Original subtitles

PREVIOUSLY ON LOVE & HIP-HOP:

ATLANTA--

I GOT A LOT OF PEOPLE THAT BE

IN AND OUT THE BED WITH US.

YOU UNDERSTAND WHAT I'M SAYING?

WAIT, WAIT, WAIT.

I GOT MY BEST FRIEND

THAT COMES.

AND TONY'S COOL WITH THIS?

ASHLEY IS COMING IN TOWN.

WE HAVEN'T PUT A RECORD

OUT IN THREE YEARS.

WE DON'T NEED NO DISTRACTIONS.

FOR REAL, YO.

T. RIVERA IS VERY, VERY BIG.

I WANT TO BRING THE FASHION

WEEK NEW YORK FEEL TO ATLANTA.

MAKE IT BIG.

I REALLY BEEN THINKING

I WANT TO GO TO THE STRAIGHT

TO THE COURTHOUSE, GET MARRIED.

WHAT?

YOU GOT BAM, ERICA PINKETT.

NO, I GOT BAM.

IF YOU REALLY LOVE BAM,

YOU GOT TO SHUT

THAT ERICA PINKETT DOWN.

SHE'S THE ONE. I'M THINKING

ABOUT GIVING HER A RING

IN A COUPLE OF WEEKS,

AND I WANT TO GET MARRIED ASAP.

YOU DON'T THINK

YOU'RE MOVING FAST, SLEAZE?

I'M NOT MOVING FAST ENOUGH.

LISTEN.

HOW THE [bleep] DID

I KNOW ABOUT YOU AND STEVIE?

IT'S LIKE THE ARMY.

DON'T [bleep] ASK, DON'T TELL.

OKAY, WELL, I WANT EVERYTHING

LAID OUT ON THE TABLE.

SHE TOLD ME

ABOUT THE SITUATION.

YOU KNOW WHAT I'M SAYING?

WITH Y'ALL TWO, SLEAZE.

WE HUNG OUT, G.

IT WAS NEVER NOTHING.

I NEVER HAD SEX WITH HER.

I'M JUST SAYING.

OH, NO, BITCH, WHAT?

ERICA TOLD ME THAT

MIMI TOLD HER

THAT ALTHEA AND STEVIE...

YEAH.

'CAUSE I WANT TO POP YOU

IN YOUR [bleep],

BUT I CAN'T BEAT YOU UP, SO I'M

GONNA HAVE TO WHUP HER ASS.

WELL--

'CAUSE SHE SAT IN MY MOTHER

[bleep] HOUSE AND--

I NEVER [bleep] UP.

I DON'T BELIEVE YOU.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* 'SUP ♪

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE ♪

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

SO ASHLEY'S BEEN HERE

FOR ABOUT A WEEK, AND OF COURSE

WE'VE BEEN TURNING IT UP, RIGHT?

I'VE BEEN TRYING TO SLIP

IN A LITTLE BIT OF WORK.

I EVEN FINISHED RASHEEDA'S SONG,

BUT I GOT TO ADMIT,

MY HUSBAND WAS RIGHT.

ASHLEY'S BEEN A DISTRACTION.

HEY, BABY.

OW.

LOOK, PAY ME SOME MIND.

DON'T PAY HER NO MIND,

ALL RIGHT?

SHE NOT SUPPOSED TO BE HERE.

SHE NOT.

I'M SUPPOSED

TO BE WORKING ON MY ALBUM.

I'M HERE, THOUGH.

WE BEEN HITTING THE CLUBS

AND THE STREETS,

BUT NO MATTER HOW MUCH ATTENTION

I GIVE ASHLEY, IT'S NOT ENOUGH.

TODAY SHE STOLE MY PHONE, SO

MY HUSBAND COULDN'T BOTHER ME,

AND THAT'S A BIT MUCH

IF YOU ASK ME.

THAT'S A BAD BITCH.

I'M GONNA HAVE HER IN MY [bleep]

VIDEO, THOUGH, AND I'M WORKING

ON THIS BLACK ORCHID [bleep].

SO WHAT ABOUT ME?

ASHLEY.

DON'T YOU SAY THE WRONG

THING?

YO,

I HAVEN'T HAD A RECORD OUT...

LET ME TELL YOU SOMETHING.

IN THREE YEARS.

LET ME TELL YOU SOMETHING.

PEOPLE MAKE TIME FOR WHAT THEY

WANT TO MAKE TIME FOR.

SO IF YOU CAN GO

IN THE [bleep] STUDIO

AND CUT A RECORD FOR RASHEEDA,

YOU MADE TIME FOR THAT, THOUGH,

RIGHT?

RASHEEDA?

WHO WAS THAT WHEN IT

COMES TO ME, THOUGH?

ASHLEY.

WHAT ABOUT ME?

SO YOU DON'T GIVE A [bleep]?

THIS HAPPENS EVERY SINGLE

TIME.

HER POSSESSIVENESS

GETS IN THE WAY OF OUR FUN.

SHE WANTS TO PLAY

INSTEAD OF WORK.

AND GUESS WHAT WINDS UP

SUFFERING?

MY MUSIC.

SO I'M GONNA GIVE IT A THOUSAND.

YOU THE ONLY GIRL I COULD EVER,

EVER TURN OUT WITH, ASHLEY,

AND I LOVE HANGING WITH YOU,

BUT WHAT I AM GONNA SAY IS

THIS IS BECOMING A LITTLE BIT

OF A DISTRACTION.

TONY'S ON MY HEAD

ABOUT ME NOT FINISHING SONGS,

HE'S ON MY HEAD ABOUT DEADLINES.

I HAVE TO REALLY, REALLY FOCUS,

AND I REALLY DO HAVE

TO GET BACK TO THE--

AND I WANT YOU TO BE FOCUSED

BECAUSE I WANT TO BE

FOCUSED TOO.

YOU TOOK MY PHONE,

AND MY HUSBAND'S CALLING.

YOU GONNA GET MAD?

YEAH, I'M GONNA GET MAD.

I GOT [bleep] I GOT TO DO.

WHY IS EVERYTHING

ALWAYS TONY, THOUGH?

TONY THIS, TONY THAT.

CAN I SEE IF HE'S CALLING ME?

NO. [bleep] TONY HERE?

ASHLEY.

SEE?

WHY YOU GOT TO BE SO MEAN?

TONY IS THE DISTRACTION.

HE'S NOT THE DISTRACTION.

YEAH, HE [bleep] IS.

LOOK WHAT HE DID.

I'VE FORGOTTEN

HOW CRAZY ASHLEY COULD GET.

SHE WANTS TO BE MY ONE AND ONLY,

AND IT'S JUST MAKING [bleep]

A LITTLE BIT MORE COMPLICATED.

ALL I WANTED TO DO WAS HAVE FUN,

BUT RIGHT NOW THIS IS

JUST TOO MUCH DRAMA.

HEY, BABE.

HERE WE GO WITH THIS [bleep].

ASHLEY TOOK ME OUT

TO THE STRIP CLUB.

I KNOW. WELL, THAT'S

WHAT I'M TRYING TO GET HER

TO UNDERSTAND, LIKE, RIGHT NOW.

LIKE, I'M TALKING TO HER

ABOUT THE SAME [bleep], BABE,

AND I DO WANT IT.

I JUST NEEDED A MOMENT.

ALL RIGHT.

Y'ALL STRESS ME OUT.

HE'S IN THERE WORKING,

I'M OUT HERE WITH YOU.

OKAY.

IT'S ENOUGH TURNING OUT.

I CAN'T SPEND ANOTHER DAY

RIGHT NOW DOING THIS.

I NEED TO GO HOME.

T. RIVERA IS FINALLY HERE.

MY CLOTHING LINE.

MY BABY IS LAUNCHING.

I DIDN'T WANT TO DO

A TRADITIONAL FASHION SHOW.

I WANTED TO BRING NEW YORK

FASHION WEEK TO ATLANTA,

AND I'VE DECIDED

TO DO A FASHION PRESENTATION.

I LIKE THIS,

I LIKE THAT, I LIKE THAT.

OH, MY GOSH.

[indistinct chatter]

THANK YOU FOR INVITING US.

T. RIVERA FASHION SHOW IS,

LIKE,

A DREAM COME TRUE TO TAMMY.

I CANNOT MAKE HER AS HAPPY

AS T. RIVERA FASHION.

THAT'S HER HUSBAND,

IF YOU ASK ME.

I JUST WANT TO THANK

EVERYBODY FOR COMING OUT,

AND JUST CHECKING OUT MY LINE.

IT TOOK ME A LONG TIME,

AND IT'S BEEN

A STRESSFUL PROCESS,

BUT IT HAS COME TOGETHER.

I ALSO WANT TO THANK MY FAMILY

AND MY FRIENDS WHO CAME

FROM SO FAR AWAY JUST TO SEE,

AND--I'M GONNA CRY.

all: AWW.

IT'S OKAY.

AND I WANT TO THANK

MY FUTURE HUSBAND

JUST FOR SUPPORTING ME

AND NEVER GIVING UP ON ME,

EVEN THOUGH I KNOW

I NEVER GAVE UP ON YOU,

AND I SHOULD HAVE.

SEEING TAMMY

GET EMOTIONAL, YOU KNOW,

IT JUST MAKE

YOU APPRECIATE YOUR WOMAN.

LIKE, SHE'S REALLY

INTO WHAT SHE'S DOING.

MY TIME HAS COME

TO SHOW EVERYONE WHAT I CAN DO.

MY FAMILY HAS CAME

FROM ALL OVER.

THERE'S MY FRIENDS HERE.

AND WAKA,

HE'S HERE FROM OFF THE ROAD.

THE FASHION SHOW IS NOT

THE ONLY REASON WAKA'S HERE.

HE'S WAITING FOR HIS ANSWER.

HE WANT TO KNOW WHETHER OR NOT

WE'RE GONNA ELOPE,

AND IT'S A LOT GOING ON,

BUT I'M READY TO HAVE

THIS DISCUSSION.

IT'S SUCH A GREAT NIGHT.

WHY NOT TALK ABOUT IT RIGHT NOW?

I WANT TO SAY

THANK YOU FOR SUPPORTING ME.

YES.

AND BEING MY BACKBONE

IN EVERYTHING I DO.

BUT YOU DID THIS BY YOURSELF.

I DID IT BY MYSELF,

BUT I HAD YOUR SUPPORT.

TO HAVE SOMEBODY THAT YOU

HAVE YOUR BACK IF YOU FALL.

YOU KNOW WHAT I'M SAYING?

THAT'S RIGHT.

AND I ALSO BEEN THINKING--

WHAT?

WHAT YOU BEEN THINKING ABOUT?

LET'S GO AHEAD AND ELOPE.

OH, SO WE'RE GOING TO

THE COURTHOUSE?

LET'S DO IT.

IF TAMMY'S HAPPY,

THE WOMAN OF MY HOUSE,

I DON'T HAVE TO HAVE

NO CONVERSATION

WITH NO ONE ABOUT MARRIAGE,

ABOUT NO WEDDING.

THAT'S IT. POINT-BLANK.

PERIOD. I'M GETTING MARRIED.

LET'S GET MARRIED

RIGHT NOW, HUH?

LET'S GET MARRIED RIGHT NOW.

I LOVE WAKA, AND WE'VE BEEN

THROUGH SO MUCH TOGETHER.

IT'S BEEN A LONG TIME,

AND I KNOW EVERYONE'S GONNA

BE MAD ABOUT US GETTING MARRIED,

BUT I'M READY.

YOU MAY NOW KISS YOUR BRIDE.

WHAT'S UP WITH YOU?

WHAT'S HAPPENING?

SO I GOT TO GO HOLLER

AT PINKETT, MAN.

I JUST DECIDED CAN'T

DO THE FRIEND THING.

YOU KNOW WHAT I'M SAYING?

AND THEN IT'S COMPROMISING

MY [bleep] WITH MY GIRL.

I WANTED TO GO HOLLER AT HER

SO I COULD SHUT EVERYTHING DOWN,

MAN, AND JUST BE

ON SOME REAL COOL,

EVERYBODY WALK AWAY TYPE

[bleep].

WHAT'S UP?

I DON'T LIKE THE WAY

YOU SAY, "WHAT'S UP?"

WELL, I JUST

WANTED TO GET TO THE POINT.

LIKE, WHAT'S UP

WITH CERTAIN MESSAGES

YOU'VE BEEN SENDING ME LATELY?

WHAT MESSAGES?

IT WAS, LIKE,

A BOOTY CALL TEXT.

I HIT YOU

WITH A BOOTY CALL TEXT?

MAN, STRAIGHT OUT THE GATE,

MAN, YOU KNOW, STUFF STARTED

GOING LEFT, YOU KNOW.

BUT IT SEEM LIKE PINKETT GOT

A WHOLE 'NOTHER AGENDA GOING ON.

LIKE, SHE ENDED UP

TALKING ABOUT TEXTS

I WAS SENDING HER

WHEN I WAS UNDER THE INFLUENCE

OR IN MY FEELINGS AND STUFF.

LIKE, COME ON, SHORTY,

FOR REAL?

JUST TELL ME WHAT IT SAID.

"YOU KNOW YOU WANT SOME

OF THIS CHOCOLATE..."

YOU DON'T REMEMBER SAYING THAT?

I SAID THAT WHEN WE

WERE PLAYING ONE TIME.

WAS YOU PLAYING THE TIME

WHERE YOU SAID YOU WAS IN LOVE,

"GUESS WHO?"

AND I'M LIKE, "WHO?"

AND YOU WERE LIKE,

"E.P." WHO'S E.P.?

WHERE YOU TRYING TO GET TO?

NOW YOU PLAYING

WITH FEELINGS.

SO WHAT DOES THAT MEAN?

WHO'S E.P.?

SINCE I KNEW

THAT YOU SAVE ALL MY TEXTS.

YOU FEEL ME?

OH, I DO.

AND MA DUKES TOLD ME--

AND ALL MY RECEIPT.

SHE SAID, "A PERSON THAT DOES

THAT, THEY AT SOMETHING."

THAT'S WHAT MA DUKES SAID,

BUT WHERE MAMA DUKES AT?

YOU SEE MOMMA DEE ANYWHERE?

I'M TALKING TO SCRAPPY OR...

YEAH.

DARRYL THE MAN.

SO WHAT DOES DARRYL

HAVE TO SAY FOR HIMSELF?

DARRYL HAVE NOTHING TO SAY.

SO WHO'S E.P.?

SCRAPPY DON'T HAVE NOTHING

TO SAY. BUT MERLOT--

SO WHICH ONE TEXT ME

THEY IN LOVE WITH E.P.?

HOLD ON FOR A SECOND.

SCRAPPY SAID THAT'S YOU.

YOU FEEL ME?

WHAT? WHAT?

THAT'S YOU.

[bleep].

I DON'T CARE WHAT MULTIPLE

PERSONALITY DISORDER SCRAPPY

MAY SUFFER FROM.

THAT'S WHY I SAVED ALL

THEM DAMN TEXT MESSAGES,

TO PROVE THE FOOL HE REALLY IS,

AND THAT I DESERVE WAY BETTER.

CAN YOU ASK SCRAPPY

WHY HE WOULD TEXT ME?

I WAS IN MY FEELINGS.

YOU WAS IN YOUR FEELINGS?

I MIGHT FLIRT, BUT AT THE END

OF THE DAY, IT ALWAYS COME

DOWN TO SOME FRIEND [bleep].

YOU KNOW WHAT I'M SAYING?

AND WHY DOES IT ALWAYS

COME DOWN TO US BEING FRIENDS?

BECAUSE WE KNOW.

WE KNOW WHAT?

THAT YOU CRAZY,

AND I'M GONNA THROW IT OUT--

I'M CRAZY?

FOR SOME [bleep]--

I CAN GET CRAZY.

WHAT THIS IS RIGHT HERE,

SWEETHEART,

IS YOU ARE [bleep] UP.

THAT'S COOL. I'M GONNA

DRINK MY DRINK, AND THAT'S FINE.

WHEN YOU HAVE BEEN [bleep]

UP IN LIFE,

SOMETIME IT'S KIND OF HARD

FOR YOU TO SEE,

TO OPEN UP TO ANYTHING.

BUT YOU KNOW AND I KNOW,

AND I TOLD YOU IN CONFIDENCE

A LOT OF THINGS

THAT I'VE BEEN THROUGH.

YOU KNOW, I TELL YOU

SOMETHING IN CONFIDENCE,

BUT YOU GO AND SAY SOMETHING

INSENSITIVE AND DISRESPECTFUL.

I'M SORRY FOR YOUR LOSS.

YOU, AS MY FRIEND,

WASN'T EVEN SUPPOSED

TO PUT ME IN NO MESSY SITUATION

WHEN YOU KNOW

I'M TURNING YOU DOWN.

I DIDN'T PUT YOU IN NO--

I AIN'T--

WHEN YOU'RE WITH HER,

YOU WERE STILL TRYING

TO GET WITH ME, AND I'M--

NO, I WASN'T.

NO, YOU WASN'T?

NO, I WASN'T, BUT--

YOU KNOW WHAT?

REAL [bleep] KNOW, AND WHACK

[bleep] DON'T, AND THAT'S IT.

AND THAT'S WHY YOU DON'T.

DRINK.

CAN I GET A PATRON MARGARITA?

PINKETT DONE CAME UP IN HERE

AND, YOU KNOW WHAT I'M

SAYING, ACTING ALL CRAZY,

AND WE SUPPOSED TO BE FRIENDS.

LIKE,

THAT'S OUR WHOLE RELATIONSHIP;

FRIENDS, YOU FEEL ME?

AND ON TOP OF EVERYTHING,

SHE DONE BEEN THROUGH WAY

MORE SITUATIONS THAN THIS WHERE

PEOPLE DONE DISRESPECTED HER.

SHE DONE HAD A HISTORY OF THAT,

BUT I AIN'T THE ONE.

GO MAKE A SONG.

WHERE'S YOUR SONG AT?

AM I RAPPER?

WHERE'S YOUR MOVIES?

NOBODY'S EVER SEEN YOU.

AT THE END OF THE DAY,

YOU SAY YOU'RE A RAPPER...

NOBODY'S EVER SEEN YOU.

BUT YOU'RE AN EMOTIONAL

CRYBABY.

I AM. I AM.

YOU'RE NOT A RAPPER.

DO SOME PUSHUPS.

I'LL BE TAKING CARE

OF THIS BILL.

HOLD ON. HOLD ON, BABY.

I'LL BE TAKING CARE OF THIS.

HOLD ON, BABY. I GOT IT.

BYE, LANCE.

I GOT MY CHECK.

BYE, LANCE.

NOBODY'S EVER SEEN YOU GET

A CHECK.

NO, I'M GOOD. I'M GOOD.

'CAUSE REAL [bleep] GOT CHECKS

DON'T SHOW OFF CHECKS.

THEY HAVE NO TIME--

BUT WHAT ABOUT THE BLONDE

BITCHES THAT THINK THAT THEY'RE

THE [bleep], YOU FEEL ME?

LIKE WHO?

LIKE YOU.

LIKE--HUH?

YEAH, LIKE YOU.

BEFORE I SLAP

THE [bleep] OUT OF YOU--

BEFORE I SLAP

THE [bleep] OUT OF YOU--

THERE'S THE EXIT

TO THE RIGHT.

'CAUSE YOU AIN'T GONNA NEVER

SLAP ME.

THAT'LL BE THE LAST TIME--

EXIT TO THE RIGHT, FOOL.

EXIT TO THE RIGHT.

IN REAL LIFE.

BYE, LANCE.

YOU UP ON THAT?

BYE, LANCE.

THE BITCH IS--

BYE, LANCE!

WHOA!

[clattering]

THIS AIN'T NO [bleep] JOKE.

COME ON, BITCH.

[yelling indistinctly]

WITH YOUR FAKE-ASS DIAMONDS.

[bleep], THEN AIN'T--

THEM IS DARK STONES,

YOU BROKE BUM!

YOU BETTER GET

YOUR [bleep] HANDS OFF ME.

YOU BETTER GET YOUR HANDS

OFF ME.

OH, THAT'S RIGHT NOW.

OH, YOU COULDN'T GET

THIS [bleep].

THAT'S WHY YOU'RE MAD.

YOU'LL NEVER GET THIS [bleep],

YOU DUMB-ASS [bleep].

YOU KEEP PLAYING GAMES,

AND ALL OF THIS RIGHT HERE

IS GONNA BE OUT YOUR WAY.

SO SLEEP IN THE DOGHOUSE

WHERE YOU BELONG, DOGGIE.

[howling]

WHAT ARE YOU TELLING ME?

TELL ME THEN.

I CAN'T DEAL WITH THE,

WE'RE GONNA HAVE A LITTLE FRIEND

ON THE SIDE.

I'M OFFICIALLY MRS. MALPHURS.

THAT'S JUST REAL [bleep].

THAT YOU PUT ME

THROUGH WHAT YOU

SAID YOU WOULD NEVER [bleep]

PUT ME THROUGH.

I'M NOT THINKING ABOUT HIM,

AND I'M GOING OUT OF TOWN,

AND I'M GONNA DO ME.

WHAT'S UP?

YOU NOW,

I'VE BEEN IN THE DOGHOUSE

LATELY SLEEPING IN THE BUNKER.

JOSELINE REALLY HAS NO RIGHT

TO BE MAD AT ME

JUST BECAUSE OF THE HEARSAY.

I NEVER SMASHED ALTHEA.

SO I SEE THE PUERTO RICAN

TORNADO

OUTSIDE HITTING TENNIS BALLS.

SO, YOU KNOW, HOPEFULLY,

I DON'T GET HIT BY ONE.

I GOT TO GO OUTSIDE

AND TALK TO HER.

GOT TIME FOR A LITTLE GAME,

A LITTLE MATCH?

WHAT DO YOU WANT?

YO, MA, HOLD UP.

WHAT YOUR ASS WANT?

I'M SICK

OF SLEEPING IN THE BUNKER.

THAT'S WHERE YOU BELONG AT,

DOWNSTAIRS IN THE BUNKER

LIKE A DOG.

I'M NOT GIVING HIM NO

COOTIE-CAT 'CAUSE HE DOESN'T

DESERVE IT.

FIRST, IT'S YOUR MAMA DRAMA,

AND THEN YOU GOT THE DRAMA

WITH BENZINO'S OLD LADY.

IT'S ALWAYS PICTURES, OR TEXTS.

LIKE, WHAT ELSE CAN I TAKE?

I'M NOT HAVING SEX WITH YOU.

WHY WOULD I HAVE SEX WITH YOU?

I'M KEEPING THIS COOTIE-CAT

TO MYSELF.

WHAT WE NEED TO TALK ABOUT?

WEEK AFTER WEEK

IT'S A DIFFERENT STORY WITH YOU.

I DON'T KNOW

WHAT YOU'RE TALKING ABOUT.

WHY DO I GOT TO HEAR

EVERYTHING FROM THE OUTSIDE?

WHEN ARE YOU GONNA REALLY

TURN INTO THE MAN

THAT YOU NEED TO TURN INTO,

STEVIE?

YOU SHOULDN'T BE WORRYING

ABOUT WHAT YOU BE HEARING.

NOTHING ABOUT NOTHING.

YOU WANT TO GO MEET

WITH HOS, YOU WANT TO [bleep]

BENZINO'S GIRL.

MISTER DANGER ZONE.

WHEN YOU GONNA GET YOUR [bleep]

TOGETHER?

STEVIE'S NOT GONNA EVER TELL ME

HE CHEATED ON ME.

HE'S NOT GONNA EVER TELL ME,

"OH, I HAD SEX

WITH ANOTHER WOMAN."

I COULD DIE, AND I'M NOT GONNA

KNOW THAT ANSWER.

I DON'T WANT

TO TALK ABOUT SMASHING 'CAUSE

I DIDN'T SMASH.

OH, YOU DID.

I DID NOT.

I HOPE HER [bleep]

WAS WORTH IT.

ARE YOU SERIOUS?

I HOPE YOU--OH, I'M DEAD ASS.

I HOPE YOU ENJOYED IT.

LOOK AT YOU, AND LOOK AT HER.

LOOK AT ME, AND LOOK AT HER?

YOU DON'T KNOW NOTHING.

YOU'D [bleep] A DOG

IN THE STREET WITHOUT NO FURS.

MATTER OF ACT,

YOU'D [bleep] ANYTHING.

I'LL [bleep] A DOG

IN THE STREET WITH NO FURS?

OH, YES, YOU DO.

AT LEAST HAVE SOME FURS.

GUYS WILL HAVE SEX

WITH PRETTY MUCH ANYTHING.

I SEEN SOME OF THE GIRLS

THAT STEVIE HAD SEX WITH,

AND THEY LOOK A MESS.

HE GOT FILET MIGNON AT HOME,

AND HE WANTED TO GO DEAL

WITH HAMBURGER HELPER.

I DON'T MISS YOU 'CAUSE YOU'RE

RIGHT HERE [bleep] TIRED HOS.

YOU REALLY THINK

I TOOK HER DOWN?

OH, YES, I KNOW YOU DID.

I MEAN, SHE ONLY TOOK YOU DOWN

FOR THE SAME REASON

I TOOK YOU DOWN.

HUH? YEAH, YOU HEARD RIGHT.

I DON'T BLAME ALTHEA

FOR HAVING SEX WITH STEVIE.

I WILL HAVE SEX WITH HIM

FOR THE SAME REASON

THAT SHE HAD SEX WITH HIM TOO--

TO TRY TO GET OUT,

BUT WHAT I DO BLAME

IS HIS DUMB ASS

FOR HAVING SEX WITH A BITCH

THAT JUST WANT TO USE HIM,

BUT THEN AGAIN, EVERY BITCH HE

EVER HAVE JUST WANT TO USE HIM.

THAT'S WHAT I WANT TO HEAR.

THAT'S WHAT I

CAME OUTSIDE FOR.

OH, NO, NO, NO, NO.

DON'T TOUCH ME.

I'M SERIOUS. DON'T--

YO, STOP.

NO, IT'S NONE OF THAT.

PLEASE.

NO. IT'S NONE OF THAT.

WHAT I WANT YOU TO DO

IS TO GET YOUR

[bleep] TOGETHER 'CAUSE

YOU KNOW WHAT?

I'M ABOUT THIS CLOSE

TO MOVING FAR AWAY FROM ATLANTA,

AND YOU'RE NOT GONNA SEE ME.

HOLD ON, HOLD ON.

YOU AIN'T GOING NOWHERE.

MM-HMM.

I AIN'T DO [bleep].

LOOK AT ME. I DIDN'T DO [bleep].

I NEVER SMASHED HER,

I NEVER BANGED HER,

I NEVER HIT IT.

NOTHING.

YOU AIN'T GOING NOWHERE.

WE'RE FOREVER.

UH-UH.

YOU GOT TO DO A LITTLE BIT MORE

THAN THIS,

'CAUSE IT'S ALL YOU DO.

SO YOU WANT TO GET

BACK TO YOUR THING--

YES, I WANT TO GET BACK

TO THE GAME.

CAN I AT LEAST GET A HUG,

A KISS, OR SOMETHING?

UGH! YOU BETTER MOVE

BEFORE I HIT YOUR ASS.

ALL RIGHT.

GET YOUR [bleep] TOGETHER.

YOU KNOW WHAT? IF MY HUSBAND

WOULD KEEP HIS [bleep] BEEFCAKE

IN HIS PANTS,

I WOULDN'T HAVE TO BE

TRYING TO GET HIS BEEFCAKE

TO EXPLODE

WHEN I THROW A BALL AT

HIS ASS 'CAUSE HE DESERVED IT.

YOU KEEP PLAYING GAMES,

AND ALL OF THIS RIGHT

HERE IS GONNA BE OUT YOUR WAY.

SOON.

I SHOULD HIT YOUR [bleep] ASS,

DIRT BAG.

YOU MISSED ME.

SLEEP IN THE DOGHOUSE

WHERE YOU BELONG, DOGGIE.

[howling]

SO WHEN I WAS SHOT,

THERE WAS ACTUALLY

TWO BULLETS LEFT IN ME,

SO I REALLY HAD TO GO

TO A DOCTOR

TO MAKE SURE THERE WAS

NO LONG-LASTING DAMAGE.

FOR THE LAST THREE DAYS,

IT'S ALMOST, LIKE, CLOSING UP.

NO, IT LOOKS

LIKE IT'S STAYING CLEAN.

YEAH, IT LOOKS

LIKE IT'S STARTING TO HEAL UP.

LET ME COVER YOU UP HERE,

AND WE'LL TAKE A CLOSER LOOK.

SO WHEN IT HAPPENED,

YOU WERE SITTING IN THE CAR.

IS THAT CORRECT?

I WAS ACTUALLY DRIVING

THE CAR.

OKAY.

YOU KNOW, THEY STARTED

SHOOTING FROM, I GUESS, THE

RIGHT SIDE OF ME, AND, YOU KNOW,

I WAS ON THE HIGHWAY.

ONE HIT ME HERE,

THEN ONE COME SKIM MY BACK.

AS FAR AS JUST OVERALL

STRENGTH RIGHT NOW,

WHAT SEEMS TO BE

THE WEAKEST PART?

OH, I CAN'T--MY HAND,

I CAN'T DO NOTHING.

YOU KNOW, THIS WHOLE SHOOTING

HAS REALLY CHANGED MY OUTLOOK

ON THE WHOLE WORLD.

THROUGH PAIN, THERE'S PEACE.

I MEAN, HONESTLY,

HAVING MY GIRL ON MY SIDE

AND MY BRO ON MY SIDE,

YOU REALLY DON'T UNDERSTAND

WHAT THAT MEANS.

I MEAN, IT REALLY SHOWS

THAT SOMEBODY CARES ABOUT YOU,

AND LOYALTY IS EVERYTHING.

THIS IS ONE OF THE X-RAYS

THAT THEY TOOK OF YOU

THE MOMENT YOU SHOWED UP

IN THE EMERGENCY ROOM.

THE INJURY WAS UP IN HERE,

BUT THIS IS THE REST OF YOU,

SO THIS IS YOUR SPINE.

THAT'S MY HEART?

RIGHT THERE.

OH.

TO THE CHEST.

EVERYBODY SAYS

I AIN'T GOT A NECK, DOC.

YOU KNOW WHAT I'M SAYING.

I KNOW I GOT A SHORT NECK,

BUT IT'S NOT AS LONG

AS EVERYBODY ELSE'S,

BUT I CAN SEE RIGHT THERE

THAT I HAVE A NECK.

OH, IT IS SOLID.

NICE.

SO AS WE KIND OF COME

DOWN HERE,

WHAT WE START TO SEE

IS THESE BIG WHITE PIECES.

THOSE ARE THE FRAGMENTS.

THAT'S THE METAL.

SO YEAH.

WOW.

THE THINNER GRAY-WHITE STUFF

IS THE BONE,

AND THEN THESE REALLY INTENSE

WHITE PIECES ARE THE--

IS THE METAL,

IS THE BULLET PIECES THEMSELVES.

YEAH, THAT'S THE SCARY PART

'CAUSE, CERTAINLY, THERE'S A LOT

OF BLOOD VESSELS UP THERE.

YEAH.

YOU KNOW, FOR THE MOST PART,

YOU WERE VERY LUCKY

IN THAT THE BIG ONES,

THE IMPORTANT ONES WERE--

RIGHT.

SAFELY OUT OF THE WAY,

BUT NOT BY VERY MUCH.

BUT CERTAINLY,

THERE'S A LOT OF BLOOD

TO BE HAD REGARDLESS

OF THAT TYPE OF INJURY.

I MEAN,

WHEN EVERYTHING WAS GOING ON,

I TRULY BELIEVE THAT MY MOTHER

WAS MY GUARDIAN ANGEL

WATCHING OVER ME.

THE BULLET WAS JUST AN INCH

AND A HALF FROM MY SPINE.

MESSED ME UP PRETTY BAD.

AND IT'S JUST A MATTER

OF GIVING THE BODY

APPROPRIATE AMOUNT OF TIME--

TO DO ITS JOB. THANK YOU.

GOOD TO MEET YOU.

UGH.

I CAN'T GRIP IT LIKE I WANT,

BUT I'M ALL RIGHT.

I KNOW. I KNOW.

WE'LL GET YOU STRONG.

GETTING MARRIED TODAY

IS SO SPECIAL FOR ME

BECAUSE WAKA HAS SHOWN ME THAT

THERE'S NO WOMAN IN THIS WORLD

THAT HE'D RATHER BE

WITH MORE THAN ME.

GIVEN THE YEAR THAT WE JUST

HAD, I FEEL, LIKE,

THERE'S NO OTHER PLACE

I WOULD RATHER HAVE BEEN,

BUT BY HIS SIDE 'CAUSE

I LOVE HIM,

AND YOU CAN NEVER TAKE THE LOVE

BACK THAT YOU HAVE FOR SOMEONE.

TODAY IS THE DAY.

I'M WALKING IN THE COURTHOUSE.

WE'RE ELOPING, GETTING MARRIED.

I FEEL GOOD.

SHE'S FEELING GREAT.

SHE KNOW I'M HERE NOW.

THIS CERTIFIED.

AS ME AND WAKA

LEAVE THE COURTHOUSE,

THE ONLY THING

I CAN THINK ABOUT IS,

I'M OFFICIALLY MRS. MALPHURS.

I'M HIS WIFE.

THIS WAS OUR DESTINY.

I CAN'T MAKE STEVIE ADMIT IT,

AND WHATEVER HIM

AND JOSELINE'S GONNA GO THROUGH,

THEY'RE GONNA GO THROUGH.

THAT'S THE REASON

WHY HE'S NOT ADMITTING IT

BECAUSE HE DOESN'T WANT

TO FEEL THE WRATH OF HER.

OH, MAN.

HEY, BABY.

WHAT'S UP, BABE?

WHAT'D THE DOCTOR SAY?

THE DOC'S COOL, MAN.

THE DOCTOR'S WAS ALL RIGHT.

HE WAS SHOWING ME, LIKE, YOU

KNOW--EASY, EASY, EASY, EASY.

WHAT'S UP, BABE?

HEY.

HEY, YOU LOOK NICE.

WANT SOMETHING TO DRINK?

OH, MAN.

YEAH, CREAM SODA.

MAN, BABE, BUT THE DOC, MAN,

HE'S PRETTY COOL MAN.

HE TOLD ME A LOT OF STUFF

THAT I DIDN'T KNOW ABOUT MY ARM,

YOU KNOW.

SO HE SAID IT'S GONNA

TAKE A LONG TIME TO HEAL?

MAYBE ABOUT--

MAYBE FOUR MONTHS.

BUT, MAN, THIS WHOLE THING,

ALTHEA IS, LIKE--

IT JUST MAKES YOU THINK, MAN.

I JUST GOT A WHOLE NEW LEASE

ON LIFE, A WHOLE NEW OUTLOOK,

AND, YOU KNOW,

ME WANTING TO START OVER.

IT'S A GOOD TIME RIGHT NOW,

AND USE ALL THAT AS THIS

TO MAKE A STARTING POINT

FOR OUR RELATIONSHIP.

MM-HMM.

YOU KNOW,

I CAN'T LIVE WITHOUT YOU.

YOU KNOW WHAT I'M SAYING?

OH, BABY.

AND, YOU KNOW, WHEN I

WAS AT THE HOSPITAL, SURE,

I WAS EMOTIONAL, BUT I WAS HAPPY

BECAUSE MY BRO WAS THERE,

AND MY GIRL WAS THERE,

REGARDLESS OF Y'ALL SITUATION.

RIGHT.

AND WE ALL HERE,

I KNOW ABOUT IT.

YOU KNOW WHAT I MEAN, AND I

THOUGHT WE WAS ON THE SAME PAGE,

BUT THEN IT'S,

LIKE, I GET TO THE HOTEL ROOM,

AND HE JUST DIDN'T WANT

TO TALK ABOUT IT.

I MEAN, HONESTLY, YOU KNOW,

I TRIED TO HOLLER AT STEVIE

ABOUT THE WHOLE SITUATION,

BUT HE JUST KEEPS DENYING IT,

AND ON ONE HAND,

I CAN UNDERSTAND, YOU KNOW.

HE'S FEELING, LIKE, HE MIGHT BE

HURTING HIS BRO'S FEELINGS,

BUT IT'S NOT EVEN LIKE THAT,

SLEAZ-O.

I MEAN, REALLY,

I KNOW THE REAL REASON.

HE DON'T WANT TO GET NO CHAIR

UPSIDE HIS HEAD

BY THE PUERTO RICAN PRINCESS.

WE WAS DEFINITELY TRYING

TO CLEAR THE AIR.

I TOLD HIM, I MENTIONED IT,

YOU KNOW,

AND HE JUST SHRUGGED IT OFF.

SO, YOU KNOW, HE STILL WASN'T

ADMITTING TO IT. I'M, LIKE--

I MEAN,

YOU KNOW I DIDN'T MAKE IT UP.

I MEAN, WHY WOULD I WANT TO...

COME ON, BABE.

MAKE THAT UP?

I MEAN, I KNOW [bleep] OUT

HERE LYING ON THEY [bleep]...

RIGHT.

BUT I'VE NEVER HEARD

A CHICK LIE ON THEIR [bleep].

YEAH, THAT'S NOTHING

TO BRAG ABOUT.

HE SEES ME AND HOW HAPPY

I AM WITH YOU,

AND HE DOESN'T WANT

TO MESS THAT UP.

YEAH, BUT HOW CAN ALL FOUR

OF US REALLY, LIKE,

BE GENUINE FRIENDS

IF WE'RE NOT ADMITTING TO THINGS

THAT HAPPENED IN THE PAST?

LIKE, DOES JOSELINE KNOW?

LIKE, WE STILL DON'T KNOW IF,

LIKE, SHE KNOWS OR NOT?

JUST BECAUSE HE'S

NOT ADMITTING IT,

IT'S NOT, LIKE,

I'M TAKING HIS WORD.

YEAH, BUT THEN I DON'T WANT

TO BE AROUND THEM ANYMORE

IF HE'S NOT GONNA ADMIT TO HER

WHAT REALLY HAPPENED.

LIKE--

I KNOW, BUT--

'CAUSE THEN IT'S BEING FAKE.

EITHER WE'RE GONNA, LIKE,

ACCEPT IT AND MOVE ON,

OR WE'RE JUST GONNA ACT

LIKE NOTHING EVER HAPPENED,

AND I DON'T WANT TO BE AROUND

THEM BECAUSE IT'S LEAVING ME

IN AN UNCOMFORTABLE SITUATION.

IT WAS UNCOMFORTABLE

IN THE BEGINNING,

AND NOW IT'S STILL

UNCOMFORTABLE.

STEVIE NEEDS TO REALLY JUST

MAN UP AND CLEAR THE AIR.

I MEAN, JOSELINE'S THE ONLY ONE

WALKING AROUND HERE

LIKE SHE DOESN'T KNOW,

AND IT'S CAUSED A LOT

OF TENSION BETWEEN US.

AFTER EVERYTHING

THAT WE'VE BEEN THROUGH,

THE LAST THING THAT BENZINO

AND I NEED IS MORE DRAMA.

OH, BABE,

ALL WE GOT TO WORRY ABOUT IS US.

SO RIGHT NOW,

LET'S NOT EVEN TALK ABOUT IT.

ARE YOU HUNGRY?

WHAT YOU MAKE?

CEVICHE.

YOU MADE SOME CEVICHE, BABE?

[whispers indistinctly].

YEAH. WELL, YOU KNOW,

I TRY TO DO MY THING.

YEAH, BABE, I WANT SOME CEVICHE

WITH SOME HOT SAUCE.

PUT THE GAME ON.

OH, MY GOODNESS.

* LET'S MAKE THEM ALL ♪

♪ WHEN I FALL ASLEEP

♪ AT NIGHT

♪ ONE THING ON MY MIND

♪

HEY.

[singing indistinctly]

OH, WHAT'S HAPPENING?

WHAT'S COOL WITH YOU, VICK?

[bleep] GOOD.

I'M TRYING TO WORK.

WHAT YOU TRYING TO DO?

TONY WAS WORRIED

ABOUT ASHLEY COMING INTO TOWN

FROM THE VERY, VERY BEGINNING,

AND YOU KNOW WHAT?

HE WAS ABSOLUTELY RIGHT.

INSTEAD OF LIVING IN THE STUDIO

AND DOING WHAT I'M SUPPOSED

TO BE DOING, I'VE BEEN

TURNING UP WITH ASHLEY,

AND I'M READY TO ADMIT IT.

IT HAS TO STOP.

YOU SAID THIS TO ME.

YOU SAID, "YO,

WHEN ASHLEY COME DOWN,

WE GONNA WORK,

AND WE GONNA HANG OUT,

WE GONNA TWERK, WE'RE GONNA

DO OUR THING, WHATEVER."

ALL I SEEN YOU ALL DOING

WAS HANGING OUT. THAT'S IT.

THE LAST THREE YEARS

I'VE BEEN BUSTING MY ASS.

YEAH, BUT LISTEN, MAN,

WE DON'T GET NO TIME OFF.

WE USED TO BE STRONG,

TIGHT, GETTING OUR [bleep] DONE,

AND THEN I'M LOOKING AT [bleep]

GO DOWNHILL, SPIRAL.

VICK, ALL RIGHT.

SPIRAL.

YOU CALLED ME--

IT'S NOT SPIRAL.

DON'T DO THAT. ALL RIGHT.

YO, LISTEN, MAN.

GUESS WHAT?

I'M TELLING YOU SOMETHING.

WHAT ARE YOU TELLING ME?

TELL ME THEN.

I CAN'T DEAL WITH THE

RELATIONSHIP,

"OKAY, WE GONNA HAVE A JUMP-OFF,

WE GONNA HAVE A LITTLE FRIEND

ON THE SIDE."

SOMETIMES YOU HAVE TO SEE

IT FOR YOURSELF.

YOU HAVE TO BRING THE PEOPLE

AROUND YOU SO YOU BE LIKE,

"YO, I'M SO ABOVE THIS [bleep],

MAN."

YOU HAVE TO DO THAT SOMETIMES,

VICK.

I'M HUMAN.

IT IS TIME FOR ASHLEY TO GO

BECAUSE I FIGURED OUT IN MY HEAD

THAT IT'S NOT CONDUCIVE TO

WHAT ME AND TONY'S TRYING TO DO.

IT REALLY GOT TO BE

ABOUT ME AND TONY RIGHT NOW.

I NEED KALENNA BACK.

I NEED K-DIDDYBOP.

ALL RIGHT.

YOU UNDERSTAND--

I'M SENDING ASHLEY HOME.

WHAT I'M SAYING?

I'M SENDING HER HOME.

YOU KNOW I LOVE YOU.

I NEED YOU TO BE HERE WITH ME.

I NEED YOU TO BE WITH ME,

TOTALLY FOCUSED WITH ME.

I'M FIGHTING FOR MY FAMILY, MAN.

THAT'S WHERE I'M AT.

I LOVE MY FAMILY, TOO,

AND I KNOW I WANT MY SON HOME.

I KNOW WORKING ON THIS ALBUM

IS GONNA GET ME THERE.

OUR SON MESHACH

IS SEVEN YEARS OLD.

HE LIVES IN TEXAS

WITH MY MOTHER AND MY FATHER.

UNFORTUNATELY,

LIVING IN THE STUDIO,

WORKING ON THE ALBUM,

WORKING ON THE ROAD,

THAT'S NOT THE BEST FIT

FOR A CHILD.

WE NEED TO GET ON OUR GRIND,

AND GET THIS ALBUM DONE,

SO WE CAN START FOCUSING

ON WHAT'S IMPORTANT,

AND THAT'S OUR SON.

DO YOU TRUST ME?

OF COURSE I DO.

DO YOU LOVE ME?

MORE THAN I CAN EVEN EXPRESS.

WELL, YOU KNOW

I LOVE YOU SO MUCH, RIGHT?

I NEED YOU BACK.

I NEED YOU TO GET BACK WITH ME.

WE NEED TO GET BACK ON--

[groans]

GIVE ME SOME SUGAR, BABE.

HE SAID,

"I'LL NEVER HURT YOU.

I'M HERE FOR YOU, E."

SO HOW COULD YOU PUT ME

THROUGH WHAT YOU SAID YOU WOULD

NEVER [bleep] PUT ME THROUGH?

NOW THAT ME AND WAKA

WENT AHEAD AND GOT MARRIED,

IT'S TIME TO COME CLEAN.

IT'S TIME TO TELL DEB,

IT'S TIME TO TELL MY MOM,

AND I'M NOT LOOKING FORWARD

TO IT.

I KNOW THAT MY MOM AND DEB HAD

PLANS ON THIS BIG OLD WEDDING,

SO I'M HOPING THAT THEY TAKE

THE NEWS THAT WE ELOPED WELL.

I'M HAPPY

THAT YOU CAME INTO TOWN.

I'M HAPPY TO BE HERE.

FOR REAL.

I'VE BEEN LOOKING FORWARD

TO THIS FOR A WHILE NOW.

YEAH, 'CAUSE I'M GLAD

EVERYBODY'S TOGETHER 'CAUSE WE

WANTED TO TALK TO YOU GUYS

ABOUT SOMETHING VERY IMPORTANT.

THE WEDDING?

YEAH.

GETTING READY?

FOR US TO GET READY FOR THAT?

YEAH, EXCITING.

CAN'T WAIT FOR THE WEDDING.

KIND OF, SORT OF.

WHAT?

I'M OFFICIALLY MRS. MALPHURS.

WE GOT MARRIED ALREADY.

FOR MAYBE THE FIRST TIME

IN MY LIFE,

I'M LOST FOR WORDS 'CAUSE

AT THIS TIME,

AIN'T NOTHING RIGHT GONNA

COME OUT MY DAMN MOUTH.

WOW.

YEAH,

I TOOK HER TO THE COURTHOUSE,

GOT IT ALL OVER WITH.

FELT LIKE IT WASN'T ABOUT

Y'ALL TWO.

SILENCE.

NEVER IN LIFE I EVER HEARD

DEB ANTNEY BE QUIET.

I KNOW YOU GUYS

LOVE EACH OTHER,

AND I AM HAPPY FOR YOU,

BUT I JUST WANTED TO BE THERE.

THAT'S ALL.

I'M TRYING

TO FIGHT BACK TEARS

BECAUSE THIS IS VERY EMOTIONAL

FOR ME RIGHT NOW,

AND THAT'S JUST REAL [bleep],

LIKE, FOR REAL.

I WAS DISAPPOINTED THAT I WASN'T

ABLE TO SHARE THAT MOMENT.

I WANTED TO GIVE HIM AWAY

BECAUSE I WAS YOUR FATHER

AND YOUR MOTHER ALL YOUR LIFE,

AND I KNOW MONA

WANTED TO DO THE SAME,

AND NOW IT'S NOT GONNA HAPPEN.

JUST OUT OF CURIOSITY, WHY?

I FEEL, LIKE,

WE LOVE EACH OTHER, WE'VE BEEN

TOGETHER LONG ENOUGH, WE'VE BEEN

THROUGH A LOT OF STUFF,

AND IT'S JUST DEEPENING HOW WE

FEEL, YOU KNOW WHAT I MEAN?

FOR ME INSIDE,

IT'S LIKE I'M BEING HIT AGAIN.

EVEN THOUGH HE'S STILL HERE,

BUT IT'S STILL, LIKE--

RIGHT.

YOU STILL LOSE, LIKE--

YOU DON'T LOSE. YOU GAIN.

I DID GET--LISTEN TO ME.

I ALWAYS SAID THAT,

BUT I DON'T WANT MY KIDS

TO GROW UP BECAUSE I DON'T WANT

TO LOSE MY BABIES,

I DON'T WANT TO LOSE THEM.

I LIVE FOR THEM.

COADES COMMITTED SUICIDE,

AND HERE WE GO, LIKE, A COUPLE

OF WEEKS LATER, YOU'RE MARRIED.

I'M VERY PROUD OF YOU BEING

A RESPONSIBLE PERSON,

BUT SO SOON AFTER THE DEATH

OF YOUR BROTHER.

WHY SO QUICKLY?

WHY?

SOMETIMES THERE'S A TIME

AND A PLACE FOR THINGS,

AND I AIN'T HAPPY WITH THE WAY

YOU GUYS DID IT, AND I'M--

THAT'S JUST STRAIGHT UP [bleep],

LIKE, FOR REAL,

BUT I'M VERY PLEASED

AND HAPPY TO SEE

THAT I RAISED A RESPONSIBLE MAN.

IT'S TOUGH TO SEE

THE TWO MOST IMPORTANT WOMEN

IN YOUR LIFE LOOK AT YOU

WITH SUCH DISAPPOINTMENT,

BUT I'M HOPING THAT THEY'LL SEE

THAT ME AND WAKA MADE A DECISION

ON OUR OWN FOR OUR FAMILY.

HELLO?

HELLO.

OH, WOW. YEAH.

I BOUGHT YOU SOME FLOWERS.

SCRAPPY AND I

TALKED ABOUT THE SITUATION

THAT HAPPENED

BETWEEN HIM AND ERICA PINKETT,

AND I KNOW THERE'S TWO SIDES

TO EVERY STORY,

BUT THIS TIME

I HAD TO ADMIT, SCRAPPY--

HE REALLY [bleep] UP.

I WANTED TO REACH OUT

TO ERICA PINKETT,

AND SEE HOW SHE'S DOING.

SO, YOU KNOW,

I TALKED TO SCRAPPY,

AND I DIDN'T LIKE WHAT I HEARD.

I'M NOT DOWN WITH EVERYTHING

THAT MY SON DOES.

I'M A WOMAN.

RIGHT.

AND WE WOMEN

HAVE TO STICK TOGETHER.

I'M SO [bleep] MAD BECAUSE I

SHOWED HIM THE MESSAGES, GIRL,

AND HE STARTED ACTING

LIKE HE AIN'T NEVER SENT THEM.

LIKE, GROW UP AND SAY,

"I DID THAT.

I TEXT YOU THAT

BECAUSE I AM IN LOVE WITH YOU."

MM-HMM.

IF YOU CAN'T SAY THAT,

THEN DON'T TEXT ME THAT [bleep].

AND THEN WHEN THINGS [bleep]

GET STARTED UP,

I'VE NEVER SEEN HIM SO ANGRY.

REALLY?

BITCH THIS AND BUM BITCH.

I SAID, "BUM? ME?

YOU MUST BE TALKING ABOUT

YOUR BIRD BITCH THAT YOU WITH."

I KNOW FRIENDS

GO THROUGH THINGS, BUT I NEVER

EXPECTED FOR MY FRIEND

TO CALL ME A BUM BITCH.

HE ACTUALLY KNOWS

WHAT ABUSIVE PAST I COME FROM,

AND I NEVER WOULD HAVE THOUGHT

THAT WOULD HAVE

BEEN COMING FROM HIM.

YOU KNOW WHAT, MOMMA DEE, ALL

THAT I WAS REALLY LOOKING FOR,

SOMEBODY TO, LIKE,

JUST SAY, "I'M HERE, YOU KNOW,

IF YOU WANT TO TALK

OR WHATEVER."

AND, LIKE, YOUR SON

WAS THAT FOR ME, YOU KNOW.

MM-HMM.

LIKE, WHEN I FIRST MET HIM,

HE CONFIDED IN ME,

AND I JUST FELT, LIKE,

MY FRIEND WOULD NEVER

TURN AGAINST ME IN THE WAY

THAT HE DID THE OTHER DAY,

BUT I STILL SEE WHAT HE CAN BE.

MM-HMM.

AND I STILL SEE HIM BEING

THAT MAN ONE DAY.

HE'S NOT THAT RIGHT NOW.

I'VE NEVER SEEN HIM SO ANGRY

AND IRATE.

WHEN I LOOKED AT YOUR SON,

I FELT, LIKE,

I DIDN'T KNOW WHO THAT WAS.

MOMMA DEE,

I DIDN'T KNOW WHO HE WAS.

MY LAST SITUATION

WAS SO [bleep] UP AND ABUSIVE,

AND I EXPRESSED THAT WITH HIM.

HE SAID, "I'LL NEVER HURT YOU,

LIKE, I'LL NEVER MAKE YOU FEEL,

LIKE, YOU CAN'T TRUST ME.

I'M HERE FOR YOU, E."

HE SAID THAT TO ME.

SO HOW COULD YOU PUT ME THROUGH

WHAT YOU SAID YOU WOULD NEVER

[bleep] PUT ME THROUGH?

DO YOU KNOW HOW THAT HURTS ME?

THIS WILL NEVER HAPPEN AGAIN.

I APOLOGIZE ON HIS BEHALF,

AND I PROMISE YOU

IT'S GONNA BE ADDRESSED.

HE'S GONNA F'ING LISTEN

AND LEARN HIS LESSONS.

IT'S OKAY. IT'S OKAY, ERICA.

IT'S OKAY.

I GOT YOUR BACK.

STEVIE'S A LIAR.

I'M NOT THINKING ABOUT HIM,

AND I'M GOING OUT OF TOWN,

AND I'M GONNA DO ME.

I NEED TO SEE OTHER MEN,

OTHER WOMEN.

I NEED TO SEE PEOPLE.

WOW.

YOU KNOW.

HEY.

YOU LOOK GORGEOUS.

WHAT'S GOING ON?

YOU LOOK BEAUTIFUL.

YOU LOOK PRETTY.

WHAT'S UP, BOO?

GOOD.

THE LAST TIME I SAW JOSELINE,

YOU KNOW I HAD TO DROP

SOME BAD NEWS ON HER,

SO THIS TIME,

I HAD TO TAKE HER TO LUNCH

AND SEE HOW EVERYTHING'S

GOING ON AT HOME.

WAIT, DID YOU

FIND OUT ABOUT ALTHEA?

GIRL, YOU KNOW,

HE BE BULL [bleep].

"I'VE NEVER DONE THAT,

AND I WOULD NEVER DO THAT."

I'M LIKE, "YOU KNOW WHAT?

SHUT THE [bleep] UP 'CAUSE

YOU A [bleep] LIAR."

HE DENIED IT?

OH, WHAT DO YOU THINK,

HE'S GONNA TELL ME THE TRUTH?

OH, YOU THINK HE'S GONNA

TELL ME THE TRUTH?

OH, YOU THINK HE'S GONNA

SIT THERE IN MY FACE AND SAY,

"OH, JOSELINE, I DID IT,

AND I'M SORRY"?

NO, GIRL, AIN'T NO TELLING

WHO ELSE HE [bleep]. LISTEN--

I MEAN, I JUST THINK, I MEAN,

AT THIS POINT, YOU'RE MARRIED.

BE HONEST. COME ON.

HE'S NOT GONNA EVER

TELL THE TRUTH 'CAUSE

THAT'S JUST WHAT HE DOES.

MM.

STEVIE'S A LIAR.

HE'S A [bleep] LIAR,

AND THEN WHEN I WAS AT HOME,

HE'S LIKE, "YOU'RE NOT GONNA

COME IN YOUR ROOM?"

'CAUSE I HAVEN'T BEEN

SLEEPING WITH HIM 'CAUSE

I DON'T EVEN WANT--

SINCE THIS WHOLE THING?

SINCE EVERYTHING--SINCE

THIS WHOLE THING, YOU KNOW.

WOW.

I'M GONNA TELL YOU LIKE THIS.

I'M OVER HIS ASS,

AND I'M GOING OUT OF TOWN.

GOT TO LEAVE.

WHERE ARE YOU GOING?

I NEED TO SEE OTHER MEN,

OTHER WOMEN.

I NEED TO SEE PEOPLE.

LIKE,

I'M ALWAYS JUST SEEING HIM.

EVERYTHING I SEE, HIS FACE.

I DON'T WANT TO LOOK AT HIM.

I DON'T CARE WHAT NOBODY SAY.

ANYBODY CAN THINK

WHATEVER THEY WANT THINK.

GIRL, I'M THIS CLOSE TO GOING

AND GETTING ME AN APARTMENT

OR GO DOING MY OWN THING,

LIKE--YEAH.

YEAH.

NO.

GIRL, I DON'T KNOW WHY PEOPLE

THINK I LOVE HIM SO MUCH

WHERE I CAN'T LIVE WITHOUT HIM.

YOU ARE NOT.

YOU KNOW WHAT I

TAKE MY HUSBAND AS, AS MY TRICK.

I'M GONNA TELL YOU LIKE THIS,

KARLIE.

I'M NOT THINKING ABOUT HIM,

AND I'M GOING OUT OF TOWN,

AND I'M GONNA DO ME,

AND ANYTHING ELSE REALLY

DON'T EVEN MATTER 'CAUSE IT'S

ALL ABOUT JOSELINE HERNANDEZ.

WHEN IT'S ALL ABOUT ME,

IT'S ALL ABOUT ME.

I'M NOT THINKING ABOUT HIM

OR NO THROWBACK ASS HO.

I AIN'T THINK

ABOUT THAT HO 'CAUSE

SHE'S NOT NOTHING

FOR ME TO THINK ABOUT.

TRUST ME AND BELIEVE THAT.

BITCH, I'M HAPPY

BECAUSE I WANT TO BE HAPPY.

IT AIN'T NOTHING

THAT MY HUSBAND IS DOING,

IT AIN'T NOTHING

THAT NOBODY CAN TELL ME.

I'M JUST A BAD BITCH,

I GOT A CAREER, AND I KNOW

MY HEAD IS ON STRAIGHT.

ALTHEA IS GONNA GET

WHAT SHE DESERVE.

BITCH, I'M THE BOSS.

SO WE HERE.

YES.

DID YOU ASK PERMISSION?

NO. HE LET ME DO IT.

'CAUSE I FEEL

LIKE I'M SHARING YOU.

AS YOU SHOULD, THOUGH.

I'M MARRIED.

THIS IS GONNA BE REALLY HARD.

I PROMISED TONY

THAT ASHLEY WOULD BE LEAVING,

BUT BREAKING THE NEWS TO HER IS

GONNA BE REALLY HARD, PROBABLY

ONE OF THE HARDEST THINGS

I EVER HAD TO DO.

I'M GONNA BE HONEST WITH YOU,

ASHLEY.

LIKE, YOU BEING HERE

HAS BEEN A WONDERFUL EXPERIENCE,

BUT I HAVE TO CONCENTRATE

ON MY MARRIAGE.

DO YOU LOVE ME?

ASHLEY, I LOVE YOU SO MUCH,

BUT I LOVE MY HUSBAND MORE.

IS THAT, LIKE, A MORE, MORE,

OR IS IT MAYBE, LIKE,

A DIFFERENT KIND OF WAY MORE?

IT'S A MORE, MORE.

LIKE, YOU KNOW,

I WANT TO BE BURIED ON TOP

OF MY HUSBAND WHEN I DIE.

THEY DON'T GOT PLOTS THAT GOT,

LIKE, HUSBAND, WIFE,

AND GIRLFRIEND.

I THINK YOU WOULD HAVE

BEEN BETTER OFF SAYING

A DIFFERENT KIND OF WAY MORE.

WHY?

THAT HURT YOUR FEELINGS?

CAN I TAKE THAT BACK?

DON'T CRY.

DON'T DO THAT.

ASHLEY, PLEASE STOP.

PLEASE STOP. PLEASE.

THAT WAS HURTFUL.

THIS HAS TO BE,

LIKE, THE HARDEST THING

FOR ME TO SIT HERE WITH

MY BEST FRIEND, AND TELL HER

THAT WE CAN'T [bleep] AROUND

LIKE THAT NO MORE.

THAT'S FINE.

I GET IT.

THE LAST THING I WANT TO DO

IS HURT ASHLEY'S FEELINGS.

I'LL ALWAYS LOVE HER

FROM THE BOTTOM OF MY HEART,

BUT I KNOW THAT WHAT WE'VE BEEN

DOING, IT HAS TO BE OVER.

I HAVE TO PUT MY ENERGY

INTO MY HUSBAND, MY CAREER,

AND MY SON.

THAT'S ALL I GOT ROOM FOR.

LET ME TELL YOU SOMETHING.

I DON'T WANT TO KEEP

MAKING YOU FEEL NO KIND OF WAY.

I DON'T WANT TO KEEP

MAKING YOU FEEL, LIKE,

YOU DON'T HAVE A FRIEND

IN ME BECAUSE YOU DO.

YOU HELPED

ME GET SOME STRESS OFF,

BUT YOU ALSO HELPED ME REALIZE

WHAT THE

[bleep] I NEED TO BE DOING,

AND I NEED TO STAY FOCUSED.

IF I DO NOT STAY FOCUSED ON THE

[bleep] THAT I'M TRYING TO DO--

I DON'T WANT MY SON

LIVING ON THE 27 ACRE

WITH MY MOM JUST BY HIS SELF.

I DON'T WANT THAT.

I WANT MY SON HOME,

AND RIGHT NOW THE ONLY WAY

I KNOW HOW TO DO THAT

IS STAY FOCUSED, AND IT JUST BE,

LIKE, SO MANY PEOPLE PULLING ME

FROM DIFFERENT ANGLES,

AND THE [bleep] BE CRAZY.

IT BE CRAZY.

[bleep] IT.

I'M GOING HOME.

I'M SORRY.

IT'S OVER BETWEEN US, RIGHT?

NO MORE RENDEZVOUS.

I DON'T WANT THIS TO BE

THE END OF OUR FRIENDSHIP.

I WANT IT TO BE--

NEVER.

A NEW [bleep] BEGINNING.

NO MORE FEELING BREAST,

NO MORE RUBBING YOUR ASS.

I NEED YOU IN MY LIFE FOREVER,

BUT WE CAN'T BE LIKE THAT.

THAT'S ALL I'M SAYING.

I GET IT, THOUGH.

IT'S NOT LIKE I DON'T GET IT.

IT'S ONLY RIGHT.

YOU KNOW WHAT I'M SAYING?

LIKE, IF I DIDN'T CARE

ABOUT MYSELF TOO AS WELL--

REAL TALK.

THEN I WOULDN'T BE A PERSON.

REAL TALK, AND THAT'S

WHAT I LOVE YOU FOR, MAN.

THAT'S WHY YOU'RE MY BEST FRIEND

BECAUSE YOUR HEART

IS BIGGER THAN ANYTHING--

ABSOLUTELY.

SHALLOW.

THANK YOU FOR UNDERSTANDING.

OF COURSE.

I GET IT.

I'VE NEVER WANTED TO BE

WITH ANYBODY MORE IN MY LIFE.

OH, BABE.

WELL--

WHAT'S WRONG, BABE?

OH, MY GOD.

* IT'S WHAT HAPPENS WHEN ♪

♪ THE SPARKS, SPARKS FLY

♪ WHEN THE SPARKS, SPARKS FLY

♪ THE COLORS NEVER SEEM

♪ SO BRIGHT

♪WHEN THE SPARKS, SPARKS FLY ♪

* TELL 'EM WHAT IT FEELS ♪

♪LIKE ♪

THIS IS SO NICE.

IT'S ROMANTIC.

IT'S BEAUTIFUL.

IT'S JUST MAGICAL.

YOU KNOW, AND OUR RELATIONSHIP,

I FEEL LIKE, IS MAGICAL.

MM.

I MEAN, HONESTLY.

IT HAS BEEN LIKE A RIDE.

YOU KNOW WHAT I'M SAYING?

I'VE HAD--YOU KNOW,

ALTHEA, I LOVE YOU.

WHAT I WENT THROUGH

AND YOU BEING NEXT TO ME, THAT

WAS, LIKE, THAT WAS FOR REAL.

THAT JUST SHOWED ME

THAT YOU'RE THE ONE.

MM.

WAKING UP AND SEEING ALTHEA

BY MY SIDE IN THAT HOSPITAL

MEANT EVERYTHING TO ME,

AND SHE REALLY,

REALLY SHOWED ME THAT, YOU KNOW,

WHEN THE GOING GETS TOUGH,

THEA-THEA AIN'T--

SHE AIN'T GOING NOWHERE.

ALL I CARE ABOUT IS NOW.

I EVEN TOOK MY SLING OFF.

YOU KNOW WHAT I'M SAYING?

AND MY ARM'S NOT ALL THE WAY

THERE YET, BUT BELIEVE ME,

IT'S ALL ABOUT RIGHT NOW,

AND IT'S ABOUT OUR FUTURE.

DID YOU EVER THINK

THAT YOU WOULD COME TO ATLANTA

AND JUST FIND YOUR SOUL MATE?

NO.

ME NEITHER.

I FELL FOR YOU HARD, MAN. WHOA.

OOH.

HEY, YO.

OH, MY GOSH, BABY.

THAT'S ALL RIGHT, BABY.

BABE, YOU SAID YOU WANTED

TO MAKE LOVE IN HERE.

HOW WE GONNA MAKE LOVE

ON THE FLOOR NOW?

YOU GOT TO LICK IT OFF MY BODY.

I'LL LICK IT--

I'LL LICK WHATEVER YOU WANT

OFF YOUR BODY.

BOY, WE COULD DO SOME THINGS

IN HERE, BABY.

THEY HAVE TO PRESSURE WASH

THIS WITH HOLY WATER BY THE TIME

WE FINISH UP IN HERE.

OH, MY GOODNESS.

I WANT YOU TO STAY LIKE THIS.

I WANT YOU TO BE HAPPY

ALL THE TIME.

I DON'T WANT

YOU TO NEVER BE FEELING,

LIKE, I WOULD EVER DO ANYTHING

TO HURT YOU.

AS FAR AS THE PAST

OF BOTH OF US,

NONE OF THAT EXISTS NO MORE.

I DON'T HAVE A PAST,

AND YOU DON'T HAVE A PAST.

I'M NEVER GONNA LEAVE YOU.

I'M NEVER GONNA

BE THE WITH NO OTHER MAN EVER.

WHOA. IT STOPPED.

READY TO MAKE LOVE, BABY?

HOLD ON, BABE. HOLD ON.

ALL RIGHT.

HERE WE GO.

YOU KNOW I WANT TO SPEND

THE REST OF MY LIFE WITH YOU.

YES.

AND THE FIRST TIME WE MET,

I REMEMBER WE GOT

INTO AN ARGUMENT,

AND I REMEMBER THAT NIGHT

I COULDN'T FUNCTION

WHEN YOU LEFT ME,

AND I CALLED YOU, PRACTICALLY

BEGGING YOU TO MEET ME.

AND WE COULD TALK ABOUT IT.

MM-HMM.

AND THEN YOU SHOWED UP

WITH THEM SHORTS ON.

I WAS LIKE, "WHY DOES SHE GOT TO

SHOW UP WITH THOSE SHORTS ON?"

SO WE GO IN THERE,

THEN I TOLD YOU, I SAID,

"I WANT TO BE WITH YOU."

MM-HMM.

AND SINCE THEN,

I'VE NEVER WANTED TO BE

WITH ANYBODY MORE IN MY LIFE.

LIKE I SAID, I'M NOT PERFECT,

BUT I KNOW THAT MY HEART

IS PURE, AND I KNOW I'M LOYAL.

OH, BABE.

AND IT'S THE TRUTH,

THEA-THEA.

YOU KNOW WHAT I'M SAYING?

MM-HMM.

WELL--

WHAT'S WRONG, BABE?

ALTHEA, MY LOVE, MY HEART-

WHAT IS THAT?

BABY, WHAT'S THAT?

WILL YOU MARRY ME?

OH, MY GOD.

THAT'S A YEAH?

YES. OH, MY GOD.

BABE, PUT IT ON ME.

PUT IT ON ME.

OH, MY GOD.

IT IS SO PRETTY. OH, MY GOSH.

IS THAT YES?

YES, BABY.

OH, MY GOD.

THANK YOU.

OH, BABY, I LOVE YOU.

OH, MY GOSH, BABY.

SO WE GONNA GET MARRIED.

I'M GONNA BE YOUR WIFE.

YEAH, I'LL BE YOUR HUSBAND.

OH, MY GOD.

CAN YOU [bleep] BELIEVE IT?

I LOVE YOU.

I LOVE YOU MORE.

OH.

NEXT TIME ON LOVE & HIP-HOP:

ATLANTA...

OH, WOW.

NO.

OH, WOW.

MIMI AND NIKKO,

WHAT'S THE DEAL?

WHY DID YOU TWO DECIDE TO FILM

YOURSELF HAVING SEX?

THIS IS SOMETHING

WE DO ALL THE TIME.

WE LIKE IT.

IT'S GOOD.

I DON'T CARE HOW MUCH...

I'M SORRY.

MONEY YOU CAN [bleep]

GET FOR THIS.

YOU GOT A CHILD, AND THAT'S

BECAUSE I GOT IN MONEY, AND

[bleep] LIKE THIS HURT MY HEART.

IT'S A LITTLE GIRL THAT GOT TO

DEAL WITH THIS.

A LITTLE GIRL.

THIS CAN NEVER,

EVER HAPPEN AGAIN.

LIKE I GOT LEFT OUT

IN THE DARK.

MY BAD.

THIS IS AN APOLOGY PARTY.

RIGHT.

THE FAMILY'S HERE.

NO, I'M GONNA SAY HI,

LIKE, SINCERELY.

YOU THE EX,

AND YOU CAME OVER TO OUR PARTY.

I WOULDN'T POP OFF TOO MUCH

BECAUSE OF WHAT I GOT ON YOU.

YOU AIN'T GOT NOTHING.

WHERE YOU GOING, KID?

I'M OUT OF HERE, STEVIE.

I NEED A BREAK.

YOU'RE NOT TALKING

ABOUT THAT ALTHEA STUFF?

YES, I'M TALKING

ABOUT THAT SITUATION.

WHAT?

IT'S JUST TOO MUCH.

HEY.

LOOK AT YOU.

WHAT'S UP?

HAVE YOU SEEN THE TAPE?

I HEARD ABOUT THE TAPE,

BUT I DIDN'T THINK IT WAS TRUE.

HER LONG TITTIES

IS DOWN TO HERE. OH!

THIS IS REAL PORN!

YEAH!

OH!

OOH-WHOO!

OOH.

HER NEW NAME IS "MEAT MOUTH."

OOH.

SHE DIDN'T EVEN GET A WAX.

OH!

LOOK!

OOH-OOH!

DON'T LET HIM BE

LIKE JOHN DUNPHY COMING HOME

SMELLING LIKE [bleep] COLOGNE.

OOH.

WHOEVER HE MESSING WITH,

GIRL.

AND YOU HAD SEX

WITH HIM AFTER THAT?

NO, NO, NO.

KARLIE--

NO, I DO NOT.

[bleep]

HE COME HOME SMELLING

LIKE [bleep] COLOGNE. LIKE--

NOT [bleep] COLOGNE.

YES. WHOEVER HE MESSING WITH,

I'M LIKE, "WHO IS THAT?"

THEM HOS DON'T EVEN GO TO

THE DOCTOR.

THEY DON'T EVEN HAVE

A GYNECOLOGIST.

GYNECOLOGY. YEAH.

AND I'M LIKE--

GYNECOLOGIST.

"I'M NOT--"

[laughter]

GYNECOLOGIST.

YEAH.

[laughter]