All language subtitles for Love.and.Hip.Hop.Atlanta.S03E03.The.Results.Are.In.1080p.AMZN.WEB-DL.DDP2.0.H.264-NTb_track3_[eng]

PREVIOUSLY

ON LOVE & HIP-HOP: ATLANTA...

I'M DEFINITELY GONNA BE

A FATHER TO MY CHILD,

IF IT'S MY CHILD.

I LOVE YOU ANYWAY,

BUT I'M CHECKING.

SHE IS HAVING A LOVE AFFAIR

IN L.A.

AN AFFAIR?

I JUST WANT TO KNOW,

DO YOU LOVE ME?

I HAVEN'T GOTTEN THAT FAR

YET.

ARE YOU IN LOVE?

I FEEL LIKE I'M FALLING

IN LOVE.

MM.

IT JUST HIT ME.

WE SHOULD LIVE TOGETHER.

THAT'S YOUR WAY

OF KEEPING TABS ON ME.

YES OR NO?

YOU GOT TO TELL THESE BITCHES,

"FIVE FEET OR FIVE MINUTES."

THEY JUST CALLED ME AND SAID

THAT WE CAN CLOSE ON THE HOUSE

IN, LIKE, TWO WEEKS.

[laughs]

YOU EVER DATED A FRIEND?

YOU KNOW WHAT I'M SAYING?

I'M YOUR FRIEND?

I GOT TO STAY AWAY FROM YOU.

THIS IS NOT RIGHT.

LIKEWISE.

I DON'T EVEN REALIZE

THAT THAT CAMERA IS ON.

I MADE A TAPE.

NO.

SO YOU TRUST HIM.

YES.

EVERYTHING WE DONE

ON THAT CAMERA HAS BEEN EXPOSED.

WE DO A DEAL, YOU GUYS STAND

TO MAKE A LOT OF MONEY.

YOU COULDN'T GET YOUR

SEX TAPE PICKED UP?

WE GOT OURS PICKED UP.

YOU MAD?

YOU GOT YOURS PICKED UP?

A LOT OF PAPER, BABY.

HE'S A HO.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* 'SUP ♪

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE ♪

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

SO I DIDN'T RUN HOME

AND TELL MIMI ABOUT

MY RUN-IN WITH STEVIE J.

I WAS TOO AMPED, AND I DIDN'T

WANT TO SET IT OFF.

BUT NOW I'M GOOD,

AND I JUST GOT TO TELL HER

HOW MUCH OF A CLOWN

HER BABY FATHER IS.

SO I GOT TO TELL YOU,

THE OTHER NIGHT I'M COMING

OUT THE GYM, AND GUESS WHO

PULLS UP TO GREET ME.

STEVEN JORDAN.

HE GOT THE NERVE TO ASK ME,

DID I LEAK THE PICTURES

ON MEDIATAKEOUT?

AND THEN WHAT DID YOU SAY?

"I DIDN'T LEAK THE PICTURES,

BUT IF I DID, WHAT DOES THAT

HAVE TO DO WITH YOU?"

BUT THEN I HAD TO TELL HIM,

"LISTEN."

HE DOESN'T KNOW ABOUT THE DEAL.

I HAD TO EXPOSE THAT TO HIM.

RIGHT FROM THE START,

I DON'T LIKE WHERE

THIS CONVERSATION IS HEADED.

I'M DRIVING MY NEW CAR,

AND I'LL BE DAMNED IF I WRECK

MY [bleep] 'CAUSE ME AND NIKKO

ARE GOING THROUGH IT.

SO GUESS WHAT.

I PULL OVER.

WE GONNA HAVE THIS CONVERSATION

AT A STANDSTILL.

I MEAN, YOU SHOULD HAVE SEEN

THIS DUDE'S FACE WHEN I TOLD HIM

THE PAPER THAT WE ABOUT TO MAKE.

BADA-BOOM, BADA-BANG.

YOU TOLD HIM ABOUT THE DEAL.

ABSOLUTELY, ABSOLUTELY.

WHY?

TWO MEN

WAS IN THE DISCUSSION.

SO YOU JUST OPENED UP

A [bleep] CAN OF WORMS THAT NOW

WE GOT TO DEAL WITH.

SO THANK YOU.

CONGRATULATIONS.

'CAUSE HE'S NOT GONNA LET

THIS [bleep] GO.

YOU IN SOME [bleep]-SWINGING

CONTEST WITH THIS [bleep]

IS NOT WORTH IT.

NIKKO MUST BE REALLY TRIPPING

RIGHT NOW TO THINK THAT

TELLING STEVIE

ABOUT OUR TAPE DEAL

WAS A GOOD IDEA.

WHEN STEVIE GETS WORKED UP

ABOUT SOMETHING,

HE'S LIKE A PIT BULL,

AND THERE'S NO CALLING HIM OFF.

I'M GONNA BE FIGHTING

WITH THIS [bleep]

FOR GOD KNOWS HOW LONG.

HE WILL TRY TO MAKE MY LIFE

A LIVING [bleep] HELL!

YOU KNOW THAT!

NOT WITH ME IN IT.

HOW ABOUT THAT?

YOU THINK THIS [bleep]

IS A [bleep] JOKE.

THIS AIN'T NO JOKE TO ME.

WELL, THEN ACT LIKE IT!

BUT HE'S NOBODY.

YOU ACT LIKE IT.

I'M DONE.

YOU GOT ME [bleep] UP,

AND YOU THINK IT'S FUNNY,

SO GET YOUR [bleep] ASS OUT.

I DON'T THINK IT'S FUNNY.

YEAH, YOU DO.

GET THE [bleep] OUT.

NO.

GET THE [bleep] OUT!

NO, I'M NOT GONNA GET OUT.

YOU'RE NOT?

THEN I WILL GET THE [bleep] OUT.

[both arguing]

GET THE [bleep] OUT, NIKKO.

GET OUT!

RELAX.

LISTEN, I WANT YOU TO ENJOY

THIS NEW CAR THAT YOU GOT.

[smooth R&B music]

♪

* SEE, I BEEN WAITING

♪ WAITING FOR YOU

♪ YOU'VE GOT THAT REAL ♪

♪ AND I'VE BEEN ♪

♪ GETTING IMPATIENT

♪ SEARCHING FOR SOMETHING

♪ IT'S TRUE ♪

[doorbell rings]

♪ THAT'S WHAT YOU DO ♪

WHAT'S GOING ON?

PEACE.

DAMN, GIRL,

YOU GOT MOONLIGHT.

HEY.

WHAT'S HAPPENING?

YOU KNOW THAT'S WHAT

REAL WOMEN DO.

I GO SEE HOMEY ERICA PINKY.

MAN, SHE INVITES ME OVER THERE.

AND YOU KNOW I ALWAYS HAD

A SOFT SPOT FOR HER.

BUT I WALK IN, AND I SEE

THE CANDLES LIT AND, YOU KNOW,

THE LIGHT LOW AND STUFF.

SO I'M LIKE...

[clears throat]

"EXCUSE ME.

ARE WE HAVING PRAYER,

OR ARE WE HAVING SEX?"

DOES BAMBI KNOW

YOU'RE OVER HERE?

I MEAN, I TELL BAM

SOMETHING LIKE THAT,

SHE GONNA--

SHE HAVE A PROBLEM WITH YOU

HANGING OUT WITH YOUR FRIEND?

YEAH.

AND I KNOW YOU A SEXY PERSON,

AND YOU GOT ME NERVOUS

RIGHT NOW.

YOU KNOW WHAT I'M SAYING?

WHY I GOT YOU NERVOUS?

YOU'LL BE ALL RIGHT.

COME UP HERE

WITH THE CANDLES LIT.

YOU FEEL ME?

WHAT WE FITTIN' TO DO?

WE'RE JUST TALKING.

FOR REAL?

I DON'T KNOW WHY SCRAPPY'S

ACTING ALL SURPRISED RIGHT NOW.

HE'S BEEN BLOWING ME UP

AND TEXTING ME IN THE MIDDLE

OF THE NIGHT.

HE GETS THE INVITE,

AND NOW HE'S ACTING LIKE

A LITTLE BOY?

WHAT, BECAUSE OF A FEW CANDLES?

DO YOU KEEP IT ONE THOUSAND?

I KEEP IT ONE THOUSAND.

THAT LITTLE TEXT

THAT YOU SENT ME THE OTHER DAY?

WHAT DID I TEXT YOU?

YOU NEED ME.

I WAS PROBABLY DRUNK.

BUT ON THE REAL, IT WAS ALSO--

YOU KNOW WHEN YOU CALL

YOUR FRIEND, YOU KNOW

WHAT I'M SAYING, AND THEY DON'T

ANSWER THE PHONE,

YOU JUST LET THEM KNOW THE

SERIOUSNESS OF IT.

YOU FEEL ME?

"I NEED YOU"?

"I NEED YOU TO HOLLER AT ME."

AT 3:00 IN THE MORNING?

I--

OKAY, OKAY, ALL RIGHT.

I GO THROUGH

MY LITTLE SITUATIONS.

YOU FEEL ME?

AND I MIGHT NEED

SOME CONVERSATION.

YOU DIG?

SO I'M TRIPPING?

YOU JUST NEEDED ADVICE?

YEAH, I NEEDED ADVICE.

OKAY, BABE.

I BELIEVE YOU.

'CAUSE YOU KEEP IT

ONE THOUSAND.

I DON'T WANT TO BE A BAD GUY.

LIKE, WHAT MAKES YOU

A BAD GUY?

'CAUSE I WANT TO JUMP OUT

AND GRAB YOU

AND DO SOMETHING STRANGE.

BUT EVERY TIME I JUMP OUT

AND DO ME, SOMEBODY GET HURT

IN THE PROCESS.

EVER SINCE REHAB,

YOU KNOW WHAT I'M SAYING,

I BEEN TRYING TO BE

A BETTER PERSON,

YOU KNOW WHAT I'M SAYING,

TREAT MY LADY BAM

WITH SOME RESPECT.

I'M REALLY TRYING NOT TO THINK

WITH MY HIZZ-IT

AND THINK WITH MY HEAD.

BUT ERICA PINKY IS MAKING IT

VERY, EXTREMELY HARD FOR ME

TO DO THAT.

I CAN'T HELP BUT TO THINK

WHAT I'M THINKING.

I ACTUALLY WANTED

TO INVITE YOU OVER JUST TO SEE

IF WE COULD TAKE THIS

SOMEWHERE ELSE.

'CAUSE I KNOW YOU DIDN'T TEXT ME

JUST TO GET ADVICE.

BUT I DID.

BUT YOU DIDN'T.

SHE DOESN'T EVEN KNOW

YOU'RE HERE.

OBVIOUSLY, YOU'RE NOT COMPLETED.

IF YOU WERE COMPLETED THERE,

YOU WOULDN'T EVEN BE

SITTING HERE RIGHT NOW.

WELL, SHORTY, LIKE,

DO A LOT FOR ME.

YOU KNOW WHAT I'M SAYING?

SHE DO EVERYTHING.

ARE YOU HAPPY?

I'M HAPPY.

BUT AT THE SAME TIME--

ARE YOU IN LOVE?

I'M NOT IN LOVE.

COULD YOU LOVE SOMEBODY

LIKE ME?

LIKE, HONESTLY?

I WANT TO LOVE SOMEBODY,

AND I WANT TO BE LOVED TOO.

YOU KNOW WHAT I'M SAYING?

I KNOW THAT'S WHAT YOU WANT,

YOU KNOW?

BUT IF IT COME THE WRONG WAY,

IT'S GONNA BACKFIRE.

YOU KNOW WHAT I'M SAYING?

AND I'M AFRAID OF THAT.

BUT I'MA TELL YOU, LIKE,

IF I DIDN'T HAVE A GIRLFRIEND,

IT WOULD PROBABLY BE YOU,

'CAUSE YOU A BEAUTIFUL PERSON.

WE'RE JUST SETTLING IN

TO THE NEW WHITE HOUSE,

AND TODAY I JUST FEEL LIKE

PULLING OUT THE VERSACE.

GOT TO SURROUND YOURSELF

WITH THE BEST.

[indistinct]

ACTUALLY, THIS IS VERSACE.

OH, EXCUSEZ-MOI.

YEAH, YEAH, YEAH,

BE EASY WITH THAT.

MATTER OF FACT,

LET ME HOLD THAT.

OH, YOU ACT LIKE I'M JUST

A COUNTRY PUNKIN

THAT AIN'T USED TO NOTHING.

SO, LOOK, YOU KNOW

THE PICTURES I SHOWED YOU

OF MIMI AND FREAKO?

[sighs]

YOU DON'T NEED THIS SHINE

ON THE GROUND, DO YOU?

NO, NO.

NO, NO, NO.

OKAY, SO WHY IS WE ALWAYS

TALKING ABOUT THESE PEOPLE?

I RAN UP ON THE DUDE.

HIM AND MIMI DID A PORN TAPE,

A REAL PORN, LIKE--

I'M DONE. I CAN'T.

I KNOW SHE'S NEVER BEEN

THAT BRIGHT, BUT I WOULD

NEVER THINK THAT SHE WOULD GO

TO THE POINT OF MAKING

A PORN TAPE AT THIS AGE.

FIRST SHE WAS MILEY THE MAID,

AND NOW SHE IS

MADAME DE PORN STAR.

SHE'S STILL SERVICING PEOPLE.

I CAN'T TALK ABOUT HER ANYMORE.

I'M DONE.

ONE THING IS FOR SURE, RIGHT?

NIKKO, WHEN I SEE THIS CLOWN,

HE LIKE, OH, HE DIDN'T LEAK IT.

I KNOW HE LEAKED THAT [bleep],

'CAUSE HE'S A THIRST BUCKET.

GOT A COUPLE DOLLARS.

THEY TRYING TO KEEP UP

WITH THE JORDANS.

LEAVE THIS [bleep] ALONE.

LET THEM ALONE.

LEAVE IT ALONE.

IF THEY WANT TO GO SELL IT,

THEY--

NO, NO, I CAN'T LEAVE IT

ALONE, BECAUSE THAT'S

EVA'S MOTHER.

FIRST YOU'RE A MAID.

NOW YOU'RE A PORN STAR.

I'LL DEAL WITH HER LATER.

I'M JUST EXCITED WE PUTTING AWAY

THIS NEW CHINA.

AND AFTER WE GET SETTLED,

WE NEED TO HAVE A DINNER

FOR ZINO AND HIS NEW GIRL.

ZINO GOT A NEW GIRL.

UGH!

HERE WE GO.

IS THIS BITCH

ANOTHER OF KARLIE'S?

I MEAN, YOU KNOW HOW IT WENT

WITH KARLIE, BUT I THINK

I MET HER ONE TIME

AND SAW HER WITH HIM.

OH, GOSH, DON'T TELL ME

YOU SMASHED HER TOO,

'CAUSE YOU KNOW YOU LOVE TO

SMASH EACH OTHER'S BITCHES.

IS THIS ONE OF THEM HOS,

OR IS THIS THE REAL THING?

WHAT'S GOING ON?

I MEAN, I HOPE

IT'S THE REAL THING.

I NEVER SMASHED.

YOU NEVER KNOW WITH STEVIE

AND BENZINO.

THEY ALWAYS SHARE THINGS.

I JUST HAVE TO ASK IF THAT WAS

ONE OF THE THINGS

THAT THEY SHARED,

'CAUSE YOU JUST NEVER KNOW.

WHAT YOU GONNA BE COOKING

FOR THEM?

WHAT WE COOKING?

FIRST OF ALL, I GOT TO

GET TO KNOW THIS BITCH,

'CAUSE I DON'T EVEN KNOW--

COME ON; GIVE HER

THE BENEFIT OF THE DOUBT, MAN.

YOU KNOW WHAT I MEAN?

KNOWING YOUR FRIEND

AND HOW HE PICK 'EM,

I NEED TO WATCH WHO'S COMING UP

IN THIS HOUSE, 'CAUSE FOR ALL

I KNOW, SHE AIN'T COMING

FOR HIM.

SHE COMING FOR YOU.

I DON'T NEED NO THIRSTY BITCHES

TRYING TO USE BENZINO

TO TRY TO GET TO MY MAN.

THIS CHICK CAN COME OVER,

BECAUSE I LOVE BENZINO,

BUT SHE BETTER COME CORRECT,

'CAUSE IF SHE DOESN'T,

I'MA KICK HER ASS TO THE CURVE.

WE GONNA COOK TOGETHER

OR WHAT?

THIS HO BETTER BE WORTH IT.

WHAT'S YOUR NAME?

JASMINE.

YOU'RE BEAUTIFUL TOO.

THANK YOU.

KIRK!

IT'S MY FIRST TIME

MEETING YOU, AND YOU SEEM LIKE

A NICE GIRL, BUT I GOT MY EYES

ON YOU.

OKAY.

YOU MAD?

YES, I'M MAD.

'CAUSE I DON'T WANT YOU TO GO.

YOU'RE STUPID.

NO, YOU'RE STUPID.

YOU DON'T SEE A GOOD DUDE

WHEN YOU GOT ONE.

OH, REALLY?

OKAY, WE'RE TURNING UP

THE HEAT.

GOT TO TURN UP THE HEAT.

OH, YOU GOT TO COME OUT

THE SHIRT TO BOWL?

COME ON.

IT GOT HOT.

O'SHEA AND I BE KICKING IT

STRONG FOR A MINUTE NOW,

SO I DECIDED THAT IT WAS TIME

THAT HE MET MY PEOPLE,

WHICH IS KARLIE AND HER NEW BOO,

JOC.

AND WE LINKED UP

SO ME AND MY BOO, O'SHEA,

COULD WHUP THEIR BUTTS

IN SOME BOWLING.

MY BOY HAD TO GET HIS SEXY ON

TO BOWL.

MY NEW MAN IS HEAVEN-SENT.

HE'S SO DIFFERENT FROM SCRAPPY,

IT'S CRAZY.

O'SHEA DOESN'T DRINK.

HE DOESN'T SMOKE.

O'SHEA IS A PROFESSIONAL MODEL,

AND HE HAS A BANGING BODY.

AND BEST OF ALL,

WE DON'T HAVE ANY DRAMA.

HE'S JUST WHAT I NEED

IN MY LIFE RIGHT NOW.

OH, GOD.

[women yell]

THAT'S GOOD, THOUGH.

THAT'S HOW THEY DO.

YOU KNOW, THAT'S HOW

SEXY DUDES DO.

[laughter]

THAT'S WHAT THEY DO.

THERE'S NO HATE IN MY BLOOD,

BUT THE HOMEY O'SHEA, MAN,

HE'S JUST...

TAKES OFF HIS DAMN SHIRT

LIKE HE ON FIRE.

THEN HE GOT THE NERVE

TO HAVE THE DAMN HAT ON,

"O'SHEA, THE MODEL."

THAT'S LIKE ME WEARING A HAT

THAT'S LIKE, "YUNG JOC,

THE RAPPER."

WE'RE GONNA GO GET SOMETHING

TO DRINK.

GIRL, HE'S HOT.

WE'RE IN SUCH A GOOD PLACE.

IT'S GOOD TO SEE ERICA HAPPY

WITH SOMEONE

AFTER ALL THE DRAMA

SHE WENT THROUGH WITH SCRAPPY,

AND O'SHEA IS STRAIGHT-UP FINE.

YOU TRYING TO SETTLE DOWN?

I LOVE HIM.

THAT'S SO SWEET.

KARLIE IS SETTLING DOWN.

I'LL BELIEVE IT WHEN

I SEE IT, 'CAUSE I KNOW YOU.

I MIGHT BE MESSY,

BUT JOC IS MESSY TOO.

MESS AND MESS

IS READY TO SETTLE DOWN.

[laughs] YES.

REALLY?

DEFINITELY.

SO, LIKE, LOOK, I NEED YOU

TO TELL O'SHEA TO GIVE HIM

SOME POINTERS.

JOC NEED TO GET HIS ASS

IN THE GYM.

I LOVE ME SOME JOC,

BUT I GOT A WEAKNESS FOR A MAN

WITH A CUT BODY AND A CUTE FACE.

BABY.

JOC BETTER WATCH OUT.

EVERY MAN NEEDS TO BE

A LITTLE JEALOUS NOW AND THEN.

GIVES THEM SOMETHING

TO ASPIRE TO.

TO GETTING IN THE GYM.

ABSOLUTELY.

LOOK, I'MA--I GOT THIS,

THOUGH.

YOU KNOW WHAT I'M SAYING?

IT'S ON ME THIS TIME.

OH, THANK YOU.

OH, NO, WE GOT THIS.

HUH?

WE GOT IT.

YOU SURE?

YEAH, I GOT IT.

APPRECIATE Y'ALL COMING OUT.

ABSOLUTELY.

KEEP WORKING OUT.

Y'ALL BE SAFE.

YOU BE SAFE.

USE YOUR CARD, BABE?

HUH?

USE YOUR CARD?

OH, YEAH.

YES, HE DID JUST ASK FOR MY CARD

TO PAY THE BILL.

AND, SADLY, IT'S NOT

THE FIRST TIME.

HE HASN'T BEEN BOOKING

TOO MANY MODELING GIGS LATELY,

SO I'M JUST TRYING TO BE

SUPPORTIVE UNTIL HE GETS BACK

IN THE GAME.

CAN I CLOSE OUT MY TAB, PLEASE?

[upbeat pop music]

♪

* FIRE IN MY EYES

♪ I WAS BORN TO FIGHT

♪ KNOCK ME DOWN, I WILL GET

♪ BACK UP

♪ I WILL NOT BE DENIED

♪ WAITED MY WHOLE LIFE

♪ RIGHT NOW, IT'S MY TIME ♪

SO FINALLY

I'VE STARTED WORKING OUT

NOT ONLY TO LOSE THE BABY WEIGHT

BUT TO REALLY CLEAR MY MIND.

I'VE BEEN SO DEPRESSED LATELY.

I DON'T KNOW IF IT'S

POSTPARTUM DEPRESSION

OR WHAT IT IS.

ME AND KIRK'S RELATIONSHIP

IS CRAZY, AND WHEN OUR

RELATIONSHIP ISN'T RIGHT,

THINGS JUST AIN'T RIGHT

ACROSS THE BOARD.

* RISE TO THE TOP

♪ RISE TO THE TOP

♪ I WILL NEVER STOP

♪ I DON'T EVER GIVE UP ♪

♪ GOT MY VISION

♪ I'M ON A MISSION ♪

♪ AND I DON'T NEED ♪

♪ YOUR PERMISSION

BUT NOW IT'S TIME FOR ME

TO START WORKING ON RASHEEDA.

NO MORE MOPING AROUND,

AND I'M READY TO GET BACK

IN THE STUDIO AND START WORKING

ON THIS MUSIC.

IT ALWAYS BRINGS ME BACK

TO THE CENTER,

WHERE I NEED TO BE.

* I WILL RISE TO THE TOP

♪ RISE TO THE TOP

♪ I WON'T EVER STOP ♪

BUT I'M GONNA NEED KIRK

TO BE SUPPORTIVE.

I DON'T NEED

NONE OF HIS [bleep]

SO THAT I CAN GET INTO

THIS MUSIC AND GET BACK

TO THE PLACE WHERE I NEED TO BE.

WHAT'S UP?

YOU DIDN'T SEE ME

TEXTING YOU?

I WAS TRYING TO WORK OUT.

YOU SAY YOU GONNA GO

WORK OUT AND YOU'LL BE BACK

IN AN HOUR AND A HALF,

I BE THINKING

AN HOUR AND A HALF, NOT THREE.

MY HEAD IS REALLY MESSED UP

RIGHT NOW, JUST WAITING

FOR THE DNA TEST RESULTS

TO COME IN.

I'M TRYING TO KEEP MYSELF

JUST BUSY

SO I DON'T LOSE MY MIND.

I WAS BUSY BECAUSE I WAS

THINKING ABOUT MUSIC,

AND I THINK IT'S A REALLY GOOD

IDEA FOR ME TO GO AHEAD

AND GET BACK IN THE STUDIO--

YOU SAYING YOU HAVE TIME

FOR MORE THINGS IN YOUR LIFE?

WHY NOT?

I DON'T REALLY SEE HOW

THAT'S GONNA FIT.

HOW COULD YOU SEE THAT

NOT FITTING WHEN THAT'S

A SOURCE OF INCOME

WITHIN THIS HOUSEHOLD?

THE LAST TIME I CHECKED,

THE BILLS DON'T PAY THEMSELVES,

OKAY?

AND I AIN'T GONNA LIE;

WE MAKING A FEW COINS

OFF THE MUSIC AND EVERYTHING.

BUT I DO HAVE ANOTHER MOUTH

TO FEED.

MY HUSBAND-MANAGER SHOULD

WANT ME TO GET TO WORK.

LIKE, I'M JUST BEING HONEST,

BECAUSE THERE'S, LIKE,

THINGS I'M TRYING TO DO AS WELL,

AND YOU BEING GONE--

BUT, YOU KNOW, IT'S ALWAYS

ABOUT WHAT YOU WANT TO DO.

IT'S NEVER--

THIS CONSISTS OF YOU

BEING GONE UP TWO, THREE, FOUR,

FIVE A NIGHT, WHAT ARE WE

GONNA DO WITH MY CHILD?

WHERE'S MY SON GONNA BE?

I THINK HE NEEDS HIS MAMA

TO BE RIGHT HERE.

I MEAN, I GOT MAMA.

YEAH, MM-HMM.

BUT I DON'T WANT HER

TO BE THE ONE.

LIKE, NONE OF THAT.

I DON'T WANT NO GRANNY STUFF.

MY MOM LOVES KARTER.

THAT'S COOL

THAT SHE LOVE HIM.

I'M SAYING, IN HERE--

AND YOU DIDN'T HAVE

NO PROBLEM--YOU AIN'T EVEN

LETTING ME FINISH!

WE TALKING--

YOU FELT SAFE WITH HER

BEING WITH KY

ALL THE WAY THROUGH HIS LIFE

UP TILL NOW.

SHE BE PUTTING HER LIPS

ON HIS MOUTH.

OKAY.

I DON'T LIKE NONE OF THAT.

WHAT'S THE DIFFERENCE--

HER PUTTING HER MOUTH ON HIM,

YOU PUTTING YOUR MOUTH ON HIM?

SO IT'S COOL FOR YOUR MAMA

TO PUT HER MOUTH ON HIM

EVEN IF SHE JUST GONE THROUGH

GIVING SOME PERSON FELLATIO

TO HER HUSBAND,

SO YOU WANT HER TO COME...

OH, SO NOW WE TALKING ABOUT

MY MAMA GIVING [bleep]

TO SOMEBODY.

REALLY?

TO HER HUSBAND.

DO YOU WANT HER TO COME PUT

HER MOUTH ON YOUR BABY?

OKAY.

ARE YOU SERIOUS?

NOW, LET ME TELL Y'ALL

THE REAL PROBLEM.

KIRK IS PISSED OFF

BECAUSE HE DECIDED TO WANT

TO TREAT ME LIKE [bleep].

SO IN RETURN, MY MAMA DECIDED

SHE WANTED TO RUN

HIS DAMN BIKE OVER,

WHICH SHE SHOULD HAVE DID

IN THE FIRST PLACE.

I THINK IT DESTROYED

HIS LITTLE EGO AS WELL,

SO HE'S MAKING A BIG DEAL

ABOUT HER KISSING THE BABY.

SO WHAT?

KIRK, SIT YOUR ASS DOWN

SOMEWHERE.

MAYBE I'LL LOOK FOR A NANNY.

YEAH, WE NEED TO FIND

SOMEBODY, SOMEBODY YOUNGER.

WE NEED SOMEBODY

WITH EXPERIENCE.

IT AIN'T ABOUT

HOOCHIE-ASS MAMA-LOOKING HO

RUNNING AROUND.

COME ON, NOW.

BRING SOME YOUNG--

THEY KNOW HOW TO--

BE QUICK TO DO THE JOB.

I'M JUST SAYING--

[blender whirring]

FACE TIME.

KIRK STARTS TALKING CRAZY

AND [bleep], YOU KNOW WHAT?

NINE TIMES OUT OF TEN,

HE MIGHT BE UP TO SOME [bleep].

BUT NOBODY WHO LOOKS LIKE

YOUR MOTHER.

I WANT A WHOLE DIFFERENT VIBE.

I WANT SOME 2014 NEW [bleep].

[blender whirring]

* THE HORIZON DON'T ♪

♪ GET BRIGHTER

♪ WHEN YOU DON'T FIND IT ♪

♪ PEERING OVER ANY

♪ OF THE HILLS THAT YOU'VE ♪

♪ BEEN CLIMBING

♪ AND THE TIME DON'T STOP ♪

♪ JUST BECAUSE YOU FREEZE

♪ BUT IT'S EASY TO STAND STILL ♪

♪ WHEN YOU'RE SCARED TO LEAVE ♪

I'M LATE, AND I'M WORRIED.

THIS IS MORE THAN JUST A SCARE.

THIS IS A GUT FEELING.

* ONE STEP TO THE DOOR

♪ TWO STEPS TO FIND MORE

♪ THREE STEPS, SEE ME CRUISE

♪ AWAY FROM BEFORE

I HAVEN'T EVEN SAID ANYTHING

TO SCRAP YET.

I DON'T EVEN KNOW HOW

I'M GONNA TELL HIM

IF IT IS TRUE.

HE JUST ADMITTED TO ME

THAT HE'S NOT EVEN IN LOVE

WITH ME, SO HOW AM I GONNA

TURN AROUND AND TELL HIM

THAT I'M PREGNANT?

WHAT IF SCRAP LEAVES?

AND HIS MOM, SHE HATES ME.

THIS COULD ONLY

MAKE THINGS WORSE.

* GET LOST AS THE TRUTH

♪ UNFOLDS

♪ IT'S TIME I GO THIS ALONE ♪

SO YOU AND BAM IS SERIOUS?

LIKE, SHE'S SAYING,

"I LOVE YOU."

AND I WAS JUST LIKE...

HOW DID YOU FIND THIS HOUSE?

MY REALTOR, KADIA.

ISN'T THAT THE SAME GIRL

THAT DROVE US ON A TRIP

TOGETHER?

KARLIE, YOU KNOW KADIA.

SHE DO EVERYTHING?

SHE'S A GO-GETTER.

ARE YOU [bleep] HER?

THANK YOU.

SO I'M MEETING UP

WITH MY BOY SCRAPPY.

I HAVEN'T SEEN HIM IN A MINUTE.

I THINK IT'S TIME FOR ME

TO CATCH HIM UP ON SOME OF

THE THINGS I GOT GOING ON.

WHAT'S HAPPENING?

I'M DEALING WITH KARTER.

YOU STILL IN THE DOGHOUSE?

STILL IN THE DOGHOUSE.

RASHEEDA NEED TO CUT

THAT [bleep] OUT, MAN.

I'M REALLY GONNA BE

IN THE DOGHOUSE WHEN SHE

FIND OUT WHAT I DID,

'CAUSE THAT SITUATION

WITH THE BLOGS, WITH PEOPLE

SAYING, "HEY, SCRAPPY COULD BE

THE DADDY" OR "HE DON'T LOOK

LIKE YOU," I WENT AND TOOK

A DNA TEST AND CHECKED.

ARE YOU SERIOUS?

YEAH.

I NEVER, FOR ONE SECOND, THOUGHT

THAT THE BABY WAS SCRAPPY'S.

ME AND MY MAN GOOD.

I MEAN, THE TABLOIDS ARE

RIDICULOUS AND MESSY.

BUT YOU NEVER KNOW.

IT COULD HAVE BEEN

SOMEBODY ELSE'S BABY.

I'LL HAVE MY RESULTS SHORTLY,

SO I'LL KNOW THE TRUTH.

A BABY COME OUT THEY VAGINA.

WE HAVE TO TAKE THEY WORD

WHEN THEY SAY, "IT'S YOURS."

[bleep] THAT.

WE GOT A SPLASH WATERFALL

ALL UP IN THERE.

GUESS WHAT.

YOU NEED TO UNDERSTAND THAT

I'VE BEEN SCARRED EMOTIONALLY.

I'M CHECKING.

YOU'RE SCARRED EMOTIONALLY.

[laughs]

I'M SCARRED.

LISTEN, I'M--

YOU A WILD MAN.

KIRK CRAZY AS HELL, MAN.

I KNOW FOR A FACT

RASHEEDA DIDN'T STEP OUT ON HIM.

BUT, HEY, YOU KNOW

WHAT I'M SAYING, WE MEN,

SO IF IT MAKE YOU FEEL BETTER

SLEEPING IN THE DOGHOUSE, BABY,

HEY, I SALUTE YOU.

'CAUSE ME, I AIN'T GONNA LIE;

I GOT MY OWN SITUATION GOING ON.

MAN, SPEAKING OF

THE BABY SITUATION,

YOU REMEMBER BAM, RIGHT?

BAMBI?

I MEET HER

AT THE LITTLE LAKE PARTY.

I ACTUALLY MET BAMBI LAST YEAR

AT THE CABIN, HANGING WITH ZINO

THE WEEKEND THAT GOT ME

INTO ALL THE INFAMOUS TROUBLE.

I THOUGHT THEY WAS MESSING

AROUND, BUT I ACTUALLY GUESS

THINGS JUST DIDN'T WORK OUT

WITH THEM.

YEAH, MAN.

SO YOU AND BAMBI ARE SERIOUS?

SHE PREGNANT, MAN.

WHAT?

WAIT, WAIT, WAIT, PAUSE.

THAT RIGHT;

THE BOUNCE IS PREGNANT.

THAT'S SOME CRAZY SHIZZ-NAH-EE.

I TOLD MA DUKES, YOU KNOW.

SHE COME WITH HER THING,

TALKING ABOUT THE NEW HEIR

TO THE THRONE AND ALL THAT.

ARE Y'ALL PLANNING

ON KEEPING IT?

YEAH.

SHE, LIKE, KIND OF SLICK

IN LOVE.

LIKE, SHE SAYING, "I LOVE YOU."

AND I WAS JUST LIKE...

I'M, LIKE, NOT IN LOVE.

BAMBI IS A GOOD CHICK.

BUT I JUST MET HER

IN SOME FUNNY CIRCUMSTANCES.

YOU TALKING ABOUT

THE BENZINO?

I MEAN, I WAS AT THE LAKE,

AND I MET HER AT THE LAKE.

I KNOW. I KNOW.

AND I JUST--MY MIND

PICTURES THAT.

I WANT TO ASK YOU SOMETHING,

THOUGH.

I WANT YOU TO BE TRUTHFUL.

I WANT--LIKE, TELL THE TRUTH.

I GOT YOU.

SHE [bleep] HIM?

NO.

MATTER OF FACT,

SHE LEFT THAT NIGHT,

AND SHE MADE THAT CLEAR.

WE WAS PLAYING STRIP POKER

AND EVERYTHING.

SHE WAS LIKE, "OH, NO,

WE AIN'T DOING THAT TONIGHT."

I KNOW A WHOLE BUNCH OF STUFF

WENT DOWN AT THE CABIN

THAT KIRK AND EVERYBODY,

THEY DOING THEY THING, MAN.

I'M JUST SO RELIEVED, BRO.

LIKE, MY LADY, THE BAMSTER,

DIDN'T HAVE NOTHING TO DO

WITH ALL THAT.

CONGRATULATIONS

ON THE NEWBORN,

SINCE YOU'RE KEEPING IT.

I'M HAPPY FOR YOU.

THAT'S A BLESSING.

IT'S GONNA HELP STABLE YOU OUT

TOO.

THINGS ABOUT TO GET REAL.

HI.

HERE'S YOUR COFFEES.

CAN I GET YOU GUYS

ANYTHING ELSE?

WHAT'S YOUR NAME, AGAIN?

SAMANTHA.

YEAH, I NEED SOME NAPKINS.

I SEEN YOU SOMEWHERE BEFORE?

NO.

FAMILIAR FACE?

I DON'T KNOW.

OKAY.

I SEE YOU GOT THEM DIMPLES

GOING.

THANK YOU.

YEAH, JUST SOME NAPKINS.

YOU KNOW HER?

NAH, I THOUGHT I KNEW

HER FACE FROM SOMEWHERE.

YOU BEEN HERE BEFORE?

I AIN'T NEVER BEEN HERE

BEFORE, KARLIE.

YOU SURE ABOUT THAT?

BABE, CAN WE TALK ABOUT

WHY WE HERE?

WE'RE SUPPOSED TO BE

GOING OVER PLANS FOR THE HOUSE

THAT JOC PUT AN OFFER ON.

BUT INSTEAD HE OVER HERE

FLIRTING WITH THE WAITRESS.

I KNOW HE'S CHARMING,

BUT I THINK IT'S DISRESPECTFUL

FOR HIM TO DO THAT [bleep]

IN FRONT OF MY FACE.

IT'S JUST ONE OF THOSE THINGS

WE'RE GONNA HAVE TO WORK ON

WHEN WE MOVE IN TOGETHER.

I REALLY, REALLY LIKE

THIS HOUSE.

IT'S, LIKE, 6,000 SQUARE FEET.

HOW DID YOU FIND THIS HOUSE?

MY REALTOR, KADIA, KADI.

ISN'T THAT THE SAME GIRL

THAT DROVE US ON THE TRIP

TOGETHER?

YEAH.

THE SAME GIRL THAT WAS

AT YOUR VIDEO SHOOT.

YEAH.

SHE DRIVING, AND THEN

THE NEXT DAY, SHE A REALTOR.

THE NEXT DAY, SHE AT

YOUR VIDEO SHOOT.

THIS GIRL KADIA IS EVERYWHERE.

SHE'S ALWAYS UP UNDER JOC.

NOW SHE'S SHOWING HIM HOUSES

WHEN I'M NOT AROUND?

I HAVE A FEELING

SOMETHING AIN'T RIGHT.

I GOT TO KEEP A EYE

ON THAT ONE.

I'M TRYING TO FIGURE OUT,

'CAUSE I'M--

KARLIE, YOU KNOW KADIA.

SHE DO EVERYTHING?

SHE'S A GO-GETTER.

ARE YOU [bleep] HER?

[sighs]

NO, I'M NOT [bleep] HER, KARLIE.

COME ON.

KADIA, SHE A FRIEND OF MINE,

AND SHE'S DEFINITELY

MULTITALENTED.

SO, LOOK, THE ONE THING

THAT I REALLY LIKE ABOUT

THE CRIB: IT GOT A NICE STUDIO.

WITH YOU WANTING TO DO

THE MUSIC...

SPEAKING OF THE MUSIC,

I FOUND THIS RECORD.

YOU FOUND A RECORD?

A FRIEND OF MINE, SHE WANTED

TO PEN SOME HOOKS FOR ME.

I WAS LIKE, "LET ME HEAR

SOME STUFF."

SO SHE WAS PLAYING SOME SONGS,

AND I REALLY WAS LIKING THEM.

BUT THIS ONE RECORD,

IT'S CALLED HEARTBREAKER.

AND A GIRL BROUGHT YOU

THIS RECORD.

I'M NOT HAVING A SEXUAL

RELATIONSHIP WITH HER.

BUT I WANT YOU TO HEAR

THE RECORD.

IT KIND OF PUTS ME IN THE MIND

OF US A LITTLE BIT.

YOU KNOW WHAT I'M SAYING?

TALKING ABOUT BREAKUPS

AND THE BREAKUP-TO-MAKEUP-TYPE

RECORD.

OH, I LIKE THE MAKEUP PART.

I'M SURE YOU DO.

STUDIO TIME, I ALREADY BOOKED.

SO WE'RE NOT GONNA DO IT

IN THE HOUSE.

WE AIN'T EVEN MOVED IN

THE HOUSE!

I'M JUST--

ALL RIGHT, COOL.

SO I BOOKED THE SESSION ALREADY.

I THINK YOU'RE GONNA DO GOOD.

OKAY.

I CANNOT WAIT TO START WORKING

WITH JOC.

WE'VE BEEN TALKING ABOUT THIS

FOR A WHILE.

SO WHAT WE DOING

ABOUT THIS CRIB?

LOOK AT THAT.

THAT'S A JACUZZI.

YOU KNOW WE DOING THAT.

SIT IN THESE,

YOU COME HOME TO ME?

OF COURSE.

WHAT YOU MEAN?

I'M JUST ASKING.

YOU DON'T TRUST ME.

AS FAR AS I CAN THROW YOU.

I WANT TO HELP REGAIN

YOUR TRUST.

AS LONG AS YOU COME HOME

TO ME, WE GOOD.

AS LONG AS YOU ABIDE

BY MY RULES.

YOU KNOW YOUR LITTLE

FIVE-FOOT RULE [bleep]?

KEEP THAT IN MIND.

AND RULE NUMBER TWO:

NO--REPEAT AFTER ME.

"NO..."

NO...

"BEING..."

BEING...

"MESSY."

[sighs]

I HEARD MIMI MOVED.

I'M JUST REALLY CONCERNED

ABOUT EVA, AND, FRANKLY,

I WANT TO MAKE SURE MIMI'S

IN THE RIGHT FRAME OF MIND.

SHE MIGHT BE GOING

A LITTLE CRAZY.

I BEEN BLOWING MIMI'S PHONE UP

TRYING TO ARRANGE A SIT-DOWN,

AND SHE'S FINALLY GOT

ENOUGH COURAGE TO SIT DOWN

WITH A GOOD GUY.

STEVEN.

WHAT'S UP?

YOU WANTED TO MEET ME?

I WANTED TO SEE

WHERE YOUR HEAD WAS AT.

YOU CAN'T JUST RANDOMLY MOVE

AND MOVE WITH MY DAUGHTER.

YOU WANT TO SEE YOUR

DAUGHTER?

YOU CAN CALL ME, AND I CAN

MEET YOU SOMEWHERE.

SHE'S GOOD.

SHE'S WITH ME.

YES, I MOVED.

I'VE HAD SO MUCH GOING ON

IN MY LIFE RECENTLY

THAT I WANTED TO DO SOMETHING

A LITTLE SPECIAL FOR MYSELF.

AND EVERY TIME MY DAUGHTER

COMES HOME FROM STEVIE'S,

SHE'S ALWAYS TALKING ABOUT

HIS "CASTLE."

SO GUESS WHAT.

MOMMY DID A LITTLE UPGRADING

TOO.

CHECK THIS OUT.

I'M CONCERNED.

LIKE, THE FIRST IDIOT

THAT COMES ALONG, YOU GONNA

LET HIM SUCKER YOU

INTO A SEX TAPE?

WOULD YOU LIKE TO UNDERSTAND

WHAT HAPPENED?

YES, LET ME HEAR

WHAT HAPPENED.

WE MADE THE TAPE

IN OUR OWN PERSONAL PRIVACY.

WE WERE ON VACATION

IN THE BAHAMAS.

ON THE WAY BACK,

THE BAGS WERE STOLEN.

NIKKO STOLE THE BAG.

NIKKO STOLE THE BAG

FROM THE AIRPORT?

I DON'T WANT TO GO

BACK AND FORTH WITH YOU.

YOU GOT WITH THIS [bleep],

AND THEY PUT THIS TAPE OUT,

AND THAT'S THE WAY IT IS,

AND THAT'S WHAT IT IS.

THAT'S NOT GOOD FOR OUR

DAUGHTER.

IT'S NOT GOOD.

I KNOW IT'S NOT THE BEST

SITUATION, BUT I'M DOING

THE BEST I CAN.

OF COURSE I'VE CONSIDERED

THE POSSIBILITY OF NIKKO LEAKING

THE TAPE, BUT THE TRUTH IS,

I TRUST HIM, AND THAT'S

A LOT MORE THAN I CAN SAY

ABOUT STEVIE.

I MADE A TAPE WITH MY MAN,

AND IT GOT LEAKED, PERIOD.

THAT'S YOUR MAN?

IT IS.

HE'S NOT GOOD FOR YOU.

WERE YOU GOOD FOR ME?

YES, I WAS.

YOU WERE?

I COULD HAVE YOU

WHEN I WANT TO.

YOU THINK SO?

YES.

YOU'RE A CLOWN.

I'M NOT DOING PORNOS.

YOU ARE.

YOU SOUND LIKE A MAN

WHO MADE A WRONG DECISION,

WHO REGRETS...

A MAN WHO MADE

A WRONG DECISION.

ABSO-[bleep]-LUTELY.

AND YOU'RE A WOMAN

THAT MADE A WRONG DECISION

WITH A FOUR-YEAR-OLD.

GET THE [bleep] OUT OF HERE.

I'M NOT ABOUT TO PLAY THIS GAME

WITH YOU.

SO WHEN YOU GET READY

TO ACT LIKE A [bleep] ADULT,

THEN WE CAN TALK.

UNTIL THEN, GET THE [bleep]

OUT OF HERE.

YOU STINK.

GOOD NIGHT.

YOUR TAPES STINK.

BETTER THAN WHAT THE [bleep]

YOU DOING.

THE LITTLE PATTER

OF LITTLE FEET AROUND THE PALACE

GONNA BE GOOD.

YOU BEEN TAKING

YOUR MEDICINE?

I COULD SEE WEDDING BELLS

HERE.

YOU THINK SO, BABE?

WEDDING BELLS?

YOU LOVE ME?

OH, MY GOODNESS,

THIS FOOD LOOKS SO GOOD.

THIS BITCH AIN'T BETTER

THAN MOMMA'S.

I PUT THAT VOILA MAGIC ON IT.

HOW'S, YOU KNOW, EVERYTHING

GOING ON WITH BAMBI

AND HER PREGNANCY?

BEEN GOING GOOD, MAN.

I AIN'T EVEN REALIZE

YOU WAS THINKING ABOUT THAT

RIGHT NOW.

MA DUKES, THE WAY SHE FEEL

ABOUT BAM BEING PREGNANT

IS, LIKE, CRAZY.

IT'S LIKE SHE SWITCHING.

IT'S LIKE BAD MOOD SWINGS.

YOU KNOW WHAT I'M SAYING?

I DON'T NEVER KNOW

WHAT I'M WALKING INTO.

IT'S HARD FOR ME

TO TRANSITION

FROM GRASS-EATING WILDEBEEST

TO A DEER THAT RUNS WILD

IN THE WOODS.

BUT SINCE YOU HAVE RELAYED TO ME

YOUR FEELINGS ABOUT THE BAMBI--

ABOUT BAMBI,

NOT "THE BAMBI."

LIKE, YOU KNOW WHAT I'M SAYING?

BAMBI.

BAA!

[laughs]

THAT'S A LAMB.

OKAY, WELL...

ALL THESE LAMB, SHEEPS,

AND DEERS, THEY JUST RUNNING

AMOK IN THE PALACE.

IT'S ALL WILD TO ME.

I KNOW I BEEN HARD

ON THE BAMBI AT FIRST,

BUT SINCE SHE'S CARRYING

THE ROYAL HEIR TO MY THRONE,

HMM, I THOUGHT I'D CUT

THE BAMBI A LITTLE SLACK.

THE LITTLE PATTER OF LITTLE FEET

ABOUT THE PALACE GONNA BE GOOD.

YOU BEEN TAKING

YOUR MEDICINE?

YES, I HAVE.

YOUR BIPOLAR MEDICINE?

YEAH, I HAVE.

THAT'S GOOD, 'CAUSE YOU LOOK

CALM RIGHT NOW.

I WANT THE BABY TO BE BORN

HEALTHY AND COME OUT ON TIME

AND WEIGH A GOOD BIRTH WEIGHT.

I WANT HER ON A STRICT REGIMEN.

I NEED HER TO TAKE HER IRON.

IRON IS GOOD FOR YOUR BLOOD.

YOU KNOW WHAT I'M SAYING?

I'VE HEARD.

UH-HUH, ZINC IS FOR

THE BODY BUILDERS.

YOU KNOW I GOT A DEGREE

IN NURSING.

AND THEN SOME PRENATAL VITAMINS.

JUST MAKE SURE SHE TAKE 'EM.

AND, BY THE WAY, I'LL CALL

EVERY DAY ANYWAY

TO MAKE SURE THAT SHE DOES.

HEY, MAN, FOR REAL, FOR REAL,

I HOPE BAM READY FOR

NURSE RATCHED.

YA DIG?

AND VITAMIN E,

BEAUTIFUL SKIN, AND THAT'S

FOR THE STRETCH MARKS,

'CAUSE GUESS WHAT; I GOT

SO MANY STRETCH MARKS,

I CAN'T EVEN COUNT.

YOU DONE EFFED UP MY STOMACH.

BUT I LOVE YOU ANYWAY.

I LOVE YOU, THOUGH.

YOU'RE WELL WORTH IT.

YOU SURE YOU TOOK

YOUR MEDICINE?

EVERYBODY DRINK AND BE MERRY

FOR THE UPCOMING BABY.

HOW'S IT COMING OUT THERE?

CHEF BOYARSLEAZE

LIKE THIS, BABY.

THIS IS HOW IT'S COMING NOW.

TONIGHT MYSELF AND MY LOVELY

WIFE ARE HAVING ZINO

AND HIS GIRL OVER.

YOU KNOW, I'MA CHEF IT UP

COURTESY OF, YOU KNOW,

CHEF SLEAZO.

[doorbell rings]

ZINO HASN'T BEEN OVER

TO THE WHITE HOUSE YET,

AND I REALLY WANT TO MEET

THIS NEW CHICK THAT HE'S

SPENDING HIS TIME WITH.

Z, WHAT UP?

SLEAZE, WHAT UP, MAN?

HOW YOU DOING?

THIS IS ALTHEA.

THAT'S MY BRO SLEAZY.

NICE TO MEET YOU.

WHAT'S UP, BRO?

OH, THIS IS CRAZY, YO.

HAD TO STEP IT UP

A LITTLE BIT.

YOU KNOW WHAT I MEAN?

KIDS NEED ROOM, YOU KNOW.

THE WHITE ROOM?

YEAH, THIS IS WHITE AND GOLD.

YOU KNOW WHAT I'M SAYING?

DAMN!

YO, THIS IS BANANAS.

MY MAN SLEAZO'S LIVING LARGE.

I CAN APPRECIATE

THAT HE APPRECIATES

THE FINER THINGS IN LIFE,

SUCH AS MYSELF.

HEY, GUYS.

WHO IS THIS PRETTY LADY?

HI.

HOW ARE YOU?

I LOVE YOUR HOUSE.

I'M JOSELINE.

HOW YOU DOING?

THANK YOU.

HEY, BROTHER.

BEAUTIFUL HOUSE HERE.

CONGRATULATIONS.

THE HOUSE IS HOT.

YOU MADE ALL OF THIS?

WELL, I HELPED TOO.

I MADE THE SALAD.

[laughter]

STEVIE THOUGHT THAT HE WOULD

MAKE YOU A NICE MEAL,

BECAUSE HE SAID THAT

YOU HAVE SOMEBODY SERIOUS

YOU WANTED US TO MEET.

WHERE YOU GUYS MEET AT?

I'VE KNOWN ZINO FOR A MINUTE.

HE HAD TO FRONT ON ME

IN THE BEGINNING, BUT...

OH!

WE KIND OF MET ON TWITTER.

IT'S LIKE I STARTED DM'ING HER.

DIRECT MESSAGE.

THEN IT WAS LIKE DIRECT MWAH.

SO YOU SEE HIM, AND IT WAS

LOVE AT FIRST SIGHT.

WHAT WAS IT

WHEN YOU FIRST SEEN ME?

IT WAS LOVE AT FIRST SIGHT.

OOH.

SO OUR FIRST DATE WAS, LIKE,

I PICKED HER UP, AND, YOU KNOW,

SHE GOT A FEW PROPERTIES

OR WHATEVER.

SHE DO HER LITTLE REAL ESTATE

THING, YOU KNOW.

THAT'S WHAT I LIKE ABOUT HER;

SHE GOT HER OWN BREAD.

I DO GOT MY OWN BREAD.

DID YOU DO ANYTHING NICE

FOR HIM?

[laughs]

WHAT DO YOU MEAN?

SHE BOUGHT YOU THAT DIAMOND?

NO, SHE DIDN'T.

HOW DO YOU GET MONEY

TO BUY HIM DIAMONDS?

I MEAN, I SEE YOU GOT ON

YOUR ROLLERS.

YOU GOT ON YOUR DIAMONDS.

YOU GOT ON YOUR COCO.

WELL, I WAS SIGNED

TO DEF JAM.

SO THEY GAVE YOU A CHECK?

THEY GAVE ME A BIG CHECK.

OOH.

I BOUGHT A HOUSE.

AND HE WAS WORTH IT.

[laughs]

HE'S MY INVESTMENT.

AT LEAST FOR NOW,

ALTHEA'S OKAY.

I GUESS BENZINO DESERVES

SOMEBODY THAT CAN HANDLE

HER BUSINESS.

FOR RIGHT NOW,

WE'LL LEAVE IT AS THAT.

YOU KNOW, I'M LOOKING AT HER

LIKE, "DAMN, I'M IN LOVE, MAN."

HOW YOU FALL IN LOVE SO FAST?

THIS IS DIFFERENT THIS TIME.

I'VE HEARD YOU SAY

YOU WAS IN LOVE BEFORE.

YOU LOVE ME?

I DO LOVE YOU.

I COULD SEE WEDDING BELLS

HERE.

YOU THINK SO?

WEDDING BELLS?

IT'S MY FIRST TIME MEETING YOU,

AND YOU SEEM LIKE A NICE GIRL,

BUT I GOT MY EYES ON YOU.

OKAY.

HE'S FAMILY.

DON'T WANT NOBODY

TO BREAK YOUR HEART.

I LOVE HIM BECAUSE I LOVE

MY HUSBAND, AND MY HUSBAND

LOVES HIM.

I REALLY RESPECT

Y'ALL IN THE MARRIAGE,

ALTHOUGH MY BRO DIDN'T

INVITE ME TO THE WEDDING.

Y'ALL MARRIED?

YES, AND, YOU KNOW,

WE WENT BY OURSELF.

IT WAS AT THE COURTHOUSE.

OH, OKAY.

I STILL WANT TO DO

A BIG WEDDING, BECAUSE I WANT

THE PARENTS TO COME, HIS KIDS.

I WANT MY DAD TO BE

THE MINISTER.

AND YOUR DAD WAS UPSET,

LIKE, "I CAN'T BELIEVE

Y'ALL DIDN'T LET ME MARRY YOU."

MY POPS IS AN ORDAINED

MINISTER, AND HE FELT

SOME TYPE OF WAY

THAT WE DIDN'T LET HIM OFFICIATE

THE WEDDING.

SO WHEN WE DO THE BIG WHITE

WEDDING, HE'S GONNA BE OUR GUY.

HOW YOU LIKE THE FOOD TODAY?

I LOVE IT.

THE FOOD'S AMAZING.

THIS IS RESTAURANT QUALITY,

SLEAZE.

YOU ALWAYS WANTED TO GO

INTO BUSINESS.

WHAT YOU THINK ABOUT, LIKE,

A LOUNGE/RESTAURANT-TYPE THING?

I MEAN, ATLANTA'S READY

FOR THAT.

THEY NEED THAT.

STEVIE AND ZINO'S--

IT SHOULD BE

SLEAZY AND ZINO'S.

all: OOH!

SLEAZY, THAT'S WHAT--

WAIT, WAIT,

SLEAZY AND ZINO'S...

both: BISTRO AND BAR.

WHAT THE--THAT'S IT.

THAT SOUNDS PRETTY GOOD.

GET THE BIGGEST DJs,

SOUND SYSTEMS, AND, LIKE--

SUBWOOFERS.

LIKE, COME ON.

WE'LL BE THE BIGGEST THING

IN ATLANTA.

AND IF WE GOT THE BEST,

BADDEST BITCHES...

WHOO!

THAT WOULD BE OUR JOB,

TO BRING IN THE BAD BITCHES.

RIGHT.

LADIES AND GENTLEMEN,

YOU ARE WITNESSING

THE BIRTH OF AN EMPIRE.

YOU KNOW I LOVE BRINGING IN

THE PAPER, SO OPENING A CLUB

WITH MY DUDE IS A NO-BRAINER.

all: HEY!

SLEAZY AND ZINO'S, BABY.

all: HEY!

THIS IS THE RESULTS

OF THE DNA TEST.

I WALK IN ON YOU.

HE WAS TRYING TO HELP ME OUT

WITH MY VOCAL EXERCISES.

WORK YOUR VOCAL CORDS OUT.

THAT'S IT.

YOUR THROAT MUSCLES, RIGHT.

YOU SAW NOTHING.

I KEEP LOOKING

AT THIS ENVELOPE.

LIKE, WHAT IS THAT?

THIS IS THE RESULTS

OF THE DNA TEST.

SO I GOT THE RESULTS

OF THE DNA TESTS

OF ME AND KARTER.

IT'S KIND OF HARD FOR ME

TO EVEN BRING MYSELF TO OPEN IT.

THE RESULTS OF THIS COULD, LIKE,

LITERALLY CHANGE

MY [bleep] LIFE.

ONE SHOT FOR YOU.

NICE.

IF YOU COULD DO US

THE HONORS OF OPENING

THIS ENVELOPE FOR US...

SHE DOESN'T EVEN KNOW

WHAT IT IS, KIRK.

WHY? WHY?

YOU KNOW HOW TO READ

THIS TYPE OF STUFF HERE?

MAN, LET ME SEE THAT, MAN.

THIS IS RIDICULOUS, MAN.

IF KARTER'S NOT MINE,

I DON'T KNOW WHAT I'M GONNA DO.

AM I ABOUT TO LOSE MY FAMILY?

AM I GONNA LOSE MY BEST FRIEND,

MY WIFE?

IT'S JUST A VERY SCARY THING

TO HAVE TO READ THESE RESULTS.

[sighs] MAN.

YOU SURE YOU READY FOR THIS?

AND HERE WE GO.

[dramatic music]

♪

YOU GONNA MAKE MY HEART

FALL--YOU GONNA MAKE ME DIE.

"KIRK FROST IS NOT EXCLUDED

AS THE BIOLOGICAL FATHER

OF KARTER FROST."

THAT MEANS THAT YOU ARE--

WHAT DOES THAT MEAN?

THAT YOU'RE THE FATHER.

YOUR SPERM WENT UP IN THE EGG.

THEY WANT TO SAY, YEAH,

THAT YOU'RE THE POPS,

SO THEY SAID IT LIKE

"YOU'RE NOT EXCLUDED."

THAT'S IT, BABY.

SO I'M HERE.

I'M LIVING.

I HAVE A RELATIONSHIP.

99.97%.

LOVE YOU, KIRK!

YES.

I AM THE FATHER.

WHEW.

THANK YOU, LORD.

YOU DON'T EVEN KNOW THE FEELING

THAT'S GOING THROUGH MY BODY.

LIKE, THIS IS MY CHILD.

WE TOAST THIS.

TOASTING TO KARTER...

WE NEED SOME MORE SHOTS.

AND FIXING THINGS.

AND MORE SHOTS.

THIS ACTUALLY RESTORES

MY FAITH IN RASHEEDA.

IT MAKES ME WANT TO WORK IT OUT

WITH MY WIFE, GO HOME AND MAKE

A NEW BABY.

[laughs]

I HAVE A BEAUTIFUL--

YOU GONNA HAVE ANY MORE KIDS?

KIDS.

WHY DON'T YOU SNIP IT?

I'LL NEVER SNIP IT.

I WASN'T TRYING TO HAVE KIDS,

BUT WOULD I DO IT AGAIN?

YES, I WOULD DO IT AGAIN.

HERE YOU GO.

YOU'VE BEEN GREAT, SO...

OH.

I'LL KEEP THE HUNDREDS

FOR ME.

WHAT'S YOUR NAME?

JASMINE.

YOU'RE BEAUTIFUL TOO.

THANK YOU.

KIRK!

IT'S OVER FOR ME, BUT--

[laughs] THANK YOU.

COME ON. CAN WE GO?

HAVE A GREAT NIGHT, JASMINE.

YOU TOO.

KIRK, COME ON, MAN.

I'M LEAVING.

I'M COMING. I'M COMING.

KIRK NEEDS TO GET

HIS HEAD ON STRAIGHT

AND STOP DISRESPECTING RASHEEDA,

ESPECIALLY WHEN HE'S TALKING

ABOUT HAVING ANOTHER BABY

BY HER.

I'MA SLAM THIS [bleep] DOWN

LIKE THIS.

BAM.

NO, KIRK.

HER MOTHER ALWAYS SAYS,

"I KNOW HE HAS MY DNA."

YOU CAN'T TAKE THIS HOME,

KIRK.

YOU CAN'T DISRESPECT RASHEEDA

LIKE THAT, BECAUSE IF SHE

FINDS IT, KIRK, ALL HELL'S

GONNA BREAK LOOSE, KIRK.

YOU CAN'T TAKE THIS HOME.

WHAT ARE YOU DOING?

THAT'S IT, KIRK.

[thunder rumbling]

* MR. HEART--MR. HEART--

♪ MR. HEART--MR. HEART--

♪ MR. HEARTBREAKER

♪ I GO ON AND ON

♪ HURT HER FEELINGS

♪ AND I GOT BIG TROUBLE, YEAH

* NA, NA, NA, NA, NA

♪ NA, NA, NA, NA, NA

* NA, NA, NA, NA, NA, NA

IT'S LIKE CALL AND RESPONSE.

JOC SET UP STUDIO TIME

FOR ME AND HIM TO WORK ON

OUR NEW SONG, HEARTBREAKERS.

HE'S RUNNING LATE, AS USUAL,

BUT WHO DO I RUN INTO?

JEREMIH.

HE GOT HIS SONGS

LIKE BIRTHDAY SEX,

AND HE'S WILLING TO HELP ME

WITH MY VOCALS.

♪ I KNOW YOU WORK HARD

YOU KNOW, WHEN HE'S IN CITY,

HE CALLS ME, SAYS, "HEY,

I'M IN THE STUDIO.

COME BY."

I HEAR HIS SONGS.

HE HEARS MY SONGS.

♪ HEARTBREAK

HE'S A GOOD FRIEND, AND I

DEFINITELY TRUST HIS EXPERTISE

WHEN IT COMES TO MUSIC.

WHAT YOU THINK?

I LIKE IT.

I THINK YOU NEED TO TAKE

YOUR TIME.

LIKE, JUST BREATHE.

OKAY.

LIKE, COME FROM YOUR

DIAPHRAGM.

YOU WANT TO USE

YOUR WHOLE BREATH.

[inhales]

DEEPER.

HE'S SEXY.

JEREMIH IS SEXY, AND IT FELT

REALLY GOOD TO HAVE HIS HANDS

TOUCHING ON THIS KARLIE REDD.

THE NAME OF THIS SONG

IS CALLED HEARTBREAKERS.

OH, REALLY?

ARE YOU THE INSPIRATION

BEHIND THIS SONG?

NO, I DON'T BREAK HEARTS.

WHAT YOU DO?

I SAVE 'EM.

YOU SAVE HEARTS?

[laughs]

I REALLY APPRECIATE

JEREMIH'S HELP.

I KNOW I'M BEING A LITTLE

FLIRTY.

I'M JUST HAVING SOME FUN.

AND MY GUT TELLS ME

JOC GOT SOME MESS GOING ON.

I'M NOT SURE WHAT,

BUT IT DEFINITELY FEELS GOOD

TO GET SOME ATTENTION FROM

A MAN THAT'S NOT TRYING

TO HUSTLE ME.

WHEN YOU COMING BACK?

SOON.

OKAY.

YOU MAD?

YES, I'M MAD.

WHY?

'CAUSE I DON'T WANT YOU

TO GO.

I GOT TO GO, THOUGH.

I KNOW.

YOUR INSECURE ASS!

GUESS WHAT.

HOW IT FEEL TO BE INSECURE NOW?

YOU WANT TO [bleep] TALK ABOUT

I'M JEALOUS?

YOU'RE JEALOUS!

ALL RIGHT, THANKS.

APPRECIATE THAT.

MEANT A LOT.

IT WAS GOOD.

WHAT UP?

HOMEY, HOW ARE YOU?

JOC, THIS IS JEREMIH.

YEAH, I'M GOOD. WHAT'S UP?

I'M CHILLING, BRO.

BYE.

ALL RIGHT.

THANK YOU FOR HELPING ME.

APPRECIATE THAT.

GOOD LUCK.

OKAY.

WHAT'S ALL THAT?

WHAT YOU MEAN?

WHAT'S ALL THAT FACE-TO-FACE

TALKING AND--

YOU GOOD?

YEAH, I'M GOOD.

YEAH, SHE GOOD, BRO.

YOU AIN'T GOT TO ASK

IF SHE GOOD.

SHE GOOD, 100.

[laughs]

I'M NOT PAYING YOU NO ATTENTION.

YEAH, DON'T PAY ME

NO ATTENTION.

I'M HERE WORKING.

YOU CALL THAT WORKING?

OH, YEAH, HE WAS HELPING ME

WITH THE TRACK, THE SONG.

FACE-TO-FACE, ALL THAT

CLOSE [bleep].

[sighs]

THIS FIVE-FEET RULE [bleep].

I WALK IN.

THIS [bleep]'S STANDING

RIGHT IN YOUR FACE.

HE WAS HELPING ME.

I KNOW HE IN TOWN,

AND I KNOW YOU BEEN OUT

WITH HIM A FEW TIMES.

STRAIGHT UP, I ALREADY KNOW

WHAT IT IS.

BUT I DON'T COME AT YOU SIDEWAYS

THE WAY YOU COME AT ME.

YEAH.

LET ME TELL YOU SOMETHING.

I'M WORKING.

ALL THAT [bleep]

IN THAT SONG, THAT [bleep]

FITS YOU VERY WELL.

THAT'S WHY I PICKED THE SONG

FOR YOUR ASS.

AND I'M WORKING.

WHY IS JEREMIH

ALL IN YOUR FACE?

'CAUSE IF YOU ALL IN HIS FACE--

OH, SO YOU CAN EAT SHOTS

OFF A BITCH'S [bleep] STOMACH--

I WAS HAVING A GOOD TIME

IN THE CLUB.

OH, NOW YOU'RE TRYING

TO HAVE A GOOD TIME IN THE CLUB.

YOU CALL IT WHAT YOU WANT IT.

Y'ALL NASTY.

THAT DUDE LOOKING LIKE

[bleep]--

WHATEVER.

BITCH.

YEAH, THAT'S RIGHT.

GET OUT OF MY SESSION!

I'LL GET OUT YOUR SESSION!

THANK YOU.

HEY, LET ME TELL YOU

SOMETHING.

NO, DON'T TELL ME [bleep].

GET THE [bleep] OUT!

YOU CAN'T PUT ME OUT.

I CHOOSE TO LEAVE.

THEN YOU TALKING ABOUT

MOVING IN WITH YOU.

YOU AIN'T GOT TO WORRY

ABOUT NONE OF THAT [bleep].

GET THE [bleep] OUT.

NOW, HOW THE HELL

KARLIE GONNA COME AT ME

LIKE I'M THE BAD GUY?

I PICKED OUT THE SONGWRITER,

THE SONG, THE PRODUCER.

I BOOKED THE SESSION.

I'M JUST A LITTLE LATE.

BUT THEN I WALK IN THE STUDIO,

AND YOU GOT JEREMIH

ALL UP IN YOUR FACE.

HOW YOU DO THAT?

LIKE, THE IDEA OF ME AND KARLIE

MOVING IN THIS HOUSE TOGETHER,

IT'S DEAD.

YOU TELLING ME--

YOU ARE STRESSING ME OUT.

YOU SAY YOU WANT US

TO MOVE IN TOGETHER, RIGHT?

DID YOU NOT SAY THAT?

YOU REALLY THINK

THAT I'M GONNA PUT UP

WITH THIS [bleep]

OR THIS CHEATING?

WHAT [bleep]?

I WALK IN ON YOU.

HE WAS TRYING TO HELP ME OUT

WITH MY VOCAL EXERCISES.

WORK YOUR VOCAL CORDS OUT.

THAT'S IT.

YOUR THROAT MUSCLES.

YOU SAW NOTHING.

YOU ACT LIKE A SCHIZOPHRENIC.

I DON'T HAVE YOUR BACK?

NO, CHECK THIS OUT.

I'M NOT GONNA ALLOW YOU

TO DISRESPECT ME.

I'M NOT GONNA ALLOW YOU--

I'M NOT GONNA ALLOW YOU TO DO

THAT.

SO NOW YOU MAD, HUH?

I GUESS YOU KNOW HOW I FEEL

ALL THE TIME.

I GUESS PAYBACKS IS A BITCH.

YOU [bleep] EVERY BITCH

IN ATLANTA.

ADMIT IT.

YOU JUST WANT TO [bleep] ME

AND JUST--WHAT?

YOU LOVE THE WAY

I HAVE MY WAY WITH YOU.

I [bleep] YOU ON THE REGULAR.

WHATEVER!

AND IT'S GOOD.

BUT YOU STUPID;

THAT'S THE PROBLEM.

NO, YOU'RE STUPID.

YOU'RE STUPID.

YOU DON'T SEE A GOOD DUDE

WHEN YOU GOT ONE.

OH, REALLY?

SO I'M SUPPOSED TO LET YOU

[bleep] CHEAT ALL OVER ME?

YOUR INSECURE ASS.

GUESS WHAT?

HOW IT FEEL TO BE INSECURE NOW?

YOU WANT TO [bleep] TALK ABOUT

I'M JEALOUS?

YOU'RE JEALOUS!

INSECURE ASS.

BECAUSE YOU CAN'T STRESS ME OUT

ON MY [bleep] SESSION.

IT'S GOOD. I'M GONE.

OF COURSE.

YOU KNOW WHAT YOU ABOUT TO DO?

YOU ABOUT TO GO [bleep]

YOUR NEXT BITCH.

YOU PUT YOUR HANDS

IN MY FACE.

I'M A MAN. I'M A MAN.

RESPECT ME, KARLIE.

RESPECT ME!

DON'T PUT YOUR HANDS

IN MY [bleep] FACE.

RESPECT ME.

ALL THIS TALK ABOUT RESPECT,

MAN, AND I GOT A LITTLE RESPECT

FOR ME.

SO I'LL WRAP UP THIS WACK-ASS

ARGUMENT AND WRAP UP

THIS GOD DAMN RELATIONSHIP

AND GET THE HELL ON.

HOW ABOUT THAT?

YOU CAN'T ADMIT WHEN

YOU'RE INSECURE AND JEALOUS.

I'M GOOD.

YOU'RE JEALOUS THIS TIME.

NEXT TIME

ON LOVE & HIP-HOP: ATLANTA...

I HAD TO GET RID

OF HER BITCH ASS.

THE BITCH IS DONE IN MY BOOKS.

THE BITCH IS DEAD.

THEY NEVER THINK

PEOPLE WILL STOOP

TO THEIR LEVEL, AND I FEEL LIKE

STOOPING TO THEIR LEVEL.

YOU RIDING AROUND TOWN

IN A RENTAL BENTLEY.

IN A BENZ TOO.

IT AIN'T YOURS.

THESE THE REAL PEOPLE

THAT OWN YOUR HOUSE.

I KNOW WHO OWN MY HOUSE.

IT'S NOT YOU.

SHE'S DEAD.

GOOD.

LET THE BITCH BE DEAD

IN THE GRAVE.

OH, MY, GOD.

OH.

[dramatic music]

FIRST OF ALL,

THANK YOU FOR COMING.

NO, STOP TOUCHING ME.

CAN I HAVE YOUR HANDS,

PLEASE?

YOU DIDN'T ASK FOR MY HAND

IN THE STUDIO.

HOW ARE YOU DOING?

I GOT A JOB FOR YOU.

DOING WHAT?

MY WIFE AND I ARE LOOKING

FOR A NANNY.

WIFE.

OH, MY GOD!

RASHEEDA'S NOT GONNA LET HER

IN THE CRIB, KIRK.

SAY, "HI, MOMMY."

I'M GONNA PUT CAMERAS

AROUND THE HOUSE.

I GOT THE CAMERAS THERE; THEY

COME RIGHT TO MY CELL PHONE.

GOOD, AND MATTER OF FACT,

I WANT YOU TO PUT

THE CAMERAS ON, BECAUSE I'M

GONNA HAVE IT SPREAD OPEN WIDE

FOR YOU.

WHOA, OKAY.

PLEASE HAVE

ALL THE CAMERAS ON.

THAT'S WHAT I LIKE TO HEAR.

NOT ONLY AM I GONNA BE THERE

NAKED; I'M GONNA BE THERE

IN THE JACUZZI.

I HAVE A BUNCH OF SURPRISES.

I DON'T KNOW IF THAT GOOD

OR BAD WITH YOU, KARLIE.

YOU SCARE ME WHEN YOU SAY,

"SURPRISES."

I'M READY TO MAKE LOVE

ON A COUNTERTOP.

I SEE THE CLOSETS, THE KITCHEN.

YOU WANT TO DO IT

OUTSIDE THE HOUSE?

YES, I DEFINITELY WANT

TO DO IT OUTSIDE THE HOUSE.

IF YOU COME HOME TO ME,

WE GOT THIS.

I LIKE IT. I LIKE IT A LOT.