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PREVIOUSLY ON LOVE & HIP-HOP:
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ATLANTA.
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WE SHOULD LIVE TOGETHER.
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HE WAS TRYING TO SETTLE DOWN.
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KARLIE IS SETTLING DOWN.
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BUT HOW DID YOU FIND THIS
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HOUSE?
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MY REALTOR, KHADIYAH.
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ISN'T THAT THE SAME GIRL THAT
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DROVE US ON THE TRIP TOGETHER?
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WHAT'S THIS GIRL DO?
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SHE DO EVERYTHING?
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KARLIE, YOU KNOW KHADIYAH.
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SHE'S A GO-GETTER.
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THAT'S--
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ARE YOU [bleep] HER?
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YOU DO KNOW HE HAS MORE THAN
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ONE EGG IN HIS BASKET.
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HE'S TALKING ABOUT ANOTHER
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BITCH LIKE HE GOT ANOTHER ONE.
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I ACTUALLY WANTED TO SEE IF
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WE COULD TAKE THIS SOMEWHERE
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ELSE.
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I JUST WANT TO KNOW.
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DO YOU LOVE ME?
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I HAVEN'T GOTTEN THAT FAR
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YET.
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SO YOU AND BAM IS SERIOUS?
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SHE'S PREGNANT, MAN.
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A LITTLE PATTER OF LITTLE
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FEET AROUND THE PALACE GOIN' BE
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GOOD, YOU KNOW.
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YOU'VE BEEN TAKING YOUR
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MEDICINE?
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YOU MAD?
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YES, I'M MAD.
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WHY?
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I DON'T WANT YOU TO GO.
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YOU'RE STUPID.
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NO, YOU'RE STUPID.
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YOU DON'T SEE A GOOD DUDE
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WHEN YOU GOT ONE.
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OH, REALLY?
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KIRK FROST IS THE BIOLOGICAL
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FATHER OF KARTER FROST.
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YOU'VE BEEN GREAT.
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WHAT'S YOUR NAME?
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JASMINE.
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MAYBE I'LL LOOK FOR A NANNY,
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FOR SOMEBODY TO--WE NEED--
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YEAH, WE NEED TO FIND
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SOMEBODY YOUNGER.
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I NEED YOU TO PROVE HOW MUCH
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YOU LOVE ME BY GETTING ME A BIG,
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LONG GOWN DRESS, BEAUTIFUL
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DIAMONDS, AND LONG HAIR.
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SO YOU WANT TO DO THIS BIG
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WEDDING?
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I DESERVE IT.
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* YEAH
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* 'SUP ♪
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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♪ THERE AIN'T NOTHING LIKE ♪
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♪ HIP-HOP MUSIC
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♪ MUSIC
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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THIS NIGHT IS ALL ABOUT
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MAKING JOSELINE FEEL
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APPRECIATED.
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YOU KNOW, I HAVE TO TALK TO HER
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ABOUT A FEW THINGS THAT SHE
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MIGHT NOT BE HAPPY ABOUT, SO I
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GOT TO BUTTER HER UP
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A LITTLE BIT.
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I WANTED TO MARRY YOU
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WHEN I MET YOU.
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I BELIEVE THAT YOU WANTED TO
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MARRY ME WHEN YOU MET ME, BUT I
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DON'T BELIEVE YOU WAS PREPARED
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TO MARRY ME WHEN WE DID GET
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MARRIED IN JULY 'CAUSE I THOUGHT
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THAT YOU--I'M--THE WAY--
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JUNE.
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IT WAS JULY, BABE.
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IT WAS JULY?
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YEAH.
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JULY 29.
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29.
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OKAY.
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IT WAS JULY. IT WASN'T JUNE.
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OKAY, I THOUGHT IT WAS JUNE.
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NO, NO, NO, IT'S JULY.
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OKAY.
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IT'S JULY 29.
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WHAT CAN I SAY?
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I'M A MAN, YOU KNOW, AND THE
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WEDDING DAY CAME OUT WRONG.
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AIN'T NO BIGGIE.
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I CAN'T WAIT TO SEE YOU IN A--
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IN A WHITE GOWN.
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WHAT'S UP WITH THAT?
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I KNOW WE'VE BEEN WORKING A LOT.
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I WANT TO DO A BIG, BIG, BIG
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JOINT.
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OKAY.
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THE WHITE DRESS AND ALL THAT,
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BUT...
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[sighs]
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BUT WHAT?
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'CAUSE I THOUGHT THAT'S WHAT YOU
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WANTED.
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I DO, BUT ONE THING THAT WE
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GOT TO HANDLE IS MAKE SURE OUR
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BUSINESS IS IN LINE, SO WHAT I'M
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ASKING YOU TO DO FOR ME IS JUST
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TRUST THAT I'M GONNA GET THIS
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DONE, YOU KNOW WHAT I'M SAYING?
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BUT IT'S JUST GONNA TAKE
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A LITTLE TIME.
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WELL, JOSELINE WANTS A BIG WHITE
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WEDDING, AND I WANT TO GIVE THAT
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TO HER, BUT AT THE END OF THE
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DAY, WE GOT TO MAKE SURE HER
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BOOKINGS IS UP AND HER GIGS IS
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UP, SO WE CAN GET ALL THIS CASH
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FLOW.
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WE DON'T WANT THE BUSINESS TO
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SUFFER BECAUSE OF THE BIG WHITE
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WEDDING, SO WE GOT TO PLAN
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SMART.
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LET'S GET THIS BREAD.
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YOU KNOW WHAT, BABE?
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YOU'RE RIGHT.
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I'M RIGHT?
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YOU WANT TO MAKE SOME MORE
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MONEY.
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YOU WANT TO WAIT.
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YOU WANT TO HAVE A WHOLE BUNCH
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OF PEOPLE.
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YEAH.
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I'M WILLING TO WAIT.
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I JUST WANT YOU TO--
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IF YOU DO THAT FOR ME, YOU
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GONNA APPRECIATE ME MORE AFTER
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IT'S ALL SAID AND DONE 'CAUSE I
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KNOW WHAT I'M DOING.
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I STILL WANT MY BIG WEDDING,
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BUT AT THE END OF THE DAY, ME
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AND STEVIE ARE ALREADY MARRIED.
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IT'S MONEY TO BE MADE.
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WE CAN HAVE THIS BIG CELEBRATION
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ANYTIME.
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WHAT ARE WE GONNA DO ABOUT
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THESE BOOKINGS NOW?
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I HAD TO GET RID OF DAWN
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BITCH-ASS BECAUSE--YEAH, I CAN'T
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WORK WITH THE BITCH.
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DAWN IS THE CHICK THAT I HIRE TO
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BOOK MY SHOWS FOR ME, EXCEPT THE
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FACT THAT SHE HAVEN'T BEEN
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BOOKING ANY SHOWS.
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WHAT DO I NEED HER FOR?
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THE BITCH IS GOING AROUND
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TELLING PEOPLE SHE MY MANAGER.
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I BE LIKE, "DAWN IS NOT MY
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MANAGER.
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STEVIE IS MY MANAGER."
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I'M YOUR ONLY MANAGER.
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I DON'T THINK THAT DAWN IS
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CAPABLE OF COMING TO THE NEXT
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LEVEL WITH ME.
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I MET THE BITCH AT THE STRIP
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CLUB, GAVE THE BITCH A JOB, BUT
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SHE'S NOT PROFESSION.
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BITCHES ACT LIKE THEY CAN
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CHANGE.
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LIKE, I'M TRYING TO CHANGE.
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WHY YOU CAN'T CHANGE?
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SINCE I GOT RID OF THAT BITCH,
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WE DEFINITELY NEED TO HIRE
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SOMEBODY.
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I JUST--I GUESS--
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YOU GOT RID OF HER?
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DID YOU--DID YOU "FIRE HER"
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FIRE HER?
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NO, I DIDN'T FIRE THE BITCH
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'CAUSE I DON'T--I DON'T FEEL
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LIKE I HAVE TO TALK TO THE BITCH
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ABOUT NOTHING--
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BUT IT'S A PROFESSIONAL WAY
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THAT, YOU KNOW--
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I UNDERSTAND IT'S A
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PROFESSION, BUT THE BITCH AIN'T
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A PROFESSIONAL.
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YOU STILL GOT TO FIRE HER.
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IF I DON'T CALL THE BITCH
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AND I DON'T TALK TO YOU,
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THAT MEANS YOU'RE [bleep]
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FIRED, BITCH.
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SHE KNOWS ME BETTER.
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THE BITCH CAN'T GET IN CONTACT
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WITH NOBODY 'CAUSE WHEN SHE
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TRIES TO CALL ME, IT'S GONNA
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SAY, "OOPS, IF THIS IS DAWN
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CALLING JOSELINE, BITCH, YOU
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DEAD IN JOSELINE'S EYES.
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GOOD-BYE."
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I JUST WANT IT TO BE
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A AMICABLE SPLIT.
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GOT TO OFFICIALLY CUT HER OFF.
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WELL, YOU CAN FIRE HER 'CAUSE
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I DON'T FEEL LIKE TALKING TO THE
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BITCH, AND I'M NOT GONNA TALK TO
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THE BITCH 'CAUSE I DON'T LIKE
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THE BITCH, AND THE BITCH IS DONE
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IN MY BOOKS.
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THE BITCH IS DEAD.
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I'M TRYING TO PUT MY PROBLEMS
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WITH JOC ON THE BACKBURNER, SO
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I'VE BEEN WORKING ON MY COSMETIC
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LINE, AND TODAY IS THE LAUNCH
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FOR KARLIE REDD SINS AND
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FORGIVENESS.
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WE DON'T HAVE A STOREFRONT YET,
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BUT IT'S AT THE KIOSK STATION AT
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THE MALL, AND THE FANS ARE GOING
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WILD.
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AN OLD FRIEND OF MINE, KALENNA,
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JUST MOVED BACK TO ATLANTA, SO I
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INVITED SHE AND RASHEEDA OUT TO
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TURN UP AND GIVE ME A
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DISTRACTION FOR WHAT'S GOING ON
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IN MY PERSONAL LIFE.
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[laughs]
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THANK YOU FOR COMING TO
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SUPPORT.
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NO PROBLEM. NO PROBLEM.
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LOOK AT YOU.
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I WANT YOU GUYS TO TRY ON
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MY LIPSTICK.
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OKAY.
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YEAH.
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MAKE SURE YOU GOT SOME
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BENADRYL IN YOUR PURSE JUST IN
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CASE SOMETHING WRONG WITH IT.
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[laughs]
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OH, NO. HELL NO, GIRL.
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THIS HAS BEEN TESTED.
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WE GOT FREE SAMPLES?
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YEAH.
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THAT'S WHAT I'M TALKING ABOUT
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'CAUSE THAT'S WHAT I REALLY CAME
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FOR.
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I'M KALENNA,
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SINGER-SONGWRITER
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FROM DIDDY-DIRTY MONEY, AND I'M
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HAPPY AS A MOTHER [bleep]
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TO BE BACK IN ATLANTA TURNING UP
269
00:05:33,000 --> 00:05:33,834
WITH MY PEOPLE.
270
00:05:33,834 --> 00:05:35,235
TURNING UP.
271
00:05:35,235 --> 00:05:36,203
THAT PINK LOOKS CUTE ON YOU.
272
00:05:36,203 --> 00:05:37,738
IT REALLY LOOKS GOOD ON YOU.
273
00:05:37,738 --> 00:05:38,739
YEAH.
274
00:05:38,739 --> 00:05:39,973
KALENNA'S A COOL CHICK.
275
00:05:39,973 --> 00:05:41,575
HAVING HER AND RASHEEDA HERE IS
276
00:05:41,575 --> 00:05:43,377
EXACTLY WHAT I NEEDED TO GET MY
277
00:05:43,377 --> 00:05:44,277
MIND OFF OF JOC.
278
00:05:44,277 --> 00:05:45,979
I HAVEN'T SPOKEN TO HIM SINCE
279
00:05:45,979 --> 00:05:47,448
OUR FIGHT, BUT I GOT TO ADMIT,
280
00:05:47,448 --> 00:05:49,817
AS MUCH AS HE PISSED ME OFF, I
281
00:05:49,817 --> 00:05:50,718
MISS MY BOO.
282
00:05:50,718 --> 00:05:51,552
GUESS WHO'S IN THE STUDIO WITH
283
00:05:51,552 --> 00:05:52,219
ME?
284
00:05:52,219 --> 00:05:52,886
WHO?
285
00:05:52,886 --> 00:05:53,821
JEREMIAH.
286
00:05:53,821 --> 00:05:54,488
AND WHAT?
287
00:05:54,488 --> 00:05:55,155
HMM.
288
00:05:55,155 --> 00:05:56,056
YES, GAVE ME VOCAL EXERCISES
289
00:05:56,056 --> 00:05:56,724
AND EVERYTHING.
290
00:05:56,724 --> 00:05:57,658
KARLIE, OKAY.
291
00:05:57,658 --> 00:05:59,126
YEAH, JOC WALKED IN, SAW
292
00:05:59,126 --> 00:06:01,228
JEREMIH, GOT PISSED OFF.
293
00:06:01,228 --> 00:06:02,496
I MEAN, I CAN'T FRONT.
294
00:06:02,496 --> 00:06:03,163
I WAS TRYING TO MAKE HIM A
295
00:06:03,163 --> 00:06:03,831
LITTLE JEALOUS.
296
00:06:03,831 --> 00:06:04,865
SEE, NOW, WHY ARE YOU PLAYING
297
00:06:04,865 --> 00:06:05,533
THEM GAMES?
298
00:06:05,533 --> 00:06:07,668
THAT'S WHY I'M SO JEALOUS AND
299
00:06:07,668 --> 00:06:09,437
INSECURE ABOUT OUR RELATIONSHIP.
300
00:06:09,437 --> 00:06:11,004
LIKE, THESE GIRLS ARE MAKING ME
301
00:06:11,004 --> 00:06:12,239
GO CRAZY.
302
00:06:12,239 --> 00:06:13,206
I KNOW I'M A LITTLE OUT OF
303
00:06:13,206 --> 00:06:14,942
CONTROL, BUT I CAN'T HELP
304
00:06:14,942 --> 00:06:15,709
MYSELF.
305
00:06:15,709 --> 00:06:17,177
JOC PLAYS INTO EVERY ONE OF MY
306
00:06:17,177 --> 00:06:19,279
INSECURITIES, AND I WANT HIM TO
307
00:06:19,279 --> 00:06:20,748
FEEL THE SAME WAY I FEEL.
308
00:06:20,748 --> 00:06:21,715
HOW ARE YOU AND KIRK DOING?
309
00:06:21,715 --> 00:06:23,451
WHEN I GOT PREGNANT, HE WAS
310
00:06:23,451 --> 00:06:24,818
MAD BECAUSE I COULDN'T WORK.
311
00:06:24,818 --> 00:06:26,620
NOW THAT I'M READY TO WORK, HIS
312
00:06:26,620 --> 00:06:28,088
[bleep] ASS IS LIKE,
313
00:06:28,088 --> 00:06:28,989
"NO, STAY HOME."
314
00:06:28,989 --> 00:06:31,291
I'M LIKE, "BOO, IT'S 2014.
315
00:06:31,291 --> 00:06:32,526
HONEY, DON'T NOBODY SIT AT HOME.
316
00:06:32,526 --> 00:06:33,561
NOT RASHEEDA."
317
00:06:33,561 --> 00:06:34,294
SO WHAT YOU WANT TO DO WITH
318
00:06:34,294 --> 00:06:34,962
THE BABY?
319
00:06:34,962 --> 00:06:35,829
WHAT YOU WANT TO DO WITH KARTER?
320
00:06:35,829 --> 00:06:37,465
I WANT TO GET A NANNY, BUT HE
321
00:06:37,465 --> 00:06:38,832
BE LIKE, "I DON'T WANT YOUR MAMA
322
00:06:38,832 --> 00:06:40,200
WITH HER GRANNY ASS.
323
00:06:40,200 --> 00:06:40,868
NO GRANNY NANNY."
324
00:06:40,868 --> 00:06:41,535
ARE YOU SERIOUS?
325
00:06:41,535 --> 00:06:42,202
KIRK IS A FUNNY DUDE.
326
00:06:42,202 --> 00:06:43,103
NO, I AIN'T HIRING NO
327
00:06:43,103 --> 00:06:43,771
SHORT-ASS BITCH
328
00:06:43,771 --> 00:06:44,505
WITH A GODDAMN...
329
00:06:44,505 --> 00:06:45,205
YOU BETTER KNOW IT.
330
00:06:45,205 --> 00:06:46,039
SHIRT ON WITH NO BRA
331
00:06:46,039 --> 00:06:46,840
JINGLING AROUND THIS BITCH.
332
00:06:46,840 --> 00:06:47,508
I AIN'T HAVING IT.
333
00:06:47,508 --> 00:06:48,709
WELL, KIRK NEED TO--
334
00:06:48,709 --> 00:06:50,277
NEED TO SLAP [bleep] OUT OF HIM.
335
00:06:50,277 --> 00:06:51,344
THAT'S WHAT HE NEED 'CAUSE HE
336
00:06:51,344 --> 00:06:52,513
GETTIN' ON MY NERVES.
337
00:06:52,513 --> 00:06:53,180
YOU GONNA SLAP KIRK?
338
00:06:53,180 --> 00:06:54,848
I WANT TO BE THERE.
339
00:06:54,848 --> 00:06:55,616
OH, DON'T PLAY WITH ME.
340
00:06:55,616 --> 00:06:56,383
KALENNA GONNA BE UP IN THE
341
00:06:56,383 --> 00:06:58,486
BACKGROUND LIKE...
342
00:07:08,161 --> 00:07:09,997
I GOT THIS STRANGE REQUEST TO
343
00:07:09,997 --> 00:07:11,164
MEET UP WITH JOSELINE'S BOOKING
344
00:07:11,164 --> 00:07:12,399
AGENT, DAWN.
345
00:07:12,399 --> 00:07:13,634
I DON'T REALLY KNOW THIS CHICK,
346
00:07:13,634 --> 00:07:14,735
SO I'M WONDERING WHAT SHE WANTS
347
00:07:14,735 --> 00:07:18,371
TO TALK TO ME ABOUT.
348
00:07:18,371 --> 00:07:19,439
I'VE BEEN BOOKING JOSELINE
349
00:07:19,439 --> 00:07:20,874
HERNANDEZ FOR THREE YEARS.
350
00:07:20,874 --> 00:07:21,742
I WAS MORE THAN A BOOKING
351
00:07:21,742 --> 00:07:22,409
AGENCY.
352
00:07:22,409 --> 00:07:23,310
I WAS A FRIEND.
353
00:07:23,310 --> 00:07:24,878
I WAS A MANAGER, BUT ALL OF A
354
00:07:24,878 --> 00:07:25,979
SUDDEN, JOSELINE STOPPED
355
00:07:25,979 --> 00:07:26,647
CALLING.
356
00:07:26,647 --> 00:07:27,815
I DON'T EVEN KNOW WHY, BUT THE
357
00:07:27,815 --> 00:07:30,150
WORD ON THE STREET IS I'M FIRED.
358
00:07:30,150 --> 00:07:31,719
I KNOW ALL OF JOSELINE AND
359
00:07:31,719 --> 00:07:33,020
STEVIE'S BUSINESS, AND I'M SURE
360
00:07:33,020 --> 00:07:34,655
IF ANYBODY'S INTERESTED IN THE
361
00:07:34,655 --> 00:07:35,789
DOWNFALL OF STEVIE J.
362
00:07:35,789 --> 00:07:38,125
AND JOSELINE, IT WOULD BE MIMI.
363
00:07:38,125 --> 00:07:38,892
AND I JUST KNOW YOU PROBABLY
364
00:07:38,892 --> 00:07:40,828
FEEL LIKE, WHAT I WANT WITH YOU?
365
00:07:40,828 --> 00:07:41,495
YES.
366
00:07:41,495 --> 00:07:42,496
I WANTED TO COME TO YOU AND
367
00:07:42,496 --> 00:07:44,665
LET YOU UNDERSTAND THAT I DON'T
368
00:07:44,665 --> 00:07:46,133
WORK WITH JOSELINE AND STEVIE
369
00:07:46,133 --> 00:07:48,969
ANYMORE AT ALL.
370
00:07:48,969 --> 00:07:50,538
THEY'RE JUST UNLOYAL PEOPLE
371
00:07:50,538 --> 00:07:51,672
THAT--HAVE NO LOYALTY TOWARDS
372
00:07:51,672 --> 00:07:52,506
ANYBODY.
373
00:07:52,506 --> 00:07:54,575
I HAVE SO MUCH KNOWLEDGE ABOUT
374
00:07:54,575 --> 00:07:55,242
THEM.
375
00:07:55,242 --> 00:07:56,276
YOU WOULD THINK THAT THEY WOULD
376
00:07:56,276 --> 00:07:58,245
JUST BE LIKE, "WE DON'T HAVE
377
00:07:58,245 --> 00:07:59,212
ANYTHING NEGATIVE TO DO WITH
378
00:07:59,212 --> 00:08:00,814
DAWN OR SAY ABOUT HER," BUT IN
379
00:08:00,814 --> 00:08:02,282
THEIR MIND, THEY NEVER THINK
380
00:08:02,282 --> 00:08:03,316
PEOPLE WILL STOOP TO THEIR
381
00:08:03,316 --> 00:08:05,185
LEVEL.
382
00:08:05,185 --> 00:08:06,186
AND I FEEL LIKE STOOPING TO
383
00:08:06,186 --> 00:08:08,722
THEIR LEVEL.
384
00:08:08,722 --> 00:08:10,190
JUST LIKE DUMBASS STEVIE TO
385
00:08:10,190 --> 00:08:11,559
PISS SOMEBODY OFF THAT KNOWS ALL
386
00:08:11,559 --> 00:08:14,127
HIS DIRT, BUT GUESS WHAT.
387
00:08:14,127 --> 00:08:16,496
I'M ALWAYS READY TO LISTEN.
388
00:08:16,496 --> 00:08:17,998
EVERYTHING IS FAKE, THEIR
389
00:08:17,998 --> 00:08:18,832
WHOLE LIFE.
390
00:08:18,832 --> 00:08:19,933
I GET A TEXT.
391
00:08:19,933 --> 00:08:22,369
"STEVIE IS FLAKING."
392
00:08:22,369 --> 00:08:23,036
"WHAT DO YOU MEAN?
393
00:08:23,036 --> 00:08:23,737
HE'S A FRAUD?"
394
00:08:23,737 --> 00:08:26,473
"YES, HE'S CONTACTED BENZINO.
395
00:08:26,473 --> 00:08:28,709
HE DIDN'T LET BENZINO KNOW THAT
396
00:08:28,709 --> 00:08:31,111
WE'RE REALLY NOT MARRIED, AND
397
00:08:31,111 --> 00:08:33,981
THAT HE WANTED HIM TO PUT IT ON
398
00:08:33,981 --> 00:08:36,617
THE FRONT OF A MAGAZINE."
399
00:08:36,617 --> 00:08:37,417
SO HE ACTUALLY
400
00:08:37,417 --> 00:08:38,686
PUT THIS BIG THING OUT,
401
00:08:38,686 --> 00:08:39,887
"WE'RE MARRIED."
402
00:08:39,887 --> 00:08:40,554
REALLY?
403
00:08:40,554 --> 00:08:41,889
IS THIS WHAT YOU REALLY WANT
404
00:08:41,889 --> 00:08:42,790
PEOPLE TO BELIEVE...
405
00:08:42,790 --> 00:08:44,091
GIRL.
406
00:08:44,091 --> 00:08:46,560
WITH NO MARRIAGE CERTIFICATE?
407
00:08:46,560 --> 00:08:48,161
AND THERE IT IS.
408
00:08:48,161 --> 00:08:49,196
I'VE BEEN SAYING SINCE THE
409
00:08:49,196 --> 00:08:50,564
BEGINNING, THIS MARRIAGE WAS A
410
00:08:50,564 --> 00:08:52,833
FRAUD, AND NOW THERE'S PROOF.
411
00:08:52,833 --> 00:08:54,367
EVEN THE RING--HER PREVIOUS
412
00:08:54,367 --> 00:08:56,369
BOYFRIEND, KEITH, GAVE HER THAT,
413
00:08:56,369 --> 00:08:58,338
NOT STEVIE.
414
00:08:58,338 --> 00:09:01,474
OH, THE DAY THAT THE WHOLE
415
00:09:01,474 --> 00:09:03,210
THING WENT ON TWITTER...
416
00:09:03,210 --> 00:09:03,877
YES.
417
00:09:03,877 --> 00:09:06,346
HE TEXTS ME MAYBE AN HOUR
418
00:09:06,346 --> 00:09:08,515
BEFORE HE DID IT AND SAYS, "I
419
00:09:08,515 --> 00:09:09,917
NEED TO TALK TO YOU ABOUT THE
420
00:09:09,917 --> 00:09:13,120
NEXT STUNT I'M ABOUT TO PULL."
421
00:09:13,120 --> 00:09:15,022
STEVIE HAS LIED TO EVERYONE
422
00:09:15,022 --> 00:09:16,624
ABOUT EVERYTHING.
423
00:09:16,624 --> 00:09:18,692
HE'S NOW USED HIS FRIEND BENZINO
424
00:09:18,692 --> 00:09:20,327
TO PERPETRATE THIS LIE.
425
00:09:20,327 --> 00:09:22,395
NOW THE QUESTION IS, WHAT AM I
426
00:09:22,395 --> 00:09:23,063
GONNA DO WITH ALL THIS
427
00:09:23,063 --> 00:09:23,964
INFORMATION?
428
00:09:23,964 --> 00:09:25,398
IT'S JUST LIKE A DECK OF CARDS
429
00:09:25,398 --> 00:09:27,100
THAT THEY--IT'S GONNA COME
430
00:09:27,100 --> 00:09:28,969
CRASHING DOWN.
431
00:09:28,969 --> 00:09:30,237
OH, YES.
432
00:09:30,237 --> 00:09:31,304
GIRL.
433
00:09:31,304 --> 00:09:34,107
[laughs]
434
00:09:34,107 --> 00:09:34,775
HOW ARE YOU?
435
00:09:34,775 --> 00:09:35,676
GOOD. HOW ARE YOU DOING?
436
00:09:35,676 --> 00:09:36,744
I GOT A JOB FOR YOU.
437
00:09:36,744 --> 00:09:38,679
MY WIFE AND I ARE LOOKING FOR A
438
00:09:38,679 --> 00:09:39,579
NANNY.
439
00:09:39,579 --> 00:09:40,513
OH.
440
00:09:40,513 --> 00:09:43,583
SAY, "HI, MOMMY."
441
00:09:43,583 --> 00:09:44,451
LAST TIME YOU HAD A HIT WAS
442
00:09:44,451 --> 00:09:45,452
WHEN RONALD REAGAN WAS IN MOTHER
443
00:09:45,452 --> 00:09:46,119
[bleep] OFFICE.
444
00:09:46,119 --> 00:09:48,121
YOU'RE FIRED.
445
00:09:59,366 --> 00:10:00,533
I'VE BEEN ON THE ROAD, YOU
446
00:10:00,533 --> 00:10:01,501
KNOW, HANDLING MY BUSINESS,
447
00:10:01,501 --> 00:10:02,670
GETTING THAT CHECK,
448
00:10:02,670 --> 00:10:03,370
AND I GET A PHONE CALL, YOU
449
00:10:03,370 --> 00:10:04,037
KNOW.
450
00:10:04,037 --> 00:10:04,938
BAM TALKING ABOUT, "HURRY UP.
451
00:10:04,938 --> 00:10:07,140
COME HOME NOW, ASAP. 911."
452
00:10:07,140 --> 00:10:08,441
I DON'T KNOW WHAT'S GOING ON.
453
00:10:08,441 --> 00:10:10,277
I JUST KNOW SHE PREGNANT, AND AT
454
00:10:10,277 --> 00:10:11,544
THE END OF THE DAY, I NEED TO
455
00:10:11,544 --> 00:10:13,446
SEE WHAT'S GOING ON ASAP, SO I
456
00:10:13,446 --> 00:10:15,448
CAN HANDLE THAT.
457
00:11:00,460 --> 00:11:02,930
I HAD SOME CRAMPING, AND I
458
00:11:02,930 --> 00:11:04,064
CALLED MY DOCTOR, AND THEY'RE
459
00:11:04,064 --> 00:11:05,498
LIKE, "OH, IT'S PRETTY NORMAL."
460
00:11:05,498 --> 00:11:07,034
BUT THEN, YOU KNOW, I WOKE UP
461
00:11:07,034 --> 00:11:08,468
THE NEXT MORNING, AND THE CRAMPS
462
00:11:08,468 --> 00:11:09,636
WERE PROGRESSING, SO I DROVE
463
00:11:09,636 --> 00:11:11,671
MYSELF TO THE HOSPITAL.
464
00:11:17,745 --> 00:11:20,013
I FEEL SORRY FOR BAM MENTALLY
465
00:11:20,013 --> 00:11:21,849
AND PHYSICALLY, BUT DAMN, YOU
466
00:11:21,849 --> 00:11:22,515
KNOW WHAT I'M SAYING,
467
00:11:22,515 --> 00:11:23,516
IT MESSED ME UP TOO.
468
00:11:23,516 --> 00:11:25,518
IT GOT ME TWISTED.
469
00:11:53,914 --> 00:11:55,448
COULD HAVE SWORN GOD TOLD ME
470
00:11:55,448 --> 00:11:56,616
I HAD ME A LITTLE HOMEY, YOU
471
00:11:56,616 --> 00:11:57,284
KNOW WHAT I'M SAYING?
472
00:11:57,284 --> 00:11:58,819
A LITTLE DUDE, YOU KNOW WHAT I'M
473
00:11:58,819 --> 00:11:59,552
SAYING?
474
00:11:59,552 --> 00:12:01,254
AND EVEN THOUGH I'M NOT IN LOVE
475
00:12:01,254 --> 00:12:03,023
WITH HER, I DO LOVE HER, SO IT
476
00:12:03,023 --> 00:12:04,657
WOULD HAVE BEEN WITH A GOOD
477
00:12:04,657 --> 00:12:06,659
PERSON.
478
00:12:39,860 --> 00:12:41,494
GET YOUR ASS UP.
479
00:12:41,494 --> 00:12:43,063
WAKA IS HOME FROM OFF A TOUR,
480
00:12:43,063 --> 00:12:44,865
AND AS HAPPY AS I AM TO SEE HIM,
481
00:12:44,865 --> 00:12:46,266
HIS LAUNDRY--I CAN DO WITHOUT
482
00:12:46,266 --> 00:12:46,934
THIS.
483
00:12:46,934 --> 00:12:48,869
LIKE, REALLY.
484
00:12:48,869 --> 00:12:51,805
GET UP!
485
00:12:51,805 --> 00:12:52,873
SO YOU JUST GONNA STAY ASLEEP
486
00:12:52,873 --> 00:12:55,876
WHILE I FOLD YOUR CLOTHES?
487
00:12:55,876 --> 00:12:56,944
WHAT, TAMMY?
488
00:12:56,944 --> 00:12:58,645
YOU GONNA HELP ME FOLD?
489
00:12:58,645 --> 00:12:59,646
FOLD WHAT?
490
00:12:59,646 --> 00:13:00,647
ALL YOUR [bleep]
491
00:13:00,647 --> 00:13:02,850
THAT YOU HAVE.
492
00:13:02,850 --> 00:13:04,384
YOU ENJOYED YOURSELF ON TOUR?
493
00:13:04,384 --> 00:13:08,121
YEAH, I MET A LOT OF WOMEN.
494
00:13:08,121 --> 00:13:09,022
DON'T PLAY WITH ME.
495
00:13:09,022 --> 00:13:10,257
BETTER NOT BE NO NUMBERS OR
496
00:13:10,257 --> 00:13:11,291
NOTHING IN YOUR POCKET.
497
00:13:11,291 --> 00:13:12,826
YOU KNOW I APPRECIATE YOU.
498
00:13:12,826 --> 00:13:13,861
YOU BETTER.
499
00:13:13,861 --> 00:13:14,694
WHO ELSE GONNA PUT UP WITH YOUR
500
00:13:14,694 --> 00:13:15,362
[bleep]?
501
00:13:15,362 --> 00:13:16,063
MY MAMA.
502
00:13:16,063 --> 00:13:17,730
[laughs]
503
00:13:17,730 --> 00:13:19,132
SPEAKING OF YOUR MAMA, SHE TELL
504
00:13:19,132 --> 00:13:20,667
YOU ABOUT THIS BIG-ASS WEDDING
505
00:13:20,667 --> 00:13:21,801
SHE'S TRYING TO PLAN?
506
00:13:21,801 --> 00:13:24,104
YOUR MOTHER.
507
00:13:24,104 --> 00:13:24,872
HOW YOU FEEL ABOUT, LIKE,
508
00:13:24,872 --> 00:13:26,473
YOUR MOM GIVING YOU AWAY AND MY
509
00:13:26,473 --> 00:13:27,640
MOTHER GIVING ME AWAY?
510
00:13:27,640 --> 00:13:29,376
THAT'S SO GHETTO, RIGHT?
511
00:13:29,376 --> 00:13:30,143
I'M A GROWN MAN.
512
00:13:30,143 --> 00:13:30,978
WELL, SHE SAID SHE'S GIVING
513
00:13:30,978 --> 00:13:31,644
YOU AWAY.
514
00:13:31,644 --> 00:13:32,545
LET'S JUST GO TO A COURT
515
00:13:32,545 --> 00:13:33,246
AND GET IT OVER WITH.
516
00:13:33,246 --> 00:13:34,014
I JUST WANT TO BE MARRIED.
517
00:13:34,014 --> 00:13:34,681
THAT'S IT.
518
00:13:34,681 --> 00:13:35,682
THAT'S ALL I WANT.
519
00:13:35,682 --> 00:13:36,349
THERE YOU GO.
520
00:13:36,349 --> 00:13:37,050
WE'RE OLDER NOW.
521
00:13:37,050 --> 00:13:39,152
WE GOT TO BUILD TO OUR FAMILY...
522
00:13:39,152 --> 00:13:39,819
FACTS.
523
00:13:39,819 --> 00:13:40,720
DO IT THE RIGHT WAY.
524
00:13:40,720 --> 00:13:43,123
HONESTY, COMMUNICATION,
525
00:13:43,123 --> 00:13:45,025
RESPECT--YOU KNOW I AIN'T
526
00:13:45,025 --> 00:13:46,126
TOLERATING NOTHING LESS THAN
527
00:13:46,126 --> 00:13:46,826
THAT.
528
00:13:46,826 --> 00:13:47,494
I'M DOWN WITH IT.
529
00:13:47,494 --> 00:13:48,962
MAN, I JUST WANT A BABY.
530
00:13:48,962 --> 00:13:50,097
AW.
531
00:13:50,097 --> 00:13:50,763
LET'S INFLATE
532
00:13:50,763 --> 00:13:51,498
THAT STOMACH, MAN.
533
00:13:51,498 --> 00:13:52,165
YOU SO SWEET, STINKY.
534
00:13:52,165 --> 00:13:55,302
GIVE ME A KISS.
535
00:13:55,302 --> 00:13:56,904
I LOVE YOU.
536
00:13:56,904 --> 00:13:58,906
I LOVE YOU TOO.
537
00:14:07,647 --> 00:14:09,649
I FOUND OUT KARTER IS MY SON,
538
00:14:09,649 --> 00:14:11,418
SO I BROUGHT MY BOYS TO MY
539
00:14:11,418 --> 00:14:13,420
FAVORITE SPOT TO CELEBRATE WITH
540
00:14:13,420 --> 00:14:14,521
ME.
541
00:14:14,521 --> 00:14:15,488
HEY, SLEEZE.
542
00:14:15,488 --> 00:14:16,156
HUH?
543
00:14:16,156 --> 00:14:17,124
YOU KNOW ABOUT THE D-NAY?
544
00:14:17,124 --> 00:14:18,358
WHAT'S D-NAY?
545
00:14:18,358 --> 00:14:20,793
DNA.
546
00:14:20,793 --> 00:14:21,461
N.A.
547
00:14:21,461 --> 00:14:22,930
HE TOOK THE TEST.
548
00:14:22,930 --> 00:14:24,898
LISTEN, I WAS HAVING THAT
549
00:14:24,898 --> 00:14:26,699
MOMENT WHERE I DIDN'T TRUST...
550
00:14:26,699 --> 00:14:27,367
COME ON, TRUE TALK.
551
00:14:27,367 --> 00:14:28,035
TRUE TALK.
552
00:14:28,035 --> 00:14:29,402
BUT WHAT HAPPENED WITH THE
553
00:14:29,402 --> 00:14:30,503
RESULTS OF THE TEST?
554
00:14:30,503 --> 00:14:32,839
97.7%.
555
00:14:32,839 --> 00:14:33,573
99.9.
556
00:14:33,573 --> 00:14:35,242
97%.
557
00:14:35,242 --> 00:14:36,209
COME ON.
558
00:14:36,209 --> 00:14:38,045
KIRK'S A CRAZY DUDE, BUT NOW
559
00:14:38,045 --> 00:14:39,112
THAT HE FINALLY FOUND OUT THAT
560
00:14:39,112 --> 00:14:41,248
BABY KARTER IS HIS, MAYBE HE'LL
561
00:14:41,248 --> 00:14:42,349
JUST SETTLE DOWN AND START
562
00:14:42,349 --> 00:14:43,783
LOVING HIS WIFE AGAIN.
563
00:14:43,783 --> 00:14:44,584
SO HOW'S YOU AND RASHEEDA
564
00:14:44,584 --> 00:14:45,252
GETTING ALONG NOW?
565
00:14:45,252 --> 00:14:45,919
HOW'S EVERYTHING?
566
00:14:45,919 --> 00:14:48,088
EVERY TIME WE TAKE ONE STEP
567
00:14:48,088 --> 00:14:50,190
FORWARD, THE CABIN THROW ME FIVE
568
00:14:50,190 --> 00:14:50,857
STEPS BACK.
569
00:14:50,857 --> 00:14:51,691
SO Y'ALL SHOULD TRY THERAPY
570
00:14:51,691 --> 00:14:52,359
THING.
571
00:14:52,359 --> 00:14:53,026
YEAH.
572
00:14:53,026 --> 00:14:53,693
SOMETIMES YOU NEED A
573
00:14:53,693 --> 00:14:54,494
DIFFERENT POINT OF VIEW, YOU
574
00:14:54,494 --> 00:14:55,162
KNOW WHAT I'M SAYING?
575
00:14:55,162 --> 00:14:56,263
LIKE, A THERAPIST.
576
00:14:56,263 --> 00:14:57,297
IT'S CONVERSATION.
577
00:14:57,297 --> 00:14:58,031
HEY, GUYS.
578
00:14:58,031 --> 00:14:58,698
HEY, KIRK.
579
00:14:58,698 --> 00:14:59,499
both: HEY.
580
00:14:59,499 --> 00:15:00,900
HOW ARE YOU?
581
00:15:00,900 --> 00:15:01,634
GOOD, HOW ARE YOU DOING?
582
00:15:01,634 --> 00:15:02,302
CHILLING.
583
00:15:02,302 --> 00:15:02,970
[laughs]
584
00:15:02,970 --> 00:15:04,371
YOU ALREADY MET BENZINO.
585
00:15:04,371 --> 00:15:05,038
YES.
586
00:15:05,038 --> 00:15:05,772
YEAH, I'M SURE YOU HEARD
587
00:15:05,772 --> 00:15:06,439
ABOUT STEVIE.
588
00:15:06,439 --> 00:15:07,107
HOW YOU DOING?
589
00:15:07,107 --> 00:15:07,774
WHAT'S YOUR NAME?
590
00:15:07,774 --> 00:15:09,309
JASMINE.
591
00:15:09,309 --> 00:15:09,977
SLEEZO.
592
00:15:09,977 --> 00:15:11,278
HOW LONG YOU BEEN KNOWING KIRK?
593
00:15:11,278 --> 00:15:12,812
NONE OF YOUR BUSINESS.
594
00:15:12,812 --> 00:15:13,713
[laughs]
595
00:15:13,713 --> 00:15:15,148
YOU GUYS JUST, LIKE, HANG OUT
596
00:15:15,148 --> 00:15:15,983
IN THE RESTAURANT?
597
00:15:15,983 --> 00:15:17,384
SHE WAS HERE WHEN THEY READ
598
00:15:17,384 --> 00:15:18,051
THE RESULTS.
599
00:15:18,051 --> 00:15:19,386
YEAH.
600
00:15:19,386 --> 00:15:20,687
WE'RE SPENDING A LOT OF TIME
601
00:15:20,687 --> 00:15:22,522
HERE AT THE SPORTS BAR, BUT
602
00:15:22,522 --> 00:15:24,157
JASMINE ALWAYS COME THROUGH WITH
603
00:15:24,157 --> 00:15:25,758
A STIFF DRINK AND A PRETTY
604
00:15:25,758 --> 00:15:26,526
SMILE.
605
00:15:26,526 --> 00:15:28,128
SHE'S GOING TO SCHOOL, SHE'S
606
00:15:28,128 --> 00:15:29,762
SMART, AND SHE HAS ASPIRATIONS.
607
00:15:29,762 --> 00:15:31,498
BASICALLY, SHE'S JUST A SWEET
608
00:15:31,498 --> 00:15:32,365
GIRL.
609
00:15:32,365 --> 00:15:33,900
WE ACTUALLY INTERVIEWING NANNIES
610
00:15:33,900 --> 00:15:34,734
RIGHT NOW, AND--
611
00:15:34,734 --> 00:15:35,402
[laughs]
612
00:15:35,402 --> 00:15:36,503
DON'T TELL ME SHE GONNA BE THE
613
00:15:36,503 --> 00:15:37,404
NANNY OF THE BABY.
614
00:15:37,404 --> 00:15:38,071
SHE'S--
615
00:15:38,071 --> 00:15:40,640
OH, MY GOSH.
616
00:15:40,640 --> 00:15:41,874
Y'ALL SEE--Y'ALL PUTTIN'--
617
00:15:41,874 --> 00:15:42,542
CUT.
618
00:15:42,542 --> 00:15:44,477
THESE DUDES GOT THINGS ALL
619
00:15:44,477 --> 00:15:45,145
WRONG.
620
00:15:45,145 --> 00:15:46,413
I GAVE RASHEEDA A HARD TIME
621
00:15:46,413 --> 00:15:48,415
ABOUT GOING BACK TO WORK, BUT
622
00:15:48,415 --> 00:15:50,083
IT'S ONLY BECAUSE I WANT TO MAKE
623
00:15:50,083 --> 00:15:51,818
SURE KARTER WAS TAKEN CARE OF.
624
00:15:51,818 --> 00:15:53,720
IF I HAD A NANNY, RASHEEDA COULD
625
00:15:53,720 --> 00:15:55,088
GET BACK IN THE GAME.
626
00:15:55,088 --> 00:15:58,091
SO MY GIFT TO HER IS A NANNY.
627
00:15:58,091 --> 00:15:58,791
I NEED THAT MODERATE--
628
00:15:58,791 --> 00:15:59,626
KIRK, RASHEEDA'S NOT GONNA
629
00:15:59,626 --> 00:16:01,394
LET HER IN THE CRIB.
630
00:16:01,394 --> 00:16:02,295
KIRK, NOT HER.
631
00:16:02,295 --> 00:16:03,063
NO, NO, NO.
632
00:16:03,063 --> 00:16:03,730
WHY NOT?
633
00:16:03,730 --> 00:16:04,464
WHAT YOU MEAN "WHY NOT?"
634
00:16:04,464 --> 00:16:05,532
THAT'S A YOUNG, LITTLE,
635
00:16:05,532 --> 00:16:06,233
TENDER-RONI.
636
00:16:06,233 --> 00:16:06,899
TENDERLOIN.
637
00:16:06,899 --> 00:16:08,135
YOU KNOW WHAT THOSE ARE?
638
00:16:08,135 --> 00:16:09,102
THOSE ARE HARD TO COME BY RIGHT
639
00:16:09,102 --> 00:16:09,769
THERE.
640
00:16:09,769 --> 00:16:10,603
YO, WE NEED HELP.
641
00:16:10,603 --> 00:16:11,504
YOUR MOMS IS WORKING.
642
00:16:11,504 --> 00:16:12,739
HEY, I GOT Y'ALL SOME SHOTS.
643
00:16:12,739 --> 00:16:14,207
I CAN'T TAKE ANY BECAUSE I NEED
644
00:16:14,207 --> 00:16:15,275
MY JOB.
645
00:16:15,275 --> 00:16:16,243
SINCE YOU CAN'T TAKE THAT
646
00:16:16,243 --> 00:16:17,644
BECAUSE YOU WORK HERE, RIGHT?
647
00:16:17,644 --> 00:16:20,380
UH-HUH.
648
00:16:20,380 --> 00:16:21,714
I GOT A JOB FOR YOU.
649
00:16:21,714 --> 00:16:22,649
DOING WHAT?
650
00:16:22,649 --> 00:16:24,217
WHAT ABOUT YOUR EXPERIENCE
651
00:16:24,217 --> 00:16:24,884
WITH KIDS?
652
00:16:24,884 --> 00:16:26,419
HOW'S THAT GONE?
653
00:16:26,419 --> 00:16:27,987
I HAVE YOUNGER SIBLINGS.
654
00:16:27,987 --> 00:16:29,889
I'M AROUND KIDS ALL THE TIME.
655
00:16:29,889 --> 00:16:30,690
I KNOW HOW TO HANDLE BABIES.
656
00:16:30,690 --> 00:16:31,791
WITH THAT BEING SAID, DON'T
657
00:16:31,791 --> 00:16:33,126
THINK OF THE WORD NANNY AS A OLD
658
00:16:33,126 --> 00:16:33,960
LADY.
659
00:16:33,960 --> 00:16:36,296
I NEED HELP WITH MY NEW BABY.
660
00:16:36,296 --> 00:16:37,464
I LIKE YOUR VIBE.
661
00:16:37,464 --> 00:16:39,432
I KNOWN KIRK TO GET WILD, BUT
662
00:16:39,432 --> 00:16:41,401
BRINGING THIS YOUNG TENDER-RONI
663
00:16:41,401 --> 00:16:42,969
HOME TO RASHEEDA, HE'S ASKING
664
00:16:42,969 --> 00:16:45,205
FOR A SUPREME ASS-WHUPPING.
665
00:16:45,205 --> 00:16:46,939
MY WIFE AND I ARE LOOKING FOR
666
00:16:46,939 --> 00:16:48,408
A NANNY PART-TIME.
667
00:16:48,408 --> 00:16:49,142
WIFE?
668
00:16:49,142 --> 00:16:50,177
WHERE'S THIS RING?
669
00:16:50,177 --> 00:16:51,211
MY RING?
670
00:16:51,211 --> 00:16:52,212
TO SHOW THIS WIFE.
671
00:16:52,212 --> 00:16:53,146
YEAH.
672
00:16:53,146 --> 00:16:53,980
THAT'S THE MILLION-DOLLAR
673
00:16:53,980 --> 00:16:54,647
QUESTION.
674
00:16:54,647 --> 00:16:55,315
WE ALL WANT TO KNOW
675
00:16:55,315 --> 00:16:55,982
WHERE THE RING AT.
676
00:16:55,982 --> 00:16:57,117
WE'RE FRIENDS RIGHT NOW.
677
00:16:57,117 --> 00:16:58,685
YOU'RE FRIENDS.
678
00:16:58,685 --> 00:16:59,486
OH, MAN.
679
00:16:59,486 --> 00:17:00,787
I WOULD LOVE TO BRING YOU IN
680
00:17:00,787 --> 00:17:02,289
AND INTRODUCE YOU, AND LET'S
681
00:17:02,289 --> 00:17:04,624
SEE COULD YOU COME WORK WITH US?
682
00:17:04,624 --> 00:17:05,392
WE LIKE THIS ALREADY.
683
00:17:05,392 --> 00:17:06,193
ALL RIGHT, WELL, IF THIS IS
684
00:17:06,193 --> 00:17:07,327
SOMETHING SERIOUS AND FOR REAL,
685
00:17:07,327 --> 00:17:08,695
I'LL TAKE IT IN CONSIDERATION.
686
00:17:08,695 --> 00:17:09,396
I'M SERIOUS.
687
00:17:09,396 --> 00:17:10,897
I THINK WE GOT TO MOVE THE
688
00:17:10,897 --> 00:17:12,031
RELATIONSHIP FORWARD.
689
00:17:12,031 --> 00:17:13,400
BUSINESS-WISE, SURE.
690
00:17:13,400 --> 00:17:15,235
BUSINESS. STRICTLY BUSINESS.
691
00:17:15,235 --> 00:17:16,869
YEAH, RIGHT.
692
00:17:16,869 --> 00:17:18,638
SCRAPPY MENTIONED TO ME,
693
00:17:18,638 --> 00:17:19,472
"MAMA, BE NICE."
694
00:17:19,472 --> 00:17:20,573
SO I'M GONNA LET YOU KNOW
695
00:17:20,573 --> 00:17:21,708
THERE'S NO POISON IN HERE.
696
00:17:21,708 --> 00:17:23,110
OH, MY GOD.
697
00:17:23,110 --> 00:17:24,177
THINK OF ALL THE GREAT TIMES
698
00:17:24,177 --> 00:17:25,078
WE'VE HAD TOGETHER.
699
00:17:25,078 --> 00:17:25,745
OH, LORD, LORD.
700
00:17:25,745 --> 00:17:26,479
THINK OF ALL THE--DO YOU
701
00:17:26,479 --> 00:17:27,147
REMEMBER SAYING--
702
00:17:27,147 --> 00:17:28,047
YOU SHOULD HAVE BEEN THINKING
703
00:17:28,047 --> 00:17:28,915
ABOUT ALL THE GOOD TIMES AND THE
704
00:17:28,915 --> 00:17:30,917
GREAT THINGS WE HAD TOGETHER.
705
00:17:36,223 --> 00:17:39,259
* BABY, DON'T LET ME DOWN ♪
706
00:17:39,259 --> 00:17:43,463
♪ GOT A LOT GOING ON RIGHT NOW
707
00:17:43,463 --> 00:17:47,300
♪ AND I NEED YOU BESIDE ME
708
00:17:47,300 --> 00:17:49,169
♪ AND WHEN IT GETS COLD
709
00:17:49,169 --> 00:17:50,470
♪ AND I'M FEELING KIND ♪
710
00:17:50,470 --> 00:17:51,571
♪ OF LONELY
711
00:17:51,571 --> 00:17:53,873
♪ I'M HOPING THAT YOU GONNA ♪
712
00:17:53,873 --> 00:17:55,942
♪ PUT A COVER ON ME
713
00:17:55,942 --> 00:17:57,177
IT'S BEEN A FEW DAYS SINCE
714
00:17:57,177 --> 00:17:58,578
I'VE HAD THE MISCARRIAGE, AND
715
00:17:58,578 --> 00:17:59,979
WHILE I'M FEELING BETTER
716
00:17:59,979 --> 00:18:01,648
PHYSICALLY, IT'S STILL TAKEN ME
717
00:18:01,648 --> 00:18:03,183
SOME TIME TO GET MY HEAD RIGHT.
718
00:18:03,183 --> 00:18:04,451
I DIDN'T EVEN THINK I WANTED A
719
00:18:04,451 --> 00:18:06,419
BABY, SO IT'S CRAZY THAT I'M
720
00:18:06,419 --> 00:18:08,087
THIS DISAPPOINTED.
721
00:18:08,087 --> 00:18:10,723
SCRAPPY'S BEEN GREAT, BUT IT'S
722
00:18:10,723 --> 00:18:12,525
STILL GONNA TAKE SOME TIME.
723
00:18:12,525 --> 00:18:15,728
* BABY, DON'T LET ME DOWN ♪
724
00:18:15,728 --> 00:18:19,266
♪ GOT A LOT GOING ON RIGHT NOW
725
00:18:19,266 --> 00:18:20,700
♪ AND I NEED YOU
726
00:18:20,700 --> 00:18:21,368
OH, HI.
727
00:18:21,368 --> 00:18:22,068
HEY.
728
00:18:22,068 --> 00:18:22,969
WOW.
729
00:18:22,969 --> 00:18:24,003
WOW, LOOK AT YOU.
730
00:18:24,003 --> 00:18:25,071
SURPRISED TO SEE YOU.
731
00:18:25,071 --> 00:18:26,005
AW.
732
00:18:26,005 --> 00:18:27,274
MOMMA DEE'S THE LAST PERSON I
733
00:18:27,274 --> 00:18:28,575
EXPECT TO COME KNOCKING ON MY
734
00:18:28,575 --> 00:18:29,542
DOOR RIGHT NOW.
735
00:18:29,542 --> 00:18:31,278
I KNOW SHE WAS EXCITED ABOUT THE
736
00:18:31,278 --> 00:18:33,680
BABY, BUT SHE'S BEEN PRETTY
737
00:18:33,680 --> 00:18:35,548
AWFUL TO ME IN THE PAST, SO IF
738
00:18:35,548 --> 00:18:36,849
SHE'S COMING HERE TO GIVE ME A
739
00:18:36,849 --> 00:18:38,318
HARD TIME, I JUST CAN'T TAKE
740
00:18:38,318 --> 00:18:39,352
THAT RIGHT NOW.
741
00:18:39,352 --> 00:18:41,421
WOW, I'M REALLY SURPRISED THAT
742
00:18:41,421 --> 00:18:42,088
YOU'RE HERE.
743
00:18:42,088 --> 00:18:42,889
WELL, YOU KNOW, I HAVE MY
744
00:18:42,889 --> 00:18:45,458
WAYS.
745
00:18:45,458 --> 00:18:46,993
WOW.
746
00:18:46,993 --> 00:18:47,960
OH, MY GOD.
747
00:18:47,960 --> 00:18:49,629
MY, MY, HOW BIG, SHARP KNIVES
748
00:18:49,629 --> 00:18:51,130
YOU HAVE, DEAR.
749
00:18:51,130 --> 00:18:51,798
[laughs]
750
00:18:51,798 --> 00:18:52,799
I KNOW I FEEL A CERTAIN TYPE
751
00:18:52,799 --> 00:18:54,634
OF WAY ABOUT BAMBI WITH ALL THAT
752
00:18:54,634 --> 00:18:56,169
WHORING SHE BE DOING IN L.A.,
753
00:18:56,169 --> 00:18:57,036
BUT YOU KNOW WHAT?
754
00:18:57,036 --> 00:18:58,438
IT AIN'T EVEN 'BOUT THAT.
755
00:18:58,438 --> 00:19:00,373
AS A WOMAN, I FEEL AND
756
00:19:00,373 --> 00:19:01,474
UNDERSTAND WHAT SHE'S GOING
757
00:19:01,474 --> 00:19:03,576
THROUGH, SO I CAME OVER WITH A
758
00:19:03,576 --> 00:19:06,179
LITTLE SOUP, SOUP FOR THE SOUL.
759
00:19:06,179 --> 00:19:08,481
SCRAPPY MENTIONED TO ME,
760
00:19:08,481 --> 00:19:09,349
"MAMA, BE NICE."
761
00:19:09,349 --> 00:19:10,517
SO I'M GONNA LET YOU KNOW
762
00:19:10,517 --> 00:19:11,784
THERE'S NO POISON IN HERE.
763
00:19:11,784 --> 00:19:13,220
YEAH, I WAS DEFINITELY
764
00:19:13,220 --> 00:19:14,554
WORRIED.
765
00:19:14,554 --> 00:19:17,156
HOW YOU BEEN FEELING?
766
00:19:17,156 --> 00:19:18,858
PHYSICALLY, I'M A LITTLE
767
00:19:18,858 --> 00:19:20,660
BETTER, BUT YOU KNOW,
768
00:19:20,660 --> 00:19:21,894
EMOTIONALLY, IT'S STILL KIND
769
00:19:21,894 --> 00:19:22,562
OF--
770
00:19:22,562 --> 00:19:23,263
I MEAN, WHAT HAPPENED,
771
00:19:23,263 --> 00:19:24,531
I MEAN, I GOT USED TO THE IDEA
772
00:19:24,531 --> 00:19:26,032
THAT WE'RE GONNA HAVE A BABY,
773
00:19:26,032 --> 00:19:29,001
AND THEN I MEAN, HERE COMES
774
00:19:29,001 --> 00:19:31,137
THE CRAZY NEWS THAT YOU LOST
775
00:19:31,137 --> 00:19:31,938
A GRANDCHILD.
776
00:19:31,938 --> 00:19:32,605
RIGHT.
777
00:19:32,605 --> 00:19:34,040
I FELT LIKE A RUG WAS PULLED
778
00:19:34,040 --> 00:19:35,442
OUT FROM UNDER ME.
779
00:19:35,442 --> 00:19:36,576
I JUST THOUGHT YOU WAS
780
00:19:36,576 --> 00:19:37,644
PROBABLY GONNA BE A LITTLE
781
00:19:37,644 --> 00:19:38,845
RELIEVED, YOU KNOW.
782
00:19:38,845 --> 00:19:40,713
NO, NOT WHEN IT COMES DOWN TO
783
00:19:40,713 --> 00:19:44,451
FLESH AND BLOOD, AND IT'S NOT
784
00:19:44,451 --> 00:19:45,718
THAT I DON'T LIKE YOU.
785
00:19:45,718 --> 00:19:46,786
IT'S JUST THAT, YOU KNOW, WITH
786
00:19:46,786 --> 00:19:48,621
ME HEARING THE RUMOR THAT YOU
787
00:19:48,621 --> 00:19:49,756
BOUNCE AND BOUNCE, AND YOU GO
788
00:19:49,756 --> 00:19:50,423
AROUND--
789
00:19:50,423 --> 00:19:51,157
LIKE, REALLY?
790
00:19:51,157 --> 00:19:52,259
YEAH, I WAS KIND OF TAKEN
791
00:19:52,259 --> 00:19:54,261
BACK, SO I JUST HAD TO BRING IT
792
00:19:54,261 --> 00:19:55,895
OUT, BUT WHEN I HEARD ABOUT THE
793
00:19:55,895 --> 00:19:56,563
BABY...
794
00:19:56,563 --> 00:19:57,230
MM-HMM.
795
00:19:57,230 --> 00:20:01,000
I WAS OVERJOYED, AND I CAME
796
00:20:01,000 --> 00:20:03,836
OVER HERE BECAUSE I HAD
797
00:20:03,836 --> 00:20:06,606
A MISCARRIAGE TOO.
798
00:20:06,606 --> 00:20:07,307
OH, WOW.
799
00:20:07,307 --> 00:20:10,477
I HAD A MISCARRIAGE TOO, SO I
800
00:20:10,477 --> 00:20:12,379
UNDERSTAND, YOU KNOW, AS A WOMAN
801
00:20:12,379 --> 00:20:14,681
AND AS A MOTHER, HOW THIS COULD
802
00:20:14,681 --> 00:20:17,684
FEEL, AND I AM SO SORRY THAT YOU
803
00:20:17,684 --> 00:20:18,651
HAD TO GO THROUGH THIS.
804
00:20:18,651 --> 00:20:20,287
I'M SO SORRY THAT I HAD TO LOSE
805
00:20:20,287 --> 00:20:22,555
MY GRANDBABY EVEN BEFORE I EVEN
806
00:20:22,555 --> 00:20:24,056
GOT A CHANCE TO EVEN SEE HIM OR
807
00:20:24,056 --> 00:20:24,791
HER BE BORN.
808
00:20:24,791 --> 00:20:27,560
SO I'M HOPING THAT WE CAN GROW
809
00:20:27,560 --> 00:20:30,630
FROM THIS, AND I'M GOING TO TRY
810
00:20:30,630 --> 00:20:35,335
MY BEST, YOU KNOW, TO GET ALONG
811
00:20:35,335 --> 00:20:36,503
THE BEST WAY I CAN.
812
00:20:36,503 --> 00:20:38,037
AND MAYBE ONE DAY,
813
00:20:38,037 --> 00:20:39,038
WHEN YOUR BODY HEAL,
814
00:20:39,038 --> 00:20:40,172
MAYBE Y'ALL CAN TRY AGAIN
815
00:20:40,172 --> 00:20:42,875
AND MAYBE GET MARRIED.
816
00:20:42,875 --> 00:20:43,943
I'M SHOCKED.
817
00:20:43,943 --> 00:20:45,378
I'M GONNA HAVE TO SAY THAT THAT
818
00:20:45,378 --> 00:20:47,480
WAS AN APOLOGY OR AS CLOSE TO
819
00:20:47,480 --> 00:20:49,582
AN APOLOGY AS MOMMA DEE CAN GET.
820
00:20:49,582 --> 00:20:51,117
MAYBE THIS CAN BE A NEW START
821
00:20:51,117 --> 00:20:51,784
FOR US.
822
00:20:51,784 --> 00:20:54,354
STRANGER THINGS HAVE HAPPENED.
823
00:20:54,354 --> 00:20:56,356
ALL FOR YOU.
824
00:20:56,356 --> 00:20:57,290
THANK YOU.
825
00:20:57,290 --> 00:20:58,691
YOU'RE WELCOME, SWEETIE.
826
00:20:58,691 --> 00:21:00,226
SOME OF MY SPECIAL REMEDY
827
00:21:00,226 --> 00:21:01,594
THAT'LL HELP YOUR BODY HEAL.
828
00:21:01,594 --> 00:21:03,630
OKAY.
829
00:21:03,630 --> 00:21:04,464
AND MAYBE I'LL GET
830
00:21:04,464 --> 00:21:05,264
A GRANDBABY.
831
00:21:05,264 --> 00:21:06,466
[laughs]
832
00:21:06,466 --> 00:21:07,233
EVERYBODY GETS WHAT THEY
833
00:21:07,233 --> 00:21:09,235
WANT.
834
00:21:18,978 --> 00:21:20,413
OOH, NICE.
835
00:21:20,413 --> 00:21:21,213
NICE.
836
00:21:21,213 --> 00:21:23,650
HEY.
837
00:21:23,650 --> 00:21:24,617
I GOT A COUPLE OF THINGS I
838
00:21:24,617 --> 00:21:26,152
NEED TO TALK TO SLEEZO ABOUT, SO
839
00:21:26,152 --> 00:21:27,186
I FIGURED I JUST TAKE HIM TO
840
00:21:27,186 --> 00:21:28,721
LUNCH, MY TREAT.
841
00:21:28,721 --> 00:21:29,856
WHAT'S UP WITH YOU AND JOS?
842
00:21:29,856 --> 00:21:31,624
I MEAN, WE ALL RIGHT.
843
00:21:31,624 --> 00:21:32,592
I KEEP TELLING HER ABOUT THE
844
00:21:32,592 --> 00:21:33,960
BUSINESS ASPECT OF THE THING.
845
00:21:33,960 --> 00:21:35,462
LIKE, SHE HIRED DAWN TO HANDLE
846
00:21:35,462 --> 00:21:36,128
HER BOOKINGS.
847
00:21:36,128 --> 00:21:36,796
RIGHT.
848
00:21:36,796 --> 00:21:37,797
BUT THEN, YOU KNOW, I GOT TO
849
00:21:37,797 --> 00:21:38,698
CLEAN UP HER MESS.
850
00:21:38,698 --> 00:21:39,399
SHE AIN'T WANT TO--
851
00:21:39,399 --> 00:21:40,266
BUT HER AND DAWN WERE FRIENDS
852
00:21:40,266 --> 00:21:40,933
TOO, THOUGH.
853
00:21:40,933 --> 00:21:42,669
YEAH, BUT SHE FIRED HER BUT
854
00:21:42,669 --> 00:21:43,470
DIDN'T FIRE HER.
855
00:21:43,470 --> 00:21:44,136
WHAT YOU MEAN?
856
00:21:44,136 --> 00:21:45,405
SHE DIDN'T TELL HER SHE WAS
857
00:21:45,405 --> 00:21:46,072
FIRED.
858
00:21:46,072 --> 00:21:46,739
I MEAN...
859
00:21:46,739 --> 00:21:49,542
IT IS WHAT IT IS, MAN.
860
00:21:49,542 --> 00:21:50,377
THEY'RE PERSONAL FRIENDS,
861
00:21:50,377 --> 00:21:51,043
MAN.
862
00:21:51,043 --> 00:21:52,178
I KNOW IT'S HARD DOING BUSINESS
863
00:21:52,178 --> 00:21:53,546
WITH YOUR FRIENDS, BUT ME AND
864
00:21:53,546 --> 00:21:54,447
SLEEZO--WE DON'T GOT THAT
865
00:21:54,447 --> 00:21:55,114
PROBLEM.
866
00:21:55,114 --> 00:21:56,182
I MEAN, MOST OF THE TIME WE'RE
867
00:21:56,182 --> 00:21:57,517
PRETTY MUCH ON THE SAME PAGE.
868
00:21:57,517 --> 00:21:58,918
WE TRYING TO GET THIS PAPER.
869
00:21:58,918 --> 00:22:00,453
WE GOT THE RESTAURANT THINGS
870
00:22:00,453 --> 00:22:01,120
POPPING.
871
00:22:01,120 --> 00:22:03,055
OH, AND I GOT THIS NEW SCHEME
872
00:22:03,055 --> 00:22:04,624
FOR MY MAN SLEEZO.
873
00:22:04,624 --> 00:22:05,758
LISTEN, THAT ISSUE,
874
00:22:05,758 --> 00:22:06,426
HIP HOP WEEKLY...
875
00:22:06,426 --> 00:22:07,093
YEAH.
876
00:22:07,093 --> 00:22:07,960
WITH YOU AND JOS ON THE
877
00:22:07,960 --> 00:22:09,862
COVER--SHH, KILLER.
878
00:22:09,862 --> 00:22:10,763
LIKE, WELCOME, BRO.
879
00:22:10,763 --> 00:22:12,098
THAT'S HOW WE DO.
880
00:22:12,098 --> 00:22:12,765
KILLED IT, YO.
881
00:22:12,765 --> 00:22:13,433
THAT'S HOW WE DO.
882
00:22:13,433 --> 00:22:14,701
I WAS THINKING--I FIGURED,
883
00:22:14,701 --> 00:22:15,402
YOU KNOW WHAT I'M SAYING?
884
00:22:15,402 --> 00:22:17,203
COME IN AS A PARTNER.
885
00:22:17,203 --> 00:22:18,405
WHAT?
886
00:22:18,405 --> 00:22:19,305
YEAH, WE WANT TO GET IT BACK
887
00:22:19,305 --> 00:22:20,339
TO WHERE THE SOURCE WAS.
888
00:22:20,339 --> 00:22:21,040
RIGHT, RIGHT, RIGHT,
889
00:22:21,040 --> 00:22:21,708
ABSOLUTELY.
890
00:22:21,708 --> 00:22:22,375
AWARD SHOWS.
891
00:22:22,375 --> 00:22:23,042
RIGHT.
892
00:22:23,042 --> 00:22:23,843
IT'S LIKE THE HIP--IT WAS THE
893
00:22:23,843 --> 00:22:24,511
HIP HOP BIBLE.
894
00:22:24,511 --> 00:22:25,378
MAGAZINE'S BEEN GOING
895
00:22:25,378 --> 00:22:26,045
FOR SIX YEARS.
896
00:22:26,045 --> 00:22:26,679
BEAUTIFUL.
897
00:22:26,679 --> 00:22:27,480
YOU CAN COME IN AND TAKE IT
898
00:22:27,480 --> 00:22:28,147
TO THE NEXT LEVEL.
899
00:22:28,147 --> 00:22:28,815
I'M EXCITED, BRO.
900
00:22:28,815 --> 00:22:29,482
I'LL DRINK TO THAT.
901
00:22:29,482 --> 00:22:30,149
LET'S GO.
902
00:22:30,149 --> 00:22:32,151
both: HEY.
903
00:22:38,324 --> 00:22:40,326
LAST TIME I SAW JOC, WE BOTH
904
00:22:40,326 --> 00:22:41,761
SAID A LOT OF HURTFUL THINGS.
905
00:22:41,761 --> 00:22:43,029
I REALLY HOPE HE ACCEPTS MY
906
00:22:43,029 --> 00:22:45,432
APOLOGY, BUT AT THIS POINT,
907
00:22:45,432 --> 00:22:46,699
I DON'T EVEN KNOW IF HE GONNA
908
00:22:46,699 --> 00:22:48,701
SHOW UP.
909
00:22:52,038 --> 00:22:55,442
WHAT'S UP?
910
00:22:55,442 --> 00:22:57,510
THANK YOU FOR COMING.
911
00:22:57,510 --> 00:22:58,611
I MEAN, I AGREED TO MEET WITH
912
00:22:58,611 --> 00:22:59,278
KARLIE, MAN.
913
00:22:59,278 --> 00:22:59,979
YOU KNOW WHAT I'M SAYING?
914
00:22:59,979 --> 00:23:00,980
I COULDN'T STOP HER FROM CALLING
915
00:23:00,980 --> 00:23:01,614
MY PHONE.
916
00:23:01,614 --> 00:23:02,882
DOG, SHE BLEW PHONE UP.
917
00:23:02,882 --> 00:23:04,617
SHE HIT MY PHONE LIKE 115 TIMES,
918
00:23:04,617 --> 00:23:05,317
BUT WHEN I SAW HER IN THAT
919
00:23:05,317 --> 00:23:06,986
STUDIO, [bleep], THE
920
00:23:06,986 --> 00:23:08,888
RELATIONSHIP LIKE A PAIR OF
921
00:23:08,888 --> 00:23:10,356
FLEA MARKET GIUSEPPE.
922
00:23:10,356 --> 00:23:12,258
SQUASH, WRAP, DONE, OUT THE
923
00:23:12,258 --> 00:23:13,325
DOOR.
924
00:23:13,325 --> 00:23:15,662
WHAT'S GOOD?
925
00:23:15,662 --> 00:23:18,230
WELL, UM--FIRST OF ALL,
926
00:23:18,230 --> 00:23:21,333
THANK YOU FOR COMING.
927
00:23:21,333 --> 00:23:22,535
CAN I HAVE YOUR HANDS, PLEASE?
928
00:23:22,535 --> 00:23:23,202
I WANT TO SHOW YOU--
929
00:23:23,202 --> 00:23:24,036
YOU DIDN'T ASK FOR MY HAND IN
930
00:23:24,036 --> 00:23:24,704
THE STUDIO.
931
00:23:24,704 --> 00:23:25,738
NO, I DON'T WANT TO DO THAT.
932
00:23:25,738 --> 00:23:26,773
TALK TO ME.
933
00:23:26,773 --> 00:23:27,907
LOOK, WE HERE, SERIOUSLY.
934
00:23:27,907 --> 00:23:28,975
I NEED TO FIX OUR PERSONAL
935
00:23:28,975 --> 00:23:29,642
RELATIONSHIP, SO--
936
00:23:29,642 --> 00:23:30,577
I DON'T WANT--I DON'T WANT TO
937
00:23:30,577 --> 00:23:31,243
UPSET YOU.
938
00:23:31,243 --> 00:23:31,911
YOU GONNA MAKE ME--
939
00:23:31,911 --> 00:23:32,712
NO, STOP TOUCHING ME.
940
00:23:32,712 --> 00:23:35,414
I JUST WANT TO SAY...
941
00:23:35,414 --> 00:23:36,082
I WAS WRONG.
942
00:23:36,082 --> 00:23:36,983
I'M SORRY.
943
00:23:36,983 --> 00:23:38,685
I SHOULD HAVE NEVER DID THAT,
944
00:23:38,685 --> 00:23:39,486
AND IT WON'T HAPPEN AGAIN.
945
00:23:39,486 --> 00:23:42,489
I JUST--I KIND OF DID IT TO MAKE
946
00:23:42,489 --> 00:23:43,490
YOU JEALOUS.
947
00:23:43,490 --> 00:23:46,593
OKAY, WELL, I AIN'T GONNA SAY
948
00:23:46,593 --> 00:23:47,594
JEALOUS, BUT YOU DEFINITELY
949
00:23:47,594 --> 00:23:48,628
PISSED ME OFF.
950
00:23:48,628 --> 00:23:50,062
BABY, I WANT ANOTHER CHANCE.
951
00:23:50,062 --> 00:23:50,797
YOU GOT TO GIVE ME ANOTHER
952
00:23:50,797 --> 00:23:51,564
CHANCE, BABY, I--
953
00:23:51,564 --> 00:23:52,231
WHY?
954
00:23:52,231 --> 00:23:52,965
TELL ME WHY I GOT TO GIVE YOU
955
00:23:52,965 --> 00:23:54,233
ANOTHER CHANCE.
956
00:23:54,233 --> 00:23:55,668
THINK OF ALL THE GREAT TIMES
957
00:23:55,668 --> 00:23:56,335
WE'VE HAD TOGETHER.
958
00:23:56,335 --> 00:23:57,003
OH.
959
00:23:57,003 --> 00:23:57,837
THINK OF ALL THE GOOD THINGS
960
00:23:57,837 --> 00:23:58,505
WE GOT TOGETHER.
961
00:23:58,505 --> 00:23:59,706
OH, LORD, LORD.
962
00:23:59,706 --> 00:24:00,773
YOU SHOULD HAVE BEEN THINKING
963
00:24:00,773 --> 00:24:01,808
ABOUT ALL THE GOOD TIMES, ALL
964
00:24:01,808 --> 00:24:02,509
THE GREAT THINGS WE HAD
965
00:24:02,509 --> 00:24:03,175
TOGETHER.
966
00:24:03,175 --> 00:24:03,843
HOW YOU GONNA GET ME
967
00:24:03,843 --> 00:24:04,611
TO THINK ABOUT IT?
968
00:24:04,611 --> 00:24:05,277
I THOUGHT ABOUT IT.
969
00:24:05,277 --> 00:24:06,946
THAT'S WHY I BEEN ROCKING WITH
970
00:24:06,946 --> 00:24:07,614
YOU LIKE THAT.
971
00:24:07,614 --> 00:24:08,280
I KNOW.
972
00:24:08,280 --> 00:24:09,248
BUT I CARE, BABY, AND I WANT
973
00:24:09,248 --> 00:24:10,249
THIS TO WORK.
974
00:24:10,249 --> 00:24:10,983
[laughs]
975
00:24:10,983 --> 00:24:11,718
YOU WANT IT TO WORK, BUT YOU
976
00:24:11,718 --> 00:24:13,052
DOING CRAZY [bleep].
977
00:24:13,052 --> 00:24:13,920
IT'S CLEAR.
978
00:24:13,920 --> 00:24:15,922
SAYING SORRY IS NOT ENOUGH HERE,
979
00:24:15,922 --> 00:24:18,257
BUT KARLIE REDD--SHE GOT A FEW
980
00:24:18,257 --> 00:24:19,358
TRICKS UP HER SLEEVE.
981
00:24:19,358 --> 00:24:21,894
I WANT TO MAKE IT UP TO YOU.
982
00:24:21,894 --> 00:24:22,929
YOU WANT TO MAKE IT UP TO ME?
983
00:24:22,929 --> 00:24:24,697
HOW YOU SUPPOSED TO DO THAT?
984
00:24:24,697 --> 00:24:27,033
BY MY ACTIONS.
985
00:24:27,033 --> 00:24:27,767
SOUND GOOD.
986
00:24:27,767 --> 00:24:28,968
EVERY NIGHT.
987
00:24:28,968 --> 00:24:30,069
HUH, EVERY NIGHT.
988
00:24:30,069 --> 00:24:32,071
MM-HMM.
989
00:24:39,779 --> 00:24:43,583
YOU CRAZY.
990
00:24:43,583 --> 00:24:44,884
[indistinct] YOU CRAZY.
991
00:24:44,884 --> 00:24:46,285
LIKE, I SUPPOSED JUST BE--JUST
992
00:24:46,285 --> 00:24:49,656
READY TO GET INTO IT RIGHT HERE,
993
00:24:49,656 --> 00:24:50,523
RIGHT NOW IN PUBLIC.
994
00:24:50,523 --> 00:24:52,158
LIKE--SEE WHAT'S
995
00:24:52,158 --> 00:24:52,992
ALL THAT [bleep]?
996
00:24:52,992 --> 00:24:54,994
COME ON.
997
00:25:04,571 --> 00:25:05,938
THAT'S WHAT MAKING UP--THAT'S
998
00:25:05,938 --> 00:25:07,940
HOW YOU GONNA MAKE IT UP TO ME?
999
00:25:12,411 --> 00:25:13,580
SO YOU ACTUALLY GONNA DO THIS
1000
00:25:13,580 --> 00:25:14,681
IN A FULL RESTAURANT?
1001
00:25:14,681 --> 00:25:16,448
RIGHT HERE [bleep],
1002
00:25:16,448 --> 00:25:17,416
I'LL TELL YOU THE TRUTH.
1003
00:25:17,416 --> 00:25:19,051
MAN, KARLIE BE WILDING OUT HERE.
1004
00:25:19,051 --> 00:25:20,019
UNFORTUNATELY, SHE KNOW MY
1005
00:25:20,019 --> 00:25:23,590
WEAKNESSES, AND I JUST--I--
1006
00:25:23,590 --> 00:25:25,692
WELL, YOU ALWAYS SAY THAT I'M
1007
00:25:25,692 --> 00:25:27,694
THE BEST YOU EVER HAD.
1008
00:25:31,731 --> 00:25:32,565
THE CHECK, PLEASE.
1009
00:25:32,565 --> 00:25:33,532
[laughs]
1010
00:25:33,532 --> 00:25:34,433
YOU COULD NEVER FIRE ME.
1011
00:25:34,433 --> 00:25:35,134
I PUT THE MONEY IN Y'ALL
1012
00:25:35,134 --> 00:25:35,802
ACCOUNT.
1013
00:25:35,802 --> 00:25:36,468
WHO YOUR BOSS?
1014
00:25:36,468 --> 00:25:37,203
NO, NO, THAT'S ALL RIGHT.
1015
00:25:37,203 --> 00:25:37,970
I GET MINE OFF THE MOTHER
1016
00:25:37,970 --> 00:25:41,674
[bleep] TOP.
1017
00:25:41,674 --> 00:25:48,815
* WHEN IT GETS COLD
1018
00:25:48,815 --> 00:25:49,682
I GOT SOME UNFINISHED
1019
00:25:49,682 --> 00:25:51,017
BUSINESS TO HANDLE WITH DAWN.
1020
00:25:51,017 --> 00:25:52,619
UNLIKE MY WIFE, I LIKE TO GET
1021
00:25:52,619 --> 00:25:54,086
STRAIGHT TO THE POINT
1022
00:25:54,086 --> 00:25:55,554
SO THERE'S NO CONFUSION.
1023
00:25:55,554 --> 00:25:57,556
DAWN, YOU ARE FIRED.
1024
00:26:03,996 --> 00:26:04,764
OH, YEAH, I HEARD ABOUT
1025
00:26:04,764 --> 00:26:05,497
STEVIE J.
1026
00:26:05,497 --> 00:26:06,398
COME TO TRY TO STRAIGHTEN ME
1027
00:26:06,398 --> 00:26:07,399
ABOUT SOMETHING DEALING WITH
1028
00:26:07,399 --> 00:26:08,067
JOSELINE.
1029
00:26:08,067 --> 00:26:08,935
EVIDENTLY, SHE DIDN'T HAVE THE
1030
00:26:08,935 --> 00:26:10,603
BALLS TO COME FIRE ME.
1031
00:26:10,603 --> 00:26:11,270
REALLY?
1032
00:26:11,270 --> 00:26:12,171
YOU CAN'T FIRE ME.
1033
00:26:12,171 --> 00:26:13,740
I GOT A FOLDER FULL OF DOCUMENTS
1034
00:26:13,740 --> 00:26:15,307
THAT'S PROVEN THAT STEVIE J.
1035
00:26:15,307 --> 00:26:17,476
AND HIS WIFE ARE NOTHING BUT A
1036
00:26:17,476 --> 00:26:19,145
BUNCH OF BROKE-ASS FRAUDS.
1037
00:26:19,145 --> 00:26:19,946
I UNDERSTAND YOU PROBABLY
1038
00:26:19,946 --> 00:26:20,780
MAD, YOU KNOW WHAT I'M SAYING?
1039
00:26:20,780 --> 00:26:21,614
MAD?
1040
00:26:21,614 --> 00:26:22,448
YOU WAS GETTING SOME MONEY.
1041
00:26:22,448 --> 00:26:23,149
DO I LOOK LIKE I'M MAD?
1042
00:26:23,149 --> 00:26:24,050
YEAH, JUST GETTING SOME MONEY
1043
00:26:24,050 --> 00:26:24,717
BOOKING--
1044
00:26:24,717 --> 00:26:25,618
I SIGNED FOR THE PLACE WHERE
1045
00:26:25,618 --> 00:26:26,585
YOUR BITCH WAS LIVING AT.
1046
00:26:26,585 --> 00:26:27,954
THAT'S WHAT I DID BEFORE SHE
1047
00:26:27,954 --> 00:26:28,621
MOVED TO YOUR RENTAL.
1048
00:26:28,621 --> 00:26:29,488
SHE WAS PAYING FOR IT THOUGH.
1049
00:26:29,488 --> 00:26:30,289
YEAH, BUT SHE AIN'T HAD THE
1050
00:26:30,289 --> 00:26:30,957
CREDIT FOR THAT.
1051
00:26:30,957 --> 00:26:31,724
SHE GOT FOUR CLOSETS NOW.
1052
00:26:31,724 --> 00:26:32,391
YOUR BITCH [bleep]
1053
00:26:32,391 --> 00:26:33,726
FOUR CLOSETS AWAY.
1054
00:26:33,726 --> 00:26:34,727
FOREVER 21?
1055
00:26:34,727 --> 00:26:35,394
FOUR CLOSETS.
1056
00:26:35,394 --> 00:26:36,095
MOTHER[bleep].
1057
00:26:36,095 --> 00:26:37,029
NAH, NAH. IT'S NICE.
1058
00:26:37,029 --> 00:26:37,697
GET THE [bleep] OUT.
1059
00:26:37,697 --> 00:26:38,765
SHE CHARGED ON MY MOTHER[bleep]
1060
00:26:38,765 --> 00:26:39,431
NEIMAN MARCUS CARD.
1061
00:26:39,431 --> 00:26:40,099
BUT NOT NO MORE.
1062
00:26:40,099 --> 00:26:40,767
[bleep], STOP FRAUD.
1063
00:26:40,767 --> 00:26:41,801
JOSELINE COULDN'T EVEN GET HER
1064
00:26:41,801 --> 00:26:43,335
OWN PLACE 'CAUSE SHE WAS EVICTED
1065
00:26:43,335 --> 00:26:44,103
AND HAD BAD CREDIT.
1066
00:26:44,103 --> 00:26:45,404
I SIGNED MY NAME ON THE DOTTED
1067
00:26:45,404 --> 00:26:46,072
LINE.
1068
00:26:46,072 --> 00:26:47,907
BOOKING AGENTS DON'T DO THAT.
1069
00:26:47,907 --> 00:26:49,676
THAT'S WHAT REAL FRIENDS DO.
1070
00:26:49,676 --> 00:26:50,542
YOU RIDE AROUND TOWN IN A RENTAL
1071
00:26:50,542 --> 00:26:51,210
BENTLEY.
1072
00:26:51,210 --> 00:26:51,911
WHAT I'VE HEARD ABOUT--
1073
00:26:51,911 --> 00:26:52,578
IT'S STILL MINE.
1074
00:26:52,578 --> 00:26:53,245
IT DON'T MATTER.
1075
00:26:53,245 --> 00:26:53,913
IT AIN'T YOURS.
1076
00:26:53,913 --> 00:26:54,580
AND THE BENZ TOO.
1077
00:26:54,580 --> 00:26:55,281
IT AIN'T YOURS, AND THE
1078
00:26:55,281 --> 00:26:56,215
RENTAL--
1079
00:26:56,215 --> 00:26:57,516
IT'S A RENTAL, AND THEN WITH
1080
00:26:57,516 --> 00:26:58,851
YOUR HOUSE--YOU RENT A HOUSE.
1081
00:26:58,851 --> 00:26:59,585
LET ME GIVE YOU THE REAL
1082
00:26:59,585 --> 00:27:00,319
PEOPLE THAT OWN IT.
1083
00:27:00,319 --> 00:27:00,987
YEAH.
1084
00:27:00,987 --> 00:27:01,788
THESE THE REAL PEOPLE THAT
1085
00:27:01,788 --> 00:27:02,454
OWN YOUR HOUSE.
1086
00:27:02,454 --> 00:27:03,389
I KNOW WHO OWN MY HOUSE.
1087
00:27:03,389 --> 00:27:04,190
YES, IT'S NOT YOU.
1088
00:27:04,190 --> 00:27:05,057
MAN, THIS CHICK IS HITTING ME
1089
00:27:05,057 --> 00:27:06,225
WITH EVERYTHING UNDER THE SUN,
1090
00:27:06,225 --> 00:27:07,026
BUT YOU KNOW ME.
1091
00:27:07,026 --> 00:27:08,560
COOL AS A FAN, I AIN'T SWEATING
1092
00:27:08,560 --> 00:27:10,396
IT, BUT SHE DEFINITELY MESSING
1093
00:27:10,396 --> 00:27:11,463
WITH THE WRONG ONE.
1094
00:27:11,463 --> 00:27:12,699
SINCE YOU WANT TO THROW POP
1095
00:27:12,699 --> 00:27:13,399
SHOTS AT ME AND MY WIFE--
1096
00:27:13,399 --> 00:27:14,100
SAY WHAT THE [bleep]
1097
00:27:14,100 --> 00:27:14,867
I CAN SAY--YOUR WIFE?
1098
00:27:14,867 --> 00:27:15,534
ME TOO. YEAH, ME TOO.
1099
00:27:15,534 --> 00:27:16,268
WHEN Y'ALL WAS MARRIED?
1100
00:27:16,268 --> 00:27:16,936
JULY 29TH.
1101
00:27:16,936 --> 00:27:17,770
YOU WANT TO--YOU WANT TO SEE
1102
00:27:17,770 --> 00:27:18,537
THE TEXT MESSAGE SHE TEXT ME
1103
00:27:18,537 --> 00:27:19,238
FOR THAT?
1104
00:27:19,238 --> 00:27:20,106
LET ME SHOW YOU THAT, TELL YOU
1105
00:27:20,106 --> 00:27:20,973
WHAT TYPE OF BITCH YOU DEALING
1106
00:27:20,973 --> 00:27:21,640
WITH.
1107
00:27:21,640 --> 00:27:22,474
YEAH, LET ME SEE WHAT TYPE--
1108
00:27:22,474 --> 00:27:23,575
I'LL SHOW IT TO HER. I'M NOT--
1109
00:27:23,575 --> 00:27:24,610
YEAH, YOU FAKE MARRIED.
1110
00:27:24,610 --> 00:27:26,779
THIS TEXT BASICALLY STATED THAT
1111
00:27:26,779 --> 00:27:29,015
JOSELINE KNEW STEVIE PUT UP A
1112
00:27:29,015 --> 00:27:30,149
FAKE MAGAZINE ARTICLE
1113
00:27:30,149 --> 00:27:31,617
IN HIP HOP WEEKLY SAYING
1114
00:27:31,617 --> 00:27:32,551
THAT THEY MARRIED.
1115
00:27:32,551 --> 00:27:33,686
BENZINO PUT IT IN MOTHER[bleep]
1116
00:27:33,686 --> 00:27:34,721
HIP HOP WEEKLY.
1117
00:27:34,721 --> 00:27:35,988
BENZINO MOTHER[bleep] ASS.
1118
00:27:35,988 --> 00:27:36,856
NO, THAT'S MY--THAT'S MY
1119
00:27:36,856 --> 00:27:37,523
MAGAZINE.
1120
00:27:37,523 --> 00:27:38,257
YEAH, THAT AIN'T YOURS.
1121
00:27:38,257 --> 00:27:38,925
I'M PART OWNER--
1122
00:27:38,925 --> 00:27:39,726
NO, NO, NO, NO, NO, I DIDN'T
1123
00:27:39,726 --> 00:27:40,392
KNOW THAT PART.
1124
00:27:40,392 --> 00:27:41,560
YEAH, RIGHT. YOU'RE FIRED.
1125
00:27:41,560 --> 00:27:42,561
'CAUSE THE LAST TIME YOU
1126
00:27:42,561 --> 00:27:43,462
HAD A HIT WAS WHEN RONALD REAGAN
1127
00:27:43,462 --> 00:27:44,530
WAS IN MOTHER[bleep] OFFICE.
1128
00:27:44,530 --> 00:27:45,231
BUT HE'S NOT IN OFFICE.
1129
00:27:45,231 --> 00:27:46,065
SO DON'T MOTHER[bleep]--
1130
00:27:46,065 --> 00:27:47,233
EXACTLY--WE WAITIN'.
1131
00:27:47,233 --> 00:27:49,368
THE WORLD IS WAITING FOR ANOTHER
1132
00:27:49,368 --> 00:27:51,003
MOTHER[bleep] HIT.
1133
00:27:51,003 --> 00:27:52,404
YOU COULD NEVER FIRE ME.
1134
00:27:52,404 --> 00:27:53,272
I PUT THE MONEY IN YOUR ACCOUNT.
1135
00:27:53,272 --> 00:27:54,473
WHO YOUR BOSS? THAT'S RIGHT.
1136
00:27:54,473 --> 00:27:55,274
I GET MINE OFF THE
1137
00:27:55,274 --> 00:27:55,942
MOTHER[bleep] TOP.
1138
00:27:55,942 --> 00:27:56,608
ALL RIGHT, ALL RIGHT.
1139
00:27:56,608 --> 00:27:57,276
THAT'S RIGHT.
1140
00:27:57,276 --> 00:27:58,677
I'M MAKING IT RAIN BANK RECEIPTS
1141
00:27:58,677 --> 00:28:00,612
AND DEPOSITS ON THAT ASS.
1142
00:28:00,612 --> 00:28:01,848
SEE, I KNOW EVERYTHING.
1143
00:28:01,848 --> 00:28:04,150
I KNOW WHERE THE MONEY IS, AND I
1144
00:28:04,150 --> 00:28:05,151
KNOW WHERE IT'S NOT.
1145
00:28:05,151 --> 00:28:06,052
YOU KNOW WHAT I'M SAYING?
1146
00:28:06,052 --> 00:28:06,786
NEXT TIME YOU COME AT ME,
1147
00:28:06,786 --> 00:28:07,453
COME RIGHT.
1148
00:28:07,453 --> 00:28:09,321
YEAH, YEAH.
1149
00:28:09,321 --> 00:28:11,023
THIS NONFACTOR FLEA IS JUST
1150
00:28:11,023 --> 00:28:12,691
TOSSING AROUND ANY ACCUSATION
1151
00:28:12,691 --> 00:28:13,826
SHE CAN THINK OF.
1152
00:28:13,826 --> 00:28:15,061
I THINK IT'S ACTUALLY FUNNY
1153
00:28:15,061 --> 00:28:16,528
'CAUSE SHE CAN'T SLOW DOWN THE
1154
00:28:16,528 --> 00:28:17,696
JORDANS.
1155
00:28:17,696 --> 00:28:18,831
IT'S COLD OUTSIDE.
1156
00:28:18,831 --> 00:28:20,833
WHATEVER.
1157
00:28:27,073 --> 00:28:27,774
OH, TAKE THE BREAD OUT.
1158
00:28:27,774 --> 00:28:28,941
HOLY CRAP.
1159
00:28:28,941 --> 00:28:29,608
YOU BURNED IT?
1160
00:28:29,608 --> 00:28:30,743
HE PUT IT ON THE TOP.
1161
00:28:30,743 --> 00:28:31,744
YOU DONE BURNT MY MOMMA
1162
00:28:31,744 --> 00:28:32,411
BISCUITS.
1163
00:28:32,411 --> 00:28:33,880
OH, NO.
1164
00:28:33,880 --> 00:28:34,747
OH, THEM THING'S GOOD--
1165
00:28:34,747 --> 00:28:35,815
THE CAJUN SWAG.
1166
00:28:35,815 --> 00:28:37,116
NOW, YOU KNOW DINNERTIME WITH
1167
00:28:37,116 --> 00:28:38,650
DEB IS GONNA BE SOME DRAMA, BUT
1168
00:28:38,650 --> 00:28:40,019
SHE CALLED US OVER 'CAUSE SHE
1169
00:28:40,019 --> 00:28:42,054
WANTED TO TALK, SO WE WENT
1170
00:28:42,054 --> 00:28:43,422
BECAUSE, YOU KNOW, WHEN DEB
1171
00:28:43,422 --> 00:28:45,124
TALKS, GOT TO LISTEN.
1172
00:28:45,124 --> 00:28:45,958
WHAT IS IT THAT YOU WANT TO TALK
1173
00:28:45,958 --> 00:28:46,625
ABOUT?
1174
00:28:46,625 --> 00:28:47,994
I WANT TO TALK ABOUT THIS
1175
00:28:47,994 --> 00:28:48,761
WEDDING.
1176
00:28:48,761 --> 00:28:49,829
LISTENING, WAKA?
1177
00:28:49,829 --> 00:28:51,263
YEAH, WHAT'S UP WITH IT?
1178
00:28:51,263 --> 00:28:52,799
I'M GIVING AWAY MY SON, AND
1179
00:28:52,799 --> 00:28:53,800
MONA'S GIVING AWAY HER DAUGHTER.
1180
00:28:53,800 --> 00:28:55,167
I'M 27 YEARS OLD.
1181
00:28:55,167 --> 00:28:56,668
SHE'S GAINING A SON, AND I'M
1182
00:28:56,668 --> 00:28:57,569
GAINING A DAUGHTER.
1183
00:28:57,569 --> 00:28:58,905
DEB AND I AIN'T ALWAYS GET
1184
00:28:58,905 --> 00:29:00,372
ALONG, SO THE FACT THAT SHE'S
1185
00:29:00,372 --> 00:29:01,941
EMBRACING ME NOW AND TAKING A
1186
00:29:01,941 --> 00:29:03,309
ACTIVE ROLE IN THE WEDDING
1187
00:29:03,309 --> 00:29:05,244
PLANNING IS SUCH A BIG DEAL
1188
00:29:05,244 --> 00:29:05,912
TO ME.
1189
00:29:05,912 --> 00:29:06,913
OH.
1190
00:29:06,913 --> 00:29:07,780
THAT WAS A LITTLE SWEET RIGHT
1191
00:29:07,780 --> 00:29:08,447
THERE.
1192
00:29:08,447 --> 00:29:09,115
WHEN I FIRST MOVED TO
1193
00:29:09,115 --> 00:29:09,982
ATLANTA, DEB AIN'T REALLY KNOW
1194
00:29:09,982 --> 00:29:11,583
ME TO TRUST ME, AND WHEN I MOVED
1195
00:29:11,583 --> 00:29:13,119
HERE, IT WAS ON THE ASSUMPTION
1196
00:29:13,119 --> 00:29:14,586
THAT, YOU KNOW, WE WERE GONNA
1197
00:29:14,586 --> 00:29:17,089
BUILD THAT TRUST, BUT [bleep]
1198
00:29:17,089 --> 00:29:17,890
WENT LEFT.
1199
00:29:17,890 --> 00:29:19,291
NOW THAT DEB KNOWS THAT I LOVE
1200
00:29:19,291 --> 00:29:21,493
WAKA FOR WAKA, SHE HAD A CHANGE
1201
00:29:21,493 --> 00:29:22,929
OF HEART, AND SHE'S BEEN GREAT
1202
00:29:22,929 --> 00:29:24,496
TO ME EVER SINCE.
1203
00:29:24,496 --> 00:29:25,564
THERE'S TWO KIND OF WOMEN IN
1204
00:29:25,564 --> 00:29:27,399
THIS WORLD: ONE THAT SEES THE
1205
00:29:27,399 --> 00:29:29,601
FRONT DOOR, YOU KNOW, THAT YOU
1206
00:29:29,601 --> 00:29:30,636
BRING HOME TO MOTHER, AND ONE
1207
00:29:30,636 --> 00:29:33,105
THAT NEVER COMES TO THAT DOOR.
1208
00:29:33,105 --> 00:29:35,107
YOU CAME THROUGH THAT DOOR, AND
1209
00:29:35,107 --> 00:29:36,142
I KNOW IN THE BEGINNING, IT WAS
1210
00:29:36,142 --> 00:29:37,176
ROUGH, OKAY?
1211
00:29:37,176 --> 00:29:37,844
MM.
1212
00:29:37,844 --> 00:29:38,710
AND FOR SO LONG--LIKE, I'VE
1213
00:29:38,710 --> 00:29:42,614
BEEN OUT HERE...
1214
00:29:42,614 --> 00:29:43,415
I FELT LIKE I
1215
00:29:43,415 --> 00:29:46,919
DIDN'T HAVE NO ONE HERE.
1216
00:29:46,919 --> 00:29:48,855
WHEN HE WASN'T AROUND, I DIDN'T
1217
00:29:48,855 --> 00:29:51,891
HAVE FAMILY HERE, SO...
1218
00:29:51,891 --> 00:29:54,894
[sobs]
1219
00:29:57,463 --> 00:29:58,130
[sniffles]
1220
00:29:58,130 --> 00:29:59,832
I'M SO SORRY, LIKE,
1221
00:29:59,832 --> 00:30:00,732
SERIOUSLY.
1222
00:30:00,732 --> 00:30:01,901
I'M THANKFUL THAT ME AND DEB
1223
00:30:01,901 --> 00:30:02,634
WERE ABLE TO WORK OUT OUR
1224
00:30:02,634 --> 00:30:03,702
DIFFERENCES, AND EVEN THOUGH IT
1225
00:30:03,702 --> 00:30:04,971
DOESN'T MAKE THE PAST HURT ANY
1226
00:30:04,971 --> 00:30:06,538
LESS, IT MEANS A BRIGHT FUTURE
1227
00:30:06,538 --> 00:30:07,539
FOR OUR FAMILY.
1228
00:30:07,539 --> 00:30:10,042
I'M SORRY.
1229
00:30:10,042 --> 00:30:10,877
[sniffles]
1230
00:30:10,877 --> 00:30:12,544
BUT YOU KNOW WHAT THAT IS?
1231
00:30:12,544 --> 00:30:14,246
YESTERDAY'S NEWS THAT AIN'T
1232
00:30:14,246 --> 00:30:15,681
SELLING TODAY'S PAPER.
1233
00:30:15,681 --> 00:30:18,150
YOU MINE, CHICK.
1234
00:30:18,150 --> 00:30:19,886
[laughs]
1235
00:30:19,886 --> 00:30:21,153
WHY ARE YOU TAKING A PICTURE,
1236
00:30:21,153 --> 00:30:21,820
IDIOT?
1237
00:30:21,820 --> 00:30:22,488
[laughs]
1238
00:30:22,488 --> 00:30:23,389
SHOOT, I--IT'S--I GOT TO SAVE
1239
00:30:23,389 --> 00:30:24,323
THIS.
1240
00:30:24,323 --> 00:30:24,991
[laughs]
1241
00:30:24,991 --> 00:30:25,791
I'LL MAKE A REAL PICTURE OF
1242
00:30:25,791 --> 00:30:26,458
THIS.
1243
00:30:26,458 --> 00:30:27,393
MY MOTHER NEVER CRY, LIKE,
1244
00:30:27,393 --> 00:30:28,394
LITERALLY, EVER.
1245
00:30:28,394 --> 00:30:29,361
THAT CONVERSATION WITH
1246
00:30:29,361 --> 00:30:31,230
TAMMY--THAT TOUCHED THE HEART,
1247
00:30:31,230 --> 00:30:32,598
BUT TO GET READY TO LEAVE AND GO
1248
00:30:32,598 --> 00:30:34,166
ON THE ROAD AND KNOW YOUR HOME
1249
00:30:34,166 --> 00:30:35,701
IS HOME NOW IS GREAT.
1250
00:30:35,701 --> 00:30:36,602
IT'S GOOD TO SEE LOVE BE LOVE,
1251
00:30:36,602 --> 00:30:37,269
MAN.
1252
00:30:37,269 --> 00:30:38,204
YOU KNOW I MEAN?
1253
00:30:38,204 --> 00:30:39,972
I KNOW NORMALLY THE DAUGHTER
1254
00:30:39,972 --> 00:30:41,874
IS GIVEN AWAY, BUT I WANT TO
1255
00:30:41,874 --> 00:30:44,043
WALK DOWN AND PLACE YOU IN HER
1256
00:30:44,043 --> 00:30:46,512
MOTHER'S HANDS, AND, LIKE, YOUR
1257
00:30:46,512 --> 00:30:48,447
MOTHER WILL PLACE YOU IN MINE'S.
1258
00:30:48,447 --> 00:30:49,381
[laughs]
1259
00:30:49,381 --> 00:30:52,218
I GET TO SEE MY SON STEP TO
1260
00:30:52,218 --> 00:30:54,620
THE PLATE TO ASK SOMEONE TO
1261
00:30:54,620 --> 00:30:55,354
MARRY HIM.
1262
00:30:55,354 --> 00:30:58,690
OH, GOD, THIS IS SO BIG FOR ME.
1263
00:30:58,690 --> 00:31:02,628
SOMEBODY'S COMING IN, TAKING MY
1264
00:31:02,628 --> 00:31:03,729
BABY AWAY...
1265
00:31:03,729 --> 00:31:05,864
[laughs]
1266
00:31:05,864 --> 00:31:08,167
BUT ALSO GIVING ME YOU.
1267
00:31:08,167 --> 00:31:09,568
AT THE END OF THE DAY,
1268
00:31:09,568 --> 00:31:12,538
MY FAMILY, AND I'M SO GRATEFUL
1269
00:31:12,538 --> 00:31:14,440
TO THAT.
1270
00:31:14,440 --> 00:31:15,474
AS HUSBAND AND WIFE, THIS IS
1271
00:31:15,474 --> 00:31:16,976
SOMETHING WE WERE SUPPOSED TO,
1272
00:31:16,976 --> 00:31:17,709
LIKE--
1273
00:31:17,709 --> 00:31:18,877
I WAS UNDER THE IMPRESSION
1274
00:31:18,877 --> 00:31:20,712
THAT YOU GUYS WERE SEPARATED.
1275
00:31:20,712 --> 00:31:21,380
OH.
1276
00:31:21,380 --> 00:31:22,081
YOU WANT TO KNOW WHAT
1277
00:31:22,081 --> 00:31:22,748
HAPPENED...
1278
00:31:22,748 --> 00:31:23,415
WHAT?
1279
00:31:23,415 --> 00:31:24,583
WITH OUR OLD BOOKING BROAD?
1280
00:31:24,583 --> 00:31:25,717
AH, DON'T WANT TO TALK ABOUT
1281
00:31:25,717 --> 00:31:26,385
HER.
1282
00:31:26,385 --> 00:31:27,286
SHE'S DEAD.
1283
00:31:27,286 --> 00:31:27,954
DON'T WANT--GOOD.
1284
00:31:27,954 --> 00:31:29,188
LET THE BITCH BE DEAD
1285
00:31:29,188 --> 00:31:31,190
IN THE GRAVE.
1286
00:31:40,266 --> 00:31:41,500
* IF YOU WANT IT GIRL
1287
00:31:41,500 --> 00:31:45,104
♪ WE CAN GET IT IN TONIGHT
1288
00:31:45,104 --> 00:31:46,238
MY HUSBAND STEVIE LOVE ME SO
1289
00:31:46,238 --> 00:31:48,074
MUCH THAT HE BUILD A REHEARSAL
1290
00:31:48,074 --> 00:31:49,808
STUDIO AT THE MANSION, SO YOU
1291
00:31:49,808 --> 00:31:50,576
KNOW I GOT TO KEEP IT SEXY FOR
1292
00:31:50,576 --> 00:31:51,210
HIM.
1293
00:31:51,210 --> 00:31:52,478
EVERYBODY KNOW I STILL GOT THE
1294
00:31:52,478 --> 00:31:53,145
MOVES.
1295
00:31:53,145 --> 00:31:54,146
I KNOW HOW TO SHAKE A TAIL
1296
00:31:54,146 --> 00:31:54,813
FEATHER.
1297
00:31:54,813 --> 00:31:55,914
EVERYBODY KNOWS THAT.
1298
00:31:55,914 --> 00:31:57,950
GOOD LORD.
1299
00:31:57,950 --> 00:32:01,320
THING'S LOOKING AMAZING, BABY.
1300
00:32:01,320 --> 00:32:02,588
I SEE YOU WORKING HARD.
1301
00:32:02,588 --> 00:32:04,390
I ALWAYS WORK HARD.
1302
00:32:04,390 --> 00:32:05,057
MM.
1303
00:32:05,057 --> 00:32:05,724
WHAT'S UP, BABE?
1304
00:32:05,724 --> 00:32:06,692
AIN'T NOTHING.
1305
00:32:06,692 --> 00:32:08,560
JUST CAME TO SAY HELLO TO YOU.
1306
00:32:08,560 --> 00:32:09,795
HI, DADDY.
1307
00:32:09,795 --> 00:32:10,929
YOU WANT TO KNOW WHAT
1308
00:32:10,929 --> 00:32:11,597
HAPPENED...
1309
00:32:11,597 --> 00:32:12,965
WHAT?
1310
00:32:12,965 --> 00:32:14,666
WITH--I DON'T EVEN LIKE TO
1311
00:32:14,666 --> 00:32:15,334
SAY HER NAME--
1312
00:32:15,334 --> 00:32:16,435
OUR OLD BOOKING BROAD.
1313
00:32:16,435 --> 00:32:17,936
AH, DON'T WANT TO TALK ABOUT
1314
00:32:17,936 --> 00:32:18,770
HER.
1315
00:32:18,770 --> 00:32:19,838
I'M TRYING TO TELL JOSELINE
1316
00:32:19,838 --> 00:32:20,806
SOME OF THESE LIES THAT HER
1317
00:32:20,806 --> 00:32:22,141
EX-BOOKING AGENCY BEEN THROWING
1318
00:32:22,141 --> 00:32:22,874
OUT THERE.
1319
00:32:22,874 --> 00:32:23,875
SHE DON'T WANT TO HEAR THAT
1320
00:32:23,875 --> 00:32:25,044
[bleep], AND I DON'T WANT TO
1321
00:32:25,044 --> 00:32:26,112
HEAR THAT [bleep] EITHER.
1322
00:32:26,112 --> 00:32:27,846
DON'T WANT TO TALK ABOUT HER
1323
00:32:27,846 --> 00:32:28,847
'CAUSE SHE SHOULDN'T EVER
1324
00:32:28,847 --> 00:32:30,582
BEEN THERE IN THE FIRST PLACE.
1325
00:32:30,582 --> 00:32:31,617
ALL RIGHT, SHE'S DEAD.
1326
00:32:31,617 --> 00:32:32,418
DON'T WANT--GOOD.
1327
00:32:32,418 --> 00:32:33,552
LET THE BITCH BE DEAD IN THE
1328
00:32:33,552 --> 00:32:34,886
GRAVE WHERE SHE NEED TO BE AT.
1329
00:32:34,886 --> 00:32:35,887
THE WITCH IS DEAD.
1330
00:32:35,887 --> 00:32:36,755
NOW THAT DAWN IS OUT OF THE
1331
00:32:36,755 --> 00:32:38,390
PICTURE, IT'S TIME TO FOCUS ON
1332
00:32:38,390 --> 00:32:39,425
MORE BUSINESS.
1333
00:32:39,425 --> 00:32:40,692
I'M OPENING A RESTAURANT WITH
1334
00:32:40,692 --> 00:32:41,927
ZINO, AND HE'S JUST GIVEN ME
1335
00:32:41,927 --> 00:32:43,495
SOME GREAT NEWS THAT I WANT TO
1336
00:32:43,495 --> 00:32:44,763
SHARE WITH JOSELINE.
1337
00:32:44,763 --> 00:32:45,764
REMEMBER THIS?
1338
00:32:45,764 --> 00:32:46,598
[laughs]
1339
00:32:46,598 --> 00:32:48,067
THIS WAS THE BEST ISSUE FOR
1340
00:32:48,067 --> 00:32:49,501
HIP HOP WEEKLY, RIGHT?
1341
00:32:49,501 --> 00:32:50,302
WHY WOULDN'T IT BE?
1342
00:32:50,302 --> 00:32:51,170
LOOK WHO'S IN THE COVER.
1343
00:32:51,170 --> 00:32:52,904
THIS DID SO WELL THEY'RE
1344
00:32:52,904 --> 00:32:53,939
OFFERING A PIECE OF THE
1345
00:32:53,939 --> 00:32:54,640
MAGAZINE.
1346
00:32:54,640 --> 00:32:56,208
FOR REAL?
1347
00:32:56,208 --> 00:32:57,443
ABSOLUTELY, FINALLY.
1348
00:32:57,443 --> 00:32:58,377
WELL, CONGRATULATIONS, BABE.
1349
00:32:58,377 --> 00:32:59,045
THAT'S GOOD.
1350
00:32:59,045 --> 00:32:59,811
THAT'S WHAT'S UP.
1351
00:32:59,811 --> 00:33:00,546
YOU DESERVE THAT.
1352
00:33:00,546 --> 00:33:01,347
THAT'S GREAT.
1353
00:33:01,347 --> 00:33:02,314
SEE, NOW, THAT'S WHAT THE
1354
00:33:02,314 --> 00:33:03,449
[bleep] I'M TALKING ABOUT,
1355
00:33:03,449 --> 00:33:04,383
MAKING MONEY
1356
00:33:04,383 --> 00:33:06,252
AND TAKING CARE OF BUSINESS.
1357
00:33:06,252 --> 00:33:07,786
HOW ABOUT WE DO, LIKE, AN
1358
00:33:07,786 --> 00:33:09,921
EIGHT OR TEN-PAGE SPREAD ON YOU
1359
00:33:09,921 --> 00:33:10,589
AND YOUR MAN.
1360
00:33:10,589 --> 00:33:11,557
FOR REAL, BABY?
1361
00:33:11,557 --> 00:33:12,491
SO YOU GOT ME THE--YOU WANT--
1362
00:33:12,491 --> 00:33:13,425
YOU WANT ME TO--
1363
00:33:13,425 --> 00:33:14,260
I WANT YOU TO DO THE COVER.
1364
00:33:14,260 --> 00:33:15,161
THIS IS GREAT.
1365
00:33:15,161 --> 00:33:16,595
YOU KNOW, THAT'S WHAT I DO.
1366
00:33:16,595 --> 00:33:17,363
SO--
1367
00:33:17,363 --> 00:33:18,630
I EXTRACT GREATNESS FROM THE
1368
00:33:18,630 --> 00:33:19,431
UNIVERSE.
1369
00:33:19,431 --> 00:33:20,999
BEING A PART OF HIP HOP WEEKLY
1370
00:33:20,999 --> 00:33:22,768
IS EXACTLY WHAT I NEED TO TAKE
1371
00:33:22,768 --> 00:33:24,870
OUR EMPIRE TO THE NEXT LEVEL AND
1372
00:33:24,870 --> 00:33:26,305
TO KEEP MY BAD BITCH IN THE
1373
00:33:26,305 --> 00:33:27,373
SPOTLIGHT.
1374
00:33:27,373 --> 00:33:28,374
I LOVE YOU, DADDY.
1375
00:33:28,374 --> 00:33:30,609
I KNOW IT.
1376
00:33:30,609 --> 00:33:32,744
MM, YOU'RE THE BEST.
1377
00:33:32,744 --> 00:33:33,812
YOU GET BACK TO SHAKING THAT
1378
00:33:33,812 --> 00:33:34,480
ASS.
1379
00:33:34,480 --> 00:33:35,114
YOU'RE A GREAT MAN.
1380
00:33:35,114 --> 00:33:37,116
[laughs]
1381
00:33:43,322 --> 00:33:43,989
UH-OH.
1382
00:33:43,989 --> 00:33:44,923
[laughs]
1383
00:33:44,923 --> 00:33:49,728
HE KNOW WHAT'S UP, CUZ.
1384
00:33:49,728 --> 00:33:50,529
OOH, OH, YEAH.
1385
00:33:50,529 --> 00:33:51,230
OH. OH, DON'T DO THAT.
1386
00:33:51,230 --> 00:33:51,897
[laughs]
1387
00:33:51,897 --> 00:33:52,698
YOU WANT TO PROBABLY THROW
1388
00:33:52,698 --> 00:33:53,899
HIM SIDEWAYS LIKE THIS.
1389
00:33:53,899 --> 00:33:54,566
OKAY.
1390
00:33:54,566 --> 00:33:56,568
THE DNA TEST PROVED ME WRONG,
1391
00:33:56,568 --> 00:33:58,270
AND I'M ON A MISSION TO JUST
1392
00:33:58,270 --> 00:34:00,072
MAKE THINGS RIGHT WITH RASHEEDA.
1393
00:34:00,072 --> 00:34:01,707
SHE CAN'T GO BACK TO WORK UNTIL
1394
00:34:01,707 --> 00:34:04,643
I FIND A NANNY, SO I FOUND
1395
00:34:04,643 --> 00:34:05,477
A NANNY.
1396
00:34:05,477 --> 00:34:08,714
OH.
1397
00:34:08,714 --> 00:34:09,848
THERE'S YOUR MOM.
1398
00:34:09,848 --> 00:34:12,584
SAY, "HI, MOMMY."
1399
00:34:12,584 --> 00:34:15,053
HELLO.
1400
00:34:15,053 --> 00:34:18,590
HOLD UP, DO I SEE A RANDOM ON MY
1401
00:34:18,590 --> 00:34:20,592
COUCH HOLDING MY BABY?
1402
00:34:20,592 --> 00:34:21,693
HOLD ON, THIS BETTER BE SOME
1403
00:34:21,693 --> 00:34:23,061
LONG LOST GODDAMN RELATIVE
1404
00:34:23,061 --> 00:34:24,163
'CAUSE KIRK IS OVER THERE
1405
00:34:24,163 --> 00:34:25,331
LOOKING ABOUT CRAZY AS HELL
1406
00:34:25,331 --> 00:34:26,132
RIGHT NOW.
1407
00:34:26,132 --> 00:34:29,067
I WAS INTRODUCING JASMINE TO
1408
00:34:29,067 --> 00:34:30,969
KARTER, AND ME AND YOU WERE
1409
00:34:30,969 --> 00:34:32,304
TALKING ABOUT GETTING A NANNY,
1410
00:34:32,304 --> 00:34:34,039
AND SHE MIGHT BE A GREAT FIT FOR
1411
00:34:34,039 --> 00:34:34,706
IT.
1412
00:34:34,706 --> 00:34:36,275
SO KIRK'S THINKING HE'S GONNA
1413
00:34:36,275 --> 00:34:38,244
SCOOP UP HIM A LITTLE SIDE CHICK
1414
00:34:38,244 --> 00:34:39,711
OR SOMETHING AND CALL HER
1415
00:34:39,711 --> 00:34:41,480
A NANNY UP IN MY HOUSE?
1416
00:34:41,480 --> 00:34:44,450
NOT GONNA HAPPEN, HOMEBOY.
1417
00:34:44,450 --> 00:34:46,452
OH, YOU DECIDED TO GO AHEAD AND
1418
00:34:46,452 --> 00:34:49,521
MOVE ON AND JUST TAKE IT UPON
1419
00:34:49,521 --> 00:34:50,689
YOURSELF AND JUST GONNA DO THAT,
1420
00:34:50,689 --> 00:34:51,357
HUH?
1421
00:34:51,357 --> 00:34:52,658
I KNOW WE KIND OF IN A CRUNCH
1422
00:34:52,658 --> 00:34:54,593
SITUATION WITH NEEDING A NANNY,
1423
00:34:54,593 --> 00:34:55,927
AND I WAS JUST THINKING MAYBE
1424
00:34:55,927 --> 00:34:56,595
THIS COULD WORK.
1425
00:34:56,595 --> 00:34:57,629
SO HOW DID Y'ALL MEET?
1426
00:34:57,629 --> 00:34:59,665
WHERE I BE GOING TO PLAY POOL
1427
00:34:59,665 --> 00:35:01,066
AT AND KICKING IT WITH BENZINO,
1428
00:35:01,066 --> 00:35:02,268
SHE WORKS THERE.
1429
00:35:02,268 --> 00:35:04,336
JUST REALLY PECULIAR TO ME
1430
00:35:04,336 --> 00:35:06,071
THAT YOU HAVING NANNY
1431
00:35:06,071 --> 00:35:09,641
CONVERSATIONS AT A BAR WITH--NO
1432
00:35:09,641 --> 00:35:11,443
DISRESPECT, BOO--A RANDOM CHICK.
1433
00:35:11,443 --> 00:35:13,312
AS HUSBAND AND WIFE AND AS
1434
00:35:13,312 --> 00:35:15,481
PARENTS, THIS IS SOMETHING WE
1435
00:35:15,481 --> 00:35:17,149
WERE SUPPOSED TO, LIKE--
1436
00:35:17,149 --> 00:35:18,484
I WAS UNDER THE IMPRESSION
1437
00:35:18,484 --> 00:35:20,186
THAT YOU GUYS WERE SEPARATED
1438
00:35:20,186 --> 00:35:22,621
CO-PARENTING IN THE SAME HOUSE.
1439
00:35:22,621 --> 00:35:24,122
OH.
1440
00:35:24,122 --> 00:35:26,024
DID I JUST HEAR SEPARATED?
1441
00:35:26,024 --> 00:35:27,793
ME AND HIM--OH, OH, WE--OH, WE
1442
00:35:27,793 --> 00:35:28,527
SEPARATED NOW.
1443
00:35:28,527 --> 00:35:29,828
I'M GONNA TELL YOU THIS
1444
00:35:29,828 --> 00:35:30,496
RIGHT NOW.
1445
00:35:30,496 --> 00:35:32,331
YOU NEED TO GET THAT BITCH, AND
1446
00:35:32,331 --> 00:35:33,565
Y'ALL NEED TO SEE THE GODDAMN
1447
00:35:33,565 --> 00:35:34,300
DOOR.
1448
00:35:34,300 --> 00:35:36,268
YOU NEED TO PROBABLY PASS ME MY
1449
00:35:36,268 --> 00:35:38,637
BABY, AND THEN YOU CAN SHOW YOUR
1450
00:35:38,637 --> 00:35:40,572
FRIEND TO THE DOOR.
1451
00:35:40,572 --> 00:35:41,273
GIVE ME MY CHILD, PLEASE.
1452
00:35:41,273 --> 00:35:41,973
THANK YOU.
1453
00:35:41,973 --> 00:35:42,874
OUR CHILD.
1454
00:35:42,874 --> 00:35:43,575
I MEAN--
1455
00:35:43,575 --> 00:35:44,710
HEY, SWEETIE.
1456
00:35:44,710 --> 00:35:46,345
RASHEEDA AIN'T EVEN TRYING TO
1457
00:35:46,345 --> 00:35:48,347
HEAR THE FACT THAT JASMINE IS
1458
00:35:48,347 --> 00:35:50,382
EXACTLY WHAT WE NEED, BUT AIN'T
1459
00:35:50,382 --> 00:35:51,817
NO SURPRISES THERE.
1460
00:35:51,817 --> 00:35:52,784
I WAS TRYING TO KEEP MY
1461
00:35:52,784 --> 00:35:54,353
COMPOSURE BECAUSE I REALLY
1462
00:35:54,353 --> 00:35:55,354
WANTED TO COME IN HERE AND SLAP
1463
00:35:55,354 --> 00:35:56,555
[bleep] OUT OF YOU
1464
00:35:56,555 --> 00:35:57,456
AND KNOCK HER LITTLE
1465
00:35:57,456 --> 00:35:58,324
FRAIL ASS OUT.
1466
00:35:58,324 --> 00:35:59,157
SHE'D HAVE PROBABLY WENT INTO
1467
00:35:59,157 --> 00:36:00,192
CONVULSIONS WITH HER LITTLE BONY
1468
00:36:00,192 --> 00:36:00,859
ASS.
1469
00:36:00,859 --> 00:36:01,760
BUT WHY WOULD YOU SLAP ME?
1470
00:36:01,760 --> 00:36:02,561
FOR WHAT?
1471
00:36:02,561 --> 00:36:03,462
YOU DON'T JUST BRING SOME
1472
00:36:03,462 --> 00:36:04,763
RANDOM CHICK OUT OF A BAR THAT
1473
00:36:04,763 --> 00:36:05,997
YOU MEET HANGING OUT WITH YOUR
1474
00:36:05,997 --> 00:36:07,266
HOMEBOYS AND THINK THAT SHE'S
1475
00:36:07,266 --> 00:36:09,268
GONNA COME INTO MY LIFE AND INTO
1476
00:36:09,268 --> 00:36:10,369
MY HOME AND INTO MY CHILD'S
1477
00:36:10,369 --> 00:36:11,036
LIFE.
1478
00:36:11,036 --> 00:36:12,571
THAT AIN'T HAPPENING UP IN HERE.
1479
00:36:12,571 --> 00:36:13,705
I DON'T LIKE IT, AIN'T GONNA
1480
00:36:13,705 --> 00:36:14,440
LIKE IT, AND IT AIN'T GOING
1481
00:36:14,440 --> 00:36:15,106
DOWN.
1482
00:36:15,106 --> 00:36:18,277
SO KIRK IS SO ANTI MY MAMA
1483
00:36:18,277 --> 00:36:20,712
WATCHING HER GRANDCHILD THAT HE
1484
00:36:20,712 --> 00:36:22,314
DECIDE HE WANT TO GO GET A
1485
00:36:22,314 --> 00:36:24,416
RANDOM BITCH OUT OF A BAR, AND
1486
00:36:24,416 --> 00:36:25,417
ALL OF A SUDDEN, SHE GOT THE
1487
00:36:25,417 --> 00:36:26,718
CREDENTIALS TO BE A NANNY.
1488
00:36:26,718 --> 00:36:28,387
I DON'T GET THAT [bleep].
1489
00:36:28,387 --> 00:36:29,288
AND YOU WANT TO ACT LIKE YOU
1490
00:36:29,288 --> 00:36:30,088
BRINGING SOMEBODY IN HERE TO
1491
00:36:30,088 --> 00:36:30,756
HELP.
1492
00:36:30,756 --> 00:36:31,590
LOOK LIKE SOMEBODY YOU WANT TO
1493
00:36:31,590 --> 00:36:33,425
[bleep], AND YOU'RE SITTING HERE
1494
00:36:33,425 --> 00:36:35,026
TELLING THIS BITCH WE SEPARATED,
1495
00:36:35,026 --> 00:36:35,961
WE CO-PARENTING?
1496
00:36:35,961 --> 00:36:36,628
OKAY.
1497
00:36:36,628 --> 00:36:37,663
WE GONNA BE SEPARATE.
1498
00:36:37,663 --> 00:36:39,865
YOU FIGURE IT OUT.
1499
00:36:39,865 --> 00:36:40,732
IT'S, LIKE, I'M TRYING TO HELP
1500
00:36:40,732 --> 00:36:41,400
YOU.
1501
00:36:41,400 --> 00:36:42,434
ON SOME REAL [bleep].
1502
00:36:42,434 --> 00:36:44,303
YOU NEED TO REVALUATE YOUR
1503
00:36:44,303 --> 00:36:45,404
THOUGHTS, AND YOU PROBABLY NEED
1504
00:36:45,404 --> 00:36:46,472
TO LAY OFF WHATEVER SHOTS YOU
1505
00:36:46,472 --> 00:36:49,508
DRINKING WITH YOUR DAMN FRIENDS.
1506
00:36:49,508 --> 00:36:50,476
YOU GOT TO HEAR MOMMY AND DADDY
1507
00:36:50,476 --> 00:36:52,110
ARGUING 'CAUSE YOUR DADDY IS A
1508
00:36:52,110 --> 00:36:52,778
DUMMY.
1509
00:36:52,778 --> 00:36:55,981
HE'S A DUMB-DUMB.
1510
00:36:55,981 --> 00:36:57,649
I KNOW MY MAN GETS AROUND
1511
00:36:57,649 --> 00:36:58,684
AND SO DO YOU.
1512
00:36:58,684 --> 00:36:59,918
THE ONLY PERSON I GET AROUND
1513
00:36:59,918 --> 00:37:00,852
WITH IS YOUR MAN.
1514
00:37:00,852 --> 00:37:01,520
BITCH.
1515
00:37:01,520 --> 00:37:03,522
I WILL [bleep].
1516
00:37:14,400 --> 00:37:15,934
JOC AND I ARE FINALLY BACK ON
1517
00:37:15,934 --> 00:37:18,036
TRACK AFTER SOME AMAZING MAKEUP
1518
00:37:18,036 --> 00:37:19,605
SEX AND A PROMISE NOT TO BE
1519
00:37:19,605 --> 00:37:21,873
MESSY, SO TODAY I FINALLY GET TO
1520
00:37:21,873 --> 00:37:22,941
SEE THE HOUSE HE'S SO EXCITED
1521
00:37:22,941 --> 00:37:23,809
ABOUT.
1522
00:37:23,809 --> 00:37:25,811
THE ONLY BAD THING IS JOC'S
1523
00:37:25,811 --> 00:37:26,945
FRIEND KHADIYAH IS THE ONE
1524
00:37:26,945 --> 00:37:29,180
SHOWING US THE HOUSE.
1525
00:37:29,180 --> 00:37:32,784
PLEASE ACT RIGHT, KARLIE.
1526
00:37:32,784 --> 00:37:34,320
JOC SWEARS NOTHING'S GOING ON
1527
00:37:34,320 --> 00:37:34,986
BETWEEN THEM.
1528
00:37:34,986 --> 00:37:36,555
MAYBE HE'S TELLING THE TRUTH,
1529
00:37:36,555 --> 00:37:38,590
BUT TRUST, I GOT MY EYE ON THIS
1530
00:37:38,590 --> 00:37:39,291
HO.
1531
00:37:39,291 --> 00:37:40,692
HEY, WELCOME BACK.
1532
00:37:40,692 --> 00:37:41,493
WHAT'S UP, KHADI?
1533
00:37:41,493 --> 00:37:42,127
HOW ARE Y'ALL?
1534
00:37:42,127 --> 00:37:42,828
ALL RIGHT.
1535
00:37:42,828 --> 00:37:44,996
SO TODAY WE'RE GONNA VIEW A
1536
00:37:44,996 --> 00:37:46,598
FIVE-BEDROOM, SIX-BATH,
1537
00:37:46,598 --> 00:37:47,866
FULLY-FINISHED BASEMENT
1538
00:37:47,866 --> 00:37:49,134
PROPERTY.
1539
00:37:49,134 --> 00:37:50,168
THE PROPERTY'S ACTUALLY OVER
1540
00:37:50,168 --> 00:37:51,703
7,500 SQUARE FEET, AND I'M
1541
00:37:51,703 --> 00:37:52,371
REALLY EXCITED FOR YOU
1542
00:37:52,371 --> 00:37:53,038
TO SEE IT.
1543
00:37:53,038 --> 00:37:54,139
I THINK IT COULD BE A GREAT FIT.
1544
00:37:54,139 --> 00:37:55,006
ALL RIGHT. LET'S GO.
1545
00:37:55,006 --> 00:37:55,674
OKAY.
1546
00:37:55,674 --> 00:37:57,743
[laughs] WAIT A MINUTE.
1547
00:37:57,743 --> 00:37:59,678
AREN'T YOU THE DRIVER THAT DROVE
1548
00:37:59,678 --> 00:38:01,513
US TO ALABAMA?
1549
00:38:01,513 --> 00:38:02,247
OH.
1550
00:38:02,247 --> 00:38:04,049
AND AREN'T YOU THE STYLIST
1551
00:38:04,049 --> 00:38:05,684
AND A TAX PREPARER?
1552
00:38:05,684 --> 00:38:06,852
YES, ACTUALLY I AM.
1553
00:38:06,852 --> 00:38:07,919
I WEAR A NUMBER OF PROFESSIONAL
1554
00:38:07,919 --> 00:38:08,587
HATS.
1555
00:38:08,587 --> 00:38:09,287
RIGHT.
1556
00:38:09,287 --> 00:38:10,288
[laughs]
1557
00:38:10,288 --> 00:38:11,990
MAYBE IT WASN'T A GOOD IDEA
1558
00:38:11,990 --> 00:38:13,359
TO PUT THESE TWO WOMEN TOGETHER,
1559
00:38:13,359 --> 00:38:15,260
BUT I LOVE THE HOUSE, AND IT'S
1560
00:38:15,260 --> 00:38:16,127
KHADIYAH'S PROPERTY.
1561
00:38:16,127 --> 00:38:17,396
AND I'M HOPING KARLIE WILL BE ON
1562
00:38:17,396 --> 00:38:18,697
HER BEST BEHAVIOR.
1563
00:38:18,697 --> 00:38:20,298
ALL RIGHT, LIKE I SAID, WE
1564
00:38:20,298 --> 00:38:23,635
HAVE A GRAND 12-FOOT DOOR FOYER
1565
00:38:23,635 --> 00:38:26,204
ENTRYWAY, WROUGHT-IRON
1566
00:38:26,204 --> 00:38:28,239
STAIRCASE WITH ACTUALLY A
1567
00:38:28,239 --> 00:38:30,476
CATWALK ACROSS THE SECOND FLOOR
1568
00:38:30,476 --> 00:38:32,277
SO THAT YOU CAN OVERLOOK FROM
1569
00:38:32,277 --> 00:38:33,645
UPSTAIRS INTO THIS GREAT
1570
00:38:33,645 --> 00:38:35,280
TWO-STORY FAMILY ROOM.
1571
00:38:35,280 --> 00:38:36,782
SO WHAT DO YOU THINK SO FAR?
1572
00:38:36,782 --> 00:38:37,449
IT'S COOL.
1573
00:38:37,449 --> 00:38:38,484
WHERE--WHAT'S--THAT'S THE
1574
00:38:38,484 --> 00:38:39,150
KITCHEN OVER THERE?
1575
00:38:39,150 --> 00:38:40,051
YEAH, LET'S PROCEED THIS WAY
1576
00:38:40,051 --> 00:38:41,219
AND GO LOOK INTO THE GOURMET
1577
00:38:41,219 --> 00:38:41,887
CHEF KITCHEN...
1578
00:38:41,887 --> 00:38:42,554
OKAY.
1579
00:38:42,554 --> 00:38:43,422
WHICH IS ACTUALLY EXCELLENT
1580
00:38:43,422 --> 00:38:44,423
FOR ENTERTAINING, ESPECIALLY IF
1581
00:38:44,423 --> 00:38:45,223
YOU COOK.
1582
00:38:45,223 --> 00:38:45,991
CALL IT A KEEPING AREA?
1583
00:38:45,991 --> 00:38:47,092
THIS IS THE KEEPING ROOM
1584
00:38:47,092 --> 00:38:47,793
RIGHT HERE TO YOUR RIGHT.
1585
00:38:47,793 --> 00:38:48,460
MM-HMM.
1586
00:38:48,460 --> 00:38:49,227
[laughs]
1587
00:38:49,227 --> 00:38:50,028
CAN WE HAVE SEX ON THIS
1588
00:38:50,028 --> 00:38:50,696
COUNTERTOP?
1589
00:38:50,696 --> 00:38:51,363
HM?
1590
00:38:51,363 --> 00:38:52,564
YEAH, OF COURSE, WE CAN.
1591
00:38:52,564 --> 00:38:55,233
MM.
1592
00:38:55,233 --> 00:38:56,101
IF THAT'S WHAT YOU FEEL LIKE
1593
00:38:56,101 --> 00:38:56,768
DOING.
1594
00:38:56,768 --> 00:38:58,203
THIS HOUSE SEEMS ALL RIGHT,
1595
00:38:58,203 --> 00:39:00,205
BUT I CAN BARELY FOCUS 'CAUSE
1596
00:39:00,205 --> 00:39:01,907
I'M SO DISTRACTED BY THIS CHICK.
1597
00:39:01,907 --> 00:39:03,542
SOMETHING JUST DON'T FEEL RIGHT,
1598
00:39:03,542 --> 00:39:05,343
AND YOU KNOW KARLIE REDD WILL
1599
00:39:05,343 --> 00:39:06,277
GET TO THE BOTTOM OF THINGS
1600
00:39:06,277 --> 00:39:07,379
FAST.
1601
00:39:07,379 --> 00:39:08,847
ANY QUESTIONS OR CONCERNS AT
1602
00:39:08,847 --> 00:39:09,515
THIS POINT?
1603
00:39:09,515 --> 00:39:10,882
THE SOUND SYSTEM--DID IT
1604
00:39:10,882 --> 00:39:11,583
HAVE, LIKE, THE SPEAKERS
1605
00:39:11,583 --> 00:39:12,250
THROUGHOUT?
1606
00:39:12,250 --> 00:39:12,984
I DIDN'T SEE NONE OF THAT.
1607
00:39:12,984 --> 00:39:13,652
IT DOES.
1608
00:39:13,652 --> 00:39:14,753
IF YOU ACTUALLY LOOK BACK THIS
1609
00:39:14,753 --> 00:39:15,421
WAY, IT'S FULLY WIRED.
1610
00:39:15,421 --> 00:39:16,354
OKAY.
1611
00:39:16,354 --> 00:39:17,155
IF YOU DON'T MIND, BABY, YOU
1612
00:39:17,155 --> 00:39:18,957
KNOW, I'D BE LIKING--
1613
00:39:18,957 --> 00:39:19,625
YEAH, DO YOUR THING.
1614
00:39:19,625 --> 00:39:20,392
LET ME GO CHECK THE HOUSE.
1615
00:39:20,392 --> 00:39:21,226
AND, YOU KNOW, I JUST BE BACK
1616
00:39:21,226 --> 00:39:21,893
IN A MINUTE--
1617
00:39:21,893 --> 00:39:22,594
I'LL BE RIGHT HERE.
1618
00:39:22,594 --> 00:39:24,796
MM-HMM. OKAY, BABE.
1619
00:39:24,796 --> 00:39:25,997
DO YOU HAVE ANY QUESTIONS OR
1620
00:39:25,997 --> 00:39:26,865
CONCERNS ABOUT THE PROPERTY SO
1621
00:39:26,865 --> 00:39:27,533
FAR?
1622
00:39:27,533 --> 00:39:28,199
YES, I HAVE A QUESTION.
1623
00:39:28,199 --> 00:39:28,867
OKAY.
1624
00:39:28,867 --> 00:39:31,102
ARE YOU [bleep] MY MAN?
1625
00:39:31,102 --> 00:39:32,137
HAVE WE HAD SEXUAL RELATIONS
1626
00:39:32,137 --> 00:39:32,938
BEFORE, IS THAT WHAT YOU'RE
1627
00:39:32,938 --> 00:39:33,605
ASKING?
1628
00:39:33,605 --> 00:39:35,073
UGH, MONICA LEWINSKY,
1629
00:39:35,073 --> 00:39:35,741
CHECK THIS OUT.
1630
00:39:35,741 --> 00:39:36,875
I'M JUST ASKING YOU, ARE YOU
1631
00:39:36,875 --> 00:39:37,843
[bleep] MY MAN OR NOT?
1632
00:39:37,843 --> 00:39:38,510
THAT'S IT.
1633
00:39:38,510 --> 00:39:39,377
YOU KNOW WHAT I'M SAYING?
1634
00:39:39,377 --> 00:39:41,012
'CAUSE I MEAN, I KNOW MY MAN
1635
00:39:41,012 --> 00:39:45,851
GETS AROUND AND SO DO YOU.
1636
00:39:45,851 --> 00:39:46,885
THE ONLY PERSON I GET AROUND
1637
00:39:46,885 --> 00:39:48,319
WITH IS YOUR MAN.
1638
00:39:48,319 --> 00:39:49,320
SO YOU'RE [bleep] MY MAN.
1639
00:39:49,320 --> 00:39:50,989
I ABSOLUTELY AM EVERY NIGHT.
1640
00:39:50,989 --> 00:39:51,657
BITCH.
1641
00:39:51,657 --> 00:39:53,659
I WILL [bleep]--
1642
00:39:56,995 --> 00:39:57,663
BITCH.
1643
00:39:57,663 --> 00:39:58,329
I WILL--
1644
00:39:58,329 --> 00:39:59,364
NEXT TIME ON LOVE & HIP-HOP:
1645
00:39:59,364 --> 00:40:00,031
ATLANTA...
1646
00:40:00,031 --> 00:40:01,500
YOU DAMN BITCH.
1647
00:40:01,500 --> 00:40:02,534
YO, WHAT THE [bleep]
1648
00:40:02,534 --> 00:40:03,201
JUST HAPPENED?
1649
00:40:03,201 --> 00:40:03,969
SHE JUST TOLD ME SHE WAS
1650
00:40:03,969 --> 00:40:04,970
[bleep] YOU.
1651
00:40:04,970 --> 00:40:08,373
YES, I'M [bleep] HER, KARLIE.
1652
00:40:08,373 --> 00:40:09,407
THIS IS THE DUMBEST [bleep]
1653
00:40:09,407 --> 00:40:10,175
I EVER SEEN IN MY [bleep]
1654
00:40:10,175 --> 00:40:11,176
LIFE, MAN.
1655
00:40:11,176 --> 00:40:12,010
I'MA RIDE WITH YOU.
1656
00:40:12,010 --> 00:40:14,312
THIS IS A LIE.
1657
00:40:14,312 --> 00:40:15,614
HOW DO YOU KNOW IT'S A LIE?
1658
00:40:15,614 --> 00:40:16,381
THERE WOULD BE A MARRIAGE
1659
00:40:16,381 --> 00:40:17,983
CERTIFICATE, WHICH THERE IS NOT.
1660
00:40:17,983 --> 00:40:19,050
DAMN.
1661
00:40:19,050 --> 00:40:20,151
THEY SAY WE KNOW THAT THEY'RE
1662
00:40:20,151 --> 00:40:20,852
NOT MARRIED.
1663
00:40:20,852 --> 00:40:22,020
THEY OLD, AND THEY TIRED,
1664
00:40:22,020 --> 00:40:22,921
AND THEY AIN'T GOT [bleep]
1665
00:40:22,921 --> 00:40:23,889
TO DO BUT WORRY ABOUT MY
1666
00:40:23,889 --> 00:40:24,556
MARRIAGE?
1667
00:40:24,556 --> 00:40:25,390
WE ARE GOOD.
1668
00:40:25,390 --> 00:40:26,758
OH.
1669
00:40:26,758 --> 00:40:27,659
WHAT'S GOING ON WITH YOU AND
1670
00:40:27,659 --> 00:40:28,393
MY MAN?
1671
00:40:28,393 --> 00:40:29,427
THAT'S WHAT I WANT TO KNOW.
1672
00:40:29,427 --> 00:40:31,763
ARE Y'ALL [bleep] AROUND?
1673
00:40:31,763 --> 00:40:32,831
BAM WAS PREGNANT.
1674
00:40:32,831 --> 00:40:34,232
SHE JUST HAD A MISCARRIAGE.
1675
00:40:34,232 --> 00:40:35,601
SHE HAS A MISCARRIAGE NOW.
1676
00:40:35,601 --> 00:40:36,502
SO IS THAT WHY YOU'RE ON MY
1677
00:40:36,502 --> 00:40:37,536
COUCH NOW?
1678
00:40:37,536 --> 00:40:39,370
HE IS WALKING UP RIGHT NOW.
1679
00:40:39,370 --> 00:40:41,607
HOW COULD YOU DO THAT TO ME?
1680
00:40:41,607 --> 00:40:44,275
I HAD YOUR BACK, AND YOU DO THIS
1681
00:40:44,275 --> 00:40:45,443
TO ME?
1682
00:40:45,443 --> 00:40:46,512
I'M SORRY TO HEAR ABOUT
1683
00:40:46,512 --> 00:40:47,646
EVERYTHING THAT HAPPENED.
1684
00:40:47,646 --> 00:40:49,014
WHO THE [bleep] IS SHE TO BE
1685
00:40:49,014 --> 00:40:50,281
KNOWING MY [bleep] BUSINESS?
1686
00:40:50,281 --> 00:40:51,049
HOLD ON, HOLD ON, HOLD ON.
1687
00:40:51,049 --> 00:40:51,717
HEY, HOLD ON, HOLD ON,
1688
00:40:51,717 --> 00:40:52,383
HOLD ON.
1689
00:40:52,383 --> 00:40:53,485
BITCH!
1690
00:40:53,485 --> 00:40:55,386
TRY ME. TRY ME.
1691
00:40:55,386 --> 00:40:56,221
WHAT YOU GONNA HAVE TO LEARN
1692
00:40:56,221 --> 00:40:57,322
HOW TO DO IS CONTROL YOUR
1693
00:40:57,322 --> 00:40:59,324
BITCHES.
1694
00:41:15,574 --> 00:41:16,374
COME ON, GUYS, WE'RE GONNA
1695
00:41:16,374 --> 00:41:17,275
DRINK--TO BABY KARTER.
1696
00:41:17,275 --> 00:41:18,443
BABY KARTER.
1697
00:41:18,443 --> 00:41:19,778
KARTER IS DEFINITELY MINE,
1698
00:41:19,778 --> 00:41:20,812
SO I'M ALL GOOD.
1699
00:41:20,812 --> 00:41:23,081
MM.
1700
00:41:23,081 --> 00:41:25,984
WHOO.
1701
00:41:25,984 --> 00:41:27,385
AH.
1702
00:41:27,385 --> 00:41:28,086
COME ON, SHOOT, KIRK.
1703
00:41:28,086 --> 00:41:29,588
THAT MAKES NUMBER SIX FOR YOU,
1704
00:41:29,588 --> 00:41:30,255
BABY.
1705
00:41:30,255 --> 00:41:31,056
I GOT ONE OVER YOU.
1706
00:41:31,056 --> 00:41:31,723
YOU GOT FIVE.
1707
00:41:31,723 --> 00:41:32,423
ONE OVER ME. I GOT FIVE.
1708
00:41:32,423 --> 00:41:33,091
HOW MANY YOU GOT?
1709
00:41:33,091 --> 00:41:33,759
DO YOU KNOW?
1710
00:41:33,759 --> 00:41:34,726
I GOT THREE.
1711
00:41:34,726 --> 00:41:36,995
YOU GOT THREE? NO MAYBES?
1712
00:41:36,995 --> 00:41:40,498
I KNOW WHEN I'M MAKING LOVE
1713
00:41:40,498 --> 00:41:41,900
TO A WOMAN THAT PULLING OUT
1714
00:41:41,900 --> 00:41:42,734
ISN'T GONNA DO IT.
1715
00:41:42,734 --> 00:41:44,770
EXACTLY.
105318
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