Original subtitles

PREVIOUSLY ON LOVE & HIP-HOP:

ATLANTA.

WE SHOULD LIVE TOGETHER.

HE WAS TRYING TO SETTLE DOWN.

KARLIE IS SETTLING DOWN.

BUT HOW DID YOU FIND THIS

HOUSE?

MY REALTOR, KHADIYAH.

ISN'T THAT THE SAME GIRL THAT

DROVE US ON THE TRIP TOGETHER?

WHAT'S THIS GIRL DO?

SHE DO EVERYTHING?

KARLIE, YOU KNOW KHADIYAH.

SHE'S A GO-GETTER.

THAT'S--

ARE YOU [bleep] HER?

YOU DO KNOW HE HAS MORE THAN

ONE EGG IN HIS BASKET.

HE'S TALKING ABOUT ANOTHER

BITCH LIKE HE GOT ANOTHER ONE.

I ACTUALLY WANTED TO SEE IF

WE COULD TAKE THIS SOMEWHERE

ELSE.

I JUST WANT TO KNOW.

DO YOU LOVE ME?

I HAVEN'T GOTTEN THAT FAR

YET.

SO YOU AND BAM IS SERIOUS?

SHE'S PREGNANT, MAN.

A LITTLE PATTER OF LITTLE

FEET AROUND THE PALACE GOIN' BE

GOOD, YOU KNOW.

YOU'VE BEEN TAKING YOUR

MEDICINE?

YOU MAD?

YES, I'M MAD.

WHY?

I DON'T WANT YOU TO GO.

YOU'RE STUPID.

NO, YOU'RE STUPID.

YOU DON'T SEE A GOOD DUDE

WHEN YOU GOT ONE.

OH, REALLY?

KIRK FROST IS THE BIOLOGICAL

FATHER OF KARTER FROST.

YOU'VE BEEN GREAT.

WHAT'S YOUR NAME?

JASMINE.

MAYBE I'LL LOOK FOR A NANNY,

FOR SOMEBODY TO--WE NEED--

YEAH, WE NEED TO FIND

SOMEBODY YOUNGER.

I NEED YOU TO PROVE HOW MUCH

YOU LOVE ME BY GETTING ME A BIG,

LONG GOWN DRESS, BEAUTIFUL

DIAMONDS, AND LONG HAIR.

SO YOU WANT TO DO THIS BIG

WEDDING?

I DESERVE IT.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* 'SUP ♪

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE ♪

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

THIS NIGHT IS ALL ABOUT

MAKING JOSELINE FEEL

APPRECIATED.

YOU KNOW, I HAVE TO TALK TO HER

ABOUT A FEW THINGS THAT SHE

MIGHT NOT BE HAPPY ABOUT, SO I

GOT TO BUTTER HER UP

A LITTLE BIT.

I WANTED TO MARRY YOU

WHEN I MET YOU.

I BELIEVE THAT YOU WANTED TO

MARRY ME WHEN YOU MET ME, BUT I

DON'T BELIEVE YOU WAS PREPARED

TO MARRY ME WHEN WE DID GET

MARRIED IN JULY 'CAUSE I THOUGHT

THAT YOU--I'M--THE WAY--

JUNE.

IT WAS JULY, BABE.

IT WAS JULY?

YEAH.

JULY 29.

29.

OKAY.

IT WAS JULY. IT WASN'T JUNE.

OKAY, I THOUGHT IT WAS JUNE.

NO, NO, NO, IT'S JULY.

OKAY.

IT'S JULY 29.

WHAT CAN I SAY?

I'M A MAN, YOU KNOW, AND THE

WEDDING DAY CAME OUT WRONG.

AIN'T NO BIGGIE.

I CAN'T WAIT TO SEE YOU IN A--

IN A WHITE GOWN.

WHAT'S UP WITH THAT?

I KNOW WE'VE BEEN WORKING A LOT.

I WANT TO DO A BIG, BIG, BIG

JOINT.

OKAY.

THE WHITE DRESS AND ALL THAT,

BUT...

[sighs]

BUT WHAT?

'CAUSE I THOUGHT THAT'S WHAT YOU

WANTED.

I DO, BUT ONE THING THAT WE

GOT TO HANDLE IS MAKE SURE OUR

BUSINESS IS IN LINE, SO WHAT I'M

ASKING YOU TO DO FOR ME IS JUST

TRUST THAT I'M GONNA GET THIS

DONE, YOU KNOW WHAT I'M SAYING?

BUT IT'S JUST GONNA TAKE

A LITTLE TIME.

WELL, JOSELINE WANTS A BIG WHITE

WEDDING, AND I WANT TO GIVE THAT

TO HER, BUT AT THE END OF THE

DAY, WE GOT TO MAKE SURE HER

BOOKINGS IS UP AND HER GIGS IS

UP, SO WE CAN GET ALL THIS CASH

FLOW.

WE DON'T WANT THE BUSINESS TO

SUFFER BECAUSE OF THE BIG WHITE

WEDDING, SO WE GOT TO PLAN

SMART.

LET'S GET THIS BREAD.

YOU KNOW WHAT, BABE?

YOU'RE RIGHT.

I'M RIGHT?

YOU WANT TO MAKE SOME MORE

MONEY.

YOU WANT TO WAIT.

YOU WANT TO HAVE A WHOLE BUNCH

OF PEOPLE.

YEAH.

I'M WILLING TO WAIT.

I JUST WANT YOU TO--

IF YOU DO THAT FOR ME, YOU

GONNA APPRECIATE ME MORE AFTER

IT'S ALL SAID AND DONE 'CAUSE I

KNOW WHAT I'M DOING.

I STILL WANT MY BIG WEDDING,

BUT AT THE END OF THE DAY, ME

AND STEVIE ARE ALREADY MARRIED.

IT'S MONEY TO BE MADE.

WE CAN HAVE THIS BIG CELEBRATION

ANYTIME.

WHAT ARE WE GONNA DO ABOUT

THESE BOOKINGS NOW?

I HAD TO GET RID OF DAWN

BITCH-ASS BECAUSE--YEAH, I CAN'T

WORK WITH THE BITCH.

DAWN IS THE CHICK THAT I HIRE TO

BOOK MY SHOWS FOR ME, EXCEPT THE

FACT THAT SHE HAVEN'T BEEN

BOOKING ANY SHOWS.

WHAT DO I NEED HER FOR?

THE BITCH IS GOING AROUND

TELLING PEOPLE SHE MY MANAGER.

I BE LIKE, "DAWN IS NOT MY

MANAGER.

STEVIE IS MY MANAGER."

I'M YOUR ONLY MANAGER.

I DON'T THINK THAT DAWN IS

CAPABLE OF COMING TO THE NEXT

LEVEL WITH ME.

I MET THE BITCH AT THE STRIP

CLUB, GAVE THE BITCH A JOB, BUT

SHE'S NOT PROFESSION.

BITCHES ACT LIKE THEY CAN

CHANGE.

LIKE, I'M TRYING TO CHANGE.

WHY YOU CAN'T CHANGE?

SINCE I GOT RID OF THAT BITCH,

WE DEFINITELY NEED TO HIRE

SOMEBODY.

I JUST--I GUESS--

YOU GOT RID OF HER?

DID YOU--DID YOU "FIRE HER"

FIRE HER?

NO, I DIDN'T FIRE THE BITCH

'CAUSE I DON'T--I DON'T FEEL

LIKE I HAVE TO TALK TO THE BITCH

ABOUT NOTHING--

BUT IT'S A PROFESSIONAL WAY

THAT, YOU KNOW--

I UNDERSTAND IT'S A

PROFESSION, BUT THE BITCH AIN'T

A PROFESSIONAL.

YOU STILL GOT TO FIRE HER.

IF I DON'T CALL THE BITCH

AND I DON'T TALK TO YOU,

THAT MEANS YOU'RE [bleep]

FIRED, BITCH.

SHE KNOWS ME BETTER.

THE BITCH CAN'T GET IN CONTACT

WITH NOBODY 'CAUSE WHEN SHE

TRIES TO CALL ME, IT'S GONNA

SAY, "OOPS, IF THIS IS DAWN

CALLING JOSELINE, BITCH, YOU

DEAD IN JOSELINE'S EYES.

GOOD-BYE."

I JUST WANT IT TO BE

A AMICABLE SPLIT.

GOT TO OFFICIALLY CUT HER OFF.

WELL, YOU CAN FIRE HER 'CAUSE

I DON'T FEEL LIKE TALKING TO THE

BITCH, AND I'M NOT GONNA TALK TO

THE BITCH 'CAUSE I DON'T LIKE

THE BITCH, AND THE BITCH IS DONE

IN MY BOOKS.

THE BITCH IS DEAD.

I'M TRYING TO PUT MY PROBLEMS

WITH JOC ON THE BACKBURNER, SO

I'VE BEEN WORKING ON MY COSMETIC

LINE, AND TODAY IS THE LAUNCH

FOR KARLIE REDD SINS AND

FORGIVENESS.

WE DON'T HAVE A STOREFRONT YET,

BUT IT'S AT THE KIOSK STATION AT

THE MALL, AND THE FANS ARE GOING

WILD.

AN OLD FRIEND OF MINE, KALENNA,

JUST MOVED BACK TO ATLANTA, SO I

INVITED SHE AND RASHEEDA OUT TO

TURN UP AND GIVE ME A

DISTRACTION FOR WHAT'S GOING ON

IN MY PERSONAL LIFE.

[laughs]

THANK YOU FOR COMING TO

SUPPORT.

NO PROBLEM. NO PROBLEM.

LOOK AT YOU.

I WANT YOU GUYS TO TRY ON

MY LIPSTICK.

OKAY.

YEAH.

MAKE SURE YOU GOT SOME

BENADRYL IN YOUR PURSE JUST IN

CASE SOMETHING WRONG WITH IT.

[laughs]

OH, NO. HELL NO, GIRL.

THIS HAS BEEN TESTED.

WE GOT FREE SAMPLES?

YEAH.

THAT'S WHAT I'M TALKING ABOUT

'CAUSE THAT'S WHAT I REALLY CAME

FOR.

I'M KALENNA,

SINGER-SONGWRITER

FROM DIDDY-DIRTY MONEY, AND I'M

HAPPY AS A MOTHER [bleep]

TO BE BACK IN ATLANTA TURNING UP

WITH MY PEOPLE.

TURNING UP.

THAT PINK LOOKS CUTE ON YOU.

IT REALLY LOOKS GOOD ON YOU.

YEAH.

KALENNA'S A COOL CHICK.

HAVING HER AND RASHEEDA HERE IS

EXACTLY WHAT I NEEDED TO GET MY

MIND OFF OF JOC.

I HAVEN'T SPOKEN TO HIM SINCE

OUR FIGHT, BUT I GOT TO ADMIT,

AS MUCH AS HE PISSED ME OFF, I

MISS MY BOO.

GUESS WHO'S IN THE STUDIO WITH

ME?

WHO?

JEREMIAH.

AND WHAT?

HMM.

YES, GAVE ME VOCAL EXERCISES

AND EVERYTHING.

KARLIE, OKAY.

YEAH, JOC WALKED IN, SAW

JEREMIH, GOT PISSED OFF.

I MEAN, I CAN'T FRONT.

I WAS TRYING TO MAKE HIM A

LITTLE JEALOUS.

SEE, NOW, WHY ARE YOU PLAYING

THEM GAMES?

THAT'S WHY I'M SO JEALOUS AND

INSECURE ABOUT OUR RELATIONSHIP.

LIKE, THESE GIRLS ARE MAKING ME

GO CRAZY.

I KNOW I'M A LITTLE OUT OF

CONTROL, BUT I CAN'T HELP

MYSELF.

JOC PLAYS INTO EVERY ONE OF MY

INSECURITIES, AND I WANT HIM TO

FEEL THE SAME WAY I FEEL.

HOW ARE YOU AND KIRK DOING?

WHEN I GOT PREGNANT, HE WAS

MAD BECAUSE I COULDN'T WORK.

NOW THAT I'M READY TO WORK, HIS

[bleep] ASS IS LIKE,

"NO, STAY HOME."

I'M LIKE, "BOO, IT'S 2014.

HONEY, DON'T NOBODY SIT AT HOME.

NOT RASHEEDA."

SO WHAT YOU WANT TO DO WITH

THE BABY?

WHAT YOU WANT TO DO WITH KARTER?

I WANT TO GET A NANNY, BUT HE

BE LIKE, "I DON'T WANT YOUR MAMA

WITH HER GRANNY ASS.

NO GRANNY NANNY."

ARE YOU SERIOUS?

KIRK IS A FUNNY DUDE.

NO, I AIN'T HIRING NO

SHORT-ASS BITCH

WITH A GODDAMN...

YOU BETTER KNOW IT.

SHIRT ON WITH NO BRA

JINGLING AROUND THIS BITCH.

I AIN'T HAVING IT.

WELL, KIRK NEED TO--

NEED TO SLAP [bleep] OUT OF HIM.

THAT'S WHAT HE NEED 'CAUSE HE

GETTIN' ON MY NERVES.

YOU GONNA SLAP KIRK?

I WANT TO BE THERE.

OH, DON'T PLAY WITH ME.

KALENNA GONNA BE UP IN THE

BACKGROUND LIKE...

I GOT THIS STRANGE REQUEST TO

MEET UP WITH JOSELINE'S BOOKING

AGENT, DAWN.

I DON'T REALLY KNOW THIS CHICK,

SO I'M WONDERING WHAT SHE WANTS

TO TALK TO ME ABOUT.

I'VE BEEN BOOKING JOSELINE

HERNANDEZ FOR THREE YEARS.

I WAS MORE THAN A BOOKING

AGENCY.

I WAS A FRIEND.

I WAS A MANAGER, BUT ALL OF A

SUDDEN, JOSELINE STOPPED

CALLING.

I DON'T EVEN KNOW WHY, BUT THE

WORD ON THE STREET IS I'M FIRED.

I KNOW ALL OF JOSELINE AND

STEVIE'S BUSINESS, AND I'M SURE

IF ANYBODY'S INTERESTED IN THE

DOWNFALL OF STEVIE J.

AND JOSELINE, IT WOULD BE MIMI.

AND I JUST KNOW YOU PROBABLY

FEEL LIKE, WHAT I WANT WITH YOU?

YES.

I WANTED TO COME TO YOU AND

LET YOU UNDERSTAND THAT I DON'T

WORK WITH JOSELINE AND STEVIE

ANYMORE AT ALL.

THEY'RE JUST UNLOYAL PEOPLE

THAT--HAVE NO LOYALTY TOWARDS

ANYBODY.

I HAVE SO MUCH KNOWLEDGE ABOUT

THEM.

YOU WOULD THINK THAT THEY WOULD

JUST BE LIKE, "WE DON'T HAVE

ANYTHING NEGATIVE TO DO WITH

DAWN OR SAY ABOUT HER," BUT IN

THEIR MIND, THEY NEVER THINK

PEOPLE WILL STOOP TO THEIR

LEVEL.

AND I FEEL LIKE STOOPING TO

THEIR LEVEL.

JUST LIKE DUMBASS STEVIE TO

PISS SOMEBODY OFF THAT KNOWS ALL

HIS DIRT, BUT GUESS WHAT.

I'M ALWAYS READY TO LISTEN.

EVERYTHING IS FAKE, THEIR

WHOLE LIFE.

I GET A TEXT.

"STEVIE IS FLAKING."

"WHAT DO YOU MEAN?

HE'S A FRAUD?"

"YES, HE'S CONTACTED BENZINO.

HE DIDN'T LET BENZINO KNOW THAT

WE'RE REALLY NOT MARRIED, AND

THAT HE WANTED HIM TO PUT IT ON

THE FRONT OF A MAGAZINE."

SO HE ACTUALLY

PUT THIS BIG THING OUT,

"WE'RE MARRIED."

REALLY?

IS THIS WHAT YOU REALLY WANT

PEOPLE TO BELIEVE...

GIRL.

WITH NO MARRIAGE CERTIFICATE?

AND THERE IT IS.

I'VE BEEN SAYING SINCE THE

BEGINNING, THIS MARRIAGE WAS A

FRAUD, AND NOW THERE'S PROOF.

EVEN THE RING--HER PREVIOUS

BOYFRIEND, KEITH, GAVE HER THAT,

NOT STEVIE.

OH, THE DAY THAT THE WHOLE

THING WENT ON TWITTER...

YES.

HE TEXTS ME MAYBE AN HOUR

BEFORE HE DID IT AND SAYS, "I

NEED TO TALK TO YOU ABOUT THE

NEXT STUNT I'M ABOUT TO PULL."

STEVIE HAS LIED TO EVERYONE

ABOUT EVERYTHING.

HE'S NOW USED HIS FRIEND BENZINO

TO PERPETRATE THIS LIE.

NOW THE QUESTION IS, WHAT AM I

GONNA DO WITH ALL THIS

INFORMATION?

IT'S JUST LIKE A DECK OF CARDS

THAT THEY--IT'S GONNA COME

CRASHING DOWN.

OH, YES.

GIRL.

[laughs]

HOW ARE YOU?

GOOD. HOW ARE YOU DOING?

I GOT A JOB FOR YOU.

MY WIFE AND I ARE LOOKING FOR A

NANNY.

OH.

SAY, "HI, MOMMY."

LAST TIME YOU HAD A HIT WAS

WHEN RONALD REAGAN WAS IN MOTHER

[bleep] OFFICE.

YOU'RE FIRED.

I'VE BEEN ON THE ROAD, YOU

KNOW, HANDLING MY BUSINESS,

GETTING THAT CHECK,

AND I GET A PHONE CALL, YOU

KNOW.

BAM TALKING ABOUT, "HURRY UP.

COME HOME NOW, ASAP. 911."

I DON'T KNOW WHAT'S GOING ON.

I JUST KNOW SHE PREGNANT, AND AT

THE END OF THE DAY, I NEED TO

SEE WHAT'S GOING ON ASAP, SO I

CAN HANDLE THAT.

I HAD SOME CRAMPING, AND I

CALLED MY DOCTOR, AND THEY'RE

LIKE, "OH, IT'S PRETTY NORMAL."

BUT THEN, YOU KNOW, I WOKE UP

THE NEXT MORNING, AND THE CRAMPS

WERE PROGRESSING, SO I DROVE

MYSELF TO THE HOSPITAL.

I FEEL SORRY FOR BAM MENTALLY

AND PHYSICALLY, BUT DAMN, YOU

KNOW WHAT I'M SAYING,

IT MESSED ME UP TOO.

IT GOT ME TWISTED.

COULD HAVE SWORN GOD TOLD ME

I HAD ME A LITTLE HOMEY, YOU

KNOW WHAT I'M SAYING?

A LITTLE DUDE, YOU KNOW WHAT I'M

SAYING?

AND EVEN THOUGH I'M NOT IN LOVE

WITH HER, I DO LOVE HER, SO IT

WOULD HAVE BEEN WITH A GOOD

PERSON.

GET YOUR ASS UP.

WAKA IS HOME FROM OFF A TOUR,

AND AS HAPPY AS I AM TO SEE HIM,

HIS LAUNDRY--I CAN DO WITHOUT

THIS.

LIKE, REALLY.

GET UP!

SO YOU JUST GONNA STAY ASLEEP

WHILE I FOLD YOUR CLOTHES?

WHAT, TAMMY?

YOU GONNA HELP ME FOLD?

FOLD WHAT?

ALL YOUR [bleep]

THAT YOU HAVE.

YOU ENJOYED YOURSELF ON TOUR?

YEAH, I MET A LOT OF WOMEN.

DON'T PLAY WITH ME.

BETTER NOT BE NO NUMBERS OR

NOTHING IN YOUR POCKET.

YOU KNOW I APPRECIATE YOU.

YOU BETTER.

WHO ELSE GONNA PUT UP WITH YOUR

[bleep]?

MY MAMA.

[laughs]

SPEAKING OF YOUR MAMA, SHE TELL

YOU ABOUT THIS BIG-ASS WEDDING

SHE'S TRYING TO PLAN?

YOUR MOTHER.

HOW YOU FEEL ABOUT, LIKE,

YOUR MOM GIVING YOU AWAY AND MY

MOTHER GIVING ME AWAY?

THAT'S SO GHETTO, RIGHT?

I'M A GROWN MAN.

WELL, SHE SAID SHE'S GIVING

YOU AWAY.

LET'S JUST GO TO A COURT

AND GET IT OVER WITH.

I JUST WANT TO BE MARRIED.

THAT'S IT.

THAT'S ALL I WANT.

THERE YOU GO.

WE'RE OLDER NOW.

WE GOT TO BUILD TO OUR FAMILY...

FACTS.

DO IT THE RIGHT WAY.

HONESTY, COMMUNICATION,

RESPECT--YOU KNOW I AIN'T

TOLERATING NOTHING LESS THAN

THAT.

I'M DOWN WITH IT.

MAN, I JUST WANT A BABY.

AW.

LET'S INFLATE

THAT STOMACH, MAN.

YOU SO SWEET, STINKY.

GIVE ME A KISS.

I LOVE YOU.

I LOVE YOU TOO.

I FOUND OUT KARTER IS MY SON,

SO I BROUGHT MY BOYS TO MY

FAVORITE SPOT TO CELEBRATE WITH

ME.

HEY, SLEEZE.

HUH?

YOU KNOW ABOUT THE D-NAY?

WHAT'S D-NAY?

DNA.

N.A.

HE TOOK THE TEST.

LISTEN, I WAS HAVING THAT

MOMENT WHERE I DIDN'T TRUST...

COME ON, TRUE TALK.

TRUE TALK.

BUT WHAT HAPPENED WITH THE

RESULTS OF THE TEST?

97.7%.

99.9.

97%.

COME ON.

KIRK'S A CRAZY DUDE, BUT NOW

THAT HE FINALLY FOUND OUT THAT

BABY KARTER IS HIS, MAYBE HE'LL

JUST SETTLE DOWN AND START

LOVING HIS WIFE AGAIN.

SO HOW'S YOU AND RASHEEDA

GETTING ALONG NOW?

HOW'S EVERYTHING?

EVERY TIME WE TAKE ONE STEP

FORWARD, THE CABIN THROW ME FIVE

STEPS BACK.

SO Y'ALL SHOULD TRY THERAPY

THING.

YEAH.

SOMETIMES YOU NEED A

DIFFERENT POINT OF VIEW, YOU

KNOW WHAT I'M SAYING?

LIKE, A THERAPIST.

IT'S CONVERSATION.

HEY, GUYS.

HEY, KIRK.

both: HEY.

HOW ARE YOU?

GOOD, HOW ARE YOU DOING?

CHILLING.

[laughs]

YOU ALREADY MET BENZINO.

YES.

YEAH, I'M SURE YOU HEARD

ABOUT STEVIE.

HOW YOU DOING?

WHAT'S YOUR NAME?

JASMINE.

SLEEZO.

HOW LONG YOU BEEN KNOWING KIRK?

NONE OF YOUR BUSINESS.

[laughs]

YOU GUYS JUST, LIKE, HANG OUT

IN THE RESTAURANT?

SHE WAS HERE WHEN THEY READ

THE RESULTS.

YEAH.

WE'RE SPENDING A LOT OF TIME

HERE AT THE SPORTS BAR, BUT

JASMINE ALWAYS COME THROUGH WITH

A STIFF DRINK AND A PRETTY

SMILE.

SHE'S GOING TO SCHOOL, SHE'S

SMART, AND SHE HAS ASPIRATIONS.

BASICALLY, SHE'S JUST A SWEET

GIRL.

WE ACTUALLY INTERVIEWING NANNIES

RIGHT NOW, AND--

[laughs]

DON'T TELL ME SHE GONNA BE THE

NANNY OF THE BABY.

SHE'S--

OH, MY GOSH.

Y'ALL SEE--Y'ALL PUTTIN'--

CUT.

THESE DUDES GOT THINGS ALL

WRONG.

I GAVE RASHEEDA A HARD TIME

ABOUT GOING BACK TO WORK, BUT

IT'S ONLY BECAUSE I WANT TO MAKE

SURE KARTER WAS TAKEN CARE OF.

IF I HAD A NANNY, RASHEEDA COULD

GET BACK IN THE GAME.

SO MY GIFT TO HER IS A NANNY.

I NEED THAT MODERATE--

KIRK, RASHEEDA'S NOT GONNA

LET HER IN THE CRIB.

KIRK, NOT HER.

NO, NO, NO.

WHY NOT?

WHAT YOU MEAN "WHY NOT?"

THAT'S A YOUNG, LITTLE,

TENDER-RONI.

TENDERLOIN.

YOU KNOW WHAT THOSE ARE?

THOSE ARE HARD TO COME BY RIGHT

THERE.

YO, WE NEED HELP.

YOUR MOMS IS WORKING.

HEY, I GOT Y'ALL SOME SHOTS.

I CAN'T TAKE ANY BECAUSE I NEED

MY JOB.

SINCE YOU CAN'T TAKE THAT

BECAUSE YOU WORK HERE, RIGHT?

UH-HUH.

I GOT A JOB FOR YOU.

DOING WHAT?

WHAT ABOUT YOUR EXPERIENCE

WITH KIDS?

HOW'S THAT GONE?

I HAVE YOUNGER SIBLINGS.

I'M AROUND KIDS ALL THE TIME.

I KNOW HOW TO HANDLE BABIES.

WITH THAT BEING SAID, DON'T

THINK OF THE WORD NANNY AS A OLD

LADY.

I NEED HELP WITH MY NEW BABY.

I LIKE YOUR VIBE.

I KNOWN KIRK TO GET WILD, BUT

BRINGING THIS YOUNG TENDER-RONI

HOME TO RASHEEDA, HE'S ASKING

FOR A SUPREME ASS-WHUPPING.

MY WIFE AND I ARE LOOKING FOR

A NANNY PART-TIME.

WIFE?

WHERE'S THIS RING?

MY RING?

TO SHOW THIS WIFE.

YEAH.

THAT'S THE MILLION-DOLLAR

QUESTION.

WE ALL WANT TO KNOW

WHERE THE RING AT.

WE'RE FRIENDS RIGHT NOW.

YOU'RE FRIENDS.

OH, MAN.

I WOULD LOVE TO BRING YOU IN

AND INTRODUCE YOU, AND LET'S

SEE COULD YOU COME WORK WITH US?

WE LIKE THIS ALREADY.

ALL RIGHT, WELL, IF THIS IS

SOMETHING SERIOUS AND FOR REAL,

I'LL TAKE IT IN CONSIDERATION.

I'M SERIOUS.

I THINK WE GOT TO MOVE THE

RELATIONSHIP FORWARD.

BUSINESS-WISE, SURE.

BUSINESS. STRICTLY BUSINESS.

YEAH, RIGHT.

SCRAPPY MENTIONED TO ME,

"MAMA, BE NICE."

SO I'M GONNA LET YOU KNOW

THERE'S NO POISON IN HERE.

OH, MY GOD.

THINK OF ALL THE GREAT TIMES

WE'VE HAD TOGETHER.

OH, LORD, LORD.

THINK OF ALL THE--DO YOU

REMEMBER SAYING--

YOU SHOULD HAVE BEEN THINKING

ABOUT ALL THE GOOD TIMES AND THE

GREAT THINGS WE HAD TOGETHER.

* BABY, DON'T LET ME DOWN ♪

♪ GOT A LOT GOING ON RIGHT NOW

♪ AND I NEED YOU BESIDE ME

♪ AND WHEN IT GETS COLD

♪ AND I'M FEELING KIND ♪

♪ OF LONELY

♪ I'M HOPING THAT YOU GONNA ♪

♪ PUT A COVER ON ME

IT'S BEEN A FEW DAYS SINCE

I'VE HAD THE MISCARRIAGE, AND

WHILE I'M FEELING BETTER

PHYSICALLY, IT'S STILL TAKEN ME

SOME TIME TO GET MY HEAD RIGHT.

I DIDN'T EVEN THINK I WANTED A

BABY, SO IT'S CRAZY THAT I'M

THIS DISAPPOINTED.

SCRAPPY'S BEEN GREAT, BUT IT'S

STILL GONNA TAKE SOME TIME.

* BABY, DON'T LET ME DOWN ♪

♪ GOT A LOT GOING ON RIGHT NOW

♪ AND I NEED YOU

OH, HI.

HEY.

WOW.

WOW, LOOK AT YOU.

SURPRISED TO SEE YOU.

AW.

MOMMA DEE'S THE LAST PERSON I

EXPECT TO COME KNOCKING ON MY

DOOR RIGHT NOW.

I KNOW SHE WAS EXCITED ABOUT THE

BABY, BUT SHE'S BEEN PRETTY

AWFUL TO ME IN THE PAST, SO IF

SHE'S COMING HERE TO GIVE ME A

HARD TIME, I JUST CAN'T TAKE

THAT RIGHT NOW.

WOW, I'M REALLY SURPRISED THAT

YOU'RE HERE.

WELL, YOU KNOW, I HAVE MY

WAYS.

WOW.

OH, MY GOD.

MY, MY, HOW BIG, SHARP KNIVES

YOU HAVE, DEAR.

[laughs]

I KNOW I FEEL A CERTAIN TYPE

OF WAY ABOUT BAMBI WITH ALL THAT

WHORING SHE BE DOING IN L.A.,

BUT YOU KNOW WHAT?

IT AIN'T EVEN 'BOUT THAT.

AS A WOMAN, I FEEL AND

UNDERSTAND WHAT SHE'S GOING

THROUGH, SO I CAME OVER WITH A

LITTLE SOUP, SOUP FOR THE SOUL.

SCRAPPY MENTIONED TO ME,

"MAMA, BE NICE."

SO I'M GONNA LET YOU KNOW

THERE'S NO POISON IN HERE.

YEAH, I WAS DEFINITELY

WORRIED.

HOW YOU BEEN FEELING?

PHYSICALLY, I'M A LITTLE

BETTER, BUT YOU KNOW,

EMOTIONALLY, IT'S STILL KIND

OF--

I MEAN, WHAT HAPPENED,

I MEAN, I GOT USED TO THE IDEA

THAT WE'RE GONNA HAVE A BABY,

AND THEN I MEAN, HERE COMES

THE CRAZY NEWS THAT YOU LOST

A GRANDCHILD.

RIGHT.

I FELT LIKE A RUG WAS PULLED

OUT FROM UNDER ME.

I JUST THOUGHT YOU WAS

PROBABLY GONNA BE A LITTLE

RELIEVED, YOU KNOW.

NO, NOT WHEN IT COMES DOWN TO

FLESH AND BLOOD, AND IT'S NOT

THAT I DON'T LIKE YOU.

IT'S JUST THAT, YOU KNOW, WITH

ME HEARING THE RUMOR THAT YOU

BOUNCE AND BOUNCE, AND YOU GO

AROUND--

LIKE, REALLY?

YEAH, I WAS KIND OF TAKEN

BACK, SO I JUST HAD TO BRING IT

OUT, BUT WHEN I HEARD ABOUT THE

BABY...

MM-HMM.

I WAS OVERJOYED, AND I CAME

OVER HERE BECAUSE I HAD

A MISCARRIAGE TOO.

OH, WOW.

I HAD A MISCARRIAGE TOO, SO I

UNDERSTAND, YOU KNOW, AS A WOMAN

AND AS A MOTHER, HOW THIS COULD

FEEL, AND I AM SO SORRY THAT YOU

HAD TO GO THROUGH THIS.

I'M SO SORRY THAT I HAD TO LOSE

MY GRANDBABY EVEN BEFORE I EVEN

GOT A CHANCE TO EVEN SEE HIM OR

HER BE BORN.

SO I'M HOPING THAT WE CAN GROW

FROM THIS, AND I'M GOING TO TRY

MY BEST, YOU KNOW, TO GET ALONG

THE BEST WAY I CAN.

AND MAYBE ONE DAY,

WHEN YOUR BODY HEAL,

MAYBE Y'ALL CAN TRY AGAIN

AND MAYBE GET MARRIED.

I'M SHOCKED.

I'M GONNA HAVE TO SAY THAT THAT

WAS AN APOLOGY OR AS CLOSE TO

AN APOLOGY AS MOMMA DEE CAN GET.

MAYBE THIS CAN BE A NEW START

FOR US.

STRANGER THINGS HAVE HAPPENED.

ALL FOR YOU.

THANK YOU.

YOU'RE WELCOME, SWEETIE.

SOME OF MY SPECIAL REMEDY

THAT'LL HELP YOUR BODY HEAL.

OKAY.

AND MAYBE I'LL GET

A GRANDBABY.

[laughs]

EVERYBODY GETS WHAT THEY

WANT.

OOH, NICE.

NICE.

HEY.

I GOT A COUPLE OF THINGS I

NEED TO TALK TO SLEEZO ABOUT, SO

I FIGURED I JUST TAKE HIM TO

LUNCH, MY TREAT.

WHAT'S UP WITH YOU AND JOS?

I MEAN, WE ALL RIGHT.

I KEEP TELLING HER ABOUT THE

BUSINESS ASPECT OF THE THING.

LIKE, SHE HIRED DAWN TO HANDLE

HER BOOKINGS.

RIGHT.

BUT THEN, YOU KNOW, I GOT TO

CLEAN UP HER MESS.

SHE AIN'T WANT TO--

BUT HER AND DAWN WERE FRIENDS

TOO, THOUGH.

YEAH, BUT SHE FIRED HER BUT

DIDN'T FIRE HER.

WHAT YOU MEAN?

SHE DIDN'T TELL HER SHE WAS

FIRED.

I MEAN...

IT IS WHAT IT IS, MAN.

THEY'RE PERSONAL FRIENDS,

MAN.

I KNOW IT'S HARD DOING BUSINESS

WITH YOUR FRIENDS, BUT ME AND

SLEEZO--WE DON'T GOT THAT

PROBLEM.

I MEAN, MOST OF THE TIME WE'RE

PRETTY MUCH ON THE SAME PAGE.

WE TRYING TO GET THIS PAPER.

WE GOT THE RESTAURANT THINGS

POPPING.

OH, AND I GOT THIS NEW SCHEME

FOR MY MAN SLEEZO.

LISTEN, THAT ISSUE,

HIP HOP WEEKLY...

YEAH.

WITH YOU AND JOS ON THE

COVER--SHH, KILLER.

LIKE, WELCOME, BRO.

THAT'S HOW WE DO.

KILLED IT, YO.

THAT'S HOW WE DO.

I WAS THINKING--I FIGURED,

YOU KNOW WHAT I'M SAYING?

COME IN AS A PARTNER.

WHAT?

YEAH, WE WANT TO GET IT BACK

TO WHERE THE SOURCE WAS.

RIGHT, RIGHT, RIGHT,

ABSOLUTELY.

AWARD SHOWS.

RIGHT.

IT'S LIKE THE HIP--IT WAS THE

HIP HOP BIBLE.

MAGAZINE'S BEEN GOING

FOR SIX YEARS.

BEAUTIFUL.

YOU CAN COME IN AND TAKE IT

TO THE NEXT LEVEL.

I'M EXCITED, BRO.

I'LL DRINK TO THAT.

LET'S GO.

both: HEY.

LAST TIME I SAW JOC, WE BOTH

SAID A LOT OF HURTFUL THINGS.

I REALLY HOPE HE ACCEPTS MY

APOLOGY, BUT AT THIS POINT,

I DON'T EVEN KNOW IF HE GONNA

SHOW UP.

WHAT'S UP?

THANK YOU FOR COMING.

I MEAN, I AGREED TO MEET WITH

KARLIE, MAN.

YOU KNOW WHAT I'M SAYING?

I COULDN'T STOP HER FROM CALLING

MY PHONE.

DOG, SHE BLEW PHONE UP.

SHE HIT MY PHONE LIKE 115 TIMES,

BUT WHEN I SAW HER IN THAT

STUDIO, [bleep], THE

RELATIONSHIP LIKE A PAIR OF

FLEA MARKET GIUSEPPE.

SQUASH, WRAP, DONE, OUT THE

DOOR.

WHAT'S GOOD?

WELL, UM--FIRST OF ALL,

THANK YOU FOR COMING.

CAN I HAVE YOUR HANDS, PLEASE?

I WANT TO SHOW YOU--

YOU DIDN'T ASK FOR MY HAND IN

THE STUDIO.

NO, I DON'T WANT TO DO THAT.

TALK TO ME.

LOOK, WE HERE, SERIOUSLY.

I NEED TO FIX OUR PERSONAL

RELATIONSHIP, SO--

I DON'T WANT--I DON'T WANT TO

UPSET YOU.

YOU GONNA MAKE ME--

NO, STOP TOUCHING ME.

I JUST WANT TO SAY...

I WAS WRONG.

I'M SORRY.

I SHOULD HAVE NEVER DID THAT,

AND IT WON'T HAPPEN AGAIN.

I JUST--I KIND OF DID IT TO MAKE

YOU JEALOUS.

OKAY, WELL, I AIN'T GONNA SAY

JEALOUS, BUT YOU DEFINITELY

PISSED ME OFF.

BABY, I WANT ANOTHER CHANCE.

YOU GOT TO GIVE ME ANOTHER

CHANCE, BABY, I--

WHY?

TELL ME WHY I GOT TO GIVE YOU

ANOTHER CHANCE.

THINK OF ALL THE GREAT TIMES

WE'VE HAD TOGETHER.

OH.

THINK OF ALL THE GOOD THINGS

WE GOT TOGETHER.

OH, LORD, LORD.

YOU SHOULD HAVE BEEN THINKING

ABOUT ALL THE GOOD TIMES, ALL

THE GREAT THINGS WE HAD

TOGETHER.

HOW YOU GONNA GET ME

TO THINK ABOUT IT?

I THOUGHT ABOUT IT.

THAT'S WHY I BEEN ROCKING WITH

YOU LIKE THAT.

I KNOW.

BUT I CARE, BABY, AND I WANT

THIS TO WORK.

[laughs]

YOU WANT IT TO WORK, BUT YOU

DOING CRAZY [bleep].

IT'S CLEAR.

SAYING SORRY IS NOT ENOUGH HERE,

BUT KARLIE REDD--SHE GOT A FEW

TRICKS UP HER SLEEVE.

I WANT TO MAKE IT UP TO YOU.

YOU WANT TO MAKE IT UP TO ME?

HOW YOU SUPPOSED TO DO THAT?

BY MY ACTIONS.

SOUND GOOD.

EVERY NIGHT.

HUH, EVERY NIGHT.

MM-HMM.

YOU CRAZY.

[indistinct] YOU CRAZY.

LIKE, I SUPPOSED JUST BE--JUST

READY TO GET INTO IT RIGHT HERE,

RIGHT NOW IN PUBLIC.

LIKE--SEE WHAT'S

ALL THAT [bleep]?

COME ON.

THAT'S WHAT MAKING UP--THAT'S

HOW YOU GONNA MAKE IT UP TO ME?

SO YOU ACTUALLY GONNA DO THIS

IN A FULL RESTAURANT?

RIGHT HERE [bleep],

I'LL TELL YOU THE TRUTH.

MAN, KARLIE BE WILDING OUT HERE.

UNFORTUNATELY, SHE KNOW MY

WEAKNESSES, AND I JUST--I--

WELL, YOU ALWAYS SAY THAT I'M

THE BEST YOU EVER HAD.

THE CHECK, PLEASE.

[laughs]

YOU COULD NEVER FIRE ME.

I PUT THE MONEY IN Y'ALL

ACCOUNT.

WHO YOUR BOSS?

NO, NO, THAT'S ALL RIGHT.

I GET MINE OFF THE MOTHER

[bleep] TOP.

* WHEN IT GETS COLD

I GOT SOME UNFINISHED

BUSINESS TO HANDLE WITH DAWN.

UNLIKE MY WIFE, I LIKE TO GET

STRAIGHT TO THE POINT

SO THERE'S NO CONFUSION.

DAWN, YOU ARE FIRED.

OH, YEAH, I HEARD ABOUT

STEVIE J.

COME TO TRY TO STRAIGHTEN ME

ABOUT SOMETHING DEALING WITH

JOSELINE.

EVIDENTLY, SHE DIDN'T HAVE THE

BALLS TO COME FIRE ME.

REALLY?

YOU CAN'T FIRE ME.

I GOT A FOLDER FULL OF DOCUMENTS

THAT'S PROVEN THAT STEVIE J.

AND HIS WIFE ARE NOTHING BUT A

BUNCH OF BROKE-ASS FRAUDS.

I UNDERSTAND YOU PROBABLY

MAD, YOU KNOW WHAT I'M SAYING?

MAD?

YOU WAS GETTING SOME MONEY.

DO I LOOK LIKE I'M MAD?

YEAH, JUST GETTING SOME MONEY

BOOKING--

I SIGNED FOR THE PLACE WHERE

YOUR BITCH WAS LIVING AT.

THAT'S WHAT I DID BEFORE SHE

MOVED TO YOUR RENTAL.

SHE WAS PAYING FOR IT THOUGH.

YEAH, BUT SHE AIN'T HAD THE

CREDIT FOR THAT.

SHE GOT FOUR CLOSETS NOW.

YOUR BITCH [bleep]

FOUR CLOSETS AWAY.

FOREVER 21?

FOUR CLOSETS.

MOTHER[bleep].

NAH, NAH. IT'S NICE.

GET THE [bleep] OUT.

SHE CHARGED ON MY MOTHER[bleep]

NEIMAN MARCUS CARD.

BUT NOT NO MORE.

[bleep], STOP FRAUD.

JOSELINE COULDN'T EVEN GET HER

OWN PLACE 'CAUSE SHE WAS EVICTED

AND HAD BAD CREDIT.

I SIGNED MY NAME ON THE DOTTED

LINE.

BOOKING AGENTS DON'T DO THAT.

THAT'S WHAT REAL FRIENDS DO.

YOU RIDE AROUND TOWN IN A RENTAL

BENTLEY.

WHAT I'VE HEARD ABOUT--

IT'S STILL MINE.

IT DON'T MATTER.

IT AIN'T YOURS.

AND THE BENZ TOO.

IT AIN'T YOURS, AND THE

RENTAL--

IT'S A RENTAL, AND THEN WITH

YOUR HOUSE--YOU RENT A HOUSE.

LET ME GIVE YOU THE REAL

PEOPLE THAT OWN IT.

YEAH.

THESE THE REAL PEOPLE THAT

OWN YOUR HOUSE.

I KNOW WHO OWN MY HOUSE.

YES, IT'S NOT YOU.

MAN, THIS CHICK IS HITTING ME

WITH EVERYTHING UNDER THE SUN,

BUT YOU KNOW ME.

COOL AS A FAN, I AIN'T SWEATING

IT, BUT SHE DEFINITELY MESSING

WITH THE WRONG ONE.

SINCE YOU WANT TO THROW POP

SHOTS AT ME AND MY WIFE--

SAY WHAT THE [bleep]

I CAN SAY--YOUR WIFE?

ME TOO. YEAH, ME TOO.

WHEN Y'ALL WAS MARRIED?

JULY 29TH.

YOU WANT TO--YOU WANT TO SEE

THE TEXT MESSAGE SHE TEXT ME

FOR THAT?

LET ME SHOW YOU THAT, TELL YOU

WHAT TYPE OF BITCH YOU DEALING

WITH.

YEAH, LET ME SEE WHAT TYPE--

I'LL SHOW IT TO HER. I'M NOT--

YEAH, YOU FAKE MARRIED.

THIS TEXT BASICALLY STATED THAT

JOSELINE KNEW STEVIE PUT UP A

FAKE MAGAZINE ARTICLE

IN HIP HOP WEEKLY SAYING

THAT THEY MARRIED.

BENZINO PUT IT IN MOTHER[bleep]

HIP HOP WEEKLY.

BENZINO MOTHER[bleep] ASS.

NO, THAT'S MY--THAT'S MY

MAGAZINE.

YEAH, THAT AIN'T YOURS.

I'M PART OWNER--

NO, NO, NO, NO, NO, I DIDN'T

KNOW THAT PART.

YEAH, RIGHT. YOU'RE FIRED.

'CAUSE THE LAST TIME YOU

HAD A HIT WAS WHEN RONALD REAGAN

WAS IN MOTHER[bleep] OFFICE.

BUT HE'S NOT IN OFFICE.

SO DON'T MOTHER[bleep]--

EXACTLY--WE WAITIN'.

THE WORLD IS WAITING FOR ANOTHER

MOTHER[bleep] HIT.

YOU COULD NEVER FIRE ME.

I PUT THE MONEY IN YOUR ACCOUNT.

WHO YOUR BOSS? THAT'S RIGHT.

I GET MINE OFF THE

MOTHER[bleep] TOP.

ALL RIGHT, ALL RIGHT.

THAT'S RIGHT.

I'M MAKING IT RAIN BANK RECEIPTS

AND DEPOSITS ON THAT ASS.

SEE, I KNOW EVERYTHING.

I KNOW WHERE THE MONEY IS, AND I

KNOW WHERE IT'S NOT.

YOU KNOW WHAT I'M SAYING?

NEXT TIME YOU COME AT ME,

COME RIGHT.

YEAH, YEAH.

THIS NONFACTOR FLEA IS JUST

TOSSING AROUND ANY ACCUSATION

SHE CAN THINK OF.

I THINK IT'S ACTUALLY FUNNY

'CAUSE SHE CAN'T SLOW DOWN THE

JORDANS.

IT'S COLD OUTSIDE.

WHATEVER.

OH, TAKE THE BREAD OUT.

HOLY CRAP.

YOU BURNED IT?

HE PUT IT ON THE TOP.

YOU DONE BURNT MY MOMMA

BISCUITS.

OH, NO.

OH, THEM THING'S GOOD--

THE CAJUN SWAG.

NOW, YOU KNOW DINNERTIME WITH

DEB IS GONNA BE SOME DRAMA, BUT

SHE CALLED US OVER 'CAUSE SHE

WANTED TO TALK, SO WE WENT

BECAUSE, YOU KNOW, WHEN DEB

TALKS, GOT TO LISTEN.

WHAT IS IT THAT YOU WANT TO TALK

ABOUT?

I WANT TO TALK ABOUT THIS

WEDDING.

LISTENING, WAKA?

YEAH, WHAT'S UP WITH IT?

I'M GIVING AWAY MY SON, AND

MONA'S GIVING AWAY HER DAUGHTER.

I'M 27 YEARS OLD.

SHE'S GAINING A SON, AND I'M

GAINING A DAUGHTER.

DEB AND I AIN'T ALWAYS GET

ALONG, SO THE FACT THAT SHE'S

EMBRACING ME NOW AND TAKING A

ACTIVE ROLE IN THE WEDDING

PLANNING IS SUCH A BIG DEAL

TO ME.

OH.

THAT WAS A LITTLE SWEET RIGHT

THERE.

WHEN I FIRST MOVED TO

ATLANTA, DEB AIN'T REALLY KNOW

ME TO TRUST ME, AND WHEN I MOVED

HERE, IT WAS ON THE ASSUMPTION

THAT, YOU KNOW, WE WERE GONNA

BUILD THAT TRUST, BUT [bleep]

WENT LEFT.

NOW THAT DEB KNOWS THAT I LOVE

WAKA FOR WAKA, SHE HAD A CHANGE

OF HEART, AND SHE'S BEEN GREAT

TO ME EVER SINCE.

THERE'S TWO KIND OF WOMEN IN

THIS WORLD: ONE THAT SEES THE

FRONT DOOR, YOU KNOW, THAT YOU

BRING HOME TO MOTHER, AND ONE

THAT NEVER COMES TO THAT DOOR.

YOU CAME THROUGH THAT DOOR, AND

I KNOW IN THE BEGINNING, IT WAS

ROUGH, OKAY?

MM.

AND FOR SO LONG--LIKE, I'VE

BEEN OUT HERE...

I FELT LIKE I

DIDN'T HAVE NO ONE HERE.

WHEN HE WASN'T AROUND, I DIDN'T

HAVE FAMILY HERE, SO...

[sobs]

[sniffles]

I'M SO SORRY, LIKE,

SERIOUSLY.

I'M THANKFUL THAT ME AND DEB

WERE ABLE TO WORK OUT OUR

DIFFERENCES, AND EVEN THOUGH IT

DOESN'T MAKE THE PAST HURT ANY

LESS, IT MEANS A BRIGHT FUTURE

FOR OUR FAMILY.

I'M SORRY.

[sniffles]

BUT YOU KNOW WHAT THAT IS?

YESTERDAY'S NEWS THAT AIN'T

SELLING TODAY'S PAPER.

YOU MINE, CHICK.

[laughs]

WHY ARE YOU TAKING A PICTURE,

IDIOT?

[laughs]

SHOOT, I--IT'S--I GOT TO SAVE

THIS.

[laughs]

I'LL MAKE A REAL PICTURE OF

THIS.

MY MOTHER NEVER CRY, LIKE,

LITERALLY, EVER.

THAT CONVERSATION WITH

TAMMY--THAT TOUCHED THE HEART,

BUT TO GET READY TO LEAVE AND GO

ON THE ROAD AND KNOW YOUR HOME

IS HOME NOW IS GREAT.

IT'S GOOD TO SEE LOVE BE LOVE,

MAN.

YOU KNOW I MEAN?

I KNOW NORMALLY THE DAUGHTER

IS GIVEN AWAY, BUT I WANT TO

WALK DOWN AND PLACE YOU IN HER

MOTHER'S HANDS, AND, LIKE, YOUR

MOTHER WILL PLACE YOU IN MINE'S.

[laughs]

I GET TO SEE MY SON STEP TO

THE PLATE TO ASK SOMEONE TO

MARRY HIM.

OH, GOD, THIS IS SO BIG FOR ME.

SOMEBODY'S COMING IN, TAKING MY

BABY AWAY...

[laughs]

BUT ALSO GIVING ME YOU.

AT THE END OF THE DAY,

MY FAMILY, AND I'M SO GRATEFUL

TO THAT.

AS HUSBAND AND WIFE, THIS IS

SOMETHING WE WERE SUPPOSED TO,

LIKE--

I WAS UNDER THE IMPRESSION

THAT YOU GUYS WERE SEPARATED.

OH.

YOU WANT TO KNOW WHAT

HAPPENED...

WHAT?

WITH OUR OLD BOOKING BROAD?

AH, DON'T WANT TO TALK ABOUT

HER.

SHE'S DEAD.

DON'T WANT--GOOD.

LET THE BITCH BE DEAD

IN THE GRAVE.

* IF YOU WANT IT GIRL

♪ WE CAN GET IT IN TONIGHT

MY HUSBAND STEVIE LOVE ME SO

MUCH THAT HE BUILD A REHEARSAL

STUDIO AT THE MANSION, SO YOU

KNOW I GOT TO KEEP IT SEXY FOR

HIM.

EVERYBODY KNOW I STILL GOT THE

MOVES.

I KNOW HOW TO SHAKE A TAIL

FEATHER.

EVERYBODY KNOWS THAT.

GOOD LORD.

THING'S LOOKING AMAZING, BABY.

I SEE YOU WORKING HARD.

I ALWAYS WORK HARD.

MM.

WHAT'S UP, BABE?

AIN'T NOTHING.

JUST CAME TO SAY HELLO TO YOU.

HI, DADDY.

YOU WANT TO KNOW WHAT

HAPPENED...

WHAT?

WITH--I DON'T EVEN LIKE TO

SAY HER NAME--

OUR OLD BOOKING BROAD.

AH, DON'T WANT TO TALK ABOUT

HER.

I'M TRYING TO TELL JOSELINE

SOME OF THESE LIES THAT HER

EX-BOOKING AGENCY BEEN THROWING

OUT THERE.

SHE DON'T WANT TO HEAR THAT

[bleep], AND I DON'T WANT TO

HEAR THAT [bleep] EITHER.

DON'T WANT TO TALK ABOUT HER

'CAUSE SHE SHOULDN'T EVER

BEEN THERE IN THE FIRST PLACE.

ALL RIGHT, SHE'S DEAD.

DON'T WANT--GOOD.

LET THE BITCH BE DEAD IN THE

GRAVE WHERE SHE NEED TO BE AT.

THE WITCH IS DEAD.

NOW THAT DAWN IS OUT OF THE

PICTURE, IT'S TIME TO FOCUS ON

MORE BUSINESS.

I'M OPENING A RESTAURANT WITH

ZINO, AND HE'S JUST GIVEN ME

SOME GREAT NEWS THAT I WANT TO

SHARE WITH JOSELINE.

REMEMBER THIS?

[laughs]

THIS WAS THE BEST ISSUE FOR

HIP HOP WEEKLY, RIGHT?

WHY WOULDN'T IT BE?

LOOK WHO'S IN THE COVER.

THIS DID SO WELL THEY'RE

OFFERING A PIECE OF THE

MAGAZINE.

FOR REAL?

ABSOLUTELY, FINALLY.

WELL, CONGRATULATIONS, BABE.

THAT'S GOOD.

THAT'S WHAT'S UP.

YOU DESERVE THAT.

THAT'S GREAT.

SEE, NOW, THAT'S WHAT THE

[bleep] I'M TALKING ABOUT,

MAKING MONEY

AND TAKING CARE OF BUSINESS.

HOW ABOUT WE DO, LIKE, AN

EIGHT OR TEN-PAGE SPREAD ON YOU

AND YOUR MAN.

FOR REAL, BABY?

SO YOU GOT ME THE--YOU WANT--

YOU WANT ME TO--

I WANT YOU TO DO THE COVER.

THIS IS GREAT.

YOU KNOW, THAT'S WHAT I DO.

SO--

I EXTRACT GREATNESS FROM THE

UNIVERSE.

BEING A PART OF HIP HOP WEEKLY

IS EXACTLY WHAT I NEED TO TAKE

OUR EMPIRE TO THE NEXT LEVEL AND

TO KEEP MY BAD BITCH IN THE

SPOTLIGHT.

I LOVE YOU, DADDY.

I KNOW IT.

MM, YOU'RE THE BEST.

YOU GET BACK TO SHAKING THAT

ASS.

YOU'RE A GREAT MAN.

[laughs]

UH-OH.

[laughs]

HE KNOW WHAT'S UP, CUZ.

OOH, OH, YEAH.

OH. OH, DON'T DO THAT.

[laughs]

YOU WANT TO PROBABLY THROW

HIM SIDEWAYS LIKE THIS.

OKAY.

THE DNA TEST PROVED ME WRONG,

AND I'M ON A MISSION TO JUST

MAKE THINGS RIGHT WITH RASHEEDA.

SHE CAN'T GO BACK TO WORK UNTIL

I FIND A NANNY, SO I FOUND

A NANNY.

OH.

THERE'S YOUR MOM.

SAY, "HI, MOMMY."

HELLO.

HOLD UP, DO I SEE A RANDOM ON MY

COUCH HOLDING MY BABY?

HOLD ON, THIS BETTER BE SOME

LONG LOST GODDAMN RELATIVE

'CAUSE KIRK IS OVER THERE

LOOKING ABOUT CRAZY AS HELL

RIGHT NOW.

I WAS INTRODUCING JASMINE TO

KARTER, AND ME AND YOU WERE

TALKING ABOUT GETTING A NANNY,

AND SHE MIGHT BE A GREAT FIT FOR

IT.

SO KIRK'S THINKING HE'S GONNA

SCOOP UP HIM A LITTLE SIDE CHICK

OR SOMETHING AND CALL HER

A NANNY UP IN MY HOUSE?

NOT GONNA HAPPEN, HOMEBOY.

OH, YOU DECIDED TO GO AHEAD AND

MOVE ON AND JUST TAKE IT UPON

YOURSELF AND JUST GONNA DO THAT,

HUH?

I KNOW WE KIND OF IN A CRUNCH

SITUATION WITH NEEDING A NANNY,

AND I WAS JUST THINKING MAYBE

THIS COULD WORK.

SO HOW DID Y'ALL MEET?

WHERE I BE GOING TO PLAY POOL

AT AND KICKING IT WITH BENZINO,

SHE WORKS THERE.

JUST REALLY PECULIAR TO ME

THAT YOU HAVING NANNY

CONVERSATIONS AT A BAR WITH--NO

DISRESPECT, BOO--A RANDOM CHICK.

AS HUSBAND AND WIFE AND AS

PARENTS, THIS IS SOMETHING WE

WERE SUPPOSED TO, LIKE--

I WAS UNDER THE IMPRESSION

THAT YOU GUYS WERE SEPARATED

CO-PARENTING IN THE SAME HOUSE.

OH.

DID I JUST HEAR SEPARATED?

ME AND HIM--OH, OH, WE--OH, WE

SEPARATED NOW.

I'M GONNA TELL YOU THIS

RIGHT NOW.

YOU NEED TO GET THAT BITCH, AND

Y'ALL NEED TO SEE THE GODDAMN

DOOR.

YOU NEED TO PROBABLY PASS ME MY

BABY, AND THEN YOU CAN SHOW YOUR

FRIEND TO THE DOOR.

GIVE ME MY CHILD, PLEASE.

THANK YOU.

OUR CHILD.

I MEAN--

HEY, SWEETIE.

RASHEEDA AIN'T EVEN TRYING TO

HEAR THE FACT THAT JASMINE IS

EXACTLY WHAT WE NEED, BUT AIN'T

NO SURPRISES THERE.

I WAS TRYING TO KEEP MY

COMPOSURE BECAUSE I REALLY

WANTED TO COME IN HERE AND SLAP

[bleep] OUT OF YOU

AND KNOCK HER LITTLE

FRAIL ASS OUT.

SHE'D HAVE PROBABLY WENT INTO

CONVULSIONS WITH HER LITTLE BONY

ASS.

BUT WHY WOULD YOU SLAP ME?

FOR WHAT?

YOU DON'T JUST BRING SOME

RANDOM CHICK OUT OF A BAR THAT

YOU MEET HANGING OUT WITH YOUR

HOMEBOYS AND THINK THAT SHE'S

GONNA COME INTO MY LIFE AND INTO

MY HOME AND INTO MY CHILD'S

LIFE.

THAT AIN'T HAPPENING UP IN HERE.

I DON'T LIKE IT, AIN'T GONNA

LIKE IT, AND IT AIN'T GOING

DOWN.

SO KIRK IS SO ANTI MY MAMA

WATCHING HER GRANDCHILD THAT HE

DECIDE HE WANT TO GO GET A

RANDOM BITCH OUT OF A BAR, AND

ALL OF A SUDDEN, SHE GOT THE

CREDENTIALS TO BE A NANNY.

I DON'T GET THAT [bleep].

AND YOU WANT TO ACT LIKE YOU

BRINGING SOMEBODY IN HERE TO

HELP.

LOOK LIKE SOMEBODY YOU WANT TO

[bleep], AND YOU'RE SITTING HERE

TELLING THIS BITCH WE SEPARATED,

WE CO-PARENTING?

OKAY.

WE GONNA BE SEPARATE.

YOU FIGURE IT OUT.

IT'S, LIKE, I'M TRYING TO HELP

YOU.

ON SOME REAL [bleep].

YOU NEED TO REVALUATE YOUR

THOUGHTS, AND YOU PROBABLY NEED

TO LAY OFF WHATEVER SHOTS YOU

DRINKING WITH YOUR DAMN FRIENDS.

YOU GOT TO HEAR MOMMY AND DADDY

ARGUING 'CAUSE YOUR DADDY IS A

DUMMY.

HE'S A DUMB-DUMB.

I KNOW MY MAN GETS AROUND

AND SO DO YOU.

THE ONLY PERSON I GET AROUND

WITH IS YOUR MAN.

BITCH.

I WILL [bleep].

JOC AND I ARE FINALLY BACK ON

TRACK AFTER SOME AMAZING MAKEUP

SEX AND A PROMISE NOT TO BE

MESSY, SO TODAY I FINALLY GET TO

SEE THE HOUSE HE'S SO EXCITED

ABOUT.

THE ONLY BAD THING IS JOC'S

FRIEND KHADIYAH IS THE ONE

SHOWING US THE HOUSE.

PLEASE ACT RIGHT, KARLIE.

JOC SWEARS NOTHING'S GOING ON

BETWEEN THEM.

MAYBE HE'S TELLING THE TRUTH,

BUT TRUST, I GOT MY EYE ON THIS

HO.

HEY, WELCOME BACK.

WHAT'S UP, KHADI?

HOW ARE Y'ALL?

ALL RIGHT.

SO TODAY WE'RE GONNA VIEW A

FIVE-BEDROOM, SIX-BATH,

FULLY-FINISHED BASEMENT

PROPERTY.

THE PROPERTY'S ACTUALLY OVER

7,500 SQUARE FEET, AND I'M

REALLY EXCITED FOR YOU

TO SEE IT.

I THINK IT COULD BE A GREAT FIT.

ALL RIGHT. LET'S GO.

OKAY.

[laughs] WAIT A MINUTE.

AREN'T YOU THE DRIVER THAT DROVE

US TO ALABAMA?

OH.

AND AREN'T YOU THE STYLIST

AND A TAX PREPARER?

YES, ACTUALLY I AM.

I WEAR A NUMBER OF PROFESSIONAL

HATS.

RIGHT.

[laughs]

MAYBE IT WASN'T A GOOD IDEA

TO PUT THESE TWO WOMEN TOGETHER,

BUT I LOVE THE HOUSE, AND IT'S

KHADIYAH'S PROPERTY.

AND I'M HOPING KARLIE WILL BE ON

HER BEST BEHAVIOR.

ALL RIGHT, LIKE I SAID, WE

HAVE A GRAND 12-FOOT DOOR FOYER

ENTRYWAY, WROUGHT-IRON

STAIRCASE WITH ACTUALLY A

CATWALK ACROSS THE SECOND FLOOR

SO THAT YOU CAN OVERLOOK FROM

UPSTAIRS INTO THIS GREAT

TWO-STORY FAMILY ROOM.

SO WHAT DO YOU THINK SO FAR?

IT'S COOL.

WHERE--WHAT'S--THAT'S THE

KITCHEN OVER THERE?

YEAH, LET'S PROCEED THIS WAY

AND GO LOOK INTO THE GOURMET

CHEF KITCHEN...

OKAY.

WHICH IS ACTUALLY EXCELLENT

FOR ENTERTAINING, ESPECIALLY IF

YOU COOK.

CALL IT A KEEPING AREA?

THIS IS THE KEEPING ROOM

RIGHT HERE TO YOUR RIGHT.

MM-HMM.

[laughs]

CAN WE HAVE SEX ON THIS

COUNTERTOP?

HM?

YEAH, OF COURSE, WE CAN.

MM.

IF THAT'S WHAT YOU FEEL LIKE

DOING.

THIS HOUSE SEEMS ALL RIGHT,

BUT I CAN BARELY FOCUS 'CAUSE

I'M SO DISTRACTED BY THIS CHICK.

SOMETHING JUST DON'T FEEL RIGHT,

AND YOU KNOW KARLIE REDD WILL

GET TO THE BOTTOM OF THINGS

FAST.

ANY QUESTIONS OR CONCERNS AT

THIS POINT?

THE SOUND SYSTEM--DID IT

HAVE, LIKE, THE SPEAKERS

THROUGHOUT?

I DIDN'T SEE NONE OF THAT.

IT DOES.

IF YOU ACTUALLY LOOK BACK THIS

WAY, IT'S FULLY WIRED.

OKAY.

IF YOU DON'T MIND, BABY, YOU

KNOW, I'D BE LIKING--

YEAH, DO YOUR THING.

LET ME GO CHECK THE HOUSE.

AND, YOU KNOW, I JUST BE BACK

IN A MINUTE--

I'LL BE RIGHT HERE.

MM-HMM. OKAY, BABE.

DO YOU HAVE ANY QUESTIONS OR

CONCERNS ABOUT THE PROPERTY SO

FAR?

YES, I HAVE A QUESTION.

OKAY.

ARE YOU [bleep] MY MAN?

HAVE WE HAD SEXUAL RELATIONS

BEFORE, IS THAT WHAT YOU'RE

ASKING?

UGH, MONICA LEWINSKY,

CHECK THIS OUT.

I'M JUST ASKING YOU, ARE YOU

[bleep] MY MAN OR NOT?

THAT'S IT.

YOU KNOW WHAT I'M SAYING?

'CAUSE I MEAN, I KNOW MY MAN

GETS AROUND AND SO DO YOU.

THE ONLY PERSON I GET AROUND

WITH IS YOUR MAN.

SO YOU'RE [bleep] MY MAN.

I ABSOLUTELY AM EVERY NIGHT.

BITCH.

I WILL [bleep]--

BITCH.

I WILL--

NEXT TIME ON LOVE & HIP-HOP:

ATLANTA...

YOU DAMN BITCH.

YO, WHAT THE [bleep]

JUST HAPPENED?

SHE JUST TOLD ME SHE WAS

[bleep] YOU.

YES, I'M [bleep] HER, KARLIE.

THIS IS THE DUMBEST [bleep]

I EVER SEEN IN MY [bleep]

LIFE, MAN.

I'MA RIDE WITH YOU.

THIS IS A LIE.

HOW DO YOU KNOW IT'S A LIE?

THERE WOULD BE A MARRIAGE

CERTIFICATE, WHICH THERE IS NOT.

DAMN.

THEY SAY WE KNOW THAT THEY'RE

NOT MARRIED.

THEY OLD, AND THEY TIRED,

AND THEY AIN'T GOT [bleep]

TO DO BUT WORRY ABOUT MY

MARRIAGE?

WE ARE GOOD.

OH.

WHAT'S GOING ON WITH YOU AND

MY MAN?

THAT'S WHAT I WANT TO KNOW.

ARE Y'ALL [bleep] AROUND?

BAM WAS PREGNANT.

SHE JUST HAD A MISCARRIAGE.

SHE HAS A MISCARRIAGE NOW.

SO IS THAT WHY YOU'RE ON MY

COUCH NOW?

HE IS WALKING UP RIGHT NOW.

HOW COULD YOU DO THAT TO ME?

I HAD YOUR BACK, AND YOU DO THIS

TO ME?

I'M SORRY TO HEAR ABOUT

EVERYTHING THAT HAPPENED.

WHO THE [bleep] IS SHE TO BE

KNOWING MY [bleep] BUSINESS?

HOLD ON, HOLD ON, HOLD ON.

HEY, HOLD ON, HOLD ON,

HOLD ON.

BITCH!

TRY ME. TRY ME.

WHAT YOU GONNA HAVE TO LEARN

HOW TO DO IS CONTROL YOUR

BITCHES.

COME ON, GUYS, WE'RE GONNA

DRINK--TO BABY KARTER.

BABY KARTER.

KARTER IS DEFINITELY MINE,

SO I'M ALL GOOD.

MM.

WHOO.

AH.

COME ON, SHOOT, KIRK.

THAT MAKES NUMBER SIX FOR YOU,

BABY.

I GOT ONE OVER YOU.

YOU GOT FIVE.

ONE OVER ME. I GOT FIVE.

HOW MANY YOU GOT?

DO YOU KNOW?

I GOT THREE.

YOU GOT THREE? NO MAYBES?

I KNOW WHEN I'M MAKING LOVE

TO A WOMAN THAT PULLING OUT

ISN'T GONNA DO IT.

EXACTLY.