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These are the user uploaded subtitles that are being translated: 1 00:00:02,636 --> 00:00:04,505 PREVIOUSLY ON LOVE & HIP-HOP: 2 00:00:04,505 --> 00:00:05,873 ATLANTA... 3 00:00:05,873 --> 00:00:07,375 THIS DID SO WELL, 4 00:00:07,375 --> 00:00:08,442 THEY'RE OFFERING ME A PIECE 5 00:00:08,442 --> 00:00:09,577 IN THE MAGAZINE. 6 00:00:09,577 --> 00:00:10,878 HOW 'BOUT WE DO, LIKE, 7 00:00:10,878 --> 00:00:12,780 A SPREAD ON YOU IN THE MAG? 8 00:00:12,780 --> 00:00:15,283 THIS IS GREAT. 9 00:00:15,283 --> 00:00:16,384 NOW, I WANT YOU TO GET WITH 10 00:00:16,384 --> 00:00:17,485 IT, SO YOU CAN GET HIM TO GIVE 11 00:00:17,485 --> 00:00:19,087 YOU THAT ROCK, 'CAUSE I SEE 12 00:00:19,087 --> 00:00:20,020 YOU'RE STILL WALKING AROUND WITH 13 00:00:20,020 --> 00:00:22,156 THAT TATTOO. 14 00:00:22,156 --> 00:00:24,558 SHE HAS A SPREAD FOR 15 00:00:24,558 --> 00:00:26,127 HIP HOP WEEKLY MAGAZINE. 16 00:00:26,127 --> 00:00:27,128 SO I WANTED TO GO HELP HER OUT, 17 00:00:27,128 --> 00:00:28,262 PITCH SOME IDEAS. 18 00:00:28,262 --> 00:00:29,530 SHE WAS THROWING SIDE SHOTS, 19 00:00:29,530 --> 00:00:30,198 YOU KNOW? 20 00:00:30,198 --> 00:00:31,299 IT WOULDN'T MATTER HOW COOL 21 00:00:31,299 --> 00:00:32,833 SHE APPEARS TO BE WITH YOU. 22 00:00:32,833 --> 00:00:34,368 SHE WILL STAB YOU IN YOUR 23 00:00:34,368 --> 00:00:36,737 [bleep] BACK. 24 00:00:36,737 --> 00:00:39,873 I ALSO CAUGHT WIND OF A SPREAD 25 00:00:39,873 --> 00:00:41,775 OF JOSELINE IN A ISSUE OF 26 00:00:41,775 --> 00:00:42,943 HIP HOP WEEKLY, 27 00:00:42,943 --> 00:00:44,278 IT BLOWS MY MIND. 28 00:00:44,278 --> 00:00:46,013 IT'S ALL A LIE. 29 00:00:46,013 --> 00:00:47,448 WHEN'D Y'ALL GET MARRIED? 30 00:00:47,448 --> 00:00:48,382 WHAT? JULY? 31 00:00:48,382 --> 00:00:49,350 THE END OF JULY. 32 00:00:49,350 --> 00:00:50,017 THE END OF JULY? 33 00:00:50,017 --> 00:00:51,252 YOU HAD NO DATE? 34 00:00:51,252 --> 00:00:52,386 JULY 29TH, YEAH. 35 00:00:52,386 --> 00:00:53,821 WE GOT MARRIED JULY 29TH. 36 00:00:53,821 --> 00:00:55,156 IF THEY WERE MARRIED, THERE 37 00:00:55,156 --> 00:00:56,157 WOULD BE A MARRIAGE CERTIFICATE, 38 00:00:56,157 --> 00:00:57,725 WHICH THERE IS NOT. 39 00:00:57,725 --> 00:00:59,360 THEY SAID, "WE KNOW 40 00:00:59,360 --> 00:01:00,328 THAT THEY'RE NOT MARRIED." 41 00:01:00,328 --> 00:01:01,162 THEY AIN'T GOT [bleep] ELSE 42 00:01:01,162 --> 00:01:01,829 TO DO BUT WORRY ABOUT 43 00:01:01,829 --> 00:01:02,496 MY MARRIAGE. 44 00:01:02,496 --> 00:01:04,632 WE ALL GOOD. 45 00:01:04,632 --> 00:01:05,299 I'M JUST SAYING, 46 00:01:05,299 --> 00:01:06,467 CAN YOU NOT KISS HIM? 47 00:01:06,467 --> 00:01:07,235 HE'S A BABY. 48 00:01:07,235 --> 00:01:07,968 YOU'RE ALWAYS TRYING TO 49 00:01:07,968 --> 00:01:09,036 CONTROL ME. 50 00:01:09,036 --> 00:01:11,405 SAY, "HI, MOMMY." 51 00:01:11,405 --> 00:01:12,406 YOU WANT TO ACT LIKE YOU 52 00:01:12,406 --> 00:01:13,241 BRINGING SOMEBODY IN HERE TO 53 00:01:13,241 --> 00:01:14,475 HELP; LOOK LIKE SOMEBODY YOU 54 00:01:14,475 --> 00:01:16,043 WANT TO [bleep]. 55 00:01:16,043 --> 00:01:17,578 IT HAS COME TO MY ATTENTION 56 00:01:17,578 --> 00:01:19,613 THAT SHE IS HAVING ANOTHER 57 00:01:19,613 --> 00:01:20,981 AFFAIR IN L.A. 58 00:01:20,981 --> 00:01:21,849 AN AFFAIR? 59 00:01:21,849 --> 00:01:23,151 I WOULD LOVE TO BE WRONG, 60 00:01:23,151 --> 00:01:25,386 BUT YOU DO KNOW HE HAS MORE THAN 61 00:01:25,386 --> 00:01:27,087 ONE EGG IN HIS BASKET. 62 00:01:27,087 --> 00:01:27,888 YOU TALKING ABOUT ANOTHER 63 00:01:27,888 --> 00:01:29,290 BITCH, LIKE HE GOT ANOTHER ONE? 64 00:01:29,290 --> 00:01:30,891 COULD YOU LOVE SOMEBODY 65 00:01:30,891 --> 00:01:31,559 LIKE ME? 66 00:01:31,559 --> 00:01:34,262 HONESTLY? 67 00:01:34,262 --> 00:01:35,296 I JUST WANT TO KNOW, 68 00:01:35,296 --> 00:01:36,197 DO YOU LOVE ME? 69 00:01:36,197 --> 00:01:37,431 I HAVEN'T GOTTEN THAT FAR 70 00:01:37,431 --> 00:01:40,434 YET. 71 00:01:40,434 --> 00:01:41,569 SHE'S PREGNANT, MAN. 72 00:01:41,569 --> 00:01:42,303 ARE Y'ALL PLANNIN' 73 00:01:42,303 --> 00:01:44,605 ON KEEPING IT? 74 00:01:44,605 --> 00:01:45,639 YEAH. 75 00:01:45,639 --> 00:01:47,107 I HAD A MISCARRIAGE TOO. 76 00:01:47,107 --> 00:01:48,176 OH, WOW. 77 00:01:48,176 --> 00:01:50,311 AND I AM SO SORRY THAT 78 00:01:50,311 --> 00:01:52,180 YOU HAD TO GO THROUGH THIS. 79 00:01:52,180 --> 00:01:53,314 I'M SORRY TO HEAR ABOUT 80 00:01:53,314 --> 00:01:54,515 EVERYTHING THAT HAPPENED. 81 00:01:54,515 --> 00:01:55,916 WHO THE [bleep] IS SHE TO BE 82 00:01:55,916 --> 00:01:57,017 KNOWING MY [bleep] BUSINESS? 83 00:01:57,017 --> 00:01:58,186 WELL, YOU TELL ME EVERYTHING, 84 00:01:58,186 --> 00:01:58,852 DON'T-- 85 00:01:58,852 --> 00:02:00,254 HOLD UP, HOLD UP, HOLD UP. 86 00:02:00,254 --> 00:02:01,222 BITCH. 87 00:02:01,222 --> 00:02:01,889 OH! 88 00:02:01,889 --> 00:02:02,923 TALKIN' THAT [bleep], BITCH! 89 00:02:02,923 --> 00:02:03,824 TRY ME! 90 00:02:03,824 --> 00:02:05,926 TRY ME, BITCH! TRY ME! 91 00:02:05,926 --> 00:02:06,927 [hip-hop music] 92 00:02:06,927 --> 00:02:07,695 ♪ 93 00:02:07,695 --> 00:02:08,996 * THIS IS THE LIFE 94 00:02:08,996 --> 00:02:10,063 ♪ THIS IS THE LIFE 95 00:02:10,063 --> 00:02:10,731 * YEAH 96 00:02:10,731 --> 00:02:11,432 * THIS IS THE LIFE 97 00:02:11,432 --> 00:02:12,200 ♪ THIS IS THE LIFE 98 00:02:12,200 --> 00:02:12,866 * 'SUP ♪ 99 00:02:12,866 --> 00:02:13,801 * THIS IS THE LIFE 100 00:02:13,801 --> 00:02:14,668 ♪ THIS IS THE LIFE 101 00:02:14,668 --> 00:02:15,336 * HUH 102 00:02:15,336 --> 00:02:16,170 * THIS IS THE LIFE 103 00:02:16,170 --> 00:02:19,440 ♪ THIS IS THE LIFE 104 00:02:19,440 --> 00:02:20,107 * HUH 105 00:02:20,107 --> 00:02:20,974 ♪ THERE AIN'T NOTHING LIKE ♪ 106 00:02:20,974 --> 00:02:22,176 ♪ HIP-HOP MUSIC 107 00:02:22,176 --> 00:02:22,876 ♪ MUSIC 108 00:02:22,876 --> 00:02:23,577 * THIS IS THE LIFE 109 00:02:23,577 --> 00:02:28,682 ♪ THIS IS THE LIFE 110 00:02:34,755 --> 00:02:35,889 NOW, I KNOW I'M CRAZY 111 00:02:35,889 --> 00:02:37,858 SOMETIMES, BUT EVERYBODY WANTS 112 00:02:37,858 --> 00:02:39,260 TO KNOW IF SLEAZE AND JOSELINE 113 00:02:39,260 --> 00:02:40,428 ARE REALLY MARRIED. 114 00:02:40,428 --> 00:02:41,429 SO I SET UP A MEETING WITH 115 00:02:41,429 --> 00:02:43,997 SLEAZO, MIMI, AND DAWN. 116 00:02:43,997 --> 00:02:45,333 I'M GETTING EVERYBODY IN ONE 117 00:02:45,333 --> 00:02:46,567 ROOM, AND WE GONNA DEAD 118 00:02:46,567 --> 00:02:48,068 ALL THESE ACCUSATIONS. 119 00:02:48,068 --> 00:02:49,370 BREZIO. 120 00:02:49,370 --> 00:02:50,304 SLEAZE. 121 00:02:50,304 --> 00:02:51,339 WHAT'S UP WITH IT, BRO? 122 00:02:51,339 --> 00:02:54,242 OH, MAN, CRAZY, MAN. 123 00:02:54,242 --> 00:02:55,609 I AGREED TO MEET WITH MIMI 124 00:02:55,609 --> 00:02:57,611 AND DAWN 'CAUSE OF MY MAN, ZINO. 125 00:02:57,611 --> 00:02:58,779 I AIN'T GOT NOTHING TO PROVE, 126 00:02:58,779 --> 00:02:59,513 BUT NOW THAT I'M A PARTNER 127 00:02:59,513 --> 00:03:01,148 IN THE HIP HOP WEEKLY, 128 00:03:01,148 --> 00:03:02,416 WHEN THEY COME FOR THE MAGAZINE, 129 00:03:02,416 --> 00:03:03,584 THEY COMING FOR ME, 130 00:03:03,584 --> 00:03:04,485 AND I'M ABOUT TO SHUT THEIR 131 00:03:04,485 --> 00:03:06,587 INSPECTOR GADGET ASSES DOWN. 132 00:03:06,587 --> 00:03:07,555 LOOK, JUST BETWEEN ME 133 00:03:07,555 --> 00:03:08,222 AND YOU, 134 00:03:08,222 --> 00:03:09,056 YOU AND JOSELINE ARE MARRIED, 135 00:03:09,056 --> 00:03:09,723 RIGHT? 136 00:03:09,723 --> 00:03:10,391 YES, ABSOLUTELY. 137 00:03:10,391 --> 00:03:11,459 THEN SAY NO MORE. 138 00:03:11,459 --> 00:03:12,125 WHAT THE-- 139 00:03:12,125 --> 00:03:12,926 I WOULDN'T HAVE BROUGHT IT 140 00:03:12,926 --> 00:03:13,727 TO YOU IF IT WASN'T LIKE THAT. 141 00:03:13,727 --> 00:03:14,495 NO, THEN SAY NO MORE. 142 00:03:14,495 --> 00:03:15,195 THAT'S WHAT I TOLD THEM. 143 00:03:15,195 --> 00:03:16,297 I WOULDN'T PUT OUR MAGAZINE 144 00:03:16,297 --> 00:03:16,964 ON THE LINE. 145 00:03:16,964 --> 00:03:17,831 THAT'S WHAT I TOLD THEM THAT. 146 00:03:17,831 --> 00:03:18,499 I TOLD THEM THAT. 147 00:03:18,499 --> 00:03:19,166 OUR FRIENDSHIP, 148 00:03:19,166 --> 00:03:19,967 OUR BROTHERHOOD ON THE LINE. 149 00:03:19,967 --> 00:03:20,634 I KNOW THAT. 150 00:03:20,634 --> 00:03:21,435 NOT PRINTING NO RETRACTION. 151 00:03:21,435 --> 00:03:22,102 OKAY. 152 00:03:22,102 --> 00:03:23,003 YOU AND JOSELINE ARE MARRIED, 153 00:03:23,003 --> 00:03:24,372 AND THAT'S THAT. 154 00:03:24,372 --> 00:03:25,839 THEY HAVE NOTHING. 155 00:03:25,839 --> 00:03:27,241 IT'S TIME FOR BENZINO TO BE 156 00:03:27,241 --> 00:03:28,141 TRUE TO HIS WORD. 157 00:03:28,141 --> 00:03:30,311 I'M EXPECTING THAT RETRACTION, 158 00:03:30,311 --> 00:03:31,912 AND I WANT TO LOOK STEVIE RIGHT 159 00:03:31,912 --> 00:03:33,414 IN HIS EYE WHILE HE DANCES 160 00:03:33,414 --> 00:03:35,383 AROUND THE TRUTH. 161 00:03:37,217 --> 00:03:38,919 I APPRECIATE Y'ALL COMING. 162 00:03:38,919 --> 00:03:40,421 I THINK THE WHOLE PREMISE OF 163 00:03:40,421 --> 00:03:41,655 THIS MEETING IS FOR US, 164 00:03:41,655 --> 00:03:43,223 AS ADULTS, COME TO SOME TYPE 165 00:03:43,223 --> 00:03:44,157 OF CONCLUSION THAT'LL MAKE 166 00:03:44,157 --> 00:03:44,925 EVERYBODY HAPPY. 167 00:03:44,925 --> 00:03:45,926 I JUST WANT TO GET TO THE 168 00:03:45,926 --> 00:03:46,594 POINT. 169 00:03:46,594 --> 00:03:48,061 THE POINT WAS, 170 00:03:48,061 --> 00:03:49,229 THEY DON'T BELIEVE 171 00:03:49,229 --> 00:03:52,433 THE CREDIBILITY OF YOU AND 172 00:03:52,433 --> 00:03:53,934 JOSELINE'S MARRIAGE. 173 00:03:53,934 --> 00:03:54,902 IT'S A FRAUD. 174 00:03:54,902 --> 00:03:56,337 WHAT DATE DID HE GET MARRIED? 175 00:03:56,337 --> 00:03:57,505 YOU, I DON'T HAVE NOTHING TO 176 00:03:57,505 --> 00:03:59,172 PROVE TO YOU. 177 00:03:59,172 --> 00:04:00,874 THAT ISSUE CAME OUT WHEN? 178 00:04:00,874 --> 00:04:01,542 I DON'T REMEMBER. 179 00:04:01,542 --> 00:04:02,376 I THINK IT WAS AUGUST 1ST. 180 00:04:02,376 --> 00:04:03,611 AUGUST 1ST, WHICH WAS THE 181 00:04:03,611 --> 00:04:05,178 SAME DAY THAT HE SENT ME 182 00:04:05,178 --> 00:04:06,580 A TEXT MESSAGE ABOUT THE STUNT 183 00:04:06,580 --> 00:04:07,615 HE WANTED TO PULL. 184 00:04:07,615 --> 00:04:08,449 I DIDN'T SAY ANY OF THAT. 185 00:04:08,449 --> 00:04:09,116 OH, YOU DIDN'T? 186 00:04:09,116 --> 00:04:09,783 NO. 187 00:04:09,783 --> 00:04:10,551 YEAH, WELL, THAT, I MEAN, 188 00:04:10,551 --> 00:04:11,752 YOU KNOW, THAT-- 189 00:04:11,752 --> 00:04:13,120 BENZINO, YOU HAVE A HOUSEHOLD 190 00:04:13,120 --> 00:04:14,054 NAME TO PROTECT, 191 00:04:14,054 --> 00:04:14,988 AND FRIENDSHIP-- 192 00:04:14,988 --> 00:04:15,656 I AM A HOUSEHOLD NAME. 193 00:04:15,656 --> 00:04:16,324 I DOUBT IT. 194 00:04:16,324 --> 00:04:17,525 AND IT'S PART OF MY MAGAZINE. 195 00:04:17,525 --> 00:04:19,360 CAN WE PLEASE, HONESTLY... 196 00:04:19,360 --> 00:04:20,761 I'M WONDERING WHY THIS IS SO 197 00:04:20,761 --> 00:04:21,895 IMPORTANT TO MIMI. 198 00:04:21,895 --> 00:04:22,930 IF I AIN'T KNOW NO BETTER, 199 00:04:22,930 --> 00:04:24,064 I THINK SHE WAS STILL FEELING 200 00:04:24,064 --> 00:04:24,732 THE GUY. 201 00:04:24,732 --> 00:04:25,933 WHAT'S THE MATTER, BABY? 202 00:04:25,933 --> 00:04:27,067 YOU MAD I MARRIED JOSELINE 203 00:04:27,067 --> 00:04:29,303 INSTEAD OF YOU? 204 00:04:29,303 --> 00:04:30,638 SO WHAT ARE WE HERE FOR? 205 00:04:30,638 --> 00:04:32,673 YOU AND YOUR FAKE MARRIAGE. 206 00:04:32,673 --> 00:04:34,274 CLEARLY, I HAVE NO FEELINGS 207 00:04:34,274 --> 00:04:35,175 FOR STEVIE J. 208 00:04:35,175 --> 00:04:37,177 ALL I WANT IS FOR BOTH OF THEM 209 00:04:37,177 --> 00:04:39,046 TO BE EXPOSED FOR THE FRAUDS 210 00:04:39,046 --> 00:04:40,448 THAT THEY ARE. 211 00:04:40,448 --> 00:04:41,382 HEY, THAT'S WHAT YOU FEEL, 212 00:04:41,382 --> 00:04:42,049 THAT'S YOU. 213 00:04:42,049 --> 00:04:42,716 WELL, WHERE'S THE 214 00:04:42,716 --> 00:04:43,384 CERTIFICATE? 215 00:04:43,384 --> 00:04:44,251 THEY WANT TO SEE THE LICENSE. 216 00:04:44,251 --> 00:04:45,085 YOU WANT TO SEE THE LICENSE? 217 00:04:45,085 --> 00:04:45,953 FIRST OF ALL, BENZINO, 218 00:04:45,953 --> 00:04:49,289 ANY STATE HAS PUBLIC RECORDS-- 219 00:04:49,289 --> 00:04:50,324 THAT'S THROUGH GOVERNMENT. 220 00:04:50,324 --> 00:04:51,325 IT'S NOT THROUGH-- 221 00:04:51,325 --> 00:04:52,826 WELL, HE HAS--HE MUST HAVE 222 00:04:52,826 --> 00:04:53,494 SOMETHING. 223 00:04:53,494 --> 00:04:54,161 YOU HAVE TO BE MARRIED 224 00:04:54,161 --> 00:04:54,862 THROUGH THE GOVERNMENT. 225 00:04:54,862 --> 00:04:55,963 I'M SOVEREIGN. 226 00:04:55,963 --> 00:04:56,630 HUH? 227 00:04:56,630 --> 00:04:57,331 SOVEREIGN. 228 00:04:57,331 --> 00:04:58,198 SOVEREIGN? 229 00:04:58,198 --> 00:05:00,267 I'M A SOVEREIGN INDIVIDUAL. 230 00:05:00,267 --> 00:05:01,101 WHICH MEANS WHAT? 231 00:05:01,101 --> 00:05:02,202 YOU DON'T HAVE TO GO THROUGH 232 00:05:02,202 --> 00:05:03,303 WHAT EVERYONE ELSE GOES THROUGH? 233 00:05:03,303 --> 00:05:03,971 YEAH. 234 00:05:03,971 --> 00:05:05,539 I DON'T NEED ANYTHING FROM THESE 235 00:05:05,539 --> 00:05:06,206 LADIES. 236 00:05:06,206 --> 00:05:06,874 I'M GOOD. 237 00:05:06,874 --> 00:05:08,141 I'M MY OWN GOVERNMENT. 238 00:05:08,141 --> 00:05:09,643 I MAKE MY OWN LAWS. 239 00:05:09,643 --> 00:05:11,579 IN STEVIE J. WE TRUST. 240 00:05:11,579 --> 00:05:12,946 SLEAZE SAYS HE'S MARRIED. 241 00:05:12,946 --> 00:05:14,382 Y'ALL SAY HE'S NOT. 242 00:05:14,382 --> 00:05:15,616 SO WE REACHED THAT POINT, 243 00:05:15,616 --> 00:05:16,484 WHAT ELSE CAN WE DO? 244 00:05:16,484 --> 00:05:18,386 SO WE'RE JUST NOT GONNA 245 00:05:18,386 --> 00:05:19,853 THINK ABOUT RETRACTING A... 246 00:05:19,853 --> 00:05:21,054 IF WE LOSE READERS BEHIND 247 00:05:21,054 --> 00:05:22,122 THIS [bleep], WELL, THEN, 248 00:05:22,122 --> 00:05:22,823 YOU KNOW WHAT I'M SAYING? 249 00:05:22,823 --> 00:05:23,557 THEN THAT'S THE BUSINESS. 250 00:05:23,557 --> 00:05:24,925 SO YOU WANT TO GO AROUND 251 00:05:24,925 --> 00:05:26,394 PRINTING FAKE-- 252 00:05:26,394 --> 00:05:27,595 WHAT? HE SAYS HE'S MARRIED. 253 00:05:27,595 --> 00:05:28,629 WHAT THE [bleep] CAN I SAY? 254 00:05:28,629 --> 00:05:29,329 HE SAYS A WHOLE LOT OF 255 00:05:29,329 --> 00:05:30,764 [bleep] THAT'S BULL[bleep]. 256 00:05:30,764 --> 00:05:31,932 IT'S TIME TO PUT A SEAL ON 257 00:05:31,932 --> 00:05:33,567 THIS NONSENSE RIGHT HERE. 258 00:05:33,567 --> 00:05:37,571 I'M THE TRUTH, A-1, THE MAN. 259 00:05:37,571 --> 00:05:38,506 I'M GONNA ASK YOU ONE MORE 260 00:05:38,506 --> 00:05:39,907 QUESTION. 261 00:05:39,907 --> 00:05:42,710 WHEN DID YOU GET MARRIED? 262 00:05:44,912 --> 00:05:46,514 JULY 29TH. 263 00:05:46,514 --> 00:05:48,982 JUNE 29TH. 264 00:05:48,982 --> 00:05:49,817 JUNE OR JULY? 265 00:05:49,817 --> 00:05:50,818 IN JUNE. 266 00:05:50,818 --> 00:05:51,819 WHO DOESN'T KNOW THEIR OWN 267 00:05:51,819 --> 00:05:52,486 WEDDING DATE? 268 00:05:52,486 --> 00:05:54,622 JUNE 29TH? JULY 29TH? 269 00:05:54,622 --> 00:05:55,989 FEBRUARY 29TH? 270 00:05:55,989 --> 00:05:57,157 THAT'S ALL I NEED TO KNOW, 271 00:05:57,157 --> 00:05:58,526 THAT THIS MARRIAGE IS A COMPLETE 272 00:05:58,526 --> 00:06:00,060 FRAUD. 273 00:06:00,060 --> 00:06:00,861 I THINK WE NEED TO LEAVE. 274 00:06:00,861 --> 00:06:01,629 YEAH, THIS IS... 275 00:06:01,629 --> 00:06:02,430 THIS IS REALLY NOT GOOD FOR 276 00:06:02,430 --> 00:06:03,096 YOUR HEALTH. 277 00:06:03,096 --> 00:06:03,764 YEAH. 278 00:06:03,764 --> 00:06:04,432 OH, GOSH. 279 00:06:04,432 --> 00:06:05,399 BYE, LADIES. 280 00:06:05,399 --> 00:06:07,167 THANKS FOR THE DRINK. 281 00:06:07,167 --> 00:06:09,169 OH, GOD. 282 00:06:19,447 --> 00:06:22,015 I MET ONE OF SCRAPPY'S "EX" 283 00:06:22,015 --> 00:06:23,316 AT SCRAPPY'S 30TH BIRTHDAY 284 00:06:23,316 --> 00:06:24,017 PARTY, 285 00:06:24,017 --> 00:06:26,386 BUT THE BAMBI, SHE WENT COMPTON 286 00:06:26,386 --> 00:06:27,320 ON THAT BITCH. 287 00:06:27,320 --> 00:06:30,023 SO WHILE THE PRINCE IS ENJOYING 288 00:06:30,023 --> 00:06:31,324 A LITTLE BIT OF THE SAND 289 00:06:31,324 --> 00:06:32,225 IN SOUTH BEACH, 290 00:06:32,225 --> 00:06:33,861 I CALLED MISS PINKETT UP 291 00:06:33,861 --> 00:06:35,796 SO I CAN SEE WHAT THE HELL 292 00:06:35,796 --> 00:06:36,897 THIS BITCH IS THINKING. 293 00:06:36,897 --> 00:06:38,265 HEY. 294 00:06:38,265 --> 00:06:38,932 HI. 295 00:06:38,932 --> 00:06:39,867 HOW ARE YOU? 296 00:06:39,867 --> 00:06:40,768 YOU LOOK SO PRETTY. 297 00:06:40,768 --> 00:06:41,635 SO DO YOU. 298 00:06:41,635 --> 00:06:43,537 KEEPING ORDER IN THE CASTLE 299 00:06:43,537 --> 00:06:45,806 HAS BECOME A FULL-TIME JOB. 300 00:06:45,806 --> 00:06:47,908 I KNOW THE OTHER NIGHT WAS 301 00:06:47,908 --> 00:06:48,776 MAYHEM. 302 00:06:48,776 --> 00:06:50,010 BUT I WANT YOUR PART ON IT, 303 00:06:50,010 --> 00:06:51,011 BECAUSE 304 00:06:51,011 --> 00:06:52,713 EVERYBODY'S RUNNING AMOK. 305 00:06:52,713 --> 00:06:53,747 AIN'T NOBODY GONNA RUN THIS 306 00:06:53,747 --> 00:06:54,848 PALACE BUT ME. 307 00:06:54,848 --> 00:06:56,283 BUT LET ME TELL YOU WHERE YOU 308 00:06:56,283 --> 00:06:57,317 [bleep] UP AT. 309 00:06:57,317 --> 00:06:58,852 YOU SAID, "I'M SORRY FOR YOUR 310 00:06:58,852 --> 00:06:59,520 LOSS." 311 00:06:59,520 --> 00:07:00,387 LET ME JUST BRING YOU THERE, 312 00:07:00,387 --> 00:07:01,522 AND THEN I'M GONNA LET YOU TALK. 313 00:07:01,522 --> 00:07:02,189 OKAY. 314 00:07:02,189 --> 00:07:03,423 WHEN A WOMAN HAS LOST A CHILD 315 00:07:03,423 --> 00:07:04,825 THAT THEY "SO DEARLY" WANTED, 316 00:07:04,825 --> 00:07:05,759 AND SCRAPPY OPENED 317 00:07:05,759 --> 00:07:06,694 HIS BIG MOUTH... 318 00:07:06,694 --> 00:07:07,828 RIGHT. 319 00:07:07,828 --> 00:07:09,196 SO IT'S LIKE, SHE WAS, LIKE, 320 00:07:09,196 --> 00:07:11,131 "OKAY, DON'T NOBODY CARE ABOUT 321 00:07:11,131 --> 00:07:11,965 MY WOMB." 322 00:07:11,965 --> 00:07:12,766 YOU KNOW WHAT I'M SAYING? 323 00:07:12,766 --> 00:07:14,367 YOU DONE TOLD A FEMALE ABOUT OUR 324 00:07:14,367 --> 00:07:15,569 BUSINESS, AND I WOULD HAVE FELT 325 00:07:15,569 --> 00:07:16,336 THE SAME WAY. 326 00:07:16,336 --> 00:07:17,070 SO TELL ME ABOUT 327 00:07:17,070 --> 00:07:17,771 YOUR FRIENDSHIP, 328 00:07:17,771 --> 00:07:19,473 AND THEN WE'LL GET UP INTO WHAT 329 00:07:19,473 --> 00:07:20,207 HAPPENED THE OTHER NIGHT. 330 00:07:20,207 --> 00:07:21,341 OKAY. 331 00:07:21,341 --> 00:07:22,510 FIRST OF ALL, I WANT TO SAY 332 00:07:22,510 --> 00:07:24,277 I REALLY RESPECT YOUR SON, 333 00:07:24,277 --> 00:07:25,713 AND I SEE HIM REALLY MATURING 334 00:07:25,713 --> 00:07:27,414 INTO THIS GREAT MAN, AND I SEE 335 00:07:27,414 --> 00:07:30,083 HIM GOING HARD FOR HIS DAUGHTER. 336 00:07:30,083 --> 00:07:31,184 AND HE'S DIFFERENT. 337 00:07:31,184 --> 00:07:31,985 HE'S HUMBLE. 338 00:07:31,985 --> 00:07:33,521 HE'S REALLY A FAMILY MAN. 339 00:07:33,521 --> 00:07:34,387 HE LOVES AND RESPECTS YOU. 340 00:07:34,387 --> 00:07:35,088 MM-HMM. 341 00:07:35,088 --> 00:07:36,323 I JUST WANT THE BEST 342 00:07:36,323 --> 00:07:37,157 FOR MY FRIEND. 343 00:07:37,157 --> 00:07:38,792 LIKE, I WANT TO SEE HIM BE THE 344 00:07:38,792 --> 00:07:40,561 MAN THAT HE'S BOUND TO BE, 345 00:07:40,561 --> 00:07:42,996 BUT A KING SHOULD NOT BE WALKING 346 00:07:42,996 --> 00:07:43,897 WITH A PEASANT. 347 00:07:43,897 --> 00:07:46,333 YOUR PRINCE HAS WIFED SOMEBODY 348 00:07:46,333 --> 00:07:47,034 HE HAS NEVER GOT 349 00:07:47,034 --> 00:07:48,135 A [bleep]FAX ON. 350 00:07:48,135 --> 00:07:48,802 WOW. 351 00:07:48,802 --> 00:07:49,503 LIKE, WHEN YOU BUY A CAR 352 00:07:49,503 --> 00:07:50,237 AND YOU WANT THE CARFAX... 353 00:07:50,237 --> 00:07:50,904 YEAH. 354 00:07:50,904 --> 00:07:51,939 HE AIN'T GOT THE [bleep]FAX 355 00:07:51,939 --> 00:07:53,373 ON HER, AND TRUST ME WHEN I TELL 356 00:07:53,373 --> 00:07:55,943 YOU, IT IS EXTENSIVE. 357 00:07:55,943 --> 00:07:57,210 SHE WAS JUST IN A HOT TUB 358 00:07:57,210 --> 00:07:58,211 WITH BENZINO. 359 00:07:58,211 --> 00:07:59,446 ALL THE THINGS I WAS HEARING 360 00:07:59,446 --> 00:08:00,848 ABOUT HER WERE ADDING UP TO 361 00:08:00,848 --> 00:08:01,682 NEGATIVE. 362 00:08:01,682 --> 00:08:03,216 THE OTHER NIGHT PROVED EVERY 363 00:08:03,216 --> 00:08:04,451 FRICKING THING THAT I'D BEEN 364 00:08:04,451 --> 00:08:05,753 HEARING ABOUT THIS RAT 365 00:08:05,753 --> 00:08:06,520 FROM COMPTON. 366 00:08:06,520 --> 00:08:08,055 WELL, YOU MAY BE INTERESTED 367 00:08:08,055 --> 00:08:10,591 TO KNOW THAT ME AND BAMBI HAVE 368 00:08:10,591 --> 00:08:11,825 HAD ISSUES, 369 00:08:11,825 --> 00:08:13,894 AND WHEN I FIRST CAME ACROSS 370 00:08:13,894 --> 00:08:16,129 THE BAMBI, I CAUGHT MY SON, 371 00:08:16,129 --> 00:08:17,665 AND I TOLD HIM THERE WOULD BE 372 00:08:17,665 --> 00:08:20,200 NO HOS IN THE PALACE. 373 00:08:20,200 --> 00:08:22,770 SO, LIKE, I'M NOT AT A EVEN KEEL 374 00:08:22,770 --> 00:08:23,503 RIGHT NOW, 375 00:08:23,503 --> 00:08:24,738 AND WHEN THE QUEEN GETS THROWN 376 00:08:24,738 --> 00:08:26,173 OUT THE PALACE, OH, WELL, HELL, 377 00:08:26,173 --> 00:08:27,007 WORLD WAR III. 378 00:08:27,007 --> 00:08:28,075 [laughs] 379 00:08:28,075 --> 00:08:29,242 BEFORE I MET THE BAMBI, 380 00:08:29,242 --> 00:08:31,579 I HEARD ALL THESE RUMORS AROUND 381 00:08:31,579 --> 00:08:33,213 ABOUT HER WHORING AROUND 382 00:08:33,213 --> 00:08:34,882 IN CALIFORN-I-A. 383 00:08:34,882 --> 00:08:36,216 WHEN SHE HAD THE MISCARRIAGE, 384 00:08:36,216 --> 00:08:37,317 I TRIED TO GIVE THE GIRL 385 00:08:37,317 --> 00:08:38,385 THE BENEFIT OF THE DOUBT, 386 00:08:38,385 --> 00:08:39,319 BUT APPARENTLY, 387 00:08:39,319 --> 00:08:40,721 SOME THINGS MUST BE TRUE. 388 00:08:40,721 --> 00:08:41,755 I CAN ONLY TELL YOU 389 00:08:41,755 --> 00:08:42,422 THE TRUTH. 390 00:08:42,422 --> 00:08:43,490 WHEN I FOUND OUT ABOUT THEM 391 00:08:43,490 --> 00:08:44,692 BEING A ITEM, I WAS VERY 392 00:08:44,692 --> 00:08:45,626 SUPPORTIVE OF THAT... 393 00:08:45,626 --> 00:08:46,293 RIGHT. 394 00:08:46,293 --> 00:08:47,494 BECAUSE THERE'S BEEN TIMES 395 00:08:47,494 --> 00:08:49,062 WHERE HE SEND ME TEXT MESSAGES 396 00:08:49,062 --> 00:08:50,097 THAT WEREN'T NECESSARILY 397 00:08:50,097 --> 00:08:52,165 APPROPRIATE, AND I'VE SAID, 398 00:08:52,165 --> 00:08:54,001 "BOO, WRONG PERSON." 399 00:08:54,001 --> 00:08:54,668 MM-HMM. 400 00:08:54,668 --> 00:08:55,502 EVEN WHEN HE CALLS ME 401 00:08:55,502 --> 00:08:56,169 AND SAYS, 402 00:08:56,169 --> 00:08:58,105 "I NEED A NEW BITCH." 403 00:08:58,105 --> 00:08:58,906 YOU KNOW, I'M LIKE, 404 00:08:58,906 --> 00:09:00,073 "WHOA, OKAY, WELL, LET'S JUST"-- 405 00:09:00,073 --> 00:09:00,908 'CAUSE THAT'S WHAT THE 406 00:09:00,908 --> 00:09:01,575 MESSAGE SAY? 407 00:09:01,575 --> 00:09:02,375 WELL, LET ME TELL YOU WHAT 408 00:09:02,375 --> 00:09:03,677 THESE MESSAGES SAY. 409 00:09:03,677 --> 00:09:04,945 THE FIRST ONE IS, "I WANT TO 410 00:09:04,945 --> 00:09:05,913 SEX YOU DOWN." 411 00:09:05,913 --> 00:09:07,815 MIND YOU, THIS CAME AFTER 412 00:09:07,815 --> 00:09:09,049 HE CALLED ME AND SAID, 413 00:09:09,049 --> 00:09:10,183 "I NEED A NEW BITCH." 414 00:09:10,183 --> 00:09:10,951 AND THEN I SAID, "WELL, 415 00:09:10,951 --> 00:09:12,219 YOU SHOULD BE SEXING DOWN 416 00:09:12,219 --> 00:09:13,386 THE PERSON THAT YOU'RE IN LOVE 417 00:09:13,386 --> 00:09:14,221 WITH." 418 00:09:14,221 --> 00:09:14,888 WOW. 419 00:09:14,888 --> 00:09:15,555 YOU KNOW? 420 00:09:15,555 --> 00:09:16,223 WELL, NOW, 421 00:09:16,223 --> 00:09:17,725 MY SON HAS DEFINITELY BEEN 422 00:09:17,725 --> 00:09:19,359 SCRAMBLING HIS EGGS. 423 00:09:19,359 --> 00:09:21,494 I DON'T KNOW IF ERICA PINKETT 424 00:09:21,494 --> 00:09:22,763 IS TELLING ME THE TRUTH, 425 00:09:22,763 --> 00:09:24,064 BUT THE ONLY THING 426 00:09:24,064 --> 00:09:25,198 THAT CAN RESOLVE THIS 427 00:09:25,198 --> 00:09:27,400 IS A OLD-FASHIONED SIT-DOWN. 428 00:09:27,400 --> 00:09:29,603 YOU KNOW, I'M DOWN WITH WHOEVER 429 00:09:29,603 --> 00:09:30,738 MY SON'S DOWN WITH, BUT 430 00:09:30,738 --> 00:09:32,105 I DIDN'T KNOW ABOUT THE THINGS 431 00:09:32,105 --> 00:09:33,941 THAT YOU'VE TALKED TO ME ABOUT. 432 00:09:33,941 --> 00:09:36,143 SO I'D LIKE FOR US TO HAVE 433 00:09:36,143 --> 00:09:37,210 A MEET-AND-GREET, 434 00:09:37,210 --> 00:09:38,145 THE PROPER WAY, IN FRONT OF 435 00:09:38,145 --> 00:09:40,781 MY FACE, AND LET'S BE LADIES, 436 00:09:40,781 --> 00:09:41,915 AND LET'S TALK. 437 00:09:41,915 --> 00:09:43,283 AND ACTUALLY, YOU KNOW, 438 00:09:43,283 --> 00:09:43,984 IF SHE-- 439 00:09:43,984 --> 00:09:44,785 WOULD YOU MIND DOING THAT, 440 00:09:44,785 --> 00:09:45,452 THOUGH? 441 00:09:45,452 --> 00:09:46,286 I WOULD DEFINITELY DO THAT, 442 00:09:46,286 --> 00:09:47,354 AND IF SHE NEEDS SOME ADVICE 443 00:09:47,354 --> 00:09:48,088 ON HOW TO BE A LADY, 444 00:09:48,088 --> 00:09:49,422 I'LL HELP HER WITH THAT TOO. 445 00:09:49,422 --> 00:09:50,824 SO EVEN SWAP WON'T BE 446 00:09:50,824 --> 00:09:52,826 A SWINDLE? 447 00:10:00,533 --> 00:10:02,235 GOOD, GOOD, GOOD, GOOD. 448 00:10:02,235 --> 00:10:03,203 TODAY, KIRK AND I ARE 449 00:10:03,203 --> 00:10:03,871 SHOOTING THE COVER OF 450 00:10:03,871 --> 00:10:05,272 SISTER 2 SISTER MAGAZINE 451 00:10:05,272 --> 00:10:07,407 WITH THE BOYS, KY AND KARTER, 452 00:10:07,407 --> 00:10:08,608 AND THE BEST PART ABOUT IT IS, 453 00:10:08,608 --> 00:10:10,711 THEY WANT MY MOM IN THE SHOOT. 454 00:10:10,711 --> 00:10:12,445 MY BABY, OH. 455 00:10:12,445 --> 00:10:13,113 BEAUTIFUL. 456 00:10:13,113 --> 00:10:14,381 AND KIRK, OOH. 457 00:10:14,381 --> 00:10:15,315 HE HAVE ENOUGH NERVE TO BE 458 00:10:15,315 --> 00:10:16,083 LOOKING GOOD TOO. 459 00:10:16,083 --> 00:10:17,084 REALLY? 460 00:10:17,084 --> 00:10:18,585 LET'S GET IT FINISHED. 461 00:10:18,585 --> 00:10:20,120 THIS IS THE FIRST TIME KIRK AND 462 00:10:20,120 --> 00:10:21,621 MY MOM HAVE BEEN IN THE SAME 463 00:10:21,621 --> 00:10:23,724 ROOM TOGETHER SINCE THEY WERE 464 00:10:23,724 --> 00:10:24,624 ARGUING ABOUT KISSING 465 00:10:24,624 --> 00:10:25,759 BABY KARTER IN THE MOUTH. 466 00:10:25,759 --> 00:10:27,027 I'M JUST HOPING THE SHOOT GOES 467 00:10:27,027 --> 00:10:27,961 WELL, THEY CAN BEHAVE 468 00:10:27,961 --> 00:10:29,562 THEMSELVES, AND REPRESENT OUR 469 00:10:29,562 --> 00:10:31,198 FAMILY IN A GOOD LIGHT. 470 00:10:31,198 --> 00:10:32,165 ALL RIGHT, WE'RE ABOUT READY 471 00:10:32,165 --> 00:10:33,300 TO GO TO THE NEXT LOOK. 472 00:10:33,300 --> 00:10:34,668 OH, HOW BEAUTIFUL 473 00:10:34,668 --> 00:10:35,568 YOU GUYS LOOK. 474 00:10:35,568 --> 00:10:36,236 THANK YOU. 475 00:10:36,236 --> 00:10:37,337 HE SMILE EVERY TIME 476 00:10:37,337 --> 00:10:38,071 HE SEE ME. 477 00:10:38,071 --> 00:10:38,739 OKAY. 478 00:10:38,739 --> 00:10:40,173 AND YOU SITTING UP, 479 00:10:40,173 --> 00:10:41,174 ACTING STUPID 480 00:10:41,174 --> 00:10:42,409 WITH YOUR RATCHET ASS. 481 00:10:42,409 --> 00:10:43,210 SEE? 482 00:10:43,210 --> 00:10:45,145 THIS IS THE EXACT REASON 483 00:10:45,145 --> 00:10:46,279 WHY I DIDN'T WANT THIS WOMAN 484 00:10:46,279 --> 00:10:47,280 WATCHING MY KIDS. 485 00:10:47,280 --> 00:10:48,982 I'M AT A FAMILY PHOTO SHOOT. 486 00:10:48,982 --> 00:10:49,950 YOU'RE CALLING ME NAMES IN FRONT 487 00:10:49,950 --> 00:10:50,984 OF MY KIDS. 488 00:10:50,984 --> 00:10:52,052 RASHEEDA DIDN'T LIKE 489 00:10:52,052 --> 00:10:53,921 MY SUGGESTION FOR ANOTHER NANNY, 490 00:10:53,921 --> 00:10:55,455 BUT ANYBODY WOULD BE BETTER 491 00:10:55,455 --> 00:10:56,724 THAN SHIRLEEN. 492 00:10:56,724 --> 00:10:58,025 WHY IS SHE ON THE PHOTO SHOOT? 493 00:10:58,025 --> 00:10:59,226 IT'S A FAMILY PHOTO SHOOT. 494 00:10:59,226 --> 00:11:00,427 WHAT ARE YOU TALKING ABOUT? 495 00:11:00,427 --> 00:11:03,463 THIS IS EXACTLY WHY WE NEED 496 00:11:03,463 --> 00:11:05,032 JASMINE. 497 00:11:05,032 --> 00:11:05,699 REALLY? 498 00:11:05,699 --> 00:11:06,633 YOU NEED HELP, RIGHT? 499 00:11:06,633 --> 00:11:07,534 JUST BECAUSE YOU FEEL LIKE 500 00:11:07,534 --> 00:11:08,568 I NEED SOMEBODY OR WE NEED 501 00:11:08,568 --> 00:11:10,137 SOMEBODY DON'T MEAN WE GOING 502 00:11:10,137 --> 00:11:11,171 AND PICKING UP MOTHER[bleep] 503 00:11:11,171 --> 00:11:12,172 AT THE BAR. 504 00:11:12,172 --> 00:11:13,240 SO KIRK IS STILL PUSHING THIS 505 00:11:13,240 --> 00:11:14,507 JASMINE SITUATION. 506 00:11:14,507 --> 00:11:15,776 WHAT THE [bleep] IS WRONG 507 00:11:15,776 --> 00:11:16,476 WITH HIM? 508 00:11:16,476 --> 00:11:17,344 I WENT AND HAD A LITTLE 509 00:11:17,344 --> 00:11:18,211 CONVERSATION WITH YOUR LITTLE 510 00:11:18,211 --> 00:11:18,946 FRIEND. 511 00:11:18,946 --> 00:11:20,280 YOU JUST PUTTING OUT THERE, 512 00:11:20,280 --> 00:11:22,916 "OH, ME AND RASHEEDA SEPARATED." 513 00:11:22,916 --> 00:11:24,217 WHERE'S YOUR RING? 514 00:11:24,217 --> 00:11:26,319 MM-MM. 515 00:11:26,319 --> 00:11:27,154 MY ANSWER WHEN THEY ASKED ME 516 00:11:27,154 --> 00:11:28,488 WHERE WAS MINE WAS WHATEVER CAME 517 00:11:28,488 --> 00:11:29,222 OFF MY HEAD. 518 00:11:29,222 --> 00:11:30,190 NOW, WHY THE HELL SHOULD I 519 00:11:30,190 --> 00:11:31,391 WEAR MY RING WHEN THIS FOOL RUN 520 00:11:31,391 --> 00:11:32,926 AROUND TOWN TELLING EVERYBODY 521 00:11:32,926 --> 00:11:33,794 WE SEPARATED? 522 00:11:33,794 --> 00:11:34,728 I'M TRYING TO FIGURE OUT 523 00:11:34,728 --> 00:11:35,729 WHERE WE'RE GOING AND WHAT WE 524 00:11:35,729 --> 00:11:36,964 DOING WITH THIS RELATIONSHIP. 525 00:11:36,964 --> 00:11:38,298 WEARING MY RING FOR WHAT? 526 00:11:38,298 --> 00:11:39,800 I MEAN, WE--YOU WERE HARDLY EVEN 527 00:11:39,800 --> 00:11:40,868 AROUND ME... 528 00:11:40,868 --> 00:11:41,534 OKAY. 529 00:11:41,534 --> 00:11:42,936 LET ALONE BE INTIMATE. 530 00:11:42,936 --> 00:11:43,871 WE AT A SISTER 2 SISTER 531 00:11:43,871 --> 00:11:46,006 PHOTO SHOOT, A COVER SHOT, 532 00:11:46,006 --> 00:11:47,540 PLAYING LIKE WE THE HUXTABLES, 533 00:11:47,540 --> 00:11:49,109 AND OUR [bleep] JUST AS RATCHET 534 00:11:49,109 --> 00:11:50,143 AS IT IS. 535 00:11:50,143 --> 00:11:51,478 WHAT YOU NEED TO DO IS STAY OUT 536 00:11:51,478 --> 00:11:52,445 THE SPORTS BAR 537 00:11:52,445 --> 00:11:53,513 AND STAY FROM MAKING NEW, LITTLE 538 00:11:53,513 --> 00:11:54,614 GIRLFRIENDS AND [bleep] 539 00:11:54,614 --> 00:11:55,715 BEFORE I HAVE TO BEAT UP SOME 540 00:11:55,715 --> 00:11:56,817 MINI-HOS. 541 00:11:56,817 --> 00:11:57,650 OKAY, AND I WOULD ADVISE YOU 542 00:11:57,650 --> 00:11:58,418 TO BE A GIRLFRIEND AND A WIFE. 543 00:11:58,418 --> 00:11:59,486 HOW 'BOUT THAT? 544 00:11:59,486 --> 00:12:01,621 HERE WE ARE, TAKING PICTURES, 545 00:12:01,621 --> 00:12:03,156 FLEXING LIKE WE THE HUXTABLES, 546 00:12:03,156 --> 00:12:04,524 LIKE EVERYTHING IS SO GRAVY, 547 00:12:04,524 --> 00:12:05,759 AND IT'S SO NOT. 548 00:12:05,759 --> 00:12:06,960 KIRK AND MY MAMA CANNOT 549 00:12:06,960 --> 00:12:08,228 GET ALONG FOR [bleep]. 550 00:12:08,228 --> 00:12:09,763 HE'S BEING DISRESPECTFUL 551 00:12:09,763 --> 00:12:10,697 TO BOTH OF US 552 00:12:10,697 --> 00:12:11,664 AND DOING IT RIGHT IN FRONT 553 00:12:11,664 --> 00:12:12,699 OF THE BOYS. 554 00:12:12,699 --> 00:12:14,267 IF THIS [bleep] AIN'T CRAZY, 555 00:12:14,267 --> 00:12:15,502 I DON'T KNOW WHAT IS. 556 00:12:15,502 --> 00:12:16,436 IF YOU WOULD COME IN 557 00:12:16,436 --> 00:12:17,304 JUST A LITTLE BIT CLOSER. 558 00:12:17,304 --> 00:12:19,239 I MEAN... 559 00:12:19,239 --> 00:12:20,573 DON'T BE LOOKING CRAZY. 560 00:12:20,573 --> 00:12:21,441 IT AIN'T LIKE YOU STANDING 561 00:12:21,441 --> 00:12:22,675 NEXT TO ME, KIRK. 562 00:12:22,675 --> 00:12:24,711 CAN YOU DO ANYTHING RIGHT? 563 00:12:24,711 --> 00:12:26,113 KIRK, CAN I HAVE YOU LOOKING 564 00:12:26,113 --> 00:12:27,747 AT ME A LITTLE BIT MORE? 565 00:12:27,747 --> 00:12:28,982 YOU MEAN TO TELL ME YOU CAN'T 566 00:12:28,982 --> 00:12:29,783 STAND UP IN HERE AND DO 567 00:12:29,783 --> 00:12:31,618 NO FAMILY THING? 568 00:12:31,618 --> 00:12:33,553 EVERYBODY'S COOPERATING BUT YOU. 569 00:12:33,553 --> 00:12:34,687 OKAY, IS EVERYBODY SMILING? 570 00:12:34,687 --> 00:12:35,722 WE JUST GOT TO CAPTURE THIS ONE 571 00:12:35,722 --> 00:12:37,724 MOMENT. 572 00:12:37,724 --> 00:12:39,092 YOU HAVE TO UNDERSTAND 573 00:12:39,092 --> 00:12:40,527 BAMBI'S POSITION, 574 00:12:40,527 --> 00:12:41,361 AND BAMBI, 575 00:12:41,361 --> 00:12:42,729 YOU HAVE TO UNDERSTAND 576 00:12:42,729 --> 00:12:43,931 ERICA'S POSITION. 577 00:12:43,931 --> 00:12:46,333 SHE DON'T HAVE A POSITION. 578 00:12:46,333 --> 00:12:48,501 I DON'T NEED NO STYLIST. 579 00:12:48,501 --> 00:12:49,402 IF I WANT TO BE FRIENDS WITH 580 00:12:49,402 --> 00:12:50,270 THE BITCH, I'LL BE FRIENDS WITH 581 00:12:50,270 --> 00:12:51,004 THE BITCH, BUT I DON'T NEED 582 00:12:51,004 --> 00:12:51,671 NO STYLIST. 583 00:12:51,671 --> 00:12:52,405 GET WITH THE WINNING TEAM, 584 00:12:52,405 --> 00:12:53,073 HO. 585 00:12:53,073 --> 00:12:53,740 WHAT WINNING TEAM? 586 00:12:53,740 --> 00:12:54,574 YOU'VE GONE FROM A STRIPPER 587 00:12:54,574 --> 00:12:55,809 TO A PROSTITUTE TO A HO. 588 00:12:55,809 --> 00:12:57,811 OH, BITCH, PLEASE. 589 00:13:06,086 --> 00:13:07,520 JOSELINE AND I GOT THESE OLD 590 00:13:07,520 --> 00:13:09,456 HAGS ACCUSING US OF NOT BEING 591 00:13:09,456 --> 00:13:10,423 MARRIED, 592 00:13:10,423 --> 00:13:12,159 BUT WHO'S WORRIED ABOUT THEM? 593 00:13:12,159 --> 00:13:13,326 THEY'RE JUST HATING 'CAUSE WE'RE 594 00:13:13,326 --> 00:13:14,427 IN LOVE AND THE JORDANS 595 00:13:14,427 --> 00:13:16,429 ARE ON TOP OF THE WORLD. 596 00:13:20,167 --> 00:13:20,834 [laughs] 597 00:13:20,834 --> 00:13:22,402 STOP, STEVIE. 598 00:13:22,402 --> 00:13:23,770 FOREVER? 599 00:13:23,770 --> 00:13:25,205 FOREVER. 600 00:13:25,205 --> 00:13:26,506 SEE IF YOU SAY THAT TONIGHT. 601 00:13:26,506 --> 00:13:27,807 I BET THAT ONE OF THEM HOS 602 00:13:27,807 --> 00:13:28,675 GO DOWN. 603 00:13:28,675 --> 00:13:29,843 IT'S ALL GOOD. 604 00:13:29,843 --> 00:13:31,945 I LOVE YOU, BABY. 605 00:13:31,945 --> 00:13:33,080 I'M GLAD THAT WE FINALLY GOT 606 00:13:33,080 --> 00:13:33,847 OUT OF THE HOUSE AND GOT SOME 607 00:13:33,847 --> 00:13:34,747 FOOD, 'CAUSE I BE WORKING 608 00:13:34,747 --> 00:13:35,415 SO HARD. 609 00:13:35,415 --> 00:13:36,516 WHAT YOU GETTING READY FOR? 610 00:13:36,516 --> 00:13:37,384 YOU KNOW, THE STUFF THAT I'M 611 00:13:37,384 --> 00:13:39,652 GONNA USE FOR THE SPREAD THAT 612 00:13:39,652 --> 00:13:40,820 YOU GAVE ME FOR THE MAGAZINE. 613 00:13:40,820 --> 00:13:42,089 THE THINGS THAT... 614 00:13:42,089 --> 00:13:43,256 THINGS THAT YOU WERE GONNA DO 615 00:13:43,256 --> 00:13:45,192 TO THE TABLE FOR ME. 616 00:13:45,192 --> 00:13:46,259 OH, STEVIE, SHUT THE HELL UP. 617 00:13:46,259 --> 00:13:47,460 NO, THIS IS SERIOUS. 618 00:13:47,460 --> 00:13:48,828 THIS IS SERIOUS [bleep]. 619 00:13:48,828 --> 00:13:49,496 OKAY. 620 00:13:49,496 --> 00:13:50,463 STOP YOUR SHENANIGANS. 621 00:13:50,463 --> 00:13:51,231 A'IGHT. 622 00:13:51,231 --> 00:13:52,799 I'M GLAD THAT STEVIE WANT TO 623 00:13:52,799 --> 00:13:54,367 SEX ME DOWN IN THIS RESTAURANT, 624 00:13:54,367 --> 00:13:56,369 BUT IT'S TIME TO TALK BUSINESS, 625 00:13:56,369 --> 00:13:57,570 AND HE'S THE ONE THAT BROUGHT ME 626 00:13:57,570 --> 00:13:58,771 THIS OPPORTUNITY WITH THE 627 00:13:58,771 --> 00:14:00,040 HIP HOP WEEKLY MAGAZINE, 628 00:14:00,040 --> 00:14:01,508 SO I NEED HIM TO START THINKING 629 00:14:01,508 --> 00:14:02,509 WITH HIS BRAIN, 630 00:14:02,509 --> 00:14:03,643 NOT HIS BEEFCAKE. 631 00:14:03,643 --> 00:14:04,945 TAMMY CAME BY-- 632 00:14:04,945 --> 00:14:05,946 WHO? TAMMY CAME THROUGH? 633 00:14:05,946 --> 00:14:06,613 TAMMY--YEAH. 634 00:14:06,613 --> 00:14:07,280 SHE COOL? 635 00:14:07,280 --> 00:14:08,115 YOU KNOW, SHE KIND OF RUBBED 636 00:14:08,115 --> 00:14:08,916 ME OFF A LITTLE WRONG WHEN SHE 637 00:14:08,916 --> 00:14:10,250 WALKED UP IN MY CLOSET. 638 00:14:10,250 --> 00:14:11,084 NOW, BITCH, YOU GOT TO KNOW WHAT 639 00:14:11,084 --> 00:14:12,085 THE [bleep] I'M DOING BEFORE YOU 640 00:14:12,085 --> 00:14:13,253 JUST COME UP IN HERE WITH YOUR 641 00:14:13,253 --> 00:14:14,221 MOTHER[bleep] NOTEPAD, ACT LIKE 642 00:14:14,221 --> 00:14:14,922 YOU KNOW WHAT THE [bleep] 643 00:14:14,922 --> 00:14:16,123 I'M SUPPOSED TO LOOK LIKE. 644 00:14:16,123 --> 00:14:17,090 WHAT Y'ALL WAS DOING? 645 00:14:17,090 --> 00:14:18,091 WELL, WE TRIED ON SOME 646 00:14:18,091 --> 00:14:19,359 CLOTHES, AND SHE TOOK 647 00:14:19,359 --> 00:14:20,260 SOME PICTURES OF ME. 648 00:14:20,260 --> 00:14:21,128 WELL, YOU GOT THE PICTURES? 649 00:14:21,128 --> 00:14:21,794 CAN I SEE SOME? 650 00:14:21,794 --> 00:14:22,695 YEAH. 651 00:14:22,695 --> 00:14:23,863 THIS IS JUST--LISTEN, THIS IS 652 00:14:23,863 --> 00:14:24,731 JUST SOME LOOKS-- 653 00:14:24,731 --> 00:14:26,233 LET ME SEE. 654 00:14:26,233 --> 00:14:27,100 SHE BROUGHT THIS DRESS FOR ME 655 00:14:27,100 --> 00:14:28,101 TO TRY ON, HONEY, WHICH IT WAS 656 00:14:28,101 --> 00:14:29,569 SO BIG AROUND MY WAIST. 657 00:14:29,569 --> 00:14:31,338 EVERYBODY CAN'T BE A SIZE 2. 658 00:14:31,338 --> 00:14:32,039 THAT THING LOOK RIGHT, 659 00:14:32,039 --> 00:14:32,705 THOUGH. 660 00:14:32,705 --> 00:14:33,573 I GUESS YOU CAN ALWAYS CLIP-- 661 00:14:33,573 --> 00:14:34,241 SHE GOT SOME FLAVOR. 662 00:14:34,241 --> 00:14:35,108 OH, STEVIE, 663 00:14:35,108 --> 00:14:36,809 YOU KNOW DAMN WELL I DON'T WORK 664 00:14:36,809 --> 00:14:37,945 WITH NOBODY RAW LIKE THAT. 665 00:14:37,945 --> 00:14:38,745 I WORK BY MYSELF. 666 00:14:38,745 --> 00:14:39,512 I MEAN, IT SHOULD BE COOL YOU 667 00:14:39,512 --> 00:14:40,547 COULD COME UP TO THE HOUSE... 668 00:14:40,547 --> 00:14:41,648 I--THIS LOOKING LIKE 669 00:14:41,648 --> 00:14:42,950 IT MIGHT WORK. 670 00:14:42,950 --> 00:14:43,650 WHOO! 671 00:14:43,650 --> 00:14:45,552 SITUATE YOUR FACE. OH. 672 00:14:45,552 --> 00:14:46,886 SO IT LOOKS SEXY, MISS BABY. 673 00:14:46,886 --> 00:14:48,956 I DON'T NEED NO STYLIST. 674 00:14:48,956 --> 00:14:50,123 IF I WANT TO BE FRIENDS WITH THE 675 00:14:50,123 --> 00:14:50,991 BITCH, I'LL BE FRIENDS WITH THE 676 00:14:50,991 --> 00:14:51,658 BITCH, BUT I DON'T NEED 677 00:14:51,658 --> 00:14:52,325 NO STYLIST. 678 00:14:52,325 --> 00:14:53,860 I'M STILL ON THE FENCE WITH THIS 679 00:14:53,860 --> 00:14:54,561 BITCH TAMMY, 680 00:14:54,561 --> 00:14:55,462 BUT SHE WON'T BE STYLING ME 681 00:14:55,462 --> 00:14:56,429 NO TIME SOON. 682 00:14:56,429 --> 00:14:57,697 I JUST NEED TO HAVE MY [bleep] 683 00:14:57,697 --> 00:14:58,898 TOGETHER SO WHEN I DO THIS 684 00:14:58,898 --> 00:15:00,600 MAGAZINE, I CAN MAKE STEVIE 685 00:15:00,600 --> 00:15:01,368 PROUD. 686 00:15:01,368 --> 00:15:02,269 YOU'RE NOT ONLY 687 00:15:02,269 --> 00:15:03,436 THE BEST MANAGER. 688 00:15:03,436 --> 00:15:04,938 YOU'RE A GREAT HUSBAND. 689 00:15:04,938 --> 00:15:06,806 YOU'RE A GREAT PARTNER. 690 00:15:06,806 --> 00:15:08,208 YOU HAVE GREAT SEX, 691 00:15:08,208 --> 00:15:09,509 THE BEST I EVER HAD. 692 00:15:09,509 --> 00:15:10,177 YOU'RE THE BEST, 693 00:15:10,177 --> 00:15:11,311 AND I LOVE YOU FOR THAT, 694 00:15:11,311 --> 00:15:13,013 AND THANK YOU FOR TAKING 695 00:15:13,013 --> 00:15:15,348 A CHANCE ON ME. 696 00:15:15,348 --> 00:15:16,950 LISTEN, WITH ALL THAT... 697 00:15:16,950 --> 00:15:18,918 [murmurs indistinctly] 698 00:15:21,488 --> 00:15:22,389 I GOT THIS. 699 00:15:22,389 --> 00:15:24,391 [bleep]. 700 00:15:33,766 --> 00:15:35,902 YEAH, HERE ARE SOME FRUITS. 701 00:15:35,902 --> 00:15:36,703 WAKA, [bleep] FACE. 702 00:15:36,703 --> 00:15:38,705 BETTER EAT THAT GODDAMN FRUIT. 703 00:15:42,109 --> 00:15:44,177 THAT'S WHAT YOU ASKED FOR. 704 00:15:44,177 --> 00:15:45,312 WAKA'S BEEN ON TOUR 705 00:15:45,312 --> 00:15:46,679 FOR A COUPLE OF WEEKS NOW, 706 00:15:46,679 --> 00:15:48,415 AND I MISS HAVING HIM AROUND. 707 00:15:48,415 --> 00:15:50,083 SO WHEN HE'S HOME, WE JUST SIT 708 00:15:50,083 --> 00:15:51,684 IN THE HOUSE AND SPEND TIME 709 00:15:51,684 --> 00:15:53,653 TOGETHER AND CATCH UP. 710 00:15:55,688 --> 00:15:57,390 YEAH. 711 00:15:57,390 --> 00:15:58,325 I TOLD YOU ABOUT THE GIRL, 712 00:15:58,325 --> 00:15:59,292 JOSELINE, RIGHT? 713 00:15:59,292 --> 00:16:01,161 I WENT TO HELP HER WITH A SHOOT, 714 00:16:01,161 --> 00:16:02,162 YOU KNOW, HELP STYLE HER FOR 715 00:16:02,162 --> 00:16:03,463 THIS SPREAD THAT SHE HAS, 716 00:16:03,463 --> 00:16:05,065 AND SHE KIND OF CAME FOR ME. 717 00:16:05,065 --> 00:16:06,066 I DIDN'T KNOW HOW TO TAKE IT, 718 00:16:06,066 --> 00:16:07,200 LIKE... 719 00:16:07,200 --> 00:16:08,035 I KIND OF TOLD HER I DIDN'T LIKE 720 00:16:08,035 --> 00:16:08,868 THE OUTFITS, AND SHE WAS LIKE, 721 00:16:08,868 --> 00:16:09,536 "WELL, THIS IS WHAT GOT 722 00:16:09,536 --> 00:16:10,203 ME MARRIED. 723 00:16:10,203 --> 00:16:11,971 MAYBE I CAN HELP YOU OUT, 724 00:16:11,971 --> 00:16:12,939 AND YOU WON'T HAVE THAT TATTOO. 725 00:16:12,939 --> 00:16:13,606 YOU'LL HAVE A ROCK 726 00:16:13,606 --> 00:16:16,076 ON YOUR FINGER." 727 00:16:16,076 --> 00:16:18,078 WHAT? 728 00:16:22,582 --> 00:16:23,616 AND NOT ONLY JUST THAT. 729 00:16:23,616 --> 00:16:24,917 LIKE, I EXPLAINED TO HER, 730 00:16:24,917 --> 00:16:26,886 AND I WAS TALKING WITH HER-- 731 00:16:29,389 --> 00:16:30,457 SO INITIALLY, WHEN I FIRST 732 00:16:30,457 --> 00:16:31,724 MET JOSELINE, I THOUGHT THAT 733 00:16:31,724 --> 00:16:33,293 SHE WAS REALLY COOL AND FUNNY, 734 00:16:33,293 --> 00:16:34,661 AND THEN SHE THREW ME SOME 735 00:16:34,661 --> 00:16:36,729 SHADE, SO I THOUGHT MAYBE I WAS 736 00:16:36,729 --> 00:16:37,830 OVEREXAGGERATING, AND I TALKED 737 00:16:37,830 --> 00:16:39,366 TO MY GIRL MIMI, AND MIMI TOLD 738 00:16:39,366 --> 00:16:40,433 ME, NO, THAT WAS SHADE. 739 00:16:40,433 --> 00:16:41,868 SO I KNEW I WASN'T TRIPPIN'. 740 00:16:41,868 --> 00:16:42,835 SO I FEEL AS THOUGH IF WE GONNA 741 00:16:42,835 --> 00:16:43,903 BE COOL, I NEED TO SIT DOWN 742 00:16:43,903 --> 00:16:44,937 AND TALK TO HER AND LET HER 743 00:16:44,937 --> 00:16:46,206 KNOW, "LOOK, EITHER WE GONNA BE 744 00:16:46,206 --> 00:16:48,108 COOL, OR WE AIN'T GONNA BE COOL 745 00:16:48,108 --> 00:16:49,609 AT ALL, BECAUSE I DON'T SET UP 746 00:16:49,609 --> 00:16:52,011 MY FRIENDSHIPS THAT WAY." 747 00:16:52,011 --> 00:16:52,845 YEAH, IT'S--THERE'S A LOT 748 00:16:52,845 --> 00:16:54,881 GOING ON, BUT I'MA TALK TO HER. 749 00:16:54,881 --> 00:16:56,149 I'MA LET HER KNOW HOW I FEEL. 750 00:16:56,149 --> 00:16:56,883 LET HER KNOW, "LOOK, 751 00:16:56,883 --> 00:16:57,784 IF WE GONNA BE COOL, 752 00:16:57,784 --> 00:16:59,052 YOU AIN'T GOT TO DO ALL THAT." 753 00:16:59,052 --> 00:16:59,852 MAYBE SHE JUST HAD THIS FACADE 754 00:16:59,852 --> 00:17:00,587 UP. 755 00:17:00,587 --> 00:17:01,354 YOU KNOW HOW I AM WITH PEOPLE 756 00:17:01,354 --> 00:17:02,021 TOO. 757 00:17:02,021 --> 00:17:02,689 YEAH. 758 00:17:02,689 --> 00:17:03,656 I'MA BREAK THAT DOWN TO HER, 759 00:17:03,656 --> 00:17:04,357 AND, YOU KNOW, HOPEFULLY 760 00:17:04,357 --> 00:17:05,892 EVERYTHING PANS OUT THAT WAY. 761 00:17:05,892 --> 00:17:07,794 IF NOT, THEN [bleep] IT. 762 00:17:07,794 --> 00:17:10,363 LIKE, I DON'T--I AIN'T PRESSED 763 00:17:10,363 --> 00:17:12,365 FOR FRIENDS. 764 00:17:13,600 --> 00:17:15,602 COME AND GIVE ME A KISS. 765 00:17:18,971 --> 00:17:20,307 OKAY, I COME LONGER-- 766 00:17:20,307 --> 00:17:21,508 CLOSER THAN YOU DID. 767 00:17:21,508 --> 00:17:22,842 [bleep]! 768 00:17:22,842 --> 00:17:24,844 [laughs] 769 00:17:30,183 --> 00:17:31,951 HI. 770 00:17:31,951 --> 00:17:32,985 PRETTY LADY. 771 00:17:32,985 --> 00:17:34,187 HEY, MAMA. 772 00:17:34,187 --> 00:17:34,854 HOW YOU DOING? 773 00:17:34,854 --> 00:17:35,788 HOW ARE YOU? 774 00:17:35,788 --> 00:17:36,923 I'M GOOD. 775 00:17:36,923 --> 00:17:38,958 WHAT WAS THAT THE OTHER DAY? 776 00:17:38,958 --> 00:17:39,926 THEY'RE NOT MARRIED. 777 00:17:39,926 --> 00:17:41,394 END OF DISCUSSION. 778 00:17:41,394 --> 00:17:42,295 YOU KNOW THE TRUTH 779 00:17:42,295 --> 00:17:43,696 AND SO DO I. 780 00:17:43,696 --> 00:17:44,364 EVEN THOUGH WE GOT 781 00:17:44,364 --> 00:17:45,665 ALL THE EVIDENCE THAT WE HAVE... 782 00:17:45,665 --> 00:17:47,500 I MEAN, HONESTLY, I'D RATHER 783 00:17:47,500 --> 00:17:49,001 NOT WASTE ANY MORE ENERGY 784 00:17:49,001 --> 00:17:50,170 ON THAT. 785 00:17:50,170 --> 00:17:52,472 I'D RATHER PUT MY ENERGY INTO 786 00:17:52,472 --> 00:17:53,640 MOVING FORWARD. 787 00:17:53,640 --> 00:17:55,242 I HAVE NO DOUBT THAT JOSELINE 788 00:17:55,242 --> 00:17:56,843 AND STEVIE'S MARRIAGE IS PHONY, 789 00:17:56,843 --> 00:17:57,610 BUT GUESS WHAT. 790 00:17:57,610 --> 00:17:58,645 I'M STARTING TO LOSE INTEREST 791 00:17:58,645 --> 00:17:59,612 IN THIS [bleep]. 792 00:17:59,612 --> 00:18:00,513 I GOT OTHER THINGS 793 00:18:00,513 --> 00:18:01,681 TO WORRY ABOUT. 794 00:18:01,681 --> 00:18:02,915 DAWN SAID SHE HAD SOME OTHER 795 00:18:02,915 --> 00:18:04,217 BUSINESS TO DISCUSS WITH ME, 796 00:18:04,217 --> 00:18:06,018 AND I'M ALL ABOUT MY BUSINESS. 797 00:18:06,018 --> 00:18:07,487 THE OTHER DAY, YOU KNOW, 798 00:18:07,487 --> 00:18:09,222 I RAN ACROSS SOMETHING 799 00:18:09,222 --> 00:18:11,124 IN REFERENCE TO YOU WITH 800 00:18:11,124 --> 00:18:13,760 THE ADULT ENTERTAINMENT THING. 801 00:18:13,760 --> 00:18:14,927 YOU DON'T HAVE ANYTHING TO BE 802 00:18:14,927 --> 00:18:16,062 ASHAMED ABOUT. 803 00:18:16,062 --> 00:18:17,164 YOU KNOW, I'VE WORKED WITH 804 00:18:17,164 --> 00:18:18,498 SEVERAL, YOU KNOW, 805 00:18:18,498 --> 00:18:19,966 ADULT ENTERTAINMENT, 806 00:18:19,966 --> 00:18:22,169 AND A LOT OF PEOPLE 807 00:18:22,169 --> 00:18:24,671 MAKE MILLIONS OFF OF THAT, 808 00:18:24,671 --> 00:18:25,972 AND I WAS JUST, YOU KNOW, 809 00:18:25,972 --> 00:18:27,674 THINKING, "MAYBE I CAN BE SOME 810 00:18:27,674 --> 00:18:29,309 ASSISTANCE TO MIMI." 811 00:18:29,309 --> 00:18:30,143 I KNOW IT'S GONNA BE SOMETHING 812 00:18:30,143 --> 00:18:31,110 YOU HAVE TO THINK ABOUT. 813 00:18:31,110 --> 00:18:32,879 I'M NOT A "PORN STAR." 814 00:18:32,879 --> 00:18:34,181 THERE WON'T BE ANOTHER TAPE 815 00:18:34,181 --> 00:18:35,648 THAT I'M GONNA PUT OUT 816 00:18:35,648 --> 00:18:36,749 OR ANYTHING LIKE THAT. 817 00:18:36,749 --> 00:18:37,517 THIS WAS SOMETHING THAT GOT 818 00:18:37,517 --> 00:18:38,185 LEAKED. 819 00:18:38,185 --> 00:18:38,918 IT'S OUT THERE. 820 00:18:38,918 --> 00:18:40,153 THAT'S--THAT'S WHAT IT IS, 821 00:18:40,153 --> 00:18:41,721 BUT MOVING FORWARD, 822 00:18:41,721 --> 00:18:43,223 THAT'S NOT SOMETHING I PLAN 823 00:18:43,223 --> 00:18:45,425 TO CONTINUE TO DO. 824 00:18:45,425 --> 00:18:46,826 THE RELEASE OF THIS TAPE 825 00:18:46,826 --> 00:18:48,261 WAS A ONE-SHOT DEAL. 826 00:18:48,261 --> 00:18:49,829 I SIGNED THE CONTRACT BECAUSE 827 00:18:49,829 --> 00:18:51,698 THIS TAPE WAS COMING OUT 828 00:18:51,698 --> 00:18:52,765 REGARDLESS, 829 00:18:52,765 --> 00:18:54,267 BUT NOW THAT I HAVE SIGNED, 830 00:18:54,267 --> 00:18:55,668 I HAVE NO IDEA HOW I'M GONNA 831 00:18:55,668 --> 00:18:57,036 GET THROUGH THIS, AND I WONDER 832 00:18:57,036 --> 00:18:58,905 IF DAWN MIGHT BE ABLE TO HELP. 833 00:18:58,905 --> 00:19:00,473 I CAN HELP YOU REACH THE 834 00:19:00,473 --> 00:19:01,341 PLACES THAT YOU REALLY WANT TO 835 00:19:01,341 --> 00:19:03,176 GO IN A POSITIVE MANNER, 836 00:19:03,176 --> 00:19:03,976 'CAUSE I CAN SHOW YOU SOME 837 00:19:03,976 --> 00:19:05,778 DIFFERENT AVENUES AS FAR AS 838 00:19:05,778 --> 00:19:07,079 HOW TO BRAND YOURSELF. 839 00:19:07,079 --> 00:19:08,315 YOU KNOW, PEOPLE COULD SPEAK 840 00:19:08,315 --> 00:19:10,283 NEGATIVELY, BUT YOU GOT PEOPLE 841 00:19:10,283 --> 00:19:11,718 LIKE VANESSA WILLIAMS. 842 00:19:11,718 --> 00:19:13,052 YOU GOT MAINSTREAM PEOPLE WHO 843 00:19:13,052 --> 00:19:14,321 HAVE POSED FOR PLAYBOY 844 00:19:14,321 --> 00:19:15,688 AND, YOU KNOW, DIFFERENT ISSUES. 845 00:19:15,688 --> 00:19:17,190 SO YOU SHOULDN'T FEEL ANY TYPE 846 00:19:17,190 --> 00:19:17,957 OF WAY ABOUT THAT. 847 00:19:17,957 --> 00:19:19,292 DAWN, I'M REALLY STILL TRYING 848 00:19:19,292 --> 00:19:21,261 TO WRAP MY MIND AROUND 849 00:19:21,261 --> 00:19:21,928 THE SITUATION. 850 00:19:21,928 --> 00:19:23,363 LIKE, ONE MINUTE, OKAY, 851 00:19:23,363 --> 00:19:24,664 I FEEL LIKE I'M OKAY WITH IT, 852 00:19:24,664 --> 00:19:26,833 AND THE NEXT I'M LIKE, "AH!" 853 00:19:26,833 --> 00:19:27,667 LIKE, PULLING MY [bleep] HAIR 854 00:19:27,667 --> 00:19:28,335 OUT. 855 00:19:28,335 --> 00:19:29,702 LIKE, WHAT THE [bleep] IS GOING 856 00:19:29,702 --> 00:19:30,670 ON? 857 00:19:30,670 --> 00:19:31,704 THAT HAPPENED. 858 00:19:31,704 --> 00:19:32,805 IT HAPPENED BY MISTAKE. 859 00:19:32,805 --> 00:19:34,073 IT WASN'T LIKE IT WAS SOMETHING 860 00:19:34,073 --> 00:19:35,308 THAT YOU PLANNED TO DO. 861 00:19:35,308 --> 00:19:37,009 YOU KNOW, SO YOU HAVE TO LOOK AT 862 00:19:37,009 --> 00:19:38,845 IT FROM A BETTER POINT OF VIEW. 863 00:19:38,845 --> 00:19:40,480 DON'T BEAT YOURSELF UP WITH IT. 864 00:19:40,480 --> 00:19:41,348 AND THAT'S WHAT I'VE BEEN 865 00:19:41,348 --> 00:19:42,014 DOING. 866 00:19:42,014 --> 00:19:42,949 YEAH, DON'T DO THAT. 867 00:19:42,949 --> 00:19:44,717 I NEVER ENVISIONED MY LIFE 868 00:19:44,717 --> 00:19:46,085 AS AN ADULT ENTERTAINER, 869 00:19:46,085 --> 00:19:47,354 BUT I HAVE TO BE SMART ABOUT 870 00:19:47,354 --> 00:19:48,655 THE MOVES THAT I MAKE NOW. 871 00:19:48,655 --> 00:19:50,189 I HAVE TO CONTROL MY IMAGE. 872 00:19:50,189 --> 00:19:51,658 I HAVE TO CONTROL THE MESSAGE 873 00:19:51,658 --> 00:19:52,625 THAT I'M PUTTING OUT, 874 00:19:52,625 --> 00:19:54,394 AND DAWN JUST MIGHT BE 875 00:19:54,394 --> 00:19:55,462 THE PERSON TO HELP ME. 876 00:19:55,462 --> 00:19:56,763 WELL, I'M DEFINITELY GONNA THINK 877 00:19:56,763 --> 00:19:57,530 ABOUT IT. 878 00:19:57,530 --> 00:19:59,366 I HEARD EVERYTHING YOU SAID, 879 00:19:59,366 --> 00:20:01,234 AND I APPRECIATE THAT YOU EVEN 880 00:20:01,234 --> 00:20:02,835 TOOK THE TIME TO EVEN WANT TO-- 881 00:20:02,835 --> 00:20:03,836 HELPING ME OUT, 882 00:20:03,836 --> 00:20:04,737 AND YOU'RE PITCHING ME 883 00:20:04,737 --> 00:20:05,638 LIKE YOU ARE. 884 00:20:05,638 --> 00:20:07,807 LIKE, THAT SAYS A LOT. 885 00:20:07,807 --> 00:20:08,975 CALL ME ABOUT IT. 886 00:20:08,975 --> 00:20:10,243 WE CAN GO FROM THERE. 887 00:20:10,243 --> 00:20:11,077 AWESOME. 888 00:20:11,077 --> 00:20:11,844 WE GONNA WIN. 889 00:20:11,844 --> 00:20:12,879 ANYTHING I EVER DONE, 890 00:20:12,879 --> 00:20:14,113 I'VE ALWAYS WON AT IT, 891 00:20:14,113 --> 00:20:15,715 OR I DON'T DO IT. 892 00:20:15,715 --> 00:20:17,083 WAKE UP. 893 00:20:17,083 --> 00:20:18,651 IT'S OUR ONE-YEAR ANNIVERSARY. 894 00:20:18,651 --> 00:20:20,119 I WANTED TO SURPRISE YOU 895 00:20:20,119 --> 00:20:21,187 WITH THIS BREAKFAST. 896 00:20:21,187 --> 00:20:23,055 HAPPY ANNIVERSARY. 897 00:20:23,055 --> 00:20:24,591 I TOLD THAT SON OF MINE 898 00:20:24,591 --> 00:20:26,025 TO [bleep] GET SOME GODDAMN 899 00:20:26,025 --> 00:20:27,527 CONTROL ON THIS [bleep]! 900 00:20:27,527 --> 00:20:28,695 YOU COME [bleep] BACK HERE. 901 00:20:28,695 --> 00:20:30,663 YOU COME [bleep] BACK HERE! 902 00:20:30,663 --> 00:20:32,699 GOD DAMN IT! 903 00:20:35,335 --> 00:20:36,369 * OH, OH, OH, OH 904 00:20:36,369 --> 00:20:37,570 ♪ OH, OH 905 00:20:37,570 --> 00:20:38,571 [folksy music] 906 00:20:38,571 --> 00:20:42,575 ♪ OH, OH, OH, OH, OH, OH, OH 907 00:20:42,575 --> 00:20:44,344 ♪ OH, OH, OH, OH 908 00:20:44,344 --> 00:20:45,144 ♪ OH 909 00:20:45,144 --> 00:20:48,848 ♪ I'M ALL TINGLES AND CHILLS ♪ 910 00:20:48,848 --> 00:20:49,582 ♪ DO YOU KNOW 911 00:20:49,582 --> 00:20:51,784 ♪ WHAT YOU'VE DONE? ♪ 912 00:20:51,784 --> 00:20:53,953 ♪ YOU BROUGHT ME THE SUN 913 00:20:53,953 --> 00:20:55,221 ♪ YEAH, YOU BROUGHT ME 914 00:20:55,221 --> 00:20:56,656 ♪ THE SUN 915 00:20:56,656 --> 00:20:59,592 ♪ CAN YOU GUESS HOW IT FEELS 916 00:20:59,592 --> 00:21:02,662 ♪ WHEN FEELING THE THRILLS 917 00:21:02,662 --> 00:21:05,231 ♪ ALL OVER ME? 918 00:21:05,231 --> 00:21:07,600 ♪ TINGLES AND CHILLS 919 00:21:07,600 --> 00:21:09,769 WAKE UP. 920 00:21:09,769 --> 00:21:11,571 IT'S OUR ONE-YEAR ANNIVERSARY. 921 00:21:11,571 --> 00:21:13,139 I WANTED TO SURPRISE YOU 922 00:21:13,139 --> 00:21:14,273 WITH BREAKFAST. 923 00:21:14,273 --> 00:21:17,009 SO AWESOME. 924 00:21:17,009 --> 00:21:18,244 HAPPY ANNIVERSARY. 925 00:21:18,244 --> 00:21:20,112 MMM, THANK YOU. 926 00:21:20,112 --> 00:21:21,147 WHAT BETTER WAY TO CELEBRATE 927 00:21:21,147 --> 00:21:22,181 YOUR ANNIVERSARY THAN BREAKFAST 928 00:21:22,181 --> 00:21:23,049 IN BED? 929 00:21:23,049 --> 00:21:24,283 MIMI AND I HAVE BEEN TOGETHER 930 00:21:24,283 --> 00:21:25,117 FOR ONE YEAR. 931 00:21:25,117 --> 00:21:26,252 I LOVE BEING WITH HER. 932 00:21:26,252 --> 00:21:27,587 I ENJOY LIVING WITH HER. 933 00:21:27,587 --> 00:21:29,055 AND I WANT TO MAKE SURE 934 00:21:29,055 --> 00:21:30,557 THAT SHE KNOWS THAT. 935 00:21:30,557 --> 00:21:31,724 THIS HAS BEEN A INTERESTING 936 00:21:31,724 --> 00:21:33,125 YEAR. 937 00:21:33,125 --> 00:21:34,727 WE MANAGED TO STICK IT OUT 938 00:21:34,727 --> 00:21:37,029 THROUGH ALL OF THE B.S., 939 00:21:37,029 --> 00:21:38,365 THROUGH THE HATIN', 940 00:21:38,365 --> 00:21:40,367 THROUGH THIS WHOLE ADULT 941 00:21:40,367 --> 00:21:42,535 ENTERTAINMENT SITUATION. 942 00:21:42,535 --> 00:21:43,470 LISTEN, HOW DID YOUR MEETING 943 00:21:43,470 --> 00:21:44,371 GO WITH DAWN? 944 00:21:44,371 --> 00:21:45,905 WENT GREAT, ACTUALLY. 945 00:21:45,905 --> 00:21:47,607 SHE JUST HELPED ME KIND OF LOOK 946 00:21:47,607 --> 00:21:49,141 AT THINGS IN A DIFFERENT WAY. 947 00:21:49,141 --> 00:21:50,076 RIGHT. 948 00:21:50,076 --> 00:21:51,511 AND, LIKE, SHE REALLY WANTS 949 00:21:51,511 --> 00:21:52,244 TO MANAGE ME. 950 00:21:52,244 --> 00:21:53,112 THAT'S GOOD. THAT'S GOOD. 951 00:21:53,112 --> 00:21:54,481 LIKE, MOVING FORWARD AS FAR 952 00:21:54,481 --> 00:21:56,349 AS, YOU KNOW, THE BOOKINGS. 953 00:21:56,349 --> 00:21:57,917 AS FAR AS THIS TAPE, 954 00:21:57,917 --> 00:21:58,951 SHE HELPED ME LOOK AT THAT 955 00:21:58,951 --> 00:21:59,752 IN A WHOLE DIFFERENT LIGHT. 956 00:21:59,752 --> 00:22:01,788 I THINK IT'S BETTER FOR YOU 957 00:22:01,788 --> 00:22:03,022 TO HEAR IT FROM A WOMAN. 958 00:22:03,022 --> 00:22:03,890 IT WAS. 959 00:22:03,890 --> 00:22:05,157 I ACCEPTED IT FROM HER 960 00:22:05,157 --> 00:22:06,493 A LITTLE DIFFERENTLY THAN I DO 961 00:22:06,493 --> 00:22:07,293 WHEN I HAVE THE CONVERSATION 962 00:22:07,293 --> 00:22:08,127 WITH YOU. 963 00:22:08,127 --> 00:22:09,462 YOU KNOW, IT'S REALLY HARD 964 00:22:09,462 --> 00:22:10,497 TO SEE THE BRIGHT SIDE OF HAVING 965 00:22:10,497 --> 00:22:12,231 YOUR SEX TAPE LEAKED, 966 00:22:12,231 --> 00:22:13,299 AND I'LL NEVER BE COMFORTABLE 967 00:22:13,299 --> 00:22:15,067 BEING LABELED AS A PORN STAR, 968 00:22:15,067 --> 00:22:16,503 BUT DAWN ASSURED ME THAT THERE'S 969 00:22:16,503 --> 00:22:17,770 A WAY WE COULD SPIN THIS INTO 970 00:22:17,770 --> 00:22:19,872 A GREAT BUSINESS OPPORTUNITY. 971 00:22:19,872 --> 00:22:21,040 SO WHAT ARE YOU THINKING? 972 00:22:21,040 --> 00:22:22,742 I THINK IT WOULD BE A GOOD 973 00:22:22,742 --> 00:22:23,410 RELATIONSHIP. 974 00:22:23,410 --> 00:22:24,210 'CAUSE YOU KNOW HOW YOU ARE 975 00:22:24,210 --> 00:22:25,445 WITH TRUSTING PEOPLE. 976 00:22:25,445 --> 00:22:26,779 FOR YOU TO VOUCH FOR HER, 977 00:22:26,779 --> 00:22:28,648 THAT'S A BIG STEP FOR YOU. 978 00:22:28,648 --> 00:22:29,916 SO FAR, 979 00:22:29,916 --> 00:22:31,083 SHE'S BEEN ON, STRAIGHT ACROSS 980 00:22:31,083 --> 00:22:31,884 THE BOARD, 981 00:22:31,884 --> 00:22:33,653 SO I'M GONNA GIVE HER THAT 982 00:22:33,653 --> 00:22:35,321 UNTIL SHE SHOWS ME OTHERWISE... 983 00:22:35,321 --> 00:22:35,988 RIGHT. 984 00:22:35,988 --> 00:22:36,856 I'M GONNA GIVE HER THAT. 985 00:22:36,856 --> 00:22:38,858 MOVING FORWARD. 986 00:22:38,858 --> 00:22:39,626 I WANT TO GIVE US 987 00:22:39,626 --> 00:22:40,993 A ANNIVERSARY PARTY. 988 00:22:40,993 --> 00:22:41,794 REALLY? 989 00:22:41,794 --> 00:22:42,929 I WANTED TO TAKE THIS BEYOND 990 00:22:42,929 --> 00:22:43,863 BREAKFAST IN BED. 991 00:22:43,863 --> 00:22:44,531 YOU KNOW WHAT? 992 00:22:44,531 --> 00:22:45,765 WELL, MAYBE I'LL HAVE DAWN 993 00:22:45,765 --> 00:22:46,933 THROW THE PARTY. 994 00:22:46,933 --> 00:22:48,067 LIKE, SHE'S REALLY GOOD AT THAT. 995 00:22:48,067 --> 00:22:49,268 IF YOU BELIEVE IN HER LIKE 996 00:22:49,268 --> 00:22:50,169 THAT AND YOU LIKE HER LIKE 997 00:22:50,169 --> 00:22:50,837 THAT, LET'S HAVE-- 998 00:22:50,837 --> 00:22:51,704 I'LL CALL HER TODAY ABOUT IT. 999 00:22:51,704 --> 00:22:52,371 SHE'S CONNECTED? 1000 00:22:52,371 --> 00:22:53,673 SHE'S VERY WELL-CONNECTED. 1001 00:22:53,673 --> 00:22:55,408 MAYBE SHE CAN HAVE BENZINO 1002 00:22:55,408 --> 00:22:56,375 COVER THE PARTY 1003 00:22:56,375 --> 00:22:57,977 WITH HIP HOP WEEKLY. 1004 00:22:57,977 --> 00:22:59,045 WE'LL FIGURE THAT OUT WHEN THAT 1005 00:22:59,045 --> 00:23:00,747 COMES, BUT I WANT TO THROW THIS 1006 00:23:00,747 --> 00:23:01,414 PARTY FOR US. 1007 00:23:01,414 --> 00:23:02,081 OKAY. 1008 00:23:02,081 --> 00:23:03,315 HAPPY ANNIVERSARY. 1009 00:23:03,315 --> 00:23:05,317 THANK YOU. 1010 00:23:13,626 --> 00:23:14,827 I CALLED BOTH OF YOU HERE 1011 00:23:14,827 --> 00:23:16,095 TODAY BECAUSE 1012 00:23:16,095 --> 00:23:17,363 WHAT YOU BITCHES DID 1013 00:23:17,363 --> 00:23:19,065 AT MY SON'S BIRTHDAY PARTY-- 1014 00:23:19,065 --> 00:23:20,399 AND BELIEVE ME, 1015 00:23:20,399 --> 00:23:23,269 DON'T TAKE IT THE WRONG WAY, 1016 00:23:23,269 --> 00:23:24,737 BUT IT WAS HIS 30TH BIRTHDAY 1017 00:23:24,737 --> 00:23:25,404 PARTY. 1018 00:23:25,404 --> 00:23:27,373 SO I WAS DOWN WITH THE BAMBI, 1019 00:23:27,373 --> 00:23:29,742 BUT THE PINKETT LADY SEEMS TO 1020 00:23:29,742 --> 00:23:31,578 LOVE MY SON ALSO. 1021 00:23:31,578 --> 00:23:32,745 WE'LL SEE WHERE MY ALLEGIANCE 1022 00:23:32,745 --> 00:23:35,247 LIES AT THE END OF THIS MEETING. 1023 00:23:35,247 --> 00:23:36,883 SO WHAT I WANT YOU TO DO 1024 00:23:36,883 --> 00:23:40,052 IS TO HASHTAG THIS BULL[bleep]. 1025 00:23:40,052 --> 00:23:42,054 YOU HAVE TO UNDERSTAND THAT 1026 00:23:42,054 --> 00:23:43,656 WITH ME, I HAD A MISCARRIAGE 1027 00:23:43,656 --> 00:23:44,323 MYSELF. 1028 00:23:44,323 --> 00:23:44,991 RIGHT. 1029 00:23:44,991 --> 00:23:46,559 SO YOU HAVE TO UNDERSTAND 1030 00:23:46,559 --> 00:23:47,927 BAMBI'S POSITION. 1031 00:23:47,927 --> 00:23:49,428 WHAT POSITION WAS THAT? 1032 00:23:49,428 --> 00:23:50,897 LET ME GET TO IT. 1033 00:23:50,897 --> 00:23:51,864 AND BAMBI, 1034 00:23:51,864 --> 00:23:53,032 YOU HAVE TO UNDERSTAND 1035 00:23:53,032 --> 00:23:54,501 ERICA'S POSITION. 1036 00:23:54,501 --> 00:23:55,668 SHE DON'T HAVE A POSITION. 1037 00:23:55,668 --> 00:23:56,503 OKAY. 1038 00:23:56,503 --> 00:23:57,403 SHE MIGHT--DON'T-- 1039 00:23:57,403 --> 00:23:59,772 THAT YOU THINK, BUT SHE DO-- 1040 00:23:59,772 --> 00:24:03,442 [all yelling] 1041 00:24:03,442 --> 00:24:05,044 WHAT'S YOUR POSITION, BITCH? 1042 00:24:05,044 --> 00:24:06,112 THAT'S MY POSITION IN YOUR 1043 00:24:06,112 --> 00:24:07,547 [bleep] ASS, BITCH! 1044 00:24:07,547 --> 00:24:08,848 NOW GET MY RED BARBIES 1045 00:24:08,848 --> 00:24:09,516 AND COME ON. 1046 00:24:09,516 --> 00:24:10,583 I SWEAR TO GOD, 1047 00:24:10,583 --> 00:24:12,184 I TOLD THAT SON OF MINE TO 1048 00:24:12,184 --> 00:24:13,352 [bleep] GET SOME GODDAMN 1049 00:24:13,352 --> 00:24:14,921 CONTROL OVER THIS [bleep]! 1050 00:24:14,921 --> 00:24:15,622 SOMEBODY'S KNOCKOFF 1051 00:24:15,622 --> 00:24:16,355 LOUBOUTIN HEEL. 1052 00:24:16,355 --> 00:24:17,890 NO, NO, NO. NO, NO, NO. 1053 00:24:17,890 --> 00:24:19,125 YOU COME [bleep] BACK HERE. 1054 00:24:19,125 --> 00:24:21,060 YOU COME [bleep] BACK HERE! 1055 00:24:21,060 --> 00:24:22,194 GOD DAMN IT! 1056 00:24:22,194 --> 00:24:22,995 I DON'T CARE ABOUT YOUR... 1057 00:24:22,995 --> 00:24:23,663 LISTEN. 1058 00:24:23,663 --> 00:24:24,330 SON. 1059 00:24:24,330 --> 00:24:24,997 LISTEN! 1060 00:24:24,997 --> 00:24:25,832 DON'T EVER TELL ME YOU DON'T 1061 00:24:25,832 --> 00:24:26,499 CARE ABOUT MY SON. 1062 00:24:26,499 --> 00:24:27,166 I DON'T. 1063 00:24:27,166 --> 00:24:28,367 GOD DAMN IT, GO ON. 1064 00:24:28,367 --> 00:24:29,101 I DON'T TALK ABOUT 1065 00:24:29,101 --> 00:24:29,802 YOUR BABY MOTHER, 1066 00:24:29,802 --> 00:24:31,070 NEITHER DO I TALK ABOUT TAMMY 1067 00:24:31,070 --> 00:24:32,238 WHEN SHE'S NOT AROUND. 1068 00:24:32,238 --> 00:24:33,673 SO I WOULD APPRECIATE THEM 1069 00:24:33,673 --> 00:24:34,507 TO LEAVE ME THE [bleep] OUT 1070 00:24:34,507 --> 00:24:36,509 OF THEIR CONVERSATION. 1071 00:24:42,448 --> 00:24:43,850 YOU COME [bleep] BACK HERE. 1072 00:24:43,850 --> 00:24:45,918 YOU COME [bleep] BACK HERE! 1073 00:24:45,918 --> 00:24:47,219 GOD DAMN IT! 1074 00:24:47,219 --> 00:24:48,487 I'M SCRAPPY'S GIRLFRIEND. 1075 00:24:48,487 --> 00:24:49,155 THIS BITCH AIN'T EVEN 1076 00:24:49,155 --> 00:24:50,322 A REAL SIDE CHICK. 1077 00:24:50,322 --> 00:24:52,559 WHY WOULD MOMMA DEE EVEN THINK 1078 00:24:52,559 --> 00:24:53,392 I WOULD WANT TO HEAR ANYTHING 1079 00:24:53,392 --> 00:24:54,493 SHE HAS TO SAY? 1080 00:24:54,493 --> 00:24:56,495 THIS IS THE ULTIMATE DISRESPECT. 1081 00:25:00,466 --> 00:25:04,904 LISTEN. LISTEN! 1082 00:25:09,041 --> 00:25:11,143 LISTEN! 1083 00:25:26,593 --> 00:25:27,927 WELL, LISTEN! 1084 00:25:27,927 --> 00:25:29,929 I DON'T CARE. 1085 00:25:31,631 --> 00:25:32,565 OKAY, WELL, GO ON. 1086 00:25:32,565 --> 00:25:34,266 GO ON, BABY. 1087 00:25:34,266 --> 00:25:35,668 GOD DAMN IT. GO ON. 1088 00:25:35,668 --> 00:25:37,837 NOBODY TELLS ME THAT THEY DON'T 1089 00:25:37,837 --> 00:25:39,606 CARE ABOUT MY PRINCE. 1090 00:25:39,606 --> 00:25:41,240 IT'S TIME TO GET YOUR GODDAMN 1091 00:25:41,240 --> 00:25:42,274 FOUR-LEGGED ASS 1092 00:25:42,274 --> 00:25:43,309 OUT OF MY PALACE. 1093 00:25:43,309 --> 00:25:45,044 THAT'S YOUR LAST AND FINAL WORD? 1094 00:25:45,044 --> 00:25:46,913 LET IT BE. 1095 00:25:46,913 --> 00:25:49,148 SO SINCE YOU DISRESPECTED ME, 1096 00:25:49,148 --> 00:25:50,282 THE QUEEN, 1097 00:25:50,282 --> 00:25:51,383 AWAY WITH YOU. 1098 00:25:51,383 --> 00:25:52,284 GUARDS! 1099 00:25:52,284 --> 00:25:53,986 I WANT HER OUT OF THE PALACE. 1100 00:25:53,986 --> 00:25:55,955 ESCORT HER OUT! 1101 00:25:57,690 --> 00:25:58,625 THERE'S A SHAKE-UP 1102 00:25:58,625 --> 00:25:59,525 IN THE PALACE. 1103 00:25:59,525 --> 00:26:00,927 THERE'S A [bleep] SHAKE-UP 1104 00:26:00,927 --> 00:26:02,929 IN THE PALACE! 1105 00:26:04,163 --> 00:26:05,431 DAMN. 1106 00:26:05,431 --> 00:26:07,433 LOOK AT THIS. 1107 00:26:15,007 --> 00:26:16,008 [hip-hop music] 1108 00:26:16,008 --> 00:26:18,577 * WATCH OUT 1109 00:26:18,577 --> 00:26:19,278 ♪ HAS GOT 1110 00:26:19,278 --> 00:26:20,012 * CRAZY 1111 00:26:20,012 --> 00:26:21,147 ♪ WHAT THEY WANT TO SAY 1112 00:26:21,147 --> 00:26:21,814 * HEY 1113 00:26:21,814 --> 00:26:22,682 * PLAY THE TYPE OF GAME 1114 00:26:22,682 --> 00:26:24,250 ♪ THAT THEY WANT TO PLAY 1115 00:26:24,250 --> 00:26:25,051 IT'S GONNA BE DOPE. 1116 00:26:25,051 --> 00:26:26,518 YEAH, CARTONS OF CIGARETTES 1117 00:26:26,518 --> 00:26:27,887 FOR THIS ISSUE RIGHT HERE, BABY. 1118 00:26:27,887 --> 00:26:28,554 YEAH, MAN. 1119 00:26:28,554 --> 00:26:30,657 I MEAN, PRISONS, YOU KNOW, 1120 00:26:30,657 --> 00:26:32,124 THEY SHOULD LOVE IT UP NORTH. 1121 00:26:32,124 --> 00:26:32,792 YEAH. 1122 00:26:32,792 --> 00:26:33,592 I'M THE LUCKIEST MAN 1123 00:26:33,592 --> 00:26:34,727 IN THE WORLD, 'CAUSE CAN'T 1124 00:26:34,727 --> 00:26:36,595 NOBODY BRING THE SEXY BETTER 1125 00:26:36,595 --> 00:26:38,230 THAN MY PUERTO RICAN PRINCESS. 1126 00:26:38,230 --> 00:26:39,699 THIS HIP HOP WEEKLY SPREAD IS 1127 00:26:39,699 --> 00:26:40,767 GONNA BE AWESOME! 1128 00:26:40,767 --> 00:26:41,668 THIS GONNA TAKE IT TO A WHOLE 1129 00:26:41,668 --> 00:26:42,434 NEW LEVEL. 1130 00:26:42,434 --> 00:26:44,170 I WAS THINKING WE DO A NICE, 1131 00:26:44,170 --> 00:26:45,071 YOU KNOW, CENTERFOLD PULL-OUT. 1132 00:26:45,071 --> 00:26:45,738 THAT'S HOT. 1133 00:26:45,738 --> 00:26:46,505 YOU KNOW WHAT I'M SAYING? 1134 00:26:46,505 --> 00:26:47,173 YEAH. 1135 00:26:47,173 --> 00:26:48,007 AND PUT IT ON THEIR WALLS AND 1136 00:26:48,007 --> 00:26:48,675 EVERYTHING. 1137 00:26:48,675 --> 00:26:49,776 THAT WOULD BE GOOD. 1138 00:26:49,776 --> 00:26:50,943 I LIKE THAT IDEA. 1139 00:26:50,943 --> 00:26:52,411 OF COURSE MY PHOTO SHOOT 1140 00:26:52,411 --> 00:26:53,145 WENT GREAT. 1141 00:26:53,145 --> 00:26:54,914 I DON'T NEED TAMMY OR ANY WOMAN 1142 00:26:54,914 --> 00:26:56,215 TO TELL ME OR SHOW ME 1143 00:26:56,215 --> 00:26:57,049 HOW TO BE SEXY. 1144 00:26:57,049 --> 00:26:58,284 I HAVE THAT UNDER CONTROL. 1145 00:26:58,284 --> 00:26:59,752 WANTED TO ASK YOU SOMETHING. 1146 00:26:59,752 --> 00:27:01,053 WHAT? 1147 00:27:01,053 --> 00:27:02,554 'CAUSE HE SAID SOMETHING-- 1148 00:27:02,554 --> 00:27:03,923 OH, GOSH. 1149 00:27:03,923 --> 00:27:04,757 WHAT THE [bleep]? 1150 00:27:04,757 --> 00:27:05,557 HERE WE GO. HERE WE GO. 1151 00:27:05,557 --> 00:27:07,293 I MEAN, THE OTHER DAY, 1152 00:27:07,293 --> 00:27:08,160 HE SAID SOMETHING ABOUT 1153 00:27:08,160 --> 00:27:09,762 MIMI KNEW ABOUT THE PHOTO SHOOT. 1154 00:27:09,762 --> 00:27:10,830 HOW DID MIMI... 1155 00:27:10,830 --> 00:27:12,164 OH, YEAH, THAT WAS CRAZY. 1156 00:27:12,164 --> 00:27:13,065 HOW DID SHE KNOW ABOUT THAT? 1157 00:27:13,065 --> 00:27:14,033 I MEAN, I ASKED YOU THAT. 1158 00:27:14,033 --> 00:27:14,934 DID YOU TELL HER? 1159 00:27:14,934 --> 00:27:15,802 I DON'T TALK TO HER. 1160 00:27:15,802 --> 00:27:16,669 SHE AIN'T NO FRIEND OF MINE. 1161 00:27:16,669 --> 00:27:17,336 I'M--I DON'T-- 1162 00:27:17,336 --> 00:27:18,070 I MEAN, I DON'T TALK TO 1163 00:27:18,070 --> 00:27:18,738 NOBODY. 1164 00:27:18,738 --> 00:27:19,438 THE ONLY PERSON THAT KNOW 1165 00:27:19,438 --> 00:27:20,572 WAS HIM AND TAMMY, 'CAUSE THAT'S 1166 00:27:20,572 --> 00:27:21,373 THE ONLY OTHER PERSON THAT 1167 00:27:21,373 --> 00:27:22,041 I TOLD. 1168 00:27:22,041 --> 00:27:23,009 ARE THEY FRIENDS? 1169 00:27:23,009 --> 00:27:23,676 I DON'T LIKE IT. 1170 00:27:23,676 --> 00:27:24,576 I HOPE THIS BITCH TAMMY 1171 00:27:24,576 --> 00:27:25,745 DIDN'T TELL HER, 'CAUSE IF I HAD 1172 00:27:25,745 --> 00:27:27,013 THIS BITCH ALL UP IN MY HOUSE 1173 00:27:27,013 --> 00:27:28,414 AND ACTING LIKE WE WAS GONNA 1174 00:27:28,414 --> 00:27:29,849 BUILD THIS WHOLE RELATIONSHIP, 1175 00:27:29,849 --> 00:27:30,850 AND YOU'RE GOING AROUND TELLING 1176 00:27:30,850 --> 00:27:32,118 THESE OLD, RAGGEDY COUGARS 1177 00:27:32,118 --> 00:27:33,619 MY BUSINESS IN ATLANTA, 1178 00:27:33,619 --> 00:27:34,286 YOU AND I ARE GONNA HAVE 1179 00:27:34,286 --> 00:27:34,954 A PROBLEM. 1180 00:27:34,954 --> 00:27:35,722 I DON'T THINK IT WAS LIKE 1181 00:27:35,722 --> 00:27:36,355 THAT. 1182 00:27:36,355 --> 00:27:37,156 SHE DON'T SEEM LIKE THAT TYPE 1183 00:27:37,156 --> 00:27:38,224 OF PERSON TO ME. 1184 00:27:38,224 --> 00:27:39,692 OKAY, OF COURSE SHE DON'T. 1185 00:27:39,692 --> 00:27:40,793 DON'T GET YOUR PANTIES ALL 1186 00:27:40,793 --> 00:27:42,561 BUNCHED UP OVER THIS RIGHT HERE. 1187 00:27:42,561 --> 00:27:43,495 THIS IS MINOR. 1188 00:27:43,495 --> 00:27:44,630 I THINK YOU AND HER SHOULD JUST 1189 00:27:44,630 --> 00:27:45,397 CONTINUE BUILDING OUR 1190 00:27:45,397 --> 00:27:47,166 FRIENDSHIP AND JUST, YOU KNOW-- 1191 00:27:47,166 --> 00:27:48,467 WELL, AS I RECALL, 1192 00:27:48,467 --> 00:27:49,201 I DON'T TALK ABOUT YOUR 1193 00:27:49,201 --> 00:27:50,036 BABY MOTHER, 1194 00:27:50,036 --> 00:27:51,137 NEITHER DO I TALK ABOUT TAMMY 1195 00:27:51,137 --> 00:27:52,304 WHEN SHE'S NOT AROUND. 1196 00:27:52,304 --> 00:27:53,706 SO I WILL APPRECIATE THEM 1197 00:27:53,706 --> 00:27:54,506 TO LEAVE ME THE [bleep] OUT OF 1198 00:27:54,506 --> 00:27:55,574 THEIR CONVERSATION. 1199 00:27:55,574 --> 00:27:56,275 ALL RIGHT, WELL, AIN'T 1200 00:27:56,275 --> 00:27:57,009 NOTHING GONNA SPOIL THIS. 1201 00:27:57,009 --> 00:27:57,676 THIS IS ALL ABOUT YOU. 1202 00:27:57,676 --> 00:27:58,510 THINK THEY'RE READY FOR YOU 1203 00:27:58,510 --> 00:27:59,178 RIGHT NOW. 1204 00:27:59,178 --> 00:28:00,046 YEAH, LET'S GET BACK TO BEING 1205 00:28:00,046 --> 00:28:00,780 BEAUTIFUL, BABY. 1206 00:28:00,780 --> 00:28:01,447 CARLOS, YOU READY? 1207 00:28:01,447 --> 00:28:02,148 YEAH. 1208 00:28:02,148 --> 00:28:03,449 I'MA HAVE A CONVERSATION WITH 1209 00:28:03,449 --> 00:28:04,851 BOTH OF THEM HOS ONE DAY, 1210 00:28:04,851 --> 00:28:06,118 AND I SAY BOTH, 'CAUSE I'MA HAVE 1211 00:28:06,118 --> 00:28:06,953 TO CHECK YOUR BABY MOTHER 1212 00:28:06,953 --> 00:28:07,820 SOONER OR LATER. 1213 00:28:07,820 --> 00:28:08,487 COME ON. LISTEN-- 1214 00:28:08,487 --> 00:28:09,155 AND IT MIGHT BE SOONER 1215 00:28:09,155 --> 00:28:09,789 THAN LATER. 1216 00:28:09,789 --> 00:28:10,456 LISTEN, LISTEN. 1217 00:28:10,456 --> 00:28:11,991 GET BACK TO BEING BEAUTIFUL. 1218 00:28:11,991 --> 00:28:12,691 GOT TO GET BACK TO WORK, 1219 00:28:12,691 --> 00:28:13,492 'CAUSE I AIN'T GOT TIME FOR 1220 00:28:13,492 --> 00:28:14,193 THESE FELLAS. 1221 00:28:14,193 --> 00:28:15,461 OOH! 1222 00:28:15,461 --> 00:28:16,528 [sighs] 1223 00:28:16,528 --> 00:28:17,296 MAYBE I SHOULD HAVE 1224 00:28:17,296 --> 00:28:19,165 A CIGAR OR SOMETHING. 1225 00:28:19,165 --> 00:28:20,332 AT THIS POINT, LIKE, 1226 00:28:20,332 --> 00:28:21,667 ME AND HIM AIN'T EVEN THERE. 1227 00:28:21,667 --> 00:28:22,835 LIKE, I DON'T NEED NO [bleep] 1228 00:28:22,835 --> 00:28:23,803 PUTTING ME IN NO POSITIONS 1229 00:28:23,803 --> 00:28:24,470 LIKE THIS. 1230 00:28:24,470 --> 00:28:25,772 I FEEL LIKE BOTH Y'ALL ARE 1231 00:28:25,772 --> 00:28:26,806 BRINGING UNNECESSARY DRAMA INTO 1232 00:28:26,806 --> 00:28:27,473 MY LIFE. 1233 00:28:27,473 --> 00:28:29,475 I DON'T DO THIS. 1234 00:28:33,145 --> 00:28:34,146 [hip-hop music] 1235 00:28:34,146 --> 00:28:37,884 ♪ 1236 00:28:37,884 --> 00:28:39,485 * ALL RIGHT 1237 00:28:39,485 --> 00:28:40,352 ♪ LISTEN 1238 00:28:40,352 --> 00:28:41,253 ♪ SAY YOU LOVE ME 1239 00:28:41,253 --> 00:28:41,921 ♪ BUT YOU DON'T ♪ 1240 00:28:41,921 --> 00:28:42,554 ♪ WHY YOU GOT TO LIE 1241 00:28:42,554 --> 00:28:43,322 ♪ LIKE THAT? 1242 00:28:43,322 --> 00:28:45,124 ♪ SAY YOU WILL, BUT YOU WON'T ♪ 1243 00:28:45,124 --> 00:28:46,392 ♪ BUT YOU CAN'T TAKE THAT BACK ♪ 1244 00:28:46,392 --> 00:28:47,159 ♪ UH 1245 00:28:47,159 --> 00:28:48,795 ♪ ALL THE GAMES AND THE LIES 1246 00:28:48,795 --> 00:28:49,728 ♪ I DID TR-- 1247 00:28:49,728 --> 00:28:50,963 BLAH, BLAH, BLAH, BLAH. 1248 00:28:50,963 --> 00:28:51,630 BLAH, BLAH, BLAH. 1249 00:28:51,630 --> 00:28:52,298 YOU STRAIGHT? 1250 00:28:52,298 --> 00:28:53,199 ONE MORE TIME. 1251 00:28:53,199 --> 00:28:54,666 I'M ABOUT AS STRESSED 1252 00:28:54,666 --> 00:28:55,968 AS STRESSED CAN BE RIGHT NOW. 1253 00:28:55,968 --> 00:28:56,735 LET'S TRY IT A COUPLE MORE 1254 00:28:56,735 --> 00:28:57,403 TIMES. 1255 00:28:57,403 --> 00:28:58,104 YOU KNOW WHAT I'M SAYING? 1256 00:28:58,104 --> 00:28:58,771 WITH A LITTLE BIT OF HIGH 1257 00:28:58,771 --> 00:28:59,438 ENERGY. 1258 00:28:59,438 --> 00:29:01,040 YEAH, LET'S TRY IT AGAIN. 1259 00:29:01,040 --> 00:29:01,707 ALL RIGHT. 1260 00:29:01,707 --> 00:29:02,574 LET'S GO. 1261 00:29:02,574 --> 00:29:04,076 * ALL RIGHT 1262 00:29:04,076 --> 00:29:04,977 ♪ LISTEN 1263 00:29:04,977 --> 00:29:06,012 ♪ SAY YOU LOVE ME 1264 00:29:06,012 --> 00:29:06,678 ♪ BUT YOU DON'T ♪ 1265 00:29:06,678 --> 00:29:07,346 ♪ WHY YOU GOT TO LIE 1266 00:29:07,346 --> 00:29:08,214 ♪ LIKE THAT? 1267 00:29:08,214 --> 00:29:10,016 ♪ SAY YOU WILL, BUT YOU WON'T ♪ 1268 00:29:10,016 --> 00:29:11,383 ♪ BUT YOU CAN'T TAKE THAT BACK ♪ 1269 00:29:11,383 --> 00:29:12,318 AH, I DON'T LIKE THAT. 1270 00:29:12,318 --> 00:29:13,052 I DON'T LIKE THE WAY THAT-- 1271 00:29:13,052 --> 00:29:14,486 I DON'T LIKE THE WAY THAT FEEL. 1272 00:29:14,486 --> 00:29:15,154 I WANT YOU TO COME OUT 1273 00:29:15,154 --> 00:29:15,855 SO WE CAN TALK, ALL RIGHT? 1274 00:29:15,855 --> 00:29:17,756 OKAY. ALL RIGHT. 1275 00:29:17,756 --> 00:29:20,126 MY GIRL, KALENNA, SHE CAME WITH 1276 00:29:20,126 --> 00:29:20,960 THIS HOT RECORD. 1277 00:29:20,960 --> 00:29:22,361 HER HUSBAND TONY'S HELPING 1278 00:29:22,361 --> 00:29:23,162 PRODUCE, 1279 00:29:23,162 --> 00:29:24,864 AND I'M EXCITED TO REALLY GET IN 1280 00:29:24,864 --> 00:29:25,998 AND DIG INTO THIS, 1281 00:29:25,998 --> 00:29:28,200 BUT IT'S SO MUCH GOING ON 1282 00:29:28,200 --> 00:29:29,035 IN MY HEAD. 1283 00:29:29,035 --> 00:29:29,936 EVERYTHING THAT'S GOING ON WITH 1284 00:29:29,936 --> 00:29:31,470 ME AND KIRK HAS GOT MY MIND 1285 00:29:31,470 --> 00:29:32,638 IN A [bleep] UP PLACE, 1286 00:29:32,638 --> 00:29:34,040 AND I CAN'T FOCUS ON THE MUSIC 1287 00:29:34,040 --> 00:29:35,007 LIKE I NEED TO. 1288 00:29:35,007 --> 00:29:36,575 THIS NEEDS TO BE A FEEL-GOOD 1289 00:29:36,575 --> 00:29:37,243 RECORD. 1290 00:29:37,243 --> 00:29:38,644 I KNOW. I DON'T FEEL GOOD. 1291 00:29:38,644 --> 00:29:40,446 I REALLY WANT TO PUNCH YOUR ASS, 1292 00:29:40,446 --> 00:29:41,647 'CAUSE ANY MAN THAT I SEE 1293 00:29:41,647 --> 00:29:42,514 IN MY PRESENCE, 1294 00:29:42,514 --> 00:29:43,382 I JUST WANT TO BE LIKE, 1295 00:29:43,382 --> 00:29:44,050 BLAH, BLAH, BLAH, BLAH. 1296 00:29:44,050 --> 00:29:45,051 I'MA LET Y'ALL DO Y'ALL WOMAN 1297 00:29:45,051 --> 00:29:45,717 THING. 1298 00:29:45,717 --> 00:29:46,385 OKAY. 1299 00:29:46,385 --> 00:29:47,186 GET OUT OF HERE BEFORE I GET 1300 00:29:47,186 --> 00:29:47,854 BOMBED ON. 1301 00:29:47,854 --> 00:29:48,888 EXACTLY, 'CAUSE YOU KNOW 1302 00:29:48,888 --> 00:29:49,822 YOU ABOUT TWO SECONDS AWAY FROM 1303 00:29:49,822 --> 00:29:51,190 CATCHING ONE OF THESE. 1304 00:29:51,190 --> 00:29:53,025 LISTEN, I KNOW EXACTLY WHAT 1305 00:29:53,025 --> 00:29:54,260 RASHEEDA'S PROBLEM IS. 1306 00:29:54,260 --> 00:29:55,527 IT'S KIRK. 1307 00:29:55,527 --> 00:29:56,328 HE OUT HERE ACTING LIKE 1308 00:29:56,328 --> 00:29:57,496 A [bleep] CLOWN AND GOT HER 1309 00:29:57,496 --> 00:29:58,364 HEAD ALL MESSED UP, 1310 00:29:58,364 --> 00:29:59,565 BUT I'M NOT MAD. 1311 00:29:59,565 --> 00:30:00,867 ME AND TONY WENT THROUGH OUR 1312 00:30:00,867 --> 00:30:01,700 [bleep] TOO, 1313 00:30:01,700 --> 00:30:02,835 AND SHE HELPED ME GO THROUGH 1314 00:30:02,835 --> 00:30:04,270 MY [bleep] BY JUST LETTING ME 1315 00:30:04,270 --> 00:30:04,971 VENT. 1316 00:30:04,971 --> 00:30:06,705 NOW IT'S MY TURN TO DO THE SAME 1317 00:30:06,705 --> 00:30:07,373 FOR HER. 1318 00:30:07,373 --> 00:30:08,440 SO WHAT'S UP, GIRL? 1319 00:30:08,440 --> 00:30:09,508 WHAT'S GOING ON WITH YOU? 1320 00:30:09,508 --> 00:30:10,642 EVERYTHING THAT'S GOING ON 1321 00:30:10,642 --> 00:30:12,044 IN MY RELATIONSHIP IS AFFECTING 1322 00:30:12,044 --> 00:30:12,711 MY WORK ETHIC. 1323 00:30:12,711 --> 00:30:13,379 RIGHT. 1324 00:30:13,379 --> 00:30:14,113 YOU GET WHAT I'M SAYING? 1325 00:30:14,113 --> 00:30:14,780 I GOT YOU. 1326 00:30:14,780 --> 00:30:15,848 LIKE, THE OTHER DAY, WE AT 1327 00:30:15,848 --> 00:30:17,216 THE PHOTO SHOOT FOR 1328 00:30:17,216 --> 00:30:18,684 SISTER 2 SISTER MAGAZINE, 1329 00:30:18,684 --> 00:30:19,852 WHICH IS A GOOD--YOU KNOW, 1330 00:30:19,852 --> 00:30:20,686 SUPPOSED TO BE A GOOD THING. 1331 00:30:20,686 --> 00:30:21,420 THAT'S PERFECT. 1332 00:30:21,420 --> 00:30:22,688 GIRL, WE AIN'T IN THERE 1333 00:30:22,688 --> 00:30:24,190 10 MINUTES-- 1334 00:30:24,190 --> 00:30:25,224 THIS FOOL GONNA HAVE THE NERVE 1335 00:30:25,224 --> 00:30:26,425 TO SAY, "THAT'S WHY WE NEEDED 1336 00:30:26,425 --> 00:30:27,459 JASMINE." 1337 00:30:27,459 --> 00:30:29,561 THEN HIM AND MY MAMA ARGUING. 1338 00:30:29,561 --> 00:30:30,729 THEY BACKING AND FORTHING. 1339 00:30:30,729 --> 00:30:31,797 SO WE ARGUING IN FRONT OF 1340 00:30:31,797 --> 00:30:33,132 EVERYBODY, AND I'M JUST LIKE, 1341 00:30:33,132 --> 00:30:34,433 "YOU KNOW, 1342 00:30:34,433 --> 00:30:36,268 I CAN'T DEAL WITH THIS [bleep]," 1343 00:30:36,268 --> 00:30:37,569 LIKE, EVERY TIME THEY IN THE 1344 00:30:37,569 --> 00:30:38,770 ROOM TOGETHER, GIRL. 1345 00:30:38,770 --> 00:30:40,272 SOMETIMES YOU GOT TO-- 1346 00:30:40,272 --> 00:30:41,540 YOU GOT TO WORK [bleep] OUT BY 1347 00:30:41,540 --> 00:30:42,208 JUST HASHING IT OUT. 1348 00:30:42,208 --> 00:30:42,875 YEAH. 1349 00:30:42,875 --> 00:30:43,876 YOU KNOW WHAT I'M SAYING? 1350 00:30:43,876 --> 00:30:44,610 AND THEY GET IN THE ROOM AND 1351 00:30:44,610 --> 00:30:45,978 WILD OUT ONE GOOD MOTHER[bleep] 1352 00:30:45,978 --> 00:30:46,645 TIME-- 1353 00:30:46,645 --> 00:30:47,346 YOU KNOW, THIS--LIKE, 1354 00:30:47,346 --> 00:30:48,514 PUT IT ON THE TABLE 1355 00:30:48,514 --> 00:30:49,181 AND BE DONE. 1356 00:30:49,181 --> 00:30:49,848 YEAH. 1357 00:30:49,848 --> 00:30:50,849 YOU GOT TO REMOVE YOURSELF SO 1358 00:30:50,849 --> 00:30:52,084 THEY CAN DEAL WITH EACH OTHER. 1359 00:30:52,084 --> 00:30:53,652 I'M NOT A PSYCHOLOGIST, 1360 00:30:53,652 --> 00:30:54,820 BUT I DO BELIEVE THAT RASHEEDA 1361 00:30:54,820 --> 00:30:56,288 AND KIRK NEED SOME TIME APART. 1362 00:30:56,288 --> 00:30:57,456 THEY NEED TO REMEMBER WHY THEY 1363 00:30:57,456 --> 00:30:59,959 FELL IN LOVE IN THE FIRST PLACE. 1364 00:30:59,959 --> 00:31:00,993 ALL RIGHT, WELL, HOW 'BOUT WE 1365 00:31:00,993 --> 00:31:02,628 TAKE A TRIP? 1366 00:31:02,628 --> 00:31:03,896 MATTER OF FACT, MARDI GRAS 1367 00:31:03,896 --> 00:31:04,796 IS COMING UP. 1368 00:31:04,796 --> 00:31:05,464 OOH. 1369 00:31:05,464 --> 00:31:06,198 WHY DON'T WE JUST GO TO 1370 00:31:06,198 --> 00:31:06,865 NEW ORLEANS? 1371 00:31:06,865 --> 00:31:07,533 IT'S NOT THAT FAR. 1372 00:31:07,533 --> 00:31:08,400 THAT IS THE OFFICIAL TURN UP. 1373 00:31:08,400 --> 00:31:09,201 THAT'S JUST WALKING DOWN THE 1374 00:31:09,201 --> 00:31:09,868 STREET DRUNK. 1375 00:31:09,868 --> 00:31:10,536 THAT'S RIGHT. 1376 00:31:10,536 --> 00:31:11,403 HE AIN'T GOT NO PROBLEM WITH YOU 1377 00:31:11,403 --> 00:31:12,238 GOING NOWHERE, DO HE? 1378 00:31:12,238 --> 00:31:13,339 I DON'T GIVE A DAMN. 1379 00:31:13,339 --> 00:31:14,073 HELL YEAH. 1380 00:31:14,073 --> 00:31:15,007 I MIGHT NEED TO JUST LEAVE 1381 00:31:15,007 --> 00:31:16,542 HIS ASS SO HE CAN UNDERSTAND 1382 00:31:16,542 --> 00:31:18,077 THE VALUE OF THIS. 1383 00:31:18,077 --> 00:31:18,777 THAT'S RIGHT. 1384 00:31:18,777 --> 00:31:19,445 YOU KNOW WHAT I MEAN? 1385 00:31:19,445 --> 00:31:20,512 WE GONNA GET A MARDI GRAS 1386 00:31:20,512 --> 00:31:21,280 THONG. 1387 00:31:21,280 --> 00:31:22,081 OOH, [bleep]. 1388 00:31:22,081 --> 00:31:23,282 YOU KNOW WHAT? 1389 00:31:23,282 --> 00:31:24,350 LET KIRK WORRY ABOUT WHAT 1390 00:31:24,350 --> 00:31:26,752 RASHEEDA'S UP TO FOR A CHANGE. 1391 00:31:26,752 --> 00:31:27,886 [bleep]. 1392 00:31:27,886 --> 00:31:28,921 KIRK BETTER BE WORRIED ABOUT 1393 00:31:28,921 --> 00:31:30,556 WHAT RASHEEDA FINNA DO. 1394 00:31:30,556 --> 00:31:31,357 LET'S GO GET SOMETHING TO EAT. 1395 00:31:31,357 --> 00:31:32,058 WE GO RIGHT NOW? 1396 00:31:32,058 --> 00:31:32,724 YES. 1397 00:31:32,724 --> 00:31:33,392 OKAY. COOL. 1398 00:31:33,392 --> 00:31:34,626 LET'S GO. LET'S DO IT. 1399 00:31:34,626 --> 00:31:35,327 OOH, CHILD. 1400 00:31:35,327 --> 00:31:36,128 THIS FOOL'S GONNA HAVE ME 1401 00:31:36,128 --> 00:31:37,196 GOING TO DAMN NEW ORLEANS. 1402 00:31:37,196 --> 00:31:38,664 I AM NOT FOOLING WITH YOU. 1403 00:31:38,664 --> 00:31:40,666 [laughs] 1404 00:31:46,438 --> 00:31:47,239 I'M GETTING READY TO MEET 1405 00:31:47,239 --> 00:31:48,474 SOMEONE HERE. 1406 00:31:48,474 --> 00:31:49,575 HOS IS RUNNING AMOK 1407 00:31:49,575 --> 00:31:50,509 IN THE PALACE. 1408 00:31:50,509 --> 00:31:51,643 GOT TO GET CONTROL. 1409 00:31:51,643 --> 00:31:52,611 AFTER I SAT DOWN AND HAD 1410 00:31:52,611 --> 00:31:54,846 A POWWOW WITH THE PINKETT 1411 00:31:54,846 --> 00:31:55,881 AND THE BAMBI, 1412 00:31:55,881 --> 00:31:57,316 THE BAMBI HITS ME UP AND SAYS 1413 00:31:57,316 --> 00:31:58,951 SHE WANTS TO TALK TO ME. 1414 00:31:58,951 --> 00:32:00,386 I'MA GIVE HER A CHANCE 1415 00:32:00,386 --> 00:32:01,587 AND HEAR WHAT SHE SAYS. 1416 00:32:01,587 --> 00:32:02,388 THIS TIME, 1417 00:32:02,388 --> 00:32:03,622 I'M NOT MEETING NOWHERE 1418 00:32:03,622 --> 00:32:04,890 WHERE I CAN END UP 1419 00:32:04,890 --> 00:32:06,158 WITH PIE ON MY FACE 1420 00:32:06,158 --> 00:32:07,626 OR ON MY CLOTHES. 1421 00:32:07,626 --> 00:32:08,594 I THINK YOUR FRIEND'S HERE, 1422 00:32:08,594 --> 00:32:10,362 MOMMA DEE. 1423 00:32:10,362 --> 00:32:12,231 AH, YOU LOOKING GOOD. 1424 00:32:12,231 --> 00:32:13,765 I'M GLAD YOU CALLED ME HERE, 1425 00:32:13,765 --> 00:32:15,001 BECAUSE WE NEED TO TALK. 1426 00:32:15,001 --> 00:32:16,068 I TOLD MOMMA DEE TO COME 1427 00:32:16,068 --> 00:32:17,069 MEET ME BECAUSE 1428 00:32:17,069 --> 00:32:18,304 WE NEED TO ESTABLISH WHERE 1429 00:32:18,304 --> 00:32:19,638 WE STAND WITH EACH OTHER. 1430 00:32:19,638 --> 00:32:21,773 ARE WE GONNA TRY TO SALVAGE 1431 00:32:21,773 --> 00:32:22,874 THE LITTLE BIT OF RELATIONSHIP 1432 00:32:22,874 --> 00:32:23,609 THAT WE HAVE? 1433 00:32:23,609 --> 00:32:24,576 I JUST NEED TO HOLLER AT HER 1434 00:32:24,576 --> 00:32:25,711 AND FIGURE OUT WHAT'S GOING 1435 00:32:25,711 --> 00:32:26,512 THROUGH HER HEAD. 1436 00:32:26,512 --> 00:32:27,679 I FEEL LIKE ME AND YOU WAS 1437 00:32:27,679 --> 00:32:28,880 GETTING SOMEWHERE. 1438 00:32:28,880 --> 00:32:30,649 AT LEAST, WE HAD ESTABLISHED 1439 00:32:30,649 --> 00:32:32,518 SOME, YOU KNOW, LEVEL OF RESPECT 1440 00:32:32,518 --> 00:32:33,319 FOR EACH OTHER. 1441 00:32:33,319 --> 00:32:34,920 I'M STILL DEALING WITH 1442 00:32:34,920 --> 00:32:36,555 THE MISCARRIAGE ISSUES, 1443 00:32:36,555 --> 00:32:37,990 AND YOU WERE THE MOM, SO I KNOW 1444 00:32:37,990 --> 00:32:39,558 YOU'RE DEALING AS WELL, 1445 00:32:39,558 --> 00:32:41,227 BUT AT THE END OF THE DAY, 1446 00:32:41,227 --> 00:32:42,061 IT GOT MESSY, 1447 00:32:42,061 --> 00:32:43,295 AND NEITHER OF YOU GUYS 1448 00:32:43,295 --> 00:32:44,096 LISTENED TO ME, 1449 00:32:44,096 --> 00:32:45,664 AND THAT'S NOT GONNA HAPPEN. 1450 00:32:45,664 --> 00:32:47,399 EVEN SCRAPPY BABY'S MAMA HAS 1451 00:32:47,399 --> 00:32:48,500 HAD TO LEARN: 1452 00:32:48,500 --> 00:32:50,769 WHEN YOU COME INTO THE PALACE, 1453 00:32:50,769 --> 00:32:52,204 THERE'S SOME RULES AND 1454 00:32:52,204 --> 00:32:52,904 REGULATIONS. 1455 00:32:52,904 --> 00:32:54,073 IT'S RULES TO THIS [bleep]. 1456 00:32:54,073 --> 00:32:56,375 I JUST FEEL SUPER BETRAYED 1457 00:32:56,375 --> 00:32:57,043 RIGHT NOW. 1458 00:32:57,043 --> 00:32:58,610 I WANT TO REALLY FIGURE OUT 1459 00:32:58,610 --> 00:33:00,079 WHERE WE ARE, BECAUSE-- 1460 00:33:00,079 --> 00:33:00,812 WHERE WE AT? 1461 00:33:00,812 --> 00:33:02,148 WE AT THE BEGINNING BECAUSE YOU 1462 00:33:02,148 --> 00:33:02,814 RUINED IT. 1463 00:33:02,814 --> 00:33:03,649 YOU RUINED IT. 1464 00:33:03,649 --> 00:33:05,117 YOU DID STRIKE THE FIRST BLOW. 1465 00:33:05,117 --> 00:33:06,452 SHE DIDN'T APPROACH ME 1466 00:33:06,452 --> 00:33:07,486 APPROPRIATELY. 1467 00:33:07,486 --> 00:33:09,055 SHE WAS SUPER OUT OF LINE. 1468 00:33:09,055 --> 00:33:10,289 LIKE, I'M NEVER GONNA GO UP TO 1469 00:33:10,289 --> 00:33:11,457 SOMEBODY AND BE LIKE, "OH, I'M 1470 00:33:11,457 --> 00:33:12,224 SORRY ABOUT WHAT HAPPENED." 1471 00:33:12,224 --> 00:33:13,659 I DON'T [bleep] KNOW YOU. 1472 00:33:13,659 --> 00:33:15,061 LIKE, WHO DOES THAT? 1473 00:33:15,061 --> 00:33:16,928 AND SO FOR ME TO COME, YOU KNOW, 1474 00:33:16,928 --> 00:33:19,265 AND SIT DOWN WITH HER WITH YOU, 1475 00:33:19,265 --> 00:33:20,699 LIKE, I WAS DOING THAT OUT OF 1476 00:33:20,699 --> 00:33:21,900 RESPECT FOR YOU. 1477 00:33:21,900 --> 00:33:23,302 BUT I'M SWEAR TO GOD, 1478 00:33:23,302 --> 00:33:24,203 IF YOU HAD LISTENED TO HER, 1479 00:33:24,203 --> 00:33:25,404 YOU WOULD, LIKE, "I STILL DON'T 1480 00:33:25,404 --> 00:33:27,039 LIKE YOU, BUT I DON'T-- 1481 00:33:27,039 --> 00:33:27,939 YEAH, POINT TAKEN." 1482 00:33:27,939 --> 00:33:28,874 LISTEN TO HER ABOUT-- 1483 00:33:28,874 --> 00:33:30,509 YOU WOULD HAVE--IF YOU HAD 1484 00:33:30,509 --> 00:33:32,010 JUST HAD A LISTEN, 1485 00:33:32,010 --> 00:33:33,479 BUT YOU SAID SOMETHING. 1486 00:33:33,479 --> 00:33:34,480 YOU STRUCK HER UP. 1487 00:33:34,480 --> 00:33:35,781 SHE LIFT UP TABLE... 1488 00:33:35,781 --> 00:33:36,815 I SAID SHE DOESN'T HAVE 1489 00:33:36,815 --> 00:33:37,549 A POSITION. 1490 00:33:37,549 --> 00:33:38,717 THEN WHEN I TRIED TO FOLLOW 1491 00:33:38,717 --> 00:33:39,851 YOU TO THE BATHROOM, 1492 00:33:39,851 --> 00:33:40,952 YOU WALKED OFF FROM ME, 1493 00:33:40,952 --> 00:33:42,321 AND I'M STILL TALKING TO YOU. 1494 00:33:42,321 --> 00:33:44,490 IF YOU EVER LISTEN TO HER-- 1495 00:33:44,490 --> 00:33:45,157 LISTEN TO ME-- 1496 00:33:45,157 --> 00:33:45,824 WHY DO I NEED TO LISTEN 1497 00:33:45,824 --> 00:33:46,492 TO HER, THOUGH? 1498 00:33:46,492 --> 00:33:47,293 BECAUSE, SHE WILL TELL YOU 1499 00:33:47,293 --> 00:33:48,360 SOME STUFF YOU NEED TO HEAR. 1500 00:33:48,360 --> 00:33:49,228 I DON'T NEED TO HEAR NOTHING 1501 00:33:49,228 --> 00:33:50,762 ABOUT THE GUY THAT I'M SLEEPING 1502 00:33:50,762 --> 00:33:52,698 WITH FROM SOMEBODY ELSE. 1503 00:33:52,698 --> 00:33:54,300 I WANTED BAMBI TO GET THE 1504 00:33:54,300 --> 00:33:55,701 OPPORTUNITY TO LISTEN TO 1505 00:33:55,701 --> 00:33:56,768 ERICA PINKETT 1506 00:33:56,768 --> 00:33:58,404 SO WE CAN CLEAR EVERYTHING UP, 1507 00:33:58,404 --> 00:33:59,538 BUT INSTEAD, 1508 00:33:59,538 --> 00:34:01,173 ALL HELL BROKE LOOSE. 1509 00:34:01,173 --> 00:34:02,708 SHE'S SCRAPPY'S FRIEND. 1510 00:34:02,708 --> 00:34:03,509 HE CAN HAVE AS MANY FRIENDS 1511 00:34:03,509 --> 00:34:04,176 AS HE WANTS. 1512 00:34:04,176 --> 00:34:04,876 OKAY, BUT YOU CAN'T BE 1513 00:34:04,876 --> 00:34:05,577 JEALOUS. 1514 00:34:05,577 --> 00:34:06,578 YOU CAN'T LET YOUR EMOTIONS 1515 00:34:06,578 --> 00:34:07,279 FLOW. 1516 00:34:07,279 --> 00:34:08,247 SHE DON'T NEED TO TALK TO ME, 1517 00:34:08,247 --> 00:34:08,947 THOUGH. 1518 00:34:08,947 --> 00:34:09,748 WE'RE NOT EVEN NOWHERE CLOSE 1519 00:34:09,748 --> 00:34:10,649 TO THAT. 1520 00:34:10,649 --> 00:34:13,085 THAT'S WHY YOU FALL SHORT. 1521 00:34:13,085 --> 00:34:15,587 WE ALL FALL SHORT. 1522 00:34:15,587 --> 00:34:17,323 THE BAMBI NEED TO CLEAR HER 1523 00:34:17,323 --> 00:34:19,491 NAME AND UNDERSTAND THAT THE 1524 00:34:19,491 --> 00:34:20,992 PRINCE, LITTLE SCRAPPY, 1525 00:34:20,992 --> 00:34:23,129 IS SCRAMBLING UP SOME OMELETS, 1526 00:34:23,129 --> 00:34:24,363 BUT INSTEAD, 1527 00:34:24,363 --> 00:34:25,864 I THINK BAMBI HAS TOO MANY 1528 00:34:25,864 --> 00:34:27,466 SKELETONS IN HER CLOSET. 1529 00:34:27,466 --> 00:34:28,634 I THINK IT'S TIME 1530 00:34:28,634 --> 00:34:29,668 FOR A BEHEADING. 1531 00:34:29,668 --> 00:34:32,838 OFF WITH THAT BITCH'S HEAD. 1532 00:34:32,838 --> 00:34:33,672 I DON'T KNOW HER. 1533 00:34:33,672 --> 00:34:34,706 I DON'T WANT TO GET TO KNOW HER. 1534 00:34:34,706 --> 00:34:35,841 HE CAN DO WHAT HE GOT TO DO 1535 00:34:35,841 --> 00:34:36,508 WITH HER. 1536 00:34:36,508 --> 00:34:37,376 AT THIS POINT, LIKE, 1537 00:34:37,376 --> 00:34:38,777 ME AND HIM AIN'T EVEN THERE. 1538 00:34:38,777 --> 00:34:39,811 LIKE, I DON'T NEED NO [bleep] 1539 00:34:39,811 --> 00:34:40,779 PUT ME IN NO POSITIONS LIKE 1540 00:34:40,779 --> 00:34:41,513 THIS. 1541 00:34:41,513 --> 00:34:42,781 I FEEL LIKE BOTH OF Y'ALL ARE 1542 00:34:42,781 --> 00:34:43,749 BRINGING UNNECESSARY DRAMA 1543 00:34:43,749 --> 00:34:44,416 INTO MY LIFE. 1544 00:34:44,416 --> 00:34:45,217 I DON'T DO THIS. 1545 00:34:45,217 --> 00:34:47,386 MOMMA DEE IS A PROBLEM STARTER. 1546 00:34:47,386 --> 00:34:49,555 SHE THRIVES OFF OF DRAMA. 1547 00:34:49,555 --> 00:34:50,822 SHE'S JUST ALL UP IN HER SON'S 1548 00:34:50,822 --> 00:34:51,490 BUSINESS. 1549 00:34:51,490 --> 00:34:53,024 I'M LIKE, "WHY ARE YOU SO 1550 00:34:53,024 --> 00:34:54,893 HELL-BENT ON CREATING PROBLEMS 1551 00:34:54,893 --> 00:34:55,994 IN HIS LIFE?" 1552 00:34:55,994 --> 00:34:57,062 I GUESS IT'S BECAUSE SHE DOESN'T 1553 00:34:57,062 --> 00:34:58,197 HAVE A LIFE OF HER OWN. 1554 00:34:58,197 --> 00:34:59,398 IT'S LIKE I--IF I WANT TO FIGHT 1555 00:34:59,398 --> 00:35:00,065 BITCHES, I'LL GO BACK 1556 00:35:00,065 --> 00:35:00,799 TO COMPTON. 1557 00:35:00,799 --> 00:35:03,369 SO SHALL IT BE WRITTEN. 1558 00:35:03,369 --> 00:35:05,137 I AM SO DONE WITH ALL THIS. 1559 00:35:05,137 --> 00:35:07,005 SCRAP WANTS TO BE A MAMA'S BOY. 1560 00:35:07,005 --> 00:35:08,840 SO HE CAN JUST GO HOME TO HIS 1561 00:35:08,840 --> 00:35:10,476 MAMA, AND THEY CAN WORK ON 1562 00:35:10,476 --> 00:35:12,611 THEIR RELATIONSHIP. 1563 00:35:12,611 --> 00:35:13,612 OOH. 1564 00:35:13,612 --> 00:35:15,947 CATTY BITCHES. 1565 00:35:15,947 --> 00:35:17,349 [growls] 1566 00:35:17,349 --> 00:35:18,817 IF I INVITE YOU INTO MY HOME, 1567 00:35:18,817 --> 00:35:19,985 FIRST OF ALL, I'M GENUINE. 1568 00:35:19,985 --> 00:35:21,119 MY HOMEGIRL THAT I HANG OUT 1569 00:35:21,119 --> 00:35:22,888 WITH, I NEVER WILL MAKE THEM 1570 00:35:22,888 --> 00:35:24,190 FEEL UNCOMFORTABLE IN MY HOME. 1571 00:35:24,190 --> 00:35:25,023 BUT HOW DID I MAKE YOU FEEL 1572 00:35:25,023 --> 00:35:25,691 UNCOMFORTABLE? 1573 00:35:25,691 --> 00:35:26,758 WHAT DID I SAY SO BAD TO YOU-- 1574 00:35:26,758 --> 00:35:28,760 I'MA TELL YOU WHAT YOU SAID. 1575 00:35:38,537 --> 00:35:39,738 THANK YOU. 1576 00:35:39,738 --> 00:35:41,307 LAST TIME I MET WITH JOSELINE, 1577 00:35:41,307 --> 00:35:42,441 SHE SAID A COUPLE THINGS THAT 1578 00:35:42,441 --> 00:35:43,675 RUBBED ME THE WRONG WAY. 1579 00:35:43,675 --> 00:35:45,544 SO I NEED TO MEET WITH HER, 1580 00:35:45,544 --> 00:35:46,345 'CAUSE I GOT A COUPLE THINGS 1581 00:35:46,345 --> 00:35:48,347 I WANT TO GET OFF MY CHEST. 1582 00:35:50,682 --> 00:35:51,650 HEY, TAMMY. 1583 00:35:51,650 --> 00:35:52,618 HEY, LOVE. HOW ARE YOU? 1584 00:35:52,618 --> 00:35:53,419 WHAT'S GOING ON? 1585 00:35:53,419 --> 00:35:54,253 I'M ALL RIGHT. 1586 00:35:54,253 --> 00:35:55,020 CAN'T COMPLAIN. 1587 00:35:55,020 --> 00:35:55,954 THIS BITCH TAMMY THINKS 1588 00:35:55,954 --> 00:35:57,289 I'M HERE TO CHITCHAT. 1589 00:35:57,289 --> 00:35:58,557 WHAT SHE DOESN'T KNOW 1590 00:35:58,557 --> 00:35:59,825 IS THAT I'M HERE TO CHECK HER 1591 00:35:59,825 --> 00:36:01,159 ON SPREADING MY BUSINESS 1592 00:36:01,159 --> 00:36:01,927 IN THE STREETS, 1593 00:36:01,927 --> 00:36:02,661 'CAUSE WHERE I'M FROM, 1594 00:36:02,661 --> 00:36:03,862 I DON'T OPERATE LIKE THAT. 1595 00:36:03,862 --> 00:36:05,096 THAT'LL GET YOU CUT. 1596 00:36:05,096 --> 00:36:06,598 HOW DID YOUR SHOOT TURN OUT? 1597 00:36:06,598 --> 00:36:07,866 WELL, BEFORE WE TALK ABOUT 1598 00:36:07,866 --> 00:36:11,036 THAT, I REALLY DON'T UNDERSTAND 1599 00:36:11,036 --> 00:36:12,037 WHAT'S GOING ON WITH US, 1600 00:36:12,037 --> 00:36:13,405 BECAUSE I OPENED UP THE DOORS 1601 00:36:13,405 --> 00:36:15,173 TO MY HOME TO LET YOU IN 1602 00:36:15,173 --> 00:36:16,475 WHERE WE COULD BE FRIENDS, 1603 00:36:16,475 --> 00:36:18,210 AND THEN I'M AROUND TOWN, 1604 00:36:18,210 --> 00:36:20,011 AND I HEAR THAT YOU WERE GOING 1605 00:36:20,011 --> 00:36:21,980 BACK TELLING MIMI ABOUT ME DOING 1606 00:36:21,980 --> 00:36:23,148 THIS MAGAZINE ISSUE. 1607 00:36:23,148 --> 00:36:24,049 FIRST OF ALL, THAT'S MY, 1608 00:36:24,049 --> 00:36:25,717 YOU KNOW, DUDE'S BABY MOTHER. 1609 00:36:25,717 --> 00:36:27,118 I DON'T SEE WHERE HER AND I 1610 00:36:27,118 --> 00:36:27,819 GO TOGETHER. 1611 00:36:27,819 --> 00:36:28,587 OKAY, WELL, I WAS TALKING 1612 00:36:28,587 --> 00:36:30,021 TO MY FRIEND RASHEEDA 1613 00:36:30,021 --> 00:36:31,390 ABOUT EVERYTHING THAT WENT ON, 1614 00:36:31,390 --> 00:36:33,359 AND HER FRIEND MIMI WAS THERE, 1615 00:36:33,359 --> 00:36:34,125 BUT SHE WAS THERE WHEN WE WAS 1616 00:36:34,125 --> 00:36:34,893 HAVING A CONVERSATION 1617 00:36:34,893 --> 00:36:36,127 ABOUT HOW I FELT ABOUT 1618 00:36:36,127 --> 00:36:37,929 YOU INVITING ME TO YOUR HOME, 1619 00:36:37,929 --> 00:36:38,730 AND I FEEL LIKE YOU WAS KIND OF 1620 00:36:38,730 --> 00:36:39,698 TAKING SHOTS AT ME-- 1621 00:36:39,698 --> 00:36:40,366 TAKING SHOTS? 1622 00:36:40,366 --> 00:36:41,166 WHY WOULD I TAKE SHOTS AT YOU? 1623 00:36:41,166 --> 00:36:42,033 AND THAT'S WHAT I'M TRYING-- 1624 00:36:42,033 --> 00:36:42,701 I JUST MET YOU. 1625 00:36:42,701 --> 00:36:43,602 AND THAT'S WHAT I'M TRYING TO 1626 00:36:43,602 --> 00:36:44,270 FIGURE OUT. 1627 00:36:44,270 --> 00:36:45,136 AND SEE, THAT'S WHY I DON'T 1628 00:36:45,136 --> 00:36:46,004 HANG WITH BITCHES, 'CAUSE THEY 1629 00:36:46,004 --> 00:36:46,772 CAN'T TAKE MY PERSONALITY. 1630 00:36:46,772 --> 00:36:47,439 WHAT DID I SAY? 1631 00:36:47,439 --> 00:36:48,274 YOU SAID SOMETHING A LITTLE 1632 00:36:48,274 --> 00:36:49,107 SLICK ON THE LINES OF, MAYBE-- 1633 00:36:49,107 --> 00:36:49,775 NO, I DID NOT. 1634 00:36:49,775 --> 00:36:50,442 WHAT DID I SAY? 1635 00:36:50,442 --> 00:36:51,109 TELL ME WHAT I SAID. 1636 00:36:51,109 --> 00:36:51,810 WELL, MAYBE YOU DON'T 1637 00:36:51,810 --> 00:36:52,511 REMEMBER WHAT YOU SAID-- 1638 00:36:52,511 --> 00:36:53,312 NO, I REMEMBER EVERYTHING 1639 00:36:53,312 --> 00:36:53,979 I SAY... 1640 00:36:53,979 --> 00:36:54,780 OH, OKAY, WELL, YOU SAID-- 1641 00:36:54,780 --> 00:36:55,447 ALL THE TIME. 1642 00:36:55,447 --> 00:36:56,882 ALL I REMEMBER ME WAS BEING 1643 00:36:56,882 --> 00:36:57,816 NOTHING BUT NICE TO YOU. 1644 00:36:57,816 --> 00:36:58,850 NICE? 1645 00:36:58,850 --> 00:36:59,751 AFTER ALL THE SHADE SHE WAS 1646 00:36:59,751 --> 00:37:00,486 THROWING? 1647 00:37:00,486 --> 00:37:02,087 I ASKED JOSELINE HERE WITH GOOD 1648 00:37:02,087 --> 00:37:02,788 INTENTIONS. 1649 00:37:02,788 --> 00:37:04,055 NOW YOU COMING OUT YOUR MOUTH 1650 00:37:04,055 --> 00:37:04,956 SIDEWAYS. 1651 00:37:04,956 --> 00:37:06,392 JOSELINE DON'T KNOW ME, 1652 00:37:06,392 --> 00:37:07,459 AND I DON'T KNOW HER, 1653 00:37:07,459 --> 00:37:08,760 BUT SHE 'BOUT TO GET TO KNOW ME. 1654 00:37:08,760 --> 00:37:10,262 IF I INVITE YOU INTO MY HOME, 1655 00:37:10,262 --> 00:37:11,330 FIRST OF ALL, I'M GENUINE. 1656 00:37:11,330 --> 00:37:12,664 MY HOMEGIRL THAT I HANG OUT 1657 00:37:12,664 --> 00:37:14,232 WITH, I NEVER WILL MAKE THEM 1658 00:37:14,232 --> 00:37:15,667 FEEL UNCOMFORTABLE IN MY HOME. 1659 00:37:15,667 --> 00:37:16,435 BUT HOW DID I MAKE YOU FEEL 1660 00:37:16,435 --> 00:37:17,102 UNCOMFORTABLE? 1661 00:37:17,102 --> 00:37:18,136 WHAT DID I SAY SO BAD TO YOU? 1662 00:37:18,136 --> 00:37:19,371 I'MA TELL YOU WHAT YOU SAID. 1663 00:37:19,371 --> 00:37:21,340 "THIS IS HOW I GOT MARRIED IN 1664 00:37:21,340 --> 00:37:22,341 TWO YEARS AND TWO WEEKS. 1665 00:37:22,341 --> 00:37:23,475 MAYBE I COULD TEACH YOU SOME 1666 00:37:23,475 --> 00:37:24,376 THINGS SO YOU COULD HAVE A RING 1667 00:37:24,376 --> 00:37:25,210 ON YOUR FINGER INSTEAD OF THAT 1668 00:37:25,210 --> 00:37:25,877 TATTOO." 1669 00:37:25,877 --> 00:37:26,645 BUT YOU ALREADY ENGAGED, 1670 00:37:26,645 --> 00:37:27,313 THOUGH. 1671 00:37:27,313 --> 00:37:28,179 THAT'S WHAT YOU TOLD ME. 1672 00:37:28,179 --> 00:37:28,847 YEAH, I AM ENGAGED. 1673 00:37:28,847 --> 00:37:29,681 OKAY, SO MY WHOLE THING IS-- 1674 00:37:29,681 --> 00:37:31,082 BUT THAT WAS UN--WHAT I'M 1675 00:37:31,082 --> 00:37:31,950 SAYING IS I DON'T KNOW YOU, 1676 00:37:31,950 --> 00:37:33,018 BABY; YOU DON'T KNOW ME-- 1677 00:37:33,018 --> 00:37:33,785 SO IF YOU FELT SOME TYPE OF 1678 00:37:33,785 --> 00:37:34,853 WAY THEN, WHY DIDN'T YOU TELL 1679 00:37:34,853 --> 00:37:36,322 ME, "YOU KNOW WHAT, JOSELINE?" 1680 00:37:36,322 --> 00:37:37,356 I HAD TO GET HOME AND 1681 00:37:37,356 --> 00:37:38,924 MARINATE ON IT, SWEETIE. 1682 00:37:38,924 --> 00:37:39,658 IT NEVER CLICKED UNTIL I GOT 1683 00:37:39,658 --> 00:37:40,326 HOME. 1684 00:37:40,326 --> 00:37:41,092 WELL, MY BRAIN WORKS LIKE 1685 00:37:41,092 --> 00:37:42,227 THIS, AND IF SOMEBODY TELL ME-- 1686 00:37:42,227 --> 00:37:43,228 WE'RE TWO DIFFERENT PEOPLE. 1687 00:37:43,228 --> 00:37:44,062 AND SOMEBODY CAN SEE YOU'RE 1688 00:37:44,062 --> 00:37:44,863 A DIFFERENT PERSON, AND NOW, 1689 00:37:44,863 --> 00:37:45,564 SEE, YOU GOT TO GO HOME AND 1690 00:37:45,564 --> 00:37:46,432 THINK ON [bleep] AND THEN TALK 1691 00:37:46,432 --> 00:37:47,165 TO YOUR FRIENDS AND THEN 1692 00:37:47,165 --> 00:37:48,066 COME BACK AND GET AT ME. 1693 00:37:48,066 --> 00:37:49,067 FIRST OF ALL, I GIVE PEOPLE 1694 00:37:49,067 --> 00:37:49,968 THE BENEFIT OF THE DOUBT, 1695 00:37:49,968 --> 00:37:52,003 MEANING IF I FEEL SOME TYPE OF 1696 00:37:52,003 --> 00:37:53,805 WAY, MAYBE I WAS WRONG. 1697 00:37:53,805 --> 00:37:54,873 SO LET ME HOLLER AT MY FRIEND 1698 00:37:54,873 --> 00:37:56,274 AND SEE IF I WAS TAKING [bleep] 1699 00:37:56,274 --> 00:37:57,108 OUT OF PROPORTION. 1700 00:37:57,108 --> 00:37:58,310 EXACTLY WHAT I WAS--EXACTLY 1701 00:37:58,310 --> 00:37:58,977 WHAT I JUST SAID. 1702 00:37:58,977 --> 00:37:59,845 YOU GOT TO GO TALK TO YOUR 1703 00:37:59,845 --> 00:38:00,579 LITTLE GIRLFRIENDS-- 1704 00:38:00,579 --> 00:38:01,246 NO, NO, NO. 1705 00:38:01,246 --> 00:38:02,180 I DON'T HAVE LITTLE GIRLFRIENDS. 1706 00:38:02,180 --> 00:38:02,848 WE'RE ALL GROWN WOMEN. 1707 00:38:02,848 --> 00:38:03,749 YOU UNDERSTAND WHAT I'M SAYING? 1708 00:38:03,749 --> 00:38:04,483 I DON'T NEED NO FRIENDS. 1709 00:38:04,483 --> 00:38:05,150 I'M COOL. 1710 00:38:05,150 --> 00:38:06,318 AND I DON'T EITHER. 1711 00:38:06,318 --> 00:38:07,018 NO, TRUST ME, I DON'T. 1712 00:38:07,018 --> 00:38:08,320 AND I SEE YOU DON'T, AND I 1713 00:38:08,320 --> 00:38:09,087 SEE HOW YOU LIKE TO STRADDLE 1714 00:38:09,087 --> 00:38:09,755 THE FENCES. 1715 00:38:09,755 --> 00:38:10,622 BUT I DON'T STRADDLE FENCES. 1716 00:38:10,622 --> 00:38:11,523 OH, YOU STRADDLE FENCES... 1717 00:38:11,523 --> 00:38:12,391 NO, I DON'T. 1718 00:38:12,391 --> 00:38:13,191 'CAUSE YOU CAME TO MY HOUSE, 1719 00:38:13,191 --> 00:38:13,992 YOU FELT SOME TYPE OF WAY, 1720 00:38:13,992 --> 00:38:14,660 BUT YOU DIDN'T TELL ME 1721 00:38:14,660 --> 00:38:15,327 NOTHING ABOUT IT. 1722 00:38:15,327 --> 00:38:15,994 I HAVEN'T TALKED 1723 00:38:15,994 --> 00:38:16,662 TO YOU SINCE. 1724 00:38:16,662 --> 00:38:17,429 YOU WENT BEHIND MY BACK-- 1725 00:38:17,429 --> 00:38:18,163 I HAVEN'T TALKED TO YOU 1726 00:38:18,163 --> 00:38:18,830 SINCE. 1727 00:38:18,830 --> 00:38:19,965 MY WHOLE THING IS, I REALLY 1728 00:38:19,965 --> 00:38:20,832 DON'T GIVE A [bleep] AT THE END 1729 00:38:20,832 --> 00:38:21,733 OF THE DAY, 'CAUSE I DON'T NEED 1730 00:38:21,733 --> 00:38:22,568 TO BE FRIENDS WITH NOBODY. 1731 00:38:22,568 --> 00:38:23,469 AND THAT'S EXACTLY--AND 1732 00:38:23,469 --> 00:38:24,403 THAT'S WHY I WASN'T PRESSED TO 1733 00:38:24,403 --> 00:38:25,337 TELL YOU, 'CAUSE I COULD GIVE 1734 00:38:25,337 --> 00:38:26,438 A [bleep] EITHER. 1735 00:38:26,438 --> 00:38:27,639 SO IT WAS NO POINT-- 1736 00:38:27,639 --> 00:38:28,507 GREAT TO HAVE A CONVERSATION 1737 00:38:28,507 --> 00:38:30,108 WITH YOU, AND LEARN HOW TO STOP 1738 00:38:30,108 --> 00:38:31,142 STRADDLING THE FENCE. 1739 00:38:31,142 --> 00:38:31,810 IT'S NOT GOOD FOR YOU. 1740 00:38:31,810 --> 00:38:33,044 IT'S NOT GOOD IN THE STREETS, 1741 00:38:33,044 --> 00:38:33,712 HONEY. 1742 00:38:33,712 --> 00:38:35,180 FOR PROSTITUTES MAYBE. 1743 00:38:35,180 --> 00:38:35,981 GET WITH THE WINNING TEAM, 1744 00:38:35,981 --> 00:38:36,648 HO. 1745 00:38:36,648 --> 00:38:37,849 GET WITH THE WINNING TEAM, HO, 1746 00:38:37,849 --> 00:38:38,517 YOU BROKE HO. 1747 00:38:38,517 --> 00:38:39,250 YOU WENT FROM A STRIPPER 1748 00:38:39,250 --> 00:38:39,985 TO A PROSTITUTE TO A HO. 1749 00:38:39,985 --> 00:38:40,752 BYE, BROKE HO. 1750 00:38:40,752 --> 00:38:41,420 BROKE BITCH, I CAN-- 1751 00:38:41,420 --> 00:38:42,087 CHILD, PLEASE. 1752 00:38:42,087 --> 00:38:42,821 THE [bleep] YOU TALKING 1753 00:38:42,821 --> 00:38:43,522 ABOUT? 1754 00:38:43,522 --> 00:38:44,823 TAMMY PULLED UP; SHE BEEN HAD 1755 00:38:44,823 --> 00:38:45,757 HER OWN [bleep]. 1756 00:38:45,757 --> 00:38:46,892 LAST YEAR, YOU WAS A PROSTITUTE 1757 00:38:46,892 --> 00:38:48,159 AND A STRIPPER. 1758 00:38:48,159 --> 00:38:50,195 HUMBLE YOURSELF, BABY. 1759 00:38:50,195 --> 00:38:51,096 BE REAL WITH YOURSELF. 1760 00:38:51,096 --> 00:38:52,364 BE REAL WITH OTHERS. 1761 00:38:52,364 --> 00:38:53,565 YOU'RE NOT THAT BITCH. 1762 00:38:53,565 --> 00:38:54,633 YOU AIN'T WALKING LIKE THAT. 1763 00:38:54,633 --> 00:38:55,534 YOU AIN'T TALKING LIKE THAT. 1764 00:38:55,534 --> 00:38:56,968 AND YOU AIN'T LIVING LIKE THAT. 1765 00:38:56,968 --> 00:38:58,804 YOU CAME OFF THE STAGE, 1766 00:38:58,804 --> 00:39:00,038 OFF THE [bleep] POLE, 1767 00:39:00,038 --> 00:39:01,673 YOU [bleep] STRIPPER! 1768 00:39:01,673 --> 00:39:03,041 EVERYTHING YOU HAVE IS RENTED, 1769 00:39:03,041 --> 00:39:03,742 BITCH! 1770 00:39:03,742 --> 00:39:04,876 MY [bleep] OWN EVERYTHING 1771 00:39:04,876 --> 00:39:06,412 HE GOT, HO! 1772 00:39:06,412 --> 00:39:08,380 WITH THAT WEAK-ASS [bleep] 1773 00:39:08,380 --> 00:39:09,881 YOU DRIVE. 1774 00:39:09,881 --> 00:39:10,782 LOOK AT THAT [bleep] CHEAP-ASS 1775 00:39:10,782 --> 00:39:12,784 CAR. 1776 00:39:15,754 --> 00:39:16,588 NEXT TIME ON 1777 00:39:16,588 --> 00:39:18,156 LOVE & HIP HOP: ATLANTA... 1778 00:39:18,156 --> 00:39:21,427 [all cheering] 1779 00:39:21,427 --> 00:39:22,160 YOU KNOW WHAT? 1780 00:39:22,160 --> 00:39:23,495 SHE'S THE ONE. 1781 00:39:23,495 --> 00:39:24,630 I'M THINKING ABOUT GIVING HER 1782 00:39:24,630 --> 00:39:25,731 A RING IN A COUPLE OF WEEKS. 1783 00:39:25,731 --> 00:39:26,632 YOU DON'T THINK YOU'RE MOVING 1784 00:39:26,632 --> 00:39:27,298 FAST? 1785 00:39:27,298 --> 00:39:28,634 I'M NOT MOVING FAST ENOUGH. 1786 00:39:28,634 --> 00:39:29,835 NOT EVEN FEELING THIS PARTY, 1787 00:39:29,835 --> 00:39:30,502 AND YOU KNOW WHY. 1788 00:39:30,502 --> 00:39:31,336 WHY? 1789 00:39:31,336 --> 00:39:32,137 I JUST WANT TO HAVE A GOOD TIME 1790 00:39:32,137 --> 00:39:32,838 TONIGHT. 1791 00:39:32,838 --> 00:39:34,339 NIKKO FREAK-O. 1792 00:39:34,339 --> 00:39:35,006 YOU KNOW, I KNOW THAT YOU 1793 00:39:35,006 --> 00:39:35,907 AND HIM USED TO MESS AROUND. 1794 00:39:35,907 --> 00:39:36,708 I'M NOT WITH IT. 1795 00:39:36,708 --> 00:39:37,375 HE MEANS NOTHING. 1796 00:39:37,375 --> 00:39:38,076 HE DOESN'T GIVE A [bleep] 1797 00:39:38,076 --> 00:39:38,744 ABOUT ME. 1798 00:39:38,744 --> 00:39:39,578 BUT I DON'T WANT TO BE AROUND 1799 00:39:39,578 --> 00:39:40,245 HIM, THOUGH. 1800 00:39:40,245 --> 00:39:41,079 WE'RE NOT GOING TO THAT PARTY. 1801 00:39:41,079 --> 00:39:42,614 SO I GOT TO WASTE A OUTFIT? 1802 00:39:42,614 --> 00:39:44,215 ALTHEA, SHE'S A SINGER OR 1803 00:39:44,215 --> 00:39:44,983 SOMETHING LIKE THAT. 1804 00:39:44,983 --> 00:39:45,851 YEAH, YEAH, I KNOW ALTHEA. 1805 00:39:45,851 --> 00:39:46,985 THAT'S MY LEFTOVERS. 1806 00:39:46,985 --> 00:39:48,420 SHE DONE WENT FROM ME 1807 00:39:48,420 --> 00:39:49,387 TO STEVIE-- 1808 00:39:49,387 --> 00:39:50,956 WHOA, WHOA, WHOA, WHOA! 1809 00:39:50,956 --> 00:39:52,023 SHE LOVIN' THE CREW? 1810 00:39:52,023 --> 00:39:53,091 SHE MAKIN' HER ROUNDS. 1811 00:39:53,091 --> 00:39:54,059 [hip-hop music] 1812 00:39:54,059 --> 00:39:57,663 ♪ 1813 00:39:57,663 --> 00:39:59,030 DID YOU TELL SOMEBODY THAT 1814 00:39:59,030 --> 00:39:59,798 YOU WAS MISSING A [bleep] OR 1815 00:39:59,798 --> 00:40:00,532 SOMETHING LIKE THAT? 1816 00:40:00,532 --> 00:40:01,199 I DON'T GOT TO MISS 1817 00:40:01,199 --> 00:40:01,900 THE [bleep]. 1818 00:40:01,900 --> 00:40:02,868 THE [bleep] MISSES ME. 1819 00:40:02,868 --> 00:40:04,302 IT'S A WRAP. IT'S OVER. 1820 00:40:04,302 --> 00:40:05,070 LET THAT BITCH KNOW 1821 00:40:05,070 --> 00:40:06,137 THAT I'M CRAZY. 1822 00:40:06,137 --> 00:40:07,405 I'M NOT SCARED! 1823 00:40:07,405 --> 00:40:09,608 OH! 1824 00:40:09,608 --> 00:40:10,542 SECURITY! 1825 00:40:10,542 --> 00:40:11,777 ESCORT THAT BITCH 1826 00:40:11,777 --> 00:40:12,944 OUT OF MY CLUB! 1827 00:40:12,944 --> 00:40:14,012 WHO YOU CALLING A BITCH, 1828 00:40:14,012 --> 00:40:14,680 BENZINO? 1829 00:40:14,680 --> 00:40:16,414 SHUT UP, BITCH! 1830 00:40:16,414 --> 00:40:17,483 YOU A GOOD SPOON. 1831 00:40:17,483 --> 00:40:18,584 YOU A GOOD GIRL, 1832 00:40:18,584 --> 00:40:21,687 BUT YOU JUST COMPLAIN TOO MUCH. 1833 00:40:21,687 --> 00:40:22,788 I'M DONE WITH ALL THIS 1834 00:40:22,788 --> 00:40:23,455 [bleep]. 1835 00:40:23,455 --> 00:40:24,790 GO AND DON'T MOTHER[bleep] 1836 00:40:24,790 --> 00:40:26,625 COME BACK, PERIOD. 1837 00:40:26,625 --> 00:40:27,759 I'VE BEEN SEEING A LOT OF 1838 00:40:27,759 --> 00:40:29,461 THINGS IN YOUR PHONE LATELY. 1839 00:40:29,461 --> 00:40:32,297 TITTIES, ASSES, [bleep]. 1840 00:40:32,297 --> 00:40:34,866 SO HOW COULD I BE TALKING ABOUT 1841 00:40:34,866 --> 00:40:36,735 ANOTHER WEDDING WHEN THE WEDDING 1842 00:40:36,735 --> 00:40:38,169 THAT I HAVE NOW, I REALLY DON'T 1843 00:40:38,169 --> 00:40:38,970 EVEN WANT IT. 1844 00:40:38,970 --> 00:40:40,005 LIKE, STRAIGHT UP. 1845 00:40:40,005 --> 00:40:40,806 I THINK I'MA LOOK FOR MY OWN 1846 00:40:40,806 --> 00:40:41,507 SPOT. 1847 00:40:41,507 --> 00:40:42,608 OH, WHATEVER. 1848 00:40:42,608 --> 00:40:43,709 CRYBABY. 1849 00:40:43,709 --> 00:40:45,110 SUCK YOUR MAMA TITTY. 1850 00:40:45,110 --> 00:40:47,112 CRYBABY, CRYBABY. 1851 00:41:02,427 --> 00:41:03,394 Y'ALL MADE ME FEEL LIKE 1852 00:41:03,394 --> 00:41:05,396 SCRAPPY GOT A GLASS [bleep] 1853 00:41:05,396 --> 00:41:06,598 WITH A DIAMOND ON THE END. 1854 00:41:06,598 --> 00:41:08,567 AND I AIN'T DENYING YOU, 1855 00:41:08,567 --> 00:41:09,735 SO CLEARLY... 1856 00:41:09,735 --> 00:41:11,603 LIKE, WHAT Y'ALL BITCHES DID 1857 00:41:11,603 --> 00:41:12,270 TO ME. 1858 00:41:12,270 --> 00:41:13,805 I'M [bleep] PAINTED WITH FOOD. 1859 00:41:13,805 --> 00:41:14,640 I DON'T UNDERSTAND, LIKE-- 1860 00:41:14,640 --> 00:41:16,341 LIKE, I TASTE THE FOOD, AND 1861 00:41:16,341 --> 00:41:17,408 IF THE FOOD'S GOOD, 1862 00:41:17,408 --> 00:41:18,143 I GIVE IT UP TO THEM, 1863 00:41:18,143 --> 00:41:20,045 BUT DO I HAVE TO WEAR THE FOOD? 1864 00:41:20,045 --> 00:41:20,712 OH, GOD. 1865 00:41:20,712 --> 00:41:21,379 NO, BUT YOU STILL LOOK 1866 00:41:21,379 --> 00:41:22,247 BEAUTIFUL, MOMMA. 1867 00:41:22,247 --> 00:41:22,914 THANK YOU. 1868 00:41:22,914 --> 00:41:23,582 A PLAYER LIKE ME 1869 00:41:23,582 --> 00:41:24,415 RETIRE THE GAME, 1870 00:41:24,415 --> 00:41:25,383 WE GOT A MOTHER[bleep] GODDAMN 1871 00:41:25,383 --> 00:41:26,718 STATUE OF LIBERTY. 1872 00:41:26,718 --> 00:41:27,786 GOT A STATUE OF LIBERTY 1873 00:41:27,786 --> 00:41:28,453 IN THIS MOTHER[bleep]. 1874 00:41:28,453 --> 00:41:29,287 THAT'S WHY THEY MAD, MOMMA. 1875 00:41:29,287 --> 00:41:31,289 THAT'S WHY THEY MAD. 115754

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