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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,767 --> 00:00:04,600 PREVIOUSLY ON LOVE & HIP-HOP: 2 00:00:04,600 --> 00:00:06,533 ATLANTA: THE REUNION... 3 00:00:06,533 --> 00:00:07,400 BITCH, YOU LOOK LIKE MICHAEL 4 00:00:07,400 --> 00:00:08,233 JACKSON IN THRILLER. 5 00:00:08,233 --> 00:00:09,067 AND YOU LOOK LIKE THE BOTTOM 6 00:00:09,067 --> 00:00:09,733 OF MY SHOE. 7 00:00:09,733 --> 00:00:10,700 BITCH, YOU GOT A RIP IN YOUR 8 00:00:10,700 --> 00:00:11,367 [bleep]. 9 00:00:11,367 --> 00:00:12,733 YOU GOT NO WALLS. 10 00:00:12,733 --> 00:00:14,167 JUMP, BITCH! JUMP! 11 00:00:14,167 --> 00:00:15,667 [all yelling at once] 12 00:00:15,667 --> 00:00:16,467 DON'T [bleep] GO THERE, 13 00:00:16,467 --> 00:00:17,133 STEVIE. 14 00:00:17,133 --> 00:00:19,500 DID YOU BELIEVE THAT THAT WAS 15 00:00:19,500 --> 00:00:20,267 YOUR BABY? 16 00:00:20,267 --> 00:00:20,933 YES. 17 00:00:20,933 --> 00:00:21,767 I DON'T KNOW IF I BELIEVE 18 00:00:21,767 --> 00:00:22,533 K.MICHELLE. 19 00:00:22,533 --> 00:00:23,667 DO WHAT YOU DO! 20 00:00:23,667 --> 00:00:25,600 BIPOLAR, SCHIZOPHRENIC, 21 00:00:25,600 --> 00:00:26,367 INSECURE BITCH. 22 00:00:26,367 --> 00:00:28,067 YOU GET BAGS UNDER YOUR EYES. 23 00:00:28,067 --> 00:00:29,100 YEAH, LET ME HAVE MY 24 00:00:29,100 --> 00:00:30,300 MOTHER[bleep] BAGS. 25 00:00:30,300 --> 00:00:31,400 AFTER I SLAMMED YOU IN THE 26 00:00:31,400 --> 00:00:32,233 BUSHES... 27 00:00:32,233 --> 00:00:33,400 EVERYBODY FELL IN THE BUSHES 28 00:00:33,400 --> 00:00:34,367 WITH THE SECURITY. 29 00:00:34,367 --> 00:00:36,433 WHAT'S THE STATUS RIGHT NOW 30 00:00:36,433 --> 00:00:37,933 BETWEEN YOU AND JOSELINE? 31 00:00:37,933 --> 00:00:40,667 ARE YOU TWO A COUPLE? 32 00:00:40,667 --> 00:00:42,200 AND ON THE CONCLUSION 33 00:00:42,200 --> 00:00:44,033 TO LOVE & HIP-HOP: ATLANTA: 34 00:00:44,033 --> 00:00:44,833 THE REUNION... 35 00:00:44,833 --> 00:00:46,400 ANSWER THE DAMN QUESTION. 36 00:00:46,400 --> 00:00:47,400 I'M GETTING TO IT. 37 00:00:47,400 --> 00:00:48,067 THIS YOUR [bleep]. 38 00:00:48,067 --> 00:00:48,933 CHECK THIS, BITCH. 39 00:00:48,933 --> 00:00:50,200 SHUT THE [bleep] UP. 40 00:00:50,200 --> 00:00:51,000 YOU'RE GONNA SIT IN 41 00:00:51,000 --> 00:00:51,667 THAT SEAT. 42 00:00:51,667 --> 00:00:52,667 THAT'S WHAT YOU GONNA DO. 43 00:00:52,667 --> 00:00:54,033 [all yelling at once] 44 00:00:54,033 --> 00:00:54,967 WHAT DID HE DO FOR ME? 45 00:00:54,967 --> 00:00:55,833 WHAT--IT AIN'T MY FAULT THAT 46 00:00:55,833 --> 00:00:57,000 YOU AIN'T NO SUPERSTAR. 47 00:00:57,000 --> 00:00:58,200 I FEEL LIKE A LITTLE BOY 48 00:00:58,200 --> 00:00:59,533 IN SCHOOL, 49 00:00:59,533 --> 00:01:00,633 AND MY MAMA JUST CAME TO BRING 50 00:01:00,633 --> 00:01:02,067 ME MY LUNCH. 51 00:01:02,067 --> 00:01:05,067 YOU ARE POLYGAMOUS. 52 00:01:05,067 --> 00:01:06,933 IT SEEMS LIKE THE POLE DOES 53 00:01:06,933 --> 00:01:07,767 A BODY GOOD. 54 00:01:07,767 --> 00:01:08,867 NOBODY EVER TOOK CARE OF ME 55 00:01:08,867 --> 00:01:09,533 BUT STEVIE. 56 00:01:09,533 --> 00:01:10,567 EVERYBODY ELSE JUST DID WHAT 57 00:01:10,567 --> 00:01:11,400 THEY HAD TO DO. 58 00:01:11,400 --> 00:01:12,567 YOU NEED TO AT LEAST HAVE 59 00:01:12,567 --> 00:01:13,633 A WIKIPEDIA PAGE. 60 00:01:13,633 --> 00:01:15,600 I ACTUALLY USE HIM FOR HIS 61 00:01:15,600 --> 00:01:17,200 SEX AND HIS MONEY. 62 00:01:17,200 --> 00:01:19,067 IS IT SAFE TO SAY THAT THIS 63 00:01:19,067 --> 00:01:20,400 RELATIONSHIP IS A WRAP? 64 00:01:20,400 --> 00:01:21,867 I AM GONNA BE THE MAN THAT 65 00:01:21,867 --> 00:01:23,867 YOU WANT TO BE WITH. 66 00:01:26,167 --> 00:01:27,800 * THIS IS THE LIFE 67 00:01:27,800 --> 00:01:28,467 ♪ THIS IS THE LIFE 68 00:01:28,467 --> 00:01:29,133 * YEAH 69 00:01:29,133 --> 00:01:30,133 * THIS IS THE LIFE 70 00:01:30,133 --> 00:01:30,767 ♪ THIS IS THE LIFE 71 00:01:30,767 --> 00:01:31,433 * 'SUP ♪ 72 00:01:31,433 --> 00:01:32,533 * THIS IS THE LIFE 73 00:01:32,533 --> 00:01:33,200 ♪ THIS IS THE LIFE 74 00:01:33,200 --> 00:01:33,867 * HUH 75 00:01:33,867 --> 00:01:34,867 * THIS IS THE LIFE 76 00:01:34,867 --> 00:01:38,067 ♪ THIS IS THE LIFE 77 00:01:38,067 --> 00:01:38,700 * HUH 78 00:01:38,700 --> 00:01:39,733 ♪ THERE AIN'T NOTHING LIKE ♪ 79 00:01:39,733 --> 00:01:40,633 ♪ HIP-HOP MUSIC 80 00:01:40,633 --> 00:01:41,300 ♪ MUSIC 81 00:01:41,300 --> 00:01:42,067 * THIS IS THE LIFE 82 00:01:42,067 --> 00:01:47,433 ♪ THIS IS THE LIFE 83 00:01:51,833 --> 00:01:53,867 YES, YOU KNOW WHAT IT IS. 84 00:01:53,867 --> 00:01:55,233 OF COURSE. 85 00:01:55,233 --> 00:01:57,400 LOVE & HIP-HOP: ATLANTA: 86 00:01:57,400 --> 00:01:59,367 PART II: THE REUNION. 87 00:01:59,367 --> 00:02:00,867 NOBODY'S SAFE. 88 00:02:00,867 --> 00:02:02,900 WE'RE GOING IN HEAVY. 89 00:02:02,900 --> 00:02:04,867 WOW. 90 00:02:04,867 --> 00:02:06,133 I'M YOUR HOST AND EXECUTIVE 91 00:02:06,133 --> 00:02:07,267 PRODUCER OF THE SHOW, 92 00:02:07,267 --> 00:02:09,300 MONA SCOTT-YOUNG, AND WE'RE BACK 93 00:02:09,300 --> 00:02:10,867 WITH PART II OF LOVE & HIP-HOP: 94 00:02:10,867 --> 00:02:12,800 ATLANTA: THE REUNION. 95 00:02:12,800 --> 00:02:14,300 I'M JOINED ON THE STAGE BY THE 96 00:02:14,300 --> 00:02:16,133 MOST NOTORIOUS LOVE TRIANGLE ON 97 00:02:16,133 --> 00:02:19,200 TV: MIMI, STEVIE, AND JOSELINE. 98 00:02:19,200 --> 00:02:19,867 HEY, GUYS. 99 00:02:19,867 --> 00:02:20,533 WHAT'S UP? 100 00:02:20,533 --> 00:02:21,200 HI. 101 00:02:21,200 --> 00:02:21,867 WHAT'S POPPING? 102 00:02:21,867 --> 00:02:22,533 HOW ARE YOU? 103 00:02:22,533 --> 00:02:23,300 IN PART I, WE LEFT OFF WITH 104 00:02:23,300 --> 00:02:24,733 STEVIE STRUGGLING TO MAKE HIS 105 00:02:24,733 --> 00:02:26,533 RELATIONSHIPS WITH MIMI AND 106 00:02:26,533 --> 00:02:28,500 JOSELINE WORK, SO NOW, STEVIE, 107 00:02:28,500 --> 00:02:30,567 IT'S YOUR MOMENT OF TRUTH. 108 00:02:30,567 --> 00:02:31,633 WHAT'S THE STATUS OF YOUR 109 00:02:31,633 --> 00:02:33,100 RELATIONSHIP WITH JOSELINE? 110 00:02:33,100 --> 00:02:35,100 ARE YOU GUYS OFFICIALLY 111 00:02:35,100 --> 00:02:36,133 A COUPLE? 112 00:02:36,133 --> 00:02:37,433 I MEAN, WE HAVE-- 113 00:02:37,433 --> 00:02:38,533 OUR RELATIONSHIP HAS AN 114 00:02:38,533 --> 00:02:39,867 INTERESTING DYNAMIC. 115 00:02:39,867 --> 00:02:41,200 YOU KNOW WHAT I'M SAYING? 116 00:02:41,200 --> 00:02:44,200 WE STARTED OFF ON SOME PHYSICAL, 117 00:02:44,200 --> 00:02:45,100 YOU KNOW, WHICH LED TO 118 00:02:45,100 --> 00:02:46,800 HER HAVING A CAREER NOW-- 119 00:02:46,800 --> 00:02:47,667 ANSWER THE DAMN QUESTION. 120 00:02:47,667 --> 00:02:48,333 I AM. 121 00:02:48,333 --> 00:02:49,500 OKAY. 122 00:02:49,500 --> 00:02:50,333 IT'S ACTUALLY A YES 123 00:02:50,333 --> 00:02:51,067 OR NO QUESTION. 124 00:02:51,067 --> 00:02:52,567 I'M GETTING TO IT. 125 00:02:52,567 --> 00:02:55,067 IT'S A YES OR NO QUESTION. 126 00:02:55,067 --> 00:02:56,867 I MEAN, NO. 127 00:02:56,867 --> 00:02:57,867 NO. 128 00:02:57,867 --> 00:02:59,233 NO, WE'RE NOT TOGETHER. 129 00:02:59,233 --> 00:03:02,133 I ACTUALLY USE HIM FOR HIS SEX 130 00:03:02,133 --> 00:03:02,800 AND HIS MONEY. 131 00:03:02,800 --> 00:03:04,067 OKAY, THANK YOU. 132 00:03:04,067 --> 00:03:05,067 [laughter] 133 00:03:05,067 --> 00:03:06,733 ALL RIGHT, WELL, LISTEN, LISTEN. 134 00:03:06,733 --> 00:03:07,967 I REALLY DON'T CARE ABOUT IT, 135 00:03:07,967 --> 00:03:08,667 'CAUSE YOU KNOW WHAT? 136 00:03:08,667 --> 00:03:09,333 I DON'T WANT NONE OF 137 00:03:09,333 --> 00:03:10,067 THAT HEADACHE. 138 00:03:10,067 --> 00:03:10,933 ALL RIGHT, PEOPLE, WE'VE GOT 139 00:03:10,933 --> 00:03:11,833 TO MOVE ON. 140 00:03:11,833 --> 00:03:12,933 LET'S START OFF BY EXPLORING 141 00:03:12,933 --> 00:03:14,133 WHAT HAPPENED WHEN STEVIE 142 00:03:14,133 --> 00:03:16,133 DECIDED THAT HE, MIMI, AND 143 00:03:16,133 --> 00:03:18,067 JOSELINE SHOULD GO TO THERAPY 144 00:03:18,067 --> 00:03:19,967 TOGETHER. 145 00:03:19,967 --> 00:03:21,400 [horn honks] 146 00:03:21,400 --> 00:03:22,233 CAN WE SIT IN THE THERAPIST? 147 00:03:22,233 --> 00:03:22,967 YOU WANT TO GO IN FRONT OF 148 00:03:22,967 --> 00:03:23,633 A THERAPIST? 149 00:03:23,633 --> 00:03:24,300 YEAH. YEAH. 150 00:03:24,300 --> 00:03:25,133 NOW YOU'RE TALKING. 151 00:03:25,133 --> 00:03:26,933 WHY DID YOU COME TO THERAPY? 152 00:03:26,933 --> 00:03:27,867 THE LYING. 153 00:03:27,867 --> 00:03:28,800 SHE'S CALLING YOU A LIAR. 154 00:03:28,800 --> 00:03:29,533 I ADMIT THAT I'VE LIED 155 00:03:29,533 --> 00:03:30,400 TO HER, YES. 156 00:03:30,400 --> 00:03:31,133 I WANT YOU TO OWN WHAT 157 00:03:31,133 --> 00:03:31,767 YOU'VE DONE. 158 00:03:31,767 --> 00:03:32,667 I OWN THAT I'VE LIED. 159 00:03:32,667 --> 00:03:33,767 I OWN THAT I-- 160 00:03:33,767 --> 00:03:34,667 YEAH, I'M A LIAR. 161 00:03:34,667 --> 00:03:35,667 HMM. 162 00:03:35,667 --> 00:03:36,600 CAN WE DO THAT AGAIN? 163 00:03:36,600 --> 00:03:38,733 all: HMM. 164 00:03:38,733 --> 00:03:40,567 WHY DOES A MAN CHEAT? 165 00:03:40,567 --> 00:03:42,700 BECAUSE THE WOMAN LETS HIM. 166 00:03:42,700 --> 00:03:44,900 ENABLING BEHAVIORS. 167 00:03:44,900 --> 00:03:46,733 YOU DIDN'T HAVE A MOTHER 168 00:03:46,733 --> 00:03:48,867 IN YOUR LIFE. 169 00:03:48,867 --> 00:03:50,667 YOU WILL ALWAYS CARRY THAT PAIN 170 00:03:50,667 --> 00:03:51,700 AND PUT THAT PAIN ON 171 00:03:51,700 --> 00:03:53,167 EVERYBODY ELSE. 172 00:03:53,167 --> 00:03:54,300 I WANT US ALL TO SIT DOWN AT 173 00:03:54,300 --> 00:03:56,233 COUNSELING SO WE ALL COULD BE 174 00:03:56,233 --> 00:03:57,133 ABLE TO WORK TOGETHER. 175 00:03:57,133 --> 00:03:57,833 ALL THREE OF US? 176 00:03:57,833 --> 00:03:58,500 YES. 177 00:03:58,500 --> 00:03:59,467 I'M IN A RELATIONSHIP WITH 178 00:03:59,467 --> 00:04:02,067 STEVIE, NOT JOSELINE, SO WHY 179 00:04:02,067 --> 00:04:03,700 THE [bleep] WOULD I HAVE 180 00:04:03,700 --> 00:04:05,800 JOSELINE AT MY THERAPY SESSION? 181 00:04:05,800 --> 00:04:06,833 YOU'S TRYING TO CONTINUE ON 182 00:04:06,833 --> 00:04:07,700 YOUR RELATIONSHIP WITH HER? 183 00:04:07,700 --> 00:04:08,367 I JUST WANT TO-- 184 00:04:08,367 --> 00:04:10,133 I'M LIVING WITH HIM RIGHT 185 00:04:10,133 --> 00:04:11,333 NOW, JOSELINE. 186 00:04:11,333 --> 00:04:12,200 YOU GUYS LIVING TOGETHER? 187 00:04:12,200 --> 00:04:13,367 YES, I'M IN THE HOUSE. 188 00:04:13,367 --> 00:04:15,367 YES, I HAVE BEEN THERE. 189 00:04:17,867 --> 00:04:19,233 BITCH! 190 00:04:19,233 --> 00:04:19,900 WHAT HOUSE YOU-- 191 00:04:19,900 --> 00:04:21,400 GET UP, GET UP, GET UP. 192 00:04:21,400 --> 00:04:22,333 GET UP, BROTHER. 193 00:04:22,333 --> 00:04:23,067 LET GO OF ME! 194 00:04:23,067 --> 00:04:23,667 JOSELINE. 195 00:04:23,667 --> 00:04:24,433 NO! 196 00:04:24,433 --> 00:04:25,667 JOSELINE. JOSELINE. 197 00:04:25,667 --> 00:04:26,333 JOSELINE. 198 00:04:26,333 --> 00:04:27,500 LET GO OF ME! 199 00:04:27,500 --> 00:04:31,367 YOU KNOW ABOUT HIM AND MIMI? 200 00:04:31,367 --> 00:04:32,200 THAT'S MY PROBLEM. 201 00:04:32,200 --> 00:04:33,400 I REALLY DON'T KNOW 'CAUSE HE'S 202 00:04:33,400 --> 00:04:35,067 ALWAYS AROUND ME. 203 00:04:35,067 --> 00:04:35,900 HE ALWAYS COME TO ME. 204 00:04:35,900 --> 00:04:37,067 HE ALWAYS COME--GETS ME BACK. 205 00:04:37,067 --> 00:04:37,667 "I LOVE YOU. 206 00:04:37,667 --> 00:04:39,067 I WANT TO MAKE IT WORK. 207 00:04:39,067 --> 00:04:40,067 I DON'T WANT TO LOSE YOU." 208 00:04:40,067 --> 00:04:41,833 STEVIE, YOU GOT THE GOD 209 00:04:41,833 --> 00:04:43,333 SHIRT ON. 210 00:04:43,333 --> 00:04:44,367 WHAT DOES THAT MEAN? 211 00:04:44,367 --> 00:04:45,267 THEY CAN TAKE CONTROL OVER 212 00:04:45,267 --> 00:04:47,500 THEIR LIVES, BUT IT'S STILL 213 00:04:47,500 --> 00:04:48,833 MY BUS. 214 00:04:48,833 --> 00:04:50,833 I'M RUNNING THIS [bleep]. 215 00:04:55,133 --> 00:04:56,733 STEVIE, I WANT TO GIVE YOU 216 00:04:56,733 --> 00:04:58,167 CREDIT FOR TRYING, 217 00:04:58,167 --> 00:04:59,233 BUT "I AM GOD"? 218 00:04:59,233 --> 00:05:00,533 WHAT IS THAT? 219 00:05:00,533 --> 00:05:01,467 I MEAN, IT'S JUST A NICE 220 00:05:01,467 --> 00:05:02,667 SHIRT, YOU KNOW WHAT I'M SAYING? 221 00:05:02,667 --> 00:05:04,700 I'M GODLIKE. 222 00:05:04,700 --> 00:05:05,767 BUT IS THAT THE WAY YOU THINK 223 00:05:05,767 --> 00:05:07,067 OF YOURSELF WITH THESE WOMEN? 224 00:05:07,067 --> 00:05:08,133 DO YOU FEEL LIKE THEY SHOULD 225 00:05:08,133 --> 00:05:09,633 IDOLIZE YOU IN SOME WAY? 226 00:05:09,633 --> 00:05:10,933 AIN'T NOBODY IDOLIZING THAT 227 00:05:10,933 --> 00:05:12,067 BULL[bleep]. 228 00:05:12,067 --> 00:05:13,067 MIMI, WHY DID YOU GO 229 00:05:13,067 --> 00:05:13,700 TO THERAPY? 230 00:05:13,700 --> 00:05:14,367 YOU'D BEEN THROUGH SO 231 00:05:14,367 --> 00:05:15,133 MUCH ALREADY. 232 00:05:15,133 --> 00:05:16,667 WE HAVE A TWO-YEAR-OLD. 233 00:05:16,667 --> 00:05:17,667 I WANTED TO HOLD MY FAMILY 234 00:05:17,667 --> 00:05:18,700 TOGETHER. 235 00:05:18,700 --> 00:05:19,900 I DON'T KNOW ABOUT ANYBODY ELSE. 236 00:05:19,900 --> 00:05:21,467 I REALLY DON'T GIVE A [bleep]. 237 00:05:21,467 --> 00:05:23,133 SO WHEN HE ASKED ME TO GO TO 238 00:05:23,133 --> 00:05:24,233 THERAPY, I AGREED. 239 00:05:24,233 --> 00:05:25,167 YOU WERE HOPING THAT YOU GUYS 240 00:05:25,167 --> 00:05:26,067 CAN WORK THROUGH THE ISSUES-- 241 00:05:26,067 --> 00:05:27,133 NOT EVEN WORK THROUGH IT, BUT 242 00:05:27,133 --> 00:05:28,500 GET SOME TYPE OF UNDERSTANDING 243 00:05:28,500 --> 00:05:29,500 SOMEWHERE, 'CAUSE WE WEREN'T 244 00:05:29,500 --> 00:05:31,133 EVEN COMMUNICATING AT THE TIME. 245 00:05:31,133 --> 00:05:32,233 WE COULDN'T HAVE A FIVE-MINUTE 246 00:05:32,233 --> 00:05:33,067 CONVERSATION WITHOUT, 247 00:05:33,067 --> 00:05:34,767 "[bleep] YOU." 248 00:05:34,767 --> 00:05:35,467 WE COULDN'T. 249 00:05:35,467 --> 00:05:36,300 STEVIE, YOU BRING 250 00:05:36,300 --> 00:05:37,233 THESE WOMEN TOGETHER. 251 00:05:37,233 --> 00:05:38,167 YOU SAY THAT YOU WANT TO GO 252 00:05:38,167 --> 00:05:39,500 THROUGH THERAPY, BUT DID YOU 253 00:05:39,500 --> 00:05:41,067 JUST WANT ALL THE LYING TO STOP? 254 00:05:41,067 --> 00:05:41,667 IS THAT WHAT IT WAS? 255 00:05:41,667 --> 00:05:42,400 YES, I WANTED TO PUT IT ON 256 00:05:42,400 --> 00:05:43,067 THE TABLE, YOU KNOW WHAT 257 00:05:43,067 --> 00:05:43,733 I'M SAYING? 258 00:05:43,733 --> 00:05:44,533 AND THEN AFTER I PUT IT ON THE 259 00:05:44,533 --> 00:05:45,667 TABLE, THEN THEY COULD MAKE 260 00:05:45,667 --> 00:05:46,733 THEIR ASSESSMENT OF HOW THEY 261 00:05:46,733 --> 00:05:48,067 WANT TO APPROACH IT OR MOVE ON 262 00:05:48,067 --> 00:05:49,167 FROM THERE. 263 00:05:49,167 --> 00:05:50,467 WHAT IS THAT WHOLE BUS 264 00:05:50,467 --> 00:05:51,233 ANALOGY? 265 00:05:51,233 --> 00:05:52,433 THEY'RE RIDING ON YOUR BUS. 266 00:05:52,433 --> 00:05:53,133 BREAK THAT DOWN FOR US 267 00:05:53,133 --> 00:05:53,800 SO WE UNDERSTAND. 268 00:05:53,800 --> 00:05:54,533 WELL, YOU KNOW, I BEEN IN 269 00:05:54,533 --> 00:05:55,767 THIS GAME FOR YEARS. 270 00:05:55,767 --> 00:05:57,267 YOU KNOW, GOT A LOT OF MILES 271 00:05:57,267 --> 00:05:58,533 ON MY SHOES, 272 00:05:58,533 --> 00:05:59,500 ON MY ITALIAN LOAFERS, 273 00:05:59,500 --> 00:06:00,333 YOU KNOW WHAT I'M SAYING? 274 00:06:00,333 --> 00:06:02,067 AND IT'S LIKE, AT THE END OF 275 00:06:02,067 --> 00:06:03,767 THE DAY, THEY WOULDN'T [bleep] 276 00:06:03,767 --> 00:06:05,067 WITH ME IF I WAS JOE SCHMO 277 00:06:05,067 --> 00:06:05,667 THE PLUMBER. 278 00:06:05,667 --> 00:06:06,667 I SURE WOULDN'T. 279 00:06:06,667 --> 00:06:07,700 I'M NOT TALKING TO YOU. 280 00:06:07,700 --> 00:06:08,400 YOU KNOW WHAT I'M SAYING? 281 00:06:08,400 --> 00:06:09,233 OKAY, ARE YOU TALKING ABOUT 282 00:06:09,233 --> 00:06:10,167 MIMI WHEN YOU SAY THAT? 283 00:06:10,167 --> 00:06:11,500 BECAUSE, MIMI, YOU TALK ABOUT-- 284 00:06:11,500 --> 00:06:12,667 I BEEN DOWN WITH YOU WHEN 285 00:06:12,667 --> 00:06:13,400 YOU DIDN'T HAVE [bleep]. 286 00:06:13,400 --> 00:06:14,233 WAIT, WAIT, LET ME FINISH. 287 00:06:14,233 --> 00:06:15,133 SO DON'T GO THERE WITH ME. 288 00:06:15,133 --> 00:06:15,867 BUT SHE WAS [bleep] ME WHEN 289 00:06:15,867 --> 00:06:16,667 I HAD [bleep]. 290 00:06:16,667 --> 00:06:17,600 YES, BUT WHEN YOU DIDN'T, 291 00:06:17,600 --> 00:06:19,300 I WAS STILL THERE, SO DON'T GO 292 00:06:19,300 --> 00:06:19,967 THERE WITH ME. 293 00:06:19,967 --> 00:06:20,800 TURN THE RADIO DOWN. 294 00:06:20,800 --> 00:06:21,733 NO, [bleep] YOU. 295 00:06:21,733 --> 00:06:23,700 WE WAS IN THE TRENCHES TOGETHER, 296 00:06:23,700 --> 00:06:24,967 SO DON'T [bleep] PLAY ME 297 00:06:24,967 --> 00:06:25,633 LIKE THAT. 298 00:06:25,633 --> 00:06:26,300 I AIN'T THAT [bleep] 299 00:06:26,300 --> 00:06:27,633 SUPERFICIAL-ASS BITCH. 300 00:06:27,633 --> 00:06:28,333 YOU PLAYING YOURSELF. 301 00:06:28,333 --> 00:06:29,067 I'M PLAYING MYSELF? 302 00:06:29,067 --> 00:06:29,667 I THOUGHT SHE WAS 303 00:06:29,667 --> 00:06:30,333 TALKING TO ME. 304 00:06:30,333 --> 00:06:31,500 WELL, HELL, I AIN'T [bleep] 305 00:06:31,500 --> 00:06:32,833 WITH A BROKE-ASS [...]. 306 00:06:32,833 --> 00:06:34,167 I [bleep] WITH STEVIE 'CAUSE 307 00:06:34,167 --> 00:06:35,333 HE HAD IT WHEN I BED HIM. 308 00:06:35,333 --> 00:06:36,333 HE AIN'T HAVE IT WHEN YOU 309 00:06:36,333 --> 00:06:37,500 BED HIM--AIN'T HAVE [bleep]. 310 00:06:37,500 --> 00:06:38,333 HEY, STEVIE! 311 00:06:38,333 --> 00:06:39,067 Y'ALL SEEING THIS? 312 00:06:39,067 --> 00:06:39,667 HIGH FIVE. 313 00:06:39,667 --> 00:06:40,367 HE DIDN'T HAVE [bleep] 314 00:06:40,367 --> 00:06:41,067 WHEN YOU MET HIM, 315 00:06:41,067 --> 00:06:42,200 SO DON'T GO THERE EITHER. 316 00:06:42,200 --> 00:06:43,200 WELL, GUESS WHAT, MIMI. 317 00:06:43,200 --> 00:06:44,067 I AIN'T KNOW. 318 00:06:44,067 --> 00:06:44,900 THAT WAS FOR YOU TO KNOW 319 00:06:44,900 --> 00:06:45,633 AND FOR ME NOT TO FIND OUT. 320 00:06:45,633 --> 00:06:46,333 WELL, YOU DIDN'T KNOW. 321 00:06:46,333 --> 00:06:47,700 HE DIDN'T HAVE A [bleep] DIME 322 00:06:47,700 --> 00:06:48,467 WHEN YOU MET HIM. 323 00:06:48,467 --> 00:06:49,133 [bleep] THAT. 324 00:06:49,133 --> 00:06:49,933 YOU DIDN'T NOW HE AIN'T 325 00:06:49,933 --> 00:06:50,600 HAVE [bleep]? 326 00:06:50,600 --> 00:06:51,267 NO, SURE DIDN'T. 327 00:06:51,267 --> 00:06:52,733 AND HE'S DRIVING YOUR CAR? 328 00:06:52,733 --> 00:06:53,800 STEVIE COULD DRIVE WHATEVER 329 00:06:53,800 --> 00:06:54,767 HE WANT TO DRIVE. 330 00:06:54,767 --> 00:06:55,433 IT DOESN'T MATTER! 331 00:06:55,433 --> 00:06:56,800 WELL, ONE THING WE KNOW 332 00:06:56,800 --> 00:06:58,767 STEVIE IS DRIVING IS THIS BUS, 333 00:06:58,767 --> 00:07:00,933 AND YOUR EXPECTATION, STEVIE, 334 00:07:00,933 --> 00:07:01,967 IS THAT IF THEY WANT TO RIDE 335 00:07:01,967 --> 00:07:03,133 ON YOUR BUS, THEY GONNA HAVE 336 00:07:03,133 --> 00:07:04,067 TO TAKE WHATEVER COMES WITH IT. 337 00:07:04,067 --> 00:07:04,800 LISTEN, LISTEN, YOU KNOW, 338 00:07:04,800 --> 00:07:05,467 YEAH, ABSOLUTELY. 339 00:07:05,467 --> 00:07:06,200 I'M RIDING ON THE BUS. 340 00:07:06,200 --> 00:07:07,133 MY THING IS LIKE THIS-- 341 00:07:07,133 --> 00:07:08,433 YOU CAN STAY ON THAT, BITCH. 342 00:07:08,433 --> 00:07:09,133 YOU'RE ON THE BUS, 343 00:07:09,133 --> 00:07:10,400 AND THAT'S WHY MIMI-- 344 00:07:10,400 --> 00:07:11,800 SO WHAT? SO WHAT? 345 00:07:11,800 --> 00:07:13,067 RIDE ON THAT MOTHER[bleep]. 346 00:07:13,067 --> 00:07:13,767 MIMI, ARE YOU ON THE BUS? 347 00:07:13,767 --> 00:07:14,433 NO, I'M NOT. 348 00:07:14,433 --> 00:07:15,133 ALL RIGHT. 349 00:07:15,133 --> 00:07:15,933 I KNOWN YOU SIX MONTHS, 350 00:07:15,933 --> 00:07:16,600 AND LOOK WHERE I'M AT. 351 00:07:16,600 --> 00:07:17,333 I'M GONNA STAY ON YOUR BUS. 352 00:07:17,333 --> 00:07:21,067 THAT'S WHAT'S UP. 353 00:07:21,067 --> 00:07:21,700 ALL RIGHT, STAY ON IT. 354 00:07:21,700 --> 00:07:22,467 YOU KNOW, AT THE END OF THE 355 00:07:22,467 --> 00:07:23,733 DAY, YOU KNOW WHAT I'M SAYING, 356 00:07:23,733 --> 00:07:24,667 I KNOW SHE'S HURT, YOU KNOW 357 00:07:24,667 --> 00:07:25,333 WHAT I'M SAYING? 358 00:07:25,333 --> 00:07:26,200 AND I KNOW I'VE DONE SOME THINGS 359 00:07:26,200 --> 00:07:26,867 THAT HURT HER. 360 00:07:26,867 --> 00:07:27,533 RIGHT. 361 00:07:27,533 --> 00:07:28,200 I UNDERSTAND WHERE 362 00:07:28,200 --> 00:07:28,867 SHE'S COMING FROM. 363 00:07:28,867 --> 00:07:29,733 WELL, I WAS GONNA SAY, THAT'S 364 00:07:29,733 --> 00:07:30,767 SOME OF THE GOOD STUFF THAT CAME 365 00:07:30,767 --> 00:07:33,333 OUT OF THERAPY, BECAUSE ONE OF 366 00:07:33,333 --> 00:07:34,467 THE MORE POWERFUL MOMENTS, 367 00:07:34,467 --> 00:07:36,533 WATCHING IT, WAS TO SEE THE 368 00:07:36,533 --> 00:07:37,733 SCENE ABOUT YOUR MOTHER. 369 00:07:37,733 --> 00:07:38,400 RIGHT. 370 00:07:38,400 --> 00:07:39,367 THAT WAS SOME PRETTY 371 00:07:39,367 --> 00:07:40,700 INCREDIBLE REVELATIONS THAT 372 00:07:40,700 --> 00:07:41,367 TOOK PLACE THERE. 373 00:07:41,367 --> 00:07:42,067 RIGHT. 374 00:07:42,067 --> 00:07:44,067 AND DR. JEFF, YOU KNOW, 375 00:07:44,067 --> 00:07:45,200 HIS ANALYSIS WAS THAT 376 00:07:45,200 --> 00:07:47,267 IT CAUSED YOU TO HATE WOMEN. 377 00:07:47,267 --> 00:07:47,933 I DON'T HATE WOMEN. 378 00:07:47,933 --> 00:07:48,667 I LOVE WOMEN, YOU KNOW WHAT 379 00:07:48,667 --> 00:07:49,333 I'M SAYING? 380 00:07:49,333 --> 00:07:50,233 NOW, HOW I DEAL WITH WOMEN IS 381 00:07:50,233 --> 00:07:50,900 A DIFFERENT STORY. 382 00:07:50,900 --> 00:07:51,567 WHY IS THAT? 383 00:07:51,567 --> 00:07:52,867 BUT HOW YOU DEAL WITH THEM 384 00:07:52,867 --> 00:07:53,833 DETERMINES HOW YOU REALLY FEEL 385 00:07:53,833 --> 00:07:54,700 ABOUT THEM, STEVIE, BECAUSE-- 386 00:07:54,700 --> 00:07:55,367 NOT TRUE. 387 00:07:55,367 --> 00:07:56,067 YOU'VE GOT TO LOOK AT 388 00:07:56,067 --> 00:07:56,733 THAT CLOSELY. 389 00:07:56,733 --> 00:07:57,467 TELL THE TRUTH, STEVIE. 390 00:07:57,467 --> 00:07:58,500 YOU HEARD WHAT YOUR MAMA-- 391 00:07:58,500 --> 00:07:59,733 YOUR MOM WASN'T THERE FOR YOU, 392 00:07:59,733 --> 00:08:01,133 AND HE NEEDS TO TALK TO HIS MOM. 393 00:08:01,133 --> 00:08:02,200 I TOLD YOU THIS [bleep] 394 00:08:02,200 --> 00:08:02,967 ALL THE TIME. 395 00:08:02,967 --> 00:08:04,933 AND I THINK I HAVE TO AGREE 396 00:08:04,933 --> 00:08:05,600 WITH YOU, JOSELINE. 397 00:08:05,600 --> 00:08:07,067 I DO AGREE, STEVIE, AND IT'S 398 00:08:07,067 --> 00:08:08,133 SOMETHING THAT I THINK IS WORTH 399 00:08:08,133 --> 00:08:09,133 LOOKING INTO. 400 00:08:09,133 --> 00:08:09,967 ONE DAY, MAYBE. 401 00:08:09,967 --> 00:08:10,667 I'M COOL. 402 00:08:10,667 --> 00:08:11,700 OKAY. 403 00:08:11,700 --> 00:08:12,567 MIMI, YOU HAD YOUR OWN 404 00:08:12,567 --> 00:08:13,600 ABANDONMENT ISSUES WITH YOUR 405 00:08:13,600 --> 00:08:15,900 MOM, GROWING UP WITHOUT YOUR MOM 406 00:08:15,900 --> 00:08:16,733 AS WELL. 407 00:08:16,733 --> 00:08:17,733 HOW DO YOU THINK IT IMPACTED 408 00:08:17,733 --> 00:08:19,467 YOUR RELATIONSHIPS WITH MEN, 409 00:08:19,467 --> 00:08:20,333 ESPECIALLY YOUR RELATIONSHIP 410 00:08:20,333 --> 00:08:21,067 WITH STEVIE? 411 00:08:21,067 --> 00:08:22,800 IT MADE ME, WHEN I DID GET 412 00:08:22,800 --> 00:08:23,833 INTO A RELATIONSHIP, WANT TO 413 00:08:23,833 --> 00:08:26,167 KEEP IT AND ALSO, AFTER I HAD 414 00:08:26,167 --> 00:08:28,200 A CHILD WITH THIS MAN, TO REALLY 415 00:08:28,200 --> 00:08:29,700 HOLD ON TO MY FAMILY BECAUSE 416 00:08:29,700 --> 00:08:30,467 I DIDN'T WANT MY DAUGHTER TO 417 00:08:30,467 --> 00:08:31,867 EXPERIENCE WHAT I HAD. 418 00:08:31,867 --> 00:08:33,167 OKAY, AND ALSO, I FIND IT 419 00:08:33,167 --> 00:08:34,333 VERY INTERESTING, JOSELINE, 420 00:08:34,333 --> 00:08:35,833 THAT YOU HAD ISSUES WITH 421 00:08:35,833 --> 00:08:36,700 YOUR MOM AS WELL. 422 00:08:36,700 --> 00:08:38,300 AS A MATTER OF FACT, LET'S CHECK 423 00:08:38,300 --> 00:08:39,633 OUT A SCENE WITH YOU, YOUR MOM, 424 00:08:39,633 --> 00:08:40,800 AND YOUR STEPDAD THAT DIDN'T 425 00:08:40,800 --> 00:08:42,833 MAKE IT ONTO THE SHOW. 426 00:08:44,333 --> 00:08:45,067 IT'S HER FAULT. 427 00:08:45,067 --> 00:08:45,900 SHE NEVER-- 428 00:08:45,900 --> 00:08:46,733 WE TRIED, MAN. 429 00:08:46,733 --> 00:08:49,667 [speaking Spanish] 430 00:08:49,667 --> 00:08:50,767 BECAUSE WHEN I USED TO COME-- 431 00:08:50,767 --> 00:08:52,133 WHEN I USED TO RUN AWAY AND COME 432 00:08:52,133 --> 00:08:54,067 TO THE HOUSE AND HAVE $200, $300 433 00:08:54,067 --> 00:08:55,633 IN MY HAND AND GIVE IT TO HER, 434 00:08:55,633 --> 00:08:56,800 THEN SHE'LL TAKE IT AND LET ME 435 00:08:56,800 --> 00:08:57,500 GO IN THE HOUSE. 436 00:08:57,500 --> 00:08:59,500 THAT WASN'T NO PROBLEM. 437 00:09:05,433 --> 00:09:06,700 SHE ALWAYS SAID THAT, BUT SHE 438 00:09:06,700 --> 00:09:07,900 ALWAYS SAID I NEVER DID ENOUGH. 439 00:09:07,900 --> 00:09:09,133 SHE NEVER WANTS TO TAKE 440 00:09:09,133 --> 00:09:10,133 RESPONSIBILITIES OF WHAT SHE 441 00:09:10,133 --> 00:09:10,800 DID WRONG. 442 00:09:10,800 --> 00:09:11,567 OKAY, LET'S TRY THIS OUT. 443 00:09:11,567 --> 00:09:12,567 NO, IT'S NOT-- 444 00:09:12,567 --> 00:09:13,767 YOU DON'T HAVE THE REASONS. 445 00:09:13,767 --> 00:09:15,267 SHE'S [bleep] WRONG FOR THAT 446 00:09:15,267 --> 00:09:16,233 [bleep], AND SHE ALWAYS-- 447 00:09:16,233 --> 00:09:17,967 AND YOU WAS WRONG TOO! 448 00:09:17,967 --> 00:09:19,067 YOU WAS WRONG TOO! 449 00:09:19,067 --> 00:09:20,133 I'M NOT GONNA LET Y'ALL BLAME 450 00:09:20,133 --> 00:09:21,167 THIS [bleep] ON ME NO MORE. 451 00:09:21,167 --> 00:09:22,267 YOU CAN GO. 452 00:09:27,067 --> 00:09:27,667 I'M DONE. 453 00:09:27,667 --> 00:09:29,533 GET THEM OUT OF HERE. 454 00:09:29,533 --> 00:09:30,333 THAT HURTS YOU TO LOOK 455 00:09:30,333 --> 00:09:32,333 AT THAT. 456 00:09:33,433 --> 00:09:35,533 [sniffles] 457 00:09:35,533 --> 00:09:36,833 I LOVE MY PARENTS, AND I'M 458 00:09:36,833 --> 00:09:38,067 GONNA ALWAYS LOVE MY PARENTS, 459 00:09:38,067 --> 00:09:40,567 BUT I WAS A KID. 460 00:09:40,567 --> 00:09:41,600 I DIDN'T DO ANYTHING WRONG. 461 00:09:41,600 --> 00:09:42,267 RIGHT. 462 00:09:42,267 --> 00:09:43,167 WHAT DID I DO WRONG? 463 00:09:43,167 --> 00:09:44,100 COME HOME WITH SOME MONEY 464 00:09:44,100 --> 00:09:44,800 AND YOU LET ME GO BACK ON 465 00:09:44,800 --> 00:09:45,867 THE STREETS? 466 00:09:45,867 --> 00:09:46,933 I DIDN'T DO ANYTHING WRONG. 467 00:09:46,933 --> 00:09:48,233 THAT'S WHY I DON'T KNOW HOW TO 468 00:09:48,233 --> 00:09:49,200 HAVE A RELATIONSHIP-- 469 00:09:49,200 --> 00:09:50,233 A NORMAL RELATIONSHIP-- 470 00:09:50,233 --> 00:09:52,200 WITH NO MAN, SO I DEAL WITH MEN 471 00:09:52,200 --> 00:09:53,833 THE ONLY WAY I KNOW HOW TO DEAL 472 00:09:53,833 --> 00:09:55,867 WITH MEN, IS BY DOING WHAT I DO 473 00:09:55,867 --> 00:09:57,200 AND NOT GIVING A [bleep], 474 00:09:57,200 --> 00:09:58,200 BUT I STILL LOVE MY MOM, 475 00:09:58,200 --> 00:09:59,367 AND I LOVE MY PARENTS, 476 00:09:59,367 --> 00:10:00,467 AND I'M GONNA ALWAYS LOVE THEM, 477 00:10:00,467 --> 00:10:01,800 BECAUSE SHE DIDN'T 478 00:10:01,800 --> 00:10:02,467 KNOW NO BETTER. 479 00:10:02,467 --> 00:10:03,300 SHE DIDN'T HAVE NO MOM. 480 00:10:03,300 --> 00:10:04,500 HOW AM I GONNA BLAME HER WHEN 481 00:10:04,500 --> 00:10:06,000 MY MOM DIDN'T HAVE NO MOM? 482 00:10:06,000 --> 00:10:07,200 SHE DON'T KNOW [bleep]. 483 00:10:07,200 --> 00:10:08,267 SHE NEVER LEARNED HOW TO BE 484 00:10:08,267 --> 00:10:10,367 A MOM, SO I CAN'T BE MAD AT HER. 485 00:10:10,367 --> 00:10:11,433 THE ONLY PERSON THAT EVER TOOK 486 00:10:11,433 --> 00:10:12,900 CARE OF ME WAS STEVIE. 487 00:10:12,900 --> 00:10:14,100 EVERYBODY ELSE JUST DID WHAT 488 00:10:14,100 --> 00:10:14,900 THEY HAD TO DO. 489 00:10:14,900 --> 00:10:15,967 THAT'S WHAT YOU ARE. 490 00:10:15,967 --> 00:10:18,233 YOU WANT TO SAVE EVERY [bleep]. 491 00:10:18,233 --> 00:10:19,100 DO YOU THINK THIS IS 492 00:10:19,100 --> 00:10:20,767 A HEALTHY RELATIONSHIP? 493 00:10:20,767 --> 00:10:21,767 BUT, SEE, THE THING ABOUT 494 00:10:21,767 --> 00:10:22,833 ME AND STEVIE-- 495 00:10:22,833 --> 00:10:24,433 WE MORE FRIENDS THAN ANYTHING. 496 00:10:24,433 --> 00:10:25,933 I DON'T TAKE STEVIE TOO 497 00:10:25,933 --> 00:10:27,633 SERIOUSLY LIKE HOW MIMI TAKE HIM 498 00:10:27,633 --> 00:10:28,300 TOO SERIOUSLY, AND-- 499 00:10:28,300 --> 00:10:29,200 YOU DON'T HAVE A CHILD WITH 500 00:10:29,200 --> 00:10:29,867 HIM, SO, OF COURSE-- 501 00:10:29,867 --> 00:10:30,533 YES, I DON'T HAVE 502 00:10:30,533 --> 00:10:31,200 A CHILD WITH HIM. 503 00:10:31,200 --> 00:10:32,000 YOU HAVEN'T DEALT WITH HIM 504 00:10:32,000 --> 00:10:32,833 FOR 15 YEARS, SO OF COURSE NOT. 505 00:10:32,833 --> 00:10:33,500 I DON'T HAVE A CHILD 506 00:10:33,500 --> 00:10:34,167 WITH HIM. 507 00:10:34,167 --> 00:10:35,067 LET ME TELL YOU SOMETHING, MIMI. 508 00:10:35,067 --> 00:10:36,400 I DON'T HAVE A CHILD WITH HIM, 509 00:10:36,400 --> 00:10:37,667 BUT I WAS PREGNANT FOR HIM, 510 00:10:37,667 --> 00:10:38,767 AND IF I WOULD HAVE HAD A CHILD 511 00:10:38,767 --> 00:10:40,133 FOR HIM, I WOULD HAVE BEEN JUST 512 00:10:40,133 --> 00:10:41,067 AS MAD AS YOU ARE. 513 00:10:41,067 --> 00:10:42,100 THAT'S WHY I DON'T HAVE A CHILD 514 00:10:42,100 --> 00:10:43,533 FROM HIM, BUT AT THE END OF THE 515 00:10:43,533 --> 00:10:44,967 DAY, I STILL RESPECT HIM, 516 00:10:44,967 --> 00:10:45,633 'CAUSE--YOU KNOW WHY I 517 00:10:45,633 --> 00:10:46,300 RESPECT HIM? 518 00:10:46,300 --> 00:10:47,267 BECAUSE HE DID A LOT FOR ME. 519 00:10:47,267 --> 00:10:47,933 GREAT. 520 00:10:47,933 --> 00:10:49,933 UNLIKE YOU, THAT YOU GO TALK 521 00:10:49,933 --> 00:10:51,500 DOWN ON HIM, AND YOU NEVER GAVE 522 00:10:51,500 --> 00:10:52,167 HIM A CHANCE. 523 00:10:52,167 --> 00:10:53,333 WHAT THE [bleep] DID HE DO 524 00:10:53,333 --> 00:10:54,167 FOR ME, JOSELINE? 525 00:10:54,167 --> 00:10:55,700 HE AIN'T DO [bleep] FOR ME. 526 00:10:55,700 --> 00:10:56,500 HE TOOK CARE OF YOU 527 00:10:56,500 --> 00:10:57,533 MANY YEARS. 528 00:10:57,533 --> 00:10:58,267 WHAT DID HE DO FOR ME? 529 00:10:58,267 --> 00:10:58,933 HE TOOK CARE OF YOU 530 00:10:58,933 --> 00:10:59,600 FOR MANY YEARS. 531 00:10:59,600 --> 00:11:01,433 HE MADE YOU A SUPERSTAR! 532 00:11:01,433 --> 00:11:02,333 WHAT DID HE DO FOR ME? 533 00:11:02,333 --> 00:11:03,167 WELL, IT AIN'T MY FAULT THAT 534 00:11:03,167 --> 00:11:04,700 YOU AIN'T NO SUPERSTAR. 535 00:11:04,700 --> 00:11:05,500 THAT AIN'T GOT TO DO WITH ME. 536 00:11:05,500 --> 00:11:06,267 OKAY. 537 00:11:06,267 --> 00:11:07,700 BITCH, I'M JUST AS MUCH OF 538 00:11:07,700 --> 00:11:09,133 a STAR AS YOUR ASS SITTING ON 539 00:11:09,133 --> 00:11:10,133 THIS [bleep] STAGE. 540 00:11:10,133 --> 00:11:11,500 SO WHY YOU NOT WHERE I'M AT? 541 00:11:11,500 --> 00:11:12,167 YOU DIDN'T WANT THAT-- 542 00:11:12,167 --> 00:11:13,467 WHY I'M NOT WHERE YOU'RE AT? 543 00:11:13,467 --> 00:11:14,300 I'M SITTING ON THIS COUCH JUST 544 00:11:14,300 --> 00:11:14,967 LIKE YOU ARE. 545 00:11:14,967 --> 00:11:15,633 I DID NOT BRING IT UP. 546 00:11:15,633 --> 00:11:16,300 YOU BROUGHT THAT UP. 547 00:11:16,300 --> 00:11:17,133 I'M SITTING ON THIS COUCH 548 00:11:17,133 --> 00:11:17,733 LIKE YOU ARE. 549 00:11:17,733 --> 00:11:18,800 OKAY, BUT YOU BROUGHT IT UP. 550 00:11:18,800 --> 00:11:19,467 I'M NOT TRYING TO BE-- 551 00:11:19,467 --> 00:11:20,133 I DIDN'T SAY-- 552 00:11:20,133 --> 00:11:21,133 YOU THE BABY MAMA. 553 00:11:21,133 --> 00:11:22,300 I DON'T HAVE A BEEF WITH YOU. 554 00:11:22,300 --> 00:11:23,600 OKAY, YOU GUYS HOLD UP 555 00:11:23,600 --> 00:11:24,300 FOR A MINUTE. 556 00:11:24,300 --> 00:11:25,300 LET ME TAKE A QUESTION HERE 557 00:11:25,300 --> 00:11:26,300 FROM THE FANS. 558 00:11:26,300 --> 00:11:28,433 I HAVE DANE B. FROM FACEBOOK 559 00:11:28,433 --> 00:11:30,667 ASKING, "STEVIE, WHY DO YOU 560 00:11:30,667 --> 00:11:32,133 CONSTANTLY THREATEN JOSELINE 561 00:11:32,133 --> 00:11:33,333 WITH SENDING HER BACK TO THE 562 00:11:33,333 --> 00:11:34,433 STRIP CLUB? 563 00:11:34,433 --> 00:11:35,200 IS THAT YOUR WAY OF 564 00:11:35,200 --> 00:11:36,267 CONTROLLING HER?" 565 00:11:36,267 --> 00:11:37,567 I MEAN, THAT WAS EARLY ON, 566 00:11:37,567 --> 00:11:38,267 YOU KNOW WHAT I'M SAYING? 567 00:11:38,267 --> 00:11:39,100 THAT WAS JUST SOMETHING THAT I 568 00:11:39,100 --> 00:11:40,400 KNEW THAT WOULD GET TO HER. 569 00:11:40,400 --> 00:11:41,333 AT THE END OF THE DAY, YOU KNOW 570 00:11:41,333 --> 00:11:42,233 WHAT I'M SAYING, ALL I WANT TO 571 00:11:42,233 --> 00:11:42,900 DO IS SEE HER WIN. 572 00:11:42,900 --> 00:11:43,600 THAT'S IT, YOU KNOW WHAT 573 00:11:43,600 --> 00:11:44,267 I'M SAYING? 574 00:11:44,267 --> 00:11:45,233 THE THINKING IS THAT STEVIE'S 575 00:11:45,233 --> 00:11:46,567 CONTROL OVER YOU IS A LITTLE 576 00:11:46,567 --> 00:11:47,933 BIT, LIKE, PIMP-LIKE IN HIS 577 00:11:47,933 --> 00:11:49,067 HOLD, YOU KNOW? 578 00:11:49,067 --> 00:11:50,700 HE DETERMINES WHEN YOU DO WHAT, 579 00:11:50,700 --> 00:11:51,833 AND HE HANGS ON SO TIGHT. 580 00:11:51,833 --> 00:11:52,567 WHAT DO YOU SAY ABOUT THAT? 581 00:11:52,567 --> 00:11:53,433 NAH, THAT'S THE SAME THING-- 582 00:11:53,433 --> 00:11:54,100 SHUT UP. 583 00:11:54,100 --> 00:11:54,933 LET ME ANSWER MY OWN QUESTION, 584 00:11:54,933 --> 00:11:55,767 'CAUSE SHE'S NOT ASKING YOU-- 585 00:11:55,767 --> 00:11:56,833 WHAT A MANAGER DOES. 586 00:11:56,833 --> 00:11:58,067 SHE CAN'T DO IT HERSELF, OR SHE 587 00:11:58,067 --> 00:11:58,767 WOULD HAVE BEEN THERE. 588 00:11:58,767 --> 00:11:59,667 MONA, LET ME TELL YOU 589 00:11:59,667 --> 00:12:00,400 WHAT IT IS. 590 00:12:00,400 --> 00:12:03,333 IT AIN'T ABOUT THAT HE'S 591 00:12:03,333 --> 00:12:04,067 "PIMPING" ON ME AND ALL 592 00:12:04,067 --> 00:12:04,667 OF THAT. 593 00:12:04,667 --> 00:12:06,333 I LISTEN TO STEVIE WHEN I NEED 594 00:12:06,333 --> 00:12:07,133 TO LISTEN TO STEVIE. 595 00:12:07,133 --> 00:12:07,933 WHEN I DON'T, I DO 596 00:12:07,933 --> 00:12:08,600 MY OWN [bleep]. 597 00:12:08,600 --> 00:12:09,267 NO, YOU DON'T. 598 00:12:09,267 --> 00:12:10,133 AND I WISH PEOPLE-- 599 00:12:10,133 --> 00:12:11,400 LISTEN, IF IT'S NOT ABOUT MY 600 00:12:11,400 --> 00:12:12,633 CAREER, IF IT'S NOT ABOUT MY 601 00:12:12,633 --> 00:12:13,533 MONEY, AIN'T NOBODY LISTENING 602 00:12:13,533 --> 00:12:14,200 TO [bleep] STEVIE. 603 00:12:14,200 --> 00:12:14,867 YES, YOU ARE. 604 00:12:14,867 --> 00:12:15,633 HE'S A [bleep] IDIOT. 605 00:12:15,633 --> 00:12:16,533 HE'S A FOOL. 606 00:12:16,533 --> 00:12:17,633 MIMI MAY HAVE BEEN WILLING TO 607 00:12:17,633 --> 00:12:19,200 SIT THROUGH THERAPY WITH STEVIE 608 00:12:19,200 --> 00:12:20,900 AND JOSELINE, BUT SHE FINALLY 609 00:12:20,900 --> 00:12:22,267 TOOK A STAND WHEN SHE FELT 610 00:12:22,267 --> 00:12:24,133 BLATANTLY DISRESPECTED, 611 00:12:24,133 --> 00:12:25,567 BUT IT WAS NO SWEAT OFF 612 00:12:25,567 --> 00:12:26,967 JOSELINE'S NOSE. 613 00:12:26,967 --> 00:12:28,467 TAKE A LOOK. 614 00:12:28,467 --> 00:12:29,467 I WASN'T REALLY PAYING ANY 615 00:12:29,467 --> 00:12:30,833 MIND TO-- 616 00:12:30,833 --> 00:12:31,500 THANK YOU, BABY-- 617 00:12:31,500 --> 00:12:33,233 I WASN'T REALLY PAYING ANY MIND 618 00:12:33,233 --> 00:12:34,467 TO ANYTHING THAT-- 619 00:12:34,467 --> 00:12:36,067 ARE YOU [bleep] SERIOUS? 620 00:12:36,067 --> 00:12:38,967 WHAT THE HELL WAS THAT? 621 00:12:38,967 --> 00:12:39,667 HER NOSE WAS SWEATING. 622 00:12:39,667 --> 00:12:40,333 MY NOSE WAS SWEATING. 623 00:12:40,333 --> 00:12:41,067 HE ALWAYS WIPES MY NOSE 624 00:12:41,067 --> 00:12:42,067 HER NOSE ALWAYS SWEATS. 625 00:12:42,067 --> 00:12:42,733 IT'S CRAZY. 626 00:12:42,733 --> 00:12:44,067 JUST KNOW YOU LOOKING GOOD, 627 00:12:44,067 --> 00:12:44,933 YOU KNOW WHAT I MEAN? 628 00:12:44,933 --> 00:12:46,200 I COULD WIPE MY OWN SWEAT. 629 00:12:46,200 --> 00:12:46,900 I KNOW YOU CAN WIPE YOUR 630 00:12:46,900 --> 00:12:47,633 OWN SWEAT. 631 00:12:47,633 --> 00:12:48,833 I WANTED TO WIPE IT FOR YOU. 632 00:12:48,833 --> 00:12:49,567 I'M TRYING TO BUILD YOU 633 00:12:49,567 --> 00:12:50,800 AS A BRAND TOO, YOU KNOW WHAT 634 00:12:50,800 --> 00:12:51,467 I'M SAYING? 635 00:12:51,467 --> 00:12:52,633 I DIDN'T KNOW ABOUT THIS 636 00:12:52,633 --> 00:12:54,200 BEFORE IT HAPPENED. 637 00:12:54,200 --> 00:12:55,933 LIKE, YOU JUST BLATANTLY 638 00:12:55,933 --> 00:12:56,867 DISRESPECTFUL. 639 00:12:56,867 --> 00:12:57,700 LIKE, YOU JUST DON'T GIVE 640 00:12:57,700 --> 00:12:59,367 A [bleep] AT ALL. 641 00:12:59,367 --> 00:13:01,067 STEVIE, WHAT IN THE HELL WERE 642 00:13:01,067 --> 00:13:01,800 YOU THINKING? 643 00:13:01,800 --> 00:13:03,167 DURING A THERAPY SESSION WITH 644 00:13:03,167 --> 00:13:04,333 MIMI, AND THAT'S SUCH 645 00:13:04,333 --> 00:13:05,067 AN INTIMATE GESTURE. 646 00:13:05,067 --> 00:13:06,667 'CAUSE HE'S A DISRESPECTFUL 647 00:13:06,667 --> 00:13:07,867 MOTHER[bleep]. 648 00:13:07,867 --> 00:13:08,700 AN INTIMATE GESTURE? 649 00:13:08,700 --> 00:13:09,567 YES. 650 00:13:09,567 --> 00:13:10,533 I DIDN'T RUB HER [bleep]. 651 00:13:10,533 --> 00:13:11,267 I DIDN'T FEEL ON HER ASS 652 00:13:11,267 --> 00:13:11,933 OR NOTHING. 653 00:13:11,933 --> 00:13:12,733 I JUST RUBBED HER NOSE. 654 00:13:12,733 --> 00:13:14,600 YOU DON'T EVEN GET IT. 655 00:13:14,600 --> 00:13:15,433 LISTEN, WHEN WE COME BACK-- 656 00:13:15,433 --> 00:13:16,300 HE CAN'T STAY AWAY FROM ME 657 00:13:16,300 --> 00:13:16,967 SEXUALLY. 658 00:13:16,967 --> 00:13:17,633 HE GOT TO TOUCH ME. 659 00:13:17,633 --> 00:13:18,300 THIS IS TOO MUCH. 660 00:13:18,300 --> 00:13:19,133 THAT AIN'T GOT NOTHING TO DO 661 00:13:19,133 --> 00:13:19,800 WITH YOUR--EH, SEX. 662 00:13:19,800 --> 00:13:20,500 HE CAN'T KEEP HIS HANDS 663 00:13:20,500 --> 00:13:21,167 AWAY FROM ME. 664 00:13:21,167 --> 00:13:21,833 ALL RIGHT. 665 00:13:21,833 --> 00:13:22,700 PLEASE, YOU GONNA BE CALLING 666 00:13:22,700 --> 00:13:23,533 RIGHT AFTER THIS [bleep]. 667 00:13:23,533 --> 00:13:24,333 I'M NOT CALLING YOU AT ALL. 668 00:13:24,333 --> 00:13:25,133 "WHERE'S THAT ASS AT?" 669 00:13:25,133 --> 00:13:25,733 RIGHT HERE. 670 00:13:25,733 --> 00:13:26,467 ALL RIGHT, LET'S HOLD UP 671 00:13:26,467 --> 00:13:27,133 FOR A SECOND. 672 00:13:27,133 --> 00:13:28,367 GUYS, WHEN WE COME BACK, 673 00:13:28,367 --> 00:13:29,600 THERE'LL BE MORE HOOKUPS AND 674 00:13:29,600 --> 00:13:31,600 HEARTBREAK TO TALK ABOUT. 675 00:13:31,600 --> 00:13:33,067 STICK AROUND FOR MORE LOVE & 676 00:13:33,067 --> 00:13:35,167 HIP-HOP: ATLANTA: THE REUNION. 677 00:13:35,167 --> 00:13:38,267 [cheers and applause] 678 00:13:38,267 --> 00:13:39,067 DIDN'T Y'ALL [bleep]. 679 00:13:39,067 --> 00:13:39,933 CHECK THIS, BITCH. 680 00:13:39,933 --> 00:13:40,600 YOU CHECK IT! 681 00:13:40,600 --> 00:13:41,400 BRING YOUR ASS! 682 00:13:41,400 --> 00:13:42,267 NO, NO, NO. 683 00:13:42,267 --> 00:13:43,100 HEY, HEY, HEY. 684 00:13:43,100 --> 00:13:43,800 SHUT THE [bleep] UP. 685 00:13:48,200 --> 00:13:50,200 * THIS IS THE LIFE 686 00:13:52,267 --> 00:13:53,367 WE'RE BACK WITH LOVE & 687 00:13:53,367 --> 00:13:55,433 HIP-HOP: ATLANTA: THE REUNION. 688 00:13:55,433 --> 00:13:57,333 AND JOINING ME ON THE STAGE IS 689 00:13:57,333 --> 00:13:58,733 THIS SEASON'S OTHER LOVE 690 00:13:58,733 --> 00:14:01,067 TRIANGLE: SCRAPPY, ERICA, 691 00:14:01,067 --> 00:14:02,067 AND SHAY. 692 00:14:02,067 --> 00:14:03,367 SCRAPPY CLAIMED HE WAS LOOKING 693 00:14:03,367 --> 00:14:05,200 FOR A WOMAN TO HOLD HIM DOWN. 694 00:14:05,200 --> 00:14:07,233 WELL, HE FOUND TWO, EACH WHO 695 00:14:07,233 --> 00:14:08,267 BELIEVE THEY WERE HIS 696 00:14:08,267 --> 00:14:09,533 ONE-AND-ONLY. 697 00:14:09,533 --> 00:14:10,667 ERICA AND SHAY COULDN'T HAVE 698 00:14:10,667 --> 00:14:12,333 BEEN MORE DIFFERENT, BUT THEY 699 00:14:12,333 --> 00:14:14,167 BOTH FOUND THEMSELVES IN THE 700 00:14:14,167 --> 00:14:16,100 SAME PILE OF SCRAP. 701 00:14:16,100 --> 00:14:17,533 CHECK IT OUT. 702 00:14:17,533 --> 00:14:19,067 SO YOU TELL ME, WHERE YOU 703 00:14:19,067 --> 00:14:20,233 WANT TO START? 704 00:14:20,233 --> 00:14:21,800 ERICA MY BABY MAMA AND ALL. 705 00:14:21,800 --> 00:14:24,233 I LOVE HER, BUT THAT DON'T MEAN 706 00:14:24,233 --> 00:14:25,367 YOU GOT TO BE WITH SOMEBODY. 707 00:14:25,367 --> 00:14:27,167 I GOT TO GET MY OWN SPOT. 708 00:14:27,167 --> 00:14:28,200 DO WHAT PLAYERS DO. 709 00:14:28,200 --> 00:14:29,267 HOW DO PLAYERS PLAY? 710 00:14:29,267 --> 00:14:31,067 ALL DAY, EVERY DAY. 711 00:14:31,067 --> 00:14:32,067 SHAY IS ONE OF MY 712 00:14:32,067 --> 00:14:32,667 BEST FRIENDS. 713 00:14:32,667 --> 00:14:33,433 YOU HAVE A LOOK AT HER, 714 00:14:33,433 --> 00:14:35,967 YOU BE LIKE, "DAMN." 715 00:14:35,967 --> 00:14:36,767 DO YOU KNOW THE DIFFERENCE 716 00:14:36,767 --> 00:14:37,500 BETWEEN A BOY AND A MAN? 717 00:14:37,500 --> 00:14:38,467 MY MOM DOESN'T THINK 718 00:14:38,467 --> 00:14:40,867 SCRAPPY'S THE ONE FOR ME. 719 00:14:40,867 --> 00:14:42,367 I KNOW WHAT I'M DOING RIGHT NOW. 720 00:14:42,367 --> 00:14:43,533 WE'RE MOVING FORWARD, 721 00:14:43,533 --> 00:14:44,500 AND WE'RE HAPPY. 722 00:14:44,500 --> 00:14:45,533 I'M WORKING ON YOU, AND YOU 723 00:14:45,533 --> 00:14:46,433 WORKING ON ME. 724 00:14:46,433 --> 00:14:47,267 YES. 725 00:14:47,267 --> 00:14:48,833 AND IN THE END, I'M GONNA 726 00:14:48,833 --> 00:14:49,633 HAVE A RING. 727 00:14:49,633 --> 00:14:51,100 THAT'S YOUR BABY MAMA BUT NOT 728 00:14:51,100 --> 00:14:51,900 YOUR GIRLFRIEND. 729 00:14:51,900 --> 00:14:53,600 RIGHT. 730 00:14:53,600 --> 00:14:55,067 IF I DON'T WANT TO WORK FOR IT, 731 00:14:55,067 --> 00:14:56,300 I WILL DEFINITELY TELL YOU. 732 00:14:56,300 --> 00:14:57,533 SO FAR AS SHE CONCERNED, 733 00:14:57,533 --> 00:14:58,300 IT'S OVER. 734 00:14:58,300 --> 00:14:59,200 YEAH, INDEED. 735 00:14:59,200 --> 00:15:00,667 HE'S MINE, BIZ-NAY-EE. 736 00:15:00,667 --> 00:15:01,333 [grunts] 737 00:15:01,333 --> 00:15:02,067 WHAT? 738 00:15:02,067 --> 00:15:03,167 HAVE YOU SLEPT WITH HER? 739 00:15:03,167 --> 00:15:04,067 WE'RE JUST FRIENDS. 740 00:15:04,067 --> 00:15:04,833 DOES SHE KNOW THAT Y'ALL 741 00:15:04,833 --> 00:15:05,567 ARE JUST FRIENDS? 742 00:15:05,567 --> 00:15:06,700 "JUST FRIENDS"? 743 00:15:06,700 --> 00:15:07,833 WHY YOU HIDING IT? 744 00:15:07,833 --> 00:15:08,933 I AIN'T HIDING IT. 745 00:15:08,933 --> 00:15:09,833 I JUST LOVE YOU. 746 00:15:09,833 --> 00:15:11,367 I LOVE ERICA DIXON. 747 00:15:11,367 --> 00:15:13,267 HOW YOU REALLY FEEL ABOUT ME? 748 00:15:13,267 --> 00:15:14,067 I LOVE YOU. 749 00:15:14,067 --> 00:15:15,400 I'M DOWN WITH SHAY, 750 00:15:15,400 --> 00:15:16,533 BUT I GOT TO GO ALONG WITH 751 00:15:16,533 --> 00:15:17,667 WHAT YOU DECIDE. 752 00:15:17,667 --> 00:15:19,667 [sighs] 753 00:15:21,533 --> 00:15:22,800 SCRAPPY, IT LOOKS TO ME LIKE 754 00:15:22,800 --> 00:15:24,467 YOU LOVE EVERYBODY. 755 00:15:24,467 --> 00:15:25,567 WHEN YOU GOT SOMEBODY THAT, 756 00:15:25,567 --> 00:15:27,267 YOU KNOW, YOU LOVE, AND YOU GOT 757 00:15:27,267 --> 00:15:29,067 A KID WITH THEM, AND YOU DONE 758 00:15:29,067 --> 00:15:30,400 BEEN THROUGH A LOT OF STUFF WITH 759 00:15:30,400 --> 00:15:31,433 THEM, AND YOU JUST WANT SOME 760 00:15:31,433 --> 00:15:32,733 KIND OF WAY TO MAKE IT WORK-- 761 00:15:32,733 --> 00:15:34,067 YOU KNOW, FOR ME, IT SEEMED LIKE 762 00:15:34,067 --> 00:15:35,400 I KIND OF--EVERY TIME-- 763 00:15:35,400 --> 00:15:36,967 EVERY SINGLE TIME, I RUN. 764 00:15:36,967 --> 00:15:37,700 I RUN. 765 00:15:37,700 --> 00:15:39,067 WHAT WERE YOU RUNNING FROM? 766 00:15:39,067 --> 00:15:40,467 JUST BEING HURT AGAIN. 767 00:15:40,467 --> 00:15:42,100 GETTING WITH ERICA AND STUFF 768 00:15:42,100 --> 00:15:43,067 JUST DON'T WORK OUT, AND I 769 00:15:43,067 --> 00:15:44,767 KNOW ERICA GOT A MEAN STREAK 770 00:15:44,767 --> 00:15:46,233 WITH HER, YOU KNOW, AND SHE CAN 771 00:15:46,233 --> 00:15:47,767 BE REAL MEAN SOMETIMES. 772 00:15:47,767 --> 00:15:49,367 ERICA, HOW DID THAT MAKE YOU 773 00:15:49,367 --> 00:15:50,200 FEEL SEEING THAT? 774 00:15:50,200 --> 00:15:51,433 I MEAN, IT HURT, BUT AT THE 775 00:15:51,433 --> 00:15:52,733 END OF THE DAY, IT WAS A JOKE TO 776 00:15:52,733 --> 00:15:54,267 ME 'CAUSE I KNOW IT WAS ALL DONE 777 00:15:54,267 --> 00:15:56,600 TO GET MY ATTENTION, AND EVERY 778 00:15:56,600 --> 00:15:58,633 CONVERSATION, EVERY INTERACTION, 779 00:15:58,633 --> 00:16:00,167 WAS ABOUT ME. 780 00:16:00,167 --> 00:16:01,067 THE RELATIONSHIP WAS 781 00:16:01,067 --> 00:16:01,767 A LITTLE-- 782 00:16:01,767 --> 00:16:02,967 I MEAN, IT WAS A LOT CONFUSING. 783 00:16:02,967 --> 00:16:03,800 I'M GONNA JUST KEEP IT REAL 784 00:16:03,800 --> 00:16:04,667 WITH YOU. 785 00:16:04,667 --> 00:16:06,200 YOU GUYS STARTED OUT TOGETHER, 786 00:16:06,200 --> 00:16:07,167 BUT THEN YOU WANTED TO LIVE 787 00:16:07,167 --> 00:16:08,100 APART, AND YOU SAID, "IT WOULD 788 00:16:08,100 --> 00:16:09,533 BETTER IF WE LIVED APART." 789 00:16:09,533 --> 00:16:10,200 MM-HMM. 790 00:16:10,200 --> 00:16:10,900 WHAT WAS GOING ON WITH 791 00:16:10,900 --> 00:16:11,567 YOU GUYS? 792 00:16:11,567 --> 00:16:12,333 I MEAN, THIS IS HOW I 793 00:16:12,333 --> 00:16:13,067 HONESTLY FEEL, YOU KNOW-- 794 00:16:13,067 --> 00:16:14,533 'CAUSE IT WAS KIND OF FORCED 795 00:16:14,533 --> 00:16:15,200 AT FIRST. 796 00:16:15,200 --> 00:16:16,533 IT WASN'T SOMETHING THAT WE BOTH 797 00:16:16,533 --> 00:16:18,833 WANTED, AND IT'S JUST ME NOT 798 00:16:18,833 --> 00:16:19,933 ONLY BEING HIS CHILD'S MOTHER 799 00:16:19,933 --> 00:16:21,067 BUT BEING HIS FRIEND, AND WHEN 800 00:16:21,067 --> 00:16:21,733 HE'S DOWN AND OUT, LIKE, 801 00:16:21,733 --> 00:16:22,367 I GOT HIM. 802 00:16:22,367 --> 00:16:23,367 I GOT HIS BACK, AND WHEN HE HIT 803 00:16:23,367 --> 00:16:25,100 ME, LIKE, "HEY, YOU KNOW, I NEED 804 00:16:25,100 --> 00:16:26,067 SOMEWHERE TO STAY, GET ON MY 805 00:16:26,067 --> 00:16:27,500 FEET, WOOTY-WOOTY-WOOT"-- 806 00:16:27,500 --> 00:16:28,167 COME ON. 807 00:16:28,167 --> 00:16:29,133 'CAUSE I KNOW HE GOT ME. 808 00:16:29,133 --> 00:16:30,067 HE'S ALWAYS BEEN THERE FOR ME, 809 00:16:30,067 --> 00:16:31,167 SO I'M LIKE, "YEAH, COME ON, 810 00:16:31,167 --> 00:16:31,900 I GOT YOU." 811 00:16:31,900 --> 00:16:33,567 IT WASN'T THAT, "OKAY, I WANT TO 812 00:16:33,567 --> 00:16:34,400 BE WITH YOU, AND YOU WANT TO BE 813 00:16:34,400 --> 00:16:35,133 WITH ME." 814 00:16:35,133 --> 00:16:36,600 OKAY, SO HE CAME TO THE HOUSE 815 00:16:36,600 --> 00:16:37,700 TO STAY, AND YOU WANTED TO BE 816 00:16:37,700 --> 00:16:39,167 THERE FOR HIM 'CAUSE YOUR FRIEND 817 00:16:39,167 --> 00:16:40,433 WAS IN NEED--YOUR BABY DADDY-- 818 00:16:40,433 --> 00:16:41,667 AND ONE THING LED TO ANOTHER. 819 00:16:41,667 --> 00:16:42,567 IS THAT WHAT HAPPENED? 820 00:16:42,567 --> 00:16:43,300 ABSOLUTELY. 821 00:16:43,300 --> 00:16:44,300 AND THEN YOU GUYS ENDED UP 822 00:16:44,300 --> 00:16:45,267 BACK TOGETHER AGAIN, BUT THEN 823 00:16:45,267 --> 00:16:47,133 YOU REALIZED THAT IT WASN'T 824 00:16:47,133 --> 00:16:48,300 REALLY WHAT YOU WANTED? 825 00:16:48,300 --> 00:16:49,533 I JUST CAUGHT ON TO IT, 826 00:16:49,533 --> 00:16:50,233 YOU KNOW WHAT I'M SAYING? 827 00:16:50,233 --> 00:16:51,400 AND PEOPLE CAN, YOU KNOW, 828 00:16:51,400 --> 00:16:52,467 SAY I'M SLOW OR WHATEVER, 829 00:16:52,467 --> 00:16:54,633 BUT ME AND LOVE-- 830 00:16:54,633 --> 00:16:56,200 I AIN'T A GOOD JUDGE OF 831 00:16:56,200 --> 00:16:57,267 CHARACTER, YOU FEEL ME? 832 00:16:57,267 --> 00:16:58,167 WITH MY PEOPLE I PICK, 833 00:16:58,167 --> 00:16:59,067 YOU FEEL ME? 834 00:16:59,067 --> 00:16:59,900 MM. 835 00:16:59,900 --> 00:17:00,633 AND I, UM-- 836 00:17:00,633 --> 00:17:01,367 THAT'S WHY HE AIN'T 837 00:17:01,367 --> 00:17:02,200 WITH YOUR ASS. 838 00:17:02,200 --> 00:17:02,867 OKAY. 839 00:17:02,867 --> 00:17:03,533 BUT LOOK--HOLD ON-- 840 00:17:03,533 --> 00:17:04,200 WHERE YOU STAYING? 841 00:17:04,200 --> 00:17:05,067 BUT LOOK. LISTEN. LISTEN. 842 00:17:05,067 --> 00:17:05,667 CHECK THIS OUT. 843 00:17:05,667 --> 00:17:06,500 WHERE YOU STAYING? 844 00:17:06,500 --> 00:17:07,500 NO, NO, NO, NO, NO. 845 00:17:07,500 --> 00:17:08,867 HOLD ON, HOLD ON. 846 00:17:08,867 --> 00:17:09,600 HOLD ON, HOLD ON, 847 00:17:09,600 --> 00:17:10,900 DO SHE NOT KNOW HER PLACE? 848 00:17:10,900 --> 00:17:11,567 WHAT DO YOU MEAN, 849 00:17:11,567 --> 00:17:12,333 "KNOW HER PLACE"? 850 00:17:12,333 --> 00:17:13,500 YOU--THIS YOUR [bleep]. 851 00:17:13,500 --> 00:17:14,300 CHECK THIS, BITCH. 852 00:17:14,300 --> 00:17:15,833 HOLD ON. CHILL OUT. 853 00:17:15,833 --> 00:17:16,667 NO, I'M NOT GONNA CHILL OUT. 854 00:17:16,667 --> 00:17:18,200 YOU CHECK THIS. 855 00:17:18,200 --> 00:17:19,133 YOU CHECK IT. 856 00:17:19,133 --> 00:17:19,833 BRING YOUR ASS. 857 00:17:19,833 --> 00:17:20,967 NO, NO, NO, SHAY. 858 00:17:20,967 --> 00:17:22,133 LISTEN, LISTEN, LISTEN. 859 00:17:22,133 --> 00:17:22,967 SIT YOUR ASS DOWN. 860 00:17:22,967 --> 00:17:23,633 RELAX. 861 00:17:23,633 --> 00:17:24,967 SHUT THE [bleep] UP, PLEASE. 862 00:17:24,967 --> 00:17:27,567 [all yelling at once] 863 00:17:27,567 --> 00:17:28,233 [bleep] YOU AND YOUR 864 00:17:28,233 --> 00:17:28,900 BUN, BITCH. 865 00:17:28,900 --> 00:17:29,567 WHAT YOU GONNA DO? 866 00:17:29,567 --> 00:17:30,233 HEY, HEY, HEY. 867 00:17:30,233 --> 00:17:30,900 YOU'RE GONNA SIT 868 00:17:30,900 --> 00:17:31,567 IN THAT SEAT. 869 00:17:31,567 --> 00:17:32,400 THAT'S WHAT YOU GONNA DO. 870 00:17:32,400 --> 00:17:33,067 I'M SITTING. 871 00:17:33,067 --> 00:17:33,733 ARE WE CLEAR? 872 00:17:33,733 --> 00:17:34,400 I'M CLEAR. 873 00:17:34,400 --> 00:17:35,067 ARE WE CLEAR? 874 00:17:35,067 --> 00:17:35,833 I'M CLEAR. I'M GOOD. 875 00:17:35,833 --> 00:17:36,500 I'M HERE. 876 00:17:36,500 --> 00:17:37,267 ERICA, LET ME JUST FINISH 877 00:17:37,267 --> 00:17:37,967 WITH SCRAPPY REAL QUICK. 878 00:17:37,967 --> 00:17:38,633 PLEASE. 879 00:17:38,633 --> 00:17:39,867 WE SAW YOU PROMISE ERICA THAT 880 00:17:39,867 --> 00:17:41,067 IT WAS GONNA BE YOU AND HER, 881 00:17:41,067 --> 00:17:43,067 AND SHE ABSOLUTELY THOUGHT THAT, 882 00:17:43,067 --> 00:17:44,233 WITH YOU MOVING OUT, YOU GUYS 883 00:17:44,233 --> 00:17:45,100 WERE GONNA BE WORKING ON THE 884 00:17:45,100 --> 00:17:46,900 RELATIONSHIP. 885 00:17:46,900 --> 00:17:48,233 THAT'S A FAIR ASSUMPTION, ERICA? 886 00:17:48,233 --> 00:17:49,133 RIGHT. 887 00:17:49,133 --> 00:17:50,867 SO WHAT HAPPENED, SCRAPPY? 888 00:17:50,867 --> 00:17:51,933 I LIKE TO RUN. 889 00:17:51,933 --> 00:17:52,633 YOU FEEL ME? 890 00:17:52,633 --> 00:17:53,867 AND I JUST KNEW, YOU KNOW, 891 00:17:53,867 --> 00:17:54,767 SHAY--YOU KNOW, THAT'S MY 892 00:17:54,767 --> 00:17:55,733 BEST FRIEND. 893 00:17:55,733 --> 00:17:57,267 SHE ALWAYS BEEN THERE, YOU KNOW, 894 00:17:57,267 --> 00:17:58,367 HOLLERING AT ME, LETTING ME KNOW 895 00:17:58,367 --> 00:17:59,567 WHAT THE REAL IS, YOU FEEL ME? 896 00:17:59,567 --> 00:18:01,633 BUT ERICA, IN ALL FAIRNESS, 897 00:18:01,633 --> 00:18:02,300 HAD BEEN THROUGH A LOT 898 00:18:02,300 --> 00:18:02,967 OF HURT TOO. 899 00:18:02,967 --> 00:18:03,767 WE SAW THAT, AND, ERICA-- 900 00:18:03,767 --> 00:18:04,833 ABSOLUTELY. 901 00:18:04,833 --> 00:18:06,433 YOU KNOW, YOU HAD YOUR 902 00:18:06,433 --> 00:18:07,100 GUARD UP. 903 00:18:07,100 --> 00:18:07,800 WHY WOULDN'T I? 904 00:18:07,800 --> 00:18:08,633 ALL THE BACK-AND-FORTH, 905 00:18:08,633 --> 00:18:09,300 BACK-AND-FORTH. 906 00:18:09,300 --> 00:18:10,933 I COULDN'T JUST OPEN UP MY HEART 907 00:18:10,933 --> 00:18:12,267 AND BE LIKE, "OKAY, IT'S ME, 908 00:18:12,267 --> 00:18:12,933 YOU, AND"-- 909 00:18:12,933 --> 00:18:14,633 JUST TAKE HIS WORD, PRETTY MUCH. 910 00:18:14,633 --> 00:18:15,867 I COULDN'T UNDERSTAND THAT. 911 00:18:15,867 --> 00:18:17,300 SO YOU PRETTY MUCH WERE 912 00:18:17,300 --> 00:18:18,633 LOOKING FOR THAT LOVE. 913 00:18:18,633 --> 00:18:19,433 YOU WERE LOOKING FOR THE LOVE 914 00:18:19,433 --> 00:18:20,700 FROM ERICA, BUT YOU WEREN'T 915 00:18:20,700 --> 00:18:21,500 GETTING IT FROM HER. 916 00:18:21,500 --> 00:18:22,300 RIGHT, AND I WASN'T 917 00:18:22,300 --> 00:18:23,400 UNDERSTANDING WHY SHE WASN'T 918 00:18:23,400 --> 00:18:24,367 GIVING IT, YOU FEEL ME? 919 00:18:24,367 --> 00:18:26,067 SO, YOU KNOW-- 920 00:18:26,067 --> 00:18:27,200 AND I DONE HAVE THIS 921 00:18:27,200 --> 00:18:28,367 CONVERSATION--YOU KNOW WHAT 922 00:18:28,367 --> 00:18:30,067 I'M SAYING--LIKE, WITH SHAY, 923 00:18:30,067 --> 00:18:31,067 YOU KNOW, JUST LETTING HER KNOW 924 00:18:31,067 --> 00:18:31,933 THAT I WAS SORRY--YOU KNOW WHAT 925 00:18:31,933 --> 00:18:32,933 I'M SAYING--THAT I EVEN BRUNG 926 00:18:32,933 --> 00:18:35,100 HER IN THAT TYPE OF SITUATION, 927 00:18:35,100 --> 00:18:36,600 'CAUSE, I MEAN, WHEN IT COMES TO 928 00:18:36,600 --> 00:18:37,967 FEELINGS, MAN, LIKE, FEELINGS 929 00:18:37,967 --> 00:18:38,833 CAN JUST HAVE YOU EVERYWHERE. 930 00:18:38,833 --> 00:18:39,500 AS YOU CAN SEE. 931 00:18:39,500 --> 00:18:40,967 AND I'M AN EMOTIONAL DUDE, 932 00:18:40,967 --> 00:18:41,767 YOU KNOW WHAT I'M SAYING? 933 00:18:41,767 --> 00:18:43,267 LIKE, STUFF THAT DON'T BOTHER 934 00:18:43,267 --> 00:18:44,367 STEVIE J--THAT [bleep] WILL 935 00:18:44,367 --> 00:18:45,433 TAKE ME UP OUT OF HERE, 936 00:18:45,433 --> 00:18:46,233 YOU KNOW WHAT I'M SAYING? 937 00:18:46,233 --> 00:18:47,200 I HAVE A HEART ATTACK. 938 00:18:47,200 --> 00:18:48,300 SO, ERICA, DO YOU FEEL LIKE 939 00:18:48,300 --> 00:18:51,067 YOU COULD TRUST SCRAPPY? 940 00:18:51,067 --> 00:18:51,833 RIGHT OFF THE BAT? 941 00:18:51,833 --> 00:18:52,500 NO. 942 00:18:52,500 --> 00:18:53,900 WE'D DEFINITELY HAVE TO BUILD 943 00:18:53,900 --> 00:18:54,800 THAT TRUST. 944 00:18:54,800 --> 00:18:55,633 OKAY. 945 00:18:55,633 --> 00:18:56,733 SHAY, HOW DOES THAT MAKE 946 00:18:56,733 --> 00:18:57,867 YOU FEEL? 947 00:18:57,867 --> 00:18:58,700 IT HURTS. 948 00:18:58,700 --> 00:18:59,533 I BEEN FRIENDS WITH HIM FOR 949 00:18:59,533 --> 00:19:01,900 A LONG TIME, SO WHEN WE DECIDED 950 00:19:01,900 --> 00:19:02,933 TO TAKE THIS RELATIONSHIP TO THE 951 00:19:02,933 --> 00:19:04,200 NEXT LEVEL, I THOUGHT IT WOULD 952 00:19:04,200 --> 00:19:05,600 BE DIFFERENT ONLY BECAUSE I'VE 953 00:19:05,600 --> 00:19:08,067 KNOWN HIM SO LONG, AND WE HAD 954 00:19:08,067 --> 00:19:10,433 GREAT COMMUNICATION, SO I DIDN'T 955 00:19:10,433 --> 00:19:12,600 EXPECT HIM TO LIE TO ME AND TELL 956 00:19:12,600 --> 00:19:13,267 HER ONE THING AND TELL 957 00:19:13,267 --> 00:19:13,933 THE OTHER THING. 958 00:19:13,933 --> 00:19:14,833 THAT'S WHAT I DIDN'T UNDERSTAND 959 00:19:14,833 --> 00:19:17,100 WHY SHE WOULD ATTACK ME ON 960 00:19:17,100 --> 00:19:18,667 TWITTER AND SAY THINGS IN RADIO 961 00:19:18,667 --> 00:19:20,400 INTERVIEWS WHEN HE'S TELLING HER 962 00:19:20,400 --> 00:19:21,433 THIS OVER HERE AND THEN TELLING 963 00:19:21,433 --> 00:19:22,300 ME THIS, AND WE WATCHING THE 964 00:19:22,300 --> 00:19:24,067 SAME TV SCREEN, SO WHY YOU 965 00:19:24,067 --> 00:19:24,667 COMING AT ME? 966 00:19:24,667 --> 00:19:25,833 YOU CAN'T GO AFTER EVERY WOMAN 967 00:19:25,833 --> 00:19:26,700 THIS MAN DEAL WITH. 968 00:19:26,700 --> 00:19:27,533 YOU GOT TO DEAL WITH THE 969 00:19:27,533 --> 00:19:28,800 PERSON YOU DEAL WITH. 970 00:19:28,800 --> 00:19:30,067 THAT'S WHO YOU IN LOVE WITH. 971 00:19:30,067 --> 00:19:31,567 WAIT, 'CAUSE I KNOW WE ALL 972 00:19:31,567 --> 00:19:32,667 SAW THAT SCENE WHERE THEY 973 00:19:32,667 --> 00:19:33,333 WERE SITTING-- 974 00:19:33,333 --> 00:19:34,100 SHUT THE [bleep] UP, BITCH. 975 00:19:34,100 --> 00:19:34,767 MAKE ME, BITCH. 976 00:19:34,767 --> 00:19:35,433 SHUT UP. 977 00:19:35,433 --> 00:19:36,667 WAIT, NO, NO, NO, NO, NO. 978 00:19:36,667 --> 00:19:38,133 THOSE SHOES STAY ON. 979 00:19:38,133 --> 00:19:39,500 THAT ASS STAYS ON THIS COUCH. 980 00:19:39,500 --> 00:19:40,667 SHUT UP AND LET ME TALK! 981 00:19:40,667 --> 00:19:41,600 HEY, HEY, HEY, COME ON, GIRL. 982 00:19:41,600 --> 00:19:42,500 MONA, CAN I SPEAK 983 00:19:42,500 --> 00:19:43,233 ON THAT SITUATION? 984 00:19:43,233 --> 00:19:44,067 WAIT, WHEN I'M TALKING, 985 00:19:44,067 --> 00:19:45,067 SHE JUMPS IN IT, THOUGH. 986 00:19:45,067 --> 00:19:46,067 AND YOU WAS TALKING TO ME. 987 00:19:46,067 --> 00:19:46,900 YOU WEREN'T TALKING TO HER. 988 00:19:46,900 --> 00:19:47,567 GO AHEAD! 989 00:19:47,567 --> 00:19:48,400 SHUT THE [bleep] UP, BITCH! 990 00:19:48,400 --> 00:19:49,500 GO AHEAD! 991 00:19:49,500 --> 00:19:50,167 COME ON. 992 00:19:50,167 --> 00:19:50,833 GO AHEAD! 993 00:19:50,833 --> 00:19:51,733 ALL RIGHT. 994 00:19:51,733 --> 00:19:52,933 ALL RIGHT, SINCE WE CANNOT 995 00:19:52,933 --> 00:19:54,567 HAVE THIS CONVERSATION, WE'VE 996 00:19:54,567 --> 00:19:56,067 GOT TO TAKE A BREAK, BUT MORE 997 00:19:56,067 --> 00:19:57,067 LOVE & HIP-HOP: ATLANTA: 998 00:19:57,067 --> 00:19:59,067 THE REUNION WHEN WE RETURN. 999 00:20:01,633 --> 00:20:02,367 TOLD ME HE WASN'T GONNA 1000 00:20:02,367 --> 00:20:03,033 DO ME LIKE THAT. 1001 00:20:03,033 --> 00:20:03,767 BUT YOU KNOW WHAT? 1002 00:20:03,767 --> 00:20:04,500 YOU KNOW WHAT, THOUGH? 1003 00:20:04,500 --> 00:20:05,400 BUT YOU KNOW WHAT, THOUGH? 1004 00:20:05,400 --> 00:20:06,067 HOLD ON, LET ME-- 1005 00:20:06,067 --> 00:20:06,767 HOLD ON, HOLD ON, HOLD ON. 1006 00:20:06,767 --> 00:20:07,633 YOU TOLD ME YOU WEREN'T GONNA 1007 00:20:07,633 --> 00:20:08,300 DO ME LIKE THAT. 1008 00:20:12,667 --> 00:20:14,667 * THIS IS THE LIFE 1009 00:20:19,767 --> 00:20:20,800 YOU'RE WATCHING LOVE & 1010 00:20:20,800 --> 00:20:22,700 HIP-HOP: ATLANTA: THE REUNION. 1011 00:20:22,700 --> 00:20:24,333 SCRAPPY'S NUMBER ONE WILL ALWAYS 1012 00:20:24,333 --> 00:20:26,333 BE HIS MOTHER, MOMMA DEE. 1013 00:20:26,333 --> 00:20:27,900 LOUD, BRASH, AND UNPREDICTABLE, 1014 00:20:27,900 --> 00:20:29,867 MOMMA DEE HAS NEVER BEEN ONE TO 1015 00:20:29,867 --> 00:20:31,433 HOLD HER TONGUE WHEN IT COMES TO 1016 00:20:31,433 --> 00:20:33,600 SCRAPPY, 'CAUSE, AS WE ALL KNOW, 1017 00:20:33,600 --> 00:20:36,100 MOMMA KNOWS BEST. 1018 00:20:36,100 --> 00:20:37,000 I JUST FEEL LIKE 1019 00:20:37,000 --> 00:20:37,767 A MOTHER[bleep] DONE BENT ME 1020 00:20:37,767 --> 00:20:39,267 THE [bleep] OVER AND [bleep] ME 1021 00:20:39,267 --> 00:20:41,167 WITHOUT NO GODDAMN GREASE. 1022 00:20:41,167 --> 00:20:42,000 HOW THE [bleep] YOU GONNA 1023 00:20:42,000 --> 00:20:43,400 PIMP A PIMP? 1024 00:20:43,400 --> 00:20:44,233 I'M MOMMA DEE. 1025 00:20:44,233 --> 00:20:46,000 I'M THE MOTHER OF THE FAMOUS RAP 1026 00:20:46,000 --> 00:20:47,233 STAR LIL SCRAPPY. 1027 00:20:47,233 --> 00:20:48,467 SHE TRAINED TO GO. 1028 00:20:48,467 --> 00:20:49,300 T.T.G. 1029 00:20:49,300 --> 00:20:51,033 I'M HAVING A VISUAL. 1030 00:20:51,033 --> 00:20:52,000 YOU TOOK YOUR MEDICINE TODAY? 1031 00:20:52,000 --> 00:20:53,133 YOU REALLY THINK I'M FEELING 1032 00:20:53,133 --> 00:20:53,800 THAT BITCH? 1033 00:20:53,800 --> 00:20:56,133 IT'S OVER BETWEEN HIM AND ERICA. 1034 00:20:56,133 --> 00:20:57,767 MA, DON'T CALL HER NO BITCH. 1035 00:20:57,767 --> 00:20:59,633 IT WON'T BE NO LOVE LOST. 1036 00:20:59,633 --> 00:21:01,067 NOT WHEN YOU'RE MESSING WITH 1037 00:21:01,067 --> 00:21:02,133 MOMMA'S SON. 1038 00:21:02,133 --> 00:21:03,400 YOU LEFT HIM FOR DEAD. 1039 00:21:03,400 --> 00:21:05,400 YOU LEFT HIM FOR DEAD! 1040 00:21:05,400 --> 00:21:07,167 YOU LEFT MY CHILD FOR DEAD. 1041 00:21:07,167 --> 00:21:08,633 DON'T [bleep] WITH MY DAMN 1042 00:21:08,633 --> 00:21:09,533 BABIES. 1043 00:21:09,533 --> 00:21:11,433 SHAY IS THE PERFECT YOUNG LADY 1044 00:21:11,433 --> 00:21:12,133 FOR MY SON. 1045 00:21:12,133 --> 00:21:14,633 SHE'S GOT A FINE, TIGHT BODY, 1046 00:21:14,633 --> 00:21:17,367 AND IF I WAS MY SON, I'D BE ON 1047 00:21:17,367 --> 00:21:18,300 THAT TOO. 1048 00:21:18,300 --> 00:21:19,200 HAVE YOU HIT IT YET? 1049 00:21:19,200 --> 00:21:21,167 I'M JEALOUS. 1050 00:21:21,167 --> 00:21:21,833 DON'T BE. 1051 00:21:21,833 --> 00:21:23,367 I'M SO JEALOUS. 1052 00:21:23,367 --> 00:21:24,300 YOU STEP OUT OF LINE 1053 00:21:24,300 --> 00:21:26,533 AS A MAMA. 1054 00:21:26,533 --> 00:21:28,300 I'M ON THE THRONE, AND I'M 1055 00:21:28,300 --> 00:21:31,067 NOT GIVING UP MY SEAT. 1056 00:21:31,067 --> 00:21:33,067 AND IN THAT ORDER. 1057 00:21:35,733 --> 00:21:38,300 MOMMA DEE, WELCOME BACK. 1058 00:21:38,300 --> 00:21:40,233 WE KNOW THAT ERICA TOOK SCRAPPY 1059 00:21:40,233 --> 00:21:41,800 IN WHEN HE NEEDED A PLACE TO 1060 00:21:41,800 --> 00:21:43,067 STAY, AND SHE'S BEEN THERE FOR 1061 00:21:43,067 --> 00:21:44,200 HIM TIME AND TIME AGAIN. 1062 00:21:44,200 --> 00:21:45,833 WHY ARE YOU SO HARD ON HER? 1063 00:21:45,833 --> 00:21:47,300 BECAUSE WHEN MY SON WANTS 1064 00:21:47,300 --> 00:21:49,233 LOVE AND HE'S NOT GETTING IT, 1065 00:21:49,233 --> 00:21:51,433 I'M HURT AS A MOTHER, AND I'M 1066 00:21:51,433 --> 00:21:55,433 CONCERNED BECAUSE, YOU KNOW... 1067 00:21:55,433 --> 00:21:58,067 WELL, WHY DON'T I JUST SHOW HER? 1068 00:21:58,067 --> 00:21:59,900 SCRAPPY, IT'S BEEN A BUMPY 1069 00:21:59,900 --> 00:22:00,900 RIDE--A LONG RIDE-- 1070 00:22:00,900 --> 00:22:03,100 TO BE YOUR MOM, BUT AS SURE AS 1071 00:22:03,100 --> 00:22:04,867 THE SUN RISES IN THE MORNING, 1072 00:22:04,867 --> 00:22:07,333 I AM PROUD TO BE THE QUEEN OF 1073 00:22:07,333 --> 00:22:09,300 OUR FAMILY'S CASTLE, AND YOU 1074 00:22:09,300 --> 00:22:11,433 WILL ALWAYS BE THE PRINCE 1075 00:22:11,433 --> 00:22:13,433 OF THE SOUTH. 1076 00:22:19,733 --> 00:22:21,833 I FEEL LIKE A LITTLE BOY 1077 00:22:21,833 --> 00:22:22,933 IN SCHOOL, 1078 00:22:22,933 --> 00:22:24,433 AND MY MAMA JUST CAME TO BRING 1079 00:22:24,433 --> 00:22:27,567 ME MY LUNCH. 1080 00:22:27,567 --> 00:22:28,567 THANK YOU, MOMMA DEE. 1081 00:22:28,567 --> 00:22:31,467 [cheers and applause] 1082 00:22:31,467 --> 00:22:33,167 OKAY, LET'S GET BACK ON TRACK. 1083 00:22:33,167 --> 00:22:36,167 ERICA, WE SAW HOW DEEPLY SCRAPPY 1084 00:22:36,167 --> 00:22:38,100 WAS AFFECTED BY YOUR REACTION 1085 00:22:38,100 --> 00:22:39,433 TO THE ASTHMA ATTACK. 1086 00:22:39,433 --> 00:22:41,333 LOOKING BACK, DO YOU FEEL LIKE 1087 00:22:41,333 --> 00:22:42,633 YOU WOULD HAVE DONE ANYTHING 1088 00:22:42,633 --> 00:22:43,300 DIFFERENTLY? 1089 00:22:43,300 --> 00:22:46,067 YEAH, BECAUSE I DIDN'T KNOW 1090 00:22:46,067 --> 00:22:46,600 IT WAS THAT DEEP. 1091 00:22:46,600 --> 00:22:47,500 HONESTLY, I REALLY DIDN'T. 1092 00:22:47,500 --> 00:22:48,633 I JUST THOUGHT, YOU KNOW, 1093 00:22:48,633 --> 00:22:49,800 HE'S HAVING AN ASTHMA ATTACK. 1094 00:22:49,800 --> 00:22:50,833 HE'S HAD THEM BEFORE, YOU KNOW, 1095 00:22:50,833 --> 00:22:51,767 AROUND ME. 1096 00:22:51,767 --> 00:22:53,233 SCRAPPY, DO YOU THINK MAYBE 1097 00:22:53,233 --> 00:22:54,800 YOU OVERREACTED? 1098 00:22:54,800 --> 00:22:55,467 NO. 1099 00:22:55,467 --> 00:22:56,400 OKAY. 1100 00:22:56,400 --> 00:22:57,700 'CAUSE I WAS LIKE-- 1101 00:22:57,700 --> 00:22:59,067 I MEAN, YOU JUST HAD THE FEELING 1102 00:22:59,067 --> 00:23:00,267 OF FEELING, LIKE, TO BE OUT OF 1103 00:23:00,267 --> 00:23:01,967 BREATH AND, LIKE, 1104 00:23:01,967 --> 00:23:02,933 DAMN NEAR DEAD. 1105 00:23:02,933 --> 00:23:04,267 WAS THAT A BIG FACTOR FOR YOU 1106 00:23:04,267 --> 00:23:07,533 IN YOUR DECISION TO NOT STAY IN 1107 00:23:07,533 --> 00:23:08,433 THE RELATIONSHIP? 1108 00:23:08,433 --> 00:23:09,533 THAT JUST TOPPED IT, YOU 1109 00:23:09,533 --> 00:23:11,067 KNOW, 'CAUSE I WAS LIKE, "WOW, 1110 00:23:11,067 --> 00:23:12,967 I MEAN, IF YOU DON'T BE THERE 1111 00:23:12,967 --> 00:23:13,933 FOR ME WHEN I'M FIXING TO DIE," 1112 00:23:13,933 --> 00:23:14,667 YOU KNOW WHAT I'M SAYING? 1113 00:23:14,667 --> 00:23:15,333 OKAY. 1114 00:23:15,333 --> 00:23:16,300 WELL, MOMMA DEE, WE KNOW 1115 00:23:16,300 --> 00:23:18,067 THERE'S NO LOVE LOST BETWEEN YOU 1116 00:23:18,067 --> 00:23:20,067 AND ERICA, BUT YOU HAD A LOT 1117 00:23:20,067 --> 00:23:20,967 OF LOVE FOR SHAY. 1118 00:23:20,967 --> 00:23:22,367 WHAT DO YOU SEE IN SHAY THAT YOU 1119 00:23:22,367 --> 00:23:23,467 DON'T SEE IN ERICA? 1120 00:23:23,467 --> 00:23:24,400 WELL, SHE'S MORE 1121 00:23:24,400 --> 00:23:25,667 AFFECTIONATE. 1122 00:23:25,667 --> 00:23:27,400 SHE'S MORE NURTURING. 1123 00:23:27,400 --> 00:23:29,467 YOU KNOW, ANYTIME A MOTHER SEES 1124 00:23:29,467 --> 00:23:31,633 THEIR CHILD GETTING TREATED REAL 1125 00:23:31,633 --> 00:23:33,133 GOOD, THEN THE MOTHER'S GONNA 1126 00:23:33,133 --> 00:23:34,133 GO ALONG WITH THAT. 1127 00:23:34,133 --> 00:23:35,200 SO YOU'RE LOOKING FOR 1128 00:23:35,200 --> 00:23:36,333 SOMEBODY WHO GIVES HIM THE SAME 1129 00:23:36,333 --> 00:23:38,367 KIND OF SMOTHERLY LOVE 1130 00:23:38,367 --> 00:23:39,667 THAT YOU DO? 1131 00:23:39,667 --> 00:23:40,500 YOU KNOW? 1132 00:23:40,500 --> 00:23:42,200 THAT'S NOT WHAT HE NEEDS. 1133 00:23:42,200 --> 00:23:44,200 HE NEEDS A WOMAN, NOT ANOTHER 1134 00:23:44,200 --> 00:23:44,867 MAMA. 1135 00:23:44,867 --> 00:23:45,800 BUT AT THE END OF THE DAY, 1136 00:23:45,800 --> 00:23:46,667 IF THAT'S WHAT HE WANTS-- 1137 00:23:46,667 --> 00:23:47,733 I DIDN'T SAY I WANTED-- 1138 00:23:47,733 --> 00:23:49,067 YOU DIDN'T SAY "MOTHERING." 1139 00:23:49,067 --> 00:23:50,867 YOU DIDN'T USE HER WORDS, BUT, 1140 00:23:50,867 --> 00:23:53,433 YOU KNOW, YOU SAID, "I'M NOT 1141 00:23:53,433 --> 00:23:55,100 GETTING ANY LOVE," SO... 1142 00:23:55,100 --> 00:23:56,533 SHAY, I DEFINITELY WANT TO 1143 00:23:56,533 --> 00:23:57,533 GIVE YOU AN OPPORTUNITY TO 1144 00:23:57,533 --> 00:23:58,700 EXPRESS YOURSELF. 1145 00:23:58,700 --> 00:23:59,600 TELL US WHAT YOU WANT US TO 1146 00:23:59,600 --> 00:24:00,333 KNOW. 1147 00:24:00,333 --> 00:24:01,367 THERE'S NOT A LOT, REALLY, 1148 00:24:01,367 --> 00:24:02,067 THAT I GOT TO SAY. 1149 00:24:02,067 --> 00:24:03,267 I CAME HERE, REALLY, TO ASK 1150 00:24:03,267 --> 00:24:04,300 ERICA WHAT WAS HER PROBLEM 1151 00:24:04,300 --> 00:24:05,133 WITH ME. 1152 00:24:05,133 --> 00:24:06,067 LET ME TELL YOU MY ISSUE 1153 00:24:06,067 --> 00:24:06,667 WITH YOU. 1154 00:24:06,667 --> 00:24:07,333 TELL ME. 1155 00:24:07,333 --> 00:24:08,533 THAT SAME EPISODE YOU SEEN 1156 00:24:08,533 --> 00:24:09,733 WHERE YOU CAME INTO HIS HOUSE 1157 00:24:09,733 --> 00:24:10,900 AND Y'ALL WAS SITTING THERE-- 1158 00:24:10,900 --> 00:24:12,267 [mocking laugh] 1159 00:24:12,267 --> 00:24:13,267 "SO SHE DON'T KNOW?" 1160 00:24:13,267 --> 00:24:14,567 "NAH, SHE DON'T KNOW." 1161 00:24:14,567 --> 00:24:16,400 THAT RIGHT THERE LET ME KNOW YOU 1162 00:24:16,400 --> 00:24:17,633 KNEW WHAT THE HELL WAS GOING ON. 1163 00:24:17,633 --> 00:24:19,167 THE FIRST EPISODE I WAS ON, 1164 00:24:19,167 --> 00:24:20,133 WHEN I WAS TALKING TO HIM 1165 00:24:20,133 --> 00:24:21,633 OUTSIDE THE POOL, I SAID, 1166 00:24:21,633 --> 00:24:22,600 "OH, SO YOU STICKING UP FOR HER 1167 00:24:22,600 --> 00:24:23,833 'CAUSE SHE YOUR BABY MAMA, NOT 1168 00:24:23,833 --> 00:24:24,967 'CAUSE YOU WITH HER, RIGHT?" 1169 00:24:24,967 --> 00:24:25,767 HE SAID, "YEAH, NOT 'CAUSE 1170 00:24:25,767 --> 00:24:26,433 I'M WITH HER. 1171 00:24:26,433 --> 00:24:27,333 'CAUSE IT'S MY BABY MAMA." 1172 00:24:27,333 --> 00:24:28,700 AT THE END OF THE DAY, LIKE, 1173 00:24:28,700 --> 00:24:30,567 BOTH OF YOU, YOU FEEL ME-- 1174 00:24:30,567 --> 00:24:31,867 ERICA, I LOVE YOU. 1175 00:24:31,867 --> 00:24:33,233 YOU THE MOTHER OF MY CHILD. 1176 00:24:33,233 --> 00:24:34,300 I LOVE YOU TO DEATH. 1177 00:24:34,300 --> 00:24:35,600 LIKE, "LOVE YOU" LOVE YOU, 1178 00:24:35,600 --> 00:24:36,567 YOU FEEL ME? 1179 00:24:36,567 --> 00:24:37,567 LOVE YOU. 1180 00:24:37,567 --> 00:24:39,167 SHAY, I LOVE YOU. 1181 00:24:39,167 --> 00:24:40,067 YOU MY FRIEND, 1182 00:24:40,067 --> 00:24:41,100 ALWAYS BEEN MY FRIEND. 1183 00:24:41,100 --> 00:24:42,367 YOU BEEN THERE WITH ME, YOU-- 1184 00:24:42,367 --> 00:24:43,067 FRIEND. 1185 00:24:43,067 --> 00:24:43,700 THANK YOU. 1186 00:24:43,700 --> 00:24:44,400 HOLD ON. HOLD ON. 1187 00:24:44,400 --> 00:24:45,067 FRIEND. FRIEND. 1188 00:24:45,067 --> 00:24:45,767 FRIEND? 1189 00:24:45,767 --> 00:24:46,433 JUST FRIENDS? 1190 00:24:46,433 --> 00:24:47,300 NO, WE GOT A LITTLE BIT MORE 1191 00:24:47,300 --> 00:24:48,100 THAN THAT. 1192 00:24:48,100 --> 00:24:49,100 WELL, HE KNOW. 1193 00:24:49,100 --> 00:24:50,300 LET'S BE CLEAR, I'M NOT-- 1194 00:24:50,300 --> 00:24:52,333 BEFORE YOU GO THERE, LET ME 1195 00:24:52,333 --> 00:24:53,267 JUST SAY THIS. 1196 00:24:53,267 --> 00:24:54,067 SCRAPPY-- 1197 00:24:54,067 --> 00:24:54,600 THAT FRIEND CARD 1198 00:24:54,600 --> 00:24:55,267 BEEN THROWN A LOT. 1199 00:24:55,267 --> 00:24:56,067 OKAY, SHAY, WELL, 1200 00:24:56,067 --> 00:24:56,767 LET'S GET IT CLEAR. 1201 00:24:56,767 --> 00:24:58,067 I DON'T HAVE JUST SEX WITH MY 1202 00:24:58,067 --> 00:24:58,633 FRIENDS, BOO. 1203 00:24:58,633 --> 00:24:59,467 ALL RIGHT, LET'S GET THAT 1204 00:24:59,467 --> 00:25:00,200 CLEAR. 1205 00:25:00,200 --> 00:25:00,867 LET'S GET THAT CLEAR. 1206 00:25:00,867 --> 00:25:01,633 IT WAS MORE THAN THAT. 1207 00:25:01,633 --> 00:25:02,367 DON'T LOOK AT IT LIKE-- 1208 00:25:02,367 --> 00:25:03,500 BUT NOW, KNOWING HOW SHE FELT 1209 00:25:03,500 --> 00:25:04,600 FROM WATCHING THE SHOW AND 1210 00:25:04,600 --> 00:25:05,933 KNOWING WHAT IT'S DONE TO YOUR 1211 00:25:05,933 --> 00:25:06,800 FRIENDSHIP, IS THERE ANYTHING 1212 00:25:06,800 --> 00:25:07,767 YOU WANT TO SAY TO SHAY? 1213 00:25:07,767 --> 00:25:08,433 YES. YES. 1214 00:25:08,433 --> 00:25:10,067 SHAY, YOU KNOW I LOVE 1215 00:25:10,067 --> 00:25:10,667 THE HELL OUT YOU. 1216 00:25:10,667 --> 00:25:12,367 YOU MY FRIEND, LIKE, YOU-- 1217 00:25:12,367 --> 00:25:13,300 YOU KNOW, WHEN I AIN'T GOT 1218 00:25:13,300 --> 00:25:14,567 NOBODY TO TALK TO, YOU KNOW, 1219 00:25:14,567 --> 00:25:15,833 I DEFINITELY COME HOLLER AT YOU, 1220 00:25:15,833 --> 00:25:16,733 YOU FEEL ME? 1221 00:25:16,733 --> 00:25:18,100 AND LIKE I TOLD YOU LAST TIME, 1222 00:25:18,100 --> 00:25:19,300 MY BABY MAMA ERICA-- 1223 00:25:19,300 --> 00:25:21,167 I GUESS THAT'S WHERE I WANT TO 1224 00:25:21,167 --> 00:25:22,267 BE AT, YOU FEEL ME? 1225 00:25:22,267 --> 00:25:23,333 LIKE I TOLD YOU, 'CAUSE I WAS 1226 00:25:23,333 --> 00:25:24,167 RUNNING FROM IT, YOU KNOW WHAT 1227 00:25:24,167 --> 00:25:24,833 I'M SAYING? 1228 00:25:24,833 --> 00:25:25,500 I LIED TO YOU. 1229 00:25:25,500 --> 00:25:26,167 I LIED TO HER. 1230 00:25:26,167 --> 00:25:27,067 YOU DID. YOU LIED TO ME. 1231 00:25:27,067 --> 00:25:28,233 YOU LIED TO HER, SO WHAT I WAS 1232 00:25:28,233 --> 00:25:29,300 JUST TRYING TO CLEAR UP WAS A 1233 00:25:29,300 --> 00:25:30,567 BIG, FAT LIE, AND IT ALL CAME 1234 00:25:30,567 --> 00:25:32,067 DOWN ON YOU, SO I WAS JUST 1235 00:25:32,067 --> 00:25:33,100 SAYING SHE SHOULDN'T ATTACK ME. 1236 00:25:33,100 --> 00:25:34,233 LIKE, THAT'S ALL I'M SAYING. 1237 00:25:34,233 --> 00:25:35,633 I ATTACKED YOU AFTER I SEEN 1238 00:25:35,633 --> 00:25:36,533 THAT EPISODE. 1239 00:25:36,533 --> 00:25:37,633 I'M NOT EVEN GOING-- 1240 00:25:37,633 --> 00:25:38,567 I TAKE ALL THE BLAME AS 1241 00:25:38,567 --> 00:25:40,300 A MAN, AS A MAN AND ALL THAT. 1242 00:25:40,300 --> 00:25:41,567 I WANT TO STAND UP, BE A MAN, 1243 00:25:41,567 --> 00:25:42,533 AND SAY I'LL TAKE THE BLAME. 1244 00:25:42,533 --> 00:25:43,867 AT THE END OF THE DAY, IT WAS 1245 00:25:43,867 --> 00:25:45,500 MORE THAN A FRIENDSHIP BECAUSE, 1246 00:25:45,500 --> 00:25:47,067 YES, WE WERE TRYING TO GO 1247 00:25:47,067 --> 00:25:47,900 SOMEWHERE, YOU FEEL ME? 1248 00:25:47,900 --> 00:25:49,733 BUT I FEEL LIKE IF I'M NOT IN IT 1249 00:25:49,733 --> 00:25:51,467 LIKE THAT, I SHOULDN'T KEEP 1250 00:25:51,467 --> 00:25:53,233 LAGGING YOU ON OR HURTING 1251 00:25:53,233 --> 00:25:53,900 YOUR FEELINGS. 1252 00:25:53,900 --> 00:25:54,567 YOU TOLD ME THE SAME 1253 00:25:54,567 --> 00:25:55,233 THING ABOUT HER. 1254 00:25:55,233 --> 00:25:56,100 YOU SAID THAT SHE WASN'T GIVING 1255 00:25:56,100 --> 00:25:56,767 YOU AFFECTION. 1256 00:25:56,767 --> 00:25:57,867 YOU SAID THAT YOU DID NOT WANT 1257 00:25:57,867 --> 00:25:58,533 TO BE THERE. 1258 00:25:58,533 --> 00:25:59,200 BUT YOU KNOW WHAT? 1259 00:25:59,200 --> 00:26:00,067 I DIDN'T GIVE HER A CHANCE TO 1260 00:26:00,067 --> 00:26:00,700 GIVE ME AFFECTION. 1261 00:26:00,700 --> 00:26:01,367 THANK YOU. 1262 00:26:01,367 --> 00:26:02,133 THEN GO AHEAD AND GIVE HER 1263 00:26:02,133 --> 00:26:03,067 A CHANCE, AND THEN, YOU KNOW, 1264 00:26:03,067 --> 00:26:04,067 THE THINGS THAT'S IN MY NAME 1265 00:26:04,067 --> 00:26:05,233 NEED TO BE IN HER NAME. 1266 00:26:05,233 --> 00:26:05,900 OKAY. 1267 00:26:05,900 --> 00:26:06,567 OKAY, WAIT A MINUTE. 1268 00:26:06,567 --> 00:26:07,400 LISTEN, LISTEN, THIS WHOLE 1269 00:26:07,400 --> 00:26:08,400 THING IS A LITTLE CONFUSING. 1270 00:26:08,400 --> 00:26:09,233 WHAT HE JUST DID RIGHT NOW, 1271 00:26:09,233 --> 00:26:10,067 HE TOLD ME HE WASN'T GONNA 1272 00:26:10,067 --> 00:26:10,700 DO ME LIKE THAT. 1273 00:26:10,700 --> 00:26:11,467 BUT YOU KNOW WHAT? 1274 00:26:11,467 --> 00:26:12,467 YOU KNOW WHAT, THOUGH? 1275 00:26:12,467 --> 00:26:13,200 BUT YOU KNOW WHAT, THOUGH? 1276 00:26:13,200 --> 00:26:14,433 DON'T DO ME LIKE THAT! 1277 00:26:14,433 --> 00:26:15,500 YOU TOLD ME YOU WEREN'T GONNA 1278 00:26:15,500 --> 00:26:16,167 DO ME LIKE THAT. 1279 00:26:16,167 --> 00:26:16,867 HOLD ON, LET ME SHOW YOU 1280 00:26:16,867 --> 00:26:17,533 SOMETHING! 1281 00:26:17,533 --> 00:26:18,367 LET ME, LET ME, LET ME, LET ME-- 1282 00:26:18,367 --> 00:26:20,300 OKAY. 1283 00:26:20,300 --> 00:26:21,433 ALL RIGHT, I GUESS WE LOST 1284 00:26:21,433 --> 00:26:23,067 SHAY, BUT SCRAPPY'S RELATIONSHIP 1285 00:26:23,067 --> 00:26:24,567 WITH ERICA AND SHAY WASN'T THE 1286 00:26:24,567 --> 00:26:26,200 ONLY THING THAT HAD US CONFUSED. 1287 00:26:26,200 --> 00:26:27,800 SOMETIMES IT FELT LIKE HE WAS 1288 00:26:27,800 --> 00:26:29,067 SPEAKING IN A WHOLE OTHER 1289 00:26:29,067 --> 00:26:30,167 LANGUAGE. 1290 00:26:30,167 --> 00:26:31,467 CHECK THIS OUT. 1291 00:26:31,467 --> 00:26:32,633 I'LL BE CHILLING, YOU KNOW 1292 00:26:32,633 --> 00:26:33,533 WHAT I'M SAYING, DOING MY LITTLE 1293 00:26:33,533 --> 00:26:35,100 THIZZ-NAY-EE, YOU FEEL ME? 1294 00:26:35,100 --> 00:26:36,467 JUST FIND ME A LITTLE SPIZZOT, 1295 00:26:36,467 --> 00:26:37,833 A LITTLE PLACE. 1296 00:26:37,833 --> 00:26:38,867 IT'S WALLA-- 1297 00:26:38,867 --> 00:26:41,067 IT'S WALLA MAGIC. 1298 00:26:41,067 --> 00:26:41,767 IT'S DONE. 1299 00:26:41,767 --> 00:26:42,467 OH, NOW, DON'T TEMPT ME. 1300 00:26:42,467 --> 00:26:43,767 THEY TEMPT ME, MAN, I'M GONNA-- 1301 00:26:43,767 --> 00:26:45,067 YOU FIZZ ME? 1302 00:26:45,067 --> 00:26:45,800 JUST BE CAREFUL. 1303 00:26:45,800 --> 00:26:47,400 IT'S MADE FOR RASHEEDA, 1304 00:26:47,400 --> 00:26:49,567 THE QUIZ-NAY-EE-ZEE! 1305 00:26:49,567 --> 00:26:51,133 BUT SHE'S ALSO THE OTHER 1306 00:26:51,133 --> 00:26:54,167 SIZ-NAY-EE-ZIDE. 1307 00:26:54,167 --> 00:26:55,433 SIZ-NAY-EE! 1308 00:26:55,433 --> 00:26:56,600 THAT'S THAT GRUSTLE GANG LINGO, 1309 00:26:56,600 --> 00:26:58,067 MAN, YOU FEEL? 1310 00:26:58,067 --> 00:26:59,067 THAT'S MY LITTLE LINGO, MAN. 1311 00:26:59,067 --> 00:27:00,500 ALL RIGHT, IS THAT, LIKE, 1312 00:27:00,500 --> 00:27:01,667 AN ATLANTA THING OR A SCRAPPY 1313 00:27:01,667 --> 00:27:02,367 THING? 1314 00:27:02,367 --> 00:27:03,233 AH, THEM AIN'T GOT NOTHING TO 1315 00:27:03,233 --> 00:27:04,067 DO WITH ATLANTA. 1316 00:27:04,067 --> 00:27:05,067 I'M GONNA PUT ATLANTA ON TO 1317 00:27:05,067 --> 00:27:08,333 THAT, YOU FIZ-NAY-EE ME? 1318 00:27:08,333 --> 00:27:10,567 OKAY, GOING BACK TO YOUR 1319 00:27:10,567 --> 00:27:11,233 STORY-- 1320 00:27:11,233 --> 00:27:12,367 I JUST NEEDED TO LIGHTEN UP THE 1321 00:27:12,367 --> 00:27:13,433 MOMENT REALLY QUICKLY-- 1322 00:27:13,433 --> 00:27:14,800 WE SAW YOU GO BACK AND FORTH. 1323 00:27:14,800 --> 00:27:16,067 YOU PRETTY MUCH EXPRESSED TO 1324 00:27:16,067 --> 00:27:17,600 SHAY BEFORE SHE LEFT THAT YOU 1325 00:27:17,600 --> 00:27:18,867 WERE SORRY FOR THE WAY THAT YOU 1326 00:27:18,867 --> 00:27:20,267 HAD TREATED HER AND THAT YOU 1327 00:27:20,267 --> 00:27:21,633 DEFINITELY DO WANT TO BE WITH 1328 00:27:21,633 --> 00:27:22,767 ERICA, YOU SAID? 1329 00:27:22,767 --> 00:27:23,433 YEAH. 1330 00:27:23,433 --> 00:27:24,433 ALL RIGHT, ANYTHING YOU WANT 1331 00:27:24,433 --> 00:27:25,367 TO SAY TO ERICA RIGHT NOW? 1332 00:27:25,367 --> 00:27:29,067 I MEAN--DEFINITELY. 1333 00:27:29,067 --> 00:27:30,600 WELL, BASICALLY, YOU KNOW, LIKE, 1334 00:27:30,600 --> 00:27:32,067 YOU DONE BEEN THERE WITH ME, YOU 1335 00:27:32,067 --> 00:27:32,700 KNOW WHAT I'M SAYING? 1336 00:27:32,700 --> 00:27:34,200 LIKE, I DONE BEEN THERE WITH ALL 1337 00:27:34,200 --> 00:27:35,833 MY TEETH KNOCKED OUT MY MOUTH, 1338 00:27:35,833 --> 00:27:37,467 AND THERE AIN'T NOBODY CALL ME. 1339 00:27:37,467 --> 00:27:39,267 NOBODY GIVE NO BREAD OR NOTHING. 1340 00:27:39,267 --> 00:27:40,367 YOU WAS IN THERE--YOU KNOW WHAT 1341 00:27:40,367 --> 00:27:41,200 I'M SAYING--WHEN I WAS IN 1342 00:27:41,200 --> 00:27:43,100 ALL THEM DENTIST APPOINTMENTS, 1343 00:27:43,100 --> 00:27:43,867 HAD TO GET MY FACE 1344 00:27:43,867 --> 00:27:45,367 RECONSTRUCTED, YOU FEEL ME? 1345 00:27:45,367 --> 00:27:46,767 ALL THAT, LIKE, YOU WAS RIGHT 1346 00:27:46,767 --> 00:27:47,433 THERE. 1347 00:27:47,433 --> 00:27:48,733 THE OTHER LITTLE SITUATION THAT 1348 00:27:48,733 --> 00:27:50,200 HAPPENED WITH OUR LITTLE GIRL, 1349 00:27:50,200 --> 00:27:51,267 YOU WAS RIGHT THERE AGAIN. 1350 00:27:51,267 --> 00:27:52,367 I'M TALKING ABOUT, I CALLED 1351 00:27:52,367 --> 00:27:54,167 CRYING LIKE A BABY, AND YOU 1352 00:27:54,167 --> 00:27:55,767 STILL--YOU AIN'T LAUGH. 1353 00:27:55,767 --> 00:27:57,100 YOU AIN'T DO NOTHING. 1354 00:27:57,100 --> 00:27:58,433 AND I WANTED TO. I DID. 1355 00:27:58,433 --> 00:28:00,733 YEAH, I KNOW YOU DID, BUT I 1356 00:28:00,733 --> 00:28:02,100 RESPECT YOU LISTENING TO ME, AND 1357 00:28:02,100 --> 00:28:04,633 I LOVE YOU SO MUCH, SO I'M GONNA 1358 00:28:04,633 --> 00:28:06,200 PROVE TO YOU THAT I AM GONNA BE 1359 00:28:06,200 --> 00:28:07,367 THE MAN THAT YOU WANT 1360 00:28:07,367 --> 00:28:09,067 TO BE WITH. 1361 00:28:09,067 --> 00:28:10,667 YOU COOL WITH THAT, MOMMA? 1362 00:28:10,667 --> 00:28:12,367 I AM THE QUEEN. 1363 00:28:12,367 --> 00:28:14,167 I WILL BE SITTING ON MY THRONE 1364 00:28:14,167 --> 00:28:16,700 UNTIL THAT POINT IN TIME IN 1365 00:28:16,700 --> 00:28:18,400 WHICH YOU COME TO ME AND SAY 1366 00:28:18,400 --> 00:28:21,267 THAT YOU WANT TO TAKE HER HAND, 1367 00:28:21,267 --> 00:28:24,367 AND I'LL BE WATCHING, HOVERING 1368 00:28:24,367 --> 00:28:27,300 OVER, AND WAITING. 1369 00:28:27,300 --> 00:28:28,733 WELL, LOOK, MOM, PUT IT LIKE 1370 00:28:28,733 --> 00:28:29,500 THIS, YOU AIN'T GOT TO HOVER 1371 00:28:29,500 --> 00:28:30,200 TOO LONG. 1372 00:28:30,200 --> 00:28:33,933 [audience screaming] 1373 00:28:33,933 --> 00:28:37,067 [cheers and applause] 1374 00:28:44,500 --> 00:28:49,067 ARE YOU SERIOUS? 1375 00:28:49,067 --> 00:28:49,933 YOU AIN'T GONNA HAVE NO MORE 1376 00:28:49,933 --> 00:28:51,500 WORRIES OUT OF SCRAPPY MESSING 1377 00:28:51,500 --> 00:28:52,433 WITH NOBODY ELSE. 1378 00:28:52,433 --> 00:28:53,233 I'M DONE. 1379 00:28:53,233 --> 00:28:56,400 I WANT TO BE A MAN. 1380 00:28:56,400 --> 00:28:57,533 I WANT TO HAVE MY FAMILY BACK, 1381 00:28:57,533 --> 00:28:59,067 YOU FEELING WHAT I'M SAYING? 1382 00:28:59,067 --> 00:29:01,400 IF IT DON'T WORK, IT'S COOL, BUT 1383 00:29:01,400 --> 00:29:02,800 IS YOU GONNA MARRY A [bleep]? 1384 00:29:02,800 --> 00:29:03,467 YES! 1385 00:29:03,467 --> 00:29:04,133 YES, YES, YES. 1386 00:29:04,133 --> 00:29:04,800 HOLD ON. HOLD ON. 1387 00:29:04,800 --> 00:29:05,867 SHE SAID YES! 1388 00:29:05,867 --> 00:29:07,533 [cheers and applause] 1389 00:29:07,533 --> 00:29:09,200 IT TOO SMALL! 1390 00:29:09,200 --> 00:29:10,767 PUT IT RIGHT THERE. 1391 00:29:10,767 --> 00:29:12,067 OKAY, WE'LL GET THAT. 1392 00:29:12,067 --> 00:29:15,067 [cheers and applause] 1393 00:29:18,100 --> 00:29:19,767 WOW. 1394 00:29:19,767 --> 00:29:21,700 MOMMA DEE, MOMMA DEE. 1395 00:29:21,700 --> 00:29:23,100 AW... 1396 00:29:23,100 --> 00:29:25,833 LOVE YOU. 1397 00:29:25,833 --> 00:29:27,533 ALL RIGHT, THERE IS LOVE 1398 00:29:27,533 --> 00:29:29,533 IN LOVE & HIP-HOP. 1399 00:29:29,533 --> 00:29:31,600 COMING UP, MORE FROM THE LOVE & 1400 00:29:31,600 --> 00:29:33,600 HIP-HOP: ATLANTA REUNION. 1401 00:29:44,133 --> 00:29:45,800 THERE WAS A CHICK BUTT-NAKED 1402 00:29:45,800 --> 00:29:47,367 IN THE HOUSE, AND SHE WAS LIKE, 1403 00:29:47,367 --> 00:29:49,233 "I LIVE WITH HIM." 1404 00:29:49,233 --> 00:29:50,233 AND THIS WAS THE NIGHT THAT 1405 00:29:50,233 --> 00:29:52,233 HE PROPOSED? 1406 00:29:57,667 --> 00:29:58,367 * THIS IS THE LIFE 1407 00:29:58,367 --> 00:30:01,633 ♪ THIS IS THE LIFE 1408 00:30:01,633 --> 00:30:02,867 WE'RE BACK WITH MORE LOVE & 1409 00:30:02,867 --> 00:30:05,100 HIP-HOP: ATLANTA: THE REUNION. 1410 00:30:05,100 --> 00:30:06,467 THIS SEASON, WE HAD OUR COUPLES 1411 00:30:06,467 --> 00:30:08,000 WHO WORKED TOGETHER AND PLAYED 1412 00:30:08,000 --> 00:30:09,700 TOGETHER, BUT DID THEY STAY 1413 00:30:09,700 --> 00:30:10,733 TOGETHER? 1414 00:30:10,733 --> 00:30:12,500 LET'S HEAR FROM KIRK AND 1415 00:30:12,500 --> 00:30:14,467 RASHEEDA, BENZINO AND KARLIE, 1416 00:30:14,467 --> 00:30:15,667 AND WE'VE BROUGHT K.MICHELLE 1417 00:30:15,667 --> 00:30:16,567 UP HERE BECAUSE SHE KNOWS 1418 00:30:16,567 --> 00:30:18,300 A LITTLE BIT ABOUT THE SUBJECT. 1419 00:30:18,300 --> 00:30:19,733 FINDING THE BALANCE BETWEEN LOVE 1420 00:30:19,733 --> 00:30:21,400 AND CAREER--THAT'S WHAT THIS 1421 00:30:21,400 --> 00:30:23,300 SERIES IS ALL ABOUT, BUT THE 1422 00:30:23,300 --> 00:30:25,000 LOVE OF BUSINESS DOESN'T ALWAYS 1423 00:30:25,000 --> 00:30:26,867 MESH WITH THE BUSINESS OF LOVE, 1424 00:30:26,867 --> 00:30:28,867 AND WE ALL KNOW THE DANGERS OF 1425 00:30:28,867 --> 00:30:29,867 MIXING THE TWO. 1426 00:30:29,867 --> 00:30:31,933 TAKE A LOOK. 1427 00:30:33,200 --> 00:30:34,000 VERY NICE. 1428 00:30:34,000 --> 00:30:35,300 WORK THAT, KARLIE REDD. 1429 00:30:35,300 --> 00:30:37,467 YOU ARE THE PIECES TO MY 1430 00:30:37,467 --> 00:30:39,767 PUZZLE. 1431 00:30:39,767 --> 00:30:41,000 BEING AN INDEPENDENT ARTIST 1432 00:30:41,000 --> 00:30:41,767 IS REALLY HARD WHEN YOU'RE 1433 00:30:41,767 --> 00:30:42,900 A WIFE AND MOTHER. 1434 00:30:42,900 --> 00:30:43,567 STAND BY! 1435 00:30:43,567 --> 00:30:46,000 YO, WHERE ARE YOU? 1436 00:30:46,000 --> 00:30:47,367 I'M HERE, BUT I'M REALLY NOT 1437 00:30:47,367 --> 00:30:49,667 HERE, AND ME AND YOU AIN'T HERE. 1438 00:30:49,667 --> 00:30:50,633 SO WHAT'S GOING ON WITH THIS 1439 00:30:50,633 --> 00:30:52,467 BENZINO GUY I'M HEARING ABOUT? 1440 00:30:52,467 --> 00:30:54,000 EVERY WOMAN NEEDS LOVE. 1441 00:30:54,000 --> 00:30:55,267 GUESS WHAT, YOU WANT LOVE, 1442 00:30:55,267 --> 00:30:57,033 OR YOU WANT A CAREER RIGHT NOW? 1443 00:30:57,033 --> 00:30:57,867 YOU GOT TO MAKE A DECISION, 1444 00:30:57,867 --> 00:30:59,200 KARLIE, BECAUSE I CAN'T GO 1445 00:30:59,200 --> 00:30:59,867 THROUGH THIS. 1446 00:30:59,867 --> 00:31:02,067 I CAN'T LIVE MY LIFE LIKE THIS. 1447 00:31:02,067 --> 00:31:03,467 I JUST WANT TO BE HAPPY WITH 1448 00:31:03,467 --> 00:31:05,067 A MAN, YOU KNOW WHAT I'M SAYING? 1449 00:31:05,067 --> 00:31:06,367 WHEN BUSINESS IS INVOLVED, 1450 00:31:06,367 --> 00:31:07,767 NO ONE CARE IF YOU HURT. 1451 00:31:07,767 --> 00:31:08,900 EVERYBODY WANT YOU TO SING, 1452 00:31:08,900 --> 00:31:10,800 SHUT UP, AND MAKE THE MONEY. 1453 00:31:10,800 --> 00:31:12,767 IS IT RASHEEDA THE WIFE? 1454 00:31:12,767 --> 00:31:14,067 THE HOMEMAKER? 1455 00:31:14,067 --> 00:31:15,700 IS THAT WHO I REALLY WANT TO BE? 1456 00:31:15,700 --> 00:31:16,800 I'M ABOUT TO GET FIRED, 1457 00:31:16,800 --> 00:31:19,167 IS WHAT YOU TELLING ME. 1458 00:31:19,167 --> 00:31:21,167 I DON'T WANT TO SAY THAT. 1459 00:31:21,167 --> 00:31:22,200 THE ONLY THING WE EVER TALK 1460 00:31:22,200 --> 00:31:24,100 ABOUT, REALLY, IS JUST ABOUT YOU 1461 00:31:24,100 --> 00:31:26,100 AND YOUR CAREER. 1462 00:31:26,100 --> 00:31:27,400 MY SOLUTION TO THAT IS-- 1463 00:31:27,400 --> 00:31:28,300 HOW THE [bleep] WE GONNA TALK 1464 00:31:28,300 --> 00:31:29,400 ABOUT A SOLUTION IF YOU DON'T 1465 00:31:29,400 --> 00:31:30,100 EVEN KNOW, LIKE, WHAT 1466 00:31:30,100 --> 00:31:33,233 THE PROBLEM IS? 1467 00:31:33,233 --> 00:31:35,800 THAT'S IT. 1468 00:31:35,800 --> 00:31:39,200 WE AIN'T ROCKING NO MORE. 1469 00:31:39,200 --> 00:31:40,067 SO I'LL DIRECT THE FIRST 1470 00:31:40,067 --> 00:31:41,767 QUESTION TO THE LADIES. 1471 00:31:41,767 --> 00:31:43,867 HOW HAS BEING IN YOUR 1472 00:31:43,867 --> 00:31:46,067 RELATIONSHIP HELPED OR HURT 1473 00:31:46,067 --> 00:31:46,867 YOUR CAREER? 1474 00:31:46,867 --> 00:31:47,767 KARLIE? 1475 00:31:47,767 --> 00:31:49,433 YOU JUST GOT FIND A MAN WHO 1476 00:31:49,433 --> 00:31:52,733 UNDERSTANDS THE CAREER THAT IS-- 1477 00:31:52,733 --> 00:31:54,333 THAT YOU'VE WORKED SO HARD FOR 1478 00:31:54,333 --> 00:31:55,867 IT, AND IT'S REALLY, REALLY 1479 00:31:55,867 --> 00:31:56,667 IMPORTANT. 1480 00:31:56,667 --> 00:31:57,667 ONCE YOU FIND A MAN WHO 1481 00:31:57,667 --> 00:31:59,300 UNDERSTANDS THAT, THEN HE CAN BE 1482 00:31:59,300 --> 00:32:00,300 A PART OF THAT. 1483 00:32:00,300 --> 00:32:01,533 LET ME ASK YOU, RASHEEDA, HAS 1484 00:32:01,533 --> 00:32:02,867 IT HELPED OR HURT YOUR CAREER? 1485 00:32:02,867 --> 00:32:04,567 IT HAS TOTALLY HELPED MY 1486 00:32:04,567 --> 00:32:05,767 CAREER IN A LOT OF WAYS BECAUSE 1487 00:32:05,767 --> 00:32:06,800 I KNOW I GOT SOMEBODY WHO'S 1488 00:32:06,800 --> 00:32:08,100 LOOKING OUT FOR ME WITHOUT 1489 00:32:08,100 --> 00:32:09,533 A SHADOW OF A DOUBT, BUT, 1490 00:32:09,533 --> 00:32:10,800 YOU KNOW, IT DOES HURT IT. 1491 00:32:10,800 --> 00:32:12,567 IT DETERS PEOPLE A LOT OF TIMES, 1492 00:32:12,567 --> 00:32:14,067 AND, YOU KNOW, THAT'S SOMETHING 1493 00:32:14,067 --> 00:32:15,067 THAT WE HAVE TO CONSTANTLY 1494 00:32:15,067 --> 00:32:15,667 FIGHT. 1495 00:32:15,667 --> 00:32:16,633 ALL RIGHT. 1496 00:32:16,633 --> 00:32:18,367 AND K.MICHELLE, YOU WERE IN 1497 00:32:18,367 --> 00:32:19,767 A RELATIONSHIP WITH YOUR 1498 00:32:19,767 --> 00:32:20,500 LABEL HEAD. 1499 00:32:20,500 --> 00:32:21,167 MM-HMM, I AM. 1500 00:32:21,167 --> 00:32:22,533 AND WOULD YOU SAY THAT, 1501 00:32:22,533 --> 00:32:24,467 ULTIMATELY-- 1502 00:32:24,467 --> 00:32:25,400 I MEAN, ULTIMATELY HOW-- 1503 00:32:25,400 --> 00:32:27,333 IT WAS MESSED UP FOR ME 1504 00:32:27,333 --> 00:32:29,400 BECAUSE, WHEN THINGS, YOU KNOW-- 1505 00:32:29,400 --> 00:32:31,400 WHEN PERSONAL GOT INTO IT, A LOT 1506 00:32:31,400 --> 00:32:33,067 OF THINGS I SUFFERED FROM WITHIN 1507 00:32:33,067 --> 00:32:35,133 MY CAREER, BUT AT THE END OF THE 1508 00:32:35,133 --> 00:32:37,367 DAY, ALL I HAVE IS MY VOICE, 1509 00:32:37,367 --> 00:32:38,400 YOU KNOW WHAT I'M SAYING? 1510 00:32:38,400 --> 00:32:39,833 SO IT'S TRICKY. 1511 00:32:39,833 --> 00:32:40,500 RIGHT. 1512 00:32:40,500 --> 00:32:41,600 WELL, GOING BACK TO YOU, 1513 00:32:41,600 --> 00:32:43,833 BENZINO, THAT NON-PROPOSAL-- 1514 00:32:43,833 --> 00:32:44,667 'CAUSE I WANT TO CALL IT 1515 00:32:44,667 --> 00:32:45,700 A PROPOSAL, BUT IT WAS LIKE 1516 00:32:45,700 --> 00:32:46,867 A NON-PROPOSAL. 1517 00:32:46,867 --> 00:32:48,200 WHY'D YOU GO THROUGH THAT WHOLE 1518 00:32:48,200 --> 00:32:49,067 PROPOSAL? 1519 00:32:49,067 --> 00:32:50,067 BECAUSE AT THE END OF THE DAY 1520 00:32:50,067 --> 00:32:51,567 IT'S LIKE, YOU KNOW, I WAS 1521 00:32:51,567 --> 00:32:53,067 FEELING LIKE, "MAN, YOU KNOW, 1522 00:32:53,067 --> 00:32:54,600 I WANT TO BE MARRIED, AND, 1523 00:32:54,600 --> 00:32:56,467 YOU KNOW, MAYBE, LIKE, I COULD 1524 00:32:56,467 --> 00:32:57,133 DO THIS." 1525 00:32:57,133 --> 00:32:58,200 I HAD GOT THE RING, AND THEN, 1526 00:32:58,200 --> 00:32:59,100 YOU KNOW WHAT I'M SAYING, THINGS 1527 00:32:59,100 --> 00:33:00,300 JUST STARTED HAPPENING, LIKE, 1528 00:33:00,300 --> 00:33:01,567 I THINK KARLIE'S ABOUT THE 1529 00:33:01,567 --> 00:33:03,567 INDUSTRY, CAREER, MUSIC, AND, 1530 00:33:03,567 --> 00:33:05,167 YOU KNOW, I HAVE A CAREER TOO, 1531 00:33:05,167 --> 00:33:07,333 AND I WASN'T THROWING THAT UP 1532 00:33:07,333 --> 00:33:08,600 ALL THE TIME, BRINGING THAT UP. 1533 00:33:08,600 --> 00:33:10,067 I MEAN, KARLIE, LISTENING TO 1534 00:33:10,067 --> 00:33:11,267 ALL OF THIS RIGHT NOW, HAVE YOU 1535 00:33:11,267 --> 00:33:12,833 HAD A CHANCE TO EVEN TALK TO 1536 00:33:12,833 --> 00:33:14,467 BENZINO OR CONFRONT HIM AFTER 1537 00:33:14,467 --> 00:33:16,233 THAT NON-PROPOSAL? 1538 00:33:16,233 --> 00:33:17,767 THE DAY THAT BENZINO PROPOSED 1539 00:33:17,767 --> 00:33:19,733 TO ME, I WAS CRYING AND HURT. 1540 00:33:19,733 --> 00:33:20,800 I WAS LIKE, "I'M GOING TO HIS 1541 00:33:20,800 --> 00:33:21,467 HOUSE. 1542 00:33:21,467 --> 00:33:23,067 I'M GONNA TALK TO HIM AND TELL 1543 00:33:23,067 --> 00:33:25,067 HIM I'M SORRY OR, YOU KNOW, 1544 00:33:25,067 --> 00:33:26,067 LET'S WORK THIS OUT. 1545 00:33:26,067 --> 00:33:27,200 I DON'T KNOW. I DON'T KNOW." 1546 00:33:27,200 --> 00:33:29,700 WALKED IN THE DOOR, AND THERE 1547 00:33:29,700 --> 00:33:31,533 WAS A CHICK BUTT-NAKED IN THE 1548 00:33:31,533 --> 00:33:33,067 HOUSE, AND SHE WAS LIKE, 1549 00:33:33,067 --> 00:33:35,067 "I LIVE WITH HIM." 1550 00:33:35,067 --> 00:33:36,167 AND THIS WAS THE NIGHT THAT 1551 00:33:36,167 --> 00:33:39,233 HE PROPOSED? 1552 00:33:39,233 --> 00:33:40,400 SO WHAT I HAVE TO TELL YOU 1553 00:33:40,400 --> 00:33:42,800 IS, BENZINO, BABY... 1554 00:33:42,800 --> 00:33:45,800 [all talking at once] 1555 00:33:45,800 --> 00:33:47,433 YOU ARE POLYGAMOUS. 1556 00:33:47,433 --> 00:33:49,200 YEAH, THAT'S COOL. 1557 00:33:49,200 --> 00:33:50,067 SHE BROUGHT YOU A GIFT. 1558 00:33:50,067 --> 00:33:50,633 HERE, LET ME TAKE THAT. 1559 00:33:50,633 --> 00:33:51,367 THAT'S A GIFT FOR HIM. 1560 00:33:51,367 --> 00:33:52,233 HERE YOU GO. 1561 00:33:52,233 --> 00:33:53,533 BUT AT THE END OF THE DAY-- 1562 00:33:53,533 --> 00:33:54,367 CAN I JUST--BUT CAN I JUST-- 1563 00:33:54,367 --> 00:33:55,400 I STILL HAVE A LOT OF 1564 00:33:55,400 --> 00:33:56,133 FEELINGS FOR HIM. 1565 00:33:56,133 --> 00:33:57,167 BUT WAIT A MINUTE, THOUGH. 1566 00:33:57,167 --> 00:33:57,833 EVEN WHAT I SAW-- 1567 00:33:57,833 --> 00:33:58,900 I MEAN, I SAW IT WITH MY OWN 1568 00:33:58,900 --> 00:33:59,567 TWO EYES. 1569 00:33:59,567 --> 00:34:00,433 BUT WAIT A MINUTE, THOUGH. 1570 00:34:00,433 --> 00:34:01,100 BUT WAIT A MINUTE. 1571 00:34:01,100 --> 00:34:01,767 HOLD UP. 1572 00:34:01,767 --> 00:34:03,400 BOO, I CAUGHT YOU DEAD-ASS 1573 00:34:03,400 --> 00:34:05,433 WITH A CHICK IN THE ROOM NAKED. 1574 00:34:05,433 --> 00:34:06,333 YOU WASN'T SUPPOSED TO BE 1575 00:34:06,333 --> 00:34:07,233 IN MY HOUSE. 1576 00:34:07,233 --> 00:34:08,600 I'M GONNA ASK ONE LAST 1577 00:34:08,600 --> 00:34:09,800 QUESTION, BENZINO. 1578 00:34:09,800 --> 00:34:10,467 BENZINO! 1579 00:34:10,467 --> 00:34:11,200 THE GIRL HAS BEEN LIVING 1580 00:34:11,200 --> 00:34:11,867 AT HIS HOUSE. 1581 00:34:11,867 --> 00:34:12,800 KARLIE, OVER HERE. 1582 00:34:12,800 --> 00:34:13,467 WOW. 1583 00:34:13,467 --> 00:34:14,133 OVER HERE. 1584 00:34:14,133 --> 00:34:15,833 IS IT SAFE TO SAY THAT THIS 1585 00:34:15,833 --> 00:34:17,067 RELATIONSHIP IS A WRAP? 1586 00:34:17,067 --> 00:34:18,833 FINITO. 1587 00:34:18,833 --> 00:34:19,500 KARLIE? 1588 00:34:19,500 --> 00:34:20,200 FINITO. 1589 00:34:20,200 --> 00:34:21,467 ALL RIGHT, SO LET'S MOVE ON 1590 00:34:21,467 --> 00:34:22,700 TO RASHEEDA AND KIRK. 1591 00:34:22,700 --> 00:34:24,133 YOU GUYS HAVE BEEN MARRIED 1592 00:34:24,133 --> 00:34:25,067 FOR ABOUT 12 YEARS... 1593 00:34:25,067 --> 00:34:25,700 MM-HMM. 1594 00:34:25,700 --> 00:34:26,500 AND HAVE BEEN WORKING 1595 00:34:26,500 --> 00:34:27,467 TOGETHER FOR ALMOST THE SAME 1596 00:34:27,467 --> 00:34:28,633 AMOUNT OF TIME, AND ACTUALLY, 1597 00:34:28,633 --> 00:34:29,700 UNTIL YOU CAME ON THIS SHOW, 1598 00:34:29,700 --> 00:34:30,600 YOU GUYS KEPT YOUR MARRIAGE 1599 00:34:30,600 --> 00:34:31,267 A SECRET. 1600 00:34:31,267 --> 00:34:32,100 DEFINITELY. 1601 00:34:32,100 --> 00:34:32,767 WHY IS THAT? 1602 00:34:32,767 --> 00:34:33,433 TELL US. 1603 00:34:33,433 --> 00:34:34,200 IT SEEMED LIKE WHEN YOU 1604 00:34:34,200 --> 00:34:35,833 DEALING WITH A FEMALE RAPPER, 1605 00:34:35,833 --> 00:34:36,900 IT'S BEST TO BE SINGLE. 1606 00:34:36,900 --> 00:34:37,600 YOU KNOW, THEY DON'T WANT 1607 00:34:37,600 --> 00:34:38,267 TO SEE-- 1608 00:34:38,267 --> 00:34:40,067 THEY DON'T WANT TO SEE THAT. 1609 00:34:40,067 --> 00:34:41,400 YOU NEED TO CREATE THE ILLUSION 1610 00:34:41,400 --> 00:34:42,800 THAT YOU'RE A SINGLE ARTIST, 1611 00:34:42,800 --> 00:34:43,467 SOMEBODY ATTAINABLE. 1612 00:34:43,467 --> 00:34:44,167 I KNOW IT MUST BE HARD TO 1613 00:34:44,167 --> 00:34:45,333 HAVE GUYS LOOKING AT HER GOING, 1614 00:34:45,333 --> 00:34:46,767 "DAMN, SHE FINE." 1615 00:34:46,767 --> 00:34:48,067 AND GUESS WHAT, MY 1616 00:34:48,067 --> 00:34:49,067 CONVERSATION IS, "YEAH, 1617 00:34:49,067 --> 00:34:49,633 SHE COOL." 1618 00:34:49,633 --> 00:34:50,300 I USED TO BE LIKE, "YEAH, 1619 00:34:50,300 --> 00:34:51,233 IS SHE HITTING? 1620 00:34:51,233 --> 00:34:52,067 I DON'T KNOW. 1621 00:34:52,067 --> 00:34:52,833 SOMETIMES. MAYBE." 1622 00:34:52,833 --> 00:34:53,800 I JUST PLAY IT OFF 1623 00:34:53,800 --> 00:34:54,667 AND KEEP IT COOL. 1624 00:34:54,667 --> 00:34:56,067 AND THEN WE SAW THAT YOU 1625 00:34:56,067 --> 00:34:57,433 GUYS, YOU KNOW, STRUGGLED WITH 1626 00:34:57,433 --> 00:34:59,433 CONTINUING TO WORK TOGETHER, 1627 00:34:59,433 --> 00:35:00,700 AND, RASHEEDA, A LOT OF THE 1628 00:35:00,700 --> 00:35:02,767 VIEWERS WERE DIVIDED OVER YOUR 1629 00:35:02,767 --> 00:35:04,333 DECISION 'CAUSE IT ALMOST SEEMS 1630 00:35:04,333 --> 00:35:07,067 LIKE YOU CHOSE LOVE OVER CAREER. 1631 00:35:07,067 --> 00:35:07,900 WELL, THAT'S WHAT YOU'RE 1632 00:35:07,900 --> 00:35:08,867 SUPPOSED TO DO. 1633 00:35:08,867 --> 00:35:09,633 OKAY. 1634 00:35:09,633 --> 00:35:10,467 YOU'RE SUPPOSED TO CHOOSE 1635 00:35:10,467 --> 00:35:11,133 LOVE. 1636 00:35:11,133 --> 00:35:13,300 ALL RIGHT. 1637 00:35:13,300 --> 00:35:14,700 K.MICHELLE, SO WHAT DO YOU 1638 00:35:14,700 --> 00:35:16,067 THINK OF RASHEEDA'S DECISION 1639 00:35:16,067 --> 00:35:16,733 TO CHOOSE LOVE? 1640 00:35:16,733 --> 00:35:17,600 I THINK THAT WAS THE RIGHT 1641 00:35:17,600 --> 00:35:18,400 THING TO DO. 1642 00:35:18,400 --> 00:35:19,833 IT'S NOT A LOT OF PEOPLE THAT 1643 00:35:19,833 --> 00:35:21,100 ARE JUST GONNA BE THERE FOR YOU 1644 00:35:21,100 --> 00:35:22,067 AND LOVE YOU. 1645 00:35:22,067 --> 00:35:23,867 ONCE YOU GET THAT, YOU HAVE TO 1646 00:35:23,867 --> 00:35:24,767 DO WHAT YOU SUPPOSED TO DO TO 1647 00:35:24,767 --> 00:35:26,100 MAINTAIN THAT. 1648 00:35:26,100 --> 00:35:27,333 THAT'S GREAT WHAT THEY HAVE, 1649 00:35:27,333 --> 00:35:28,067 YOU KNOW WHAT I'M SAYING? 1650 00:35:28,067 --> 00:35:28,800 I'M NOT TAKING FROM THAT 1651 00:35:28,800 --> 00:35:29,467 OR ANYTHING. 1652 00:35:29,467 --> 00:35:31,167 WHAT ERICA AND SCRAPPY GOT, YOU 1653 00:35:31,167 --> 00:35:32,400 KNOW, EVERY WOMAN WANTS THAT, 1654 00:35:32,400 --> 00:35:33,300 YOU KNOW WHAT I'M SAYING? 1655 00:35:33,300 --> 00:35:36,067 SO AT THE END OF THE DAY, LOVE-- 1656 00:35:36,067 --> 00:35:37,400 THAT'S REALLY WHAT LIFE 1657 00:35:37,400 --> 00:35:38,867 IS ALL ABOUT. 1658 00:35:38,867 --> 00:35:40,067 AND ON THAT NOTE, LET'S TAKE 1659 00:35:40,067 --> 00:35:42,067 A BREAK. 1660 00:35:49,333 --> 00:35:50,900 FOR ME TO BE ALMOST 50 YEARS 1661 00:35:50,900 --> 00:35:53,267 OLD AND TO SWING ON THE POLE, 1662 00:35:53,267 --> 00:35:56,067 BOO, IT SEEMS LIKE THE POLE 1663 00:35:56,067 --> 00:35:57,133 DOES A BODY GOOD. 1664 00:35:57,133 --> 00:35:59,800 OKAY. ALL RIGHT. 1665 00:36:04,600 --> 00:36:06,600 * THIS IS THE LIFE 1666 00:36:08,067 --> 00:36:09,067 WE'RE BACK WITH PART II 1667 00:36:09,067 --> 00:36:10,433 OF LOVE & HIP-HOP: ATLANTA: 1668 00:36:10,433 --> 00:36:11,667 THE REUNION. 1669 00:36:11,667 --> 00:36:13,067 THIS SEASON HAS BEEN A WILD 1670 00:36:13,067 --> 00:36:14,367 AND CRAZY RIDE FOR EVERYONE 1671 00:36:14,367 --> 00:36:15,833 ON THIS STAGE. 1672 00:36:15,833 --> 00:36:18,267 STEVIE, YOUR BEHAVIOR HAS BEEN 1673 00:36:18,267 --> 00:36:19,533 REALLY POLARIZING. 1674 00:36:19,533 --> 00:36:20,900 I MEAN, THE PEOPLE WHO HATE YOU, 1675 00:36:20,900 --> 00:36:23,133 LIKE, THEY REALLY HATE YOU. 1676 00:36:23,133 --> 00:36:24,633 HOW DOES THAT MAKE YOU FEEL? 1677 00:36:24,633 --> 00:36:26,067 THEY HATIN' ON GOD, SO WHO 1678 00:36:26,067 --> 00:36:27,433 AM I, YOU KNOW WHAT I'M SAYING? 1679 00:36:27,433 --> 00:36:28,367 WOW. 1680 00:36:28,367 --> 00:36:29,167 DIG THAT. 1681 00:36:29,167 --> 00:36:30,067 I'M WITH HIM. 1682 00:36:30,067 --> 00:36:31,067 ALL RIGHT. 1683 00:36:31,067 --> 00:36:31,800 SO FACE. 1684 00:36:31,800 --> 00:36:33,333 YOU KNOW. 1685 00:36:33,333 --> 00:36:34,267 I HEAR YOU, SCRAPPY. 1686 00:36:34,267 --> 00:36:35,133 YOU'RE AGREEING WITH THAT? 1687 00:36:35,133 --> 00:36:36,333 YEAH, THEY GONNA HATE. 1688 00:36:36,333 --> 00:36:37,067 OKAY. 1689 00:36:37,067 --> 00:36:38,600 STEVIE, I HAVE A QUESTION 1690 00:36:38,600 --> 00:36:39,267 FOR YOU THEN. 1691 00:36:39,267 --> 00:36:41,267 THIS IS FROM KALLI ON FACEBOOK. 1692 00:36:41,267 --> 00:36:43,167 "DO YOU THINK THAT RAT FACE 1693 00:36:43,167 --> 00:36:44,967 THAT YOU MAKE IS CUTE?" 1694 00:36:44,967 --> 00:36:49,367 [laughter] 1695 00:36:49,367 --> 00:36:50,633 IS THAT WHAT THEY CALLING IT, 1696 00:36:50,633 --> 00:36:54,500 THE RAT FACE? 1697 00:36:54,500 --> 00:36:56,367 WOW. 1698 00:36:56,367 --> 00:36:58,767 WELL, WE NOTICED THE FACIAL 1699 00:36:58,767 --> 00:37:00,200 EXPRESSION TOO, AND WE PUT 1700 00:37:00,200 --> 00:37:01,800 TOGETHER OUR OWN LITTLE HOMAGE 1701 00:37:01,800 --> 00:37:03,700 TO STEVIE'S RAT FACE. 1702 00:37:03,700 --> 00:37:07,733 LET'S TAKE A LOOK. 1703 00:37:07,733 --> 00:37:09,067 WHO YOU WANNA SEE? 1704 00:37:09,067 --> 00:37:10,533 IT'S GONNA TAKE SOME FIXING. 1705 00:37:10,533 --> 00:37:13,367 SOME REAL, REAL FIXING. 1706 00:37:13,367 --> 00:37:14,400 YOU KNOW? 1707 00:37:14,400 --> 00:37:15,667 YOU GOT TO BE MONOGAMOUS, 1708 00:37:15,667 --> 00:37:17,567 MY BROTHER. 1709 00:37:17,567 --> 00:37:19,133 SAMPLING THE PRODUCT. 1710 00:37:19,133 --> 00:37:20,267 IF I COULD DO WHATEVER I LIKE-- 1711 00:37:20,267 --> 00:37:23,567 [muttering] 1712 00:37:23,567 --> 00:37:26,267 WOW. 1713 00:37:26,267 --> 00:37:27,433 IF EVERYBODY COULD JUST ZIP 1714 00:37:27,433 --> 00:37:30,700 IT AND LET ME CONTROL THE SHOW, 1715 00:37:30,700 --> 00:37:32,900 IT'D BE LIGHTS, CAMERA, ACTION. 1716 00:37:32,900 --> 00:37:35,933 [laughter] 1717 00:37:42,367 --> 00:37:44,367 SO LET'S GO OUT OF THIS WITH 1718 00:37:44,367 --> 00:37:45,600 SOME MORE QUESTIONS FROM 1719 00:37:45,600 --> 00:37:46,667 THE VIEWING AUDIENCE. 1720 00:37:46,667 --> 00:37:48,067 OKAY, WHAT DO WE HAVE? 1721 00:37:48,067 --> 00:37:49,500 BRETT D. FROM FACEBOOK WANTS TO 1722 00:37:49,500 --> 00:37:51,733 KNOW, "MOMMA DEE, I SAW A VIDEO 1723 00:37:51,733 --> 00:37:54,067 OF YOU ONLINE POLE DANCING. 1724 00:37:54,067 --> 00:37:55,467 WHAT KIND OF A GRANDMOTHER 1725 00:37:55,467 --> 00:37:56,333 DOES THAT?" 1726 00:37:56,333 --> 00:37:57,533 HERE WE GO. 1727 00:37:57,533 --> 00:37:58,600 SIT BACK, PRINCE. 1728 00:37:58,600 --> 00:38:00,167 OH, NO. 1729 00:38:00,167 --> 00:38:01,233 [laughter] 1730 00:38:01,233 --> 00:38:02,067 TO ANSWER THAT QUESTION, 1731 00:38:02,067 --> 00:38:04,200 WHAT TYPE OF GRANDMOTHER AM I? 1732 00:38:04,200 --> 00:38:05,167 I'M A VERY GOOD ONE. 1733 00:38:05,167 --> 00:38:06,900 VERY LOVING, CARING, AND SHARING 1734 00:38:06,900 --> 00:38:08,200 MOTHER AND GRANDMOTHER, 1735 00:38:08,200 --> 00:38:09,567 BUT CHECK GAME. 1736 00:38:09,567 --> 00:38:12,100 FOR ME TO BE ALMOST 50 YEARS OLD 1737 00:38:12,100 --> 00:38:13,633 AND CAN SWING ON A POLE AND MAKE 1738 00:38:13,633 --> 00:38:15,200 MONEY WITHOUT TAKING OFF MY 1739 00:38:15,200 --> 00:38:18,633 CLOTHES, BOO, YOU HEARD ME? 1740 00:38:18,633 --> 00:38:20,200 IT SEEMS LIKE THE POLE DOES 1741 00:38:20,200 --> 00:38:21,400 A BODY GOOD. 1742 00:38:21,400 --> 00:38:22,900 OKAY. 1743 00:38:22,900 --> 00:38:25,600 ALL RIGHT. 1744 00:38:25,600 --> 00:38:27,767 AND IN THAT ORDER. 1745 00:38:27,767 --> 00:38:30,633 SNAP. 1746 00:38:30,633 --> 00:38:31,867 ALL RIGHT, K.MICHELLE, 1747 00:38:31,867 --> 00:38:33,600 THERE'S ONE FOR YOU HERE. 1748 00:38:33,600 --> 00:38:34,733 TRINA FROM GEORGIA WANTS TO 1749 00:38:34,733 --> 00:38:36,500 KNOW, "HOW MANY RECEIPTS DOES 1750 00:38:36,500 --> 00:38:37,867 A PERSON HAVE TO HAVE IN ORDER 1751 00:38:37,867 --> 00:38:39,100 FOR YOU TO RESPECT THEM?" 1752 00:38:39,100 --> 00:38:41,433 [laughter] 1753 00:38:41,433 --> 00:38:42,767 JUST MORE THAN KARLIE HAD 1754 00:38:42,767 --> 00:38:44,267 TO BE TALKING TO ME. 1755 00:38:44,267 --> 00:38:45,600 OKAY. 1756 00:38:45,600 --> 00:38:47,233 BUT, YOU KNOW, YOU NEED TO 1757 00:38:47,233 --> 00:38:48,833 AT LEAST HAVE A WIKIPEDIA PAGE. 1758 00:38:48,833 --> 00:38:50,867 THAT'S ONE BIG RECEIPT. 1759 00:38:50,867 --> 00:38:51,667 THAT'S ALL. 1760 00:38:51,667 --> 00:38:52,733 A WIKIPEDIA PAGE. 1761 00:38:52,733 --> 00:38:53,500 BARE MINIMUM. 1762 00:38:53,500 --> 00:38:54,367 JUST SOMETHING. 1763 00:38:54,367 --> 00:38:55,633 A BARE MINIMUM SO WE CAN KIND OF 1764 00:38:55,633 --> 00:38:56,767 KNOW WHAT YOU'VE DONE. 1765 00:38:56,767 --> 00:38:59,067 NATALIE ON FACEBOOK ASKED, 1766 00:38:59,067 --> 00:39:00,633 "WHERE'S YOUR CAR, STEVIE J? 1767 00:39:00,633 --> 00:39:01,533 YOU'RE ALWAYS WALKING 1768 00:39:01,533 --> 00:39:02,367 SOMEWHERE." 1769 00:39:02,367 --> 00:39:04,067 [laughter] 1770 00:39:04,067 --> 00:39:05,900 WELL, I DIDN'T HAVE A CAR, 1771 00:39:05,900 --> 00:39:06,633 BUT NOW, YOU KNOW WHAT I'M 1772 00:39:06,633 --> 00:39:07,933 SAYING, I GOT A CAR, SO, YOU 1773 00:39:07,933 --> 00:39:08,600 KNOW WHAT I'M SAYING? 1774 00:39:08,600 --> 00:39:09,267 OKAY. 1775 00:39:09,267 --> 00:39:10,067 I'M NOT AFRAID TO SAY I 1776 00:39:10,067 --> 00:39:10,933 DIDN'T HAVE A CAR, YOU KNOW WHAT 1777 00:39:10,933 --> 00:39:11,600 I'M SAYING? 1778 00:39:11,600 --> 00:39:12,367 ALL RIGHT, BUT NOW YOU GOT 1779 00:39:12,367 --> 00:39:13,333 A CHECK, SO YOU GOT A CAR. 1780 00:39:13,333 --> 00:39:14,067 YEAH, YEAH, YEAH. 1781 00:39:14,067 --> 00:39:15,433 ALL RIGHT, IT'S ALL GOOD. 1782 00:39:15,433 --> 00:39:16,500 ALL RIGHT, WELL, DANIELLE FROM 1783 00:39:16,500 --> 00:39:17,433 BROOKLYN HAS A QUESTION 1784 00:39:17,433 --> 00:39:18,267 FOR YOU, MIMI. 1785 00:39:18,267 --> 00:39:19,600 "YOU ONLY DROPPED OFF THREE 1786 00:39:19,600 --> 00:39:21,067 BOXES FOR STEVIE, AND Y'ALL BEEN 1787 00:39:21,067 --> 00:39:22,267 TOGETHER 14 YEARS. 1788 00:39:22,267 --> 00:39:25,233 IS THAT ALL THE CLOTHES HE HAD?" 1789 00:39:25,233 --> 00:39:27,067 IS THAT EVERYTHING THAT HE HAD? 1790 00:39:27,067 --> 00:39:29,167 HAD I DROPPED OFF EVERYTHING, 1791 00:39:29,167 --> 00:39:30,067 I WOULD HAVE HAD TO CALL 1792 00:39:30,067 --> 00:39:30,900 THE MOVERS. 1793 00:39:30,900 --> 00:39:32,067 ALL RIGHT. 1794 00:39:32,067 --> 00:39:33,333 WELL, WE'LL FIND OUT WHAT'S NEXT 1795 00:39:33,333 --> 00:39:35,233 FOR THE LOVE & HIP-HOP: ATLANTA 1796 00:39:35,233 --> 00:39:36,633 CAST AFTER THE BREAK. 1797 00:39:36,633 --> 00:39:38,633 STAY TUNED. 1798 00:39:44,467 --> 00:39:45,467 ERICA, YOU CHEESING? 1799 00:39:45,467 --> 00:39:47,167 I'M SO FREAKING HAPPY. 1800 00:39:47,167 --> 00:39:49,433 LIKE, MY HEART IS JUST BEATING. 1801 00:39:49,433 --> 00:39:50,300 SCRAPPY, ANYTHING YOU HAVE 1802 00:39:50,300 --> 00:39:51,467 TO SAY? 1803 00:39:51,467 --> 00:39:53,467 I'M HAPPY. 1804 00:39:56,367 --> 00:39:57,067 * THIS IS THE LIFE 1805 00:39:57,067 --> 00:39:59,067 ♪ THIS IS THE LIFE 1806 00:40:06,033 --> 00:40:07,300 AND WE'RE BACK WITH PART II 1807 00:40:07,300 --> 00:40:08,733 OF LOVE & HIP-HOP: ATLANTA: 1808 00:40:08,733 --> 00:40:10,067 THE REUNION. 1809 00:40:10,067 --> 00:40:11,567 WE'VE GOT THE WHOLE CAST UP HERE 1810 00:40:11,567 --> 00:40:13,233 FINALLY LOOKING LIKE ONE BIG 1811 00:40:13,233 --> 00:40:15,433 HAPPY--ARE WE ALL GOOD? 1812 00:40:15,433 --> 00:40:16,100 WE GOOD. 1813 00:40:16,100 --> 00:40:17,067 ALL RIGHT, 'CAUSE I KNOW THE 1814 00:40:17,067 --> 00:40:18,700 ONE COUPLE THAT IS VERY HAPPY 1815 00:40:18,700 --> 00:40:20,333 RIGHT NOW IS SCRAPPY AND ERICA, 1816 00:40:20,333 --> 00:40:22,067 AND, ERICA, YOU CHEESING? 1817 00:40:22,067 --> 00:40:25,033 CONGRATULATIONS. 1818 00:40:25,033 --> 00:40:26,000 HOW DO YOU FEEL, ERICA? 1819 00:40:26,000 --> 00:40:28,467 LET ME HEAR FROM YOU. 1820 00:40:28,467 --> 00:40:29,800 I CAN'T EVEN EXPLAIN. 1821 00:40:29,800 --> 00:40:30,800 LIKE, I TOLD HIM, I WAS LIKE, 1822 00:40:30,800 --> 00:40:32,133 "I'M SO FREAKING HAPPY. 1823 00:40:32,133 --> 00:40:34,033 LIKE, MY HEART IS JUST BEATING." 1824 00:40:34,033 --> 00:40:37,400 OH, WOW. 1825 00:40:37,400 --> 00:40:39,333 WELL, MOMMA DEE, ANYTHING THAT 1826 00:40:39,333 --> 00:40:40,833 YOU WANT TO SAY TO ERICA? 1827 00:40:40,833 --> 00:40:42,367 WHAT'S GOOD FOR THE PRINCE 1828 00:40:42,367 --> 00:40:44,067 IS GOOD FOR THE QUEEN. 1829 00:40:44,067 --> 00:40:45,600 WELCOME TO THE PALACE. 1830 00:40:45,600 --> 00:40:48,067 WOW. 1831 00:40:52,167 --> 00:40:53,300 SCRAPPY, ANYTHING YOU HAVE 1832 00:40:53,300 --> 00:40:54,633 TO SAY? 1833 00:40:54,633 --> 00:40:55,800 I'M HAPPY. 1834 00:40:55,800 --> 00:40:57,100 THANKS SO MUCH FOR JOINING US 1835 00:40:57,100 --> 00:40:58,567 FOR LOVE & HIP-HOP: ATLANTA: 1836 00:40:58,567 --> 00:40:59,600 THE REUNION. 1837 00:40:59,600 --> 00:41:01,067 THAT'S ALL THE TIME WE HAVE FOR 1838 00:41:01,067 --> 00:41:02,467 TONIGHT, BUT DON'T WORRY. 1839 00:41:02,467 --> 00:41:04,067 WE WILL BE BACK WITH SEASON TWO 1840 00:41:04,067 --> 00:41:05,833 OF ATLANTA, BUT BEFORE THAT, 1841 00:41:05,833 --> 00:41:07,800 MAKE SURE YOU CATCH SEASON THREE 1842 00:41:07,800 --> 00:41:09,600 OF THE ORIGINAL LOVE & HIP-HOP. 1843 00:41:09,600 --> 00:41:10,267 FLEX. 1844 00:41:10,267 --> 00:41:11,400 THAT'S RIGHT, LOVE & HIP-HOP 1845 00:41:11,400 --> 00:41:13,433 IS BACK IN THE BIG APPLE, BABY. 1846 00:41:13,433 --> 00:41:14,700 MAKE SURE YOU TUNE IN. 1847 00:41:14,700 --> 00:41:16,700 YOU KNOW WHAT IT IS. 115093