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PREVIOUSLY ON LOVE & HIP-HOP:
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ATLANTA...
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I'M HOPING THAT MAYBE, WHEN
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YOUR BODY HEAL, MAYBE Y'ALL CAN
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TRY AGAIN AND MAYBE GET MARRIED.
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DOES BAMBI KNOW YOU'RE OVER
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HERE?
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HELL NO.
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MAYBE I'LL LOOK FOR A NANNY.
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YEAH, WE NEED SOMEBODY--
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FOR SOMEBODY TO--
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SOMEBODY YOUNGER.
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I GOT A JOB FOR YOU.
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MY WIFE AND I ARE LOOKING FOR A
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NANNY.
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THERE'S YOUR MOM.
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SAY, "HI, MOMMY."
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YOU WANT TO ACT LIKE YOU
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BRINGIN' SOMEBODY IN HERE TO
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HELP--LOOK LIKE SOMEBODY YOU
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WANT TO [bleep].
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WHEN'D Y'ALL GET MARRIED?
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WHAT? JULY? THE END OF JULY?
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WHAT? YOU HAVE NO DATE?
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JULY 29TH, YEAH.
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WE GOT MARRIED JULY 29TH.
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JUNE.
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NO, NO, NO. IT'S JULY.
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YOU FAKE MARRIED.
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YOU FLIPPING.
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YOU FAKE MARRIED.
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YOU FLIPPING YOURSELF.
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"WE MARRIED."
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REALLY?
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WITH NO MARRIAGE CERTIFICATE?
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THIS WILL COME CRASHING DOWN.
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OH, YES.
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WE SHOULD LIVE TOGETHER.
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YOU TRYIN' TO SETTLE DOWN?
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KARLIE IS SETTLING DOWN.
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HOW DID YOU FIND THIS HOUSE?
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MY REALTOR, KHADIYAH.
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ISN'T THAT THE SAME GIRL
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THAT DROVE US ON A TRIP
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TOGETHER?
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DO YOU HAVE ANY QUESTIONS OR
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CONCERNS ABOUT THE--
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YES, I HAVE A QUESTION.
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ARE YOU [bleep] MY MAN?
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I ABSOLUTELY AM EVERY NIGHT.
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BITCH!
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I WILL [bleep]--
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* YEAH
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* 'SUP ♪
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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♪ THERE AIN'T NOTHING LIKE ♪
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♪ HIP-HOP MUSIC
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♪ MUSIC
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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YOU [bleep] MY MAN?
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HAVE WE HAD SEXUAL RELATIONS
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BEFORE, IS THAT WHAT YOU'RE
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ASKING?
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I'M JUST ASKING YOU, ARE YOU
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[bleep] MY MAN OR NOT?
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I ABSOLUTELY AM EVERY NIGHT.
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BITCH.
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I WILL [bleep]--
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[struggling]
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YO!
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YOU DAMN BITCH!
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I'M DOING WHAT A MAN DO.
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I'M WALKING THROUGH THE HOUSE.
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I'M LOOKIN' AT THE SOUND SYSTEM.
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I RUN DOWNSTAIRS.
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GOD DAMN, ALL HELL DONE BROKE
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LOOSE.
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WHAT THE [bleep] JUST HAPPENED?
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SHE JUST TOLD ME SHE WAS
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[bleep] YOU, SO YOU NEED TO
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CHECK YOUR HOS.
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YOU KNOW WHAT?
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ARE YOU [bleep] HER?
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I TOLD MYSELF--
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ARE YOU [bleep] HER?
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I MADE A PROMISE TO GOD THAT
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I WASN'T GONNA TELL NO LIES
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ABOUT [bleep].
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I NEED TO KNOW IF YOU [bleep]
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THE BITCH OR NOT.
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YES, I'M [bleep] HER, KARLIE.
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I MEAN, I CAN'T EVEN BELIEVE IT.
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I-I--DID I JUST SAY THAT?
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KARLIE MADE ME SO MAD.
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IT JUST CAME OUT.
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THERE AIN'T NO TAKIN' THAT
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[bleep] BACK NOW.
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KHADIYAH, I APOLOGIZE FOR THAT.
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CAN YOU JUST--CAN WE GO?
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YEAH, BITCH.
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BACK YOUR BITCH UP.
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CHILL OUT, MAN.
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MOTHER[bleep] JOC.
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I KNEW SOMETHING WAS GOIN' ON
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BETWEEN HIM AND THIS CHICK,
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AND EVERYBODY THINKS I'M CRAZY.
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MOTHER[bleep], CHECK THIS OUT.
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NO, YOU CHECK IT OUT.
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YOU [bleep] THIS BITCH,
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YOU GO BE WITH HER.
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NO, NO, NO, NO, NO, NO.
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NO, NO, NO, NO, NO.
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I GOT [bleep] TO TALK TO YOU
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ABOUT, SO WHILE Y'ALL TOGETHER,
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Y'ALL GO AHEAD.
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KARLIE.
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TOODLES.
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I CAN'T DEAL WITH THIS
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[bleep].
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AH, TOODLES TO YOU, BOO.
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I CAN'T DO THIS [bleep], YO.
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I HOPE MY [bleep] GOOD
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TONIGHT.
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YOU KNOW WHAT?
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HE CAN HAVE THAT OVERWEIGHT,
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SPEAKING WITH A FAKE ACCENT
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TELETUBBY IF THAT'S WHAT HE
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WANTS 'CAUSE KARLIE REDD IS
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DONE.
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ALL I NEED IS A RIDE HOME.
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NOW GET YOUR ASS IN THE
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GODDAMN CAR, AND LET'S GO, MAN.
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I'M GONNA BEAT THAT BITCH ASS
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ALL DAY, EVERY DAY.
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MAN, SHUT UP;
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CLOSE THE GODDAMN DOOR.
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THIS MAY BE THE DUMBEST [bleep]
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I EVER DID.
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I REALLY DON'T KNOW HOW I
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THOUGHT I WAS GONNA PUT THESE
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TWO TOGETHER AND NOT GET THIS
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TYPE OF OUTCOME.
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MAN, WHAT CAN I SAY?
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IT COULD HAVE BEEN A PLAYER
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MOVE, BUT [bleep] WENT HORRIBLY
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WRONG.
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YOU A HO AND SHE A HO.
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BOTH OF Y'ALL ARE HOS.
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GET OUT THE CAR THEN.
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I DON'T GIVE A [bleep].
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GET OUT THE CAR THEN.
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I AIN'T GOING NOWHERE.
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GET OUT THE MOTHER[bleep]
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CAR.
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I AIN'T GOING NOWHERE.
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GET OUT THE CAR.
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ARE YOU GONNA [bleep] DRIVE?
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GET OUT THE CAR, KARLIE.
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I GET TO THE DOOR, AND I'M LIKE,
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"YO, WHAT YOU DOING?"
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[mimicking tires squealing]
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THIS IS THE DUMBEST [bleep] I
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EVER SEEN IN MY [bleep] LIFE,
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MAN.
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OF ALL THE RIDICULOUS STUNTS
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THAT SHE COULD HAVE PULLED,
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BY FAR, THIS TOPPED 'EM ALL.
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YO.
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CRAZY REDD AND FULL OF FAKE.
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LET HER GO ON ABOUT HER
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BUSINESS.
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I'MA RIDE WITH YOU, MAN.
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[laughing]
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I'M GLAD YOU'RE FEELING
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BETTER.
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ME TOO.
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YOUR MOMMA CAME TO SEE ME.
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SHE WAS BEING HELLA NICE TOO,
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SAYIN' THAT SHE WAS, LIKE,
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YOU KNOW, ON MY NECK, AND THEN
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SHE SAID SOME [bleep] THAT
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REALLY ALMOST MADE ME PASS OUT.
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LIKE WHAT?
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SHE WAS LIKE, "YOU KNOW,
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MAYBE Y'ALL COULD TRY AGAIN.
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YOU KNOW, MAYBE Y'ALL CAN GET
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MARRIED."
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YEAH, SHE CONFUSING.
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SHE CONFUSING.
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BOTH OF Y'ALL CONFUSING.
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YEAH, I GET IT FROM MY MOMMA.
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YOU KNOW YOU LOVE ME.
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OKAY, I LOVE THE BAM.
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I KNOW.
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I'M JUST NOT IN LOVE WITH THE
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BAM.
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I'LL LET THAT GO AHEAD AND
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RIDE FOR A LITTLE BIT.
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YOU NOT IN LOVE WITH THE BAM,
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BUT, I MEAN, I THINK--
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YOU KNOW, LIKE, HOW YOU
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LOOK AT ME.
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HOW YOU DO ALL THAT.
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BOO, LIKE, IT'S OKAY.
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YOU GOT A PROBLEM WITH
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UNDERSTANDING YOUR FEELINGS, BUT
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WE CAN WORK ON THAT.
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I MEAN, MAYBE WHEN EVERYTHING
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DO CALM DOWN AND YOUR BODY GOOD,
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YOU CAN HAVE ANOTHER ONE 'CAUSE
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I NEED A LITTLE BOY.
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I NEED A LITTLE SHIMMER
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ON THAT FINGER.
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I KNOW SCRAP WAS SUPER EXCITED
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ABOUT HAVING A BABY WITH ME, BUT
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IF HE THINKS THAT WE'RE GONNA
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TRY TO GET PREGNANT AGAIN,
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HE'S CRAZY.
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IT'S NOT GONNA HAPPEN AGAIN.
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TO BE HONEST, I FEEL LIKE IT
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MIGHT HAVE HAPPENED FOR A
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REASON.
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LIKE, I'M NOT REALLY DESIGNED TO
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BE, LIKE, A BABY MAMA, FOR REAL.
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I MEAN, YOU HAVE A BABY WITH
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SOMEBODY, Y'ALL IN LOVE, AND IN
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THE END, Y'ALL NOT TOGETHER.
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BUT WE AIN'T IN LOVE.
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WHAT YOU AIN'T GETTIN'--
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YOU AIN'T GONNA GET MARRIED
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UNLESS YOU'RE IN LOVE WITH
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SOMEBODY, LIKE, I MEAN...
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AND I AIN'T GONNA HAVE NO
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BABY UNLESS SOMEBODY IS IN LOVE
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WITH ME.
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I MEAN, I WAS ABOUT TO,
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LIKE, ON ACCIDENT.
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ACCIDENT?
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ABSOLUTELY ACCIDENT.
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I AIN'T REALIZE TILL ALL THIS
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HAPPENED THAT I WANTED A LITTLE
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HOMEY.
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YOU KNOW, I AIN'T ALL THE WAY IN
254
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LOVE WITH BAM, BUT SHE A GOOD
255
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GIRL, AND SHE'LL BE A GOOD MOM.
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LIKE, YOU THE ONE WHO BE,
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LIKE, BACK AND FORTH, IN AND
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OUT, DON'T KNOW WHAT YOU WANT.
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ALL YOU KNOW IS YOU WANT MY
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EGGS.
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COME ON WITH THE EGG [bleep].
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I'M JUST SAYIN'.
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YOU WANT MY EGGS.
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YOU WANT TO HAVE A BABY, BUT
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YOU--YOU KNOW WHAT I'M SAYING?
266
00:06:05,265 --> 00:06:06,734
YOU'RE SO CUTE.
267
00:06:06,734 --> 00:06:07,401
WHATEVER.
268
00:06:07,401 --> 00:06:09,403
[laughing]
269
00:06:15,342 --> 00:06:16,644
HEY.
270
00:06:16,644 --> 00:06:17,310
HI.
271
00:06:17,310 --> 00:06:18,078
HOW ARE YOU?
272
00:06:18,078 --> 00:06:19,046
HEY, HOW YOU DOING?
273
00:06:19,046 --> 00:06:20,614
YOU LOOK SEXY.
274
00:06:20,614 --> 00:06:21,582
SO DO YOU.
275
00:06:21,582 --> 00:06:22,416
JOSELINE'S REALLY CLOSE WITH
276
00:06:22,416 --> 00:06:23,584
MY FUTURE MOTHER-IN-LAW WHO
277
00:06:23,584 --> 00:06:24,585
THINKS WE MIGHT HAVE SOME THINGS
278
00:06:24,585 --> 00:06:26,286
IN COMMON, SO I INVITED HER OUT
279
00:06:26,286 --> 00:06:27,320
TO GO SHOPPING, JUST SO I CAN
280
00:06:27,320 --> 00:06:28,556
GET TO KNOW HER A LITTLE BETTER.
281
00:06:28,556 --> 00:06:29,523
EVERY WOMAN CAN LET LOOSE WHEN
282
00:06:29,523 --> 00:06:30,791
THEY SHOPPING, RIGHT?
283
00:06:30,791 --> 00:06:31,592
HOW'S YOUR MOTHER-IN-LAW?
284
00:06:31,592 --> 00:06:32,426
SHE'S DOING OUR WEDDING.
285
00:06:32,426 --> 00:06:33,461
YOU KNOW, I'M ENGAGED.
286
00:06:33,461 --> 00:06:34,127
ME AND WAKA ENGAGED.
287
00:06:34,127 --> 00:06:35,295
OH!
288
00:06:35,295 --> 00:06:35,963
CONGRATULATIONS.
289
00:06:35,963 --> 00:06:37,765
WELL, YEAH, WE DID--
290
00:06:37,765 --> 00:06:38,432
SPUR OF THE MOMENT.
291
00:06:38,432 --> 00:06:39,933
I LIKE THE TATTOO.
292
00:06:39,933 --> 00:06:40,801
JUST MAKE SURE YOU GET THAT RING
293
00:06:40,801 --> 00:06:42,335
SO THAT [bleep] DON'T TRY TO GO
294
00:06:42,335 --> 00:06:43,236
GIVE IT TO ANOTHER BITCH
295
00:06:43,236 --> 00:06:44,004
'CAUSE YOU KNOW HOW THESE
296
00:06:44,004 --> 00:06:44,905
[bleep] LIKE TO PLAY [bleep]
297
00:06:44,905 --> 00:06:45,739
GAMES.
298
00:06:45,739 --> 00:06:46,540
THE WEDDING THAT WE DID WAS,
299
00:06:46,540 --> 00:06:47,575
YOU KNOW, SMALL 'CAUSE IT WAS
300
00:06:47,575 --> 00:06:49,342
JUST HIM AND I, AND I STILL,
301
00:06:49,342 --> 00:06:51,545
OF COURSE, WANT MY BIG WEDDING.
302
00:06:51,545 --> 00:06:53,080
YOU'RE THE OPPOSITE FROM ME.
303
00:06:53,080 --> 00:06:55,182
I WANT IT TO JUST BE ME AND HIM.
304
00:06:55,182 --> 00:06:55,916
HIS MOTHER'S PLANNING OUR
305
00:06:55,916 --> 00:06:56,584
WEDDING.
306
00:06:56,584 --> 00:06:57,451
SHE WANT THE BIGGEST WEDDING IN
307
00:06:57,451 --> 00:06:58,118
THE WORLD.
308
00:06:58,118 --> 00:06:59,219
AND I LOVE MAMA.
309
00:06:59,219 --> 00:07:00,253
I'M NOT INTO THAT.
310
00:07:00,253 --> 00:07:01,455
BUT WHY YOU CAN'T PLAN YOUR
311
00:07:01,455 --> 00:07:02,723
OWN WEDDING?
312
00:07:02,723 --> 00:07:04,157
IS SHE GETTING MARRIED, OR YOU
313
00:07:04,157 --> 00:07:05,158
GETTING MARRIED?
314
00:07:05,158 --> 00:07:06,527
SO EVERYBODY KNOWS MISS DEB IN
315
00:07:06,527 --> 00:07:07,561
ATLANTA.
316
00:07:07,561 --> 00:07:09,129
SHE'S A BOSS BITCH.
317
00:07:09,129 --> 00:07:10,263
I KNOW TAMMY'S A LITTLE
318
00:07:10,263 --> 00:07:11,932
INTIMIDATED FROM MISS DEB,
319
00:07:11,932 --> 00:07:13,534
BUT SHE'S GONNA ABSOLUTELY
320
00:07:13,534 --> 00:07:15,302
CHANGE HER MIND, 'CAUSE LET'S BE
321
00:07:15,302 --> 00:07:17,605
REAL, WHICH GIRL DOESN'T WANT A
322
00:07:17,605 --> 00:07:18,706
HUGE WEDDING?
323
00:07:18,706 --> 00:07:19,673
DO YOU HAVE ANY KIDS?
324
00:07:19,673 --> 00:07:20,340
I HAVE A DAUGHTER.
325
00:07:20,340 --> 00:07:21,041
SHE'S EIGHT.
326
00:07:21,041 --> 00:07:21,842
YEAH, I DON'T HAVE ANY KIDS
327
00:07:21,842 --> 00:07:22,543
YET.
328
00:07:22,543 --> 00:07:23,243
YOU THINKIN' ABOUT IT?
329
00:07:23,243 --> 00:07:24,244
NO, WELL, I'MA HAVE SOME,
330
00:07:24,244 --> 00:07:25,012
BUT I--
331
00:07:25,012 --> 00:07:26,013
SOME? YOU SAID--
332
00:07:26,013 --> 00:07:26,747
NO, I'MA HAVE SOME KIDS,
333
00:07:26,747 --> 00:07:27,414
BUT--
334
00:07:27,414 --> 00:07:28,348
HOW MANY?
335
00:07:28,348 --> 00:07:29,149
LIKE, PROBABLY, LIKE, TWO.
336
00:07:29,149 --> 00:07:29,883
MY HUSBAND ALREADY GOT FIVE
337
00:07:29,883 --> 00:07:30,551
THOUGH.
338
00:07:30,551 --> 00:07:31,218
YEAH.
339
00:07:31,218 --> 00:07:31,985
AND, YOU KNOW, HE GOT BABY
340
00:07:31,985 --> 00:07:33,186
MAMA DRAMA, BLAH, BLAH, BLAH.
341
00:07:33,186 --> 00:07:34,655
HAVE YOU HEARD OF MIMI HAS A
342
00:07:34,655 --> 00:07:36,223
SEX TAPE OUT OR SOMETHING?
343
00:07:36,223 --> 00:07:37,057
YES, GIRL.
344
00:07:37,057 --> 00:07:38,291
I DON'T GIVE A [bleep].
345
00:07:38,291 --> 00:07:39,727
[bleep] THE BITCH.
346
00:07:39,727 --> 00:07:40,528
I CAN'T EVEN BELIEVE THAT SHE
347
00:07:40,528 --> 00:07:41,194
WOULD DO THAT.
348
00:07:41,194 --> 00:07:42,029
YOU GOT A LITTLE BABY.
349
00:07:42,029 --> 00:07:42,930
WELL, WAS STEVIE MAD?
350
00:07:42,930 --> 00:07:43,731
I THINK HE'S EMBARRASSED.
351
00:07:43,731 --> 00:07:44,732
WHY WOULDN'T HE BE EMBARRASSED?
352
00:07:44,732 --> 00:07:45,833
SHE'S A PILGRIM.
353
00:07:45,833 --> 00:07:46,767
SHE'LL LAY HER HEAD IN ANYBODY'S
354
00:07:46,767 --> 00:07:47,568
HOME.
355
00:07:47,568 --> 00:07:48,235
YOU KNOW PILGRIMS?
356
00:07:48,235 --> 00:07:49,570
WELL, I DIDN'T KNOW THAT.
357
00:07:49,570 --> 00:07:50,237
OH, YEAH. PILGRIMS.
358
00:07:50,237 --> 00:07:51,071
THAT'S WHAT SHE IS.
359
00:07:51,071 --> 00:07:52,172
HOW COULD YOU BE SO DUMB?
360
00:07:52,172 --> 00:07:53,340
YOU DAMN NEAR HALF A [bleep]
361
00:07:53,340 --> 00:07:54,007
CENTURY.
362
00:07:54,007 --> 00:07:55,308
AM I SAYING IT RIGHT? CENTURY?
363
00:07:55,308 --> 00:07:57,277
IT'S THE HALF OF HUNDRED YEARS?
364
00:07:57,277 --> 00:07:58,111
'CAUSE I DIDN'T FINISH HIGH
365
00:07:58,111 --> 00:07:59,179
SCHOOL.
366
00:07:59,179 --> 00:08:00,548
I LIKE JOSELINE.
367
00:08:00,548 --> 00:08:01,448
I SEE HER AND MIMI.
368
00:08:01,448 --> 00:08:03,450
I MEAN, THEY GOT THEY ISSUES,
369
00:08:03,450 --> 00:08:04,785
BUT HEY, I AIN'T NOTHING TO DO
370
00:08:04,785 --> 00:08:05,686
WITH THAT, AND I COULD SEE US
371
00:08:05,686 --> 00:08:06,820
HANGING OUT A LITTLE BIT MORE.
372
00:08:06,820 --> 00:08:07,688
HOW THE [bleep] WOULD THAT EVEN
373
00:08:07,688 --> 00:08:08,355
GET OUT?
374
00:08:08,355 --> 00:08:09,189
PROBABLY HER MAN PUT IT OUT.
375
00:08:09,189 --> 00:08:10,090
THAT'S WHAT I'M SAYING, LIKE,
376
00:08:10,090 --> 00:08:11,124
AND THAT'S DISRESPECTFUL.
377
00:08:11,124 --> 00:08:12,993
LIKE, I WILL BEAT THE [bleep]
378
00:08:12,993 --> 00:08:13,627
OUT OF HIM, LIKE--
379
00:08:13,627 --> 00:08:14,728
GIRL, SHE PROBABLY AGREE
380
00:08:14,728 --> 00:08:15,395
WITH HIM.
381
00:08:15,395 --> 00:08:16,063
YOU KNOW, SHE'S SO DUMB.
382
00:08:16,063 --> 00:08:16,897
SHE PROBABLY WAS LIKE, "OKAY.
383
00:08:16,897 --> 00:08:18,866
OKAY. UH-HUH. OKAY. OKAY. OKAY."
384
00:08:18,866 --> 00:08:20,768
[laughter]
385
00:08:20,768 --> 00:08:22,703
YO, YOU GONNA HAVE ME ON THE
386
00:08:22,703 --> 00:08:24,071
FLOOR.
387
00:08:24,071 --> 00:08:26,406
ENOUGH TALK ABOUT MEN AND
388
00:08:26,406 --> 00:08:27,641
PROBLEMS AND BITCHES.
389
00:08:27,641 --> 00:08:29,509
AND VIDEOS.
390
00:08:29,509 --> 00:08:30,343
I'M OVER IT.
391
00:08:30,343 --> 00:08:31,344
I NEED TO BUY SOME STUFF.
392
00:08:31,344 --> 00:08:32,012
COME ON.
393
00:08:32,012 --> 00:08:33,013
WHAT DO YOU WANT TO BUY?
394
00:08:33,013 --> 00:08:34,381
THEY SAID, "WE KNOW THAT
395
00:08:34,381 --> 00:08:35,515
THEY'RE NOT MARRIED."
396
00:08:35,515 --> 00:08:36,449
WE ALL GOOD.
397
00:08:36,449 --> 00:08:37,685
THEY OLD AND THEY TIRED, AND
398
00:08:37,685 --> 00:08:38,652
THEY AIN'T GOT [bleep] ELSE TO
399
00:08:38,652 --> 00:08:40,120
DO BUT WORRY ABOUT MY MARRIAGE.
400
00:08:40,120 --> 00:08:42,289
I HAD YOUR BACK, AND YOU DO
401
00:08:42,289 --> 00:08:43,456
THIS TO ME?
402
00:08:43,456 --> 00:08:44,391
I'M SORRY TO HEAR ABOUT
403
00:08:44,391 --> 00:08:45,859
EVERYTHING THAT HAPPENED.
404
00:08:45,859 --> 00:08:46,794
WHO THE [bleep] IS SHE TO BE
405
00:08:46,794 --> 00:08:48,461
KNOWING MY [bleep] BUSINESS?
406
00:08:48,461 --> 00:08:49,563
OH! OH!
407
00:08:49,563 --> 00:08:51,565
[bleep] BITCH!
408
00:09:02,710 --> 00:09:04,778
[knocking]
409
00:09:06,046 --> 00:09:07,781
HEY, WHAT'S UP?
410
00:09:07,781 --> 00:09:09,082
LAST TIME I SEEN PINKETT,
411
00:09:09,082 --> 00:09:10,550
SHE CAME ON A LITTLE STRONG,
412
00:09:10,550 --> 00:09:11,351
RIGHT?
413
00:09:11,351 --> 00:09:13,020
I HELD MY OWN, AND I WAS STRONG
414
00:09:13,020 --> 00:09:14,487
WITH IT 'CAUSE LITTLE DID ME AND
415
00:09:14,487 --> 00:09:16,423
HER KNOW, YOU KNOW, THE BAM WAS
416
00:09:16,423 --> 00:09:18,491
PREGNANT, SO HOPEFULLY WE CAN GO
417
00:09:18,491 --> 00:09:21,228
BACK TO BEING FRIENDS HOW WE WAS
418
00:09:21,228 --> 00:09:22,495
AND TALK ABOUT THIS MISCARRIAGE
419
00:09:22,495 --> 00:09:23,664
THING 'CAUSE I REALLY NEED SOME
420
00:09:23,664 --> 00:09:25,633
WOMANLY ADVICE ABOUT THIS.
421
00:09:25,633 --> 00:09:26,299
SO HOW YOU BEEN?
422
00:09:26,299 --> 00:09:27,100
WHAT'S GOING ON?
423
00:09:27,100 --> 00:09:28,201
I'VE BEEN ALL RIGHT, MAN.
424
00:09:28,201 --> 00:09:29,937
I'M JUST GOING THROUGH SOME
425
00:09:29,937 --> 00:09:30,838
BIZZ-NAH-EE.
426
00:09:30,838 --> 00:09:32,039
WHAT'S WRONG?
427
00:09:32,039 --> 00:09:33,073
BAM WAS PREGNANT,
428
00:09:33,073 --> 00:09:33,774
YOU FEEL ME?
429
00:09:33,774 --> 00:09:34,908
YOU GOT SOMEBODY PREGNANT
430
00:09:34,908 --> 00:09:36,710
THAT YOU'RE NOT IN LOVE WITH?
431
00:09:36,710 --> 00:09:37,911
NOW, WHEN YOU SAY "IN LOVE,"
432
00:09:37,911 --> 00:09:39,680
WHAT DO YOU MEAN BY "IN LOVE"?
433
00:09:39,680 --> 00:09:40,413
YOU SAID YOU DIDN'T LOVE
434
00:09:40,413 --> 00:09:41,081
THE GIRL.
435
00:09:41,081 --> 00:09:42,850
NO, I SAID I LOVE HER, BUT I
436
00:09:42,850 --> 00:09:43,984
WASN'T IN LOVE WITH HER.
437
00:09:43,984 --> 00:09:45,218
THAT'S WHAT I TOLD YOU.
438
00:09:45,218 --> 00:09:46,987
SO NOW WHAT?
439
00:09:46,987 --> 00:09:49,156
SHE JUST HAD A MISCARRIAGE.
440
00:09:49,156 --> 00:09:50,958
SO...
441
00:09:50,958 --> 00:09:51,725
I THOUGHT SHE WAS GONNA BE
442
00:09:51,725 --> 00:09:52,626
GOOD, MAN.
443
00:09:52,626 --> 00:09:53,393
YOU WANTED HER TO HAVE
444
00:09:53,393 --> 00:09:54,261
THIS KID?
445
00:09:54,261 --> 00:09:55,763
YEAH, I MEAN, YOU KNOW,
446
00:09:55,763 --> 00:09:57,164
IT'D BE COOL TO HAVE ANOTHER,
447
00:09:57,164 --> 00:09:58,498
YOU KNOW, LITTLE SCRI-NAH-EE
448
00:09:58,498 --> 00:09:59,566
RUNNING AROUND.
449
00:09:59,566 --> 00:10:00,567
OKAY, BUT IT DOESN'T MAKE
450
00:10:00,567 --> 00:10:02,569
SENSE THAT YOU HAVE A BABY AND
451
00:10:02,569 --> 00:10:04,204
PLAN A PREGNANCY WITH SOMEONE
452
00:10:04,204 --> 00:10:05,939
YOU'RE NOT "IN LOVE WITH."
453
00:10:05,939 --> 00:10:06,774
I DIDN'T PLAN THIS [bleep].
454
00:10:06,774 --> 00:10:07,841
ALL RIGHT, WHATEVER.
455
00:10:07,841 --> 00:10:08,876
I GET IT NOW.
456
00:10:08,876 --> 00:10:09,810
SHE HAS A MISCARRIAGE NOW, SO IS
457
00:10:09,810 --> 00:10:11,645
THAT WHY YOU'RE ON MY COUCH NOW?
458
00:10:11,645 --> 00:10:12,412
LISTEN, I THOUGHT YOU WAS
459
00:10:12,412 --> 00:10:13,346
GONNA GIVE ME SOME POSITIVE
460
00:10:13,346 --> 00:10:15,082
ADVICE, AND YOU AIN'T GIVE ME
461
00:10:15,082 --> 00:10:16,049
NONE.
462
00:10:16,049 --> 00:10:17,550
WELL, YOU DID, BUT IT WAS LIKE--
463
00:10:17,550 --> 00:10:18,218
THE TRUTH HURTS, MAN.
464
00:10:18,218 --> 00:10:19,252
IT WAS LIKE IN A MEAN WAY,
465
00:10:19,252 --> 00:10:19,920
YOU KNOW?
466
00:10:19,920 --> 00:10:20,587
THE TRUTH HURTS.
467
00:10:20,587 --> 00:10:21,789
NOW, I REALIZE THAT,
468
00:10:21,789 --> 00:10:23,223
YOU KNOW, ERICA PINKETT,
469
00:10:23,223 --> 00:10:24,324
YOU KNOW, WE ALL IN HERE AND WE
470
00:10:24,324 --> 00:10:24,992
GOT FEELINGS.
471
00:10:24,992 --> 00:10:26,994
SHE MIGHT BE A LITTLE BIT UPSET,
472
00:10:26,994 --> 00:10:27,928
BUT SHE'LL BE ALL RIGHT.
473
00:10:27,928 --> 00:10:29,396
SHE'S A HOMEGIRL.
474
00:10:29,396 --> 00:10:30,630
SO FOR REAL, MAN.
475
00:10:30,630 --> 00:10:31,631
ON A POSITIVE NOTE,
476
00:10:31,631 --> 00:10:33,200
I GOT A LITTLE PARTY I'MA DO,
477
00:10:33,200 --> 00:10:33,934
YOU KNOW WHAT I'M SAYING,
478
00:10:33,934 --> 00:10:34,902
FOR MY BIRTHDAY.
479
00:10:34,902 --> 00:10:36,203
IS BAMBI GONNA BE THERE?
480
00:10:36,203 --> 00:10:37,504
YEAH. HELL YEAH.
481
00:10:37,504 --> 00:10:38,205
SHE GONNA BE PARTYING?
482
00:10:38,205 --> 00:10:40,240
OH, YEAH, SHE'S GOOD NOW.
483
00:10:40,240 --> 00:10:41,341
SHE'S GOOD.
484
00:10:41,341 --> 00:10:43,376
I NEED ANOTHER DRINK.
485
00:10:43,376 --> 00:10:45,445
CAN YOU GET ME ONE?
486
00:10:45,445 --> 00:10:46,379
EXCUSE ME.
487
00:10:46,379 --> 00:10:47,748
I'M SORRY.
488
00:10:47,748 --> 00:10:48,816
MY LITTLE CHEEKS IS OUT.
489
00:10:48,816 --> 00:10:51,251
EXCUSE ME.
490
00:10:51,251 --> 00:10:53,253
[sighs]
491
00:10:54,554 --> 00:10:55,655
[upbeat electronic music]
492
00:10:55,655 --> 00:10:58,458
♪
493
00:10:58,458 --> 00:10:59,126
* SEE, WE BE
494
00:10:59,126 --> 00:11:00,427
♪ LIVING ON THE AVE
495
00:11:00,427 --> 00:11:01,128
♪ WE AIN'T SCARED ♪
496
00:11:01,128 --> 00:11:02,095
♪ TO TAKE NO BREATHS
497
00:11:02,095 --> 00:11:03,230
♪ WE BE SHUTTIN' DOWN ♪
498
00:11:03,230 --> 00:11:03,964
♪ THESE CATS
499
00:11:03,964 --> 00:11:04,865
♪ EVERY TIME WE GET A CHANCE
500
00:11:04,865 --> 00:11:06,399
MY HUSBAND IS A NEW PARTNER
501
00:11:06,399 --> 00:11:07,500
IN HIP HOP WEEKLY.
502
00:11:07,500 --> 00:11:08,535
THE BOSS MAN IS HOOKING ME UP
503
00:11:08,535 --> 00:11:09,803
WITH GETTING A SPREAD, SO I
504
00:11:09,803 --> 00:11:11,471
INVITED TAMMY TO COME THROUGH
505
00:11:11,471 --> 00:11:12,172
BECAUSE SHE'S A PERSONAL
506
00:11:12,172 --> 00:11:13,974
STYLIST; MAYBE SHE CAN HELP ME
507
00:11:13,974 --> 00:11:15,275
PICK OUT SOME THINGS.
508
00:11:15,275 --> 00:11:16,343
THIS [bleep] BETTER BE SEXY.
509
00:11:16,343 --> 00:11:18,611
* WE DO THIS SO EASY
510
00:11:18,611 --> 00:11:19,512
♪ Y'ALL SIT THERE ♪
511
00:11:19,512 --> 00:11:20,280
♪LOOKING CHEESY ♪
512
00:11:20,280 --> 00:11:21,181
♪ AND EVERY TIME
513
00:11:21,181 --> 00:11:21,949
♪WE COME AROUND ♪
514
00:11:21,949 --> 00:11:24,151
♪Y'ALL WONDER WHO ♪
515
00:11:24,151 --> 00:11:25,518
I BROUGHT THIS FABRIC FROM
516
00:11:25,518 --> 00:11:27,454
MIAMI 'CAUSE I LOVED IT SO MUCH.
517
00:11:27,454 --> 00:11:28,121
IT'S SO SHAKIRA.
518
00:11:28,121 --> 00:11:29,556
RIGHT, IT IS VERY.
519
00:11:29,556 --> 00:11:30,958
JOSELINE'S FASHION SENSE IS A
520
00:11:30,958 --> 00:11:33,360
LITTLE DIFFERENT FROM MY TASTE.
521
00:11:33,360 --> 00:11:35,362
THIS WILL BE A LOOK FOR IN
522
00:11:35,362 --> 00:11:37,530
THE KITCHEN, NOTHING BUT THONG
523
00:11:37,530 --> 00:11:38,732
AND A LITTLE TOP, A LITTLE BRA
524
00:11:38,732 --> 00:11:39,399
UNDER IT.
525
00:11:39,399 --> 00:11:40,300
IN THE KITCHEN?
526
00:11:40,300 --> 00:11:42,669
YES, IN THE KITCHEN, BITCH.
527
00:11:42,669 --> 00:11:43,470
THAT'S HOW I KEEP MY MAN,
528
00:11:43,470 --> 00:11:44,972
AND THAT'S HOW I GOT HIM TO
529
00:11:44,972 --> 00:11:46,039
MARRY ME IN TWO YEARS
530
00:11:46,039 --> 00:11:47,007
AND TWO MONTHS.
531
00:11:47,007 --> 00:11:47,674
OKAY.
532
00:11:47,674 --> 00:11:48,341
OKAY?
533
00:11:48,341 --> 00:11:49,943
NOW I WANT YOU TO GET WITH IT,
534
00:11:49,943 --> 00:11:51,678
SO YOU CAN HIM TO GET YOU THAT
535
00:11:51,678 --> 00:11:52,813
ROCK 'CAUSE I SEE YOU'RE STILL
536
00:11:52,813 --> 00:11:55,248
WALKIN' AROUND WITH THAT TATTOO.
537
00:11:55,248 --> 00:11:56,750
THE JURY IS STILL OUT ON
538
00:11:56,750 --> 00:11:58,685
TAMMY AND JOSELINE'S FRIENDSHIP.
539
00:11:58,685 --> 00:11:59,419
SHE'S FUNNY.
540
00:11:59,419 --> 00:12:01,554
I'LL GIVE HER THAT, BUT I DON'T
541
00:12:01,554 --> 00:12:02,422
KNOW WHAT TYPE OF FRIENDS SHE'S
542
00:12:02,422 --> 00:12:03,190
USED TO DEALING WITH 'CAUSE
543
00:12:03,190 --> 00:12:04,257
THESE LITTLE JABS--
544
00:12:04,257 --> 00:12:05,458
I AIN'T WITH IT.
545
00:12:05,458 --> 00:12:06,126
I LOVE THIS SKIRT.
546
00:12:06,126 --> 00:12:06,927
LET ME PASS BY BACK THERE.
547
00:12:06,927 --> 00:12:07,594
YEAH, SLIDE.
548
00:12:07,594 --> 00:12:08,461
YOU SHOULD BE ABLE TO FIT.
549
00:12:08,461 --> 00:12:09,863
WHAT YOU, ABOUT A 4?
550
00:12:09,863 --> 00:12:10,864
NO, BITCH.
551
00:12:10,864 --> 00:12:11,965
I KNOW, I'M A SIZE 2, HONEY,
552
00:12:11,965 --> 00:12:13,533
SO I COULD FIT THROUGH ANYTHING.
553
00:12:13,533 --> 00:12:14,401
TAMMY MIGHT THINK SHE LOOK
554
00:12:14,401 --> 00:12:16,303
BETTER THAN ME, BUT NAH,
555
00:12:16,303 --> 00:12:17,204
I DON'T THINK SO.
556
00:12:17,204 --> 00:12:18,671
SHE CAN NEVER LOOK THIS GOOD.
557
00:12:18,671 --> 00:12:19,639
OH, THAT'S A CATSUIT.
558
00:12:19,639 --> 00:12:22,442
OH, HONEY, I GOT TO SHOW ASS.
559
00:12:22,442 --> 00:12:23,276
YEAH, BUT YOUR ASS IS
560
00:12:23,276 --> 00:12:24,477
PROBABLY GONNA, PSHEW!
561
00:12:24,477 --> 00:12:25,145
OH, NO, BITCH--
562
00:12:25,145 --> 00:12:25,946
LIKE, I GOT ASS, BUT I AIN'T
563
00:12:25,946 --> 00:12:26,613
GOT THAT MUCH.
564
00:12:26,613 --> 00:12:27,347
YOUR ASS IS BIGGER THAN MINE
565
00:12:27,347 --> 00:12:28,015
IS, BITCH.
566
00:12:28,015 --> 00:12:28,681
OH, HELL NO.
567
00:12:28,681 --> 00:12:29,516
WHEN YOU TELL ME YOU'RE DOING A
568
00:12:29,516 --> 00:12:31,018
SPREAD FOR A MAGAZINE, I WOULD
569
00:12:31,018 --> 00:12:31,785
THINK YOU WOULD WANT TO LOOK
570
00:12:31,785 --> 00:12:34,021
HIGH-END, CLASSY, SEXY
571
00:12:34,021 --> 00:12:36,389
ALL IN ONE, BUT WHEN I SAW THOSE
572
00:12:36,389 --> 00:12:38,091
LOOKS SHE HAD, I WAS LIKE,
573
00:12:38,091 --> 00:12:39,559
"GIRL, WHAT THE HELL?"
574
00:12:39,559 --> 00:12:40,427
I JUST WANT SOME GLITTER.
575
00:12:40,427 --> 00:12:41,261
LIKE, I'LL PULL OUT THIS ONE
576
00:12:41,261 --> 00:12:42,029
DRESS.
577
00:12:42,029 --> 00:12:42,729
I FOUND THIS ACTUALLY AT A
578
00:12:42,729 --> 00:12:43,897
CONSIGNMENT SHOP.
579
00:12:43,897 --> 00:12:44,564
BORING.
580
00:12:44,564 --> 00:12:45,265
I'M NOT TRYING TO BE IN
581
00:12:45,265 --> 00:12:46,967
NOBODY MAGAZINE DRESSED UP LIKE
582
00:12:46,967 --> 00:12:47,734
NO GRANNY.
583
00:12:47,734 --> 00:12:49,302
THAT AIN'T SELLING NO MAGAZINE.
584
00:12:49,302 --> 00:12:51,304
ALL OF THIS AND THIS IS WHAT
585
00:12:51,304 --> 00:12:52,840
SELLS THE MAGAZINES.
586
00:12:52,840 --> 00:12:53,673
SEE, GIRL, LOOK.
587
00:12:53,673 --> 00:12:54,507
ALL YOUR ASS GONNA BE OUT AT THE
588
00:12:54,507 --> 00:12:55,175
BOTTOM.
589
00:12:55,175 --> 00:12:56,643
WELL, I MEAN, THAT'S WHAT
590
00:12:56,643 --> 00:12:57,878
THEY WANT TO SEE.
591
00:12:57,878 --> 00:12:58,545
ASS.
592
00:12:58,545 --> 00:12:59,212
WE NEED TO SEE ASS,
593
00:12:59,212 --> 00:13:00,647
A WHOLE LOT OF ASS.
594
00:13:00,647 --> 00:13:01,481
THAT'S SOMETHING YOU COULD
595
00:13:01,481 --> 00:13:02,549
THROW SOME TIMBS ON WITH.
596
00:13:02,549 --> 00:13:03,350
I DON'T KNOW IF I WOULD WANT
597
00:13:03,350 --> 00:13:04,117
TO WEAR THIS WITH SOME TIMBS,
598
00:13:04,117 --> 00:13:04,784
HONEY.
599
00:13:04,784 --> 00:13:06,186
WHAT ISSUES DO YOU HAVE?
600
00:13:06,186 --> 00:13:08,555
LIKE, I CAME WHOLEHEARTEDLY,
601
00:13:08,555 --> 00:13:10,257
YOU KNOW, JUST BEING NICE.
602
00:13:10,257 --> 00:13:11,558
FASHION FOR ME--
603
00:13:11,558 --> 00:13:12,860
I KNOW WHAT NEEDS TO BE DONE
604
00:13:12,860 --> 00:13:13,827
'CAUSE I DON'T WORK WITH ANY
605
00:13:13,827 --> 00:13:14,494
STYLIST OR ANYBODY.
606
00:13:14,494 --> 00:13:15,528
I DO MY OWN STYLIN'.
607
00:13:15,528 --> 00:13:16,964
EVERY COVER, EVERY VIDEO, AND
608
00:13:16,964 --> 00:13:17,797
EVERYTHING--I DO EVERYTHING
609
00:13:17,797 --> 00:13:18,465
MYSELF.
610
00:13:18,465 --> 00:13:19,599
THIS BITCH, SHE THINKS SHE CAN
611
00:13:19,599 --> 00:13:20,467
HANG WITH THE PUERTO RICAN
612
00:13:20,467 --> 00:13:21,368
PRINCESS.
613
00:13:21,368 --> 00:13:22,035
"OH, I'M A STYLIST.
614
00:13:22,035 --> 00:13:23,871
I'M THIS. I'M THAT. I'M THAT."
615
00:13:23,871 --> 00:13:24,737
THE PUERTO RICAN PRINCESS DON'T
616
00:13:24,737 --> 00:13:25,906
NEED NOBODY STYLING HER TO DO
617
00:13:25,906 --> 00:13:26,573
NOTHING.
618
00:13:26,573 --> 00:13:28,976
I GOT EVERYTHING UNDER CONTROL.
619
00:13:28,976 --> 00:13:29,843
LAST TIME I SAW YOU, I WAS
620
00:13:29,843 --> 00:13:31,144
ADMIRING YOUR RING.
621
00:13:31,144 --> 00:13:31,945
WHAT'S YOUR CUT?
622
00:13:31,945 --> 00:13:33,146
I DON'T KNOW. HE GOT THIS.
623
00:13:33,146 --> 00:13:34,314
OH, HOW YOU NOT GONNA KNOW
624
00:13:34,314 --> 00:13:34,982
THE CUT?
625
00:13:34,982 --> 00:13:36,216
[bleep] ALL THAT.
626
00:13:36,216 --> 00:13:38,285
WHEN IS Y'ALL GONNA TIE THE
627
00:13:38,285 --> 00:13:38,952
KNOT?
628
00:13:38,952 --> 00:13:41,554
I'M--I'M--I'M READY,
629
00:13:41,554 --> 00:13:42,522
BUT IT'S, LIKE, IF YOU LEAVE IF
630
00:13:42,522 --> 00:13:43,891
IT UP TO WAKA, HE LIKE--
631
00:13:43,891 --> 00:13:44,992
I'M A MARRIED WOMAN, SO I CAN
632
00:13:44,992 --> 00:13:45,758
KIND OF TELL YOU.
633
00:13:45,758 --> 00:13:46,726
WHEN IT COMES DOWN TO MY
634
00:13:46,726 --> 00:13:48,128
HUSBAND, I DON'T TRUST HIS ASS
635
00:13:48,128 --> 00:13:49,462
NOT [bleep] OTHER HOS.
636
00:13:49,462 --> 00:13:50,330
I AIN'T GONNA LIE, JOSELINE.
637
00:13:50,330 --> 00:13:52,399
LIKE, WAKA HAS CHANGED
638
00:13:52,399 --> 00:13:53,066
TREMENDOUSLY.
639
00:13:53,066 --> 00:13:53,901
LIKE--
640
00:13:53,901 --> 00:13:54,935
THAT'S WHAT THEY ALWAYS SAY.
641
00:13:54,935 --> 00:13:56,136
MEN ARE GONNA BE MEN.
642
00:13:56,136 --> 00:13:58,105
I DON'T TRUST NO MEN.
643
00:14:08,381 --> 00:14:09,516
THANK YOU SO MUCH FOR COMING
644
00:14:09,516 --> 00:14:10,483
TO MEET ME TODAY AT MY--
645
00:14:10,483 --> 00:14:11,584
YOU KNOW THIS MY SPOT, MY
646
00:14:11,584 --> 00:14:13,086
FAVORITE RESTAURANT.
647
00:14:13,086 --> 00:14:14,321
both: OKAY.
648
00:14:14,321 --> 00:14:15,655
I GAVE JOC HIS CAR BACK.
649
00:14:15,655 --> 00:14:16,789
I LEFT IT IN THE DRIVEWAY, SO I
650
00:14:16,789 --> 00:14:18,191
WOULDN'T HAVE TO SEE HIS ASS.
651
00:14:18,191 --> 00:14:19,792
I HAVEN'T SPOKE TO HIM SINCE, SO
652
00:14:19,792 --> 00:14:20,827
I'M GONNA HAVE DINNER AND DRINKS
653
00:14:20,827 --> 00:14:21,962
WITH MY GIRLS RASHEEDA AND
654
00:14:21,962 --> 00:14:23,964
ERICA SO I CAN VENT AND GET MY
655
00:14:23,964 --> 00:14:25,899
MIND OFF HIS CHEATIN' ASS.
656
00:14:25,899 --> 00:14:27,367
I AIN'T SEEN YOU...
657
00:14:27,367 --> 00:14:28,735
IN FOREVER.
658
00:14:28,735 --> 00:14:29,402
I KNOW.
659
00:14:29,402 --> 00:14:31,071
I SAID, "I'LL BE THERE."
660
00:14:31,071 --> 00:14:31,972
YOU KNOW WHERE SHE BEEN,
661
00:14:31,972 --> 00:14:33,240
RIGHT?
662
00:14:33,240 --> 00:14:33,974
NO, WHERE HAVE YOU BEEN?
663
00:14:33,974 --> 00:14:34,975
WHAT'S BEEN GOING ON?
664
00:14:34,975 --> 00:14:35,976
HOLD UP.
665
00:14:35,976 --> 00:14:36,876
SHE BEEN HIDING UP IN THAT
666
00:14:36,876 --> 00:14:38,711
FINE-ASS MAN SHE GOT.
667
00:14:38,711 --> 00:14:39,746
HOO, HOO, UH, ERR!
668
00:14:39,746 --> 00:14:40,780
THAT'S WHERE YOU BEEN?
669
00:14:40,780 --> 00:14:41,748
PUMP YOUR BREAKS.
670
00:14:41,748 --> 00:14:43,516
NO, BOO-BOO, ERICA'S BEEN
671
00:14:43,516 --> 00:14:44,584
WORKING.
672
00:14:44,584 --> 00:14:46,619
WHAT'S GOING ON WITH YOU?
673
00:14:46,619 --> 00:14:47,720
GIRL.
674
00:14:47,720 --> 00:14:51,024
HOW ABOUT I COME HOME ONE DAY,
675
00:14:51,024 --> 00:14:51,858
AND THERE'S THIS LITTLE CHICK
676
00:14:51,858 --> 00:14:53,426
SITTING ON MY COUCH.
677
00:14:53,426 --> 00:14:55,128
KIRK TALKIN' ABOUT, "UM, YEAH,
678
00:14:55,128 --> 00:14:56,463
I WANTED YOU TO TALK TO HER
679
00:14:56,463 --> 00:14:58,298
ABOUT BEING A NANNY."
680
00:14:58,298 --> 00:14:59,466
MET THIS BITCH AT THE BAR ON
681
00:14:59,466 --> 00:15:01,201
OLD NATIONAL.
682
00:15:01,201 --> 00:15:03,236
HE MET THIS NANNY AT A BAR?
683
00:15:03,236 --> 00:15:04,537
I AIN'T GONNA LIE TO YOU.
684
00:15:04,537 --> 00:15:05,805
I KIND OF WANT TO, LIKE, GO TO
685
00:15:05,805 --> 00:15:07,307
HER JOB AND SEE WHAT'S GOING ON
686
00:15:07,307 --> 00:15:08,208
'CAUSE YOU KNOW A [bleep] AIN'T
687
00:15:08,208 --> 00:15:09,676
GONNA TELL YOU.
688
00:15:09,676 --> 00:15:10,743
YOU BETTER GO.
689
00:15:10,743 --> 00:15:12,612
ALL I NEEDED WAS FOR MY GIRLS
690
00:15:12,612 --> 00:15:13,913
TO PUT THAT BATTERY IN MY BACK,
691
00:15:13,913 --> 00:15:16,049
HONEY, TO GO PAY KIRK'S SPORTS
692
00:15:16,049 --> 00:15:17,284
BAR A LITTLE VISIT AND GET SOME
693
00:15:17,284 --> 00:15:18,518
[bleep] STRAIGHT.
694
00:15:18,518 --> 00:15:19,552
I WANTED TO JUST POP HER IN HER
695
00:15:19,552 --> 00:15:20,220
LITTLE NAPPY-ASS HEAD.
696
00:15:20,220 --> 00:15:21,955
THESE MEN.
697
00:15:21,955 --> 00:15:22,855
WHAT YOU GOING THROUGH,
698
00:15:22,855 --> 00:15:23,523
CHILD?
699
00:15:23,523 --> 00:15:25,225
FIRST OF ALL, LET ME ASK YOU--
700
00:15:25,225 --> 00:15:27,460
HAVE YOU BEEN PUTTING ANY OF THE
701
00:15:27,460 --> 00:15:29,562
GREAT ADVICE I GAVE YOU
702
00:15:29,562 --> 00:15:31,098
INTO YOUR SITUATION, CHILD?
703
00:15:31,098 --> 00:15:31,764
WHAT HE DID.
704
00:15:31,764 --> 00:15:32,432
WHAT?
705
00:15:32,432 --> 00:15:33,900
SO FIRST OF ALL, WE'RE ABOUT
706
00:15:33,900 --> 00:15:35,402
TO GO SEE A HOUSE THAT,
707
00:15:35,402 --> 00:15:36,203
YOU KNOW, WE GONNA MOVE IN
708
00:15:36,203 --> 00:15:36,869
TOGETHER.
709
00:15:36,869 --> 00:15:37,737
SO Y'ALL MOVING IN TOGETHER?
710
00:15:37,737 --> 00:15:38,405
WE WAS GONNA MOVE IN
711
00:15:38,405 --> 00:15:39,072
TOGETHER.
712
00:15:39,072 --> 00:15:40,773
LIKE, OKAY, SO I PULL UP TO THE
713
00:15:40,773 --> 00:15:42,909
HOUSE, AND THE REALTOR--
714
00:15:42,909 --> 00:15:44,644
YOU WANT TO TALK ABOUT THE HELP.
715
00:15:44,644 --> 00:15:46,079
THIS REALTOR HAS BEEN THE
716
00:15:46,079 --> 00:15:48,748
DRIVER, THE STYLIST--
717
00:15:48,748 --> 00:15:50,017
OH, MY GOD.
718
00:15:50,017 --> 00:15:51,351
A TAX PREPARER.
719
00:15:51,351 --> 00:15:53,753
THIS CHICK IS THE REALTOR NOW.
720
00:15:53,753 --> 00:15:54,821
YOU KNOW ME, I HAVE TO ASK THE
721
00:15:54,821 --> 00:15:55,555
QUESTION.
722
00:15:55,555 --> 00:15:57,890
"WHAT'S UP WITH YOU AND MY MAN?"
723
00:15:57,890 --> 00:15:59,926
AND SHE ADMITS IT.
724
00:15:59,926 --> 00:16:01,328
OH!
725
00:16:01,328 --> 00:16:02,529
OH, YEAH.
726
00:16:02,529 --> 00:16:03,763
SO MY GUCCI BAG ALL OF A SUDDEN
727
00:16:03,763 --> 00:16:04,464
JUST HIT THE GIRL'S FACE.
728
00:16:04,464 --> 00:16:05,198
I DON'T EVEN KNOW HOW IT GOT
729
00:16:05,198 --> 00:16:05,865
THERE.
730
00:16:05,865 --> 00:16:07,767
OH, MY GOODNESS.
731
00:16:07,767 --> 00:16:09,136
THAT [bleep] HURT ME TO THE
732
00:16:09,136 --> 00:16:11,471
[bleep] CORE.
733
00:16:11,471 --> 00:16:12,339
SO WHAT'S UP WITH Y'ALL NOW?
734
00:16:12,339 --> 00:16:13,173
SO WHERE Y'ALL STAYING NOW?
735
00:16:13,173 --> 00:16:14,107
YEAH, THAT'S WHAT I'M SAYING.
736
00:16:14,107 --> 00:16:14,941
HE'S AT HIS PLACE.
737
00:16:14,941 --> 00:16:16,109
I'M AT MY PLACE.
738
00:16:16,109 --> 00:16:17,710
LET ME ASK YOU THIS--
739
00:16:17,710 --> 00:16:18,611
ARE YOU WILLING TO LET THAT
740
00:16:18,611 --> 00:16:19,679
[bleep] SLIDE, AND DO YOU WANT
741
00:16:19,679 --> 00:16:21,248
TO BE BACK WITH HIM?
742
00:16:21,248 --> 00:16:22,482
Y'ALL MY GIRLS, SO I CAN
743
00:16:22,482 --> 00:16:23,683
REALLY TELL YOU THE TRUTH AND
744
00:16:23,683 --> 00:16:24,717
WHAT'S UP, WHAT'S IN MY HEART.
745
00:16:24,717 --> 00:16:25,752
MM-HMM.
746
00:16:25,752 --> 00:16:26,719
IF YOU LOVE A MAN, DO YOU
747
00:16:26,719 --> 00:16:28,321
WANT TO LEAVE HIM THAT FAST,
748
00:16:28,321 --> 00:16:29,989
YOU KNOW, FOR A SIDE CHICK?
749
00:16:29,989 --> 00:16:31,791
I'M HURT, AND I'M PISSED OFF,
750
00:16:31,791 --> 00:16:32,692
BUT YOU DON'T STOP LOVING
751
00:16:32,692 --> 00:16:33,926
SOMEONE JUST BECAUSE THEY
752
00:16:33,926 --> 00:16:34,961
[bleep] UP.
753
00:16:34,961 --> 00:16:36,329
IT'S JUST NOT THAT EASY, AND I
754
00:16:36,329 --> 00:16:37,897
STILL LOVE JOC.
755
00:16:37,897 --> 00:16:38,931
I JUST GOT TO FIGURE OUT IF I
756
00:16:38,931 --> 00:16:39,966
CAN FORGIVE HIM.
757
00:16:39,966 --> 00:16:41,168
NOW LET ME ASK YOU THIS.
758
00:16:41,168 --> 00:16:43,170
HE'S GONNA--
759
00:16:44,404 --> 00:16:45,072
HOLD ON.
760
00:16:45,072 --> 00:16:46,406
HE IS WALKING UP RIGHT NOW.
761
00:16:46,406 --> 00:16:47,074
YOU'RE LYING.
762
00:16:47,074 --> 00:16:47,740
NO.
763
00:16:47,740 --> 00:16:48,408
YOU'RE LYING.
764
00:16:48,408 --> 00:16:50,410
NO, [bleep].
765
00:16:52,512 --> 00:16:54,347
YOU BEEN [bleep] THIS BITCH.
766
00:16:54,347 --> 00:16:55,448
THAT'S ALL IT WAS.
767
00:16:55,448 --> 00:16:57,517
HOW COULD YOU DO THAT TO ME?
768
00:16:57,517 --> 00:16:59,919
I HAD YOUR BACK, AND YOU DO
769
00:16:59,919 --> 00:17:01,988
THIS TO ME?
770
00:17:09,829 --> 00:17:10,597
HOLD ON.
771
00:17:10,597 --> 00:17:12,299
HE IS WALKING UP RIGHT NOW.
772
00:17:12,299 --> 00:17:12,965
YOU'RE LYING.
773
00:17:12,965 --> 00:17:13,633
NO.
774
00:17:13,633 --> 00:17:14,301
YOU'RE LYING.
775
00:17:14,301 --> 00:17:15,568
OH, [bleep].
776
00:17:15,568 --> 00:17:16,703
HOW YOU DOING, KARLIE?
777
00:17:16,703 --> 00:17:17,570
CAN I JUST TALK TO YOU FOR A
778
00:17:17,570 --> 00:17:18,338
MINUTE?
779
00:17:18,338 --> 00:17:19,739
HOW'D YOU EVEN KNOW I WAS
780
00:17:19,739 --> 00:17:20,407
HERE?
781
00:17:20,407 --> 00:17:21,641
I WENT BY THE HOUSE,
782
00:17:21,641 --> 00:17:23,110
SAW YOUR CAR WASN'T THERE,
783
00:17:23,110 --> 00:17:24,944
AND I KNOW WHERE YOU BE AT.
784
00:17:24,944 --> 00:17:26,379
I GOT TO CHANGE MY HABITS.
785
00:17:26,379 --> 00:17:27,414
JOC IS THE LAST PERSON I WAS
786
00:17:27,414 --> 00:17:29,116
HOPING TO SEE TODAY.
787
00:17:29,116 --> 00:17:30,883
YOU ADMIT TO SMASHING THIS GIRL,
788
00:17:30,883 --> 00:17:32,985
AND NOW YOU WANT TO STALK ME?
789
00:17:32,985 --> 00:17:34,121
I'M NOT SURE HOW I FEEL ABOUT
790
00:17:34,121 --> 00:17:35,822
THAT, BUT YOU DAMN SURE GOT SOME
791
00:17:35,822 --> 00:17:36,989
EXPLAINING TO DO.
792
00:17:36,989 --> 00:17:38,091
I KNOW THIS PROBABLY WASN'T
793
00:17:38,091 --> 00:17:39,826
THE BEST TIME TO DO THIS, BUT
794
00:17:39,826 --> 00:17:41,461
AT LEAST JUST HEAR ME OUT, OKAY?
795
00:17:41,461 --> 00:17:43,230
THERE WAS TIMES WHEN I GOT
796
00:17:43,230 --> 00:17:45,698
CAUGHT UP IN THE WHOLE FEELING
797
00:17:45,698 --> 00:17:47,434
LIKE YOU DIDN'T BELIEVE IN ME.
798
00:17:47,434 --> 00:17:48,635
YOU WEREN'T TRUSTING ME.
799
00:17:48,635 --> 00:17:49,669
YOU WEREN'T ROCKING WITH ME.
800
00:17:49,669 --> 00:17:50,870
YOU DOING EXTRA [bleep] LIKE
801
00:17:50,870 --> 00:17:52,605
SHOWING UP AT CLUB, ACTING CRAZY
802
00:17:52,605 --> 00:17:53,940
ON ME FOR NOTHING WHEN I AIN'T
803
00:17:53,940 --> 00:17:55,575
DID [bleep], AND YOU DROVE ME TO
804
00:17:55,575 --> 00:17:56,909
FEEL LIKE YOU WAS MAYBE DOING
805
00:17:56,909 --> 00:17:58,145
[bleep].
806
00:17:58,145 --> 00:17:59,446
I SHOULD HAVE REACHED OUT TO MY
807
00:17:59,446 --> 00:18:00,813
LADY, YOU, AND TALKED TO YOU
808
00:18:00,813 --> 00:18:02,315
ABOUT HOW I WAS FEELING,
809
00:18:02,315 --> 00:18:03,316
BUT I COULDN'T TALK TO YOU.
810
00:18:03,316 --> 00:18:04,317
I TRIED TO TALK TO YOU.
811
00:18:04,317 --> 00:18:05,585
KHADIYAH'S BEEN MY FRIEND FOR A
812
00:18:05,585 --> 00:18:07,187
MINUTE, AND I WOULD TALK TO HER
813
00:18:07,187 --> 00:18:08,588
ABOUT WHAT WAS GOING ON.
814
00:18:08,588 --> 00:18:10,390
ALL THIS TIME THAT I'M
815
00:18:10,390 --> 00:18:12,659
THINKING, "YO, YOU KNOW, SHE
816
00:18:12,659 --> 00:18:13,326
JUST A FRIEND.
817
00:18:13,326 --> 00:18:14,561
SHE JUST A FRIEND."
818
00:18:14,561 --> 00:18:16,329
YOU BEEN [bleep] THIS BITCH.
819
00:18:16,329 --> 00:18:17,430
THAT'S ALL IT WAS.
820
00:18:17,430 --> 00:18:19,799
HOW COULD YOU DO THAT TO ME?
821
00:18:19,799 --> 00:18:22,202
I [bleep] FELL IN LOVE WITH YOUR
822
00:18:22,202 --> 00:18:23,503
ASS.
823
00:18:23,503 --> 00:18:26,005
I HAD YOUR BACK, AND YOU DO THIS
824
00:18:26,005 --> 00:18:26,873
TO ME?
825
00:18:26,873 --> 00:18:28,341
SHE CRYING AND EVERYTHING.
826
00:18:28,341 --> 00:18:29,409
I MIGHT NOT KNOW HOW TO
827
00:18:29,409 --> 00:18:30,677
COMMUNICATE TO YOU, BUT I
828
00:18:30,677 --> 00:18:32,612
[bleep] KEPT IT REAL WITH YOU.
829
00:18:32,612 --> 00:18:33,813
LIKE, YOU DON'T UNDERSTAND.
830
00:18:33,813 --> 00:18:35,014
I DO UNDERSTAND, MAN.
831
00:18:35,014 --> 00:18:35,648
STOP CRYING.
832
00:18:35,648 --> 00:18:38,885
LOOK, COME ON.
833
00:18:38,885 --> 00:18:41,354
I'M BEING AS HONEST AS I CAN BE.
834
00:18:41,354 --> 00:18:42,322
WAS I WRONG?
835
00:18:42,322 --> 00:18:43,089
I WAS WRONG.
836
00:18:43,089 --> 00:18:43,990
I AM NOT GONNA LIE.
837
00:18:43,990 --> 00:18:45,258
I'M NOT TRYING TO PRAISE THE
838
00:18:45,258 --> 00:18:46,493
SITUATION OR MAKE ME LOOK
839
00:18:46,493 --> 00:18:47,160
BETTER.
840
00:18:47,160 --> 00:18:48,595
SO WHAT'S GOING ON NOW?
841
00:18:48,595 --> 00:18:51,164
[sighs]
842
00:18:51,164 --> 00:18:55,935
KARLIE, MAN, HONESTLY...
843
00:18:55,935 --> 00:18:56,769
I WANT TO WORK ON WHERE WE BEEN
844
00:18:56,769 --> 00:18:58,505
IN OUR FRIENDSHIP 'CAUSE WE
845
00:18:58,505 --> 00:19:00,573
DESERVE A FAIR SHOT.
846
00:19:00,573 --> 00:19:02,309
WE DESERVE A FAIR SHOT.
847
00:19:02,309 --> 00:19:03,243
SO YOU STILL HAVING SEX WITH
848
00:19:03,243 --> 00:19:03,976
HER?
849
00:19:03,976 --> 00:19:04,977
NO, I'M NOT.
850
00:19:04,977 --> 00:19:05,678
REALLY?
851
00:19:05,678 --> 00:19:06,379
I'M TELLING YOU, YEAH,
852
00:19:06,379 --> 00:19:07,046
REALLY.
853
00:19:07,046 --> 00:19:08,281
LORD KNOWS I WANT TO BELIEVE
854
00:19:08,281 --> 00:19:09,916
JOC, BUT HE'S ALREADY LIED TO ME
855
00:19:09,916 --> 00:19:10,817
ONCE.
856
00:19:10,817 --> 00:19:11,684
WHAT'S TO KEEP HIM FROM DOING IT
857
00:19:11,684 --> 00:19:12,619
AGAIN?
858
00:19:12,619 --> 00:19:14,187
I LOVE JOC, AND I'M NOT READY TO
859
00:19:14,187 --> 00:19:15,955
GIVE UP ON THIS RELATIONSHIP,
860
00:19:15,955 --> 00:19:16,823
BUT I GOT TO SET SOME GROUND
861
00:19:16,823 --> 00:19:17,690
RULES.
862
00:19:17,690 --> 00:19:18,958
LISTEN HERE. CHECK THIS OUT.
863
00:19:18,958 --> 00:19:19,959
I'M LISTENING.
864
00:19:19,959 --> 00:19:20,893
IF YOU GONNA CONTINUE TO
865
00:19:20,893 --> 00:19:22,295
[bleep] HER, YOU GONNA CONTINUE
866
00:19:22,295 --> 00:19:24,264
TO HAVE SEX WITH HER, YOU
867
00:19:24,264 --> 00:19:26,433
CONTINUE TO SEE HER, YOU CANNOT
868
00:19:26,433 --> 00:19:28,635
EVEN LOOK AT ME AGAIN.
869
00:19:28,635 --> 00:19:30,503
YOU UNDERSTAND ME?
870
00:19:30,503 --> 00:19:31,571
I UNDERSTAND YOU.
871
00:19:31,571 --> 00:19:33,973
WHEN YOU'RE WRONG, YOU'RE WRONG,
872
00:19:33,973 --> 00:19:35,475
AND I DEFINITELY WAS WRONG,
873
00:19:35,475 --> 00:19:36,276
AND I'LL DO MY BEST TO MAKE IT
874
00:19:36,276 --> 00:19:37,344
UP TO KARLIE.
875
00:19:37,344 --> 00:19:38,578
I WANT HER IN MY LIFE, SO, YOU
876
00:19:38,578 --> 00:19:40,513
KNOW, I THINK THE BEST WAY TO
877
00:19:40,513 --> 00:19:42,549
APPROACH THIS IS IF WE START
878
00:19:42,549 --> 00:19:44,417
REBUILDING OUR FRIENDSHIP FIRST.
879
00:19:44,417 --> 00:19:45,084
DO YOU LOVE ME?
880
00:19:45,084 --> 00:19:46,085
I DO.
881
00:19:46,085 --> 00:19:47,287
YOU LOVE ME?
882
00:19:47,287 --> 00:19:47,954
I TOLD YOU--
883
00:19:47,954 --> 00:19:48,988
ACT LIKE IT.
884
00:19:48,988 --> 00:19:50,957
I WILL SHOW YOU THAT I LOVE YOU.
885
00:19:50,957 --> 00:19:51,991
ALL THAT TURNING UP [bleep] AND
886
00:19:51,991 --> 00:19:53,393
ALL THAT [bleep] I WAS DOING IN
887
00:19:53,393 --> 00:19:55,161
THE PAST--I'M DONE WITH THAT.
888
00:19:55,161 --> 00:19:56,663
YOU JUST REMEMBER THEM WORDS.
889
00:19:56,663 --> 00:19:57,930
I GOT YOU.
890
00:19:57,930 --> 00:19:59,065
REMEMBER THEM WORDS,
891
00:19:59,065 --> 00:20:00,300
SERIOUSLY.
892
00:20:00,300 --> 00:20:00,967
I HAVE TO TAKE SOME
893
00:20:00,967 --> 00:20:02,635
RESPONSIBILITY FOR OUR PROBLEMS.
894
00:20:02,635 --> 00:20:04,604
I KNOW I BEEN CRAZY, JEALOUS,
895
00:20:04,604 --> 00:20:06,406
POSSESSIVE.
896
00:20:06,406 --> 00:20:07,407
I SHOWED OUT,
897
00:20:07,407 --> 00:20:08,875
BUT ALL THAT HAS TO BE OVER
898
00:20:08,875 --> 00:20:10,277
AND DONE WITH IF WE GONNA MOVE
899
00:20:10,277 --> 00:20:11,278
FORWARD AND MAKE THIS
900
00:20:11,278 --> 00:20:12,612
RELATIONSHIP WORK.
901
00:20:12,612 --> 00:20:13,846
JOC AND I MADE SOME PROMISES TO
902
00:20:13,846 --> 00:20:15,615
EACH OTHER, SO WE'LL SEE.
903
00:20:15,615 --> 00:20:17,584
ACTIONS SPEAK LOUDER THAN WORDS.
904
00:20:17,584 --> 00:20:18,685
DID HE APOLOGIZE?
905
00:20:18,685 --> 00:20:20,019
HE LOOKED SORRY.
906
00:20:20,019 --> 00:20:20,720
LET'S GET OUT OF HERE.
907
00:20:20,720 --> 00:20:21,588
LET'S BURN THIS JOINT.
908
00:20:21,588 --> 00:20:24,023
LET'S GET THE HELL OUT OF HERE.
909
00:20:24,023 --> 00:20:25,725
NOW, NORMALLY MISS KARLIE REDD
910
00:20:25,725 --> 00:20:28,227
IS MISS BADASS, MISS "I DON'T
911
00:20:28,227 --> 00:20:29,629
GIVE A DAMN ABOUT NO MAN,
912
00:20:29,629 --> 00:20:31,364
WHOOP, WHOOP," SO TO SEE HER SO
913
00:20:31,364 --> 00:20:33,500
VULNERABLE AND IN THIS STATE IS
914
00:20:33,500 --> 00:20:35,402
KIND OF CRAZY, AND ONLY SOMEBODY
915
00:20:35,402 --> 00:20:36,836
YOU LOVE CAN REALLY PUT YOU IN
916
00:20:36,836 --> 00:20:38,070
THAT SPACE.
917
00:20:38,070 --> 00:20:40,039
THEY OBVIOUSLY LOVE EACH OTHER,
918
00:20:40,039 --> 00:20:41,508
AND I'M REALLY HOPING THEY CAN
919
00:20:41,508 --> 00:20:42,475
WORK IT OUT.
920
00:20:42,475 --> 00:20:43,209
THANK YOU.
921
00:20:43,209 --> 00:20:44,311
AWW, YOU'RE WELCOME.
922
00:20:44,311 --> 00:20:44,977
COME ON, LET'S GO.
923
00:20:44,977 --> 00:20:45,645
WE DIDN'T KNOW HE
924
00:20:45,645 --> 00:20:47,947
WAS FIXIN' TO POP UP.
925
00:20:47,947 --> 00:20:48,848
I DIDN'T KNOW HE WAS ABOUT TO
926
00:20:48,848 --> 00:20:49,882
POP UP EITHER,
927
00:20:49,882 --> 00:20:50,550
AND YOU KNOW WHAT?
928
00:20:50,550 --> 00:20:51,384
I'MA STOP GOING TO THE SAME
929
00:20:51,384 --> 00:20:52,051
SPOTS.
930
00:20:52,051 --> 00:20:53,553
HE KNOW MY SCHEDULE.
931
00:20:53,553 --> 00:20:54,621
YOU CAN'T NEVER LET HIM KNOW
932
00:20:54,621 --> 00:20:56,356
WHERE YOU AT ALL THE TIME, NOW.
933
00:20:56,356 --> 00:20:58,358
DAMN.
934
00:21:04,564 --> 00:21:06,198
WELCOME TO ROC HOUSE, LADIES.
935
00:21:06,198 --> 00:21:06,866
both: THANK YOU.
936
00:21:06,866 --> 00:21:08,267
LAST NIGHT, I SAW KARLIE REDD
937
00:21:08,267 --> 00:21:09,469
GET HER HEART BROKEN, AND I'VE
938
00:21:09,469 --> 00:21:10,303
BEEN GOING THROUGH THE THINGS
939
00:21:10,303 --> 00:21:11,103
I'VE BEEN GOING THROUGH WITH
940
00:21:11,103 --> 00:21:12,305
KIRK, BUT I WANT TO PUT THAT
941
00:21:12,305 --> 00:21:13,506
BEHIND ME RIGHT NOW.
942
00:21:13,506 --> 00:21:15,174
I'MA HIT UP MY GIRL MIMI, DO A
943
00:21:15,174 --> 00:21:16,242
LITTLE CATCHING UP, AND SEE
944
00:21:16,242 --> 00:21:17,677
WHAT'S BEEN GOING ON WITH HER.
945
00:21:17,677 --> 00:21:20,780
TAMMY IS WAKA'S FIANCE.
946
00:21:20,780 --> 00:21:22,214
OKAY, WELL, CONGRATULATIONS.
947
00:21:22,214 --> 00:21:23,416
OH, THANK YOU.
948
00:21:23,416 --> 00:21:24,751
YES.
949
00:21:24,751 --> 00:21:25,885
SO HOW'S KIRK?
950
00:21:25,885 --> 00:21:27,186
WE CAME TO HAVE MASSAGES.
951
00:21:27,186 --> 00:21:28,688
OH, LORD.
952
00:21:28,688 --> 00:21:29,589
THAT'S A WHOLE NOTHER
953
00:21:29,589 --> 00:21:30,523
CONVERSATION?
954
00:21:30,523 --> 00:21:31,190
IT'S A WHOLE NOTHER
955
00:21:31,190 --> 00:21:32,091
CONVERSATION FOR A WHOLE NOTHER
956
00:21:32,091 --> 00:21:33,626
DAY, BUT HOW ARE YOU?
957
00:21:33,626 --> 00:21:35,862
GIRL, WE WERE ON VACATION.
958
00:21:35,862 --> 00:21:37,330
NIKKO'S BAGS WERE STOLEN FROM
959
00:21:37,330 --> 00:21:38,297
THE AIRPORT.
960
00:21:38,297 --> 00:21:39,866
NEXT THING I KNOW, I'M BEING
961
00:21:39,866 --> 00:21:43,202
CONTACTED BY AN ADULT FILM...
962
00:21:43,202 --> 00:21:43,870
REALLY?
963
00:21:43,870 --> 00:21:44,537
PRODUCTION.
964
00:21:44,537 --> 00:21:45,405
YES.
965
00:21:45,405 --> 00:21:46,373
THEY HAD THE TAPE IN THEIR
966
00:21:46,373 --> 00:21:48,408
POSSESSION, AND THEY OFFERED ME,
967
00:21:48,408 --> 00:21:49,709
"THIS COULD BE ALL OVER THE
968
00:21:49,709 --> 00:21:52,445
PLACE FOR FREE, OR YOU CAN
969
00:21:52,445 --> 00:21:53,212
CAPITALIZE OFF OF IT.
970
00:21:53,212 --> 00:21:54,180
IT'S UP TO YOU."
971
00:21:54,180 --> 00:21:55,314
YOU SAID, "GIMME MY COIN"?
972
00:21:55,314 --> 00:21:57,216
GIMME MY GODDAMN COIN.
973
00:21:57,216 --> 00:21:57,884
REALLY?
974
00:21:57,884 --> 00:21:58,985
IF IT'S GOING TO BE OUT
975
00:21:58,985 --> 00:21:59,686
THERE.
976
00:21:59,686 --> 00:22:00,820
I HAVE NO CHOICE.
977
00:22:00,820 --> 00:22:01,888
I GOT TO MOVE FORWARD.
978
00:22:01,888 --> 00:22:03,289
I DON'T KNOW HOW I WOULD FEEL
979
00:22:03,289 --> 00:22:04,357
AS A MOTHER.
980
00:22:04,357 --> 00:22:05,825
YES, YOU KNOW, YOU HAVE A
981
00:22:05,825 --> 00:22:06,659
DAUGHTER WHO'S GONNA GROW UP,
982
00:22:06,659 --> 00:22:08,160
AND THAT'S GONNA FOLLOW HER, SO
983
00:22:08,160 --> 00:22:09,662
YOU DON'T KNOW WHAT THE BACKLASH
984
00:22:09,662 --> 00:22:11,864
IS GONNA BE, AND ARE YOU ABLE TO
985
00:22:11,864 --> 00:22:13,332
PREPARE HER, YOU KNOW
986
00:22:13,332 --> 00:22:14,000
WHAT I'M SAYING?
987
00:22:14,000 --> 00:22:14,867
I HAVE TO BE.
988
00:22:14,867 --> 00:22:16,202
I HAD TO MAKE A DECISION AND
989
00:22:16,202 --> 00:22:17,870
KEEP IT MOVING.
990
00:22:17,870 --> 00:22:18,538
LET ME SAY THIS.
991
00:22:18,538 --> 00:22:19,772
MIMI IS A GROWN WOMAN, AND SHE
992
00:22:19,772 --> 00:22:20,940
CAN MAKE THE DECISIONS THAT SHE
993
00:22:20,940 --> 00:22:21,974
WANT TO MAKE.
994
00:22:21,974 --> 00:22:22,975
AT THE END OF THE DAY, I FEEL
995
00:22:22,975 --> 00:22:24,010
LIKE, WHY SHOULD I TAKE IT SO
996
00:22:24,010 --> 00:22:25,678
SERIOUS IF THE PERSON WHO'S IN
997
00:22:25,678 --> 00:22:26,846
THE TAPE IS LIKE,
998
00:22:26,846 --> 00:22:27,847
"WHAT'S DONE IS DONE.
999
00:22:27,847 --> 00:22:28,515
IT'S ALL GOOD."
1000
00:22:28,515 --> 00:22:29,582
I MEAN, WHAT I'MA GET MAD FOR?
1001
00:22:29,582 --> 00:22:30,817
I MEAN, IT AIN'T ME UP THERE ON
1002
00:22:30,817 --> 00:22:31,918
THE DAMN TAPE.
1003
00:22:31,918 --> 00:22:33,119
LET'S TOAST TO IT, AND I HOPE
1004
00:22:33,119 --> 00:22:34,621
YOU BUSTIN' IT WIDE OPEN.
1005
00:22:34,621 --> 00:22:35,722
HEY, IF YOU MAKING YOUR MONEY
1006
00:22:35,722 --> 00:22:36,656
LIKE THAT, THEN DO THE DAMN
1007
00:22:36,656 --> 00:22:37,390
THING.
1008
00:22:37,390 --> 00:22:38,324
HOW DOES STEVIE FEEL ABOUT IT?
1009
00:22:38,324 --> 00:22:39,992
HE IS GOING OFF.
1010
00:22:39,992 --> 00:22:41,293
WHAT A COMPLETE HYPOCRITE,
1011
00:22:41,293 --> 00:22:43,029
BECAUSE THEY JUST PROMOTE SEX
1012
00:22:43,029 --> 00:22:43,830
ALL THE TIME.
1013
00:22:43,830 --> 00:22:44,597
YOU TALKING ABOUT HIM AND
1014
00:22:44,597 --> 00:22:45,264
WHO, JOSELINE?
1015
00:22:45,264 --> 00:22:46,633
GIRL, WE EXPECT THAT FROM THAT,
1016
00:22:46,633 --> 00:22:47,434
SO THAT AIN'T EVEN NOTHING--
1017
00:22:47,434 --> 00:22:48,601
SPEAKING OF JOSELINE.
1018
00:22:48,601 --> 00:22:51,370
SHE HAD A SPREAD FOR HIP HOP
1019
00:22:51,370 --> 00:22:52,371
WEEKLY MAGAZINE, SO I WENT TO
1020
00:22:52,371 --> 00:22:53,606
GO HELP HER OUT, PITCH SOME
1021
00:22:53,606 --> 00:22:54,607
IDEAS.
1022
00:22:54,607 --> 00:22:55,808
FOR THIS ONE THEME, SHE PICKED
1023
00:22:55,808 --> 00:22:58,310
OUT THIS SHEER THING, AND I'M
1024
00:22:58,310 --> 00:22:59,512
LIKE, "MM, NO."
1025
00:22:59,512 --> 00:23:00,413
AND SHE'S LIKE, "WELL, THIS IS
1026
00:23:00,413 --> 00:23:02,749
WHAT GOT ME MARRIED IN TWO YEARS
1027
00:23:02,749 --> 00:23:04,316
AND TWO WEEKS, AND MAYBE YOU
1028
00:23:04,316 --> 00:23:05,785
SHOULD TAKE SOME NOTES SO THAT
1029
00:23:05,785 --> 00:23:08,020
YOU CAN HAVE A ROCK ON YOUR
1030
00:23:08,020 --> 00:23:09,422
FINGER INSTEAD OF THAT TATTOO."
1031
00:23:09,422 --> 00:23:10,457
OH!
1032
00:23:10,457 --> 00:23:11,824
JOSELINE IS BEING SHADY TO
1033
00:23:11,824 --> 00:23:14,527
TAMMY, BUT MEANWHILE, EVERYTHING
1034
00:23:14,527 --> 00:23:16,496
ABOUT JOSELINE IS A FAKE.
1035
00:23:16,496 --> 00:23:18,197
MAYBE PEOPLE THAT AREN'T REALLY
1036
00:23:18,197 --> 00:23:20,567
MARRIED OR LIVE IN HOUSES THAT
1037
00:23:20,567 --> 00:23:22,435
THEY "RENTED" AND CLAIM THEY
1038
00:23:22,435 --> 00:23:24,537
BOUGHT SHOULDN'T THROW STONES OR
1039
00:23:24,537 --> 00:23:25,538
SHADE.
1040
00:23:25,538 --> 00:23:26,839
HMM.
1041
00:23:26,839 --> 00:23:29,275
THIS MARRIAGE--IT'S ALL A LIE,
1042
00:23:29,275 --> 00:23:30,843
AND THE HOUSE IS RENTED.
1043
00:23:30,843 --> 00:23:32,344
THEY RENTING CARS.
1044
00:23:32,344 --> 00:23:33,245
GIRL, SHUT UP.
1045
00:23:33,245 --> 00:23:34,747
GIRL, ARE YOU THROWING ME ALL
1046
00:23:34,747 --> 00:23:36,115
THE SHADE?
1047
00:23:36,115 --> 00:23:37,717
THE SHADE, HONEY.
1048
00:23:37,717 --> 00:23:38,651
I JUST FIND THIS REALLY
1049
00:23:38,651 --> 00:23:39,318
INTERESTING.
1050
00:23:39,318 --> 00:23:42,121
THE DELUSION BETWEEN THE TWO OF
1051
00:23:42,121 --> 00:23:43,956
THEM IS SO GRAND.
1052
00:23:43,956 --> 00:23:45,091
SOON ENOUGH THE TRUTH IS GONNA
1053
00:23:45,091 --> 00:23:46,559
COME OUT ABOUT THIS WHOLE
1054
00:23:46,559 --> 00:23:48,427
"MARRIAGE."
1055
00:23:48,427 --> 00:23:49,496
AND THAT'S THE THING.
1056
00:23:49,496 --> 00:23:50,730
SHE WAS, YOU KNOW, COOL, YOU
1057
00:23:50,730 --> 00:23:51,531
KNOW WHAT I'M SAYING, AND YOU
1058
00:23:51,531 --> 00:23:52,431
CAN SEE YOURSELF BEING COOL WITH
1059
00:23:52,431 --> 00:23:53,332
HER, BUT WHAT YOU CAN'T SEE--
1060
00:23:53,332 --> 00:23:54,801
IF A BITCH THROWING SIDE SHOTS,
1061
00:23:54,801 --> 00:23:55,568
THAT'S A PERSON YOU HAVE TO
1062
00:23:55,568 --> 00:23:57,136
ALWAYS WATCH YOUR BACK FOR,
1063
00:23:57,136 --> 00:23:58,404
AND I SHOULDN'T HAVE--
1064
00:23:58,404 --> 00:23:59,706
FRIENDSHIP, IT DON'T START LIKE
1065
00:23:59,706 --> 00:24:00,439
THAT.
1066
00:24:00,439 --> 00:24:01,273
I DON'T LIKE TO BE LOOKING OVER
1067
00:24:01,273 --> 00:24:02,174
MY SHOULDER LIKE, "IS THIS BITCH
1068
00:24:02,174 --> 00:24:02,842
GONNA COME FOR ME?"
1069
00:24:02,842 --> 00:24:03,843
YOU KNOW?
1070
00:24:03,843 --> 00:24:04,877
NO MATTER HOW COOL SHE
1071
00:24:04,877 --> 00:24:06,278
APPEARS TO BE WITH YOU--
1072
00:24:06,278 --> 00:24:07,780
SHE WILL STAB YOU IN YOUR
1073
00:24:07,780 --> 00:24:09,048
[bleep] BACK.
1074
00:24:09,048 --> 00:24:11,050
PLEASE BELIEVE THAT.
1075
00:24:12,418 --> 00:24:13,853
THIS IS A LIE.
1076
00:24:13,853 --> 00:24:15,121
IF THEY WERE MARRIED, THERE
1077
00:24:15,121 --> 00:24:16,155
WOULD BE A MARRIAGE CERTIFICATE,
1078
00:24:16,155 --> 00:24:17,690
WHICH THERE IS NOT.
1079
00:24:17,690 --> 00:24:18,424
AND LET'S JUST NOT EVEN
1080
00:24:18,424 --> 00:24:19,091
FRONT.
1081
00:24:19,091 --> 00:24:20,059
WHAT'S GOING ON WITH YOU AND MY
1082
00:24:20,059 --> 00:24:20,827
MAN?
1083
00:24:20,827 --> 00:24:21,528
THAT'S WHAT I WANT TO KNOW.
1084
00:24:21,528 --> 00:24:23,530
ARE Y'ALL [bleep] AROUND?
1085
00:24:41,781 --> 00:24:42,682
SO I GET THIS MESSAGE FROM
1086
00:24:42,682 --> 00:24:43,550
DAWN.
1087
00:24:43,550 --> 00:24:44,584
SHE SAYS SHE WANTS TO MEET UP
1088
00:24:44,584 --> 00:24:45,918
AND TALK SOME BUSINESS.
1089
00:24:45,918 --> 00:24:46,886
WHAT'S UP, DAWN?
1090
00:24:46,886 --> 00:24:48,655
WHAT'S GOING ON?
1091
00:24:48,655 --> 00:24:49,321
NICE SEEING YOU.
1092
00:24:49,321 --> 00:24:50,322
WHAT'S GOING ON?
1093
00:24:50,322 --> 00:24:51,490
NOW, I KNOW SHE'S NOT WORKING
1094
00:24:51,490 --> 00:24:52,792
WITH SLEEZO AND JOSELINE
1095
00:24:52,792 --> 00:24:54,260
ANYMORE, BUT THAT'S OKAY BECAUSE
1096
00:24:54,260 --> 00:24:55,294
DAWN'S ALWAYS BEEN ON THE
1097
00:24:55,294 --> 00:24:57,229
UP-AND-UP WITH ME, SO I FIGURE
1098
00:24:57,229 --> 00:24:59,231
I MAKE SOME TIME FOR HER.
1099
00:25:00,667 --> 00:25:01,668
MIMI.
1100
00:25:01,668 --> 00:25:02,969
HI.
1101
00:25:02,969 --> 00:25:04,704
HOW IT'S GOING?
1102
00:25:04,704 --> 00:25:06,338
HOW Y'ALL DOING?
1103
00:25:06,338 --> 00:25:07,239
IT TOOK A MINUTE FOR ME TO
1104
00:25:07,239 --> 00:25:08,808
FIGURE OUT WHAT I WANTED TO DO
1105
00:25:08,808 --> 00:25:10,677
WITH ALL THE BOMBS DAWN DROPPED
1106
00:25:10,677 --> 00:25:12,511
ON ME, AND THEN I DECIDED I
1107
00:25:12,511 --> 00:25:13,980
WANTED TO GO TO HIP HOP WEEKLY
1108
00:25:13,980 --> 00:25:14,714
AND HAVE THEM PRINT A
1109
00:25:14,714 --> 00:25:15,982
RETRACTION.
1110
00:25:15,982 --> 00:25:18,017
LET'S JUST GET TO THE POINT.
1111
00:25:18,017 --> 00:25:20,553
THIS IS A LIE.
1112
00:25:20,553 --> 00:25:21,954
WELL, HOW DO YOU KNOW IT'S A
1113
00:25:21,954 --> 00:25:22,622
LIE?
1114
00:25:22,622 --> 00:25:24,290
WHY WOULD HE SAY THEY'RE MARRIED
1115
00:25:24,290 --> 00:25:25,625
IF THEY'RE NOT MARRIED?
1116
00:25:25,625 --> 00:25:28,394
HE'S JUST A LIAR.
1117
00:25:28,394 --> 00:25:29,596
HE'S NOT GONNA LIE TO ME.
1118
00:25:29,596 --> 00:25:30,930
SO I'VE BEEN KNOWING SLEEZO
1119
00:25:30,930 --> 00:25:32,231
FOREVER.
1120
00:25:32,231 --> 00:25:33,332
I MEAN, HE'S MY BROTHER AND NOW
1121
00:25:33,332 --> 00:25:34,801
HE'S MY BUSINESS PARTNER, AND I
1122
00:25:34,801 --> 00:25:36,368
KNOW SOMETIMES HE REALLY HASN'T
1123
00:25:36,368 --> 00:25:37,503
BEEN KEEPING IT HONEST WITH HIS
1124
00:25:37,503 --> 00:25:38,605
CHICKS--HE HAS A PROBLEM WITH
1125
00:25:38,605 --> 00:25:39,972
THAT--BUT I WOULD HOPE TO
1126
00:25:39,972 --> 00:25:41,674
BELIEVE THAT HE DOESN'T HAVE A
1127
00:25:41,674 --> 00:25:42,875
PROBLEM WITH KEEPING IT HONEST
1128
00:25:42,875 --> 00:25:43,710
WITH THE Z-STER.
1129
00:25:43,710 --> 00:25:45,044
THIS IS A MESSAGE FROM YOUR
1130
00:25:45,044 --> 00:25:45,778
BOY.
1131
00:25:45,778 --> 00:25:46,679
"GOOD MORNING.
1132
00:25:46,679 --> 00:25:47,546
I'LL BUMP INTO YOU AT
1133
00:25:47,546 --> 00:25:50,016
2:00 P.M. IF THAT WORKS FOR YOU.
1134
00:25:50,016 --> 00:25:50,783
GOT TO TALK TO YOU ABOUT THE
1135
00:25:50,783 --> 00:25:52,251
STUNT I'M ABOUT TO PULL."
1136
00:25:52,251 --> 00:25:54,453
"STUNT I'M ABOUT TO PULL."
1137
00:25:54,453 --> 00:25:56,255
AN HOUR LATER, BREAKING NEWS.
1138
00:25:56,255 --> 00:25:57,489
STEVIE J. AND JOSELINE ARE
1139
00:25:57,489 --> 00:25:58,157
MARRIED.
1140
00:25:58,157 --> 00:25:58,991
THAT--THAT. I DON'T SEE IT.
1141
00:25:58,991 --> 00:26:00,159
LEMME SHOW YOU SOMETHING
1142
00:26:00,159 --> 00:26:01,828
ELSE, THEN YOU'LL KNOW.
1143
00:26:01,828 --> 00:26:03,896
THIS IS A TEXT MESSAGE.
1144
00:26:03,896 --> 00:26:04,563
"LOL, BITCH.
1145
00:26:04,563 --> 00:26:06,198
I DID NOT SEE STEVIE TOLD THEM
1146
00:26:06,198 --> 00:26:07,800
PEOPLE WE GOT MARRIED.
1147
00:26:07,800 --> 00:26:08,467
I HEARD HIM.
1148
00:26:08,467 --> 00:26:09,802
I WAS LIKE, YOU KNOW WHAT,
1149
00:26:09,802 --> 00:26:11,604
I CAN'T TAKE HIS GAMES.
1150
00:26:11,604 --> 00:26:12,571
IF HE TRY ME EVER AGAIN,
1151
00:26:12,571 --> 00:26:13,372
I'M GOING TO SHOW HIM.
1152
00:26:13,372 --> 00:26:14,206
I SWEAR."
1153
00:26:14,206 --> 00:26:15,374
THIS IS FROM WHO?
1154
00:26:15,374 --> 00:26:16,909
JOSELINE HERNANDEZ.
1155
00:26:16,909 --> 00:26:17,810
THAT'S NOT Y'ALL'S PROOF.
1156
00:26:17,810 --> 00:26:18,778
I KNOW THAT AIN'T THE PROOF THAT
1157
00:26:18,778 --> 00:26:19,979
HE'S NOT MARRIED.
1158
00:26:19,979 --> 00:26:21,313
THE PROOF IS IN PUBLIC
1159
00:26:21,313 --> 00:26:21,981
RECORDS.
1160
00:26:21,981 --> 00:26:22,649
YOU KNOW EVERYTHING IS
1161
00:26:22,649 --> 00:26:24,283
COMPUTERIZED THESE DAYS.
1162
00:26:24,283 --> 00:26:25,217
IF THEY WERE MARRIED, THERE
1163
00:26:25,217 --> 00:26:26,653
WOULD BE A MARRIAGE CERTIFICATE,
1164
00:26:26,653 --> 00:26:28,655
WHICH THERE IS NOT.
1165
00:26:30,022 --> 00:26:31,257
DAMN.
1166
00:26:31,257 --> 00:26:32,659
RIGHT.
1167
00:26:32,659 --> 00:26:33,425
WELL, WHY WOULD THEY WEAR
1168
00:26:33,425 --> 00:26:34,293
RINGS?
1169
00:26:34,293 --> 00:26:35,561
THE THING IS, SHE WALKS
1170
00:26:35,561 --> 00:26:37,463
AROUND AND PARADES AROUND WITH A
1171
00:26:37,463 --> 00:26:38,397
RING THAT SHE GOT FROM A
1172
00:26:38,397 --> 00:26:39,799
PREVIOUS RELATIONSHIP, SO...
1173
00:26:39,799 --> 00:26:41,067
I KNOW, BUT IT--
1174
00:26:41,067 --> 00:26:42,601
LISTEN, I UNDERSTAND THAT'S
1175
00:26:42,601 --> 00:26:43,936
YOUR MAN.
1176
00:26:43,936 --> 00:26:45,337
WHY WOULD HE EVEN ALLOW YOU TO
1177
00:26:45,337 --> 00:26:46,839
PUBLISH SOMETHING THAT IS FALSE?
1178
00:26:46,839 --> 00:26:48,174
RIGHT, RIGHT.
1179
00:26:48,174 --> 00:26:49,475
NOW, I KNOW SLEEZO AIN'T GONNA
1180
00:26:49,475 --> 00:26:50,476
PUT ME IN A POSITION WHERE I
1181
00:26:50,476 --> 00:26:51,744
HAVE TO DEFEND MYSELF AGAINST
1182
00:26:51,744 --> 00:26:53,279
THEM FOR HIP HOP WEEKLY, BUT YOU
1183
00:26:53,279 --> 00:26:54,814
CAN BEST BELIEVE Z GONNA FIND
1184
00:26:54,814 --> 00:26:55,782
OUT.
1185
00:26:55,782 --> 00:26:57,283
I THINK THE PUBLIC IS OWED A
1186
00:26:57,283 --> 00:26:58,751
APOLOGY.
1187
00:26:58,751 --> 00:27:00,987
EVERYBODY NEEDS TO KNOW THAT
1188
00:27:00,987 --> 00:27:02,621
ISSUE WAS PRINTED UNDER FALSE
1189
00:27:02,621 --> 00:27:03,355
PRETENSES.
1190
00:27:03,355 --> 00:27:04,490
UNDER FALSE PRETENSES,
1191
00:27:04,490 --> 00:27:06,592
BECAUSE IF NOT, THAT DEVALUES
1192
00:27:06,592 --> 00:27:08,560
YOU AND YOUR COMPANY.
1193
00:27:08,560 --> 00:27:09,628
I'M TRYING TO GIVE MY BRO
1194
00:27:09,628 --> 00:27:11,397
SLEEZO THE BENEFIT OF THE DOUBT,
1195
00:27:11,397 --> 00:27:12,364
BUT SOME OF THESE ACCUSATIONS
1196
00:27:12,364 --> 00:27:13,565
ARE SERIOUS.
1197
00:27:13,565 --> 00:27:14,533
I THINK I'MA HAVE TO FIND OUT
1198
00:27:14,533 --> 00:27:15,868
MYSELF, YO.
1199
00:27:15,868 --> 00:27:17,804
I ALSO CAUGHT WIND OF YOU
1200
00:27:17,804 --> 00:27:21,140
GUYS DOING A SPREAD OF JOSELINE
1201
00:27:21,140 --> 00:27:23,609
IN AN UPCOMING ISSUE OF HIP HOP
1202
00:27:23,609 --> 00:27:25,745
WEEKLY, AND IT BLOWS MY MIND.
1203
00:27:25,745 --> 00:27:27,714
LIKE, IT'S ALL A LIE.
1204
00:27:27,714 --> 00:27:28,514
CAN I HAVE A LITTLE BIT OF
1205
00:27:28,514 --> 00:27:29,181
TIME?
1206
00:27:29,181 --> 00:27:30,016
OKAY, GOOD.
1207
00:27:30,016 --> 00:27:30,683
ABSOLUTELY.
1208
00:27:30,683 --> 00:27:31,450
REALLY?
1209
00:27:31,450 --> 00:27:32,318
WHAT DOES JOSELINE'S PHOTO
1210
00:27:32,318 --> 00:27:33,485
SPREAD EVEN HAVE TO DO WITH
1211
00:27:33,485 --> 00:27:34,186
MIMI?
1212
00:27:34,186 --> 00:27:35,554
I CAN'T EVEN ENTERTAIN THAT.
1213
00:27:35,554 --> 00:27:36,588
I GOT ENOUGH THINGS TO WORRY
1214
00:27:36,588 --> 00:27:37,757
ABOUT THANKS TO THESE TWO
1215
00:27:37,757 --> 00:27:38,958
BIRDBRAINS.
1216
00:27:38,958 --> 00:27:40,226
IF YOU DON'T TAKE CARE OF
1217
00:27:40,226 --> 00:27:42,394
THAT, SOMEBODY ELSE WILL.
1218
00:27:42,394 --> 00:27:43,730
YOU KNOW MEDIA TAKE OUT LOVES ME
1219
00:27:43,730 --> 00:27:44,831
RIGHT NOW, RIGHT?
1220
00:27:44,831 --> 00:27:46,298
DO THAT, BENZINO.
1221
00:27:46,298 --> 00:27:47,599
I GOT TO BELIEVE THAT BENZINO
1222
00:27:47,599 --> 00:27:48,500
WILL DO THE RIGHT THING FOR THE
1223
00:27:48,500 --> 00:27:51,003
REPUTATION OF HIS MAGAZINE AND
1224
00:27:51,003 --> 00:27:52,739
FOR HIMSELF, AND "BY THE RIGHT
1225
00:27:52,739 --> 00:27:54,741
THING," I MEAN EXPOSING
1226
00:27:54,741 --> 00:27:56,508
STEVIE J. AS JOSELINE FOR THE
1227
00:27:56,508 --> 00:27:58,277
FRAUDS THAT THEY ARE.
1228
00:27:58,277 --> 00:27:59,011
CAN I GET ANOTHER SHOT OF
1229
00:27:59,011 --> 00:28:00,279
GRAND MARNIER?
1230
00:28:00,279 --> 00:28:01,113
* SHE GOT IT
1231
00:28:01,113 --> 00:28:02,849
♪ YEP, YEP, SHE GOT IT
1232
00:28:02,849 --> 00:28:03,850
♪ GOT IT, STOP
1233
00:28:03,850 --> 00:28:04,683
♪ SHE GOT IT
1234
00:28:04,683 --> 00:28:06,352
♪ YEP, YEP, SHE GOT IT
1235
00:28:06,352 --> 00:28:07,286
♪ STOP
1236
00:28:07,286 --> 00:28:08,187
♪ SHE GOT IT
1237
00:28:08,187 --> 00:28:10,022
♪ YEP, YEP, SHE GOT IT
1238
00:28:10,022 --> 00:28:10,957
♪ GOT IT, STOP
1239
00:28:10,957 --> 00:28:11,858
♪ SHE GOT IT
1240
00:28:11,858 --> 00:28:15,161
♪ YEP, YEP, YEP, YEP
1241
00:28:15,161 --> 00:28:17,296
THAT'S HER RIGHT THERE?
1242
00:28:17,296 --> 00:28:19,866
MM, YES.
1243
00:28:19,866 --> 00:28:21,333
THAT'S HER.
1244
00:28:21,333 --> 00:28:24,303
SHE CUTE.
1245
00:28:24,303 --> 00:28:25,371
STOP THAT DAMN GRILLING.
1246
00:28:25,371 --> 00:28:26,072
I'M SORRY.
1247
00:28:26,072 --> 00:28:27,006
[laughing]
1248
00:28:27,006 --> 00:28:28,207
SHOOT, I MEAN, BUT I COULD
1249
00:28:28,207 --> 00:28:29,641
SEE WHY A [bleep] BE TRIPPING ON
1250
00:28:29,641 --> 00:28:30,542
HER, LIKE, YOU KNOW WHAT I MEAN?
1251
00:28:30,542 --> 00:28:32,011
SHE IS CUTE AND EVERYTHING,
1252
00:28:32,011 --> 00:28:33,112
BUT SHE AIN'T HOLDING MY BABY.
1253
00:28:33,112 --> 00:28:34,781
TELL ME ABOUT THAT [bleep].
1254
00:28:34,781 --> 00:28:35,782
SHE AIN'T HOLDING MY BABY.
1255
00:28:35,782 --> 00:28:37,549
KALENNA IS MY BOO, SO THE
1256
00:28:37,549 --> 00:28:39,551
MINUTE I TOLD HER KIRK BROUGHT
1257
00:28:39,551 --> 00:28:40,486
THIS LITTLE NANNY CHICK TO THE
1258
00:28:40,486 --> 00:28:41,553
HOUSE, AND I WAS FIXIN' TO GO TO
1259
00:28:41,553 --> 00:28:43,222
HER JOB AND TALK TO HER, SHE WAS
1260
00:28:43,222 --> 00:28:44,590
LIKE, "I GOT YOUR BACK.
1261
00:28:44,590 --> 00:28:45,524
LEGGO."
1262
00:28:45,524 --> 00:28:47,493
SO I KNOW IT MAY SEEM A LITTLE
1263
00:28:47,493 --> 00:28:49,061
HIGH SCHOOL HERE AND THERE, BUT
1264
00:28:49,061 --> 00:28:49,796
WHEN YOU [bleep] WITH MY
1265
00:28:49,796 --> 00:28:51,363
MARRIAGE, THIS SOME GROWN-WOMAN
1266
00:28:51,363 --> 00:28:52,198
[bleep].
1267
00:28:52,198 --> 00:28:52,899
YOU KNOW HOW THESE LITTLE
1268
00:28:52,899 --> 00:28:54,100
YOUNG HOS AIN'T GOT NOT MORALS
1269
00:28:54,100 --> 00:28:55,267
NOWADAYS.
1270
00:28:55,267 --> 00:28:57,136
SHE YOUNGER.
1271
00:28:57,136 --> 00:28:57,837
LADIES, HOW ARE YOU DOING
1272
00:28:57,837 --> 00:28:58,604
TODAY?
1273
00:28:58,604 --> 00:29:00,172
HELLO, HOW ARE YOU?
1274
00:29:00,172 --> 00:29:01,040
IS KIRK GONNA BE JOINING US
1275
00:29:01,040 --> 00:29:01,707
TODAY?
1276
00:29:01,707 --> 00:29:02,474
UM...
1277
00:29:02,474 --> 00:29:03,175
[laughs]
1278
00:29:03,175 --> 00:29:04,576
OH, OH, OH, OH, OH.
1279
00:29:04,576 --> 00:29:05,611
SEE, THIS IS WHY I'M HERE WITH
1280
00:29:05,611 --> 00:29:06,745
MY GIRL.
1281
00:29:06,745 --> 00:29:07,880
LITTLE SLIMMY REALLY TRYING TO
1282
00:29:07,880 --> 00:29:08,881
TAKE IT THERE.
1283
00:29:08,881 --> 00:29:09,882
SHE DON'T KNOW THAT THESE TWO
1284
00:29:09,882 --> 00:29:10,950
GROWN-ASS WOMEN--
1285
00:29:10,950 --> 00:29:12,218
I SWEAR TO GOD, WE WILL TAKE IT
1286
00:29:12,218 --> 00:29:12,919
THERE.
1287
00:29:12,919 --> 00:29:14,186
OKAY, LET'S JUST NOT EVEN
1288
00:29:14,186 --> 00:29:15,187
FRONT.
1289
00:29:15,187 --> 00:29:16,055
WHAT'S GOING ON WITH YOU AND MY
1290
00:29:16,055 --> 00:29:16,823
MAN?
1291
00:29:16,823 --> 00:29:19,892
THAT'S WHAT I WANT TO KNOW.
1292
00:29:19,892 --> 00:29:21,127
I WANT TO KNOW, ARE Y'ALL
1293
00:29:21,127 --> 00:29:23,129
[bleep] AROUND?
1294
00:29:24,396 --> 00:29:25,798
NO, WE'RE NOT.
1295
00:29:25,798 --> 00:29:28,467
OKAY, GOOD ANSWER, JASMINE,
1296
00:29:28,467 --> 00:29:29,335
BUT THAT DON'T MEAN I BELIEVE
1297
00:29:29,335 --> 00:29:30,903
YOUR LITTLE TOOTHPICK ASS,
1298
00:29:30,903 --> 00:29:32,371
SO WHAT I'M ABOUT TO DO NOW IS
1299
00:29:32,371 --> 00:29:35,141
GO INTO CIA, FBI MODE ON THE
1300
00:29:35,141 --> 00:29:36,775
BITCH ONE TIME.
1301
00:29:36,775 --> 00:29:39,211
HOW LONG HAVE YOU KNOWN KIRK?
1302
00:29:39,211 --> 00:29:40,512
HE COMES IN HERE OFTEN WITH
1303
00:29:40,512 --> 00:29:41,680
HIM AND HIS FRIENDS AND THINGS
1304
00:29:41,680 --> 00:29:42,348
LIKE THAT.
1305
00:29:42,348 --> 00:29:43,816
THEY COME AND HAVE DRINKS.
1306
00:29:43,816 --> 00:29:44,483
WHAT ABOUT PHONE
1307
00:29:44,483 --> 00:29:45,251
CONVERSATIONS?
1308
00:29:45,251 --> 00:29:45,918
WE'VE HAD PHONE
1309
00:29:45,918 --> 00:29:47,786
CONVERSATIONS...
1310
00:29:47,786 --> 00:29:48,454
OH.
1311
00:29:48,454 --> 00:29:50,957
PERTAINING TO ME WATCHING
1312
00:29:50,957 --> 00:29:52,224
YOUR BABY FOR YOU.
1313
00:29:52,224 --> 00:29:53,860
DO YOU KNOW CPR?
1314
00:29:53,860 --> 00:29:54,961
NO, I DON'T KNOW CPR...
1315
00:29:54,961 --> 00:29:55,627
OH!
1316
00:29:55,627 --> 00:29:56,328
BUT I CAN TAKE CLASSES.
1317
00:29:56,328 --> 00:29:57,129
WELL, HOW CAN YOU TAKE CARE
1318
00:29:57,129 --> 00:29:57,830
OF A BABY?
1319
00:29:57,830 --> 00:29:59,999
I LIVE FOR MOMENTS LIKE THIS.
1320
00:29:59,999 --> 00:30:01,600
RASHEEDA, HER BEST GOING IN,
1321
00:30:01,600 --> 00:30:03,102
TRYING TO FIND OUT THE TRUTH
1322
00:30:03,102 --> 00:30:04,403
ABOUT WHAT HER HUSBAND DOING.
1323
00:30:04,403 --> 00:30:05,537
SHE GOT TO DO THIS, AND I'M HERE
1324
00:30:05,537 --> 00:30:06,973
TO SUPPORT MY GIRL.
1325
00:30:06,973 --> 00:30:07,874
WHAT CONVERSATIONS WERE HAD
1326
00:30:07,874 --> 00:30:08,975
ABOUT MY MARRIAGE FOR YOU TO SIT
1327
00:30:08,975 --> 00:30:10,977
ON MY COUCH AND SAY TO ME THAT
1328
00:30:10,977 --> 00:30:13,045
ME AND MY HUSBAND ARE SEPARATED?
1329
00:30:13,045 --> 00:30:13,745
HE WAS, LIKE, YOU KNOW,
1330
00:30:13,745 --> 00:30:14,513
PITCHING TO THE GUYS, LIKE,
1331
00:30:14,513 --> 00:30:15,781
"HEY, I THINK SHE WOULD BE A
1332
00:30:15,781 --> 00:30:17,583
GOOD IDEA TO WATCH THE BABY."
1333
00:30:17,583 --> 00:30:18,517
AND SO THE FEELING WAS KIND OF
1334
00:30:18,517 --> 00:30:19,618
LIKE, WELL, IT MIGHT NOT BE A
1335
00:30:19,618 --> 00:30:21,320
GOOD LOOK FOR YOUR RELATIONSHIP,
1336
00:30:21,320 --> 00:30:22,288
AND KIRK WAS KIND OF LIKE,
1337
00:30:22,288 --> 00:30:24,523
"OH, WELL, WE'RE SEPARATED."
1338
00:30:24,523 --> 00:30:26,058
DID IT SEEM AS THOUGH IT
1339
00:30:26,058 --> 00:30:27,826
COULD HAVE BEEN SOMETHING ELSE?
1340
00:30:27,826 --> 00:30:28,727
I MEAN, HE'S REALLY NICE.
1341
00:30:28,727 --> 00:30:29,996
HE DOESN'T HIT ON ME OR ANYTHING
1342
00:30:29,996 --> 00:30:30,897
LIKE THAT IF THAT'S WHAT YOU'RE,
1343
00:30:30,897 --> 00:30:31,597
YOU KNOW, ASKING.
1344
00:30:31,597 --> 00:30:33,165
GIRL, HE A OLD MAN.
1345
00:30:33,165 --> 00:30:34,566
MEN, THEY DON'T HIT ON YOU.
1346
00:30:34,566 --> 00:30:36,302
THEY BE NICE TO YOU.
1347
00:30:36,302 --> 00:30:37,103
ALL THE MEN HERE ARE NICE TO
1348
00:30:37,103 --> 00:30:37,769
ME.
1349
00:30:37,769 --> 00:30:39,305
AH, YOU A CUTE GIRL, AND YOU
1350
00:30:39,305 --> 00:30:41,173
SMELL GOOD, AND YOUR HAIR'S
1351
00:30:41,173 --> 00:30:41,908
HONEY BLONDE.
1352
00:30:41,908 --> 00:30:42,841
I'M SURE YOU'RE EXTREMELY
1353
00:30:42,841 --> 00:30:43,809
NICE TO THEM 'CAUSE YOU WANT
1354
00:30:43,809 --> 00:30:44,710
YOUR TIP.
1355
00:30:44,710 --> 00:30:46,445
YOU SURE Y'ALL AIN'T [bleep]?
1356
00:30:46,445 --> 00:30:47,113
YEAH.
1357
00:30:47,113 --> 00:30:48,280
YOU CLAIM IT AIN'T NOTHING.
1358
00:30:48,280 --> 00:30:49,781
HE CLAIM IT AIN'T NOTHING, SO
1359
00:30:49,781 --> 00:30:51,317
I'MA JUST TAKE IT THAT THE LORD
1360
00:30:51,317 --> 00:30:52,651
IS TELLING ME IT AIN'T NOTHING.
1361
00:30:52,651 --> 00:30:53,652
THEN IT AIN'T NOTHING.
1362
00:30:53,652 --> 00:30:55,087
SO KIRK IS DENYING IT, AND
1363
00:30:55,087 --> 00:30:56,355
THIS LITTLE CHICK IS BACKING HIM
1364
00:30:56,355 --> 00:30:59,158
UP, SO I'MA JUST ROLL WITH IT,
1365
00:30:59,158 --> 00:31:00,726
BUT I'MA TELL YOU ONE THING--
1366
00:31:00,726 --> 00:31:02,361
IT BETTER NOT COME UP AS NOTHING
1367
00:31:02,361 --> 00:31:03,795
ANY DIFFERENT THAN WHAT THE
1368
00:31:03,795 --> 00:31:05,164
[bleep] I BEEN TOLD.
1369
00:31:05,164 --> 00:31:07,499
IT SEEMS LIKE IT MIGHT HAVE BEEN
1370
00:31:07,499 --> 00:31:08,667
AN INNOCENT TYPE OF SITUATION.
1371
00:31:08,667 --> 00:31:09,535
I'MA TELL YOU SOMETHING--
1372
00:31:09,535 --> 00:31:10,202
BUT I'M NOT SURE.
1373
00:31:10,202 --> 00:31:11,070
LET ME TELL YOU SOMETHING.
1374
00:31:11,070 --> 00:31:12,004
MY [bleep] WON'T BE COMING
1375
00:31:12,004 --> 00:31:13,839
BY HERE 'CAUSE SHE BAD.
1376
00:31:13,839 --> 00:31:14,907
RASHEEDA MIGHT BE BUYING THIS
1377
00:31:14,907 --> 00:31:17,143
CHICK'S STORY, BUT I'M NOT.
1378
00:31:17,143 --> 00:31:18,844
SHE ALL SWEET AND CUTE, BUT THAT
1379
00:31:18,844 --> 00:31:19,878
DON'T MEAN SHE AIN'T TRYING TO
1380
00:31:19,878 --> 00:31:21,180
SMASH MY GIRL MAN.
1381
00:31:21,180 --> 00:31:21,948
SHE AIN'T FIXIN' TO BE
1382
00:31:21,948 --> 00:31:22,614
WALKING UP IN MY HOUSE.
1383
00:31:22,614 --> 00:31:23,582
LET ME ASK YOU A QUESTION.
1384
00:31:23,582 --> 00:31:25,517
HOW MANY BABY MAMAS KIRK GOT?
1385
00:31:25,517 --> 00:31:27,253
HE GOT LESS THAN TONY.
1386
00:31:27,253 --> 00:31:28,554
[laughter]
1387
00:31:28,554 --> 00:31:30,556
BITCH, WHY YOU TRYING TO SNAP?
1388
00:31:33,092 --> 00:31:34,360
THEY SAID WE KNOW THAT
1389
00:31:34,360 --> 00:31:35,227
THEY'RE NOT MARRIED.
1390
00:31:35,227 --> 00:31:36,062
THEY OLD AND THEY TIRED,
1391
00:31:36,062 --> 00:31:37,096
AND THEY AIN'T GOT [bleep] ELSE
1392
00:31:37,096 --> 00:31:38,164
TO DO BUT WORRY ABOUT MY
1393
00:31:38,164 --> 00:31:39,098
MARRIAGE AND WORRY ABOUT WHAT
1394
00:31:39,098 --> 00:31:40,499
THE [bleep] I GOT GOING ON.
1395
00:31:40,499 --> 00:31:41,233
I'M SORRY TO HEAR ABOUT
1396
00:31:41,233 --> 00:31:42,568
EVERYTHING THAT HAPPENED.
1397
00:31:42,568 --> 00:31:43,735
WHO THE [bleep] IS SHE TO BE
1398
00:31:43,735 --> 00:31:45,271
KNOWING MY [bleep] BUSINESS?
1399
00:31:45,271 --> 00:31:46,105
OH!
1400
00:31:46,105 --> 00:31:48,107
[bleep] BITCH!
1401
00:31:59,318 --> 00:32:00,686
YO, Z, I APPRECIATE YOU
1402
00:32:00,686 --> 00:32:02,521
TAKING THE TIME OUT, YOU KNOW,
1403
00:32:02,521 --> 00:32:03,755
TO HAVE ME AND JOSELINE COME IN
1404
00:32:03,755 --> 00:32:04,756
HERE.
1405
00:32:04,756 --> 00:32:06,358
I MEAN, SHE'S WORKIN' REAL HARD
1406
00:32:06,358 --> 00:32:07,159
AT THIS.
1407
00:32:07,159 --> 00:32:08,227
LOOKIT, SHE JUST WANTS TO SHOW
1408
00:32:08,227 --> 00:32:09,295
YOU HER PICTURES.
1409
00:32:09,295 --> 00:32:10,229
YOU'RE LOOKING BEAUTIFUL TOO.
1410
00:32:10,229 --> 00:32:10,896
THANKS.
1411
00:32:10,896 --> 00:32:11,797
YOU'VE BEEN DOING YOUR THING.
1412
00:32:11,797 --> 00:32:12,464
YOU KNOW WHAT?
1413
00:32:12,464 --> 00:32:13,332
MY HUSBAND IS SO SEXY TO ME WHEN
1414
00:32:13,332 --> 00:32:14,833
HE'S HANDLING BUSINESS.
1415
00:32:14,833 --> 00:32:16,235
I CAN'T WAIT TO SIT DOWN WITH
1416
00:32:16,235 --> 00:32:18,037
BENZINO AND JUST GIVE HIM ALL MY
1417
00:32:18,037 --> 00:32:19,972
IDEAS AND JUST FINALLY GET THIS
1418
00:32:19,972 --> 00:32:21,873
BIG SPREAD ON HIP HOP WEEKLY.
1419
00:32:21,873 --> 00:32:22,541
I'M JUST EXCITED.
1420
00:32:22,541 --> 00:32:23,575
THAT'S THE COVER RIGHT THERE.
1421
00:32:23,575 --> 00:32:24,876
THAT'S IT!
1422
00:32:24,876 --> 00:32:25,844
THAT'S THE BIGGEST SELLER RIGHT
1423
00:32:25,844 --> 00:32:26,578
THERE.
1424
00:32:26,578 --> 00:32:27,313
RIGHT THERE'S ONE OF OUR
1425
00:32:27,313 --> 00:32:27,980
BIGGEST SELLERS.
1426
00:32:27,980 --> 00:32:28,780
YEAH, ONE OF 'EM.
1427
00:32:28,780 --> 00:32:30,349
THEY WANT TO FOLLOW US.
1428
00:32:30,349 --> 00:32:31,517
I'M KIND OF EXCITED THAT
1429
00:32:31,517 --> 00:32:33,519
SLEEZE AND JOSELINE ARE HAPPY,
1430
00:32:33,519 --> 00:32:34,686
BUT I'M ABOUT TO SLAP THAT HAPPY
1431
00:32:34,686 --> 00:32:36,688
RIGHT OUT THEIR FACE ONCE I TELL
1432
00:32:36,688 --> 00:32:37,923
'EM ABOUT MY MEETING WITH MIMI
1433
00:32:37,923 --> 00:32:38,590
AND DAWN.
1434
00:32:38,590 --> 00:32:39,291
I JUST WANT TO BRING UP
1435
00:32:39,291 --> 00:32:40,026
SOMETHING.
1436
00:32:40,026 --> 00:32:40,692
OKAY, NO PROBLEM.
1437
00:32:40,692 --> 00:32:41,660
ALL RIGHT.
1438
00:32:41,660 --> 00:32:42,794
DAWN CALLED ME.
1439
00:32:42,794 --> 00:32:43,662
I HAD A LITTLE MEETING WITH
1440
00:32:43,662 --> 00:32:44,930
SOMEBODY ABOUT--
1441
00:32:44,930 --> 00:32:45,897
DAWN?
1442
00:32:45,897 --> 00:32:47,933
DAWN BY HERSELF?
1443
00:32:47,933 --> 00:32:49,335
THAT'S WHAT WAS CRAZY.
1444
00:32:49,335 --> 00:32:51,337
IT WAS, LIKE...
1445
00:32:51,337 --> 00:32:54,240
IT WAS HER AND MIMI.
1446
00:32:54,240 --> 00:32:55,707
ROSE AND BLANCHE FROM
1447
00:32:55,707 --> 00:32:56,908
THE GOLDEN GIRLS?
1448
00:32:56,908 --> 00:32:58,077
BOY, JUST HOLD ON.
1449
00:32:58,077 --> 00:32:59,411
JUST GIVE ME A MINUTE.
1450
00:32:59,411 --> 00:33:00,546
LET ME EXPLAIN WHAT HAPPENED.
1451
00:33:00,546 --> 00:33:01,747
WHEN THEY CAME IN, THEY BROUGHT
1452
00:33:01,747 --> 00:33:02,914
THE COVER.
1453
00:33:02,914 --> 00:33:03,682
THEY THREW IT DOWN, AND THEY
1454
00:33:03,682 --> 00:33:05,451
SAID, "WE KNOW THAT THEY'RE NOT
1455
00:33:05,451 --> 00:33:07,153
MARRIED."
1456
00:33:07,153 --> 00:33:07,819
NOW, WHAT I SAID WAS--
1457
00:33:07,819 --> 00:33:08,487
WOW. [bleep].
1458
00:33:08,487 --> 00:33:09,155
NOW HOLD IT.
1459
00:33:09,155 --> 00:33:11,190
OF COURSE, YOU KNOW, COME ON.
1460
00:33:11,190 --> 00:33:11,857
I'M STICKING FOR YOU.
1461
00:33:11,857 --> 00:33:12,524
THERE'S NO QUESTION.
1462
00:33:12,524 --> 00:33:13,359
ABSOLUTELY.
1463
00:33:13,359 --> 00:33:14,560
I'M LIKE, "WELL, LISTEN.
1464
00:33:14,560 --> 00:33:16,462
SLEEZE SAID THEY'RE MARRIED, SO
1465
00:33:16,462 --> 00:33:18,697
WE DID THE COVER BASED ON THAT."
1466
00:33:18,697 --> 00:33:19,865
"WELL, I KNOW THEY'RE NOT
1467
00:33:19,865 --> 00:33:20,532
MARRIED.
1468
00:33:20,532 --> 00:33:21,600
THEY NEED TO PROVE IT."
1469
00:33:21,600 --> 00:33:22,334
AND I'M LIKE, LISTEN--
1470
00:33:22,334 --> 00:33:23,435
WE ALL GOOD.
1471
00:33:23,435 --> 00:33:25,003
SO NOW DAWN HAS GOT MIMI CAUGHT
1472
00:33:25,003 --> 00:33:26,605
UP IN ALL THIS NONSENSE.
1473
00:33:26,605 --> 00:33:27,706
THEY SPREADING LIES ABOUT ME AND
1474
00:33:27,706 --> 00:33:28,607
MY WIFE.
1475
00:33:28,607 --> 00:33:30,276
YO, THAT'S NOT A GOOD LOOK.
1476
00:33:30,276 --> 00:33:31,543
BOTH OF THESE OLD BROADS,
1477
00:33:31,543 --> 00:33:32,944
THESE OLD HAGS NEEDS TO GO TO
1478
00:33:32,944 --> 00:33:34,213
THE BINGO HALL AND SIT DOWN
1479
00:33:34,213 --> 00:33:35,247
SOMEWHERE 'CAUSE I AIN'T GOT
1480
00:33:35,247 --> 00:33:36,348
TIME FOR THEIR LIES AND
1481
00:33:36,348 --> 00:33:37,783
THEIR ACCUSATIONS.
1482
00:33:37,783 --> 00:33:38,684
DAWN AND MIMI AIN'T NEVER
1483
00:33:38,684 --> 00:33:39,685
BEEN FRIENDS THEIR WHOLE [bleep]
1484
00:33:39,685 --> 00:33:41,019
LIFE, AND NOW--
1485
00:33:41,019 --> 00:33:42,154
THEY HAD TEXT MESSAGES AND
1486
00:33:42,154 --> 00:33:43,755
ALL KINDS OF [bleep], AND
1487
00:33:43,755 --> 00:33:45,124
THEY'RE LIKE, "WE'RE GONNA BRING
1488
00:33:45,124 --> 00:33:46,092
THIS TO THE BLOGS."
1489
00:33:46,092 --> 00:33:46,992
AND I'M LIKE, "WHETHER THEY
1490
00:33:46,992 --> 00:33:47,926
MARRIED OR IF THEY'RE NOT"--
1491
00:33:47,926 --> 00:33:49,027
WE ARE MARRIED.
1492
00:33:49,027 --> 00:33:49,995
I SAID THAT.
1493
00:33:49,995 --> 00:33:50,796
YOU MUST LIKE WHAT THEY
1494
00:33:50,796 --> 00:33:51,463
BRINGING--
1495
00:33:51,463 --> 00:33:52,631
ONLY BECAUSE THEY'RE TALKING
1496
00:33:52,631 --> 00:33:54,032
ABOUT GOING AT HIP HOP WEEKLY.
1497
00:33:54,032 --> 00:33:54,933
WE AIN'T GOT TO WORRY ABOUT
1498
00:33:54,933 --> 00:33:55,901
THAT.
1499
00:33:55,901 --> 00:33:58,570
HIP HOP WEEKLY IS HERE TO STAY,
1500
00:33:58,570 --> 00:33:59,371
BABY.
1501
00:33:59,371 --> 00:34:00,839
MY MAN, MY BUSINESS PARTNER
1502
00:34:00,839 --> 00:34:02,541
IS SITTING HERE WITH HIS WIFE,
1503
00:34:02,541 --> 00:34:03,475
AND THEY'RE JUST AS SURPRISED AS
1504
00:34:03,475 --> 00:34:05,411
I AM, SO YO, AS FAR AS I'M
1505
00:34:05,411 --> 00:34:06,978
CONCERNED, IF SLEEZE SAYS HE'S
1506
00:34:06,978 --> 00:34:08,847
MARRIED, HE'S MARRIED.
1507
00:34:08,847 --> 00:34:09,815
JUST KNOW THAT THESE PEOPLE ARE
1508
00:34:09,815 --> 00:34:11,817
GONNA ALWAYS BE ON Y'ALL'S ASSES
1509
00:34:11,817 --> 00:34:12,918
TO PROVE THE MARRIAGE.
1510
00:34:12,918 --> 00:34:13,585
LISTEN...
1511
00:34:13,585 --> 00:34:14,986
THEY OLD AND THEY TIRED,
1512
00:34:14,986 --> 00:34:15,921
AND THEY AIN'T GOT [bleep] ELSE
1513
00:34:15,921 --> 00:34:16,822
TO DO BUT WORRY ABOUT MY
1514
00:34:16,822 --> 00:34:17,856
MARRIAGE AND WORRY ABOUT WHAT
1515
00:34:17,856 --> 00:34:19,258
THE [bleep] I GOT GOING ON.
1516
00:34:19,258 --> 00:34:20,092
WE GONNA LEAVE THIS WHERE IT'S
1517
00:34:20,092 --> 00:34:21,293
AT, AND I'M READY TO GO.
1518
00:34:21,293 --> 00:34:22,628
I DON'T GIVE A DAMN ABOUT THESE
1519
00:34:22,628 --> 00:34:24,130
TIRED-ASS BITCHES AND THEIR
1520
00:34:24,130 --> 00:34:24,963
LIVES.
1521
00:34:24,963 --> 00:34:26,198
MIMI THE PORN STAR NEED TO GO
1522
00:34:26,198 --> 00:34:27,633
WORRY ABOUT HER PORN TAPE, AND
1523
00:34:27,633 --> 00:34:28,567
DAWN, YOU NEED TO WORRY ABOUT
1524
00:34:28,567 --> 00:34:30,202
GOING TO FIND YOU ANOTHER JOB
1525
00:34:30,202 --> 00:34:31,069
'CAUSE RIGHT NOW YOU HAVE NO
1526
00:34:31,069 --> 00:34:31,737
JOB.
1527
00:34:31,737 --> 00:34:33,272
RIGHT NOW YOU'RE BROKE.
1528
00:34:33,272 --> 00:34:34,540
YOU BRING THEM HOS UP TO ME ONE
1529
00:34:34,540 --> 00:34:35,874
MORE TIME, THEN YOU AND I GONNA
1530
00:34:35,874 --> 00:34:36,542
HAVE A PROBLEM.
1531
00:34:36,542 --> 00:34:37,209
IT'S ALL GOOD.
1532
00:34:37,209 --> 00:34:37,876
YOU HAVE A GREAT DAY.
1533
00:34:37,876 --> 00:34:38,544
ALL RIGHT.
1534
00:34:38,544 --> 00:34:39,345
THAT'S WHAT YOU CALL A
1535
00:34:39,345 --> 00:34:40,979
[bleep] ASS.
1536
00:34:40,979 --> 00:34:42,781
[laughs]
1537
00:34:42,781 --> 00:34:46,152
UGH!
1538
00:34:46,152 --> 00:34:47,085
* I'M ROLLING NOW ♪
1539
00:34:47,085 --> 00:34:47,753
♪ ROLLING NOW
1540
00:34:47,753 --> 00:34:49,155
♪ D-DO IT BIG
1541
00:34:49,155 --> 00:34:50,822
♪ GET A LIFE
1542
00:34:50,822 --> 00:34:51,823
♪SHE STAY DEAD ♪
1543
00:34:51,823 --> 00:34:53,325
♪ GOTTA GO FOR YOURS
1544
00:34:53,325 --> 00:34:57,095
[crowd chattering]
1545
00:34:57,095 --> 00:34:58,197
♪ CONGRATULATIONS
1546
00:34:58,197 --> 00:34:59,665
OOH!
1547
00:34:59,665 --> 00:35:00,399
* AND IT
1548
00:35:00,399 --> 00:35:01,800
♪ IT'S FUNNY HOW THEY SEE ♪
1549
00:35:01,800 --> 00:35:03,735
GET A PICTURE WITH Y'ALL.
1550
00:35:03,735 --> 00:35:04,736
[crowd chattering]
1551
00:35:04,736 --> 00:35:05,737
[music continues quietly]
1552
00:35:05,737 --> 00:35:07,773
♪
1553
00:35:07,773 --> 00:35:10,376
YEAH!
1554
00:35:10,376 --> 00:35:12,511
HEY, TONIGHT, YOU KNOW, IT'S MY
1555
00:35:12,511 --> 00:35:14,713
G-DAY, AND I'M TURNING 30.
1556
00:35:14,713 --> 00:35:15,381
30.
1557
00:35:15,381 --> 00:35:16,748
THIS IS NO SMALL ACCOMPLISHMENT
1558
00:35:16,748 --> 00:35:18,484
COMING FROM A DUDE FROM THE "A."
1559
00:35:18,484 --> 00:35:19,318
YA DIG?
1560
00:35:19,318 --> 00:35:20,986
CAN I GET YOUR ATTENTION?
1561
00:35:20,986 --> 00:35:21,853
I WANT TO THANK EVERYBODY FOR
1562
00:35:21,853 --> 00:35:23,289
COMING OUT FOR MY SON'S 30TH
1563
00:35:23,289 --> 00:35:25,224
BIRTHDAY.
1564
00:35:25,224 --> 00:35:26,192
HE GONNA TAKE HIS RIGHTFUL PLACE
1565
00:35:26,192 --> 00:35:28,727
ON THE THRONE, SO I WANT YOU TO
1566
00:35:28,727 --> 00:35:31,029
COME AND TASTE THIS CAKE THAT
1567
00:35:31,029 --> 00:35:33,999
THE PALACE HAS PREPARED FOR YOU.
1568
00:35:33,999 --> 00:35:34,866
AND COME ON, BAMBI.
1569
00:35:34,866 --> 00:35:36,768
COME ON AND FEED IT TO HIM.
1570
00:35:36,768 --> 00:35:38,304
FEED IT TO HIM RIGHT.
1571
00:35:38,304 --> 00:35:41,273
YES. YES.
1572
00:35:41,273 --> 00:35:42,140
OH.
1573
00:35:42,140 --> 00:35:44,109
WOW, GIVE IT UP.
1574
00:35:44,109 --> 00:35:47,679
WOW!
1575
00:35:47,679 --> 00:35:49,215
MAN, I INVITED ALL MY FOLK TO
1576
00:35:49,215 --> 00:35:50,282
COME OUT AND SHOW ME SOME LOVE,
1577
00:35:50,282 --> 00:35:51,750
SHORTY, AND YOU NEVER KNOW WHO
1578
00:35:51,750 --> 00:35:53,519
GONNA COME OUT AND SEE YOUR BOY.
1579
00:35:53,519 --> 00:35:54,420
HEY, WHAT'S UP?
1580
00:35:54,420 --> 00:35:55,687
HAPPY BIRTHDAY.
1581
00:35:55,687 --> 00:35:56,355
HOW YOU DOING?
1582
00:35:56,355 --> 00:35:57,223
WHAT'S GOING ON WITH YOU?
1583
00:35:57,223 --> 00:35:58,224
NOTHING MUCH.
1584
00:35:58,224 --> 00:35:59,658
JUST, HEY, YOU LOOKIN' FLY.
1585
00:35:59,658 --> 00:36:00,526
I APPRECIATE IT.
1586
00:36:00,526 --> 00:36:01,560
OKAY.
1587
00:36:01,560 --> 00:36:03,695
WHERE'S EVERYBODY ELSE AT?
1588
00:36:03,695 --> 00:36:05,964
BAM AND MY MOM IS OVER THERE.
1589
00:36:05,964 --> 00:36:07,633
WHERE?
1590
00:36:07,633 --> 00:36:08,300
OVER THERE.
1591
00:36:08,300 --> 00:36:09,601
SEEM LIKE SOME EGGS IN THE
1592
00:36:09,601 --> 00:36:10,602
BASKET.
1593
00:36:10,602 --> 00:36:11,503
HE GOT BITCHES AT HIS NECK
1594
00:36:11,503 --> 00:36:13,372
ALL DAY EVERY DAY.
1595
00:36:13,372 --> 00:36:15,040
BUT WHAT BITCH IS THAT?
1596
00:36:15,040 --> 00:36:16,542
I HAVE NO IDEA WHO SHE IS,
1597
00:36:16,542 --> 00:36:17,209
BUT WHAT AM I--
1598
00:36:17,209 --> 00:36:18,109
CHECK THAT [bleep].
1599
00:36:18,109 --> 00:36:19,044
SHE BLOWING KISSES.
1600
00:36:19,044 --> 00:36:20,212
SHE MUST WANT TO WORK FOR ME.
1601
00:36:20,212 --> 00:36:20,879
COME ON.
1602
00:36:20,879 --> 00:36:22,714
NOW THAT THE BAMBI AND I HAVE
1603
00:36:22,714 --> 00:36:25,284
BECOME ALLIES, IT'S TIME FOR ME
1604
00:36:25,284 --> 00:36:26,852
TO TEACH HER THE FACTS OF LIFE.
1605
00:36:26,852 --> 00:36:28,720
NOW, SHE'S PRETTY ENOUGH, BUT IS
1606
00:36:28,720 --> 00:36:29,955
SHE STRONG ENOUGH?
1607
00:36:29,955 --> 00:36:31,957
I THINK IT'S TIME TO FIND OUT.
1608
00:36:31,957 --> 00:36:35,060
SEEM LIKE YOUR EGGS GOT LEGS,
1609
00:36:35,060 --> 00:36:38,029
AND AS I CAN SEE, SOME ASS.
1610
00:36:38,029 --> 00:36:38,930
THIS IS BAM.
1611
00:36:38,930 --> 00:36:40,131
HI, HOW ARE YOU?
1612
00:36:40,131 --> 00:36:40,999
MY LADY.
1613
00:36:40,999 --> 00:36:42,901
THIS IS MY FRIEND ERICA.
1614
00:36:42,901 --> 00:36:44,135
I'M SORRY TO HEAR ABOUT
1615
00:36:44,135 --> 00:36:45,571
EVERYTHING THAT HAPPENED.
1616
00:36:45,571 --> 00:36:46,472
WHAT'S EVERYTHING THAT
1617
00:36:46,472 --> 00:36:47,138
HAPPENED?
1618
00:36:47,138 --> 00:36:48,073
YOU KNOW, WHAT HAPPENED WITH
1619
00:36:48,073 --> 00:36:48,740
THE PREGNANCY.
1620
00:36:48,740 --> 00:36:51,142
I'M SORRY ABOUT THAT.
1621
00:36:51,142 --> 00:36:52,043
YOU TOLD HER?
1622
00:36:52,043 --> 00:36:53,612
WHY WOULD YOU BE TELLING HER MY
1623
00:36:53,612 --> 00:36:54,713
PERSONAL BUSINESS?
1624
00:36:54,713 --> 00:36:56,482
NO, IT WAS, LIKE, SOME
1625
00:36:56,482 --> 00:36:57,516
FRIENDLY TYPE...
1626
00:36:57,516 --> 00:36:58,484
HOW LONG HAVE YOU BEEN
1627
00:36:58,484 --> 00:36:59,785
KNOWING HER TO BE TELLING HER MY
1628
00:36:59,785 --> 00:37:01,219
PERSONAL BUSINESS, THOUGH?
1629
00:37:01,219 --> 00:37:02,421
NO, I MEAN, JUST A MINUTE.
1630
00:37:02,421 --> 00:37:04,089
I MEAN, YOU KNOW, I TOLD YOU
1631
00:37:04,089 --> 00:37:05,190
WHEN WE MET.
1632
00:37:05,190 --> 00:37:05,991
THAT'S WHAT I'M SAYING.
1633
00:37:05,991 --> 00:37:07,158
LIKE, WHO THE [bleep] IS SHE TO
1634
00:37:07,158 --> 00:37:08,960
BE KNOWING MY [bleep] BUSINESS?
1635
00:37:08,960 --> 00:37:10,562
BUT YOU TOLD ME EVERYTHING.
1636
00:37:10,562 --> 00:37:12,898
[all shouting]
1637
00:37:12,898 --> 00:37:13,765
OH!
1638
00:37:13,765 --> 00:37:15,000
[bleep] BITCH!
1639
00:37:15,000 --> 00:37:16,735
WHO THE [bleep] ARE YOU?
1640
00:37:16,735 --> 00:37:17,969
I WILL [bleep] THIS WHOLE
1641
00:37:17,969 --> 00:37:18,770
MOTHER[bleep] UP IN THIS
1642
00:37:18,770 --> 00:37:19,671
MOTHER[bleep]!
1643
00:37:19,671 --> 00:37:20,339
[bleep]!
1644
00:37:20,339 --> 00:37:21,273
COME BACK, [bleep]!
1645
00:37:21,273 --> 00:37:22,374
BITCH, TRY ME!
1646
00:37:22,374 --> 00:37:23,442
TRY ME, BITCH!
1647
00:37:23,442 --> 00:37:24,543
TRY ME!
1648
00:37:24,543 --> 00:37:26,111
YOU DONE [bleep] WITH THE WRONG
1649
00:37:26,111 --> 00:37:27,813
MOTHER[bleep] TODAY, BITCH!
1650
00:37:27,813 --> 00:37:29,481
YOU MAD THAT I SLAPPED YOUR
1651
00:37:29,481 --> 00:37:31,182
BITCH, YOUR LITTLE SIDE BITCH?
1652
00:37:31,182 --> 00:37:31,850
MY LITTLE SIDE BITCH.
1653
00:37:31,850 --> 00:37:32,718
I'M YOUR REAL BITCH.
1654
00:37:32,718 --> 00:37:34,185
I RUB YOUR FEET EVERY NIGHT,
1655
00:37:34,185 --> 00:37:36,154
SO [bleep] THAT BITCH.
1656
00:37:45,096 --> 00:37:45,964
BUT I'M SAYING, LIKE,
1657
00:37:45,964 --> 00:37:47,299
WHO THE [bleep] IS SHE TO
1658
00:37:47,299 --> 00:37:48,667
BE KNOWING MY [bleep] BUSINESS?
1659
00:37:48,667 --> 00:37:50,268
BUT YOU TOLD ME EVERYTHING.
1660
00:37:50,268 --> 00:37:52,604
[all shouting]
1661
00:37:52,604 --> 00:37:53,472
OH!
1662
00:37:53,472 --> 00:37:54,706
[bleep] BITCH!
1663
00:37:54,706 --> 00:37:56,442
WHO THE [bleep] ARE YOU?
1664
00:37:56,442 --> 00:37:57,676
I WILL [bleep] THIS WHOLE
1665
00:37:57,676 --> 00:37:58,477
MOTHER[bleep] UP IN THIS
1666
00:37:58,477 --> 00:37:59,378
MOTHER[bleep]!
1667
00:37:59,378 --> 00:38:00,045
[bleep]!
1668
00:38:00,045 --> 00:38:01,046
COME BACK, [bleep]!
1669
00:38:01,046 --> 00:38:02,147
BITCH, TRY ME!
1670
00:38:02,147 --> 00:38:03,214
TRY ME, BITCH!
1671
00:38:03,214 --> 00:38:04,316
TRY ME!
1672
00:38:04,316 --> 00:38:05,884
YOU DONE [bleep] WITH THE WRONG
1673
00:38:05,884 --> 00:38:07,453
MOTHER[bleep] TODAY, BITCH!
1674
00:38:07,453 --> 00:38:08,520
YOU [bleep] HO!
1675
00:38:08,520 --> 00:38:09,321
WHY ARE YOU LETTING BITCHES
1676
00:38:09,321 --> 00:38:10,689
TALK TO ME?
1677
00:38:10,689 --> 00:38:11,957
MAN, YOU BETTER CHILL OUT!
1678
00:38:11,957 --> 00:38:12,658
YOU CHILL OUT WITH THAT
1679
00:38:12,658 --> 00:38:13,359
[bleep].
1680
00:38:13,359 --> 00:38:14,393
WHAT YOU GONNA HAVE TO LEARN
1681
00:38:14,393 --> 00:38:15,927
HOW TO DO IS CONTROL YOUR
1682
00:38:15,927 --> 00:38:16,728
BITCHES.
1683
00:38:16,728 --> 00:38:18,964
NAH, I KNOW YOU, YOU BAM
1684
00:38:18,964 --> 00:38:19,831
BITCH!
1685
00:38:19,831 --> 00:38:20,866
EVERYBODY'S [bleep] YOU,
1686
00:38:20,866 --> 00:38:21,533
[bleep]!
1687
00:38:21,533 --> 00:38:22,734
SCRAPPY'S THE FIRST DUMMY TO
1688
00:38:22,734 --> 00:38:23,802
[bleep] WIFEY YOUR DUMB ASS UP,
1689
00:38:23,802 --> 00:38:24,803
BITCH!
1690
00:38:24,803 --> 00:38:27,339
NOW YOU THINK YOU THAT BITCH?
1691
00:38:27,339 --> 00:38:28,006
HEY, MAN.
1692
00:38:28,006 --> 00:38:29,608
IT GOING CRAZY UP IN HERE, MAN.
1693
00:38:29,608 --> 00:38:30,676
PINKETT, YOU KNOW, THAT'S MY
1694
00:38:30,676 --> 00:38:31,577
HOMEY.
1695
00:38:31,577 --> 00:38:32,711
BAM, THAT'S MY GIRL, YOU KNOW
1696
00:38:32,711 --> 00:38:33,612
WHAT I'M SAYING?
1697
00:38:33,612 --> 00:38:34,513
MAN, THEY GOT ME IN THE MIDDLE
1698
00:38:34,513 --> 00:38:35,481
OF SOME SITUATION THAT I DON'T
1699
00:38:35,481 --> 00:38:36,648
EVEN WANT TO BE IN, YOU KNOW
1700
00:38:36,648 --> 00:38:37,315
WHAT I'M SAYING?
1701
00:38:37,315 --> 00:38:38,049
IT SUPPOSED TO BE MY NIGHT,
1702
00:38:38,049 --> 00:38:38,850
Y'ALL.
1703
00:38:38,850 --> 00:38:40,285
YOU MAD THAT I SLAPPED YOUR
1704
00:38:40,285 --> 00:38:42,153
BITCH, YOUR LITTLE SIDE BITCH?
1705
00:38:42,153 --> 00:38:42,821
MY LITTLE SIDE BITCH.
1706
00:38:42,821 --> 00:38:43,689
I'M YOUR REAL BITCH.
1707
00:38:43,689 --> 00:38:45,056
I RUB YOUR FEET EVERY NIGHT,
1708
00:38:45,056 --> 00:38:45,991
SO [bleep] THAT BITCH.
1709
00:38:45,991 --> 00:38:46,758
MY SIDE BITCH?
1710
00:38:46,758 --> 00:38:47,593
I DON'T KNOW WHO THE [bleep]
1711
00:38:47,593 --> 00:38:48,560
SHE IS.
1712
00:38:48,560 --> 00:38:49,828
WHEN I LOST THE BABY, I ONLY
1713
00:38:49,828 --> 00:38:51,663
TOLD A FEW PEOPLE ABOUT IT, AND
1714
00:38:51,663 --> 00:38:53,532
THEY WERE MY CLOSE FRIENDS.
1715
00:38:53,532 --> 00:38:54,400
YOU DON'T BRING THAT [bleep] UP
1716
00:38:54,400 --> 00:38:56,334
TO NOBODY IN THE CLUB UNLESS YOU
1717
00:38:56,334 --> 00:38:57,836
TRYING TO GET YOUR ASS BEAT.
1718
00:38:57,836 --> 00:38:58,604
GIVE ME A KISS SO I KNOW IT'S
1719
00:38:58,604 --> 00:38:59,771
REAL.
1720
00:38:59,771 --> 00:39:00,506
HUH?
1721
00:39:00,506 --> 00:39:02,240
GIVE ME A KISS.
1722
00:39:02,240 --> 00:39:04,242
YOU GIVE ME A KISS.
1723
00:39:10,516 --> 00:39:12,083
TURN THE MUSIC ON SO WE CAN
1724
00:39:12,083 --> 00:39:13,919
HAVE A PARTY!
1725
00:39:13,919 --> 00:39:15,186
HONESTLY, I'M NOT [bleep]
1726
00:39:15,186 --> 00:39:16,622
KIDDING!
1727
00:39:16,622 --> 00:39:17,423
LET'S GO!
1728
00:39:17,423 --> 00:39:18,624
IN THE CAR NOW!
1729
00:39:18,624 --> 00:39:19,625
[hip-hop music]
1730
00:39:19,625 --> 00:39:20,792
♪
1731
00:39:20,792 --> 00:39:22,327
WHO DOES THIS BIG REINDEER
1732
00:39:22,327 --> 00:39:24,262
BAMBI BITCH THINK SHE IS PUTTING
1733
00:39:24,262 --> 00:39:25,263
HER HANDS ON ME?
1734
00:39:25,263 --> 00:39:26,465
BITCH, YOU BETTER THINK TWICE
1735
00:39:26,465 --> 00:39:27,666
'CAUSE YOU DEFINITELY WON'T GET
1736
00:39:27,666 --> 00:39:29,968
AWAY THAT ONE.
1737
00:39:29,968 --> 00:39:31,269
THE BOUNCERS WOULDN'T LET ME
1738
00:39:31,269 --> 00:39:32,137
BACK IN THE CLUB.
1739
00:39:32,137 --> 00:39:33,204
IT'S OKAY, THOUGH.
1740
00:39:33,204 --> 00:39:34,673
I'MA SEE THAT BITCH AGAIN.
1741
00:39:34,673 --> 00:39:35,841
NOBODY TAKES A SUCKER PUNCH
1742
00:39:35,841 --> 00:39:37,576
SWING AT ME, BABY.
1743
00:39:37,576 --> 00:39:39,411
[cheering]
1744
00:39:39,411 --> 00:39:40,211
* SHOW ME WHAT IT IS
1745
00:39:40,211 --> 00:39:43,314
♪ SHOW ME WHAT IT IS
1746
00:39:45,984 --> 00:39:46,918
NEXT TIME ON LOVE & HIP-HOP:
1747
00:39:46,918 --> 00:39:47,686
ATLANTA...
1748
00:39:47,686 --> 00:39:49,320
THE OTHER NIGHT PROVED EVERY
1749
00:39:49,320 --> 00:39:50,556
FRICKIN' THING THAT I'VE BEEN
1750
00:39:50,556 --> 00:39:52,123
HEARING ABOUT THIS RAT FROM
1751
00:39:52,123 --> 00:39:53,224
COMPTON.
1752
00:39:53,224 --> 00:39:54,059
YOU MEAN TO TELL ME YOU CAN'T
1753
00:39:54,059 --> 00:39:55,594
STAND UP HERE AND DO NO FAMILY
1754
00:39:55,594 --> 00:39:56,261
THING?
1755
00:39:56,261 --> 00:39:57,429
YOU JUST PUTTING OUT THERE,
1756
00:39:57,429 --> 00:39:59,064
"ME AND RASHEEDA SEPARATED."
1757
00:39:59,064 --> 00:40:00,365
STAY OUT THE SPORTS BARS, AND
1758
00:40:00,365 --> 00:40:01,132
STAY FROM MAKIN' NEW LITTLE
1759
00:40:01,132 --> 00:40:02,367
GIRLFRIENDS.
1760
00:40:02,367 --> 00:40:04,102
WHEN DID YOU GET MARRIED?
1761
00:40:04,102 --> 00:40:05,804
JULY 29TH.
1762
00:40:05,804 --> 00:40:06,838
JUNE 29TH.
1763
00:40:06,838 --> 00:40:08,874
THAT'S BULL[bleep].
1764
00:40:08,874 --> 00:40:09,675
MIMI KNEW ABOUT THE PHOTO
1765
00:40:09,675 --> 00:40:10,341
SHOOT.
1766
00:40:10,341 --> 00:40:11,276
HOW DID MIMI?
1767
00:40:11,276 --> 00:40:12,444
THE ONLY PERSON THAT KNOW WAS
1768
00:40:12,444 --> 00:40:13,411
HIM AND TAMMY.
1769
00:40:13,411 --> 00:40:14,813
SO YOU THINK TAMMY TOLD--
1770
00:40:14,813 --> 00:40:15,647
GOING AROUND TELLING THESE
1771
00:40:15,647 --> 00:40:17,248
OLD, RAGGEDY COUGARS MY BUSINESS
1772
00:40:17,248 --> 00:40:18,383
IN ATLANTA.
1773
00:40:18,383 --> 00:40:19,217
I'MA HAVE A CONVERSATION WITH
1774
00:40:19,217 --> 00:40:20,786
BOTH OF THEM HOS ONE DAY.
1775
00:40:20,786 --> 00:40:21,453
SO I REALLY DON'T GIVE A
1776
00:40:21,453 --> 00:40:22,153
[bleep] AT THE END OF THE DAY
1777
00:40:22,153 --> 00:40:22,921
'CAUSE I DON'T NEED TO BE
1778
00:40:22,921 --> 00:40:23,589
FRIENDS WITH NO BITCH.
1779
00:40:23,589 --> 00:40:24,255
I COULD GIVE A [bleep]
1780
00:40:24,255 --> 00:40:24,990
EITHER.
1781
00:40:24,990 --> 00:40:25,991
YOU HAVE TO UNDERSTAND
1782
00:40:25,991 --> 00:40:27,025
ERICA'S POSITION.
1783
00:40:27,025 --> 00:40:28,527
SHE DON'T HAVE A POSITION.
1784
00:40:28,527 --> 00:40:30,529
BUT SHE DO--
1785
00:40:49,347 --> 00:40:50,148
YOU LOVE THAT DAMN MIRROR.
1786
00:40:50,148 --> 00:40:51,382
YOU KNOW, WHEN YOU LOOK LIKE
1787
00:40:51,382 --> 00:40:52,584
THIS, BITCH--
1788
00:40:52,584 --> 00:40:54,553
WHEN YOU LOOK LIKE THIS, WHY
1789
00:40:54,553 --> 00:40:56,154
WOULDN'T YOU LOVE THE MIRROR?
1790
00:40:56,154 --> 00:40:57,355
I MEAN, LOOK AT THIS BODY.
1791
00:40:57,355 --> 00:40:58,590
WOW, THERE YOU GO.
1792
00:40:58,590 --> 00:41:02,594
BE LIKE, "HEY, TAMMY.
1793
00:41:02,594 --> 00:41:03,261
HEY, TAMMY."
1794
00:41:03,261 --> 00:41:04,362
I'M NOT ABOUT TO PLAY WITH
1795
00:41:04,362 --> 00:41:05,931
YOU.
1796
00:41:05,931 --> 00:41:07,232
LOOK, OH, THAT'S A CATSUIT.
1797
00:41:07,232 --> 00:41:08,900
OH, HONEY, I GOT TO SHOW ASS.
1798
00:41:08,900 --> 00:41:10,669
[laughing]
1799
00:41:10,669 --> 00:41:11,537
IT WOULDN'T BE RIGHT IF I
1800
00:41:11,537 --> 00:41:12,938
DIDN'T SHOW NO ASS, BOO.
1801
00:41:12,938 --> 00:41:13,839
GIRL.
1802
00:41:13,839 --> 00:41:15,607
WHAT?
1803
00:41:15,607 --> 00:41:16,407
THAT'S HOW GOOD MY ASS SHAKE,
1804
00:41:16,407 --> 00:41:18,409
BITCH.
111989
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