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1
00:00:01,876 --> 00:00:03,670
[ ROCK MUSIC PLAYS ]
2
00:00:05,588 --> 00:00:08,466
[ INDISTINCT CONVERSATIONS ]
3
00:00:08,550 --> 00:00:10,510
[ LAUGHS ]
4
00:00:10,593 --> 00:00:12,178
♪ COME ON, COME ON ♪
5
00:00:16,683 --> 00:00:18,059
♪ OH, NO ♪
6
00:00:18,143 --> 00:00:21,146
I LIKE THIS MUSIC,
BUT, YOU KNOW, SOMETIMES...
7
00:00:21,229 --> 00:00:23,022
[ GUITAR PLAYS ]
8
00:00:23,106 --> 00:00:25,108
...YOU GOT TO TAKE IT BACK
A LITTLE...
9
00:00:25,734 --> 00:00:27,277
OLD SCHOOL.
10
00:00:29,029 --> 00:00:31,156
♪ WELL, SHE'S GONE ♪
11
00:00:31,406 --> 00:00:34,034
♪ OH, I, I... ♪
12
00:00:34,242 --> 00:00:35,910
SEE, YOU WANT TO GET
THE WHITE BALL IN THE HOLE
13
00:00:35,994 --> 00:00:37,162
AS OFTEN AS YOU CAN.
14
00:00:37,245 --> 00:00:39,414
JARED, THIS IS MEGAN.
15
00:00:39,539 --> 00:00:40,498
-HI.
-HEY.
16
00:00:40,582 --> 00:00:42,834
-I'VE HEARD A LOT ABOUT YOU.
-YEAH. NICE TO MEET YOU.
17
00:00:42,917 --> 00:00:44,753
YOU BOTH ARE PATIENTS
OF DR. LEE,
18
00:00:44,836 --> 00:00:47,088
THE, UH, MIRACLE
SELF-HELP GURU.
19
00:00:47,464 --> 00:00:49,674
-THE LIFE FACILITATOR.
-YES.
20
00:00:49,799 --> 00:00:51,760
MEGAN IS A DEAR FRIEND,
21
00:00:51,885 --> 00:00:53,845
AND YOU WILL NOT SAY ANYTHING
TO HUMILIATE ME.
22
00:00:53,928 --> 00:00:55,096
OKAY. ALL RIGHT.
23
00:00:55,180 --> 00:00:57,182
MEGAN, IT WAS NICE
MEETING YOU. ALL RIGHT.
24
00:00:57,265 --> 00:01:00,185
HEY, PINDY, I RETURNED
YOUR "iCARLY" BOX SET.
25
00:01:00,268 --> 00:01:02,437
I PUT IT RIGHT ON
YOUR UNITARD, BUDDY.
26
00:01:02,520 --> 00:01:04,439
HE'S LYING.
NOT ABOUT THE UNITARD.
27
00:01:05,231 --> 00:01:06,608
CLASSIC REFRACTING.
28
00:01:06,691 --> 00:01:08,193
I FEEL SORRY FOR HIM.
29
00:01:08,276 --> 00:01:09,694
ME TOO.
[ CHUCKLES ]
30
00:01:09,986 --> 00:01:12,530
JARED, JUDGE MAYERSON RULED
ON YOUR CONTEMPT OF COURT
31
00:01:12,614 --> 00:01:13,782
FOR THE FERRET INCIDENT.
32
00:01:13,865 --> 00:01:15,325
TOTALLY RELEVANT.
33
00:01:15,450 --> 00:01:16,910
I ASSUME IT'S A FULL APOLOGY?
34
00:01:17,786 --> 00:01:20,371
HEY. YOU GUYS
HAVE HEARD ME PLAY, RIGHT?
35
00:01:20,455 --> 00:01:22,999
I MEAN, DO I...SHRED?
36
00:01:23,083 --> 00:01:25,043
YOU WENT WITH HALL & OATES,
DIDN'T YOU?
37
00:01:25,168 --> 00:01:27,170
H&O PIONEERED
PHILLY ROCK 'N' SOUL.
38
00:01:27,253 --> 00:01:28,797
IF IT WASN'T FOR THEM,
THERE WOULD BE NO --
39
00:01:28,880 --> 00:01:31,674
HEY, HEY, HEY. ALL RIGHT,
THERE'D BE NONE OF IT. I KNOW.
40
00:01:31,758 --> 00:01:33,968
YOU'RE A SHRED-I WARRIOR.
YOU GOT IT?
41
00:01:34,052 --> 00:01:35,303
I'M A SHRED-I WARRIOR.
42
00:01:35,386 --> 00:01:36,554
YEAH, YOU ARE
A SHRED-I WARRIOR.
43
00:01:36,638 --> 00:01:37,806
YOU GO BACK IN THERE.
44
00:01:37,889 --> 00:01:38,973
-YEAH.
-OKAY.
45
00:01:39,057 --> 00:01:40,141
WHAT'D HE GIVE ME?
46
00:01:40,225 --> 00:01:42,352
50 HOURS OF COMMUNITY SERVICE,
STARTING TOMORROW.
47
00:01:42,477 --> 00:01:43,812
MAYERSON
PICKED IT OUT FOR YOU.
48
00:01:43,895 --> 00:01:46,564
SOMETHING ABOUT WALKING A MILE
IN ANOTHER MAN'S SHOES.
49
00:01:48,483 --> 00:01:51,444
ALL RISE AND FACE
THE FLAG OF OUR COUNTRY.
50
00:01:51,528 --> 00:01:53,321
SMALL-CLAIMS COURT
IS NOW IN SESSION.
51
00:01:53,404 --> 00:01:55,907
THE HONORABLE JARED FRANKLIN
PRESIDING.
52
00:02:01,412 --> 00:02:03,748
I'M SORRY.
W-WE GOT TO DO THAT AGAIN.
53
00:02:03,832 --> 00:02:05,375
YOU JUST -- YOU, UH --
UH, YOU KNOW WHAT?
54
00:02:05,458 --> 00:02:07,460
COULD YOU DO ME A FAVOR
AND JUST SNAP A SHOT?
55
00:02:07,544 --> 00:02:08,878
RIGHT WHEN HE SAYS "ALL RISE,"
56
00:02:08,962 --> 00:02:10,922
YOU JUST --
JUST GO TO TOWN, ALL RIGHT?
57
00:02:11,005 --> 00:02:12,632
TAKE AS MANY AS YOU WANT, OKAY?
58
00:02:12,715 --> 00:02:14,509
ONE MORE TIME?
ALL RIGHT.
59
00:02:14,592 --> 00:02:16,219
OKAY.
60
00:02:16,302 --> 00:02:18,263
ALL RISE!
61
00:02:18,555 --> 00:02:21,099
THE HONORABLE JARED FRANKLIN.
62
00:02:23,601 --> 00:02:25,520
[ CAMERA SHUTTER CLICKING ]
63
00:02:29,315 --> 00:02:30,483
[ ROCK MUSIC PLAYS ]
64
00:02:35,363 --> 00:02:38,324
♪ OOH, WHAT A MIXTURE ♪
65
00:02:38,408 --> 00:02:41,494
♪ SUCH A VIVID PICTURE ♪
66
00:02:41,578 --> 00:02:43,746
♪ OOH, WHAT A MIXTURE ♪
67
00:02:43,830 --> 00:02:49,168
♪ IF I MUST SAY SO MYSELF ♪
68
00:02:49,586 --> 00:02:52,422
I CALLED HIM ON TUESDAY MORNING
AND THEN AGAIN ON WEDNESDAY.
69
00:02:52,505 --> 00:02:53,715
I KEEP ASKING HIM,
70
00:02:53,798 --> 00:02:55,425
IS THERE ANY OTHER TIME
HE CAN USE IT?
71
00:02:55,508 --> 00:02:57,010
MORNINGS ARE
WHEN I PRACTICE MY --
72
00:02:57,093 --> 00:03:00,555
YOUR VOCAL EXERCISES, 'CAUSE
YOU ARE AN AMATEUR OPERA SINGER.
73
00:03:00,638 --> 00:03:02,056
-YES. MM-HMM.
-YOU MENTIONED THAT.
74
00:03:02,140 --> 00:03:03,349
UH...
75
00:03:03,433 --> 00:03:05,226
I PAID $600
FOR THAT LEAF BLOWER.
76
00:03:05,310 --> 00:03:07,103
I CAN USE IT WHENEVER
I DAMN WELL PLEASE.
77
00:03:07,186 --> 00:03:09,147
[ IMITATES LEAF BLOWER
WHIRRING ]
78
00:03:11,357 --> 00:03:12,901
CONTINUE, PLEASE.
79
00:03:12,984 --> 00:03:15,820
SO, UM, THERE'S NO LAW
THAT SAYS THAT I HAVE TO --
80
00:03:15,904 --> 00:03:17,947
[ IMITATES LEAF BLOWER
WHIRRING ]
81
00:03:18,031 --> 00:03:19,782
OKAY, W-WHY --
WHAT IS HAPPENING? I-I --
82
00:03:19,866 --> 00:03:22,368
IT'S ANNOYING, ISN'T IT?
NOW YOU KNOW HOW JULIE FEELS.
83
00:03:22,452 --> 00:03:26,539
NOISE ORDINANCE SECTION 331 --
NO BLOWING BEFORE 8:00 A.M.
84
00:03:26,664 --> 00:03:29,000
[ LAUGHS ] DON'T NECESSARILY
AGREE WITH THAT.
85
00:03:29,375 --> 00:03:31,336
YOU TWO SEEM LIKE YOU GOT
SOME CHEMISTRY GOING HERE.
86
00:03:31,419 --> 00:03:32,587
I'D EXPLORE THAT.
87
00:03:33,838 --> 00:03:36,507
ALL RIGHT, GET ON OUT OF HERE.
NEXT CASE.
88
00:03:36,758 --> 00:03:40,720
COLE CAPITAL PROPERTIES
vs. DENNIS MAZZANI.
89
00:03:41,262 --> 00:03:43,473
ANGELA NEWTON APPEARING ON
BEHALF OF THE PROPERTY OWNERS.
90
00:03:43,556 --> 00:03:44,849
HI.
91
00:03:45,183 --> 00:03:48,895
UH, DENNIS MAZZANI,
APPEARING FOR MYSELF.
92
00:03:48,978 --> 00:03:50,730
I KNOW THAT I'M LATE
ON THE RENT,
93
00:03:50,813 --> 00:03:53,107
AND I BROUGHT HALF
OF THE RENT, SO I --
94
00:03:53,191 --> 00:03:55,693
D-DENNIS? DENNIS?
SHE TALKS FIRST, OKAY?
95
00:03:55,777 --> 00:03:57,111
YEAH. OKAY.
96
00:03:57,445 --> 00:03:58,738
[ CLEARS THROAT ]
97
00:03:58,821 --> 00:04:00,740
AND YOUR SHIRT IS BUTTONED WRONG.
98
00:04:00,823 --> 00:04:01,991
WAY WRONG.
99
00:04:02,075 --> 00:04:03,534
-STRAIGHTEN UP, FLY RIGHT.
-I WILL.
100
00:04:03,618 --> 00:04:05,078
THIS IS
AN OPEN-AND-SHUT CASE.
101
00:04:05,161 --> 00:04:06,871
THE DEFENDANTS
ARE 90 DAYS DELINQUENT.
102
00:04:06,955 --> 00:04:09,332
UNDER SECTION 2 OF THE LEASE,
WE'RE ENTITLED TO AN EVICTION.
103
00:04:09,582 --> 00:04:10,875
-DENNIS?
-HMM?
104
00:04:11,000 --> 00:04:12,460
HOW COME YOU HAVEN'T PAID
YOUR RENT?
105
00:04:12,627 --> 00:04:14,545
WELL, WE HAD A LITTLE BIT
OF A MOLD PROBLEM.
106
00:04:14,629 --> 00:04:18,675
UH, WE HAD A FIRE
DURING A SOUND CHECK, AND --
107
00:04:18,758 --> 00:04:21,886
MAZZANI'S?
AS IN MAZZANI'S ON SUNSET?
108
00:04:21,970 --> 00:04:24,472
YES! YEAH, THAT MAZZANI'S.
RIGHT ON.
109
00:04:24,847 --> 00:04:27,475
MY FATHER STARTED THE CLUB
40 YEARS AGO.
110
00:04:27,558 --> 00:04:30,270
AND IN THE PAST,
THE OWNERS OF THE BUILDING
111
00:04:30,353 --> 00:04:31,562
WOULD GIVE US
A LITTLE LEEWAY,
112
00:04:31,646 --> 00:04:33,564
BUT WE'D ALWAYS
GET OUR RENT IN.
113
00:04:33,648 --> 00:04:35,066
WE'RE THE OWNERS NOW.
114
00:04:35,483 --> 00:04:37,652
WE'RE NOT OFFERING
THE SAME ACCOMMODATION.
115
00:04:37,735 --> 00:04:40,154
THAT'S WHAT HAPPENS
EVERY TIME WE TALK TO THEM.
116
00:04:40,238 --> 00:04:42,073
ANGELA,
THIS IS MAZZANI'S ON SUNSET.
117
00:04:42,156 --> 00:04:43,908
THIS IS
ROCK-'N'-ROLL HISTORY.
118
00:04:43,992 --> 00:04:45,535
IF MY PARTNER WAS HERE
RIGHT NOW,
119
00:04:45,618 --> 00:04:47,328
HE WOULD BE VISIBLY AROUSED.
120
00:04:47,829 --> 00:04:49,956
UH, LAW PARTNER,
NOT LIFE PARTNER.
121
00:04:50,039 --> 00:04:53,167
ALTHOUGH WE DO LIVE TOGETHER.
IT GETS -- IT GETS FUN.
122
00:04:53,251 --> 00:04:55,295
YOU KNOW,
HE SAYS HE HAS HALF THE RENT.
123
00:04:55,378 --> 00:04:56,629
YOU KNOW WHAT? I --
124
00:04:56,713 --> 00:04:59,215
DO YOU SEE A CHECK OVER THERE?
OR -- IT'S FINE.
125
00:04:59,299 --> 00:05:01,968
I THINK I LEFT IT EITHER
IN MY CAR OR AT HOME.
126
00:05:02,051 --> 00:05:03,803
[ SIGHS ] YOU'RE NOT
MAKING THIS EASY, DENNIS.
127
00:05:03,886 --> 00:05:05,305
-I KNOW. I'M SORRY.
-[ CHUCKLES ]
128
00:05:05,805 --> 00:05:07,223
ANY WAY YOU COULD
GET YOUR DAD ON THE PHONE,
129
00:05:07,307 --> 00:05:09,851
MAYBE GET HIM TO BRING THE RENT
DOWN HERE, LIKE, NOW?
130
00:05:09,934 --> 00:05:11,394
YEAH.
131
00:05:11,477 --> 00:05:14,522
MY -- MY -- UH,
I DON'T TALK TO MY DAD A LOT.
132
00:05:14,605 --> 00:05:18,026
I COULD CALL HIM, BUT, YOU KNOW,
PROBABLY SEND ME TO VOICEMAIL.
133
00:05:18,443 --> 00:05:20,236
TELL YOU WHAT --
WHY DON'T WE, UH,
134
00:05:20,320 --> 00:05:22,363
TRY TO PUT THIS ON THE CALENDAR
FOR TOMORROW,
135
00:05:22,447 --> 00:05:24,699
AND WE COME BACK AND SEE
IF YOU TWO CAN GET IN CONTA--
136
00:05:24,782 --> 00:05:25,867
JUDGE FRANKLIN?
137
00:05:25,950 --> 00:05:28,411
I KNOW YOU'RE MOONLIGHTING,
BUT THIS IS A LEGAL MATTER.
138
00:05:28,494 --> 00:05:31,122
YOU'RE BOUND BY THE LAW.
WE'RE ENTITLED TO A RULING.
139
00:05:37,962 --> 00:05:39,505
I ORDER MAZZANI'S SHUT DOWN
140
00:05:39,589 --> 00:05:42,800
AND THE DEFENDANT TO BE OFF
THE PREMISES WITHIN 72 HOURS.
141
00:05:43,092 --> 00:05:45,261
I NEED LIKE A DAY,
JUST TWO DAYS.
142
00:05:46,429 --> 00:05:47,972
AND I CAN GET EVERYTHING
TOGETHER AND I --
143
00:05:48,056 --> 00:05:49,557
I'M SORRY, DENNIS.
144
00:05:49,640 --> 00:05:50,892
NEXT CASE.
145
00:06:07,033 --> 00:06:08,409
WHAT ARE YOU DOING HERE?
146
00:06:08,493 --> 00:06:10,745
I NEED AN EXCUSE
TO SEE MY SON?
147
00:06:11,162 --> 00:06:12,997
HISTORICALLY, YEAH.
148
00:06:13,706 --> 00:06:15,583
I ASSUMED A FRANKLIN
WOULD BE ON THE BENCH.
149
00:06:15,666 --> 00:06:17,293
I THOUGHT IT WOULD BE ME.
150
00:06:17,376 --> 00:06:20,129
[ LAUGHS ]
SMALL CLAIMS, JUST FOR THE WEEK.
151
00:06:20,713 --> 00:06:21,547
STILL...
152
00:06:21,839 --> 00:06:23,216
I WAS SENTENCED TO IT.
153
00:06:23,299 --> 00:06:24,592
STILL...
154
00:06:25,134 --> 00:06:27,470
YOU KNOW WHAT THE DEFINITION
OF GROWTH IS?
155
00:06:28,221 --> 00:06:29,889
I DO,
BUT I CAN'T REMEMBER --
156
00:06:29,972 --> 00:06:32,350
RECOGNIZING THE VALUE
OF DOING WHAT YOU HATE.
157
00:06:34,102 --> 00:06:35,269
I TAKE IT
I WON'T BE SEEING YOU AGAIN
158
00:06:35,353 --> 00:06:36,979
FOR FATHER'S DAY THIS YEAR.
159
00:06:37,146 --> 00:06:38,231
NO, YOU WILL.
160
00:06:38,981 --> 00:06:39,816
WAIT. UH...
161
00:06:40,983 --> 00:06:42,652
I HAVE
DODGER/GIANT TICKETS.
162
00:06:42,735 --> 00:06:44,654
OOH.
163
00:06:44,737 --> 00:06:47,115
YOU KNOW, I CAN --
I CAN GET RID OF THEM. I --
164
00:06:47,198 --> 00:06:50,910
NO, NO.
DODGER GAME'S A DODGER GAME.
165
00:06:58,251 --> 00:07:01,170
Peter: I DON'T UNDERSTAND
WHY I HAVE TO MEET YOUR SHRINK.
166
00:07:01,254 --> 00:07:02,463
LIFE FACILITATOR.
167
00:07:02,547 --> 00:07:04,882
AND HE'S NOT JUST MINE.
INFELD INTRODUCED US.
168
00:07:04,966 --> 00:07:07,510
DR. LEE NEEDS TO MEET
EVERYONE IN MY LIFE.
169
00:07:07,760 --> 00:07:09,345
-MEGAN'S MET HIM.
-MEGAN?
170
00:07:09,428 --> 00:07:11,722
YEAH, WE'VE BEEN SPENDING
A LOT OF TIME TOGETHER.
171
00:07:11,806 --> 00:07:13,933
AS DR. LEE WOULD SAY,
SHE'S A GAME-CHANGER.
172
00:07:14,142 --> 00:07:15,518
-HOW DO I LOOK?
-Megan: PINDAR!
173
00:07:15,601 --> 00:07:17,228
PINDAR! IT'S TERRIBLE!
174
00:07:17,895 --> 00:07:19,063
IT'S DR. LEE.
175
00:07:19,147 --> 00:07:21,441
ACTUALLY, THERE...
IS NO DR. LEE.
176
00:07:21,524 --> 00:07:22,525
WHAT DO YOU MEAN?
177
00:07:22,608 --> 00:07:24,193
HIS REAL NAME
IS TONY LAXON.
178
00:07:24,277 --> 00:07:25,903
HE WAS ARRESTED
FOR WIRE FRAUD
179
00:07:25,987 --> 00:07:28,448
AND IMPERSONATING
A PSYCHOTHERAPIST.
180
00:07:28,531 --> 00:07:29,824
Officer:
THIS WAY, LAXON.
181
00:07:30,283 --> 00:07:31,617
[ SIREN CHIRPS ]
182
00:07:31,701 --> 00:07:32,869
[ TIRES SCREECH ]
183
00:07:36,497 --> 00:07:37,623
PINDY?
184
00:07:37,832 --> 00:07:38,916
YOU OKAY?
185
00:07:39,041 --> 00:07:41,085
HAS THE SKY
GONE GREEN AND YELLOW?
186
00:07:42,044 --> 00:07:43,171
NO.
187
00:07:43,254 --> 00:07:44,255
THEN NO.
188
00:07:51,721 --> 00:07:54,015
NO, WE DO NOT HAVE ANY CLIENTS
AT COUNTY JAIL
189
00:07:54,098 --> 00:07:55,725
WHO COULD TAKE OUT DR. LEE.
190
00:07:55,808 --> 00:07:58,144
[ Laughing ] NO, NO.
NO, PINDY -- PIN--
191
00:07:58,227 --> 00:07:59,395
CALM DOWN.
192
00:07:59,479 --> 00:08:00,897
BE HOME SOON.
193
00:08:01,898 --> 00:08:03,024
-HEY.
-HEY.
194
00:08:03,316 --> 00:08:04,775
-HOW'S IT GOING?
-[ SIGHS ]
195
00:08:05,234 --> 00:08:06,736
-WHAT ARE YOU DOING?
-WHAT DO YOU MEAN WHAT AM I DOING?
196
00:08:06,819 --> 00:08:08,404
WHAT AM I DOING?
197
00:08:08,488 --> 00:08:10,448
WHAT DO YOU --
WHAT DO YOU GOT THERE?
198
00:08:10,531 --> 00:08:12,533
-WHY ARE YOU COVERING THE SCREEN?
-[ SIGHS ]
199
00:08:12,617 --> 00:08:16,078
JUST A LITTLE BACKLASH ON THE
BLOGOSPHERE ABOUT YOUR RULING.
200
00:08:17,288 --> 00:08:18,664
YEAH.
201
00:08:19,123 --> 00:08:21,709
COME ON, I'M A BIG BOY.
LET ME SEE IT.
202
00:08:23,336 --> 00:08:25,379
"JUDGE MURDERS
ROCK AND ROLL"?!
203
00:08:25,463 --> 00:08:26,797
THERE YOU GO.
204
00:08:26,881 --> 00:08:29,592
IT WAS JUSTIFIABLE HOMICIDE.
I HAD TO DO IT.
205
00:08:30,218 --> 00:08:31,511
BEING A JUDGE IS HARD.
206
00:08:31,844 --> 00:08:33,846
ALL THAT...JUDGING,
207
00:08:33,930 --> 00:08:35,973
MAKING DECISIONS
THAT WRECK PEOPLE'S LIVES.
208
00:08:36,057 --> 00:08:39,936
I JUST HEARD ABOUT DR. LEE.
HOW'S PINDAR DOING?
209
00:08:40,019 --> 00:08:42,688
ON THE PINDAR CRAZY SCALE,
I'D SAY HE'S ABOUT A 4.
210
00:08:42,772 --> 00:08:46,025
WHICH ROUGHLY TRANSLATES TO A 10
FOR THE REST OF US.
211
00:08:46,108 --> 00:08:49,028
YOU KNOW, I HAVE
TREMENDOUS RESPECT FOR DR. LEE.
212
00:08:49,403 --> 00:08:51,948
YOU TELL PINDAR
TO REMAIN STRONG.
213
00:08:52,031 --> 00:08:55,660
OH, BY THE WAY,
IS IT TRUE ABOUT MAZZANI'S?
214
00:08:55,743 --> 00:08:58,204
OH, GREAT. YEAH.
215
00:08:58,287 --> 00:09:01,832
[ CHUCKLES ] YOU KNOW, IN 1975,
ROD STEWART AND I
216
00:09:01,916 --> 00:09:04,961
USED TO GET INTO HIS BENTLEY
AND DRIVE DOWN SUNSET.
217
00:09:05,044 --> 00:09:06,754
IT WAS THE DISCO ERA.
218
00:09:06,837 --> 00:09:08,297
WE TOOK NO PRISONERS.
219
00:09:08,381 --> 00:09:11,425
THE NIGHT ALWAYS ENDED UP
AT MAZZANI'S.
220
00:09:12,134 --> 00:09:14,887
-"BELINDA'S TOWN," RIGHT?
-"BELINDA'S TOWN," YEAH.
221
00:09:14,971 --> 00:09:17,765
OH, THAT'S THE ONE AND ONLY HIT
OF BERT MAZZANI.
222
00:09:17,848 --> 00:09:20,101
SUPPOSEDLY,
IT'S ABOUT A GROUPIE.
223
00:09:20,434 --> 00:09:21,852
WE'RE GONNA FIX THIS, STAN.
224
00:09:21,936 --> 00:09:23,813
-WE ARE?
-WONDERFUL.
225
00:09:27,650 --> 00:09:29,235
[ SIGHS ]
226
00:09:29,694 --> 00:09:31,112
YOU GOT A PLAN?
227
00:09:31,195 --> 00:09:32,488
DUDE, DID BOWIE HAVE A PLAN
228
00:09:32,572 --> 00:09:34,240
WHEN HE SAT DOWN TO WRITE
"ZIGGY STARDUST"?
229
00:09:34,323 --> 00:09:35,950
I WAS 2 YEARS OLD.
230
00:09:36,701 --> 00:09:38,953
WE'RE GONNA GO UP TO THIS GUY
WHOSE CLUB I JUST SHUT DOWN
231
00:09:39,036 --> 00:09:41,414
AND SAY, "HEY, NOW WE'RE GONNA
HELP YOU GET YOUR CLUB BACK."
232
00:09:41,539 --> 00:09:43,416
I THOUGHT YOU SAID
YOU DIDN'T HAVE A PLAN.
233
00:09:43,499 --> 00:09:45,459
I SCREWED THIS GUY OVER.
234
00:09:46,711 --> 00:09:48,504
LET'S MAKE IT UP TO HIM.
235
00:09:53,801 --> 00:09:55,970
[ SIGHS ] ANIMAL HUSBANDRY?
236
00:09:56,053 --> 00:09:58,014
Infeld: THIS --
GOD, IT'S SHOCKING.
237
00:09:58,097 --> 00:09:59,807
IT'S A DOCTORATE.
I EARNED IT.
238
00:09:59,890 --> 00:10:01,309
FROM AN ONLINE COLLEGE.
239
00:10:01,392 --> 00:10:02,768
YOU KNOW, YOUR BACKGROUND
240
00:10:02,852 --> 00:10:05,229
IS PROVING TO BE
BREATHTAKINGLY ECLECTIC.
241
00:10:05,313 --> 00:10:07,023
YEAH, YOU NEED
TO COME CLEAN NOW,
242
00:10:07,106 --> 00:10:09,233
'CAUSE WE CAN'T HAVE
ANY SURPRISES IN COURT.
243
00:10:09,317 --> 00:10:11,986
YOU'VE SEEN MY RECORDS.
YOU KNOW ABOUT THE CASINO JOBS.
244
00:10:12,069 --> 00:10:13,738
LET THEM BRING UP
THE CASINO
245
00:10:13,821 --> 00:10:16,365
AND THE STRIP CLUB
AND THE ASSUMED IDENTITIES.
246
00:10:16,449 --> 00:10:18,034
BOOKMAKING ORGANIZATION.
247
00:10:18,409 --> 00:10:22,163
OUR DEFENSE IS WHOEVER YOU WERE,
ONCE YOU BECAME DR. LEE,
248
00:10:22,246 --> 00:10:24,665
YOU LEFT YOUR DUBIOUS PAST
BEHIND YOU
249
00:10:24,749 --> 00:10:25,958
AND YOU'RE DEDICATING YOURSELF
250
00:10:26,042 --> 00:10:28,586
TO HELPING PEOPLE...
LIVE A BETTER LIFE.
251
00:10:28,669 --> 00:10:31,631
YOU KNOW,
PEOPLE BELIEVE IN YOU.
252
00:10:31,714 --> 00:10:36,093
WE MUST KEEP THEM BELIEVING,
JUST FOR THEIR WELL-BEING.
253
00:10:36,177 --> 00:10:37,637
AND I CARE ABOUT THEM.
254
00:10:37,720 --> 00:10:39,013
HA.
255
00:10:40,598 --> 00:10:42,308
WELL, LIKE YOU,
I CHARGE BY THE HOUR,
256
00:10:42,391 --> 00:10:44,310
SO I THINK
I'LL BE SAYING GOODBYE.
257
00:10:47,438 --> 00:10:49,523
STAN, THIS GUY'S
BENEATH YOU.
258
00:10:49,690 --> 00:10:54,403
LOOK, I AM THE ONE THAT PUT
POOR OLD PINDAR'S TENUOUS SANITY
259
00:10:54,487 --> 00:10:56,072
IN DR. LEE'S HANDS.
260
00:10:56,155 --> 00:10:58,699
YEAH, AND THE REPUTATION
OF THIS FIRM IS IN YOUR HANDS.
261
00:10:58,783 --> 00:11:01,118
WE SHOULD BE DISTANCING
OURSELVES FROM THIS JOKER,
262
00:11:01,202 --> 00:11:02,662
NOT REPRESENTING HIM.
263
00:11:04,246 --> 00:11:07,625
YOU KNOW, DAMIEN,
WHY DON'T YOU SIT THIS ONE OUT?
264
00:11:07,708 --> 00:11:09,335
I'LL GET HANNA...
265
00:11:10,961 --> 00:11:14,507
AND PINDAR
TO HELP ME ON THIS CASE.
266
00:11:14,590 --> 00:11:17,259
PINDAR? WHAT? YOU REALLY THINK
HE'S UP TO THIS?
267
00:11:17,593 --> 00:11:21,389
WELL, HE DOESN'T HAVE
MUCH CHOICE, DOES HE?
268
00:11:23,265 --> 00:11:24,850
Jared: YOU REALLY THINK
WE CAN JUST SIGN HIM?
269
00:11:24,934 --> 00:11:26,894
-Peter: PIECE OF CAKE.
-ALL RIGHT, WHAT'S THE PLAY?
270
00:11:26,977 --> 00:11:29,271
ALL RIGHT, YOU STAY OUT HERE,
DON'T SHOW YOUR FACE.
271
00:11:29,355 --> 00:11:30,731
WAIT. NO WAY.
I'M NOT GONNA HIDE OUT HERE.
272
00:11:30,815 --> 00:11:32,483
HEY, DUDE, DUDE,
HE HATES YOU.
273
00:11:32,608 --> 00:11:34,026
I HATE YOU.
274
00:11:34,193 --> 00:11:36,487
DON'T COME IN
UNTIL I GIVE YOU THE SIGN.
275
00:11:41,283 --> 00:11:42,451
DENNIS MAZZANI?
276
00:11:42,535 --> 00:11:43,953
SORRY. WE'RE CLOSED.
277
00:11:44,036 --> 00:11:45,496
YEAH, I KNOW. I JUST, UH --
278
00:11:45,704 --> 00:11:47,540
I WANTED TO SAY
HOW SORRY I AM.
279
00:11:47,623 --> 00:11:49,125
YOU A MUSICIAN?
280
00:11:50,042 --> 00:11:51,127
YOU COULD TELL, HUH?
281
00:11:51,210 --> 00:11:53,003
WE'RE NOT BOOKING ANY ACTS
RIGHT NOW.
282
00:11:54,338 --> 00:11:57,007
OH, MAN.
I STILL BUY VINYL.
283
00:11:57,383 --> 00:11:58,717
KEPT MY DAD'S TURNTABLE.
284
00:11:58,801 --> 00:12:01,262
ALBUM COVERS
ARE LIKE MUSEUM ART.
285
00:12:01,345 --> 00:12:02,972
CAN'T GET
THAT KIND OF A DETAIL
286
00:12:03,055 --> 00:12:04,890
ON A CD JEWEL-BOX COVER,
RIGHT?
287
00:12:04,974 --> 00:12:07,143
RIGHT? I'M PETER BASH.
288
00:12:07,393 --> 00:12:09,645
BESIDES BEING A MUSICIAN,
I'M ALSO A LAWYER.
289
00:12:10,187 --> 00:12:12,398
WHAT IF I TOLD YOU MY PARTNER
AND I COULD GET YOUR CLUB BACK?
290
00:12:12,481 --> 00:12:15,734
OH, NO. NO, THANK YOU.
I'M -- I'M MOVING ON FROM HERE.
291
00:12:15,860 --> 00:12:17,236
YOU KNOW, RICHARD COLE,
THE NEW OWNER,
292
00:12:17,319 --> 00:12:19,321
IS GONNA TURN THIS WHOLE AREA
INTO A MALL.
293
00:12:19,405 --> 00:12:21,949
I MEAN, COME ON, MAN.
THIS IS THE SUNSET STRIP.
294
00:12:22,032 --> 00:12:23,868
YEAH, BUT MY DAD
JUST KIND OF
295
00:12:23,951 --> 00:12:26,162
GOT SICK OF
WHAT ROCK WAS BECOMING.
296
00:12:26,996 --> 00:12:29,582
I MEAN, RECORD LABELS
WERE FORCING ACTS ON US.
297
00:12:29,665 --> 00:12:32,001
IF YOU WANT CHILI PEPPERS,
YOU GOT TO -- YOU GOT TO BOOK 'NSYNC.
298
00:12:32,084 --> 00:12:33,335
THEIR SECOND ALBUM WAS GOOD,
299
00:12:33,419 --> 00:12:34,920
BEFORE TIMBERLAKE
GOT A BIG HEAD.
300
00:12:35,004 --> 00:12:37,006
AND THIS IS PART OF THE PROBLEM.
[ CHUCKLES ]
301
00:12:37,089 --> 00:12:38,340
SO WE JUST WALKED AWAY.
302
00:12:38,424 --> 00:12:40,092
WELL, ACTUALLY, HE --
HE KIND OF FELL APART,
303
00:12:40,176 --> 00:12:43,262
AND I SPENT A LITTLE TIME TRYING
TO PUT IT ALL BACK TOGETHER.
304
00:12:43,429 --> 00:12:44,722
BUT I DON'T THINK
YOU'D UNDERSTAND
305
00:12:44,805 --> 00:12:47,099
WHAT IT'S LIKE
TO BE THE SON OF A LEGEND.
306
00:12:47,224 --> 00:12:48,559
Jared: I DO.
307
00:12:49,852 --> 00:12:51,437
WHAT DID I SAY?
308
00:12:52,021 --> 00:12:53,355
WHAT'S GOING ON HERE?
309
00:12:53,439 --> 00:12:56,317
-DUDE, THE SIGNAL.
-I GOT BORED.
310
00:12:56,400 --> 00:12:57,443
-HOW DO YOU GET BORED?
-SORRY.
311
00:12:57,526 --> 00:12:59,236
YOU GUYS GOT TO GO.
I-I'M BUSY. GO.
312
00:12:59,320 --> 00:13:01,530
DENNIS, YOUR DAD'S NAME
IS ON THE LEASE, AS WELL.
313
00:13:01,614 --> 00:13:03,240
THEY SHOULD HAVE
SERVED YOU BOTH.
314
00:13:03,324 --> 00:13:05,367
[ SIGHS ] THAT SOUNDS LIKE
A TECHNICALITY.
315
00:13:05,451 --> 00:13:08,329
EMPIRES HAVE BEEN TOPPLED
BECAUSE OF TECHNICALITIES.
316
00:13:09,538 --> 00:13:10,623
THIS GETS US INTO COURT.
317
00:13:10,706 --> 00:13:11,874
LET US DO THIS --
318
00:13:11,957 --> 00:13:14,001
IF NOT FOR YOUR DAD,
FOR ROCK 'N' ROLL.
319
00:13:14,084 --> 00:13:15,628
FIRST OF ALL,
I DON'T OWE MY DAD ANYTHING.
320
00:13:15,711 --> 00:13:17,505
HE WALKED OUT ON ME.
321
00:13:19,381 --> 00:13:20,716
AND I'M GUESSING
YOU'D JUST LIKE
322
00:13:20,799 --> 00:13:22,510
TO GET OFF THE HOOK
FOR ALL OF THIS.
323
00:13:23,135 --> 00:13:24,303
YEAH, I WOULD.
324
00:13:24,386 --> 00:13:25,513
RIGHT.
325
00:13:29,433 --> 00:13:30,559
UH...
326
00:13:31,185 --> 00:13:32,311
FOR ROCK 'N' ROLL?
327
00:13:32,394 --> 00:13:33,771
FOR ROCK 'N' ROLL.
328
00:13:33,938 --> 00:13:37,149
I WAS GONNA SAY JUSTICE, BUT,
OKAY, FOR ROCK 'N' ROLL, SURE.
329
00:13:45,074 --> 00:13:47,618
MOTLEY CRUE'S BAR TAB
FROM 1986.
330
00:13:47,701 --> 00:13:49,787
-PETER, FOCUS.
-[ LAUGHS ]
331
00:13:49,870 --> 00:13:51,747
CARMEN, DO A RUNDOWN
OF MAZZANI'S EMPLOYEES.
332
00:13:51,830 --> 00:13:54,375
SEE IF ANYONE REMEMBERS
COLE'S GUYS COMING AROUND.
333
00:13:54,500 --> 00:13:56,210
YOU KNOW, HIS LIGHTING GUY
OF 20 YEARS LEFT
334
00:13:56,293 --> 00:13:57,503
JUST BEFORE COLE SHOWED UP.
335
00:13:57,586 --> 00:13:58,754
-I'LL START THERE.
-OKAY.
336
00:13:58,837 --> 00:14:00,005
KNOCK, KNOCK.
337
00:14:01,423 --> 00:14:02,883
TWICE IN TWO DAYS?
338
00:14:02,967 --> 00:14:05,135
I DIDN'T KNOW ANY BETTER, I'D SAY
YOU WERE GETTING SENTIMENTAL.
339
00:14:05,261 --> 00:14:07,972
YOU DON'T WANT TO TAKE ON
RICHARD COLE.
340
00:14:08,055 --> 00:14:09,431
YOU'RE REPRESENTING HIM.
341
00:14:09,515 --> 00:14:11,600
MOTION TO DISMISS
YOUR LAWSUIT.
342
00:14:11,684 --> 00:14:13,185
SO WHEN YOU CAME TO
THE COURTHOUSE THE OTHER DAY,
343
00:14:13,269 --> 00:14:14,478
IT WASN'T TO SEE ME.
344
00:14:14,562 --> 00:14:16,021
YOU WERE LOOKING OUT
FOR YOUR CLIENT.
345
00:14:16,105 --> 00:14:18,732
YOU MADE THE RIGHT RULING.
LET SLEEPING DOGS LIE.
346
00:14:19,191 --> 00:14:20,693
OH, NOW
YOU'RE PROTECTING US?
347
00:14:20,776 --> 00:14:22,695
RICHARD COLE
DOESN'T LIKE TO LOSE.
348
00:14:22,778 --> 00:14:24,488
NEITHER DO WE.
349
00:14:24,572 --> 00:14:25,739
[ SIGHS ]
350
00:14:25,823 --> 00:14:29,785
JARED,
ALL BRAVADO ASIDE...
351
00:14:29,910 --> 00:14:31,245
GOOD NIGHT, DAD.
352
00:14:33,539 --> 00:14:34,999
UH...
353
00:14:35,541 --> 00:14:37,626
YEAH,
I GUESS THIS IS WEIRD.
354
00:14:38,127 --> 00:14:39,628
-WHY DID YOU DO THAT?
-WHAT?
355
00:14:39,712 --> 00:14:41,171
IT'S NOT AWKWARD
OR ANYTHING.
356
00:14:41,255 --> 00:14:42,631
I MEAN, I THOUGHT YOU GUYS
WERE GETTING ALONG.
357
00:14:42,715 --> 00:14:43,883
YOU HAD DINNER
LIKE, WHAT?
358
00:14:43,966 --> 00:14:45,301
A MONTH AGO.
359
00:14:45,384 --> 00:14:46,552
[ SIGHS ]
360
00:14:46,635 --> 00:14:48,304
IS THIS GONNA
MESS YOU UP?
361
00:14:49,054 --> 00:14:51,056
NO, IT'S NOT GONNA MESS ME UP.
I'M FINE.
362
00:14:51,140 --> 00:14:52,516
WHAT DO YOU WANT TO DO?
363
00:14:54,101 --> 00:14:55,895
I WANT TO KICK HIS ASS.
364
00:14:56,437 --> 00:14:59,064
-WORKS FOR ME.
-ALL RIGHT. [ CHUCKLES ]
365
00:15:04,778 --> 00:15:06,113
GOOD MORNING.
366
00:15:06,196 --> 00:15:07,364
MORNING.
367
00:15:07,448 --> 00:15:09,366
I KNOW YOU FEEL BETRAYED,
PINDAR.
368
00:15:10,409 --> 00:15:12,703
MY TEACHINGS ARE AS TRUE TODAY
AS THEY WERE YESTERDAY.
369
00:15:12,786 --> 00:15:14,079
THE ONLY DIFFERENCE BEING
THAT TODAY,
370
00:15:14,163 --> 00:15:16,582
YOU ARE A LYING SCUMBAG
WHO HIJACKED MY EMOTIONS --
371
00:15:16,665 --> 00:15:19,001
UM, NOT PRODUCTIVE, PINDAR.
372
00:15:19,418 --> 00:15:21,962
YOU REMEMBER WHAT WE SAY
ABOUT ANGER, PINDAR?
373
00:15:22,421 --> 00:15:24,757
CHAPTER 16 OF "RIDING OUT
THE STORM" TELLS US --
374
00:15:24,840 --> 00:15:26,759
I ALREADY BURNED
THAT BOOK, OKAY?
375
00:15:28,928 --> 00:15:30,554
DR. LEE, THIS WAY.
376
00:15:32,765 --> 00:15:34,433
I HOPE YOU KNOW
WHAT YOU'RE DOING.
377
00:15:34,934 --> 00:15:37,102
IF YOU HAVE
SOMETHING TO SAY...
378
00:15:37,186 --> 00:15:39,688
[ SIGHS ]
I KNOW DR. LEE'S A FRIEND.
379
00:15:39,772 --> 00:15:41,190
IT JUST --
IT DOESN'T SEEM RIGHT
380
00:15:41,273 --> 00:15:42,858
PUTTING PINDAR
THROUGH THIS AGAIN.
381
00:15:42,942 --> 00:15:44,276
YOU KNOW,
THE LAST TIME I CHECKED,
382
00:15:44,360 --> 00:15:45,903
IT WAS MY NAME
ABOVE THE DOOR.
383
00:15:45,986 --> 00:15:49,740
SPEAKING OF WHICH,
DON'T YOU HAVE SOMETHING TO DO?
384
00:15:53,452 --> 00:15:54,787
GOOD MORNING.
385
00:15:55,371 --> 00:15:58,123
YOU KNOW,
WE ALL HAVE PARTS OF OUR PAST
386
00:15:58,207 --> 00:16:00,292
THAT WE'D JUST AS SOON FORGET.
387
00:16:00,376 --> 00:16:04,964
LAST YEAR, FOR INSTANCE,
I WAS TRIED FOR MURDER.
388
00:16:05,047 --> 00:16:07,675
THE JURY WERE ASKED
TO OVERLOOK THE FACT
389
00:16:07,758 --> 00:16:09,969
THAT I'D BEEN A DRUNK,
A BRAWLER,
390
00:16:10,052 --> 00:16:12,388
AND A WOMANIZER
OF EPIC PROPORTIONS.
391
00:16:12,930 --> 00:16:16,016
MR. INFELD, IF WE COULD JUST
FOCUS ON THIS CASE.
392
00:16:16,934 --> 00:16:20,312
WE WON'T DENY
DR. LEE'S PAST.
393
00:16:20,396 --> 00:16:22,356
I MEAN, HE'S NEVER
HELD HIMSELF UP TO BE
394
00:16:22,439 --> 00:16:24,441
ANYTHING OTHER THAN WHAT HE IS,
395
00:16:24,525 --> 00:16:26,276
WHICH IS A REFORMED SINNER
396
00:16:26,360 --> 00:16:30,948
AND A HEALER THAT A LOT OF US
HAVE COME TO KNOW AND TRUST.
397
00:16:32,616 --> 00:16:33,867
[ ROCK MUSIC PLAYS ]
398
00:16:33,951 --> 00:16:35,703
Neal:
I AM NOT HAPPY, OKAY?
399
00:16:35,786 --> 00:16:37,413
I NEED SPARKS!
400
00:16:38,497 --> 00:16:40,916
OH, LET'S MOVE ON.
WHERE'S MY EXPLOSION?
401
00:16:42,209 --> 00:16:44,336
YOU CALL THAT AN EXPLOSION?
[ LAUGHS ]
402
00:16:44,420 --> 00:16:46,171
NO. NO, NO, NO, NO, NO.
CUT! CUT!
403
00:16:46,255 --> 00:16:48,048
[ MUSIC STOPS ]
404
00:16:48,132 --> 00:16:50,759
LET'S JUST RELOAD, PEOPLE,
405
00:16:50,843 --> 00:16:53,929
AND THEN WE CAN DO IT AGAIN.
THANK YOU.
406
00:16:54,013 --> 00:16:56,765
HI. [ LAUGHS ]
HI. I WAS HOPING --
407
00:16:56,849 --> 00:16:58,308
GREENROOM'S DOWNSTAIRS,
OKAY?
408
00:16:58,392 --> 00:17:00,144
BAND WILL BE HERE IN AN HOUR
FOR A SOUND CHECK.
409
00:17:00,227 --> 00:17:01,645
THIS IS
A TECH RUN-THROUGH.
410
00:17:01,729 --> 00:17:04,857
YOU'RE NEAL BRADFORD,
SOUND AND LIGHTING, RIGHT?
411
00:17:04,940 --> 00:17:06,275
WOW. [ LAUGHS ]
412
00:17:06,358 --> 00:17:07,776
YOU'RE AMAZING.
413
00:17:07,860 --> 00:17:10,112
OH, WELL, I'M FLATTERED.
BUT I'M BUSY AND I'M MARRIED.
414
00:17:10,195 --> 00:17:11,363
WHERE'S YOUR LAMINATE?
415
00:17:11,447 --> 00:17:12,948
MY LAMINATE?
416
00:17:13,032 --> 00:17:15,492
[ LAUGHS ] YOU SNUCK IN.
THIS IS GREAT SECURITY.
417
00:17:15,576 --> 00:17:16,744
OYE, GUILLERMO!
418
00:17:16,827 --> 00:17:18,162
LISTEN. OKAY, LISTEN.
419
00:17:18,912 --> 00:17:20,664
I'M A STRUGGLING FREELANCER
420
00:17:20,748 --> 00:17:22,624
TRYING TO SELL A PIECE
TO ROLLING STONE.
421
00:17:22,708 --> 00:17:24,793
I RESPECT THE INGENUITY.
YOU GOT TWO MINUTES.
422
00:17:24,877 --> 00:17:26,336
-OH --
-YOU FOLLOWING THE TOUR?
423
00:17:26,420 --> 00:17:28,255
THE CLOSING
OF MAZZANI'S ON SUNSET.
424
00:17:28,338 --> 00:17:30,174
AH, BERT MAZZANI
WAS A GOOD MAN.
425
00:17:30,257 --> 00:17:31,675
WAS? HE'S NOT DEAD.
426
00:17:31,759 --> 00:17:33,010
WELL, I MEAN,
HE MIGHT AS WELL BE, RIGHT?
427
00:17:33,093 --> 00:17:34,428
HE'S TOTALLY
OFF THE GRID.
428
00:17:34,511 --> 00:17:37,473
I MEAN, HIS SON'S DOING THE BEST HE CAN,
BUT HE'S JUST NOT BERT.
429
00:17:37,556 --> 00:17:38,807
YOU USED TO DO
HIS LIGHTING.
430
00:17:38,891 --> 00:17:40,726
YEAH.
UH, I LEFT BEFORE THE FIRE.
431
00:17:40,809 --> 00:17:42,603
I SAW THE, UH,
INCIDENT REPORT,
432
00:17:42,686 --> 00:17:44,188
AND THAT NEW GUY
DID A TOTAL HATCHET JOB.
433
00:17:44,271 --> 00:17:45,814
I CAN'T BELIEVE
HE DIDN'T BLOW THE PLACE UP.
434
00:17:45,898 --> 00:17:47,566
YOU WERE WITH HIM
FROM THE BEGINNING.
435
00:17:47,649 --> 00:17:48,817
WHY'D YOU LEAVE?
436
00:17:48,901 --> 00:17:51,320
UH, YOU KNOW, BUSINESS DECISION.
IT WASN'T PERSONAL.
437
00:17:52,071 --> 00:17:53,572
LEAVING SOMEONE IN A LURCH
438
00:17:53,655 --> 00:17:55,157
AFTER THEY COUNTED ON YOU
FOR 20 YEARS?
439
00:17:55,240 --> 00:17:57,868
I DON'T KNOW. IT SEEMS
A LITTLE PERSONAL TO ME.
440
00:17:57,951 --> 00:18:00,287
ARE YOU AWARE OF WHAT'S GOING ON
IN THE MUSIC BIZ?
441
00:18:00,370 --> 00:18:01,914
I GOT TWO EX-WIVES
BREATHING DOWN --
442
00:18:01,997 --> 00:18:04,625
AND SUDDENLY,
YOUR CAREER IS ON FIRE.
443
00:18:05,125 --> 00:18:07,169
TOUR MANAGER
FOR MONSTER ROCK SHOWS.
444
00:18:07,252 --> 00:18:09,922
TWO WEEKS AGO,
YOU WERE WORKING SMALL CLUBS.
445
00:18:10,005 --> 00:18:11,715
I BET YOUR EXES
LOVE THAT.
446
00:18:14,134 --> 00:18:17,971
NO, MARTY. YOU CANNOT HAVE
A 50-FOOT SUPER-TECHNO CRANE.
447
00:18:18,055 --> 00:18:19,848
BECAUSE IT'LL BLOCK THE STAGE!
448
00:18:19,932 --> 00:18:21,475
I'M COMING TO YOU.
449
00:18:22,226 --> 00:18:24,561
GOOD LUCK WITH, UH,
ROLLING STONE.
450
00:18:33,320 --> 00:18:35,364
Jared: SEEMS LIKE EVERYTHING
WENT TO HELL ALL AT ONCE.
451
00:18:35,447 --> 00:18:38,450
YEAH, WE LOST SOME VENDORS,
HAD A COUPLE ACTS CANCEL.
452
00:18:38,575 --> 00:18:40,077
YOU KNOW ABOUT
THE ELECTRICAL FIRE.
453
00:18:40,160 --> 00:18:41,829
WE'RE GONNA ARGUE
THAT WASN'T YOUR FAULT.
454
00:18:41,912 --> 00:18:43,705
FORCE MAJEURE.
IT WAS AN ACT OF GOD.
455
00:18:43,789 --> 00:18:46,125
-WHAT? GOD HATES MY CLUB?
-HE'S A COUNTRY FAN.
456
00:18:46,208 --> 00:18:47,376
YOU KNOW,
IT REALLY WOULD HELP
457
00:18:47,459 --> 00:18:49,545
IF WE COULD GET YOUR DAD TO
TESTIFY, GET HIM ON THE STAND,
458
00:18:49,628 --> 00:18:51,088
TALK ABOUT
THE HISTORY OF THE CLUB.
459
00:18:51,171 --> 00:18:52,506
NO ONE HEARS FROM HIM
AT ALL.
460
00:18:52,589 --> 00:18:54,550
TRUST ME -- I'VE BEEN TRYING
SINCE I WAS A KID.
461
00:18:54,633 --> 00:18:56,510
I MEAN,
I EVEN LEARNED THE DRUMS,
462
00:18:56,593 --> 00:18:59,388
THE LOUDEST INSTRUMENT
I COULD FIND, SO HE'D NOTICE.
463
00:18:59,471 --> 00:19:02,808
I SPENT TWO WEEKS
PRACTICING, UH, "MOBY DICK."
464
00:19:02,891 --> 00:19:04,309
CLASSIC BONZO.
465
00:19:04,434 --> 00:19:05,644
I DON'T KNOW
WHAT THAT MEANS.
466
00:19:05,727 --> 00:19:08,230
WELL, I-I MISSED
AN UPBEAT ON 4.
467
00:19:08,313 --> 00:19:10,816
HE SAT DOWN, PLAYED IT
PERFECTLY, AND WALKED AWAY.
468
00:19:11,400 --> 00:19:13,819
BEEN THERE.
AND ABOUT TO BE THERE AGAIN.
469
00:19:17,948 --> 00:19:18,907
LEONARD.
470
00:19:19,366 --> 00:19:22,161
JARED FRANKLIN,
RICHARD COLE.
471
00:19:22,244 --> 00:19:24,079
SORRY WE HAVE TO MEET
LIKE THIS.
472
00:19:24,246 --> 00:19:25,539
WE'RE NOT MEETING.
473
00:19:28,167 --> 00:19:30,169
I'LL SEE YOU INSIDE.
474
00:19:31,253 --> 00:19:33,088
-WOW.
-SWEET GUY.
475
00:19:33,505 --> 00:19:35,007
IF YOU'D EXCUSE US
FOR A MOMENT.
476
00:19:35,090 --> 00:19:36,508
YES.
I-I'LL STAY CLOSE.
477
00:19:36,592 --> 00:19:38,218
YEAH.
478
00:19:38,302 --> 00:19:40,053
YEAH, I'D HOPED THAT
YOU'D COME TO YOUR SENSES
479
00:19:40,137 --> 00:19:41,513
AND CALLED THIS OFF.
480
00:19:42,014 --> 00:19:45,017
I ENJOY DISAPPOINTING YOU.
I'M GOOD AT IT.
481
00:19:45,851 --> 00:19:47,477
OH, I GOT YOU SOMETHING.
482
00:19:48,103 --> 00:19:50,814
-WHAT'S THIS?
-EARLY FATHER'S DAY GIFT.
483
00:19:53,317 --> 00:19:54,610
TIE CLIP.
484
00:19:54,902 --> 00:19:56,445
CAN NEVER HAVE TOO MANY.
485
00:19:56,528 --> 00:19:58,488
YOU KNOW, I WAS
AT THE BEACH HOUSE THIS SUMMER,
486
00:19:58,572 --> 00:20:00,991
AND I FOUND ABOUT 10 GIFTS
I'D GIVEN YOU OVER THE YEARS --
487
00:20:01,783 --> 00:20:04,494
ALL UNUSED,
STILL IN THEIR ORIGINAL BOXES.
488
00:20:04,953 --> 00:20:06,079
JUST LIKE THAT.
489
00:20:07,789 --> 00:20:09,541
HAPPY FATHER'S DAY.
490
00:20:09,625 --> 00:20:11,084
[ CHUCKLES ]
491
00:20:11,168 --> 00:20:12,836
YOU KNOW, IF I DIDN'T KNOW YOU
ANY BETTER,
492
00:20:12,920 --> 00:20:15,547
I'D SWEAR YOU WERE TRYING TO GET
IN MY HEAD BEFORE TRIAL.
493
00:20:15,631 --> 00:20:16,798
[ LAUGHS ]
494
00:20:17,424 --> 00:20:19,009
BUT YOU DON'T KNOW ME.
495
00:20:29,228 --> 00:20:31,980
AND THAT'S WHY I PLED TO
THE LESSER CHARGE OF PANDERING.
496
00:20:32,648 --> 00:20:35,484
YOU MEAN YOU WERE A...
PIMP?
497
00:20:38,070 --> 00:20:39,529
TECHNICALLY.
498
00:20:39,905 --> 00:20:41,698
THERE'S NO OTHER WAY
TO PUT THIS, SIR,
499
00:20:41,782 --> 00:20:43,575
BUT YOU ARE A SCUMBAG.
500
00:20:43,659 --> 00:20:45,786
THERE ARE PLENTY OF OTHER WAYS,
MR. INFELD.
501
00:20:45,869 --> 00:20:47,287
PLEASE TRY
A LITTLE HARDER.
502
00:20:47,371 --> 00:20:49,289
FAIR ENOUGH, YOUR HONOR.
503
00:20:49,581 --> 00:20:51,750
CAN YOU THINK
OF ONE REASON
504
00:20:51,833 --> 00:20:55,128
WHY THIS JURY WOULD BELIEVE
ANYTHING THAT YOU SAY?
505
00:20:56,338 --> 00:20:58,257
EVERYTHING I JUST ADMITTED.
506
00:20:58,632 --> 00:21:01,843
I HAD TO GO THROUGH IT
TO BECOME WHO I AM TODAY.
507
00:21:03,595 --> 00:21:08,183
MY TEACHINGS
ARE ABOUT SECOND CHANCES.
508
00:21:08,267 --> 00:21:10,060
I'VE ALWAYS
TOLD MY CLIENTS
509
00:21:10,143 --> 00:21:13,021
IT'S THE MESSAGE,
NOT THE MESSENGER.
510
00:21:15,399 --> 00:21:17,526
VERY GOOD ANSWER.
THANK YOU.
511
00:21:20,404 --> 00:21:22,823
ON BEHALF OF ALL YOUR CLIENTS
THAT YOU DEFRAUDED,
512
00:21:22,906 --> 00:21:26,118
I WOULD LIKE TO CONGRATULATE YOU
ON YOUR...
513
00:21:26,201 --> 00:21:27,995
SPIRITUAL AWAKENING.
514
00:21:28,829 --> 00:21:29,997
SARCASM IS A MASK
515
00:21:30,080 --> 00:21:32,416
THAT KEEPS US FROM REALLY
TALKING, DON'T YOU THINK?
516
00:21:32,499 --> 00:21:34,793
I'LL BE MORE DIRECT.
PEYTON LANE -- KNOW HER?
517
00:21:35,669 --> 00:21:37,629
THE NAME'S FAMILIAR.
518
00:21:37,713 --> 00:21:38,672
FORMER CLIENT OF YOURS.
519
00:21:38,755 --> 00:21:40,757
SHE WORKED AT YOUR INSTITUTE
FOR, MM, 18 MONTHS.
520
00:21:40,841 --> 00:21:42,676
-I REMEMBER.
-YES, I WOULD HOPE SO,
521
00:21:42,759 --> 00:21:44,594
CONSIDERING THAT YOU
FATHERED HER CHILD
522
00:21:44,678 --> 00:21:46,972
AND THEN YOU PAID HER OFF
TO DISAPPEAR.
523
00:21:47,055 --> 00:21:49,599
OH, BUT THAT WAS A YEAR AGO,
POST-REDEMPTION, RIGHT?
524
00:21:50,225 --> 00:21:52,894
IT'S MORE COMPLICATED
THAN YOU --
525
00:21:52,978 --> 00:21:54,563
YEAH, THERE'S
MORE THAN MS. LANE.
526
00:21:54,646 --> 00:21:58,108
THERE IS DANIELLE CORNING.
THERE IS MEGAN CONRAY.
527
00:21:58,191 --> 00:22:01,611
UH, I'M SORRY. COULD I HAVE
THE D.A. REPEAT THAT LAST NAME?
528
00:22:01,695 --> 00:22:03,405
MEGAN CONRAY.
529
00:22:04,489 --> 00:22:07,409
FIRST YOU TRAMPLE MY SOUL.
THEN YOU STEAL MY GIRLFRIEND?
530
00:22:07,492 --> 00:22:08,827
PINDAR,
YOU NEED TO STOP.
531
00:22:09,036 --> 00:22:10,495
MR. INFELD,
YOU NEED A BREAK?
532
00:22:10,579 --> 00:22:12,080
UH, NOT NECESSARY.
533
00:22:16,460 --> 00:22:18,920
MAYBE FIVE MINUTES,
YOUR HONOR.
534
00:22:24,593 --> 00:22:25,719
MAN, THAT'S AMAZING.
535
00:22:25,802 --> 00:22:28,680
♪ LOVE WEARS MY HEART OUT ♪
536
00:22:28,764 --> 00:22:30,599
OH, MAN, WE FINALLY AGREE
ON SOMETHING MUSICALLY.
537
00:22:31,058 --> 00:22:32,726
WHO DO YOU THINK
BELINDA WAS?
538
00:22:32,809 --> 00:22:35,771
REMEMBER WHEN I WROTE THAT SONG
FOR LAURA SHAFER IN SIXTH GRADE?
539
00:22:35,854 --> 00:22:37,147
"HOLLYWOOD BABY"?
540
00:22:37,230 --> 00:22:38,982
YEAH, YOU STOLE THAT
FROM KOOL & THE GANG.
541
00:22:39,066 --> 00:22:40,525
I DID.
DUDE, LOOK AT HIS EYES.
542
00:22:40,609 --> 00:22:43,070
HE CAN'T EVEN
LOOK OUT AT THE AUDIENCE.
543
00:22:45,280 --> 00:22:46,865
WHAT THE HELL
HAPPENED TO HIM?
544
00:22:46,948 --> 00:22:48,116
[ SIGHS ]
545
00:22:48,742 --> 00:22:50,160
HEY! DID YOU GET IN?
546
00:22:50,952 --> 00:22:53,538
BACKSTAGE AT THE FORD.
547
00:22:53,789 --> 00:22:55,332
DID YOU SEE ANYBODY?
DID YOU SEE ANY MUSICIANS?
548
00:22:55,415 --> 00:22:57,751
FANBOY, FOCUS. THE CASE, PLEASE.
549
00:22:57,834 --> 00:22:59,669
WELL, WHILE EVERYONE
WAS FOCUSED
550
00:22:59,753 --> 00:23:01,880
ON THE MUSIC
AND THE FIREWORKS --
551
00:23:01,963 --> 00:23:03,673
ACTUAL FIREWORKS --
AND THE GIRLS --
552
00:23:03,757 --> 00:23:05,383
THERE WERE SO MANY GIRLS.
GIRLS!
553
00:23:05,467 --> 00:23:07,010
NO, I DON'T WANT ANY --
YOU'RE JUST RUBBING IT IN.
554
00:23:07,094 --> 00:23:08,053
OH.
555
00:23:08,136 --> 00:23:10,347
ANYWAYS, I DON'T KNOW
HOW IT HAPPENED, BUT...
556
00:23:10,430 --> 00:23:13,225
SOMEHOW, I ENDED UP
WITH BRADFORD'S CELLPHONE.
557
00:23:13,308 --> 00:23:15,310
I HAVE A THEORY
HOW YOU ENDED UP WITH IT.
558
00:23:15,393 --> 00:23:16,978
YOU STOLE IT.
GOOD FOR YOU.
559
00:23:17,062 --> 00:23:18,438
SO, I CHECKED THE CALENDAR.
560
00:23:18,522 --> 00:23:21,191
GUESS WHO HE MET WITH TWO WEEKS
BEFORE HE QUIT MAZZANI'S.
561
00:23:21,274 --> 00:23:22,818
RICHARD COLE.
562
00:23:23,235 --> 00:23:25,862
THE SAME RICHARD COLE
WHO'S UNDERWRITING THE SHOW
563
00:23:25,946 --> 00:23:28,240
THAT BRADFORD'S DOING
RIGHT NOW.
564
00:23:28,323 --> 00:23:30,033
COLE COULD OPEN A MALL
ANYWHERE
565
00:23:30,117 --> 00:23:31,993
WITH BETTER FOOT TRAFFIC,
BETTER PARKING.
566
00:23:32,077 --> 00:23:34,037
WHY IS HE TARGET-LOCKED
ON MAZZANI'S?
567
00:23:34,121 --> 00:23:36,081
-[ CELLPHONE RINGS ]
-OOH, ANSWER IT.
568
00:23:36,164 --> 00:23:37,666
WHAT DO YOU MEAN?
YOU GET IT.
569
00:23:37,749 --> 00:23:39,167
ANSWER IT.
NO, I'M NOT GONNA --
570
00:23:39,251 --> 00:23:41,503
-ANSWER IT.
-I DON'T WANT IT. YOU HAVE A VAGINA.
571
00:23:41,586 --> 00:23:43,797
-JUST -- JUST SAY HELLO.
-JUST GIVE IT TO ME.
572
00:23:44,381 --> 00:23:45,674
HELLO.
573
00:23:45,841 --> 00:23:47,926
I KNOW, I KNOW.
I'M SORRY.
574
00:23:48,009 --> 00:23:51,012
I GRABBED YOURS.
WE HAVE THE SAME PHONE.
575
00:23:52,931 --> 00:23:56,059
I'LL DROP IT OFF BACKSTAGE --
IN AN HOUR.
576
00:23:57,853 --> 00:23:59,813
AMATEURS.
[ SIGHS ]
577
00:24:00,438 --> 00:24:02,357
I'M GLAD SHE'S ON OUR SIDE.
578
00:24:05,694 --> 00:24:07,946
ANY FURTHER WITNESSES,
MR. INFELD?
579
00:24:08,488 --> 00:24:11,366
THE DEFENSE CALLS
PINDAR SINGH.
580
00:24:11,700 --> 00:24:13,910
-WHAT?
-Nelson: OBJECTION, YOUR HONOR.
581
00:24:13,994 --> 00:24:15,579
MR. SINGH
IS PART OF THE DEFENSE TEAM.
582
00:24:15,662 --> 00:24:17,622
I CAN THINK OF FIVE REASONS
WHY HE SHOULD NOT BE ALLOWED
583
00:24:17,706 --> 00:24:19,374
-TO TESTIFY.
-I CAN THINK OF A HUNDRED.
584
00:24:19,457 --> 00:24:21,793
MR. INFELD, I'D HOPED THAT WHEN
YOU HIRED FRANKLIN AND BASH,
585
00:24:21,877 --> 00:24:23,253
YOUR EXAMPLE
WOULD RUB OFF ON THEM.
586
00:24:23,336 --> 00:24:25,213
THE REVERSE
SEEMS TO HAVE HAPPENED.
587
00:24:25,338 --> 00:24:29,176
YOUR HONOR, THE PROSECUTION HAS
PAINTED DR. LEE AS A CHARLATAN.
588
00:24:29,259 --> 00:24:32,053
AND AS A FORMER PATIENT,
MR. SINGH CAN SHED LIGHT ON THAT.
589
00:24:32,137 --> 00:24:33,513
YOU'RE IN ON THIS, TOO?
590
00:24:33,847 --> 00:24:37,184
YOUR HONOR, IF IT'LL MAKE
THE COURT FEEL MORE COMFORTABLE,
591
00:24:37,267 --> 00:24:39,060
WE'D BE HAPPY TO REMOVE HIM
FROM OUR TEAM
592
00:24:39,144 --> 00:24:40,937
UNTIL THE TRIAL IS OVER.
593
00:24:41,021 --> 00:24:44,524
AS LONG AS HE'S OFF THE TRIAL
TEAM, MR. SINGH CAN TESTIFY.
594
00:24:44,608 --> 00:24:46,067
CAN YOU HELP ME?
595
00:24:46,151 --> 00:24:47,861
I'M NOT ON YOUR SIDE.
596
00:24:48,361 --> 00:24:49,404
NO ONE IS.
597
00:24:54,826 --> 00:24:57,162
PERSPECTIVE INTERFERENCE
WITH BUSINESS ADVANTAGE.
598
00:24:57,245 --> 00:24:59,164
THAT'S HOW WE GET AROUND
MY OWN EARLIER RULING
599
00:24:59,247 --> 00:25:01,374
TO SHUT DOWN MAZZANI'S,
WHICH WAS, YOUR HONOR,
600
00:25:01,458 --> 00:25:02,959
THOUGHTLESS,
IRRESPONSIBLE --
601
00:25:03,043 --> 00:25:05,295
-STUPID.
-THANK YOU.
602
00:25:05,378 --> 00:25:07,756
YOUR HONOR,
ONE JUDGE TO ANOTHER,
603
00:25:07,839 --> 00:25:09,382
I'M SURE YOU'VE MADE
MANY STUPID RULINGS
604
00:25:09,466 --> 00:25:11,176
THAT YOU'VE
COME TO REGRET.
605
00:25:11,968 --> 00:25:13,678
OH, COME ON. FOCUS.
606
00:25:13,762 --> 00:25:15,263
FOCUS. HEAD IN THE GAME.
607
00:25:15,639 --> 00:25:18,350
JUST BECAUSE MY SON
IS ABLE TO NAME A LEGAL THEORY
608
00:25:18,433 --> 00:25:20,101
DOESN'T MEAN
IT MAKES ANY SENSE.
609
00:25:20,185 --> 00:25:22,896
RICHARD COLE INTENTIONALLY
SABOTAGED THE CLUB
610
00:25:23,021 --> 00:25:24,898
SO MY CLIENT
WOULD DEFAULT ON HIS RENT.
611
00:25:25,065 --> 00:25:28,151
[ SIGHS ] I TRY TO RUN AN AMICABLE
COURTROOM, MR. FRANKLIN.
612
00:25:28,235 --> 00:25:30,028
SO DO I.
MAKE HIM TAKE IT BACK.
613
00:25:30,111 --> 00:25:32,405
-I MEANT YOU.
-OH.
614
00:25:32,489 --> 00:25:34,824
TWO FRANKLINS --
IT'S CONFUSING.
615
00:25:35,075 --> 00:25:36,493
JARED'S COOL WITH ME.
616
00:25:36,826 --> 00:25:41,122
I'M GOING TO GO WITH
FRANKLIN SENIOR AND JUNIOR FRANKLIN.
617
00:25:41,206 --> 00:25:43,541
YOU KNOW, YOUR HONOR, I REALLY
DON'T CARE FOR "JUNIOR" TOO MUCH.
618
00:25:43,625 --> 00:25:45,043
YOUR HONOR, WE PLAN TO PROVE
619
00:25:45,126 --> 00:25:48,004
THAT THE DEFENDANT
PAID OFF NEAL BRADFORD,
620
00:25:48,088 --> 00:25:49,589
A LONGSTANDING LIGHTING
TECHNICIAN AT THE CLUB,
621
00:25:49,673 --> 00:25:50,924
TO LEAVE OUR CLIENT
IN THE LURCH.
622
00:25:51,007 --> 00:25:52,342
WE'RE INVESTIGATING
OTHER PEOPLE
623
00:25:52,425 --> 00:25:55,011
THAT MR. COLE MAY HAVE BRIBED
TO TORPEDO MAZZANI'S.
624
00:25:55,095 --> 00:25:56,680
IT'S JUST,
I'M NOT A JUNIOR.
625
00:25:56,763 --> 00:25:59,140
EXCUSE ME, YOUR HONOR.
I HAVE SOMETHING TO SAY.
626
00:25:59,224 --> 00:26:00,392
Leonard:
RICHARD, YOU SHOULDN'T.
627
00:26:00,475 --> 00:26:02,269
WHEN THIS CASE
IS THROWN OUT,
628
00:26:02,352 --> 00:26:05,021
WE WILL BE FILING
MALICIOUS-PROSECUTION SUITS
629
00:26:05,105 --> 00:26:07,274
AGAINST THE MAZZANIS
AND THEIR LAWYERS --
630
00:26:07,357 --> 00:26:10,610
PERSONALLY AND AS REPRESENTATIVES
OF INFELD/DANIELS.
631
00:26:10,694 --> 00:26:11,861
THANK YOU.
632
00:26:11,945 --> 00:26:13,238
THAT'S UP TO YOU.
633
00:26:13,321 --> 00:26:15,573
MEANTIME,
MOTION TO DISMISS IS DENIED.
634
00:26:15,657 --> 00:26:17,993
TRIAL STARTS THIS AFTERNOON.
WE ARE ADJOURNED.
635
00:26:18,076 --> 00:26:20,245
TELL US ABOUT THE MALL
YOU PLAN TO BUILD
636
00:26:20,328 --> 00:26:22,831
ON THE BIRTH SITE
OF CALIFORNIA ROCK 'N' ROLL.
637
00:26:23,290 --> 00:26:26,751
THE RETAIL CENTER
IS 40,000 SQUARE FEET.
638
00:26:26,835 --> 00:26:29,713
IT WILL ALSO PROVIDE 250 JOBS.
639
00:26:29,796 --> 00:26:33,008
BUT WE SHOULD SUBTRACT THAT
FROM THE JOBS THAT ARE THERE NOW
640
00:26:33,091 --> 00:26:34,634
THAT ARE GOING AWAY, THOUGH,
SHOULDN'T WE?
641
00:26:34,718 --> 00:26:36,136
I'M PAYING PEOPLE TO RELOCATE.
642
00:26:36,219 --> 00:26:37,846
EXCEPT MY CLIENT.
643
00:26:38,596 --> 00:26:40,849
TELL US --
HOW MUCH DO YOU STAND TO LOSE
644
00:26:40,932 --> 00:26:42,434
IF YOU WERE TO SCRAP
YOUR PLANS
645
00:26:42,517 --> 00:26:45,353
TO CORPORATIZE AMERICA
AT THE EXPENSE OF ITS VERY SOUL?
646
00:26:45,437 --> 00:26:47,230
OBJECTION --
ARGUMENTATIVE.
647
00:26:47,314 --> 00:26:48,940
EASY ON THE RHETORIC, MR. BASH.
648
00:26:50,692 --> 00:26:52,944
YOU'RE SUGGESTING
I SABOTAGED MAZZANI'S
649
00:26:53,028 --> 00:26:54,404
THROUGH SOME SECRET
MACHINATION.
650
00:26:54,487 --> 00:26:57,073
NO, NO, NO.
I'M NOT SUGGESTING IT.
651
00:26:59,159 --> 00:27:01,578
WELL, WHY WOULDN'T I JUST
BUY THEM OUT?
652
00:27:02,287 --> 00:27:04,122
IT WOULD HAVE BEEN
A LOT EASIER.
653
00:27:04,205 --> 00:27:06,207
MAYBE BECAUSE UNDER
YOUR AGREEMENT WITH THE CITY,
654
00:27:06,291 --> 00:27:08,752
YOU'D HAVE TO BREAK GROUND BY
NEXT MONTH OR YOU LOSE YOUR SITE.
655
00:27:08,835 --> 00:27:11,338
MAYBE BECAUSE BERT MAZZANI'S
NAME IS ON THE LEASE.
656
00:27:11,421 --> 00:27:14,466
IF HE'S SO WORRIED ABOUT
HIS CLUB, WHY ISN'T HE HERE?
657
00:27:15,592 --> 00:27:16,885
YOU THROW MAZZANI'S AROUND
658
00:27:16,968 --> 00:27:19,304
LIKE IT'S SOME KIND
OF SACRED SHRINE.
659
00:27:20,055 --> 00:27:24,309
IF BERT MAZZANI WON'T BOTHER
TO COME AND FIGHT FOR IT,
660
00:27:24,392 --> 00:27:27,520
WHY SHOULD ANYONE ELSE CARE
ABOUT WHAT HAPPENS TO IT?
661
00:27:31,816 --> 00:27:33,777
MOTION TO STRIKE --
NON-RESPONSIVE.
662
00:27:33,860 --> 00:27:35,278
NO, IT'S A FAIR POINT.
663
00:27:36,946 --> 00:27:38,948
NO FURTHER QUESTIONS,
YOUR HONOR.
664
00:27:39,949 --> 00:27:41,618
I TOLD YOU
NOT TO PUSH THIS.
665
00:27:42,285 --> 00:27:45,705
I DON'T THINK I CAN PROTECT
YOU OR PETER ANYMORE, JARED.
666
00:27:53,046 --> 00:27:55,173
Hanna: YOU'RE FAMILIAR
WITH DR. LEE.
667
00:27:55,256 --> 00:27:57,008
I THOUGHT I WAS.
668
00:27:57,092 --> 00:28:00,095
I WANT YOU TO LOOK AT HIM
AS YOU TESTIFY, PLEASE.
669
00:28:00,929 --> 00:28:03,932
PRIOR TO HIM BEING ARRESTED,
WHAT DID YOU THINK OF DR. LEE?
670
00:28:04,015 --> 00:28:05,433
I THOUGHT HE WAS A GENIUS.
671
00:28:05,517 --> 00:28:06,893
THE PEOPLE HAVE
A STANDING OBJECTION
672
00:28:06,976 --> 00:28:08,311
TO THIS LINE OF QUESTIONING.
673
00:28:08,395 --> 00:28:10,355
Whitman: I'LL ALLOW IT,
SUBJECT TO MR. NELSON'S MOTION
674
00:28:10,438 --> 00:28:12,941
TO STRIKE IF IT DOESN'T
BECOME RELEVANT REAL FAST.
675
00:28:13,733 --> 00:28:15,318
WHAT DO YOU THINK
OF HIM NOW?
676
00:28:15,402 --> 00:28:17,695
I THINK HE'S THE DEVIL, LITERALLY.
677
00:28:18,113 --> 00:28:19,697
YOU MUST SEE THE VALUE
OF HIS TEACHINGS
678
00:28:19,781 --> 00:28:21,116
ON SOME LEVEL, DON'T YOU?
679
00:28:21,533 --> 00:28:23,576
HE TRICKED ME
AND THOUSANDS OF OTHERS
680
00:28:23,660 --> 00:28:26,079
AND PREYED UPON EVERY WOMAN
WHO CROSSED HIS PATH.
681
00:28:26,287 --> 00:28:27,914
IT'S HARD
TO PUT A VALUE ON THAT.
682
00:28:28,415 --> 00:28:30,959
THE PEOPLE WITHDRAW THEIR
OBJECTION TO THIS WITNESS.
683
00:28:31,584 --> 00:28:33,336
WHEN YOU FIRST WENT TO SEE
DR. LEE,
684
00:28:33,420 --> 00:28:35,004
YOU SUFFERED FROM...
685
00:28:35,088 --> 00:28:36,923
EXHAUSTION...
686
00:28:37,382 --> 00:28:41,010
HYPERACTIVITY, DRY MOUTH,
DIARRHEA, NAUSEA,
687
00:28:41,094 --> 00:28:44,139
FEAR OF TALKING, FEAR OF NOT TALKING --
REALLY?
688
00:28:44,222 --> 00:28:46,015
YEAH, IT'S THE FEAR
THAT IF YOU GO TOO LONG
689
00:28:46,099 --> 00:28:47,809
WITHOUT TALKING,
YOU'LL FORGET HOW.
690
00:28:48,435 --> 00:28:50,186
PRETTY COMMON.
691
00:28:50,437 --> 00:28:52,814
...AND FEAR
OF BEING TOUCHED.
692
00:28:53,648 --> 00:28:54,482
YEAH.
693
00:28:55,400 --> 00:28:56,735
YOUR HONOR,
CAN I APPROACH?
694
00:28:58,903 --> 00:29:00,905
PINDAR, CAN I HAVE
YOUR HAND, PLEASE?
695
00:29:06,286 --> 00:29:09,539
DO YOU MIND IF I TOUCH
YOUR HAND LIKE THIS?
696
00:29:09,622 --> 00:29:12,625
YEAH, I'M...FINE.
697
00:29:16,421 --> 00:29:17,964
[ SIGHS ] OBJECTION.
698
00:29:18,047 --> 00:29:20,967
WHAT DOES FONDLING MR. SINGH
HAVE TO DO --
699
00:29:21,050 --> 00:29:23,678
WE'VE GONE THROUGH
2 OF 84 DISTINCT SYMPTOMS,
700
00:29:23,762 --> 00:29:27,432
AND YET YOU HAVEN'T DISPLAYED
ONE OF THEM ON THE STAND TODAY.
701
00:29:27,849 --> 00:29:32,187
NOW, DON'T YOU THINK DR. LEE
DESERVES SOME CREDIT FOR THAT?
702
00:29:34,773 --> 00:29:35,774
MAYBE.
703
00:29:36,733 --> 00:29:38,401
YES, I GUESS HE DOES.
704
00:29:41,237 --> 00:29:44,157
ANY WORD FROM CARMEN'S
LIGHTING GUY, BRADFORD?
705
00:29:44,282 --> 00:29:45,992
WE SUBPOENAED HIM,
BUT HE'S GONNA BE ON TOUR
706
00:29:46,075 --> 00:29:47,368
TILL AFTER THE TRIAL.
707
00:29:47,452 --> 00:29:49,704
PLUS, NO OTHER VENDORS
WILL TALK TO US.
708
00:29:49,788 --> 00:29:52,457
WE KEEP MAKING THIS
ABOUT DATES AND CONTRACTS
709
00:29:52,540 --> 00:29:54,417
AND LEGAL STUFF,
WE'RE GONNA LOSE.
710
00:29:54,501 --> 00:29:56,419
I MEAN, THAT'S COLE'S GAME.
711
00:29:57,837 --> 00:29:59,214
WHOA!
712
00:29:59,297 --> 00:30:01,049
YEAH, WE MAKE THIS
ABOUT ROCK 'N' ROLL!
713
00:30:01,132 --> 00:30:02,383
I MEAN, WE GOT TO THINK
LIKE KISS.
714
00:30:02,467 --> 00:30:03,635
I'LL BE GENE SIMMONS.
YOU CAN BE...
715
00:30:03,718 --> 00:30:06,179
IN THE 21st CENTURY.
716
00:30:06,262 --> 00:30:07,931
20th WAS BETTER.
717
00:30:08,807 --> 00:30:09,974
PAPER SHOVE IS A STRONG MOVE.
718
00:30:10,058 --> 00:30:12,185
YEAH. NEWMAN DID IT
IN "THE VERDICT."
719
00:30:12,268 --> 00:30:13,436
[ Laughing ] YEAH.
720
00:30:13,520 --> 00:30:15,563
-CHECK THIS OUT.
-WHAT?
721
00:30:15,647 --> 00:30:18,608
A BENEFIT AT MAZZANI'S
IN 1980.
722
00:30:18,691 --> 00:30:20,151
CHECK OUT FRONT AND CENTER.
723
00:30:20,235 --> 00:30:21,569
-BERT MAZZANI.
-YEP.
724
00:30:21,653 --> 00:30:23,404
HARD TO MISS WITH
THE MUTTON-CHOP SIDEBURNS.
725
00:30:23,488 --> 00:30:26,032
OR THE INSANELY HOT WOMAN
HIS ARM'S AROUND.
726
00:30:26,115 --> 00:30:27,992
DUDE, SHE IS HOT.
727
00:30:28,076 --> 00:30:29,619
WHO IS THAT?
728
00:30:30,954 --> 00:30:32,413
BELINDA SHAW.
729
00:30:32,831 --> 00:30:34,249
-"BELINDA'S TOWN."
-"BELINDA'S TOWN."
730
00:30:34,332 --> 00:30:35,792
THERE SHE IS.
731
00:30:35,875 --> 00:30:38,294
HEY, LOOK AT THAT --
LOOKING AT HIM FROM THE SIDE.
732
00:30:38,378 --> 00:30:39,629
RICHARD COLE.
733
00:30:40,255 --> 00:30:42,549
HE LOOKED LIKE A DICK
BACK THEN.
734
00:30:43,132 --> 00:30:44,843
SAD DICK.
735
00:30:45,301 --> 00:30:47,387
YOU THINK BERT SNAGGED
COLE'S GIRL?
736
00:30:48,012 --> 00:30:49,430
THIS IS PERSONAL.
737
00:30:50,056 --> 00:30:51,975
I MEAN, YOU NOTICE HOW --
HOW COLE REACTED
738
00:30:52,058 --> 00:30:53,393
TO HEARING MAZZANI'S NAME
IN COURT?
739
00:30:53,476 --> 00:30:56,020
THIS IS A CLASSIC
ROCK-'N'-ROLL LOVE TRIANGLE,
740
00:30:56,145 --> 00:30:58,022
LIKE IN "LAYLA."
741
00:30:59,107 --> 00:31:00,817
CALL DENNIS.
TELL HIM TO MEET US THERE.
742
00:31:00,900 --> 00:31:02,694
-[ EXHALES DEEPLY ]
-YOU DEFINITELY SHRED.
743
00:31:02,777 --> 00:31:04,821
-I'M SHREDDY KRUEGER.
-YOU ARE SHREDDIE MERCURY.
744
00:31:04,904 --> 00:31:06,573
-SHRED ASTAIRE.
-YOU ARE SHRED KENNEDY.
745
00:31:07,282 --> 00:31:08,491
Both: [ As Ted Kennedy ]
"ER, UH, ER, UH..."
746
00:31:08,575 --> 00:31:09,909
I LIKE THAT.
747
00:31:09,993 --> 00:31:11,703
[ STEPPENWOLF'S "THE PUSHER"
PLAYS ]
748
00:31:13,663 --> 00:31:15,331
YOU SURE WE SHOULDN'T JUST
WAIT FOR DENNIS?
749
00:31:15,415 --> 00:31:17,083
-HE SAID THAT HIS DAD --
-YOU WORRY TOO MUCH.
750
00:31:17,166 --> 00:31:18,793
-HE SAID HIS DAD --
-I-I WANT TO MEET HIM.
751
00:31:18,877 --> 00:31:20,336
COME ON.
IT'S GONNA BE GOOD.
752
00:31:20,420 --> 00:31:23,506
♪ YOU KNOW,
I'VE SMOKED A LOT OF GRASS ♪
753
00:31:24,465 --> 00:31:25,884
-I SWALLOWED MY GUM.
-IT'S OKAY.
754
00:31:25,967 --> 00:31:27,969
WE'RE LAWYERS --
FRANKLIN AND BASH.
755
00:31:29,178 --> 00:31:32,640
-OH.
-DAD! IT'S ME.
756
00:31:32,932 --> 00:31:34,809
IT'S HIM.
[ CHUCKLES NERVOUSLY ]
757
00:31:41,316 --> 00:31:42,901
COME ON.
758
00:31:43,776 --> 00:31:46,112
-DAD.
-HE SEEMS NICE.
759
00:31:46,195 --> 00:31:49,240
DAD, THESE GUYS ARE HERE TO TRY
TO HELP US GET OUR CLUB BACK.
760
00:31:49,324 --> 00:31:51,868
CAN YOU PLEASE JUST LISTEN
TO WHAT THEY HAVE TO SAY?
761
00:31:52,869 --> 00:31:54,495
AND ENOUGH WITH THE GUN.
762
00:31:54,579 --> 00:31:57,874
MR. MAZZANI, UM, OKAY.
763
00:31:59,834 --> 00:32:01,586
-GO AHEAD, PETER.
-WELL, I -- WHAT?
764
00:32:01,669 --> 00:32:03,796
YOU'RE THE ONE THAT HAD THE CLUB
SHUT DOWN IN THE FIRST PLACE.
765
00:32:03,880 --> 00:32:05,048
NO, IT WAS AN ACCIDENT.
766
00:32:05,131 --> 00:32:06,799
THAT WAS AN ACCIDENT.
767
00:32:08,593 --> 00:32:09,844
CAN I...
768
00:32:15,224 --> 00:32:17,393
YOU, UH --
YOU KNOW WHY RICHARD COLE
769
00:32:17,477 --> 00:32:19,520
WANTS TO TAKE YOUR CLUB AWAY,
DON'T YOU?
770
00:32:19,646 --> 00:32:20,730
BELINDA.
771
00:32:22,273 --> 00:32:25,151
SO THIS IS ALL BECAUSE
YOU TOOK HIS WOMAN.
772
00:32:26,736 --> 00:32:28,363
I GOT BELINDA.
773
00:32:28,696 --> 00:32:30,073
HE GETS THE CLUB.
774
00:32:30,156 --> 00:32:31,950
WAIT. JUST LIKE THAT?
775
00:32:32,075 --> 00:32:34,243
YOU'RE NOT EVEN GONNA FIGHT
FOR YOUR CLUB?
776
00:32:34,702 --> 00:32:36,287
SIR, WE NEED YOU
TO TESTIFY.
777
00:32:36,955 --> 00:32:38,081
Dennis: BUT HOLD ON.
778
00:32:38,164 --> 00:32:40,083
EVEN IF HE DOES,
WHAT DOES BELINDA SHAW
779
00:32:40,166 --> 00:32:42,085
HAVE TO DO WITH US
GETTING THE CLUB BACK?
780
00:32:42,168 --> 00:32:45,463
IT GIVES MOTIVE TO OUR THEORY
THAT COLE SABOTAGED THE CLUB,
781
00:32:45,546 --> 00:32:46,798
WHICH ALLOWS THE JURY TO QUESTION
782
00:32:46,881 --> 00:32:48,883
HIS CREDIBILITY
ON EVERYTHING.
783
00:32:50,426 --> 00:32:52,303
DAD?
784
00:32:56,975 --> 00:32:58,017
[ GLASS SLAMS ]
785
00:32:58,101 --> 00:32:59,352
IT'S ON.
786
00:33:04,023 --> 00:33:06,359
WELL, I THINK
WE'RE DONE HERE.
787
00:33:06,442 --> 00:33:09,570
IF HE DOESN'T TESTIFY TOMORROW,
WE WILL BE.
788
00:33:09,654 --> 00:33:13,533
♪ YOU KNOW THE DEALER,
THE DEALER IS A MAN ♪
789
00:33:14,492 --> 00:33:16,953
IN THE CASE
OF PEOPLE vs. TONY LAXON,
790
00:33:17,036 --> 00:33:18,788
ALSO KNOWN AS DR. LEE,
791
00:33:18,871 --> 00:33:21,708
WE FIND THE DEFENDANT
GUILTY ON ALL COUNTS.
792
00:33:22,333 --> 00:33:24,377
Nelson: WE REQUEST THAT THE DEFENDANT
BE REMANDED TO CUSTODY
793
00:33:24,460 --> 00:33:25,837
RIGHT AWAY, PENDING SENTENCING.
794
00:33:25,920 --> 00:33:27,171
GRANTED.
795
00:33:32,427 --> 00:33:33,678
THIS COURT IS ADJOURNED.
796
00:33:39,142 --> 00:33:41,394
I'M SORRY WE LOST, GUYS.
797
00:33:41,811 --> 00:33:44,397
REALLY? AND WHY'S THAT?
798
00:33:44,689 --> 00:33:46,816
WE GAVE DR. LEE
THE BEST DEFENSE POSSIBLE.
799
00:33:46,899 --> 00:33:48,776
THE JURY WAS SMART ENOUGH
NOT TO BUY IT.
800
00:33:48,860 --> 00:33:50,028
THE SYSTEM WORKED.
801
00:33:50,111 --> 00:33:52,196
I'M NOT SURE HOW I FEEL.
802
00:33:52,280 --> 00:33:53,740
NONE OF US DO.
803
00:33:53,823 --> 00:33:56,409
AND IF ANYBODY TELLS YOU
HOW YOU SHOULD FEEL, RUN AWAY.
804
00:33:56,492 --> 00:33:58,911
OR YOU COULD RUN
RIGHT AT THEM...
805
00:33:59,746 --> 00:34:02,040
UH, FACE THEM DOWN
806
00:34:02,498 --> 00:34:05,043
FROM, SAY, A WITNESS BOX.
807
00:34:05,877 --> 00:34:07,045
YOU DID THIS FOR ME.
808
00:34:07,128 --> 00:34:08,713
OH, I DIDN'T DO ANYTHING.
809
00:34:08,796 --> 00:34:11,674
IT WAS THOSE WISE 12.
810
00:34:11,758 --> 00:34:13,051
[ CHUCKLES ]
811
00:34:13,134 --> 00:34:15,803
SO HE DRAGGED ME
THROUGH THE FIRES OF HELL
812
00:34:15,887 --> 00:34:18,473
SO THAT I COULD CONFRONT MY FEAR
AND CONQUER IT.
813
00:34:18,723 --> 00:34:21,559
YES, AND I WISH HE'D QUIT
DRAGGING US ALONG WITH HIM.
814
00:34:28,483 --> 00:34:31,569
[ CELLPHONE CHIMES ]
815
00:34:31,652 --> 00:34:35,364
YOUR HONOR, OUR NEXT WITNESS
NEEDS NO INTRODUCTION.
816
00:34:35,448 --> 00:34:37,784
COULDN'T GO ANYWHERE
IN THE SUMMER OF '83
817
00:34:37,867 --> 00:34:39,535
WITHOUT HEARING
HIS HIT SINGLE.
818
00:34:39,619 --> 00:34:42,288
WHAT HAPPENED
TO "NO INTRODUCTION"?
819
00:34:43,623 --> 00:34:46,876
THE PLAINTIFFS CALL TO
THE WITNESS STAND BERT MAZZANI.
820
00:35:05,520 --> 00:35:09,440
MR. MAZZANI, DO YOU KNOW A WOMAN
NAMED BELINDA SHAW?
821
00:35:10,149 --> 00:35:11,109
YEAH.
822
00:35:12,443 --> 00:35:14,612
COULD YOU DESCRIBE
YOUR RELATIONSHIP WITH HER?
823
00:35:14,695 --> 00:35:16,239
UM...
824
00:35:21,494 --> 00:35:24,497
[ Muttering ]
OH, THAT'S COMPLICATED.
825
00:35:24,580 --> 00:35:25,873
UM...
826
00:35:27,792 --> 00:35:29,961
YOUR HONOR, WE CAN'T HEAR
WHAT HE'S SAYING.
827
00:35:30,503 --> 00:35:32,463
MR. MAZZANI,
IF YOU WOULD SPEAK UP.
828
00:35:33,422 --> 00:35:35,299
UM...
829
00:35:36,008 --> 00:35:37,176
UM...
830
00:35:40,179 --> 00:35:41,973
I WANT THIS STOPPED NOW.
831
00:35:50,648 --> 00:35:52,567
NO FURTHER QUESTIONS,
YOUR HONOR.
832
00:35:52,900 --> 00:35:54,277
THANKS FOR TRYING, BERT.
833
00:35:57,113 --> 00:35:59,157
BELINDA WAS MY LADY.
834
00:36:00,908 --> 00:36:02,785
I WROTE A SONG ABOUT HER
SOME TIME AGO.
835
00:36:02,869 --> 00:36:06,247
MAYBE YOU HEARD IT --
"BELINDA'S TOWN."
836
00:36:06,330 --> 00:36:07,790
YOU WROTE IT FOR HER?
837
00:36:08,374 --> 00:36:09,417
YEP.
838
00:36:09,500 --> 00:36:10,960
NO.
839
00:36:11,460 --> 00:36:13,379
I ALSO WROTE IT
FOR A GOOD FRIEND...
840
00:36:14,714 --> 00:36:17,258
...AND THE LADY
WHO CAME BETWEEN US.
841
00:36:17,717 --> 00:36:20,636
AND THAT'S WHEN OLD RIGHT
AND WRONG GOT LOST UNDER A SONG,
842
00:36:20,720 --> 00:36:23,014
AND THAT IS THE BITTER TRUTH.
843
00:36:25,558 --> 00:36:30,730
♪ LOVE WEARS MY HEART OUT ♪
844
00:36:32,148 --> 00:36:34,108
♪ IT'S UP AND DOWN,
DOWN, DOWN, DOWN, DOWN ♪
845
00:36:34,192 --> 00:36:36,152
-OBJECTION.
-I WANT THIS STOPPED NOW.
846
00:36:36,235 --> 00:36:37,361
PLEASE STOP SINGING.
847
00:36:37,445 --> 00:36:40,448
♪ I'M COLD,
BUT IT'S WARM NOW ♪
848
00:36:40,948 --> 00:36:43,701
♪ HERE IN BELINDA'S TOWN ♪
849
00:36:44,869 --> 00:36:46,829
♪ HERE IN BELINDA'S TOWN ♪
850
00:36:46,913 --> 00:36:48,456
PLEASE STOP SINGING.
851
00:36:49,373 --> 00:36:54,295
♪ HERE IN BELINDA'S TOWN ♪
852
00:36:54,712 --> 00:36:56,172
I'D HOLD BOTH OF YOU
IN CONTEMPT,
853
00:36:56,255 --> 00:36:57,548
BUT I'M AFRAID SOME IDIOT
854
00:36:57,632 --> 00:36:58,966
WOULD MAKE THE TWO OF YOU
JUDGES AGAIN.
855
00:36:59,050 --> 00:37:02,053
YOUR HONOR, WE'RE GLAD
MR. MAZZANI HAS FOUND HIS VOICE,
856
00:37:02,136 --> 00:37:04,513
BUT BEARING HIS SOUL
ABOUT A YOUTHFUL FLING --
857
00:37:04,597 --> 00:37:07,058
PROVIDES MOTIVE
FOR WHY RICHARD COLE
858
00:37:07,141 --> 00:37:09,185
WANTED TO TEAR DOWN MAZZANI'S
859
00:37:09,268 --> 00:37:11,979
AND THE LENGTHS TO WHICH HE WAS
WILLING TO GO TO TO DO IT.
860
00:37:12,063 --> 00:37:14,148
TESTIMONY
HAS TO CONTAIN WORDS.
861
00:37:14,232 --> 00:37:16,525
BERT MAZZANI COMMUNICATES
THROUGH SONG,
862
00:37:16,609 --> 00:37:17,902
WHICH CONTAINS WORDS.
863
00:37:17,985 --> 00:37:20,071
WOULD YOU KEEP A MUTE
FROM TESTIFYING,
864
00:37:20,154 --> 00:37:22,490
OR WOULD YOU ALLOW THEM TO USE
AN INTERPRETER?
865
00:37:23,407 --> 00:37:26,202
I'LL ALLOW "BELINDA'S TOWN"
TO STAND
866
00:37:26,285 --> 00:37:28,287
AS MR. MAZZANI'S TESTIMONY.
867
00:37:28,955 --> 00:37:31,082
[ BAD COMPANY'S "SHOOTING STAR"
PLAYS ]
868
00:37:32,250 --> 00:37:33,626
THE SONG
WAS A NICE TOUCH,
869
00:37:33,751 --> 00:37:35,086
BUT WHEN THE JURY
LOOKS AT THE FACTS,
870
00:37:35,169 --> 00:37:36,462
THEY'LL SEE
IT'S SMOKE AND MIRRORS.
871
00:37:36,545 --> 00:37:38,130
AND YET, HERE WE ARE.
872
00:37:38,214 --> 00:37:40,258
WHAT DO YOU WANT?
WE WANT THE CLUB BACK.
873
00:37:40,341 --> 00:37:41,968
WELL,
THAT'S NOT GONNA HAPPEN,
874
00:37:42,093 --> 00:37:43,761
AFTER WHAT THAT SON OF A BITCH
DID TO ME.
875
00:37:43,844 --> 00:37:45,429
-I'M GONNA DESTROY HIM.
-WE WEREN'T FINISHED.
876
00:37:45,513 --> 00:37:47,223
-WERE YOU FINISHED?
-NO. NO.
877
00:37:47,306 --> 00:37:49,934
WE WANT THE CLUB
AND PUNITIVE DAMAGES.
878
00:37:50,309 --> 00:37:52,186
A BIT OF A STRETCH,
DON'T YOU THINK, SON?
879
00:37:52,728 --> 00:37:54,605
JURY SEEMED TO REALLY LIKE BERT,
DIDN'T THEY?
880
00:37:55,356 --> 00:37:56,649
AND IF THEY THINK
THAT YOUR CLIENT
881
00:37:56,732 --> 00:37:58,359
INTENTIONALLY SABOTAGED THE CLUB --
882
00:37:58,442 --> 00:38:00,111
OH-HO!
BACK UP THE MONEY TRUCK.
883
00:38:00,194 --> 00:38:01,779
-[ IMITATES TRUCK BEEPING ]
-COULD BE MILLIONS.
884
00:38:02,238 --> 00:38:04,282
-BACK IT UP, BACK IT UP.
-THAT'S THE MONEY TRUCK, JUST...
885
00:38:04,365 --> 00:38:06,492
[ Laughing ]
YOU KNOW? YOU'RE DRIVING.
886
00:38:06,701 --> 00:38:08,160
YOU MAKE RENT,
YOU CAN STAY.
887
00:38:09,328 --> 00:38:12,164
HE FOUND ME A NEW LOCATION,
ANYHOW.
888
00:38:12,248 --> 00:38:14,625
MY FATHER WANTED ME TO TELL YOU
THAT HE'S SORRY
889
00:38:14,709 --> 00:38:18,546
AND THAT HE MISSES
THE OLD ECHO PARK ROUND TABLE.
890
00:38:18,921 --> 00:38:20,756
HE COULD HAVE
TOLD ME HIMSELF.
891
00:38:21,340 --> 00:38:22,383
YEAH.
892
00:38:22,466 --> 00:38:24,260
WELL, IF IT MAKES YOU FEEL
ANY BETTER,
893
00:38:24,343 --> 00:38:26,178
BELINDA SHAW ENDED UP
STABBING HIM IN THE STOMACH
894
00:38:26,262 --> 00:38:28,764
AND RUNNING OFF WITH
A BUNCH OF VERY EXPENSIVE ART.
895
00:38:28,848 --> 00:38:30,391
-IT DOES...
-GOOD.
896
00:38:30,474 --> 00:38:31,475
...A LITTLE.
897
00:38:31,559 --> 00:38:35,396
♪ WENT STRAIGHT UP
TO NUMBER ONE ♪
898
00:38:35,479 --> 00:38:38,774
♪ SUDDENLY, EVERYONE LOVED
TO HEAR HIM SING THE SONG ♪
899
00:38:38,858 --> 00:38:40,026
HE'S VERY SERIOUS.
900
00:38:40,109 --> 00:38:41,360
-SHOULD WE GO?
-YEAH.
901
00:38:41,444 --> 00:38:43,029
DENNIS.
902
00:38:43,988 --> 00:38:46,198
SO, WHERE'S THE SITE
FOR COLE'S NEW MALL?
903
00:38:46,615 --> 00:38:48,492
CORNER OF
HOLLYWOOD AND LAVETA.
904
00:38:48,909 --> 00:38:50,870
THAT'S LIKE THREE BLOCKS
FROM OUR HOUSE.
905
00:38:50,953 --> 00:38:52,621
I HADN'T PUT IT TOGETHER.
906
00:38:53,414 --> 00:38:55,207
WHY IS IT
EVERY TIME I BEAT YOU,
907
00:38:55,291 --> 00:38:57,960
I STILL FEEL LIKE --
LIKE YOU WON?
908
00:38:58,044 --> 00:39:00,046
BECAUSE I'M YOUR FATHER.
909
00:39:00,546 --> 00:39:02,631
YEAH.
AND A DAMN FINE ONE.
910
00:39:02,715 --> 00:39:05,384
♪ JOHNNY TOLD HIS MAMA,
"HEY, MAMA, I'M GOIN' AWAY" ♪
911
00:39:05,509 --> 00:39:07,261
THIS IS ABOUT THE TIE CLIP?
912
00:39:08,137 --> 00:39:09,889
I STILL HAVE IT.
913
00:39:09,972 --> 00:39:14,310
BUT A TIE CLIP RUINS
A GREAT SILK TIE.
914
00:39:14,393 --> 00:39:19,065
LOOK FAMILIAR?
CHRISTMAS 1996.
915
00:39:19,148 --> 00:39:21,817
[ CHUCKLES ]
CAN I TAKE IT OFF NOW?
916
00:39:22,610 --> 00:39:24,862
-NO.
-WELL, WATCH THIS.
917
00:39:24,945 --> 00:39:26,238
NO, YOU SHOULD
HAVE TO WEAR THAT.
918
00:39:26,322 --> 00:39:27,531
THAT'S A GOOD-LOOKING TIE.
919
00:39:27,615 --> 00:39:28,949
I MOWED A LOT OF LAWNS
FOR THAT.
920
00:39:29,033 --> 00:39:31,243
YOU SHOULD WEAR IT.
YOU LOOK LIKE COSBY.
921
00:39:45,216 --> 00:39:46,467
PINDAR?
922
00:39:47,718 --> 00:39:49,011
I'M SORRY. I-I JUST --
923
00:39:49,095 --> 00:39:50,971
IT'S FINE. HAVE A SEAT.
924
00:39:53,182 --> 00:39:56,394
I HEARD YOU WERE ABLE TO HOLD
YOUR LAWYER'S HAND IN COURT.
925
00:39:56,477 --> 00:39:58,687
WHO TOLD YOU THAT?
DR. LEE?
926
00:39:59,021 --> 00:40:00,856
MR. INFELD CALLED ME.
927
00:40:01,273 --> 00:40:03,984
DR. LEE BETRAYED ME, TOO, PINDAR.
928
00:40:05,319 --> 00:40:08,906
I WAS GOOD IN COURT.
I WISH YOU HAD SEEN ME.
929
00:40:10,533 --> 00:40:12,868
NOW THAT YOU'VE MASTERED
HAND-HOLDING,
930
00:40:13,244 --> 00:40:16,163
I GUESS YOU'RE READY TO MOVE ON
TO THE NEXT STEP.
931
00:40:17,540 --> 00:40:18,749
WHAT'S THAT?
932
00:40:22,711 --> 00:40:24,130
STRAWBERRIES.
933
00:40:25,756 --> 00:40:27,091
YOU TASTE LIKE
STRAWBERRIES.
934
00:40:27,174 --> 00:40:29,176
I HAD SOME
BEFORE I CAME OVER.
935
00:40:29,260 --> 00:40:30,469
OH, WERE THEY WASHED?
936
00:40:30,886 --> 00:40:32,721
I DON'T KNOW. WHY?
[ CHUCKLES ]
937
00:40:32,805 --> 00:40:34,265
UNWASHED STRAWBERRIES
HAVE E. COLI
938
00:40:34,348 --> 00:40:35,516
AND VARIOUS OTHER --
939
00:40:35,599 --> 00:40:37,393
GIVE ME A SECOND, YEAH?
940
00:40:42,982 --> 00:40:44,442
-I MISS BEING A JUDGE.
-YEAH?
941
00:40:44,525 --> 00:40:46,110
YOU SHOULD HAVE
YOUR OWN SHOW,
942
00:40:46,193 --> 00:40:47,862
LIKE, "YOUR HONOR,
YOUR HONOR."
943
00:40:47,945 --> 00:40:49,947
-YEAH. "JUDGE JARED."
-YEAH, "JUDGE JARED."
944
00:40:50,030 --> 00:40:51,115
BUT I NEED A CATCHPHRASE.
945
00:40:51,198 --> 00:40:52,658
I NEED, LIKE,
A VERY, VERY NICE CATCHPHRASE.
946
00:40:52,741 --> 00:40:55,035
-YEAH.
-ALL RIGHT, YOU READY?
947
00:40:55,119 --> 00:40:56,495
BORN READY.
948
00:40:56,579 --> 00:40:58,247
-THAT'S A GOOD CATCHPHRASE.
-MM.
949
00:40:58,330 --> 00:41:00,666
-ALL RIGHT, GO GET 'EM, HERMANO.
-ALL RIGHT, BUDDY BOY.
950
00:41:00,749 --> 00:41:02,126
NOT JUST BEVERAGES.
WE GOT ENTERTAINMENT.
951
00:41:02,209 --> 00:41:03,586
EVERYBODY, COME LISTEN.
YOU IN THE GLASSES. YOU LOOK SMART.
952
00:41:03,669 --> 00:41:04,753
A LITTLE PUBLIC-SERVICE
ANNOUNCEMENT.
953
00:41:04,837 --> 00:41:07,047
YOU MAY TAKE IT WITH AS MANY
GRAINS OF SALT AS YOU WISH.
954
00:41:07,131 --> 00:41:10,092
WE HAVE THE PURPLE PUNCH THAT'S
CIRCULATING OUT BY THE HOT TUB.
955
00:41:10,217 --> 00:41:13,179
IT ISN'T TOO GOOD.
JUST PLEASE BE ADVISED.
956
00:41:13,262 --> 00:41:15,431
THERE IS A WARNING
WITH THAT ONE, OKAY?
957
00:41:15,514 --> 00:41:18,434
ONE, TWO,
A-ONE, TWO, THREE, FOUR!
958
00:41:18,517 --> 00:41:20,269
[ ELECTRICITY CRACKLES ]
959
00:41:20,352 --> 00:41:22,813
-[ ALL GROAN ]
-Man: YOU'VE BLOWN THE FUSE!
960
00:41:23,647 --> 00:41:24,899
AHH!
961
00:41:25,399 --> 00:41:27,359
ALL RIGHT. UNPLUGGED!
962
00:41:27,443 --> 00:41:30,321
[ ALL CHEERING ]
963
00:41:31,238 --> 00:41:33,574
[ ACOUSTIC GUITAR PLAYS ]
964
00:41:35,784 --> 00:41:37,161
JUST GET INTO IT.
965
00:41:39,205 --> 00:41:42,124
♪ OOH, WHAT A MIXTURE ♪
966
00:41:42,208 --> 00:41:45,211
♪ SUCH A VIVID PICTURE ♪
967
00:41:45,336 --> 00:41:47,796
♪ OOH, WHAT A MIXTURE ♪
968
00:41:47,880 --> 00:41:51,258
♪ IF I MUST SAY SO MYSELF ♪
969
00:41:51,550 --> 00:41:53,010
♪ OH, MY, WHAT A DAY ♪
970
00:41:53,093 --> 00:41:54,595
♪ COMING AT ME ANYWAY ♪
971
00:41:54,678 --> 00:41:57,598
♪ EVERYTHING I TRY TO SAY
JUST COMES OUT BACKWARDS ♪
972
00:41:57,681 --> 00:41:59,141
♪ OVERTHINKING, UNDER-REACHING ♪
973
00:41:59,225 --> 00:42:01,977
♪ SOMEONE TELLS A JOKE,
I'M BLINKING... ♪
71641
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