:43,133 I SAW SNIPPETS. 1241 00:29:43,133 --> 00:29:46,400 HAVE YOU SEEN IT? 1242 00:29:46,400 --> 00:29:48,867 I LIVED IT. 1243 00:29:48,867 --> 00:29:50,167 I TAUGHT HER THAT. 1244 00:29:50,167 --> 00:29:51,067 YOU TAUGHT HER EVERYTHING. 1245 00:29:51,067 --> 00:29:53,233 YEAH, BUT YOU KNOW, I 1246 00:29:53,233 --> 00:29:54,200 WOULDN'T HAVE DONE IT LIKE THAT, 1247 00:29:54,200 --> 00:29:56,333 BUT I'M A DIFFERENT TYPE OF GUY. 1248 00:29:56,333 --> 00:29:57,167 SO HOW DO YOU FEEL ABOUT IT 1249 00:29:57,167 --> 00:29:58,267 OVERALL? 1250 00:29:58,267 --> 00:29:58,933 HOW DO YOU THINK I FEEL 1251 00:29:58,933 --> 00:30:01,100 ABOUT EVA'S MOTHER DOING THAT? 1252 00:30:01,100 --> 00:30:02,433 YOU SEE, MIMI GOT ON THE RADIO 1253 00:30:02,433 --> 00:30:03,200 TALKING RECKLESS 1254 00:30:03,200 --> 00:30:04,367 ABOUT THE GOOD GUY, 1255 00:30:04,367 --> 00:30:06,300 AND I ADMIT, I SAID A FEW THINGS 1256 00:30:06,300 --> 00:30:07,433 I SHOULDN'T HAVE SAID. 1257 00:30:07,433 --> 00:30:08,100 BUT MIMI ACT 1258 00:30:08,100 --> 00:30:09,267 LIKE SHE DID THIS TAPE 1259 00:30:09,267 --> 00:30:10,633 TO SUPPORT OUR DAUGHTER. 1260 00:30:10,633 --> 00:30:12,200 THAT'S SOME BULL[bleep]. 1261 00:30:12,200 --> 00:30:13,600 SEE, I BELIEVE MIMI 1262 00:30:13,600 --> 00:30:15,033 MADE A HUGE MISTAKE, 1263 00:30:15,033 --> 00:30:16,267 AND SHE'LL DO ANYTHING 1264 00:30:16,267 --> 00:30:17,933 TO EXPLAIN THIS HUGE DISASTER 1265 00:30:17,933 --> 00:30:18,700 SHE CREATED. 1266 00:30:18,700 --> 00:30:19,867 WHY WOULD I WANT THAT OUT THERE 1267 00:30:19,867 --> 00:30:20,700 LIKE THAT? 1268 00:30:20,700 --> 00:30:21,733 WHY WOULD I WANT ANYBODY 1269 00:30:21,733 --> 00:30:22,400 TO SEE THAT? 1270 00:30:22,400 --> 00:30:23,067 I AGREE. 1271 00:30:23,067 --> 00:30:23,800 I MEAN, FOR, LIKE, 1272 00:30:23,800 --> 00:30:24,500 $10 MILLION 1273 00:30:24,500 --> 00:30:26,600 OR SOMETHING UPFRONT, 1274 00:30:26,600 --> 00:30:28,800 I'D WHIP OUT ON THE TABLE. 1275 00:30:28,800 --> 00:30:29,867 YOU KNOW WHAT I'M SAYING? 1276 00:30:29,867 --> 00:30:32,200 BUT I'M NOT ABOUT TO DO IT. 1277 00:30:32,200 --> 00:30:32,967 IT'S NOT ABOUT THE MONEY, 1278 00:30:32,967 --> 00:30:33,733 THOUGH. 1279 00:30:33,733 --> 00:30:34,800 YES, IT IS. 1280 00:30:34,800 --> 00:30:36,100 SO WHAT ELSE IS IT ABOUT? 1281 00:30:36,100 --> 00:30:37,933 SHE DID IT FOR WHAT THEN? 1282 00:30:37,933 --> 00:30:39,767 WHAT IS IT FOR? TELL ME. 1283 00:30:39,767 --> 00:30:40,933 SHE NEED A SPIRITUAL CLEANSING 1284 00:30:40,933 --> 00:30:41,600 OR SOMETHING? 1285 00:30:41,600 --> 00:30:42,267 I MEAN, ARE YOU TRYING 1286 00:30:42,267 --> 00:30:42,967 TO BE FUNNY? 1287 00:30:42,967 --> 00:30:44,533 NO, I'M DEAD SERIOUS. 1288 00:30:44,533 --> 00:30:46,833 BECAUSE THIS ISN'T A JOKE. 1289 00:30:46,833 --> 00:30:47,533 YOU THINK I'M PLAYING? 1290 00:30:47,533 --> 00:30:48,333 I SAID THAT SHE NEED A SPRIT-- 1291 00:30:48,333 --> 00:30:50,433 HER DAD JUST DIED, 1292 00:30:50,433 --> 00:30:53,233 AND YOU DON'T TELL ME 1293 00:30:53,233 --> 00:30:54,767 THAT YOU DIDN'T KNOW. 1294 00:30:54,767 --> 00:30:55,433 WITH THAT BEING SAID-- 1295 00:30:55,433 --> 00:30:56,333 WHAT, DID HE SEE THE TAPE 1296 00:30:56,333 --> 00:30:58,733 AND HAD A HEART ATTACK? 1297 00:30:58,733 --> 00:31:00,100 WHY ARE YOU BEING SO [bleep] 1298 00:31:00,100 --> 00:31:01,167 INSENSITIVE ABOUT IT? 1299 00:31:01,167 --> 00:31:02,700 I'M NOT BEING INSENSITIVE. 1300 00:31:02,700 --> 00:31:03,500 IT'S JUST LIKE-- 1301 00:31:03,500 --> 00:31:04,700 CAN YOU STEP OUTSIDE 1302 00:31:04,700 --> 00:31:05,433 OF YOURSELF FOR A SECOND? 1303 00:31:05,433 --> 00:31:06,133 I JUST TOLD YOU 1304 00:31:06,133 --> 00:31:08,100 THIS GIRL'S DAD DIED. 1305 00:31:08,100 --> 00:31:09,533 I KNOW MIMI'S DAD DIED 1306 00:31:09,533 --> 00:31:11,633 AND ALL THAT, AND I FEEL SORRY, 1307 00:31:11,633 --> 00:31:12,633 BUT YOU GOT TO WATCH WHAT YOU 1308 00:31:12,633 --> 00:31:13,967 SAY ABOUT THE GOOD GUY 'CAUSE 1309 00:31:13,967 --> 00:31:15,733 WHEN I STRIKE, I STRIKE HARD. 1310 00:31:15,733 --> 00:31:18,300 I'M SAD ABOUT HER FATHER. 1311 00:31:18,300 --> 00:31:20,533 THAT'S MY MAN, VERY CREATIVE 1312 00:31:20,533 --> 00:31:21,333 DUDE. 1313 00:31:21,333 --> 00:31:22,667 HE'S A ORGANIC SOUL. 1314 00:31:22,667 --> 00:31:23,633 HE'S NOT HERE ANYMORE. 1315 00:31:23,633 --> 00:31:24,300 I KNOW. 1316 00:31:24,300 --> 00:31:25,133 SHE DON'T HAVE A MOTHER 1317 00:31:25,133 --> 00:31:26,333 OR A FATHER. 1318 00:31:26,333 --> 00:31:27,867 NOW SHE JUST GOT THE JERK BALL. 1319 00:31:27,867 --> 00:31:29,333 SHE'S WITH THIS NOTHING 1320 00:31:29,333 --> 00:31:30,067 ASS[bleep]. 1321 00:31:30,067 --> 00:31:31,067 I AM IN AGREEANCE WITH YOU. 1322 00:31:31,067 --> 00:31:31,667 I MEAN-- 1323 00:31:31,667 --> 00:31:33,067 I THINK SHE HIDES 1324 00:31:33,067 --> 00:31:34,067 BEHIND HER SMILE. 1325 00:31:34,067 --> 00:31:34,667 YOU KNOW, I THINK 1326 00:31:34,667 --> 00:31:36,067 SHE'S TOO NICE SOMETIMES. 1327 00:31:36,067 --> 00:31:37,267 OF COURSE. 1328 00:31:37,267 --> 00:31:38,300 I FEEL LIKE SHE'S 1329 00:31:38,300 --> 00:31:40,233 WEARING THIS SMILE 1330 00:31:40,233 --> 00:31:42,733 TO COVER UP A LOT 1331 00:31:42,733 --> 00:31:44,200 OF WHAT'S REALLY HURTING HER. 1332 00:31:44,200 --> 00:31:45,067 SO WHAT'S HURTING HER? 1333 00:31:45,067 --> 00:31:47,900 YOU GOT TO KNOW. 1334 00:31:47,900 --> 00:31:48,733 YOU. 1335 00:31:48,733 --> 00:31:50,500 ME? 1336 00:31:50,500 --> 00:31:51,733 IN MY HONEST OPINION, 1337 00:31:51,733 --> 00:31:53,333 I REALLY FEEL LIKE THIS TAPE WAS 1338 00:31:53,333 --> 00:31:55,933 DONE TO REALLY GET BACK AT YOU 1339 00:31:55,933 --> 00:31:57,533 FOR WHAT YOU'VE DONE TO HER. 1340 00:31:57,533 --> 00:31:58,800 IN HER DEFENSE, 1341 00:31:58,800 --> 00:32:00,067 IT WAS A LOUSY DECISION, 1342 00:32:00,067 --> 00:32:01,933 BUT IT'S GOTTEN YOUR ATTENTION 1343 00:32:01,933 --> 00:32:02,833 AND EVERYBODY ELSE'S. 1344 00:32:02,833 --> 00:32:04,300 LOOK, IT WASN'T A GOOD JOB 1345 00:32:04,300 --> 00:32:05,067 TO GET BACK AT ME. 1346 00:32:05,067 --> 00:32:06,100 IT WASN'T A GOOD MOVE. 1347 00:32:06,100 --> 00:32:08,600 MIMI KNOWS A LOT OF GOOD GUYS, 1348 00:32:08,600 --> 00:32:09,733 BASKETBALL PLAYERS, 1349 00:32:09,733 --> 00:32:11,433 FOOTBALL PLAYERS, DOCTORS, 1350 00:32:11,433 --> 00:32:13,567 LAWYERS. 1351 00:32:13,567 --> 00:32:14,433 SO DON'T YOU THINK IT WOULD HAVE 1352 00:32:14,433 --> 00:32:16,467 BEEN A BETTER MOVE TO MESSING 1353 00:32:16,467 --> 00:32:18,800 WITH THEM 100 MILLION [bleep]? 1354 00:32:18,800 --> 00:32:19,867 YEP, AS OPPOSED 1355 00:32:19,867 --> 00:32:22,433 TO A MINIATURE WANNABE STEVIE. 1356 00:32:22,433 --> 00:32:23,100 RIGHT. 1357 00:32:23,100 --> 00:32:23,767 MM-HMM. 1358 00:32:23,767 --> 00:32:24,533 YOU KNOW WHAT I'M SAYING? 1359 00:32:24,533 --> 00:32:25,533 SO I MEAN, LIKE, 1360 00:32:25,533 --> 00:32:27,067 BABY GIRL, COME ON, LIKE, 1361 00:32:27,067 --> 00:32:27,833 WE GOT TO GET OUR MIND RIGHT. 1362 00:32:27,833 --> 00:32:28,633 SO WHY CAN'T YOU TALK TO HER 1363 00:32:28,633 --> 00:32:29,633 AND HAVE THAT CONVERSATION 1364 00:32:29,633 --> 00:32:30,300 WITH HER AS A FRIEND? 1365 00:32:30,300 --> 00:32:30,967 I WOULD LOVE TO. 1366 00:32:30,967 --> 00:32:31,633 NO, YOU WON'T. 1367 00:32:31,633 --> 00:32:32,400 LISTEN, LISTEN, LISTEN. 1368 00:32:32,400 --> 00:32:33,067 NO, YOU WON'T. 1369 00:32:33,067 --> 00:32:33,733 BECAUSE IT'S LIKE-- 1370 00:32:33,733 --> 00:32:34,433 WHY CAN'T YOU SAY THAT 1371 00:32:34,433 --> 00:32:35,100 TO HER? 1372 00:32:35,100 --> 00:32:35,767 NO, IT'S LIKE THIS. 1373 00:32:35,767 --> 00:32:36,433 SHE'S LIKE-- 1374 00:32:36,433 --> 00:32:37,533 SO? BUT SO ARE YOU. 1375 00:32:37,533 --> 00:32:38,467 NO, NO, NO, I'M LIKE-- 1376 00:32:38,467 --> 00:32:39,133 YOU'RE LIKE THIS. 1377 00:32:39,133 --> 00:32:39,800 I'M LIKE THIS. 1378 00:32:39,800 --> 00:32:43,367 I'M LIKE THIS FIRST. 1379 00:32:43,367 --> 00:32:45,167 AND SHE'S LIKE... 1380 00:32:45,167 --> 00:32:45,833 KNOW WHAT I MEAN? 1381 00:32:45,833 --> 00:32:47,067 NO, I'VE SEEN 1382 00:32:47,067 --> 00:32:49,567 HER BE TRYING TO BE CORDIAL. 1383 00:32:49,567 --> 00:32:50,533 I MEAN, WHEN I MET HER, 1384 00:32:50,533 --> 00:32:52,633 YOU KNOW, JUST JAZZY, SPUNKY-- 1385 00:32:52,633 --> 00:32:53,567 AND THAT'S WHAT THE [bleep] 1386 00:32:53,567 --> 00:32:54,333 YOU FELL IN LOVE WITH. 1387 00:32:54,333 --> 00:32:55,067 YEAH, YEAH. 1388 00:32:55,067 --> 00:32:55,667 OF COURSE. 1389 00:32:55,667 --> 00:32:56,533 EVERY TIME IT WAS 1390 00:32:56,533 --> 00:32:57,333 LIKE THE FIRST TIME. 1391 00:32:57,333 --> 00:32:58,733 I FELL IN LOVE WITH THAT, 1392 00:32:58,733 --> 00:32:59,633 BUT YOU KNOW, 1393 00:32:59,633 --> 00:33:00,700 NOW WHEN I SEE HER, I DON'T SEE 1394 00:33:00,700 --> 00:33:04,367 THAT TWINKLE IN HER EYE NO MORE. 1395 00:33:04,367 --> 00:33:06,100 YEAH. 1396 00:33:06,100 --> 00:33:07,100 IT'S REALLY TOUGH TO SEE 1397 00:33:07,100 --> 00:33:08,400 MY BEST FRIEND BECOME SOMEBODY 1398 00:33:08,400 --> 00:33:09,667 THAT I DON'T EVEN KNOW, 1399 00:33:09,667 --> 00:33:10,433 AND FOR STEVIE 1400 00:33:10,433 --> 00:33:12,433 TO SEE IT TOO REALLY SHOWS ME 1401 00:33:12,433 --> 00:33:14,067 THAT SOMETHING NEEDS TO BE DONE. 1402 00:33:14,067 --> 00:33:16,067 I KNOW THAT SHE DEFINITELY 1403 00:33:16,067 --> 00:33:17,767 NEEDS SOME HELP RIGHT NOW. 1404 00:33:17,767 --> 00:33:20,200 I HONESTLY FEEL LIKE 1405 00:33:20,200 --> 00:33:23,133 MIMI'S GONNA HAVE A BREAKDOWN. 1406 00:33:23,133 --> 00:33:24,333 I THINK ME AND MIMI 1407 00:33:24,333 --> 00:33:25,333 SHOULD SIT DOWN. 1408 00:33:25,333 --> 00:33:27,333 CAN YOU MAKE IT HAPPEN? 1409 00:33:29,333 --> 00:33:31,133 SHE'S WITH A SCUMBAG, 1410 00:33:31,133 --> 00:33:32,200 AND IT'S [bleep] UP. 1411 00:33:32,200 --> 00:33:32,867 YOU KNOW I'M SAYING? 1412 00:33:32,867 --> 00:33:34,867 SHE NEED TO GET BACK TO HERSELF. 1413 00:33:37,300 --> 00:33:39,367 OKAY. 1414 00:33:39,367 --> 00:33:40,900 I'M NOT GONNA MAKE ANY PROMISES 1415 00:33:40,900 --> 00:33:41,833 TO YOU THAT SHE'S GONNA 1416 00:33:41,833 --> 00:33:43,733 WANT TO AGREE TO SEEING YOU, 1417 00:33:43,733 --> 00:33:45,900 BUT I WILL DEFINITELY TRY 1418 00:33:45,900 --> 00:33:47,233 TO MAKE IT HAPPEN. 1419 00:33:47,233 --> 00:33:48,967 SO WE'RE COOL. 1420 00:33:48,967 --> 00:33:52,167 OKAY. 1421 00:33:52,167 --> 00:33:53,600 IS THAT JOC OVER THERE? 1422 00:33:53,600 --> 00:33:54,267 I CAN'T BELIEVE 1423 00:33:54,267 --> 00:33:55,333 THIS MOTHER[bleep]. 1424 00:33:55,333 --> 00:33:56,400 HE TOLD ME HE WAS OUT OF TOWN. 1425 00:33:56,400 --> 00:33:57,067 HE SAID HE HAD TO GO 1426 00:33:57,067 --> 00:33:57,800 HANDLE SOME BUSINESS. 1427 00:33:57,800 --> 00:33:59,300 HE AIN'T OUT OF TOWN. 1428 00:33:59,300 --> 00:34:00,900 THAT'S THAT [bleep] BITCH. 1429 00:34:00,900 --> 00:34:02,900 THAT'S MISS PIGGY. 1430 00:34:07,467 --> 00:34:09,200 * AH, AH, AH, OH 1431 00:34:09,200 --> 00:34:12,500 ♪ AH, AH, AH, OH 1432 00:34:12,500 --> 00:34:14,433 ♪ OH-OH, OH-OH 1433 00:34:14,433 --> 00:34:20,067 ♪ AH, AH, AH, OH 1434 00:34:20,067 --> 00:34:22,700 ♪ 1435 00:34:22,700 --> 00:34:24,100 MY GIRL KARLIE REDD'S MAN 1436 00:34:24,100 --> 00:34:25,867 IS OUT OF TOWN ON BUSINESS, 1437 00:34:25,867 --> 00:34:26,767 SO I INVITED HER OUT 1438 00:34:26,767 --> 00:34:27,967 TO A FASHION EVENT. 1439 00:34:27,967 --> 00:34:28,733 I'M ALMOST READY 1440 00:34:28,733 --> 00:34:30,600 TO LAUNCH MY DRESS LINE, 1441 00:34:30,600 --> 00:34:32,100 SO I STEPPED UP ON THE SCENE 1442 00:34:32,100 --> 00:34:32,767 TO SEE IF I HAD 1443 00:34:32,767 --> 00:34:33,800 A LITTLE COMPETITION. 1444 00:34:33,800 --> 00:34:34,667 ALL RIGHT, WE GOT ONE MORE 1445 00:34:34,667 --> 00:34:35,933 DESIGNER FOR Y'ALL. 1446 00:34:35,933 --> 00:34:37,100 NEXT WE HAVE BRITTNEY 1447 00:34:37,100 --> 00:34:38,633 IN THE BUILDING. 1448 00:34:38,633 --> 00:34:40,633 Y'ALL KNOW WHAT'S UP. 1449 00:34:45,067 --> 00:34:46,700 I AM ROCKING MY KLASS 6 1450 00:34:46,700 --> 00:34:47,367 TODAY, HON. 1451 00:34:47,367 --> 00:34:48,100 I KNOW, HONEY. 1452 00:34:48,100 --> 00:34:49,567 I'M TRYING TO SEE--I DON'T SEE 1453 00:34:49,567 --> 00:34:51,500 ANYTHING THAT COMPARES TO THIS. 1454 00:34:51,500 --> 00:34:53,833 [laughs] 1455 00:34:53,833 --> 00:34:54,900 GIRL, I'M SO GLAD 1456 00:34:54,900 --> 00:34:56,067 I GOT YOU OUT OF THE HOUSE, 1457 00:34:56,067 --> 00:34:57,067 GOT YOU TO COME OUT WITH ME. 1458 00:34:57,067 --> 00:34:58,100 I NEEDED THIS. 1459 00:34:58,100 --> 00:34:59,233 YOU NOT WORRIED ABOUT JOC 1460 00:34:59,233 --> 00:35:00,900 AND HIS ASS BEING OUT OF TOWN, 1461 00:35:00,900 --> 00:35:02,467 DOING WHAT HE DOING. 1462 00:35:02,467 --> 00:35:04,667 WOW, SHORTY 1463 00:35:04,667 --> 00:35:06,967 GOT THE LEOPARD BOOTY FACE, 1464 00:35:06,967 --> 00:35:08,533 BUT SHE TURNED UP, THOUGH. 1465 00:35:08,533 --> 00:35:11,667 IS THAT MY BABY DADDY? 1466 00:35:11,667 --> 00:35:12,767 WHERE? SHOW ME. 1467 00:35:12,767 --> 00:35:13,433 OVER THERE. 1468 00:35:13,433 --> 00:35:15,133 WHAT THE HELL HE DOING HERE? 1469 00:35:15,133 --> 00:35:16,467 YOU LYING. 1470 00:35:16,467 --> 00:35:18,367 COME ON, COME ON, COME ON. 1471 00:35:18,367 --> 00:35:20,067 I LOOK OVER AT THE BAR. 1472 00:35:20,067 --> 00:35:21,867 THERE'S SCRAPPY CHECKING OUT THE 1473 00:35:21,867 --> 00:35:23,533 BIG BOOTY GIRLS ON THE RUNWAY. 1474 00:35:23,533 --> 00:35:25,133 NOW, I KNOW HE DOESN'T KNOW 1475 00:35:25,133 --> 00:35:26,767 THE FIRST THING ABOUT FASHION, 1476 00:35:26,767 --> 00:35:29,067 SO I'MA FIND OUT WHY HE'S HERE. 1477 00:35:29,067 --> 00:35:31,167 WELL, LOOKY HERE, LOOKY HERE. 1478 00:35:31,167 --> 00:35:32,467 WELL, WELL, WELL. 1479 00:35:32,467 --> 00:35:33,200 WHAT YOU DOING HERE? 1480 00:35:33,200 --> 00:35:33,900 YOU KNOW, FREDDYO 1481 00:35:33,900 --> 00:35:35,067 TOLD ME COME ON OUT, SAID 1482 00:35:35,067 --> 00:35:36,333 HE WAS HAVING A LITTLE EVENT. 1483 00:35:36,333 --> 00:35:37,600 YOU KNOW, I LOVE MY FRIENDS. 1484 00:35:37,600 --> 00:35:38,267 YOU DO. 1485 00:35:38,267 --> 00:35:39,967 YOU LOVE ALL YOUR FRIENDS. 1486 00:35:39,967 --> 00:35:40,900 I LOVE YOU TOO. 1487 00:35:40,900 --> 00:35:42,067 I KNOW. I KNOW. 1488 00:35:42,067 --> 00:35:42,900 BUT Y'ALL NOT FRIENDS. 1489 00:35:42,900 --> 00:35:44,433 WE FRA-MILY. 1490 00:35:44,433 --> 00:35:45,833 YEAH, WE FRA-MILY. 1491 00:35:45,833 --> 00:35:48,133 FRA-MILY. WAIT, WHAT'S--WHAT? 1492 00:35:48,133 --> 00:35:49,800 THIS IS MY FRIEND 1493 00:35:49,800 --> 00:35:51,433 AND MY FAMILY. 1494 00:35:51,433 --> 00:35:52,100 OOH. 1495 00:35:52,100 --> 00:35:52,767 YOU FEEL ME? 1496 00:35:52,767 --> 00:35:54,500 [laughs] 1497 00:35:54,500 --> 00:35:56,300 SO MY BOY FREDDYO DONE 1498 00:35:56,300 --> 00:35:58,267 INVITED YOUR BOY TO HIS FASHION 1499 00:35:58,267 --> 00:35:59,067 SHOW. 1500 00:35:59,067 --> 00:36:01,533 NOW, I'M THINKING, HELL YEAH, 1501 00:36:01,533 --> 00:36:02,633 YOU KNOW WHAT I'M SAYING? 1502 00:36:02,633 --> 00:36:05,067 SHOTS, MODELS, 1503 00:36:05,067 --> 00:36:06,833 AND MORE MODELS, YOU FEEL ME? 1504 00:36:06,833 --> 00:36:08,067 I WASN'T EXPECTING TO RUN 1505 00:36:08,067 --> 00:36:09,667 INTO MY BABY MAMA, THOUGH, 1506 00:36:09,667 --> 00:36:11,267 AND KARLIE TOO. 1507 00:36:11,267 --> 00:36:12,067 YOU LOOK GOOD. 1508 00:36:12,067 --> 00:36:12,800 THANK YOU. 1509 00:36:12,800 --> 00:36:13,667 LOOK LIKE YOU LOST WEIGHT. 1510 00:36:13,667 --> 00:36:14,667 I'VE BEEN DOING MY LITTLE 1511 00:36:14,667 --> 00:36:16,767 WORKOUT THING, YOU KNOW. 1512 00:36:16,767 --> 00:36:19,067 I SEE YOU. 1513 00:36:19,067 --> 00:36:20,767 I KNOW YOU LOOKING HARD. 1514 00:36:20,767 --> 00:36:21,867 YOU LOOKING HARD TOO. 1515 00:36:21,867 --> 00:36:22,533 YOU LIKE WHAT YOU SEE? 1516 00:36:22,533 --> 00:36:23,367 YOU LOOKING HARD TOO. 1517 00:36:23,367 --> 00:36:24,167 YOU LIKE WHAT YOU SEE? 1518 00:36:24,167 --> 00:36:25,567 I CAN'T--YOU LOOKING SO HARD 1519 00:36:25,567 --> 00:36:28,133 I CAN SEE MYSELF IN YOUR EYES. 1520 00:36:28,133 --> 00:36:29,600 YOU FEEL ME? 1521 00:36:29,600 --> 00:36:31,867 AWW, WAIT A MINUTE. 1522 00:36:31,867 --> 00:36:32,567 ARE THESE TWO 1523 00:36:32,567 --> 00:36:33,800 FLIRTING WITH EACH OTHER? 1524 00:36:33,800 --> 00:36:35,067 I ALWAYS THOUGHT THEY BELONGED 1525 00:36:35,067 --> 00:36:37,333 TOGETHER, ERICA AND SCRAPPY. 1526 00:36:37,333 --> 00:36:38,133 YOU LIKE WHAT YOU SEE? 1527 00:36:38,133 --> 00:36:39,533 I LOVE WHAT I SEE ALWAYS. 1528 00:36:39,533 --> 00:36:40,233 YOU NEED TO BE PROUD 1529 00:36:40,233 --> 00:36:40,900 OF YOUR GIRL 'CAUSE 1530 00:36:40,900 --> 00:36:42,633 WE ROCKING THAT KLASS 6. 1531 00:36:42,633 --> 00:36:43,300 WOW. 1532 00:36:43,300 --> 00:36:44,067 SHE KILLING IT, RIGHT? 1533 00:36:44,067 --> 00:36:44,900 KILLING IT. 1534 00:36:44,900 --> 00:36:45,567 KLASS. 1535 00:36:45,567 --> 00:36:46,567 I MEAN, SHE WEARS IT WELL. 1536 00:36:46,567 --> 00:36:47,333 I HAVE TO GIVE IT TO HER. 1537 00:36:47,333 --> 00:36:48,067 WOWZERS. 1538 00:36:48,067 --> 00:36:48,700 LET ME SEE YOU TURN AROUND 1539 00:36:48,700 --> 00:36:50,633 A LITTLE BIT, YOU FEEL ME? 1540 00:36:50,633 --> 00:36:51,333 YOU WANT TO TOUCH IT. 1541 00:36:51,333 --> 00:36:52,267 YOU CAN JUST TOUCH IT. 1542 00:36:52,267 --> 00:36:55,067 LIKE, DON'T ASK. 1543 00:36:55,067 --> 00:36:56,900 [laughter] 1544 00:36:56,900 --> 00:36:58,700 SCRAPPY KNOW HE WANT THIS. 1545 00:36:58,700 --> 00:37:00,700 HOLD UP, BUT I'M NOT TRYING 1546 00:37:00,700 --> 00:37:01,967 TO GO DOWN THAT ROAD AGAIN. 1547 00:37:01,967 --> 00:37:03,567 I'M GLAD THAT WE CAN BE FRIENDS 1548 00:37:03,567 --> 00:37:05,400 AND GREAT PARENTS FOR EMANI. 1549 00:37:05,400 --> 00:37:06,067 DON'T GET ME WRONG. 1550 00:37:06,067 --> 00:37:07,700 I'LL ALWAYS LOVE SCRAPPY, 1551 00:37:07,700 --> 00:37:09,067 BUT RIGHT NOW THAT LOVE 1552 00:37:09,067 --> 00:37:10,333 IS FROM A DISTANCE. 1553 00:37:10,333 --> 00:37:11,433 I'M GONNA GO HOLLER 1554 00:37:11,433 --> 00:37:12,367 AT SOME MORE FOLK, YOU FEEL ME? 1555 00:37:12,367 --> 00:37:13,067 OKAY. 1556 00:37:13,067 --> 00:37:15,133 COME ON. COME ON, FOOL. 1557 00:37:15,133 --> 00:37:18,133 WHAT YOU DRINKING? 1558 00:37:18,133 --> 00:37:19,367 IT LOOK LIKE I SAW 1559 00:37:19,367 --> 00:37:20,933 A LITTLE SOMETHING IN YOUR EYE 1560 00:37:20,933 --> 00:37:21,833 AND I WAS JUST LIKE... 1561 00:37:21,833 --> 00:37:22,767 WHAT'D YOU SEE? 1562 00:37:22,767 --> 00:37:24,167 I SAW SOMETHING IN HIS EYES, 1563 00:37:24,167 --> 00:37:25,767 AND I--AND THEN Y'ALL DID-- 1564 00:37:25,767 --> 00:37:26,733 WHAT'D YOU SEE? 1565 00:37:26,733 --> 00:37:28,067 I MEAN--I MEAN--I DON'T KNOW. 1566 00:37:28,067 --> 00:37:28,800 'CAUSE HE SAID HE SAW 1567 00:37:28,800 --> 00:37:30,133 SOMETHING IN MY EYES TOO, 1568 00:37:30,133 --> 00:37:31,967 SO I WAS LIKE... 1569 00:37:31,967 --> 00:37:33,267 I'M ASKING A QUESTION. 1570 00:37:33,267 --> 00:37:34,100 YES. 1571 00:37:34,100 --> 00:37:34,800 DID YOU SEE SOMETHING? 1572 00:37:34,800 --> 00:37:35,667 DID I MISS SOMETHING? 1573 00:37:35,667 --> 00:37:37,667 OH, [bleep]. 1574 00:37:49,067 --> 00:37:51,067 BY HERSELF? 1575 00:37:54,833 --> 00:37:57,167 KARLIE HERE? 1576 00:37:57,167 --> 00:37:59,167 IS THAT JOC OVER THERE? 1577 00:38:07,133 --> 00:38:09,133 CAN I LOOK OVER MY SHOULDER? 1578 00:38:20,167 --> 00:38:20,833 WHY YOU GONNA LEAVE? 1579 00:38:20,833 --> 00:38:21,800 YOU LEAVING? 1580 00:38:21,800 --> 00:38:22,633 I JUST FEEL LIKE, 1581 00:38:22,633 --> 00:38:23,567 YOU KNOW, 1582 00:38:23,567 --> 00:38:24,700 NEED TO HANDLE SOME OTHER 1583 00:38:24,700 --> 00:38:26,700 [bleep] NAH-EE. 1584 00:38:34,067 --> 00:38:36,067 IT WAS GOOD TO SEE YOU. 1585 00:38:39,567 --> 00:38:40,533 I CAN'T BELIEVE THIS 1586 00:38:40,533 --> 00:38:42,167 MOTHER[bleep]. 1587 00:38:42,167 --> 00:38:43,800 CAN YOU BELIEVE HIM? 1588 00:38:43,800 --> 00:38:45,367 I MEAN, I DON'T PUT NOTHING 1589 00:38:45,367 --> 00:38:46,100 PAST THE MAN. 1590 00:38:46,100 --> 00:38:46,767 HE TOLD ME HE WAS 1591 00:38:46,767 --> 00:38:47,433 OUT OF TOWN. 1592 00:38:47,433 --> 00:38:48,133 HE SAID HE HAD TO GO HANDLE 1593 00:38:48,133 --> 00:38:48,800 SOME BUSINESS. 1594 00:38:48,800 --> 00:38:49,933 HE AIN'T OUT OF TOWN. 1595 00:38:49,933 --> 00:38:50,867 I MEAN, YOU CAN CLEARLY 1596 00:38:50,867 --> 00:38:51,533 SEE THAT. 1597 00:38:51,533 --> 00:38:53,267 NOT OUT OF TOWN BECAUSE-- 1598 00:38:53,267 --> 00:38:54,067 THEN HE HERE WITH ANOTHER 1599 00:38:54,067 --> 00:38:54,900 FEMALE? 1600 00:38:54,900 --> 00:38:56,800 BUT WAIT, LOOK AT THIS CHICK. 1601 00:38:56,800 --> 00:38:58,500 THAT'S THAT [bleep] BITCH. 1602 00:38:58,500 --> 00:38:59,500 REMEMBER THE BITCH I WAS TELLING 1603 00:38:59,500 --> 00:39:01,200 YOU ALL ABOUT? 1604 00:39:01,200 --> 00:39:02,767 YES. 1605 00:39:02,767 --> 00:39:04,667 THAT'S MISS PIGGY. 1606 00:39:04,667 --> 00:39:05,600 OH, NO, NO-- 1607 00:39:05,600 --> 00:39:06,267 HE FITTING HIMSELF. 1608 00:39:06,267 --> 00:39:06,933 SO LET'S GO. 1609 00:39:06,933 --> 00:39:07,633 NO, BITCH, I'M ABOUT TO 1610 00:39:07,633 --> 00:39:08,300 [bleep] HIM UP. 1611 00:39:08,300 --> 00:39:09,433 JOC MOTHER[bleep] ASS 1612 00:39:09,433 --> 00:39:10,967 TELLS ME HE'S OUT OF TOWN. 1613 00:39:10,967 --> 00:39:12,067 THEN I COME TO AN EVENT 1614 00:39:12,067 --> 00:39:13,533 WITH MY GIRL ERICA, 1615 00:39:13,533 --> 00:39:14,933 AND HE'S WITH THE [bleep] 1616 00:39:14,933 --> 00:39:16,167 SAME MISS PIGGY 1617 00:39:16,167 --> 00:39:17,067 THAT I TOLD HIM 1618 00:39:17,067 --> 00:39:18,433 NOT TO [bleep] SEE ME WITH. 1619 00:39:18,433 --> 00:39:19,133 I'M ABOUT TO PUT MY FOOT 1620 00:39:19,133 --> 00:39:21,133 IN BOTH THEIR ASSES. 1621 00:39:23,100 --> 00:39:29,133 MM-HMM. 1622 00:39:37,167 --> 00:39:37,833 NEXT TIME ON 1623 00:39:37,833 --> 00:39:39,133 LOVE & HIP HOP: ATLANTA... 1624 00:39:39,133 --> 00:39:40,233 NO WONDER YOU CAME HOME 1625 00:39:40,233 --> 00:39:42,200 SMELLING LIKE [bleep] COLOGNE. 1626 00:39:42,200 --> 00:39:43,333 IT IS SO OVER 'CAUSE 1627 00:39:43,333 --> 00:39:45,500 I CAN HAVE ANY MAN I WANT. 1628 00:39:45,500 --> 00:39:47,667 THEY DON'T [bleep] WITH YOU. 1629 00:39:47,667 --> 00:39:49,067 I WANT TO INTRODUCE TO Y'ALL 1630 00:39:49,067 --> 00:39:53,633 MY FIANCEE, THI THI. 1631 00:39:53,633 --> 00:39:55,967 TWO WORDS: PRENUP. 1632 00:39:55,967 --> 00:39:57,833 OH, MY GOD. 1633 00:39:57,833 --> 00:39:59,133 YOU GOT TO GET A PRENUP. 1634 00:39:59,133 --> 00:40:00,033 YOU KNOW I LOVE YOU, RIGHT? 1635 00:40:00,033 --> 00:40:00,767 I KNOW YOU LOVE ME. 1636 00:40:00,767 --> 00:40:01,767 TO DEATH. 1637 00:40:01,767 --> 00:40:02,833 PRENUP. 1638 00:40:02,833 --> 00:40:03,967 PRENUP WHAT? 1639 00:40:03,967 --> 00:40:05,567 I'M NOT SIGNING A PRENUP. 1640 00:40:05,567 --> 00:40:07,000 I MEAN, I WANT TO OWN PART 1641 00:40:07,000 --> 00:40:08,767 OF HIP-HOP WEEKLY, SO-- 1642 00:40:08,767 --> 00:40:09,867 [laughter] 1643 00:40:09,867 --> 00:40:10,833 HEY. 1644 00:40:10,833 --> 00:40:11,933 HOW YOU DOING? 1645 00:40:11,933 --> 00:40:12,600 LISTEN, GIRL, 1646 00:40:12,600 --> 00:40:14,100 I AM VERY IMPRESSED. 1647 00:40:14,100 --> 00:40:14,800 CAN I ASK YOU 1648 00:40:14,800 --> 00:40:15,467 SOMETHING REAL QUICK? 1649 00:40:15,467 --> 00:40:16,133 UH-HUH. 1650 00:40:16,133 --> 00:40:16,800 JUST WANTED TO ASK YOU 1651 00:40:16,800 --> 00:40:17,467 SOMETHING. 1652 00:40:17,467 --> 00:40:18,133 IT'S BEEN A LONG TIME. 1653 00:40:18,133 --> 00:40:18,967 JUST WANT TO ASK YOU SOMETHING 1654 00:40:18,967 --> 00:40:20,000 SERIOUSLY FROM MY HEART. 1655 00:40:20,000 --> 00:40:20,867 OKAY. 1656 00:40:20,867 --> 00:40:22,967 WHAT IS GOING ON WITH YOU? 1657 00:40:22,967 --> 00:40:23,633 I JUST WANT YOU 1658 00:40:23,633 --> 00:40:24,500 TO STAY SAFE... 1659 00:40:24,500 --> 00:40:25,167 THAT'S WHAT YOU WANT. 1660 00:40:25,167 --> 00:40:26,033 FROM THIS GUY. 1661 00:40:26,033 --> 00:40:29,033 STEVIE CONTINUES TO TORMENT 1662 00:40:29,033 --> 00:40:30,667 ME, AND I STILL HAVE TO DEAL 1663 00:40:30,667 --> 00:40:32,600 WITH HIM BECAUSE OF MY DAUGHTER. 1664 00:40:32,600 --> 00:40:34,233 HE DAMAGED YOU. 1665 00:40:34,233 --> 00:40:35,600 YOU LOVED THAT MAN. 1666 00:40:35,600 --> 00:40:37,267 I DESPISE THE PERSON 1667 00:40:37,267 --> 00:40:38,433 WHO HE HAS BECOME. 1668 00:40:38,433 --> 00:40:39,167 THE ONLY PERSON 1669 00:40:39,167 --> 00:40:40,900 THAT HAS BEEN THERE FOR ME-- 1670 00:40:40,900 --> 00:40:44,467 NIKKO. 1671 00:40:44,467 --> 00:40:46,100 I'VE BEEN GETTING HIT UP 1672 00:40:46,100 --> 00:40:47,467 ABOUT SOMETHING ON MEDIATAKEOUT 1673 00:40:47,467 --> 00:40:49,400 ABOUT YOU BEING MARRIED. 1674 00:40:49,400 --> 00:40:52,300 IS THERE ANY TRUTH TO THIS? 1675 00:41:13,367 --> 00:41:14,433 THIS GUY IS IN THE MAGAZINE, 1676 00:41:14,433 --> 00:41:15,700 FREAK-O, 1677 00:41:15,700 --> 00:41:17,867 IN OUR MAGAZINE, FREAK-O. 1678 00:41:17,867 --> 00:41:19,867 I'M BAFFLED RIGHT NOW. 1679 00:41:19,867 --> 00:41:21,633 MIMI UNLEASHED IS FIZZLING OUT 1680 00:41:21,633 --> 00:41:22,300 SOON. 1681 00:41:22,300 --> 00:41:23,167 THEY'LL BE DOING PORN 1682 00:41:23,167 --> 00:41:23,833 ON MARS. 1683 00:41:23,833 --> 00:41:24,933 YEAH, GOOD. 1684 00:41:24,933 --> 00:41:25,700 THEY'LL BE DOING PORN 1685 00:41:25,700 --> 00:41:26,733 ON URANUS. 1686 00:41:26,733 --> 00:41:27,967 I MEAN, IT'S--DUDE WAS GOING 1687 00:41:27,967 --> 00:41:28,967 IN SLOW MOTION. 1688 00:41:28,967 --> 00:41:29,767 IT WAS LIKE-- 1689 00:41:29,767 --> 00:41:30,467 YEAH, HE'S [bleep] 1690 00:41:30,467 --> 00:41:33,233 HIS OWN [bleep] IN THE VIDEO. 1691 00:41:33,233 --> 00:41:34,700 IT'S SOME EVIDENCE OUT THERE. 1692 00:41:34,700 --> 00:41:36,967 IF HE'S TOUCHING HIS OWN SELF-- 1693 00:41:36,967 --> 00:41:38,233 IF IT WASN'T FOR THE SHOWER 1694 00:41:38,233 --> 00:41:39,100 ROD, YO, I WOULD-- 1695 00:41:39,100 --> 00:41:39,967 OUT OF ONE OF FIVE-- 1696 00:41:39,967 --> 00:41:40,767 THE SHOWER ROD GAVE IT TWO. 1697 00:41:40,767 --> 00:41:42,767 OTHER THAN THAT, IT WAS A ONE. 103644

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