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PREVIOUSLY ON LOVE & HIP-HOP:
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ATLANTA...
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YOU HAVE TO BE FINANCIALLY
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STABLE IN THE RELATIONSHIP.
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BUT YOU KNEW MY SITUATION.
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BUT YOU--NO!
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IT AIN'T NOTHIN' NEW.
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IT IS NEW TO ME.
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THIS TAPE, YOU HAD
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SOMETHING TO DO WITH IT.
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AM I WRONG?
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TO FIND A GUY WHO IS REALLY
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FAITHFUL.
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SO FAR, YOU NEVER WENT
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THROUGH NO EPISODES?
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NOT WITH HIM.
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YEAH, YOU KNOW SOMETHIN'
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I DON'T KNOW.
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I KNOW A LOT OF THINGS
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THAT YOU DON'T KNOW.
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HOW THE [bleep]
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DID I KNOW ABOUT YOU AND STEVIE?
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IT'S LIKE THE ARMY.
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DON'T [bleep] ASK, DON'T TELL.
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I WANT EVERYTHING LAID OUT
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ON THE TABLE.
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I'M DONE WITH ALL THIS
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[bleep].
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GO AND DON'T [bleep] COME BACK.
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YOU SITTING UP ACTING STUPID
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WITH YOUR RATCHET ASS.
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MY MOM, YOU KNOW.
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YEAH, A GROUCHY OLD WOMAN.
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AND YOU GON' JUST BE MAD
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FOREVER.
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I'LL SIT DOWN WITH YOUR MAMA,
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BUT IF SHE START BARKING AND
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BEING THAT OTHER PERSON, DON'T
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EXPECT ME JUST TO KISS HER BUTT.
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SPEAKING OF YOUR MAMA, TELL
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YOU ABOUT THIS BIG-ASS WEDDIN'
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SHE'S TRYING TO PLAN?
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THIS IS MY WEDDING.
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I DON'T KNOW 'BOUT NOTHING
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'BOUT PLANNING NO WEDDIN'.
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A LITTLE BIT OF STUFF YOU
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GONNA LEARN ABOUT.
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Y'ALL ARE CRAZY.
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IT'S NOT LIKE HE WOULD JUST--
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HE DIDN'T TALK ABOUT
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COMMITTING SUICIDE.
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BUT NOBODY KNEW THAT WE WAS
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GONNA GO THROUGH EXACTLY
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WHAT WE WENT THROUGH.
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I GOT TO GO TO BOSTON.
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WHAT HAPPENED?
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ZINO'S MOM, SHE PASSED AWAY,
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AND THERE'S A LOT GOING ON
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WITH THE FAMILY.
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MY FATHER, HE WAS CRYING,
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AND THEN HE TOLD MY MOTHER DIED,
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AND MY WHOLE WORLD JUST
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CAME TO A END.
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* YEAH
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* 'SUP ♪
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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♪ THERE AIN'T NOTHING LIKE ♪
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♪ HIP-HOP MUSIC
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♪ MUSIC
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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HEY, BOO.
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HEY.
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I LIKE YOUR RING.
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YOU BETTER LIKE EVERYTHING.
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MY GIRL KARLIE HAS BEEN OUT OF
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TOWN, DOING HER THING, AND I
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HAVEN'T SEEN HER, TALKED TO HER
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SINCE THAT CRAZINESS AT THAT
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GRAND OPENING, BUT, GIRL,
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GOT A LOT TO TELL YOU.
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I JUST WANT TO MAKE SURE
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JOC AIN'T POPPING UP.
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[laughs]
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LET ME TELL YOU ABOUT JOC.
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WE RIGHT HERE, BUT WHAT'S GOING
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ON WITH YOU AND O'SHEA?
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OVER WITH.
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IT'S DONE.
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YOU KNOW, I WAS TIRED OF DIGGING
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IN MY PURSE, GIVING UP THE CARD.
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DO YOU REMEMBER WHEN WE WENT
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BOWLING?
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WE HAD A GREAT TIME.
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YEAH.
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GUESS WHO PAID.
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MOI.
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SHUT UP.
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AND YUNG ASS ASKED TO PAY.
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RIGHT.
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O'SHEA AND I WERE SHORT
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AND NOT SO SWEET.
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I TRIED TO BE UNDERSTANDING
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OF HIS FINANCIAL DIFFICULTIES,
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BUT THAT BECAME HIS NORM,
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AND HIM NOT HAVIN' NO GAS
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MONEY--
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[scoffs]
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THAT WAS THE FINAL STRAW.
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YOU MISSED MIMI'S ONE-YEAR
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ANNIVERSARY WITH NIKKO.
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WHAT HAPPENED?
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WHAT DIDN'T HAPPEN?
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MIMI FILLS ME IN ABOUT ALTHEA.
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SO SHE TELLS ME SHE GOES TO DROP
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THE BABY OFF.
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WHEN STEVIE OPEN THE DOOR, THERE
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SHE WAS WITH A COVER OVER HERE.
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WHO GOT A COVER OVER WHO?
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ALTHEA.
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SHUT THE [bleep] UP.
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YES.
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HOTHEA WAS AT STEVIE'S
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HOUSE?
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AND HE DIDN'T HAVE ON NOTHING
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BUT A TOWEL.
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SO SHE [bleep] STEVIE TOO?
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SHE DID.
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JOSELINE JUST TOLD ME
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THE OTHER DAY THAT HOTHEA
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WAS WITH NIKKO,
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AND I WAS LIKE, "WHAT?"
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SHE WAS LIKE, "YEAH,
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NIKKO AND THEA'S [bleep]."
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SO NOW YOU TELLING ME THAT
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SHE WAS DOING STEVIE TOO--
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OR IS DOING STEVIE?
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WE DON'T KNOW.
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SHE WAS.
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WHEN JOSELINE FINDS OUT,
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YOU KNOW THAT BITCH IS GONNA
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FLIP HER WIG.
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WELL, HOS KNOW HOS.
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SHE SHOULD KNOW.
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NOW, YOU KNOW I'M GONNA TELL
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JOSELINE.
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THIS IS NOT ABOUT BEING MESSY.
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IF SHE SAW MY MAN WITH ANOTHER
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CHICK, SHE BETTER COME TELL ME.
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THAT'S JUST WHAT FRIENDS DO.
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SHE THIRSTY.
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BUT NO, I'MA TELL JOSELINE.
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I JUST NEED A FRONT-ROW SEAT,
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GLASS OF WINE.
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[laughs]
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THESE PICTURES IN THIS
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MAGAZINE WAS SO GOOD,
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WASN'T THEY?
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I THOUGHT THEY WERE OKAY.
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BUT YOU KNOW MY FAVORITE,
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RIGHT?
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WHO, YOU?
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YEAH.
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GIRL.
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[laughter]
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YOU SEE WHAT THE FRONT
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OF IT SAY.
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"DOES HE REALLY LOVE HER?
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WILL THEY STAY TOGETHER
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AFTER HE MESSED UP?"
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WHEN WE HAD THE PHOTO SHOOT
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FOR SISTER 2 SISTER MAGAZINE,
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KIRK AND I WERE IN
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A HORRIBLE PLACE.
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HIM AND MY MAMA WAS FIGHTING
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LIKE CRAZY, LIKE, ALL THE TIME,
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BUT HE'S AGREED TO SIT DOWN AND
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TALK TO MY MOM SO HE CAN WORK
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ON TRYING TO MAKE THINGS RIGHT
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BETWEEN THE TWO OF THEM.
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KIND OF TALK TO MAMA ABOUT HOW
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WE ARE WORKING ON TRYING
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TO REPAIR THINGS.
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HOPEFULLY, Y'ALL CAN GET SOME
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TYPE OF PEACE GOING.
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I'M COOL WITH ADMITTING YES,
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THE THINGS I DID WAS WRONG,
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BUT, YOU KNOW, SOME OF THE
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THINGS THAT BE GOING ON,
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YOU A LOT OF BLAME TOO,
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BECAUSE YOU COME IN WITH THIS,
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"I KNOW HE'S MY GRANDSON,
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BUT WHAT ABOUT YOU?"
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SO IT MADE ME SAY,
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"YOU KNOW WHAT?
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LET ME JUST THINK ABOUT
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GETTING A DNA TEST."
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DON'T BLAME IT ON ME, 'CAUSE
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I AIN'T HAD NOTHIN' TO DO
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WITH THAT.
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I ADMIT I WAS WRONG FOR DOIN'
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A DNA TEST ON KARTER.
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I WAS DEFINITELY WRONG FOR NOT
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TELLING MY WIFE.
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BUT IF ME AND RASHEEDA ARE GONNA
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HAVE ANY CHANCE OF FIXIN' THIS
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RELATIONSHIP, I'MA NEED HER MAMA
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TO STAY OUT OUR BUSINESS.
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I'M WILLING TO APOLOGIZE, BUT
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I FEEL LIKE YOU SHOULD MEET ME
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HALFWAY WITH MOST OF THE THINGS
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THAT YOU'VE DONE TO ME AS WELL.
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WAIT A MINUTE. OKAY.
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JUST, LIKE,
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DESTROYING MY BIKE.
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I FEEL LIKE WE BOTH HAVE DONE
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THINGS THAT'S WRONG
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ON BOTH SIDES OF THE TABLE.
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KIRK, THAT'S BULL[bleep].
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NO, IT'S NOT.
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THAT'S BULL[bleep].
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YOU KNOW, EVERYBODY WAS HURT
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IN THE SITUATION
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IN SOME KIND OF WAY.
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YOU MAD ABOUT YOUR [bleep]
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BEIN' BROKE.
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I'M PISSED OFF ABOUT--
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AND THAT'S MATERIALISTIC AS
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[bleep], AND SOMETHING LIKE
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THAT--WHAT I DID WOULD NEVER
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MAKE UP FOR THE [bleep]
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THAT YOU DID TO RASHEEDA.
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THAT WAS WAY MORE DAMAGING.
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I GOT TO GO TO THE BATHROOM.
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EVERYBODY PISSED OFF.
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KIRK MAD THAT SHE RAN OVER
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THE BIKE.
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SHE'S MAD ABOUT THE DNA TEST.
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I'M MAD ABOUT THE DNA TEST,
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BUT GUESS WHAT.
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MOM, YOU'RE GROWN.
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KIRK, YOU GROWN.
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Y'ALL ARE TWO ADULTS.
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COME ON.
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LET'S GET THIS TOGETHER.
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WHETHER YOU KNOW IT OR NOT--
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I DON'T KNOW--
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I LOVE YOU JUST AS MUCH
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AS I LOVE RASHEEDA.
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REALLY?
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OKAY?
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I'VE SEEN THE GOOD THINGS THAT
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YOU'VE DONE, AND I'VE SEEN THE
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BAD THINGS THAT YOU'VE DONE.
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I REALLY HATE TO SEE THIS THING
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THAT'S GOIN' ON BETWEEN YOU AND
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HER, AND I WANT YOU GUYS TO GET
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IT TOGETHER, BUT THIS IS WHAT
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I FEEL.
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IN ORDER FOR YOU TO MEND THIS
270
00:05:42,967 --> 00:05:44,767
THING, YOU NEED TO HAVE
271
00:05:44,767 --> 00:05:47,133
A "I'M SORRY" PARTY.
272
00:05:47,133 --> 00:05:48,467
YOU NEED TO HAVE FRIENDS AND
273
00:05:48,467 --> 00:05:50,767
FAMILY AND APOLOGIZE TO RASHEEDA
274
00:05:50,767 --> 00:05:52,167
IN FRONT OF EVERYBODY.
275
00:05:52,167 --> 00:05:52,967
THAT MIGHT ACTUALLY BE THE
276
00:05:52,967 --> 00:05:54,567
DUMBEST THING I'VE EVER HEARD,
277
00:05:54,567 --> 00:05:56,300
BUT IF THROWING A PARTY WILL GET
278
00:05:56,300 --> 00:05:57,733
THIS WOMAN OFF MY CASE,
279
00:05:57,733 --> 00:05:59,100
THEN BY ALL MEANS,
280
00:05:59,100 --> 00:06:00,533
LET'S THROW A PARTY.
281
00:06:00,533 --> 00:06:01,933
I KNOW THAT RASHEEDA WILL
282
00:06:01,933 --> 00:06:03,567
FEEL LIKE THAT WILL MEND THIS,
283
00:06:03,567 --> 00:06:04,733
BECAUSE LIKE I SAID,
284
00:06:04,733 --> 00:06:05,667
THAT MATERIALISTIC STUFF
285
00:06:05,667 --> 00:06:06,333
IS NOT GONNA GET IT.
286
00:06:06,333 --> 00:06:07,133
IT'S GOT TO BE SOMETHIN'--
287
00:06:07,133 --> 00:06:08,067
MATERIALISTIC STUFF DON'T GET
288
00:06:08,067 --> 00:06:08,733
IT.
289
00:06:08,733 --> 00:06:09,400
HECK-E NO.
290
00:06:09,400 --> 00:06:10,267
IT'S GOT TO BE SOMETHIN' MORE
291
00:06:10,267 --> 00:06:10,933
SINCERE THAN THAT.
292
00:06:10,933 --> 00:06:11,733
SO YOU RUNNIN' OVER MY BIKE
293
00:06:11,733 --> 00:06:12,400
IS NOT WRONG.
294
00:06:12,400 --> 00:06:13,267
WE AIN'T GON' TALK ABOUT THAT
295
00:06:13,267 --> 00:06:14,467
DAMN BIKE, BECAUSE LIKE I SAID--
296
00:06:14,467 --> 00:06:15,367
OKAY, SO MATERIAL STUFF DON'T
297
00:06:15,367 --> 00:06:16,067
BOTHER YOU?
298
00:06:16,067 --> 00:06:16,700
MM-MM.
299
00:06:16,700 --> 00:06:17,900
THESE ARE CHANELS, RIGHT?
300
00:06:17,900 --> 00:06:18,633
YEAH, THEY ARE.
301
00:06:18,633 --> 00:06:19,300
THEY'RE MATERIAL.
302
00:06:19,300 --> 00:06:19,967
THEY COST A LOT.
303
00:06:19,967 --> 00:06:22,367
WHAT IF I JUST DID LIKE THIS?
304
00:06:22,367 --> 00:06:23,433
HOW DO YOU FEEL ABOUT THAT?
305
00:06:23,433 --> 00:06:24,467
IS EVERYTHING EVEN?
306
00:06:24,467 --> 00:06:25,200
NO, IT'S NOT EVEN.
307
00:06:25,200 --> 00:06:26,067
SO WHAT MORE DO YOU WANT
308
00:06:26,067 --> 00:06:26,700
FROM ME?
309
00:06:26,700 --> 00:06:27,433
NOW, WHY Y'ALL GOT TO BE
310
00:06:27,433 --> 00:06:28,333
ARGUIN'?
311
00:06:28,333 --> 00:06:29,067
COME ON, NOW.
312
00:06:29,067 --> 00:06:29,667
NO, BUT I WANT YOU TO
313
00:06:29,667 --> 00:06:30,433
UNDERSTAND.
314
00:06:30,433 --> 00:06:31,567
STOP SAYIN' STUFF IS MATERIAL
315
00:06:31,567 --> 00:06:32,700
AND IT DON'T MATTER.
316
00:06:32,700 --> 00:06:33,533
THAT [bleep] MATTERED TO YOU.
317
00:06:33,533 --> 00:06:34,300
'CAUSE KIRK BROKE 'EM,
318
00:06:34,300 --> 00:06:34,967
BUT THAT'S OKAY.
319
00:06:34,967 --> 00:06:35,633
THAT'S FINE.
320
00:06:35,633 --> 00:06:36,733
NOW, CLEARLY, THESE FOOLS
321
00:06:36,733 --> 00:06:37,933
NEED A REFEREE, SOME SECURITY
322
00:06:37,933 --> 00:06:38,700
OR SOMETHIN', 'CAUSE THIS
323
00:06:38,700 --> 00:06:39,433
[bleep] AIN'T WORKING.
324
00:06:39,433 --> 00:06:41,467
REALLY, KIRK?
325
00:06:50,067 --> 00:06:51,100
YOU GOT TO MAKE SURE THAT ASS
326
00:06:51,100 --> 00:06:52,133
IS TIGHT.
327
00:06:52,133 --> 00:06:53,433
JOSELINE AND ALL HER MUSCLES
328
00:06:53,433 --> 00:06:54,567
ASKED ME TO COME WORK OUT WITH
329
00:06:54,567 --> 00:06:55,933
HER, AND IT'S A PERFECT TIME
330
00:06:55,933 --> 00:06:57,067
FOR ME TO TELL HER WHAT I HEARD
331
00:06:57,067 --> 00:06:58,567
ABOUT STEVIE AND ALTHEA.
332
00:06:58,567 --> 00:07:00,300
OH, EXCUSE ME, HOTHEA.
333
00:07:00,300 --> 00:07:01,633
GET THOSE MOVING PARTS.
334
00:07:01,633 --> 00:07:03,400
JOSELINE IS GONNA LOSE
335
00:07:03,400 --> 00:07:05,133
HER MIND.
336
00:07:05,133 --> 00:07:06,300
HOPEFULLY SHE DON'T START
337
00:07:06,300 --> 00:07:07,900
THROWING BARBELLS WITH ALL THAT
338
00:07:07,900 --> 00:07:09,467
MUSCLES AND TESTOSTERONE SHE GOT
339
00:07:09,467 --> 00:07:10,400
AROUND THE GYM.
340
00:07:10,400 --> 00:07:12,267
KILL YOUR MAN IN THAT BED.
341
00:07:12,267 --> 00:07:13,867
[laughs]
342
00:07:13,867 --> 00:07:14,633
ARE YOU GONNA EVER TAKE
343
00:07:14,633 --> 00:07:16,167
WORKOUTS SERIOUSLY?
344
00:07:16,167 --> 00:07:17,067
I HAVEN'T HEARD FROM STEVIE
345
00:07:17,067 --> 00:07:18,067
SINCE HE WENT TO GO LOOK OUT
346
00:07:18,067 --> 00:07:19,433
FOR BENZINO, SINCE HIS MOTHER
347
00:07:19,433 --> 00:07:20,833
PASSED, BUT I BEEN REALLY BEEN
348
00:07:20,833 --> 00:07:22,567
KEEPING MYSELF BUSY WORKING OUT
349
00:07:22,567 --> 00:07:24,067
AND DOING MY MUSIC,
350
00:07:24,067 --> 00:07:25,300
AND I HAVE TO GO MEET WITH
351
00:07:25,300 --> 00:07:26,633
KARLIE AT THE GYM TO TELL HER
352
00:07:26,633 --> 00:07:27,900
ASS WHAT I FOUND ON STEVIE'S
353
00:07:27,900 --> 00:07:28,633
PHONE.
354
00:07:28,633 --> 00:07:30,067
I WENT THROUGH HIS PHONE, BITCH.
355
00:07:30,067 --> 00:07:30,933
WHAT DID YOU FIND?
356
00:07:30,933 --> 00:07:32,800
FOUR DIFFERENT BOOTY HOLES
357
00:07:32,800 --> 00:07:34,067
AND COOTIE-CAT PICTURES.
358
00:07:34,067 --> 00:07:34,700
AND YOU DIDN'T BUST HIM
359
00:07:34,700 --> 00:07:35,500
IN HIS FACE WHEN YOU FOUND IT?
360
00:07:35,500 --> 00:07:36,167
OH, NO.
361
00:07:36,167 --> 00:07:36,967
I DIDN'T BUST HIM IN HIS FACE.
362
00:07:36,967 --> 00:07:37,833
I WAS LIKE, "SO WHAT THE [bleep]
363
00:07:37,833 --> 00:07:38,633
YOU BEEN DOING WITH ALL THESE
364
00:07:38,633 --> 00:07:39,567
NASTY-ASS PICTURES OF BOOTY
365
00:07:39,567 --> 00:07:40,233
HOLES?"
366
00:07:40,233 --> 00:07:41,267
GIRL, HE HAD THE NERVE TO TELL
367
00:07:41,267 --> 00:07:42,933
ME THOSE WAS NOT HIS PICTURES.
368
00:07:42,933 --> 00:07:44,067
IT'S A RESPECT THING, KARLIE.
369
00:07:44,067 --> 00:07:44,867
AT THIS POINT, HE SHOULDN'T BE
370
00:07:44,867 --> 00:07:45,533
DOING THAT.
371
00:07:45,533 --> 00:07:46,900
LIKE, HOW THIRSTY COULD YOU BE?
372
00:07:46,900 --> 00:07:48,133
I DECIDED TO LET IT GO.
373
00:07:48,133 --> 00:07:49,567
IT'S A DECISION FOR ME.
374
00:07:49,567 --> 00:07:50,667
AS A GROWN WOMAN, I CAN'T JUST
375
00:07:50,667 --> 00:07:51,400
BE PACKING UP AND LEAVING.
376
00:07:51,400 --> 00:07:52,333
I MEAN, I GOT A BUSINESS WITH
377
00:07:52,333 --> 00:07:53,100
THIS MAN.
378
00:07:53,100 --> 00:07:53,867
IT'S A LOT GOING ON.
379
00:07:53,867 --> 00:07:54,533
WHAT YOU MEAN,
380
00:07:54,533 --> 00:07:55,467
IT'S A LOT GOING ON?
381
00:07:55,467 --> 00:07:56,167
WELL, BENZINO'S MOM,
382
00:07:56,167 --> 00:07:56,833
SHE DIED.
383
00:07:56,833 --> 00:07:57,500
SHE PASSED AWAY.
384
00:07:57,500 --> 00:07:58,767
HIS MOM PASSED AWAY?
385
00:07:58,767 --> 00:07:59,867
HIS MOM PASSED AWAY, GIRL.
386
00:07:59,867 --> 00:08:01,133
I GOT TO CALL HIM.
387
00:08:01,133 --> 00:08:03,200
SO STEVIE WENT TO GO SEE HIM?
388
00:08:03,200 --> 00:08:04,133
STEVIE WENT TO GO SEE HIM.
389
00:08:04,133 --> 00:08:04,800
HE'S OUT THERE.
390
00:08:04,800 --> 00:08:05,767
HIM AND HIS GIRLFRIEND
391
00:08:05,767 --> 00:08:06,433
IS OUT THERE--
392
00:08:06,433 --> 00:08:07,100
HOTHEA?
393
00:08:07,100 --> 00:08:07,800
THAT'S WHAT I CALL HER.
394
00:08:07,800 --> 00:08:08,767
WELL, THAT BITCH IS A HO.
395
00:08:08,767 --> 00:08:09,600
NO, SHE'S DEFINITELY A HO.
396
00:08:09,600 --> 00:08:10,300
WE KNOW.
397
00:08:10,300 --> 00:08:11,767
SHE WENT WITH STEVIE,
398
00:08:11,767 --> 00:08:12,967
OR SHE WENT WITH BENZINO?
399
00:08:12,967 --> 00:08:15,767
WHY WOULD SHE GO WITH STEVIE?
400
00:08:15,767 --> 00:08:16,633
WHAT?
401
00:08:16,633 --> 00:08:18,233
I'M JUST SAYIN'.
402
00:08:18,233 --> 00:08:19,300
OH, NO, BITCH. WHAT?
403
00:08:19,300 --> 00:08:20,333
THE OTHER DAY, I WAS AT THE
404
00:08:20,333 --> 00:08:22,467
NAIL SHOP WITH ERICA,
405
00:08:22,467 --> 00:08:24,267
AND SHE TOLD ME THAT MIMI TOLD
406
00:08:24,267 --> 00:08:26,733
HER THAT ALTHEA
407
00:08:26,733 --> 00:08:29,500
AND STEVIE--
408
00:08:29,500 --> 00:08:30,667
YEAH.
409
00:08:30,667 --> 00:08:32,433
WHAT?
410
00:08:32,433 --> 00:08:34,467
WELL, HOW 'BOUT THIS?
411
00:08:34,467 --> 00:08:37,433
SHE SAID MIMI HAD DROPPED
412
00:08:37,433 --> 00:08:39,300
THE BABY OFF, AND SHE SAW ALTHEA
413
00:08:39,300 --> 00:08:40,833
THERE WITH BASICALLY NOTHING ON.
414
00:08:40,833 --> 00:08:41,500
WHERE?
415
00:08:41,500 --> 00:08:42,667
AT STEVIE'S HOUSE.
416
00:08:42,667 --> 00:08:43,533
YOU'RE TELLING ME SHE CAME TO
417
00:08:43,533 --> 00:08:44,233
MY HOUSE AND SHE [bleep]
418
00:08:44,233 --> 00:08:45,267
MY [bleep]?
419
00:08:45,267 --> 00:08:47,733
ERICA TOLD ME THIS, DEAD ASS.
420
00:08:47,733 --> 00:08:48,767
YOU KNOW, WHEN I HEAR THIS
421
00:08:48,767 --> 00:08:50,667
GOSSIP OR THIS TRUTH OR WHATEVER
422
00:08:50,667 --> 00:08:51,500
IT IS, 'CAUSE I DON'T KNOW
423
00:08:51,500 --> 00:08:53,067
WHAT IT IS, IT'S COMING FROM
424
00:08:53,067 --> 00:08:54,533
MESSY-ASS MIMI.
425
00:08:54,533 --> 00:08:55,333
FIRST OF ALL, AT THE END OF THE
426
00:08:55,333 --> 00:08:56,467
DAY, I KNOW MIMI STILL WANT MY
427
00:08:56,467 --> 00:08:57,867
DUDE, AND NOT TO MENTION THAT
428
00:08:57,867 --> 00:08:58,933
SHE DON'T BELIEVE THE FACT THAT
429
00:08:58,933 --> 00:08:59,867
WE ARE MARRIED.
430
00:08:59,867 --> 00:09:01,067
SO AIN'T NO TELLING WHAT THIS
431
00:09:01,067 --> 00:09:02,400
BITCH IS TRYING TO DO TO STIR UP
432
00:09:02,400 --> 00:09:04,333
SOME [bleep] IN MY HOUSEHOLD
433
00:09:04,333 --> 00:09:05,667
WHETHER IT'S TRUTH OR NOT.
434
00:09:05,667 --> 00:09:06,733
I'M GONNA FIGURE THAT OUT.
435
00:09:06,733 --> 00:09:07,767
I'MA GET TO THE BOTTOM OF THIS.
436
00:09:07,767 --> 00:09:08,433
'CAUSE YOU KNOW WHAT?
437
00:09:08,433 --> 00:09:09,367
IT CAME FROM BITCHES THAT
438
00:09:09,367 --> 00:09:10,133
I DON'T [bleep] WITH,
439
00:09:10,133 --> 00:09:11,533
BUT I TELL YOU WHAT, KARLIE.
440
00:09:11,533 --> 00:09:12,667
I ASKED HIM, I SAID, "YOU KNOW
441
00:09:12,667 --> 00:09:13,333
THIS BITCH?"
442
00:09:13,333 --> 00:09:14,333
'CAUSE YOU KNOW HOS GET AROUND.
443
00:09:14,333 --> 00:09:15,067
HE LIKE, "OH, NO,
444
00:09:15,067 --> 00:09:15,767
I DON'T KNOW HER."
445
00:09:15,767 --> 00:09:16,500
DID HE SAY HE DIDN'T KNOW
446
00:09:16,500 --> 00:09:17,167
HER?
447
00:09:17,167 --> 00:09:17,933
LISTEN, HE SAID HE DIDN'T
448
00:09:17,933 --> 00:09:19,067
KNOW HER LIKE HE AIN'T NEVER MET
449
00:09:19,067 --> 00:09:20,133
THE BITCH BEFORE, AND HE MET
450
00:09:20,133 --> 00:09:20,933
THE BITCH BEFORE.
451
00:09:20,933 --> 00:09:22,067
IF HE [bleep] THAT,
452
00:09:22,067 --> 00:09:23,800
HE BETTER PRAY THAT THAT [bleep]
453
00:09:23,800 --> 00:09:24,833
WAS GOOD ENOUGH.
454
00:09:24,833 --> 00:09:25,633
WAIT TILL HE COME BACK FROM
455
00:09:25,633 --> 00:09:26,633
OUT OF TOWN.
456
00:09:26,633 --> 00:09:27,500
HE THINK HE'S GONNA COME
457
00:09:27,500 --> 00:09:28,533
BACK TO A HAPPY WOMAN
458
00:09:28,533 --> 00:09:29,867
'CAUSE HE LEFT A HAPPY WOMAN?
459
00:09:29,867 --> 00:09:30,533
HE GONNA COME BACK TO
460
00:09:30,533 --> 00:09:32,533
A SAVAGE ANIMAL.
461
00:09:33,933 --> 00:09:34,967
OH, MY GOD.
462
00:09:34,967 --> 00:09:36,067
YEAH, IT'S REAL.
463
00:09:36,067 --> 00:09:37,467
THEY SAYIN' BENZINO GOT SHOT.
464
00:09:37,467 --> 00:09:38,733
SO, MIMI, I GOT THE PREVIEW
465
00:09:38,733 --> 00:09:39,533
OF THE TAPE.
466
00:09:39,533 --> 00:09:40,500
HAVE YOU SEEN IT?
467
00:09:40,500 --> 00:09:41,500
I'VE SEEN IT FIVE TIMES.
468
00:09:41,500 --> 00:09:42,233
I REALLY BEEN THINKING,
469
00:09:42,233 --> 00:09:43,167
THOUGH.
470
00:09:43,167 --> 00:09:44,667
I DON'T WANT NO WEDDING.
471
00:09:44,667 --> 00:09:45,700
WHAT?
472
00:09:45,700 --> 00:09:47,133
WHAT ARE YOU DOING HERE?
473
00:09:47,133 --> 00:09:47,867
HAD A LITTLE SURPRISE
474
00:09:47,867 --> 00:09:49,067
FOR YOU.
475
00:09:49,067 --> 00:09:49,767
I'VE BEEN FAITHFUL TO YOU
476
00:09:49,767 --> 00:09:50,467
SINCE I'VE BEEN WITH YOU.
477
00:09:50,467 --> 00:09:51,333
NO, YOU HAVEN'T.
478
00:09:51,333 --> 00:09:52,100
I'VE DEDICATED TWO YEARS
479
00:09:52,100 --> 00:09:52,767
OF MY LIFE TO YOU.
480
00:09:52,767 --> 00:09:53,467
YOU HAVEN'T DEDICATED
481
00:09:53,467 --> 00:09:54,133
NOTHING.
482
00:09:54,133 --> 00:09:56,133
YOU'VE DEDICATED LIES.
483
00:10:03,033 --> 00:10:04,233
I GOT SOME WINE.
484
00:10:04,233 --> 00:10:05,067
YOU WANT A DRINK?
485
00:10:05,067 --> 00:10:06,267
ARE YOU GONNA DRINK WITH ME?
486
00:10:06,267 --> 00:10:07,100
I'LL TAKE A SIP.
487
00:10:07,100 --> 00:10:08,267
WHY ARE YOU FAKING?
488
00:10:08,267 --> 00:10:09,367
I WILL.
489
00:10:09,367 --> 00:10:10,200
YOU KNOW THAT'S HOW YOUR SON
490
00:10:10,200 --> 00:10:11,500
GOT SOME.
491
00:10:11,500 --> 00:10:12,933
[laughs]
492
00:10:12,933 --> 00:10:14,367
AS A FAMILY, WE'RE ALL TRYING
493
00:10:14,367 --> 00:10:16,033
TO PULL TOGETHER AND MOVE
494
00:10:16,033 --> 00:10:18,500
FORWARD IN A POSITIVE LIGHT.
495
00:10:18,500 --> 00:10:20,833
SO DEB CALLS ME OVER, AND SHE'S
496
00:10:20,833 --> 00:10:22,067
PULLING OUT WINE GLASSES,
497
00:10:22,067 --> 00:10:23,367
AND SHE DOESN'T EVEN DRINK.
498
00:10:23,367 --> 00:10:24,467
SO I'M KIND OF NERVOUS.
499
00:10:24,467 --> 00:10:26,067
I KNOW THAT WE DID SPEAK
500
00:10:26,067 --> 00:10:28,533
ABOUT THIS SUPER HUGE WEDDING,
501
00:10:28,533 --> 00:10:30,000
BUT I'M HOPING THAT WE WILL GET
502
00:10:30,000 --> 00:10:32,967
TO DO A SMALL, INTIMATE SETTING,
503
00:10:32,967 --> 00:10:34,700
NOT SOMETHING REALLY BIG.
504
00:10:34,700 --> 00:10:36,233
SO WHY THE CHANGE OF HEART?
505
00:10:36,233 --> 00:10:37,533
AT FIRST, I WAS VERY EXCITED
506
00:10:37,533 --> 00:10:38,600
ABOUT THIS BIG WEDDING.
507
00:10:38,600 --> 00:10:39,933
I WANTED TO SHOW OFF.
508
00:10:39,933 --> 00:10:41,600
BUT NOW, AFTER THE DEATH OF
509
00:10:41,600 --> 00:10:43,967
KAYO,
510
00:10:43,967 --> 00:10:45,467
SECOND THOUGHTS.
511
00:10:45,467 --> 00:10:46,567
BEING AROUND ALL THOSE PEOPLE
512
00:10:46,567 --> 00:10:48,867
AND THE DRAMA, I'M NOT READY.
513
00:10:48,867 --> 00:10:50,400
IT'S THE HARDEST THING
514
00:10:50,400 --> 00:10:52,433
RELEASING AND LETTING GO,
515
00:10:52,433 --> 00:10:53,500
BUT YOU GOT TO GET UP
516
00:10:53,500 --> 00:10:54,467
AND MOVE ON.
517
00:10:54,467 --> 00:10:55,733
WHAT I REALLY WANT US TO DO
518
00:10:55,733 --> 00:10:57,100
IS TO GO SOMEWHERE AND DO IT
519
00:10:57,100 --> 00:10:58,367
AS A FAMILY NET
520
00:10:58,367 --> 00:10:59,833
SO WE CAN GET AWAY
521
00:10:59,833 --> 00:11:01,867
AND JUST HAVE SOME US TIME.
522
00:11:01,867 --> 00:11:02,867
OH, THAT SOUNDS SO GOOD.
523
00:11:02,867 --> 00:11:04,567
I ONLY AGREED TO HAVING A
524
00:11:04,567 --> 00:11:06,533
BIG-ASS WEDDING BECAUSE THAT'S
525
00:11:06,533 --> 00:11:08,800
WHAT DEB AND EVERYONE WANTED.
526
00:11:08,800 --> 00:11:10,400
NOW SHE'S TELLING ME THAT
527
00:11:10,400 --> 00:11:11,933
SHE WANTS SOMETHING SMALL
528
00:11:11,933 --> 00:11:12,600
AND PRIVATE.
529
00:11:12,600 --> 00:11:13,900
SO I COULDN'T BE MORE HAPPY.
530
00:11:13,900 --> 00:11:15,600
IT'S LIKE A BIG STRESS RELIEVER.
531
00:11:15,600 --> 00:11:17,367
BEING UNITED, [bleep] A RING,
532
00:11:17,367 --> 00:11:18,100
[bleep] A BIG WEDDING,
533
00:11:18,100 --> 00:11:19,133
JUST US.
534
00:11:19,133 --> 00:11:20,800
WE ALL LOST THE MOST POSITIVE
535
00:11:20,800 --> 00:11:22,200
THING THAT SURROUNDED US,
536
00:11:22,200 --> 00:11:23,433
WHICH WAS KAYO,
537
00:11:23,433 --> 00:11:24,700
AND NOW THAT HE'S GONE, HE CAN'T
538
00:11:24,700 --> 00:11:26,300
GIVE US THAT LIGHT NO MORE.
539
00:11:26,300 --> 00:11:27,067
SO WE HAVE TO FIND IT
540
00:11:27,067 --> 00:11:28,133
WITHIN EACH OTHER.
541
00:11:28,133 --> 00:11:29,267
I'M GLAD YOU JUST SAID THAT,
542
00:11:29,267 --> 00:11:30,067
'CAUSE THAT'S EVEN MORE
543
00:11:30,067 --> 00:11:32,133
CONFIRMATION THAT
544
00:11:32,133 --> 00:11:33,867
WE NEED TO MOVE ON.
545
00:11:33,867 --> 00:11:34,667
YEAH.
546
00:11:34,667 --> 00:11:35,800
I'M GLAD THAT YOU'RE MOVING
547
00:11:35,800 --> 00:11:37,833
GOOD WITH FASHION.
548
00:11:37,833 --> 00:11:39,667
IT IS GONNA BECOME OVERWHELMING.
549
00:11:39,667 --> 00:11:40,967
I DON'T THINK SO.
550
00:11:40,967 --> 00:11:42,600
SO NOW IS THE TIME TO START
551
00:11:42,600 --> 00:11:43,567
BALANCING IT OUT.
552
00:11:43,567 --> 00:11:44,367
YEAH, LEARNING TO BALANCE
553
00:11:44,367 --> 00:11:45,067
IT OUT.
554
00:11:45,067 --> 00:11:46,533
T. RIVERA CLOTHING LINE--
555
00:11:46,533 --> 00:11:47,500
THIS IS SOMETHING THAT I'VE BEEN
556
00:11:47,500 --> 00:11:50,067
WORKING ON FOR SO LONG.
557
00:11:50,067 --> 00:11:51,833
IT'S HARD, AND IT'S DEFINITELY
558
00:11:51,833 --> 00:11:54,167
STRESSFUL, BUT IT'S BETTER THAN
559
00:11:54,167 --> 00:11:56,567
JUST SITTING AROUND BEING SAD.
560
00:11:56,567 --> 00:11:57,233
IT'S BEEN SUCH A GOOD
561
00:11:57,233 --> 00:11:58,233
DISTRACTION FROM EVERYTHING
562
00:11:58,233 --> 00:11:59,533
THAT'S GOING WITH MY FAMILY,
563
00:11:59,533 --> 00:12:01,333
AND JUST BEING ABLE TO COPE
564
00:12:01,333 --> 00:12:02,867
BY JUST THROWING MYSELF
565
00:12:02,867 --> 00:12:04,067
INTO MY WORK.
566
00:12:04,067 --> 00:12:05,533
YOU'RE GOING INTO SOMETHING
567
00:12:05,533 --> 00:12:06,767
BIG.
568
00:12:06,767 --> 00:12:08,733
T. RIVERA IS VERY, VERY BIG.
569
00:12:08,733 --> 00:12:10,200
YEAH, I'M WORKING ON IT.
570
00:12:10,200 --> 00:12:11,700
I DON'T WANT TO SLACK ON
571
00:12:11,700 --> 00:12:14,067
ANYTHING BECAUSE I'M GONNA BRING
572
00:12:14,067 --> 00:12:16,233
THE FASHION WEEK NEW YORK FEEL
573
00:12:16,233 --> 00:12:17,067
TO ATLANTA.
574
00:12:17,067 --> 00:12:18,800
I DON'T THINK NOBODY HAS DONE
575
00:12:18,800 --> 00:12:20,433
WHAT I WANT TO DO YET.
576
00:12:20,433 --> 00:12:21,367
MAKE IT YOU.
577
00:12:21,367 --> 00:12:22,067
MAKE IT ME.
578
00:12:22,067 --> 00:12:23,233
WE'LL TAKE A DRINK TO THAT.
579
00:12:23,233 --> 00:12:25,633
YEAH, CHEERS TO THAT.
580
00:12:26,833 --> 00:12:27,833
[somber music]
581
00:12:27,833 --> 00:12:35,833
♪
582
00:12:41,433 --> 00:12:42,567
IT'S BEEN A TOUGH COUPLE
583
00:12:42,567 --> 00:12:44,100
OF DAYS SINCE MY MOM PASSED.
584
00:12:44,100 --> 00:12:45,167
BEING IN BOSTON IS REALLY
585
00:12:45,167 --> 00:12:46,167
SURREAL.
586
00:12:46,167 --> 00:12:47,600
I MADE THE DECISION TO GO TO THE
587
00:12:47,600 --> 00:12:49,433
WAKE REAL EARLY BEFORE ANYBODY
588
00:12:49,433 --> 00:12:50,933
WAS THERE BECAUSE,
589
00:12:50,933 --> 00:12:51,867
YOU KNOW, THERE WAS--
590
00:12:51,867 --> 00:12:52,733
IT WAS A CERTAIN ENERGY
591
00:12:52,733 --> 00:12:54,067
I DIDN'T WANT TO BE AROUND.
592
00:12:54,067 --> 00:12:55,100
I JUST WANTED TO MOURN HER
593
00:12:55,100 --> 00:12:56,300
BY MYSELF.
594
00:12:56,300 --> 00:12:57,067
YOU KNOW, I WANTED TO GO TO
595
00:12:57,067 --> 00:12:58,300
THE WAKE WITHOUT ANYBODY
596
00:12:58,300 --> 00:13:02,300
BEING THERE.
597
00:13:02,300 --> 00:13:03,700
I GREW UP LOVING
598
00:13:03,700 --> 00:13:05,067
ALL MY FAMILY.
599
00:13:05,067 --> 00:13:07,067
IT'S JUST THAT UNFORTUNATELY,
600
00:13:07,067 --> 00:13:08,900
THINGS CHANGE.
601
00:13:08,900 --> 00:13:10,533
WHAT I'VE LEARNED IS THAT MONEY
602
00:13:10,533 --> 00:13:13,067
AND FAMILY SOMETIMES DON'T MIX.
603
00:13:19,733 --> 00:13:20,733
DEVELOPING NEWS
604
00:13:20,733 --> 00:13:21,633
CONCERNING A RAPPER
605
00:13:21,633 --> 00:13:22,800
AND MUSIC PRODUCER WITH LOCAL
606
00:13:22,800 --> 00:13:24,067
ROOTS KNOWN BY THE NAME
607
00:13:24,067 --> 00:13:24,933
BENZINO.
608
00:13:24,933 --> 00:13:25,867
HE WAS SHOT WHILE RIDING
609
00:13:25,867 --> 00:13:26,867
IN A FUNERAL PROCESSION
610
00:13:26,867 --> 00:13:28,367
FOR HIS MOTHER TODAY.
611
00:13:28,367 --> 00:13:29,467
THE HORRIFIC SCENE:
612
00:13:29,467 --> 00:13:30,733
A MAN SHOT DURING
613
00:13:30,733 --> 00:13:32,067
A FUNERAL PROCESSION,
614
00:13:32,067 --> 00:13:33,267
THE BULLETS FIRED FROM
615
00:13:33,267 --> 00:13:34,167
A DIFFERENT CAR
616
00:13:34,167 --> 00:13:35,700
IN THAT SAME PROCESSION.
617
00:13:35,700 --> 00:13:36,800
IT WAS AWFUL AND JUST BLOOD,
618
00:13:36,800 --> 00:13:38,267
BRIGHT RED BLOOD EVERYWHERE.
619
00:13:38,267 --> 00:13:39,333
THE GUY GETS OUT OF THE CAR.
620
00:13:39,333 --> 00:13:41,333
HE'S JUST COVERED IN BLOOD.
621
00:13:48,100 --> 00:13:51,100
[monitor beeping]
622
00:13:55,700 --> 00:13:56,633
I JUST GOT THE NEWS THAT
623
00:13:56,633 --> 00:13:57,933
BENZINO WAS SHOT, AND I'VE NEVER
624
00:13:57,933 --> 00:13:59,833
BEEN SO SCARED IN MY LIFE.
625
00:13:59,833 --> 00:14:01,700
ONE MINUTE, WE'RE FIGHTING ABOUT
626
00:14:01,700 --> 00:14:02,600
WHAT HAPPENED BETWEEN ME
627
00:14:02,600 --> 00:14:03,667
AND STEVIE, AND THEN THE NEXT
628
00:14:03,667 --> 00:14:05,267
MINUTE, HE'S HEADED TO BOSTON
629
00:14:05,267 --> 00:14:06,900
BECAUSE HIS MOTHER PASSED AWAY,
630
00:14:06,900 --> 00:14:08,067
AND NOW HE'S LAYING IN THE
631
00:14:08,067 --> 00:14:09,567
HOSPITAL WITH BULLETS IN HIM.
632
00:14:09,567 --> 00:14:11,400
THAT'S GOOD.
633
00:14:11,400 --> 00:14:12,633
OH, MAN.
634
00:14:12,633 --> 00:14:14,467
LIFE CAN CHANGE IN A INSTANT.
635
00:14:14,467 --> 00:14:15,133
CRAZY.
636
00:14:15,133 --> 00:14:16,533
I LOVE THIS MAN,
637
00:14:16,533 --> 00:14:17,433
AND I DON'T WANT TO FIGHT
638
00:14:17,433 --> 00:14:18,600
WITH HIM ANYMORE.
639
00:14:18,600 --> 00:14:19,267
LIKE, WHO DID THIS?
640
00:14:19,267 --> 00:14:20,167
HOW DID YOU SEE...
641
00:14:20,167 --> 00:14:21,067
WELL, I WAS ON THE LEFT SIDE.
642
00:14:21,067 --> 00:14:21,733
THEY WAS ON THE RIGHT.
643
00:14:21,733 --> 00:14:23,100
THEY WAS KIND OF GOIN' SLOW.
644
00:14:23,100 --> 00:14:24,333
ALL I SEEN WAS--
645
00:14:24,333 --> 00:14:25,567
HEARD AND SEEN GUNSHOTS.
646
00:14:25,567 --> 00:14:27,067
IT WAS A CAR ON THAT SIDE
647
00:14:27,067 --> 00:14:28,200
IN THE PROCESSION,
648
00:14:28,200 --> 00:14:29,300
ROLLED THE WINDOW DOWN
649
00:14:29,300 --> 00:14:30,633
AND JUST STARTED DUMPIN'.
650
00:14:30,633 --> 00:14:32,400
THE FIRST ONE HIT ME, BOOM.
651
00:14:32,400 --> 00:14:33,667
BLOOD ALL OVER THE PLACE.
652
00:14:33,667 --> 00:14:35,433
THE SECOND ONE KIND OF GRAZED ME
653
00:14:35,433 --> 00:14:36,600
ON MY BACK, WENT IN AND OUT
654
00:14:36,600 --> 00:14:38,233
RIGHT THERE.
655
00:14:38,233 --> 00:14:39,233
AND ALL I REMEMBER
656
00:14:39,233 --> 00:14:40,800
WAS JUST ME STILL DRIVING.
657
00:14:40,800 --> 00:14:41,833
THEY JUST KEPT SHOOTING.
658
00:14:41,833 --> 00:14:42,800
I HEARD, LIKE, FIVE OR SIX
659
00:14:42,800 --> 00:14:43,467
SHOTS.
660
00:14:43,467 --> 00:14:44,733
AND I WAS DRIVING WITH THIS
661
00:14:44,733 --> 00:14:46,067
HAND, AND I WAS KEEPING MY THUMB
662
00:14:46,067 --> 00:14:47,867
INSIDE THE HOLE.
663
00:14:47,867 --> 00:14:48,967
I KNEW THE BLOOD WAS COMING OUT
664
00:14:48,967 --> 00:14:49,833
SO MUCH.
665
00:14:49,833 --> 00:14:50,700
I COULDN'T BELIEVE ALL THE
666
00:14:50,700 --> 00:14:51,733
BLOOD, AND I JUST PUT MY THUMB
667
00:14:51,733 --> 00:14:53,433
IN THE HOLE AND I LEFT IT THERE,
668
00:14:53,433 --> 00:14:55,067
AND THEN I JUST FELT LIKE I WAS
669
00:14:55,067 --> 00:14:55,900
GONNA GET DIZZY AND I SHOULD GET
670
00:14:55,900 --> 00:14:56,567
OUT THE CAR.
671
00:14:56,567 --> 00:14:57,533
I GOT OUT THE CAR.
672
00:14:57,533 --> 00:14:58,833
I RAN.
673
00:14:58,833 --> 00:14:59,500
THERE WAS BLOOD ON--
674
00:14:59,500 --> 00:15:00,433
WELL, IT HAPPENED IN FRONT OF
675
00:15:00,433 --> 00:15:01,100
HER, BABE?
676
00:15:01,100 --> 00:15:01,767
THERE WAS BLOOD.
677
00:15:01,767 --> 00:15:02,633
WHEN I WAS RUNNING IN THE MIDDLE
678
00:15:02,633 --> 00:15:03,300
OF THE HIGHWAY--
679
00:15:03,300 --> 00:15:04,100
THERE WAS BLOOD ALL OVER--
680
00:15:04,100 --> 00:15:07,667
I WENT TO THE HEARSE...
681
00:15:07,667 --> 00:15:09,467
AND MY BLOOD WAS ON HER CASKET.
682
00:15:09,467 --> 00:15:10,200
THAT'S CRAZY.
683
00:15:10,200 --> 00:15:11,367
AND THAT'S GOING WITH HER.
684
00:15:11,367 --> 00:15:12,067
THAT'S CRAZY.
685
00:15:12,067 --> 00:15:12,700
IS THAT CRAZY?
686
00:15:12,700 --> 00:15:14,067
THAT'S CRAZY.
687
00:15:14,067 --> 00:15:15,567
I GOT IN SOMEBODY'S CAR,
688
00:15:15,567 --> 00:15:16,533
AND I JUST STARTED KIND OF,
689
00:15:16,533 --> 00:15:17,467
LIKE, BLACKING OUT.
690
00:15:17,467 --> 00:15:19,100
THE NEXT THING I KNOW,
691
00:15:19,100 --> 00:15:21,667
I WAS AT THE HOSPITAL.
692
00:15:21,667 --> 00:15:22,933
CRAZY, MAMA.
693
00:15:22,933 --> 00:15:23,667
BABE, YOU'RE SO BLESSED
694
00:15:23,667 --> 00:15:24,333
TO BE ALIVE.
695
00:15:24,333 --> 00:15:25,500
OH, MY GOSH.
696
00:15:25,500 --> 00:15:26,167
WHO DID THIS, BABE?
697
00:15:26,167 --> 00:15:27,500
I DON'T KNOW, BABE.
698
00:15:27,500 --> 00:15:29,333
IT'S NOT EASY WHEN YOU THINK
699
00:15:29,333 --> 00:15:30,500
THAT YOU GOT A FAMILY THAT LOVES
700
00:15:30,500 --> 00:15:31,733
YOU AND YOU GOT A FAMILY THAT
701
00:15:31,733 --> 00:15:34,167
CARES FOR YOU AND THEN [bleep]
702
00:15:34,167 --> 00:15:35,400
TURNS TO MONEY.
703
00:15:35,400 --> 00:15:36,700
YOU KNOW, MY MOTHER WAS GOOD
704
00:15:36,700 --> 00:15:37,733
TO EVERYBODY, MAN.
705
00:15:37,733 --> 00:15:38,433
YOU KNOW WHAT I'M SAYING?
706
00:15:38,433 --> 00:15:39,767
I'M SORRY.
707
00:15:39,767 --> 00:15:41,433
I DON'T UNDERSTAND IT.
708
00:15:41,433 --> 00:15:42,233
YOU KNOW WHAT I'M SAYIN'?
709
00:15:42,233 --> 00:15:43,433
I DON'T, MAN. I DON'T.
710
00:15:43,433 --> 00:15:45,400
I KNOW FOR A FACT
711
00:15:45,400 --> 00:15:48,133
THAT SHE WAS WATCHING OVER ME.
712
00:15:48,133 --> 00:15:49,267
THAT'S CRAZY.
713
00:15:49,267 --> 00:15:50,467
THAT'S WHY, YOU KNOW--
714
00:15:50,467 --> 00:15:51,367
AND IT'S JUST CRAZY HOW
715
00:15:51,367 --> 00:15:52,467
EVERYTHING HAPPENED, BABE.
716
00:15:52,467 --> 00:15:53,533
LOOK, THERE'S FAMILY,
717
00:15:53,533 --> 00:15:54,867
AND THERE'S RELATIVES,
718
00:15:54,867 --> 00:15:56,300
BUT ALL THAT, YOU KNOW,
719
00:15:56,300 --> 00:15:57,133
IT DOESN'T MATTER.
720
00:15:57,133 --> 00:15:58,300
YOU KNOW WHAT I'M SAYIN'?
721
00:15:58,300 --> 00:15:59,600
I LOVE YOU.
722
00:15:59,600 --> 00:16:00,467
YOU KNOW WHAT I'M SAYIN'?
723
00:16:00,467 --> 00:16:01,300
I LOVE YOU TOO.
724
00:16:01,300 --> 00:16:01,967
AND I WAS SITTING HERE
725
00:16:01,967 --> 00:16:02,633
LAYING.
726
00:16:02,633 --> 00:16:03,700
I WAS JUST LIKE, THEA,
727
00:16:03,700 --> 00:16:04,600
I DON'T GIVE A [bleep]
728
00:16:04,600 --> 00:16:05,767
ABOUT NOTHING.
729
00:16:05,767 --> 00:16:06,533
THE [bleep] THAT HAPPENED
730
00:16:06,533 --> 00:16:07,233
WITH STEVIE,
731
00:16:07,233 --> 00:16:08,367
I DON'T CARE ABOUT THAT.
732
00:16:08,367 --> 00:16:09,100
I PROBABLY WOULDN'T EVEN
733
00:16:09,100 --> 00:16:10,167
KNOW YOU.
734
00:16:10,167 --> 00:16:10,933
YOU KNOW WHAT I'M SAYIN'?
735
00:16:10,933 --> 00:16:11,867
LISTEN. LISTEN TO ME.
736
00:16:11,867 --> 00:16:13,267
I CONNECTED WITH YOU.
737
00:16:13,267 --> 00:16:14,733
I NEVER CONNECTED WITH ANYBODY
738
00:16:14,733 --> 00:16:16,600
LIKE THAT, AND YOU GOT MY WORD.
739
00:16:16,600 --> 00:16:17,433
I'LL NEVER BRING THAT [bleep]
740
00:16:17,433 --> 00:16:18,100
UP AGAIN.
741
00:16:18,100 --> 00:16:19,300
SO NO MORE FIGHTS ABOUT IT.
742
00:16:19,300 --> 00:16:20,300
I WAS FIGHTING WITH MYSELF,
743
00:16:20,300 --> 00:16:21,433
YOU KNOW?
744
00:16:21,433 --> 00:16:22,767
BEING JEALOUS AND BEING--
745
00:16:22,767 --> 00:16:24,333
AT THE END OF THE DAY, MAN,
746
00:16:24,333 --> 00:16:26,167
I GOT A [bleep] DIAMOND, YO,
747
00:16:26,167 --> 00:16:27,067
AND THAT'S ALL THAT COUNT
748
00:16:27,067 --> 00:16:28,067
FOR ME.
749
00:16:28,067 --> 00:16:30,167
IT'S ABOUT NOW AND EVERY DAY
750
00:16:30,167 --> 00:16:31,367
THAT WE SPEND TOGETHER.
751
00:16:31,367 --> 00:16:32,333
I LOVE YOU.
752
00:16:32,333 --> 00:16:33,667
ONE THING I DO KNOW
753
00:16:33,667 --> 00:16:34,700
IS, WE'RE TOGETHER,
754
00:16:34,700 --> 00:16:35,567
AND THAT'S ALL THAT MATTERS
755
00:16:35,567 --> 00:16:36,267
TO ME.
756
00:16:36,267 --> 00:16:37,233
YOU'RE MY BEST FRIEND.
757
00:16:37,233 --> 00:16:38,667
YOU'RE MY BEST FRIEND TOO.
758
00:16:38,667 --> 00:16:40,667
AND WE GON' KEEP IT MOVING.
759
00:16:51,067 --> 00:16:53,067
I RUSHED TO BOSTON TO HELP
760
00:16:53,067 --> 00:16:54,367
MY BROTHER BURY HIS MOTHER.
761
00:16:54,367 --> 00:16:55,933
I GOT HERE AS SOON AS I COULD.
762
00:16:55,933 --> 00:16:57,067
I HADN'T EVEN GOT A CHANCE TO
763
00:16:57,067 --> 00:16:58,833
TELL JOSELINE WHAT WAS GOING ON.
764
00:16:58,833 --> 00:17:00,100
I'M JUST GRATEFUL THAT MY MAN
765
00:17:00,100 --> 00:17:00,933
IS UP ALIVE.
766
00:17:00,933 --> 00:17:03,367
HE HAD ME SCARED [bleep].
767
00:17:03,367 --> 00:17:05,367
TALK TO ME, MAN.
768
00:17:10,533 --> 00:17:11,700
MAN, THAT--LOOK, MAN.
769
00:17:11,700 --> 00:17:13,067
YOU KNOW, SLEAZE,
770
00:17:13,067 --> 00:17:14,133
I KNOW ABOUT THE SITUATION
771
00:17:14,133 --> 00:17:14,967
WITH YOU AND THEA.
772
00:17:14,967 --> 00:17:16,300
SHE TOLD ME.
773
00:17:16,300 --> 00:17:17,933
I LOVE HER TO DEATH,
774
00:17:17,933 --> 00:17:19,067
AND WHAT WAS THE PAST
775
00:17:19,067 --> 00:17:19,833
IS THE PAST.
776
00:17:19,833 --> 00:17:21,200
LISTEN, WHATEVER ZINO THINK
777
00:17:21,200 --> 00:17:23,233
HE KNOWS, NOW IS NOT THE TIME
778
00:17:23,233 --> 00:17:24,400
TO TALK ABOUT IT.
779
00:17:24,400 --> 00:17:25,767
I NEED MY MANS TO USE HIS ENERGY
780
00:17:25,767 --> 00:17:26,733
TO GET BETTER.
781
00:17:26,733 --> 00:17:28,500
HE'S ALIVE, HE'S TALKING,
782
00:17:28,500 --> 00:17:29,533
AND THAT'S ALL THAT MATTERS
783
00:17:29,533 --> 00:17:30,267
RIGHT NOW.
784
00:17:30,267 --> 00:17:31,500
WE DONE BEEN THROUGH SO MUCH,
785
00:17:31,500 --> 00:17:32,467
AND WE GOT SO MUCH GOOD THINGS
786
00:17:32,467 --> 00:17:33,567
GOIN'.
787
00:17:33,567 --> 00:17:34,733
I DON'T CARE ABOUT THAT.
788
00:17:34,733 --> 00:17:35,633
YOU KNOW WHAT I'M SAYIN'?
789
00:17:35,633 --> 00:17:36,800
I FINALLY MET SOMEBODY LIKE--
790
00:17:36,800 --> 00:17:38,600
LISTEN, Y'ALL LOOK GOOD
791
00:17:38,600 --> 00:17:39,300
TOGETHER.
792
00:17:39,300 --> 00:17:40,533
I'M HAPPY FOR YOU, Z.
793
00:17:40,533 --> 00:17:41,667
I APPRECIATE THAT FOR REAL,
794
00:17:41,667 --> 00:17:42,367
SLEAZE-O.
795
00:17:42,367 --> 00:17:43,633
COME HERE, BOTH OF Y'ALL.
796
00:17:43,633 --> 00:17:44,633
COME ON.
797
00:17:44,633 --> 00:17:46,633
I LOVE BOTH OF Y'ALL, MAN.
798
00:17:49,367 --> 00:17:51,567
OH, MY GOD.
799
00:17:51,567 --> 00:17:52,767
WHAT ARE YOU THINKING?
800
00:17:52,767 --> 00:17:54,767
[whispering] I HAVE NO WORDS.
801
00:18:04,500 --> 00:18:05,267
* LISTEN
802
00:18:05,267 --> 00:18:06,200
♪ SAY YOU LOVE ME
803
00:18:06,200 --> 00:18:06,867
♪ BUT YOU DON'T ♪
804
00:18:06,867 --> 00:18:07,533
♪ WHY YOU GOT TO LIE
805
00:18:07,533 --> 00:18:08,633
♪ LIKE THAT?
806
00:18:08,633 --> 00:18:09,533
♪ SAY YOU WILL
807
00:18:09,533 --> 00:18:10,333
♪ BUT YOU WON'T ♪
808
00:18:10,333 --> 00:18:12,300
♪ BUT YOU CAN'T TAKE THAT BACK ♪
809
00:18:12,300 --> 00:18:13,900
♪ ALL THE GAMES AND THE LIES
810
00:18:13,900 --> 00:18:15,500
♪ I DONE TRIED AND I TRIED
811
00:18:15,500 --> 00:18:16,333
♪ NOW YOU [bleep]
812
00:18:16,333 --> 00:18:17,200
♪ WITH MY PRIDE
813
00:18:17,200 --> 00:18:18,533
♪ I'M GONNA SAY, "HOLD ON" ♪
814
00:18:18,533 --> 00:18:20,133
♪ HE BEEN DOING YOU SO WRONG
815
00:18:20,133 --> 00:18:20,800
♪ YOU CAN KEEP THEM
816
00:18:20,800 --> 00:18:21,467
♪ BIRKIN BAGS
817
00:18:21,467 --> 00:18:22,167
♪ THEM SHOPPING SPREES
818
00:18:22,167 --> 00:18:23,500
♪ AND ROLL ON
819
00:18:23,500 --> 00:18:25,267
♪ I'M THAT BOSS BITCH YOU LOVE ♪
820
00:18:25,267 --> 00:18:26,600
♪ THAT BOSS BITCH YOU NEED
821
00:18:26,600 --> 00:18:27,467
♪ WHAT GOES AROUND
822
00:18:27,467 --> 00:18:28,267
♪ IT COMES AROUND
823
00:18:28,267 --> 00:18:29,167
♪ AND YOU COMING RIGHT BACK
824
00:18:29,167 --> 00:18:30,200
♪ TO ME
825
00:18:30,200 --> 00:18:31,833
* I'M EVERY WOMAN ♪
826
00:18:31,833 --> 00:18:32,567
♪ YOU KNOW ME
827
00:18:32,567 --> 00:18:33,233
YES!
828
00:18:33,233 --> 00:18:34,600
HEY!
829
00:18:34,600 --> 00:18:35,267
YOU KILLED IT!
830
00:18:35,267 --> 00:18:35,933
COME ON.
831
00:18:35,933 --> 00:18:36,633
YOU KILLED THAT VERSE.
832
00:18:36,633 --> 00:18:37,467
YES, MA'AM.
833
00:18:37,467 --> 00:18:38,533
I'M SO PROUD OF YOU.
834
00:18:38,533 --> 00:18:39,200
COME ON IN, RA.
835
00:18:39,200 --> 00:18:40,500
I'M COMING. I'M COMING.
836
00:18:40,500 --> 00:18:41,833
FINALLY, THE KALENNA
837
00:18:41,833 --> 00:18:42,933
AND RASHEEDA COLLABORATION
838
00:18:42,933 --> 00:18:43,767
IS COMPLETE,
839
00:18:43,767 --> 00:18:44,833
AND I REALLY APPRECIATE HER
840
00:18:44,833 --> 00:18:45,733
DOING THIS, 'CAUSE SHE'S BEEN
841
00:18:45,733 --> 00:18:47,233
WORKING ON HER OWN PROJECT, BUT
842
00:18:47,233 --> 00:18:48,500
WE FINALLY GOT THIS COMPLETE,
843
00:18:48,500 --> 00:18:49,467
AND I LOVE HER FOR THAT.
844
00:18:49,467 --> 00:18:50,133
YO.
845
00:18:50,133 --> 00:18:50,933
GIVE ME LOVE. GIVE ME LOVE.
846
00:18:50,933 --> 00:18:51,600
GIVE ME LOVE.
847
00:18:51,600 --> 00:18:52,367
YOU KILLED THAT [bleep].
848
00:18:52,367 --> 00:18:53,900
KIRK AND MY MOM CLEARLY STILL
849
00:18:53,900 --> 00:18:55,900
HAVE ISSUES, BUT ME AND KIRK
850
00:18:55,900 --> 00:18:57,167
HAVE BEEN WORKING ON THINGS.
851
00:18:57,167 --> 00:18:58,367
THE VERSES IS FLOWING OUT.
852
00:18:58,367 --> 00:18:59,200
I FEEL GOOD.
853
00:18:59,200 --> 00:19:00,300
MY LIFE IS GETTING BACK
854
00:19:00,300 --> 00:19:01,067
TOGETHER.
855
00:19:01,067 --> 00:19:03,200
THE GEORGIA PEACH IS BACK, BABY.
856
00:19:03,200 --> 00:19:04,633
DAMN, BITCH, IT'S BEEN A MONTH
857
00:19:04,633 --> 00:19:05,367
BEEN TRYIN' TO DO THIS DAMN
858
00:19:05,367 --> 00:19:06,067
SONG.
859
00:19:06,067 --> 00:19:06,700
RIGHT.
860
00:19:06,700 --> 00:19:07,367
THIS IS RIDICULOUS.
861
00:19:07,367 --> 00:19:08,200
I GUESS IT TOOK ME TO GO THROUGH
862
00:19:08,200 --> 00:19:09,067
SOME [bleep].
863
00:19:09,067 --> 00:19:10,633
I MEAN, GOIN' TO NEW ORLEANS,
864
00:19:10,633 --> 00:19:11,767
THE LAST THING I WAS EXPECTING
865
00:19:11,767 --> 00:19:13,633
WAS KIRK'S ASS TO POP UP.
866
00:19:13,633 --> 00:19:14,300
I MADE HIM WAIT TILL
867
00:19:14,300 --> 00:19:15,200
WE GOT BACK TO THE "A"
868
00:19:15,200 --> 00:19:16,267
BEFORE I GAVE HIM SOME.
869
00:19:16,267 --> 00:19:17,733
IT'S GOOD THAT HE CAME AND HE
870
00:19:17,733 --> 00:19:19,800
SHOWED YOU HOW FAR HE WOULD GO.
871
00:19:19,800 --> 00:19:21,267
SO LET ME TELL Y'ALL THIS.
872
00:19:21,267 --> 00:19:22,533
SO YOU KNOW KIRK AND MY MAMA
873
00:19:22,533 --> 00:19:24,500
DON'T GET ALONG.
874
00:19:24,500 --> 00:19:25,300
RIGHT.
875
00:19:25,300 --> 00:19:26,200
SO WE SIT DOWN TO HAVE
876
00:19:26,200 --> 00:19:27,067
DINNER.
877
00:19:27,067 --> 00:19:28,267
I GET UP TO GO THE BATHROOM.
878
00:19:28,267 --> 00:19:29,100
I COME BACK.
879
00:19:29,100 --> 00:19:30,500
THEY ARGUIN'. I LOOK UP.
880
00:19:30,500 --> 00:19:32,500
KIRK TAKES MY MOM'S GLASSES--
881
00:19:32,500 --> 00:19:33,267
CRACK.
882
00:19:33,267 --> 00:19:34,133
HE CRACKED THEM [bleep] IN TWO.
883
00:19:34,133 --> 00:19:36,533
HE BROKE YOUR MAMA'S GLASSES?
884
00:19:36,533 --> 00:19:38,133
SO THAT HAPPENS.
885
00:19:38,133 --> 00:19:39,133
MY MOM TALKED TO HIM,
886
00:19:39,133 --> 00:19:39,800
SAID TO HIM,
887
00:19:39,800 --> 00:19:40,700
"YOU'VE BEEN PUTTING ME THROUGH
888
00:19:40,700 --> 00:19:41,367
A LOT OF [bleep]."
889
00:19:41,367 --> 00:19:42,200
KIRK'S LIKE, "I'M ALL ABOUT
890
00:19:42,200 --> 00:19:42,867
MY WIFE.
891
00:19:42,867 --> 00:19:43,733
I WANT TO MAKE THINGS RIGHT,"
892
00:19:43,733 --> 00:19:44,400
WHATEVER, WHATEVER.
893
00:19:44,400 --> 00:19:45,233
SHE WAS LIKE, "OKAY, WELL,
894
00:19:45,233 --> 00:19:46,100
GUESS WHAT YOU NEED TO DO.
895
00:19:46,100 --> 00:19:47,067
YOU NEED TO HAVE A
896
00:19:47,067 --> 00:19:50,067
APOLOGY PARTY."
897
00:19:50,067 --> 00:19:50,667
HOLD UP. TIME-OUT.
898
00:19:50,667 --> 00:19:51,533
YOU KNOW HOW PEOPLE BE MAKING
899
00:19:51,533 --> 00:19:52,200
[bleep] UP.
900
00:19:52,200 --> 00:19:53,633
SHE WAS LIKE, "YOU NEED TO
901
00:19:53,633 --> 00:19:56,533
APOLOGIZE, TO ME, THE FAMILY,
902
00:19:56,533 --> 00:19:57,367
FRIENDS,
903
00:19:57,367 --> 00:19:59,367
FOR YOUR DISRESPECTFUL ASS."
904
00:19:59,367 --> 00:20:00,700
I'M GONNA INVITE YOU GUYS.
905
00:20:00,700 --> 00:20:01,433
BRING YOUR BOOZE.
906
00:20:01,433 --> 00:20:02,767
IT TAKES SOMEBODY MAMA
907
00:20:02,767 --> 00:20:03,633
TO THINK ABOUT SOME [bleep]
908
00:20:03,633 --> 00:20:04,433
LIKE THAT, BUT I WAS LIKE,
909
00:20:04,433 --> 00:20:05,133
"YOU KNOW WHAT?
910
00:20:05,133 --> 00:20:05,800
HMM.
911
00:20:05,800 --> 00:20:06,500
WELL, GUESS WHAT.
912
00:20:06,500 --> 00:20:08,567
IF YOU ARE TRYING TO DO WHAT YOU
913
00:20:08,567 --> 00:20:10,433
CLAIM, WHICH IS GET YOUR [bleep]
914
00:20:10,433 --> 00:20:12,033
TOGETHER, THEN GUESS WHAT.
915
00:20:12,033 --> 00:20:12,767
DO THAT [bleep]."
916
00:20:12,767 --> 00:20:13,933
RASHEEDA'S MOTHER IS CRAZY
917
00:20:13,933 --> 00:20:15,233
AS [bleep].
918
00:20:15,233 --> 00:20:16,200
ONLY A MOTHER COULD COME UP WITH
919
00:20:16,200 --> 00:20:17,667
SOMETHING AS CRAZY AS AN APOLOGY
920
00:20:17,667 --> 00:20:19,167
PARTY, BUT I WOULDN'T MISS IT
921
00:20:19,167 --> 00:20:20,033
FOR THE WORLD.
922
00:20:20,033 --> 00:20:21,233
YOU GON' BRING JOC WITH YOU?
923
00:20:21,233 --> 00:20:21,967
JOC AND KIRK NEED TO BE
924
00:20:21,967 --> 00:20:22,967
HOLDING HANDS AT THE APOLOGY
925
00:20:22,967 --> 00:20:23,733
PARTY, NEED TO APOLOGIZE
926
00:20:23,733 --> 00:20:24,467
TOGETHER.
927
00:20:24,467 --> 00:20:25,333
[laughter]
928
00:20:25,333 --> 00:20:26,867
THAT'S CRAZY.
929
00:20:26,867 --> 00:20:28,167
I GUESS--AND MAYBE TONY NEED TO
930
00:20:28,167 --> 00:20:29,600
JOIN 'EM, TRYIN' TO APOLOGIZE
931
00:20:29,600 --> 00:20:30,600
TO THEIR BOO.
932
00:20:30,600 --> 00:20:32,600
OH, [bleep].
933
00:20:32,600 --> 00:20:34,367
WHAT?
934
00:20:34,367 --> 00:20:37,300
WHAT'S WRONG?
935
00:20:37,300 --> 00:20:39,000
WELL, I JUST GOT A TEXT.
936
00:20:39,000 --> 00:20:39,967
LIKE, THEY SAYIN' BENZINO
937
00:20:39,967 --> 00:20:41,000
GOT SHOT.
938
00:20:41,000 --> 00:20:42,167
ARE YOU SERIOUS?
939
00:20:42,167 --> 00:20:43,833
NO, SER--NO, DEAD ASS.
940
00:20:43,833 --> 00:20:44,833
REALLY?
941
00:20:44,833 --> 00:20:45,600
HE'S--ISN'T HE--
942
00:20:45,600 --> 00:20:46,367
HE'S OUT OF TOWN, RIGHT?
943
00:20:46,367 --> 00:20:47,167
WAIT. I'M CHECKIN' MY--
944
00:20:47,167 --> 00:20:48,067
I KNOW. HOLD ON. HOLD ON.
945
00:20:48,067 --> 00:20:48,933
I'M JUST--HOLD UP.
946
00:20:48,933 --> 00:20:50,233
I'M CHECKING MY TWITTER RIGHT
947
00:20:50,233 --> 00:20:51,600
NOW, 'CAUSE IF THIS IS A JOKE--
948
00:20:51,600 --> 00:20:52,267
HOLD ON.
949
00:20:52,267 --> 00:20:54,100
I'LL JUST TEXT KIRK.
950
00:20:54,100 --> 00:20:54,900
YEAH, I'M ASKING VICK
951
00:20:54,900 --> 00:20:55,800
RIGHT NOW IF BENZINO--
952
00:20:55,800 --> 00:20:57,067
OH, MY GOD.
953
00:20:57,067 --> 00:20:58,000
SO I JUST LOOKED.
954
00:20:58,000 --> 00:20:58,833
YEAH, IT'S REAL.
955
00:20:58,833 --> 00:21:00,067
ARE YOU SERIOUS?
956
00:21:00,067 --> 00:21:02,600
I KNEW THAT HIS MOM HAD DIED.
957
00:21:02,600 --> 00:21:04,467
WHAT DOES IT SAY?
958
00:21:04,467 --> 00:21:07,900
"RAPPER BENZINO SHOT
959
00:21:07,900 --> 00:21:10,400
BY FAMILY MEMBER
960
00:21:10,400 --> 00:21:11,567
DURING HIS MOTHER'S FUNERAL."
961
00:21:11,567 --> 00:21:14,133
OH, MY GOD.
962
00:21:14,133 --> 00:21:15,467
OKAY, SO IT'S NOT CRITICAL.
963
00:21:15,467 --> 00:21:16,767
IT'S NOT FATAL.
964
00:21:16,767 --> 00:21:18,167
HE'S OKAY.
965
00:21:18,167 --> 00:21:19,300
ZINO AND I HAVE BEEN THROUGH
966
00:21:19,300 --> 00:21:20,567
OUR UPS AND DOWNS LATELY,
967
00:21:20,567 --> 00:21:21,500
BUT DAMN.
968
00:21:21,500 --> 00:21:22,767
YOU LOSE YOUR MOM.
969
00:21:22,767 --> 00:21:23,767
THEN YOU GET SHOT
970
00:21:23,767 --> 00:21:25,400
WHILE YOU'RE TRYING TO BURY HER.
971
00:21:25,400 --> 00:21:27,333
THAT'S SOME CRAZY-ASS [bleep].
972
00:21:27,333 --> 00:21:28,067
I'M JUST GLAD TO HEAR
973
00:21:28,067 --> 00:21:29,133
HE'S DOING OKAY.
974
00:21:29,133 --> 00:21:30,367
YOU GET SHOT AT YOUR MOTHER'S
975
00:21:30,367 --> 00:21:31,067
FUNERAL?
976
00:21:31,067 --> 00:21:31,733
WHAT THE HELL?
977
00:21:31,733 --> 00:21:33,733
WHAT?
978
00:21:35,200 --> 00:21:38,367
* DON'T MAKE ME WAIT ♪
979
00:21:38,367 --> 00:21:41,167
♪ IN VAIN FOR YOUR LOVE
980
00:21:41,167 --> 00:21:51,500
♪ DON'T MAKE ME WAIT ♪
981
00:21:51,500 --> 00:21:54,900
♪
982
00:21:54,900 --> 00:21:55,900
I HAVEN'T BEEN TO MIMI'S
983
00:21:55,900 --> 00:21:57,200
HOUSE SINCE SHE THREW ME OUT.
984
00:21:57,200 --> 00:21:58,133
SHE MIGHT THROW ME OUT AGAIN
985
00:21:58,133 --> 00:21:59,867
ONCE SHE SEE WHAT I BROUGHT HER.
986
00:21:59,867 --> 00:22:00,600
I AIN'T EVEN GOT NO KEYS
987
00:22:00,600 --> 00:22:01,267
NO MORE.
988
00:22:01,267 --> 00:22:01,967
I GOT TO RING THE BELL NOW.
989
00:22:01,967 --> 00:22:04,967
[doorbell rings]
990
00:22:07,133 --> 00:22:08,767
HELLO.
991
00:22:08,767 --> 00:22:10,067
THIS IS FOR YOU.
992
00:22:10,067 --> 00:22:12,167
OUR TAPE IS BEING RELEASED SOON,
993
00:22:12,167 --> 00:22:12,933
SO I BROUGHT A LITTLE SNEAK
994
00:22:12,933 --> 00:22:14,600
PREVIEW OVER FOR ME AND MIMI
995
00:22:14,600 --> 00:22:15,267
TO WATCH.
996
00:22:15,267 --> 00:22:16,367
I THINK IT'S GREAT STUFF.
997
00:22:16,367 --> 00:22:17,800
I'M COOL WITH IT, BUT I'M NOT
998
00:22:17,800 --> 00:22:19,167
SURE IF MIMI'S GONNA SEE IT
999
00:22:19,167 --> 00:22:20,633
THE SAME WAY.
1000
00:22:20,633 --> 00:22:22,200
I HEARD YOU WENT AND SAW
1001
00:22:22,200 --> 00:22:22,867
ARIANE.
1002
00:22:22,867 --> 00:22:24,933
MY TOLERANCE FOR NIKKO
1003
00:22:24,933 --> 00:22:26,500
IS RUNNING THIN.
1004
00:22:26,500 --> 00:22:27,767
I LET HIM COME OVER BECAUSE
1005
00:22:27,767 --> 00:22:28,900
I HEARD HIM AND ARIANE HAD
1006
00:22:28,900 --> 00:22:30,067
A RUN-IN AT THE GYM,
1007
00:22:30,067 --> 00:22:31,067
AND I WANTED TO KNOW IF NIKKO
1008
00:22:31,067 --> 00:22:31,733
WAS GONNA BE HONEST
1009
00:22:31,733 --> 00:22:33,267
ABOUT THEIR CONVERSATION.
1010
00:22:33,267 --> 00:22:34,400
SHE MAGICALLY POPPED UP
1011
00:22:34,400 --> 00:22:35,733
IN MY GYM WHERE I WAS TRAINING.
1012
00:22:35,733 --> 00:22:36,467
AND?
1013
00:22:36,467 --> 00:22:37,467
AND SHE'S COMING ASKING ME
1014
00:22:37,467 --> 00:22:39,367
ALL THESE RIDICULOUS QUESTIONS.
1015
00:22:39,367 --> 00:22:40,333
SHE'S TELLING ME ABOUT THE TAPE.
1016
00:22:40,333 --> 00:22:41,233
"WHY DID YOU DO THIS?"
1017
00:22:41,233 --> 00:22:41,933
SHE BROUGHT THE TAPE UP
1018
00:22:41,933 --> 00:22:42,633
TO YOU?
1019
00:22:42,633 --> 00:22:43,300
ABSOLUTELY.
1020
00:22:43,300 --> 00:22:44,267
SO I TOLD HER SHE SHOULD WATCH
1021
00:22:44,267 --> 00:22:44,967
THE TAPE.
1022
00:22:44,967 --> 00:22:46,500
SHE MIGHT LEARN SOMETHIN'.
1023
00:22:46,500 --> 00:22:47,167
I WAS IN THE MIDDLE OF
1024
00:22:47,167 --> 00:22:47,833
A TRAINING SESSION.
1025
00:22:47,833 --> 00:22:49,267
YOU KNOW MY WHOLE THING IS
1026
00:22:49,267 --> 00:22:50,300
MUSIC, SEX, FITNESS, SO
1027
00:22:50,300 --> 00:22:51,167
THAT'S WHAT I WAS DOIN'.
1028
00:22:51,167 --> 00:22:53,067
SHE INTERRUPTED MY SITUATION.
1029
00:22:53,067 --> 00:22:54,433
SO, MIMI, I GOT THE PREVIEW OF
1030
00:22:54,433 --> 00:22:56,500
THE TAPE THAT WE GOT TO REVIEW
1031
00:22:56,500 --> 00:22:58,133
BEFORE IT GOES OUT TO MARKETING.
1032
00:22:58,133 --> 00:22:59,100
HAVE YOU SEEN IT?
1033
00:22:59,100 --> 00:23:00,067
I'VE SEEN IT FIVE TIMES.
1034
00:23:00,067 --> 00:23:00,800
IT'S PRETTY DOPE.
1035
00:23:00,800 --> 00:23:01,700
I LIKE IT.
1036
00:23:01,700 --> 00:23:02,467
I THINK YOU'RE GONNA LIKE IT
1037
00:23:02,467 --> 00:23:03,133
TOO.
1038
00:23:03,133 --> 00:23:04,633
I KNEW THIS DAY WAS COMING.
1039
00:23:04,633 --> 00:23:05,700
THAT DOESN'T MEAN I WAS READY
1040
00:23:05,700 --> 00:23:06,567
FOR IT.
1041
00:23:06,567 --> 00:23:08,267
HONESTLY, I HAVE NO DESIRE
1042
00:23:08,267 --> 00:23:09,667
TO WATCH THIS TAPE,
1043
00:23:09,667 --> 00:23:11,533
BUT KNOW I NEED TO WATCH
1044
00:23:11,533 --> 00:23:12,500
TO SEE MYSELF BEFORE
1045
00:23:12,500 --> 00:23:14,100
THE WORLD SEES ME.
1046
00:23:14,100 --> 00:23:14,933
WHY YOU SO UPTIGHT?
1047
00:23:14,933 --> 00:23:15,600
WHAT'S WRONG?
1048
00:23:15,600 --> 00:23:16,333
WHAT'S WRONG IS THAT THE
1049
00:23:16,333 --> 00:23:18,867
WORLD IS ABOUT TO SEE US
1050
00:23:18,867 --> 00:23:21,767
IN OUR MOST COMPLETE EVERYTHING.
1051
00:23:21,767 --> 00:23:22,433
RIGHT.
1052
00:23:22,433 --> 00:23:23,567
THAT BOTHERS ME.
1053
00:23:23,567 --> 00:23:24,833
I'M MORE OF AN--
1054
00:23:24,833 --> 00:23:25,900
ON A OPTIMISTIC SIDE.
1055
00:23:25,900 --> 00:23:26,567
THAT'S GREAT.
1056
00:23:26,567 --> 00:23:27,500
BECAUSE BEING PESSIMISTIC
1057
00:23:27,500 --> 00:23:28,767
IS NOT GON' GET US ANYWHERE.
1058
00:23:28,767 --> 00:23:30,200
WE ALSO MADE A DECISION
1059
00:23:30,200 --> 00:23:31,633
TO DO THIS LEGALLY.
1060
00:23:31,633 --> 00:23:32,567
I MEAN, WE DID THIS TOGETHER.
1061
00:23:32,567 --> 00:23:33,700
THIS IS--IT'S A TATTOO
1062
00:23:33,700 --> 00:23:35,367
YOU CAN'T ERASE.
1063
00:23:35,367 --> 00:23:37,767
LET'S WATCH IT.
1064
00:23:37,767 --> 00:23:38,433
CAN YOU COME CLOSER?
1065
00:23:38,433 --> 00:23:39,100
WE CAN WATCH TOGETHER.
1066
00:23:39,100 --> 00:23:40,533
I DON'T WANT YOU TO HOOK OFF
1067
00:23:40,533 --> 00:23:41,400
ON ME, SO I GOT TO KEEP YOU
1068
00:23:41,400 --> 00:23:42,667
CLOSE TO ME.
1069
00:23:42,667 --> 00:23:43,600
I DON'T WANT YOU TO SNUFF ME
1070
00:23:43,600 --> 00:23:44,300
OR SOMETHING.
1071
00:23:44,300 --> 00:23:45,400
I FEEL LIKE WE'RE IN THE MOVIES.
1072
00:23:45,400 --> 00:23:47,400
WHERE'S THE POPCORN?
1073
00:23:53,233 --> 00:23:55,233
OH, MY GOD.
1074
00:24:09,667 --> 00:24:11,200
AS I'M WATCHING MYSELF,
1075
00:24:11,200 --> 00:24:12,833
I'M FEELING SOME TYPE OF WAY
1076
00:24:12,833 --> 00:24:14,233
ABOUT THE WHOLE WORLD
1077
00:24:14,233 --> 00:24:15,767
WATCHING THIS TAPE
1078
00:24:15,767 --> 00:24:17,467
AND CALLING ME A PORN STAR,
1079
00:24:17,467 --> 00:24:19,133
AND IT'S REALLY [bleep] WITH ME.
1080
00:24:19,133 --> 00:24:20,267
WHAT ARE YOU THINKING?
1081
00:24:20,267 --> 00:24:22,967
[whispering] I HAVE NO WORDS.
1082
00:24:22,967 --> 00:24:23,667
I'M HAPPY ABOUT THIS.
1083
00:24:23,667 --> 00:24:24,433
YOU'RE NOT HAPPY WITH THIS?
1084
00:24:24,433 --> 00:24:25,100
CLEARLY YOU'RE HAPPY
1085
00:24:25,100 --> 00:24:25,767
ABOUT IT.
1086
00:24:25,767 --> 00:24:26,467
YOU'RE NOT HAPPY ABOUT
1087
00:24:26,467 --> 00:24:27,133
WHAT WE DONE?
1088
00:24:27,133 --> 00:24:29,067
I UNDERSTAND YOU GOT A DAUGHTER,
1089
00:24:29,067 --> 00:24:30,233
BUT I ALSO UNDERSTAND YOU'RE
1090
00:24:30,233 --> 00:24:30,900
A GREAT MOM, AND
1091
00:24:30,900 --> 00:24:31,733
YOU'RE GONNA KNOW HOW TO DEAL
1092
00:24:31,733 --> 00:24:35,067
WITH THAT WHEN THAT TIME COMES.
1093
00:24:35,067 --> 00:24:35,900
YOU GOT IT ALL FIGURED OUT,
1094
00:24:35,900 --> 00:24:36,967
DON'T YOU?
1095
00:24:36,967 --> 00:24:39,133
NIKKO MAY NEVER UNDERSTAND
1096
00:24:39,133 --> 00:24:40,400
HOW I FEEL BECAUSE GUESS WHAT.
1097
00:24:40,400 --> 00:24:41,833
HE DOESN'T HAVE A CHILD.
1098
00:24:41,833 --> 00:24:43,500
THIS WHOLE THING IS A LOT HARDER
1099
00:24:43,500 --> 00:24:44,767
FOR ME BECAUSE I HAVE A LITTLE
1100
00:24:44,767 --> 00:24:46,433
GIRL THAT COULD SERIOUSLY
1101
00:24:46,433 --> 00:24:48,367
BE AFFECTED BY MY ACTIONS.
1102
00:24:48,367 --> 00:24:49,467
THIS IS COMING OUT.
1103
00:24:49,467 --> 00:24:50,333
I'M HERE EVERY STEP OF THE WAY,
1104
00:24:50,333 --> 00:24:51,067
WHATEVER YOU NEED
1105
00:24:51,067 --> 00:24:52,067
TO TALK TO ME ABOUT.
1106
00:24:52,067 --> 00:24:54,667
SO WE IN IT TOGETHER.
1107
00:25:00,600 --> 00:25:02,567
IF YOU REALLY LOVE BAM,
1108
00:25:02,567 --> 00:25:03,667
YOU REALLY WANT TO GET BACK
1109
00:25:03,667 --> 00:25:04,600
WITH BAM,
1110
00:25:04,600 --> 00:25:05,567
YOU GOT TO SHUT THAT
1111
00:25:05,567 --> 00:25:06,867
ERICA PINKETT DOWN.
1112
00:25:06,867 --> 00:25:08,367
THERE'S NOTHING TO SHUT DOWN.
1113
00:25:08,367 --> 00:25:10,367
THERE'S NOTHING.
1114
00:25:21,267 --> 00:25:21,933
BABY, I'VE BEEN
1115
00:25:21,933 --> 00:25:22,600
SOUL-SEARCHING.
1116
00:25:22,600 --> 00:25:24,967
[laughing]
1117
00:25:24,967 --> 00:25:26,267
STOP PLAYING, STUPID.
1118
00:25:26,267 --> 00:25:27,067
I'VE BEEN THINKING ABOUT
1119
00:25:27,067 --> 00:25:28,533
A LOT OF THINGS.
1120
00:25:28,533 --> 00:25:29,533
START SINGING.
1121
00:25:29,533 --> 00:25:30,400
♪ TAKE IT OFF
1122
00:25:30,400 --> 00:25:31,733
♪ OOH, OOH
1123
00:25:31,733 --> 00:25:34,067
OH, STOP [bleep], GIRL.
1124
00:25:34,067 --> 00:25:35,633
IT'S BEEN REALLY TOUGH LATELY
1125
00:25:35,633 --> 00:25:36,867
DEALING WITH THE PASSING
1126
00:25:36,867 --> 00:25:38,233
OF KAYO.
1127
00:25:38,233 --> 00:25:39,633
WHEN WAKA'S HURTING, THE AVERAGE
1128
00:25:39,633 --> 00:25:40,867
PERSON WOULD NEVER KNOW.
1129
00:25:40,867 --> 00:25:42,067
HE JOKES.
1130
00:25:42,067 --> 00:25:44,067
HE THROW HISSELF INTO HIS WORK.
1131
00:25:44,067 --> 00:25:45,200
HE ACT LIKE NOTHING EVER
1132
00:25:45,200 --> 00:25:46,133
HAPPENED.
1133
00:25:46,133 --> 00:25:47,633
I THREW MYSELF INTO MY WORK.
1134
00:25:47,633 --> 00:25:49,300
THAT'S HOW I'M DEALING WITH IT.
1135
00:25:49,300 --> 00:25:51,233
BUT I KNOW, REGARDLESS,
1136
00:25:51,233 --> 00:25:52,433
IT'S SOMETHING THAT
1137
00:25:52,433 --> 00:25:53,767
WILL NEVER GO AWAY.
1138
00:25:53,767 --> 00:25:54,867
SO I JUST WANT TO HAVE DINNER
1139
00:25:54,867 --> 00:25:57,700
AND JUST SIT DOWN WITH MY MAN
1140
00:25:57,700 --> 00:26:00,733
AND JUST GET AWAY FROM THE WORLD
1141
00:26:00,733 --> 00:26:01,767
FOR A SECOND, JUST IN OUR OWN
1142
00:26:01,767 --> 00:26:02,567
LITTLE WORLD.
1143
00:26:02,567 --> 00:26:03,767
YOU HAPPY TO BE HOME, BABY?
1144
00:26:03,767 --> 00:26:05,200
I AM, MAN.
1145
00:26:05,200 --> 00:26:06,667
YOU KNOW I LOVE TRAVELING.
1146
00:26:06,667 --> 00:26:07,367
I GUESS YOU AIN'T SEEN
1147
00:26:07,367 --> 00:26:08,733
NOTHING LIKE HOME, HUH?
1148
00:26:08,733 --> 00:26:10,133
ACTUALLY, I DIDN'T.
1149
00:26:10,133 --> 00:26:11,067
DON'T PLAY ME. I WILL--OH.
1150
00:26:11,067 --> 00:26:11,667
I SEEN A COUPLE NAKED
1151
00:26:11,667 --> 00:26:12,900
WRITHING GIRLS.
1152
00:26:12,900 --> 00:26:14,633
YEAH, WHATEVER.
1153
00:26:14,633 --> 00:26:15,833
[sighs]
1154
00:26:15,833 --> 00:26:17,400
NO, SERIOUSLY, THOUGH.
1155
00:26:17,400 --> 00:26:19,067
I REALLY BEEN THINKIN', THOUGH.
1156
00:26:19,067 --> 00:26:21,100
I DON'T WANT NO WEDDING.
1157
00:26:21,100 --> 00:26:22,133
WHAT?
1158
00:26:22,133 --> 00:26:22,833
I WANT TO GO STRAIGHT TO
1159
00:26:22,833 --> 00:26:25,067
THE COURTHOUSE, GET MARRIED.
1160
00:26:25,067 --> 00:26:26,267
TAMMY AND MY MOTHER TALKED
1161
00:26:26,267 --> 00:26:27,433
ABOUT A BIG WEDDING.
1162
00:26:27,433 --> 00:26:28,133
I AIN'T TALK ABOUT NO BIG
1163
00:26:28,133 --> 00:26:28,800
WEDDING.
1164
00:26:28,800 --> 00:26:30,333
TO ME, THAT'S GIMMICKS.
1165
00:26:30,333 --> 00:26:31,433
I'M NOT INTO GIMMICKS.
1166
00:26:31,433 --> 00:26:32,533
I'M INTO FACTS.
1167
00:26:32,533 --> 00:26:33,367
I'M NOT GONNA PAY A WHOLE BUNCH
1168
00:26:33,367 --> 00:26:34,300
OF MONEY TO GET IN A ROOM
1169
00:26:34,300 --> 00:26:35,433
SO PEOPLE CAN SEE US KISS.
1170
00:26:35,433 --> 00:26:36,567
FOR WHAT?
1171
00:26:36,567 --> 00:26:37,800
I JUST WANT MY FAMILY.
1172
00:26:37,800 --> 00:26:38,967
I WANT MY FAMILY.
1173
00:26:38,967 --> 00:26:40,233
I LOVE COMING HOME
1174
00:26:40,233 --> 00:26:42,067
TO A HOUSE THAT SMELL GOOD.
1175
00:26:42,067 --> 00:26:42,900
THAT'S SOMETHIN' I NEVER HAD
1176
00:26:42,900 --> 00:26:43,800
IN LIFE.
1177
00:26:43,800 --> 00:26:44,833
SO NOW IT'S JUST WHEN IT'S
1178
00:26:44,833 --> 00:26:45,500
CONVENIENT FOR YOU--
1179
00:26:45,500 --> 00:26:46,233
READY TO GETTING MARRIED.
1180
00:26:46,233 --> 00:26:46,900
IT'S NOT ABOUT BEING
1181
00:26:46,900 --> 00:26:47,567
CONVENIENT.
1182
00:26:47,567 --> 00:26:48,733
IT'S NOT ABOUT ARGUING.
1183
00:26:48,733 --> 00:26:50,233
I'M TELLING YOU I'M READY.
1184
00:26:50,233 --> 00:26:51,367
I DON'T KNOW IF IT'S BECAUSE
1185
00:26:51,367 --> 00:26:53,067
OF WHAT OUR FAMILY'S GOING
1186
00:26:53,067 --> 00:26:55,300
THROUGH THAT HAS MADE HIM STOP
1187
00:26:55,300 --> 00:26:56,233
AND THINK ABOUT WHAT'S
1188
00:26:56,233 --> 00:26:57,100
IMPORTANT.
1189
00:26:57,100 --> 00:26:58,300
HELL, I DONE BEEN THROUGH--
1190
00:26:58,300 --> 00:26:59,400
WE DONE BEEN THROUGH SO MUCH.
1191
00:26:59,400 --> 00:27:00,800
LET'S JUST GET MARRIED.
1192
00:27:00,800 --> 00:27:02,267
BUT I DON'T WANT TO MAKE THE
1193
00:27:02,267 --> 00:27:03,800
WRONG DECISION IN THE LONG RUN
1194
00:27:03,800 --> 00:27:06,567
BY NOT HAVING OUR FAMILY THERE.
1195
00:27:06,567 --> 00:27:08,967
MAYBE WE SHOULD THINK ABOUT IT.
1196
00:27:08,967 --> 00:27:09,967
WHO, YOU?
1197
00:27:09,967 --> 00:27:11,067
YOU CAN THINK ABOUT IT.
1198
00:27:11,067 --> 00:27:12,200
YOU GOT A LOT OF TIME
1199
00:27:12,200 --> 00:27:12,867
TO THINK ABOUT IT.
1200
00:27:12,867 --> 00:27:13,600
YEAH.
1201
00:27:13,600 --> 00:27:14,767
YOU GOT A LOT OF TIME
1202
00:27:14,767 --> 00:27:16,300
TO THINK ABOUT IT, THOUGH.
1203
00:27:16,300 --> 00:27:18,100
SO YOU THOUGHT ABOUT IT?
1204
00:27:18,100 --> 00:27:19,500
NO, I'M NOT GONNA JUST THINK
1205
00:27:19,500 --> 00:27:20,600
ABOUT IT THAT FAST.
1206
00:27:20,600 --> 00:27:21,433
I JUST GAVE YOU A COUPLE
1207
00:27:21,433 --> 00:27:23,433
OF SECONDS.
1208
00:27:29,200 --> 00:27:30,200
MAN, I'MA TELL YOU THE FUNNY
1209
00:27:30,200 --> 00:27:31,467
THING ABOUT SCRAP, THOUGH.
1210
00:27:31,467 --> 00:27:33,067
WHEN HE DEAL WITH HIS WOMEN,
1211
00:27:33,067 --> 00:27:34,533
THEY ALL HAVE A NAME, BOY.
1212
00:27:34,533 --> 00:27:36,133
GOIN' THROUGH IT WITH THE BAMBI.
1213
00:27:36,133 --> 00:27:37,267
THE BAMBI.
1214
00:27:37,267 --> 00:27:37,933
YO.
1215
00:27:37,933 --> 00:27:39,133
[laughing]
1216
00:27:39,133 --> 00:27:40,467
SO ME AND JOC ABOUT TO MEET UP
1217
00:27:40,467 --> 00:27:41,600
WITH MY BOY SCRAPPY.
1218
00:27:41,600 --> 00:27:42,700
HE SAID HE WAS HAVING SOME
1219
00:27:42,700 --> 00:27:44,067
PROBLEMS JUGGLING ALL THESE
1220
00:27:44,067 --> 00:27:45,200
WOMEN IN HIS LIFE.
1221
00:27:45,200 --> 00:27:46,633
SO WE 'BOUT TO WHIP SOME SENSE
1222
00:27:46,633 --> 00:27:48,667
INTO HIS CRAZY ASS.
1223
00:27:48,667 --> 00:27:49,433
I'MA TELL YOU WHAT CRAZY,
1224
00:27:49,433 --> 00:27:50,200
THOUGH, MAN.
1225
00:27:50,200 --> 00:27:51,967
I WAS IN MY OLD SCHOOL
1226
00:27:51,967 --> 00:27:53,467
WHEN I HEARD THE LITTLE NEWS
1227
00:27:53,467 --> 00:27:55,733
ABOUT THE BENZ.
1228
00:27:55,733 --> 00:27:56,400
OH, ZINO?
1229
00:27:56,400 --> 00:27:57,067
YEAH.
1230
00:27:57,067 --> 00:27:57,733
CRAZY.
1231
00:27:57,733 --> 00:27:58,400
WHAT WAS UP WITH THAT?
1232
00:27:58,400 --> 00:27:59,300
YOU AIN'T HEARD NOTHIN' ON THAT?
1233
00:27:59,300 --> 00:28:00,300
YOU KNOW, JUST TALKIN' TO Z,
1234
00:28:00,300 --> 00:28:01,333
HE A'IGHT, JUST TRYIN' TO
1235
00:28:01,333 --> 00:28:02,067
RECOVER.
1236
00:28:02,067 --> 00:28:02,767
CRAZY, THOUGH?
1237
00:28:02,767 --> 00:28:03,667
THAT JUST MADE ME FEEL
1238
00:28:03,667 --> 00:28:05,533
A WHOLE NOTHER TYPE OF WAY.
1239
00:28:05,533 --> 00:28:07,333
CRAZY, BOY, WITH THE TIMING.
1240
00:28:07,333 --> 00:28:08,133
THE TIMING.
1241
00:28:08,133 --> 00:28:09,067
YOUR MOM'S FUNERAL.
1242
00:28:09,067 --> 00:28:09,700
MOM'S FUNERAL.
1243
00:28:09,700 --> 00:28:10,367
BUT I WAS LIKE--MAN,
1244
00:28:10,367 --> 00:28:11,233
I WAS PRAYING FOR HIM.
1245
00:28:11,233 --> 00:28:12,067
I LET HIM KNOW, "I'M PRAYING
1246
00:28:12,067 --> 00:28:12,867
FOR YOU."
1247
00:28:12,867 --> 00:28:13,600
WORD.
1248
00:28:13,600 --> 00:28:15,433
WHAT HAPPENED TO MY BOY ZINO
1249
00:28:15,433 --> 00:28:16,933
REALLY SHOWED ME THAT LIFE
1250
00:28:16,933 --> 00:28:18,700
IS PRECIOUS, AND YOU GOT TO MAKE
1251
00:28:18,700 --> 00:28:20,233
THE MOST OF EVERY MINUTE
1252
00:28:20,233 --> 00:28:21,433
IN EVERY DAY.
1253
00:28:21,433 --> 00:28:22,367
FELLAS, FELLAS.
1254
00:28:22,367 --> 00:28:23,567
'EY, 'EY, 'EY.
1255
00:28:23,567 --> 00:28:25,167
WHAT UP, BOY?
1256
00:28:25,167 --> 00:28:25,833
YOU GOOD?
1257
00:28:25,833 --> 00:28:26,833
SURE IS NOW.
1258
00:28:26,833 --> 00:28:27,500
I NEED TO GET UP OUT THE
1259
00:28:27,500 --> 00:28:28,167
HOUSE, MAN.
1260
00:28:28,167 --> 00:28:29,833
I'M GOING THROUGH A LITTLE WOMAN
1261
00:28:29,833 --> 00:28:30,800
TROUBLE RIGHT NOW.
1262
00:28:30,800 --> 00:28:32,467
SO I HIT UP JOC,
1263
00:28:32,467 --> 00:28:33,800
HIT UP BIG DAWG KIRK.
1264
00:28:33,800 --> 00:28:35,133
WE ALL NEED TO GET OUT, MAN.
1265
00:28:35,133 --> 00:28:35,800
YOU DIG?
1266
00:28:35,800 --> 00:28:37,167
I NEED A GRAND MARNIER.
1267
00:28:37,167 --> 00:28:38,733
I NEED SOMETHIN' REAL HARD
1268
00:28:38,733 --> 00:28:39,400
AND EARLY.
1269
00:28:39,400 --> 00:28:40,533
WHERE DID YOU COME FROM?
1270
00:28:40,533 --> 00:28:41,333
LISTEN, I'M COMIN' FROM
1271
00:28:41,333 --> 00:28:42,233
THE HOUSE, MAN.
1272
00:28:42,233 --> 00:28:43,067
YOU KNOW WHAT I'M SAYIN'?
1273
00:28:43,067 --> 00:28:43,800
WE GOIN' THROUGH IT.
1274
00:28:43,800 --> 00:28:45,067
YOU ALWAYS GOIN' THROUGH IT.
1275
00:28:45,067 --> 00:28:46,633
I KNOW, BUT NORMALLY, YOU GET
1276
00:28:46,633 --> 00:28:48,300
INTO IT WITH YOUR CHICK FOR,
1277
00:28:48,300 --> 00:28:49,200
YOU KNOW WHAT I'M SAYIN',
1278
00:28:49,200 --> 00:28:50,600
ACTUALLY [bleep] A BITCH.
1279
00:28:50,600 --> 00:28:51,267
OKAY.
1280
00:28:51,267 --> 00:28:52,933
I AIN'T EVEN PINCH THE BITCH.
1281
00:28:52,933 --> 00:28:53,733
WHAT'S THE STATUS WITH YOU
1282
00:28:53,733 --> 00:28:54,400
AND SHAWTY?
1283
00:28:54,400 --> 00:28:55,067
ME AND BAM?
1284
00:28:55,067 --> 00:28:55,733
YEAH.
1285
00:28:55,733 --> 00:28:57,433
[bleep] CRAZY, MAN.
1286
00:28:57,433 --> 00:28:58,600
I GO OUT OF TOWN, AND ALL HELL
1287
00:28:58,600 --> 00:28:59,367
BREAK LOOSE.
1288
00:28:59,367 --> 00:29:03,233
MY MAMA TRY TO ASSIST.
1289
00:29:03,233 --> 00:29:04,500
MY MAMA TRY TO REFEREE
1290
00:29:04,500 --> 00:29:05,900
THE WHOLE SITUATION.
1291
00:29:05,900 --> 00:29:07,767
SCRAP, SERIOUSLY, YOU GOT TO
1292
00:29:07,767 --> 00:29:09,800
KEEP MOMMA DEE OUT YO' BUSINESS.
1293
00:29:09,800 --> 00:29:10,467
I TRY TO.
1294
00:29:10,467 --> 00:29:11,367
WHATEVER YOU WANT--NO.
1295
00:29:11,367 --> 00:29:12,300
NO, AIN'T NO MORE TRYIN'.
1296
00:29:12,300 --> 00:29:13,967
SHE NOT GOIN' NO WIZZ-NAH-EE.
1297
00:29:13,967 --> 00:29:14,633
SCRAP, YOU KNOW WHAT?
1298
00:29:14,633 --> 00:29:15,667
THE MAMA [bleep] IS GOIN' ON
1299
00:29:15,667 --> 00:29:16,700
IN MY LIFE TOO.
1300
00:29:16,700 --> 00:29:17,400
AND IT'S THAT SAME LADY
1301
00:29:17,400 --> 00:29:18,800
THAT RAN OVER YOUR BIKE.
1302
00:29:18,800 --> 00:29:19,833
BUT SEE, SHE THOUGHT I WAS
1303
00:29:19,833 --> 00:29:21,267
[bleep] WITH THESE GIRLS,
1304
00:29:21,267 --> 00:29:22,067
AND HER THING IS,
1305
00:29:22,067 --> 00:29:23,467
"YOU EMBARRASSED MY DAUGHTER.
1306
00:29:23,467 --> 00:29:24,467
YOU NEED TO HAVE A APOLOGY
1307
00:29:24,467 --> 00:29:25,667
PARTY.
1308
00:29:25,667 --> 00:29:26,333
YOU NEED TO LET HER"--
1309
00:29:26,333 --> 00:29:28,433
APOLOGY PARTY?
1310
00:29:28,433 --> 00:29:29,333
WHAT THE HELL IS A APOLOGY
1311
00:29:29,333 --> 00:29:30,067
PARTY?
1312
00:29:30,067 --> 00:29:31,733
IT'S A LAME WAY TO EXPLAIN,
1313
00:29:31,733 --> 00:29:33,100
"I'M SORRY, BABY,
1314
00:29:33,100 --> 00:29:34,133
FOR HURTING YOU."
1315
00:29:34,133 --> 00:29:34,900
ARE YOU GON' REALLY DO IT,
1316
00:29:34,900 --> 00:29:35,567
THOUGH, LIKE--
1317
00:29:35,567 --> 00:29:36,667
OF COURSE, 'CAUSE I'M JUST
1318
00:29:36,667 --> 00:29:38,267
TRYIN' TO DO STUFF TO SAY,
1319
00:29:38,267 --> 00:29:40,167
"LISTEN, I HEAR YOU."
1320
00:29:40,167 --> 00:29:41,900
I'M FIXIN' MY [bleep].
1321
00:29:41,900 --> 00:29:43,267
AND THAT MEAN YOU NEED TO GO
1322
00:29:43,267 --> 00:29:44,800
AND GET RUBEN STUDDARD
1323
00:29:44,800 --> 00:29:46,067
SINGIN' THAT [bleep].
1324
00:29:46,067 --> 00:29:46,733
[laughing]
1325
00:29:46,733 --> 00:29:47,667
I SORRY.
1326
00:29:47,667 --> 00:29:48,633
YOU KNOW, I'M TRYIN' TO BE ON
1327
00:29:48,633 --> 00:29:49,900
THE RIGHT PATH, BUT RASHEEDA
1328
00:29:49,900 --> 00:29:51,733
MAMA STILL ACTIN' LIKE
1329
00:29:51,733 --> 00:29:52,867
TOILET BOWL.
1330
00:29:52,867 --> 00:29:54,500
I KNOW I AIN'T GOT NO WIFE OR
1331
00:29:54,500 --> 00:29:55,867
NOTHIN' LIKE THAT, BUT THE WAY
1332
00:29:55,867 --> 00:29:57,967
I MISS BAM, I'M--I THINK I MIGHT
1333
00:29:57,967 --> 00:29:59,067
NEED TO DO SOMETHIN'
1334
00:29:59,067 --> 00:30:00,733
IN THAT AREA.
1335
00:30:00,733 --> 00:30:02,433
LIKE, BAM COME HOME.
1336
00:30:02,433 --> 00:30:03,833
SCRAP LAID IN THE BATHTUB FULL
1337
00:30:03,833 --> 00:30:05,567
OF CRAB LEG WITH A LITTLE BOWL
1338
00:30:05,567 --> 00:30:07,033
OF BUTTER.
1339
00:30:07,033 --> 00:30:09,167
"BABY, I APOLOGIZE."
1340
00:30:09,167 --> 00:30:09,967
STEAMED UP.
1341
00:30:09,967 --> 00:30:11,667
WITH THE SHOWER STEAMIN'.
1342
00:30:11,667 --> 00:30:12,400
WITH SOME CAJUN FLAVOR.
1343
00:30:12,400 --> 00:30:14,400
FEET HANGIN' OUT THE BATHTUB.
1344
00:30:14,400 --> 00:30:15,200
"DIP SOMETHIN'
1345
00:30:15,200 --> 00:30:17,267
IF YOU LOVE ME."
1346
00:30:17,267 --> 00:30:18,033
I DON'T KNOW ABOUT NONE OF
1347
00:30:18,033 --> 00:30:19,900
THAT APOLOGY PARTY TYPE STUFF,
1348
00:30:19,900 --> 00:30:20,700
BUT I THINK I CAN COOK
1349
00:30:20,700 --> 00:30:22,167
SOMETHIN' UP REAL NICE FOR BAM
1350
00:30:22,167 --> 00:30:24,300
SO WE CAN PATCH THINGS UP.
1351
00:30:24,300 --> 00:30:25,267
MAN, I REALLY GOT TO DO
1352
00:30:25,267 --> 00:30:26,467
SOMETHIN' SPECIAL FOR THE BAM,
1353
00:30:26,467 --> 00:30:27,433
YOU KNOW WHAT I'M TALKIN' ABOUT?
1354
00:30:27,433 --> 00:30:29,200
'CAUSE RIGHT NOW, I DON'T REALLY
1355
00:30:29,200 --> 00:30:30,000
THINK SHE FEELIN' ME
1356
00:30:30,000 --> 00:30:31,167
AND MA DUKES.
1357
00:30:31,167 --> 00:30:32,133
YOU GOT BAM
1358
00:30:32,133 --> 00:30:33,233
AND ERICA PINKETT.
1359
00:30:33,233 --> 00:30:34,167
NO, I GOT BAM 'CAUSE--
1360
00:30:34,167 --> 00:30:36,300
OKAY, BUT BAM FEELS LIKE YOU
1361
00:30:36,300 --> 00:30:37,767
GOT TWO OF THEM, AND YOU NEED
1362
00:30:37,767 --> 00:30:38,667
TO FIX THAT.
1363
00:30:38,667 --> 00:30:40,333
IF YOU REALLY LOVE BAM,
1364
00:30:40,333 --> 00:30:41,700
YOU REALLY WANT TO GET BACK WITH
1365
00:30:41,700 --> 00:30:43,333
BAM, YOU GOT TO SHUT THAT
1366
00:30:43,333 --> 00:30:44,733
ERICA PINKETT DOWN.
1367
00:30:44,733 --> 00:30:46,300
THERE'S NOTHIN' TO SHUT DOWN.
1368
00:30:46,300 --> 00:30:47,033
THERE'S NOTHIN'.
1369
00:30:47,033 --> 00:30:47,700
MM-HMM.
1370
00:30:47,700 --> 00:30:49,200
IT'S REALLY PLATONIC,
1371
00:30:49,200 --> 00:30:50,600
'CAUSE ALL WE DO IS TEXT.
1372
00:30:50,600 --> 00:30:51,700
IT'S NOTHIN'.
1373
00:30:51,700 --> 00:30:52,867
SPELL IT.
1374
00:30:52,867 --> 00:30:54,100
SPELL WHAT?
1375
00:30:54,100 --> 00:30:56,033
"PLATONIC."
1376
00:30:56,033 --> 00:30:56,700
P-L...
1377
00:30:56,700 --> 00:30:57,733
STOP IT.
1378
00:30:57,733 --> 00:31:00,067
TONIC.
1379
00:31:00,067 --> 00:31:00,667
I'VE KNOWN SCRAPPY
1380
00:31:00,667 --> 00:31:01,933
FOR A VERY LONG TIME.
1381
00:31:01,933 --> 00:31:03,467
LIKE, BROTHER JUST REALLY
1382
00:31:03,467 --> 00:31:04,767
IS THE WORST WHEN IT
1383
00:31:04,767 --> 00:31:05,933
COMES TO RELATIONSHIPS.
1384
00:31:05,933 --> 00:31:06,800
I KNOW HE'S JUST MISSIN'
1385
00:31:06,800 --> 00:31:07,500
THE SEX.
1386
00:31:07,500 --> 00:31:09,467
HONESTLY, THERE'S NO CONVINCIN'
1387
00:31:09,467 --> 00:31:10,567
SCRAPPY OF ANYTHING.
1388
00:31:10,567 --> 00:31:12,867
LIKE, IT'S NOT HAPPENIN'.
1389
00:31:12,867 --> 00:31:13,567
IT IS REALLY PLATONIC,
1390
00:31:13,567 --> 00:31:14,467
THOUGH, FOR REAL.
1391
00:31:14,467 --> 00:31:15,933
IS BAM YOUR HEART?
1392
00:31:15,933 --> 00:31:17,233
YEAH, SHE'S SO--
1393
00:31:17,233 --> 00:31:18,100
SHE IN MY HEART.
1394
00:31:18,100 --> 00:31:19,400
THAT LITTLE COOL STUFF,
1395
00:31:19,400 --> 00:31:21,800
SHUT THAT COOL STUFF DOWN.
1396
00:31:21,800 --> 00:31:22,767
BAM IS A REAL BITCH.
1397
00:31:22,767 --> 00:31:23,667
MY BIZZ-NAH-EE, RIGHT.
1398
00:31:23,667 --> 00:31:24,967
I GOT TO GO GET MY BIZZ-NAH-EE
1399
00:31:24,967 --> 00:31:25,867
BACK, BRO.
1400
00:31:25,867 --> 00:31:26,867
I AIN'T GON' EVEN LIE.
1401
00:31:26,867 --> 00:31:28,200
KIRK, YOU JUST MADE ME THINK
1402
00:31:28,200 --> 00:31:29,400
ABOUT HER EXTRA.
1403
00:31:29,400 --> 00:31:32,267
YOU FEEL ME?
1404
00:31:32,267 --> 00:31:33,967
LITTLE TEAR IN YOUR EYE.
1405
00:31:33,967 --> 00:31:34,967
[laughs]
1406
00:31:34,967 --> 00:31:36,967
A LITTLE TEAR.
1407
00:31:38,600 --> 00:31:39,600
SLEAZE, WE AIN'T NEVER GONNA
1408
00:31:39,600 --> 00:31:40,800
TALK ABOUT IT AGAIN.
1409
00:31:40,800 --> 00:31:41,633
MAN, I JUST WANT TO JUST
1410
00:31:41,633 --> 00:31:42,567
MOVE FORWARD.
1411
00:31:42,567 --> 00:31:44,567
I NEVER HAD SEX WITH HER.
1412
00:31:53,800 --> 00:31:55,567
WHAT'S UP, MAN?
1413
00:31:55,567 --> 00:31:56,600
[laughs]
1414
00:31:56,600 --> 00:31:58,600
YOU ALREADY GOT YOUR PINK DOGGY
1415
00:31:58,600 --> 00:31:59,500
NECK THING.
1416
00:31:59,500 --> 00:32:00,400
YOU FEEL ME?
1417
00:32:00,400 --> 00:32:01,433
YEAH, YOU GUESSED IT.
1418
00:32:01,433 --> 00:32:03,133
YOUR BOY'S UP AND DOWN THE BOARD
1419
00:32:03,133 --> 00:32:03,900
CHASIN' THE BAM,
1420
00:32:03,900 --> 00:32:04,600
YOU KNOW I'M SAYIN'?
1421
00:32:04,600 --> 00:32:05,300
I MISS HER.
1422
00:32:05,300 --> 00:32:06,400
I MEAN, I BEEN CALLIN'.
1423
00:32:06,400 --> 00:32:07,533
I BEEN TEXTIN' HER.
1424
00:32:07,533 --> 00:32:08,533
SHE AIN'T BEEN RETURNIN' NONE OF
1425
00:32:08,533 --> 00:32:09,467
YOUR BOY CALL.
1426
00:32:09,467 --> 00:32:10,200
I HANDLED IT.
1427
00:32:10,200 --> 00:32:10,967
YOU KNOW WHAT I'M SAYIN'?
1428
00:32:10,967 --> 00:32:12,433
I GOT SOMETHIN' FOR HER ASS,
1429
00:32:12,433 --> 00:32:13,200
YOU KNOW WHAT I'M SAYIN'?
1430
00:32:13,200 --> 00:32:14,433
JUST A LITTLE SNEAK ATTACK, MAN,
1431
00:32:14,433 --> 00:32:15,200
YOU KNOW WHAT I'M SAYIN',
1432
00:32:15,200 --> 00:32:16,567
TO MELT THAT HEART A LITTLE BIT.
1433
00:32:16,567 --> 00:32:17,767
CALL IT A PUPPY SURPRISE,
1434
00:32:17,767 --> 00:32:18,733
YOU DIG?
1435
00:32:18,733 --> 00:32:20,433
I BET YOU BAM HOP BACK ON
1436
00:32:20,433 --> 00:32:21,767
MY DIZZ-NAH-EE.
1437
00:32:21,767 --> 00:32:23,467
YOU GOT TO BE HARD AROUND BAM.
1438
00:32:23,467 --> 00:32:24,467
SHE TALL.
1439
00:32:24,467 --> 00:32:26,467
DON'T LET THAT SCARE YOU.
1440
00:32:29,833 --> 00:32:31,367
WHAT ARE YOU DOING HERE?
1441
00:32:31,367 --> 00:32:32,267
HAD A LITTLE SURPRISE
1442
00:32:32,267 --> 00:32:32,933
FOR YOU.
1443
00:32:32,933 --> 00:32:34,133
I KNOW YOU ALWAYS SAY YOU BE
1444
00:32:34,133 --> 00:32:35,067
WANTIN' LITTLE STUFF,
1445
00:32:35,067 --> 00:32:35,700
SO IT'S JUST...
1446
00:32:35,700 --> 00:32:38,900
YOU BROUGHT ME A PRESENT?
1447
00:32:38,900 --> 00:32:42,233
WHAT IS--
1448
00:32:42,233 --> 00:32:43,833
YO QUIERO TACO BELL?
1449
00:32:43,833 --> 00:32:44,700
HE'S SOMETHING LIKE THAT
1450
00:32:44,700 --> 00:32:46,200
[bleep], YOU FEEL ME?
1451
00:32:46,200 --> 00:32:46,933
LIKE HER, JILLY?
1452
00:32:46,933 --> 00:32:47,800
HI.
1453
00:32:47,800 --> 00:32:49,333
IS SHE GON' PEE ON THE FLOOR?
1454
00:32:49,333 --> 00:32:51,133
IT'S JUST A LITTLE OVERWHELMING.
1455
00:32:51,133 --> 00:32:52,667
I'VE SPOKEN WITH SCRAP A COUPLE
1456
00:32:52,667 --> 00:32:53,800
TIMES SINCE WE BROKE UP.
1457
00:32:53,800 --> 00:32:55,533
I MISS HIM, BUT I'M NOT TRYIN'
1458
00:32:55,533 --> 00:32:56,767
TO DEAL WITH HIS DRAMA
1459
00:32:56,767 --> 00:32:58,900
OR HIS MAMA DRAMA ANYMORE,
1460
00:32:58,900 --> 00:33:00,700
AND I'M NOT SURE IF A PUPPY
1461
00:33:00,700 --> 00:33:01,967
CAN CHANGE THE WAY I FEEL.
1462
00:33:01,967 --> 00:33:02,967
CAME HERE TO BRING JILL
1463
00:33:02,967 --> 00:33:04,367
AND JUST SEE WHAT'S UP WITH YOU.
1464
00:33:04,367 --> 00:33:05,433
I MISS YOU.
1465
00:33:05,433 --> 00:33:06,733
YOU DO?
1466
00:33:06,733 --> 00:33:07,700
YOU DON'T MISS ME?
1467
00:33:07,700 --> 00:33:08,700
I DO.
1468
00:33:08,700 --> 00:33:09,367
DO YOU REALLY MISS ME?
1469
00:33:09,367 --> 00:33:10,900
BUT I DON'T MISS, LIKE,
1470
00:33:10,900 --> 00:33:11,933
WHAT COMES WITH YOU,
1471
00:33:11,933 --> 00:33:14,067
LIKE, YOUR MOM, YOUR GIRL.
1472
00:33:14,067 --> 00:33:15,100
WELL, YOU DON'T HAVE TO WORRY
1473
00:33:15,100 --> 00:33:16,067
ABOUT THAT NO MORE.
1474
00:33:16,067 --> 00:33:16,733
WHY NOT?
1475
00:33:16,733 --> 00:33:17,867
BECAUSE THAT'S DONE.
1476
00:33:17,867 --> 00:33:18,567
OH, IS IT?
1477
00:33:18,567 --> 00:33:19,667
LIKE I BEEN TOLD YOU, IT'S
1478
00:33:19,667 --> 00:33:20,900
NOTHING HAPPENING WITH THAT.
1479
00:33:20,900 --> 00:33:21,700
NOTHING'S GON' HAPPEN.
1480
00:33:21,700 --> 00:33:22,467
IS THE FRIENDSHIP OVER?
1481
00:33:22,467 --> 00:33:23,500
I MEAN, IF I'M TRYIN' TO SIT
1482
00:33:23,500 --> 00:33:24,500
HERE AND TALK TO YOU--
1483
00:33:24,500 --> 00:33:25,667
YOU JUST TRYIN' TO COME SEE
1484
00:33:25,667 --> 00:33:26,500
ME AND GIVE ME A PUPPY.
1485
00:33:26,500 --> 00:33:27,367
WELL, IT'S A CUTE LITTLE DOG,
1486
00:33:27,367 --> 00:33:28,067
MAN.
1487
00:33:28,067 --> 00:33:28,933
I WENT OUT MY WAY TO GET THAT,
1488
00:33:28,933 --> 00:33:29,633
MAN, YOU FEEL ME?
1489
00:33:29,633 --> 00:33:30,300
RIGHT.
1490
00:33:30,300 --> 00:33:30,967
FOR REAL.
1491
00:33:30,967 --> 00:33:32,067
JUST SHOWIN' MY GRATITUDE AND
1492
00:33:32,067 --> 00:33:33,067
MY LOVE FOR YOU, YOU FEEL ME?
1493
00:33:33,067 --> 00:33:33,700
MM-HMM.
1494
00:33:33,700 --> 00:33:34,867
I WANT TO BE SOMEWHERE
1495
00:33:34,867 --> 00:33:36,100
ON SOME KIND OF LEVEL.
1496
00:33:36,100 --> 00:33:36,933
BUT YOU DON'T KNOW WHAT THAT
1497
00:33:36,933 --> 00:33:37,700
LEVEL IS.
1498
00:33:37,700 --> 00:33:38,500
WHAT LEVEL DO YOU WANT TO BE
1499
00:33:38,500 --> 00:33:39,167
ON?
1500
00:33:39,167 --> 00:33:40,133
I'M JUST ASKIN'. LIKE, I'M--
1501
00:33:40,133 --> 00:33:40,933
WHAT LEVEL DO YOU WANT TO--
1502
00:33:40,933 --> 00:33:41,700
BECAUSE YOU KEEP ASKIN' ME
1503
00:33:41,700 --> 00:33:42,367
LIKE YOU ALREADY KNOW.
1504
00:33:42,367 --> 00:33:43,067
NO, THIS IS YOU.
1505
00:33:43,067 --> 00:33:43,700
LIKE, YOU'RE HERE.
1506
00:33:43,700 --> 00:33:44,600
SO I JUST NEED TO BE CLEAR ON
1507
00:33:44,600 --> 00:33:46,400
WHAT YOU WANT AND WHY YOU HERE.
1508
00:33:46,400 --> 00:33:47,167
YOU KNOW WHAT I'M SAYIN'?
1509
00:33:47,167 --> 00:33:48,100
YOU TRYIN' TO GET BACK TOGETHER.
1510
00:33:48,100 --> 00:33:49,233
WE GOT TO WAIT FOR THAT,
1511
00:33:49,233 --> 00:33:50,300
BUT I'M JUST TRYIN' TO SEE.
1512
00:33:50,300 --> 00:33:51,267
WE GOT TO GET BACK TOGETHER--
1513
00:33:51,267 --> 00:33:52,333
WAIT FOR WHAT?
1514
00:33:52,333 --> 00:33:53,167
WAIT TO SEE,
1515
00:33:53,167 --> 00:33:54,200
YOU KNOW WHAT I'M SAYIN'?
1516
00:33:54,200 --> 00:33:55,767
I MEAN, CAN I GET A HUG,
1517
00:33:55,767 --> 00:33:58,233
A KISS, OR SOMETHIN', YOU KNOW?
1518
00:33:58,233 --> 00:33:59,267
SOMETHIN', JUST GIVE ME
1519
00:33:59,267 --> 00:34:00,067
SOMETHIN'.
1520
00:34:00,067 --> 00:34:01,300
GIVE ME A KISS.
1521
00:34:01,300 --> 00:34:03,300
NO, I DON'T--
1522
00:34:06,067 --> 00:34:08,633
THAT'S IT.
1523
00:34:08,633 --> 00:34:09,667
YOU KNOCK ME OFF OF MY FEET,
1524
00:34:09,667 --> 00:34:10,333
BABY.
1525
00:34:10,333 --> 00:34:12,533
WHATEVER. I HATE YOU.
1526
00:34:12,533 --> 00:34:13,767
MAN, I'M FEELIN' REAL HOPEFUL
1527
00:34:13,767 --> 00:34:14,600
RIGHT NOW.
1528
00:34:14,600 --> 00:34:15,500
SHE LOVE THE DOG,
1529
00:34:15,500 --> 00:34:16,433
YOU KNOW WHAT I'M SAYIN'?
1530
00:34:16,433 --> 00:34:17,400
SO I KNOW SHE LIKIN' A LITTLE
1531
00:34:17,400 --> 00:34:18,900
THE DUDE THAT GAVE IT TO HER.
1532
00:34:18,900 --> 00:34:19,733
BUT, YOU KNOW, I'MA TAKE IT
1533
00:34:19,733 --> 00:34:20,733
REAL SLOW.
1534
00:34:20,733 --> 00:34:22,100
I'MA WORK MY WAY BACK UP TO THAT
1535
00:34:22,100 --> 00:34:23,167
HEART, AND ONCE I GET INTO THE
1536
00:34:23,167 --> 00:34:25,467
HEART, I'LL WIN MY WAY BACK INTO
1537
00:34:25,467 --> 00:34:27,900
THAT POOD-NAH-EE, YOU FEEL ME?
1538
00:34:27,900 --> 00:34:29,067
ARE YOU GON' LOVE JILL?
1539
00:34:29,067 --> 00:34:30,067
I'M GONNA LOVE HER.
1540
00:34:30,067 --> 00:34:30,767
THIS WAS A GREAT START.
1541
00:34:30,767 --> 00:34:31,567
TAKE CARE OF JILL.
1542
00:34:31,567 --> 00:34:32,233
WE GONNA HAVE SEX?
1543
00:34:32,233 --> 00:34:34,233
NO, WE'RE NOT GONNA HAVE SEX.
1544
00:34:34,233 --> 00:34:35,500
YOU GON' HAVE TO TAKE ME ON
1545
00:34:35,500 --> 00:34:37,067
A GANG OF DATES BEFORE WE GET IT
1546
00:34:37,067 --> 00:34:39,067
POPPIN' AGAIN.
1547
00:34:44,967 --> 00:34:46,500
Z, WHAT'S THE DEAL, BRO?
1548
00:34:46,500 --> 00:34:47,467
SLEAZE.
1549
00:34:47,467 --> 00:34:48,400
WHAT'S GOIN' ON, MAN?
1550
00:34:48,400 --> 00:34:49,067
HOW YOU FEELIN'?
1551
00:34:49,067 --> 00:34:49,733
WHAT'S UP, MAN?
1552
00:34:49,733 --> 00:34:50,800
HOW'S EVERYTHING, MAN?
1553
00:34:50,800 --> 00:34:51,467
[bleep].
1554
00:34:51,467 --> 00:34:52,400
I KNOW IT'S CRAZY.
1555
00:34:52,400 --> 00:34:53,100
YEAH, MY [bleep] STILL
1556
00:34:53,100 --> 00:34:53,767
[bleep].
1557
00:34:53,767 --> 00:34:55,167
I SEEN ALTHEA IN THE HALLWAY,
1558
00:34:55,167 --> 00:34:56,167
AND SHE GAVE ME THE KEY.
1559
00:34:56,167 --> 00:34:56,967
THE KEY, YEAH, YEAH, YEAH.
1560
00:34:56,967 --> 00:34:57,633
SHE WENT TO GO GET THE
1561
00:34:57,633 --> 00:34:58,300
PRESCRIPTION.
1562
00:34:58,300 --> 00:34:59,367
I HAD ENOUGH OF BOSTON,
1563
00:34:59,367 --> 00:35:01,067
BUT BEFORE I LEAVE, I HAD TO GO
1564
00:35:01,067 --> 00:35:02,233
CHECK ON MY MAN Z 'CAUSE
1565
00:35:02,233 --> 00:35:03,767
YESTERDAY HE WAS TALKIN' CRAZY
1566
00:35:03,767 --> 00:35:05,733
ABOUT ME AND ALTHEA.
1567
00:35:05,733 --> 00:35:07,233
IT'S DEFINITELY GOOD TO SEE
1568
00:35:07,233 --> 00:35:09,300
MY MAN IN BETTER SPIRITS TODAY,
1569
00:35:09,300 --> 00:35:10,400
AND, YOU KNOW, IT'S EVEN BETTER
1570
00:35:10,400 --> 00:35:11,633
TO SEE OLD THI THI HOLDIN'
1571
00:35:11,633 --> 00:35:12,467
HIM DOWN.
1572
00:35:12,467 --> 00:35:13,600
I KNOW HE'S STILL HURTING,
1573
00:35:13,600 --> 00:35:15,633
LOSING HIS MOM AND BEING SHOT,
1574
00:35:15,633 --> 00:35:16,600
BUT IT'S STILL GOOD TO SEE
1575
00:35:16,600 --> 00:35:17,867
A SMILE ON HIS FACE.
1576
00:35:17,867 --> 00:35:19,700
THIS DUDE HAS BEEN THROUGH IT.
1577
00:35:19,700 --> 00:35:20,533
YOU GOT A LOT OF CARDS,
1578
00:35:20,533 --> 00:35:22,067
LOVE ALL AROUND THE ROOM.
1579
00:35:22,067 --> 00:35:23,433
YEAH, YOU NEVER REALLY KNOW
1580
00:35:23,433 --> 00:35:24,300
HOW MUCH LOVE YOU HAVE
1581
00:35:24,300 --> 00:35:25,133
TILL YOU GET SHOT.
1582
00:35:25,133 --> 00:35:26,367
IT'S CRAZY.
1583
00:35:26,367 --> 00:35:27,467
THE ONLY GOOD THING ABOUT ALL
1584
00:35:27,467 --> 00:35:29,067
THIS IS THAT ALTHEA WAS THERE
1585
00:35:29,067 --> 00:35:29,933
WITH ME EVERY STEP OF THE
1586
00:35:29,933 --> 00:35:30,600
[bleep] WAY.
1587
00:35:30,600 --> 00:35:31,267
LIKE--
1588
00:35:31,267 --> 00:35:32,333
SHE SEEMS LIKE SHE'S THE ONE
1589
00:35:32,333 --> 00:35:33,267
FOR YOU, BRO.
1590
00:35:33,267 --> 00:35:34,067
KNOW WHAT I'M SAYIN'?
1591
00:35:34,067 --> 00:35:36,433
IT'S CRAZY BECAUSE, YOU KNOW,
1592
00:35:36,433 --> 00:35:37,700
I WANTED HER TO MEET MY MOTHER,
1593
00:35:37,700 --> 00:35:39,433
AND SHE NEVER GOT A CHANCE.
1594
00:35:39,433 --> 00:35:40,533
ME GETTING MARRIED, MAN,
1595
00:35:40,533 --> 00:35:42,167
MY MOTHER--THROUGHOUT MY WHOLE
1596
00:35:42,167 --> 00:35:43,567
LIFE, MY MOTHER SEEN 'EM COME
1597
00:35:43,567 --> 00:35:44,667
AND GO AND JUST, LIKE--
1598
00:35:44,667 --> 00:35:45,333
YOU KNOW I MEAN?
1599
00:35:45,333 --> 00:35:46,800
I JUST--YOU KNOW WHAT I'M
1600
00:35:46,800 --> 00:35:47,833
SAYIN', SHE NEVER PROBABLY
1601
00:35:47,833 --> 00:35:48,933
THOUGHT THAT I WOULD [bleep]
1602
00:35:48,933 --> 00:35:49,733
GET MARRIED.
1603
00:35:49,733 --> 00:35:52,067
MAN, SLEAZE, I JUST WAS LIKE--
1604
00:35:52,067 --> 00:35:53,100
THAT'S WHY, MAN, WHEN YOU WAS--
1605
00:35:53,100 --> 00:35:53,800
YOU KNOW, WHEN YOU CAME IN
1606
00:35:53,800 --> 00:35:55,933
THERE, I KNOW I GOT EMOTIONAL,
1607
00:35:55,933 --> 00:35:57,433
BUT IT'S LIKE, BEFORE ALL THIS
1608
00:35:57,433 --> 00:35:58,367
[bleep] HAPPENED, SHE TOLD ME
1609
00:35:58,367 --> 00:35:59,433
ABOUT THE SITUATION,
1610
00:35:59,433 --> 00:36:00,267
YOU KNOW WHAT I'M SAYIN',
1611
00:36:00,267 --> 00:36:01,267
WITH Y'ALL TWO, SLEAZE.
1612
00:36:01,267 --> 00:36:02,433
I--COME ON.
1613
00:36:02,433 --> 00:36:03,733
LIKE, SHE TOLD ME, "LOOK,
1614
00:36:03,733 --> 00:36:04,833
YOU KNOW, WE MESSED AROUND."
1615
00:36:04,833 --> 00:36:06,167
IT WASN'T NOTHIN' CRAZY.
1616
00:36:06,167 --> 00:36:06,867
IT JUST WAS"--YOU KNOW
1617
00:36:06,867 --> 00:36:07,533
WHAT I'M SAYIN'?
1618
00:36:07,533 --> 00:36:08,300
YEAH, WE HUNG OUT A LITTLE
1619
00:36:08,300 --> 00:36:08,967
BIT.
1620
00:36:08,967 --> 00:36:09,833
SLEAZE, WE AIN'T NEVER GONNA
1621
00:36:09,833 --> 00:36:10,500
TALK ABOUT IT AGAIN.
1622
00:36:10,500 --> 00:36:11,600
MAN, I JUST WANT TO JUST MOVE
1623
00:36:11,600 --> 00:36:13,267
FORWARD, GET BETTER, GET BACK
1624
00:36:13,267 --> 00:36:14,433
IN THE STUDIO WITH YOU, MAN.
1625
00:36:14,433 --> 00:36:15,100
RIGHT.
1626
00:36:15,100 --> 00:36:16,333
SEE, MY THING IS,
1627
00:36:16,333 --> 00:36:17,333
WE HUNG OUT, Z.
1628
00:36:17,333 --> 00:36:18,400
IT WAS NEVER NOTHIN'.
1629
00:36:18,400 --> 00:36:20,533
I NEVER HAD SEX WITH HER,
1630
00:36:20,533 --> 00:36:22,133
AND I JUST WANT TO JUST PUT THIS
1631
00:36:22,133 --> 00:36:23,967
BEHIND US, 'CAUSE Y'ALL HAPPY.
1632
00:36:23,967 --> 00:36:25,233
THAT'S YOUR SOUL MATE.
1633
00:36:25,233 --> 00:36:26,767
NO MATTER HOW YOU SLICE AND DICE
1634
00:36:26,767 --> 00:36:28,633
IT, I DIDN'T SMASH IT.
1635
00:36:28,633 --> 00:36:30,133
FLIP IT UP, RUB IT DOWN,
1636
00:36:30,133 --> 00:36:31,233
PUT IT UP, PUT IT DOWN,
1637
00:36:31,233 --> 00:36:33,567
SIDE TO SIDE, I AIN'T SMASH.
1638
00:36:37,233 --> 00:36:38,100
WHILE I'M IN BOSTON
1639
00:36:38,100 --> 00:36:40,567
AT THE HOSPITAL, I WALKS IN.
1640
00:36:40,567 --> 00:36:41,567
ALTHEA IN THERE,
1641
00:36:41,567 --> 00:36:42,933
AND HE TELLS ME, "YO,
1642
00:36:42,933 --> 00:36:44,300
I KNOW ABOUT YOU AND ALTHEA,"
1643
00:36:44,300 --> 00:36:45,533
LIKE HE WAS INSINUATIN', LIKE,
1644
00:36:45,533 --> 00:36:46,200
I HAD SLEPT WITH HER
1645
00:36:46,200 --> 00:36:47,167
OR SOMETHIN'.
1646
00:36:47,167 --> 00:36:47,933
BUT YOU SLEPT WITH HER.
1647
00:36:47,933 --> 00:36:48,600
I NEVER--
1648
00:36:48,600 --> 00:36:49,367
I WAS TRYIN' TO FIGURE OUT
1649
00:36:49,367 --> 00:36:50,167
WHEN SHE WAS GONNA TELL ME AND
1650
00:36:50,167 --> 00:36:52,167
WHEN YOU WAS GONNA TELL ME.
1651
00:37:00,567 --> 00:37:02,200
MY ASS IS IN THE AIR.
1652
00:37:02,200 --> 00:37:04,267
YOU KNOW, STEVIE BETTER BE GLAD
1653
00:37:04,267 --> 00:37:05,567
HE'S NOT IN ATLANTA, BECAUSE
1654
00:37:05,567 --> 00:37:07,167
AFTER KARLIE TOLD ME WHAT THEM
1655
00:37:07,167 --> 00:37:08,833
HOS BEEN SAYING AROUND TOWN,
1656
00:37:08,833 --> 00:37:09,800
THAT HE'S SLEEPING WITH THIS
1657
00:37:09,800 --> 00:37:11,467
HOTHEA, I WOULD'VE WENT UP TO
1658
00:37:11,467 --> 00:37:12,500
HIS [bleep] FACE,
1659
00:37:12,500 --> 00:37:13,833
GRABBED THE VERSACE DISHES,
1660
00:37:13,833 --> 00:37:14,667
AND I WOULD'VE KNOCKED HIS
1661
00:37:14,667 --> 00:37:15,900
[bleep] HEAD OFF WITH THEM,
1662
00:37:15,900 --> 00:37:17,467
BUT I'M NOT GONNA DO THAT.
1663
00:37:17,467 --> 00:37:18,967
THERE IS NO WAY NOBODY, NEITHER
1664
00:37:18,967 --> 00:37:20,767
STEVIE OR ANYBODY IN THE WORLD,
1665
00:37:20,767 --> 00:37:22,200
COULD GET IN BETWEEN MY CAREER,
1666
00:37:22,200 --> 00:37:23,700
'CAUSE I DON'T LOVE NOTHING ELSE
1667
00:37:23,700 --> 00:37:25,233
MORE THAN I LOVE THAT.
1668
00:37:25,233 --> 00:37:25,900
HOW YOU DOIN'?
1669
00:37:25,900 --> 00:37:26,567
WHAT'S GOING ON?
1670
00:37:26,567 --> 00:37:27,233
ALL RIGHT.
1671
00:37:27,233 --> 00:37:27,933
WHAT'S UP?
1672
00:37:27,933 --> 00:37:28,667
JUST GOT BACK,
1673
00:37:28,667 --> 00:37:30,700
KNOW WHAT I'M SAYIN'?
1674
00:37:30,700 --> 00:37:32,167
ZINO BEIN' SHOT WAS JUST THE
1675
00:37:32,167 --> 00:37:33,433
BEGINNING OF THE CRAZINESS
1676
00:37:33,433 --> 00:37:34,767
THAT WENT DOWN IN BOSTON.
1677
00:37:34,767 --> 00:37:36,933
I THINK THEM PAIN MEDS HAD HIM
1678
00:37:36,933 --> 00:37:38,267
TRIPPING, SAYING STUFF LIKE ME
1679
00:37:38,267 --> 00:37:40,167
AND ALTHEA WAS MESSING AROUND.
1680
00:37:40,167 --> 00:37:41,533
I DON'T KNOW WHAT HE TALKIN'
1681
00:37:41,533 --> 00:37:43,067
ABOUT, AND I WANT TO MAKE SURE
1682
00:37:43,067 --> 00:37:44,367
THAT MY WIFE KNOWS THE TRUTH
1683
00:37:44,367 --> 00:37:46,067
ABOUT ALL THAT TOO, BECAUSE, YOU
1684
00:37:46,067 --> 00:37:47,500
KNOW, THE STREETS BE TALKING,
1685
00:37:47,500 --> 00:37:48,867
AND THE LIES FLY FASTER
1686
00:37:48,867 --> 00:37:50,233
THAN A NEW YORK MINUTE.
1687
00:37:50,233 --> 00:37:50,933
WHILE I'M IN BOSTON
1688
00:37:50,933 --> 00:37:51,900
AT THE HOSPITAL...
1689
00:37:51,900 --> 00:37:52,567
UH-HUH.
1690
00:37:52,567 --> 00:37:54,367
I WALKS IN. ALTHEA IN THERE.
1691
00:37:54,367 --> 00:37:55,933
AND HE TELLS ME, "YO, I KNOW
1692
00:37:55,933 --> 00:37:57,100
ABOUT YOU AND ALTHEA,"
1693
00:37:57,100 --> 00:37:58,433
LIKE HE WAS INSINUATIN', LIKE,
1694
00:37:58,433 --> 00:37:59,100
I HAD SLEPT WITH HER
1695
00:37:59,100 --> 00:37:59,767
OR SOMETHIN'.
1696
00:37:59,767 --> 00:38:00,800
BUT YOU SLEPT WITH HER.
1697
00:38:00,800 --> 00:38:01,633
WHAT YOU MEAN, I SLEPT WITH
1698
00:38:01,633 --> 00:38:02,300
HER?
1699
00:38:02,300 --> 00:38:02,967
THEA ALREADY TOLD ME
1700
00:38:02,967 --> 00:38:03,867
YOU SLEPT WITH HER.
1701
00:38:03,867 --> 00:38:04,533
I NEVER--
1702
00:38:04,533 --> 00:38:05,300
I WAS TRYIN' TO FIGURE OUT
1703
00:38:05,300 --> 00:38:06,167
WHEN SHE WAS GONNA TELL ME,
1704
00:38:06,167 --> 00:38:07,700
AND WHEN YOU WAS GONNA TELL ME.
1705
00:38:07,700 --> 00:38:09,133
I TOLD YOU I WAS GONNA
1706
00:38:09,133 --> 00:38:10,500
INVESTIGATE, AND AFTER KARLIE
1707
00:38:10,500 --> 00:38:11,767
REDD DROPPED THIS BOMB ON ME,
1708
00:38:11,767 --> 00:38:12,700
I WENT AROUND TOWN.
1709
00:38:12,700 --> 00:38:13,467
I MADE PHONE CALLS.
1710
00:38:13,467 --> 00:38:14,333
I MET UP WITH PEOPLE.
1711
00:38:14,333 --> 00:38:15,333
AND WHAT THEY HAD TO TELL ME
1712
00:38:15,333 --> 00:38:16,433
WAS NOT NICE.
1713
00:38:16,433 --> 00:38:17,200
YOU KNOW WHAT MAKES ME
1714
00:38:17,200 --> 00:38:17,900
EVEN MORE MAD?
1715
00:38:17,900 --> 00:38:18,567
THAT YOU [bleep] HER
1716
00:38:18,567 --> 00:38:19,300
WHILE YOU WAS WITH ME.
1717
00:38:19,300 --> 00:38:20,100
I NEVER [bleep] HER.
1718
00:38:20,100 --> 00:38:21,067
AS A MATTER OF FACT,
1719
00:38:21,067 --> 00:38:21,967
I HEARD YOU [bleep] HER
1720
00:38:21,967 --> 00:38:22,967
AT BENZINO'S HOUSE.
1721
00:38:22,967 --> 00:38:23,967
YOU HEARD WRONG.
1722
00:38:23,967 --> 00:38:24,700
I DON'T BELIEVE YOU.
1723
00:38:24,700 --> 00:38:25,500
I'VE BEEN FAITHFUL TO YOU
1724
00:38:25,500 --> 00:38:26,200
SINCE I'VE BEEN WITH YOU.
1725
00:38:26,200 --> 00:38:26,867
NO, YOU HAVEN'T.
1726
00:38:26,867 --> 00:38:27,700
I'VE DEDICATED TWO YEARS OF
1727
00:38:27,700 --> 00:38:28,367
MY LIFE TO YOU.
1728
00:38:28,367 --> 00:38:29,067
YOU HAVEN'T DEDICATED
1729
00:38:29,067 --> 00:38:29,733
NOTHING.
1730
00:38:29,733 --> 00:38:30,400
TO YOUR CAREER.
1731
00:38:30,400 --> 00:38:31,067
YOU KNOW WHAT YOU'VE
1732
00:38:31,067 --> 00:38:31,733
DEDICATED?
1733
00:38:31,733 --> 00:38:32,700
YOU'VE DEDICATED LIES, 'CAUSE
1734
00:38:32,700 --> 00:38:33,800
YOU [bleep] ALTHEA.
1735
00:38:33,800 --> 00:38:34,633
I WANT TO POP YOU IN YOUR
1736
00:38:34,633 --> 00:38:35,433
[bleep], BUT I CAN'T BEAT YOU
1737
00:38:35,433 --> 00:38:36,200
UP, SO I'MA HAVE TO WHUP HER
1738
00:38:36,200 --> 00:38:37,300
ASS, BECAUSE SHE SAT IN MY
1739
00:38:37,300 --> 00:38:38,333
[bleep] HOUSE AND...
1740
00:38:38,333 --> 00:38:39,367
I NEVER [bleep] HER.
1741
00:38:39,367 --> 00:38:40,967
SHE ATE MY [bleep] FOOD
1742
00:38:40,967 --> 00:38:41,800
IN MY NICE [bleep].
1743
00:38:41,800 --> 00:38:42,700
NOW I'MA HAVE TO WHUP THE BITCH
1744
00:38:42,700 --> 00:38:43,367
ASS.
1745
00:38:43,367 --> 00:38:44,333
WHEN I SEE THAT BITCH AGAIN,
1746
00:38:44,333 --> 00:38:45,200
JUST KNOW THAT, AND LET YOUR
1747
00:38:45,200 --> 00:38:46,567
HOMEY KNOW I'MA WHUP THAT HO
1748
00:38:46,567 --> 00:38:47,800
ASS, 'CAUSE FIRST OF ALL,
1749
00:38:47,800 --> 00:38:49,067
HE DISRESPECTFUL, AND YOU MORE
1750
00:38:49,067 --> 00:38:49,800
DISRESPECTFUL.
1751
00:38:49,800 --> 00:38:50,833
YOU KNOW, I'M REALLY MAD AT THIS
1752
00:38:50,833 --> 00:38:51,700
[bleep].
1753
00:38:51,700 --> 00:38:52,900
IT'S ONE THING YOU BE REAL WITH
1754
00:38:52,900 --> 00:38:54,500
ME, AND IT'S ANOTHER THING
1755
00:38:54,500 --> 00:38:55,433
YOU TRYIN' TO PLAY ME.
1756
00:38:55,433 --> 00:38:57,133
THAT'S HOW PEOPLE GET MESSED UP,
1757
00:38:57,133 --> 00:38:57,867
'CAUSE PEOPLE LIKE TO PLAY
1758
00:38:57,867 --> 00:38:58,633
GAMES.
1759
00:38:58,633 --> 00:38:59,300
YOU WENT OUT WITH HER
1760
00:38:59,300 --> 00:39:00,200
A YEAR AGO WHEN WE WAS--
1761
00:39:00,200 --> 00:39:00,867
YEAH.
1762
00:39:00,867 --> 00:39:01,533
WHEN WAS ALREADY--
1763
00:39:01,533 --> 00:39:02,367
WAS WE ALREADY MARRIED?
1764
00:39:02,367 --> 00:39:03,167
IS IT JUNE YET?
1765
00:39:03,167 --> 00:39:03,833
NO.
1766
00:39:03,833 --> 00:39:04,667
AND YOU KNOW I WAS WAITIN' ON
1767
00:39:04,667 --> 00:39:06,233
YOUR SCARY ASS TO TELL ME.
1768
00:39:06,233 --> 00:39:07,100
YOU DON'T EVEN HAVE THE BALLS--
1769
00:39:07,100 --> 00:39:07,933
I'M NOT SCARY ABOUT NOTH--
1770
00:39:07,933 --> 00:39:08,733
YOU CLAIM YOU'RE A PLAYER,
1771
00:39:08,733 --> 00:39:09,667
BUT YOU DIDN'T EVEN TELL THE
1772
00:39:09,667 --> 00:39:10,567
TRUTH OF WHAT YOU DONE.
1773
00:39:10,567 --> 00:39:12,067
I'M 27 YEARS OLD, AND I WILL--
1774
00:39:12,067 --> 00:39:13,133
"I'M 27 YEARS OLD."
1775
00:39:13,133 --> 00:39:14,300
AND I REFUSE TO BE WORRYIN'
1776
00:39:14,300 --> 00:39:15,200
ABOUT WHAT YOU DOIN' AND WHO YOU
1777
00:39:15,200 --> 00:39:16,100
STICKIN' YOUR [bleep].
1778
00:39:16,100 --> 00:39:16,767
I DON'T CHEAT.
1779
00:39:16,767 --> 00:39:17,467
I'M READY TO SIGN THE
1780
00:39:17,467 --> 00:39:18,233
WALK-AWAYS WHEN YOU READY,
1781
00:39:18,233 --> 00:39:19,067
'CAUSE DOIN' THIS [bleep],
1782
00:39:19,067 --> 00:39:19,967
I DON'T WANT TO BE WITH YOU.
1783
00:39:19,967 --> 00:39:20,800
IT'S UP TO YOU IF YOU GON'
1784
00:39:20,800 --> 00:39:21,467
GET THE WALK-AWAY.
1785
00:39:21,467 --> 00:39:22,200
I DON'T GIVE A [bleep].
1786
00:39:22,200 --> 00:39:23,300
LET'S DO IT, 'CAUSE I DON'T WANT
1787
00:39:23,300 --> 00:39:24,167
TO BE MARRIED TO A CHEATER.
1788
00:39:24,167 --> 00:39:25,433
WELL, JOSELINE, SHE THINKS
1789
00:39:25,433 --> 00:39:26,867
I'M SMASHIN' EVERYBODY.
1790
00:39:26,867 --> 00:39:28,433
I KNOW I'M FLY AND EVERYTHING,
1791
00:39:28,433 --> 00:39:30,067
BUT I AIN'T KNOCKIN' 'EM DOWN.
1792
00:39:30,067 --> 00:39:30,733
THIS IS ALL ACTING.
1793
00:39:30,733 --> 00:39:31,567
NO, THIS AIN'T ACTING.
1794
00:39:31,567 --> 00:39:32,300
THIS IS REAL.
1795
00:39:32,300 --> 00:39:33,100
YOU FULL OF [bleep].
1796
00:39:33,100 --> 00:39:33,900
YOU HAVE A GOOD REHEARSAL,
1797
00:39:33,900 --> 00:39:34,567
BUT YOU--
1798
00:39:34,567 --> 00:39:35,367
YOU TELL ALTHEA I'MA WHUP
1799
00:39:35,367 --> 00:39:36,233
HER ASS, SO I HOPE HER [bleep]
1800
00:39:36,233 --> 00:39:36,933
WAS GOOD ENOUGH.
1801
00:39:36,933 --> 00:39:37,633
GET BACK TO WORK, BABY.
1802
00:39:37,633 --> 00:39:38,600
YOU DONE THAT ALREADY.
1803
00:39:38,600 --> 00:39:39,667
TELL THAT BITCH I'MA WHUP HER
1804
00:39:39,667 --> 00:39:41,667
ASS WHEN YOU SEE HER.
1805
00:39:46,433 --> 00:39:47,533
NEXT TIME ON LOVE & HIP-HOP:
1806
00:39:47,533 --> 00:39:48,267
ATLANTA...
1807
00:39:48,267 --> 00:39:49,267
HEY, BABY.
1808
00:39:49,267 --> 00:39:50,433
DON'T PAY HER NO MIND.
1809
00:39:50,433 --> 00:39:51,633
SHE NOT 'POSED TO BE HERE.
1810
00:39:51,633 --> 00:39:52,300
SHE NOT.
1811
00:39:52,300 --> 00:39:53,133
I'M SUPPOSED TO BE WORKIN'
1812
00:39:53,133 --> 00:39:53,800
ON MY ALBUM.
1813
00:39:53,800 --> 00:39:54,933
ALL I SEEN Y'ALL DOING WAS
1814
00:39:54,933 --> 00:39:55,667
HANGING OUT.
1815
00:39:55,667 --> 00:39:56,467
I'M TELLING YOU SOMETHIN'.
1816
00:39:56,467 --> 00:39:57,200
WHAT ARE YOU TELLING ME?
1817
00:39:57,200 --> 00:39:57,867
TELL ME, THEN.
1818
00:39:57,867 --> 00:39:58,567
I CAN'T DEAL WITH THE,
1819
00:39:58,567 --> 00:39:59,600
"WE GONNA HAVE A LITTLE FRIEND
1820
00:39:59,600 --> 00:40:00,467
ON THE SIDE."
1821
00:40:00,467 --> 00:40:01,433
I NEED KALENNA BACK.
1822
00:40:01,433 --> 00:40:04,067
I NEED K-DIDDYBOP.
1823
00:40:04,067 --> 00:40:07,400
I'M OFFICIALLY MRS. MALPHURS.
1824
00:40:07,400 --> 00:40:09,600
WE GOT MARRIED ALREADY.
1825
00:40:09,600 --> 00:40:10,833
WHAT?
1826
00:40:10,833 --> 00:40:11,933
NOW, THIS IS REAL [bleep],
1827
00:40:11,933 --> 00:40:13,000
LIKE, FOR REAL.
1828
00:40:13,000 --> 00:40:15,467
I CAN'T MAKE STEVIE ADMIT IT,
1829
00:40:15,467 --> 00:40:16,467
AND WHATEVER HIM AND JOSELINE'S
1830
00:40:16,467 --> 00:40:17,400
GONNA GO THROUGH,
1831
00:40:17,400 --> 00:40:18,467
THEY'RE GONNA GO THROUGH.
1832
00:40:18,467 --> 00:40:19,367
THAT'S THE REASON WHY HE'S NOT
1833
00:40:19,367 --> 00:40:20,533
ADMITTING IT, BECAUSE HE DOESN'T
1834
00:40:20,533 --> 00:40:21,567
WANT TO FEEL THE WRATH OF HER.
1835
00:40:21,567 --> 00:40:22,933
YOU WANT TO GO MEET WITH HOS.
1836
00:40:22,933 --> 00:40:23,600
YOU WANT TO [bleep]
1837
00:40:23,600 --> 00:40:24,633
BENZINO BROAD.
1838
00:40:24,633 --> 00:40:25,667
I AIN'T DO [bleep].
1839
00:40:25,667 --> 00:40:26,467
I MISS YOU.
1840
00:40:26,467 --> 00:40:27,300
NO, IT'S NONE OF THAT.
1841
00:40:27,300 --> 00:40:28,633
WHAT I WANT YOU TO DO IS TO GET
1842
00:40:28,633 --> 00:40:29,500
YOUR [bleep] TOGETHER.
1843
00:40:29,500 --> 00:40:30,233
'CAUSE YOU KNOW WHAT?
1844
00:40:30,233 --> 00:40:31,233
I'M 'BOUT THIS CLOSE TO MOVING
1845
00:40:31,233 --> 00:40:32,667
FAR AWAY FROM ATLANTA,
1846
00:40:32,667 --> 00:40:33,733
AND YOU'RE NOT GONNA SEE ME.
1847
00:40:33,733 --> 00:40:35,000
I'M OVER HIS ASS,
1848
00:40:35,000 --> 00:40:36,000
AND I'M GOIN' OUT OF TOWN.
1849
00:40:36,000 --> 00:40:37,433
BEFORE I SLAP THE [bleep]
1850
00:40:37,433 --> 00:40:38,233
OUT OF YOU...
1851
00:40:38,233 --> 00:40:39,000
BEFORE I SLAP THE [bleep]
1852
00:40:39,000 --> 00:40:39,667
OUT YOU...
1853
00:40:39,667 --> 00:40:40,333
EXIT TO THE RIGHT.
1854
00:40:40,333 --> 00:40:41,233
'CAUSE YOU AIN'T GON' NEVER
1855
00:40:41,233 --> 00:40:41,900
SLAP ME.
1856
00:40:41,900 --> 00:40:42,667
THAT'LL BE YOUR LAST TIME--
1857
00:40:42,667 --> 00:40:43,500
THAT'LL BE YOUR LAST TIME
1858
00:40:43,500 --> 00:40:44,633
EVER SLAPPIN' A [bleep]
1859
00:40:44,633 --> 00:40:45,467
IN REAL LIFE.
1860
00:40:45,467 --> 00:40:50,267
BYE, LANCE!
1861
00:41:08,800 --> 00:41:09,667
DON'T MARRY KARLIE, JOC.
1862
00:41:09,667 --> 00:41:11,067
DO NOT MARRY KARLIE, JOC.
1863
00:41:11,067 --> 00:41:11,700
OH, NO, NO, NO.
1864
00:41:11,700 --> 00:41:12,367
OH, THAT DID NOT COME OUT
1865
00:41:12,367 --> 00:41:13,067
OF MY MOUTH.
1866
00:41:13,067 --> 00:41:13,733
I'M SORRY.
1867
00:41:13,733 --> 00:41:14,600
NO, JOC, DO WHATEVER YOU HAVE
1868
00:41:14,600 --> 00:41:15,267
TO DO.
1869
00:41:15,267 --> 00:41:16,133
DO WHATEVER'S IN YOUR HEART.
1870
00:41:16,133 --> 00:41:16,800
I'M NOT A HATER.
1871
00:41:16,800 --> 00:41:17,833
YOU KNOW I LIKE YOU, BUT--
1872
00:41:17,833 --> 00:41:18,767
LISTEN, I AIN'T SAYIN'
1873
00:41:18,767 --> 00:41:19,967
[bleep] ABOUT MARRIAGE, OKAY?
1874
00:41:19,967 --> 00:41:20,933
I'M JUST COOLIN'.
1875
00:41:20,933 --> 00:41:21,900
ME AND YOU GOT THE SAME PROBLEM.
1876
00:41:21,900 --> 00:41:22,800
WE COUSINS.
1877
00:41:22,800 --> 00:41:23,933
OH, SO IT'S A--PLAYING'S
1878
00:41:23,933 --> 00:41:24,867
IN THE BLOODLINE.
1879
00:41:24,867 --> 00:41:28,067
ME AND CUZ--LISTEN.
1880
00:41:28,067 --> 00:41:29,067
SO DO I NEED TO BECOME
1881
00:41:29,067 --> 00:41:29,933
COUSINS AND WE ALL GONNA BE
1882
00:41:29,933 --> 00:41:30,600
[bleep] UP?
1883
00:41:30,600 --> 00:41:31,467
YOU ALREADY [bleep] UP
1884
00:41:31,467 --> 00:41:33,067
IN SOME KIND OF WAY.
1885
00:41:33,067 --> 00:41:33,833
HERE, LET'S PRICK OUR
1886
00:41:33,833 --> 00:41:35,267
FINGERS.
1887
00:41:35,267 --> 00:41:35,933
BLOOD BROTHERS.
116799
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