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These are the user uploaded subtitles that are being translated: 1 00:00:02,400 --> 00:00:03,633 PREVIOUSLY ON LOVE & HIP-HOP: 2 00:00:03,633 --> 00:00:04,467 ATLANTA... 3 00:00:04,467 --> 00:00:05,567 YOU HAVE TO BE FINANCIALLY 4 00:00:05,567 --> 00:00:06,367 STABLE IN THE RELATIONSHIP. 5 00:00:06,367 --> 00:00:07,167 BUT YOU KNEW MY SITUATION. 6 00:00:07,167 --> 00:00:07,833 BUT YOU--NO! 7 00:00:07,833 --> 00:00:08,800 IT AIN'T NOTHIN' NEW. 8 00:00:08,800 --> 00:00:09,833 IT IS NEW TO ME. 9 00:00:09,833 --> 00:00:10,867 THIS TAPE, YOU HAD 10 00:00:10,867 --> 00:00:12,100 SOMETHING TO DO WITH IT. 11 00:00:12,100 --> 00:00:13,867 AM I WRONG? 12 00:00:13,867 --> 00:00:15,100 TO FIND A GUY WHO IS REALLY 13 00:00:15,100 --> 00:00:15,767 FAITHFUL. 14 00:00:15,767 --> 00:00:16,433 SO FAR, YOU NEVER WENT 15 00:00:16,433 --> 00:00:17,267 THROUGH NO EPISODES? 16 00:00:17,267 --> 00:00:18,200 NOT WITH HIM. 17 00:00:18,200 --> 00:00:18,900 YEAH, YOU KNOW SOMETHIN' 18 00:00:18,900 --> 00:00:19,567 I DON'T KNOW. 19 00:00:19,567 --> 00:00:20,300 I KNOW A LOT OF THINGS 20 00:00:20,300 --> 00:00:21,000 THAT YOU DON'T KNOW. 21 00:00:21,000 --> 00:00:21,733 HOW THE [bleep] 22 00:00:21,733 --> 00:00:23,500 DID I KNOW ABOUT YOU AND STEVIE? 23 00:00:23,500 --> 00:00:24,467 IT'S LIKE THE ARMY. 24 00:00:24,467 --> 00:00:25,967 DON'T [bleep] ASK, DON'T TELL. 25 00:00:25,967 --> 00:00:26,933 I WANT EVERYTHING LAID OUT 26 00:00:26,933 --> 00:00:27,667 ON THE TABLE. 27 00:00:27,667 --> 00:00:28,533 I'M DONE WITH ALL THIS 28 00:00:28,533 --> 00:00:29,333 [bleep]. 29 00:00:29,333 --> 00:00:31,667 GO AND DON'T [bleep] COME BACK. 30 00:00:31,667 --> 00:00:32,933 YOU SITTING UP ACTING STUPID 31 00:00:32,933 --> 00:00:34,233 WITH YOUR RATCHET ASS. 32 00:00:34,233 --> 00:00:35,933 MY MOM, YOU KNOW. 33 00:00:35,933 --> 00:00:38,267 YEAH, A GROUCHY OLD WOMAN. 34 00:00:38,267 --> 00:00:39,667 AND YOU GON' JUST BE MAD 35 00:00:39,667 --> 00:00:40,333 FOREVER. 36 00:00:40,333 --> 00:00:41,900 I'LL SIT DOWN WITH YOUR MAMA, 37 00:00:41,900 --> 00:00:43,267 BUT IF SHE START BARKING AND 38 00:00:43,267 --> 00:00:44,700 BEING THAT OTHER PERSON, DON'T 39 00:00:44,700 --> 00:00:46,500 EXPECT ME JUST TO KISS HER BUTT. 40 00:00:46,500 --> 00:00:48,167 SPEAKING OF YOUR MAMA, TELL 41 00:00:48,167 --> 00:00:49,367 YOU ABOUT THIS BIG-ASS WEDDIN' 42 00:00:49,367 --> 00:00:50,667 SHE'S TRYING TO PLAN? 43 00:00:50,667 --> 00:00:51,533 THIS IS MY WEDDING. 44 00:00:51,533 --> 00:00:52,533 I DON'T KNOW 'BOUT NOTHING 45 00:00:52,533 --> 00:00:53,700 'BOUT PLANNING NO WEDDIN'. 46 00:00:53,700 --> 00:00:54,500 A LITTLE BIT OF STUFF YOU 47 00:00:54,500 --> 00:00:55,233 GONNA LEARN ABOUT. 48 00:00:55,233 --> 00:00:57,467 Y'ALL ARE CRAZY. 49 00:00:57,467 --> 00:00:59,233 IT'S NOT LIKE HE WOULD JUST-- 50 00:00:59,233 --> 00:01:00,567 HE DIDN'T TALK ABOUT 51 00:01:00,567 --> 00:01:01,300 COMMITTING SUICIDE. 52 00:01:01,300 --> 00:01:03,667 BUT NOBODY KNEW THAT WE WAS 53 00:01:03,667 --> 00:01:05,167 GONNA GO THROUGH EXACTLY 54 00:01:05,167 --> 00:01:06,667 WHAT WE WENT THROUGH. 55 00:01:06,667 --> 00:01:07,833 I GOT TO GO TO BOSTON. 56 00:01:07,833 --> 00:01:08,633 WHAT HAPPENED? 57 00:01:08,633 --> 00:01:11,567 ZINO'S MOM, SHE PASSED AWAY, 58 00:01:11,567 --> 00:01:12,500 AND THERE'S A LOT GOING ON 59 00:01:12,500 --> 00:01:14,233 WITH THE FAMILY. 60 00:01:14,233 --> 00:01:16,067 MY FATHER, HE WAS CRYING, 61 00:01:16,067 --> 00:01:17,300 AND THEN HE TOLD MY MOTHER DIED, 62 00:01:17,300 --> 00:01:18,533 AND MY WHOLE WORLD JUST 63 00:01:18,533 --> 00:01:20,533 CAME TO A END. 64 00:01:24,900 --> 00:01:26,300 * THIS IS THE LIFE 65 00:01:26,300 --> 00:01:27,467 ♪ THIS IS THE LIFE 66 00:01:27,467 --> 00:01:28,133 * YEAH 67 00:01:28,133 --> 00:01:28,867 * THIS IS THE LIFE 68 00:01:28,867 --> 00:01:29,767 ♪ THIS IS THE LIFE 69 00:01:29,767 --> 00:01:30,433 * 'SUP ♪ 70 00:01:30,433 --> 00:01:31,300 * THIS IS THE LIFE 71 00:01:31,300 --> 00:01:32,200 ♪ THIS IS THE LIFE 72 00:01:32,200 --> 00:01:32,867 * HUH 73 00:01:32,867 --> 00:01:33,567 * THIS IS THE LIFE 74 00:01:33,567 --> 00:01:36,867 ♪ THIS IS THE LIFE 75 00:01:36,867 --> 00:01:37,533 * HUH 76 00:01:37,533 --> 00:01:38,433 ♪ THERE AIN'T NOTHING LIKE ♪ 77 00:01:38,433 --> 00:01:39,533 ♪ HIP-HOP MUSIC 78 00:01:39,533 --> 00:01:40,533 ♪ MUSIC 79 00:01:40,533 --> 00:01:41,733 * THIS IS THE LIFE 80 00:01:41,733 --> 00:01:45,933 ♪ THIS IS THE LIFE 81 00:01:51,133 --> 00:01:51,967 HEY, BOO. 82 00:01:51,967 --> 00:01:53,100 HEY. 83 00:01:53,100 --> 00:01:55,267 I LIKE YOUR RING. 84 00:01:55,267 --> 00:01:57,367 YOU BETTER LIKE EVERYTHING. 85 00:01:57,367 --> 00:01:58,567 MY GIRL KARLIE HAS BEEN OUT OF 86 00:01:58,567 --> 00:02:00,400 TOWN, DOING HER THING, AND I 87 00:02:00,400 --> 00:02:01,967 HAVEN'T SEEN HER, TALKED TO HER 88 00:02:01,967 --> 00:02:03,500 SINCE THAT CRAZINESS AT THAT 89 00:02:03,500 --> 00:02:06,100 GRAND OPENING, BUT, GIRL, 90 00:02:06,100 --> 00:02:07,933 GOT A LOT TO TELL YOU. 91 00:02:07,933 --> 00:02:09,067 I JUST WANT TO MAKE SURE 92 00:02:09,067 --> 00:02:09,667 JOC AIN'T POPPING UP. 93 00:02:09,667 --> 00:02:10,600 [laughs] 94 00:02:10,600 --> 00:02:11,867 LET ME TELL YOU ABOUT JOC. 95 00:02:11,867 --> 00:02:13,067 WE RIGHT HERE, BUT WHAT'S GOING 96 00:02:13,067 --> 00:02:14,433 ON WITH YOU AND O'SHEA? 97 00:02:14,433 --> 00:02:15,333 OVER WITH. 98 00:02:15,333 --> 00:02:16,600 IT'S DONE. 99 00:02:16,600 --> 00:02:18,067 YOU KNOW, I WAS TIRED OF DIGGING 100 00:02:18,067 --> 00:02:19,800 IN MY PURSE, GIVING UP THE CARD. 101 00:02:19,800 --> 00:02:20,567 DO YOU REMEMBER WHEN WE WENT 102 00:02:20,567 --> 00:02:21,233 BOWLING? 103 00:02:21,233 --> 00:02:21,900 WE HAD A GREAT TIME. 104 00:02:21,900 --> 00:02:22,567 YEAH. 105 00:02:22,567 --> 00:02:23,567 GUESS WHO PAID. 106 00:02:23,567 --> 00:02:24,367 MOI. 107 00:02:24,367 --> 00:02:25,067 SHUT UP. 108 00:02:25,067 --> 00:02:26,600 AND YUNG ASS ASKED TO PAY. 109 00:02:26,600 --> 00:02:27,267 RIGHT. 110 00:02:27,267 --> 00:02:28,700 O'SHEA AND I WERE SHORT 111 00:02:28,700 --> 00:02:30,167 AND NOT SO SWEET. 112 00:02:30,167 --> 00:02:31,467 I TRIED TO BE UNDERSTANDING 113 00:02:31,467 --> 00:02:33,667 OF HIS FINANCIAL DIFFICULTIES, 114 00:02:33,667 --> 00:02:35,867 BUT THAT BECAME HIS NORM, 115 00:02:35,867 --> 00:02:36,567 AND HIM NOT HAVIN' NO GAS 116 00:02:36,567 --> 00:02:37,233 MONEY-- 117 00:02:37,233 --> 00:02:37,967 [scoffs] 118 00:02:37,967 --> 00:02:39,467 THAT WAS THE FINAL STRAW. 119 00:02:39,467 --> 00:02:40,967 YOU MISSED MIMI'S ONE-YEAR 120 00:02:40,967 --> 00:02:42,067 ANNIVERSARY WITH NIKKO. 121 00:02:42,067 --> 00:02:42,733 WHAT HAPPENED? 122 00:02:42,733 --> 00:02:43,700 WHAT DIDN'T HAPPEN? 123 00:02:43,700 --> 00:02:45,700 MIMI FILLS ME IN ABOUT ALTHEA. 124 00:02:45,700 --> 00:02:47,667 SO SHE TELLS ME SHE GOES TO DROP 125 00:02:47,667 --> 00:02:48,700 THE BABY OFF. 126 00:02:48,700 --> 00:02:49,800 WHEN STEVIE OPEN THE DOOR, THERE 127 00:02:49,800 --> 00:02:52,067 SHE WAS WITH A COVER OVER HERE. 128 00:02:52,067 --> 00:02:53,600 WHO GOT A COVER OVER WHO? 129 00:02:53,600 --> 00:02:54,433 ALTHEA. 130 00:02:54,433 --> 00:02:56,067 SHUT THE [bleep] UP. 131 00:02:56,067 --> 00:02:56,667 YES. 132 00:02:56,667 --> 00:02:58,100 HOTHEA WAS AT STEVIE'S 133 00:02:58,100 --> 00:02:58,767 HOUSE? 134 00:02:58,767 --> 00:02:59,633 AND HE DIDN'T HAVE ON NOTHING 135 00:02:59,633 --> 00:03:00,367 BUT A TOWEL. 136 00:03:00,367 --> 00:03:02,067 SO SHE [bleep] STEVIE TOO? 137 00:03:02,067 --> 00:03:02,767 SHE DID. 138 00:03:02,767 --> 00:03:03,933 JOSELINE JUST TOLD ME 139 00:03:03,933 --> 00:03:05,500 THE OTHER DAY THAT HOTHEA 140 00:03:05,500 --> 00:03:06,667 WAS WITH NIKKO, 141 00:03:06,667 --> 00:03:07,633 AND I WAS LIKE, "WHAT?" 142 00:03:07,633 --> 00:03:08,767 SHE WAS LIKE, "YEAH, 143 00:03:08,767 --> 00:03:10,300 NIKKO AND THEA'S [bleep]." 144 00:03:10,300 --> 00:03:12,233 SO NOW YOU TELLING ME THAT 145 00:03:12,233 --> 00:03:13,767 SHE WAS DOING STEVIE TOO-- 146 00:03:13,767 --> 00:03:14,433 OR IS DOING STEVIE? 147 00:03:14,433 --> 00:03:15,100 WE DON'T KNOW. 148 00:03:15,100 --> 00:03:15,767 SHE WAS. 149 00:03:15,767 --> 00:03:16,800 WHEN JOSELINE FINDS OUT, 150 00:03:16,800 --> 00:03:17,567 YOU KNOW THAT BITCH IS GONNA 151 00:03:17,567 --> 00:03:18,267 FLIP HER WIG. 152 00:03:18,267 --> 00:03:19,067 WELL, HOS KNOW HOS. 153 00:03:19,067 --> 00:03:19,967 SHE SHOULD KNOW. 154 00:03:19,967 --> 00:03:21,567 NOW, YOU KNOW I'M GONNA TELL 155 00:03:21,567 --> 00:03:22,533 JOSELINE. 156 00:03:22,533 --> 00:03:24,100 THIS IS NOT ABOUT BEING MESSY. 157 00:03:24,100 --> 00:03:25,500 IF SHE SAW MY MAN WITH ANOTHER 158 00:03:25,500 --> 00:03:27,333 CHICK, SHE BETTER COME TELL ME. 159 00:03:27,333 --> 00:03:28,767 THAT'S JUST WHAT FRIENDS DO. 160 00:03:28,767 --> 00:03:29,867 SHE THIRSTY. 161 00:03:29,867 --> 00:03:31,733 BUT NO, I'MA TELL JOSELINE. 162 00:03:31,733 --> 00:03:33,200 I JUST NEED A FRONT-ROW SEAT, 163 00:03:33,200 --> 00:03:34,867 GLASS OF WINE. 164 00:03:34,867 --> 00:03:36,867 [laughs] 165 00:03:39,300 --> 00:03:40,300 THESE PICTURES IN THIS 166 00:03:40,300 --> 00:03:41,067 MAGAZINE WAS SO GOOD, 167 00:03:41,067 --> 00:03:41,733 WASN'T THEY? 168 00:03:41,733 --> 00:03:42,900 I THOUGHT THEY WERE OKAY. 169 00:03:42,900 --> 00:03:43,667 BUT YOU KNOW MY FAVORITE, 170 00:03:43,667 --> 00:03:44,333 RIGHT? 171 00:03:44,333 --> 00:03:45,067 WHO, YOU? 172 00:03:45,067 --> 00:03:45,667 YEAH. 173 00:03:45,667 --> 00:03:46,333 GIRL. 174 00:03:46,333 --> 00:03:47,067 [laughter] 175 00:03:47,067 --> 00:03:47,700 YOU SEE WHAT THE FRONT 176 00:03:47,700 --> 00:03:48,367 OF IT SAY. 177 00:03:48,367 --> 00:03:49,133 "DOES HE REALLY LOVE HER? 178 00:03:49,133 --> 00:03:50,200 WILL THEY STAY TOGETHER 179 00:03:50,200 --> 00:03:51,400 AFTER HE MESSED UP?" 180 00:03:51,400 --> 00:03:52,733 WHEN WE HAD THE PHOTO SHOOT 181 00:03:52,733 --> 00:03:54,067 FOR SISTER 2 SISTER MAGAZINE, 182 00:03:54,067 --> 00:03:54,900 KIRK AND I WERE IN 183 00:03:54,900 --> 00:03:56,100 A HORRIBLE PLACE. 184 00:03:56,100 --> 00:03:57,367 HIM AND MY MAMA WAS FIGHTING 185 00:03:57,367 --> 00:03:59,333 LIKE CRAZY, LIKE, ALL THE TIME, 186 00:03:59,333 --> 00:04:00,933 BUT HE'S AGREED TO SIT DOWN AND 187 00:04:00,933 --> 00:04:03,200 TALK TO MY MOM SO HE CAN WORK 188 00:04:03,200 --> 00:04:04,233 ON TRYING TO MAKE THINGS RIGHT 189 00:04:04,233 --> 00:04:05,400 BETWEEN THE TWO OF THEM. 190 00:04:05,400 --> 00:04:06,833 KIND OF TALK TO MAMA ABOUT HOW 191 00:04:06,833 --> 00:04:08,400 WE ARE WORKING ON TRYING 192 00:04:08,400 --> 00:04:09,533 TO REPAIR THINGS. 193 00:04:09,533 --> 00:04:10,800 HOPEFULLY, Y'ALL CAN GET SOME 194 00:04:10,800 --> 00:04:11,933 TYPE OF PEACE GOING. 195 00:04:11,933 --> 00:04:13,500 I'M COOL WITH ADMITTING YES, 196 00:04:13,500 --> 00:04:15,067 THE THINGS I DID WAS WRONG, 197 00:04:15,067 --> 00:04:15,933 BUT, YOU KNOW, SOME OF THE 198 00:04:15,933 --> 00:04:17,267 THINGS THAT BE GOING ON, 199 00:04:17,267 --> 00:04:18,500 YOU A LOT OF BLAME TOO, 200 00:04:18,500 --> 00:04:20,200 BECAUSE YOU COME IN WITH THIS, 201 00:04:20,200 --> 00:04:22,100 "I KNOW HE'S MY GRANDSON, 202 00:04:22,100 --> 00:04:24,267 BUT WHAT ABOUT YOU?" 203 00:04:24,267 --> 00:04:25,067 SO IT MADE ME SAY, 204 00:04:25,067 --> 00:04:25,700 "YOU KNOW WHAT? 205 00:04:25,700 --> 00:04:26,667 LET ME JUST THINK ABOUT 206 00:04:26,667 --> 00:04:27,667 GETTING A DNA TEST." 207 00:04:27,667 --> 00:04:29,267 DON'T BLAME IT ON ME, 'CAUSE 208 00:04:29,267 --> 00:04:30,167 I AIN'T HAD NOTHIN' TO DO 209 00:04:30,167 --> 00:04:30,833 WITH THAT. 210 00:04:30,833 --> 00:04:32,500 I ADMIT I WAS WRONG FOR DOIN' 211 00:04:32,500 --> 00:04:34,067 A DNA TEST ON KARTER. 212 00:04:34,067 --> 00:04:35,467 I WAS DEFINITELY WRONG FOR NOT 213 00:04:35,467 --> 00:04:36,467 TELLING MY WIFE. 214 00:04:36,467 --> 00:04:37,633 BUT IF ME AND RASHEEDA ARE GONNA 215 00:04:37,633 --> 00:04:38,900 HAVE ANY CHANCE OF FIXIN' THIS 216 00:04:38,900 --> 00:04:40,600 RELATIONSHIP, I'MA NEED HER MAMA 217 00:04:40,600 --> 00:04:42,167 TO STAY OUT OUR BUSINESS. 218 00:04:42,167 --> 00:04:43,633 I'M WILLING TO APOLOGIZE, BUT 219 00:04:43,633 --> 00:04:45,767 I FEEL LIKE YOU SHOULD MEET ME 220 00:04:45,767 --> 00:04:47,600 HALFWAY WITH MOST OF THE THINGS 221 00:04:47,600 --> 00:04:48,633 THAT YOU'VE DONE TO ME AS WELL. 222 00:04:48,633 --> 00:04:49,667 WAIT A MINUTE. OKAY. 223 00:04:49,667 --> 00:04:50,333 JUST, LIKE, 224 00:04:50,333 --> 00:04:51,300 DESTROYING MY BIKE. 225 00:04:51,300 --> 00:04:52,533 I FEEL LIKE WE BOTH HAVE DONE 226 00:04:52,533 --> 00:04:53,767 THINGS THAT'S WRONG 227 00:04:53,767 --> 00:04:54,633 ON BOTH SIDES OF THE TABLE. 228 00:04:54,633 --> 00:04:55,467 KIRK, THAT'S BULL[bleep]. 229 00:04:55,467 --> 00:04:56,133 NO, IT'S NOT. 230 00:04:56,133 --> 00:04:56,800 THAT'S BULL[bleep]. 231 00:04:56,800 --> 00:04:58,067 YOU KNOW, EVERYBODY WAS HURT 232 00:04:58,067 --> 00:04:59,133 IN THE SITUATION 233 00:04:59,133 --> 00:05:00,300 IN SOME KIND OF WAY. 234 00:05:00,300 --> 00:05:01,467 YOU MAD ABOUT YOUR [bleep] 235 00:05:01,467 --> 00:05:02,433 BEIN' BROKE. 236 00:05:02,433 --> 00:05:03,100 I'M PISSED OFF ABOUT-- 237 00:05:03,100 --> 00:05:04,367 AND THAT'S MATERIALISTIC AS 238 00:05:04,367 --> 00:05:05,767 [bleep], AND SOMETHING LIKE 239 00:05:05,767 --> 00:05:07,167 THAT--WHAT I DID WOULD NEVER 240 00:05:07,167 --> 00:05:08,100 MAKE UP FOR THE [bleep] 241 00:05:08,100 --> 00:05:09,400 THAT YOU DID TO RASHEEDA. 242 00:05:09,400 --> 00:05:11,233 THAT WAS WAY MORE DAMAGING. 243 00:05:11,233 --> 00:05:12,533 I GOT TO GO TO THE BATHROOM. 244 00:05:12,533 --> 00:05:13,933 EVERYBODY PISSED OFF. 245 00:05:13,933 --> 00:05:14,833 KIRK MAD THAT SHE RAN OVER 246 00:05:14,833 --> 00:05:15,500 THE BIKE. 247 00:05:15,500 --> 00:05:17,067 SHE'S MAD ABOUT THE DNA TEST. 248 00:05:17,067 --> 00:05:18,067 I'M MAD ABOUT THE DNA TEST, 249 00:05:18,067 --> 00:05:18,700 BUT GUESS WHAT. 250 00:05:18,700 --> 00:05:20,100 MOM, YOU'RE GROWN. 251 00:05:20,100 --> 00:05:21,067 KIRK, YOU GROWN. 252 00:05:21,067 --> 00:05:21,967 Y'ALL ARE TWO ADULTS. 253 00:05:21,967 --> 00:05:22,833 COME ON. 254 00:05:22,833 --> 00:05:24,333 LET'S GET THIS TOGETHER. 255 00:05:24,333 --> 00:05:25,533 WHETHER YOU KNOW IT OR NOT-- 256 00:05:25,533 --> 00:05:27,100 I DON'T KNOW-- 257 00:05:27,100 --> 00:05:28,667 I LOVE YOU JUST AS MUCH 258 00:05:28,667 --> 00:05:29,867 AS I LOVE RASHEEDA. 259 00:05:29,867 --> 00:05:30,533 REALLY? 260 00:05:30,533 --> 00:05:31,200 OKAY? 261 00:05:31,200 --> 00:05:32,667 I'VE SEEN THE GOOD THINGS THAT 262 00:05:32,667 --> 00:05:33,633 YOU'VE DONE, AND I'VE SEEN THE 263 00:05:33,633 --> 00:05:34,833 BAD THINGS THAT YOU'VE DONE. 264 00:05:34,833 --> 00:05:37,067 I REALLY HATE TO SEE THIS THING 265 00:05:37,067 --> 00:05:38,067 THAT'S GOIN' ON BETWEEN YOU AND 266 00:05:38,067 --> 00:05:39,300 HER, AND I WANT YOU GUYS TO GET 267 00:05:39,300 --> 00:05:40,633 IT TOGETHER, BUT THIS IS WHAT 268 00:05:40,633 --> 00:05:41,733 I FEEL. 269 00:05:41,733 --> 00:05:42,967 IN ORDER FOR YOU TO MEND THIS 270 00:05:42,967 --> 00:05:44,767 THING, YOU NEED TO HAVE 271 00:05:44,767 --> 00:05:47,133 A "I'M SORRY" PARTY. 272 00:05:47,133 --> 00:05:48,467 YOU NEED TO HAVE FRIENDS AND 273 00:05:48,467 --> 00:05:50,767 FAMILY AND APOLOGIZE TO RASHEEDA 274 00:05:50,767 --> 00:05:52,167 IN FRONT OF EVERYBODY. 275 00:05:52,167 --> 00:05:52,967 THAT MIGHT ACTUALLY BE THE 276 00:05:52,967 --> 00:05:54,567 DUMBEST THING I'VE EVER HEARD, 277 00:05:54,567 --> 00:05:56,300 BUT IF THROWING A PARTY WILL GET 278 00:05:56,300 --> 00:05:57,733 THIS WOMAN OFF MY CASE, 279 00:05:57,733 --> 00:05:59,100 THEN BY ALL MEANS, 280 00:05:59,100 --> 00:06:00,533 LET'S THROW A PARTY. 281 00:06:00,533 --> 00:06:01,933 I KNOW THAT RASHEEDA WILL 282 00:06:01,933 --> 00:06:03,567 FEEL LIKE THAT WILL MEND THIS, 283 00:06:03,567 --> 00:06:04,733 BECAUSE LIKE I SAID, 284 00:06:04,733 --> 00:06:05,667 THAT MATERIALISTIC STUFF 285 00:06:05,667 --> 00:06:06,333 IS NOT GONNA GET IT. 286 00:06:06,333 --> 00:06:07,133 IT'S GOT TO BE SOMETHIN'-- 287 00:06:07,133 --> 00:06:08,067 MATERIALISTIC STUFF DON'T GET 288 00:06:08,067 --> 00:06:08,733 IT. 289 00:06:08,733 --> 00:06:09,400 HECK-E NO. 290 00:06:09,400 --> 00:06:10,267 IT'S GOT TO BE SOMETHIN' MORE 291 00:06:10,267 --> 00:06:10,933 SINCERE THAN THAT. 292 00:06:10,933 --> 00:06:11,733 SO YOU RUNNIN' OVER MY BIKE 293 00:06:11,733 --> 00:06:12,400 IS NOT WRONG. 294 00:06:12,400 --> 00:06:13,267 WE AIN'T GON' TALK ABOUT THAT 295 00:06:13,267 --> 00:06:14,467 DAMN BIKE, BECAUSE LIKE I SAID-- 296 00:06:14,467 --> 00:06:15,367 OKAY, SO MATERIAL STUFF DON'T 297 00:06:15,367 --> 00:06:16,067 BOTHER YOU? 298 00:06:16,067 --> 00:06:16,700 MM-MM. 299 00:06:16,700 --> 00:06:17,900 THESE ARE CHANELS, RIGHT? 300 00:06:17,900 --> 00:06:18,633 YEAH, THEY ARE. 301 00:06:18,633 --> 00:06:19,300 THEY'RE MATERIAL. 302 00:06:19,300 --> 00:06:19,967 THEY COST A LOT. 303 00:06:19,967 --> 00:06:22,367 WHAT IF I JUST DID LIKE THIS? 304 00:06:22,367 --> 00:06:23,433 HOW DO YOU FEEL ABOUT THAT? 305 00:06:23,433 --> 00:06:24,467 IS EVERYTHING EVEN? 306 00:06:24,467 --> 00:06:25,200 NO, IT'S NOT EVEN. 307 00:06:25,200 --> 00:06:26,067 SO WHAT MORE DO YOU WANT 308 00:06:26,067 --> 00:06:26,700 FROM ME? 309 00:06:26,700 --> 00:06:27,433 NOW, WHY Y'ALL GOT TO BE 310 00:06:27,433 --> 00:06:28,333 ARGUIN'? 311 00:06:28,333 --> 00:06:29,067 COME ON, NOW. 312 00:06:29,067 --> 00:06:29,667 NO, BUT I WANT YOU TO 313 00:06:29,667 --> 00:06:30,433 UNDERSTAND. 314 00:06:30,433 --> 00:06:31,567 STOP SAYIN' STUFF IS MATERIAL 315 00:06:31,567 --> 00:06:32,700 AND IT DON'T MATTER. 316 00:06:32,700 --> 00:06:33,533 THAT [bleep] MATTERED TO YOU. 317 00:06:33,533 --> 00:06:34,300 'CAUSE KIRK BROKE 'EM, 318 00:06:34,300 --> 00:06:34,967 BUT THAT'S OKAY. 319 00:06:34,967 --> 00:06:35,633 THAT'S FINE. 320 00:06:35,633 --> 00:06:36,733 NOW, CLEARLY, THESE FOOLS 321 00:06:36,733 --> 00:06:37,933 NEED A REFEREE, SOME SECURITY 322 00:06:37,933 --> 00:06:38,700 OR SOMETHIN', 'CAUSE THIS 323 00:06:38,700 --> 00:06:39,433 [bleep] AIN'T WORKING. 324 00:06:39,433 --> 00:06:41,467 REALLY, KIRK? 325 00:06:50,067 --> 00:06:51,100 YOU GOT TO MAKE SURE THAT ASS 326 00:06:51,100 --> 00:06:52,133 IS TIGHT. 327 00:06:52,133 --> 00:06:53,433 JOSELINE AND ALL HER MUSCLES 328 00:06:53,433 --> 00:06:54,567 ASKED ME TO COME WORK OUT WITH 329 00:06:54,567 --> 00:06:55,933 HER, AND IT'S A PERFECT TIME 330 00:06:55,933 --> 00:06:57,067 FOR ME TO TELL HER WHAT I HEARD 331 00:06:57,067 --> 00:06:58,567 ABOUT STEVIE AND ALTHEA. 332 00:06:58,567 --> 00:07:00,300 OH, EXCUSE ME, HOTHEA. 333 00:07:00,300 --> 00:07:01,633 GET THOSE MOVING PARTS. 334 00:07:01,633 --> 00:07:03,400 JOSELINE IS GONNA LOSE 335 00:07:03,400 --> 00:07:05,133 HER MIND. 336 00:07:05,133 --> 00:07:06,300 HOPEFULLY SHE DON'T START 337 00:07:06,300 --> 00:07:07,900 THROWING BARBELLS WITH ALL THAT 338 00:07:07,900 --> 00:07:09,467 MUSCLES AND TESTOSTERONE SHE GOT 339 00:07:09,467 --> 00:07:10,400 AROUND THE GYM. 340 00:07:10,400 --> 00:07:12,267 KILL YOUR MAN IN THAT BED. 341 00:07:12,267 --> 00:07:13,867 [laughs] 342 00:07:13,867 --> 00:07:14,633 ARE YOU GONNA EVER TAKE 343 00:07:14,633 --> 00:07:16,167 WORKOUTS SERIOUSLY? 344 00:07:16,167 --> 00:07:17,067 I HAVEN'T HEARD FROM STEVIE 345 00:07:17,067 --> 00:07:18,067 SINCE HE WENT TO GO LOOK OUT 346 00:07:18,067 --> 00:07:19,433 FOR BENZINO, SINCE HIS MOTHER 347 00:07:19,433 --> 00:07:20,833 PASSED, BUT I BEEN REALLY BEEN 348 00:07:20,833 --> 00:07:22,567 KEEPING MYSELF BUSY WORKING OUT 349 00:07:22,567 --> 00:07:24,067 AND DOING MY MUSIC, 350 00:07:24,067 --> 00:07:25,300 AND I HAVE TO GO MEET WITH 351 00:07:25,300 --> 00:07:26,633 KARLIE AT THE GYM TO TELL HER 352 00:07:26,633 --> 00:07:27,900 ASS WHAT I FOUND ON STEVIE'S 353 00:07:27,900 --> 00:07:28,633 PHONE. 354 00:07:28,633 --> 00:07:30,067 I WENT THROUGH HIS PHONE, BITCH. 355 00:07:30,067 --> 00:07:30,933 WHAT DID YOU FIND? 356 00:07:30,933 --> 00:07:32,800 FOUR DIFFERENT BOOTY HOLES 357 00:07:32,800 --> 00:07:34,067 AND COOTIE-CAT PICTURES. 358 00:07:34,067 --> 00:07:34,700 AND YOU DIDN'T BUST HIM 359 00:07:34,700 --> 00:07:35,500 IN HIS FACE WHEN YOU FOUND IT? 360 00:07:35,500 --> 00:07:36,167 OH, NO. 361 00:07:36,167 --> 00:07:36,967 I DIDN'T BUST HIM IN HIS FACE. 362 00:07:36,967 --> 00:07:37,833 I WAS LIKE, "SO WHAT THE [bleep] 363 00:07:37,833 --> 00:07:38,633 YOU BEEN DOING WITH ALL THESE 364 00:07:38,633 --> 00:07:39,567 NASTY-ASS PICTURES OF BOOTY 365 00:07:39,567 --> 00:07:40,233 HOLES?" 366 00:07:40,233 --> 00:07:41,267 GIRL, HE HAD THE NERVE TO TELL 367 00:07:41,267 --> 00:07:42,933 ME THOSE WAS NOT HIS PICTURES. 368 00:07:42,933 --> 00:07:44,067 IT'S A RESPECT THING, KARLIE. 369 00:07:44,067 --> 00:07:44,867 AT THIS POINT, HE SHOULDN'T BE 370 00:07:44,867 --> 00:07:45,533 DOING THAT. 371 00:07:45,533 --> 00:07:46,900 LIKE, HOW THIRSTY COULD YOU BE? 372 00:07:46,900 --> 00:07:48,133 I DECIDED TO LET IT GO. 373 00:07:48,133 --> 00:07:49,567 IT'S A DECISION FOR ME. 374 00:07:49,567 --> 00:07:50,667 AS A GROWN WOMAN, I CAN'T JUST 375 00:07:50,667 --> 00:07:51,400 BE PACKING UP AND LEAVING. 376 00:07:51,400 --> 00:07:52,333 I MEAN, I GOT A BUSINESS WITH 377 00:07:52,333 --> 00:07:53,100 THIS MAN. 378 00:07:53,100 --> 00:07:53,867 IT'S A LOT GOING ON. 379 00:07:53,867 --> 00:07:54,533 WHAT YOU MEAN, 380 00:07:54,533 --> 00:07:55,467 IT'S A LOT GOING ON? 381 00:07:55,467 --> 00:07:56,167 WELL, BENZINO'S MOM, 382 00:07:56,167 --> 00:07:56,833 SHE DIED. 383 00:07:56,833 --> 00:07:57,500 SHE PASSED AWAY. 384 00:07:57,500 --> 00:07:58,767 HIS MOM PASSED AWAY? 385 00:07:58,767 --> 00:07:59,867 HIS MOM PASSED AWAY, GIRL. 386 00:07:59,867 --> 00:08:01,133 I GOT TO CALL HIM. 387 00:08:01,133 --> 00:08:03,200 SO STEVIE WENT TO GO SEE HIM? 388 00:08:03,200 --> 00:08:04,133 STEVIE WENT TO GO SEE HIM. 389 00:08:04,133 --> 00:08:04,800 HE'S OUT THERE. 390 00:08:04,800 --> 00:08:05,767 HIM AND HIS GIRLFRIEND 391 00:08:05,767 --> 00:08:06,433 IS OUT THERE-- 392 00:08:06,433 --> 00:08:07,100 HOTHEA? 393 00:08:07,100 --> 00:08:07,800 THAT'S WHAT I CALL HER. 394 00:08:07,800 --> 00:08:08,767 WELL, THAT BITCH IS A HO. 395 00:08:08,767 --> 00:08:09,600 NO, SHE'S DEFINITELY A HO. 396 00:08:09,600 --> 00:08:10,300 WE KNOW. 397 00:08:10,300 --> 00:08:11,767 SHE WENT WITH STEVIE, 398 00:08:11,767 --> 00:08:12,967 OR SHE WENT WITH BENZINO? 399 00:08:12,967 --> 00:08:15,767 WHY WOULD SHE GO WITH STEVIE? 400 00:08:15,767 --> 00:08:16,633 WHAT? 401 00:08:16,633 --> 00:08:18,233 I'M JUST SAYIN'. 402 00:08:18,233 --> 00:08:19,300 OH, NO, BITCH. WHAT? 403 00:08:19,300 --> 00:08:20,333 THE OTHER DAY, I WAS AT THE 404 00:08:20,333 --> 00:08:22,467 NAIL SHOP WITH ERICA, 405 00:08:22,467 --> 00:08:24,267 AND SHE TOLD ME THAT MIMI TOLD 406 00:08:24,267 --> 00:08:26,733 HER THAT ALTHEA 407 00:08:26,733 --> 00:08:29,500 AND STEVIE-- 408 00:08:29,500 --> 00:08:30,667 YEAH. 409 00:08:30,667 --> 00:08:32,433 WHAT? 410 00:08:32,433 --> 00:08:34,467 WELL, HOW 'BOUT THIS? 411 00:08:34,467 --> 00:08:37,433 SHE SAID MIMI HAD DROPPED 412 00:08:37,433 --> 00:08:39,300 THE BABY OFF, AND SHE SAW ALTHEA 413 00:08:39,300 --> 00:08:40,833 THERE WITH BASICALLY NOTHING ON. 414 00:08:40,833 --> 00:08:41,500 WHERE? 415 00:08:41,500 --> 00:08:42,667 AT STEVIE'S HOUSE. 416 00:08:42,667 --> 00:08:43,533 YOU'RE TELLING ME SHE CAME TO 417 00:08:43,533 --> 00:08:44,233 MY HOUSE AND SHE [bleep] 418 00:08:44,233 --> 00:08:45,267 MY [bleep]? 419 00:08:45,267 --> 00:08:47,733 ERICA TOLD ME THIS, DEAD ASS. 420 00:08:47,733 --> 00:08:48,767 YOU KNOW, WHEN I HEAR THIS 421 00:08:48,767 --> 00:08:50,667 GOSSIP OR THIS TRUTH OR WHATEVER 422 00:08:50,667 --> 00:08:51,500 IT IS, 'CAUSE I DON'T KNOW 423 00:08:51,500 --> 00:08:53,067 WHAT IT IS, IT'S COMING FROM 424 00:08:53,067 --> 00:08:54,533 MESSY-ASS MIMI. 425 00:08:54,533 --> 00:08:55,333 FIRST OF ALL, AT THE END OF THE 426 00:08:55,333 --> 00:08:56,467 DAY, I KNOW MIMI STILL WANT MY 427 00:08:56,467 --> 00:08:57,867 DUDE, AND NOT TO MENTION THAT 428 00:08:57,867 --> 00:08:58,933 SHE DON'T BELIEVE THE FACT THAT 429 00:08:58,933 --> 00:08:59,867 WE ARE MARRIED. 430 00:08:59,867 --> 00:09:01,067 SO AIN'T NO TELLING WHAT THIS 431 00:09:01,067 --> 00:09:02,400 BITCH IS TRYING TO DO TO STIR UP 432 00:09:02,400 --> 00:09:04,333 SOME [bleep] IN MY HOUSEHOLD 433 00:09:04,333 --> 00:09:05,667 WHETHER IT'S TRUTH OR NOT. 434 00:09:05,667 --> 00:09:06,733 I'M GONNA FIGURE THAT OUT. 435 00:09:06,733 --> 00:09:07,767 I'MA GET TO THE BOTTOM OF THIS. 436 00:09:07,767 --> 00:09:08,433 'CAUSE YOU KNOW WHAT? 437 00:09:08,433 --> 00:09:09,367 IT CAME FROM BITCHES THAT 438 00:09:09,367 --> 00:09:10,133 I DON'T [bleep] WITH, 439 00:09:10,133 --> 00:09:11,533 BUT I TELL YOU WHAT, KARLIE. 440 00:09:11,533 --> 00:09:12,667 I ASKED HIM, I SAID, "YOU KNOW 441 00:09:12,667 --> 00:09:13,333 THIS BITCH?" 442 00:09:13,333 --> 00:09:14,333 'CAUSE YOU KNOW HOS GET AROUND. 443 00:09:14,333 --> 00:09:15,067 HE LIKE, "OH, NO, 444 00:09:15,067 --> 00:09:15,767 I DON'T KNOW HER." 445 00:09:15,767 --> 00:09:16,500 DID HE SAY HE DIDN'T KNOW 446 00:09:16,500 --> 00:09:17,167 HER? 447 00:09:17,167 --> 00:09:17,933 LISTEN, HE SAID HE DIDN'T 448 00:09:17,933 --> 00:09:19,067 KNOW HER LIKE HE AIN'T NEVER MET 449 00:09:19,067 --> 00:09:20,133 THE BITCH BEFORE, AND HE MET 450 00:09:20,133 --> 00:09:20,933 THE BITCH BEFORE. 451 00:09:20,933 --> 00:09:22,067 IF HE [bleep] THAT, 452 00:09:22,067 --> 00:09:23,800 HE BETTER PRAY THAT THAT [bleep] 453 00:09:23,800 --> 00:09:24,833 WAS GOOD ENOUGH. 454 00:09:24,833 --> 00:09:25,633 WAIT TILL HE COME BACK FROM 455 00:09:25,633 --> 00:09:26,633 OUT OF TOWN. 456 00:09:26,633 --> 00:09:27,500 HE THINK HE'S GONNA COME 457 00:09:27,500 --> 00:09:28,533 BACK TO A HAPPY WOMAN 458 00:09:28,533 --> 00:09:29,867 'CAUSE HE LEFT A HAPPY WOMAN? 459 00:09:29,867 --> 00:09:30,533 HE GONNA COME BACK TO 460 00:09:30,533 --> 00:09:32,533 A SAVAGE ANIMAL. 461 00:09:33,933 --> 00:09:34,967 OH, MY GOD. 462 00:09:34,967 --> 00:09:36,067 YEAH, IT'S REAL. 463 00:09:36,067 --> 00:09:37,467 THEY SAYIN' BENZINO GOT SHOT. 464 00:09:37,467 --> 00:09:38,733 SO, MIMI, I GOT THE PREVIEW 465 00:09:38,733 --> 00:09:39,533 OF THE TAPE. 466 00:09:39,533 --> 00:09:40,500 HAVE YOU SEEN IT? 467 00:09:40,500 --> 00:09:41,500 I'VE SEEN IT FIVE TIMES. 468 00:09:41,500 --> 00:09:42,233 I REALLY BEEN THINKING, 469 00:09:42,233 --> 00:09:43,167 THOUGH. 470 00:09:43,167 --> 00:09:44,667 I DON'T WANT NO WEDDING. 471 00:09:44,667 --> 00:09:45,700 WHAT? 472 00:09:45,700 --> 00:09:47,133 WHAT ARE YOU DOING HERE? 473 00:09:47,133 --> 00:09:47,867 HAD A LITTLE SURPRISE 474 00:09:47,867 --> 00:09:49,067 FOR YOU. 475 00:09:49,067 --> 00:09:49,767 I'VE BEEN FAITHFUL TO YOU 476 00:09:49,767 --> 00:09:50,467 SINCE I'VE BEEN WITH YOU. 477 00:09:50,467 --> 00:09:51,333 NO, YOU HAVEN'T. 478 00:09:51,333 --> 00:09:52,100 I'VE DEDICATED TWO YEARS 479 00:09:52,100 --> 00:09:52,767 OF MY LIFE TO YOU. 480 00:09:52,767 --> 00:09:53,467 YOU HAVEN'T DEDICATED 481 00:09:53,467 --> 00:09:54,133 NOTHING. 482 00:09:54,133 --> 00:09:56,133 YOU'VE DEDICATED LIES. 483 00:10:03,033 --> 00:10:04,233 I GOT SOME WINE. 484 00:10:04,233 --> 00:10:05,067 YOU WANT A DRINK? 485 00:10:05,067 --> 00:10:06,267 ARE YOU GONNA DRINK WITH ME? 486 00:10:06,267 --> 00:10:07,100 I'LL TAKE A SIP. 487 00:10:07,100 --> 00:10:08,267 WHY ARE YOU FAKING? 488 00:10:08,267 --> 00:10:09,367 I WILL. 489 00:10:09,367 --> 00:10:10,200 YOU KNOW THAT'S HOW YOUR SON 490 00:10:10,200 --> 00:10:11,500 GOT SOME. 491 00:10:11,500 --> 00:10:12,933 [laughs] 492 00:10:12,933 --> 00:10:14,367 AS A FAMILY, WE'RE ALL TRYING 493 00:10:14,367 --> 00:10:16,033 TO PULL TOGETHER AND MOVE 494 00:10:16,033 --> 00:10:18,500 FORWARD IN A POSITIVE LIGHT. 495 00:10:18,500 --> 00:10:20,833 SO DEB CALLS ME OVER, AND SHE'S 496 00:10:20,833 --> 00:10:22,067 PULLING OUT WINE GLASSES, 497 00:10:22,067 --> 00:10:23,367 AND SHE DOESN'T EVEN DRINK. 498 00:10:23,367 --> 00:10:24,467 SO I'M KIND OF NERVOUS. 499 00:10:24,467 --> 00:10:26,067 I KNOW THAT WE DID SPEAK 500 00:10:26,067 --> 00:10:28,533 ABOUT THIS SUPER HUGE WEDDING, 501 00:10:28,533 --> 00:10:30,000 BUT I'M HOPING THAT WE WILL GET 502 00:10:30,000 --> 00:10:32,967 TO DO A SMALL, INTIMATE SETTING, 503 00:10:32,967 --> 00:10:34,700 NOT SOMETHING REALLY BIG. 504 00:10:34,700 --> 00:10:36,233 SO WHY THE CHANGE OF HEART? 505 00:10:36,233 --> 00:10:37,533 AT FIRST, I WAS VERY EXCITED 506 00:10:37,533 --> 00:10:38,600 ABOUT THIS BIG WEDDING. 507 00:10:38,600 --> 00:10:39,933 I WANTED TO SHOW OFF. 508 00:10:39,933 --> 00:10:41,600 BUT NOW, AFTER THE DEATH OF 509 00:10:41,600 --> 00:10:43,967 KAYO, 510 00:10:43,967 --> 00:10:45,467 SECOND THOUGHTS. 511 00:10:45,467 --> 00:10:46,567 BEING AROUND ALL THOSE PEOPLE 512 00:10:46,567 --> 00:10:48,867 AND THE DRAMA, I'M NOT READY. 513 00:10:48,867 --> 00:10:50,400 IT'S THE HARDEST THING 514 00:10:50,400 --> 00:10:52,433 RELEASING AND LETTING GO, 515 00:10:52,433 --> 00:10:53,500 BUT YOU GOT TO GET UP 516 00:10:53,500 --> 00:10:54,467 AND MOVE ON. 517 00:10:54,467 --> 00:10:55,733 WHAT I REALLY WANT US TO DO 518 00:10:55,733 --> 00:10:57,100 IS TO GO SOMEWHERE AND DO IT 519 00:10:57,100 --> 00:10:58,367 AS A FAMILY NET 520 00:10:58,367 --> 00:10:59,833 SO WE CAN GET AWAY 521 00:10:59,833 --> 00:11:01,867 AND JUST HAVE SOME US TIME. 522 00:11:01,867 --> 00:11:02,867 OH, THAT SOUNDS SO GOOD. 523 00:11:02,867 --> 00:11:04,567 I ONLY AGREED TO HAVING A 524 00:11:04,567 --> 00:11:06,533 BIG-ASS WEDDING BECAUSE THAT'S 525 00:11:06,533 --> 00:11:08,800 WHAT DEB AND EVERYONE WANTED. 526 00:11:08,800 --> 00:11:10,400 NOW SHE'S TELLING ME THAT 527 00:11:10,400 --> 00:11:11,933 SHE WANTS SOMETHING SMALL 528 00:11:11,933 --> 00:11:12,600 AND PRIVATE. 529 00:11:12,600 --> 00:11:13,900 SO I COULDN'T BE MORE HAPPY. 530 00:11:13,900 --> 00:11:15,600 IT'S LIKE A BIG STRESS RELIEVER. 531 00:11:15,600 --> 00:11:17,367 BEING UNITED, [bleep] A RING, 532 00:11:17,367 --> 00:11:18,100 [bleep] A BIG WEDDING, 533 00:11:18,100 --> 00:11:19,133 JUST US. 534 00:11:19,133 --> 00:11:20,800 WE ALL LOST THE MOST POSITIVE 535 00:11:20,800 --> 00:11:22,200 THING THAT SURROUNDED US, 536 00:11:22,200 --> 00:11:23,433 WHICH WAS KAYO, 537 00:11:23,433 --> 00:11:24,700 AND NOW THAT HE'S GONE, HE CAN'T 538 00:11:24,700 --> 00:11:26,300 GIVE US THAT LIGHT NO MORE. 539 00:11:26,300 --> 00:11:27,067 SO WE HAVE TO FIND IT 540 00:11:27,067 --> 00:11:28,133 WITHIN EACH OTHER. 541 00:11:28,133 --> 00:11:29,267 I'M GLAD YOU JUST SAID THAT, 542 00:11:29,267 --> 00:11:30,067 'CAUSE THAT'S EVEN MORE 543 00:11:30,067 --> 00:11:32,133 CONFIRMATION THAT 544 00:11:32,133 --> 00:11:33,867 WE NEED TO MOVE ON. 545 00:11:33,867 --> 00:11:34,667 YEAH. 546 00:11:34,667 --> 00:11:35,800 I'M GLAD THAT YOU'RE MOVING 547 00:11:35,800 --> 00:11:37,833 GOOD WITH FASHION. 548 00:11:37,833 --> 00:11:39,667 IT IS GONNA BECOME OVERWHELMING. 549 00:11:39,667 --> 00:11:40,967 I DON'T THINK SO. 550 00:11:40,967 --> 00:11:42,600 SO NOW IS THE TIME TO START 551 00:11:42,600 --> 00:11:43,567 BALANCING IT OUT. 552 00:11:43,567 --> 00:11:44,367 YEAH, LEARNING TO BALANCE 553 00:11:44,367 --> 00:11:45,067 IT OUT. 554 00:11:45,067 --> 00:11:46,533 T. RIVERA CLOTHING LINE-- 555 00:11:46,533 --> 00:11:47,500 THIS IS SOMETHING THAT I'VE BEEN 556 00:11:47,500 --> 00:11:50,067 WORKING ON FOR SO LONG. 557 00:11:50,067 --> 00:11:51,833 IT'S HARD, AND IT'S DEFINITELY 558 00:11:51,833 --> 00:11:54,167 STRESSFUL, BUT IT'S BETTER THAN 559 00:11:54,167 --> 00:11:56,567 JUST SITTING AROUND BEING SAD. 560 00:11:56,567 --> 00:11:57,233 IT'S BEEN SUCH A GOOD 561 00:11:57,233 --> 00:11:58,233 DISTRACTION FROM EVERYTHING 562 00:11:58,233 --> 00:11:59,533 THAT'S GOING WITH MY FAMILY, 563 00:11:59,533 --> 00:12:01,333 AND JUST BEING ABLE TO COPE 564 00:12:01,333 --> 00:12:02,867 BY JUST THROWING MYSELF 565 00:12:02,867 --> 00:12:04,067 INTO MY WORK. 566 00:12:04,067 --> 00:12:05,533 YOU'RE GOING INTO SOMETHING 567 00:12:05,533 --> 00:12:06,767 BIG. 568 00:12:06,767 --> 00:12:08,733 T. RIVERA IS VERY, VERY BIG. 569 00:12:08,733 --> 00:12:10,200 YEAH, I'M WORKING ON IT. 570 00:12:10,200 --> 00:12:11,700 I DON'T WANT TO SLACK ON 571 00:12:11,700 --> 00:12:14,067 ANYTHING BECAUSE I'M GONNA BRING 572 00:12:14,067 --> 00:12:16,233 THE FASHION WEEK NEW YORK FEEL 573 00:12:16,233 --> 00:12:17,067 TO ATLANTA. 574 00:12:17,067 --> 00:12:18,800 I DON'T THINK NOBODY HAS DONE 575 00:12:18,800 --> 00:12:20,433 WHAT I WANT TO DO YET. 576 00:12:20,433 --> 00:12:21,367 MAKE IT YOU. 577 00:12:21,367 --> 00:12:22,067 MAKE IT ME. 578 00:12:22,067 --> 00:12:23,233 WE'LL TAKE A DRINK TO THAT. 579 00:12:23,233 --> 00:12:25,633 YEAH, CHEERS TO THAT. 580 00:12:26,833 --> 00:12:27,833 [somber music] 581 00:12:27,833 --> 00:12:35,833 ♪ 582 00:12:41,433 --> 00:12:42,567 IT'S BEEN A TOUGH COUPLE 583 00:12:42,567 --> 00:12:44,100 OF DAYS SINCE MY MOM PASSED. 584 00:12:44,100 --> 00:12:45,167 BEING IN BOSTON IS REALLY 585 00:12:45,167 --> 00:12:46,167 SURREAL. 586 00:12:46,167 --> 00:12:47,600 I MADE THE DECISION TO GO TO THE 587 00:12:47,600 --> 00:12:49,433 WAKE REAL EARLY BEFORE ANYBODY 588 00:12:49,433 --> 00:12:50,933 WAS THERE BECAUSE, 589 00:12:50,933 --> 00:12:51,867 YOU KNOW, THERE WAS-- 590 00:12:51,867 --> 00:12:52,733 IT WAS A CERTAIN ENERGY 591 00:12:52,733 --> 00:12:54,067 I DIDN'T WANT TO BE AROUND. 592 00:12:54,067 --> 00:12:55,100 I JUST WANTED TO MOURN HER 593 00:12:55,100 --> 00:12:56,300 BY MYSELF. 594 00:12:56,300 --> 00:12:57,067 YOU KNOW, I WANTED TO GO TO 595 00:12:57,067 --> 00:12:58,300 THE WAKE WITHOUT ANYBODY 596 00:12:58,300 --> 00:13:02,300 BEING THERE. 597 00:13:02,300 --> 00:13:03,700 I GREW UP LOVING 598 00:13:03,700 --> 00:13:05,067 ALL MY FAMILY. 599 00:13:05,067 --> 00:13:07,067 IT'S JUST THAT UNFORTUNATELY, 600 00:13:07,067 --> 00:13:08,900 THINGS CHANGE. 601 00:13:08,900 --> 00:13:10,533 WHAT I'VE LEARNED IS THAT MONEY 602 00:13:10,533 --> 00:13:13,067 AND FAMILY SOMETIMES DON'T MIX. 603 00:13:19,733 --> 00:13:20,733 DEVELOPING NEWS 604 00:13:20,733 --> 00:13:21,633 CONCERNING A RAPPER 605 00:13:21,633 --> 00:13:22,800 AND MUSIC PRODUCER WITH LOCAL 606 00:13:22,800 --> 00:13:24,067 ROOTS KNOWN BY THE NAME 607 00:13:24,067 --> 00:13:24,933 BENZINO. 608 00:13:24,933 --> 00:13:25,867 HE WAS SHOT WHILE RIDING 609 00:13:25,867 --> 00:13:26,867 IN A FUNERAL PROCESSION 610 00:13:26,867 --> 00:13:28,367 FOR HIS MOTHER TODAY. 611 00:13:28,367 --> 00:13:29,467 THE HORRIFIC SCENE: 612 00:13:29,467 --> 00:13:30,733 A MAN SHOT DURING 613 00:13:30,733 --> 00:13:32,067 A FUNERAL PROCESSION, 614 00:13:32,067 --> 00:13:33,267 THE BULLETS FIRED FROM 615 00:13:33,267 --> 00:13:34,167 A DIFFERENT CAR 616 00:13:34,167 --> 00:13:35,700 IN THAT SAME PROCESSION. 617 00:13:35,700 --> 00:13:36,800 IT WAS AWFUL AND JUST BLOOD, 618 00:13:36,800 --> 00:13:38,267 BRIGHT RED BLOOD EVERYWHERE. 619 00:13:38,267 --> 00:13:39,333 THE GUY GETS OUT OF THE CAR. 620 00:13:39,333 --> 00:13:41,333 HE'S JUST COVERED IN BLOOD. 621 00:13:48,100 --> 00:13:51,100 [monitor beeping] 622 00:13:55,700 --> 00:13:56,633 I JUST GOT THE NEWS THAT 623 00:13:56,633 --> 00:13:57,933 BENZINO WAS SHOT, AND I'VE NEVER 624 00:13:57,933 --> 00:13:59,833 BEEN SO SCARED IN MY LIFE. 625 00:13:59,833 --> 00:14:01,700 ONE MINUTE, WE'RE FIGHTING ABOUT 626 00:14:01,700 --> 00:14:02,600 WHAT HAPPENED BETWEEN ME 627 00:14:02,600 --> 00:14:03,667 AND STEVIE, AND THEN THE NEXT 628 00:14:03,667 --> 00:14:05,267 MINUTE, HE'S HEADED TO BOSTON 629 00:14:05,267 --> 00:14:06,900 BECAUSE HIS MOTHER PASSED AWAY, 630 00:14:06,900 --> 00:14:08,067 AND NOW HE'S LAYING IN THE 631 00:14:08,067 --> 00:14:09,567 HOSPITAL WITH BULLETS IN HIM. 632 00:14:09,567 --> 00:14:11,400 THAT'S GOOD. 633 00:14:11,400 --> 00:14:12,633 OH, MAN. 634 00:14:12,633 --> 00:14:14,467 LIFE CAN CHANGE IN A INSTANT. 635 00:14:14,467 --> 00:14:15,133 CRAZY. 636 00:14:15,133 --> 00:14:16,533 I LOVE THIS MAN, 637 00:14:16,533 --> 00:14:17,433 AND I DON'T WANT TO FIGHT 638 00:14:17,433 --> 00:14:18,600 WITH HIM ANYMORE. 639 00:14:18,600 --> 00:14:19,267 LIKE, WHO DID THIS? 640 00:14:19,267 --> 00:14:20,167 HOW DID YOU SEE... 641 00:14:20,167 --> 00:14:21,067 WELL, I WAS ON THE LEFT SIDE. 642 00:14:21,067 --> 00:14:21,733 THEY WAS ON THE RIGHT. 643 00:14:21,733 --> 00:14:23,100 THEY WAS KIND OF GOIN' SLOW. 644 00:14:23,100 --> 00:14:24,333 ALL I SEEN WAS-- 645 00:14:24,333 --> 00:14:25,567 HEARD AND SEEN GUNSHOTS. 646 00:14:25,567 --> 00:14:27,067 IT WAS A CAR ON THAT SIDE 647 00:14:27,067 --> 00:14:28,200 IN THE PROCESSION, 648 00:14:28,200 --> 00:14:29,300 ROLLED THE WINDOW DOWN 649 00:14:29,300 --> 00:14:30,633 AND JUST STARTED DUMPIN'. 650 00:14:30,633 --> 00:14:32,400 THE FIRST ONE HIT ME, BOOM. 651 00:14:32,400 --> 00:14:33,667 BLOOD ALL OVER THE PLACE. 652 00:14:33,667 --> 00:14:35,433 THE SECOND ONE KIND OF GRAZED ME 653 00:14:35,433 --> 00:14:36,600 ON MY BACK, WENT IN AND OUT 654 00:14:36,600 --> 00:14:38,233 RIGHT THERE. 655 00:14:38,233 --> 00:14:39,233 AND ALL I REMEMBER 656 00:14:39,233 --> 00:14:40,800 WAS JUST ME STILL DRIVING. 657 00:14:40,800 --> 00:14:41,833 THEY JUST KEPT SHOOTING. 658 00:14:41,833 --> 00:14:42,800 I HEARD, LIKE, FIVE OR SIX 659 00:14:42,800 --> 00:14:43,467 SHOTS. 660 00:14:43,467 --> 00:14:44,733 AND I WAS DRIVING WITH THIS 661 00:14:44,733 --> 00:14:46,067 HAND, AND I WAS KEEPING MY THUMB 662 00:14:46,067 --> 00:14:47,867 INSIDE THE HOLE. 663 00:14:47,867 --> 00:14:48,967 I KNEW THE BLOOD WAS COMING OUT 664 00:14:48,967 --> 00:14:49,833 SO MUCH. 665 00:14:49,833 --> 00:14:50,700 I COULDN'T BELIEVE ALL THE 666 00:14:50,700 --> 00:14:51,733 BLOOD, AND I JUST PUT MY THUMB 667 00:14:51,733 --> 00:14:53,433 IN THE HOLE AND I LEFT IT THERE, 668 00:14:53,433 --> 00:14:55,067 AND THEN I JUST FELT LIKE I WAS 669 00:14:55,067 --> 00:14:55,900 GONNA GET DIZZY AND I SHOULD GET 670 00:14:55,900 --> 00:14:56,567 OUT THE CAR. 671 00:14:56,567 --> 00:14:57,533 I GOT OUT THE CAR. 672 00:14:57,533 --> 00:14:58,833 I RAN. 673 00:14:58,833 --> 00:14:59,500 THERE WAS BLOOD ON-- 674 00:14:59,500 --> 00:15:00,433 WELL, IT HAPPENED IN FRONT OF 675 00:15:00,433 --> 00:15:01,100 HER, BABE? 676 00:15:01,100 --> 00:15:01,767 THERE WAS BLOOD. 677 00:15:01,767 --> 00:15:02,633 WHEN I WAS RUNNING IN THE MIDDLE 678 00:15:02,633 --> 00:15:03,300 OF THE HIGHWAY-- 679 00:15:03,300 --> 00:15:04,100 THERE WAS BLOOD ALL OVER-- 680 00:15:04,100 --> 00:15:07,667 I WENT TO THE HEARSE... 681 00:15:07,667 --> 00:15:09,467 AND MY BLOOD WAS ON HER CASKET. 682 00:15:09,467 --> 00:15:10,200 THAT'S CRAZY. 683 00:15:10,200 --> 00:15:11,367 AND THAT'S GOING WITH HER. 684 00:15:11,367 --> 00:15:12,067 THAT'S CRAZY. 685 00:15:12,067 --> 00:15:12,700 IS THAT CRAZY? 686 00:15:12,700 --> 00:15:14,067 THAT'S CRAZY. 687 00:15:14,067 --> 00:15:15,567 I GOT IN SOMEBODY'S CAR, 688 00:15:15,567 --> 00:15:16,533 AND I JUST STARTED KIND OF, 689 00:15:16,533 --> 00:15:17,467 LIKE, BLACKING OUT. 690 00:15:17,467 --> 00:15:19,100 THE NEXT THING I KNOW, 691 00:15:19,100 --> 00:15:21,667 I WAS AT THE HOSPITAL. 692 00:15:21,667 --> 00:15:22,933 CRAZY, MAMA. 693 00:15:22,933 --> 00:15:23,667 BABE, YOU'RE SO BLESSED 694 00:15:23,667 --> 00:15:24,333 TO BE ALIVE. 695 00:15:24,333 --> 00:15:25,500 OH, MY GOSH. 696 00:15:25,500 --> 00:15:26,167 WHO DID THIS, BABE? 697 00:15:26,167 --> 00:15:27,500 I DON'T KNOW, BABE. 698 00:15:27,500 --> 00:15:29,333 IT'S NOT EASY WHEN YOU THINK 699 00:15:29,333 --> 00:15:30,500 THAT YOU GOT A FAMILY THAT LOVES 700 00:15:30,500 --> 00:15:31,733 YOU AND YOU GOT A FAMILY THAT 701 00:15:31,733 --> 00:15:34,167 CARES FOR YOU AND THEN [bleep] 702 00:15:34,167 --> 00:15:35,400 TURNS TO MONEY. 703 00:15:35,400 --> 00:15:36,700 YOU KNOW, MY MOTHER WAS GOOD 704 00:15:36,700 --> 00:15:37,733 TO EVERYBODY, MAN. 705 00:15:37,733 --> 00:15:38,433 YOU KNOW WHAT I'M SAYING? 706 00:15:38,433 --> 00:15:39,767 I'M SORRY. 707 00:15:39,767 --> 00:15:41,433 I DON'T UNDERSTAND IT. 708 00:15:41,433 --> 00:15:42,233 YOU KNOW WHAT I'M SAYIN'? 709 00:15:42,233 --> 00:15:43,433 I DON'T, MAN. I DON'T. 710 00:15:43,433 --> 00:15:45,400 I KNOW FOR A FACT 711 00:15:45,400 --> 00:15:48,133 THAT SHE WAS WATCHING OVER ME. 712 00:15:48,133 --> 00:15:49,267 THAT'S CRAZY. 713 00:15:49,267 --> 00:15:50,467 THAT'S WHY, YOU KNOW-- 714 00:15:50,467 --> 00:15:51,367 AND IT'S JUST CRAZY HOW 715 00:15:51,367 --> 00:15:52,467 EVERYTHING HAPPENED, BABE. 716 00:15:52,467 --> 00:15:53,533 LOOK, THERE'S FAMILY, 717 00:15:53,533 --> 00:15:54,867 AND THERE'S RELATIVES, 718 00:15:54,867 --> 00:15:56,300 BUT ALL THAT, YOU KNOW, 719 00:15:56,300 --> 00:15:57,133 IT DOESN'T MATTER. 720 00:15:57,133 --> 00:15:58,300 YOU KNOW WHAT I'M SAYIN'? 721 00:15:58,300 --> 00:15:59,600 I LOVE YOU. 722 00:15:59,600 --> 00:16:00,467 YOU KNOW WHAT I'M SAYIN'? 723 00:16:00,467 --> 00:16:01,300 I LOVE YOU TOO. 724 00:16:01,300 --> 00:16:01,967 AND I WAS SITTING HERE 725 00:16:01,967 --> 00:16:02,633 LAYING. 726 00:16:02,633 --> 00:16:03,700 I WAS JUST LIKE, THEA, 727 00:16:03,700 --> 00:16:04,600 I DON'T GIVE A [bleep] 728 00:16:04,600 --> 00:16:05,767 ABOUT NOTHING. 729 00:16:05,767 --> 00:16:06,533 THE [bleep] THAT HAPPENED 730 00:16:06,533 --> 00:16:07,233 WITH STEVIE, 731 00:16:07,233 --> 00:16:08,367 I DON'T CARE ABOUT THAT. 732 00:16:08,367 --> 00:16:09,100 I PROBABLY WOULDN'T EVEN 733 00:16:09,100 --> 00:16:10,167 KNOW YOU. 734 00:16:10,167 --> 00:16:10,933 YOU KNOW WHAT I'M SAYIN'? 735 00:16:10,933 --> 00:16:11,867 LISTEN. LISTEN TO ME. 736 00:16:11,867 --> 00:16:13,267 I CONNECTED WITH YOU. 737 00:16:13,267 --> 00:16:14,733 I NEVER CONNECTED WITH ANYBODY 738 00:16:14,733 --> 00:16:16,600 LIKE THAT, AND YOU GOT MY WORD. 739 00:16:16,600 --> 00:16:17,433 I'LL NEVER BRING THAT [bleep] 740 00:16:17,433 --> 00:16:18,100 UP AGAIN. 741 00:16:18,100 --> 00:16:19,300 SO NO MORE FIGHTS ABOUT IT. 742 00:16:19,300 --> 00:16:20,300 I WAS FIGHTING WITH MYSELF, 743 00:16:20,300 --> 00:16:21,433 YOU KNOW? 744 00:16:21,433 --> 00:16:22,767 BEING JEALOUS AND BEING-- 745 00:16:22,767 --> 00:16:24,333 AT THE END OF THE DAY, MAN, 746 00:16:24,333 --> 00:16:26,167 I GOT A [bleep] DIAMOND, YO, 747 00:16:26,167 --> 00:16:27,067 AND THAT'S ALL THAT COUNT 748 00:16:27,067 --> 00:16:28,067 FOR ME. 749 00:16:28,067 --> 00:16:30,167 IT'S ABOUT NOW AND EVERY DAY 750 00:16:30,167 --> 00:16:31,367 THAT WE SPEND TOGETHER. 751 00:16:31,367 --> 00:16:32,333 I LOVE YOU. 752 00:16:32,333 --> 00:16:33,667 ONE THING I DO KNOW 753 00:16:33,667 --> 00:16:34,700 IS, WE'RE TOGETHER, 754 00:16:34,700 --> 00:16:35,567 AND THAT'S ALL THAT MATTERS 755 00:16:35,567 --> 00:16:36,267 TO ME. 756 00:16:36,267 --> 00:16:37,233 YOU'RE MY BEST FRIEND. 757 00:16:37,233 --> 00:16:38,667 YOU'RE MY BEST FRIEND TOO. 758 00:16:38,667 --> 00:16:40,667 AND WE GON' KEEP IT MOVING. 759 00:16:51,067 --> 00:16:53,067 I RUSHED TO BOSTON TO HELP 760 00:16:53,067 --> 00:16:54,367 MY BROTHER BURY HIS MOTHER. 761 00:16:54,367 --> 00:16:55,933 I GOT HERE AS SOON AS I COULD. 762 00:16:55,933 --> 00:16:57,067 I HADN'T EVEN GOT A CHANCE TO 763 00:16:57,067 --> 00:16:58,833 TELL JOSELINE WHAT WAS GOING ON. 764 00:16:58,833 --> 00:17:00,100 I'M JUST GRATEFUL THAT MY MAN 765 00:17:00,100 --> 00:17:00,933 IS UP ALIVE. 766 00:17:00,933 --> 00:17:03,367 HE HAD ME SCARED [bleep]. 767 00:17:03,367 --> 00:17:05,367 TALK TO ME, MAN. 768 00:17:10,533 --> 00:17:11,700 MAN, THAT--LOOK, MAN. 769 00:17:11,700 --> 00:17:13,067 YOU KNOW, SLEAZE, 770 00:17:13,067 --> 00:17:14,133 I KNOW ABOUT THE SITUATION 771 00:17:14,133 --> 00:17:14,967 WITH YOU AND THEA. 772 00:17:14,967 --> 00:17:16,300 SHE TOLD ME. 773 00:17:16,300 --> 00:17:17,933 I LOVE HER TO DEATH, 774 00:17:17,933 --> 00:17:19,067 AND WHAT WAS THE PAST 775 00:17:19,067 --> 00:17:19,833 IS THE PAST. 776 00:17:19,833 --> 00:17:21,200 LISTEN, WHATEVER ZINO THINK 777 00:17:21,200 --> 00:17:23,233 HE KNOWS, NOW IS NOT THE TIME 778 00:17:23,233 --> 00:17:24,400 TO TALK ABOUT IT. 779 00:17:24,400 --> 00:17:25,767 I NEED MY MANS TO USE HIS ENERGY 780 00:17:25,767 --> 00:17:26,733 TO GET BETTER. 781 00:17:26,733 --> 00:17:28,500 HE'S ALIVE, HE'S TALKING, 782 00:17:28,500 --> 00:17:29,533 AND THAT'S ALL THAT MATTERS 783 00:17:29,533 --> 00:17:30,267 RIGHT NOW. 784 00:17:30,267 --> 00:17:31,500 WE DONE BEEN THROUGH SO MUCH, 785 00:17:31,500 --> 00:17:32,467 AND WE GOT SO MUCH GOOD THINGS 786 00:17:32,467 --> 00:17:33,567 GOIN'. 787 00:17:33,567 --> 00:17:34,733 I DON'T CARE ABOUT THAT. 788 00:17:34,733 --> 00:17:35,633 YOU KNOW WHAT I'M SAYIN'? 789 00:17:35,633 --> 00:17:36,800 I FINALLY MET SOMEBODY LIKE-- 790 00:17:36,800 --> 00:17:38,600 LISTEN, Y'ALL LOOK GOOD 791 00:17:38,600 --> 00:17:39,300 TOGETHER. 792 00:17:39,300 --> 00:17:40,533 I'M HAPPY FOR YOU, Z. 793 00:17:40,533 --> 00:17:41,667 I APPRECIATE THAT FOR REAL, 794 00:17:41,667 --> 00:17:42,367 SLEAZE-O. 795 00:17:42,367 --> 00:17:43,633 COME HERE, BOTH OF Y'ALL. 796 00:17:43,633 --> 00:17:44,633 COME ON. 797 00:17:44,633 --> 00:17:46,633 I LOVE BOTH OF Y'ALL, MAN. 798 00:17:49,367 --> 00:17:51,567 OH, MY GOD. 799 00:17:51,567 --> 00:17:52,767 WHAT ARE YOU THINKING? 800 00:17:52,767 --> 00:17:54,767 [whispering] I HAVE NO WORDS. 801 00:18:04,500 --> 00:18:05,267 * LISTEN 802 00:18:05,267 --> 00:18:06,200 ♪ SAY YOU LOVE ME 803 00:18:06,200 --> 00:18:06,867 ♪ BUT YOU DON'T ♪ 804 00:18:06,867 --> 00:18:07,533 ♪ WHY YOU GOT TO LIE 805 00:18:07,533 --> 00:18:08,633 ♪ LIKE THAT? 806 00:18:08,633 --> 00:18:09,533 ♪ SAY YOU WILL 807 00:18:09,533 --> 00:18:10,333 ♪ BUT YOU WON'T ♪ 808 00:18:10,333 --> 00:18:12,300 ♪ BUT YOU CAN'T TAKE THAT BACK ♪ 809 00:18:12,300 --> 00:18:13,900 ♪ ALL THE GAMES AND THE LIES 810 00:18:13,900 --> 00:18:15,500 ♪ I DONE TRIED AND I TRIED 811 00:18:15,500 --> 00:18:16,333 ♪ NOW YOU [bleep] 812 00:18:16,333 --> 00:18:17,200 ♪ WITH MY PRIDE 813 00:18:17,200 --> 00:18:18,533 ♪ I'M GONNA SAY, "HOLD ON" ♪ 814 00:18:18,533 --> 00:18:20,133 ♪ HE BEEN DOING YOU SO WRONG 815 00:18:20,133 --> 00:18:20,800 ♪ YOU CAN KEEP THEM 816 00:18:20,800 --> 00:18:21,467 ♪ BIRKIN BAGS 817 00:18:21,467 --> 00:18:22,167 ♪ THEM SHOPPING SPREES 818 00:18:22,167 --> 00:18:23,500 ♪ AND ROLL ON 819 00:18:23,500 --> 00:18:25,267 ♪ I'M THAT BOSS BITCH YOU LOVE ♪ 820 00:18:25,267 --> 00:18:26,600 ♪ THAT BOSS BITCH YOU NEED 821 00:18:26,600 --> 00:18:27,467 ♪ WHAT GOES AROUND 822 00:18:27,467 --> 00:18:28,267 ♪ IT COMES AROUND 823 00:18:28,267 --> 00:18:29,167 ♪ AND YOU COMING RIGHT BACK 824 00:18:29,167 --> 00:18:30,200 ♪ TO ME 825 00:18:30,200 --> 00:18:31,833 * I'M EVERY WOMAN ♪ 826 00:18:31,833 --> 00:18:32,567 ♪ YOU KNOW ME 827 00:18:32,567 --> 00:18:33,233 YES! 828 00:18:33,233 --> 00:18:34,600 HEY! 829 00:18:34,600 --> 00:18:35,267 YOU KILLED IT! 830 00:18:35,267 --> 00:18:35,933 COME ON. 831 00:18:35,933 --> 00:18:36,633 YOU KILLED THAT VERSE. 832 00:18:36,633 --> 00:18:37,467 YES, MA'AM. 833 00:18:37,467 --> 00:18:38,533 I'M SO PROUD OF YOU. 834 00:18:38,533 --> 00:18:39,200 COME ON IN, RA. 835 00:18:39,200 --> 00:18:40,500 I'M COMING. I'M COMING. 836 00:18:40,500 --> 00:18:41,833 FINALLY, THE KALENNA 837 00:18:41,833 --> 00:18:42,933 AND RASHEEDA COLLABORATION 838 00:18:42,933 --> 00:18:43,767 IS COMPLETE, 839 00:18:43,767 --> 00:18:44,833 AND I REALLY APPRECIATE HER 840 00:18:44,833 --> 00:18:45,733 DOING THIS, 'CAUSE SHE'S BEEN 841 00:18:45,733 --> 00:18:47,233 WORKING ON HER OWN PROJECT, BUT 842 00:18:47,233 --> 00:18:48,500 WE FINALLY GOT THIS COMPLETE, 843 00:18:48,500 --> 00:18:49,467 AND I LOVE HER FOR THAT. 844 00:18:49,467 --> 00:18:50,133 YO. 845 00:18:50,133 --> 00:18:50,933 GIVE ME LOVE. GIVE ME LOVE. 846 00:18:50,933 --> 00:18:51,600 GIVE ME LOVE. 847 00:18:51,600 --> 00:18:52,367 YOU KILLED THAT [bleep]. 848 00:18:52,367 --> 00:18:53,900 KIRK AND MY MOM CLEARLY STILL 849 00:18:53,900 --> 00:18:55,900 HAVE ISSUES, BUT ME AND KIRK 850 00:18:55,900 --> 00:18:57,167 HAVE BEEN WORKING ON THINGS. 851 00:18:57,167 --> 00:18:58,367 THE VERSES IS FLOWING OUT. 852 00:18:58,367 --> 00:18:59,200 I FEEL GOOD. 853 00:18:59,200 --> 00:19:00,300 MY LIFE IS GETTING BACK 854 00:19:00,300 --> 00:19:01,067 TOGETHER. 855 00:19:01,067 --> 00:19:03,200 THE GEORGIA PEACH IS BACK, BABY. 856 00:19:03,200 --> 00:19:04,633 DAMN, BITCH, IT'S BEEN A MONTH 857 00:19:04,633 --> 00:19:05,367 BEEN TRYIN' TO DO THIS DAMN 858 00:19:05,367 --> 00:19:06,067 SONG. 859 00:19:06,067 --> 00:19:06,700 RIGHT. 860 00:19:06,700 --> 00:19:07,367 THIS IS RIDICULOUS. 861 00:19:07,367 --> 00:19:08,200 I GUESS IT TOOK ME TO GO THROUGH 862 00:19:08,200 --> 00:19:09,067 SOME [bleep]. 863 00:19:09,067 --> 00:19:10,633 I MEAN, GOIN' TO NEW ORLEANS, 864 00:19:10,633 --> 00:19:11,767 THE LAST THING I WAS EXPECTING 865 00:19:11,767 --> 00:19:13,633 WAS KIRK'S ASS TO POP UP. 866 00:19:13,633 --> 00:19:14,300 I MADE HIM WAIT TILL 867 00:19:14,300 --> 00:19:15,200 WE GOT BACK TO THE "A" 868 00:19:15,200 --> 00:19:16,267 BEFORE I GAVE HIM SOME. 869 00:19:16,267 --> 00:19:17,733 IT'S GOOD THAT HE CAME AND HE 870 00:19:17,733 --> 00:19:19,800 SHOWED YOU HOW FAR HE WOULD GO. 871 00:19:19,800 --> 00:19:21,267 SO LET ME TELL Y'ALL THIS. 872 00:19:21,267 --> 00:19:22,533 SO YOU KNOW KIRK AND MY MAMA 873 00:19:22,533 --> 00:19:24,500 DON'T GET ALONG. 874 00:19:24,500 --> 00:19:25,300 RIGHT. 875 00:19:25,300 --> 00:19:26,200 SO WE SIT DOWN TO HAVE 876 00:19:26,200 --> 00:19:27,067 DINNER. 877 00:19:27,067 --> 00:19:28,267 I GET UP TO GO THE BATHROOM. 878 00:19:28,267 --> 00:19:29,100 I COME BACK. 879 00:19:29,100 --> 00:19:30,500 THEY ARGUIN'. I LOOK UP. 880 00:19:30,500 --> 00:19:32,500 KIRK TAKES MY MOM'S GLASSES-- 881 00:19:32,500 --> 00:19:33,267 CRACK. 882 00:19:33,267 --> 00:19:34,133 HE CRACKED THEM [bleep] IN TWO. 883 00:19:34,133 --> 00:19:36,533 HE BROKE YOUR MAMA'S GLASSES? 884 00:19:36,533 --> 00:19:38,133 SO THAT HAPPENS. 885 00:19:38,133 --> 00:19:39,133 MY MOM TALKED TO HIM, 886 00:19:39,133 --> 00:19:39,800 SAID TO HIM, 887 00:19:39,800 --> 00:19:40,700 "YOU'VE BEEN PUTTING ME THROUGH 888 00:19:40,700 --> 00:19:41,367 A LOT OF [bleep]." 889 00:19:41,367 --> 00:19:42,200 KIRK'S LIKE, "I'M ALL ABOUT 890 00:19:42,200 --> 00:19:42,867 MY WIFE. 891 00:19:42,867 --> 00:19:43,733 I WANT TO MAKE THINGS RIGHT," 892 00:19:43,733 --> 00:19:44,400 WHATEVER, WHATEVER. 893 00:19:44,400 --> 00:19:45,233 SHE WAS LIKE, "OKAY, WELL, 894 00:19:45,233 --> 00:19:46,100 GUESS WHAT YOU NEED TO DO. 895 00:19:46,100 --> 00:19:47,067 YOU NEED TO HAVE A 896 00:19:47,067 --> 00:19:50,067 APOLOGY PARTY." 897 00:19:50,067 --> 00:19:50,667 HOLD UP. TIME-OUT. 898 00:19:50,667 --> 00:19:51,533 YOU KNOW HOW PEOPLE BE MAKING 899 00:19:51,533 --> 00:19:52,200 [bleep] UP. 900 00:19:52,200 --> 00:19:53,633 SHE WAS LIKE, "YOU NEED TO 901 00:19:53,633 --> 00:19:56,533 APOLOGIZE, TO ME, THE FAMILY, 902 00:19:56,533 --> 00:19:57,367 FRIENDS, 903 00:19:57,367 --> 00:19:59,367 FOR YOUR DISRESPECTFUL ASS." 904 00:19:59,367 --> 00:20:00,700 I'M GONNA INVITE YOU GUYS. 905 00:20:00,700 --> 00:20:01,433 BRING YOUR BOOZE. 906 00:20:01,433 --> 00:20:02,767 IT TAKES SOMEBODY MAMA 907 00:20:02,767 --> 00:20:03,633 TO THINK ABOUT SOME [bleep] 908 00:20:03,633 --> 00:20:04,433 LIKE THAT, BUT I WAS LIKE, 909 00:20:04,433 --> 00:20:05,133 "YOU KNOW WHAT? 910 00:20:05,133 --> 00:20:05,800 HMM. 911 00:20:05,800 --> 00:20:06,500 WELL, GUESS WHAT. 912 00:20:06,500 --> 00:20:08,567 IF YOU ARE TRYING TO DO WHAT YOU 913 00:20:08,567 --> 00:20:10,433 CLAIM, WHICH IS GET YOUR [bleep] 914 00:20:10,433 --> 00:20:12,033 TOGETHER, THEN GUESS WHAT. 915 00:20:12,033 --> 00:20:12,767 DO THAT [bleep]." 916 00:20:12,767 --> 00:20:13,933 RASHEEDA'S MOTHER IS CRAZY 917 00:20:13,933 --> 00:20:15,233 AS [bleep]. 918 00:20:15,233 --> 00:20:16,200 ONLY A MOTHER COULD COME UP WITH 919 00:20:16,200 --> 00:20:17,667 SOMETHING AS CRAZY AS AN APOLOGY 920 00:20:17,667 --> 00:20:19,167 PARTY, BUT I WOULDN'T MISS IT 921 00:20:19,167 --> 00:20:20,033 FOR THE WORLD. 922 00:20:20,033 --> 00:20:21,233 YOU GON' BRING JOC WITH YOU? 923 00:20:21,233 --> 00:20:21,967 JOC AND KIRK NEED TO BE 924 00:20:21,967 --> 00:20:22,967 HOLDING HANDS AT THE APOLOGY 925 00:20:22,967 --> 00:20:23,733 PARTY, NEED TO APOLOGIZE 926 00:20:23,733 --> 00:20:24,467 TOGETHER. 927 00:20:24,467 --> 00:20:25,333 [laughter] 928 00:20:25,333 --> 00:20:26,867 THAT'S CRAZY. 929 00:20:26,867 --> 00:20:28,167 I GUESS--AND MAYBE TONY NEED TO 930 00:20:28,167 --> 00:20:29,600 JOIN 'EM, TRYIN' TO APOLOGIZE 931 00:20:29,600 --> 00:20:30,600 TO THEIR BOO. 932 00:20:30,600 --> 00:20:32,600 OH, [bleep]. 933 00:20:32,600 --> 00:20:34,367 WHAT? 934 00:20:34,367 --> 00:20:37,300 WHAT'S WRONG? 935 00:20:37,300 --> 00:20:39,000 WELL, I JUST GOT A TEXT. 936 00:20:39,000 --> 00:20:39,967 LIKE, THEY SAYIN' BENZINO 937 00:20:39,967 --> 00:20:41,000 GOT SHOT. 938 00:20:41,000 --> 00:20:42,167 ARE YOU SERIOUS? 939 00:20:42,167 --> 00:20:43,833 NO, SER--NO, DEAD ASS. 940 00:20:43,833 --> 00:20:44,833 REALLY? 941 00:20:44,833 --> 00:20:45,600 HE'S--ISN'T HE-- 942 00:20:45,600 --> 00:20:46,367 HE'S OUT OF TOWN, RIGHT? 943 00:20:46,367 --> 00:20:47,167 WAIT. I'M CHECKIN' MY-- 944 00:20:47,167 --> 00:20:48,067 I KNOW. HOLD ON. HOLD ON. 945 00:20:48,067 --> 00:20:48,933 I'M JUST--HOLD UP. 946 00:20:48,933 --> 00:20:50,233 I'M CHECKING MY TWITTER RIGHT 947 00:20:50,233 --> 00:20:51,600 NOW, 'CAUSE IF THIS IS A JOKE-- 948 00:20:51,600 --> 00:20:52,267 HOLD ON. 949 00:20:52,267 --> 00:20:54,100 I'LL JUST TEXT KIRK. 950 00:20:54,100 --> 00:20:54,900 YEAH, I'M ASKING VICK 951 00:20:54,900 --> 00:20:55,800 RIGHT NOW IF BENZINO-- 952 00:20:55,800 --> 00:20:57,067 OH, MY GOD. 953 00:20:57,067 --> 00:20:58,000 SO I JUST LOOKED. 954 00:20:58,000 --> 00:20:58,833 YEAH, IT'S REAL. 955 00:20:58,833 --> 00:21:00,067 ARE YOU SERIOUS? 956 00:21:00,067 --> 00:21:02,600 I KNEW THAT HIS MOM HAD DIED. 957 00:21:02,600 --> 00:21:04,467 WHAT DOES IT SAY? 958 00:21:04,467 --> 00:21:07,900 "RAPPER BENZINO SHOT 959 00:21:07,900 --> 00:21:10,400 BY FAMILY MEMBER 960 00:21:10,400 --> 00:21:11,567 DURING HIS MOTHER'S FUNERAL." 961 00:21:11,567 --> 00:21:14,133 OH, MY GOD. 962 00:21:14,133 --> 00:21:15,467 OKAY, SO IT'S NOT CRITICAL. 963 00:21:15,467 --> 00:21:16,767 IT'S NOT FATAL. 964 00:21:16,767 --> 00:21:18,167 HE'S OKAY. 965 00:21:18,167 --> 00:21:19,300 ZINO AND I HAVE BEEN THROUGH 966 00:21:19,300 --> 00:21:20,567 OUR UPS AND DOWNS LATELY, 967 00:21:20,567 --> 00:21:21,500 BUT DAMN. 968 00:21:21,500 --> 00:21:22,767 YOU LOSE YOUR MOM. 969 00:21:22,767 --> 00:21:23,767 THEN YOU GET SHOT 970 00:21:23,767 --> 00:21:25,400 WHILE YOU'RE TRYING TO BURY HER. 971 00:21:25,400 --> 00:21:27,333 THAT'S SOME CRAZY-ASS [bleep]. 972 00:21:27,333 --> 00:21:28,067 I'M JUST GLAD TO HEAR 973 00:21:28,067 --> 00:21:29,133 HE'S DOING OKAY. 974 00:21:29,133 --> 00:21:30,367 YOU GET SHOT AT YOUR MOTHER'S 975 00:21:30,367 --> 00:21:31,067 FUNERAL? 976 00:21:31,067 --> 00:21:31,733 WHAT THE HELL? 977 00:21:31,733 --> 00:21:33,733 WHAT? 978 00:21:35,200 --> 00:21:38,367 * DON'T MAKE ME WAIT ♪ 979 00:21:38,367 --> 00:21:41,167 ♪ IN VAIN FOR YOUR LOVE 980 00:21:41,167 --> 00:21:51,500 ♪ DON'T MAKE ME WAIT ♪ 981 00:21:51,500 --> 00:21:54,900 ♪ 982 00:21:54,900 --> 00:21:55,900 I HAVEN'T BEEN TO MIMI'S 983 00:21:55,900 --> 00:21:57,200 HOUSE SINCE SHE THREW ME OUT. 984 00:21:57,200 --> 00:21:58,133 SHE MIGHT THROW ME OUT AGAIN 985 00:21:58,133 --> 00:21:59,867 ONCE SHE SEE WHAT I BROUGHT HER. 986 00:21:59,867 --> 00:22:00,600 I AIN'T EVEN GOT NO KEYS 987 00:22:00,600 --> 00:22:01,267 NO MORE. 988 00:22:01,267 --> 00:22:01,967 I GOT TO RING THE BELL NOW. 989 00:22:01,967 --> 00:22:04,967 [doorbell rings] 990 00:22:07,133 --> 00:22:08,767 HELLO. 991 00:22:08,767 --> 00:22:10,067 THIS IS FOR YOU. 992 00:22:10,067 --> 00:22:12,167 OUR TAPE IS BEING RELEASED SOON, 993 00:22:12,167 --> 00:22:12,933 SO I BROUGHT A LITTLE SNEAK 994 00:22:12,933 --> 00:22:14,600 PREVIEW OVER FOR ME AND MIMI 995 00:22:14,600 --> 00:22:15,267 TO WATCH. 996 00:22:15,267 --> 00:22:16,367 I THINK IT'S GREAT STUFF. 997 00:22:16,367 --> 00:22:17,800 I'M COOL WITH IT, BUT I'M NOT 998 00:22:17,800 --> 00:22:19,167 SURE IF MIMI'S GONNA SEE IT 999 00:22:19,167 --> 00:22:20,633 THE SAME WAY. 1000 00:22:20,633 --> 00:22:22,200 I HEARD YOU WENT AND SAW 1001 00:22:22,200 --> 00:22:22,867 ARIANE. 1002 00:22:22,867 --> 00:22:24,933 MY TOLERANCE FOR NIKKO 1003 00:22:24,933 --> 00:22:26,500 IS RUNNING THIN. 1004 00:22:26,500 --> 00:22:27,767 I LET HIM COME OVER BECAUSE 1005 00:22:27,767 --> 00:22:28,900 I HEARD HIM AND ARIANE HAD 1006 00:22:28,900 --> 00:22:30,067 A RUN-IN AT THE GYM, 1007 00:22:30,067 --> 00:22:31,067 AND I WANTED TO KNOW IF NIKKO 1008 00:22:31,067 --> 00:22:31,733 WAS GONNA BE HONEST 1009 00:22:31,733 --> 00:22:33,267 ABOUT THEIR CONVERSATION. 1010 00:22:33,267 --> 00:22:34,400 SHE MAGICALLY POPPED UP 1011 00:22:34,400 --> 00:22:35,733 IN MY GYM WHERE I WAS TRAINING. 1012 00:22:35,733 --> 00:22:36,467 AND? 1013 00:22:36,467 --> 00:22:37,467 AND SHE'S COMING ASKING ME 1014 00:22:37,467 --> 00:22:39,367 ALL THESE RIDICULOUS QUESTIONS. 1015 00:22:39,367 --> 00:22:40,333 SHE'S TELLING ME ABOUT THE TAPE. 1016 00:22:40,333 --> 00:22:41,233 "WHY DID YOU DO THIS?" 1017 00:22:41,233 --> 00:22:41,933 SHE BROUGHT THE TAPE UP 1018 00:22:41,933 --> 00:22:42,633 TO YOU? 1019 00:22:42,633 --> 00:22:43,300 ABSOLUTELY. 1020 00:22:43,300 --> 00:22:44,267 SO I TOLD HER SHE SHOULD WATCH 1021 00:22:44,267 --> 00:22:44,967 THE TAPE. 1022 00:22:44,967 --> 00:22:46,500 SHE MIGHT LEARN SOMETHIN'. 1023 00:22:46,500 --> 00:22:47,167 I WAS IN THE MIDDLE OF 1024 00:22:47,167 --> 00:22:47,833 A TRAINING SESSION. 1025 00:22:47,833 --> 00:22:49,267 YOU KNOW MY WHOLE THING IS 1026 00:22:49,267 --> 00:22:50,300 MUSIC, SEX, FITNESS, SO 1027 00:22:50,300 --> 00:22:51,167 THAT'S WHAT I WAS DOIN'. 1028 00:22:51,167 --> 00:22:53,067 SHE INTERRUPTED MY SITUATION. 1029 00:22:53,067 --> 00:22:54,433 SO, MIMI, I GOT THE PREVIEW OF 1030 00:22:54,433 --> 00:22:56,500 THE TAPE THAT WE GOT TO REVIEW 1031 00:22:56,500 --> 00:22:58,133 BEFORE IT GOES OUT TO MARKETING. 1032 00:22:58,133 --> 00:22:59,100 HAVE YOU SEEN IT? 1033 00:22:59,100 --> 00:23:00,067 I'VE SEEN IT FIVE TIMES. 1034 00:23:00,067 --> 00:23:00,800 IT'S PRETTY DOPE. 1035 00:23:00,800 --> 00:23:01,700 I LIKE IT. 1036 00:23:01,700 --> 00:23:02,467 I THINK YOU'RE GONNA LIKE IT 1037 00:23:02,467 --> 00:23:03,133 TOO. 1038 00:23:03,133 --> 00:23:04,633 I KNEW THIS DAY WAS COMING. 1039 00:23:04,633 --> 00:23:05,700 THAT DOESN'T MEAN I WAS READY 1040 00:23:05,700 --> 00:23:06,567 FOR IT. 1041 00:23:06,567 --> 00:23:08,267 HONESTLY, I HAVE NO DESIRE 1042 00:23:08,267 --> 00:23:09,667 TO WATCH THIS TAPE, 1043 00:23:09,667 --> 00:23:11,533 BUT KNOW I NEED TO WATCH 1044 00:23:11,533 --> 00:23:12,500 TO SEE MYSELF BEFORE 1045 00:23:12,500 --> 00:23:14,100 THE WORLD SEES ME. 1046 00:23:14,100 --> 00:23:14,933 WHY YOU SO UPTIGHT? 1047 00:23:14,933 --> 00:23:15,600 WHAT'S WRONG? 1048 00:23:15,600 --> 00:23:16,333 WHAT'S WRONG IS THAT THE 1049 00:23:16,333 --> 00:23:18,867 WORLD IS ABOUT TO SEE US 1050 00:23:18,867 --> 00:23:21,767 IN OUR MOST COMPLETE EVERYTHING. 1051 00:23:21,767 --> 00:23:22,433 RIGHT. 1052 00:23:22,433 --> 00:23:23,567 THAT BOTHERS ME. 1053 00:23:23,567 --> 00:23:24,833 I'M MORE OF AN-- 1054 00:23:24,833 --> 00:23:25,900 ON A OPTIMISTIC SIDE. 1055 00:23:25,900 --> 00:23:26,567 THAT'S GREAT. 1056 00:23:26,567 --> 00:23:27,500 BECAUSE BEING PESSIMISTIC 1057 00:23:27,500 --> 00:23:28,767 IS NOT GON' GET US ANYWHERE. 1058 00:23:28,767 --> 00:23:30,200 WE ALSO MADE A DECISION 1059 00:23:30,200 --> 00:23:31,633 TO DO THIS LEGALLY. 1060 00:23:31,633 --> 00:23:32,567 I MEAN, WE DID THIS TOGETHER. 1061 00:23:32,567 --> 00:23:33,700 THIS IS--IT'S A TATTOO 1062 00:23:33,700 --> 00:23:35,367 YOU CAN'T ERASE. 1063 00:23:35,367 --> 00:23:37,767 LET'S WATCH IT. 1064 00:23:37,767 --> 00:23:38,433 CAN YOU COME CLOSER? 1065 00:23:38,433 --> 00:23:39,100 WE CAN WATCH TOGETHER. 1066 00:23:39,100 --> 00:23:40,533 I DON'T WANT YOU TO HOOK OFF 1067 00:23:40,533 --> 00:23:41,400 ON ME, SO I GOT TO KEEP YOU 1068 00:23:41,400 --> 00:23:42,667 CLOSE TO ME. 1069 00:23:42,667 --> 00:23:43,600 I DON'T WANT YOU TO SNUFF ME 1070 00:23:43,600 --> 00:23:44,300 OR SOMETHING. 1071 00:23:44,300 --> 00:23:45,400 I FEEL LIKE WE'RE IN THE MOVIES. 1072 00:23:45,400 --> 00:23:47,400 WHERE'S THE POPCORN? 1073 00:23:53,233 --> 00:23:55,233 OH, MY GOD. 1074 00:24:09,667 --> 00:24:11,200 AS I'M WATCHING MYSELF, 1075 00:24:11,200 --> 00:24:12,833 I'M FEELING SOME TYPE OF WAY 1076 00:24:12,833 --> 00:24:14,233 ABOUT THE WHOLE WORLD 1077 00:24:14,233 --> 00:24:15,767 WATCHING THIS TAPE 1078 00:24:15,767 --> 00:24:17,467 AND CALLING ME A PORN STAR, 1079 00:24:17,467 --> 00:24:19,133 AND IT'S REALLY [bleep] WITH ME. 1080 00:24:19,133 --> 00:24:20,267 WHAT ARE YOU THINKING? 1081 00:24:20,267 --> 00:24:22,967 [whispering] I HAVE NO WORDS. 1082 00:24:22,967 --> 00:24:23,667 I'M HAPPY ABOUT THIS. 1083 00:24:23,667 --> 00:24:24,433 YOU'RE NOT HAPPY WITH THIS? 1084 00:24:24,433 --> 00:24:25,100 CLEARLY YOU'RE HAPPY 1085 00:24:25,100 --> 00:24:25,767 ABOUT IT. 1086 00:24:25,767 --> 00:24:26,467 YOU'RE NOT HAPPY ABOUT 1087 00:24:26,467 --> 00:24:27,133 WHAT WE DONE? 1088 00:24:27,133 --> 00:24:29,067 I UNDERSTAND YOU GOT A DAUGHTER, 1089 00:24:29,067 --> 00:24:30,233 BUT I ALSO UNDERSTAND YOU'RE 1090 00:24:30,233 --> 00:24:30,900 A GREAT MOM, AND 1091 00:24:30,900 --> 00:24:31,733 YOU'RE GONNA KNOW HOW TO DEAL 1092 00:24:31,733 --> 00:24:35,067 WITH THAT WHEN THAT TIME COMES. 1093 00:24:35,067 --> 00:24:35,900 YOU GOT IT ALL FIGURED OUT, 1094 00:24:35,900 --> 00:24:36,967 DON'T YOU? 1095 00:24:36,967 --> 00:24:39,133 NIKKO MAY NEVER UNDERSTAND 1096 00:24:39,133 --> 00:24:40,400 HOW I FEEL BECAUSE GUESS WHAT. 1097 00:24:40,400 --> 00:24:41,833 HE DOESN'T HAVE A CHILD. 1098 00:24:41,833 --> 00:24:43,500 THIS WHOLE THING IS A LOT HARDER 1099 00:24:43,500 --> 00:24:44,767 FOR ME BECAUSE I HAVE A LITTLE 1100 00:24:44,767 --> 00:24:46,433 GIRL THAT COULD SERIOUSLY 1101 00:24:46,433 --> 00:24:48,367 BE AFFECTED BY MY ACTIONS. 1102 00:24:48,367 --> 00:24:49,467 THIS IS COMING OUT. 1103 00:24:49,467 --> 00:24:50,333 I'M HERE EVERY STEP OF THE WAY, 1104 00:24:50,333 --> 00:24:51,067 WHATEVER YOU NEED 1105 00:24:51,067 --> 00:24:52,067 TO TALK TO ME ABOUT. 1106 00:24:52,067 --> 00:24:54,667 SO WE IN IT TOGETHER. 1107 00:25:00,600 --> 00:25:02,567 IF YOU REALLY LOVE BAM, 1108 00:25:02,567 --> 00:25:03,667 YOU REALLY WANT TO GET BACK 1109 00:25:03,667 --> 00:25:04,600 WITH BAM, 1110 00:25:04,600 --> 00:25:05,567 YOU GOT TO SHUT THAT 1111 00:25:05,567 --> 00:25:06,867 ERICA PINKETT DOWN. 1112 00:25:06,867 --> 00:25:08,367 THERE'S NOTHING TO SHUT DOWN. 1113 00:25:08,367 --> 00:25:10,367 THERE'S NOTHING. 1114 00:25:21,267 --> 00:25:21,933 BABY, I'VE BEEN 1115 00:25:21,933 --> 00:25:22,600 SOUL-SEARCHING. 1116 00:25:22,600 --> 00:25:24,967 [laughing] 1117 00:25:24,967 --> 00:25:26,267 STOP PLAYING, STUPID. 1118 00:25:26,267 --> 00:25:27,067 I'VE BEEN THINKING ABOUT 1119 00:25:27,067 --> 00:25:28,533 A LOT OF THINGS. 1120 00:25:28,533 --> 00:25:29,533 START SINGING. 1121 00:25:29,533 --> 00:25:30,400 ♪ TAKE IT OFF 1122 00:25:30,400 --> 00:25:31,733 ♪ OOH, OOH 1123 00:25:31,733 --> 00:25:34,067 OH, STOP [bleep], GIRL. 1124 00:25:34,067 --> 00:25:35,633 IT'S BEEN REALLY TOUGH LATELY 1125 00:25:35,633 --> 00:25:36,867 DEALING WITH THE PASSING 1126 00:25:36,867 --> 00:25:38,233 OF KAYO. 1127 00:25:38,233 --> 00:25:39,633 WHEN WAKA'S HURTING, THE AVERAGE 1128 00:25:39,633 --> 00:25:40,867 PERSON WOULD NEVER KNOW. 1129 00:25:40,867 --> 00:25:42,067 HE JOKES. 1130 00:25:42,067 --> 00:25:44,067 HE THROW HISSELF INTO HIS WORK. 1131 00:25:44,067 --> 00:25:45,200 HE ACT LIKE NOTHING EVER 1132 00:25:45,200 --> 00:25:46,133 HAPPENED. 1133 00:25:46,133 --> 00:25:47,633 I THREW MYSELF INTO MY WORK. 1134 00:25:47,633 --> 00:25:49,300 THAT'S HOW I'M DEALING WITH IT. 1135 00:25:49,300 --> 00:25:51,233 BUT I KNOW, REGARDLESS, 1136 00:25:51,233 --> 00:25:52,433 IT'S SOMETHING THAT 1137 00:25:52,433 --> 00:25:53,767 WILL NEVER GO AWAY. 1138 00:25:53,767 --> 00:25:54,867 SO I JUST WANT TO HAVE DINNER 1139 00:25:54,867 --> 00:25:57,700 AND JUST SIT DOWN WITH MY MAN 1140 00:25:57,700 --> 00:26:00,733 AND JUST GET AWAY FROM THE WORLD 1141 00:26:00,733 --> 00:26:01,767 FOR A SECOND, JUST IN OUR OWN 1142 00:26:01,767 --> 00:26:02,567 LITTLE WORLD. 1143 00:26:02,567 --> 00:26:03,767 YOU HAPPY TO BE HOME, BABY? 1144 00:26:03,767 --> 00:26:05,200 I AM, MAN. 1145 00:26:05,200 --> 00:26:06,667 YOU KNOW I LOVE TRAVELING. 1146 00:26:06,667 --> 00:26:07,367 I GUESS YOU AIN'T SEEN 1147 00:26:07,367 --> 00:26:08,733 NOTHING LIKE HOME, HUH? 1148 00:26:08,733 --> 00:26:10,133 ACTUALLY, I DIDN'T. 1149 00:26:10,133 --> 00:26:11,067 DON'T PLAY ME. I WILL--OH. 1150 00:26:11,067 --> 00:26:11,667 I SEEN A COUPLE NAKED 1151 00:26:11,667 --> 00:26:12,900 WRITHING GIRLS. 1152 00:26:12,900 --> 00:26:14,633 YEAH, WHATEVER. 1153 00:26:14,633 --> 00:26:15,833 [sighs] 1154 00:26:15,833 --> 00:26:17,400 NO, SERIOUSLY, THOUGH. 1155 00:26:17,400 --> 00:26:19,067 I REALLY BEEN THINKIN', THOUGH. 1156 00:26:19,067 --> 00:26:21,100 I DON'T WANT NO WEDDING. 1157 00:26:21,100 --> 00:26:22,133 WHAT? 1158 00:26:22,133 --> 00:26:22,833 I WANT TO GO STRAIGHT TO 1159 00:26:22,833 --> 00:26:25,067 THE COURTHOUSE, GET MARRIED. 1160 00:26:25,067 --> 00:26:26,267 TAMMY AND MY MOTHER TALKED 1161 00:26:26,267 --> 00:26:27,433 ABOUT A BIG WEDDING. 1162 00:26:27,433 --> 00:26:28,133 I AIN'T TALK ABOUT NO BIG 1163 00:26:28,133 --> 00:26:28,800 WEDDING. 1164 00:26:28,800 --> 00:26:30,333 TO ME, THAT'S GIMMICKS. 1165 00:26:30,333 --> 00:26:31,433 I'M NOT INTO GIMMICKS. 1166 00:26:31,433 --> 00:26:32,533 I'M INTO FACTS. 1167 00:26:32,533 --> 00:26:33,367 I'M NOT GONNA PAY A WHOLE BUNCH 1168 00:26:33,367 --> 00:26:34,300 OF MONEY TO GET IN A ROOM 1169 00:26:34,300 --> 00:26:35,433 SO PEOPLE CAN SEE US KISS. 1170 00:26:35,433 --> 00:26:36,567 FOR WHAT? 1171 00:26:36,567 --> 00:26:37,800 I JUST WANT MY FAMILY. 1172 00:26:37,800 --> 00:26:38,967 I WANT MY FAMILY. 1173 00:26:38,967 --> 00:26:40,233 I LOVE COMING HOME 1174 00:26:40,233 --> 00:26:42,067 TO A HOUSE THAT SMELL GOOD. 1175 00:26:42,067 --> 00:26:42,900 THAT'S SOMETHIN' I NEVER HAD 1176 00:26:42,900 --> 00:26:43,800 IN LIFE. 1177 00:26:43,800 --> 00:26:44,833 SO NOW IT'S JUST WHEN IT'S 1178 00:26:44,833 --> 00:26:45,500 CONVENIENT FOR YOU-- 1179 00:26:45,500 --> 00:26:46,233 READY TO GETTING MARRIED. 1180 00:26:46,233 --> 00:26:46,900 IT'S NOT ABOUT BEING 1181 00:26:46,900 --> 00:26:47,567 CONVENIENT. 1182 00:26:47,567 --> 00:26:48,733 IT'S NOT ABOUT ARGUING. 1183 00:26:48,733 --> 00:26:50,233 I'M TELLING YOU I'M READY. 1184 00:26:50,233 --> 00:26:51,367 I DON'T KNOW IF IT'S BECAUSE 1185 00:26:51,367 --> 00:26:53,067 OF WHAT OUR FAMILY'S GOING 1186 00:26:53,067 --> 00:26:55,300 THROUGH THAT HAS MADE HIM STOP 1187 00:26:55,300 --> 00:26:56,233 AND THINK ABOUT WHAT'S 1188 00:26:56,233 --> 00:26:57,100 IMPORTANT. 1189 00:26:57,100 --> 00:26:58,300 HELL, I DONE BEEN THROUGH-- 1190 00:26:58,300 --> 00:26:59,400 WE DONE BEEN THROUGH SO MUCH. 1191 00:26:59,400 --> 00:27:00,800 LET'S JUST GET MARRIED. 1192 00:27:00,800 --> 00:27:02,267 BUT I DON'T WANT TO MAKE THE 1193 00:27:02,267 --> 00:27:03,800 WRONG DECISION IN THE LONG RUN 1194 00:27:03,800 --> 00:27:06,567 BY NOT HAVING OUR FAMILY THERE. 1195 00:27:06,567 --> 00:27:08,967 MAYBE WE SHOULD THINK ABOUT IT. 1196 00:27:08,967 --> 00:27:09,967 WHO, YOU? 1197 00:27:09,967 --> 00:27:11,067 YOU CAN THINK ABOUT IT. 1198 00:27:11,067 --> 00:27:12,200 YOU GOT A LOT OF TIME 1199 00:27:12,200 --> 00:27:12,867 TO THINK ABOUT IT. 1200 00:27:12,867 --> 00:27:13,600 YEAH. 1201 00:27:13,600 --> 00:27:14,767 YOU GOT A LOT OF TIME 1202 00:27:14,767 --> 00:27:16,300 TO THINK ABOUT IT, THOUGH. 1203 00:27:16,300 --> 00:27:18,100 SO YOU THOUGHT ABOUT IT? 1204 00:27:18,100 --> 00:27:19,500 NO, I'M NOT GONNA JUST THINK 1205 00:27:19,500 --> 00:27:20,600 ABOUT IT THAT FAST. 1206 00:27:20,600 --> 00:27:21,433 I JUST GAVE YOU A COUPLE 1207 00:27:21,433 --> 00:27:23,433 OF SECONDS. 1208 00:27:29,200 --> 00:27:30,200 MAN, I'MA TELL YOU THE FUNNY 1209 00:27:30,200 --> 00:27:31,467 THING ABOUT SCRAP, THOUGH. 1210 00:27:31,467 --> 00:27:33,067 WHEN HE DEAL WITH HIS WOMEN, 1211 00:27:33,067 --> 00:27:34,533 THEY ALL HAVE A NAME, BOY. 1212 00:27:34,533 --> 00:27:36,133 GOIN' THROUGH IT WITH THE BAMBI. 1213 00:27:36,133 --> 00:27:37,267 THE BAMBI. 1214 00:27:37,267 --> 00:27:37,933 YO. 1215 00:27:37,933 --> 00:27:39,133 [laughing] 1216 00:27:39,133 --> 00:27:40,467 SO ME AND JOC ABOUT TO MEET UP 1217 00:27:40,467 --> 00:27:41,600 WITH MY BOY SCRAPPY. 1218 00:27:41,600 --> 00:27:42,700 HE SAID HE WAS HAVING SOME 1219 00:27:42,700 --> 00:27:44,067 PROBLEMS JUGGLING ALL THESE 1220 00:27:44,067 --> 00:27:45,200 WOMEN IN HIS LIFE. 1221 00:27:45,200 --> 00:27:46,633 SO WE 'BOUT TO WHIP SOME SENSE 1222 00:27:46,633 --> 00:27:48,667 INTO HIS CRAZY ASS. 1223 00:27:48,667 --> 00:27:49,433 I'MA TELL YOU WHAT CRAZY, 1224 00:27:49,433 --> 00:27:50,200 THOUGH, MAN. 1225 00:27:50,200 --> 00:27:51,967 I WAS IN MY OLD SCHOOL 1226 00:27:51,967 --> 00:27:53,467 WHEN I HEARD THE LITTLE NEWS 1227 00:27:53,467 --> 00:27:55,733 ABOUT THE BENZ. 1228 00:27:55,733 --> 00:27:56,400 OH, ZINO? 1229 00:27:56,400 --> 00:27:57,067 YEAH. 1230 00:27:57,067 --> 00:27:57,733 CRAZY. 1231 00:27:57,733 --> 00:27:58,400 WHAT WAS UP WITH THAT? 1232 00:27:58,400 --> 00:27:59,300 YOU AIN'T HEARD NOTHIN' ON THAT? 1233 00:27:59,300 --> 00:28:00,300 YOU KNOW, JUST TALKIN' TO Z, 1234 00:28:00,300 --> 00:28:01,333 HE A'IGHT, JUST TRYIN' TO 1235 00:28:01,333 --> 00:28:02,067 RECOVER. 1236 00:28:02,067 --> 00:28:02,767 CRAZY, THOUGH? 1237 00:28:02,767 --> 00:28:03,667 THAT JUST MADE ME FEEL 1238 00:28:03,667 --> 00:28:05,533 A WHOLE NOTHER TYPE OF WAY. 1239 00:28:05,533 --> 00:28:07,333 CRAZY, BOY, WITH THE TIMING. 1240 00:28:07,333 --> 00:28:08,133 THE TIMING. 1241 00:28:08,133 --> 00:28:09,067 YOUR MOM'S FUNERAL. 1242 00:28:09,067 --> 00:28:09,700 MOM'S FUNERAL. 1243 00:28:09,700 --> 00:28:10,367 BUT I WAS LIKE--MAN, 1244 00:28:10,367 --> 00:28:11,233 I WAS PRAYING FOR HIM. 1245 00:28:11,233 --> 00:28:12,067 I LET HIM KNOW, "I'M PRAYING 1246 00:28:12,067 --> 00:28:12,867 FOR YOU." 1247 00:28:12,867 --> 00:28:13,600 WORD. 1248 00:28:13,600 --> 00:28:15,433 WHAT HAPPENED TO MY BOY ZINO 1249 00:28:15,433 --> 00:28:16,933 REALLY SHOWED ME THAT LIFE 1250 00:28:16,933 --> 00:28:18,700 IS PRECIOUS, AND YOU GOT TO MAKE 1251 00:28:18,700 --> 00:28:20,233 THE MOST OF EVERY MINUTE 1252 00:28:20,233 --> 00:28:21,433 IN EVERY DAY. 1253 00:28:21,433 --> 00:28:22,367 FELLAS, FELLAS. 1254 00:28:22,367 --> 00:28:23,567 'EY, 'EY, 'EY. 1255 00:28:23,567 --> 00:28:25,167 WHAT UP, BOY? 1256 00:28:25,167 --> 00:28:25,833 YOU GOOD? 1257 00:28:25,833 --> 00:28:26,833 SURE IS NOW. 1258 00:28:26,833 --> 00:28:27,500 I NEED TO GET UP OUT THE 1259 00:28:27,500 --> 00:28:28,167 HOUSE, MAN. 1260 00:28:28,167 --> 00:28:29,833 I'M GOING THROUGH A LITTLE WOMAN 1261 00:28:29,833 --> 00:28:30,800 TROUBLE RIGHT NOW. 1262 00:28:30,800 --> 00:28:32,467 SO I HIT UP JOC, 1263 00:28:32,467 --> 00:28:33,800 HIT UP BIG DAWG KIRK. 1264 00:28:33,800 --> 00:28:35,133 WE ALL NEED TO GET OUT, MAN. 1265 00:28:35,133 --> 00:28:35,800 YOU DIG? 1266 00:28:35,800 --> 00:28:37,167 I NEED A GRAND MARNIER. 1267 00:28:37,167 --> 00:28:38,733 I NEED SOMETHIN' REAL HARD 1268 00:28:38,733 --> 00:28:39,400 AND EARLY. 1269 00:28:39,400 --> 00:28:40,533 WHERE DID YOU COME FROM? 1270 00:28:40,533 --> 00:28:41,333 LISTEN, I'M COMIN' FROM 1271 00:28:41,333 --> 00:28:42,233 THE HOUSE, MAN. 1272 00:28:42,233 --> 00:28:43,067 YOU KNOW WHAT I'M SAYIN'? 1273 00:28:43,067 --> 00:28:43,800 WE GOIN' THROUGH IT. 1274 00:28:43,800 --> 00:28:45,067 YOU ALWAYS GOIN' THROUGH IT. 1275 00:28:45,067 --> 00:28:46,633 I KNOW, BUT NORMALLY, YOU GET 1276 00:28:46,633 --> 00:28:48,300 INTO IT WITH YOUR CHICK FOR, 1277 00:28:48,300 --> 00:28:49,200 YOU KNOW WHAT I'M SAYIN', 1278 00:28:49,200 --> 00:28:50,600 ACTUALLY [bleep] A BITCH. 1279 00:28:50,600 --> 00:28:51,267 OKAY. 1280 00:28:51,267 --> 00:28:52,933 I AIN'T EVEN PINCH THE BITCH. 1281 00:28:52,933 --> 00:28:53,733 WHAT'S THE STATUS WITH YOU 1282 00:28:53,733 --> 00:28:54,400 AND SHAWTY? 1283 00:28:54,400 --> 00:28:55,067 ME AND BAM? 1284 00:28:55,067 --> 00:28:55,733 YEAH. 1285 00:28:55,733 --> 00:28:57,433 [bleep] CRAZY, MAN. 1286 00:28:57,433 --> 00:28:58,600 I GO OUT OF TOWN, AND ALL HELL 1287 00:28:58,600 --> 00:28:59,367 BREAK LOOSE. 1288 00:28:59,367 --> 00:29:03,233 MY MAMA TRY TO ASSIST. 1289 00:29:03,233 --> 00:29:04,500 MY MAMA TRY TO REFEREE 1290 00:29:04,500 --> 00:29:05,900 THE WHOLE SITUATION. 1291 00:29:05,900 --> 00:29:07,767 SCRAP, SERIOUSLY, YOU GOT TO 1292 00:29:07,767 --> 00:29:09,800 KEEP MOMMA DEE OUT YO' BUSINESS. 1293 00:29:09,800 --> 00:29:10,467 I TRY TO. 1294 00:29:10,467 --> 00:29:11,367 WHATEVER YOU WANT--NO. 1295 00:29:11,367 --> 00:29:12,300 NO, AIN'T NO MORE TRYIN'. 1296 00:29:12,300 --> 00:29:13,967 SHE NOT GOIN' NO WIZZ-NAH-EE. 1297 00:29:13,967 --> 00:29:14,633 SCRAP, YOU KNOW WHAT? 1298 00:29:14,633 --> 00:29:15,667 THE MAMA [bleep] IS GOIN' ON 1299 00:29:15,667 --> 00:29:16,700 IN MY LIFE TOO. 1300 00:29:16,700 --> 00:29:17,400 AND IT'S THAT SAME LADY 1301 00:29:17,400 --> 00:29:18,800 THAT RAN OVER YOUR BIKE. 1302 00:29:18,800 --> 00:29:19,833 BUT SEE, SHE THOUGHT I WAS 1303 00:29:19,833 --> 00:29:21,267 [bleep] WITH THESE GIRLS, 1304 00:29:21,267 --> 00:29:22,067 AND HER THING IS, 1305 00:29:22,067 --> 00:29:23,467 "YOU EMBARRASSED MY DAUGHTER. 1306 00:29:23,467 --> 00:29:24,467 YOU NEED TO HAVE A APOLOGY 1307 00:29:24,467 --> 00:29:25,667 PARTY. 1308 00:29:25,667 --> 00:29:26,333 YOU NEED TO LET HER"-- 1309 00:29:26,333 --> 00:29:28,433 APOLOGY PARTY? 1310 00:29:28,433 --> 00:29:29,333 WHAT THE HELL IS A APOLOGY 1311 00:29:29,333 --> 00:29:30,067 PARTY? 1312 00:29:30,067 --> 00:29:31,733 IT'S A LAME WAY TO EXPLAIN, 1313 00:29:31,733 --> 00:29:33,100 "I'M SORRY, BABY, 1314 00:29:33,100 --> 00:29:34,133 FOR HURTING YOU." 1315 00:29:34,133 --> 00:29:34,900 ARE YOU GON' REALLY DO IT, 1316 00:29:34,900 --> 00:29:35,567 THOUGH, LIKE-- 1317 00:29:35,567 --> 00:29:36,667 OF COURSE, 'CAUSE I'M JUST 1318 00:29:36,667 --> 00:29:38,267 TRYIN' TO DO STUFF TO SAY, 1319 00:29:38,267 --> 00:29:40,167 "LISTEN, I HEAR YOU." 1320 00:29:40,167 --> 00:29:41,900 I'M FIXIN' MY [bleep]. 1321 00:29:41,900 --> 00:29:43,267 AND THAT MEAN YOU NEED TO GO 1322 00:29:43,267 --> 00:29:44,800 AND GET RUBEN STUDDARD 1323 00:29:44,800 --> 00:29:46,067 SINGIN' THAT [bleep]. 1324 00:29:46,067 --> 00:29:46,733 [laughing] 1325 00:29:46,733 --> 00:29:47,667 I SORRY. 1326 00:29:47,667 --> 00:29:48,633 YOU KNOW, I'M TRYIN' TO BE ON 1327 00:29:48,633 --> 00:29:49,900 THE RIGHT PATH, BUT RASHEEDA 1328 00:29:49,900 --> 00:29:51,733 MAMA STILL ACTIN' LIKE 1329 00:29:51,733 --> 00:29:52,867 TOILET BOWL. 1330 00:29:52,867 --> 00:29:54,500 I KNOW I AIN'T GOT NO WIFE OR 1331 00:29:54,500 --> 00:29:55,867 NOTHIN' LIKE THAT, BUT THE WAY 1332 00:29:55,867 --> 00:29:57,967 I MISS BAM, I'M--I THINK I MIGHT 1333 00:29:57,967 --> 00:29:59,067 NEED TO DO SOMETHIN' 1334 00:29:59,067 --> 00:30:00,733 IN THAT AREA. 1335 00:30:00,733 --> 00:30:02,433 LIKE, BAM COME HOME. 1336 00:30:02,433 --> 00:30:03,833 SCRAP LAID IN THE BATHTUB FULL 1337 00:30:03,833 --> 00:30:05,567 OF CRAB LEG WITH A LITTLE BOWL 1338 00:30:05,567 --> 00:30:07,033 OF BUTTER. 1339 00:30:07,033 --> 00:30:09,167 "BABY, I APOLOGIZE." 1340 00:30:09,167 --> 00:30:09,967 STEAMED UP. 1341 00:30:09,967 --> 00:30:11,667 WITH THE SHOWER STEAMIN'. 1342 00:30:11,667 --> 00:30:12,400 WITH SOME CAJUN FLAVOR. 1343 00:30:12,400 --> 00:30:14,400 FEET HANGIN' OUT THE BATHTUB. 1344 00:30:14,400 --> 00:30:15,200 "DIP SOMETHIN' 1345 00:30:15,200 --> 00:30:17,267 IF YOU LOVE ME." 1346 00:30:17,267 --> 00:30:18,033 I DON'T KNOW ABOUT NONE OF 1347 00:30:18,033 --> 00:30:19,900 THAT APOLOGY PARTY TYPE STUFF, 1348 00:30:19,900 --> 00:30:20,700 BUT I THINK I CAN COOK 1349 00:30:20,700 --> 00:30:22,167 SOMETHIN' UP REAL NICE FOR BAM 1350 00:30:22,167 --> 00:30:24,300 SO WE CAN PATCH THINGS UP. 1351 00:30:24,300 --> 00:30:25,267 MAN, I REALLY GOT TO DO 1352 00:30:25,267 --> 00:30:26,467 SOMETHIN' SPECIAL FOR THE BAM, 1353 00:30:26,467 --> 00:30:27,433 YOU KNOW WHAT I'M TALKIN' ABOUT? 1354 00:30:27,433 --> 00:30:29,200 'CAUSE RIGHT NOW, I DON'T REALLY 1355 00:30:29,200 --> 00:30:30,000 THINK SHE FEELIN' ME 1356 00:30:30,000 --> 00:30:31,167 AND MA DUKES. 1357 00:30:31,167 --> 00:30:32,133 YOU GOT BAM 1358 00:30:32,133 --> 00:30:33,233 AND ERICA PINKETT. 1359 00:30:33,233 --> 00:30:34,167 NO, I GOT BAM 'CAUSE-- 1360 00:30:34,167 --> 00:30:36,300 OKAY, BUT BAM FEELS LIKE YOU 1361 00:30:36,300 --> 00:30:37,767 GOT TWO OF THEM, AND YOU NEED 1362 00:30:37,767 --> 00:30:38,667 TO FIX THAT. 1363 00:30:38,667 --> 00:30:40,333 IF YOU REALLY LOVE BAM, 1364 00:30:40,333 --> 00:30:41,700 YOU REALLY WANT TO GET BACK WITH 1365 00:30:41,700 --> 00:30:43,333 BAM, YOU GOT TO SHUT THAT 1366 00:30:43,333 --> 00:30:44,733 ERICA PINKETT DOWN. 1367 00:30:44,733 --> 00:30:46,300 THERE'S NOTHIN' TO SHUT DOWN. 1368 00:30:46,300 --> 00:30:47,033 THERE'S NOTHIN'. 1369 00:30:47,033 --> 00:30:47,700 MM-HMM. 1370 00:30:47,700 --> 00:30:49,200 IT'S REALLY PLATONIC, 1371 00:30:49,200 --> 00:30:50,600 'CAUSE ALL WE DO IS TEXT. 1372 00:30:50,600 --> 00:30:51,700 IT'S NOTHIN'. 1373 00:30:51,700 --> 00:30:52,867 SPELL IT. 1374 00:30:52,867 --> 00:30:54,100 SPELL WHAT? 1375 00:30:54,100 --> 00:30:56,033 "PLATONIC." 1376 00:30:56,033 --> 00:30:56,700 P-L... 1377 00:30:56,700 --> 00:30:57,733 STOP IT. 1378 00:30:57,733 --> 00:31:00,067 TONIC. 1379 00:31:00,067 --> 00:31:00,667 I'VE KNOWN SCRAPPY 1380 00:31:00,667 --> 00:31:01,933 FOR A VERY LONG TIME. 1381 00:31:01,933 --> 00:31:03,467 LIKE, BROTHER JUST REALLY 1382 00:31:03,467 --> 00:31:04,767 IS THE WORST WHEN IT 1383 00:31:04,767 --> 00:31:05,933 COMES TO RELATIONSHIPS. 1384 00:31:05,933 --> 00:31:06,800 I KNOW HE'S JUST MISSIN' 1385 00:31:06,800 --> 00:31:07,500 THE SEX. 1386 00:31:07,500 --> 00:31:09,467 HONESTLY, THERE'S NO CONVINCIN' 1387 00:31:09,467 --> 00:31:10,567 SCRAPPY OF ANYTHING. 1388 00:31:10,567 --> 00:31:12,867 LIKE, IT'S NOT HAPPENIN'. 1389 00:31:12,867 --> 00:31:13,567 IT IS REALLY PLATONIC, 1390 00:31:13,567 --> 00:31:14,467 THOUGH, FOR REAL. 1391 00:31:14,467 --> 00:31:15,933 IS BAM YOUR HEART? 1392 00:31:15,933 --> 00:31:17,233 YEAH, SHE'S SO-- 1393 00:31:17,233 --> 00:31:18,100 SHE IN MY HEART. 1394 00:31:18,100 --> 00:31:19,400 THAT LITTLE COOL STUFF, 1395 00:31:19,400 --> 00:31:21,800 SHUT THAT COOL STUFF DOWN. 1396 00:31:21,800 --> 00:31:22,767 BAM IS A REAL BITCH. 1397 00:31:22,767 --> 00:31:23,667 MY BIZZ-NAH-EE, RIGHT. 1398 00:31:23,667 --> 00:31:24,967 I GOT TO GO GET MY BIZZ-NAH-EE 1399 00:31:24,967 --> 00:31:25,867 BACK, BRO. 1400 00:31:25,867 --> 00:31:26,867 I AIN'T GON' EVEN LIE. 1401 00:31:26,867 --> 00:31:28,200 KIRK, YOU JUST MADE ME THINK 1402 00:31:28,200 --> 00:31:29,400 ABOUT HER EXTRA. 1403 00:31:29,400 --> 00:31:32,267 YOU FEEL ME? 1404 00:31:32,267 --> 00:31:33,967 LITTLE TEAR IN YOUR EYE. 1405 00:31:33,967 --> 00:31:34,967 [laughs] 1406 00:31:34,967 --> 00:31:36,967 A LITTLE TEAR. 1407 00:31:38,600 --> 00:31:39,600 SLEAZE, WE AIN'T NEVER GONNA 1408 00:31:39,600 --> 00:31:40,800 TALK ABOUT IT AGAIN. 1409 00:31:40,800 --> 00:31:41,633 MAN, I JUST WANT TO JUST 1410 00:31:41,633 --> 00:31:42,567 MOVE FORWARD. 1411 00:31:42,567 --> 00:31:44,567 I NEVER HAD SEX WITH HER. 1412 00:31:53,800 --> 00:31:55,567 WHAT'S UP, MAN? 1413 00:31:55,567 --> 00:31:56,600 [laughs] 1414 00:31:56,600 --> 00:31:58,600 YOU ALREADY GOT YOUR PINK DOGGY 1415 00:31:58,600 --> 00:31:59,500 NECK THING. 1416 00:31:59,500 --> 00:32:00,400 YOU FEEL ME? 1417 00:32:00,400 --> 00:32:01,433 YEAH, YOU GUESSED IT. 1418 00:32:01,433 --> 00:32:03,133 YOUR BOY'S UP AND DOWN THE BOARD 1419 00:32:03,133 --> 00:32:03,900 CHASIN' THE BAM, 1420 00:32:03,900 --> 00:32:04,600 YOU KNOW I'M SAYIN'? 1421 00:32:04,600 --> 00:32:05,300 I MISS HER. 1422 00:32:05,300 --> 00:32:06,400 I MEAN, I BEEN CALLIN'. 1423 00:32:06,400 --> 00:32:07,533 I BEEN TEXTIN' HER. 1424 00:32:07,533 --> 00:32:08,533 SHE AIN'T BEEN RETURNIN' NONE OF 1425 00:32:08,533 --> 00:32:09,467 YOUR BOY CALL. 1426 00:32:09,467 --> 00:32:10,200 I HANDLED IT. 1427 00:32:10,200 --> 00:32:10,967 YOU KNOW WHAT I'M SAYIN'? 1428 00:32:10,967 --> 00:32:12,433 I GOT SOMETHIN' FOR HER ASS, 1429 00:32:12,433 --> 00:32:13,200 YOU KNOW WHAT I'M SAYIN'? 1430 00:32:13,200 --> 00:32:14,433 JUST A LITTLE SNEAK ATTACK, MAN, 1431 00:32:14,433 --> 00:32:15,200 YOU KNOW WHAT I'M SAYIN', 1432 00:32:15,200 --> 00:32:16,567 TO MELT THAT HEART A LITTLE BIT. 1433 00:32:16,567 --> 00:32:17,767 CALL IT A PUPPY SURPRISE, 1434 00:32:17,767 --> 00:32:18,733 YOU DIG? 1435 00:32:18,733 --> 00:32:20,433 I BET YOU BAM HOP BACK ON 1436 00:32:20,433 --> 00:32:21,767 MY DIZZ-NAH-EE. 1437 00:32:21,767 --> 00:32:23,467 YOU GOT TO BE HARD AROUND BAM. 1438 00:32:23,467 --> 00:32:24,467 SHE TALL. 1439 00:32:24,467 --> 00:32:26,467 DON'T LET THAT SCARE YOU. 1440 00:32:29,833 --> 00:32:31,367 WHAT ARE YOU DOING HERE? 1441 00:32:31,367 --> 00:32:32,267 HAD A LITTLE SURPRISE 1442 00:32:32,267 --> 00:32:32,933 FOR YOU. 1443 00:32:32,933 --> 00:32:34,133 I KNOW YOU ALWAYS SAY YOU BE 1444 00:32:34,133 --> 00:32:35,067 WANTIN' LITTLE STUFF, 1445 00:32:35,067 --> 00:32:35,700 SO IT'S JUST... 1446 00:32:35,700 --> 00:32:38,900 YOU BROUGHT ME A PRESENT? 1447 00:32:38,900 --> 00:32:42,233 WHAT IS-- 1448 00:32:42,233 --> 00:32:43,833 YO QUIERO TACO BELL? 1449 00:32:43,833 --> 00:32:44,700 HE'S SOMETHING LIKE THAT 1450 00:32:44,700 --> 00:32:46,200 [bleep], YOU FEEL ME? 1451 00:32:46,200 --> 00:32:46,933 LIKE HER, JILLY? 1452 00:32:46,933 --> 00:32:47,800 HI. 1453 00:32:47,800 --> 00:32:49,333 IS SHE GON' PEE ON THE FLOOR? 1454 00:32:49,333 --> 00:32:51,133 IT'S JUST A LITTLE OVERWHELMING. 1455 00:32:51,133 --> 00:32:52,667 I'VE SPOKEN WITH SCRAP A COUPLE 1456 00:32:52,667 --> 00:32:53,800 TIMES SINCE WE BROKE UP. 1457 00:32:53,800 --> 00:32:55,533 I MISS HIM, BUT I'M NOT TRYIN' 1458 00:32:55,533 --> 00:32:56,767 TO DEAL WITH HIS DRAMA 1459 00:32:56,767 --> 00:32:58,900 OR HIS MAMA DRAMA ANYMORE, 1460 00:32:58,900 --> 00:33:00,700 AND I'M NOT SURE IF A PUPPY 1461 00:33:00,700 --> 00:33:01,967 CAN CHANGE THE WAY I FEEL. 1462 00:33:01,967 --> 00:33:02,967 CAME HERE TO BRING JILL 1463 00:33:02,967 --> 00:33:04,367 AND JUST SEE WHAT'S UP WITH YOU. 1464 00:33:04,367 --> 00:33:05,433 I MISS YOU. 1465 00:33:05,433 --> 00:33:06,733 YOU DO? 1466 00:33:06,733 --> 00:33:07,700 YOU DON'T MISS ME? 1467 00:33:07,700 --> 00:33:08,700 I DO. 1468 00:33:08,700 --> 00:33:09,367 DO YOU REALLY MISS ME? 1469 00:33:09,367 --> 00:33:10,900 BUT I DON'T MISS, LIKE, 1470 00:33:10,900 --> 00:33:11,933 WHAT COMES WITH YOU, 1471 00:33:11,933 --> 00:33:14,067 LIKE, YOUR MOM, YOUR GIRL. 1472 00:33:14,067 --> 00:33:15,100 WELL, YOU DON'T HAVE TO WORRY 1473 00:33:15,100 --> 00:33:16,067 ABOUT THAT NO MORE. 1474 00:33:16,067 --> 00:33:16,733 WHY NOT? 1475 00:33:16,733 --> 00:33:17,867 BECAUSE THAT'S DONE. 1476 00:33:17,867 --> 00:33:18,567 OH, IS IT? 1477 00:33:18,567 --> 00:33:19,667 LIKE I BEEN TOLD YOU, IT'S 1478 00:33:19,667 --> 00:33:20,900 NOTHING HAPPENING WITH THAT. 1479 00:33:20,900 --> 00:33:21,700 NOTHING'S GON' HAPPEN. 1480 00:33:21,700 --> 00:33:22,467 IS THE FRIENDSHIP OVER? 1481 00:33:22,467 --> 00:33:23,500 I MEAN, IF I'M TRYIN' TO SIT 1482 00:33:23,500 --> 00:33:24,500 HERE AND TALK TO YOU-- 1483 00:33:24,500 --> 00:33:25,667 YOU JUST TRYIN' TO COME SEE 1484 00:33:25,667 --> 00:33:26,500 ME AND GIVE ME A PUPPY. 1485 00:33:26,500 --> 00:33:27,367 WELL, IT'S A CUTE LITTLE DOG, 1486 00:33:27,367 --> 00:33:28,067 MAN. 1487 00:33:28,067 --> 00:33:28,933 I WENT OUT MY WAY TO GET THAT, 1488 00:33:28,933 --> 00:33:29,633 MAN, YOU FEEL ME? 1489 00:33:29,633 --> 00:33:30,300 RIGHT. 1490 00:33:30,300 --> 00:33:30,967 FOR REAL. 1491 00:33:30,967 --> 00:33:32,067 JUST SHOWIN' MY GRATITUDE AND 1492 00:33:32,067 --> 00:33:33,067 MY LOVE FOR YOU, YOU FEEL ME? 1493 00:33:33,067 --> 00:33:33,700 MM-HMM. 1494 00:33:33,700 --> 00:33:34,867 I WANT TO BE SOMEWHERE 1495 00:33:34,867 --> 00:33:36,100 ON SOME KIND OF LEVEL. 1496 00:33:36,100 --> 00:33:36,933 BUT YOU DON'T KNOW WHAT THAT 1497 00:33:36,933 --> 00:33:37,700 LEVEL IS. 1498 00:33:37,700 --> 00:33:38,500 WHAT LEVEL DO YOU WANT TO BE 1499 00:33:38,500 --> 00:33:39,167 ON? 1500 00:33:39,167 --> 00:33:40,133 I'M JUST ASKIN'. LIKE, I'M-- 1501 00:33:40,133 --> 00:33:40,933 WHAT LEVEL DO YOU WANT TO-- 1502 00:33:40,933 --> 00:33:41,700 BECAUSE YOU KEEP ASKIN' ME 1503 00:33:41,700 --> 00:33:42,367 LIKE YOU ALREADY KNOW. 1504 00:33:42,367 --> 00:33:43,067 NO, THIS IS YOU. 1505 00:33:43,067 --> 00:33:43,700 LIKE, YOU'RE HERE. 1506 00:33:43,700 --> 00:33:44,600 SO I JUST NEED TO BE CLEAR ON 1507 00:33:44,600 --> 00:33:46,400 WHAT YOU WANT AND WHY YOU HERE. 1508 00:33:46,400 --> 00:33:47,167 YOU KNOW WHAT I'M SAYIN'? 1509 00:33:47,167 --> 00:33:48,100 YOU TRYIN' TO GET BACK TOGETHER. 1510 00:33:48,100 --> 00:33:49,233 WE GOT TO WAIT FOR THAT, 1511 00:33:49,233 --> 00:33:50,300 BUT I'M JUST TRYIN' TO SEE. 1512 00:33:50,300 --> 00:33:51,267 WE GOT TO GET BACK TOGETHER-- 1513 00:33:51,267 --> 00:33:52,333 WAIT FOR WHAT? 1514 00:33:52,333 --> 00:33:53,167 WAIT TO SEE, 1515 00:33:53,167 --> 00:33:54,200 YOU KNOW WHAT I'M SAYIN'? 1516 00:33:54,200 --> 00:33:55,767 I MEAN, CAN I GET A HUG, 1517 00:33:55,767 --> 00:33:58,233 A KISS, OR SOMETHIN', YOU KNOW? 1518 00:33:58,233 --> 00:33:59,267 SOMETHIN', JUST GIVE ME 1519 00:33:59,267 --> 00:34:00,067 SOMETHIN'. 1520 00:34:00,067 --> 00:34:01,300 GIVE ME A KISS. 1521 00:34:01,300 --> 00:34:03,300 NO, I DON'T-- 1522 00:34:06,067 --> 00:34:08,633 THAT'S IT. 1523 00:34:08,633 --> 00:34:09,667 YOU KNOCK ME OFF OF MY FEET, 1524 00:34:09,667 --> 00:34:10,333 BABY. 1525 00:34:10,333 --> 00:34:12,533 WHATEVER. I HATE YOU. 1526 00:34:12,533 --> 00:34:13,767 MAN, I'M FEELIN' REAL HOPEFUL 1527 00:34:13,767 --> 00:34:14,600 RIGHT NOW. 1528 00:34:14,600 --> 00:34:15,500 SHE LOVE THE DOG, 1529 00:34:15,500 --> 00:34:16,433 YOU KNOW WHAT I'M SAYIN'? 1530 00:34:16,433 --> 00:34:17,400 SO I KNOW SHE LIKIN' A LITTLE 1531 00:34:17,400 --> 00:34:18,900 THE DUDE THAT GAVE IT TO HER. 1532 00:34:18,900 --> 00:34:19,733 BUT, YOU KNOW, I'MA TAKE IT 1533 00:34:19,733 --> 00:34:20,733 REAL SLOW. 1534 00:34:20,733 --> 00:34:22,100 I'MA WORK MY WAY BACK UP TO THAT 1535 00:34:22,100 --> 00:34:23,167 HEART, AND ONCE I GET INTO THE 1536 00:34:23,167 --> 00:34:25,467 HEART, I'LL WIN MY WAY BACK INTO 1537 00:34:25,467 --> 00:34:27,900 THAT POOD-NAH-EE, YOU FEEL ME? 1538 00:34:27,900 --> 00:34:29,067 ARE YOU GON' LOVE JILL? 1539 00:34:29,067 --> 00:34:30,067 I'M GONNA LOVE HER. 1540 00:34:30,067 --> 00:34:30,767 THIS WAS A GREAT START. 1541 00:34:30,767 --> 00:34:31,567 TAKE CARE OF JILL. 1542 00:34:31,567 --> 00:34:32,233 WE GONNA HAVE SEX? 1543 00:34:32,233 --> 00:34:34,233 NO, WE'RE NOT GONNA HAVE SEX. 1544 00:34:34,233 --> 00:34:35,500 YOU GON' HAVE TO TAKE ME ON 1545 00:34:35,500 --> 00:34:37,067 A GANG OF DATES BEFORE WE GET IT 1546 00:34:37,067 --> 00:34:39,067 POPPIN' AGAIN. 1547 00:34:44,967 --> 00:34:46,500 Z, WHAT'S THE DEAL, BRO? 1548 00:34:46,500 --> 00:34:47,467 SLEAZE. 1549 00:34:47,467 --> 00:34:48,400 WHAT'S GOIN' ON, MAN? 1550 00:34:48,400 --> 00:34:49,067 HOW YOU FEELIN'? 1551 00:34:49,067 --> 00:34:49,733 WHAT'S UP, MAN? 1552 00:34:49,733 --> 00:34:50,800 HOW'S EVERYTHING, MAN? 1553 00:34:50,800 --> 00:34:51,467 [bleep]. 1554 00:34:51,467 --> 00:34:52,400 I KNOW IT'S CRAZY. 1555 00:34:52,400 --> 00:34:53,100 YEAH, MY [bleep] STILL 1556 00:34:53,100 --> 00:34:53,767 [bleep]. 1557 00:34:53,767 --> 00:34:55,167 I SEEN ALTHEA IN THE HALLWAY, 1558 00:34:55,167 --> 00:34:56,167 AND SHE GAVE ME THE KEY. 1559 00:34:56,167 --> 00:34:56,967 THE KEY, YEAH, YEAH, YEAH. 1560 00:34:56,967 --> 00:34:57,633 SHE WENT TO GO GET THE 1561 00:34:57,633 --> 00:34:58,300 PRESCRIPTION. 1562 00:34:58,300 --> 00:34:59,367 I HAD ENOUGH OF BOSTON, 1563 00:34:59,367 --> 00:35:01,067 BUT BEFORE I LEAVE, I HAD TO GO 1564 00:35:01,067 --> 00:35:02,233 CHECK ON MY MAN Z 'CAUSE 1565 00:35:02,233 --> 00:35:03,767 YESTERDAY HE WAS TALKIN' CRAZY 1566 00:35:03,767 --> 00:35:05,733 ABOUT ME AND ALTHEA. 1567 00:35:05,733 --> 00:35:07,233 IT'S DEFINITELY GOOD TO SEE 1568 00:35:07,233 --> 00:35:09,300 MY MAN IN BETTER SPIRITS TODAY, 1569 00:35:09,300 --> 00:35:10,400 AND, YOU KNOW, IT'S EVEN BETTER 1570 00:35:10,400 --> 00:35:11,633 TO SEE OLD THI THI HOLDIN' 1571 00:35:11,633 --> 00:35:12,467 HIM DOWN. 1572 00:35:12,467 --> 00:35:13,600 I KNOW HE'S STILL HURTING, 1573 00:35:13,600 --> 00:35:15,633 LOSING HIS MOM AND BEING SHOT, 1574 00:35:15,633 --> 00:35:16,600 BUT IT'S STILL GOOD TO SEE 1575 00:35:16,600 --> 00:35:17,867 A SMILE ON HIS FACE. 1576 00:35:17,867 --> 00:35:19,700 THIS DUDE HAS BEEN THROUGH IT. 1577 00:35:19,700 --> 00:35:20,533 YOU GOT A LOT OF CARDS, 1578 00:35:20,533 --> 00:35:22,067 LOVE ALL AROUND THE ROOM. 1579 00:35:22,067 --> 00:35:23,433 YEAH, YOU NEVER REALLY KNOW 1580 00:35:23,433 --> 00:35:24,300 HOW MUCH LOVE YOU HAVE 1581 00:35:24,300 --> 00:35:25,133 TILL YOU GET SHOT. 1582 00:35:25,133 --> 00:35:26,367 IT'S CRAZY. 1583 00:35:26,367 --> 00:35:27,467 THE ONLY GOOD THING ABOUT ALL 1584 00:35:27,467 --> 00:35:29,067 THIS IS THAT ALTHEA WAS THERE 1585 00:35:29,067 --> 00:35:29,933 WITH ME EVERY STEP OF THE 1586 00:35:29,933 --> 00:35:30,600 [bleep] WAY. 1587 00:35:30,600 --> 00:35:31,267 LIKE-- 1588 00:35:31,267 --> 00:35:32,333 SHE SEEMS LIKE SHE'S THE ONE 1589 00:35:32,333 --> 00:35:33,267 FOR YOU, BRO. 1590 00:35:33,267 --> 00:35:34,067 KNOW WHAT I'M SAYIN'? 1591 00:35:34,067 --> 00:35:36,433 IT'S CRAZY BECAUSE, YOU KNOW, 1592 00:35:36,433 --> 00:35:37,700 I WANTED HER TO MEET MY MOTHER, 1593 00:35:37,700 --> 00:35:39,433 AND SHE NEVER GOT A CHANCE. 1594 00:35:39,433 --> 00:35:40,533 ME GETTING MARRIED, MAN, 1595 00:35:40,533 --> 00:35:42,167 MY MOTHER--THROUGHOUT MY WHOLE 1596 00:35:42,167 --> 00:35:43,567 LIFE, MY MOTHER SEEN 'EM COME 1597 00:35:43,567 --> 00:35:44,667 AND GO AND JUST, LIKE-- 1598 00:35:44,667 --> 00:35:45,333 YOU KNOW I MEAN? 1599 00:35:45,333 --> 00:35:46,800 I JUST--YOU KNOW WHAT I'M 1600 00:35:46,800 --> 00:35:47,833 SAYIN', SHE NEVER PROBABLY 1601 00:35:47,833 --> 00:35:48,933 THOUGHT THAT I WOULD [bleep] 1602 00:35:48,933 --> 00:35:49,733 GET MARRIED. 1603 00:35:49,733 --> 00:35:52,067 MAN, SLEAZE, I JUST WAS LIKE-- 1604 00:35:52,067 --> 00:35:53,100 THAT'S WHY, MAN, WHEN YOU WAS-- 1605 00:35:53,100 --> 00:35:53,800 YOU KNOW, WHEN YOU CAME IN 1606 00:35:53,800 --> 00:35:55,933 THERE, I KNOW I GOT EMOTIONAL, 1607 00:35:55,933 --> 00:35:57,433 BUT IT'S LIKE, BEFORE ALL THIS 1608 00:35:57,433 --> 00:35:58,367 [bleep] HAPPENED, SHE TOLD ME 1609 00:35:58,367 --> 00:35:59,433 ABOUT THE SITUATION, 1610 00:35:59,433 --> 00:36:00,267 YOU KNOW WHAT I'M SAYIN', 1611 00:36:00,267 --> 00:36:01,267 WITH Y'ALL TWO, SLEAZE. 1612 00:36:01,267 --> 00:36:02,433 I--COME ON. 1613 00:36:02,433 --> 00:36:03,733 LIKE, SHE TOLD ME, "LOOK, 1614 00:36:03,733 --> 00:36:04,833 YOU KNOW, WE MESSED AROUND." 1615 00:36:04,833 --> 00:36:06,167 IT WASN'T NOTHIN' CRAZY. 1616 00:36:06,167 --> 00:36:06,867 IT JUST WAS"--YOU KNOW 1617 00:36:06,867 --> 00:36:07,533 WHAT I'M SAYIN'? 1618 00:36:07,533 --> 00:36:08,300 YEAH, WE HUNG OUT A LITTLE 1619 00:36:08,300 --> 00:36:08,967 BIT. 1620 00:36:08,967 --> 00:36:09,833 SLEAZE, WE AIN'T NEVER GONNA 1621 00:36:09,833 --> 00:36:10,500 TALK ABOUT IT AGAIN. 1622 00:36:10,500 --> 00:36:11,600 MAN, I JUST WANT TO JUST MOVE 1623 00:36:11,600 --> 00:36:13,267 FORWARD, GET BETTER, GET BACK 1624 00:36:13,267 --> 00:36:14,433 IN THE STUDIO WITH YOU, MAN. 1625 00:36:14,433 --> 00:36:15,100 RIGHT. 1626 00:36:15,100 --> 00:36:16,333 SEE, MY THING IS, 1627 00:36:16,333 --> 00:36:17,333 WE HUNG OUT, Z. 1628 00:36:17,333 --> 00:36:18,400 IT WAS NEVER NOTHIN'. 1629 00:36:18,400 --> 00:36:20,533 I NEVER HAD SEX WITH HER, 1630 00:36:20,533 --> 00:36:22,133 AND I JUST WANT TO JUST PUT THIS 1631 00:36:22,133 --> 00:36:23,967 BEHIND US, 'CAUSE Y'ALL HAPPY. 1632 00:36:23,967 --> 00:36:25,233 THAT'S YOUR SOUL MATE. 1633 00:36:25,233 --> 00:36:26,767 NO MATTER HOW YOU SLICE AND DICE 1634 00:36:26,767 --> 00:36:28,633 IT, I DIDN'T SMASH IT. 1635 00:36:28,633 --> 00:36:30,133 FLIP IT UP, RUB IT DOWN, 1636 00:36:30,133 --> 00:36:31,233 PUT IT UP, PUT IT DOWN, 1637 00:36:31,233 --> 00:36:33,567 SIDE TO SIDE, I AIN'T SMASH. 1638 00:36:37,233 --> 00:36:38,100 WHILE I'M IN BOSTON 1639 00:36:38,100 --> 00:36:40,567 AT THE HOSPITAL, I WALKS IN. 1640 00:36:40,567 --> 00:36:41,567 ALTHEA IN THERE, 1641 00:36:41,567 --> 00:36:42,933 AND HE TELLS ME, "YO, 1642 00:36:42,933 --> 00:36:44,300 I KNOW ABOUT YOU AND ALTHEA," 1643 00:36:44,300 --> 00:36:45,533 LIKE HE WAS INSINUATIN', LIKE, 1644 00:36:45,533 --> 00:36:46,200 I HAD SLEPT WITH HER 1645 00:36:46,200 --> 00:36:47,167 OR SOMETHIN'. 1646 00:36:47,167 --> 00:36:47,933 BUT YOU SLEPT WITH HER. 1647 00:36:47,933 --> 00:36:48,600 I NEVER-- 1648 00:36:48,600 --> 00:36:49,367 I WAS TRYIN' TO FIGURE OUT 1649 00:36:49,367 --> 00:36:50,167 WHEN SHE WAS GONNA TELL ME AND 1650 00:36:50,167 --> 00:36:52,167 WHEN YOU WAS GONNA TELL ME. 1651 00:37:00,567 --> 00:37:02,200 MY ASS IS IN THE AIR. 1652 00:37:02,200 --> 00:37:04,267 YOU KNOW, STEVIE BETTER BE GLAD 1653 00:37:04,267 --> 00:37:05,567 HE'S NOT IN ATLANTA, BECAUSE 1654 00:37:05,567 --> 00:37:07,167 AFTER KARLIE TOLD ME WHAT THEM 1655 00:37:07,167 --> 00:37:08,833 HOS BEEN SAYING AROUND TOWN, 1656 00:37:08,833 --> 00:37:09,800 THAT HE'S SLEEPING WITH THIS 1657 00:37:09,800 --> 00:37:11,467 HOTHEA, I WOULD'VE WENT UP TO 1658 00:37:11,467 --> 00:37:12,500 HIS [bleep] FACE, 1659 00:37:12,500 --> 00:37:13,833 GRABBED THE VERSACE DISHES, 1660 00:37:13,833 --> 00:37:14,667 AND I WOULD'VE KNOCKED HIS 1661 00:37:14,667 --> 00:37:15,900 [bleep] HEAD OFF WITH THEM, 1662 00:37:15,900 --> 00:37:17,467 BUT I'M NOT GONNA DO THAT. 1663 00:37:17,467 --> 00:37:18,967 THERE IS NO WAY NOBODY, NEITHER 1664 00:37:18,967 --> 00:37:20,767 STEVIE OR ANYBODY IN THE WORLD, 1665 00:37:20,767 --> 00:37:22,200 COULD GET IN BETWEEN MY CAREER, 1666 00:37:22,200 --> 00:37:23,700 'CAUSE I DON'T LOVE NOTHING ELSE 1667 00:37:23,700 --> 00:37:25,233 MORE THAN I LOVE THAT. 1668 00:37:25,233 --> 00:37:25,900 HOW YOU DOIN'? 1669 00:37:25,900 --> 00:37:26,567 WHAT'S GOING ON? 1670 00:37:26,567 --> 00:37:27,233 ALL RIGHT. 1671 00:37:27,233 --> 00:37:27,933 WHAT'S UP? 1672 00:37:27,933 --> 00:37:28,667 JUST GOT BACK, 1673 00:37:28,667 --> 00:37:30,700 KNOW WHAT I'M SAYIN'? 1674 00:37:30,700 --> 00:37:32,167 ZINO BEIN' SHOT WAS JUST THE 1675 00:37:32,167 --> 00:37:33,433 BEGINNING OF THE CRAZINESS 1676 00:37:33,433 --> 00:37:34,767 THAT WENT DOWN IN BOSTON. 1677 00:37:34,767 --> 00:37:36,933 I THINK THEM PAIN MEDS HAD HIM 1678 00:37:36,933 --> 00:37:38,267 TRIPPING, SAYING STUFF LIKE ME 1679 00:37:38,267 --> 00:37:40,167 AND ALTHEA WAS MESSING AROUND. 1680 00:37:40,167 --> 00:37:41,533 I DON'T KNOW WHAT HE TALKIN' 1681 00:37:41,533 --> 00:37:43,067 ABOUT, AND I WANT TO MAKE SURE 1682 00:37:43,067 --> 00:37:44,367 THAT MY WIFE KNOWS THE TRUTH 1683 00:37:44,367 --> 00:37:46,067 ABOUT ALL THAT TOO, BECAUSE, YOU 1684 00:37:46,067 --> 00:37:47,500 KNOW, THE STREETS BE TALKING, 1685 00:37:47,500 --> 00:37:48,867 AND THE LIES FLY FASTER 1686 00:37:48,867 --> 00:37:50,233 THAN A NEW YORK MINUTE. 1687 00:37:50,233 --> 00:37:50,933 WHILE I'M IN BOSTON 1688 00:37:50,933 --> 00:37:51,900 AT THE HOSPITAL... 1689 00:37:51,900 --> 00:37:52,567 UH-HUH. 1690 00:37:52,567 --> 00:37:54,367 I WALKS IN. ALTHEA IN THERE. 1691 00:37:54,367 --> 00:37:55,933 AND HE TELLS ME, "YO, I KNOW 1692 00:37:55,933 --> 00:37:57,100 ABOUT YOU AND ALTHEA," 1693 00:37:57,100 --> 00:37:58,433 LIKE HE WAS INSINUATIN', LIKE, 1694 00:37:58,433 --> 00:37:59,100 I HAD SLEPT WITH HER 1695 00:37:59,100 --> 00:37:59,767 OR SOMETHIN'. 1696 00:37:59,767 --> 00:38:00,800 BUT YOU SLEPT WITH HER. 1697 00:38:00,800 --> 00:38:01,633 WHAT YOU MEAN, I SLEPT WITH 1698 00:38:01,633 --> 00:38:02,300 HER? 1699 00:38:02,300 --> 00:38:02,967 THEA ALREADY TOLD ME 1700 00:38:02,967 --> 00:38:03,867 YOU SLEPT WITH HER. 1701 00:38:03,867 --> 00:38:04,533 I NEVER-- 1702 00:38:04,533 --> 00:38:05,300 I WAS TRYIN' TO FIGURE OUT 1703 00:38:05,300 --> 00:38:06,167 WHEN SHE WAS GONNA TELL ME, 1704 00:38:06,167 --> 00:38:07,700 AND WHEN YOU WAS GONNA TELL ME. 1705 00:38:07,700 --> 00:38:09,133 I TOLD YOU I WAS GONNA 1706 00:38:09,133 --> 00:38:10,500 INVESTIGATE, AND AFTER KARLIE 1707 00:38:10,500 --> 00:38:11,767 REDD DROPPED THIS BOMB ON ME, 1708 00:38:11,767 --> 00:38:12,700 I WENT AROUND TOWN. 1709 00:38:12,700 --> 00:38:13,467 I MADE PHONE CALLS. 1710 00:38:13,467 --> 00:38:14,333 I MET UP WITH PEOPLE. 1711 00:38:14,333 --> 00:38:15,333 AND WHAT THEY HAD TO TELL ME 1712 00:38:15,333 --> 00:38:16,433 WAS NOT NICE. 1713 00:38:16,433 --> 00:38:17,200 YOU KNOW WHAT MAKES ME 1714 00:38:17,200 --> 00:38:17,900 EVEN MORE MAD? 1715 00:38:17,900 --> 00:38:18,567 THAT YOU [bleep] HER 1716 00:38:18,567 --> 00:38:19,300 WHILE YOU WAS WITH ME. 1717 00:38:19,300 --> 00:38:20,100 I NEVER [bleep] HER. 1718 00:38:20,100 --> 00:38:21,067 AS A MATTER OF FACT, 1719 00:38:21,067 --> 00:38:21,967 I HEARD YOU [bleep] HER 1720 00:38:21,967 --> 00:38:22,967 AT BENZINO'S HOUSE. 1721 00:38:22,967 --> 00:38:23,967 YOU HEARD WRONG. 1722 00:38:23,967 --> 00:38:24,700 I DON'T BELIEVE YOU. 1723 00:38:24,700 --> 00:38:25,500 I'VE BEEN FAITHFUL TO YOU 1724 00:38:25,500 --> 00:38:26,200 SINCE I'VE BEEN WITH YOU. 1725 00:38:26,200 --> 00:38:26,867 NO, YOU HAVEN'T. 1726 00:38:26,867 --> 00:38:27,700 I'VE DEDICATED TWO YEARS OF 1727 00:38:27,700 --> 00:38:28,367 MY LIFE TO YOU. 1728 00:38:28,367 --> 00:38:29,067 YOU HAVEN'T DEDICATED 1729 00:38:29,067 --> 00:38:29,733 NOTHING. 1730 00:38:29,733 --> 00:38:30,400 TO YOUR CAREER. 1731 00:38:30,400 --> 00:38:31,067 YOU KNOW WHAT YOU'VE 1732 00:38:31,067 --> 00:38:31,733 DEDICATED? 1733 00:38:31,733 --> 00:38:32,700 YOU'VE DEDICATED LIES, 'CAUSE 1734 00:38:32,700 --> 00:38:33,800 YOU [bleep] ALTHEA. 1735 00:38:33,800 --> 00:38:34,633 I WANT TO POP YOU IN YOUR 1736 00:38:34,633 --> 00:38:35,433 [bleep], BUT I CAN'T BEAT YOU 1737 00:38:35,433 --> 00:38:36,200 UP, SO I'MA HAVE TO WHUP HER 1738 00:38:36,200 --> 00:38:37,300 ASS, BECAUSE SHE SAT IN MY 1739 00:38:37,300 --> 00:38:38,333 [bleep] HOUSE AND... 1740 00:38:38,333 --> 00:38:39,367 I NEVER [bleep] HER. 1741 00:38:39,367 --> 00:38:40,967 SHE ATE MY [bleep] FOOD 1742 00:38:40,967 --> 00:38:41,800 IN MY NICE [bleep]. 1743 00:38:41,800 --> 00:38:42,700 NOW I'MA HAVE TO WHUP THE BITCH 1744 00:38:42,700 --> 00:38:43,367 ASS. 1745 00:38:43,367 --> 00:38:44,333 WHEN I SEE THAT BITCH AGAIN, 1746 00:38:44,333 --> 00:38:45,200 JUST KNOW THAT, AND LET YOUR 1747 00:38:45,200 --> 00:38:46,567 HOMEY KNOW I'MA WHUP THAT HO 1748 00:38:46,567 --> 00:38:47,800 ASS, 'CAUSE FIRST OF ALL, 1749 00:38:47,800 --> 00:38:49,067 HE DISRESPECTFUL, AND YOU MORE 1750 00:38:49,067 --> 00:38:49,800 DISRESPECTFUL. 1751 00:38:49,800 --> 00:38:50,833 YOU KNOW, I'M REALLY MAD AT THIS 1752 00:38:50,833 --> 00:38:51,700 [bleep]. 1753 00:38:51,700 --> 00:38:52,900 IT'S ONE THING YOU BE REAL WITH 1754 00:38:52,900 --> 00:38:54,500 ME, AND IT'S ANOTHER THING 1755 00:38:54,500 --> 00:38:55,433 YOU TRYIN' TO PLAY ME. 1756 00:38:55,433 --> 00:38:57,133 THAT'S HOW PEOPLE GET MESSED UP, 1757 00:38:57,133 --> 00:38:57,867 'CAUSE PEOPLE LIKE TO PLAY 1758 00:38:57,867 --> 00:38:58,633 GAMES. 1759 00:38:58,633 --> 00:38:59,300 YOU WENT OUT WITH HER 1760 00:38:59,300 --> 00:39:00,200 A YEAR AGO WHEN WE WAS-- 1761 00:39:00,200 --> 00:39:00,867 YEAH. 1762 00:39:00,867 --> 00:39:01,533 WHEN WAS ALREADY-- 1763 00:39:01,533 --> 00:39:02,367 WAS WE ALREADY MARRIED? 1764 00:39:02,367 --> 00:39:03,167 IS IT JUNE YET? 1765 00:39:03,167 --> 00:39:03,833 NO. 1766 00:39:03,833 --> 00:39:04,667 AND YOU KNOW I WAS WAITIN' ON 1767 00:39:04,667 --> 00:39:06,233 YOUR SCARY ASS TO TELL ME. 1768 00:39:06,233 --> 00:39:07,100 YOU DON'T EVEN HAVE THE BALLS-- 1769 00:39:07,100 --> 00:39:07,933 I'M NOT SCARY ABOUT NOTH-- 1770 00:39:07,933 --> 00:39:08,733 YOU CLAIM YOU'RE A PLAYER, 1771 00:39:08,733 --> 00:39:09,667 BUT YOU DIDN'T EVEN TELL THE 1772 00:39:09,667 --> 00:39:10,567 TRUTH OF WHAT YOU DONE. 1773 00:39:10,567 --> 00:39:12,067 I'M 27 YEARS OLD, AND I WILL-- 1774 00:39:12,067 --> 00:39:13,133 "I'M 27 YEARS OLD." 1775 00:39:13,133 --> 00:39:14,300 AND I REFUSE TO BE WORRYIN' 1776 00:39:14,300 --> 00:39:15,200 ABOUT WHAT YOU DOIN' AND WHO YOU 1777 00:39:15,200 --> 00:39:16,100 STICKIN' YOUR [bleep]. 1778 00:39:16,100 --> 00:39:16,767 I DON'T CHEAT. 1779 00:39:16,767 --> 00:39:17,467 I'M READY TO SIGN THE 1780 00:39:17,467 --> 00:39:18,233 WALK-AWAYS WHEN YOU READY, 1781 00:39:18,233 --> 00:39:19,067 'CAUSE DOIN' THIS [bleep], 1782 00:39:19,067 --> 00:39:19,967 I DON'T WANT TO BE WITH YOU. 1783 00:39:19,967 --> 00:39:20,800 IT'S UP TO YOU IF YOU GON' 1784 00:39:20,800 --> 00:39:21,467 GET THE WALK-AWAY. 1785 00:39:21,467 --> 00:39:22,200 I DON'T GIVE A [bleep]. 1786 00:39:22,200 --> 00:39:23,300 LET'S DO IT, 'CAUSE I DON'T WANT 1787 00:39:23,300 --> 00:39:24,167 TO BE MARRIED TO A CHEATER. 1788 00:39:24,167 --> 00:39:25,433 WELL, JOSELINE, SHE THINKS 1789 00:39:25,433 --> 00:39:26,867 I'M SMASHIN' EVERYBODY. 1790 00:39:26,867 --> 00:39:28,433 I KNOW I'M FLY AND EVERYTHING, 1791 00:39:28,433 --> 00:39:30,067 BUT I AIN'T KNOCKIN' 'EM DOWN. 1792 00:39:30,067 --> 00:39:30,733 THIS IS ALL ACTING. 1793 00:39:30,733 --> 00:39:31,567 NO, THIS AIN'T ACTING. 1794 00:39:31,567 --> 00:39:32,300 THIS IS REAL. 1795 00:39:32,300 --> 00:39:33,100 YOU FULL OF [bleep]. 1796 00:39:33,100 --> 00:39:33,900 YOU HAVE A GOOD REHEARSAL, 1797 00:39:33,900 --> 00:39:34,567 BUT YOU-- 1798 00:39:34,567 --> 00:39:35,367 YOU TELL ALTHEA I'MA WHUP 1799 00:39:35,367 --> 00:39:36,233 HER ASS, SO I HOPE HER [bleep] 1800 00:39:36,233 --> 00:39:36,933 WAS GOOD ENOUGH. 1801 00:39:36,933 --> 00:39:37,633 GET BACK TO WORK, BABY. 1802 00:39:37,633 --> 00:39:38,600 YOU DONE THAT ALREADY. 1803 00:39:38,600 --> 00:39:39,667 TELL THAT BITCH I'MA WHUP HER 1804 00:39:39,667 --> 00:39:41,667 ASS WHEN YOU SEE HER. 1805 00:39:46,433 --> 00:39:47,533 NEXT TIME ON LOVE & HIP-HOP: 1806 00:39:47,533 --> 00:39:48,267 ATLANTA... 1807 00:39:48,267 --> 00:39:49,267 HEY, BABY. 1808 00:39:49,267 --> 00:39:50,433 DON'T PAY HER NO MIND. 1809 00:39:50,433 --> 00:39:51,633 SHE NOT 'POSED TO BE HERE. 1810 00:39:51,633 --> 00:39:52,300 SHE NOT. 1811 00:39:52,300 --> 00:39:53,133 I'M SUPPOSED TO BE WORKIN' 1812 00:39:53,133 --> 00:39:53,800 ON MY ALBUM. 1813 00:39:53,800 --> 00:39:54,933 ALL I SEEN Y'ALL DOING WAS 1814 00:39:54,933 --> 00:39:55,667 HANGING OUT. 1815 00:39:55,667 --> 00:39:56,467 I'M TELLING YOU SOMETHIN'. 1816 00:39:56,467 --> 00:39:57,200 WHAT ARE YOU TELLING ME? 1817 00:39:57,200 --> 00:39:57,867 TELL ME, THEN. 1818 00:39:57,867 --> 00:39:58,567 I CAN'T DEAL WITH THE, 1819 00:39:58,567 --> 00:39:59,600 "WE GONNA HAVE A LITTLE FRIEND 1820 00:39:59,600 --> 00:40:00,467 ON THE SIDE." 1821 00:40:00,467 --> 00:40:01,433 I NEED KALENNA BACK. 1822 00:40:01,433 --> 00:40:04,067 I NEED K-DIDDYBOP. 1823 00:40:04,067 --> 00:40:07,400 I'M OFFICIALLY MRS. MALPHURS. 1824 00:40:07,400 --> 00:40:09,600 WE GOT MARRIED ALREADY. 1825 00:40:09,600 --> 00:40:10,833 WHAT? 1826 00:40:10,833 --> 00:40:11,933 NOW, THIS IS REAL [bleep], 1827 00:40:11,933 --> 00:40:13,000 LIKE, FOR REAL. 1828 00:40:13,000 --> 00:40:15,467 I CAN'T MAKE STEVIE ADMIT IT, 1829 00:40:15,467 --> 00:40:16,467 AND WHATEVER HIM AND JOSELINE'S 1830 00:40:16,467 --> 00:40:17,400 GONNA GO THROUGH, 1831 00:40:17,400 --> 00:40:18,467 THEY'RE GONNA GO THROUGH. 1832 00:40:18,467 --> 00:40:19,367 THAT'S THE REASON WHY HE'S NOT 1833 00:40:19,367 --> 00:40:20,533 ADMITTING IT, BECAUSE HE DOESN'T 1834 00:40:20,533 --> 00:40:21,567 WANT TO FEEL THE WRATH OF HER. 1835 00:40:21,567 --> 00:40:22,933 YOU WANT TO GO MEET WITH HOS. 1836 00:40:22,933 --> 00:40:23,600 YOU WANT TO [bleep] 1837 00:40:23,600 --> 00:40:24,633 BENZINO BROAD. 1838 00:40:24,633 --> 00:40:25,667 I AIN'T DO [bleep]. 1839 00:40:25,667 --> 00:40:26,467 I MISS YOU. 1840 00:40:26,467 --> 00:40:27,300 NO, IT'S NONE OF THAT. 1841 00:40:27,300 --> 00:40:28,633 WHAT I WANT YOU TO DO IS TO GET 1842 00:40:28,633 --> 00:40:29,500 YOUR [bleep] TOGETHER. 1843 00:40:29,500 --> 00:40:30,233 'CAUSE YOU KNOW WHAT? 1844 00:40:30,233 --> 00:40:31,233 I'M 'BOUT THIS CLOSE TO MOVING 1845 00:40:31,233 --> 00:40:32,667 FAR AWAY FROM ATLANTA, 1846 00:40:32,667 --> 00:40:33,733 AND YOU'RE NOT GONNA SEE ME. 1847 00:40:33,733 --> 00:40:35,000 I'M OVER HIS ASS, 1848 00:40:35,000 --> 00:40:36,000 AND I'M GOIN' OUT OF TOWN. 1849 00:40:36,000 --> 00:40:37,433 BEFORE I SLAP THE [bleep] 1850 00:40:37,433 --> 00:40:38,233 OUT OF YOU... 1851 00:40:38,233 --> 00:40:39,000 BEFORE I SLAP THE [bleep] 1852 00:40:39,000 --> 00:40:39,667 OUT YOU... 1853 00:40:39,667 --> 00:40:40,333 EXIT TO THE RIGHT. 1854 00:40:40,333 --> 00:40:41,233 'CAUSE YOU AIN'T GON' NEVER 1855 00:40:41,233 --> 00:40:41,900 SLAP ME. 1856 00:40:41,900 --> 00:40:42,667 THAT'LL BE YOUR LAST TIME-- 1857 00:40:42,667 --> 00:40:43,500 THAT'LL BE YOUR LAST TIME 1858 00:40:43,500 --> 00:40:44,633 EVER SLAPPIN' A [bleep] 1859 00:40:44,633 --> 00:40:45,467 IN REAL LIFE. 1860 00:40:45,467 --> 00:40:50,267 BYE, LANCE! 1861 00:41:08,800 --> 00:41:09,667 DON'T MARRY KARLIE, JOC. 1862 00:41:09,667 --> 00:41:11,067 DO NOT MARRY KARLIE, JOC. 1863 00:41:11,067 --> 00:41:11,700 OH, NO, NO, NO. 1864 00:41:11,700 --> 00:41:12,367 OH, THAT DID NOT COME OUT 1865 00:41:12,367 --> 00:41:13,067 OF MY MOUTH. 1866 00:41:13,067 --> 00:41:13,733 I'M SORRY. 1867 00:41:13,733 --> 00:41:14,600 NO, JOC, DO WHATEVER YOU HAVE 1868 00:41:14,600 --> 00:41:15,267 TO DO. 1869 00:41:15,267 --> 00:41:16,133 DO WHATEVER'S IN YOUR HEART. 1870 00:41:16,133 --> 00:41:16,800 I'M NOT A HATER. 1871 00:41:16,800 --> 00:41:17,833 YOU KNOW I LIKE YOU, BUT-- 1872 00:41:17,833 --> 00:41:18,767 LISTEN, I AIN'T SAYIN' 1873 00:41:18,767 --> 00:41:19,967 [bleep] ABOUT MARRIAGE, OKAY? 1874 00:41:19,967 --> 00:41:20,933 I'M JUST COOLIN'. 1875 00:41:20,933 --> 00:41:21,900 ME AND YOU GOT THE SAME PROBLEM. 1876 00:41:21,900 --> 00:41:22,800 WE COUSINS. 1877 00:41:22,800 --> 00:41:23,933 OH, SO IT'S A--PLAYING'S 1878 00:41:23,933 --> 00:41:24,867 IN THE BLOODLINE. 1879 00:41:24,867 --> 00:41:28,067 ME AND CUZ--LISTEN. 1880 00:41:28,067 --> 00:41:29,067 SO DO I NEED TO BECOME 1881 00:41:29,067 --> 00:41:29,933 COUSINS AND WE ALL GONNA BE 1882 00:41:29,933 --> 00:41:30,600 [bleep] UP? 1883 00:41:30,600 --> 00:41:31,467 YOU ALREADY [bleep] UP 1884 00:41:31,467 --> 00:41:33,067 IN SOME KIND OF WAY. 1885 00:41:33,067 --> 00:41:33,833 HERE, LET'S PRICK OUR 1886 00:41:33,833 --> 00:41:35,267 FINGERS. 1887 00:41:35,267 --> 00:41:35,933 BLOOD BROTHERS. 116799

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