Original subtitles

PREVIOUSLY ON

LOVE & HIP-HOP: ATLANTA...

DID YOU TELL SOMEBODY

THAT YOU WAS MISSING

THE [bleep],

SOMETHING LIKE THAT?

I DON'T GOT TO MISS THE

[bleep].

THE [bleep] MISSES ME.

[shouts indistinctly]

all: OH!

SECURITY!

ESCORT THAT BITCH OUT OF MY

CLUB!

FOR YOU TO HAVE MAKEUP

ON THE INSIDE OF YOUR COLLAR

MEANS YOU HAD TO HAVE HAD

LIPSTICK ON YOUR NECK.

SO BITCHES IS KISSIN'

ON YOUR NECK?

EVIDENTLY THERE WERE.

WE NEED SOME SPACE.

YOU NEED TO MOVE OUT.

NIKKO.

FREAKO.

OH, PORN STAR.

YOU SAID FREAKO.

YEAH, HE'S A PORN STAR.

WE MIGHT HAVE HUNG OUT,

LIKE, BACK IN THE DAY.

WAIT, HOLD IT.

[laughs]

ALTHEA,

SHE'S A SINGER OR SOMETHING

LIKE THAT.

YEAH, YEAH, I KNOW ALTHEA.

THAT'S MY LEFTOVERS.

SHE DONE WENT FROM ME TO STEVIE.

WHOA, WHOA, WHOA, WHOA.

SHE'S LOVING THE CREW?

SHE'S MAKING HER ROUNDS.

HE HAD A DNA TEST.

WHAT?

YEAH.

DNA TEST, LIKE, WITH CARTER?

I MEAN, I WAS JUST SHOCKED.

SOMETHING IS WRONG WITH HIM.

YOU ARE THE BEST THING

I'VE EVER CAME ACROSS.

I LOVE YOU TO DEATH,

AND I'M SORRY.

COME ON, MAN.

THIS [bleep]'S NOT FAIR.

IT AIN'T FAIR.

I'M GONNA GO AROUND

TO SOME OTHER STUDIOS.

THERE'S A LOT OF PEOPLE WORKING.

I FEEL LIKE I NEED TO BE

DOING ALL OF THAT.

I WAS GONNA TELL YOU

THAT I JUST FINISHED SOMETHING

FOR YOU.

DID YOU REALLY?

YEAH.

♪ THIS IS THE LIFE

♪ YEAH

♪ THIS IS THE LIFE

♪ 'SUP

♪ THIS IS THE LIFE

♪ HUH

♪ THIS IS THE LIFE

♪ HUH

♪ THERE AIN'T NOTHING LIKE

♪ HIP-HOP MUSIC

♪ MUSIC

♪ THIS IS THE LIFE

♪ IF I COULD

♪ I'D TAKE IT BACK

♪ IF I COULD TURN

♪ THE HANDS OF TIME

♪ IT WOULDN'T BE LIKE THAT

♪ MIXED EMOTIONS

♪ AND WHEN THE LIGHTS GO OUT

♪ IS WHEN I REALIZE

♪ I WISH THAT YOU WOULD STAY

♪ MIXED EMOTIONS

♪

WHAT'S UP, BOO?

HEY.

I SEE Y'ALL OVER HERE

WITH SOME MIXED EMOTIONS.

THAT'S RIGHT.

I AM STILL MAD THAT

MISS HOTHEA, BENZINO'S NEW

BITCH, IS MAKING US LOOK BAD

ON THE GRAND OPENING.

I EVEN FIND THAT SHE'S SLEEPING

AROUND WITH NIKKO.

BUT I'M HERE TO SEE

IF MISS HOTHEA IS REALLY

A SINGER AND SHE REALLY HAD

A DEAL.

BITCH MIGHT JUST BE A GROUPIE

THAT HANG OUT IN THE STUDIO

SMASHING PRODUCERS.

SO THAT'S PRETTY COOL, THOUGH.

WHO PRODUCED THAT FOR YOU?

BENZINO HANDLES ALL MY MUSIC.

I MEAN, I DON'T REALLY

REMEMBER BENZINO HAVING ANY

GREAT HITS.

MM-HMM.

BUT, HEY.

NO, BUT HE'S BEEN INVOLVED

IN HIP-HOP FOR A REALLY,

REALLY LONG TIME.

I MEAN, I KNOW HE HAD

THE SPORTS MAGAZINE, RIGHT?

BUT YOU KNOW ABOUT THE MUSIC

PART.

I DON'T KNOW ABOUT ALL OF THAT.

I WORK WITH MY HUSBAND ALL THE

TIME TOO, AND HE PRODUCES

ALL MY MUSIC.

HOW IS THAT, WORKING

IN THE STUDIO WITH HIM?

WORKING WITH MY HUSBAND

IS A LITTLE BIT HARDER

BECAUSE HE'S SO STRICT.

LIKE, HE'LL MAKE ME DO IT,

LIKE, 20 TIMES.

NOW, I DID THIS IN ONE NIGHT,

SO I'M EXCITED.

WE GOT TO DO SOMETHING

TOGETHER, BUT--

YOU KNOW I'M KIND OF A

DOLO CHICK.

OKAY.

NOBODY CARES THAT YOU CAN

FINISH ONE WACK-ASS SONG

IN ONE NIGHT.

WHEN YOUR MAN GOT FOUR GRAMMYS

AND NOT A MAGAZINE,

THEN YOU CAN COME HOLLER AT ME.

TILL THEN, GET BACK IN THE

BOOTH, 'CAUSE YOU NEED MORE

WORK.

SO ARE YOU IN LOVE?

I'M IN LOVE.

AND I'M HAPPY THAT I GOT

SOMEBODY THAT'S INTO ME,

YOU KNOW WHAT I'M SAYING?

AND--

BUT YOU KNOW BENZINO

FEELS LIKE EVERYBODY'S THE ONE.

'CAUSE HE FEEL LIKE KARLIE REDD

WAS THE ONE TOO.

BUT TO FIND A GUY WHO IS

REALLY FAITHFUL...

SO FAR, YOU NEVER WENT

THROUGH NO EPISODES?

NOT WITH HIM.

WELL, NO, LET ME TAKE THAT BACK.

YOU REMEMBER AT THE GRAND

OPENING?

YOU WAS ACTING LIKE

A REAL SCAVENGER AT THAT THING.

WHAT YOU MEAN?

YOU WAS THROWING DRINKS

EVERYWHERE.

HOW YOU GONNA [bleep] UP--

HOW YOU GONNA [bleep] UP

THE FAMILY BUSINESS

ON THE FIRST DAY OPENING?

FIRST OF ALL,

IT SLIPPED OUT OF MY HAND.

YOU KNOW WHAT I'M SAYING?

SLIPPED OUT OF MY HAND.

SHE WAS TALKING A LOT OF JUNK.

MOTHER[bleep] ALWAYS SEEM

TO LIKE TO HOLD ON TO THINGS.

I MEAN, WHEN I MET HIM,

HE HAD A COUPLE OF GIRLS

IN HIS PHONE AND WAS PROBABLY

DATING A COUPLE GIRLS.

BUT I DON'T THINK NOTHING,

YOU KNOW--

IT'S HARD TO LEAVE

OLD HABITS IN THE PAST,

YOU KNOW WHAT I'M SAYING?

HE KNOW NOT TO [bleep]

WITH ME.

LET'S JUST SAY THAT.

YOU KNOW, I MET YOU

THROUGH BENZINO,

AND I LOVE BENZINO AT THE END

OF THE DAY 'CAUSE HE'S MY DUDE'S

FRIEND.

YOU KNOW, BUT IT IS WHAT IT IS.

YOU KNOW, YOU GOT TO JUST MAKE

SURE YOU PLAY YOUR CARDS RIGHT.

I'M SURE THAT YOU WILL KNOW

EXACTLY WHAT YOU NEED TO DO.

YOU AIN'T NO DUMMY.

MM-HMM.

I'M SURE YOU'RE NOT GONNA

JUST SIT AROUND AND GET PLAYED.

IF ANYTHING, YOU GONNA BE DOING

THE PLAYING, AIN'T YOU?

YOU KNOW, THIS BITCH ALTHEA

THINKS SHE SO SLICK.

AT THE END OF THE DAY,

EVERYBODY GOT A PAST.

AND DON'T YOU THINK

NOBODY KNOWS ABOUT YOUR PAST,

'CAUSE EVERYBODY KNOWS.

TRUST THAT.

MM.

YEAH, YOU KNOW SOMETHING

I DON'T KNOW.

I KNOW A LOT OF THINGS

THAT YOU DON'T KNOW.

'CAUSE YOU'RE, LIKE...

IF JOSELINE THINKS SHE KNOWS

SOMETHING ABOUT ME,

THEN SHE SHOULD JUST SAY IT.

WHY WE GOT TO SIT HERE

AND PLAY THESE GAMES?

LOOK, I'M JUST GIVING YOU

GOOD ADVICE.

MM-HMM.

I AIN'T TRYING TO BE FUNNY.

I APPRECIATE IT.

YEAH, GIRL.

GET OUR MATTRESS SHOP ON.

[chuckles]

YEAH, THEY GOT THE GOOD STUFF

IN HERE.

SO WHAT ARE WE HERE FOR?

WE'RE LOOKING FOR THE

CADILLAC OF ALL MATTRESSES.

A KING SIZE.

SOFT.

SEXY.

HOLD UP.

LET ME DO SOMETHING REAL QUICK.

WHAT YOU NEED'S SOFT.

FOR REAL, KARLIE?

[groaning]

OOH, KARLIE.

[chuckling]

I WASN'T EXPECTING TO GO

TO A MATTRESS STORE

WHEN KALENNA ASKED ME

TO GO WITH HER SHOPPING.

BUT WHATEVER.

SHE'S A FUN CHICK,

AND SHE DEFINITELY DID THE

TURN-UP WHEN WE WENT

TO NEW ORLEANS.

SO WHAT ARE YOU GETTING TODAY?

LIKE, WHAT--

WELL, I MEAN, YOU KNOW,

I HAVE A STUDIO.

I KNOW.

I KNOW ABOUT THE STUDIO.

BUT I LIVE THERE.

YOU KNOW, I GET TO ROLL OUT THE

BED AND CREATE.

THIS IS FOR THE LIVE AND WORK

SPACE, AND IT GOTS

TO BE COMFORTABLE.

IT'S JUST ME AND TONY RIGHT NOW,

BUT I GOT A LOT OF PEOPLE

THAT BE IN AND OUT THE BED

WITH US.

YOU UNDERSTAND WHAT I'M SAYING?

WAIT, WAIT, WAIT, WAIT.

I MEAN, YOU KNOW, I GOT

CHILDREN, AND THEN I GOT

MY BEST FRIEND THAT COMES

EVERY NOW AND THEN.

YOU HAVE YOUR BEST FRIEND

THAT COMES...

YEAH.

IN THE BED WITH YOU?

SOMETIMES.

SOMETIMES?

YEAH.

AND TONY'S COOL WITH THIS?

I MEAN, YOU GOT TWO BIG-BOOTY

CHICKS WALKING AROUND

THIS MOTHER[bleep] LIKE--

WELL, YOU'D BE HAPPY TOO.

WHAT?

I KNEW KALENNA WAS

A TURN-UP GIRL,

BUT I DIDN'T KNOW SHE WAS LIVING

IT LIKE THAT.

GOOD FOR HER AND HER MAN

FOR KEEPING IT FRESH AND SEXY.

YOU MAKING MOVES LIKE THAT?

NO, CLEAR THIS.

LET ME BE CLEAR.

PLEASE, CLEAR THIS UP.

ME AND ASHLEY HAVE BEEN

FRIENDS SINCE I WAS 18,

19 YEARS OLD.

SHE WAS MY BEST FRIEND.

GOT IT.

BUT AT THE TIME, I WAS GOING

THROUGH MY OWN THING

ABOUT GIRLS AND BOYS.

YOU KNOW, I WAS STILL YOUNG.

YEAH.

AND ASHLEY WAS REALLY HOT.

SO YOU'RE ATTRACTED TO YOUR

BEST FRIEND?

I THINK WOMEN ARE BEAUTIFUL,

AND SHE WAS A BEAUTIFUL WOMAN

WHILE I WAS GOING THROUGH

MY THING.

BUT WE'RE STILL BEST FRIENDS,

SO TONY RESPECTS THE FACT

THAT I HAVE A BEST FRIEND

THAT HOLDS ME DOWN.

OKAY.

AND SO THE THINGS THAT

I CAN'T TALK TO TONY ABOUT,

I CAN TALK TO HER ABOUT.

GIRL, WHAT'S HER NAME?

ASHLEY.

OH, MY GOSH.

IT'S ALWAYS BEEN MY DREAM

TO HAVE A WIFE AND A HUSBAND,

BUT I KNOW THAT THAT DON'T

WORK LIKE THAT.

BUT DAMN, IT FEEL GOOD

TO HAVE A BEST FRIEND

WITH A FAT ASS THAT'S BEAUTIFUL,

THAT SMILES PRETTY.

OH.

SO, MS. REDD,

I HAVE TO FIND ME SOMETHING

TODAY.

YES.

I'M ABOUT TO HAVE ASHLEY

COME DOWN.

I HAVEN'T TOLD TONY YET.

I HAVE ONE QUESTION FOR YOU.

HMM?

WHO DO YOU LOVE?

I LOVE MY HUSBAND.

ARE YOU IN LOVE WITH ASHLEY?

I LOVE HER LIKE A BEST

FRIEND; I'M NOT IN LOVE WITH

ASHLEY LIKE I AM TONY.

MM.

YOU GONNA MAKE ME CHANGE

MY LIFESTYLE IN A MINUTE.

I MEAN, AIN'T NOTHING WRONG

WITH IT.

I FEEL LIKE YOU GOT TO DO

WHAT MAKES YOU HAPPY.

OKAY, 'CAUSE I JUST--

KARLIE, YOU WANT--

I'M LIVING VICARIOUSLY

THROUGH YOU RIGHT NOW.

ARE YOU LIVING VICARIOUSLY,

OR YOU WANT TO LIVE WITH ME

ONE NIGHT?

I THINK I MIGHT WANT

THIS TYPE OF LIFESTYLE.

YOU WANT ONE NIGHT?

AND WHAT WOULD ASHLEY SAY

ABOUT THAT?

SHE'D PROBABLY BE PISSED.

REALLY?

YOU AIN'T NEVER BEEN

WITH NO GIRL?

NO, NOT LIKE THAT.

I THINK THAT'S HOW YOU LEARN.

OH, MY GOSH.

♪ THIS AIN'T LOVE

♪ BABY, BABY, WHAT WE DOING

♪ WHY YOU FREAKING ME

♪ LIKE YOU LOVE ME

♪

THAT BREAK WAS TOO LONG, MAN.

WELL, I MEAN...

BUT I GET IT.

THINGS HAPPEN.

KIRK AND I HAVE BEEN THROUGH

SO MUCH, AND HIM COMING DOWN

TO NEW ORLEANS TO APOLOGIZE,

I JUST DECIDED IT'S TIME

TO STOP FIGHTING.

IT'S GONNA TAKE SOME TIME

TO GET BACK TO THAT PLACE

WHERE WE ONCE WERE.

BUT I WILL SAY,

WE DEFINITELY STARTING OFF

WITH A BANG.

I WILL SAY I LIKE MY RING

RENOVATION TOO.

I DON'T WANT TO SEE YOU

WITHOUT IT ANYMORE.

WELL, WE GOT WORK TO DO.

IT'S NOT JUST US.

IT'S OUR FAMILY.

IT'S...

MY MOM, YOU KNOW WHAT I MEAN?

YEAH, YOUR MOM,

THE BABY KISSER,

THE BIKE KILLER,

THE GROUCHY OLD WOMAN.

ARE YOU GONNA JUST BE

MAD ABOUT THAT FOREVER?

MOST OF ALL, I CARE ABOUT US

AS A FAMILY,

US BEING RIGHT,

AND I'M WILLING TO DO

WHAT I GOT TO DO

FOR THE FAMILY.

I'LL SIT DOWN WITH YOUR MAMA,

BUT IF SHE START BARKING

AND BEING THAT OTHER PERSON,

DON'T EXPECT ME JUST TO KISS

HER BUTT.

I JUST WANT US TO MAYBE TAKE

HER OUT TO DINNER AND JUST SIT

DOWN AND TALK TO HER, LETTING

HER KNOW WE KIND OF MENDING OUR

RELATIONSHIP.

AND I WANT TO TRY TO GET Y'ALL

ON A GOOD PAGE.

FOR YOU, I WILL DO THAT.

I GOT YOU.

FOR YOU.

I REALLY LOVE YOU.

WAIT.

WAIT, WAIT, WAIT, WAIT, WAIT.

I GOT TO GET--

I GOT TO GRAB THIS.

OOH, [bleep].

[laughing]

OH.

I'M EXCITED.

SEX TAPE IS COMING OUT.

WE COULD TAKE THIS ALL

THE WAY TO THE TOP.

YEAH.

THE ONLY WAY WE GONNA WIN

IS IF WE CAN GET OUR PERSONAL

[bleep] INTACT.

FOR ALL I KNOW, SHE TRYING

TO CATCH THE BIG FISH.

I SEEN HER ONCE OR TWICE

IN THE STREETS, BUT--

YOU PUT YOUR [bleep]

IN HER [bleep]?

ASHLEY, WE ABOUT TO TURN UP.

AH!

THAT'S ASS, ATLANTA.

I HAVEN'T SEEN NIKKO

SINCE I PUT HIM OUT.

AND HE'S SKATING ON THIN ICE

WITH ME.

I REALLY DON'T WANT TO BE

SITTING HERE WITH HIM TODAY,

BUT I KNEW I HAD TO HAVE

THIS MEETING.

THE TAPE RELEASE IS ONLY

A COUPLE OF WEEKS AWAY,

AND DAWN WANTS TO SIT

AND DISCUSS A STRATEGY.

I'M EXCITED.

SEX TAPE IS COMING OUT.

OH, GOD.

WHAT'S WRONG?

I'M JUST HAVING SOME

RESERVATIONS ABOUT THIS TAPE,

ABOUT EVERYTHING, ACTUALLY.

THE CLOSER IT GETS TO THIS TAPE

BEING RELEASED, THE MORE

NERVOUS I GET.

THAT'S WHY IT'S SO IMPORTANT

FOR ME TO TRUST AND RELY

ON NIKKO.

I KNOW IT MAY LOOK BAD.

YOU FACING MORALS AND ETHICS.

WHO CARES?

THIS IS SOMETHING YOU CAN

CAPITALIZE OFF OF.

I KNOW YOU MAY FEEL

A LITTLE INSECURE.

DON'T WORRY ABOUT IT.

AND WE NEED TO BE PROUD

OF WHO WE ARE.

WE CAN TAKE THIS ALL THE WAY

TO THE TOP.

YEAH.

PAUSE.

THE ONLY WAY WE GONNA WIN

IS IF WE CAN GET OUR PERSONAL

[bleep] INTACT.

BELIEVE THAT.

WE JUST HAD OUR ANNIVERSARY

PARTY, AND THEN, YOU KNOW--

EXACTLY.

EVERYTHING WAS PERFECT.

I THOUGHT WE WAS JUST--

LISTEN.

I CAME IN ONE NIGHT.

SHE FOUND SOME MAKEUP

ON A T-SHIRT OF MINE.

SO WE HAVING THAT.

THAT'S WHERE WE AT RIGHT NOW.

BELIEVE ME, I UNDERSTAND YOU.

BUT YOU GOT TO FOCUS

ON YOUR BUSINESS.

BECAUSE ONCE YOU DO,

YOU NOT GONNA BE WORRYING

ABOUT WHAT NIKKO DOING.

WE GETTING MONEY.

THAT'S WHAT WE GETTING.

A WHOLE LOT OF IT.

THAT'S IT.

IT'S ALWAYS [bleep] MONEY

WITH YOU.

WHEN THEY SEE THE WAY

I'M PUTTING IT DOWN IN THIS,

WE GONNA HAVE A SEQUEL.

A SEQUEL?

IS HE KIDDING ME?

IT SEEMS LIKE HE'S PLOTTING

SOME KIND OF PORNOGRAPHIC EMPIRE

OR SOMETHING.

I DON'T EVEN KNOW IF I WANT

TO EVEN MOVE FORWARD

WITH YOUR [bleep] ASS

FROM THE BULL[bleep] THAT YOU

BEEN DOING.

WAIT A MINUTE.

RIGHT NOW, WE ABOUT TO MAKE

A WHOLE LOT OF MONEY.

AND HERE LIES THE

MOTHER[bleep] PROBLEM.

AND MEETING [bleep] ADJOURNED.

I'M OUT OF HERE.

PLEASE?

NO, BECAUSE THIS IS MY ISSUE

RIGHT HERE.

I'M NOT DOING IT.

NIKKO...

THE THIRST IS TOO MUCH

FOR ME.

DID HE WANT ME TO PUT

MY MOST PRIVATE MOMENTS

ON TAPE JUST SO HE COULD

EXPLOIT ME?

YOU GOT TO KEEP HER FOCUSED

AND YOU GOT TO KEEP HER HAPPY,

BECAUSE IF WE DON'T,

THIS [bleep] GONNA GO ALL BAD.

♪ I JUST BOUGHT

♪ A NEW BUGATTI

♪ IT MUST BE ILLUMINATI

♪ TELL 'EM NOT TO PRAY FOR ME

ME AND MY HUSBAND, TONY,

WE OWN OUR OWN STUDIO.

WE DECIDED TO HAVE ARTISTS

AND SONGWRITERS AND PRODUCERS

SIGN TO US.

AND WHEN YOU'RE BUILDING

A COMPANY FROM GROUND UP,

IT'S NOT EASY.

♪ TELL 'EM NOT

♪ TO PRAY FOR ME

♪ SOON AS THE CHIME GO OFF

HELLO.

♪ SOON AS THE CHIME GO OFF

♪ OOH

[laughter]

RIGHT NOW, I'M WORKING

ON MY ALBUM.

IT'S CALLED BLACK ORCHID.

IT'S AMAZING.

THE STUDIO [bleep]

IS INSANE RIGHT NOW,

SO I'M TRYING TO GET THIS RIGHT.

WHEN YOU DONE DOWN HERE,

CAN YOU COME UPSTAIRS

FOR A SECOND?

OF COURSE, BABY.

ALL RIGHT, Y'ALL GET BACK

TO Y'ALL PARTY.

[laughs]

TONY IS ALL ABOUT HIS BUSINESS.

BUT I DON'T WANT TO FEEL LIKE

THE ARTIST ALL THE TIME.

I WANT SPARE TIME

IN THE MIDST OF OUR GRIND.

BUT TONY'S, LIKE, IN BOSS MODE.

THAT RECORD DOWNSTAIRS

IS BANANAS, YOU HEAR ME?

IS THAT [bleep] CRAZY?

YES, SIR.

WHOO!

YES, SIR.

WHAT'S UP?

WELL, ASHLEY IS COMING

IN TOWN.

FOR REAL?

YEAH.

KALENNA AND ASHLEY'S

RELATIONSHIP, I TOTALLY

ACCEPT IT.

SHE'S LIKE MY HOMEBOY.

WE COULD TALK ABOUT WOMEN

TOGETHER.

LIKE, DO YOU THINK THIS

IS A GOOD TIME?

YES, I DO.

WE HAVEN'T PUT A RECORD OUT

IN THREE YEARS.

WE DON'T NEED NO DISTRACTIONS,

FOR REAL, YO.

WE GOT TO GET THIS [bleep]

MOVING.

BUT WHAT THAT GOT TO DO

WITH ASHLEY COMING DOWN?

BECAUSE ASHLEY ALWAYS COME

DOWN AND TURN THE [bleep] UP.

ASHLEY, SHE'S A PARTY GIRL.

SHE LIKES TO TURN UP.

YOU KNOW, AND THERE'S NOTHING

WRONG WITH THAT.

IT'S JUST THAT,

WHERE WE AT RIGHT NOW,

WE ON THE GRIND.

I'M GONNA TURN UP

LIKE WE ALWAYS DO,

BUT I'M JUST SAYING, LIKE,

I'M GONNA MAKE SURE THAT I'M

FOCUSED TOO.

LET ME TELL YOU SOMETHING.

THE LAST TIME WE WAS

[bleep] WITH ASHLEY,

WE MISSED THREE DAYS' WORK.

REALLY IT'S ABOUT US STICKING

TO THESE DEADLINES.

WE GOT MOTHER[bleep] OVERHEAD.

WE GOT OVERHEAD?

SHE GOT SUPER [bleep],

SO WE GONNA MAKE IT WORK.

IT NEED TO BE MORE OVERHEAD

THAN SUPER [bleep].

I'M NOT THE ONLY ONE

SHE GONNA DISTRACT.

OF COURSE I'M GONNA BE

DISTRACTED.

RIGHT.

SHE'S IN FOR SOME [bleep],

'CAUSE I GOT A TRICK

FOR HER ASS.

SO YOU HAPPY SHE COMING TOO.

YEAH, I'M HAPPY.

I'M HAPPY.

SO ASHLEY IS COMING TO TURN

THE [bleep] UP WITH US.

BUTT NAKED, BOOTY ASS,

BALD NAKED, ALL THAT LIGHT SKIN.

♪ EH

YOU SERIOUS, AIN'T YOU?

YEAH, THAT'S SERIOUS,

'CAUSE YOU LIGHT-SKINNED,

SHE LIGHT-SKINNED.

ALL THAT LIGHT SKIN ALL OVER

MY CHOCOLATE.

[man singing in Spanish]

♪

[rapping in Spanish]

♪

AM I THE MAN OR WHAT?

JUST LIKE I PROMISED.

MY PUERTO RICAN PRINCESS

GOT HERSELF A SMASH

ON HER HANDS.

IT'S ABOUT 85%.

WHAT?

DON'T "WHAT?" ME.

YOU KEEP MAKING ME DO IT

OVER AND OVER.

I DON'T KNOW WHY.

I ALREADY GOT IT PERFECT.

YOU AIN'T GOT IT PERFECT.

YES, I DO.

I'LL LET YOU KNOW WHEN

IT'S PERFECT.

I GOT THE GRAMMYS, NOT YOU.

DOES STEVIE GOT TO WORK

A BITCH SO HARD?

I MEAN, HE WANT ME TO DO THE

SONG OVER AND OVER AND OVER

AND OVER AND OVER.

AND, I MEAN, I'M LIKE, "STEVIE,

WHAT ELSE DO YOU [bleep] WANT?"

WHY DON'T YOU JUST COME OUT

FOR A MINUTE?

YEAH, I NEED THAT.

I'M ALL ABOUT GETTING

JOSELINE BACK INTO THE MUSIC.

WE HAD SOME TRACTION LAST YEAR

WITH HER TWO SINGLES,

BUT NOW, IF JOSELINE WANTS

TO BE TAKEN SERIOUSLY,

SHE GOT TO BE READY TO PUT

IN THAT WORK.

IT'S NOW OR NEVER.

I FEEL LIKE THIS SONG IS

GREAT.

I FEEL LIKE IT COULD GO BIG.

I FEEL LIKE I COULD WIN

A GRAMMY FOR THIS SONG.

YEAH?

LISTEN, BABE, I LOVE YOU.

I LOVE YOU TOO.

THIS IS WHAT I NEED YOU

TO DO.

I NEED A SHOWCASE.

I'M READY TO DO WHAT I WAS

BORN TO DO.

ALL RIGHT.

PLEASE.

IT TAKES TIME.

YOU KNOW WHAT I'M SAYING?

YOU HAVE TO GET COMFORTABLE

WITH THIS ARTISTRY.

I'M NOT ABOUT TO JUST THROW

YOU OUT THERE TO THE WOLVES.

YOU KNOW WHAT I'M SAYING?

AND YOU GET YOUR ASS ATE UP.

MOTHER[bleep] OUT HERE,

THEY WORKING DAYS AND NIGHTS

AND WEEKS AND MONTHS

ON A SHOW.

PERFECTION.

THAT'S WHAT I'VE BEEN DOING

FOR TWO YEARS.

NO, NO, NO, NO.

NOW YOU'RE AT THE LEVEL

TO WHERE, YOU KNOW,

IT'S TIME FOR PEOPLE TO SEE YOU.

YOU KNOW, SO I AGREE WITH YOU.

I'LL PUT YOU ON THE STAGE

WITH ALL THESE HOS.

OOH, YES, 'CAUSE THAT'S

WHAT I'VE BEEN WORKING FOR.

SO WHEN YOU READY?

I'M [bleep] READY RIGHT NOW.

I WAS BORN READY.

JUST PUT ME ON THAT STAGE,

AND WE'LL BE ROLLING IN MONEY.

AND AT THE END OF THE DAY,

AFTER HEARING ALTHEA'S

1980s SONG,

WE IN THE 2014,

AND THAT'S THE PUERTO RICAN

PRINCESS JOSELINE HERNANDEZ

HITTING THAT STAGE.

I HAVE TO TELL YOU,

I WENT TO GO SEE ALTHEA

OUT AT THE STUDIO.

WHY YOU GOING TO SEE

THIS BROAD AT THE STUDIO

WHEN YOU GOT YOUR OWN [bleep]

TO DO?

I WANTED TO GO SEE

THE BITCH IN THE STUDIO.

AND THE FIRST THING THAT SHE

ASKED ME WHEN I WALKED

IN THE DOOR, DO I WANT TO JUMP

IN IT SOMEWHERE?

I DON'T THINK SO.

YOU THINK I'M GONNA JUST DO

A SONG WITH ANYBODY?

SHE AIN'T ANYBODY.

I DON'T GIVE A [bleep].

ZINO'S--YOU KNOW WHAT I

MEAN.

[bleep] AIN'T NOBODY.

THEY MET ON TWITTER.

I MET YOU ON VINE.

YOU MET ME AT THE STRIP CLUB.

HE DIDN'T KNOW [bleep]

ABOUT THIS HO,

BUT MAYBE YOU KNOW.

I DON'T KNOW.

I MEAN, I SEEN HER ONCE

OR TWICE IN THE STREETS, BUT--

YOU PUT YOUR [bleep]

IN HER [bleep]?

COME ON, MA.

'CAUSE, YOU KNOW,

YOU AND BENZINO DO LIKE

TO SHARE [bleep].

I DON'T LIKE TO SHARE

[bleep].

I DON'T KNOW WHAT TO BELIEVE

AT THIS POINT, BUT THE ONLY

THING I DO KEEP HEARING

IS THAT THE BITCH GET AROUND

AND THE BITCH IS A HO.

THAT'S WHY THEY CALL HER HOTHEA.

I GOT TO WATCH THEM TWO,

'CAUSE I DON'T KNOW WHERE

THIS HO COME FROM,

AND I KNOW WHERE HIS BEEFCAKE

LIKE TO GO INTO.

FOR ALL I KNOW,

SHE TRYING TO CATCH THE BIG

FISH.

SO I GOT TO WATCH

YOU AND HER AROUND.

MAYBE I NEED TO DO THAT.

NO, NO, NO--

MAYBE I SHOULD DO THAT.

OH...

IT'S TIME TO CHANGE THE SUBJECT.

WE GOT TO KEEP HER MIND FOCUSED

ON THE ONE THING THAT KEEPS HER

ABOVE ALL THE REST OF THE

THINGS: THAT CAREER.

LISTEN.

LET'S TALK ABOUT SOMETHING ELSE.

SO WE GONNA DO THIS BIG

SHOWCASE.

GET THE SOUND, THE STAGE,

THE LIGHTS READY.

THE COSTUMES.

WHAT ABOUT THE DANCERS?

I'M LOOKING FOR DANCERS

ON FRIDAY, AND I WANT YOU

TO BE THERE.

LOOK, YOU KNOW, I WANT STRIPPERS

AND I WANT REGULAR DANCERS.

THIS IS GONNA BE FUNNY.

I JUST REALLY NEED YOU

TO FOCUS, BABE.

LET ME JUST SEE SOMETHING.

FOCUS ON THE STAGE.

I AM.

THE STAGE IS SET.

LIGHTS,

CAMERA,

ACTION.

[chuckles]

DO YOU HAVE STUFF THAT YOU

JUST FEEL LIKE YOU DON'T WANT

TO TELL?

LIKE, I DON'T KNOW WHETHER

HE KNOWS SOMETHING

ABOUT SOMEBODY.

HOW IS HE TAKING ADVANTAGE?

THIS SEX TAPE IS ONE.

SO HE INTENTIONALLY PUT

THIS TAPE OUT IS WHAT YOU'RE

SAYING?

HELL YEAH.

OOH.

YOU CAN DO CUTE.

HI. WEARING THEM JEANS.

[laughter]

HOW HAVE YOU BEEN?

IT'S BEEN SO LONG.

NO, IT'S BEEN 100 YEARS.

[laughs]

I'VE KNOWN ALTHEA,

OR "THI THI" IS WHAT THEY CALL

HER IN THE INDUSTRY,

FOR A WHILE NOW.

I MEAN, SHE'S A VIDEO VIXEN

WHO WAS ACTUALLY SHAKING

THAT THING IN MY

MY BUBBLE GUMVIDEO.

WE HAVEN'T KEPT IN TOUCH,

BUT WHEN I FOUND OUT

SHE WAS DATING ZINO,

I WAS LIKE, "ERRR.

I GOT TO CALL HER."

HOW LONG Y'ALL BEEN MESSING

AROUND, YOU AND BENZINO?

NOW, LIKE, SIX MONTHS.

DO YOU FEEL LIKE

HE CAN BE THAT--

I FEEL IT'S GENUINE.

THAT GUY?

MM-HMM.

BECAUSE, I MEAN,

YOU KNOW, I'M GONNA KEEP IT

REAL.

MM-HMM.

YOU KNOW, YOU HAVE DATED

SEVERAL GUYS.

YOU KNOW WHAT I'M SAYING?

[laughing] YES, YES.

I HAVE NO SHAME IN MY GAME,

AND I'M A GROWN-ASS WOMAN.

I'VE BEEN APPROACHED BY ALL

TYPES OF GUYS IN THIS INDUSTRY,

BUT I THINK YOU'D BE SURPRISED

THAT I'VE NEVER DATED ANY

RAPPERS OR SINGERS.

MORE LIKE BOSSES AND EXECUTIVES.

PEOPLE, THEY SEE ALTHEA

AND THEY THINK, "OH, SHE SLEPT

WITH ALL THESE GUYS."

AND THAT REALLY ISN'T THE TRUTH.

BUT I WILL KEEP IT REAL

WITH YOU.

PEOPLE DO FEEL LIKE THAT

ABOUT YOU.

YEAH.

I MEAN, I KNOW YOU'VE DATED

GUYS IN THE INDUSTRY

AND HAD YOUR DIFFERENT

SITUATIONS AND STUFF LIKE THAT.

BUT NOT AS MUCH

AS EVERYBODY THINKS, THOUGH.

I SWEAR, LIKE--

I MEAN, I HAVE DATED GUYS

AND STUFF LIKE THAT,

BUT NOW IT'S LIKE,

I'M NOT GONNA BE A SLAVE

TO THIS INDUSTRY.

YOU KNOW, I'VE BEEN

IN THE INDUSTRY SO LONG,

AND IT'S SO SMALL.

BUT YOU'RE SO LUCKY

TO BE MARRIED.

IT'S WORK.

BITCH, LET ME TELL YOU.

[laughing] I KNOW IT IS.

AND THAT'S ONE REASON

WHY I HADN'T BEEN THE BIGGEST

BENZINO FAN.

I CAN'T SIT THERE AND BE MAD

ABOUT THE HOT TUB, THE BITCHES,

THE FACT THAT YOU DID THIS

AND YOU DID THAT

IF I WANT THIS TO MOVE FORWARD

AND FOR US TO GO INTO

THE FUTURE.

PUT IT IN THE PAST.

SO I HAVE TO LET THE PAST

BE THE PAST.

AND THE WORST THING YOU WANT

IS TO BE IN A RELATIONSHIP

WITH SOMEBODY THAT YOU

ABSOLUTELY LOVE

AND THEN SOMEBODY COME THROW

SOME SALT IN YOUR [bleep].

AND THEN THEY LOOKING LIKE,

"BITCH, YOU DISHONEST."

RIGHT.

"YOU AIN'T [bleep]."

YOU KNOW WHAT I'M SAYING?

BOTH PEOPLE HAVE TO BE

READY TO--

TELL EVERYTHING.

YEAH.

TELL EVERYTHING?

DO YOU HAVE STUFF THAT YOU

JUST FEEL LIKE YOU DON'T WANT

TO TELL?

LIKE, I DON'T KNOW WHETHER

HE KNOWS...

SOMETHING ABOUT SOMEBODY.

IF IT'S SOMETHING

THAT YOU FEEL LIKE

HE'S GONNA FIND OUT

AND IT'S GONNA BE DEVASTATING,

IT'S BEST TO COME FROM YOU.

RIGHT.

THANK YOU FOR COMING

TO WORK OUT WITH ME.

IT'S SO MUCH BETTER THAN

WORKING OUT WITH NIKKO

BECAUSE HE TRIES TO KILL ME

WHEN WE GO TO THE GYM.

[both laugh]

ARIANE HASN'T BEEN AROUND

WHEN I FELT LIKE I REALLY NEEDED

HER THE MOST, BUT SHE'S HERE

NOW.

EVEN THOUGH SHE'S NOT A BIG

NIKKO FAN, I KNOW THAT I CAN

TALK TO HER ABOUT EVERYTHING

THAT'S BEEN GOING ON.

SO WHAT'S BEEN UP?

GIRL, WHEN I WAS WASHING

CLOTHES THE OTHER DAY,

AND I'M SEPARATING CLOTHES,

AND I FIND HIS T-SHIRT

IN THE DIRTY LAUNDRY HAMPER

WITH [bleep] MAKEUP,

LIPSTICK ALL OVER THE COLLAR.

IS THIS DEJA VU?

I HAD JUST HAD IT

AT THAT POINT.

I HAD IT.

I WAS LIKE, "YOU GONNA HAVE

TO GET YOUR OWN SPACE

'CAUSE I NEED MY SPACE."

SO YOU PUT HIM OUT?

YES.

I DID.

CAN YOU PULL OVER?

I WANT YOU TO LOOK AT ME.

SURE.

I'M SERIOUS.

I'VE WATCHED MIMI GET

DISRESPECTED FOR YEARS BY

STEVIE.

NOW SHE TRADE HIM IN FOR THIS

CLOWN NIKKO?

WHEN DOES THE CYCLE END?

DO YOU SEE THIS AS A PATTERN?

THIS KIND OF MAN.

THE TYPE OF MAN THAT I

CHOOSE?

YEAH.

AS CRAZY AS IT MAY SEEM,

I JUST LIKE WHAT I LIKE.

IT'S JUST SOMETHING ABOUT

HIM.

THAT YOU DON'T LIKE.

I AIN'T THE ONLY ONE.

WHOEVER DON'T LIKE HIM,

THAT'S FINE.

I'M DEALING WITH IT,

'CAUSE THAT'S WHAT I CHOOSE

TO DO.

WHY ARE YOU DEALING WITH THIS

BULL[bleep]?

I LIKE WHAT I LIKE.

OKAY.

BUT WHEN I CONTINUOUSLY SEE

SOMEBODY...

[pops lips]

USING YOU, BASICALLY,

IT'S, LIKE, A PROBLEM.

THAT'S A PROBLEM.

HOW IS HE TAKING ADVANTAGE?

THIS SEX TAPE IS ONE.

THIS SEX TAPE IS HIM TAKING

ADVANTAGE OF ME?

HELL YEAH.

HOW SO?

HOW WOULD HE HAVE DONE IT

WITHOUT YOU?

SO HE INTENTIONALLY PUT

THIS TAPE OUT

IS WHAT YOU'RE SAYING?

HELL YEAH.

EVERYONE THINKS THAT NIKKO

HAS LEAKED THIS TAPE.

OBVIOUSLY I'VE HAD MY OWN

DOUBTS, BUT I'VE ASKED.

HE'S DENIED IT.

HOW CAN I NOT BELIEVE THE MAN

THAT I LOVE?

REGARDLESS,

I GOT TO DEAL WITH

WHAT'S GOING TO HAPPEN

RIGHT NOW AND MOVING FORWARD.

[sighs]

OKAY.

I TRULY BELIEVE THAT NIKKO

SOLD THIS TAPE TO THE HIGHEST

BIDDER.

HE'S A USER.

MIMI, YOU'RE BEING USED.

SO HOW DO YOU PLAN ON HANDLING

IT ONCE IT COMES OUT?

IS THAT A TRICK QUESTION?

IT'S NOT A TRICK QUESTION.

I HAVE NO IDEA.

NEVER DID IT BEFORE.

NEVER HAD ONE COME OUT BEFORE.

SO I GUESS WHEN IT COMES OUT,

I'LL FIGURE OUT HOW

I'M GONNA HANDLE IT THEN.

I LOVE YOU, AND I JUST

DON'T WANT YOU TO BE [bleep]

OVER ANYMORE.

STEVIE DID IT ENOUGH.

WORK THEM POLES, LONNIE.

NAW.

WORK THAT LITTLE COOTIE-CAT,

GIRL.

POP IT.

YEAH.

LET'S GO.

OH, MY GOD.

OKAY, OKAY, OKAY,

THAT'S ENOUGH.

I HAVEN'T SEEN

NOTHING BAD YET.

THANK GOD!

TODAY I'M AUDITIONING DANCERS,

AND HOPEFULLY WE CAN FIND

SOME GIRLS THAT WE LIKE,

'CAUSE RIGHT NOW, IT'S REALLY

HARD TO PICK.

THEY'RE ALL [bleep] GREAT.

AND EVERYBODY KNOWS

I NEED A POLE ON MY STAGE.

I KNOW YOU FELT HIS LITTLE

BEEFCAKE 'CAUSE HE ALWAYS

GET [bleep].

[laughs]

YOU JUST CAN'T CONTROL

YOURSELF.

WELL, I JUST WANTED TO SEE

HER.

YOU KNOW, SHE'S BEAUTIFUL.

AS WE ALL KNOW, STEVIE

LOVES THE WOMEN.

BUT THAT'S WHY RICARDO'S HERE,

BECAUSE I REALLY NEED HIM

TO HELP ME PICK OUT THE DANCERS

THAT WE'RE GOING TO USE

IN THE SHOW AND NOT STEVIE

HELP ME PICK OUT THE DANCERS

THAT HE WANTS TO SMASH.

SO WE'RE LOOKING FOR THOSE

GIRLS THAT GOT THAT POLE

DYNAMIC, THAT HIP-HOP FLAIR,

AND OF COURSE SPANISH

LITTLE FLAIR AS WELL.

I MEAN, AND WE NEED THE

STRIPPERS BECAUSE, I MEAN,

I WOULDN'T HAVE A SHOW

WITHOUT ANY POLES.

I MEAN, WHOO!

[laughter]

'CAUSE WE GOT TO KEEP IT SEXY,

RATCHET, CLASSY.

SO NEXT.

HEY, CUTIE.

LET ME SEE YOUR PAPER.

WHAT'S YOUR NAME?

CHERIE COCO.

CHERIE COCO, YOU THICK.

OOH!

YOU STRIP?

NO.

YOU LOOK LIKE YOU WOULD

HAVE MADE SOME MONEY DANCING,

GIRL.

YOU'RE LIKE MY DREAM GIRL.

HOW OLD ARE YOU?

22.

OOH.

KILLER.

DO YOU KNOW WHO I AM,

THE PUERTO RICAN PRINCESS?

[music shuts down]

NO, I'M SORRY.

IT'S OKAY.

YOU'RE A WHITE BUNNY,

SO I'LL LET YOU GET AWAY

WITH IT.

I'M THE BADDEST CHICK

IN THE GAME.

GOT IT.

SO WHAT TYPE OF DANCING

DO YOU DO, JELLY?

I DO HIP-HOP,

BUT I ALSO DO POLE.

OH, WORD?

YOU LYING.

I NEED TO SEE YOU ON THIS

[bleep] POLE.

I HAVE TO SEE YOU.

COME ON.

UH.

WHAM!

OOH!

COME ON, CHERIE COCO.

♪ 'CAUSE YOU REAL BOSS

THAT'S LOOKING HOT.

OH!

HA-HA!

DO IT AGAIN! GO AGAIN!

GO AGAIN!

YES!

YEAH!

[laughs]

WHOO!

YES!

DAMN!

I DIDN'T KNOW BIG BITCHES

COULD GET UP ON THE POLE

LIKE THAT.

I MEAN, YOU KNOW, SHE HAD

A LITTLE SLIGHT PROBLEM

GETTING OFF THE POLE,

BUT AT THE END OF THE DAY,

EVERY GIRL THAT'S ON THAT

STAGE, THEY GOT TO MATCH

JOSELINE HERNANDEZ SEXY.

THANKS, PAIGE.

THANK YOU, PAIGE.

BYE, PAIGE.

JESUS.

JESUS!

WHY DID YOU LET THIS TAPE

LEAK, AND WHY DIDN'T YOU

TRY TO STOP SOMETHING?

WHY DID I LET--HUH?

I HONESTLY FEEL LIKE

YOU HAD SOMETHING TO DO

WITH IT.

I DON'T WANT TO FEEL LIKE

I'M GETTING PLAYED.

SO YOU SITTING HERE

ADMITTING TODAY RIGHT NOW

YOU [bleep] AROUND,

BUT YOU TELLING ME

THAT I'M PLAYING YOU?

ALL RIGHT, INNER THIGH.

GIVE ME 12 OF THOSE.

WE GONNA GET ALL THIS TIGHT.

I NEED 12, 12.

COME ON.

SO AFTER MY TALK WITH MIMI

ABOUT THIS WHOLE NIKKO

SITUATION, I KIND OF JUST WANTED

TO GET MY OWN ANSWERS

FROM HIM PERSONALLY,

SO I DECIDED TO GO VISIT HIM

MYSELF.

HI, NIKKO.

WOW.

WHAT ARE YOU DOING HERE?

HELLO.

YOU GO HERE?

NO, I DON'T GO HERE.

YOU'RE NOT EVEN IN GYM

ATTIRE.

YEAH, BUT I WANTED

TO KIND OF TALK TO YOU, SO--

CAN I?

YES, GO FOR IT.

MIMI TELL ME SHE'S BEEN

WORKING OUT WITH YOU RECENTLY.

ABSOLUTELY.

HOW ARE YOU GUYS?

WE'RE EXCELLENT.

WE AIN'T GOT NO PROBLEMS.

SO YOU KNOW YOU'RE FULL

OF [bleep]?

OKAY, SO WHAT DID SHE TELL

YOU?

[scoffs]

I'M LISTENING.

WHY DO YOU FEEL LIKE

MY FRIEND IS SO UNCOMFORTABLE

WITH THINGS WITH YOU AND HER

RIGHT NOW?

MAYBE BECAUSE WHAT'S ABOUT

TO EXPLODE ON THE SCENE.

THE TAPE.

CAN I ASK YOU SOMETHING?

I'M SORRY.

IT'S BEEN BOTHERING ME.

GO AHEAD.

THIS TAPE...

HOW DID IT GET INTO THE HANDS

OF AN ADULT ENTERTAINMENT

COMPANY?

I HAVE NO IDEA.

I HONESTLY FEEL LIKE...

YOU HAD SOMETHING TO DO WITH IT.

AM I WRONG?

NO, YOU'RE NOT WRONG

FOR THINKING ANYTHING.

SO DID YOU HAVE SOMETHING

TO DO WITH IT?

ABSOLUTELY NO.

NIKKO IS LOOKING ME

DEAD IN MY EYE,

TELLING ME A BOLD-FACED LIE

ABOUT THIS TAPE BEING LEAKED.

I FEEL LIKE NOBODY JUST GOES

ON VACATION AND THE CAMERA'S

IN THEIR BAG AND THEN ALL

OF A SUDDEN, THE TAPE IS GONE.

REALLY?

HOW IRONIC.

AND YOU'RE SMILING ABOUT IT.

I'M JUST LISTENING.

LIKE, YOU WEREN'T IN

AN "OH, [bleep]" MOMENT

WHEN IT HAPPENED?

ABSOLUTELY.

WE WENT THROUGH THOSE EMOTIONS.

THAT'S OVER WITH.

IT'S NOT OVER WITH.

THIS IS WHAT I'M SAYING TO YOU.

IT'S NOT OVER BECAUSE

IT'S STILL LINGERING WITH HER.

IS IT?

YES.

OKAY.

PERSONALLY, ARIANE,

SHE'S BENEATH ME.

I DON'T HAVE TO ANSWER NONE

OF HER QUESTIONS.

IF ARIANE IS REALLY MIMI'S

FRIEND, THEN SHE SHOULD KNOW

HOW IMPORTANT I AM IN HER LIFE.

CLEARLY SHE DOESN'T TRUST

YOU.

I HAD--LISTEN, I CAN'T HELP

HER WITH HER TRUST ISSUES.

ALL I CAN DO IS COMFORT HER.

YES, YOU CAN.

YOU'RE NOT COMFORTING HER

WELL ENOUGH.

YOU'RE GREAT, AND SHE'S GOING

THROUGH SOMETHING.

WHERE'S--WHERE'S THE BALANCE?

WELL, JUST KEEP WATCHING,

THOUGH.

NO, THAT'S WHAT--

THAT'S YOUR FRIEND.

YOU SOUND CRAZY.

KEEP PAYING ATTENTION TO OUR

RELATIONSHIP LIKE YOU'RE DOING

RIGHT NOW.

NO, THAT'S NOT WHAT YOU WANT

ME TO PAY ATTENTION TO.

YOU WANT ME TO PAY ATTENTION

TO THIS SEX TAPE.

ARE YOU SERIOUS?

YES.

WELL, WATCH THAT TOO,

THOUGH, YEAH.

MM, THANKS.

NO.

I'M GOOD.

I FEEL LIKE YOU A FAKE

FRIEND.

I'M A FAKE FRIEND HOW?

ABSOLUTELY.

EXPLAIN YOURSELF.

'CAUSE I'M NOT AROUND?

YOU DON'T HAVE A INTEREST--

BECAUSE I'M NOT AROUND,

SO I'M A FAKE FRIEND?

I FEEL LIKE YOU WANT TO

CAPITALIZE ON EVERYTHING

SHE'S DOING.

ARE YOU KIDDING ME?

I DO MY OWN [bleep].

YOU WANT TO MOVE INTO THE

HOUSE.

REALLY?

I WANT TO MOVE INTO THE HOUSE?

I'M GOOD.

MY FRIEND COMES AND STAY

WITH ME WHEN SHE CAN'T DEAL

WITH Y'ALL [bleep].

WHY ARE YOU ASKING ME

THESE QUESTIONS?

THAT [bleep] IS COMING OUT.

IT'S ABOUT TO HIT HER HARD.

YOU DON'T CARE.

I DON'T?

I'M IN IT WITH HER.

WHAT DO YOU MEAN, I DON'T CARE?

I'M OUT.

ARE YOU SERIOUS?

BYE, NIKKO.

BYE-BYE.

WHEN YOU WANT TO TALK AGAIN,

JUST PICK UP THE PHONE.

NOPE, I'M GOOD.

ALL RIGHT, CALL ME.

ASHLEY, I AM SO GLAD

YOU IN ATLANTA, 'CAUSE WE ABOUT

TO TURN UP!

WHEN I SAY I NEEDED THIS,

MY GOODNESS.

WHOA!

ALL I'VE BEEN DOING IS WORKING,

WORKING, WORKING,

AND [bleep] MY HUSBAND.

SO I NEED A BREAK.

AND I THINK ASHLEY WILL BE THAT

FOR ME.

SO TONY LIKE, "YOU AND ASHLEY

GONNA BE TURNT UP ALL NIGHT,

ALL DAY.

I GOT OVERHEAD.

I GOT [bleep] I'M TRYING TO DO."

I'M LIKE, "YO, YOU NEED A

VACATION LIKE I NEED A

VACATION, AND ASHLEY GONNA BE

OUR VACATION."

WE JUST GOT TO MAKE SURE

THAT WE, LIKE, FOCUS,

BUT I JUST WANT TO HAVE FUN.

MAKE SURE WE BRING OUR

CLOTHES IN THE HOUSE WHEN

WE COME BACK IN.

YOU KNOW WHAT?

MIGHT HAVE TO DROP OUR PANTS

AT THE DOOR.

TONY GONNA HAVE TO CHILL,

SON.

I BE READY,

ALWAYS READY.

FOR WHAT?

BACK TO TWERK TIME.

TWERK AND WORK.

SO WE GONNA SHOW HIS ASS.

WE GONNA TWERK AND WE GONNA

WORK.

YEAH, WE GONNA TWERK

AND WE GONNA WORK.

MY GIRL ASHLEY IS READY

TO TWERK.

I KNOW I PROMISED TONY I WOULD

WORK, BUT, MAN, ASHLEY IS ABOUT

TO TURN UP ATL.

WE GOT A RED LIGHT.

OH, HOLD UP.

HOLD UP.

OH!

BOW, BOW, BOW, BOW!

OOH-AH!

HEY!

THAT'S ASS, ATLANTA.

Y'ALL SEE ALL THAT ASS, ATLANTA?

WHAT?

HI, BABY.

OOH.

I AIN'T SO TIRED NO MORE.

[laughs]

WHAT'S UP, MAMA?

I HAVE WINE

AND CHEESE AND CRACKERS.

RASHEEDA REALLY MADE ME THINK

ABOUT BEING COMPLETELY HONEST

WITH BENZINO.

AND THERE'S SOME THINGS

ABOUT MY PAST THAT WE NEVER

REALLY TALKED ABOUT.

SO I'MA LAY IT ALL OUT THERE

FOR BENZINO, AND I'MA PRAY

FOR THE BEST.

SO WHAT'S TONIGHT ALL ABOUT?

I KNOW I SLING IT GOOD,

BUT THIS IS WHAT YOU GET?

[laughs]

[laughing]

THIS IS THE REWARD?

WHAT'S GOING ON, BABY?

WELL, I KIND OF WANTED--

I HAD A LOT OF STUFF

ON MY MIND.

ABOUT WHAT?

ABOUT US AND--

I MEAN, WE GOING GOOD.

YOU SAY THAT YOU MIGHT

MARRY ME ONE DAY.

YEAH, I WANT--

I MEAN, THAT'S WHAT'S--

YOU SAY THAT YOU'RE GONNA

GIVE ME A RING ONE DAY

AND EVERYTHING.

BABE, YOU GONNA PUT THIS

FIREPLACE UP WITH SOME CHEESE

AND CRACKERS--

NO, I JUST WANT--

[bleep], YOU AIN'T NEVER DID

CHEESE AND CRACKERS

JUST TO, LIKE--

WHAT THE [bleep]?

WHAT YOU MEAN, KEEP--

I BEEN KEEPING IT 100.

OKAY.

I HAVEN'T BEEN KEEPING IT

100?

NO, NOT REALLY.

REALLY?

HOW?

SO DID YOU EVER HAVE

A TALK WITH STEVIE THAT...

YOU KNOW, THAT HE KNEW ME

AND EVERYTHING BEFORE,

PRIOR TO YOU?

NO.

BUT YOU KNOW THAT

WE DID IT ONE NIGHT, RIGHT?

[clicks tongue]

WAY BACK IN THE BEGINNING,

STEVIE CALLED ME AND ASKED ME

TO COME TO THE STUDIO,

AND BENZINO WAS THERE.

I ASSUMED THAT BENZINO KNEW

WHAT HAPPENED BETWEEN ME

AND STEVIE, BUT MAYBE

I WAS WRONG.

I DON'T WANT TO FEEL LIKE

I'M GETTING PLAYED.

SO YOU SITTING HERE

ADMITTING TODAY, RIGHT NOW,

YOU AND STEVIE [bleep] AROUND,

BUT YOU TELLING ME

THAT I'M PLAYING YOU?

'CAUSE YOU KNEW CERTAIN

THINGS AND YOU DON'T ADDRESS--

HOW THE [bleep] DID I KNOW

ABOUT YOU AND STEVIE?

I DIDN'T ASK.

IT'S LIKE THE ARMY.

DON'T [bleep] ASK, DON'T TELL.

THERE'S BEEN SOME GIRLS

THAT ALTHEA KNOWS

THAT I'VE ROCKED WITH.

AND THERE'S BEEN SOME GUYS

THAT I KNOW THAT THEA'S

ROCKED WITH.

ONE OF THE GUYS HAPPENED

TO BE STEVIE.

ANYTHING THAT IS NEGATIVE

IN MY PAST, I PUT THAT [bleep]

IN THE TRASH AND I WIPE IT OUT.

POINT IS, IS YOU GUYS

IS BEST FRIENDS,

AND YOU GUYS IS AROUND EACH

OTHER EVERY DAY.

AND I WANT EVERYTHING LAID OUT

ON THE TABLE.

ANOTHER REASON WHY I JUST WANTED

TO TALK ABOUT IT, BECAUSE

WE'RE ALWAYS AROUND STEVIE

AND JOSELINE.

AND I FEEL LIKE SHE KNOWS,

BUT SHE'S JUST NOT SAYING

ANYTHING.

ANY GIRL AROUND [bleep]

STEVIE, SHE THINKS IS [bleep].

HOW COME WHEN SHE CAME

TO THE STUDIO, SHE WAS LIKE,

"I KNOW SOMETHING.

I'M JUST WAITING--

YOU KNOW, WAITING FOR THE RIGHT

TIME"?

I'M LIKE--I JUST DON'T WANT

TO BE IN ANY AWKWARD SITUATIONS

WHERE I THINK THAT SOMEBODY

MIGHT KNOW SOMETHING

AND THEN I'M, LIKE, BLINDED

TO IT.

WHETHER I KNOW OR DIDN'T

KNOW, I DIDN'T WANT TO [bleep]

THINK ABOUT IT.

BUT SOMEBODY THAT I'M TRYING

TO BUILD MY LIFE WITH,

WE NEED TO FACE IT.

I DON'T--I WANT TO TALK ABOUT

IT NOW BECAUSE I FEEL LIKE WE--

IT'S LIKE WE'RE SUPPRESSING

SOMETHING.

YOU SHOULD BE HAPPY THAT

YOU HAVE A GOOD WOMAN--

I SHOULD BE HAPPY?

WHAT THE [bleep]

IS YOU TALKING--

THAT WANTS EVERYTHING OUT ON

THE TABLE AND HAVE NOTHING TO

HIDE AND I LOVE YOU.

REALLY? WOW.

WE SHOULD TALK ABOUT THESE

ARRANGEMENTS.

BECAUSE I KIND OF TOLD VICK

THAT WE WAS GONNA KIND OF

BE IN ALL ONE ROOM.

OH, MY BABY.

I'M GLAD MY BABY'S HERE.

ME TOO.

COULDN'T WAIT TO SEE YOUR

ASS SO I COULD SLAP IT.

WHOA!

TWERK, TWERK, BOW, BOW.

WORK AND TWERK.

I WANT TO PROVE TO MY HUSBAND,

TONY, THAT BY ASHLEY COMING

DOWN, IT WILL NOT DISTRACT ME

FROM GETTING THIS ALBUM DONE.

WHAT IT WILL DO IS MOTIVATE ME.

MAN, LISTEN.

I MEAN, IT IS WHAT EVERY

[bleep] WANTS.

LET'S BE REAL.

IF I'M A KID, I GO IN THE CANDY

STORE, I WANT IT ALL.

HOW LONG YOU STAYING?

UNTIL I'M RET TO GO.

KIND OF GLAD YOU HERE.

YOU SHOULD BE.

YOU CAN HELP YOUR BOO FRIEND

OUT HERE IN THE STUDIO,

GIVE HER SOME ENCOURAGEMENT.

SHE NEEDS ME.

I FEEL LIKE WITH YOUR

INSPIRATION AND NOT YOUR...

ASS-PIRATION?

[laughter]

WOW.

THAT WAS COOL.

ASHLEY'S ASS

IS DEFINITELY GONNA HELP ME

WITH THE BLACK ORCHIDPROJECT

BECAUSE SHE HAS A FAT ONE,

AND WHEN I SEE IT,

I GET CREATIVE,

AND I WANT TO WRITE RECORDS.

CHEERS.

TO GOOD FRIENDSHIP,

LONG LOVE,

AND PROSPERITY.

ABSOLUTELY.

AND HARD WORK.

LET'S GO.

AND HARD WORK.

LET'S DO IT.

YEAH.

I'M JUST TRYING TO FIGURE OUT,

LIKE, IF Y'ALL ARE PARTYING

AND HANGING OUT,

DOING ALL THAT STUFF,

WHERE DO I FIT IN THAT?

I AM PRETTY SURE

THAT ASHLEY WANTS ME

ALL TO HERSELF.

I'LL SEE YOU GUYS UPSTAIRS?

STRAIGHT UP.

I LOVE WOMEN.

SO I CAN'T BE WITH A WOMAN

THAT DON'T LOVE WOMEN.

IT'S JUST NOW WE HAVE TO FIGURE

OUT HOW TO LOVE WOMEN TOGETHER.

WE SHOULD TALK ABOUT

THESE ARRANGEMENTS.

BECAUSE...

I KIND OF TOLD VICK

THAT WE WERE GONNA KIND OF

BE IN ALL ONE ROOM.

I DON'T KNOW HOW YOU FEEL

ABOUT THAT.

LET ME KNOW.

NO.

FROM THE IMPRESSION

THAT I GOT, AND, YOU KNOW,

MAYBE I'M JUST DREAMING,

BUT I THOUGHT I WAS GONNA WAKE

UP TO TWO FAT BOOTIES

IN THE MORNING, LIKE,

WHOO!

OH, HMM.

JUST A VISION.

I BELIEVE IN YOUR VISION,

BECAUSE IF I WAS A MAN,

I WOULD WANT THAT VISION TOO.

YOU COOL WITH THAT?

I'M JUST SAYING,

IT'S ONLY FUN IF THE HOMIES

CAN HAVE SOME TOO, RIGHT?

both: NO.

OH. NO?

both: NO.

Y'ALL GONNA LEAVE ME

LIKE THIS?

HOLY [bleep].

THE KITCHEN'S DONE.

WELL, THAT'S WHAT IT LOOKS

LIKE, YOU KNOW.

WELL, Y'ALL GO AHEAD

AND DO YOUR THING.

I'LL TALK TO YOU LATER.

YOU DON'T MIND, DO YOU?

NO, HE DON'T MIND.

GET YOUR ASS--

Y'ALL JUST LEAVE ME HERE,

YOU KNOW, WITH ALL THE DISHES

BY MYSELF.

I'LL SEE YOU IN A FEW.

ALL RIGHT, BABY.

I'M NOT CLEANING THAT

[bleep].

[delicate piano music]

♪

I JUST GOT THE PHONE CALL

THAT MY FATHER...

[crying] HE WAS CRYING.

AND I KNEW IT WAS SOMETHING

THE MATTER.

AND THEN HE TOLD ME MY MOTHER

DIED, AND I JUST WAS IN SHOCK.

[crying]

AND MY WHOLE WORLD JUST--

JUST CAME TO AN END.

MY FAMILY'S IN BOSTON,

SO I KIND OF HAD TO HURRY UP,

PACK MY BAGS, AND GET THERE

AS SOON AS POSSIBLE.

BUT I KNEW AT THE SAME TIME,

THIS WASN'T--IT WAS GONNA BE

DYSFUNCTIONAL BECAUSE

MY RELATIONSHIPS WITH OTHER

MEMBERS OF MY FAMILY

HAVE BEEN KIND OF STRAINED

A LITTLE BIT.

TO BE HONEST WITH YOU,

I WAS NUMB.

I COULDN'T EVEN THINK.

I JUST COULDN'T EVEN THINK.

I WAS JUST QUIET AND NUMB.

AND I FELT LIKE MY BODY

WAS MOVING, BUT MY MIND

HAD JUST WENT BLANK.

[sniffles]

AND I WAS JUST IN A COLD,

COLD SPACE.

I WAS IN A COLD, DARK SPACE.

AND...

I FEEL BAD FOR ANYBODY OUT THERE

THAT LOST THEIR MOTHER.

'CAUSE IT AIN'T EASY.

ZINO'S MOM HAD PASSED AWAY.

THERE'S JUST, LIKE, SOME

CRAZINESS GOING ON.

LIKE, MONEY, POWER,

GREED, FAMILY--

SOMETIMES IT DON'T MIX.

I GOT THE CALL FROM ZINO

ABOUT HIS MOM PASSING.

AND HE COULDN'T EVEN TALK.

YOU KNOW, HE WAS JUST

BAWLING OUT OF CONTROL.

SO IT'S JUST SOME STUFF,

SOME FUNNY BUSINESS

WITH THE FAMILY, MAN.

IT'S JUST A WRETCHED MESS, MAN.

MORNING, BABE.

HEY, BABE, WHERE YOU GOING?

I GOT TO GO.

WHAT'S GOING ON?

WHY YOU DRESSED UP?

I GOT TO GO TO BOSTON.

WHAT HAPPENED?

ZINO'S MOM HAD BEEN SICK

FOR A WHILE, AND

SHE PASSED AWAY.

AND IT'S A LOT GOING ON

WITH THE FAMILY.

THERE'S JUST, LIKE, SOME

CRAZINESS GOING ON.

LIKE, MONEY, POWER,

GREED, FAMILY--

SOMETIMES IT DON'T MIX.

I JUST WANT TO GET THERE

AND MAKE SURE MY BRO IS GOOD,

YOU KNOW?

I DEFINITELY FEEL LIKE

YOU SHOULD DO THAT.

I FEEL BAD.

I MEAN, I DON'T KNOW WHAT TO

SAY.

YOU KNOW, HE NEEDS YOU MORE

THAN ANYBODY.

HOW WAS HIS RELATIONSHIP

WITH HIS MOTHER?

IT WAS ABOUT LIKE WHAT

MINE IS WITH MINE,

YOU KNOW WHAT I'M SAYING?

THAT'S WHY I ALWAYS TELL YOU

TO CALL YOUR MOTHER.

YOU GOT TO GET CLOSE TO YOUR

MOTHER, BABE.

IT'S ABOUT THAT TIME.

TIME IS TICKING.

YOU KNOW, ME AND MY MOM

HAVEN'T HAD THE BEST

RELATIONSHIP, AND JOSELINE IS--

SHE'S ALWAYS PUSHING ME

TO GET INTO A RELATIONSHIP

WITH MY MOTHER.

AND NOW I SEE WHY.

I JUST DON'T WANT TO MAKE

YOU FEEL LIKE--'CAUSE I KNOW

ME AND YOU DOING A LOT

AS FAR AS PUTTING THIS SHOW

TOGETHER.

IT WOULD BE SELFISH

TO ACT LIKE I'M UPSET

THAT YOU'RE LEAVING.

HE NEEDS YOU.

YOUR FRIEND NEEDS YOU RIGHT NOW.

BUT YOU NEED ME TOO.

I NEED YOU, BUT I CAN HANDLE

IT WHILE YOU'RE GONE, YOU KNOW?

I LOVE YOU, BABY.

I LOVE YOU TOO.

DON'T WORRY ABOUT ANYTHING.

I'M GONNA TAKE CARE OF

THE REHEARSAL, EVERYTHING.

I GOT THAT.

YOU JUST GO BE THERE

AND SUPPORT YOUR HOMEY,

'CAUSE HE NEEDS YOU RIGHT NOW.

HOLD DOWN THE FORT FOR ME.

I'LL BE RIGHT BACK.

I GOT YOU.

LOVE YOU, BABY.

I LOVE YOU TOO.

MM.

HAVE A SAFE FLIGHT.

LET ME WALK YOU OUTSIDE.

WHEN I HEARD ZINO'S MOM PASSED

AWAY, I FELT REALLY BAD.

NOBODY WANTS THEY PARENTS

TO PASS AWAY, AND THAT'S WHY

I ALWAYS TELL STEVIE,

"CALL YOUR MOTHER."

I LOVE YOU.

NEXT TIME ON

LOVE & HIP-HOP: ATLANTA...

JOSELINE JUST TOLD ME

THAT NIKKO AND THEA'S [bleep].

YOU TELLING ME THAT SHE WAS

DOING STEVIE TOO?

SHE WAS.

YOU KNOW THAT BITCH

GONNA FLIP HER WIG.

WELL, HOS KNOW HOS.

SHE SHOULD KNOW.

WHAT?

I'M JUST SAYING.

OH, NO, BITCH, WHAT?

ERICA TOLD ME THAT MIMI

TOLD HER THAT ALTHEA

AND STEVIE...

YEAH.

'CAUSE I WANT TO POP YOU

IN YOUR [bleep], BUT I CAN'T

BEAT YOU UP, SO I'MA HAVE

TO WHUP HER ASS.

'CAUSE SHE SAT IN MY

MOTHER[bleep] HOUSE--

I NEVER [bleep] HER.

I DON'T BELIEVE YOU.

DESTROYING MY BIKE.

I FEEL LIKE WE BOTH HAVE DONE

THINGS THAT'S WRONG ON BOTH

SIDES OF THE TABLE.

KIRK, THAT'S BULL[bleep].

YOU MAD ABOUT YOUR [bleep]

BEING BROKE.

I'M PISSED OFF ABOUT YOU--

AND THAT'S MATERIALISTIC

AS [bleep].

MATERIAL STUFF DON'T

BOTHER YOU?

MM-MM.

THESE ARE CHANELS, RIGHT?

YEAH, THEY ARE.

WHAT IF I JUST DID LIKE THIS?

KIRK.

HOW DO YOU FEEL ABOUT THAT?

SO, MIMI, I GOT THE PREVIEW

OF THE TAPE.

LET'S WATCH IT.

OH, MY GOD.

I HAVE NO WORDS.

OH, MY GOD.

SO I JUST LOOKED.

YEAH, IT'S REAL.

ARE YOU SERIOUS?

"RAPPER BENZINO SHOT."

[gunshot]

[heart monitor beeping]

YOU KNOW THOSE MATTRESSES

THAT WHEN YOU DO IT,

THEY MAKE THE--BOOM-CHINGA?

KARLIE.

HAVE YOU EVER BEEN TO A

HOTEL AND THAT HAPPENED?

YEAH, THE LA QUINTA INN.

NO, STUPID.

NO, YOU'VE NEVER BEEN--

THE HEADBOARD BE--

YEAH.

ARE YOU WILD WITH IT?

I'M ALL SENSUAL AND STUFF.

I'M LIKE, "I JUST WANT

TO KISS ALL OVER YOU.

I WANT TO LICK ALL OVER YOU."

OH, THAT'S JUST ME.

KARLIE.

[laughs]

WHY ARE WE TALKING

ABOUT THIS ON THE BED?

[laughing]

LET'S SHOP. LET'S SHOP.

YOU GOT CLOSE AND STUFF.

I'M LIKE, "FOR REAL, KARLIE? SO WHAT'S UP?"