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These are the user uploaded subtitles that are being translated: 1 00:00:03,486 --> 00:00:04,556 PREVIOUSLY ON 2 00:00:04,556 --> 00:00:06,558 LOVE & HIP-HOP: ATLANTA... 3 00:00:06,558 --> 00:00:07,248 DID YOU TELL SOMEBODY 4 00:00:07,248 --> 00:00:08,077 THAT YOU WAS MISSING 5 00:00:08,077 --> 00:00:08,836 THE [bleep], 6 00:00:08,836 --> 00:00:09,561 SOMETHING LIKE THAT? 7 00:00:09,561 --> 00:00:10,286 I DON'T GOT TO MISS THE 8 00:00:10,286 --> 00:00:10,976 [bleep]. 9 00:00:10,976 --> 00:00:11,701 THE [bleep] MISSES ME. 10 00:00:11,701 --> 00:00:12,702 [shouts indistinctly] 11 00:00:12,702 --> 00:00:14,014 all: OH! 12 00:00:14,014 --> 00:00:15,429 SECURITY! 13 00:00:15,429 --> 00:00:16,878 ESCORT THAT BITCH OUT OF MY 14 00:00:16,878 --> 00:00:17,741 CLUB! 15 00:00:17,741 --> 00:00:18,811 FOR YOU TO HAVE MAKEUP 16 00:00:18,811 --> 00:00:21,676 ON THE INSIDE OF YOUR COLLAR 17 00:00:21,676 --> 00:00:22,884 MEANS YOU HAD TO HAVE HAD 18 00:00:22,884 --> 00:00:24,783 LIPSTICK ON YOUR NECK. 19 00:00:24,783 --> 00:00:25,646 SO BITCHES IS KISSIN' 20 00:00:25,646 --> 00:00:26,716 ON YOUR NECK? 21 00:00:26,716 --> 00:00:28,062 EVIDENTLY THERE WERE. 22 00:00:28,062 --> 00:00:28,787 WE NEED SOME SPACE. 23 00:00:28,787 --> 00:00:30,237 YOU NEED TO MOVE OUT. 24 00:00:30,237 --> 00:00:31,031 NIKKO. 25 00:00:31,031 --> 00:00:31,859 FREAKO. 26 00:00:31,859 --> 00:00:32,515 OH, PORN STAR. 27 00:00:32,515 --> 00:00:33,585 YOU SAID FREAKO. 28 00:00:33,585 --> 00:00:34,448 YEAH, HE'S A PORN STAR. 29 00:00:34,448 --> 00:00:35,173 WE MIGHT HAVE HUNG OUT, 30 00:00:35,173 --> 00:00:36,657 LIKE, BACK IN THE DAY. 31 00:00:36,657 --> 00:00:37,623 WAIT, HOLD IT. 32 00:00:37,623 --> 00:00:38,900 [laughs] 33 00:00:38,900 --> 00:00:39,660 ALTHEA, 34 00:00:39,660 --> 00:00:40,626 SHE'S A SINGER OR SOMETHING 35 00:00:40,626 --> 00:00:41,386 LIKE THAT. 36 00:00:41,386 --> 00:00:42,214 YEAH, YEAH, I KNOW ALTHEA. 37 00:00:42,214 --> 00:00:43,181 THAT'S MY LEFTOVERS. 38 00:00:43,181 --> 00:00:45,700 SHE DONE WENT FROM ME TO STEVIE. 39 00:00:45,700 --> 00:00:47,081 WHOA, WHOA, WHOA, WHOA. 40 00:00:47,081 --> 00:00:48,117 SHE'S LOVING THE CREW? 41 00:00:48,117 --> 00:00:49,221 SHE'S MAKING HER ROUNDS. 42 00:00:49,221 --> 00:00:51,189 HE HAD A DNA TEST. 43 00:00:51,189 --> 00:00:52,052 WHAT? 44 00:00:52,052 --> 00:00:52,914 YEAH. 45 00:00:52,914 --> 00:00:54,606 DNA TEST, LIKE, WITH CARTER? 46 00:00:54,606 --> 00:00:55,848 I MEAN, I WAS JUST SHOCKED. 47 00:00:55,848 --> 00:00:57,850 SOMETHING IS WRONG WITH HIM. 48 00:00:57,850 --> 00:00:58,989 YOU ARE THE BEST THING 49 00:00:58,989 --> 00:01:00,163 I'VE EVER CAME ACROSS. 50 00:01:00,163 --> 00:01:01,130 I LOVE YOU TO DEATH, 51 00:01:01,130 --> 00:01:02,545 AND I'M SORRY. 52 00:01:02,545 --> 00:01:03,201 COME ON, MAN. 53 00:01:03,201 --> 00:01:04,547 THIS [bleep]'S NOT FAIR. 54 00:01:04,547 --> 00:01:05,651 IT AIN'T FAIR. 55 00:01:05,651 --> 00:01:06,411 I'M GONNA GO AROUND 56 00:01:06,411 --> 00:01:07,205 TO SOME OTHER STUDIOS. 57 00:01:07,205 --> 00:01:08,827 THERE'S A LOT OF PEOPLE WORKING. 58 00:01:08,827 --> 00:01:10,173 I FEEL LIKE I NEED TO BE 59 00:01:10,173 --> 00:01:11,450 DOING ALL OF THAT. 60 00:01:11,450 --> 00:01:12,451 I WAS GONNA TELL YOU 61 00:01:12,451 --> 00:01:13,452 THAT I JUST FINISHED SOMETHING 62 00:01:13,452 --> 00:01:14,488 FOR YOU. 63 00:01:14,488 --> 00:01:17,249 DID YOU REALLY? 64 00:01:17,249 --> 00:01:17,767 YEAH. 65 00:01:17,767 --> 00:01:19,907 ♪ THIS IS THE LIFE 66 00:01:19,907 --> 00:01:20,563 ♪ YEAH 67 00:01:20,563 --> 00:01:22,220 ♪ THIS IS THE LIFE 68 00:01:22,220 --> 00:01:22,910 ♪ 'SUP 69 00:01:22,910 --> 00:01:24,601 ♪ THIS IS THE LIFE 70 00:01:24,601 --> 00:01:25,257 ♪ HUH 71 00:01:25,257 --> 00:01:29,330 ♪ THIS IS THE LIFE 72 00:01:29,330 --> 00:01:30,020 ♪ HUH 73 00:01:30,020 --> 00:01:30,918 ♪ THERE AIN'T NOTHING LIKE 74 00:01:30,918 --> 00:01:32,195 ♪ HIP-HOP MUSIC 75 00:01:32,195 --> 00:01:32,920 ♪ MUSIC 76 00:01:38,615 --> 00:01:42,654 ♪ THIS IS THE LIFE 77 00:01:42,654 --> 00:01:43,310 ♪ IF I COULD 78 00:01:43,310 --> 00:01:44,345 ♪ I'D TAKE IT BACK 79 00:01:44,345 --> 00:01:45,312 ♪ IF I COULD TURN 80 00:01:45,312 --> 00:01:47,107 ♪ THE HANDS OF TIME 81 00:01:47,107 --> 00:01:49,316 ♪ IT WOULDN'T BE LIKE THAT 82 00:01:49,316 --> 00:01:50,903 ♪ MIXED EMOTIONS 83 00:01:50,903 --> 00:01:52,181 ♪ AND WHEN THE LIGHTS GO OUT 84 00:01:52,181 --> 00:01:53,561 ♪ IS WHEN I REALIZE 85 00:01:53,561 --> 00:01:55,045 ♪ I WISH THAT YOU WOULD STAY 86 00:01:55,045 --> 00:01:56,357 ♪ MIXED EMOTIONS 87 00:01:56,357 --> 00:02:00,016 ♪ 88 00:02:00,016 --> 00:02:01,535 WHAT'S UP, BOO? 89 00:02:01,535 --> 00:02:02,260 HEY. 90 00:02:02,260 --> 00:02:03,364 I SEE Y'ALL OVER HERE 91 00:02:03,364 --> 00:02:04,607 WITH SOME MIXED EMOTIONS. 92 00:02:04,607 --> 00:02:05,642 THAT'S RIGHT. 93 00:02:05,642 --> 00:02:06,816 I AM STILL MAD THAT 94 00:02:06,816 --> 00:02:08,542 MISS HOTHEA, BENZINO'S NEW 95 00:02:08,542 --> 00:02:10,268 BITCH, IS MAKING US LOOK BAD 96 00:02:10,268 --> 00:02:11,545 ON THE GRAND OPENING. 97 00:02:11,545 --> 00:02:12,684 I EVEN FIND THAT SHE'S SLEEPING 98 00:02:12,684 --> 00:02:13,892 AROUND WITH NIKKO. 99 00:02:13,892 --> 00:02:15,549 BUT I'M HERE TO SEE 100 00:02:15,549 --> 00:02:17,482 IF MISS HOTHEA IS REALLY 101 00:02:17,482 --> 00:02:18,862 A SINGER AND SHE REALLY HAD 102 00:02:18,862 --> 00:02:19,656 A DEAL. 103 00:02:19,656 --> 00:02:20,830 BITCH MIGHT JUST BE A GROUPIE 104 00:02:20,830 --> 00:02:21,969 THAT HANG OUT IN THE STUDIO 105 00:02:21,969 --> 00:02:23,315 SMASHING PRODUCERS. 106 00:02:23,315 --> 00:02:24,247 SO THAT'S PRETTY COOL, THOUGH. 107 00:02:24,247 --> 00:02:25,352 WHO PRODUCED THAT FOR YOU? 108 00:02:25,352 --> 00:02:27,630 BENZINO HANDLES ALL MY MUSIC. 109 00:02:27,630 --> 00:02:28,596 I MEAN, I DON'T REALLY 110 00:02:28,596 --> 00:02:29,666 REMEMBER BENZINO HAVING ANY 111 00:02:29,666 --> 00:02:30,357 GREAT HITS. 112 00:02:30,357 --> 00:02:31,151 MM-HMM. 113 00:02:31,151 --> 00:02:31,772 BUT, HEY. 114 00:02:31,772 --> 00:02:32,566 NO, BUT HE'S BEEN INVOLVED 115 00:02:32,566 --> 00:02:33,222 IN HIP-HOP FOR A REALLY, 116 00:02:33,222 --> 00:02:34,015 REALLY LONG TIME. 117 00:02:34,015 --> 00:02:34,740 I MEAN, I KNOW HE HAD 118 00:02:34,740 --> 00:02:35,879 THE SPORTS MAGAZINE, RIGHT? 119 00:02:35,879 --> 00:02:36,639 BUT YOU KNOW ABOUT THE MUSIC 120 00:02:36,639 --> 00:02:37,295 PART. 121 00:02:37,295 --> 00:02:38,296 I DON'T KNOW ABOUT ALL OF THAT. 122 00:02:38,296 --> 00:02:39,366 I WORK WITH MY HUSBAND ALL THE 123 00:02:39,366 --> 00:02:40,470 TIME TOO, AND HE PRODUCES 124 00:02:40,470 --> 00:02:41,230 ALL MY MUSIC. 125 00:02:41,230 --> 00:02:42,058 HOW IS THAT, WORKING 126 00:02:42,058 --> 00:02:42,783 IN THE STUDIO WITH HIM? 127 00:02:42,783 --> 00:02:44,198 WORKING WITH MY HUSBAND 128 00:02:44,198 --> 00:02:45,510 IS A LITTLE BIT HARDER 129 00:02:45,510 --> 00:02:47,167 BECAUSE HE'S SO STRICT. 130 00:02:47,167 --> 00:02:48,340 LIKE, HE'LL MAKE ME DO IT, 131 00:02:48,340 --> 00:02:49,583 LIKE, 20 TIMES. 132 00:02:49,583 --> 00:02:50,480 NOW, I DID THIS IN ONE NIGHT, 133 00:02:50,480 --> 00:02:52,172 SO I'M EXCITED. 134 00:02:52,172 --> 00:02:52,827 WE GOT TO DO SOMETHING 135 00:02:52,827 --> 00:02:53,828 TOGETHER, BUT-- 136 00:02:53,828 --> 00:02:54,519 YOU KNOW I'M KIND OF A 137 00:02:54,519 --> 00:02:55,347 DOLO CHICK. 138 00:02:55,347 --> 00:02:56,452 OKAY. 139 00:02:56,452 --> 00:02:57,591 NOBODY CARES THAT YOU CAN 140 00:02:57,591 --> 00:02:58,937 FINISH ONE WACK-ASS SONG 141 00:02:58,937 --> 00:03:00,559 IN ONE NIGHT. 142 00:03:00,559 --> 00:03:02,458 WHEN YOUR MAN GOT FOUR GRAMMYS 143 00:03:02,458 --> 00:03:04,287 AND NOT A MAGAZINE, 144 00:03:04,287 --> 00:03:05,771 THEN YOU CAN COME HOLLER AT ME. 145 00:03:05,771 --> 00:03:07,048 TILL THEN, GET BACK IN THE 146 00:03:07,048 --> 00:03:07,911 BOOTH, 'CAUSE YOU NEED MORE 147 00:03:07,911 --> 00:03:08,705 WORK. 148 00:03:08,705 --> 00:03:09,775 SO ARE YOU IN LOVE? 149 00:03:09,775 --> 00:03:10,880 I'M IN LOVE. 150 00:03:10,880 --> 00:03:11,639 AND I'M HAPPY THAT I GOT 151 00:03:11,639 --> 00:03:12,882 SOMEBODY THAT'S INTO ME, 152 00:03:12,882 --> 00:03:13,745 YOU KNOW WHAT I'M SAYING? 153 00:03:13,745 --> 00:03:14,573 AND-- 154 00:03:14,573 --> 00:03:15,574 BUT YOU KNOW BENZINO 155 00:03:15,574 --> 00:03:16,782 FEELS LIKE EVERYBODY'S THE ONE. 156 00:03:16,782 --> 00:03:17,956 'CAUSE HE FEEL LIKE KARLIE REDD 157 00:03:17,956 --> 00:03:19,060 WAS THE ONE TOO. 158 00:03:19,060 --> 00:03:20,269 BUT TO FIND A GUY WHO IS 159 00:03:20,269 --> 00:03:21,408 REALLY FAITHFUL... 160 00:03:21,408 --> 00:03:22,236 SO FAR, YOU NEVER WENT 161 00:03:22,236 --> 00:03:23,133 THROUGH NO EPISODES? 162 00:03:23,133 --> 00:03:24,583 NOT WITH HIM. 163 00:03:24,583 --> 00:03:26,102 WELL, NO, LET ME TAKE THAT BACK. 164 00:03:26,102 --> 00:03:28,104 YOU REMEMBER AT THE GRAND 165 00:03:28,104 --> 00:03:28,863 OPENING? 166 00:03:28,863 --> 00:03:29,519 YOU WAS ACTING LIKE 167 00:03:29,519 --> 00:03:31,901 A REAL SCAVENGER AT THAT THING. 168 00:03:31,901 --> 00:03:32,695 WHAT YOU MEAN? 169 00:03:32,695 --> 00:03:33,420 YOU WAS THROWING DRINKS 170 00:03:33,420 --> 00:03:34,110 EVERYWHERE. 171 00:03:34,110 --> 00:03:35,076 HOW YOU GONNA [bleep] UP-- 172 00:03:35,076 --> 00:03:35,801 HOW YOU GONNA [bleep] UP 173 00:03:35,801 --> 00:03:37,217 THE FAMILY BUSINESS 174 00:03:37,217 --> 00:03:37,976 ON THE FIRST DAY OPENING? 175 00:03:37,976 --> 00:03:38,632 FIRST OF ALL, 176 00:03:38,632 --> 00:03:39,598 IT SLIPPED OUT OF MY HAND. 177 00:03:39,598 --> 00:03:40,530 YOU KNOW WHAT I'M SAYING? 178 00:03:40,530 --> 00:03:41,221 SLIPPED OUT OF MY HAND. 179 00:03:41,221 --> 00:03:43,499 SHE WAS TALKING A LOT OF JUNK. 180 00:03:43,499 --> 00:03:44,362 MOTHER[bleep] ALWAYS SEEM 181 00:03:44,362 --> 00:03:45,708 TO LIKE TO HOLD ON TO THINGS. 182 00:03:45,708 --> 00:03:46,467 I MEAN, WHEN I MET HIM, 183 00:03:46,467 --> 00:03:47,261 HE HAD A COUPLE OF GIRLS 184 00:03:47,261 --> 00:03:50,230 IN HIS PHONE AND WAS PROBABLY 185 00:03:50,230 --> 00:03:51,231 DATING A COUPLE GIRLS. 186 00:03:51,231 --> 00:03:52,887 BUT I DON'T THINK NOTHING, 187 00:03:52,887 --> 00:03:53,647 YOU KNOW-- 188 00:03:53,647 --> 00:03:55,027 IT'S HARD TO LEAVE 189 00:03:55,027 --> 00:03:57,202 OLD HABITS IN THE PAST, 190 00:03:57,202 --> 00:03:58,238 YOU KNOW WHAT I'M SAYING? 191 00:03:58,238 --> 00:03:58,928 HE KNOW NOT TO [bleep] 192 00:03:58,928 --> 00:03:59,584 WITH ME. 193 00:03:59,584 --> 00:04:00,309 LET'S JUST SAY THAT. 194 00:04:00,309 --> 00:04:00,999 YOU KNOW, I MET YOU 195 00:04:00,999 --> 00:04:01,655 THROUGH BENZINO, 196 00:04:01,655 --> 00:04:02,656 AND I LOVE BENZINO AT THE END 197 00:04:02,656 --> 00:04:03,691 OF THE DAY 'CAUSE HE'S MY DUDE'S 198 00:04:03,691 --> 00:04:04,554 FRIEND. 199 00:04:04,554 --> 00:04:05,797 YOU KNOW, BUT IT IS WHAT IT IS. 200 00:04:05,797 --> 00:04:06,970 YOU KNOW, YOU GOT TO JUST MAKE 201 00:04:06,970 --> 00:04:07,971 SURE YOU PLAY YOUR CARDS RIGHT. 202 00:04:07,971 --> 00:04:09,110 I'M SURE THAT YOU WILL KNOW 203 00:04:09,110 --> 00:04:10,664 EXACTLY WHAT YOU NEED TO DO. 204 00:04:10,664 --> 00:04:11,492 YOU AIN'T NO DUMMY. 205 00:04:11,492 --> 00:04:12,252 MM-HMM. 206 00:04:12,252 --> 00:04:13,114 I'M SURE YOU'RE NOT GONNA 207 00:04:13,114 --> 00:04:14,254 JUST SIT AROUND AND GET PLAYED. 208 00:04:14,254 --> 00:04:15,185 IF ANYTHING, YOU GONNA BE DOING 209 00:04:15,185 --> 00:04:16,152 THE PLAYING, AIN'T YOU? 210 00:04:16,152 --> 00:04:17,257 YOU KNOW, THIS BITCH ALTHEA 211 00:04:17,257 --> 00:04:18,810 THINKS SHE SO SLICK. 212 00:04:18,810 --> 00:04:19,466 AT THE END OF THE DAY, 213 00:04:19,466 --> 00:04:20,260 EVERYBODY GOT A PAST. 214 00:04:20,260 --> 00:04:21,916 AND DON'T YOU THINK 215 00:04:21,916 --> 00:04:23,090 NOBODY KNOWS ABOUT YOUR PAST, 216 00:04:23,090 --> 00:04:24,540 'CAUSE EVERYBODY KNOWS. 217 00:04:24,540 --> 00:04:26,196 TRUST THAT. 218 00:04:26,196 --> 00:04:27,439 MM. 219 00:04:27,439 --> 00:04:28,268 YEAH, YOU KNOW SOMETHING 220 00:04:28,268 --> 00:04:29,199 I DON'T KNOW. 221 00:04:29,199 --> 00:04:29,855 I KNOW A LOT OF THINGS 222 00:04:29,855 --> 00:04:30,960 THAT YOU DON'T KNOW. 223 00:04:30,960 --> 00:04:32,410 'CAUSE YOU'RE, LIKE... 224 00:04:32,410 --> 00:04:33,721 IF JOSELINE THINKS SHE KNOWS 225 00:04:33,721 --> 00:04:34,515 SOMETHING ABOUT ME, 226 00:04:34,515 --> 00:04:35,792 THEN SHE SHOULD JUST SAY IT. 227 00:04:35,792 --> 00:04:36,448 WHY WE GOT TO SIT HERE 228 00:04:36,448 --> 00:04:37,553 AND PLAY THESE GAMES? 229 00:04:37,553 --> 00:04:38,416 LOOK, I'M JUST GIVING YOU 230 00:04:38,416 --> 00:04:39,140 GOOD ADVICE. 231 00:04:39,140 --> 00:04:39,796 MM-HMM. 232 00:04:39,796 --> 00:04:43,248 I AIN'T TRYING TO BE FUNNY. 233 00:04:43,248 --> 00:04:48,943 I APPRECIATE IT. 234 00:04:48,943 --> 00:04:51,325 YEAH, GIRL. 235 00:04:51,325 --> 00:04:53,154 GET OUR MATTRESS SHOP ON. 236 00:04:53,154 --> 00:04:54,224 [chuckles] 237 00:04:54,224 --> 00:04:55,191 YEAH, THEY GOT THE GOOD STUFF 238 00:04:55,191 --> 00:04:55,950 IN HERE. 239 00:04:55,950 --> 00:04:57,124 SO WHAT ARE WE HERE FOR? 240 00:04:57,124 --> 00:04:58,056 WE'RE LOOKING FOR THE 241 00:04:58,056 --> 00:05:00,472 CADILLAC OF ALL MATTRESSES. 242 00:05:00,472 --> 00:05:02,371 A KING SIZE. 243 00:05:02,371 --> 00:05:03,510 SOFT. 244 00:05:03,510 --> 00:05:04,614 SEXY. 245 00:05:04,614 --> 00:05:05,339 HOLD UP. 246 00:05:05,339 --> 00:05:06,306 LET ME DO SOMETHING REAL QUICK. 247 00:05:06,306 --> 00:05:07,617 WHAT YOU NEED'S SOFT. 248 00:05:07,617 --> 00:05:08,446 FOR REAL, KARLIE? 249 00:05:08,446 --> 00:05:09,170 [groaning] 250 00:05:09,170 --> 00:05:10,171 OOH, KARLIE. 251 00:05:10,171 --> 00:05:11,034 [chuckling] 252 00:05:11,034 --> 00:05:11,932 I WASN'T EXPECTING TO GO 253 00:05:11,932 --> 00:05:13,002 TO A MATTRESS STORE 254 00:05:13,002 --> 00:05:13,796 WHEN KALENNA ASKED ME 255 00:05:13,796 --> 00:05:15,142 TO GO WITH HER SHOPPING. 256 00:05:15,142 --> 00:05:15,832 BUT WHATEVER. 257 00:05:15,832 --> 00:05:16,971 SHE'S A FUN CHICK, 258 00:05:16,971 --> 00:05:18,214 AND SHE DEFINITELY DID THE 259 00:05:18,214 --> 00:05:18,973 TURN-UP WHEN WE WENT 260 00:05:18,973 --> 00:05:20,320 TO NEW ORLEANS. 261 00:05:20,320 --> 00:05:21,769 SO WHAT ARE YOU GETTING TODAY? 262 00:05:21,769 --> 00:05:22,563 LIKE, WHAT-- 263 00:05:22,563 --> 00:05:23,323 WELL, I MEAN, YOU KNOW, 264 00:05:23,323 --> 00:05:24,047 I HAVE A STUDIO. 265 00:05:24,047 --> 00:05:24,703 I KNOW. 266 00:05:24,703 --> 00:05:25,842 I KNOW ABOUT THE STUDIO. 267 00:05:25,842 --> 00:05:26,947 BUT I LIVE THERE. 268 00:05:26,947 --> 00:05:27,775 YOU KNOW, I GET TO ROLL OUT THE 269 00:05:27,775 --> 00:05:28,776 BED AND CREATE. 270 00:05:28,776 --> 00:05:29,674 THIS IS FOR THE LIVE AND WORK 271 00:05:29,674 --> 00:05:30,606 SPACE, AND IT GOTS 272 00:05:30,606 --> 00:05:31,365 TO BE COMFORTABLE. 273 00:05:31,365 --> 00:05:33,333 IT'S JUST ME AND TONY RIGHT NOW, 274 00:05:33,333 --> 00:05:34,989 BUT I GOT A LOT OF PEOPLE 275 00:05:34,989 --> 00:05:36,059 THAT BE IN AND OUT THE BED 276 00:05:36,059 --> 00:05:36,715 WITH US. 277 00:05:36,715 --> 00:05:37,647 YOU UNDERSTAND WHAT I'M SAYING? 278 00:05:37,647 --> 00:05:38,407 WAIT, WAIT, WAIT, WAIT. 279 00:05:38,407 --> 00:05:39,166 I MEAN, YOU KNOW, I GOT 280 00:05:39,166 --> 00:05:40,236 CHILDREN, AND THEN I GOT 281 00:05:40,236 --> 00:05:41,237 MY BEST FRIEND THAT COMES 282 00:05:41,237 --> 00:05:41,927 EVERY NOW AND THEN. 283 00:05:41,927 --> 00:05:42,963 YOU HAVE YOUR BEST FRIEND 284 00:05:42,963 --> 00:05:43,722 THAT COMES... 285 00:05:43,722 --> 00:05:44,413 YEAH. 286 00:05:44,413 --> 00:05:45,448 IN THE BED WITH YOU? 287 00:05:45,448 --> 00:05:46,346 SOMETIMES. 288 00:05:46,346 --> 00:05:47,139 SOMETIMES? 289 00:05:47,139 --> 00:05:47,864 YEAH. 290 00:05:47,864 --> 00:05:49,072 AND TONY'S COOL WITH THIS? 291 00:05:49,072 --> 00:05:50,073 I MEAN, YOU GOT TWO BIG-BOOTY 292 00:05:50,073 --> 00:05:51,005 CHICKS WALKING AROUND 293 00:05:51,005 --> 00:05:52,179 THIS MOTHER[bleep] LIKE-- 294 00:05:52,179 --> 00:05:53,214 WELL, YOU'D BE HAPPY TOO. 295 00:05:53,214 --> 00:05:53,939 WHAT? 296 00:05:53,939 --> 00:05:54,837 I KNEW KALENNA WAS 297 00:05:54,837 --> 00:05:55,631 A TURN-UP GIRL, 298 00:05:55,631 --> 00:05:56,839 BUT I DIDN'T KNOW SHE WAS LIVING 299 00:05:56,839 --> 00:05:57,874 IT LIKE THAT. 300 00:05:57,874 --> 00:05:58,910 GOOD FOR HER AND HER MAN 301 00:05:58,910 --> 00:06:01,188 FOR KEEPING IT FRESH AND SEXY. 302 00:06:01,188 --> 00:06:02,362 YOU MAKING MOVES LIKE THAT? 303 00:06:02,362 --> 00:06:03,017 NO, CLEAR THIS. 304 00:06:03,017 --> 00:06:04,087 LET ME BE CLEAR. 305 00:06:04,087 --> 00:06:04,847 PLEASE, CLEAR THIS UP. 306 00:06:04,847 --> 00:06:05,744 ME AND ASHLEY HAVE BEEN 307 00:06:05,744 --> 00:06:07,228 FRIENDS SINCE I WAS 18, 308 00:06:07,228 --> 00:06:07,919 19 YEARS OLD. 309 00:06:07,919 --> 00:06:09,092 SHE WAS MY BEST FRIEND. 310 00:06:09,092 --> 00:06:09,852 GOT IT. 311 00:06:09,852 --> 00:06:10,887 BUT AT THE TIME, I WAS GOING 312 00:06:10,887 --> 00:06:12,441 THROUGH MY OWN THING 313 00:06:12,441 --> 00:06:14,132 ABOUT GIRLS AND BOYS. 314 00:06:14,132 --> 00:06:15,375 YOU KNOW, I WAS STILL YOUNG. 315 00:06:15,375 --> 00:06:16,065 YEAH. 316 00:06:16,065 --> 00:06:17,307 AND ASHLEY WAS REALLY HOT. 317 00:06:17,307 --> 00:06:18,481 SO YOU'RE ATTRACTED TO YOUR 318 00:06:18,481 --> 00:06:19,379 BEST FRIEND? 319 00:06:19,379 --> 00:06:20,449 I THINK WOMEN ARE BEAUTIFUL, 320 00:06:20,449 --> 00:06:21,760 AND SHE WAS A BEAUTIFUL WOMAN 321 00:06:21,760 --> 00:06:22,451 WHILE I WAS GOING THROUGH 322 00:06:22,451 --> 00:06:23,141 MY THING. 323 00:06:23,141 --> 00:06:24,107 BUT WE'RE STILL BEST FRIENDS, 324 00:06:24,107 --> 00:06:25,557 SO TONY RESPECTS THE FACT 325 00:06:25,557 --> 00:06:27,076 THAT I HAVE A BEST FRIEND 326 00:06:27,076 --> 00:06:27,904 THAT HOLDS ME DOWN. 327 00:06:27,904 --> 00:06:28,698 OKAY. 328 00:06:28,698 --> 00:06:29,665 AND SO THE THINGS THAT 329 00:06:29,665 --> 00:06:31,080 I CAN'T TALK TO TONY ABOUT, 330 00:06:31,080 --> 00:06:32,219 I CAN TALK TO HER ABOUT. 331 00:06:32,219 --> 00:06:33,703 GIRL, WHAT'S HER NAME? 332 00:06:33,703 --> 00:06:34,463 ASHLEY. 333 00:06:34,463 --> 00:06:35,222 OH, MY GOSH. 334 00:06:35,222 --> 00:06:36,361 IT'S ALWAYS BEEN MY DREAM 335 00:06:36,361 --> 00:06:39,019 TO HAVE A WIFE AND A HUSBAND, 336 00:06:39,019 --> 00:06:41,987 BUT I KNOW THAT THAT DON'T 337 00:06:41,987 --> 00:06:43,299 WORK LIKE THAT. 338 00:06:43,299 --> 00:06:44,611 BUT DAMN, IT FEEL GOOD 339 00:06:44,611 --> 00:06:45,474 TO HAVE A BEST FRIEND 340 00:06:45,474 --> 00:06:47,234 WITH A FAT ASS THAT'S BEAUTIFUL, 341 00:06:47,234 --> 00:06:48,477 THAT SMILES PRETTY. 342 00:06:48,477 --> 00:06:49,892 OH. 343 00:06:49,892 --> 00:06:51,376 SO, MS. REDD, 344 00:06:51,376 --> 00:06:52,412 I HAVE TO FIND ME SOMETHING 345 00:06:52,412 --> 00:06:53,274 TODAY. 346 00:06:53,274 --> 00:06:54,241 YES. 347 00:06:54,241 --> 00:06:55,000 I'M ABOUT TO HAVE ASHLEY 348 00:06:55,000 --> 00:06:55,760 COME DOWN. 349 00:06:55,760 --> 00:06:56,761 I HAVEN'T TOLD TONY YET. 350 00:06:56,761 --> 00:06:57,796 I HAVE ONE QUESTION FOR YOU. 351 00:06:57,796 --> 00:06:58,590 HMM? 352 00:06:58,590 --> 00:06:59,971 WHO DO YOU LOVE? 353 00:06:59,971 --> 00:07:01,144 I LOVE MY HUSBAND. 354 00:07:01,144 --> 00:07:01,938 ARE YOU IN LOVE WITH ASHLEY? 355 00:07:01,938 --> 00:07:02,698 I LOVE HER LIKE A BEST 356 00:07:02,698 --> 00:07:03,457 FRIEND; I'M NOT IN LOVE WITH 357 00:07:03,457 --> 00:07:05,114 ASHLEY LIKE I AM TONY. 358 00:07:05,114 --> 00:07:06,080 MM. 359 00:07:06,080 --> 00:07:06,978 YOU GONNA MAKE ME CHANGE 360 00:07:06,978 --> 00:07:08,082 MY LIFESTYLE IN A MINUTE. 361 00:07:08,082 --> 00:07:08,945 I MEAN, AIN'T NOTHING WRONG 362 00:07:08,945 --> 00:07:09,601 WITH IT. 363 00:07:09,601 --> 00:07:10,430 I FEEL LIKE YOU GOT TO DO 364 00:07:10,430 --> 00:07:11,534 WHAT MAKES YOU HAPPY. 365 00:07:11,534 --> 00:07:12,639 OKAY, 'CAUSE I JUST-- 366 00:07:12,639 --> 00:07:13,536 KARLIE, YOU WANT-- 367 00:07:13,536 --> 00:07:14,399 I'M LIVING VICARIOUSLY 368 00:07:14,399 --> 00:07:15,262 THROUGH YOU RIGHT NOW. 369 00:07:15,262 --> 00:07:16,125 ARE YOU LIVING VICARIOUSLY, 370 00:07:16,125 --> 00:07:16,953 OR YOU WANT TO LIVE WITH ME 371 00:07:16,953 --> 00:07:17,609 ONE NIGHT? 372 00:07:17,609 --> 00:07:18,299 I THINK I MIGHT WANT 373 00:07:18,299 --> 00:07:19,059 THIS TYPE OF LIFESTYLE. 374 00:07:19,059 --> 00:07:19,784 YOU WANT ONE NIGHT? 375 00:07:19,784 --> 00:07:20,888 AND WHAT WOULD ASHLEY SAY 376 00:07:20,888 --> 00:07:23,063 ABOUT THAT? 377 00:07:23,063 --> 00:07:24,202 SHE'D PROBABLY BE PISSED. 378 00:07:24,202 --> 00:07:24,858 REALLY? 379 00:07:24,858 --> 00:07:25,548 YOU AIN'T NEVER BEEN 380 00:07:25,548 --> 00:07:26,273 WITH NO GIRL? 381 00:07:26,273 --> 00:07:27,619 NO, NOT LIKE THAT. 382 00:07:27,619 --> 00:07:31,796 I THINK THAT'S HOW YOU LEARN. 383 00:07:31,796 --> 00:07:32,693 OH, MY GOSH. 384 00:07:32,693 --> 00:07:34,177 ♪ THIS AIN'T LOVE 385 00:07:34,177 --> 00:07:36,041 ♪ BABY, BABY, WHAT WE DOING 386 00:07:36,041 --> 00:07:37,249 ♪ WHY YOU FREAKING ME 387 00:07:37,249 --> 00:07:39,804 ♪ LIKE YOU LOVE ME 388 00:07:39,804 --> 00:07:44,912 ♪ 389 00:07:44,912 --> 00:07:47,467 THAT BREAK WAS TOO LONG, MAN. 390 00:07:47,467 --> 00:07:49,883 WELL, I MEAN... 391 00:07:49,883 --> 00:07:50,953 BUT I GET IT. 392 00:07:50,953 --> 00:07:51,988 THINGS HAPPEN. 393 00:07:51,988 --> 00:07:53,265 KIRK AND I HAVE BEEN THROUGH 394 00:07:53,265 --> 00:07:55,198 SO MUCH, AND HIM COMING DOWN 395 00:07:55,198 --> 00:07:57,373 TO NEW ORLEANS TO APOLOGIZE, 396 00:07:57,373 --> 00:07:59,271 I JUST DECIDED IT'S TIME 397 00:07:59,271 --> 00:08:00,376 TO STOP FIGHTING. 398 00:08:00,376 --> 00:08:01,688 IT'S GONNA TAKE SOME TIME 399 00:08:01,688 --> 00:08:03,275 TO GET BACK TO THAT PLACE 400 00:08:03,275 --> 00:08:04,518 WHERE WE ONCE WERE. 401 00:08:04,518 --> 00:08:06,278 BUT I WILL SAY, 402 00:08:06,278 --> 00:08:07,176 WE DEFINITELY STARTING OFF 403 00:08:07,176 --> 00:08:08,142 WITH A BANG. 404 00:08:08,142 --> 00:08:09,316 I WILL SAY I LIKE MY RING 405 00:08:09,316 --> 00:08:10,800 RENOVATION TOO. 406 00:08:10,800 --> 00:08:11,732 I DON'T WANT TO SEE YOU 407 00:08:11,732 --> 00:08:12,561 WITHOUT IT ANYMORE. 408 00:08:12,561 --> 00:08:14,666 WELL, WE GOT WORK TO DO. 409 00:08:14,666 --> 00:08:16,703 IT'S NOT JUST US. 410 00:08:16,703 --> 00:08:18,118 IT'S OUR FAMILY. 411 00:08:18,118 --> 00:08:19,533 IT'S... 412 00:08:19,533 --> 00:08:20,534 MY MOM, YOU KNOW WHAT I MEAN? 413 00:08:20,534 --> 00:08:21,708 YEAH, YOUR MOM, 414 00:08:21,708 --> 00:08:23,779 THE BABY KISSER, 415 00:08:23,779 --> 00:08:26,229 THE BIKE KILLER, 416 00:08:26,229 --> 00:08:28,646 THE GROUCHY OLD WOMAN. 417 00:08:28,646 --> 00:08:29,819 ARE YOU GONNA JUST BE 418 00:08:29,819 --> 00:08:31,580 MAD ABOUT THAT FOREVER? 419 00:08:31,580 --> 00:08:33,202 MOST OF ALL, I CARE ABOUT US 420 00:08:33,202 --> 00:08:34,444 AS A FAMILY, 421 00:08:34,444 --> 00:08:35,515 US BEING RIGHT, 422 00:08:35,515 --> 00:08:36,446 AND I'M WILLING TO DO 423 00:08:36,446 --> 00:08:37,171 WHAT I GOT TO DO 424 00:08:37,171 --> 00:08:37,931 FOR THE FAMILY. 425 00:08:37,931 --> 00:08:39,277 I'LL SIT DOWN WITH YOUR MAMA, 426 00:08:39,277 --> 00:08:40,623 BUT IF SHE START BARKING 427 00:08:40,623 --> 00:08:41,969 AND BEING THAT OTHER PERSON, 428 00:08:41,969 --> 00:08:43,177 DON'T EXPECT ME JUST TO KISS 429 00:08:43,177 --> 00:08:43,833 HER BUTT. 430 00:08:43,833 --> 00:08:45,904 I JUST WANT US TO MAYBE TAKE 431 00:08:45,904 --> 00:08:47,354 HER OUT TO DINNER AND JUST SIT 432 00:08:47,354 --> 00:08:48,320 DOWN AND TALK TO HER, LETTING 433 00:08:48,320 --> 00:08:49,874 HER KNOW WE KIND OF MENDING OUR 434 00:08:49,874 --> 00:08:51,116 RELATIONSHIP. 435 00:08:51,116 --> 00:08:52,842 AND I WANT TO TRY TO GET Y'ALL 436 00:08:52,842 --> 00:08:53,912 ON A GOOD PAGE. 437 00:08:53,912 --> 00:08:56,156 FOR YOU, I WILL DO THAT. 438 00:08:56,156 --> 00:08:56,812 I GOT YOU. 439 00:08:56,812 --> 00:08:58,503 FOR YOU. 440 00:08:58,503 --> 00:08:59,711 I REALLY LOVE YOU. 441 00:08:59,711 --> 00:09:00,470 WAIT. 442 00:09:00,470 --> 00:09:01,437 WAIT, WAIT, WAIT, WAIT, WAIT. 443 00:09:01,437 --> 00:09:02,818 I GOT TO GET-- 444 00:09:02,818 --> 00:09:05,130 I GOT TO GRAB THIS. 445 00:09:05,130 --> 00:09:06,511 OOH, [bleep]. 446 00:09:06,511 --> 00:09:07,339 [laughing] 447 00:09:07,339 --> 00:09:08,133 OH. 448 00:09:08,133 --> 00:09:08,962 I'M EXCITED. 449 00:09:08,962 --> 00:09:10,515 SEX TAPE IS COMING OUT. 450 00:09:10,515 --> 00:09:11,551 WE COULD TAKE THIS ALL 451 00:09:11,551 --> 00:09:12,241 THE WAY TO THE TOP. 452 00:09:12,241 --> 00:09:13,000 YEAH. 453 00:09:13,000 --> 00:09:14,554 THE ONLY WAY WE GONNA WIN 454 00:09:14,554 --> 00:09:16,003 IS IF WE CAN GET OUR PERSONAL 455 00:09:16,003 --> 00:09:16,866 [bleep] INTACT. 456 00:09:16,866 --> 00:09:17,833 FOR ALL I KNOW, SHE TRYING 457 00:09:17,833 --> 00:09:18,627 TO CATCH THE BIG FISH. 458 00:09:18,627 --> 00:09:19,697 I SEEN HER ONCE OR TWICE 459 00:09:19,697 --> 00:09:20,732 IN THE STREETS, BUT-- 460 00:09:20,732 --> 00:09:21,422 YOU PUT YOUR [bleep] 461 00:09:21,422 --> 00:09:22,562 IN HER [bleep]? 462 00:09:22,562 --> 00:09:24,736 ASHLEY, WE ABOUT TO TURN UP. 463 00:09:24,736 --> 00:09:27,636 AH! 464 00:09:27,636 --> 00:09:39,406 THAT'S ASS, ATLANTA. 465 00:09:39,406 --> 00:09:40,372 I HAVEN'T SEEN NIKKO 466 00:09:40,372 --> 00:09:41,477 SINCE I PUT HIM OUT. 467 00:09:41,477 --> 00:09:42,616 AND HE'S SKATING ON THIN ICE 468 00:09:42,616 --> 00:09:43,375 WITH ME. 469 00:09:43,375 --> 00:09:44,342 I REALLY DON'T WANT TO BE 470 00:09:44,342 --> 00:09:45,585 SITTING HERE WITH HIM TODAY, 471 00:09:45,585 --> 00:09:46,586 BUT I KNEW I HAD TO HAVE 472 00:09:46,586 --> 00:09:47,276 THIS MEETING. 473 00:09:47,276 --> 00:09:48,139 THE TAPE RELEASE IS ONLY 474 00:09:48,139 --> 00:09:49,278 A COUPLE OF WEEKS AWAY, 475 00:09:49,278 --> 00:09:50,313 AND DAWN WANTS TO SIT 476 00:09:50,313 --> 00:09:51,729 AND DISCUSS A STRATEGY. 477 00:09:51,729 --> 00:09:53,006 I'M EXCITED. 478 00:09:53,006 --> 00:09:54,352 SEX TAPE IS COMING OUT. 479 00:09:54,352 --> 00:09:55,111 OH, GOD. 480 00:09:55,111 --> 00:09:56,665 WHAT'S WRONG? 481 00:09:56,665 --> 00:09:58,080 I'M JUST HAVING SOME 482 00:09:58,080 --> 00:10:00,461 RESERVATIONS ABOUT THIS TAPE, 483 00:10:00,461 --> 00:10:03,948 ABOUT EVERYTHING, ACTUALLY. 484 00:10:03,948 --> 00:10:05,501 THE CLOSER IT GETS TO THIS TAPE 485 00:10:05,501 --> 00:10:07,020 BEING RELEASED, THE MORE 486 00:10:07,020 --> 00:10:08,435 NERVOUS I GET. 487 00:10:08,435 --> 00:10:09,919 THAT'S WHY IT'S SO IMPORTANT 488 00:10:09,919 --> 00:10:11,334 FOR ME TO TRUST AND RELY 489 00:10:11,334 --> 00:10:12,370 ON NIKKO. 490 00:10:12,370 --> 00:10:13,543 I KNOW IT MAY LOOK BAD. 491 00:10:13,543 --> 00:10:15,407 YOU FACING MORALS AND ETHICS. 492 00:10:15,407 --> 00:10:16,719 WHO CARES? 493 00:10:16,719 --> 00:10:17,478 THIS IS SOMETHING YOU CAN 494 00:10:17,478 --> 00:10:18,548 CAPITALIZE OFF OF. 495 00:10:18,548 --> 00:10:19,549 I KNOW YOU MAY FEEL 496 00:10:19,549 --> 00:10:20,516 A LITTLE INSECURE. 497 00:10:20,516 --> 00:10:21,897 DON'T WORRY ABOUT IT. 498 00:10:21,897 --> 00:10:22,587 AND WE NEED TO BE PROUD 499 00:10:22,587 --> 00:10:23,588 OF WHO WE ARE. 500 00:10:23,588 --> 00:10:24,347 WE CAN TAKE THIS ALL THE WAY 501 00:10:24,347 --> 00:10:25,038 TO THE TOP. 502 00:10:25,038 --> 00:10:25,935 YEAH. 503 00:10:25,935 --> 00:10:27,143 PAUSE. 504 00:10:27,143 --> 00:10:28,800 THE ONLY WAY WE GONNA WIN 505 00:10:28,800 --> 00:10:30,112 IS IF WE CAN GET OUR PERSONAL 506 00:10:30,112 --> 00:10:31,320 [bleep] INTACT. 507 00:10:31,320 --> 00:10:32,355 BELIEVE THAT. 508 00:10:32,355 --> 00:10:33,184 WE JUST HAD OUR ANNIVERSARY 509 00:10:33,184 --> 00:10:34,875 PARTY, AND THEN, YOU KNOW-- 510 00:10:34,875 --> 00:10:35,600 EXACTLY. 511 00:10:35,600 --> 00:10:36,636 EVERYTHING WAS PERFECT. 512 00:10:36,636 --> 00:10:37,706 I THOUGHT WE WAS JUST-- 513 00:10:37,706 --> 00:10:38,465 LISTEN. 514 00:10:38,465 --> 00:10:39,639 I CAME IN ONE NIGHT. 515 00:10:39,639 --> 00:10:41,295 SHE FOUND SOME MAKEUP 516 00:10:41,295 --> 00:10:42,503 ON A T-SHIRT OF MINE. 517 00:10:42,503 --> 00:10:43,297 SO WE HAVING THAT. 518 00:10:43,297 --> 00:10:44,264 THAT'S WHERE WE AT RIGHT NOW. 519 00:10:44,264 --> 00:10:46,059 BELIEVE ME, I UNDERSTAND YOU. 520 00:10:46,059 --> 00:10:47,370 BUT YOU GOT TO FOCUS 521 00:10:47,370 --> 00:10:48,475 ON YOUR BUSINESS. 522 00:10:48,475 --> 00:10:50,753 BECAUSE ONCE YOU DO, 523 00:10:50,753 --> 00:10:51,512 YOU NOT GONNA BE WORRYING 524 00:10:51,512 --> 00:10:52,548 ABOUT WHAT NIKKO DOING. 525 00:10:52,548 --> 00:10:53,480 WE GETTING MONEY. 526 00:10:53,480 --> 00:10:54,170 THAT'S WHAT WE GETTING. 527 00:10:54,170 --> 00:10:55,171 A WHOLE LOT OF IT. 528 00:10:55,171 --> 00:10:55,862 THAT'S IT. 529 00:10:55,862 --> 00:10:57,622 IT'S ALWAYS [bleep] MONEY 530 00:10:57,622 --> 00:10:58,658 WITH YOU. 531 00:10:58,658 --> 00:10:59,382 WHEN THEY SEE THE WAY 532 00:10:59,382 --> 00:11:00,280 I'M PUTTING IT DOWN IN THIS, 533 00:11:00,280 --> 00:11:02,040 WE GONNA HAVE A SEQUEL. 534 00:11:02,040 --> 00:11:03,076 A SEQUEL? 535 00:11:03,076 --> 00:11:04,629 IS HE KIDDING ME? 536 00:11:04,629 --> 00:11:05,665 IT SEEMS LIKE HE'S PLOTTING 537 00:11:05,665 --> 00:11:07,736 SOME KIND OF PORNOGRAPHIC EMPIRE 538 00:11:07,736 --> 00:11:08,978 OR SOMETHING. 539 00:11:08,978 --> 00:11:10,048 I DON'T EVEN KNOW IF I WANT 540 00:11:10,048 --> 00:11:11,153 TO EVEN MOVE FORWARD 541 00:11:11,153 --> 00:11:12,188 WITH YOUR [bleep] ASS 542 00:11:12,188 --> 00:11:13,224 FROM THE BULL[bleep] THAT YOU 543 00:11:13,224 --> 00:11:14,259 BEEN DOING. 544 00:11:14,259 --> 00:11:15,191 WAIT A MINUTE. 545 00:11:15,191 --> 00:11:16,399 RIGHT NOW, WE ABOUT TO MAKE 546 00:11:16,399 --> 00:11:17,400 A WHOLE LOT OF MONEY. 547 00:11:17,400 --> 00:11:18,125 AND HERE LIES THE 548 00:11:18,125 --> 00:11:19,575 MOTHER[bleep] PROBLEM. 549 00:11:19,575 --> 00:11:21,163 AND MEETING [bleep] ADJOURNED. 550 00:11:21,163 --> 00:11:22,371 I'M OUT OF HERE. 551 00:11:22,371 --> 00:11:23,027 PLEASE? 552 00:11:23,027 --> 00:11:24,442 NO, BECAUSE THIS IS MY ISSUE 553 00:11:24,442 --> 00:11:25,270 RIGHT HERE. 554 00:11:25,270 --> 00:11:26,720 I'M NOT DOING IT. 555 00:11:26,720 --> 00:11:27,652 NIKKO... 556 00:11:27,652 --> 00:11:28,308 THE THIRST IS TOO MUCH 557 00:11:28,308 --> 00:11:29,171 FOR ME. 558 00:11:29,171 --> 00:11:30,103 DID HE WANT ME TO PUT 559 00:11:30,103 --> 00:11:31,898 MY MOST PRIVATE MOMENTS 560 00:11:31,898 --> 00:11:33,693 ON TAPE JUST SO HE COULD 561 00:11:33,693 --> 00:11:35,177 EXPLOIT ME? 562 00:11:35,177 --> 00:11:36,109 YOU GOT TO KEEP HER FOCUSED 563 00:11:36,109 --> 00:11:37,455 AND YOU GOT TO KEEP HER HAPPY, 564 00:11:37,455 --> 00:11:38,801 BECAUSE IF WE DON'T, 565 00:11:38,801 --> 00:11:42,494 THIS [bleep] GONNA GO ALL BAD. 566 00:11:42,494 --> 00:11:43,288 ♪ I JUST BOUGHT 567 00:11:43,288 --> 00:11:45,843 ♪ A NEW BUGATTI 568 00:11:45,843 --> 00:11:49,225 ♪ IT MUST BE ILLUMINATI 569 00:11:49,225 --> 00:11:53,436 ♪ TELL 'EM NOT TO PRAY FOR ME 570 00:11:53,436 --> 00:11:54,403 ME AND MY HUSBAND, TONY, 571 00:11:54,403 --> 00:11:55,749 WE OWN OUR OWN STUDIO. 572 00:11:55,749 --> 00:11:57,233 WE DECIDED TO HAVE ARTISTS 573 00:11:57,233 --> 00:11:58,787 AND SONGWRITERS AND PRODUCERS 574 00:11:58,787 --> 00:11:59,822 SIGN TO US. 575 00:11:59,822 --> 00:12:00,961 AND WHEN YOU'RE BUILDING 576 00:12:00,961 --> 00:12:02,376 A COMPANY FROM GROUND UP, 577 00:12:02,376 --> 00:12:03,653 IT'S NOT EASY. 578 00:12:03,653 --> 00:12:04,378 ♪ TELL 'EM NOT 579 00:12:04,378 --> 00:12:05,759 ♪ TO PRAY FOR ME 580 00:12:05,759 --> 00:12:07,071 ♪ SOON AS THE CHIME GO OFF 581 00:12:07,071 --> 00:12:07,727 HELLO. 582 00:12:07,727 --> 00:12:09,107 ♪ SOON AS THE CHIME GO OFF 583 00:12:09,107 --> 00:12:09,970 ♪ OOH 584 00:12:09,970 --> 00:12:11,972 [laughter] 585 00:12:11,972 --> 00:12:12,732 RIGHT NOW, I'M WORKING 586 00:12:12,732 --> 00:12:13,629 ON MY ALBUM. 587 00:12:13,629 --> 00:12:15,044 IT'S CALLED BLACK ORCHID. 588 00:12:15,044 --> 00:12:15,976 IT'S AMAZING. 589 00:12:15,976 --> 00:12:16,770 THE STUDIO [bleep] 590 00:12:16,770 --> 00:12:17,806 IS INSANE RIGHT NOW, 591 00:12:17,806 --> 00:12:18,979 SO I'M TRYING TO GET THIS RIGHT. 592 00:12:18,979 --> 00:12:19,877 WHEN YOU DONE DOWN HERE, 593 00:12:19,877 --> 00:12:20,532 CAN YOU COME UPSTAIRS 594 00:12:20,532 --> 00:12:21,188 FOR A SECOND? 595 00:12:21,188 --> 00:12:21,844 OF COURSE, BABY. 596 00:12:21,844 --> 00:12:22,742 ALL RIGHT, Y'ALL GET BACK 597 00:12:22,742 --> 00:12:23,639 TO Y'ALL PARTY. 598 00:12:23,639 --> 00:12:24,640 [laughs] 599 00:12:24,640 --> 00:12:27,056 TONY IS ALL ABOUT HIS BUSINESS. 600 00:12:27,056 --> 00:12:28,299 BUT I DON'T WANT TO FEEL LIKE 601 00:12:28,299 --> 00:12:30,059 THE ARTIST ALL THE TIME. 602 00:12:30,059 --> 00:12:31,336 I WANT SPARE TIME 603 00:12:31,336 --> 00:12:32,648 IN THE MIDST OF OUR GRIND. 604 00:12:32,648 --> 00:12:35,306 BUT TONY'S, LIKE, IN BOSS MODE. 605 00:12:35,306 --> 00:12:36,134 THAT RECORD DOWNSTAIRS 606 00:12:36,134 --> 00:12:37,135 IS BANANAS, YOU HEAR ME? 607 00:12:37,135 --> 00:12:38,412 IS THAT [bleep] CRAZY? 608 00:12:38,412 --> 00:12:39,448 YES, SIR. 609 00:12:39,448 --> 00:12:40,276 WHOO! 610 00:12:40,276 --> 00:12:41,622 YES, SIR. 611 00:12:41,622 --> 00:12:42,554 WHAT'S UP? 612 00:12:42,554 --> 00:12:44,798 WELL, ASHLEY IS COMING 613 00:12:44,798 --> 00:12:47,283 IN TOWN. 614 00:12:47,283 --> 00:12:48,629 FOR REAL? 615 00:12:48,629 --> 00:12:49,458 YEAH. 616 00:12:49,458 --> 00:12:50,735 KALENNA AND ASHLEY'S 617 00:12:50,735 --> 00:12:51,736 RELATIONSHIP, I TOTALLY 618 00:12:51,736 --> 00:12:52,806 ACCEPT IT. 619 00:12:52,806 --> 00:12:54,670 SHE'S LIKE MY HOMEBOY. 620 00:12:54,670 --> 00:12:56,085 WE COULD TALK ABOUT WOMEN 621 00:12:56,085 --> 00:12:56,776 TOGETHER. 622 00:12:56,776 --> 00:12:57,569 LIKE, DO YOU THINK THIS 623 00:12:57,569 --> 00:12:58,743 IS A GOOD TIME? 624 00:12:58,743 --> 00:13:00,296 YES, I DO. 625 00:13:00,296 --> 00:13:01,194 WE HAVEN'T PUT A RECORD OUT 626 00:13:01,194 --> 00:13:03,161 IN THREE YEARS. 627 00:13:03,161 --> 00:13:04,231 WE DON'T NEED NO DISTRACTIONS, 628 00:13:04,231 --> 00:13:04,991 FOR REAL, YO. 629 00:13:04,991 --> 00:13:05,819 WE GOT TO GET THIS [bleep] 630 00:13:05,819 --> 00:13:06,613 MOVING. 631 00:13:06,613 --> 00:13:07,269 BUT WHAT THAT GOT TO DO 632 00:13:07,269 --> 00:13:08,166 WITH ASHLEY COMING DOWN? 633 00:13:08,166 --> 00:13:09,443 BECAUSE ASHLEY ALWAYS COME 634 00:13:09,443 --> 00:13:10,962 DOWN AND TURN THE [bleep] UP. 635 00:13:10,962 --> 00:13:12,274 ASHLEY, SHE'S A PARTY GIRL. 636 00:13:12,274 --> 00:13:14,000 SHE LIKES TO TURN UP. 637 00:13:14,000 --> 00:13:14,863 YOU KNOW, AND THERE'S NOTHING 638 00:13:14,863 --> 00:13:15,691 WRONG WITH THAT. 639 00:13:15,691 --> 00:13:16,347 IT'S JUST THAT, 640 00:13:16,347 --> 00:13:17,555 WHERE WE AT RIGHT NOW, 641 00:13:17,555 --> 00:13:18,487 WE ON THE GRIND. 642 00:13:18,487 --> 00:13:19,315 I'M GONNA TURN UP 643 00:13:19,315 --> 00:13:20,696 LIKE WE ALWAYS DO, 644 00:13:20,696 --> 00:13:21,593 BUT I'M JUST SAYING, LIKE, 645 00:13:21,593 --> 00:13:22,663 I'M GONNA MAKE SURE THAT I'M 646 00:13:22,663 --> 00:13:23,803 FOCUSED TOO. 647 00:13:23,803 --> 00:13:24,734 LET ME TELL YOU SOMETHING. 648 00:13:24,734 --> 00:13:25,770 THE LAST TIME WE WAS 649 00:13:25,770 --> 00:13:27,254 [bleep] WITH ASHLEY, 650 00:13:27,254 --> 00:13:28,877 WE MISSED THREE DAYS' WORK. 651 00:13:28,877 --> 00:13:29,912 REALLY IT'S ABOUT US STICKING 652 00:13:29,912 --> 00:13:30,740 TO THESE DEADLINES. 653 00:13:30,740 --> 00:13:32,190 WE GOT MOTHER[bleep] OVERHEAD. 654 00:13:32,190 --> 00:13:33,226 WE GOT OVERHEAD? 655 00:13:33,226 --> 00:13:34,089 SHE GOT SUPER [bleep], 656 00:13:34,089 --> 00:13:35,297 SO WE GONNA MAKE IT WORK. 657 00:13:35,297 --> 00:13:36,470 IT NEED TO BE MORE OVERHEAD 658 00:13:36,470 --> 00:13:37,264 THAN SUPER [bleep]. 659 00:13:37,264 --> 00:13:38,162 I'M NOT THE ONLY ONE 660 00:13:38,162 --> 00:13:39,301 SHE GONNA DISTRACT. 661 00:13:39,301 --> 00:13:40,164 OF COURSE I'M GONNA BE 662 00:13:40,164 --> 00:13:40,820 DISTRACTED. 663 00:13:40,820 --> 00:13:41,510 RIGHT. 664 00:13:41,510 --> 00:13:42,373 SHE'S IN FOR SOME [bleep], 665 00:13:42,373 --> 00:13:43,063 'CAUSE I GOT A TRICK 666 00:13:43,063 --> 00:13:43,926 FOR HER ASS. 667 00:13:43,926 --> 00:13:44,996 SO YOU HAPPY SHE COMING TOO. 668 00:13:44,996 --> 00:13:45,755 YEAH, I'M HAPPY. 669 00:13:45,755 --> 00:13:46,411 I'M HAPPY. 670 00:13:46,411 --> 00:13:47,205 SO ASHLEY IS COMING TO TURN 671 00:13:47,205 --> 00:13:47,861 THE [bleep] UP WITH US. 672 00:13:47,861 --> 00:13:48,758 BUTT NAKED, BOOTY ASS, 673 00:13:48,758 --> 00:13:50,277 BALD NAKED, ALL THAT LIGHT SKIN. 674 00:13:50,277 --> 00:13:51,037 ♪ EH 675 00:13:51,037 --> 00:13:52,107 YOU SERIOUS, AIN'T YOU? 676 00:13:52,107 --> 00:13:52,832 YEAH, THAT'S SERIOUS, 677 00:13:52,832 --> 00:13:53,660 'CAUSE YOU LIGHT-SKINNED, 678 00:13:53,660 --> 00:13:54,419 SHE LIGHT-SKINNED. 679 00:13:54,419 --> 00:13:55,420 ALL THAT LIGHT SKIN ALL OVER 680 00:13:55,420 --> 00:13:56,732 MY CHOCOLATE. 681 00:13:56,732 --> 00:14:05,845 [man singing in Spanish] 682 00:14:05,845 --> 00:14:06,742 ♪ 683 00:14:06,742 --> 00:14:09,745 [rapping in Spanish] 684 00:14:09,745 --> 00:14:15,993 ♪ 685 00:14:15,993 --> 00:14:17,477 AM I THE MAN OR WHAT? 686 00:14:17,477 --> 00:14:18,823 JUST LIKE I PROMISED. 687 00:14:18,823 --> 00:14:20,031 MY PUERTO RICAN PRINCESS 688 00:14:20,031 --> 00:14:21,688 GOT HERSELF A SMASH 689 00:14:21,688 --> 00:14:23,138 ON HER HANDS. 690 00:14:23,138 --> 00:14:24,725 IT'S ABOUT 85%. 691 00:14:24,725 --> 00:14:25,381 WHAT? 692 00:14:25,381 --> 00:14:26,106 DON'T "WHAT?" ME. 693 00:14:26,106 --> 00:14:26,900 YOU KEEP MAKING ME DO IT 694 00:14:26,900 --> 00:14:27,694 OVER AND OVER. 695 00:14:27,694 --> 00:14:28,350 I DON'T KNOW WHY. 696 00:14:28,350 --> 00:14:29,109 I ALREADY GOT IT PERFECT. 697 00:14:29,109 --> 00:14:29,903 YOU AIN'T GOT IT PERFECT. 698 00:14:29,903 --> 00:14:30,766 YES, I DO. 699 00:14:30,766 --> 00:14:31,456 I'LL LET YOU KNOW WHEN 700 00:14:31,456 --> 00:14:32,112 IT'S PERFECT. 701 00:14:32,112 --> 00:14:33,734 I GOT THE GRAMMYS, NOT YOU. 702 00:14:33,734 --> 00:14:34,839 DOES STEVIE GOT TO WORK 703 00:14:34,839 --> 00:14:35,840 A BITCH SO HARD? 704 00:14:35,840 --> 00:14:36,703 I MEAN, HE WANT ME TO DO THE 705 00:14:36,703 --> 00:14:38,567 SONG OVER AND OVER AND OVER 706 00:14:38,567 --> 00:14:39,292 AND OVER AND OVER. 707 00:14:39,292 --> 00:14:40,396 AND, I MEAN, I'M LIKE, "STEVIE, 708 00:14:40,396 --> 00:14:42,157 WHAT ELSE DO YOU [bleep] WANT?" 709 00:14:42,157 --> 00:14:42,951 WHY DON'T YOU JUST COME OUT 710 00:14:42,951 --> 00:14:43,710 FOR A MINUTE? 711 00:14:43,710 --> 00:14:44,573 YEAH, I NEED THAT. 712 00:14:44,573 --> 00:14:45,367 I'M ALL ABOUT GETTING 713 00:14:45,367 --> 00:14:46,886 JOSELINE BACK INTO THE MUSIC. 714 00:14:46,886 --> 00:14:48,370 WE HAD SOME TRACTION LAST YEAR 715 00:14:48,370 --> 00:14:49,750 WITH HER TWO SINGLES, 716 00:14:49,750 --> 00:14:51,028 BUT NOW, IF JOSELINE WANTS 717 00:14:51,028 --> 00:14:52,684 TO BE TAKEN SERIOUSLY, 718 00:14:52,684 --> 00:14:53,616 SHE GOT TO BE READY TO PUT 719 00:14:53,616 --> 00:14:54,686 IN THAT WORK. 720 00:14:54,686 --> 00:14:56,067 IT'S NOW OR NEVER. 721 00:14:56,067 --> 00:14:56,792 I FEEL LIKE THIS SONG IS 722 00:14:56,792 --> 00:14:57,448 GREAT. 723 00:14:57,448 --> 00:14:58,690 I FEEL LIKE IT COULD GO BIG. 724 00:14:58,690 --> 00:14:59,795 I FEEL LIKE I COULD WIN 725 00:14:59,795 --> 00:15:00,934 A GRAMMY FOR THIS SONG. 726 00:15:00,934 --> 00:15:01,901 YEAH? 727 00:15:01,901 --> 00:15:02,902 LISTEN, BABE, I LOVE YOU. 728 00:15:02,902 --> 00:15:03,799 I LOVE YOU TOO. 729 00:15:03,799 --> 00:15:04,593 THIS IS WHAT I NEED YOU 730 00:15:04,593 --> 00:15:05,283 TO DO. 731 00:15:05,283 --> 00:15:07,492 I NEED A SHOWCASE. 732 00:15:07,492 --> 00:15:08,424 I'M READY TO DO WHAT I WAS 733 00:15:08,424 --> 00:15:09,632 BORN TO DO. 734 00:15:09,632 --> 00:15:10,288 ALL RIGHT. 735 00:15:10,288 --> 00:15:10,944 PLEASE. 736 00:15:10,944 --> 00:15:11,634 IT TAKES TIME. 737 00:15:11,634 --> 00:15:12,359 YOU KNOW WHAT I'M SAYING? 738 00:15:12,359 --> 00:15:13,257 YOU HAVE TO GET COMFORTABLE 739 00:15:13,257 --> 00:15:14,741 WITH THIS ARTISTRY. 740 00:15:14,741 --> 00:15:15,673 I'M NOT ABOUT TO JUST THROW 741 00:15:15,673 --> 00:15:17,571 YOU OUT THERE TO THE WOLVES. 742 00:15:17,571 --> 00:15:18,400 YOU KNOW WHAT I'M SAYING? 743 00:15:18,400 --> 00:15:20,643 AND YOU GET YOUR ASS ATE UP. 744 00:15:20,643 --> 00:15:21,713 MOTHER[bleep] OUT HERE, 745 00:15:21,713 --> 00:15:24,509 THEY WORKING DAYS AND NIGHTS 746 00:15:24,509 --> 00:15:25,614 AND WEEKS AND MONTHS 747 00:15:25,614 --> 00:15:27,409 ON A SHOW. 748 00:15:27,409 --> 00:15:28,375 PERFECTION. 749 00:15:28,375 --> 00:15:29,238 THAT'S WHAT I'VE BEEN DOING 750 00:15:29,238 --> 00:15:30,067 FOR TWO YEARS. 751 00:15:30,067 --> 00:15:30,860 NO, NO, NO, NO. 752 00:15:30,860 --> 00:15:33,173 NOW YOU'RE AT THE LEVEL 753 00:15:33,173 --> 00:15:34,347 TO WHERE, YOU KNOW, 754 00:15:34,347 --> 00:15:36,245 IT'S TIME FOR PEOPLE TO SEE YOU. 755 00:15:36,245 --> 00:15:38,420 YOU KNOW, SO I AGREE WITH YOU. 756 00:15:38,420 --> 00:15:39,628 I'LL PUT YOU ON THE STAGE 757 00:15:39,628 --> 00:15:40,940 WITH ALL THESE HOS. 758 00:15:40,940 --> 00:15:41,871 OOH, YES, 'CAUSE THAT'S 759 00:15:41,871 --> 00:15:42,942 WHAT I'VE BEEN WORKING FOR. 760 00:15:42,942 --> 00:15:43,701 SO WHEN YOU READY? 761 00:15:43,701 --> 00:15:44,771 I'M [bleep] READY RIGHT NOW. 762 00:15:44,771 --> 00:15:45,875 I WAS BORN READY. 763 00:15:45,875 --> 00:15:46,946 JUST PUT ME ON THAT STAGE, 764 00:15:46,946 --> 00:15:48,464 AND WE'LL BE ROLLING IN MONEY. 765 00:15:48,464 --> 00:15:49,500 AND AT THE END OF THE DAY, 766 00:15:49,500 --> 00:15:50,984 AFTER HEARING ALTHEA'S 767 00:15:50,984 --> 00:15:52,365 1980s SONG, 768 00:15:52,365 --> 00:15:54,091 WE IN THE 2014, 769 00:15:54,091 --> 00:15:54,988 AND THAT'S THE PUERTO RICAN 770 00:15:54,988 --> 00:15:56,231 PRINCESS JOSELINE HERNANDEZ 771 00:15:56,231 --> 00:15:57,335 HITTING THAT STAGE. 772 00:15:57,335 --> 00:15:58,543 I HAVE TO TELL YOU, 773 00:15:58,543 --> 00:15:59,406 I WENT TO GO SEE ALTHEA 774 00:15:59,406 --> 00:16:02,547 OUT AT THE STUDIO. 775 00:16:02,547 --> 00:16:03,479 WHY YOU GOING TO SEE 776 00:16:03,479 --> 00:16:04,135 THIS BROAD AT THE STUDIO 777 00:16:04,135 --> 00:16:05,067 WHEN YOU GOT YOUR OWN [bleep] 778 00:16:05,067 --> 00:16:05,826 TO DO? 779 00:16:05,826 --> 00:16:06,620 I WANTED TO GO SEE 780 00:16:06,620 --> 00:16:07,656 THE BITCH IN THE STUDIO. 781 00:16:07,656 --> 00:16:08,450 AND THE FIRST THING THAT SHE 782 00:16:08,450 --> 00:16:09,140 ASKED ME WHEN I WALKED 783 00:16:09,140 --> 00:16:10,245 IN THE DOOR, DO I WANT TO JUMP 784 00:16:10,245 --> 00:16:11,108 IN IT SOMEWHERE? 785 00:16:11,108 --> 00:16:12,523 I DON'T THINK SO. 786 00:16:12,523 --> 00:16:13,282 YOU THINK I'M GONNA JUST DO 787 00:16:13,282 --> 00:16:14,249 A SONG WITH ANYBODY? 788 00:16:14,249 --> 00:16:15,008 SHE AIN'T ANYBODY. 789 00:16:15,008 --> 00:16:15,802 I DON'T GIVE A [bleep]. 790 00:16:15,802 --> 00:16:16,561 ZINO'S--YOU KNOW WHAT I 791 00:16:16,561 --> 00:16:17,217 MEAN. 792 00:16:17,217 --> 00:16:17,977 [bleep] AIN'T NOBODY. 793 00:16:17,977 --> 00:16:18,667 THEY MET ON TWITTER. 794 00:16:18,667 --> 00:16:20,048 I MET YOU ON VINE. 795 00:16:20,048 --> 00:16:21,566 YOU MET ME AT THE STRIP CLUB. 796 00:16:21,566 --> 00:16:22,257 HE DIDN'T KNOW [bleep] 797 00:16:22,257 --> 00:16:22,947 ABOUT THIS HO, 798 00:16:22,947 --> 00:16:26,468 BUT MAYBE YOU KNOW. 799 00:16:26,468 --> 00:16:29,126 I DON'T KNOW. 800 00:16:29,126 --> 00:16:29,989 I MEAN, I SEEN HER ONCE 801 00:16:29,989 --> 00:16:31,507 OR TWICE IN THE STREETS, BUT-- 802 00:16:31,507 --> 00:16:32,129 YOU PUT YOUR [bleep] 803 00:16:32,129 --> 00:16:33,544 IN HER [bleep]? 804 00:16:33,544 --> 00:16:34,545 COME ON, MA. 805 00:16:34,545 --> 00:16:35,270 'CAUSE, YOU KNOW, 806 00:16:35,270 --> 00:16:35,995 YOU AND BENZINO DO LIKE 807 00:16:35,995 --> 00:16:36,996 TO SHARE [bleep]. 808 00:16:36,996 --> 00:16:37,686 I DON'T LIKE TO SHARE 809 00:16:37,686 --> 00:16:38,445 [bleep]. 810 00:16:38,445 --> 00:16:39,274 I DON'T KNOW WHAT TO BELIEVE 811 00:16:39,274 --> 00:16:40,413 AT THIS POINT, BUT THE ONLY 812 00:16:40,413 --> 00:16:41,552 THING I DO KEEP HEARING 813 00:16:41,552 --> 00:16:42,587 IS THAT THE BITCH GET AROUND 814 00:16:42,587 --> 00:16:43,485 AND THE BITCH IS A HO. 815 00:16:43,485 --> 00:16:45,142 THAT'S WHY THEY CALL HER HOTHEA. 816 00:16:45,142 --> 00:16:46,143 I GOT TO WATCH THEM TWO, 817 00:16:46,143 --> 00:16:47,006 'CAUSE I DON'T KNOW WHERE 818 00:16:47,006 --> 00:16:47,903 THIS HO COME FROM, 819 00:16:47,903 --> 00:16:48,869 AND I KNOW WHERE HIS BEEFCAKE 820 00:16:48,869 --> 00:16:50,009 LIKE TO GO INTO. 821 00:16:50,009 --> 00:16:50,699 FOR ALL I KNOW, 822 00:16:50,699 --> 00:16:51,424 SHE TRYING TO CATCH THE BIG 823 00:16:51,424 --> 00:16:52,080 FISH. 824 00:16:52,080 --> 00:16:52,770 SO I GOT TO WATCH 825 00:16:52,770 --> 00:16:53,426 YOU AND HER AROUND. 826 00:16:53,426 --> 00:16:54,082 MAYBE I NEED TO DO THAT. 827 00:16:54,082 --> 00:16:54,841 NO, NO, NO-- 828 00:16:54,841 --> 00:16:55,566 MAYBE I SHOULD DO THAT. 829 00:16:55,566 --> 00:16:56,463 OH... 830 00:16:56,463 --> 00:16:57,775 IT'S TIME TO CHANGE THE SUBJECT. 831 00:16:57,775 --> 00:16:58,983 WE GOT TO KEEP HER MIND FOCUSED 832 00:16:58,983 --> 00:17:00,640 ON THE ONE THING THAT KEEPS HER 833 00:17:00,640 --> 00:17:01,951 ABOVE ALL THE REST OF THE 834 00:17:01,951 --> 00:17:03,919 THINGS: THAT CAREER. 835 00:17:03,919 --> 00:17:04,644 LISTEN. 836 00:17:04,644 --> 00:17:05,955 LET'S TALK ABOUT SOMETHING ELSE. 837 00:17:05,955 --> 00:17:06,611 SO WE GONNA DO THIS BIG 838 00:17:06,611 --> 00:17:07,474 SHOWCASE. 839 00:17:07,474 --> 00:17:09,062 GET THE SOUND, THE STAGE, 840 00:17:09,062 --> 00:17:10,167 THE LIGHTS READY. 841 00:17:10,167 --> 00:17:11,168 THE COSTUMES. 842 00:17:11,168 --> 00:17:12,997 WHAT ABOUT THE DANCERS? 843 00:17:12,997 --> 00:17:13,722 I'M LOOKING FOR DANCERS 844 00:17:13,722 --> 00:17:14,447 ON FRIDAY, AND I WANT YOU 845 00:17:14,447 --> 00:17:15,137 TO BE THERE. 846 00:17:15,137 --> 00:17:16,104 LOOK, YOU KNOW, I WANT STRIPPERS 847 00:17:16,104 --> 00:17:17,484 AND I WANT REGULAR DANCERS. 848 00:17:17,484 --> 00:17:18,934 THIS IS GONNA BE FUNNY. 849 00:17:18,934 --> 00:17:19,624 I JUST REALLY NEED YOU 850 00:17:19,624 --> 00:17:20,763 TO FOCUS, BABE. 851 00:17:20,763 --> 00:17:22,834 LET ME JUST SEE SOMETHING. 852 00:17:22,834 --> 00:17:24,112 FOCUS ON THE STAGE. 853 00:17:24,112 --> 00:17:24,836 I AM. 854 00:17:24,836 --> 00:17:26,493 THE STAGE IS SET. 855 00:17:26,493 --> 00:17:27,563 LIGHTS, 856 00:17:27,563 --> 00:17:29,910 CAMERA, 857 00:17:29,910 --> 00:17:30,946 ACTION. 858 00:17:30,946 --> 00:17:32,016 [chuckles] 859 00:17:32,016 --> 00:17:32,810 DO YOU HAVE STUFF THAT YOU 860 00:17:32,810 --> 00:17:33,604 JUST FEEL LIKE YOU DON'T WANT 861 00:17:33,604 --> 00:17:34,536 TO TELL? 862 00:17:34,536 --> 00:17:35,640 LIKE, I DON'T KNOW WHETHER 863 00:17:35,640 --> 00:17:38,643 HE KNOWS SOMETHING 864 00:17:38,643 --> 00:17:40,507 ABOUT SOMEBODY. 865 00:17:40,507 --> 00:17:41,922 HOW IS HE TAKING ADVANTAGE? 866 00:17:41,922 --> 00:17:43,407 THIS SEX TAPE IS ONE. 867 00:17:43,407 --> 00:17:44,684 SO HE INTENTIONALLY PUT 868 00:17:44,684 --> 00:17:45,926 THIS TAPE OUT IS WHAT YOU'RE 869 00:17:45,926 --> 00:17:49,033 SAYING? 870 00:17:49,033 --> 00:18:02,288 HELL YEAH. 871 00:18:02,288 --> 00:18:03,012 OOH. 872 00:18:03,012 --> 00:18:04,013 YOU CAN DO CUTE. 873 00:18:04,013 --> 00:18:05,360 HI. WEARING THEM JEANS. 874 00:18:05,360 --> 00:18:06,257 [laughter] 875 00:18:06,257 --> 00:18:07,707 HOW HAVE YOU BEEN? 876 00:18:07,707 --> 00:18:08,673 IT'S BEEN SO LONG. 877 00:18:08,673 --> 00:18:09,847 NO, IT'S BEEN 100 YEARS. 878 00:18:09,847 --> 00:18:10,537 [laughs] 879 00:18:10,537 --> 00:18:12,091 I'VE KNOWN ALTHEA, 880 00:18:12,091 --> 00:18:13,506 OR "THI THI" IS WHAT THEY CALL 881 00:18:13,506 --> 00:18:14,921 HER IN THE INDUSTRY, 882 00:18:14,921 --> 00:18:16,095 FOR A WHILE NOW. 883 00:18:16,095 --> 00:18:17,682 I MEAN, SHE'S A VIDEO VIXEN 884 00:18:17,682 --> 00:18:18,752 WHO WAS ACTUALLY SHAKING 885 00:18:18,752 --> 00:18:19,891 THAT THING IN MY 886 00:18:19,891 --> 00:18:21,376 MY BUBBLE GUMVIDEO. 887 00:18:21,376 --> 00:18:22,722 WE HAVEN'T KEPT IN TOUCH, 888 00:18:22,722 --> 00:18:23,516 BUT WHEN I FOUND OUT 889 00:18:23,516 --> 00:18:25,034 SHE WAS DATING ZINO, 890 00:18:25,034 --> 00:18:26,588 I WAS LIKE, "ERRR. 891 00:18:26,588 --> 00:18:28,107 I GOT TO CALL HER." 892 00:18:28,107 --> 00:18:28,900 HOW LONG Y'ALL BEEN MESSING 893 00:18:28,900 --> 00:18:29,798 AROUND, YOU AND BENZINO? 894 00:18:29,798 --> 00:18:31,282 NOW, LIKE, SIX MONTHS. 895 00:18:31,282 --> 00:18:32,835 DO YOU FEEL LIKE 896 00:18:32,835 --> 00:18:33,664 HE CAN BE THAT-- 897 00:18:33,664 --> 00:18:34,561 I FEEL IT'S GENUINE. 898 00:18:34,561 --> 00:18:35,528 THAT GUY? 899 00:18:35,528 --> 00:18:36,184 MM-HMM. 900 00:18:36,184 --> 00:18:36,943 BECAUSE, I MEAN, 901 00:18:36,943 --> 00:18:37,702 YOU KNOW, I'M GONNA KEEP IT 902 00:18:37,702 --> 00:18:38,393 REAL. 903 00:18:38,393 --> 00:18:39,152 MM-HMM. 904 00:18:39,152 --> 00:18:40,049 YOU KNOW, YOU HAVE DATED 905 00:18:40,049 --> 00:18:40,947 SEVERAL GUYS. 906 00:18:40,947 --> 00:18:41,810 YOU KNOW WHAT I'M SAYING? 907 00:18:41,810 --> 00:18:43,260 [laughing] YES, YES. 908 00:18:43,260 --> 00:18:44,502 I HAVE NO SHAME IN MY GAME, 909 00:18:44,502 --> 00:18:46,021 AND I'M A GROWN-ASS WOMAN. 910 00:18:46,021 --> 00:18:47,091 I'VE BEEN APPROACHED BY ALL 911 00:18:47,091 --> 00:18:48,541 TYPES OF GUYS IN THIS INDUSTRY, 912 00:18:48,541 --> 00:18:49,542 BUT I THINK YOU'D BE SURPRISED 913 00:18:49,542 --> 00:18:50,370 THAT I'VE NEVER DATED ANY 914 00:18:50,370 --> 00:18:52,096 RAPPERS OR SINGERS. 915 00:18:52,096 --> 00:18:54,029 MORE LIKE BOSSES AND EXECUTIVES. 916 00:18:54,029 --> 00:18:55,134 PEOPLE, THEY SEE ALTHEA 917 00:18:55,134 --> 00:18:56,065 AND THEY THINK, "OH, SHE SLEPT 918 00:18:56,065 --> 00:18:57,343 WITH ALL THESE GUYS." 919 00:18:57,343 --> 00:18:58,585 AND THAT REALLY ISN'T THE TRUTH. 920 00:18:58,585 --> 00:18:59,414 BUT I WILL KEEP IT REAL 921 00:18:59,414 --> 00:19:00,139 WITH YOU. 922 00:19:00,139 --> 00:19:01,036 PEOPLE DO FEEL LIKE THAT 923 00:19:01,036 --> 00:19:01,933 ABOUT YOU. 924 00:19:01,933 --> 00:19:02,624 YEAH. 925 00:19:02,624 --> 00:19:03,694 I MEAN, I KNOW YOU'VE DATED 926 00:19:03,694 --> 00:19:04,902 GUYS IN THE INDUSTRY 927 00:19:04,902 --> 00:19:05,903 AND HAD YOUR DIFFERENT 928 00:19:05,903 --> 00:19:07,111 SITUATIONS AND STUFF LIKE THAT. 929 00:19:07,111 --> 00:19:08,388 BUT NOT AS MUCH 930 00:19:08,388 --> 00:19:09,700 AS EVERYBODY THINKS, THOUGH. 931 00:19:09,700 --> 00:19:10,873 I SWEAR, LIKE-- 932 00:19:10,873 --> 00:19:12,254 I MEAN, I HAVE DATED GUYS 933 00:19:12,254 --> 00:19:13,359 AND STUFF LIKE THAT, 934 00:19:13,359 --> 00:19:14,222 BUT NOW IT'S LIKE, 935 00:19:14,222 --> 00:19:15,154 I'M NOT GONNA BE A SLAVE 936 00:19:15,154 --> 00:19:16,396 TO THIS INDUSTRY. 937 00:19:16,396 --> 00:19:17,121 YOU KNOW, I'VE BEEN 938 00:19:17,121 --> 00:19:18,087 IN THE INDUSTRY SO LONG, 939 00:19:18,087 --> 00:19:20,055 AND IT'S SO SMALL. 940 00:19:20,055 --> 00:19:21,539 BUT YOU'RE SO LUCKY 941 00:19:21,539 --> 00:19:22,713 TO BE MARRIED. 942 00:19:22,713 --> 00:19:24,232 IT'S WORK. 943 00:19:24,232 --> 00:19:25,681 BITCH, LET ME TELL YOU. 944 00:19:25,681 --> 00:19:26,820 [laughing] I KNOW IT IS. 945 00:19:26,820 --> 00:19:27,580 AND THAT'S ONE REASON 946 00:19:27,580 --> 00:19:28,546 WHY I HADN'T BEEN THE BIGGEST 947 00:19:28,546 --> 00:19:29,582 BENZINO FAN. 948 00:19:29,582 --> 00:19:30,617 I CAN'T SIT THERE AND BE MAD 949 00:19:30,617 --> 00:19:32,757 ABOUT THE HOT TUB, THE BITCHES, 950 00:19:32,757 --> 00:19:33,551 THE FACT THAT YOU DID THIS 951 00:19:33,551 --> 00:19:34,345 AND YOU DID THAT 952 00:19:34,345 --> 00:19:36,554 IF I WANT THIS TO MOVE FORWARD 953 00:19:36,554 --> 00:19:37,383 AND FOR US TO GO INTO 954 00:19:37,383 --> 00:19:38,107 THE FUTURE. 955 00:19:38,107 --> 00:19:38,832 PUT IT IN THE PAST. 956 00:19:38,832 --> 00:19:39,557 SO I HAVE TO LET THE PAST 957 00:19:39,557 --> 00:19:40,627 BE THE PAST. 958 00:19:40,627 --> 00:19:42,146 AND THE WORST THING YOU WANT 959 00:19:42,146 --> 00:19:43,458 IS TO BE IN A RELATIONSHIP 960 00:19:43,458 --> 00:19:44,183 WITH SOMEBODY THAT YOU 961 00:19:44,183 --> 00:19:45,598 ABSOLUTELY LOVE 962 00:19:45,598 --> 00:19:46,633 AND THEN SOMEBODY COME THROW 963 00:19:46,633 --> 00:19:47,979 SOME SALT IN YOUR [bleep]. 964 00:19:47,979 --> 00:19:48,808 AND THEN THEY LOOKING LIKE, 965 00:19:48,808 --> 00:19:49,809 "BITCH, YOU DISHONEST." 966 00:19:49,809 --> 00:19:50,465 RIGHT. 967 00:19:50,465 --> 00:19:51,431 "YOU AIN'T [bleep]." 968 00:19:51,431 --> 00:19:52,432 YOU KNOW WHAT I'M SAYING? 969 00:19:52,432 --> 00:19:54,227 BOTH PEOPLE HAVE TO BE 970 00:19:54,227 --> 00:19:55,090 READY TO-- 971 00:19:55,090 --> 00:19:56,264 TELL EVERYTHING. 972 00:19:56,264 --> 00:19:57,196 YEAH. 973 00:19:57,196 --> 00:19:58,749 TELL EVERYTHING? 974 00:19:58,749 --> 00:19:59,750 DO YOU HAVE STUFF THAT YOU 975 00:19:59,750 --> 00:20:00,785 JUST FEEL LIKE YOU DON'T WANT 976 00:20:00,785 --> 00:20:02,270 TO TELL? 977 00:20:02,270 --> 00:20:03,926 LIKE, I DON'T KNOW WHETHER 978 00:20:03,926 --> 00:20:07,930 HE KNOWS... 979 00:20:07,930 --> 00:20:09,829 SOMETHING ABOUT SOMEBODY. 980 00:20:09,829 --> 00:20:10,933 IF IT'S SOMETHING 981 00:20:10,933 --> 00:20:13,004 THAT YOU FEEL LIKE 982 00:20:13,004 --> 00:20:14,143 HE'S GONNA FIND OUT 983 00:20:14,143 --> 00:20:15,938 AND IT'S GONNA BE DEVASTATING, 984 00:20:15,938 --> 00:20:19,183 IT'S BEST TO COME FROM YOU. 985 00:20:19,183 --> 00:20:23,222 RIGHT. 986 00:20:23,222 --> 00:20:24,292 THANK YOU FOR COMING 987 00:20:24,292 --> 00:20:25,810 TO WORK OUT WITH ME. 988 00:20:25,810 --> 00:20:27,260 IT'S SO MUCH BETTER THAN 989 00:20:27,260 --> 00:20:28,019 WORKING OUT WITH NIKKO 990 00:20:28,019 --> 00:20:29,366 BECAUSE HE TRIES TO KILL ME 991 00:20:29,366 --> 00:20:30,608 WHEN WE GO TO THE GYM. 992 00:20:30,608 --> 00:20:31,885 [both laugh] 993 00:20:31,885 --> 00:20:33,508 ARIANE HASN'T BEEN AROUND 994 00:20:33,508 --> 00:20:35,164 WHEN I FELT LIKE I REALLY NEEDED 995 00:20:35,164 --> 00:20:36,718 HER THE MOST, BUT SHE'S HERE 996 00:20:36,718 --> 00:20:37,788 NOW. 997 00:20:37,788 --> 00:20:38,858 EVEN THOUGH SHE'S NOT A BIG 998 00:20:38,858 --> 00:20:40,791 NIKKO FAN, I KNOW THAT I CAN 999 00:20:40,791 --> 00:20:42,551 TALK TO HER ABOUT EVERYTHING 1000 00:20:42,551 --> 00:20:44,657 THAT'S BEEN GOING ON. 1001 00:20:44,657 --> 00:20:46,141 SO WHAT'S BEEN UP? 1002 00:20:46,141 --> 00:20:47,867 GIRL, WHEN I WAS WASHING 1003 00:20:47,867 --> 00:20:49,800 CLOTHES THE OTHER DAY, 1004 00:20:49,800 --> 00:20:50,973 AND I'M SEPARATING CLOTHES, 1005 00:20:50,973 --> 00:20:52,872 AND I FIND HIS T-SHIRT 1006 00:20:52,872 --> 00:20:54,632 IN THE DIRTY LAUNDRY HAMPER 1007 00:20:54,632 --> 00:20:57,256 WITH [bleep] MAKEUP, 1008 00:20:57,256 --> 00:20:59,741 LIPSTICK ALL OVER THE COLLAR. 1009 00:20:59,741 --> 00:21:01,052 IS THIS DEJA VU? 1010 00:21:01,052 --> 00:21:01,777 I HAD JUST HAD IT 1011 00:21:01,777 --> 00:21:02,433 AT THAT POINT. 1012 00:21:02,433 --> 00:21:03,227 I HAD IT. 1013 00:21:03,227 --> 00:21:04,263 I WAS LIKE, "YOU GONNA HAVE 1014 00:21:04,263 --> 00:21:05,402 TO GET YOUR OWN SPACE 1015 00:21:05,402 --> 00:21:06,644 'CAUSE I NEED MY SPACE." 1016 00:21:06,644 --> 00:21:07,645 SO YOU PUT HIM OUT? 1017 00:21:07,645 --> 00:21:09,060 YES. 1018 00:21:09,060 --> 00:21:09,889 I DID. 1019 00:21:09,889 --> 00:21:11,580 CAN YOU PULL OVER? 1020 00:21:11,580 --> 00:21:13,548 I WANT YOU TO LOOK AT ME. 1021 00:21:13,548 --> 00:21:14,963 SURE. 1022 00:21:14,963 --> 00:21:17,068 I'M SERIOUS. 1023 00:21:17,068 --> 00:21:17,793 I'VE WATCHED MIMI GET 1024 00:21:17,793 --> 00:21:18,691 DISRESPECTED FOR YEARS BY 1025 00:21:18,691 --> 00:21:19,657 STEVIE. 1026 00:21:19,657 --> 00:21:20,865 NOW SHE TRADE HIM IN FOR THIS 1027 00:21:20,865 --> 00:21:22,350 CLOWN NIKKO? 1028 00:21:22,350 --> 00:21:24,869 WHEN DOES THE CYCLE END? 1029 00:21:24,869 --> 00:21:27,286 DO YOU SEE THIS AS A PATTERN? 1030 00:21:27,286 --> 00:21:28,114 THIS KIND OF MAN. 1031 00:21:28,114 --> 00:21:29,357 THE TYPE OF MAN THAT I 1032 00:21:29,357 --> 00:21:30,565 CHOOSE? 1033 00:21:30,565 --> 00:21:31,393 YEAH. 1034 00:21:31,393 --> 00:21:32,532 AS CRAZY AS IT MAY SEEM, 1035 00:21:32,532 --> 00:21:34,016 I JUST LIKE WHAT I LIKE. 1036 00:21:34,016 --> 00:21:35,604 IT'S JUST SOMETHING ABOUT 1037 00:21:35,604 --> 00:21:36,364 HIM. 1038 00:21:36,364 --> 00:21:37,813 THAT YOU DON'T LIKE. 1039 00:21:37,813 --> 00:21:39,021 I AIN'T THE ONLY ONE. 1040 00:21:39,021 --> 00:21:40,195 WHOEVER DON'T LIKE HIM, 1041 00:21:40,195 --> 00:21:40,954 THAT'S FINE. 1042 00:21:40,954 --> 00:21:41,990 I'M DEALING WITH IT, 1043 00:21:41,990 --> 00:21:42,818 'CAUSE THAT'S WHAT I CHOOSE 1044 00:21:42,818 --> 00:21:43,612 TO DO. 1045 00:21:43,612 --> 00:21:44,475 WHY ARE YOU DEALING WITH THIS 1046 00:21:44,475 --> 00:21:45,234 BULL[bleep]? 1047 00:21:45,234 --> 00:21:46,339 I LIKE WHAT I LIKE. 1048 00:21:46,339 --> 00:21:47,202 OKAY. 1049 00:21:47,202 --> 00:21:48,514 BUT WHEN I CONTINUOUSLY SEE 1050 00:21:48,514 --> 00:21:49,515 SOMEBODY... 1051 00:21:49,515 --> 00:21:50,309 [pops lips] 1052 00:21:50,309 --> 00:21:52,000 USING YOU, BASICALLY, 1053 00:21:52,000 --> 00:21:53,381 IT'S, LIKE, A PROBLEM. 1054 00:21:53,381 --> 00:21:55,003 THAT'S A PROBLEM. 1055 00:21:55,003 --> 00:21:56,280 HOW IS HE TAKING ADVANTAGE? 1056 00:21:56,280 --> 00:21:57,868 THIS SEX TAPE IS ONE. 1057 00:21:57,868 --> 00:21:59,628 THIS SEX TAPE IS HIM TAKING 1058 00:21:59,628 --> 00:22:00,905 ADVANTAGE OF ME? 1059 00:22:00,905 --> 00:22:02,355 HELL YEAH. 1060 00:22:02,355 --> 00:22:03,218 HOW SO? 1061 00:22:03,218 --> 00:22:06,083 HOW WOULD HE HAVE DONE IT 1062 00:22:06,083 --> 00:22:08,844 WITHOUT YOU? 1063 00:22:08,844 --> 00:22:10,087 SO HE INTENTIONALLY PUT 1064 00:22:10,087 --> 00:22:10,777 THIS TAPE OUT 1065 00:22:10,777 --> 00:22:12,331 IS WHAT YOU'RE SAYING? 1066 00:22:12,331 --> 00:22:13,193 HELL YEAH. 1067 00:22:13,193 --> 00:22:14,367 EVERYONE THINKS THAT NIKKO 1068 00:22:14,367 --> 00:22:15,644 HAS LEAKED THIS TAPE. 1069 00:22:15,644 --> 00:22:16,990 OBVIOUSLY I'VE HAD MY OWN 1070 00:22:16,990 --> 00:22:18,958 DOUBTS, BUT I'VE ASKED. 1071 00:22:18,958 --> 00:22:20,097 HE'S DENIED IT. 1072 00:22:20,097 --> 00:22:21,547 HOW CAN I NOT BELIEVE THE MAN 1073 00:22:21,547 --> 00:22:22,858 THAT I LOVE? 1074 00:22:22,858 --> 00:22:24,273 REGARDLESS, 1075 00:22:24,273 --> 00:22:25,378 I GOT TO DEAL WITH 1076 00:22:25,378 --> 00:22:26,621 WHAT'S GOING TO HAPPEN 1077 00:22:26,621 --> 00:22:28,657 RIGHT NOW AND MOVING FORWARD. 1078 00:22:28,657 --> 00:22:30,625 [sighs] 1079 00:22:30,625 --> 00:22:31,384 OKAY. 1080 00:22:31,384 --> 00:22:33,524 I TRULY BELIEVE THAT NIKKO 1081 00:22:33,524 --> 00:22:34,698 SOLD THIS TAPE TO THE HIGHEST 1082 00:22:34,698 --> 00:22:35,423 BIDDER. 1083 00:22:35,423 --> 00:22:36,596 HE'S A USER. 1084 00:22:36,596 --> 00:22:38,460 MIMI, YOU'RE BEING USED. 1085 00:22:38,460 --> 00:22:39,944 SO HOW DO YOU PLAN ON HANDLING 1086 00:22:39,944 --> 00:22:41,325 IT ONCE IT COMES OUT? 1087 00:22:41,325 --> 00:22:42,913 IS THAT A TRICK QUESTION? 1088 00:22:42,913 --> 00:22:43,948 IT'S NOT A TRICK QUESTION. 1089 00:22:43,948 --> 00:22:45,536 I HAVE NO IDEA. 1090 00:22:45,536 --> 00:22:46,744 NEVER DID IT BEFORE. 1091 00:22:46,744 --> 00:22:48,228 NEVER HAD ONE COME OUT BEFORE. 1092 00:22:48,228 --> 00:22:49,678 SO I GUESS WHEN IT COMES OUT, 1093 00:22:49,678 --> 00:22:50,403 I'LL FIGURE OUT HOW 1094 00:22:50,403 --> 00:22:51,473 I'M GONNA HANDLE IT THEN. 1095 00:22:51,473 --> 00:22:52,336 I LOVE YOU, AND I JUST 1096 00:22:52,336 --> 00:22:53,579 DON'T WANT YOU TO BE [bleep] 1097 00:22:53,579 --> 00:22:56,858 OVER ANYMORE. 1098 00:22:56,858 --> 00:23:06,246 STEVIE DID IT ENOUGH. 1099 00:23:06,246 --> 00:23:08,007 WORK THEM POLES, LONNIE. 1100 00:23:08,007 --> 00:23:08,801 NAW. 1101 00:23:08,801 --> 00:23:09,698 WORK THAT LITTLE COOTIE-CAT, 1102 00:23:09,698 --> 00:23:10,492 GIRL. 1103 00:23:10,492 --> 00:23:11,217 POP IT. 1104 00:23:11,217 --> 00:23:12,011 YEAH. 1105 00:23:12,011 --> 00:23:12,943 LET'S GO. 1106 00:23:12,943 --> 00:23:14,082 OH, MY GOD. 1107 00:23:14,082 --> 00:23:15,152 OKAY, OKAY, OKAY, 1108 00:23:15,152 --> 00:23:15,877 THAT'S ENOUGH. 1109 00:23:15,877 --> 00:23:16,533 I HAVEN'T SEEN 1110 00:23:16,533 --> 00:23:17,396 NOTHING BAD YET. 1111 00:23:17,396 --> 00:23:18,155 THANK GOD! 1112 00:23:18,155 --> 00:23:20,157 TODAY I'M AUDITIONING DANCERS, 1113 00:23:20,157 --> 00:23:21,434 AND HOPEFULLY WE CAN FIND 1114 00:23:21,434 --> 00:23:22,884 SOME GIRLS THAT WE LIKE, 1115 00:23:22,884 --> 00:23:23,816 'CAUSE RIGHT NOW, IT'S REALLY 1116 00:23:23,816 --> 00:23:24,679 HARD TO PICK. 1117 00:23:24,679 --> 00:23:25,956 THEY'RE ALL [bleep] GREAT. 1118 00:23:25,956 --> 00:23:27,198 AND EVERYBODY KNOWS 1119 00:23:27,198 --> 00:23:28,855 I NEED A POLE ON MY STAGE. 1120 00:23:28,855 --> 00:23:29,580 I KNOW YOU FELT HIS LITTLE 1121 00:23:29,580 --> 00:23:30,857 BEEFCAKE 'CAUSE HE ALWAYS 1122 00:23:30,857 --> 00:23:31,617 GET [bleep]. 1123 00:23:31,617 --> 00:23:32,376 [laughs] 1124 00:23:32,376 --> 00:23:33,101 YOU JUST CAN'T CONTROL 1125 00:23:33,101 --> 00:23:33,964 YOURSELF. 1126 00:23:33,964 --> 00:23:34,758 WELL, I JUST WANTED TO SEE 1127 00:23:34,758 --> 00:23:35,586 HER. 1128 00:23:35,586 --> 00:23:36,380 YOU KNOW, SHE'S BEAUTIFUL. 1129 00:23:36,380 --> 00:23:37,485 AS WE ALL KNOW, STEVIE 1130 00:23:37,485 --> 00:23:38,175 LOVES THE WOMEN. 1131 00:23:38,175 --> 00:23:39,763 BUT THAT'S WHY RICARDO'S HERE, 1132 00:23:39,763 --> 00:23:40,729 BECAUSE I REALLY NEED HIM 1133 00:23:40,729 --> 00:23:41,903 TO HELP ME PICK OUT THE DANCERS 1134 00:23:41,903 --> 00:23:42,904 THAT WE'RE GOING TO USE 1135 00:23:42,904 --> 00:23:44,561 IN THE SHOW AND NOT STEVIE 1136 00:23:44,561 --> 00:23:45,838 HELP ME PICK OUT THE DANCERS 1137 00:23:45,838 --> 00:23:47,564 THAT HE WANTS TO SMASH. 1138 00:23:47,564 --> 00:23:48,461 SO WE'RE LOOKING FOR THOSE 1139 00:23:48,461 --> 00:23:49,220 GIRLS THAT GOT THAT POLE 1140 00:23:49,220 --> 00:23:50,912 DYNAMIC, THAT HIP-HOP FLAIR, 1141 00:23:50,912 --> 00:23:52,016 AND OF COURSE SPANISH 1142 00:23:52,016 --> 00:23:53,501 LITTLE FLAIR AS WELL. 1143 00:23:53,501 --> 00:23:54,329 I MEAN, AND WE NEED THE 1144 00:23:54,329 --> 00:23:55,537 STRIPPERS BECAUSE, I MEAN, 1145 00:23:55,537 --> 00:23:56,504 I WOULDN'T HAVE A SHOW 1146 00:23:56,504 --> 00:23:57,539 WITHOUT ANY POLES. 1147 00:23:57,539 --> 00:23:58,678 I MEAN, WHOO! 1148 00:23:58,678 --> 00:23:59,438 [laughter] 1149 00:23:59,438 --> 00:24:00,508 'CAUSE WE GOT TO KEEP IT SEXY, 1150 00:24:00,508 --> 00:24:03,442 RATCHET, CLASSY. 1151 00:24:03,442 --> 00:24:05,513 SO NEXT. 1152 00:24:05,513 --> 00:24:06,203 HEY, CUTIE. 1153 00:24:06,203 --> 00:24:07,687 LET ME SEE YOUR PAPER. 1154 00:24:07,687 --> 00:24:08,377 WHAT'S YOUR NAME? 1155 00:24:08,377 --> 00:24:09,309 CHERIE COCO. 1156 00:24:09,309 --> 00:24:11,208 CHERIE COCO, YOU THICK. 1157 00:24:11,208 --> 00:24:12,761 OOH! 1158 00:24:12,761 --> 00:24:13,659 YOU STRIP? 1159 00:24:13,659 --> 00:24:14,487 NO. 1160 00:24:14,487 --> 00:24:15,246 YOU LOOK LIKE YOU WOULD 1161 00:24:15,246 --> 00:24:16,109 HAVE MADE SOME MONEY DANCING, 1162 00:24:16,109 --> 00:24:16,834 GIRL. 1163 00:24:16,834 --> 00:24:18,629 YOU'RE LIKE MY DREAM GIRL. 1164 00:24:18,629 --> 00:24:20,010 HOW OLD ARE YOU? 1165 00:24:20,010 --> 00:24:21,252 22. 1166 00:24:21,252 --> 00:24:21,908 OOH. 1167 00:24:21,908 --> 00:24:23,462 KILLER. 1168 00:24:23,462 --> 00:24:24,359 DO YOU KNOW WHO I AM, 1169 00:24:24,359 --> 00:24:26,223 THE PUERTO RICAN PRINCESS? 1170 00:24:26,223 --> 00:24:27,224 [music shuts down] 1171 00:24:27,224 --> 00:24:28,156 NO, I'M SORRY. 1172 00:24:28,156 --> 00:24:29,019 IT'S OKAY. 1173 00:24:29,019 --> 00:24:29,675 YOU'RE A WHITE BUNNY, 1174 00:24:29,675 --> 00:24:30,434 SO I'LL LET YOU GET AWAY 1175 00:24:30,434 --> 00:24:31,297 WITH IT. 1176 00:24:31,297 --> 00:24:31,987 I'M THE BADDEST CHICK 1177 00:24:31,987 --> 00:24:32,643 IN THE GAME. 1178 00:24:32,643 --> 00:24:33,333 GOT IT. 1179 00:24:33,333 --> 00:24:34,231 SO WHAT TYPE OF DANCING 1180 00:24:34,231 --> 00:24:35,025 DO YOU DO, JELLY? 1181 00:24:35,025 --> 00:24:35,681 I DO HIP-HOP, 1182 00:24:35,681 --> 00:24:36,371 BUT I ALSO DO POLE. 1183 00:24:36,371 --> 00:24:37,027 OH, WORD? 1184 00:24:37,027 --> 00:24:37,683 YOU LYING. 1185 00:24:37,683 --> 00:24:38,477 I NEED TO SEE YOU ON THIS 1186 00:24:38,477 --> 00:24:39,547 [bleep] POLE. 1187 00:24:39,547 --> 00:24:41,307 I HAVE TO SEE YOU. 1188 00:24:41,307 --> 00:24:42,273 COME ON. 1189 00:24:42,273 --> 00:24:44,137 UH. 1190 00:24:44,137 --> 00:24:46,864 WHAM! 1191 00:24:46,864 --> 00:24:48,487 OOH! 1192 00:24:48,487 --> 00:24:49,833 COME ON, CHERIE COCO. 1193 00:24:49,833 --> 00:24:53,319 ♪ 'CAUSE YOU REAL BOSS 1194 00:24:53,319 --> 00:24:56,495 THAT'S LOOKING HOT. 1195 00:24:56,495 --> 00:24:58,082 OH! 1196 00:24:58,082 --> 00:25:00,602 HA-HA! 1197 00:25:00,602 --> 00:25:02,017 DO IT AGAIN! GO AGAIN! 1198 00:25:02,017 --> 00:25:04,123 GO AGAIN! 1199 00:25:04,123 --> 00:25:04,779 YES! 1200 00:25:04,779 --> 00:25:06,125 YEAH! 1201 00:25:06,125 --> 00:25:07,609 [laughs] 1202 00:25:07,609 --> 00:25:08,437 WHOO! 1203 00:25:08,437 --> 00:25:09,197 YES! 1204 00:25:09,197 --> 00:25:11,371 DAMN! 1205 00:25:11,371 --> 00:25:13,270 I DIDN'T KNOW BIG BITCHES 1206 00:25:13,270 --> 00:25:14,202 COULD GET UP ON THE POLE 1207 00:25:14,202 --> 00:25:15,065 LIKE THAT. 1208 00:25:15,065 --> 00:25:15,928 I MEAN, YOU KNOW, SHE HAD 1209 00:25:15,928 --> 00:25:17,032 A LITTLE SLIGHT PROBLEM 1210 00:25:17,032 --> 00:25:17,930 GETTING OFF THE POLE, 1211 00:25:17,930 --> 00:25:19,518 BUT AT THE END OF THE DAY, 1212 00:25:19,518 --> 00:25:20,311 EVERY GIRL THAT'S ON THAT 1213 00:25:20,311 --> 00:25:21,727 STAGE, THEY GOT TO MATCH 1214 00:25:21,727 --> 00:25:23,729 JOSELINE HERNANDEZ SEXY. 1215 00:25:23,729 --> 00:25:24,937 THANKS, PAIGE. 1216 00:25:24,937 --> 00:25:25,903 THANK YOU, PAIGE. 1217 00:25:25,903 --> 00:25:29,907 BYE, PAIGE. 1218 00:25:29,907 --> 00:25:31,046 JESUS. 1219 00:25:31,046 --> 00:25:31,944 JESUS! 1220 00:25:31,944 --> 00:25:33,048 WHY DID YOU LET THIS TAPE 1221 00:25:33,048 --> 00:25:33,842 LEAK, AND WHY DIDN'T YOU 1222 00:25:33,842 --> 00:25:34,533 TRY TO STOP SOMETHING? 1223 00:25:34,533 --> 00:25:36,017 WHY DID I LET--HUH? 1224 00:25:36,017 --> 00:25:37,605 I HONESTLY FEEL LIKE 1225 00:25:37,605 --> 00:25:38,295 YOU HAD SOMETHING TO DO 1226 00:25:38,295 --> 00:25:41,125 WITH IT. 1227 00:25:41,125 --> 00:25:41,885 I DON'T WANT TO FEEL LIKE 1228 00:25:41,885 --> 00:25:42,679 I'M GETTING PLAYED. 1229 00:25:42,679 --> 00:25:43,714 SO YOU SITTING HERE 1230 00:25:43,714 --> 00:25:44,888 ADMITTING TODAY RIGHT NOW 1231 00:25:44,888 --> 00:25:45,613 YOU [bleep] AROUND, 1232 00:25:45,613 --> 00:25:49,064 BUT YOU TELLING ME 1233 00:25:49,064 --> 00:25:55,968 THAT I'M PLAYING YOU? 1234 00:25:55,968 --> 00:25:57,452 ALL RIGHT, INNER THIGH. 1235 00:25:57,452 --> 00:25:58,764 GIVE ME 12 OF THOSE. 1236 00:25:58,764 --> 00:26:00,559 WE GONNA GET ALL THIS TIGHT. 1237 00:26:00,559 --> 00:26:01,732 I NEED 12, 12. 1238 00:26:01,732 --> 00:26:03,941 COME ON. 1239 00:26:03,941 --> 00:26:05,115 SO AFTER MY TALK WITH MIMI 1240 00:26:05,115 --> 00:26:06,461 ABOUT THIS WHOLE NIKKO 1241 00:26:06,461 --> 00:26:08,705 SITUATION, I KIND OF JUST WANTED 1242 00:26:08,705 --> 00:26:10,327 TO GET MY OWN ANSWERS 1243 00:26:10,327 --> 00:26:11,777 FROM HIM PERSONALLY, 1244 00:26:11,777 --> 00:26:14,089 SO I DECIDED TO GO VISIT HIM 1245 00:26:14,089 --> 00:26:15,574 MYSELF. 1246 00:26:15,574 --> 00:26:18,024 HI, NIKKO. 1247 00:26:18,024 --> 00:26:18,784 WOW. 1248 00:26:18,784 --> 00:26:19,785 WHAT ARE YOU DOING HERE? 1249 00:26:19,785 --> 00:26:20,786 HELLO. 1250 00:26:20,786 --> 00:26:22,304 YOU GO HERE? 1251 00:26:22,304 --> 00:26:24,513 NO, I DON'T GO HERE. 1252 00:26:24,513 --> 00:26:25,204 YOU'RE NOT EVEN IN GYM 1253 00:26:25,204 --> 00:26:25,963 ATTIRE. 1254 00:26:25,963 --> 00:26:26,757 YEAH, BUT I WANTED 1255 00:26:26,757 --> 00:26:28,448 TO KIND OF TALK TO YOU, SO-- 1256 00:26:28,448 --> 00:26:29,139 CAN I? 1257 00:26:29,139 --> 00:26:30,071 YES, GO FOR IT. 1258 00:26:30,071 --> 00:26:31,106 MIMI TELL ME SHE'S BEEN 1259 00:26:31,106 --> 00:26:32,349 WORKING OUT WITH YOU RECENTLY. 1260 00:26:32,349 --> 00:26:33,626 ABSOLUTELY. 1261 00:26:33,626 --> 00:26:35,490 HOW ARE YOU GUYS? 1262 00:26:35,490 --> 00:26:37,319 WE'RE EXCELLENT. 1263 00:26:37,319 --> 00:26:39,252 WE AIN'T GOT NO PROBLEMS. 1264 00:26:39,252 --> 00:26:39,977 SO YOU KNOW YOU'RE FULL 1265 00:26:39,977 --> 00:26:40,633 OF [bleep]? 1266 00:26:40,633 --> 00:26:41,461 OKAY, SO WHAT DID SHE TELL 1267 00:26:41,461 --> 00:26:42,117 YOU? 1268 00:26:42,117 --> 00:26:42,946 [scoffs] 1269 00:26:42,946 --> 00:26:44,810 I'M LISTENING. 1270 00:26:44,810 --> 00:26:45,534 WHY DO YOU FEEL LIKE 1271 00:26:45,534 --> 00:26:46,466 MY FRIEND IS SO UNCOMFORTABLE 1272 00:26:46,466 --> 00:26:47,433 WITH THINGS WITH YOU AND HER 1273 00:26:47,433 --> 00:26:48,952 RIGHT NOW? 1274 00:26:48,952 --> 00:26:50,298 MAYBE BECAUSE WHAT'S ABOUT 1275 00:26:50,298 --> 00:26:51,610 TO EXPLODE ON THE SCENE. 1276 00:26:51,610 --> 00:26:53,197 THE TAPE. 1277 00:26:53,197 --> 00:26:53,991 CAN I ASK YOU SOMETHING? 1278 00:26:53,991 --> 00:26:54,647 I'M SORRY. 1279 00:26:54,647 --> 00:26:55,510 IT'S BEEN BOTHERING ME. 1280 00:26:55,510 --> 00:26:56,166 GO AHEAD. 1281 00:26:56,166 --> 00:26:58,478 THIS TAPE... 1282 00:26:58,478 --> 00:26:59,445 HOW DID IT GET INTO THE HANDS 1283 00:26:59,445 --> 00:27:02,828 OF AN ADULT ENTERTAINMENT 1284 00:27:02,828 --> 00:27:05,693 COMPANY? 1285 00:27:05,693 --> 00:27:06,590 I HAVE NO IDEA. 1286 00:27:06,590 --> 00:27:12,803 I HONESTLY FEEL LIKE... 1287 00:27:12,803 --> 00:27:14,874 YOU HAD SOMETHING TO DO WITH IT. 1288 00:27:14,874 --> 00:27:16,324 AM I WRONG? 1289 00:27:16,324 --> 00:27:17,083 NO, YOU'RE NOT WRONG 1290 00:27:17,083 --> 00:27:18,291 FOR THINKING ANYTHING. 1291 00:27:18,291 --> 00:27:19,189 SO DID YOU HAVE SOMETHING 1292 00:27:19,189 --> 00:27:19,845 TO DO WITH IT? 1293 00:27:19,845 --> 00:27:21,640 ABSOLUTELY NO. 1294 00:27:21,640 --> 00:27:22,364 NIKKO IS LOOKING ME 1295 00:27:22,364 --> 00:27:23,780 DEAD IN MY EYE, 1296 00:27:23,780 --> 00:27:25,954 TELLING ME A BOLD-FACED LIE 1297 00:27:25,954 --> 00:27:27,853 ABOUT THIS TAPE BEING LEAKED. 1298 00:27:27,853 --> 00:27:29,302 I FEEL LIKE NOBODY JUST GOES 1299 00:27:29,302 --> 00:27:31,270 ON VACATION AND THE CAMERA'S 1300 00:27:31,270 --> 00:27:32,616 IN THEIR BAG AND THEN ALL 1301 00:27:32,616 --> 00:27:34,273 OF A SUDDEN, THE TAPE IS GONE. 1302 00:27:34,273 --> 00:27:35,136 REALLY? 1303 00:27:35,136 --> 00:27:36,413 HOW IRONIC. 1304 00:27:36,413 --> 00:27:38,311 AND YOU'RE SMILING ABOUT IT. 1305 00:27:38,311 --> 00:27:39,140 I'M JUST LISTENING. 1306 00:27:39,140 --> 00:27:39,865 LIKE, YOU WEREN'T IN 1307 00:27:39,865 --> 00:27:40,659 AN "OH, [bleep]" MOMENT 1308 00:27:40,659 --> 00:27:41,660 WHEN IT HAPPENED? 1309 00:27:41,660 --> 00:27:42,350 ABSOLUTELY. 1310 00:27:42,350 --> 00:27:43,558 WE WENT THROUGH THOSE EMOTIONS. 1311 00:27:43,558 --> 00:27:44,904 THAT'S OVER WITH. 1312 00:27:44,904 --> 00:27:46,388 IT'S NOT OVER WITH. 1313 00:27:46,388 --> 00:27:47,355 THIS IS WHAT I'M SAYING TO YOU. 1314 00:27:47,355 --> 00:27:48,597 IT'S NOT OVER BECAUSE 1315 00:27:48,597 --> 00:27:50,530 IT'S STILL LINGERING WITH HER. 1316 00:27:50,530 --> 00:27:51,428 IS IT? 1317 00:27:51,428 --> 00:27:52,187 YES. 1318 00:27:52,187 --> 00:27:52,843 OKAY. 1319 00:27:52,843 --> 00:27:53,672 PERSONALLY, ARIANE, 1320 00:27:53,672 --> 00:27:54,465 SHE'S BENEATH ME. 1321 00:27:54,465 --> 00:27:55,501 I DON'T HAVE TO ANSWER NONE 1322 00:27:55,501 --> 00:27:56,364 OF HER QUESTIONS. 1323 00:27:56,364 --> 00:27:57,468 IF ARIANE IS REALLY MIMI'S 1324 00:27:57,468 --> 00:27:58,504 FRIEND, THEN SHE SHOULD KNOW 1325 00:27:58,504 --> 00:28:00,402 HOW IMPORTANT I AM IN HER LIFE. 1326 00:28:00,402 --> 00:28:01,196 CLEARLY SHE DOESN'T TRUST 1327 00:28:01,196 --> 00:28:01,956 YOU. 1328 00:28:01,956 --> 00:28:02,853 I HAD--LISTEN, I CAN'T HELP 1329 00:28:02,853 --> 00:28:03,751 HER WITH HER TRUST ISSUES. 1330 00:28:03,751 --> 00:28:04,544 ALL I CAN DO IS COMFORT HER. 1331 00:28:04,544 --> 00:28:05,407 YES, YOU CAN. 1332 00:28:05,407 --> 00:28:06,236 YOU'RE NOT COMFORTING HER 1333 00:28:06,236 --> 00:28:07,271 WELL ENOUGH. 1334 00:28:07,271 --> 00:28:08,272 YOU'RE GREAT, AND SHE'S GOING 1335 00:28:08,272 --> 00:28:09,929 THROUGH SOMETHING. 1336 00:28:09,929 --> 00:28:11,931 WHERE'S--WHERE'S THE BALANCE? 1337 00:28:11,931 --> 00:28:12,725 WELL, JUST KEEP WATCHING, 1338 00:28:12,725 --> 00:28:13,450 THOUGH. 1339 00:28:13,450 --> 00:28:14,175 NO, THAT'S WHAT-- 1340 00:28:14,175 --> 00:28:15,314 THAT'S YOUR FRIEND. 1341 00:28:15,314 --> 00:28:16,660 YOU SOUND CRAZY. 1342 00:28:16,660 --> 00:28:17,557 KEEP PAYING ATTENTION TO OUR 1343 00:28:17,557 --> 00:28:18,524 RELATIONSHIP LIKE YOU'RE DOING 1344 00:28:18,524 --> 00:28:19,214 RIGHT NOW. 1345 00:28:19,214 --> 00:28:20,043 NO, THAT'S NOT WHAT YOU WANT 1346 00:28:20,043 --> 00:28:20,768 ME TO PAY ATTENTION TO. 1347 00:28:20,768 --> 00:28:21,561 YOU WANT ME TO PAY ATTENTION 1348 00:28:21,561 --> 00:28:22,355 TO THIS SEX TAPE. 1349 00:28:22,355 --> 00:28:23,184 ARE YOU SERIOUS? 1350 00:28:23,184 --> 00:28:23,840 YES. 1351 00:28:23,840 --> 00:28:24,668 WELL, WATCH THAT TOO, 1352 00:28:24,668 --> 00:28:25,427 THOUGH, YEAH. 1353 00:28:25,427 --> 00:28:26,428 MM, THANKS. 1354 00:28:26,428 --> 00:28:27,498 NO. 1355 00:28:27,498 --> 00:28:28,189 I'M GOOD. 1356 00:28:28,189 --> 00:28:28,845 I FEEL LIKE YOU A FAKE 1357 00:28:28,845 --> 00:28:29,673 FRIEND. 1358 00:28:29,673 --> 00:28:30,398 I'M A FAKE FRIEND HOW? 1359 00:28:30,398 --> 00:28:31,123 ABSOLUTELY. 1360 00:28:31,123 --> 00:28:32,089 EXPLAIN YOURSELF. 1361 00:28:32,089 --> 00:28:32,849 'CAUSE I'M NOT AROUND? 1362 00:28:32,849 --> 00:28:33,712 YOU DON'T HAVE A INTEREST-- 1363 00:28:33,712 --> 00:28:34,505 BECAUSE I'M NOT AROUND, 1364 00:28:34,505 --> 00:28:35,472 SO I'M A FAKE FRIEND? 1365 00:28:35,472 --> 00:28:36,162 I FEEL LIKE YOU WANT TO 1366 00:28:36,162 --> 00:28:37,163 CAPITALIZE ON EVERYTHING 1367 00:28:37,163 --> 00:28:37,819 SHE'S DOING. 1368 00:28:37,819 --> 00:28:38,509 ARE YOU KIDDING ME? 1369 00:28:38,509 --> 00:28:39,165 I DO MY OWN [bleep]. 1370 00:28:39,165 --> 00:28:39,890 YOU WANT TO MOVE INTO THE 1371 00:28:39,890 --> 00:28:40,580 HOUSE. 1372 00:28:40,580 --> 00:28:41,202 REALLY? 1373 00:28:41,202 --> 00:28:41,996 I WANT TO MOVE INTO THE HOUSE? 1374 00:28:41,996 --> 00:28:42,686 I'M GOOD. 1375 00:28:42,686 --> 00:28:43,445 MY FRIEND COMES AND STAY 1376 00:28:43,445 --> 00:28:44,377 WITH ME WHEN SHE CAN'T DEAL 1377 00:28:44,377 --> 00:28:45,240 WITH Y'ALL [bleep]. 1378 00:28:45,240 --> 00:28:46,034 WHY ARE YOU ASKING ME 1379 00:28:46,034 --> 00:28:46,932 THESE QUESTIONS? 1380 00:28:46,932 --> 00:28:48,002 THAT [bleep] IS COMING OUT. 1381 00:28:48,002 --> 00:28:49,313 IT'S ABOUT TO HIT HER HARD. 1382 00:28:49,313 --> 00:28:50,590 YOU DON'T CARE. 1383 00:28:50,590 --> 00:28:51,453 I DON'T? 1384 00:28:51,453 --> 00:28:52,282 I'M IN IT WITH HER. 1385 00:28:52,282 --> 00:28:53,110 WHAT DO YOU MEAN, I DON'T CARE? 1386 00:28:53,110 --> 00:28:53,766 I'M OUT. 1387 00:28:53,766 --> 00:28:54,456 ARE YOU SERIOUS? 1388 00:28:54,456 --> 00:28:55,285 BYE, NIKKO. 1389 00:28:55,285 --> 00:28:56,355 BYE-BYE. 1390 00:28:56,355 --> 00:28:57,425 WHEN YOU WANT TO TALK AGAIN, 1391 00:28:57,425 --> 00:28:58,184 JUST PICK UP THE PHONE. 1392 00:28:58,184 --> 00:29:01,394 NOPE, I'M GOOD. 1393 00:29:01,394 --> 00:29:06,779 ALL RIGHT, CALL ME. 1394 00:29:06,779 --> 00:29:08,436 ASHLEY, I AM SO GLAD 1395 00:29:08,436 --> 00:29:10,334 YOU IN ATLANTA, 'CAUSE WE ABOUT 1396 00:29:10,334 --> 00:29:11,439 TO TURN UP! 1397 00:29:11,439 --> 00:29:12,578 WHEN I SAY I NEEDED THIS, 1398 00:29:12,578 --> 00:29:13,752 MY GOODNESS. 1399 00:29:13,752 --> 00:29:15,581 WHOA! 1400 00:29:15,581 --> 00:29:16,616 ALL I'VE BEEN DOING IS WORKING, 1401 00:29:16,616 --> 00:29:17,721 WORKING, WORKING, 1402 00:29:17,721 --> 00:29:19,205 AND [bleep] MY HUSBAND. 1403 00:29:19,205 --> 00:29:22,691 SO I NEED A BREAK. 1404 00:29:22,691 --> 00:29:24,038 AND I THINK ASHLEY WILL BE THAT 1405 00:29:24,038 --> 00:29:24,866 FOR ME. 1406 00:29:24,866 --> 00:29:26,592 SO TONY LIKE, "YOU AND ASHLEY 1407 00:29:26,592 --> 00:29:27,835 GONNA BE TURNT UP ALL NIGHT, 1408 00:29:27,835 --> 00:29:28,559 ALL DAY. 1409 00:29:28,559 --> 00:29:29,284 I GOT OVERHEAD. 1410 00:29:29,284 --> 00:29:30,630 I GOT [bleep] I'M TRYING TO DO." 1411 00:29:30,630 --> 00:29:31,390 I'M LIKE, "YO, YOU NEED A 1412 00:29:31,390 --> 00:29:32,356 VACATION LIKE I NEED A 1413 00:29:32,356 --> 00:29:33,461 VACATION, AND ASHLEY GONNA BE 1414 00:29:33,461 --> 00:29:34,462 OUR VACATION." 1415 00:29:34,462 --> 00:29:35,428 WE JUST GOT TO MAKE SURE 1416 00:29:35,428 --> 00:29:36,360 THAT WE, LIKE, FOCUS, 1417 00:29:36,360 --> 00:29:38,328 BUT I JUST WANT TO HAVE FUN. 1418 00:29:38,328 --> 00:29:39,156 MAKE SURE WE BRING OUR 1419 00:29:39,156 --> 00:29:40,226 CLOTHES IN THE HOUSE WHEN 1420 00:29:40,226 --> 00:29:41,296 WE COME BACK IN. 1421 00:29:41,296 --> 00:29:42,125 YOU KNOW WHAT? 1422 00:29:42,125 --> 00:29:43,920 MIGHT HAVE TO DROP OUR PANTS 1423 00:29:43,920 --> 00:29:46,612 AT THE DOOR. 1424 00:29:46,612 --> 00:29:47,371 TONY GONNA HAVE TO CHILL, 1425 00:29:47,371 --> 00:29:48,269 SON. 1426 00:29:48,269 --> 00:29:49,408 I BE READY, 1427 00:29:49,408 --> 00:29:50,685 ALWAYS READY. 1428 00:29:50,685 --> 00:29:51,341 FOR WHAT? 1429 00:29:51,341 --> 00:29:52,100 BACK TO TWERK TIME. 1430 00:29:52,100 --> 00:29:52,860 TWERK AND WORK. 1431 00:29:52,860 --> 00:29:54,068 SO WE GONNA SHOW HIS ASS. 1432 00:29:54,068 --> 00:29:54,862 WE GONNA TWERK AND WE GONNA 1433 00:29:54,862 --> 00:29:55,690 WORK. 1434 00:29:55,690 --> 00:29:56,449 YEAH, WE GONNA TWERK 1435 00:29:56,449 --> 00:29:57,140 AND WE GONNA WORK. 1436 00:29:57,140 --> 00:29:57,865 MY GIRL ASHLEY IS READY 1437 00:29:57,865 --> 00:29:58,693 TO TWERK. 1438 00:29:58,693 --> 00:29:59,763 I KNOW I PROMISED TONY I WOULD 1439 00:29:59,763 --> 00:30:01,800 WORK, BUT, MAN, ASHLEY IS ABOUT 1440 00:30:01,800 --> 00:30:03,802 TO TURN UP ATL. 1441 00:30:03,802 --> 00:30:05,631 WE GOT A RED LIGHT. 1442 00:30:05,631 --> 00:30:06,597 OH, HOLD UP. 1443 00:30:06,597 --> 00:30:07,529 HOLD UP. 1444 00:30:07,529 --> 00:30:08,220 OH! 1445 00:30:08,220 --> 00:30:09,773 BOW, BOW, BOW, BOW! 1446 00:30:09,773 --> 00:30:10,947 OOH-AH! 1447 00:30:10,947 --> 00:30:13,087 HEY! 1448 00:30:13,087 --> 00:30:15,192 THAT'S ASS, ATLANTA. 1449 00:30:15,192 --> 00:30:18,575 Y'ALL SEE ALL THAT ASS, ATLANTA? 1450 00:30:18,575 --> 00:30:24,132 WHAT? 1451 00:30:24,132 --> 00:30:24,823 HI, BABY. 1452 00:30:24,823 --> 00:30:25,685 OOH. 1453 00:30:25,685 --> 00:30:27,239 I AIN'T SO TIRED NO MORE. 1454 00:30:27,239 --> 00:30:28,274 [laughs] 1455 00:30:28,274 --> 00:30:29,034 WHAT'S UP, MAMA? 1456 00:30:29,034 --> 00:30:30,242 I HAVE WINE 1457 00:30:30,242 --> 00:30:32,727 AND CHEESE AND CRACKERS. 1458 00:30:32,727 --> 00:30:33,832 RASHEEDA REALLY MADE ME THINK 1459 00:30:33,832 --> 00:30:34,729 ABOUT BEING COMPLETELY HONEST 1460 00:30:34,729 --> 00:30:35,764 WITH BENZINO. 1461 00:30:35,764 --> 00:30:36,489 AND THERE'S SOME THINGS 1462 00:30:36,489 --> 00:30:37,801 ABOUT MY PAST THAT WE NEVER 1463 00:30:37,801 --> 00:30:38,940 REALLY TALKED ABOUT. 1464 00:30:38,940 --> 00:30:39,872 SO I'MA LAY IT ALL OUT THERE 1465 00:30:39,872 --> 00:30:40,873 FOR BENZINO, AND I'MA PRAY 1466 00:30:40,873 --> 00:30:41,805 FOR THE BEST. 1467 00:30:41,805 --> 00:30:42,875 SO WHAT'S TONIGHT ALL ABOUT? 1468 00:30:42,875 --> 00:30:44,290 I KNOW I SLING IT GOOD, 1469 00:30:44,290 --> 00:30:45,982 BUT THIS IS WHAT YOU GET? 1470 00:30:45,982 --> 00:30:46,810 [laughs] 1471 00:30:46,810 --> 00:30:47,466 [laughing] 1472 00:30:47,466 --> 00:30:49,778 THIS IS THE REWARD? 1473 00:30:49,778 --> 00:30:51,090 WHAT'S GOING ON, BABY? 1474 00:30:51,090 --> 00:30:52,643 WELL, I KIND OF WANTED-- 1475 00:30:52,643 --> 00:30:53,437 I HAD A LOT OF STUFF 1476 00:30:53,437 --> 00:30:55,336 ON MY MIND. 1477 00:30:55,336 --> 00:30:56,475 ABOUT WHAT? 1478 00:30:56,475 --> 00:30:58,408 ABOUT US AND-- 1479 00:30:58,408 --> 00:31:02,170 I MEAN, WE GOING GOOD. 1480 00:31:02,170 --> 00:31:03,137 YOU SAY THAT YOU MIGHT 1481 00:31:03,137 --> 00:31:05,139 MARRY ME ONE DAY. 1482 00:31:05,139 --> 00:31:06,105 YEAH, I WANT-- 1483 00:31:06,105 --> 00:31:06,968 I MEAN, THAT'S WHAT'S-- 1484 00:31:06,968 --> 00:31:07,796 YOU SAY THAT YOU'RE GONNA 1485 00:31:07,796 --> 00:31:08,556 GIVE ME A RING ONE DAY 1486 00:31:08,556 --> 00:31:09,246 AND EVERYTHING. 1487 00:31:09,246 --> 00:31:10,282 BABE, YOU GONNA PUT THIS 1488 00:31:10,282 --> 00:31:11,662 FIREPLACE UP WITH SOME CHEESE 1489 00:31:11,662 --> 00:31:12,353 AND CRACKERS-- 1490 00:31:12,353 --> 00:31:13,216 NO, I JUST WANT-- 1491 00:31:13,216 --> 00:31:14,148 [bleep], YOU AIN'T NEVER DID 1492 00:31:14,148 --> 00:31:14,976 CHEESE AND CRACKERS 1493 00:31:14,976 --> 00:31:15,666 JUST TO, LIKE-- 1494 00:31:15,666 --> 00:31:16,357 WHAT THE [bleep]? 1495 00:31:16,357 --> 00:31:17,082 WHAT YOU MEAN, KEEP-- 1496 00:31:17,082 --> 00:31:17,945 I BEEN KEEPING IT 100. 1497 00:31:17,945 --> 00:31:18,669 OKAY. 1498 00:31:18,669 --> 00:31:19,463 I HAVEN'T BEEN KEEPING IT 1499 00:31:19,463 --> 00:31:20,119 100? 1500 00:31:20,119 --> 00:31:20,844 NO, NOT REALLY. 1501 00:31:20,844 --> 00:31:22,190 REALLY? 1502 00:31:22,190 --> 00:31:23,019 HOW? 1503 00:31:23,019 --> 00:31:24,089 SO DID YOU EVER HAVE 1504 00:31:24,089 --> 00:31:26,574 A TALK WITH STEVIE THAT... 1505 00:31:26,574 --> 00:31:27,609 YOU KNOW, THAT HE KNEW ME 1506 00:31:27,609 --> 00:31:28,265 AND EVERYTHING BEFORE, 1507 00:31:28,265 --> 00:31:28,887 PRIOR TO YOU? 1508 00:31:28,887 --> 00:31:29,715 NO. 1509 00:31:29,715 --> 00:31:32,476 BUT YOU KNOW THAT 1510 00:31:32,476 --> 00:31:34,306 WE DID IT ONE NIGHT, RIGHT? 1511 00:31:34,306 --> 00:31:35,100 [clicks tongue] 1512 00:31:35,100 --> 00:31:36,204 WAY BACK IN THE BEGINNING, 1513 00:31:36,204 --> 00:31:37,378 STEVIE CALLED ME AND ASKED ME 1514 00:31:37,378 --> 00:31:38,379 TO COME TO THE STUDIO, 1515 00:31:38,379 --> 00:31:39,725 AND BENZINO WAS THERE. 1516 00:31:39,725 --> 00:31:40,933 I ASSUMED THAT BENZINO KNEW 1517 00:31:40,933 --> 00:31:41,900 WHAT HAPPENED BETWEEN ME 1518 00:31:41,900 --> 00:31:43,039 AND STEVIE, BUT MAYBE 1519 00:31:43,039 --> 00:31:44,005 I WAS WRONG. 1520 00:31:44,005 --> 00:31:44,764 I DON'T WANT TO FEEL LIKE 1521 00:31:44,764 --> 00:31:45,455 I'M GETTING PLAYED. 1522 00:31:45,455 --> 00:31:46,490 SO YOU SITTING HERE 1523 00:31:46,490 --> 00:31:47,560 ADMITTING TODAY, RIGHT NOW, 1524 00:31:47,560 --> 00:31:48,734 YOU AND STEVIE [bleep] AROUND, 1525 00:31:48,734 --> 00:31:50,529 BUT YOU TELLING ME 1526 00:31:50,529 --> 00:31:51,910 THAT I'M PLAYING YOU? 1527 00:31:51,910 --> 00:31:52,703 'CAUSE YOU KNEW CERTAIN 1528 00:31:52,703 --> 00:31:54,291 THINGS AND YOU DON'T ADDRESS-- 1529 00:31:54,291 --> 00:31:55,672 HOW THE [bleep] DID I KNOW 1530 00:31:55,672 --> 00:31:57,260 ABOUT YOU AND STEVIE? 1531 00:31:57,260 --> 00:31:58,468 I DIDN'T ASK. 1532 00:31:58,468 --> 00:31:59,365 IT'S LIKE THE ARMY. 1533 00:31:59,365 --> 00:32:02,058 DON'T [bleep] ASK, DON'T TELL. 1534 00:32:02,058 --> 00:32:02,817 THERE'S BEEN SOME GIRLS 1535 00:32:02,817 --> 00:32:03,611 THAT ALTHEA KNOWS 1536 00:32:03,611 --> 00:32:04,923 THAT I'VE ROCKED WITH. 1537 00:32:04,923 --> 00:32:05,924 AND THERE'S BEEN SOME GUYS 1538 00:32:05,924 --> 00:32:06,821 THAT I KNOW THAT THEA'S 1539 00:32:06,821 --> 00:32:07,926 ROCKED WITH. 1540 00:32:07,926 --> 00:32:08,650 ONE OF THE GUYS HAPPENED 1541 00:32:08,650 --> 00:32:09,858 TO BE STEVIE. 1542 00:32:09,858 --> 00:32:11,032 ANYTHING THAT IS NEGATIVE 1543 00:32:11,032 --> 00:32:12,861 IN MY PAST, I PUT THAT [bleep] 1544 00:32:12,861 --> 00:32:14,691 IN THE TRASH AND I WIPE IT OUT. 1545 00:32:14,691 --> 00:32:15,450 POINT IS, IS YOU GUYS 1546 00:32:15,450 --> 00:32:16,520 IS BEST FRIENDS, 1547 00:32:16,520 --> 00:32:17,314 AND YOU GUYS IS AROUND EACH 1548 00:32:17,314 --> 00:32:18,108 OTHER EVERY DAY. 1549 00:32:18,108 --> 00:32:19,282 AND I WANT EVERYTHING LAID OUT 1550 00:32:19,282 --> 00:32:20,041 ON THE TABLE. 1551 00:32:20,041 --> 00:32:21,146 ANOTHER REASON WHY I JUST WANTED 1552 00:32:21,146 --> 00:32:22,285 TO TALK ABOUT IT, BECAUSE 1553 00:32:22,285 --> 00:32:23,286 WE'RE ALWAYS AROUND STEVIE 1554 00:32:23,286 --> 00:32:24,080 AND JOSELINE. 1555 00:32:24,080 --> 00:32:26,116 AND I FEEL LIKE SHE KNOWS, 1556 00:32:26,116 --> 00:32:26,875 BUT SHE'S JUST NOT SAYING 1557 00:32:26,875 --> 00:32:27,704 ANYTHING. 1558 00:32:27,704 --> 00:32:28,947 ANY GIRL AROUND [bleep] 1559 00:32:28,947 --> 00:32:30,431 STEVIE, SHE THINKS IS [bleep]. 1560 00:32:30,431 --> 00:32:31,156 HOW COME WHEN SHE CAME 1561 00:32:31,156 --> 00:32:32,260 TO THE STUDIO, SHE WAS LIKE, 1562 00:32:32,260 --> 00:32:33,054 "I KNOW SOMETHING. 1563 00:32:33,054 --> 00:32:33,952 I'M JUST WAITING-- 1564 00:32:33,952 --> 00:32:34,883 YOU KNOW, WAITING FOR THE RIGHT 1565 00:32:34,883 --> 00:32:35,608 TIME"? 1566 00:32:35,608 --> 00:32:36,437 I'M LIKE--I JUST DON'T WANT 1567 00:32:36,437 --> 00:32:37,438 TO BE IN ANY AWKWARD SITUATIONS 1568 00:32:37,438 --> 00:32:38,439 WHERE I THINK THAT SOMEBODY 1569 00:32:38,439 --> 00:32:39,371 MIGHT KNOW SOMETHING 1570 00:32:39,371 --> 00:32:40,372 AND THEN I'M, LIKE, BLINDED 1571 00:32:40,372 --> 00:32:41,580 TO IT. 1572 00:32:41,580 --> 00:32:42,650 WHETHER I KNOW OR DIDN'T 1573 00:32:42,650 --> 00:32:44,100 KNOW, I DIDN'T WANT TO [bleep] 1574 00:32:44,100 --> 00:32:44,893 THINK ABOUT IT. 1575 00:32:44,893 --> 00:32:45,860 BUT SOMEBODY THAT I'M TRYING 1576 00:32:45,860 --> 00:32:46,550 TO BUILD MY LIFE WITH, 1577 00:32:46,550 --> 00:32:47,551 WE NEED TO FACE IT. 1578 00:32:47,551 --> 00:32:48,414 I DON'T--I WANT TO TALK ABOUT 1579 00:32:48,414 --> 00:32:50,140 IT NOW BECAUSE I FEEL LIKE WE-- 1580 00:32:50,140 --> 00:32:50,969 IT'S LIKE WE'RE SUPPRESSING 1581 00:32:50,969 --> 00:32:52,142 SOMETHING. 1582 00:32:52,142 --> 00:32:52,971 YOU SHOULD BE HAPPY THAT 1583 00:32:52,971 --> 00:32:53,695 YOU HAVE A GOOD WOMAN-- 1584 00:32:53,695 --> 00:32:54,489 I SHOULD BE HAPPY? 1585 00:32:54,489 --> 00:32:55,180 WHAT THE [bleep] 1586 00:32:55,180 --> 00:32:55,870 IS YOU TALKING-- 1587 00:32:55,870 --> 00:32:56,733 THAT WANTS EVERYTHING OUT ON 1588 00:32:56,733 --> 00:32:57,527 THE TABLE AND HAVE NOTHING TO 1589 00:32:57,527 --> 00:32:58,183 HIDE AND I LOVE YOU. 1590 00:32:58,183 --> 00:32:59,218 REALLY? WOW. 1591 00:32:59,218 --> 00:33:00,219 WE SHOULD TALK ABOUT THESE 1592 00:33:00,219 --> 00:33:01,358 ARRANGEMENTS. 1593 00:33:01,358 --> 00:33:04,223 BECAUSE I KIND OF TOLD VICK 1594 00:33:04,223 --> 00:33:07,847 THAT WE WAS GONNA KIND OF 1595 00:33:07,847 --> 00:33:20,481 BE IN ALL ONE ROOM. 1596 00:33:20,481 --> 00:33:22,552 OH, MY BABY. 1597 00:33:22,552 --> 00:33:23,967 I'M GLAD MY BABY'S HERE. 1598 00:33:23,967 --> 00:33:25,175 ME TOO. 1599 00:33:25,175 --> 00:33:26,073 COULDN'T WAIT TO SEE YOUR 1600 00:33:26,073 --> 00:33:27,557 ASS SO I COULD SLAP IT. 1601 00:33:27,557 --> 00:33:29,352 WHOA! 1602 00:33:29,352 --> 00:33:31,285 TWERK, TWERK, BOW, BOW. 1603 00:33:31,285 --> 00:33:32,182 WORK AND TWERK. 1604 00:33:32,182 --> 00:33:33,390 I WANT TO PROVE TO MY HUSBAND, 1605 00:33:33,390 --> 00:33:35,082 TONY, THAT BY ASHLEY COMING 1606 00:33:35,082 --> 00:33:37,291 DOWN, IT WILL NOT DISTRACT ME 1607 00:33:37,291 --> 00:33:41,191 FROM GETTING THIS ALBUM DONE. 1608 00:33:41,191 --> 00:33:43,469 WHAT IT WILL DO IS MOTIVATE ME. 1609 00:33:43,469 --> 00:33:44,988 MAN, LISTEN. 1610 00:33:44,988 --> 00:33:46,541 I MEAN, IT IS WHAT EVERY 1611 00:33:46,541 --> 00:33:47,853 [bleep] WANTS. 1612 00:33:47,853 --> 00:33:48,854 LET'S BE REAL. 1613 00:33:48,854 --> 00:33:49,717 IF I'M A KID, I GO IN THE CANDY 1614 00:33:49,717 --> 00:33:51,443 STORE, I WANT IT ALL. 1615 00:33:51,443 --> 00:33:52,444 HOW LONG YOU STAYING? 1616 00:33:52,444 --> 00:33:54,066 UNTIL I'M RET TO GO. 1617 00:33:54,066 --> 00:33:54,998 KIND OF GLAD YOU HERE. 1618 00:33:54,998 --> 00:33:55,654 YOU SHOULD BE. 1619 00:33:55,654 --> 00:33:56,965 YOU CAN HELP YOUR BOO FRIEND 1620 00:33:56,965 --> 00:33:58,139 OUT HERE IN THE STUDIO, 1621 00:33:58,139 --> 00:34:00,003 GIVE HER SOME ENCOURAGEMENT. 1622 00:34:00,003 --> 00:34:00,831 SHE NEEDS ME. 1623 00:34:00,831 --> 00:34:02,557 I FEEL LIKE WITH YOUR 1624 00:34:02,557 --> 00:34:04,939 INSPIRATION AND NOT YOUR... 1625 00:34:04,939 --> 00:34:06,354 ASS-PIRATION? 1626 00:34:06,354 --> 00:34:08,046 [laughter] 1627 00:34:08,046 --> 00:34:08,770 WOW. 1628 00:34:08,770 --> 00:34:09,495 THAT WAS COOL. 1629 00:34:09,495 --> 00:34:10,634 ASHLEY'S ASS 1630 00:34:10,634 --> 00:34:12,533 IS DEFINITELY GONNA HELP ME 1631 00:34:12,533 --> 00:34:14,121 WITH THE BLACK ORCHIDPROJECT 1632 00:34:14,121 --> 00:34:15,743 BECAUSE SHE HAS A FAT ONE, 1633 00:34:15,743 --> 00:34:17,055 AND WHEN I SEE IT, 1634 00:34:17,055 --> 00:34:18,470 I GET CREATIVE, 1635 00:34:18,470 --> 00:34:19,919 AND I WANT TO WRITE RECORDS. 1636 00:34:19,919 --> 00:34:21,197 CHEERS. 1637 00:34:21,197 --> 00:34:22,853 TO GOOD FRIENDSHIP, 1638 00:34:22,853 --> 00:34:24,717 LONG LOVE, 1639 00:34:24,717 --> 00:34:25,891 AND PROSPERITY. 1640 00:34:25,891 --> 00:34:26,547 ABSOLUTELY. 1641 00:34:26,547 --> 00:34:27,203 AND HARD WORK. 1642 00:34:27,203 --> 00:34:27,927 LET'S GO. 1643 00:34:27,927 --> 00:34:28,583 AND HARD WORK. 1644 00:34:28,583 --> 00:34:29,239 LET'S DO IT. 1645 00:34:29,239 --> 00:34:29,998 YEAH. 1646 00:34:29,998 --> 00:34:30,930 I'M JUST TRYING TO FIGURE OUT, 1647 00:34:30,930 --> 00:34:33,001 LIKE, IF Y'ALL ARE PARTYING 1648 00:34:33,001 --> 00:34:34,727 AND HANGING OUT, 1649 00:34:34,727 --> 00:34:35,866 DOING ALL THAT STUFF, 1650 00:34:35,866 --> 00:34:37,316 WHERE DO I FIT IN THAT? 1651 00:34:37,316 --> 00:34:40,423 I AM PRETTY SURE 1652 00:34:40,423 --> 00:34:41,700 THAT ASHLEY WANTS ME 1653 00:34:41,700 --> 00:34:46,532 ALL TO HERSELF. 1654 00:34:46,532 --> 00:34:48,465 I'LL SEE YOU GUYS UPSTAIRS? 1655 00:34:48,465 --> 00:34:49,225 STRAIGHT UP. 1656 00:34:49,225 --> 00:34:50,812 I LOVE WOMEN. 1657 00:34:50,812 --> 00:34:52,469 SO I CAN'T BE WITH A WOMAN 1658 00:34:52,469 --> 00:34:54,126 THAT DON'T LOVE WOMEN. 1659 00:34:54,126 --> 00:34:55,127 IT'S JUST NOW WE HAVE TO FIGURE 1660 00:34:55,127 --> 00:34:57,440 OUT HOW TO LOVE WOMEN TOGETHER. 1661 00:34:57,440 --> 00:34:58,303 WE SHOULD TALK ABOUT 1662 00:34:58,303 --> 00:35:00,891 THESE ARRANGEMENTS. 1663 00:35:00,891 --> 00:35:02,548 BECAUSE... 1664 00:35:02,548 --> 00:35:03,963 I KIND OF TOLD VICK 1665 00:35:03,963 --> 00:35:05,413 THAT WE WERE GONNA KIND OF 1666 00:35:05,413 --> 00:35:06,863 BE IN ALL ONE ROOM. 1667 00:35:06,863 --> 00:35:07,553 I DON'T KNOW HOW YOU FEEL 1668 00:35:07,553 --> 00:35:08,830 ABOUT THAT. 1669 00:35:08,830 --> 00:35:12,731 LET ME KNOW. 1670 00:35:12,731 --> 00:35:16,562 NO. 1671 00:35:16,562 --> 00:35:17,598 FROM THE IMPRESSION 1672 00:35:17,598 --> 00:35:18,633 THAT I GOT, AND, YOU KNOW, 1673 00:35:18,633 --> 00:35:20,773 MAYBE I'M JUST DREAMING, 1674 00:35:20,773 --> 00:35:21,567 BUT I THOUGHT I WAS GONNA WAKE 1675 00:35:21,567 --> 00:35:22,879 UP TO TWO FAT BOOTIES 1676 00:35:22,879 --> 00:35:24,432 IN THE MORNING, LIKE, 1677 00:35:24,432 --> 00:35:25,606 WHOO! 1678 00:35:25,606 --> 00:35:26,641 OH, HMM. 1679 00:35:26,641 --> 00:35:28,126 JUST A VISION. 1680 00:35:28,126 --> 00:35:29,265 I BELIEVE IN YOUR VISION, 1681 00:35:29,265 --> 00:35:30,714 BECAUSE IF I WAS A MAN, 1682 00:35:30,714 --> 00:35:32,475 I WOULD WANT THAT VISION TOO. 1683 00:35:32,475 --> 00:35:33,269 YOU COOL WITH THAT? 1684 00:35:33,269 --> 00:35:34,028 I'M JUST SAYING, 1685 00:35:34,028 --> 00:35:34,753 IT'S ONLY FUN IF THE HOMIES 1686 00:35:34,753 --> 00:35:35,857 CAN HAVE SOME TOO, RIGHT? 1687 00:35:35,857 --> 00:35:36,651 both: NO. 1688 00:35:36,651 --> 00:35:38,239 OH. NO? 1689 00:35:38,239 --> 00:35:39,206 both: NO. 1690 00:35:39,206 --> 00:35:39,930 Y'ALL GONNA LEAVE ME 1691 00:35:39,930 --> 00:35:40,621 LIKE THIS? 1692 00:35:40,621 --> 00:35:41,277 HOLY [bleep]. 1693 00:35:41,277 --> 00:35:42,485 THE KITCHEN'S DONE. 1694 00:35:42,485 --> 00:35:43,693 WELL, THAT'S WHAT IT LOOKS 1695 00:35:43,693 --> 00:35:44,625 LIKE, YOU KNOW. 1696 00:35:44,625 --> 00:35:45,281 WELL, Y'ALL GO AHEAD 1697 00:35:45,281 --> 00:35:45,971 AND DO YOUR THING. 1698 00:35:45,971 --> 00:35:46,696 I'LL TALK TO YOU LATER. 1699 00:35:46,696 --> 00:35:47,697 YOU DON'T MIND, DO YOU? 1700 00:35:47,697 --> 00:35:48,663 NO, HE DON'T MIND. 1701 00:35:48,663 --> 00:35:50,078 GET YOUR ASS-- 1702 00:35:50,078 --> 00:35:51,356 Y'ALL JUST LEAVE ME HERE, 1703 00:35:51,356 --> 00:35:52,426 YOU KNOW, WITH ALL THE DISHES 1704 00:35:52,426 --> 00:35:53,427 BY MYSELF. 1705 00:35:53,427 --> 00:35:56,257 I'LL SEE YOU IN A FEW. 1706 00:35:56,257 --> 00:35:59,536 ALL RIGHT, BABY. 1707 00:35:59,536 --> 00:36:02,505 I'M NOT CLEANING THAT 1708 00:36:02,505 --> 00:36:03,022 [bleep]. 1709 00:36:03,022 --> 00:36:12,066 [delicate piano music] 1710 00:36:12,066 --> 00:36:37,712 ♪ 1711 00:36:37,712 --> 00:36:38,541 I JUST GOT THE PHONE CALL 1712 00:36:38,541 --> 00:36:41,026 THAT MY FATHER... 1713 00:36:41,026 --> 00:36:42,027 [crying] HE WAS CRYING. 1714 00:36:42,027 --> 00:36:42,890 AND I KNEW IT WAS SOMETHING 1715 00:36:42,890 --> 00:36:43,684 THE MATTER. 1716 00:36:43,684 --> 00:36:44,443 AND THEN HE TOLD ME MY MOTHER 1717 00:36:44,443 --> 00:36:46,445 DIED, AND I JUST WAS IN SHOCK. 1718 00:36:46,445 --> 00:36:50,104 [crying] 1719 00:36:50,104 --> 00:36:51,726 AND MY WHOLE WORLD JUST-- 1720 00:36:51,726 --> 00:36:54,557 JUST CAME TO AN END. 1721 00:36:54,557 --> 00:36:56,317 MY FAMILY'S IN BOSTON, 1722 00:36:56,317 --> 00:36:58,112 SO I KIND OF HAD TO HURRY UP, 1723 00:36:58,112 --> 00:36:59,389 PACK MY BAGS, AND GET THERE 1724 00:36:59,389 --> 00:37:01,184 AS SOON AS POSSIBLE. 1725 00:37:01,184 --> 00:37:02,220 BUT I KNEW AT THE SAME TIME, 1726 00:37:02,220 --> 00:37:03,428 THIS WASN'T--IT WAS GONNA BE 1727 00:37:03,428 --> 00:37:04,498 DYSFUNCTIONAL BECAUSE 1728 00:37:04,498 --> 00:37:06,293 MY RELATIONSHIPS WITH OTHER 1729 00:37:06,293 --> 00:37:07,328 MEMBERS OF MY FAMILY 1730 00:37:07,328 --> 00:37:08,743 HAVE BEEN KIND OF STRAINED 1731 00:37:08,743 --> 00:37:10,262 A LITTLE BIT. 1732 00:37:10,262 --> 00:37:11,125 TO BE HONEST WITH YOU, 1733 00:37:11,125 --> 00:37:12,126 I WAS NUMB. 1734 00:37:12,126 --> 00:37:13,576 I COULDN'T EVEN THINK. 1735 00:37:13,576 --> 00:37:14,508 I JUST COULDN'T EVEN THINK. 1736 00:37:14,508 --> 00:37:15,923 I WAS JUST QUIET AND NUMB. 1737 00:37:15,923 --> 00:37:17,165 AND I FELT LIKE MY BODY 1738 00:37:17,165 --> 00:37:18,305 WAS MOVING, BUT MY MIND 1739 00:37:18,305 --> 00:37:19,892 HAD JUST WENT BLANK. 1740 00:37:19,892 --> 00:37:21,066 [sniffles] 1741 00:37:21,066 --> 00:37:22,688 AND I WAS JUST IN A COLD, 1742 00:37:22,688 --> 00:37:23,620 COLD SPACE. 1743 00:37:23,620 --> 00:37:25,967 I WAS IN A COLD, DARK SPACE. 1744 00:37:25,967 --> 00:37:29,833 AND... 1745 00:37:29,833 --> 00:37:31,214 I FEEL BAD FOR ANYBODY OUT THERE 1746 00:37:31,214 --> 00:37:36,357 THAT LOST THEIR MOTHER. 1747 00:37:36,357 --> 00:37:42,260 'CAUSE IT AIN'T EASY. 1748 00:37:42,260 --> 00:37:44,331 ZINO'S MOM HAD PASSED AWAY. 1749 00:37:44,331 --> 00:37:45,159 THERE'S JUST, LIKE, SOME 1750 00:37:45,159 --> 00:37:46,264 CRAZINESS GOING ON. 1751 00:37:46,264 --> 00:37:47,334 LIKE, MONEY, POWER, 1752 00:37:47,334 --> 00:37:50,992 GREED, FAMILY-- 1753 00:37:50,992 --> 00:38:00,105 SOMETIMES IT DON'T MIX. 1754 00:38:00,105 --> 00:38:02,210 I GOT THE CALL FROM ZINO 1755 00:38:02,210 --> 00:38:04,005 ABOUT HIS MOM PASSING. 1756 00:38:04,005 --> 00:38:05,283 AND HE COULDN'T EVEN TALK. 1757 00:38:05,283 --> 00:38:07,457 YOU KNOW, HE WAS JUST 1758 00:38:07,457 --> 00:38:08,976 BAWLING OUT OF CONTROL. 1759 00:38:08,976 --> 00:38:10,391 SO IT'S JUST SOME STUFF, 1760 00:38:10,391 --> 00:38:11,150 SOME FUNNY BUSINESS 1761 00:38:11,150 --> 00:38:12,773 WITH THE FAMILY, MAN. 1762 00:38:12,773 --> 00:38:14,913 IT'S JUST A WRETCHED MESS, MAN. 1763 00:38:14,913 --> 00:38:15,879 MORNING, BABE. 1764 00:38:15,879 --> 00:38:18,537 HEY, BABE, WHERE YOU GOING? 1765 00:38:18,537 --> 00:38:19,297 I GOT TO GO. 1766 00:38:19,297 --> 00:38:20,090 WHAT'S GOING ON? 1767 00:38:20,090 --> 00:38:21,091 WHY YOU DRESSED UP? 1768 00:38:21,091 --> 00:38:22,092 I GOT TO GO TO BOSTON. 1769 00:38:22,092 --> 00:38:23,024 WHAT HAPPENED? 1770 00:38:23,024 --> 00:38:24,371 ZINO'S MOM HAD BEEN SICK 1771 00:38:24,371 --> 00:38:26,752 FOR A WHILE, AND 1772 00:38:26,752 --> 00:38:28,754 SHE PASSED AWAY. 1773 00:38:28,754 --> 00:38:29,755 AND IT'S A LOT GOING ON 1774 00:38:29,755 --> 00:38:30,963 WITH THE FAMILY. 1775 00:38:30,963 --> 00:38:31,688 THERE'S JUST, LIKE, SOME 1776 00:38:31,688 --> 00:38:32,758 CRAZINESS GOING ON. 1777 00:38:32,758 --> 00:38:33,897 LIKE, MONEY, POWER, 1778 00:38:33,897 --> 00:38:35,451 GREED, FAMILY-- 1779 00:38:35,451 --> 00:38:36,624 SOMETIMES IT DON'T MIX. 1780 00:38:36,624 --> 00:38:37,418 I JUST WANT TO GET THERE 1781 00:38:37,418 --> 00:38:38,557 AND MAKE SURE MY BRO IS GOOD, 1782 00:38:38,557 --> 00:38:39,489 YOU KNOW? 1783 00:38:39,489 --> 00:38:40,525 I DEFINITELY FEEL LIKE 1784 00:38:40,525 --> 00:38:41,284 YOU SHOULD DO THAT. 1785 00:38:41,284 --> 00:38:42,009 I FEEL BAD. 1786 00:38:42,009 --> 00:38:42,906 I MEAN, I DON'T KNOW WHAT TO 1787 00:38:42,906 --> 00:38:43,562 SAY. 1788 00:38:43,562 --> 00:38:44,529 YOU KNOW, HE NEEDS YOU MORE 1789 00:38:44,529 --> 00:38:45,288 THAN ANYBODY. 1790 00:38:45,288 --> 00:38:46,289 HOW WAS HIS RELATIONSHIP 1791 00:38:46,289 --> 00:38:47,704 WITH HIS MOTHER? 1792 00:38:47,704 --> 00:38:49,119 IT WAS ABOUT LIKE WHAT 1793 00:38:49,119 --> 00:38:50,086 MINE IS WITH MINE, 1794 00:38:50,086 --> 00:38:51,398 YOU KNOW WHAT I'M SAYING? 1795 00:38:51,398 --> 00:38:52,295 THAT'S WHY I ALWAYS TELL YOU 1796 00:38:52,295 --> 00:38:53,331 TO CALL YOUR MOTHER. 1797 00:38:53,331 --> 00:38:54,332 YOU GOT TO GET CLOSE TO YOUR 1798 00:38:54,332 --> 00:38:55,160 MOTHER, BABE. 1799 00:38:55,160 --> 00:38:56,023 IT'S ABOUT THAT TIME. 1800 00:38:56,023 --> 00:38:57,093 TIME IS TICKING. 1801 00:38:57,093 --> 00:38:57,921 YOU KNOW, ME AND MY MOM 1802 00:38:57,921 --> 00:38:58,819 HAVEN'T HAD THE BEST 1803 00:38:58,819 --> 00:39:00,993 RELATIONSHIP, AND JOSELINE IS-- 1804 00:39:00,993 --> 00:39:02,270 SHE'S ALWAYS PUSHING ME 1805 00:39:02,270 --> 00:39:03,341 TO GET INTO A RELATIONSHIP 1806 00:39:03,341 --> 00:39:04,480 WITH MY MOTHER. 1807 00:39:04,480 --> 00:39:06,447 AND NOW I SEE WHY. 1808 00:39:06,447 --> 00:39:07,345 I JUST DON'T WANT TO MAKE 1809 00:39:07,345 --> 00:39:08,449 YOU FEEL LIKE--'CAUSE I KNOW 1810 00:39:08,449 --> 00:39:09,347 ME AND YOU DOING A LOT 1811 00:39:09,347 --> 00:39:10,140 AS FAR AS PUTTING THIS SHOW 1812 00:39:10,140 --> 00:39:10,865 TOGETHER. 1813 00:39:10,865 --> 00:39:11,694 IT WOULD BE SELFISH 1814 00:39:11,694 --> 00:39:13,178 TO ACT LIKE I'M UPSET 1815 00:39:13,178 --> 00:39:13,903 THAT YOU'RE LEAVING. 1816 00:39:13,903 --> 00:39:14,593 HE NEEDS YOU. 1817 00:39:14,593 --> 00:39:15,801 YOUR FRIEND NEEDS YOU RIGHT NOW. 1818 00:39:15,801 --> 00:39:16,699 BUT YOU NEED ME TOO. 1819 00:39:16,699 --> 00:39:17,941 I NEED YOU, BUT I CAN HANDLE 1820 00:39:17,941 --> 00:39:19,287 IT WHILE YOU'RE GONE, YOU KNOW? 1821 00:39:19,287 --> 00:39:20,185 I LOVE YOU, BABY. 1822 00:39:20,185 --> 00:39:21,048 I LOVE YOU TOO. 1823 00:39:21,048 --> 00:39:21,842 DON'T WORRY ABOUT ANYTHING. 1824 00:39:21,842 --> 00:39:22,498 I'M GONNA TAKE CARE OF 1825 00:39:22,498 --> 00:39:23,464 THE REHEARSAL, EVERYTHING. 1826 00:39:23,464 --> 00:39:24,154 I GOT THAT. 1827 00:39:24,154 --> 00:39:25,259 YOU JUST GO BE THERE 1828 00:39:25,259 --> 00:39:26,364 AND SUPPORT YOUR HOMEY, 1829 00:39:26,364 --> 00:39:27,434 'CAUSE HE NEEDS YOU RIGHT NOW. 1830 00:39:27,434 --> 00:39:28,331 HOLD DOWN THE FORT FOR ME. 1831 00:39:28,331 --> 00:39:29,056 I'LL BE RIGHT BACK. 1832 00:39:29,056 --> 00:39:30,229 I GOT YOU. 1833 00:39:30,229 --> 00:39:31,161 LOVE YOU, BABY. 1834 00:39:31,161 --> 00:39:32,128 I LOVE YOU TOO. 1835 00:39:32,128 --> 00:39:33,750 MM. 1836 00:39:33,750 --> 00:39:34,475 HAVE A SAFE FLIGHT. 1837 00:39:34,475 --> 00:39:35,511 LET ME WALK YOU OUTSIDE. 1838 00:39:35,511 --> 00:39:37,271 WHEN I HEARD ZINO'S MOM PASSED 1839 00:39:37,271 --> 00:39:38,652 AWAY, I FELT REALLY BAD. 1840 00:39:38,652 --> 00:39:39,722 NOBODY WANTS THEY PARENTS 1841 00:39:39,722 --> 00:39:41,068 TO PASS AWAY, AND THAT'S WHY 1842 00:39:41,068 --> 00:39:42,138 I ALWAYS TELL STEVIE, 1843 00:39:42,138 --> 00:39:44,934 "CALL YOUR MOTHER." 1844 00:39:44,934 --> 00:39:52,217 I LOVE YOU. 1845 00:39:52,217 --> 00:39:52,907 NEXT TIME ON 1846 00:39:52,907 --> 00:39:53,839 LOVE & HIP-HOP: ATLANTA... 1847 00:39:53,839 --> 00:39:55,151 JOSELINE JUST TOLD ME 1848 00:39:55,151 --> 00:39:56,842 THAT NIKKO AND THEA'S [bleep]. 1849 00:39:56,842 --> 00:39:58,188 YOU TELLING ME THAT SHE WAS 1850 00:39:58,188 --> 00:39:59,604 DOING STEVIE TOO? 1851 00:39:59,604 --> 00:40:00,294 SHE WAS. 1852 00:40:00,294 --> 00:40:00,950 YOU KNOW THAT BITCH 1853 00:40:00,950 --> 00:40:01,778 GONNA FLIP HER WIG. 1854 00:40:01,778 --> 00:40:02,503 WELL, HOS KNOW HOS. 1855 00:40:02,503 --> 00:40:03,953 SHE SHOULD KNOW. 1856 00:40:03,953 --> 00:40:04,988 WHAT? 1857 00:40:04,988 --> 00:40:05,955 I'M JUST SAYING. 1858 00:40:05,955 --> 00:40:07,128 OH, NO, BITCH, WHAT? 1859 00:40:07,128 --> 00:40:08,613 ERICA TOLD ME THAT MIMI 1860 00:40:08,613 --> 00:40:10,753 TOLD HER THAT ALTHEA 1861 00:40:10,753 --> 00:40:13,134 AND STEVIE... 1862 00:40:13,134 --> 00:40:14,032 YEAH. 1863 00:40:14,032 --> 00:40:14,860 'CAUSE I WANT TO POP YOU 1864 00:40:14,860 --> 00:40:15,654 IN YOUR [bleep], BUT I CAN'T 1865 00:40:15,654 --> 00:40:16,483 BEAT YOU UP, SO I'MA HAVE 1866 00:40:16,483 --> 00:40:17,415 TO WHUP HER ASS. 1867 00:40:17,415 --> 00:40:18,174 'CAUSE SHE SAT IN MY 1868 00:40:18,174 --> 00:40:19,002 MOTHER[bleep] HOUSE-- 1869 00:40:19,002 --> 00:40:20,072 I NEVER [bleep] HER. 1870 00:40:20,072 --> 00:40:20,763 I DON'T BELIEVE YOU. 1871 00:40:20,763 --> 00:40:21,867 DESTROYING MY BIKE. 1872 00:40:21,867 --> 00:40:23,144 I FEEL LIKE WE BOTH HAVE DONE 1873 00:40:23,144 --> 00:40:24,525 THINGS THAT'S WRONG ON BOTH 1874 00:40:24,525 --> 00:40:25,215 SIDES OF THE TABLE. 1875 00:40:25,215 --> 00:40:26,044 KIRK, THAT'S BULL[bleep]. 1876 00:40:26,044 --> 00:40:26,872 YOU MAD ABOUT YOUR [bleep] 1877 00:40:26,872 --> 00:40:27,666 BEING BROKE. 1878 00:40:27,666 --> 00:40:28,598 I'M PISSED OFF ABOUT YOU-- 1879 00:40:28,598 --> 00:40:29,599 AND THAT'S MATERIALISTIC 1880 00:40:29,599 --> 00:40:30,393 AS [bleep]. 1881 00:40:30,393 --> 00:40:31,152 MATERIAL STUFF DON'T 1882 00:40:31,152 --> 00:40:31,877 BOTHER YOU? 1883 00:40:31,877 --> 00:40:32,533 MM-MM. 1884 00:40:32,533 --> 00:40:33,603 THESE ARE CHANELS, RIGHT? 1885 00:40:33,603 --> 00:40:34,328 YEAH, THEY ARE. 1886 00:40:34,328 --> 00:40:36,606 WHAT IF I JUST DID LIKE THIS? 1887 00:40:36,606 --> 00:40:37,331 KIRK. 1888 00:40:37,331 --> 00:40:38,436 HOW DO YOU FEEL ABOUT THAT? 1889 00:40:38,436 --> 00:40:39,506 SO, MIMI, I GOT THE PREVIEW 1890 00:40:39,506 --> 00:40:40,541 OF THE TAPE. 1891 00:40:40,541 --> 00:40:43,441 LET'S WATCH IT. 1892 00:40:43,441 --> 00:40:46,582 OH, MY GOD. 1893 00:40:46,582 --> 00:40:48,446 I HAVE NO WORDS. 1894 00:40:48,446 --> 00:40:49,481 OH, MY GOD. 1895 00:40:49,481 --> 00:40:50,240 SO I JUST LOOKED. 1896 00:40:50,240 --> 00:40:51,207 YEAH, IT'S REAL. 1897 00:40:51,207 --> 00:40:52,242 ARE YOU SERIOUS? 1898 00:40:52,242 --> 00:40:55,038 "RAPPER BENZINO SHOT." 1899 00:40:55,038 --> 00:40:59,215 [gunshot] 1900 00:40:59,215 --> 00:41:17,509 [heart monitor beeping] 1901 00:41:17,509 --> 00:41:18,337 YOU KNOW THOSE MATTRESSES 1902 00:41:18,337 --> 00:41:18,993 THAT WHEN YOU DO IT, 1903 00:41:18,993 --> 00:41:20,788 THEY MAKE THE--BOOM-CHINGA? 1904 00:41:20,788 --> 00:41:21,479 KARLIE. 1905 00:41:21,479 --> 00:41:22,134 HAVE YOU EVER BEEN TO A 1906 00:41:22,134 --> 00:41:22,997 HOTEL AND THAT HAPPENED? 1907 00:41:22,997 --> 00:41:23,757 YEAH, THE LA QUINTA INN. 1908 00:41:23,757 --> 00:41:25,172 NO, STUPID. 1909 00:41:25,172 --> 00:41:26,622 NO, YOU'VE NEVER BEEN-- 1910 00:41:26,622 --> 00:41:27,692 THE HEADBOARD BE-- 1911 00:41:27,692 --> 00:41:28,900 YEAH. 1912 00:41:28,900 --> 00:41:30,246 ARE YOU WILD WITH IT? 1913 00:41:30,246 --> 00:41:32,075 I'M ALL SENSUAL AND STUFF. 1914 00:41:32,075 --> 00:41:32,869 I'M LIKE, "I JUST WANT 1915 00:41:32,869 --> 00:41:34,181 TO KISS ALL OVER YOU. 1916 00:41:34,181 --> 00:41:35,803 I WANT TO LICK ALL OVER YOU." 1917 00:41:35,803 --> 00:41:37,425 OH, THAT'S JUST ME. 1918 00:41:37,425 --> 00:41:38,185 KARLIE. 1919 00:41:38,185 --> 00:41:39,013 [laughs] 1920 00:41:39,013 --> 00:41:39,704 WHY ARE WE TALKING 1921 00:41:39,704 --> 00:41:40,843 ABOUT THIS ON THE BED? 1922 00:41:40,843 --> 00:41:42,016 [laughing] 1923 00:41:42,016 --> 00:41:42,810 LET'S SHOP. LET'S SHOP. 1924 00:41:42,810 --> 00:41:43,604 YOU GOT CLOSE AND STUFF. 1925 00:41:43,604 --> 00:41:46,538 I'M LIKE, "FOR REAL, KARLIE? SO WHAT'S UP?" 115504