All language subtitles for Love.and.Hip.Hop.Atlanta.S03E07.The.Past.My.Ass.1080p.AMZN.WEB-DL.DDP2.0.H.264-NTb_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,106 --> 00:00:04,832 PREVIOUSLY ON LOVE & HIP-HOP: 2 00:00:04,832 --> 00:00:06,282 ATLANTA... 3 00:00:06,282 --> 00:00:07,524 WE NEED TO HAVE A DINNER 4 00:00:07,524 --> 00:00:09,009 FOR ZINO AND HIS NEW GIRL. 5 00:00:09,009 --> 00:00:09,733 OH, GOSH, DON'’T TELL ME 6 00:00:09,733 --> 00:00:10,527 YOU SMASHED HER TOO, 7 00:00:10,527 --> 00:00:11,494 '’CAUSE YOU KNOW YOU LOVE 8 00:00:11,494 --> 00:00:12,805 TO SMASH EACH OTHER'’S BITCHES. 9 00:00:12,805 --> 00:00:13,875 I NEVER SMASH. 10 00:00:13,875 --> 00:00:14,566 IT'’S MY FIRST TIME 11 00:00:14,566 --> 00:00:15,222 MEETING YOU, 12 00:00:15,222 --> 00:00:16,637 AND YOU SEEM LIKE A NICE GIRL, 13 00:00:16,637 --> 00:00:17,948 BUT I GOT MY EYES ON YOU. 14 00:00:17,948 --> 00:00:18,639 OKAY. 15 00:00:18,639 --> 00:00:20,020 WHO THE [bleep] IS SHE TO BE 16 00:00:20,020 --> 00:00:21,124 KNOWING MY [bleep] BUSINESS? 17 00:00:21,124 --> 00:00:22,125 WELL, YOU TELL ME EVERYTHING, 18 00:00:22,125 --> 00:00:22,850 DON'’T-- 19 00:00:22,850 --> 00:00:23,885 HOLD UP, HOLD UP, HOLD UP. 20 00:00:23,885 --> 00:00:24,714 BITCHES-- 21 00:00:24,714 --> 00:00:26,026 OH, [bleep]. 22 00:00:26,026 --> 00:00:27,130 YOUR PRINCE 23 00:00:27,130 --> 00:00:28,994 HAS WIFED SOMEBODY HE HAS NEVER 24 00:00:28,994 --> 00:00:30,478 GOT A [bleep]FAX ON, 25 00:00:30,478 --> 00:00:32,135 AND TRUST ME WHEN I TELL YOU, 26 00:00:32,135 --> 00:00:33,964 IT IS EXTENSIVE. 27 00:00:33,964 --> 00:00:34,758 YOU HAVE TO UNDERSTAND 28 00:00:34,758 --> 00:00:36,243 BAMBI'’S POSITION, 29 00:00:36,243 --> 00:00:36,967 AND, BAMBI, 30 00:00:36,967 --> 00:00:38,348 YOU HAVE TO UNDERSTAND 31 00:00:38,348 --> 00:00:39,798 ERICA'’S POSITION. 32 00:00:39,798 --> 00:00:41,110 SHE DON'’T HAVE A POSITION. 33 00:00:41,110 --> 00:00:42,628 BUT SHE DO-- 34 00:00:42,628 --> 00:00:44,113 POSITION, BITCH! 35 00:00:44,113 --> 00:00:45,148 I FEEL LIKE BOTH OF Y'’ALL 36 00:00:45,148 --> 00:00:46,598 ARE BRINGING UNNECESSARY DRAMA 37 00:00:46,598 --> 00:00:47,254 INTO MY LIFE. 38 00:00:47,254 --> 00:00:49,704 I DON'’T DO THIS. 39 00:00:49,704 --> 00:00:51,085 WHY ARE YOU KISSING HIM? 40 00:00:51,085 --> 00:00:52,121 IF MY MOUTH HAD BEEN 41 00:00:52,121 --> 00:00:53,467 ANY PLACE, I WOULDN'’T BE 42 00:00:53,467 --> 00:00:54,123 KISSING HIM. 43 00:00:54,123 --> 00:00:56,332 HOW ABOUT WE TAKE A TRIP? 44 00:00:56,332 --> 00:00:57,643 MARDI GRAS IS COMING UP. 45 00:00:57,643 --> 00:00:58,713 I MIGHT NEED TO JUST LEAVE 46 00:00:58,713 --> 00:00:59,369 HIS ASS. 47 00:00:59,369 --> 00:01:00,060 YOU ALWAYS WANTED TO GO 48 00:01:00,060 --> 00:01:00,819 INTO BUSINESS. 49 00:01:00,819 --> 00:01:01,509 WHAT YOU THINK ABOUT LIKE 50 00:01:01,509 --> 00:01:03,132 A LOUNGE, RESTAURANT TYPE THING? 51 00:01:03,132 --> 00:01:04,409 [all cheer] 52 00:01:04,409 --> 00:01:06,066 SLEAZY & ZINO'’S, BABY. 53 00:01:06,066 --> 00:01:08,275 all: HEY! 54 00:01:08,275 --> 00:01:09,276 [hip-hop music] 55 00:01:09,276 --> 00:01:12,589 ♪ THIS IS THE LIFE 56 00:01:12,589 --> 00:01:13,245 ♪ YEAH 57 00:01:13,245 --> 00:01:14,902 ♪ THIS IS THE LIFE 58 00:01:14,902 --> 00:01:15,558 ♪ '’SUP ♪ 59 00:01:15,558 --> 00:01:17,456 ♪ THIS IS THE LIFE 60 00:01:17,456 --> 00:01:18,112 ♪ HUH 61 00:01:18,112 --> 00:01:21,978 ♪ THIS IS THE LIFE 62 00:01:21,978 --> 00:01:22,634 ♪ HUH 63 00:01:22,634 --> 00:01:23,531 ♪ THERE AIN'’T NOTHING LIKE ♪ 64 00:01:23,531 --> 00:01:24,636 ♪ HIP-HOP MUSIC 65 00:01:24,636 --> 00:01:25,982 ♪ MUSIC 66 00:01:31,367 --> 00:01:41,825 ♪ THIS IS THE LIFE 67 00:01:41,825 --> 00:01:44,414 UH, WELCOME INTO THE JOINT. 68 00:01:44,414 --> 00:01:45,657 WHOO! 69 00:01:45,657 --> 00:01:47,107 EVERYBODY KNOW THAT I'’M ZINO'’S 70 00:01:47,107 --> 00:01:47,762 NEW PARTNER 71 00:01:47,762 --> 00:01:49,247 IN THE HIP HOP WEEKLY, 72 00:01:49,247 --> 00:01:50,489 BUT WHAT YOU MIGHT NOT KNOW 73 00:01:50,489 --> 00:01:51,870 IS THAT WE ABOUT TO BE PARTNERS 74 00:01:51,870 --> 00:01:53,320 IN THE NEW, HOTTEST CLUB 75 00:01:53,320 --> 00:01:54,148 IN ATLANTA. 76 00:01:54,148 --> 00:01:55,460 THIS IS IT. 77 00:01:55,460 --> 00:01:56,116 IT'’S NICE. 78 00:01:56,116 --> 00:01:56,944 SLEAZY/ZINO'’S. 79 00:01:56,944 --> 00:01:57,945 WHAT DO YOU THINK? 80 00:01:57,945 --> 00:01:58,670 IT'’S CUTE. 81 00:01:58,670 --> 00:01:59,740 I LIKE IT. 82 00:01:59,740 --> 00:02:01,466 SLEAZY & ZINO BISTRO & BAR 83 00:02:01,466 --> 00:02:03,364 IS GONNA HAVE THE HOTTEST FOOD, 84 00:02:03,364 --> 00:02:04,779 THE STIFFEST DRINKS, 85 00:02:04,779 --> 00:02:06,160 THE LOUDEST SYSTEM, 86 00:02:06,160 --> 00:02:07,817 THE HOTTEST PERFORMANCES, 87 00:02:07,817 --> 00:02:08,887 AND THE FLYEST NIGHTLIFE 88 00:02:08,887 --> 00:02:10,785 ATLANTA'’S EVER SEEN. 89 00:02:10,785 --> 00:02:12,201 [all cheering] 90 00:02:12,201 --> 00:02:14,893 both: HEY! 91 00:02:14,893 --> 00:02:15,825 [smooches] 92 00:02:15,825 --> 00:02:16,895 PUTTING THIS CLUB TOGETHER 93 00:02:16,895 --> 00:02:18,034 IN SUCH A SHORT PERIOD OF TIME 94 00:02:18,034 --> 00:02:19,208 IS HARDER THAN WE THOUGHT. 95 00:02:19,208 --> 00:02:20,450 WE GOT PARTNERS AND INVESTORS 96 00:02:20,450 --> 00:02:21,555 TO DEAL WITH. 97 00:02:21,555 --> 00:02:22,797 WE GOT PERMITS THAT ARE STILL 98 00:02:22,797 --> 00:02:24,316 OUTSTANDING, AND WORST OF ALL, 99 00:02:24,316 --> 00:02:25,352 THE GRAND OPENING 100 00:02:25,352 --> 00:02:26,560 IS THIS WEEKEND. 101 00:02:26,560 --> 00:02:28,113 WE GOT A LOT OF WORK TO DO, 102 00:02:28,113 --> 00:02:29,287 BUT YOU CAN BEST BELIEVE, 103 00:02:29,287 --> 00:02:31,151 SLEAZY & ZINO'’S WILL BE OPEN 104 00:02:31,151 --> 00:02:32,428 FOR BUSINESS. 105 00:02:32,428 --> 00:02:33,118 HEY, MAYBE YOU GUYS 106 00:02:33,118 --> 00:02:34,292 SHOULD GIVE ME MY OWN NIGHT. 107 00:02:34,292 --> 00:02:35,258 IT'’LL BE SOMETHING LIKE 108 00:02:35,258 --> 00:02:36,604 STUDIO 54. 109 00:02:36,604 --> 00:02:37,433 IF YOU'’RE NOT THE BADDEST 110 00:02:37,433 --> 00:02:38,744 IN TOWN, IF YOU AIN'’T GOT ON 111 00:02:38,744 --> 00:02:39,745 THE BEST OUTFIT, 112 00:02:39,745 --> 00:02:40,677 YOU CAN'’T COME IN THE CLUB. 113 00:02:40,677 --> 00:02:41,644 DAMN RIGHT, I'’M GONNA HAVE 114 00:02:41,644 --> 00:02:42,852 MY OWN NIGHT, '’CAUSE I'’M 115 00:02:42,852 --> 00:02:43,715 THE BADDEST BOUGE. 116 00:02:43,715 --> 00:02:44,716 I'’M A GREAT DANCER. 117 00:02:44,716 --> 00:02:45,889 I'’M A GREAT PRODUCER. 118 00:02:45,889 --> 00:02:47,236 I'’M A GREAT HOSTESS. 119 00:02:47,236 --> 00:02:47,926 AND GUESS WHAT. 120 00:02:47,926 --> 00:02:48,616 EVERYBODY WANT TO SEE 121 00:02:48,616 --> 00:02:49,272 ALL OF THIS. 122 00:02:49,272 --> 00:02:50,204 I'’M GONNA BE SINGING 123 00:02:50,204 --> 00:02:50,963 ONCE A WEEK-- 124 00:02:50,963 --> 00:02:52,344 HELL, THE WAY I FEEL, 125 00:02:52,344 --> 00:02:53,276 MAYBE EVERY DAY. 126 00:02:53,276 --> 00:02:54,243 I'’M JUST HERE FOR PEOPLE 127 00:02:54,243 --> 00:02:56,279 TO SEE ALL OF THIS. 128 00:02:56,279 --> 00:02:57,280 DO I GET A NIGHT? 129 00:02:57,280 --> 00:02:58,350 YEAH, YOUR NIGHT'’S MY NIGHT. 130 00:02:58,350 --> 00:02:59,075 OH, OKAY. 131 00:02:59,075 --> 00:03:00,214 KNOW WHAT I'’M SAYIN'’? 132 00:03:00,214 --> 00:03:01,560 BITCH, PLEASE. 133 00:03:01,560 --> 00:03:02,906 I KNOW YOU THINK YOU A SINGER, 134 00:03:02,906 --> 00:03:04,184 BUT THERE IS ONLY ONE BITCH 135 00:03:04,184 --> 00:03:06,565 THAT GET A NIGHT, AND THAT'’S ME. 136 00:03:06,565 --> 00:03:07,290 WELL, COME ON, ALTHEA, 137 00:03:07,290 --> 00:03:07,980 LET'’S LOOK AT-- 138 00:03:07,980 --> 00:03:08,843 LET ME SEE WHERE I WOULD PUT 139 00:03:08,843 --> 00:03:09,879 MY PICTURE AT. 140 00:03:09,879 --> 00:03:11,191 [laughter] 141 00:03:11,191 --> 00:03:13,607 I LOVE TO SEE YOU WALK AWAY. 142 00:03:13,607 --> 00:03:14,677 OH, STEVIE. 143 00:03:14,677 --> 00:03:16,679 [bleep], MAN, WE LUCKY. 144 00:03:16,679 --> 00:03:17,335 YOU KNOW WHAT? 145 00:03:17,335 --> 00:03:18,888 SHE'’S THE ONE. 146 00:03:18,888 --> 00:03:20,303 I'’M--I'’M THINKING ABOUT GIVING 147 00:03:20,303 --> 00:03:21,753 HER A RING IN A COUPLE OF WEEKS. 148 00:03:21,753 --> 00:03:23,237 THEN I WANT TO GET MARRIED ASAP. 149 00:03:23,237 --> 00:03:23,927 YOU DON'’T THINK 150 00:03:23,927 --> 00:03:24,894 YOU'’RE MOVING FAST, EAZE? 151 00:03:24,894 --> 00:03:25,860 I'’M NOT MOVING FAST ENOUGH. 152 00:03:25,860 --> 00:03:26,516 YOU'’RE NOT MOVING 153 00:03:26,516 --> 00:03:27,207 FAST ENOUGH? 154 00:03:27,207 --> 00:03:27,966 LISTEN, AT THIS POINT, 155 00:03:27,966 --> 00:03:29,036 I KNOW WHO'’S THE ONE 156 00:03:29,036 --> 00:03:30,002 AND WHO'’S NOT THE ONE. 157 00:03:30,002 --> 00:03:30,969 LIKE, YOU KNOW WHAT I'’M SAYIN'’? 158 00:03:30,969 --> 00:03:32,177 WELL, EVEN WITH KARLIE, 159 00:03:32,177 --> 00:03:32,867 IT WENT FAST. 160 00:03:32,867 --> 00:03:34,421 WHO? WHO? 161 00:03:34,421 --> 00:03:35,629 I'’M LIKE--BUT I'’M JUST SAYING 162 00:03:35,629 --> 00:03:36,768 THAT WAS FAST. 163 00:03:36,768 --> 00:03:37,700 NO, AS A BRO... 164 00:03:37,700 --> 00:03:38,390 RIGHT. 165 00:03:38,390 --> 00:03:39,219 I'’MA TELL YOU JUST TAKE 166 00:03:39,219 --> 00:03:40,289 YOUR TIME, MAN. 167 00:03:40,289 --> 00:03:41,117 THE DIFFERENCE BETWEEN 168 00:03:41,117 --> 00:03:41,980 KARLIE AND ALTHEA 169 00:03:41,980 --> 00:03:43,084 IS LIKE NIGHT AND DAY. 170 00:03:43,084 --> 00:03:44,154 I REALLY FEEL LIKE ALTHEA'’S 171 00:03:44,154 --> 00:03:46,122 MY SOUL MATE, SO WHY WAIT? 172 00:03:46,122 --> 00:03:46,778 HE'’S A GOOD CATCH. 173 00:03:46,778 --> 00:03:47,434 YEAH. 174 00:03:47,434 --> 00:03:48,124 I'’MA TELL YOU THAT. 175 00:03:48,124 --> 00:03:48,780 HE'’S A GOOD CATCH. 176 00:03:48,780 --> 00:03:49,436 MM-HMM, MM-HMM. 177 00:03:49,436 --> 00:03:50,126 HOW LONG HAVE YOU GUYS 178 00:03:50,126 --> 00:03:50,954 BEEN DATIN'’? 179 00:03:50,954 --> 00:03:52,266 WE'’VE BEEN DATING, FOR NOW, 180 00:03:52,266 --> 00:03:54,095 LIKE SIX MONTHS. 181 00:03:54,095 --> 00:03:55,614 FOR A WHILE, I WAS, YOU KNOW, 182 00:03:55,614 --> 00:03:56,477 RUNNIN'’ HIM, BUT THEN I WAS 183 00:03:56,477 --> 00:03:57,375 LIKE--I THOUGHT HE WAS 184 00:03:57,375 --> 00:03:58,341 WITH KARLIE. 185 00:03:58,341 --> 00:03:59,377 I MEAN, WHO GIVES A [bleep] 186 00:03:59,377 --> 00:04:00,412 IF THE BITCH WAS DATING HIM 187 00:04:00,412 --> 00:04:01,102 AND YOU WANT HIM? 188 00:04:01,102 --> 00:04:01,758 LIKE... 189 00:04:01,758 --> 00:04:02,483 YEAH, BUT I JUST WANTED 190 00:04:02,483 --> 00:04:03,208 TO MAKE SURE THAT IT 191 00:04:03,208 --> 00:04:04,105 WAS OVER WITH. 192 00:04:04,105 --> 00:04:05,106 BETWEEN ME AND YOU... 193 00:04:05,106 --> 00:04:05,935 MM. 194 00:04:05,935 --> 00:04:07,074 SHE IS AFTER MONEY. 195 00:04:07,074 --> 00:04:07,764 MM. 196 00:04:07,764 --> 00:04:09,835 AND SHE WILL COME BACK 197 00:04:09,835 --> 00:04:11,389 WHENEVER THE DOORS ARE OPEN. 198 00:04:11,389 --> 00:04:12,252 [grunts] 199 00:04:12,252 --> 00:04:12,942 YOU KNOW HOW THESE 200 00:04:12,942 --> 00:04:13,598 LIKE TO PLAY. 201 00:04:13,598 --> 00:04:14,530 YOU GOT TO WATCH THEM. 202 00:04:14,530 --> 00:04:15,565 MM. 203 00:04:15,565 --> 00:04:16,256 [both laughing] 204 00:04:16,256 --> 00:04:17,498 ALTHEA SHOULD WATCH OUT 205 00:04:17,498 --> 00:04:18,672 FOR THAT SNAKE ON THE GROUND, 206 00:04:18,672 --> 00:04:19,811 MISS KARLIE REDD, 207 00:04:19,811 --> 00:04:21,191 '’CAUSE SHE GOT SOME TRICKS. 208 00:04:21,191 --> 00:04:22,262 DO YOU AND MIMI GET ALONG? 209 00:04:22,262 --> 00:04:22,952 SHE'’S NOT ALLOWED 210 00:04:22,952 --> 00:04:23,608 IN MY HOUSE. 211 00:04:23,608 --> 00:04:24,471 AND THEN HER BOYFRIEND... 212 00:04:24,471 --> 00:04:25,161 WHO? 213 00:04:25,161 --> 00:04:25,817 NIKKO. 214 00:04:25,817 --> 00:04:26,645 FREAKO? OH, PORN STAR. 215 00:04:26,645 --> 00:04:27,957 [laughing] YOU SAID FREAKO. 216 00:04:27,957 --> 00:04:29,027 YEAH, HE'’S A PORN STAR. 217 00:04:29,027 --> 00:04:29,752 WE MIGHT'’VE HUNG OUT, 218 00:04:29,752 --> 00:04:30,960 LIKE, BACK IN THE DAY... 219 00:04:30,960 --> 00:04:31,616 YEAH. 220 00:04:31,616 --> 00:04:32,272 BACK IN THE DAY, 221 00:04:32,272 --> 00:04:32,962 LIKE IN A PAST LIFE. 222 00:04:32,962 --> 00:04:33,618 WAIT. HOLD UP. 223 00:04:33,618 --> 00:04:34,274 SO YOU... 224 00:04:34,274 --> 00:04:35,447 [giggling] 225 00:04:35,447 --> 00:04:36,414 I'’M NOT SURPRISED NIKKO 226 00:04:36,414 --> 00:04:38,001 SMASHED ALTHEA, '’CAUSE I HEAR 227 00:04:38,001 --> 00:04:39,486 ALTHEA GETS AROUND THE BLOCK. 228 00:04:39,486 --> 00:04:40,210 I FORGOT... 229 00:04:40,210 --> 00:04:40,866 HOW DOES IT FEEL 230 00:04:40,866 --> 00:04:42,454 TO HAVE PORN [bleep]? 231 00:04:42,454 --> 00:04:43,559 [laughing] 232 00:04:43,559 --> 00:04:44,249 LIKE I SAID, 233 00:04:44,249 --> 00:04:45,940 THAT'’S MY PAST LIFE, YOU KNOW. 234 00:04:45,940 --> 00:04:46,734 BENZINO KNOWS EVERYTHING. 235 00:04:46,734 --> 00:04:47,528 LIKE, I TELL HIM EVERYTHING. 236 00:04:47,528 --> 00:04:48,667 OH, I HOPE HE DO. 237 00:04:48,667 --> 00:04:49,323 BUT, YEAH. 238 00:04:49,323 --> 00:04:50,151 HOW DO YOU THINK MIMI FEELS 239 00:04:50,151 --> 00:04:50,807 ABOUT THAT? 240 00:04:50,807 --> 00:04:51,463 DOES SHE KNOW? 241 00:04:51,463 --> 00:04:52,153 I KNOW SHE WOULD 242 00:04:52,153 --> 00:04:52,809 PROBABLY BE LIKE... 243 00:04:52,809 --> 00:04:53,500 I MEAN, THAT'’S HER MAN. 244 00:04:53,500 --> 00:04:54,190 THAT'’S HER MAN. 245 00:04:54,190 --> 00:04:54,811 I MEAN, BUT, YOU KNOW... 246 00:04:54,811 --> 00:04:55,467 YEAH, YOU'’RE RIGHT. 247 00:04:55,467 --> 00:04:56,192 I'’M JUST, YOU KNOW... 248 00:04:56,192 --> 00:04:57,193 I MEAN, WHAT CAN YOU DO? 249 00:04:57,193 --> 00:04:57,849 I'’M SURE A LOT OF PEOPLE 250 00:04:57,849 --> 00:04:58,677 SUCKED EACH OTHER [bleep]. 251 00:04:58,677 --> 00:04:59,437 YOU KNOW WHAT I'’M SAYIN'’? 252 00:04:59,437 --> 00:05:00,645 EXACTLY. THAT'’S LIFE. 253 00:05:00,645 --> 00:05:01,335 IT'’S COOL. 254 00:05:01,335 --> 00:05:02,612 I WONDER IF MIMI KNOWS 255 00:05:02,612 --> 00:05:03,337 THAT SHE'’S SMASHING 256 00:05:03,337 --> 00:05:04,580 ALTHEA'’S LEFTOVER. 257 00:05:04,580 --> 00:05:05,753 I MEAN, I GUESS THE PORN [bleep] 258 00:05:05,753 --> 00:05:06,616 HAS BEEN GETTING A LOT 259 00:05:06,616 --> 00:05:08,100 OF PRACTICE. 260 00:05:08,100 --> 00:05:08,791 Y'’ALL BETTER BE TALKING 261 00:05:08,791 --> 00:05:09,619 ABOUT SOME MORE MONEY, 262 00:05:09,619 --> 00:05:11,138 '’CAUSE MAMA NEEDS IT. 263 00:05:11,138 --> 00:05:11,794 YEAH. 264 00:05:11,794 --> 00:05:12,967 MMM. 265 00:05:12,967 --> 00:05:13,658 SO WHAT WAS Y'’ALL 266 00:05:13,658 --> 00:05:14,521 TALKIN'’ ABOUT? 267 00:05:14,521 --> 00:05:15,832 TALKIN'’ ABOUT EVERYTHING. 268 00:05:15,832 --> 00:05:16,488 WHAT'’S EVERYTHING? 269 00:05:16,488 --> 00:05:17,317 WELL, I KNOW WE UP. 270 00:05:17,317 --> 00:05:18,387 WE GONNA TALK ABOUT SOME MORE 271 00:05:18,387 --> 00:05:19,664 CHAMPAGNE IN YOUR CUP. 272 00:05:19,664 --> 00:05:21,390 I'’VE NEVER FELT BETTER. 273 00:05:21,390 --> 00:05:23,219 I MEAN, WE GOT THE MAGAZINE. 274 00:05:23,219 --> 00:05:24,462 ME AND SLEAZO GOT OUR LADIES 275 00:05:24,462 --> 00:05:25,186 BEHIND US. 276 00:05:25,186 --> 00:05:26,291 IT'’S GONNA BE THE GRAND OPENING 277 00:05:26,291 --> 00:05:29,639 OF SLEAZY & ZINO'’S BISTRO & BAR. 278 00:05:29,639 --> 00:05:30,744 I DON'’T THINK THE A'’S READY 279 00:05:30,744 --> 00:05:31,814 FOR THIS. 280 00:05:31,814 --> 00:05:32,815 TO THE BADDEST BITCHES 281 00:05:32,815 --> 00:05:33,609 IN THIS MOTHER[bleep]. 282 00:05:33,609 --> 00:05:34,334 OOH! 283 00:05:34,334 --> 00:05:37,095 YEAH! 284 00:05:37,095 --> 00:05:41,513 SLEAZY & ZINO. 285 00:05:41,513 --> 00:05:42,480 OKAY, SO IT'’LL BE RIGHT HERE 286 00:05:42,480 --> 00:05:43,446 IN ROOM FOUR. 287 00:05:43,446 --> 00:05:44,861 THANK YOU. 288 00:05:44,861 --> 00:05:46,035 I TOLD KIRK ABOUT THE TRIP 289 00:05:46,035 --> 00:05:47,416 TO NEW ORLEANS THAT I'’M TAKING 290 00:05:47,416 --> 00:05:49,038 WITH KALENNA AND KARLIE, 291 00:05:49,038 --> 00:05:50,004 AND, OF COURSE, HE'’S SHOOTING 292 00:05:50,004 --> 00:05:51,558 IT DOWN BECAUSE HE'’S A [bleep] 293 00:05:51,558 --> 00:05:52,282 HYPOCRITE. 294 00:05:52,282 --> 00:05:53,145 IT WAS FINE WHEN HE TOOK 295 00:05:53,145 --> 00:05:54,492 HIS LITTLE TRIP TO THE CABIN 296 00:05:54,492 --> 00:05:56,252 LAST YEAR WITH HIS HOMEBOYS, 297 00:05:56,252 --> 00:05:57,564 BUT NOW THAT RASHEEDA 298 00:05:57,564 --> 00:05:58,703 WANTS TO TAKE A TRIP, 299 00:05:58,703 --> 00:06:00,360 OH, HE GOT A PROBLEM WITH IT. 300 00:06:00,360 --> 00:06:01,084 I AIN'’T TRYIN'’ TO HEAR 301 00:06:01,084 --> 00:06:02,051 THAT [bleep]. 302 00:06:02,051 --> 00:06:03,293 I WAS JUST THINKING ABOUT 303 00:06:03,293 --> 00:06:05,503 THE WHOLE YOU AND YOUR GIRLS 304 00:06:05,503 --> 00:06:06,780 GOING ON VACATION THING. 305 00:06:06,780 --> 00:06:07,436 I DON'’T THINK THE TIMING 306 00:06:07,436 --> 00:06:08,126 IS RIGHT. 307 00:06:08,126 --> 00:06:10,577 I DON'’T THINK FINANCIALLY 308 00:06:10,577 --> 00:06:11,785 YOU CAN AFFORD TO DO ALL THAT 309 00:06:11,785 --> 00:06:12,475 RIGHT NOW. 310 00:06:12,475 --> 00:06:13,683 IF I COULDN'’T FINANCIALLY 311 00:06:13,683 --> 00:06:15,098 AFFORD IT, I WOULDN'’T GO. 312 00:06:15,098 --> 00:06:15,789 BUT WHAT ABOUT KARTER, 313 00:06:15,789 --> 00:06:16,445 THOUGH? 314 00:06:16,445 --> 00:06:18,619 LIKE, YOU JUST GONNA LEAVE HIM 315 00:06:18,619 --> 00:06:20,725 AND PARTY IT UP? 316 00:06:20,725 --> 00:06:21,898 YOU ARE KARTER'’S FATHER, 317 00:06:21,898 --> 00:06:23,728 AND YOU TAKE CARE OF HIM WELL. 318 00:06:23,728 --> 00:06:25,523 AND PLUS, MAMA, I MEAN, 319 00:06:25,523 --> 00:06:26,627 I HAD ALREADY TALKED TO HER 320 00:06:26,627 --> 00:06:28,284 ABOUT MAYBE NEEDING HER 321 00:06:28,284 --> 00:06:30,390 TO WATCH ALL Y'’ALL, REALLY. 322 00:06:30,390 --> 00:06:31,183 BUT I WANT TO GO-- 323 00:06:31,183 --> 00:06:32,564 I FEEL LIKE I DESERVE 324 00:06:32,564 --> 00:06:33,462 A VACATION. 325 00:06:33,462 --> 00:06:34,635 I DESERVE A BREAK. 326 00:06:34,635 --> 00:06:35,912 I MEAN, PLUS, I THINK MAYBE 327 00:06:35,912 --> 00:06:36,810 A LITTLE TIME APART WOULD HELP-- 328 00:06:36,810 --> 00:06:38,743 THIS IS--OKAY, WELL... 329 00:06:38,743 --> 00:06:40,330 US AS WELL. 330 00:06:40,330 --> 00:06:41,297 MAYBE YOU WILL REALIZE, 331 00:06:41,297 --> 00:06:42,816 WHAT YOU NEED TO BE 332 00:06:42,816 --> 00:06:43,644 CONCENTRATING ON 333 00:06:43,644 --> 00:06:46,406 IS ALL OF THIS RIGHT HERE. 334 00:06:46,406 --> 00:06:47,199 HI, GUYS. HOW'’S IT GOING? 335 00:06:47,199 --> 00:06:48,338 HEY, DR. SHU. HOW ARE YOU? 336 00:06:48,338 --> 00:06:49,029 GOOD TO SEE YOU. 337 00:06:49,029 --> 00:06:49,685 HELLO, HELLO. 338 00:06:49,685 --> 00:06:50,375 GOOD TO SEE YOU. 339 00:06:50,375 --> 00:06:51,618 HOW'’S OUR BIG GUY DOING? 340 00:06:51,618 --> 00:06:52,895 I'’M REALLY STILL NOT HAPPY 341 00:06:52,895 --> 00:06:54,724 ABOUT RASHEEDA WANTING TO JUST 342 00:06:54,724 --> 00:06:56,381 TAKE THIS VACATION, 343 00:06:56,381 --> 00:06:57,209 BUT THERE'’S ONE THING 344 00:06:57,209 --> 00:06:57,900 I'’M GONNA BE ABLE TO PUT 345 00:06:57,900 --> 00:06:58,763 A STOP TO WHILE WE 346 00:06:58,763 --> 00:07:00,005 AT THE DOCTOR'’S OFFICE. 347 00:07:00,005 --> 00:07:01,731 I HAVE QUESTIONS ABOUT HIM 348 00:07:01,731 --> 00:07:04,527 BEING KISSED IN THE MOUTH, 349 00:07:04,527 --> 00:07:05,252 LIKE, LITERALLY. 350 00:07:05,252 --> 00:07:06,564 WHAT'’S HE'’S SAYING IS MY MOM, 351 00:07:06,564 --> 00:07:07,703 HIS GRANDMOTHER... 352 00:07:07,703 --> 00:07:08,428 OKAY. 353 00:07:08,428 --> 00:07:09,912 SHE'’LL SOMETIMES KISS HIM 354 00:07:09,912 --> 00:07:10,568 IN THE MOUTH. 355 00:07:10,568 --> 00:07:11,707 WHEN YOU'’RE A LITTLE BABY, 356 00:07:11,707 --> 00:07:12,777 YOUR IMMUNE SYSTEM REALLY 357 00:07:12,777 --> 00:07:13,433 ISN'’T THAT GOOD. 358 00:07:13,433 --> 00:07:14,123 RIGHT. 359 00:07:14,123 --> 00:07:15,642 SO FOR THE FIRST FEW MONTHS, 360 00:07:15,642 --> 00:07:16,850 IT IS REALLY POSSIBLE 361 00:07:16,850 --> 00:07:18,679 FOR A BABY TO GET VERY SICK 362 00:07:18,679 --> 00:07:19,991 FROM SOMEBODY ELSE'’S GERMS, 363 00:07:19,991 --> 00:07:20,854 ESPECIALLY IF THEY'’RE COMING 364 00:07:20,854 --> 00:07:21,855 STRAIGHT FROM THE MOUTH. 365 00:07:21,855 --> 00:07:23,028 AS A PRECAUTION, 366 00:07:23,028 --> 00:07:24,547 YOU MAY WANT TO MAKE IT A RULE 367 00:07:24,547 --> 00:07:25,652 THAT NOBODY KISSES HIM 368 00:07:25,652 --> 00:07:26,515 ON THE MOUTH. 369 00:07:26,515 --> 00:07:27,447 YOU SEE? 370 00:07:27,447 --> 00:07:29,103 I TOLD RASHEEDA HER MOM 371 00:07:29,103 --> 00:07:31,416 SHOULD NOT BE KISSING ON KARTER, 372 00:07:31,416 --> 00:07:33,867 BUT NOBODY WANTED TO BELIEVE ME. 373 00:07:33,867 --> 00:07:35,178 BUT DADDY KNOWS BEST. 374 00:07:35,178 --> 00:07:35,834 THANK YOU. 375 00:07:35,834 --> 00:07:36,490 ALL RIGHT, TAKE CARE. 376 00:07:36,490 --> 00:07:37,180 ALL RIGHT, YOU TOO. 377 00:07:37,180 --> 00:07:37,836 BYE-BYE. 378 00:07:37,836 --> 00:07:38,630 YOU TOO, THANK YOU. 379 00:07:38,630 --> 00:07:39,838 YOU'’RE WELCOME. 380 00:07:39,838 --> 00:07:40,494 SEE? 381 00:07:40,494 --> 00:07:41,461 LET ME PUT THIS ON. 382 00:07:41,461 --> 00:07:42,565 EVERYTHING IS GOOD. 383 00:07:42,565 --> 00:07:43,911 WELL... 384 00:07:43,911 --> 00:07:45,672 TRY TO TALK TO MAMA... 385 00:07:45,672 --> 00:07:46,776 I'’M DEFINITELY GONNA TALK 386 00:07:46,776 --> 00:07:47,467 TO HER ABOUT IT. 387 00:07:47,467 --> 00:07:48,226 IN A NICE WAY. 388 00:07:48,226 --> 00:07:48,882 YES. 389 00:07:48,882 --> 00:07:49,538 LET'’S GO. 390 00:07:49,538 --> 00:07:50,228 LET'’S GET OUT OF HERE. 391 00:07:50,228 --> 00:07:50,884 WE GOT TO GO. 392 00:07:50,884 --> 00:07:52,023 I GOT THINGS TO DO. 393 00:07:52,023 --> 00:07:54,991 [thunder rumbling] 394 00:07:54,991 --> 00:07:58,926 [rain pattering] 395 00:07:58,926 --> 00:08:01,791 [thunder crashes] 396 00:08:01,791 --> 00:08:04,691 HOW HAVE YOU BEEN, DEB? 397 00:08:04,691 --> 00:08:06,106 HAD A REAL MELTDOWN 398 00:08:06,106 --> 00:08:07,417 YESTERDAY, 399 00:08:07,417 --> 00:08:08,626 EVEN TO THE PLACE SOMETIMES 400 00:08:08,626 --> 00:08:09,523 NOT EVEN WANTING TO BE 401 00:08:09,523 --> 00:08:10,386 IN THIS HOUSE. 402 00:08:10,386 --> 00:08:11,352 IT FEEL DIFFERENT. 403 00:08:11,352 --> 00:08:12,112 IT FEELS WEIRD. 404 00:08:12,112 --> 00:08:12,768 YEAH. 405 00:08:12,768 --> 00:08:13,493 YEAH, THAT'’S TRUE. 406 00:08:13,493 --> 00:08:15,460 IT'’S CRAZY. 407 00:08:15,460 --> 00:08:24,504 [somber piano music] 408 00:08:24,504 --> 00:08:26,333 ♪ 409 00:08:26,333 --> 00:08:30,302 MY SON, CAODES SCOTT, 410 00:08:30,302 --> 00:08:32,891 COMMITTED SUICIDE. 411 00:08:32,891 --> 00:08:35,894 KAYO, OUT OF MY FIVE SONS, 412 00:08:35,894 --> 00:08:38,103 WAS LIKE THE MOST LOVINGEST 413 00:08:38,103 --> 00:08:40,934 CHILD YOU EVER, EVER WANTED 414 00:08:40,934 --> 00:08:44,213 TO SEE, VERY UNDERSTANDING... 415 00:08:44,213 --> 00:08:45,490 [sighs] 416 00:08:45,490 --> 00:08:46,629 REALLY, A GOOD KID. 417 00:08:46,629 --> 00:08:47,388 HE WAS YOUNGER, 418 00:08:47,388 --> 00:08:48,838 SO I COULD STILL BABY HIM, 419 00:08:48,838 --> 00:08:51,738 AND I MISS MY SON, 420 00:08:51,738 --> 00:08:52,808 MY FRIEND. 421 00:08:52,808 --> 00:08:55,431 IT'’S RAINING HARD OUTSIDE. 422 00:08:55,431 --> 00:08:56,639 YOU CAN LOOK AT IT AS RAIN, 423 00:08:56,639 --> 00:08:58,607 OR YOU CAN LOOK AT IT AS TEARS. 424 00:08:58,607 --> 00:08:59,953 [sighs] 425 00:08:59,953 --> 00:09:01,575 IT FEEL WEIRD TO SIT HERE 426 00:09:01,575 --> 00:09:02,749 AND GO THROUGH THIS. 427 00:09:02,749 --> 00:09:03,543 IT'’S SOMETHING YOU AIN'’T 428 00:09:03,543 --> 00:09:04,509 SUPPOSED TO BE TALKIN'’ ABOUT, 429 00:09:04,509 --> 00:09:05,165 MAN. 430 00:09:05,165 --> 00:09:06,028 THAT'’S WHAT I'’M TRYIN'’ 431 00:09:06,028 --> 00:09:07,650 TO TELL Y'’ALL. 432 00:09:07,650 --> 00:09:12,310 YOU CAN'’T PUSH IT LIKE 433 00:09:12,310 --> 00:09:14,346 IT'’S NOT--NOTHING HAPPENING. 434 00:09:14,346 --> 00:09:15,382 WAKA DOESN'’T DEAL WITH DEATH 435 00:09:15,382 --> 00:09:17,349 VERY WELL, 436 00:09:17,349 --> 00:09:18,765 SO HIS DEALIN'’ IS TO STAY AWAY 437 00:09:18,765 --> 00:09:20,905 FROM THINGS. 438 00:09:20,905 --> 00:09:22,631 HE DON'’T DEAL GOOD AT ALL. 439 00:09:22,631 --> 00:09:24,080 MOTHER'’S DAY, 440 00:09:24,080 --> 00:09:26,013 I LEFT MY DOOR OPEN 441 00:09:26,013 --> 00:09:28,188 THE NIGHT BEFORE, AND I WAS 442 00:09:28,188 --> 00:09:31,363 WAITING FOR HIM TO SAY, 443 00:09:31,363 --> 00:09:32,295 "GOOD MORNING, BEAUTIFUL." 444 00:09:32,295 --> 00:09:37,577 ♪ 445 00:09:37,577 --> 00:09:38,923 THIS CONVERSATION IS CRAZY, 446 00:09:38,923 --> 00:09:41,028 DEFINITELY. 447 00:09:41,028 --> 00:09:45,861 YOUR BOY CAN'’T DO THAT. 448 00:09:45,861 --> 00:09:49,105 YOUR BOY CAN'’T HANDLE THAT. 449 00:09:49,105 --> 00:09:52,592 ♪ 450 00:09:52,592 --> 00:09:53,282 [thunder rumbles] 451 00:09:53,282 --> 00:09:54,904 IT'’S NOT LIKE KAYO JUST-- 452 00:09:54,904 --> 00:09:56,596 EVEN TO TALK ABOUT COMMITTING 453 00:09:56,596 --> 00:09:57,700 SUICIDE, I MEAN, JUST, IT-- 454 00:09:57,700 --> 00:09:58,598 THE CIRCUMSTANCE, EVERYTHING 455 00:09:58,598 --> 00:09:59,495 SURROUNDING IT IS DIFFERENT. 456 00:09:59,495 --> 00:10:00,358 I DON'’T KNOW OF ANYBODY WHO LOST 457 00:10:00,358 --> 00:10:01,462 SOMEBODY WHO EVER DID THAT, 458 00:10:01,462 --> 00:10:02,498 BUT IT'’S LIKE REALLY HARD 459 00:10:02,498 --> 00:10:04,638 TO DEAL WITH. 460 00:10:04,638 --> 00:10:05,466 YOU CAN NEVER UNDERSTAND IT. 461 00:10:05,466 --> 00:10:06,329 YOU STILL DON'’T UNDERSTAND IT. 462 00:10:06,329 --> 00:10:07,158 YEAH, THE NIGHT BEFORE, 463 00:10:07,158 --> 00:10:08,608 HE SAT RIGHT THERE AT THE TABLE 464 00:10:08,608 --> 00:10:09,401 AND PLANNED HIS-- 465 00:10:09,401 --> 00:10:11,093 HE PLANNED HIS FUNERAL. 466 00:10:11,093 --> 00:10:12,301 HE WAS LIKE, "WELL, GET READY, 467 00:10:12,301 --> 00:10:14,821 DEBBIE." 468 00:10:14,821 --> 00:10:16,305 AND I'’M LIKE, 469 00:10:16,305 --> 00:10:17,547 "SNOOP, THAT AIN'’T FUNNY." 470 00:10:17,547 --> 00:10:18,410 AND I WALKED BACK IN HERE, 471 00:10:18,410 --> 00:10:20,102 AND MY EYES WAS LIKE WATER. 472 00:10:20,102 --> 00:10:21,448 HE LIKE, "BYE-BYE," KISSED ME. 473 00:10:21,448 --> 00:10:23,899 HE SAID, "YOU KNOW I LOVE YOU." 474 00:10:23,899 --> 00:10:26,591 AND IT WAS CRAZY, 475 00:10:26,591 --> 00:10:28,697 BUT NOBODY KNEW THAT 476 00:10:28,697 --> 00:10:30,077 WE WAS GONNA GO THROUGH 477 00:10:30,077 --> 00:10:33,046 EXACTLY WHAT WE WENT THROUGH. 478 00:10:33,046 --> 00:10:34,254 HE WAS LOSING HIS SIGHT, 479 00:10:34,254 --> 00:10:36,946 SO HE WAS LEGALLY BLIND, 480 00:10:36,946 --> 00:10:37,844 BUT HE DIDN'’T LIKE ANYBODY 481 00:10:37,844 --> 00:10:39,121 TO GIVE HIM ANYTHING. 482 00:10:39,121 --> 00:10:40,087 YOU KNOW, HE WANTED 483 00:10:40,087 --> 00:10:40,985 TO BE THE GIVER. 484 00:10:40,985 --> 00:10:41,951 HE WANTED TO TAKE CARE 485 00:10:41,951 --> 00:10:42,849 OF PEOPLE. 486 00:10:42,849 --> 00:10:44,402 KAYO WAS A CHILD THAT DIDN'’T 487 00:10:44,402 --> 00:10:46,231 WANT YOU TO DO ANYTHING FOR HIM, 488 00:10:46,231 --> 00:10:48,130 SO WHEN HIS SIGHT STARTED GOING 489 00:10:48,130 --> 00:10:49,062 AND THEN US COMING 490 00:10:49,062 --> 00:10:50,063 INTO THE INDUSTRY, 491 00:10:50,063 --> 00:10:50,960 HE STARTED HAVING TO WALK 492 00:10:50,960 --> 00:10:52,341 IN THE SHADOW OF ME, 493 00:10:52,341 --> 00:10:53,100 AND HE HAD TO WALK 494 00:10:53,100 --> 00:10:54,412 IN THE SHADOW OF WAKA. 495 00:10:54,412 --> 00:10:55,275 HE WAS VERY ANGRY ABOUT 496 00:10:55,275 --> 00:10:56,241 THE THINGS PEOPLE WOULD SAY 497 00:10:56,241 --> 00:10:56,932 ABOUT HIM, YOU KNOW, 498 00:10:56,932 --> 00:10:57,933 THE INTERNET STUFF, 499 00:10:57,933 --> 00:10:58,899 STUFF WITH WAKA, 500 00:10:58,899 --> 00:11:00,349 STUFF WITH HIS FAMILY, PERIOD. 501 00:11:00,349 --> 00:11:01,039 THERE WAS THINGS 502 00:11:01,039 --> 00:11:01,937 THAT HE COULDN'’T TAKE. 503 00:11:01,937 --> 00:11:04,733 [rain pattering] 504 00:11:04,733 --> 00:11:06,769 IT'’S SO MANY THINGS. 505 00:11:06,769 --> 00:11:09,461 IT'’S LIKE, ONE, HIS VISION. 506 00:11:09,461 --> 00:11:10,324 [thunder crashes] 507 00:11:10,324 --> 00:11:11,256 [exhales sharply] 508 00:11:11,256 --> 00:11:12,188 ALL RIGHT, I DON'’T THINK 509 00:11:12,188 --> 00:11:13,673 I CAN TAKE THAT. 510 00:11:13,673 --> 00:11:19,713 [thunder rumbling] 511 00:11:19,713 --> 00:11:22,509 [thunder crashing] 512 00:11:22,509 --> 00:11:24,166 HE JUST GAVE ME A SIGN, 513 00:11:24,166 --> 00:11:26,513 PROBABLY. 514 00:11:26,513 --> 00:11:29,102 KAYO IS STILL HERE WITH ME. 515 00:11:29,102 --> 00:11:30,620 HE'’S THE ONE TO HELP ME GET UP. 516 00:11:30,620 --> 00:11:31,621 HE LIFTS ME ON THAT 517 00:11:31,621 --> 00:11:33,002 "LET'’S GO, BEAUTIFUL." 518 00:11:38,456 --> 00:11:52,746 HE WAS HERE. 519 00:11:52,746 --> 00:11:54,403 [rapping indistinctly] 520 00:11:54,403 --> 00:11:55,680 ♪ AND MY BEST CHICK 521 00:11:55,680 --> 00:11:56,508 ♪ SHE FOREIGN 522 00:11:56,508 --> 00:11:57,475 ♪ I GOT BUSINESS 523 00:11:57,475 --> 00:11:58,441 ♪ WE GOT BUSINESS 524 00:11:58,441 --> 00:12:01,410 ♪ I GOT BUSINESS 525 00:12:01,410 --> 00:12:02,480 ♪ WE GOT BUSINESS 526 00:12:02,480 --> 00:12:05,310 ♪ I GOT BUSINESS 527 00:12:05,310 --> 00:12:06,415 ♪ WE GOT BUSINESS 528 00:12:06,415 --> 00:12:07,416 ♪ I GOT BUSINESS 529 00:12:07,416 --> 00:12:08,348 ♪ WE GOT BUSINESS 530 00:12:08,348 --> 00:12:09,521 ♪ I GOT BUSINESS 531 00:12:09,521 --> 00:12:10,522 HEY, I APPRECIATE Y'’ALL 532 00:12:10,522 --> 00:12:11,178 COMIN'’ OUT, MAN. 533 00:12:11,178 --> 00:12:11,834 WE KICKIN'’ IT. 534 00:12:11,834 --> 00:12:12,524 WE PLAYIN'’ HOME. 535 00:12:12,524 --> 00:12:13,180 [cheers and applause] 536 00:12:13,180 --> 00:12:16,011 ♪ I KNOW YOU AIN'’T NO JERSEY ♪ 537 00:12:16,011 --> 00:12:17,081 JOC IS HAVING A SHOWCASE 538 00:12:17,081 --> 00:12:18,047 TONIGHT, AND YOU KNOW I HAD 539 00:12:18,047 --> 00:12:19,186 TO COME OUT AND SUPPORT, 540 00:12:19,186 --> 00:12:19,980 EVEN THOUGH WE'’RE TRYING 541 00:12:19,980 --> 00:12:21,154 TO STILL WORK SOME THINGS OUT 542 00:12:21,154 --> 00:12:22,258 BETWEEN US. 543 00:12:22,258 --> 00:12:22,914 HEY, HEY. 544 00:12:22,914 --> 00:12:23,604 HEY. 545 00:12:23,604 --> 00:12:24,536 EVERYBODY, WHAT'’S HAPPENIN'’? 546 00:12:24,536 --> 00:12:25,192 HI, BABY. 547 00:12:25,192 --> 00:12:25,848 [smooches] 548 00:12:25,848 --> 00:12:26,538 GIRL. 549 00:12:26,538 --> 00:12:27,298 MM-HMM. 550 00:12:27,298 --> 00:12:29,403 JOC PROMISES THAT HE'’S DONE 551 00:12:29,403 --> 00:12:30,266 WITH THE SIDEPIECE, 552 00:12:30,266 --> 00:12:31,405 MISS PIGGY TELETUBBY, 553 00:12:31,405 --> 00:12:32,165 AND AS LONG AS IT STAYS 554 00:12:32,165 --> 00:12:33,097 THAT WAY, 555 00:12:33,097 --> 00:12:34,374 WE WON'’T HAVE ANY PROBLEMS. 556 00:12:34,374 --> 00:12:35,030 MR. FROST, HEY. 557 00:12:35,030 --> 00:12:36,514 GREAT WORK. CONGRATULATIONS. 558 00:12:36,514 --> 00:12:37,584 YOU KILLED THAT. 559 00:12:37,584 --> 00:12:38,343 I GOT TO GO DO, LIKE, 560 00:12:38,343 --> 00:12:39,241 SOME LITTLE DROPS RIGHT QUICK 561 00:12:39,241 --> 00:12:40,725 FOR THE DJ, SOME INTERVIEWS. 562 00:12:40,725 --> 00:12:41,588 I'’LL BE RIGHT BACK, A'’IGHT? 563 00:12:41,588 --> 00:12:43,003 SO... 564 00:12:43,003 --> 00:12:43,970 COME HERE RIGHT QUICK. 565 00:12:43,970 --> 00:12:44,902 I'’VE ACTUALLY KNOWN JOC 566 00:12:44,902 --> 00:12:46,110 FOR QUITE A WHILE NOW. 567 00:12:46,110 --> 00:12:47,111 WHEN HIM AND KARLIE REDD 568 00:12:47,111 --> 00:12:49,251 HOOKED UP, I WAS QUITE SHOCKED. 569 00:12:49,251 --> 00:12:50,045 I MEAN, KARLIE REDD 570 00:12:50,045 --> 00:12:51,149 IS A WHOLE HANDFUL, 571 00:12:51,149 --> 00:12:53,738 AND JOC IS A... 572 00:12:53,738 --> 00:12:54,912 BUSINESSMAN, YOU KNOW, 573 00:12:54,912 --> 00:12:56,776 HANDLING ALL TYPES OF, YOU KNOW, 574 00:12:56,776 --> 00:12:57,535 BUSINESSES. 575 00:12:57,535 --> 00:12:58,225 I WAS JUST LISTENING 576 00:12:58,225 --> 00:12:59,123 TO THEM LYRICS. 577 00:12:59,123 --> 00:13:00,089 I MEAN, IT'’S LIKE, 578 00:13:00,089 --> 00:13:01,401 "I GOT BUSINESSES." 579 00:13:01,401 --> 00:13:02,540 TELL ME ABOUT IT. 580 00:13:02,540 --> 00:13:03,230 THAT'’S WHAT I KIND OF 581 00:13:03,230 --> 00:13:03,886 BE SAYING. 582 00:13:03,886 --> 00:13:04,922 WHEN YOU A RAPPER, 583 00:13:04,922 --> 00:13:05,819 YOU GET A LOT OF THINGS 584 00:13:05,819 --> 00:13:06,578 THROWN AT YOU, 585 00:13:06,578 --> 00:13:07,234 '’CAUSE, YOU KNOW, GIRLS 586 00:13:07,234 --> 00:13:08,132 IS THROWING PANTIES. 587 00:13:08,132 --> 00:13:09,789 WHAT, Z'’S A RAPPER. 588 00:13:09,789 --> 00:13:11,135 BUT Z SEEMS LIKE HE'’S LOOKIN'’ 589 00:13:11,135 --> 00:13:12,274 FOR LOVE, YOU KNOW, AND-- 590 00:13:12,274 --> 00:13:13,413 HE CAN TAKE A SIP OF WINE 591 00:13:13,413 --> 00:13:14,103 AND BE IN LOVE. 592 00:13:14,103 --> 00:13:15,933 HE GOT A NEW GIRL. 593 00:13:15,933 --> 00:13:16,830 WHO KNOWS WHAT THE FUTURE HOLDS? 594 00:13:16,830 --> 00:13:18,038 OH, REALLY? 595 00:13:18,038 --> 00:13:19,350 SO ZINO HAS A NEW BOO. 596 00:13:19,350 --> 00:13:20,489 I ALWAYS KEEP A SOFT SPOT 597 00:13:20,489 --> 00:13:21,352 IN MY HEART FOR HIM. 598 00:13:21,352 --> 00:13:22,042 CAN'’T FRONT. 599 00:13:22,042 --> 00:13:22,836 WE DEFINITELY HAD 600 00:13:22,836 --> 00:13:23,975 SOME GOOD TIMES. 601 00:13:23,975 --> 00:13:26,598 ZINO, LIKE... 602 00:13:26,598 --> 00:13:28,117 I MISS HIM, LIKE... 603 00:13:28,117 --> 00:13:28,842 GOOD. 604 00:13:28,842 --> 00:13:30,775 HE COOKED, AND-- 605 00:13:30,775 --> 00:13:31,603 BUT I AIN'’T HAD TO WORRY 606 00:13:31,603 --> 00:13:32,915 ABOUT HIM WITH OTHER BUSINESSES. 607 00:13:32,915 --> 00:13:33,916 I KNEW HE WAS HOME. 608 00:13:33,916 --> 00:13:35,400 AND HE PUTS A LIGHT-UP SMILE 609 00:13:35,400 --> 00:13:37,851 ON YOUR FACE, SO, UH... 610 00:13:37,851 --> 00:13:38,783 YOU ARE... 611 00:13:38,783 --> 00:13:39,853 NO, I'’M SAYING 612 00:13:39,853 --> 00:13:40,612 I'’M LOOKING AT YOU. 613 00:13:40,612 --> 00:13:41,613 YOU LOOK--YOU'’RE GLOWING. 614 00:13:41,613 --> 00:13:43,339 YOU'’RE LOOKING LIKE, "UH." 615 00:13:43,339 --> 00:13:44,685 I'’M LIKE, "OKAY." 616 00:13:44,685 --> 00:13:45,963 SEE, I'’M WITH THAT. 617 00:13:45,963 --> 00:13:46,826 SPEAKING OF BENZINO, I KNOW 618 00:13:46,826 --> 00:13:47,861 THEY OPENING A RESTAURANT, 619 00:13:47,861 --> 00:13:49,000 HIM AND STEVIE, 620 00:13:49,000 --> 00:13:49,932 SLEAZY/ZINO'’S, 621 00:13:49,932 --> 00:13:51,313 AND I'’M LIKE, YOU KNOW, 622 00:13:51,313 --> 00:13:52,521 IF IT GOES WELL, YOU KNOW, 623 00:13:52,521 --> 00:13:53,315 I'’M GONNA BE IN THE BUILDING, 624 00:13:53,315 --> 00:13:54,557 YOU KNOW, KICKING IT, 625 00:13:54,557 --> 00:13:55,248 DOING MY THING. 626 00:13:55,248 --> 00:13:56,007 THINGS DIDN'’T WORK OUT 627 00:13:56,007 --> 00:13:57,422 BETWEEN ME AND BENZINO, 628 00:13:57,422 --> 00:13:59,252 BUT WE'’LL ALWAYS BE FRIENDS. 629 00:13:59,252 --> 00:13:59,942 AND NOW THAT I KNOW 630 00:13:59,942 --> 00:14:01,116 ABOUT HIS CLUB OPENING, 631 00:14:01,116 --> 00:14:02,358 I'’LL DEFINITELY BE THERE 632 00:14:02,358 --> 00:14:04,291 TO SUPPORT AND MAYBE EVEN MEET 633 00:14:04,291 --> 00:14:05,637 HIS NEW BOO. 634 00:14:05,637 --> 00:14:06,707 TELL RASHEEDA I LOVE HER. 635 00:14:06,707 --> 00:14:07,363 YOU KNOW I DO. 636 00:14:07,363 --> 00:14:08,019 I WILL SEE YOU. 637 00:14:08,019 --> 00:14:08,709 I'’M GETTING OUT OF HERE. 638 00:14:08,709 --> 00:14:09,365 I'’M LEAVING. 639 00:14:09,365 --> 00:14:12,127 ALL RIGHT, KISS KARTER 640 00:14:12,127 --> 00:14:15,682 FOR ME. 641 00:14:15,682 --> 00:14:17,028 WHOLE BUNCH OF BAD BITCHES 642 00:14:17,028 --> 00:14:18,236 RIGHT OUT HERE. 643 00:14:18,236 --> 00:14:19,306 DAMN. 644 00:14:19,306 --> 00:14:20,204 WONDER WHICH ONE OF Y'’ALL 645 00:14:20,204 --> 00:14:21,274 BITCHES GONNA GET A CHANCE 646 00:14:21,274 --> 00:14:23,517 TO CARRY THE ROYAL ASS. 647 00:14:23,517 --> 00:14:24,760 WHAT YOU DOING UP HERE? 648 00:14:24,760 --> 00:14:26,210 I NEVER SEEN IN ALL MY LIFE-- 649 00:14:26,210 --> 00:14:27,901 THESE SOME BAD BITCHES. 650 00:14:27,901 --> 00:14:28,868 I HIT SCRAPPY UP 651 00:14:28,868 --> 00:14:31,180 BECAUSE I LOVE FAST THINGS, 652 00:14:31,180 --> 00:14:32,492 I FEEL LIKE, YOU KNOW, 653 00:14:32,492 --> 00:14:33,424 AT THE END OF THE DAY, 654 00:14:33,424 --> 00:14:35,357 AFTER ALL OF MY HARD WORK 655 00:14:35,357 --> 00:14:36,876 AND TAKING CARE OF HIS BUSINESS, 656 00:14:36,876 --> 00:14:38,463 THAT'’S THE LEAST HE CAN DO, 657 00:14:38,463 --> 00:14:40,880 IS BUY MOMMA A SCOOTER. 658 00:14:40,880 --> 00:14:42,088 YOU KNOW, I DESERVE ONE. 659 00:14:42,088 --> 00:14:42,916 WHAT... 660 00:14:42,916 --> 00:14:43,848 ALL I'’VE BEEN THROUGH, 661 00:14:43,848 --> 00:14:45,229 YOU KNOW, WITH YOUR FEMALE 662 00:14:45,229 --> 00:14:46,955 PROBLEM, I NEED SOMETHING 663 00:14:46,955 --> 00:14:50,027 TO BUY MY TIME. 664 00:14:50,027 --> 00:14:50,751 WHY YOU IN THE MIDDLE 665 00:14:50,751 --> 00:14:51,407 OF IT, MA? 666 00:14:51,407 --> 00:14:53,547 LIKE, YOU AIN'’T GOT NO BUSINESS 667 00:14:53,547 --> 00:14:54,652 BEING IN THE MIDDLE OF IT. 668 00:14:54,652 --> 00:14:55,411 YOU GOT TO BE HONEST 669 00:14:55,411 --> 00:14:57,103 AND BE LIKE, "YEAH, SON, 670 00:14:57,103 --> 00:14:58,621 YOUR MOMMA GOT OUT OF LINE." 671 00:14:58,621 --> 00:15:00,934 YOU CAN'’T SAY THAT, CAN YOU? 672 00:15:00,934 --> 00:15:01,901 NO. 673 00:15:01,901 --> 00:15:02,556 RIGHT. 674 00:15:02,556 --> 00:15:03,868 MAN, YOU KNOW I LOVE MOMMA, 675 00:15:03,868 --> 00:15:06,733 BUT SHE CAN ALWAYS FIND HERSELF 676 00:15:06,733 --> 00:15:08,183 IN THE MIDDLE OF SOME CRAZY 677 00:15:08,183 --> 00:15:09,115 SHIZ-NAH-EE. 678 00:15:09,115 --> 00:15:10,737 I GO OUT OF TOWN FOR ONE WEEK, 679 00:15:10,737 --> 00:15:12,912 AND HOMEGIRL IS HAVING SIT-DOWNS 680 00:15:12,912 --> 00:15:14,672 WITH PINKETT AND BAMBI 681 00:15:14,672 --> 00:15:16,225 LIKE SHE HAVING BIG ROUNDTABLE 682 00:15:16,225 --> 00:15:17,606 MAFIA MEETINGS. 683 00:15:17,606 --> 00:15:18,503 SHE DONE CREATE A WHOLE BUNCH 684 00:15:18,503 --> 00:15:19,573 OF MESS I GOT TO COME THROUGH 685 00:15:19,573 --> 00:15:20,229 AND CLEAN UP. 686 00:15:20,229 --> 00:15:20,920 YOU WENT TO MIAMI... 687 00:15:20,920 --> 00:15:21,610 WHAT WERE YOU GONNA DO? 688 00:15:21,610 --> 00:15:22,369 AND I HAD TO SETTLE THIS-- 689 00:15:22,369 --> 00:15:23,025 I WAS GONNA LET STUFF 690 00:15:23,025 --> 00:15:23,715 COOL OFF. 691 00:15:23,715 --> 00:15:24,371 THEM CATTY BITCHES 692 00:15:24,371 --> 00:15:25,027 WAS GOING AT IT, WELL... 693 00:15:25,027 --> 00:15:25,717 I WAS GONNA LET STUFF 694 00:15:25,717 --> 00:15:26,373 COOL OFF. 695 00:15:26,373 --> 00:15:27,133 YOU KNOW WHAT I'’M SAYIN'’? 696 00:15:27,133 --> 00:15:27,996 I TRIED TO BE THE PEACEMAKER, 697 00:15:27,996 --> 00:15:28,858 BUT OBVIOUSLY, I CAN'’T BE-- 698 00:15:28,858 --> 00:15:31,240 AND DUMPED ALL THIS FOOD ON ME, 699 00:15:31,240 --> 00:15:32,276 ALL THIS FOOD, SO I'’M LIKE-- 700 00:15:32,276 --> 00:15:33,725 BUT--I MEAN, COME ON, 701 00:15:33,725 --> 00:15:34,657 GETTING THEM TWO TOGETHER 702 00:15:34,657 --> 00:15:36,073 TO DO A... 703 00:15:36,073 --> 00:15:37,246 WELL, BAMBI NEED TO SHUT UP 704 00:15:37,246 --> 00:15:38,213 AND LISTEN. 705 00:15:38,213 --> 00:15:39,939 AIN'’T EVEN GOT A BABY 706 00:15:39,939 --> 00:15:41,457 AND HAVING BABY MAMA PROBLEM. 707 00:15:41,457 --> 00:15:42,907 EH--YOU DID? 708 00:15:42,907 --> 00:15:43,804 WHEN I WAS OUT OF TOWN, 709 00:15:43,804 --> 00:15:44,840 I DONE HAD, YOU KNOW, 710 00:15:44,840 --> 00:15:46,462 A LITTLE TIME TO CLEAR MY HEAD 711 00:15:46,462 --> 00:15:47,705 AND THINK A LITTLE BIT. 712 00:15:47,705 --> 00:15:49,500 I REALLY DON'’T THINK 713 00:15:49,500 --> 00:15:50,535 THAT ME AND BAM WERE MADE 714 00:15:50,535 --> 00:15:51,571 FOR EACH OTHER. 715 00:15:51,571 --> 00:15:52,779 I WAS TRYING TO JUST TAKE 716 00:15:52,779 --> 00:15:54,022 EVERYTHING A LITTLE SLOW, 717 00:15:54,022 --> 00:15:55,471 BUT EVERYTHING THAT HAPPENED 718 00:15:55,471 --> 00:15:56,886 AROUND OUR SITUATION DONE MADE 719 00:15:56,886 --> 00:15:58,543 EVERYTHING FOR REAL FOR REAL. 720 00:15:58,543 --> 00:15:59,406 WE REALLY NEED TO HAVE 721 00:15:59,406 --> 00:16:00,752 A CONVERSATION 722 00:16:00,752 --> 00:16:01,995 ON WHAT WE GONNA DO. 723 00:16:01,995 --> 00:16:02,996 SHE WHINE TOO MUCH, 724 00:16:02,996 --> 00:16:04,377 SO I BE LIKE, "UGH." 725 00:16:04,377 --> 00:16:05,274 I AIN'’T KNOW SHE WAS EVEN 726 00:16:05,274 --> 00:16:05,965 LIKE THAT. 727 00:16:05,965 --> 00:16:07,173 SHE JUST GOT LIKE THAT, MAN. 728 00:16:07,173 --> 00:16:07,897 I'’M LIKE... 729 00:16:07,897 --> 00:16:08,760 NEEDY. 730 00:16:08,760 --> 00:16:10,003 BUT YOU GOT TO STAY FREE, SON. 731 00:16:10,003 --> 00:16:11,832 YOU GOT TO STAY FREE AND LEAVE 732 00:16:11,832 --> 00:16:13,869 ALL THESE CATTY BITCHES ALONE 733 00:16:13,869 --> 00:16:14,628 AND JUST DATE, 734 00:16:14,628 --> 00:16:16,044 JUST HAVE FUN, SON. 735 00:16:16,044 --> 00:16:17,079 HAVE FUN. 736 00:16:17,079 --> 00:16:18,632 AND MAKE A BET. 737 00:16:18,632 --> 00:16:19,944 WHAT'’S THE BET? 738 00:16:19,944 --> 00:16:21,635 YOU STAY OUT OF MINE, 739 00:16:21,635 --> 00:16:23,258 AND YOU GET YOUR BIKE. 740 00:16:23,258 --> 00:16:25,605 YOU GOT TO PROMISE. 741 00:16:25,605 --> 00:16:26,813 COME ON. COME ON. 742 00:16:26,813 --> 00:16:27,676 IT'’S A BET? 743 00:16:27,676 --> 00:16:29,712 ALL RIGHT. DEAL. 744 00:16:29,712 --> 00:16:31,093 ♪ EVERYBODY MOVE IT, MAN 745 00:16:31,093 --> 00:16:31,887 ♪ JUST GROOVE 746 00:16:31,887 --> 00:16:33,302 ♪ PLAYAS GOTTA DO YOUR DANCE 747 00:16:33,302 --> 00:16:34,062 ♪ NOW BREATHE 748 00:16:34,062 --> 00:16:35,718 ♪ LADIES BETTER CHOOSE A MAN 749 00:16:35,718 --> 00:16:37,893 [hip-hop music] 750 00:16:37,893 --> 00:16:38,998 ♪ JUST CLAP 751 00:16:38,998 --> 00:16:40,171 ♪ EVERYBODY MOVE IT, MAN 752 00:16:40,171 --> 00:16:41,069 ♪ JUST GROOVE 753 00:16:41,069 --> 00:16:42,208 ♪ PLAYAS GOTTA DO YOUR DANCE 754 00:16:42,208 --> 00:16:43,278 ♪ NOW BREATHE 755 00:16:43,278 --> 00:16:45,590 ♪ LADIES BETTER CHOOSE A MAN 756 00:16:45,590 --> 00:16:46,660 ♪ 757 00:16:46,660 --> 00:16:47,627 THIS IS THE DAY THAT 758 00:16:47,627 --> 00:16:49,180 ATLANTA'’S BEEN WAITING FOR, 759 00:16:49,180 --> 00:16:50,975 THE OPENING OF SLEAZY & ZINO'’S 760 00:16:50,975 --> 00:16:52,114 BISTRO & BAR. 761 00:16:52,114 --> 00:16:53,253 THE LADIES ARE HERE. 762 00:16:53,253 --> 00:16:54,496 THE BOTTLES ARE POPPIN'’. 763 00:16:54,496 --> 00:16:55,497 IT'’S GONNA BE A NIGHT 764 00:16:55,497 --> 00:16:56,946 YOU WILL NEVER FORGET. 765 00:16:56,946 --> 00:16:57,947 EVERYBODY HERE, 766 00:16:57,947 --> 00:16:59,225 IT'’S NOTHING BUT LOVE. 767 00:16:59,225 --> 00:17:00,916 WE ARE VERY HUMBLED BY THIS. 768 00:17:00,916 --> 00:17:01,710 BELIEVE THAT. 769 00:17:01,710 --> 00:17:02,642 GOD BLESS ALL Y'’ALL. 770 00:17:02,642 --> 00:17:03,712 WE GONNA CONTINUE THIS. 771 00:17:03,712 --> 00:17:04,747 ABSOLUTELY. 772 00:17:04,747 --> 00:17:05,610 ME AND SLEAZO WORKED 773 00:17:05,610 --> 00:17:06,956 REAL HARD JUST SO WE COULD HAVE 774 00:17:06,956 --> 00:17:08,613 EVERYTHING READY ON TIME, 775 00:17:08,613 --> 00:17:10,581 BUT WE DID IT. 776 00:17:10,581 --> 00:17:11,409 IT'’S HYPED. 777 00:17:11,409 --> 00:17:12,272 I'’M FEELING GOOD... 778 00:17:12,272 --> 00:17:13,032 CHH-CHH-CHH-CHH-CHH. 779 00:17:13,032 --> 00:17:13,860 SMELLING GOOD. 780 00:17:13,860 --> 00:17:14,757 I MEAN, THIS IS OUR NIGHT 781 00:17:14,757 --> 00:17:15,448 TONIGHT. 782 00:17:15,448 --> 00:17:16,104 YOU LIKE IT? I LIKE IT. 783 00:17:16,104 --> 00:17:16,794 YEAH, YEAH. 784 00:17:16,794 --> 00:17:17,450 THIS IS SOME... 785 00:17:17,450 --> 00:17:18,830 I'’M PROUD OF HIM, 786 00:17:18,830 --> 00:17:19,486 AND YOU KNOW WHAT? 787 00:17:19,486 --> 00:17:20,246 HE SUPPORTS US, 788 00:17:20,246 --> 00:17:22,317 SO WE SUPPORT HIM. 789 00:17:22,317 --> 00:17:24,698 BENZINO? 790 00:17:24,698 --> 00:17:25,734 NO, NO, NO, NO, NO. 791 00:17:25,734 --> 00:17:26,666 BENZINO. 792 00:17:26,666 --> 00:17:28,875 [laughs] 793 00:17:28,875 --> 00:17:29,565 I DON'’T KNOW. 794 00:17:29,565 --> 00:17:30,428 YOU KNOW, I REALLY... 795 00:17:30,428 --> 00:17:31,084 DON'’T ACT. 796 00:17:31,084 --> 00:17:31,843 YOU KNOW, TRICK. YOU KNOW. 797 00:17:31,843 --> 00:17:32,534 DON'’T ACT. 798 00:17:32,534 --> 00:17:33,190 BUT YOU KNOW WHAT? 799 00:17:33,190 --> 00:17:33,880 I CAN'’T FRONT. 800 00:17:33,880 --> 00:17:34,984 I LIKE SMALL [bleep]. 801 00:17:34,984 --> 00:17:35,640 OH. 802 00:17:35,640 --> 00:17:36,296 I DO. 803 00:17:36,296 --> 00:17:37,297 WHATEVER FLOATS YOUR BOAT. 804 00:17:37,297 --> 00:17:38,540 IT'’S EMOTION, NOT A OCEAN. 805 00:17:38,540 --> 00:17:39,230 IN OTHER WORDS, YOU KNOW, 806 00:17:39,230 --> 00:17:40,335 I LIKE SMALL THINGS. 807 00:17:40,335 --> 00:17:41,577 ZINO AND I, 808 00:17:41,577 --> 00:17:42,958 WE'’VE HAD OUR MOMENTS, 809 00:17:42,958 --> 00:17:44,028 BUT NO MATTER WHAT, 810 00:17:44,028 --> 00:17:45,443 WE'’RE STILL FRIENDS, 811 00:17:45,443 --> 00:17:46,582 AND I'’M REALLY PROUD OF WHAT 812 00:17:46,582 --> 00:17:48,446 STEVIE AND HIM HAVE PULLED OFF. 813 00:17:48,446 --> 00:17:49,344 AND, OF COURSE, I'’M LOOKING 814 00:17:49,344 --> 00:17:51,449 FORWARD TO SEEING HIS NEW CHICK 815 00:17:51,449 --> 00:17:52,519 AND SEEING HOW SHE COMPARES 816 00:17:52,519 --> 00:17:54,349 TO KARLIE REDD. 817 00:17:54,349 --> 00:17:55,591 HEY, KARLIE AND ERICA. 818 00:17:55,591 --> 00:17:56,454 THIS IS ALTHEA. THAT'’S KARLIE. 819 00:17:56,454 --> 00:17:57,455 HI, KARLIE. 820 00:17:57,455 --> 00:17:58,870 THAT'’S ERICA RIGHT THERE. 821 00:17:58,870 --> 00:17:59,940 both: NICE TO MEET YOU. 822 00:17:59,940 --> 00:18:01,632 OKAY, SHE'’S A'’IGHT. 823 00:18:01,632 --> 00:18:03,082 OH, NO, SHE'’S NOT A'’IGHT. 824 00:18:03,082 --> 00:18:04,566 NOTHING WILL EVER COMPARE 825 00:18:04,566 --> 00:18:05,981 TO THIS PACKAGE. 826 00:18:05,981 --> 00:18:07,500 THIS IS SO WEIRD. 827 00:18:07,500 --> 00:18:08,363 AWKWARD. 828 00:18:08,363 --> 00:18:09,053 WHY? 829 00:18:09,053 --> 00:18:09,812 BUT, YEAH, '’CAUSE THIS-- 830 00:18:09,812 --> 00:18:10,503 WELL, NO, YOU KNOW WHY? 831 00:18:10,503 --> 00:18:11,573 '’CAUSE THIS--SO HONESTLY, 832 00:18:11,573 --> 00:18:12,229 I'’M USED TO SEEING 833 00:18:12,229 --> 00:18:13,057 KARLIE AND BENZINO. 834 00:18:13,057 --> 00:18:13,954 BUT YOU KNOW WHAT, THOUGH? 835 00:18:13,954 --> 00:18:15,094 WE'’RE ALL ADULTS, AND... 836 00:18:15,094 --> 00:18:15,956 YES, WE ARE. 837 00:18:15,956 --> 00:18:17,061 EVERYBODY HAS A PAST. 838 00:18:17,061 --> 00:18:17,820 YOU KNOW WHAT I'’M SAYIN'’? 839 00:18:17,820 --> 00:18:18,649 I MEAN, YOU'’RE DATING NEW-- 840 00:18:18,649 --> 00:18:19,408 YOU'’RE DATING SOMEONE TOO, 841 00:18:19,408 --> 00:18:20,099 RIGHT? 842 00:18:20,099 --> 00:18:20,754 YOU'’RE DATING A BOO. 843 00:18:20,754 --> 00:18:22,135 YEAH, YEAH, YUNG JOC. 844 00:18:22,135 --> 00:18:23,032 YEAH. 845 00:18:23,032 --> 00:18:23,826 AND I KNOW YOU HAD TO CHANGE 846 00:18:23,826 --> 00:18:24,517 YOUR PHONE NUMBER. 847 00:18:24,517 --> 00:18:25,173 DOES SHE HAVE YOUR NEW 848 00:18:25,173 --> 00:18:26,208 TELEPHONE NUMBER? 849 00:18:26,208 --> 00:18:26,933 YES. 850 00:18:26,933 --> 00:18:27,830 I HAVE EVERY NUMBER. 851 00:18:27,830 --> 00:18:28,728 YOU HAD--WHEN YOU HAD-- 852 00:18:28,728 --> 00:18:29,453 EVERY NUMBER? 853 00:18:29,453 --> 00:18:30,109 IT'’S ONLY ONE-- 854 00:18:30,109 --> 00:18:30,799 IT'’S ONLY ONE NUMBER. 855 00:18:30,799 --> 00:18:33,698 ANY AND EVERY NUMBER. 856 00:18:33,698 --> 00:18:36,045 THERE'’S ONLY ONE NUMBER. 857 00:18:36,045 --> 00:18:37,288 JOSELINE JUST WARNED ME 858 00:18:37,288 --> 00:18:38,358 ABOUT KARLIE. 859 00:18:38,358 --> 00:18:39,256 THERE SHOULD BE NO REASON 860 00:18:39,256 --> 00:18:40,153 WHY THIS CHICK SHOULD BE 861 00:18:40,153 --> 00:18:41,154 CALLING MY MAN, 862 00:18:41,154 --> 00:18:42,224 AND I'’MA SHUT HER DOWN 863 00:18:42,224 --> 00:18:43,743 BEFORE THERE'’S EVEN A PROBLEM. 864 00:18:43,743 --> 00:18:44,675 DID YOU TELL SOMEBODY 865 00:18:44,675 --> 00:18:45,883 THAT YOU WAS MISSING A [bleep] 866 00:18:45,883 --> 00:18:46,849 OR SOMETHING LIKE THAT? 867 00:18:46,849 --> 00:18:47,609 MISSING A WHO? 868 00:18:47,609 --> 00:18:48,782 MISSING THE [bleep]. 869 00:18:48,782 --> 00:18:49,921 THE ONLY [bleep] I'’M MISSING 870 00:18:49,921 --> 00:18:50,577 IS MY MAN'’S. 871 00:18:50,577 --> 00:18:51,233 OH. 872 00:18:51,233 --> 00:18:52,338 THAT IS A [bleep] TO MISS. 873 00:18:52,338 --> 00:18:53,028 YOU TRUST ME, GIRL. 874 00:18:53,028 --> 00:18:53,822 OKAY. 875 00:18:53,822 --> 00:18:54,547 OH, YES. 876 00:18:54,547 --> 00:18:55,272 WHERE'’D YOU GET THAT FROM, 877 00:18:55,272 --> 00:18:55,962 BY THE WAY? 878 00:18:55,962 --> 00:18:56,825 I HEARD THAT YOU SAID 879 00:18:56,825 --> 00:18:57,481 THAT YOU WAS MISSING 880 00:18:57,481 --> 00:18:58,137 THE [bleep]. 881 00:18:58,137 --> 00:18:58,827 I TOLD HER THAT, 882 00:18:58,827 --> 00:18:59,586 BECAUSE KIRK TOLD ME. 883 00:18:59,586 --> 00:19:00,311 OH, YOU TOLD HER THAT. 884 00:19:00,311 --> 00:19:01,001 WHERE'’S KIRK? 885 00:19:01,001 --> 00:19:01,657 LET ME GO GET KIRK. 886 00:19:01,657 --> 00:19:02,900 I'’MA GO GET KIRK. 887 00:19:02,900 --> 00:19:04,246 YO, WHERE'’S KIRK? 888 00:19:04,246 --> 00:19:06,145 THIS [bleep] KIRK 889 00:19:06,145 --> 00:19:07,801 GOT [bleep] ALL TWISTED. 890 00:19:07,801 --> 00:19:08,802 NOW I GOT TO STRAIGHTEN OUT 891 00:19:08,802 --> 00:19:09,976 TWO PEOPLE, 892 00:19:09,976 --> 00:19:11,357 THIS BITCH ALF 893 00:19:11,357 --> 00:19:13,324 AND LYIN'’ ASS KIRK. 894 00:19:13,324 --> 00:19:14,670 [all speaking at once] 895 00:19:14,670 --> 00:19:15,326 WHAT HAPPENED? 896 00:19:15,326 --> 00:19:16,362 THAT I'’M MISSING A "D"? 897 00:19:16,362 --> 00:19:17,052 SPIT IT OUT. 898 00:19:17,052 --> 00:19:17,880 YOU STARTED THIS [bleep]. 899 00:19:17,880 --> 00:19:18,916 IT'’S RIGHT HERE. 900 00:19:18,916 --> 00:19:19,917 SHE SAYS SHE WANT TO BE 901 00:19:19,917 --> 00:19:20,849 BACK IN Z'’S PRESENCE. 902 00:19:20,849 --> 00:19:21,505 OH! 903 00:19:21,505 --> 00:19:22,161 NOT THAT. 904 00:19:22,161 --> 00:19:23,265 YOU SAID I'’M MISSING A [bleep]. 905 00:19:23,265 --> 00:19:24,093 OH, SAID SHE WANT TO BE BACK 906 00:19:24,093 --> 00:19:25,129 IN MY PRESENCE. 907 00:19:25,129 --> 00:19:25,854 OH! 908 00:19:25,854 --> 00:19:26,579 BUT NOT THAT I'’M MISSING 909 00:19:26,579 --> 00:19:27,614 A [bleep], SO, BOO-BOO, 910 00:19:27,614 --> 00:19:28,339 YOU GOT IT WRONG. 911 00:19:28,339 --> 00:19:29,858 I WOULD NEVER MISS THE [bleep]. 912 00:19:29,858 --> 00:19:30,824 I DON'’T GOT TO MISS THE [bleep]. 913 00:19:30,824 --> 00:19:31,998 THE [bleep] MISSES ME. 914 00:19:31,998 --> 00:19:32,654 [howls] 915 00:19:32,654 --> 00:19:33,655 HE DON'’T MISS YOU. 916 00:19:33,655 --> 00:19:34,587 HE DON'’T MISS YOU, BABY. 917 00:19:34,587 --> 00:19:35,898 IT'’S A WRAP. IT'’S OVER. 918 00:19:35,898 --> 00:19:36,899 LET THAT BITCH KNOW 919 00:19:36,899 --> 00:19:38,073 THAT I'’M CRAZY. 920 00:19:38,073 --> 00:19:39,039 [indistinct shouting] 921 00:19:39,039 --> 00:19:41,076 [all yelling] 922 00:19:41,076 --> 00:19:41,732 [bleep]! 923 00:19:41,732 --> 00:19:42,802 WHO YOU CALLING A BITCH, 924 00:19:42,802 --> 00:19:43,803 BENZINO? 925 00:19:43,803 --> 00:19:44,942 I DON'’T [bleep] CARE. 926 00:19:44,942 --> 00:19:45,770 LIKE, I'’M NOT PLAYING. 927 00:19:45,770 --> 00:19:48,842 I'’LL SMACK YOUR ASS. 928 00:19:48,842 --> 00:19:54,400 [bleep]. 929 00:19:54,400 --> 00:19:55,711 IT'’S A WRAP. IT'’S OVER. 930 00:19:55,711 --> 00:19:56,816 LET THAT BITCH KNOW 931 00:19:56,816 --> 00:19:57,920 THAT I'’M CRAZY. 932 00:19:57,920 --> 00:19:59,646 [indistinct shouting] 933 00:19:59,646 --> 00:20:02,477 [all yelling] 934 00:20:02,477 --> 00:20:03,409 SECURITY! 935 00:20:03,409 --> 00:20:04,513 ESCORT THAT BITCH 936 00:20:04,513 --> 00:20:05,790 OUT OF MY CLUB! 937 00:20:05,790 --> 00:20:06,619 [bleep] [bleep]. 938 00:20:06,619 --> 00:20:07,551 WHO YOU CALLING A BITCH, 939 00:20:07,551 --> 00:20:08,310 BENZINO? 940 00:20:08,310 --> 00:20:09,069 GET THE [bleep] 941 00:20:09,069 --> 00:20:10,347 OUT OF THE CLUB! 942 00:20:10,347 --> 00:20:11,693 ESCORT THAT BITCH OUT! 943 00:20:11,693 --> 00:20:12,866 [all speaking at once] 944 00:20:12,866 --> 00:20:14,005 DO NOT [bleep] WITH ME. 945 00:20:14,005 --> 00:20:16,007 WHO WAS YOU CALLING A BITCH? 946 00:20:16,007 --> 00:20:16,974 SHUT UP, BITCH. 947 00:20:16,974 --> 00:20:19,287 [all yelling] 948 00:20:19,287 --> 00:20:20,460 BENZINO AND HIS TRIFLIN'’ ASS 949 00:20:20,460 --> 00:20:21,634 GIRLFRIEND MUST'’VE LOST 950 00:20:21,634 --> 00:20:22,704 THEIR DAMN MINDS. 951 00:20:22,704 --> 00:20:23,705 FIRST, THIS BITCH THROWS 952 00:20:23,705 --> 00:20:24,878 A DRINK ON KARLIE. 953 00:20:24,878 --> 00:20:25,741 BUT HOLD UP. 954 00:20:25,741 --> 00:20:26,397 DID THAT BITCH 955 00:20:26,397 --> 00:20:27,847 THROW A DRINK AT ME? 956 00:20:27,847 --> 00:20:29,435 OH, HELL, YEAH, NOW YOU BETTER 957 00:20:29,435 --> 00:20:31,230 REMOVE MY ASS OUT OF THIS CLUB 958 00:20:31,230 --> 00:20:32,369 BEFORE I WIPE THE FLOOR 959 00:20:32,369 --> 00:20:33,404 WITH THIS HO 960 00:20:33,404 --> 00:20:34,474 AND SHUT THIS CLUB DOWN. 961 00:20:34,474 --> 00:20:35,268 GET OFF ME, MAN! 962 00:20:35,268 --> 00:20:36,200 GET THE [bleep] OFF ME! 963 00:20:36,200 --> 00:20:38,340 [all yelling] 964 00:20:38,340 --> 00:20:39,479 [all shouting at once] 965 00:20:39,479 --> 00:20:40,722 LEAVE IT TO KARLIE REDD 966 00:20:40,722 --> 00:20:42,068 TO START SOME [bleep]. 967 00:20:42,068 --> 00:20:43,656 AT LEAST ZINO HAD ENOUGH SENSE 968 00:20:43,656 --> 00:20:45,485 TO KICK HER ASS TO THE CURB. 969 00:20:45,485 --> 00:20:48,971 [all speaking at once] 970 00:20:48,971 --> 00:20:50,697 JUST SHUT UP. 971 00:20:50,697 --> 00:20:52,147 DON'’T TOUCH ME, [bleep]. 972 00:20:52,147 --> 00:20:53,182 I'’M SITTING IN THE V.I.P., 973 00:20:53,182 --> 00:20:54,529 DRINKING MY CHAMPAGNE, 974 00:20:54,529 --> 00:20:55,702 BEING SEXY, WATCHING 975 00:20:55,702 --> 00:20:57,048 THE WHOLE PARTY GO ON. 976 00:20:57,048 --> 00:20:58,774 ALL I SEE IS BITCHES FLYING 977 00:20:58,774 --> 00:20:59,844 OUT THE DOOR, 978 00:20:59,844 --> 00:21:01,467 WIGS FLYING IN THE AIR. 979 00:21:01,467 --> 00:21:03,089 OF COURSE BENZINO'’S NEW GIRL 980 00:21:03,089 --> 00:21:04,815 IS IN THE MIDDLE OF EVERYTHING. 981 00:21:04,815 --> 00:21:05,574 BITCH, I DON'’T KNOW WHO YOU 982 00:21:05,574 --> 00:21:06,437 THINK YOU ARE, BUT THIS IS 983 00:21:06,437 --> 00:21:07,473 A FAMILY BUSINESS. 984 00:21:07,473 --> 00:21:08,681 EITHER BENZINO CHECK YOU, 985 00:21:08,681 --> 00:21:09,682 OR JOSELINE HERNANDEZ 986 00:21:09,682 --> 00:21:10,579 WILL CHECK YOU. 987 00:21:10,579 --> 00:21:12,788 [bleep] OUT OF HERE! 988 00:21:12,788 --> 00:21:14,790 GET THE [bleep] OUT OF HERE! 989 00:21:14,790 --> 00:21:15,688 WHEN JOC GET AHOLD 990 00:21:15,688 --> 00:21:16,516 OF YOUR ASS, 991 00:21:16,516 --> 00:21:17,966 I'’LL FEEL SORRY FOR YOU! 992 00:21:17,966 --> 00:21:19,381 WHEN JOC GET AHOLD OF YOUR ASS, 993 00:21:19,381 --> 00:21:21,245 I'’LL FEEL SORRY FOR YOU! 994 00:21:21,245 --> 00:21:23,178 I DON'’T KNOW WHO THIS ALTHEA, 995 00:21:23,178 --> 00:21:25,387 HO-THEA-ALF THINKS SHE IS, 996 00:21:25,387 --> 00:21:26,595 BUT SHE'’S DEFINITELY MESSING 997 00:21:26,595 --> 00:21:28,183 WITH THE WRONG CHICK, 998 00:21:28,183 --> 00:21:30,772 AND [bleep] NO-NECK BENZINO TOO. 999 00:21:30,772 --> 00:21:32,981 IT DEFINITELY AIN'’T OVER. 1000 00:21:32,981 --> 00:21:34,672 GHETTO ASS FUNCTION. 1001 00:21:34,672 --> 00:21:35,501 NOBODY WANT TO COME 1002 00:21:35,501 --> 00:21:39,539 TO THIS GHETTO ASS FUNCTION. 1003 00:21:39,539 --> 00:21:44,648 [indistinct chatter] 1004 00:21:44,648 --> 00:21:45,338 DOESN'’T MATTER. 1005 00:21:45,338 --> 00:21:46,028 DON'’T MATTER. 1006 00:21:46,028 --> 00:21:47,616 MM-HMM. 1007 00:21:47,616 --> 00:21:48,307 WHAT'’S HAPPENIN'’? 1008 00:21:48,307 --> 00:21:49,066 HEY. 1009 00:21:49,066 --> 00:21:50,136 HOW Y'’ALL DOING? 1010 00:21:50,136 --> 00:21:50,930 WHAT'’S UP? 1011 00:21:50,930 --> 00:21:51,586 WELL, EXCUSE ME. 1012 00:21:51,586 --> 00:21:52,587 CAN I PULL THIS LITTLE YOUNG 1013 00:21:52,587 --> 00:21:54,071 LADY OFF TO THE SIDE? 1014 00:21:54,071 --> 00:21:54,934 I'’VE BEEN OUT OF TOWN 1015 00:21:54,934 --> 00:21:56,315 SINCE MY BIRTHDAY PARTY, 1016 00:21:56,315 --> 00:21:57,868 AND I AIN'’T HAD NO REAL CONTACT 1017 00:21:57,868 --> 00:21:59,352 WITH BAM, NO FACE-TO-FACE TIME, 1018 00:21:59,352 --> 00:22:00,077 YOU KNOW. 1019 00:22:00,077 --> 00:22:01,561 SO NOW THAT I'’M BACK, 1020 00:22:01,561 --> 00:22:02,390 YOU KNOW, I THINK IT'’S TIME 1021 00:22:02,390 --> 00:22:03,114 FOR ME TO GO HOLLER 1022 00:22:03,114 --> 00:22:04,426 AT THE BAMSTER, YOU KNOW, 1023 00:22:04,426 --> 00:22:05,427 AND SEE WHAT STATUS 1024 00:22:05,427 --> 00:22:09,500 OUR RELATIONSHIP LOOKIN'’ LIKE. 1025 00:22:09,500 --> 00:22:10,777 WHAT'’S UP? 1026 00:22:10,777 --> 00:22:13,573 WHAT YOU HEARD? 1027 00:22:13,573 --> 00:22:15,713 GOT INTO A LITTLE 1028 00:22:15,713 --> 00:22:16,783 ALTERCATION 1029 00:22:16,783 --> 00:22:18,302 AGAIN WITH OLD GIRL. 1030 00:22:18,302 --> 00:22:18,992 OLD GIRL? 1031 00:22:18,992 --> 00:22:19,717 PINKETT. 1032 00:22:19,717 --> 00:22:20,373 MM-HMM. 1033 00:22:20,373 --> 00:22:21,132 WHAT HAPPENED? 1034 00:22:21,132 --> 00:22:22,271 YOUR MOM CALLED ME, 1035 00:22:22,271 --> 00:22:23,376 AND SHE WANTED ME TO SIT DOWN 1036 00:22:23,376 --> 00:22:24,550 WITH THIS CHICK, SO I GO 1037 00:22:24,550 --> 00:22:26,379 AND SIT DOWN, AND MY FIRST 1038 00:22:26,379 --> 00:22:27,069 THOUGHT WAS LIKE, 1039 00:22:27,069 --> 00:22:27,725 "WHY AM I HERE?" 1040 00:22:27,725 --> 00:22:29,278 TO GET A CONCLUSION ON THAT. 1041 00:22:29,278 --> 00:22:30,349 A CONCLUSION FOR WHAT? 1042 00:22:30,349 --> 00:22:31,591 I ALREADY CONCLUDED THIS 1043 00:22:31,591 --> 00:22:33,904 WHEN I PUT MY FIST IN HER FACE. 1044 00:22:33,904 --> 00:22:35,319 WHAT MORE DOES SCRAP WANT? 1045 00:22:35,319 --> 00:22:36,113 YOU WERE LETTING PEOPLE 1046 00:22:36,113 --> 00:22:37,804 DISRESPECT ME, AND-- 1047 00:22:37,804 --> 00:22:39,737 AND THE END RESULT IS 1048 00:22:39,737 --> 00:22:41,705 THAT I'’M OVER IT, 1049 00:22:41,705 --> 00:22:43,465 LIKE, THE WHOLE SITUATION. 1050 00:22:43,465 --> 00:22:44,949 I DON'’T DO RATCHET CIRCUS 1051 00:22:44,949 --> 00:22:45,778 TRIANGLES, 1052 00:22:45,778 --> 00:22:46,848 SO Y'’ALL CAN HAVE THAT. 1053 00:22:46,848 --> 00:22:47,676 Y'’ALL CAN HAVE Y'’ALL [bleep] 1054 00:22:47,676 --> 00:22:48,505 BACK. 1055 00:22:48,505 --> 00:22:49,368 WOW. 1056 00:22:49,368 --> 00:22:50,645 I'’VE NEVER HAD TO BE 1057 00:22:50,645 --> 00:22:52,888 IN A SITUATION WHERE SOMEBODY'’S 1058 00:22:52,888 --> 00:22:55,132 MAMA, LIKE, DICTATED EVERYTHING. 1059 00:22:55,132 --> 00:22:56,167 IT AIN'’T GOT NOTHING TO DO 1060 00:22:56,167 --> 00:22:56,823 WITH HER, THOUGH. 1061 00:22:56,823 --> 00:22:57,514 LIKE, I JUST-- 1062 00:22:57,514 --> 00:22:58,618 I REALLY WANT TO SMACK 1063 00:22:58,618 --> 00:22:59,826 YOUR ASS RIGHT NOW. 1064 00:22:59,826 --> 00:23:00,586 BUT THAT WOULDN'’T BE 1065 00:23:00,586 --> 00:23:01,587 A GOOD THING TO DO. 1066 00:23:01,587 --> 00:23:02,795 WELL, YOU NEED TO GO 1067 00:23:02,795 --> 00:23:04,452 GET ON A NIPPLE OR SOMETHING. 1068 00:23:04,452 --> 00:23:05,176 I DON'’T NEED TO GET 1069 00:23:05,176 --> 00:23:05,832 ON A NIPPLE. 1070 00:23:05,832 --> 00:23:06,764 WHAT YOU NEED TO GET ON? 1071 00:23:06,764 --> 00:23:07,869 I GET ANOTHER GLASS. 1072 00:23:07,869 --> 00:23:09,249 CAN YOU GET US ANOTHER SHOT, 1073 00:23:09,249 --> 00:23:10,354 WITH A NIPPLE ATTACHED 1074 00:23:10,354 --> 00:23:11,804 TO THE GLASS? 1075 00:23:11,804 --> 00:23:13,530 NEVER GONNA FIND NOBODY 1076 00:23:13,530 --> 00:23:15,255 TO DO FOR YOU WHAT I DID. 1077 00:23:15,255 --> 00:23:16,395 NO, I AGREE. 1078 00:23:16,395 --> 00:23:18,535 I DO LOVE BEING WITH YOU, 1079 00:23:18,535 --> 00:23:19,639 AND YOU'’RE A GOOD FRIEND. 1080 00:23:19,639 --> 00:23:21,089 YOU'’RE A GOOD GIRL, 1081 00:23:21,089 --> 00:23:23,125 BUT YOU JUST COMPLAIN 1082 00:23:23,125 --> 00:23:24,333 TOO MUCH WITH IT. 1083 00:23:24,333 --> 00:23:25,714 DON'’T TRY TO DISCREDIT ME 1084 00:23:25,714 --> 00:23:26,543 FOR MY [bleep]. 1085 00:23:26,543 --> 00:23:27,406 NOW, THAT'’S WHEN WE GONNA HAVE 1086 00:23:27,406 --> 00:23:28,061 A [bleep] PROBLEM. 1087 00:23:28,061 --> 00:23:28,717 BAM, CHILL OUT... 1088 00:23:28,717 --> 00:23:29,753 I DON'’T [bleep] CARE. 1089 00:23:29,753 --> 00:23:30,616 LIKE, I'’M NOT PLAYING. 1090 00:23:30,616 --> 00:23:31,720 I'’LL SMACK YOUR ASS. 1091 00:23:31,720 --> 00:23:33,515 I'’M DONE WITH ALL THIS [bleep]. 1092 00:23:33,515 --> 00:23:34,999 GO AND DON'’T MOTHER[bleep] 1093 00:23:34,999 --> 00:23:37,001 COME BACK, PERIOD. 1094 00:23:37,001 --> 00:23:38,278 AND LET ME GET THAT [bleep]. 1095 00:23:38,278 --> 00:23:39,245 SOME ONES TOO. 1096 00:23:39,245 --> 00:23:39,970 YEAH. 1097 00:23:39,970 --> 00:23:40,660 I DON'’T WANT YOUR LITTLE 1098 00:23:40,660 --> 00:23:41,523 SPANKIN'’ ASS ONES. 1099 00:23:41,523 --> 00:23:43,042 HERE'’S SOME ONES. 1100 00:23:43,042 --> 00:23:44,077 GET YOUR ASS OUT OF HERE. 1101 00:23:44,077 --> 00:23:44,906 IT'’S ALL GOOD. 1102 00:23:44,906 --> 00:23:46,010 SHE AIN'’T HAPPY. 1103 00:23:46,010 --> 00:23:46,977 I AIN'’T HAPPY. 1104 00:23:46,977 --> 00:23:47,702 WHAT'’S THAT THING THEY 1105 00:23:47,702 --> 00:23:48,427 BE SAYIN'’, YOU KNOW, 1106 00:23:48,427 --> 00:23:49,428 PEOPLE SAY ALL THE TIME, 1107 00:23:49,428 --> 00:23:51,153 YOU KNOW, "IF IT AIN'’T GOOD, 1108 00:23:51,153 --> 00:23:51,878 YOU GOT A JEWEL." 1109 00:23:51,878 --> 00:23:52,534 GOT YOU. 1110 00:23:52,534 --> 00:23:53,224 [bleep]. 1111 00:23:53,224 --> 00:23:54,225 BUT YOU DIDN'’T TAKE CARE 1112 00:23:54,225 --> 00:23:55,434 OF THE BEST BITCH THAT EVER 1113 00:23:55,434 --> 00:23:57,056 HAPPENED TO YOU IN YOUR LIFE. 1114 00:23:57,056 --> 00:23:58,644 KEEP RUNNIN'’ BACK TO THE BITCHES 1115 00:23:58,644 --> 00:24:00,577 THAT'’S GONNA BE ALWAYS THERE 1116 00:24:00,577 --> 00:24:01,440 FOR YOU, BECAUSE THEY AIN'’T 1117 00:24:01,440 --> 00:24:03,821 GOT [bleep] ELSE. 1118 00:24:03,821 --> 00:24:04,477 HOW LONG AGO WAS IT? 1119 00:24:04,477 --> 00:24:05,167 BE HONEST. 1120 00:24:05,167 --> 00:24:06,410 IF I HAD ANYTHING TO HIDE, 1121 00:24:06,410 --> 00:24:07,376 I WOULDN'’T WANT TO GO. 1122 00:24:07,376 --> 00:24:08,032 YEAH, I KNOW ALTHEA. 1123 00:24:08,032 --> 00:24:09,240 THAT'’S MY LEFTOVERS. 1124 00:24:09,240 --> 00:24:10,310 SHE DON'’T WANT IT FROM ME, 1125 00:24:10,310 --> 00:24:11,588 SO THE BOSS, AROUND TO STEVIE. 1126 00:24:11,588 --> 00:24:12,278 AND THEN ZINO. 1127 00:24:12,278 --> 00:24:15,350 WHOA, WHOA, WHOA, WHOA. 1128 00:24:15,350 --> 00:24:19,975 SHE LOVIN'’ THE CREW? 1129 00:24:19,975 --> 00:24:21,287 ♪ COME TO THE PARTY 1130 00:24:21,287 --> 00:24:22,668 ♪ IF YOU WANNA 1131 00:24:22,668 --> 00:24:23,358 ♪ BUT YOU CAN'’T ♪ 1132 00:24:23,358 --> 00:24:24,290 ♪ BRING YOUR DRAMA 1133 00:24:24,290 --> 00:24:25,464 ♪ ALL YOU NEED TO DO IS 1134 00:24:25,464 --> 00:24:27,155 ♪ LET GO 1135 00:24:27,155 --> 00:24:27,983 ♪ WE GONNA BE 1136 00:24:27,983 --> 00:24:29,260 ♪ THE PARTY STARTERS 1137 00:24:29,260 --> 00:24:30,469 ♪ OOH 1138 00:24:30,469 --> 00:24:31,331 ♪ TONIGHT 1139 00:24:31,331 --> 00:24:31,987 ♪ WE GONNA BE 1140 00:24:31,987 --> 00:24:33,955 ♪ THE PARTY STARTERS 1141 00:24:33,955 --> 00:24:35,646 ♪ I AM TONIGHT 1142 00:24:35,646 --> 00:24:36,336 ♪ WE GONNA BE 1143 00:24:36,336 --> 00:24:37,510 ♪ THE PARTY STARTERS 1144 00:24:37,510 --> 00:24:38,994 ♪ I AM TONIGHT 1145 00:24:38,994 --> 00:24:40,686 [upbeat dance music] 1146 00:24:40,686 --> 00:24:41,859 NIKKO AND I JUST CELEBRATED 1147 00:24:41,859 --> 00:24:43,447 OUR ONE-YEAR ANNIVERSARY. 1148 00:24:43,447 --> 00:24:45,276 DAWN HAS BEEN WORKING REAL HARD 1149 00:24:45,276 --> 00:24:46,036 PUTTING THIS PARTY 1150 00:24:46,036 --> 00:24:46,899 TOGETHER FOR US. 1151 00:24:46,899 --> 00:24:48,176 THIS IS THE FIRST TIME 1152 00:24:48,176 --> 00:24:49,418 THAT I'’VE BEEN AROUND SO MANY 1153 00:24:49,418 --> 00:24:50,868 PEOPLE AFTER THE LEAK 1154 00:24:50,868 --> 00:24:52,007 OF THIS SEX TAPE. 1155 00:24:52,007 --> 00:24:53,215 I'’M A LITTLE NERVOUS, 1156 00:24:53,215 --> 00:24:54,803 BUT I'’M HERE TO CELEBRATE, 1157 00:24:54,803 --> 00:24:57,530 SO THAT'’S WHAT I'’M GONNA DO. 1158 00:24:57,530 --> 00:24:59,325 GOOD EVENING, EVERYBODY. 1159 00:24:59,325 --> 00:25:00,464 WE BROUGHT YOU HERE TODAY 1160 00:25:00,464 --> 00:25:02,915 TO CELEBRATE THE MOST BEAUTIFUL, 1161 00:25:02,915 --> 00:25:05,504 SEXIEST COUPLE, MIMI AND NIKKO, 1162 00:25:05,504 --> 00:25:06,228 TONIGHT... 1163 00:25:06,228 --> 00:25:06,884 [cheers and applause] 1164 00:25:06,884 --> 00:25:07,678 CELEBRATING 1165 00:25:07,678 --> 00:25:09,508 THEIR ONE-YEAR ANNIVERSARY. 1166 00:25:09,508 --> 00:25:11,199 THEY ARE A POWER COUPLE. 1167 00:25:11,199 --> 00:25:12,303 IT WILL BE ATLANTA'’S NEW 1168 00:25:12,303 --> 00:25:14,927 ADULT ENTERTAINMENT COUPLE. 1169 00:25:14,927 --> 00:25:15,928 [cheers and applause] 1170 00:25:15,928 --> 00:25:17,343 MIMI AND NIKKO. 1171 00:25:17,343 --> 00:25:18,724 THERE IT IS, OUR FIRST 1172 00:25:18,724 --> 00:25:21,347 INTRODUCTION AS NIKKO AND MIMI, 1173 00:25:21,347 --> 00:25:24,039 THE "ADULT ENTERTAINMENT 1174 00:25:24,039 --> 00:25:24,764 COUPLE." 1175 00:25:24,764 --> 00:25:25,696 I WAS REALLY HOPING 1176 00:25:25,696 --> 00:25:26,973 THAT TONIGHT COULD JUST BE 1177 00:25:26,973 --> 00:25:28,527 ABOUT MIMI AND NIKKO, 1178 00:25:28,527 --> 00:25:31,219 BUT LET THE JUDGMENT BEGIN. 1179 00:25:31,219 --> 00:25:33,152 WE ARE THE COUPLE. 1180 00:25:33,152 --> 00:25:34,947 WE LOVE TOGETHER, 1181 00:25:34,947 --> 00:25:36,880 GET MONEY TOGETHER, 1182 00:25:36,880 --> 00:25:37,777 ESPECIALLY WITH THE--YOU KNOW, 1183 00:25:37,777 --> 00:25:40,366 WITH THE TAPE LEAK THAT WE HAD. 1184 00:25:40,366 --> 00:25:41,574 WE HERE NOW, 1185 00:25:41,574 --> 00:25:42,437 AND WE TAKING IT ALL THE WAY 1186 00:25:42,437 --> 00:25:45,267 TO THE TOP, SEXIEST NEW COUPLE, 1187 00:25:45,267 --> 00:25:47,200 POWER COUPLE, IN AMERICA. 1188 00:25:47,200 --> 00:25:48,443 NIKKO IS REALLY HYPING 1189 00:25:48,443 --> 00:25:49,548 THIS SEX TAPE. 1190 00:25:49,548 --> 00:25:50,583 THIS IS SUPPOSED TO BE 1191 00:25:50,583 --> 00:25:52,067 OUR ANNIVERSARY PARTY. 1192 00:25:52,067 --> 00:25:53,552 HE SEEMS MORE INTERESTED 1193 00:25:53,552 --> 00:25:55,243 IN THIS SEX TAPE THAN HE IS 1194 00:25:55,243 --> 00:25:57,210 IN OUR RELATIONSHIP RIGHT NOW. 1195 00:25:57,210 --> 00:25:58,039 [indistinct chatter] 1196 00:25:58,039 --> 00:25:59,696 WE'’RE PUTTING THE MIC DOWN. 1197 00:25:59,696 --> 00:26:00,559 SPEAK ON IT! 1198 00:26:00,559 --> 00:26:02,077 OKEYDOKEY. 1199 00:26:02,077 --> 00:26:02,733 ALL I CAN SAY 1200 00:26:02,733 --> 00:26:04,390 IS IT MIGHT BE INTERESTING. 1201 00:26:04,390 --> 00:26:06,495 JUST LOOK OUT. 1202 00:26:06,495 --> 00:26:07,462 THIS TAPE IS COMING OUT 1203 00:26:07,462 --> 00:26:08,428 IN A COUPLE OF WEEKS, 1204 00:26:08,428 --> 00:26:09,878 AND I DON'’T KNOW IF I'’M READY, 1205 00:26:09,878 --> 00:26:11,017 BUT I MADE A DECISION. 1206 00:26:11,017 --> 00:26:11,846 IT'’S DONE. 1207 00:26:11,846 --> 00:26:15,574 I'’M GONNA HAVE TO PUT MY BOOTS 1208 00:26:15,574 --> 00:26:27,413 ON AND KEEP MARCHING. 1209 00:26:27,413 --> 00:26:28,345 BABE. 1210 00:26:28,345 --> 00:26:30,243 YEAH. 1211 00:26:30,243 --> 00:26:30,899 HOW DID WE GET INVITED 1212 00:26:30,899 --> 00:26:32,798 TO NIKKO AND, UH, MIMI'’S PARTY 1213 00:26:32,798 --> 00:26:33,557 ANYWAY? 1214 00:26:33,557 --> 00:26:34,696 OH, BELIEVE ME, 1215 00:26:34,696 --> 00:26:36,595 I KEEP ASKING MYSELF THAT. 1216 00:26:36,595 --> 00:26:37,319 YOU KNOW, I HAD A BUSINESS 1217 00:26:37,319 --> 00:26:38,320 PARTNER WITH DAWN. 1218 00:26:38,320 --> 00:26:40,081 I'’M LIKE, "YEAH, I'’LL DO 1219 00:26:40,081 --> 00:26:41,013 SOMETHING WITH HIP HOP WEEKLY." 1220 00:26:41,013 --> 00:26:42,186 HOW THE HELL THAT HAPPENED, 1221 00:26:42,186 --> 00:26:43,222 WHO KNOWS? 1222 00:26:43,222 --> 00:26:44,119 BUT FOR REAL, TO BE HONEST 1223 00:26:44,119 --> 00:26:45,051 WITH YOU, I'’D RATHER 1224 00:26:45,051 --> 00:26:45,949 JUST GO TO A MOVIE. 1225 00:26:45,949 --> 00:26:47,467 LIKE, I'’LL EVEN GO SEE 1226 00:26:47,467 --> 00:26:48,745 A CHICK FLICK WITH YOU. 1227 00:26:48,745 --> 00:26:50,056 I TOLD DAWN THAT I WOULD COVER 1228 00:26:50,056 --> 00:26:51,023 MIMI AND FREAKO'’S 1229 00:26:51,023 --> 00:26:52,231 ANNIVERSARY PARTY. 1230 00:26:52,231 --> 00:26:53,646 THE ONLY REASON I SAID THAT 1231 00:26:53,646 --> 00:26:55,061 WAS BECAUSE I WANTED TO PUT 1232 00:26:55,061 --> 00:26:56,235 TO BED THIS WHOLE NONSENSE 1233 00:26:56,235 --> 00:26:57,995 ABOUT THE RETRACTION. 1234 00:26:57,995 --> 00:26:58,755 WHY ARE YOU NOT DRESSED? 1235 00:26:58,755 --> 00:26:59,445 YOU'’RE USUALLY DRESSED 1236 00:26:59,445 --> 00:27:00,101 BEFORE I AM. 1237 00:27:00,101 --> 00:27:00,964 WHAT YOU MEAN? I'’M DRESSED. 1238 00:27:00,964 --> 00:27:01,723 WHAT ARE YOU TALKING ABOUT? 1239 00:27:01,723 --> 00:27:04,070 I'’M DRESSED. I'’M DRESSED, MAN. 1240 00:27:04,070 --> 00:27:05,347 YO, TO BE HONEST WITH YOU, MAN, 1241 00:27:05,347 --> 00:27:06,555 I DON'’T EVEN KNOW ABOUT THIS, 1242 00:27:06,555 --> 00:27:07,695 YO, FOR REAL. 1243 00:27:07,695 --> 00:27:09,386 HOW LONG AGO WAS YOU MESSIN'’ 1244 00:27:09,386 --> 00:27:10,629 WITH THIS DUDE, MAN? 1245 00:27:10,629 --> 00:27:11,871 OH, DUDE, I KNOW 1246 00:27:11,871 --> 00:27:13,908 WE NOT TALKIN'’ ABOUT NIKKO. 1247 00:27:13,908 --> 00:27:14,978 FROM DAY ONE, I TOLD BENZINO 1248 00:27:14,978 --> 00:27:15,737 EVERYTHING. 1249 00:27:15,737 --> 00:27:17,394 HE KNEW ALL ABOUT NIKKO. 1250 00:27:17,394 --> 00:27:18,119 I'’VE NEVER TRIED TO KEEP IT 1251 00:27:18,119 --> 00:27:19,638 A SECRET, AND NOW HE HAS 1252 00:27:19,638 --> 00:27:21,398 A PROBLEM WITH IT? 1253 00:27:21,398 --> 00:27:22,054 YOU SAID IT WAS BACK 1254 00:27:22,054 --> 00:27:22,710 IN THE DAY. 1255 00:27:22,710 --> 00:27:23,400 HOW LONG AGO WAS IT? 1256 00:27:23,400 --> 00:27:24,056 BE HONEST. 1257 00:27:24,056 --> 00:27:25,367 I WAS IN HIGH SCHOOL. 1258 00:27:25,367 --> 00:27:27,749 I WAS LIKE 16, 17, IS ALL. 1259 00:27:27,749 --> 00:27:29,233 I'’M NOT GOING TO MIMI 1260 00:27:29,233 --> 00:27:31,028 AND HER [bleep] PORN STAR 1261 00:27:31,028 --> 00:27:32,892 BOYFRIEND'’S PARTY BECAUSE 1262 00:27:32,892 --> 00:27:34,307 I DON'’T ROCK WITH THEM. 1263 00:27:34,307 --> 00:27:36,206 NIKKO FREAKO DEEKO 1264 00:27:36,206 --> 00:27:37,379 DOES NOT BOTHER ME. 1265 00:27:37,379 --> 00:27:38,415 HE DOESN'’T EXIST TO ME. 1266 00:27:38,415 --> 00:27:39,312 WHO IS THIS GUY? 1267 00:27:39,312 --> 00:27:40,417 AT THE END OF THE DAY, 1268 00:27:40,417 --> 00:27:41,625 SHE'’S MY GIRL. 1269 00:27:41,625 --> 00:27:42,350 I DON'’T WANT TO GO TO THIS. 1270 00:27:42,350 --> 00:27:43,006 I DO. 1271 00:27:43,006 --> 00:27:43,834 AS A MATTER OF FACT, I'’M NOT. 1272 00:27:43,834 --> 00:27:44,524 THAT'’S SO MESSED UP. 1273 00:27:44,524 --> 00:27:45,249 [bleep] THAT PARTY. 1274 00:27:45,249 --> 00:27:45,940 YOU KNOW WHAT I MEAN? 1275 00:27:45,940 --> 00:27:46,630 I'’M NOT WITH IT. 1276 00:27:46,630 --> 00:27:47,804 IF I HAD ANYTHING TO HIDE, 1277 00:27:47,804 --> 00:27:48,494 I WOULDN'’T WANT TO GO. 1278 00:27:48,494 --> 00:27:49,150 HE MEANS NOTHING. 1279 00:27:49,150 --> 00:27:49,840 HE DOESN'’T GIVE A [bleep] 1280 00:27:49,840 --> 00:27:50,530 ABOUT ME. 1281 00:27:50,530 --> 00:27:51,186 HE'’S WITH MIMI. 1282 00:27:51,186 --> 00:27:51,877 BUT I DON'’T WANT TO BE 1283 00:27:51,877 --> 00:27:52,567 AROUND HIM, THOUGH. 1284 00:27:52,567 --> 00:27:53,361 I DON'’T WANT TO BE AROUND HIM, 1285 00:27:53,361 --> 00:27:54,362 MIMI, NONE OF THAT [bleep]. 1286 00:27:54,362 --> 00:27:55,674 WE'’RE NOT GOING TO THAT PARTY. 1287 00:27:55,674 --> 00:27:56,778 SO I GOT TO WASTE A OUTFIT 1288 00:27:56,778 --> 00:27:57,745 BECAUSE OF SOMETHING THAT 1289 00:27:57,745 --> 00:27:58,677 HAPPENED 15 YEARS AGO? 1290 00:27:58,677 --> 00:27:59,401 YOU ARE TRIPPIN'’, YO. 1291 00:27:59,401 --> 00:28:00,057 NO, YOU TRIPPIN'’. 1292 00:28:00,057 --> 00:28:00,782 FOR REAL. 1293 00:28:00,782 --> 00:28:01,714 AH, NO, NO, YOU'’RE TRIPPIN'’, 1294 00:28:01,714 --> 00:28:02,577 AND IT'’S NOT EVEN RIGHT. 1295 00:28:02,577 --> 00:28:03,267 YEAH, I HAD A MOMENT 1296 00:28:03,267 --> 00:28:05,753 WITH NIKKO, YEAH, JUST A MOMENT. 1297 00:28:05,753 --> 00:28:06,926 I HAD TO DEAL WITH ZINO'’S EX 1298 00:28:06,926 --> 00:28:08,445 KARLIE AT THE GRAND OPENING. 1299 00:28:08,445 --> 00:28:09,722 HE SHOULD JUST SUCK IT UP, AND 1300 00:28:09,722 --> 00:28:11,034 WE SHOULD GO HAVE A GOOD TIME. 1301 00:28:11,034 --> 00:28:12,449 [chuckles] 1302 00:28:12,449 --> 00:28:16,522 YO, MAN. 1303 00:28:16,522 --> 00:28:21,700 JUST CRAZY. 1304 00:28:21,700 --> 00:28:22,701 JUST GOT A TEXT MESSAGE 1305 00:28:22,701 --> 00:28:24,081 FROM BENZINO 1306 00:28:24,081 --> 00:28:25,773 STATING HE COULDN'’T MAKE IT. 1307 00:28:25,773 --> 00:28:27,636 HE SAID HE WANTED TO APOLOGIZE. 1308 00:28:27,636 --> 00:28:28,534 HE WANTS TO BE SPENDING 1309 00:28:28,534 --> 00:28:30,225 MORE TIME WITH ALTHEA. 1310 00:28:30,225 --> 00:28:31,019 SHE'’S A SINGER OR SOMETHING 1311 00:28:31,019 --> 00:28:31,710 LIKE THAT. 1312 00:28:31,710 --> 00:28:32,607 YEAH, I KNOW ALTHEA. 1313 00:28:32,607 --> 00:28:34,229 THAT'’S MY LEFTOVERS. 1314 00:28:34,229 --> 00:28:35,265 SHE DON'’T WANT IT FROM ME, 1315 00:28:35,265 --> 00:28:36,507 SO THE BOSS, AROUND TO STEVIE, 1316 00:28:36,507 --> 00:28:37,198 AND THEN ZINO. 1317 00:28:37,198 --> 00:28:38,233 WHOA, WHOA, WHOA, WHOA. 1318 00:28:38,233 --> 00:28:39,476 SHE LOVIN'’ THE CREW? 1319 00:28:39,476 --> 00:28:40,166 HOLD ON. 1320 00:28:40,166 --> 00:28:41,478 NOW, I ALREADY KNEW THIS TRICK 1321 00:28:41,478 --> 00:28:42,410 WAS A PROBLEM FROM 1322 00:28:42,410 --> 00:28:43,618 THE GRAND OPENING, 1323 00:28:43,618 --> 00:28:44,723 BUT I DIDN'’T KNOW SHE WAS 1324 00:28:44,723 --> 00:28:46,069 BEING PASSED AROUND THE CREW 1325 00:28:46,069 --> 00:28:47,622 LIKE THAT. 1326 00:28:47,622 --> 00:28:49,520 WAIT TILL I TELL KARLIE. 1327 00:28:49,520 --> 00:28:50,521 I TOLD YOU THAT ME AND HER... 1328 00:28:50,521 --> 00:28:51,695 YOU--YEAH, I KNEW 1329 00:28:51,695 --> 00:28:52,385 ABOUT THAT SITUATION. 1330 00:28:52,385 --> 00:28:53,283 HAD A FLING. 1331 00:28:53,283 --> 00:28:55,009 SO THEY JUST PASS HER ALONG. 1332 00:28:55,009 --> 00:28:57,149 I MEAN, I DON'’T KNOW 1333 00:28:57,149 --> 00:28:58,840 IF BENZINO KNOW. 1334 00:28:58,840 --> 00:28:59,530 I DON'’T KNOW, 1335 00:28:59,530 --> 00:29:00,877 BUT SHE BEEN AROUND. 1336 00:29:00,877 --> 00:29:01,567 SHE DIDN'’T SEX-- 1337 00:29:01,567 --> 00:29:02,292 SHE DIDN'’T LET HIM-- 1338 00:29:02,292 --> 00:29:02,948 HIM KNOW THAT SHE 1339 00:29:02,948 --> 00:29:03,672 WAS WITH STEVIE? 1340 00:29:03,672 --> 00:29:05,260 SHE SLEPT WITH THE BUS DRIVER? 1341 00:29:05,260 --> 00:29:06,399 I KNOW THE GIRL WAS--DAMN. 1342 00:29:06,399 --> 00:29:07,435 WAS HE IS IN A RELATIONSHIP 1343 00:29:07,435 --> 00:29:08,747 WITH JOSELINE? 1344 00:29:08,747 --> 00:29:09,506 YES. 1345 00:29:09,506 --> 00:29:10,921 I DON'’T RUN WITH ALTHEA, 1346 00:29:10,921 --> 00:29:12,371 AND I DON'’T KNOW IF BENZINO 1347 00:29:12,371 --> 00:29:14,545 KNOWS, BUT I DO KNOW WHAT I SAW 1348 00:29:14,545 --> 00:29:15,788 WITH MY OWN TWO EYES, 1349 00:29:15,788 --> 00:29:17,203 AND IT WAS DEFINITELY SOMETHING 1350 00:29:17,203 --> 00:29:18,895 GOING ON WITH ALTHEA 1351 00:29:18,895 --> 00:29:20,310 AND STEVIE J. 1352 00:29:20,310 --> 00:29:21,069 HE ASKED ME TO DROP 1353 00:29:21,069 --> 00:29:22,208 THE BABY OFF. 1354 00:29:22,208 --> 00:29:23,416 I GO TO THE HOUSE. 1355 00:29:23,416 --> 00:29:24,348 I'’M KNOCKING ON THE DOOR. 1356 00:29:24,348 --> 00:29:25,246 THE LIGHTS ARE OFF. 1357 00:29:25,246 --> 00:29:27,282 HE FINALLY COMES TO THE DOOR. 1358 00:29:27,282 --> 00:29:28,525 HE HALF-DRESSED. 1359 00:29:28,525 --> 00:29:29,595 I SEE HER HALF-NAKED 1360 00:29:29,595 --> 00:29:30,941 ON THE COUCH, AND... 1361 00:29:30,941 --> 00:29:31,804 ARE YOU SERIOUS? 1362 00:29:31,804 --> 00:29:33,219 MY BABY CALLIN'’ HER 1363 00:29:33,219 --> 00:29:34,117 BY HER FIRST NAME, 1364 00:29:34,117 --> 00:29:35,635 SO IT WASN'’T THE FIRST TIME... 1365 00:29:35,635 --> 00:29:36,705 IT AIN'’T THE FIRST TIME. 1366 00:29:36,705 --> 00:29:38,121 SHE SAW HER. 1367 00:29:38,121 --> 00:29:40,157 WELL, I GOT TO SAY SOMETHING. 1368 00:29:40,157 --> 00:29:40,986 SHE CONTACTED ME 1369 00:29:40,986 --> 00:29:41,883 A COUPLE OF TIMES. 1370 00:29:41,883 --> 00:29:43,367 [gasps] 1371 00:29:43,367 --> 00:29:44,161 AS ALTHEA WAS BLOWING 1372 00:29:44,161 --> 00:29:45,922 MY PHONE UP, 1373 00:29:45,922 --> 00:29:46,750 IT FELT LIKE SHE WANTED 1374 00:29:46,750 --> 00:29:48,545 TO RECONNECT WITH ME 1375 00:29:48,545 --> 00:29:49,649 ON ANOTHER LEVEL, 1376 00:29:49,649 --> 00:29:50,409 SOMETHING A LITTLE MORE 1377 00:29:50,409 --> 00:29:51,824 THAN JUST MUSIC. 1378 00:29:51,824 --> 00:29:53,067 I MEAN, I'’M JUST SAYIN'’. 1379 00:29:53,067 --> 00:29:54,275 SHE CONTACTED ME ON THE PHONE. 1380 00:29:54,275 --> 00:29:55,241 SHE GOT MY NUMBER. 1381 00:29:55,241 --> 00:29:56,415 YEAH, WE GOT MUTUAL FRIENDS. 1382 00:29:56,415 --> 00:29:57,071 SHE GOT MY NUMBER. 1383 00:29:57,071 --> 00:29:57,865 SHE WANTED TO DO SOMETHING-- 1384 00:29:57,865 --> 00:29:58,555 SHE WANTED TO GET 1385 00:29:58,555 --> 00:29:59,211 ALL THE INFORMATION. 1386 00:29:59,211 --> 00:29:59,832 YEAH, GET ALL 1387 00:29:59,832 --> 00:30:00,522 THE INFORMATION. 1388 00:30:00,522 --> 00:30:01,247 SHE KNEW I WAS IN TOWN. 1389 00:30:01,247 --> 00:30:02,352 I'’M THINKING I KNOW 1390 00:30:02,352 --> 00:30:03,905 EVERYTHING THERE IS TO KNOW 1391 00:30:03,905 --> 00:30:05,320 ABOUT NIKKO AND ALTHEA, 1392 00:30:05,320 --> 00:30:06,597 AND NOW I FIND OUT 1393 00:30:06,597 --> 00:30:08,013 THEY'’RE STILL IN CONTACT. 1394 00:30:08,013 --> 00:30:09,083 I THOUGHT THEIR RELATIONSHIP 1395 00:30:09,083 --> 00:30:09,980 WAS IN THE PAST. 1396 00:30:09,980 --> 00:30:11,154 WHAT THE HELL DO THEY STILL 1397 00:30:11,154 --> 00:30:12,086 HAVE TO TALK ABOUT? 1398 00:30:12,086 --> 00:30:12,845 WELL, YOU KNOW WHAT? 1399 00:30:12,845 --> 00:30:14,813 ENOUGH OF THE HOS, THE ANIMALS. 1400 00:30:14,813 --> 00:30:16,676 STAY AWAY FROM HER. 1401 00:30:16,676 --> 00:30:17,332 WOW. 1402 00:30:17,332 --> 00:30:17,988 GOOD TO KNOW. 1403 00:30:17,988 --> 00:30:18,678 I KNOW, RIGHT? 1404 00:30:18,678 --> 00:30:21,854 GOOD TO KNOW. 1405 00:30:21,854 --> 00:30:23,235 I SEARCHED EXACTLY WHERE 1406 00:30:23,235 --> 00:30:24,477 HE WAS, AND I WAITED THERE 1407 00:30:24,477 --> 00:30:25,444 TO SEE WHERE THE [bleep] 1408 00:30:25,444 --> 00:30:26,583 HE WAS GONNA COME OUT OF. 1409 00:30:26,583 --> 00:30:28,309 YOU A SMART BITCH. 1410 00:30:28,309 --> 00:30:29,310 IT MAKES ME WANT TO GO HOME 1411 00:30:29,310 --> 00:30:30,035 AND GO THROUGH HIS [bleep] 1412 00:30:30,035 --> 00:30:31,001 WHEN I GET THERE. 1413 00:30:31,001 --> 00:30:31,760 I SEEN A WHOLE BUNCH 1414 00:30:31,760 --> 00:30:36,317 OF PICTURES OF TITTIES, 1415 00:30:36,317 --> 00:30:51,850 ASSES, [bleep]. 1416 00:30:51,850 --> 00:30:52,989 ME AND KARLIE HAD OUR ISSUES 1417 00:30:52,989 --> 00:30:55,163 IN THE PAST, BUT I GOT TO GO 1418 00:30:55,163 --> 00:30:56,026 SIT WITH HER '’CAUSE SHE'’S GONNA 1419 00:30:56,026 --> 00:30:58,373 TELL ME ALL THE MESS. 1420 00:30:58,373 --> 00:30:59,098 HEY, KARLIE. 1421 00:30:59,098 --> 00:31:00,168 HEY, BITCH. 1422 00:31:00,168 --> 00:31:01,929 WHY WAS SHE ACTING SO CRAZY 1423 00:31:01,929 --> 00:31:02,930 AT THE GRAND OPENING 1424 00:31:02,930 --> 00:31:04,138 OF SLEAZY & ZINO? 1425 00:31:04,138 --> 00:31:04,932 I'’M TRYING TO FIGURE OUT 1426 00:31:04,932 --> 00:31:06,554 WHAT'’S GOING ON, AND KARLIE REDD 1427 00:31:06,554 --> 00:31:08,452 IS THE BITCH TO TELL IT ALL. 1428 00:31:08,452 --> 00:31:09,177 NOW, YOU KNOW YOU WASN'’T 1429 00:31:09,177 --> 00:31:10,144 LADYLIKE FOR THROWING THAT 1430 00:31:10,144 --> 00:31:10,938 ON THE GRAND OPENING. 1431 00:31:10,938 --> 00:31:11,766 I DON'’T EVEN KNOW WHO 1432 00:31:11,766 --> 00:31:13,975 I SHOULD TAKE THE BLAME ON, 1433 00:31:13,975 --> 00:31:15,874 BENZINO OR THIS--THIS ALF. 1434 00:31:15,874 --> 00:31:18,393 YOU GOTS TO LET BENZINO GO. 1435 00:31:18,393 --> 00:31:19,532 HE GOT A NEW LADY. 1436 00:31:19,532 --> 00:31:20,879 I DON'’T WANT BENZINO. 1437 00:31:20,879 --> 00:31:21,603 I CAME TO SUPPORT HIM. 1438 00:31:21,603 --> 00:31:22,915 SO WHAT HAPPENED? 1439 00:31:22,915 --> 00:31:23,812 SHE WAS THE FIRST ONE 1440 00:31:23,812 --> 00:31:24,744 TO THROW SHADE, 1441 00:31:24,744 --> 00:31:25,849 FIRST ONE TO THROW A DRINK. 1442 00:31:25,849 --> 00:31:26,539 SHE WAS THE FIRST ONE-- 1443 00:31:26,539 --> 00:31:27,506 SHE THREW A DRINK AT YOU? 1444 00:31:27,506 --> 00:31:28,196 SHE THREW THE DRINK. 1445 00:31:28,196 --> 00:31:28,921 I DON'’T BELIEVE THAT. 1446 00:31:28,921 --> 00:31:29,853 SHE AIN'’T GOT THAT MUCH BALLS 1447 00:31:29,853 --> 00:31:30,681 TO THROW NO DRINK AT YOU. 1448 00:31:30,681 --> 00:31:31,579 THAT'’S WHAT I SAID. 1449 00:31:31,579 --> 00:31:32,304 WHERE THE [bleep] SHE GET 1450 00:31:32,304 --> 00:31:33,201 THESE BALLS FROM? 1451 00:31:33,201 --> 00:31:34,237 I'’M LOOKING AT ALTHEA, 1452 00:31:34,237 --> 00:31:35,307 AND I'’M LIKE, "BITCH, YOU CAME 1453 00:31:35,307 --> 00:31:36,308 TO MY HOUSE, ACTING LIKE YOU 1454 00:31:36,308 --> 00:31:37,516 WAS SUCH A SWEETHEART, 1455 00:31:37,516 --> 00:31:38,241 ACTING LIKE YOU WAS 1456 00:31:38,241 --> 00:31:39,173 MISS GOODY TWO-SHOE, 1457 00:31:39,173 --> 00:31:40,208 BUT, BITCH, YOU IN THE GRAND 1458 00:31:40,208 --> 00:31:41,520 OPENING ACTING RATCHET. 1459 00:31:41,520 --> 00:31:42,210 YOU THROWIN'’ DRINKS 1460 00:31:42,210 --> 00:31:43,073 AT THE GRAND OPENING." 1461 00:31:43,073 --> 00:31:44,316 I KNEW I HAD TO KEEP MY EYES 1462 00:31:44,316 --> 00:31:45,420 ON THIS HO. 1463 00:31:45,420 --> 00:31:46,249 THIS GIRL, ALF, 1464 00:31:46,249 --> 00:31:48,216 SHE IS A THOUGHT. 1465 00:31:48,216 --> 00:31:49,045 I ASKED MY DUDE. 1466 00:31:49,045 --> 00:31:50,529 I WAS LIKE, "WHAT YOU KNOW 1467 00:31:50,529 --> 00:31:51,910 ABOUT MISS ALTHEA?" 1468 00:31:51,910 --> 00:31:52,807 THAT'’S HER NAME. 1469 00:31:52,807 --> 00:31:53,463 ALF. 1470 00:31:53,463 --> 00:31:54,119 ALTHEA. 1471 00:31:54,119 --> 00:31:54,913 ALF. 1472 00:31:54,913 --> 00:31:55,672 WHAT'’S UP WITH A [bleep] 1473 00:31:55,672 --> 00:31:56,466 NAME LIKE THAT ANYWAY? 1474 00:31:56,466 --> 00:31:57,501 SHE GOT AN OLD LADY NAME, 1475 00:31:57,501 --> 00:31:58,295 LIKE A GRANDMAMA NAME. 1476 00:31:58,295 --> 00:31:59,503 [laughs] 1477 00:31:59,503 --> 00:32:00,849 ON SOME SERIOUS [bleep], 1478 00:32:00,849 --> 00:32:03,576 HAVE YOU HEARD 1479 00:32:03,576 --> 00:32:04,923 THAT ALTHEA HAD SEX WITH NIKKO 1480 00:32:04,923 --> 00:32:05,854 A FEW TIMES? 1481 00:32:05,854 --> 00:32:07,235 SHUT THE [bleep] UP. 1482 00:32:07,235 --> 00:32:08,340 I GOT TO WATCH THAT HO. 1483 00:32:08,340 --> 00:32:09,237 HO-THEA. 1484 00:32:09,237 --> 00:32:09,928 YEAH, HO-THEA. 1485 00:32:09,928 --> 00:32:11,239 OOH, I LIKE THAT NAME, 1486 00:32:11,239 --> 00:32:12,068 HO-THEA, '’CAUSE SHE--I DON'’T 1487 00:32:12,068 --> 00:32:13,276 KNOW HER LIKE THAT, BUT HERE'’S 1488 00:32:13,276 --> 00:32:14,553 WHAT I KEEP HEARING: 1489 00:32:14,553 --> 00:32:16,693 THE BITCH GETS AROUND TOWN. 1490 00:32:16,693 --> 00:32:17,936 DOES BENZINO KNOW? 1491 00:32:17,936 --> 00:32:18,729 I'’M SURE SHE TOLD HIM 1492 00:32:18,729 --> 00:32:19,868 TO COVER HER TRACKS, 1493 00:32:19,868 --> 00:32:21,008 BUT HER PAST IS GONNA CATCH UP 1494 00:32:21,008 --> 00:32:21,732 TO HER FUTURE. 1495 00:32:21,732 --> 00:32:22,699 SHE CAN'’T COVER HER TRACKS. 1496 00:32:22,699 --> 00:32:23,631 I SEEN ALL HER TRACKS. 1497 00:32:23,631 --> 00:32:26,254 [both laughing] 1498 00:32:26,254 --> 00:32:27,014 LOOK AT BENZINO. 1499 00:32:27,014 --> 00:32:28,049 HE'’S SO THIRSTY, 1500 00:32:28,049 --> 00:32:29,188 HE'’LL GET WITH THE FIRST THING 1501 00:32:29,188 --> 00:32:29,948 THAT'’LL JUMP ON TOP 1502 00:32:29,948 --> 00:32:30,879 OF HIS BEEFCAKE. 1503 00:32:30,879 --> 00:32:33,054 I JUST HOPE HE KNOW 1504 00:32:33,054 --> 00:32:34,538 WHAT HE'’S GETTING HISSELF INTO 1505 00:32:34,538 --> 00:32:35,988 [bleep] WITH HO-THEA. 1506 00:32:35,988 --> 00:32:36,851 I KNOW ONE THING. 1507 00:32:36,851 --> 00:32:38,094 I'’M CERTAINLY NOT GONNA BE 1508 00:32:38,094 --> 00:32:39,233 THE ONE TO TELL HIM. 1509 00:32:39,233 --> 00:32:40,268 DO YOU STILL TALK TO HIM 1510 00:32:40,268 --> 00:32:41,407 AND COMMUNICATE? 1511 00:32:41,407 --> 00:32:42,167 IN THE BEGINNING, 1512 00:32:42,167 --> 00:32:42,961 BUT I HAVE A MAN. 1513 00:32:42,961 --> 00:32:43,720 I'’M NOT ANSWERING ANYWAY. 1514 00:32:43,720 --> 00:32:44,686 OH, YOU HAVE A MAN? 1515 00:32:44,686 --> 00:32:45,791 IT'’S YUNG JOC. 1516 00:32:45,791 --> 00:32:46,481 WHO? THE RAPPER? 1517 00:32:46,481 --> 00:32:47,966 YUNG JOC, YES. 1518 00:32:47,966 --> 00:32:49,691 YOU KNOW, IT'’S JUST... 1519 00:32:49,691 --> 00:32:51,452 THINGS WERE GOING GOOD, 1520 00:32:51,452 --> 00:32:52,867 AND THEN ONE DAY, I'’M LIKE, 1521 00:32:52,867 --> 00:32:53,937 "HOLD UP. 1522 00:32:53,937 --> 00:32:54,903 SOMETHING AIN'’T RIGHT." 1523 00:32:54,903 --> 00:32:57,009 THERE'’S A GIRL THAT EVERYWHERE 1524 00:32:57,009 --> 00:32:58,597 WE ARE, LIKE, SHE JUST POPS UP. 1525 00:32:58,597 --> 00:32:59,943 THIS BITCH WAS FOLLOWING US 1526 00:32:59,943 --> 00:33:01,772 AROUND EVERY-FRICKIN'’-WHERE, 1527 00:33:01,772 --> 00:33:02,635 RIGHT? 1528 00:33:02,635 --> 00:33:04,983 THEN ONE DAY, HE SAID, 1529 00:33:04,983 --> 00:33:06,018 "OH, SHE'’S GONNA SHOW US 1530 00:33:06,018 --> 00:33:06,743 A HOUSE." 1531 00:33:06,743 --> 00:33:07,468 I SAID, "ARE YOU [bleep] 1532 00:33:07,468 --> 00:33:08,952 MY MAN?" 1533 00:33:08,952 --> 00:33:09,642 WHY, THIS BITCH SAY YES. 1534 00:33:09,642 --> 00:33:10,298 YOU HAD TO--YES! 1535 00:33:10,298 --> 00:33:12,059 OOH! 1536 00:33:12,059 --> 00:33:13,094 OH, YES! 1537 00:33:13,094 --> 00:33:14,026 WHAT DID YOU DO? 1538 00:33:14,026 --> 00:33:15,648 MY GUCCI BAG JUST HIT HER. 1539 00:33:15,648 --> 00:33:16,304 DID YOU HIT HER 1540 00:33:16,304 --> 00:33:16,995 WITH THE GUCCI? 1541 00:33:16,995 --> 00:33:17,650 YES, I HIT HER 1542 00:33:17,650 --> 00:33:18,341 WITH THE GUCCI. 1543 00:33:18,341 --> 00:33:19,031 [sighs] 1544 00:33:19,031 --> 00:33:20,239 YOU CAN'’T TRUST NONE 1545 00:33:20,239 --> 00:33:21,344 OF THESE DUDES OUT HERE. 1546 00:33:21,344 --> 00:33:22,586 THEY ONLY THINK WITH THEY 1547 00:33:22,586 --> 00:33:24,485 BEEFCAKE, AND IF YOU NOT AROUND, 1548 00:33:24,485 --> 00:33:25,865 THEY'’RE GONNA DO THEY OWN THING. 1549 00:33:25,865 --> 00:33:27,005 BELIEVE THAT. 1550 00:33:27,005 --> 00:33:29,110 ONE DAY, I MET UP WITH HIM, 1551 00:33:29,110 --> 00:33:31,457 AND I LEFT MY PHONE IN HIS CAR. 1552 00:33:31,457 --> 00:33:33,701 AND I DID FIND MY IPHONE, 1553 00:33:33,701 --> 00:33:35,634 AND I SEARCHED EXACTLY WHERE 1554 00:33:35,634 --> 00:33:36,876 HE WAS, AND I WAITED THERE 1555 00:33:36,876 --> 00:33:37,981 TO SEE WHERE THE [bleep] 1556 00:33:37,981 --> 00:33:39,017 HE WAS GONNA COME OUT OF. 1557 00:33:39,017 --> 00:33:40,673 YOU A SMART BITCH. 1558 00:33:40,673 --> 00:33:42,503 THESE GUYS AIN'’T [bleep]. 1559 00:33:42,503 --> 00:33:43,331 THAT'’S WHAT I'’M TELLING YOU. 1560 00:33:43,331 --> 00:33:44,505 WELL, YOU KNOW WHAT, KARLIE? 1561 00:33:44,505 --> 00:33:46,024 YOU ACT LIKE YOU SO SURPRISED. 1562 00:33:46,024 --> 00:33:46,817 YOU KNOW, YOU CAN'’T TRUST 1563 00:33:46,817 --> 00:33:47,473 THESE DUDES OUT HERE. 1564 00:33:47,473 --> 00:33:48,992 I MEAN, HELL, I LOVE MY HUSBAND 1565 00:33:48,992 --> 00:33:50,269 AND EVERYTHING, 1566 00:33:50,269 --> 00:33:51,512 BUT I DON'’T TRUST HIM. 1567 00:33:51,512 --> 00:33:52,168 I DON'’T TRUST HIM 1568 00:33:52,168 --> 00:33:52,858 A LOT OF TIME-- 1569 00:33:52,858 --> 00:33:53,514 YOU THINK HE DOING 1570 00:33:53,514 --> 00:33:54,170 SOMETHING TOO? 1571 00:33:54,170 --> 00:33:55,343 GIRL, HE'’S DONE SO MANY 1572 00:33:55,343 --> 00:33:56,758 SNEAKY THINGS TO ME, 1573 00:33:56,758 --> 00:33:58,036 I DON'’T TRUST NOBODY. 1574 00:33:58,036 --> 00:33:59,002 AND, I MEAN, I--YOU KNOW, 1575 00:33:59,002 --> 00:33:59,899 I USED TO GO THROUGH HIS PHONE 1576 00:33:59,899 --> 00:34:01,349 AND EVERYTHING, BUT I HAVEN'’T 1577 00:34:01,349 --> 00:34:02,040 BEEN THROUGH HIS PHONE 1578 00:34:02,040 --> 00:34:03,110 IN A LITTLE WHILE, 1579 00:34:03,110 --> 00:34:04,766 BUT WHAT YOU TELLING ME 1580 00:34:04,766 --> 00:34:05,457 AND WHAT'’S BEEN GOING 1581 00:34:05,457 --> 00:34:07,010 INSIDE OF MY HEAD 1582 00:34:07,010 --> 00:34:09,288 COULD BE A CONFIRMATION. 1583 00:34:09,288 --> 00:34:10,013 I NEED TO GO HOME 1584 00:34:10,013 --> 00:34:11,187 AND LOOK AT SOME PHONES. 1585 00:34:11,187 --> 00:34:11,842 YOU GOT TO TELL ME 1586 00:34:11,842 --> 00:34:16,192 WHAT'’S GONNA HAPPEN. 1587 00:34:16,192 --> 00:34:20,265 '’CAUSE THAT'’S SOME BULL. 1588 00:34:20,265 --> 00:34:21,059 TODAY, WE'’RE COMING 1589 00:34:21,059 --> 00:34:22,405 INTO THE RADIO STATION, 1590 00:34:22,405 --> 00:34:23,199 AND WE'’RE GOING TO TALK 1591 00:34:23,199 --> 00:34:24,717 ABOUT NO R.I.P., 1592 00:34:24,717 --> 00:34:26,823 NO RECKLESS INTERNET POSTING. 1593 00:34:26,823 --> 00:34:28,307 THE KAYO--THAT INTERNET 1594 00:34:28,307 --> 00:34:30,275 GOT ON HIS NERVE. 1595 00:34:30,275 --> 00:34:31,448 WE HAVE A SPECIAL TOPIC 1596 00:34:31,448 --> 00:34:32,380 FOR YOU GUYS TODAY. 1597 00:34:32,380 --> 00:34:34,900 WE'’RE TALKING ABOUT NO R.I.P., 1598 00:34:34,900 --> 00:34:36,867 NO RECKLESS INTERNET POSTING, 1599 00:34:36,867 --> 00:34:38,248 WHICH IS A MOVEMENT 1600 00:34:38,248 --> 00:34:40,492 FOUNDED BY YOURS TRULY. 1601 00:34:40,492 --> 00:34:42,252 I'’M REALLY HOPING 1602 00:34:42,252 --> 00:34:43,874 THAT I REMAIN STRONG 1603 00:34:43,874 --> 00:34:45,393 AND I KEEP MY COMPOSURE. 1604 00:34:45,393 --> 00:34:46,291 YOU GOT TO BE MOVED OUT THE WAY 1605 00:34:46,291 --> 00:34:47,119 RIGHT NOW, PAIN. 1606 00:34:47,119 --> 00:34:48,224 I GOT WORK TO DO. 1607 00:34:48,224 --> 00:34:49,501 DEB, WHAT WAS THE INSPIRATION 1608 00:34:49,501 --> 00:34:50,364 BEHIND YOU STARTING 1609 00:34:50,364 --> 00:34:53,815 THIS MOVEMENT? 1610 00:34:53,815 --> 00:34:56,922 WELL... 1611 00:34:56,922 --> 00:34:59,235 MY SON COMMITTED SUICIDE, 1612 00:34:59,235 --> 00:35:00,753 AND I GOT HIS COMPUTER, 1613 00:35:00,753 --> 00:35:02,962 AND I ACTUALLY LEARNT 1614 00:35:02,962 --> 00:35:05,068 HOW MUCH FIGHTING HE WAS DOING 1615 00:35:05,068 --> 00:35:06,000 ON THAT INTERNET 1616 00:35:06,000 --> 00:35:07,450 FOR ME AND WAKA, 1617 00:35:07,450 --> 00:35:08,175 WELL, THE THINGS THAT THEY 1618 00:35:08,175 --> 00:35:09,141 WERE SAYING ABOUT US... 1619 00:35:09,141 --> 00:35:09,831 RIGHT. 1620 00:35:09,831 --> 00:35:11,109 PEOPLE TALKING ABOUT I WAS 1621 00:35:11,109 --> 00:35:14,422 A PART OF ILLUMINATIS, OR WAKA, 1622 00:35:14,422 --> 00:35:15,354 THAT'’S HOW WAKA'’S DOING 1623 00:35:15,354 --> 00:35:16,390 HIS STUFF, '’CAUSE NOW WAKA 1624 00:35:16,390 --> 00:35:17,701 JOINED THE ILLUMINATI. 1625 00:35:17,701 --> 00:35:19,358 HIS ANGER WAS BUILDING UP 1626 00:35:19,358 --> 00:35:21,153 SO MUCH, AND I DIDN'’T EVEN 1627 00:35:21,153 --> 00:35:23,190 REALIZE THAT AND SAID, 1628 00:35:23,190 --> 00:35:24,708 "NOW I NEED TO GO FORWARD. 1629 00:35:24,708 --> 00:35:26,434 I NEED TO COME UP WITH SOMETHING 1630 00:35:26,434 --> 00:35:27,918 THAT CAN HELP ME GO THROUGH 1631 00:35:27,918 --> 00:35:29,541 WHAT I WAS GOING THROUGH 1632 00:35:29,541 --> 00:35:31,888 AND ALSO HELP FIGHT HIS BATTLE." 1633 00:35:31,888 --> 00:35:33,234 PEOPLE WOULD TALK ABOUT US, 1634 00:35:33,234 --> 00:35:34,960 LIKE, ME, I WAS A THIEF, 1635 00:35:34,960 --> 00:35:35,685 YOU KNOW, HIM BEING CALLED 1636 00:35:35,685 --> 00:35:37,445 AN ALBINO, HIM BEING 1637 00:35:37,445 --> 00:35:39,102 THE ADOPTED CHILD. 1638 00:35:39,102 --> 00:35:40,862 BY THE WAY, HE WAS NOT ADOPTED. 1639 00:35:40,862 --> 00:35:42,485 WITH NO R.I.P., 1640 00:35:42,485 --> 00:35:43,727 IF YOU REAL WITH IT, 1641 00:35:43,727 --> 00:35:46,316 THEN YOU'’LL POST THAT TAG 1642 00:35:46,316 --> 00:35:47,386 ON YOUR SITE. 1643 00:35:47,386 --> 00:35:48,387 THAT MEANS THERE'’S NO 1644 00:35:48,387 --> 00:35:49,630 RECKLESS INTERNET POSTING. 1645 00:35:49,630 --> 00:35:50,769 I KNOW HOW I FELT 1646 00:35:50,769 --> 00:35:52,150 AND HOW BAD IT HURT ME. 1647 00:35:52,150 --> 00:35:53,530 I ONLY CAN IMAGINE 1648 00:35:53,530 --> 00:35:55,256 HOW HIS MOTHER FEELS, 1649 00:35:55,256 --> 00:35:56,533 HOW HIS BROTHER FEELS, 1650 00:35:56,533 --> 00:35:58,225 BUT WHEN I LOOKED AT HOW STRONG 1651 00:35:58,225 --> 00:35:59,053 YOU WERE AND I LOOKED 1652 00:35:59,053 --> 00:36:00,503 AT HOW STRONG WAKA WAS, 1653 00:36:00,503 --> 00:36:01,435 I'’M LIKE, 1654 00:36:01,435 --> 00:36:02,746 "YOU GOT TO GET IT TOGETHER." 1655 00:36:02,746 --> 00:36:04,541 I ADMIRE HER STRENGTH. 1656 00:36:04,541 --> 00:36:05,715 I KNOW THAT SHE'’S GRIEVING, 1657 00:36:05,715 --> 00:36:07,095 AND I KNOW THAT SHE'’S HURTING. 1658 00:36:07,095 --> 00:36:08,856 SHE TURNS HER SORROWS INTO 1659 00:36:08,856 --> 00:36:10,651 GIVING BACK TO OTHER PEOPLE. 1660 00:36:10,651 --> 00:36:12,239 WHO DOESN'’T ADMIRE THAT? 1661 00:36:12,239 --> 00:36:15,207 BE100, YOU'’RE LIVE 1662 00:36:15,207 --> 00:36:23,042 ON THE AIR. 1663 00:36:23,042 --> 00:36:24,975 AND THAT IS SO REAL 1664 00:36:24,975 --> 00:36:27,495 THAT KAYO WAS DESTROYED 1665 00:36:27,495 --> 00:36:31,499 BY THE STUFF PEOPLE WERE SAYING. 1666 00:36:31,499 --> 00:36:33,225 YO, I'’M SO HAVING A MOMENT 1667 00:36:33,225 --> 00:36:34,122 RIGHT NOW, FOR REAL. 1668 00:36:34,122 --> 00:36:36,401 LIKE, THIS IS REALLY, LIKE-- 1669 00:36:36,401 --> 00:36:37,678 I CAN'’T DO THIS RIGHT NOW, 1670 00:36:37,678 --> 00:36:39,058 LIKE, SERIOUSLY, 1671 00:36:39,058 --> 00:36:40,301 '’CAUSE I'’M JUST THINKING 1672 00:36:40,301 --> 00:36:42,372 ABOUT SO MUCH STUFF IN MY BABY, 1673 00:36:42,372 --> 00:36:45,617 LIKE, I CAN'’T DO THIS RIGHT NOW. 1674 00:36:45,617 --> 00:36:47,343 I FIND THE INTERNET TO BE 1675 00:36:47,343 --> 00:36:49,724 THE MURDER CAPITAL OF THE WORLD. 1676 00:36:49,724 --> 00:36:51,692 YOU KILL SPIRITS. 1677 00:36:51,692 --> 00:36:53,452 YOU ALSO TAKE LIVES. 1678 00:36:53,452 --> 00:36:54,798 NO MORE RECKLESS 1679 00:36:54,798 --> 00:36:56,386 INTERNET POSTING. 1680 00:36:56,386 --> 00:36:57,560 WE'’RE DONE. 1681 00:36:57,560 --> 00:36:59,182 AS KAYO WOULD SAY, 1682 00:36:59,182 --> 00:37:01,253 IT'’S QUIET. 1683 00:37:01,253 --> 00:37:03,117 VISIT PLEDGENORIP.COM, 1684 00:37:03,117 --> 00:37:04,601 AND THANKS FOR LISTENING TO US. 1685 00:37:04,601 --> 00:37:05,361 PLEASE SPREAD THE WORD, 1686 00:37:05,361 --> 00:37:08,536 NO R.I.P. 1687 00:37:08,536 --> 00:37:09,537 INTERNET BULLYING 1688 00:37:09,537 --> 00:37:10,745 HAS TO STOP. 1689 00:37:10,745 --> 00:37:11,539 IF YOU WANT TO KNOW MORE 1690 00:37:11,539 --> 00:37:13,783 ABOUT THIS, GO TO MY WEBSITE 1691 00:37:13,783 --> 00:37:19,133 WWW.PLEDGENORIP.COM. 1692 00:37:19,133 --> 00:37:25,760 NO RECKLESS INTERNET POSTING. 1693 00:37:25,760 --> 00:37:35,183 IT'’S TIME TO SILENCE THE HATE. 1694 00:37:35,183 --> 00:37:37,772 CHEERS TO YOU. 1695 00:37:37,772 --> 00:37:38,773 ME AND THE WIFEY'’S PLANS 1696 00:37:38,773 --> 00:37:40,154 ON A BIG WEDDING CELEBRATION 1697 00:37:40,154 --> 00:37:41,155 HAVE BEEN ON THE BACK BURNER 1698 00:37:41,155 --> 00:37:42,536 FAR TOO LONG, 1699 00:37:42,536 --> 00:37:43,778 BUT WITH ALL THE SPECULATION 1700 00:37:43,778 --> 00:37:44,779 IN THE STREET ABOUT US 1701 00:37:44,779 --> 00:37:46,160 NOT BEING MARRIED, IT'’S TIME 1702 00:37:46,160 --> 00:37:48,162 TO SHUT UP ALL THE HATE. 1703 00:37:48,162 --> 00:37:48,990 SO WHAT'’S GOING ON? 1704 00:37:48,990 --> 00:37:49,646 CAN WE TALK 1705 00:37:49,646 --> 00:37:50,406 ABOUT THE WEDDING? 1706 00:37:50,406 --> 00:37:51,234 WE SHOULD DEFINITELY TALK 1707 00:37:51,234 --> 00:37:51,924 ABOUT THE WEDDING. 1708 00:37:51,924 --> 00:37:53,098 ALL RIGHT, UM, 1709 00:37:53,098 --> 00:37:54,824 I KNOW WE WANT THIS BIG, 1710 00:37:54,824 --> 00:37:55,825 ELABORATE WEDDING. 1711 00:37:55,825 --> 00:37:56,791 IS THAT WHAT WE WANT? 1712 00:37:56,791 --> 00:37:57,482 THIS IS WHAT I WANT. 1713 00:37:57,482 --> 00:37:58,759 WE ALREADY MARRIED. 1714 00:37:58,759 --> 00:38:00,243 WE NEED TO BE TALKING ABOUT 1715 00:38:00,243 --> 00:38:02,072 IS WE GONNA STAY MARRIED, 1716 00:38:02,072 --> 00:38:04,661 WE GONNA GET A DIVORCE. 1717 00:38:04,661 --> 00:38:05,628 I HAVEN'’T SEEN THIS [bleep] 1718 00:38:05,628 --> 00:38:06,732 ALL DAY, AND YOU WANT TO TALK 1719 00:38:06,732 --> 00:38:08,009 TO ME ABOUT A WEDDING? 1720 00:38:08,009 --> 00:38:08,907 UH! 1721 00:38:08,907 --> 00:38:09,977 CHECK YOURSELF. 1722 00:38:09,977 --> 00:38:11,219 LET'’S TALK ABOUT A DIVORCE. 1723 00:38:11,219 --> 00:38:12,359 AFTER I SEE ALL OF THESE 1724 00:38:12,359 --> 00:38:13,636 NASTY PICTURES, NAKED PICTURES, 1725 00:38:13,636 --> 00:38:14,395 ON YOUR PHONE, LET'’S TALK 1726 00:38:14,395 --> 00:38:15,741 ABOUT THAT. 1727 00:38:15,741 --> 00:38:16,604 OPEN YOUR PHONE UP. 1728 00:38:16,604 --> 00:38:17,295 WHAT YOU WANT TO SEE? 1729 00:38:17,295 --> 00:38:18,365 OPEN IT UP. 1730 00:38:18,365 --> 00:38:19,676 LET ME--LET ME GET THAT PHONE. 1731 00:38:19,676 --> 00:38:20,781 LET ME GET THE PHONE. 1732 00:38:20,781 --> 00:38:21,678 SEE, EXACTLY. 1733 00:38:21,678 --> 00:38:22,541 ALL BUSINESS. 1734 00:38:22,541 --> 00:38:23,784 I BEEN SEEING A LOT OF THINGS 1735 00:38:23,784 --> 00:38:25,751 IN YOUR PHONE, AND I FEEL, 1736 00:38:25,751 --> 00:38:27,443 AS YOU BEING A MARRIED MAN, 1737 00:38:27,443 --> 00:38:29,307 I SHOULDN'’T BE SEEING IT. 1738 00:38:29,307 --> 00:38:29,962 LIKE WHAT? 1739 00:38:29,962 --> 00:38:30,894 I AIN'’T GOT NOTHING IN MY PHONE. 1740 00:38:30,894 --> 00:38:31,619 I SEEN A WHOLE BUNCH 1741 00:38:31,619 --> 00:38:34,208 OF PICTURES OF TITTIES, 1742 00:38:34,208 --> 00:38:36,383 ASSES, [bleep]. 1743 00:38:36,383 --> 00:38:38,557 SO HOW COULD I BE TALKING ABOUT 1744 00:38:38,557 --> 00:38:40,248 ANOTHER WEDDING WHEN THE WEDDING 1745 00:38:40,248 --> 00:38:41,629 THAT I HAVE NOW, I REALLY DON'’T 1746 00:38:41,629 --> 00:38:43,424 EVEN WANT IT, LIKE, STRAIGHT UP. 1747 00:38:43,424 --> 00:38:44,425 WHAT ARE WE DOING? 1748 00:38:44,425 --> 00:38:45,323 JOSELINE CAN TAKE THAT RING 1749 00:38:45,323 --> 00:38:46,738 OFF ALL DAY IF THAT'’S HOW SHE 1750 00:38:46,738 --> 00:38:47,808 FEELS, BUT MINE ISN'’T GOING 1751 00:38:47,808 --> 00:38:49,534 ANYWHERE, AND SHE AIN'’T GOING 1752 00:38:49,534 --> 00:38:50,914 NOWHERE EITHER. 1753 00:38:50,914 --> 00:38:51,950 I LOVE YOU, STEVIE, 1754 00:38:51,950 --> 00:38:53,538 BUT I CAN'’T [bleep] WITH YOU 1755 00:38:53,538 --> 00:38:55,056 AND YOUR LYIN'’ WAYS. 1756 00:38:55,056 --> 00:38:55,954 I TOOK MY RING OFF '’CAUSE 1757 00:38:55,954 --> 00:38:57,024 HE PISSED ME THE [bleep] OFF. 1758 00:38:57,024 --> 00:38:57,852 YOU KNOW, I HAD TO DO SOMETHING 1759 00:38:57,852 --> 00:38:58,853 TO SHOW HIM, LIKE, "IF THAT'’S 1760 00:38:58,853 --> 00:38:59,923 WHAT YOU'’RE GONNA DO, 1761 00:38:59,923 --> 00:39:01,028 THIS IS WHAT I'’MA DO, 1762 00:39:01,028 --> 00:39:01,856 AND [bleep] YOU." 1763 00:39:01,856 --> 00:39:03,582 YOU MARRIED TO THE BADDEST BITCH 1764 00:39:03,582 --> 00:39:04,376 THAT YOU COULD EVEN THINK 1765 00:39:04,376 --> 00:39:06,067 OF HAVING, AND YOU STILL 1766 00:39:06,067 --> 00:39:07,206 FACETIMING AND TALKING TO HOS. 1767 00:39:07,206 --> 00:39:07,897 YOU'’RE TOO JEALOUS. 1768 00:39:07,897 --> 00:39:08,553 THAT'’S YOUR PROBLEM. 1769 00:39:08,553 --> 00:39:09,243 NO, NO, NO, NO, NO, NO. 1770 00:39:09,243 --> 00:39:10,106 YOU KNOW WHAT'’S YOUR PROBLEM-- 1771 00:39:10,106 --> 00:39:10,969 YOUR JEALOUSY IS GONNA HAVE 1772 00:39:10,969 --> 00:39:11,659 YOU LOSING IT. 1773 00:39:11,659 --> 00:39:13,212 NO, NO, I AIN'’T EVER HAD YOU, 1774 00:39:13,212 --> 00:39:13,972 BECAUSE IF I HAD YOU... 1775 00:39:13,972 --> 00:39:14,766 ONCE YOU LOSE ME, 1776 00:39:14,766 --> 00:39:15,422 YOUR LIFE IS OVER. 1777 00:39:15,422 --> 00:39:16,146 YOU WOULD BE-- 1778 00:39:16,146 --> 00:39:17,355 CALL IT WHATEVER THE [bleep] 1779 00:39:17,355 --> 00:39:18,079 YOU WANT. 1780 00:39:18,079 --> 00:39:19,218 MY LIFE IS JUST STARTING. 1781 00:39:19,218 --> 00:39:20,737 I'’M 27 YEARS OLD. 1782 00:39:20,737 --> 00:39:22,014 I'’M A BAD MOTHER[bleep] BITCH, 1783 00:39:22,014 --> 00:39:22,705 AND I GET MONEY. 1784 00:39:22,705 --> 00:39:23,395 I DID THAT FOR YOU. 1785 00:39:23,395 --> 00:39:24,154 NO, YOU DIDN'’T DO THIS. 1786 00:39:24,154 --> 00:39:24,810 I DID THAT FOR YOU. 1787 00:39:24,810 --> 00:39:25,604 THIS BEEN DONE. 1788 00:39:25,604 --> 00:39:28,296 STEVIE, TO ME, YOU'’RE A CHEATER. 1789 00:39:28,296 --> 00:39:29,953 AND TRUST ME, STEVEN JORDAN, 1790 00:39:29,953 --> 00:39:30,851 JOSELINE HERNANDEZ 1791 00:39:30,851 --> 00:39:31,921 JUST DOESN'’T JUST SIT AROUND. 1792 00:39:31,921 --> 00:39:32,991 I'’MA PLAY THE SAME GAME 1793 00:39:32,991 --> 00:39:34,061 HE PLAYS. 1794 00:39:34,061 --> 00:39:34,751 THAT'’S WHAT I'’MA DO. 1795 00:39:34,751 --> 00:39:35,407 LISTEN. 1796 00:39:35,407 --> 00:39:36,166 SO YOU KEEP THIS, RIGHT? 1797 00:39:36,166 --> 00:39:36,822 NO, YOU KEEP IT, 1798 00:39:36,822 --> 00:39:37,651 '’CAUSE I CAN'’T EVEN PAWN IT. 1799 00:39:37,651 --> 00:39:38,376 NAH, I THINK I'’MA LOOK 1800 00:39:38,376 --> 00:39:39,031 FOR MY OWN SPOT. 1801 00:39:39,031 --> 00:39:39,756 YOU SHOULD DO THAT. 1802 00:39:39,756 --> 00:39:40,619 I'’M DONE, 1803 00:39:40,619 --> 00:39:41,758 AND YOUR CAREER'’S ON HOLD. 1804 00:39:41,758 --> 00:39:43,035 OH, WHATEVER. 1805 00:39:43,035 --> 00:39:44,174 CRYBABY. 1806 00:39:44,174 --> 00:39:48,213 SUCK YOUR MAMA [bleep]. 1807 00:39:48,213 --> 00:39:53,908 CRYBABY, CRYBABY. 1808 00:39:53,908 --> 00:39:54,978 NEXT TIME ON LOVE & HIP-HOP: 1809 00:39:54,978 --> 00:39:55,634 ATLANTA... 1810 00:39:55,634 --> 00:39:56,394 ALTHEA'’S OLD NEWS. 1811 00:39:56,394 --> 00:39:57,395 SHE'’S LEFTOVERS. 1812 00:39:57,395 --> 00:39:58,085 YOU SURE YOU HAVEN'’T 1813 00:39:58,085 --> 00:39:59,776 DIGGED BACK IN? 1814 00:39:59,776 --> 00:40:01,157 GIRL, I CANNOT WAIT 1815 00:40:01,157 --> 00:40:02,503 TO GET ON THEM THONG TRIP. 1816 00:40:02,503 --> 00:40:03,228 WAIT. LOOK AT THIS. 1817 00:40:03,228 --> 00:40:04,402 [screaming] 1818 00:40:04,402 --> 00:40:05,989 Y'’ALL GOT A BAZILLION WIGS. 1819 00:40:05,989 --> 00:40:07,784 [all laughing] 1820 00:40:07,784 --> 00:40:08,958 KARLIE PHOTOSHOP'’S 1821 00:40:08,958 --> 00:40:10,235 MY BEEFCAKE TO MAKE IT 1822 00:40:10,235 --> 00:40:11,857 LOOK SMALLER AND THEN PUTS IT 1823 00:40:11,857 --> 00:40:13,411 UP AGAINST SOMEBODY ELSE'’S 1824 00:40:13,411 --> 00:40:15,447 BEEFCAKE AND SAYS SHE UPGRADED, 1825 00:40:15,447 --> 00:40:16,448 BIGGER IS BETTER. 1826 00:40:16,448 --> 00:40:17,380 YOU'’RE TOO LAZY TO DO IT. 1827 00:40:17,380 --> 00:40:19,037 I WANTED TO DO SOMETHING SEXY 1828 00:40:19,037 --> 00:40:20,625 AND MAKE UP FOR THE OTHER NIGHT. 1829 00:40:20,625 --> 00:40:22,212 SO I'’M SUPPOSED TO TAKE 1830 00:40:22,212 --> 00:40:23,662 MY CLOTHES OFF AND ACT 1831 00:40:23,662 --> 00:40:25,146 LIKE EVERYTHING'’S COOL? 1832 00:40:25,146 --> 00:40:26,803 [blowing] 1833 00:40:26,803 --> 00:40:27,632 WE NEED SOME SPACE. 1834 00:40:27,632 --> 00:40:28,495 THAT'’S THE BOTTOM LINE. 1835 00:40:28,495 --> 00:40:29,565 YOU JUST GOT TRUST ISSUES. 1836 00:40:29,565 --> 00:40:30,428 YOU'’RE RIGHT. I DO. 1837 00:40:30,428 --> 00:40:31,221 AND I'’M DEALING WITH THEM 1838 00:40:31,221 --> 00:40:31,981 BY TELLING YOU 1839 00:40:31,981 --> 00:40:33,292 YOU NEED TO MOVE OUT. 1840 00:40:33,292 --> 00:40:36,744 DID YOU LEAK THAT TAPE? 1841 00:40:36,744 --> 00:40:37,745 DON'’T DO THAT. 1842 00:40:37,745 --> 00:40:39,195 KARTER'’S MY CHILD. 1843 00:40:39,195 --> 00:40:40,610 WHAT'’S A DNA TEST IF NOT KNOWING 1844 00:40:40,610 --> 00:40:42,750 THAT'’S MY BUSINESS? 1845 00:40:42,750 --> 00:40:43,682 YOU'’RE THE ONE TAKING THAT 1846 00:40:43,682 --> 00:40:44,614 FOR GRANTED WHEN YOU HAVE 1847 00:40:44,614 --> 00:40:45,304 SOMETHING SPECIAL. 1848 00:40:45,304 --> 00:40:45,995 BUT I'’M TELLING YOU 1849 00:40:45,995 --> 00:40:46,996 I'’M SORRY. 1850 00:40:46,996 --> 00:40:48,100 HOW'’S YOUR LOVE LIFE? 1851 00:40:48,100 --> 00:40:49,447 THE WORLD AIN'’T EASY. 1852 00:40:49,447 --> 00:40:50,482 JUST BEING IN A RELATIONSHIP 1853 00:40:50,482 --> 00:40:52,070 WITH O'’SHEA, IT JUST MADE ME 1854 00:40:52,070 --> 00:40:53,865 APPRECIATE THINGS I MAY NOT HAVE 1855 00:40:53,865 --> 00:40:55,245 SHOWN YOU I APPRECIATED. 1856 00:40:55,245 --> 00:40:55,901 I'’M LOVIN'’ THIS. 1857 00:40:55,901 --> 00:40:56,557 YOU USED ME! 1858 00:40:56,557 --> 00:40:57,247 WELL, WHY? 1859 00:40:57,247 --> 00:40:57,903 [bleep]... 1860 00:40:57,903 --> 00:40:58,870 FOR GAS MONEY? 1861 00:40:58,870 --> 00:40:59,526 YEAH, GAS MONEY! 1862 00:40:59,526 --> 00:41:00,216 GIVE IT TO ME! 1863 00:41:00,216 --> 00:41:03,219 GET THE [bleep] OFF ME, 1864 00:41:03,219 --> 00:41:17,026 [bleep]! 1865 00:41:17,026 --> 00:41:17,682 I CAN'’T FRONT. 1866 00:41:17,682 --> 00:41:18,614 I LIKE SMALL THINGS. 1867 00:41:18,614 --> 00:41:19,338 OH. 1868 00:41:19,338 --> 00:41:19,994 I DO. 1869 00:41:19,994 --> 00:41:20,857 WHATEVER FLOATS YOUR BOAT. 1870 00:41:20,857 --> 00:41:21,996 I LIKE SMALL THINGS. 1871 00:41:21,996 --> 00:41:23,170 IT'’S EMOTION. 1872 00:41:23,170 --> 00:41:23,998 YEAH, IT'’S EMOTION, 1873 00:41:23,998 --> 00:41:24,689 NOT A OCEAN. 1874 00:41:24,689 --> 00:41:25,413 IN OTHER WORDS, YOU KNOW, 1875 00:41:25,413 --> 00:41:26,622 I LIKE SMALL THINGS. 1876 00:41:26,622 --> 00:41:27,381 I CAN'’T SAY THAT ABOUT JOC, 1877 00:41:27,381 --> 00:41:28,037 THOUGH. 1878 00:41:28,037 --> 00:41:28,796 YOU KNOW WHAT I'’M SAYIN'’? 1879 00:41:28,796 --> 00:41:30,211 HE--HE GOT SOMETHING HUGE 1880 00:41:30,211 --> 00:41:32,213 GOING ON OVER THERE, MY MAN. 1881 00:41:32,213 --> 00:41:33,145 I CAN'’T KEEP UP. 1882 00:41:33,145 --> 00:41:34,181 AND YOU SAID-- 1883 00:41:34,181 --> 00:41:35,631 YOU KNOW, I THOUGHT 1884 00:41:35,631 --> 00:41:36,321 GOOD THINGS COME 1885 00:41:36,321 --> 00:41:37,564 IN SMALL PACKAGES, 1886 00:41:37,564 --> 00:41:38,288 BUT I REALIZE-- 1887 00:41:38,288 --> 00:41:40,428 SOMETIMES. 1888 00:41:40,428 --> 00:41:43,121 I REALIZE THAT BIG THINGS 1889 00:41:43,121 --> 00:41:44,156 COME IN BIG PACKAGES TOO. 1890 00:41:44,156 --> 00:41:44,571 [both chuckling] 116646

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.