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These are the user uploaded subtitles that are being translated: 1 00:00:02,700 --> 00:00:03,500 PREVIOUSLY ON 2 00:00:03,500 --> 00:00:05,667 LOVE & HIP-HOP: ATLANTA: 3 00:00:05,667 --> 00:00:06,433 YOU TRYING TO CONTINUE 4 00:00:06,433 --> 00:00:07,700 ON YOUR RELATIONSHIP WITH HER? 5 00:00:07,700 --> 00:00:08,367 I JUST WANT-- 6 00:00:08,367 --> 00:00:09,267 [stammering] 7 00:00:09,267 --> 00:00:10,500 I'M LIVING WITH HIM RIGHT NOW, 8 00:00:10,500 --> 00:00:11,167 JOSELINE. 9 00:00:11,167 --> 00:00:12,033 YOU GUYS LIVING TOGETHER? 10 00:00:12,033 --> 00:00:13,100 YES, I'M IN THE HOUSE. 11 00:00:13,100 --> 00:00:15,933 BITCH! 12 00:00:15,933 --> 00:00:17,067 DO YOU THINK YOU 13 00:00:17,067 --> 00:00:20,667 WOULD WANT TO RENEW OUR VOWS? 14 00:00:20,667 --> 00:00:22,533 [laughs] 15 00:00:22,533 --> 00:00:25,167 WHAT'S IN THE BOX? 16 00:00:25,167 --> 00:00:27,033 WHOA. 17 00:00:27,033 --> 00:00:28,900 I GOT--I GOT GOOSEBUMPS. 18 00:00:28,900 --> 00:00:30,200 SOMETIMES I FEEL LIKE 19 00:00:30,200 --> 00:00:32,167 EVERYTHING REVOLVES AROUND 20 00:00:32,167 --> 00:00:33,567 KARLIE REDD AND HER CAREER. 21 00:00:33,567 --> 00:00:34,467 I FEEL LIKE IT'S REALLY 22 00:00:34,467 --> 00:00:35,900 ABOUT YOUR EGO. 23 00:00:35,900 --> 00:00:37,100 MY EGO? 24 00:00:37,100 --> 00:00:37,967 HOW THE [bleep] WE GONNA 25 00:00:37,967 --> 00:00:38,767 TALK ABOUT A SOLUTION 26 00:00:38,767 --> 00:00:39,900 IF YOU DON'T EVEN KNOW, LIKE, 27 00:00:39,900 --> 00:00:41,000 WHAT THE PROBLEM IS? 28 00:00:41,000 --> 00:00:41,667 THE PROBLEM IS THAT 29 00:00:41,667 --> 00:00:42,600 YOU'RE ANGRY ALL THE TIME. 30 00:00:42,600 --> 00:00:43,433 SO THIS IS THE WHOLE PROBLEM 31 00:00:43,433 --> 00:00:44,367 BETWEEN ME AND YOU IS THAT 32 00:00:44,367 --> 00:00:45,333 I'M ANGRY ALL THE TIME? 33 00:00:45,333 --> 00:00:47,667 THAT'S ONE OF THE PROBLEMS. 34 00:00:47,667 --> 00:00:48,667 THEY SAY YOU WALKED IN 35 00:00:48,667 --> 00:00:50,800 WITH SHAY, SO I WANT TO KNOW 36 00:00:50,800 --> 00:00:52,333 WHAT'S--I MEAN, WHAT'S GOING ON? 37 00:00:52,333 --> 00:00:53,400 WE JUST FRIENDS. 38 00:00:53,400 --> 00:00:54,300 HAVE YOU SLEPT WITH HER? 39 00:00:54,300 --> 00:00:54,967 NO. 40 00:00:54,967 --> 00:00:56,400 WHAT YOU THINKING? 41 00:00:56,400 --> 00:00:57,233 I THINK HE'S [bleep] LYING, 42 00:00:57,233 --> 00:00:57,900 YOU KNOW? 43 00:00:57,900 --> 00:00:58,567 OH, I KNOW THAT 44 00:00:58,567 --> 00:00:59,233 [bleep] LYING. 45 00:00:59,233 --> 00:01:00,500 LIKE, YOU NOT FOOLING ME. 46 00:01:00,500 --> 00:01:02,133 YOU'RE FOOLING YOUR DAMN SELF. 47 00:01:02,133 --> 00:01:02,733 YOU AIN'T READY 48 00:01:02,733 --> 00:01:03,467 FOR A RELATIONSHIP. 49 00:01:03,467 --> 00:01:04,800 DO WHAT PLAYERS DO. 50 00:01:04,800 --> 00:01:05,833 HOW DO PLAYERS PLAY? 51 00:01:05,833 --> 00:01:06,800 ALL DAY, EVERY DAY. 52 00:01:06,800 --> 00:01:08,800 YOU HEARD? 53 00:01:09,600 --> 00:01:11,233 * THIS IS THE LIFE 54 00:01:11,233 --> 00:01:12,167 ♪ THIS IS THE LIFE 55 00:01:12,167 --> 00:01:12,833 * YEAH 56 00:01:12,833 --> 00:01:13,567 * THIS IS THE LIFE 57 00:01:13,567 --> 00:01:14,467 ♪ THIS IS THE LIFE 58 00:01:14,467 --> 00:01:15,133 * 'SUP ♪ 59 00:01:15,133 --> 00:01:16,067 * THIS IS THE LIFE 60 00:01:16,067 --> 00:01:17,067 ♪ THIS IS THE LIFE 61 00:01:17,067 --> 00:01:17,700 * HUH 62 00:01:17,700 --> 00:01:18,400 * THIS IS THE LIFE 63 00:01:18,400 --> 00:01:21,567 ♪ THIS IS THE LIFE 64 00:01:21,567 --> 00:01:22,233 * HUH 65 00:01:22,233 --> 00:01:23,133 ♪ THERE AIN'T NOTHING LIKE ♪ 66 00:01:23,133 --> 00:01:24,233 ♪ HIP-HOP MUSIC 67 00:01:24,233 --> 00:01:25,567 ♪ MUSIC 68 00:01:25,567 --> 00:01:26,567 * THIS IS THE LIFE 69 00:01:26,567 --> 00:01:30,900 ♪ THIS IS THE LIFE 70 00:01:40,733 --> 00:01:41,633 I'M FIXIN' TO GO OVER 71 00:01:41,633 --> 00:01:43,200 TO ERICA'S HOUSE, YOU KNOW, 72 00:01:43,200 --> 00:01:44,667 HER NEW HOUSE--YOU FEEL ME-- 73 00:01:44,667 --> 00:01:45,800 THAT SHE GOT. 74 00:01:45,800 --> 00:01:46,500 AND SHE SAID WE NEEDED 75 00:01:46,500 --> 00:01:47,500 TO TALK ABOUT SOMETHING, 76 00:01:47,500 --> 00:01:48,167 SO I WANT TO SEE WHAT 77 00:01:48,167 --> 00:01:48,833 SHE WANT TO TALK ABOUT, 78 00:01:48,833 --> 00:01:49,700 WHAT SHE WANT TO CHAT ABOUT. 79 00:01:49,700 --> 00:01:50,667 DO YOU FEEL ME? 80 00:01:50,667 --> 00:01:51,833 I JUST, YOU KNOW-- 81 00:01:51,833 --> 00:01:53,867 JUST WANT TO CLEAR THE AIR 82 00:01:53,867 --> 00:01:56,167 SO IT'S CLEAR THAT, YOU KNOW, 83 00:01:56,167 --> 00:01:57,933 I THINK WE SHOULD JUST BE COOL. 84 00:01:57,933 --> 00:01:59,233 ALL I WANT US TO DO 85 00:01:59,233 --> 00:02:00,467 IS JUST BE GREAT PARENTS 86 00:02:00,467 --> 00:02:01,300 TO EMANI. 87 00:02:01,300 --> 00:02:02,500 I KNOW YOU LOVE HER. 88 00:02:02,500 --> 00:02:03,767 YOU A GREAT FATHER TO HER. 89 00:02:03,767 --> 00:02:04,833 AND AT THIS POINT, 90 00:02:04,833 --> 00:02:06,200 THAT'S ALL I JUST ASK FROM YOU. 91 00:02:06,200 --> 00:02:07,700 AS FAR AS TRUST AND LOYALTY, 92 00:02:07,700 --> 00:02:09,200 I CAN'T GET THAT FROM YOU. 93 00:02:09,200 --> 00:02:10,200 I CAN'T GIVE YOU LOYALTY? 94 00:02:10,200 --> 00:02:10,867 MM-MM. 95 00:02:10,867 --> 00:02:12,767 I CAN'T GIVE YOU LOYALTY? 96 00:02:12,767 --> 00:02:13,767 YOU KNOW, YOUR WHOLE 97 00:02:13,767 --> 00:02:15,500 LITTLE FRIEND SITUATION, 98 00:02:15,500 --> 00:02:16,233 OR, YOU KNOW, YOU'RE LIKE, 99 00:02:16,233 --> 00:02:17,200 "OH, THAT'S MY FRIEND. 100 00:02:17,200 --> 00:02:18,500 BEEN MY HOMEY" AND THIS AND THAT 101 00:02:18,500 --> 00:02:19,533 "FOR YEARS." 102 00:02:19,533 --> 00:02:22,800 AND I JUST KIND OF FEEL LIKE-- 103 00:02:22,800 --> 00:02:23,600 I JUST DON'T-- 104 00:02:23,600 --> 00:02:24,967 I DON'T BELIEVE THAT. 105 00:02:24,967 --> 00:02:25,733 SCRAPPY JUST WANTS 106 00:02:25,733 --> 00:02:26,400 TO KICK IT 107 00:02:26,400 --> 00:02:27,533 LIKE SHAY IS HIS FRIEND. 108 00:02:27,533 --> 00:02:28,500 I'M NO FOOL. 109 00:02:28,500 --> 00:02:29,933 I'M NOT AN IDIOT, BY FAR. 110 00:02:29,933 --> 00:02:31,300 EVERYTHING ABOUT HER 111 00:02:31,300 --> 00:02:32,667 READS WHAT? 112 00:02:32,667 --> 00:02:34,400 SLUT BUCKET. 113 00:02:34,400 --> 00:02:35,233 AT THE END OF THE DAY, 114 00:02:35,233 --> 00:02:36,933 IF I HAVE EVER DID ANYTHING 115 00:02:36,933 --> 00:02:38,500 TO YOU, 116 00:02:38,500 --> 00:02:40,533 YOU KNOW, I REALLY APOLOGIZE. 117 00:02:40,533 --> 00:02:41,533 I NEVER DID NOTHING 118 00:02:41,533 --> 00:02:43,100 INTENTIONALLY, YOU FEEL ME? 119 00:02:43,100 --> 00:02:45,200 NOW, I HAVE BEEN A [bleep]. 120 00:02:45,200 --> 00:02:45,867 YOU FEEL ME? 121 00:02:45,867 --> 00:02:48,300 I HAVE BEEN A LITTLE WILD 122 00:02:48,300 --> 00:02:49,767 IN MY YOUNGER DAYS. 123 00:02:49,767 --> 00:02:52,133 I WISH GOD COULD SHOW YOU 124 00:02:52,133 --> 00:02:52,967 HOW MUCH I LOVE YOU-- 125 00:02:52,967 --> 00:02:54,333 YOU FEEL ME-- 126 00:02:54,333 --> 00:02:55,833 AND SHOW ME HOW MUCH 127 00:02:55,833 --> 00:02:56,667 YOU LOVE ME. 128 00:02:56,667 --> 00:02:57,667 I LOVED YOU AS A PERSON, 129 00:02:57,667 --> 00:02:58,367 BUT I JUST WASN'T 130 00:02:58,367 --> 00:02:59,667 IN LOVE WITH YOU. 131 00:02:59,667 --> 00:03:00,900 EVEN TO THIS DAY, 132 00:03:00,900 --> 00:03:01,900 YOU LOVE ME, 133 00:03:01,900 --> 00:03:03,200 BUT YOU'RE NOT IN LOVE WITH ME. 134 00:03:03,200 --> 00:03:04,567 BUT AT THE SAME TIME, 135 00:03:04,567 --> 00:03:06,067 I HAD STUFF WITH YOU TOO 136 00:03:06,067 --> 00:03:06,867 THAT HURT MY HEART, 137 00:03:06,867 --> 00:03:07,900 HURT MY FEELINGS. 138 00:03:07,900 --> 00:03:08,900 I WANT THAT LOVE. 139 00:03:08,900 --> 00:03:10,200 I DO WANT THAT LOVE. 140 00:03:10,200 --> 00:03:11,500 BUT IF YOU CAN'T GIVE IT TO ME 141 00:03:11,500 --> 00:03:12,933 AND YOU GONNA HOLD ON TO THAT, 142 00:03:12,933 --> 00:03:15,100 THEN YOU RIGHT. 143 00:03:15,100 --> 00:03:16,100 WE DO NEED TO CHILL-- 144 00:03:16,100 --> 00:03:16,967 YOU KNOW WHAT I'M SAYING-- 145 00:03:16,967 --> 00:03:18,200 LIKE, 'CAUSE TWO BEASTS 146 00:03:18,200 --> 00:03:19,600 AT EACH OTHER 147 00:03:19,600 --> 00:03:20,333 WITH A LITTLE KID 148 00:03:20,333 --> 00:03:22,067 IN THE MIDDLE AIN'T COOL. 149 00:03:22,067 --> 00:03:23,067 AND I THINK WE SHOULD JUST 150 00:03:23,067 --> 00:03:25,567 BE COOL, TAKE CARE OF OUR KID. 151 00:03:25,567 --> 00:03:28,800 AND IF IT DO WORK SOMEDAY, 152 00:03:28,800 --> 00:03:29,900 I'M DOWN WITH IT. 153 00:03:29,900 --> 00:03:30,600 AT THE END OF THE DAY, 154 00:03:30,600 --> 00:03:32,200 I LOVE YOU. 155 00:03:32,200 --> 00:03:33,267 YOU KNOW, THAT JUST SOMETHING 156 00:03:33,267 --> 00:03:34,267 THAT I WANTED, THOUGH, 157 00:03:34,267 --> 00:03:35,867 A FAMILY UNIT, YOU FEEL ME? 158 00:03:35,867 --> 00:03:36,867 AT LEAST WE THERE, 159 00:03:36,867 --> 00:03:38,567 AND YOU--YOU KNOW... 160 00:03:38,567 --> 00:03:39,700 YOU FEELING ME ON THIS, YEAH. 161 00:03:39,700 --> 00:03:41,700 I DEFINITELY FEEL YOU. 162 00:03:51,133 --> 00:03:51,800 * YOU'VE GOT ♪ 163 00:03:51,800 --> 00:03:53,600 ♪ YOUR EYES ON ME 164 00:03:53,600 --> 00:03:55,567 WHAT'S UP? 165 00:03:55,567 --> 00:03:56,333 HOW YOU FEELIN'? 166 00:03:56,333 --> 00:03:57,233 I'M GOOD. 167 00:03:57,233 --> 00:03:58,233 YOU LOOK AMAZING. 168 00:03:58,233 --> 00:03:59,667 ROSCOE DASH IS A KNOWN 169 00:03:59,667 --> 00:04:00,900 ATL RAPPER. 170 00:04:00,900 --> 00:04:02,367 AND, YOU KNOW, HE GOT SWAG. 171 00:04:02,367 --> 00:04:03,633 HE'S GOT THAT JUICE. 172 00:04:03,633 --> 00:04:04,600 HE GOT THAT VIBE. 173 00:04:04,600 --> 00:04:05,700 HE'S HOT. 174 00:04:05,700 --> 00:04:06,800 WHAT'S UP, THOUGH? 175 00:04:06,800 --> 00:04:07,467 NOTHING. 176 00:04:07,467 --> 00:04:08,800 I WANTED TO TALK TO YOU ABOUT, 177 00:04:08,800 --> 00:04:11,067 YOU KNOW, DOING A SONG WITH ME. 178 00:04:11,067 --> 00:04:13,067 WHAT YOU GOT IN MIND? 179 00:04:13,067 --> 00:04:13,967 IT'S DEFINITELY GONNA BE 180 00:04:13,967 --> 00:04:15,233 A CLUB BANGER. 181 00:04:15,233 --> 00:04:16,233 AND SEXY. 182 00:04:16,233 --> 00:04:17,400 YOU GOT THAT. 183 00:04:17,400 --> 00:04:19,567 OH, IT HAS TO BE A SEXY SONG. 184 00:04:19,567 --> 00:04:20,533 LOT OF SEXY. 185 00:04:20,533 --> 00:04:21,833 BAM. 186 00:04:21,833 --> 00:04:22,933 COME UP WITH A CRAZY 187 00:04:22,933 --> 00:04:23,800 SEX SONG? 188 00:04:23,800 --> 00:04:24,467 THAT SOUNDS LIKE 189 00:04:24,467 --> 00:04:25,200 IT'S UP MY LANE. 190 00:04:25,200 --> 00:04:26,433 I'M WITH THAT. 191 00:04:26,433 --> 00:04:27,667 WE NEED SOME INSPIRATION NOW. 192 00:04:27,667 --> 00:04:28,333 SO WHAT ARE WE GONNA DO 193 00:04:28,333 --> 00:04:29,067 FOR INSPIRATION? 194 00:04:29,067 --> 00:04:32,233 I DON'T KNOW. 195 00:04:32,233 --> 00:04:32,900 IF THAT'S THE CASE, 196 00:04:32,900 --> 00:04:35,433 I NEED TO BE INSPIRED TOO. 197 00:04:35,433 --> 00:04:36,567 I GOT A LOT OF INSPIRATION. 198 00:04:36,567 --> 00:04:38,200 YOU DO? 199 00:04:38,200 --> 00:04:39,067 I'LL SHARE SOME. 200 00:04:39,067 --> 00:04:40,200 I CAN SHARE SOME INSPIRATION 201 00:04:40,200 --> 00:04:40,933 WITH YOU, 202 00:04:40,933 --> 00:04:43,067 GET YOU INSPIRED REAL QUICK. 203 00:04:43,067 --> 00:04:44,100 WHAT YOU THINK? 204 00:04:44,100 --> 00:04:44,767 NO, NO. 205 00:04:44,767 --> 00:04:45,433 WE GOT TO EASE INTO THAT. 206 00:04:45,433 --> 00:04:46,433 WHY? 207 00:04:46,433 --> 00:04:47,267 'CAUSE WE-- 208 00:04:47,267 --> 00:04:48,067 NO, WE GOT TO EASE INTO THAT. 209 00:04:48,067 --> 00:04:49,133 YOU LIKE TO EASE, HUH? 210 00:04:49,133 --> 00:04:51,500 [laughs] 211 00:04:51,500 --> 00:04:52,333 I'M NOT EASY. 212 00:04:52,333 --> 00:04:53,433 I TAKE IT AT EASE. 213 00:04:53,433 --> 00:04:55,233 OH. 214 00:04:55,233 --> 00:04:56,500 OKAY. 215 00:04:56,500 --> 00:04:57,600 THAT'S THE FIRST TIME I EVER 216 00:04:57,600 --> 00:04:58,900 HEARD ANYBODY SAY THAT BEFORE. 217 00:04:58,900 --> 00:05:00,200 SEE? 218 00:05:00,200 --> 00:05:00,900 YEP, YOU GET SOME POINTS 219 00:05:00,900 --> 00:05:01,567 FOR THAT. 220 00:05:01,567 --> 00:05:02,233 TOAST TO THAT. 221 00:05:02,233 --> 00:05:02,900 WE'LL TOAST TO THAT. 222 00:05:02,900 --> 00:05:04,933 I THINK ROSCOE DASH IS-- 223 00:05:04,933 --> 00:05:05,767 HE'S SEXY. 224 00:05:05,767 --> 00:05:06,467 HE'S FINE. 225 00:05:06,467 --> 00:05:07,333 AND THERE'S NOTHING WRONG 226 00:05:07,333 --> 00:05:08,200 WITH FLIRTING. 227 00:05:08,200 --> 00:05:12,233 YOU GOT A MAN? 228 00:05:12,233 --> 00:05:13,300 I AM SEEING SOMEONE. 229 00:05:13,300 --> 00:05:14,267 YOU ARE? 230 00:05:14,267 --> 00:05:16,500 YEAH, BUT IT'S COMPLICATED. 231 00:05:16,500 --> 00:05:17,633 IT'S... 232 00:05:17,633 --> 00:05:18,633 MY SITUATION SAYS 233 00:05:18,633 --> 00:05:21,667 I TALK ABOUT MY CAREER TOO MUCH. 234 00:05:21,667 --> 00:05:23,100 YOUR SITUATION? 235 00:05:23,100 --> 00:05:24,467 YOU SHOULD NEVER HAVE TO CALL 236 00:05:24,467 --> 00:05:25,333 YOUR SITUATION A "SITUATION." 237 00:05:25,333 --> 00:05:26,867 SO THAT'S ALREADY-- 238 00:05:26,867 --> 00:05:27,767 THAT'S ALREADY NEGATIVE POINTS 239 00:05:27,767 --> 00:05:28,433 ALREADY. 240 00:05:28,433 --> 00:05:30,933 [laughs] 241 00:05:30,933 --> 00:05:31,700 BENZINO BEEN ACTING 242 00:05:31,700 --> 00:05:33,100 REAL CRAZY LATELY; 243 00:05:33,100 --> 00:05:35,333 JEALOUS, OBSESSIVE, POSSESSIVE, 244 00:05:35,333 --> 00:05:36,433 TEMPO ON TEN. 245 00:05:36,433 --> 00:05:37,100 EVEN THOUGH I STILL CARE 246 00:05:37,100 --> 00:05:38,533 ABOUT HIM, I NEED TO KEEP 247 00:05:38,533 --> 00:05:41,100 MY OPTIONS OPEN. 248 00:05:41,100 --> 00:05:42,667 WHAT'S THAT LOOK MEAN? 249 00:05:42,667 --> 00:05:45,200 NOTHING. 250 00:05:45,200 --> 00:05:46,267 "NOTHING," AS IN IT'S 251 00:05:46,267 --> 00:05:47,200 TOO SOON TO TELL ME, 252 00:05:47,200 --> 00:05:48,167 OR "NOTHING" AS IN 253 00:05:48,167 --> 00:05:50,367 "IT'S NOTHING"? 254 00:05:50,367 --> 00:05:52,300 TOO SOON TO TELL. 255 00:05:52,300 --> 00:05:53,167 YOU GONNA GET YOURSELF 256 00:05:53,167 --> 00:05:55,367 IN TROUBLE. 257 00:05:55,367 --> 00:05:56,133 GET MYSELF IN TROUBLE 258 00:05:56,133 --> 00:05:58,100 LIKE HOW? 259 00:06:00,500 --> 00:06:01,200 WITH YOUR 260 00:06:01,200 --> 00:06:03,167 COMPLICATED SITUATION. 261 00:06:08,767 --> 00:06:10,500 MIMI, JOSELINE, 262 00:06:10,500 --> 00:06:11,500 THANK YOU FOR JOINING ME 263 00:06:11,500 --> 00:06:12,633 IN THE OFFICE. 264 00:06:12,633 --> 00:06:14,367 IN THE LAST THERAPY SESSION, 265 00:06:14,367 --> 00:06:15,067 I DIDN'T GET A CHANCE 266 00:06:15,067 --> 00:06:16,200 TO EVEN HEAR WHAT JOSELINE 267 00:06:16,200 --> 00:06:17,267 HAD TO SAY. 268 00:06:17,267 --> 00:06:18,800 SHE WAS TOO BUSY PUNCHING STEVIE 269 00:06:18,800 --> 00:06:20,200 UPSIDE HIS HEAD. 270 00:06:20,200 --> 00:06:21,067 I WANTED TO HEAR WHAT THE BITCH 271 00:06:21,067 --> 00:06:21,800 HAD TO SAY. 272 00:06:21,800 --> 00:06:25,200 THAT'S WHY I WENT BACK. 273 00:06:25,200 --> 00:06:27,967 STEVIE, HOW ARE YOU? 274 00:06:27,967 --> 00:06:28,967 GOOD TO SEE YOU. 275 00:06:28,967 --> 00:06:30,200 GOOD TO SEE YOU TOO. 276 00:06:30,200 --> 00:06:31,600 I WANT EVERYBODY HAPPY. 277 00:06:31,600 --> 00:06:33,200 I WANT TO HAVE A RELATIONSHIP 278 00:06:33,200 --> 00:06:34,267 WITH MIMI. 279 00:06:34,267 --> 00:06:35,267 AND I WANT TO HAVE A GREAT 280 00:06:35,267 --> 00:06:36,067 WORKING RELATIONSHIP 281 00:06:36,067 --> 00:06:37,100 WITH JOSELINE. 282 00:06:37,100 --> 00:06:37,967 SO IF IT TAKES FOR Y'ALL 283 00:06:37,967 --> 00:06:39,067 TO GANG UP ON ME TO HAVE 284 00:06:39,067 --> 00:06:40,067 A SMILE ON YOUR FACE, 285 00:06:40,067 --> 00:06:41,200 GANG UP ON ME. 286 00:06:41,200 --> 00:06:42,767 BUT I GOT THE PASSES 287 00:06:42,767 --> 00:06:44,367 FOR THE BUS. 288 00:06:44,367 --> 00:06:45,567 STEVIE, YOU GOT 289 00:06:45,567 --> 00:06:47,733 THE GOD SHIRT ON, OKAY, 290 00:06:47,733 --> 00:06:49,200 BECAUSE, ACTUALLY, 291 00:06:49,200 --> 00:06:50,500 YOU HAVE POWER 292 00:06:50,500 --> 00:06:51,700 OVER THESE WOMEN, 293 00:06:51,700 --> 00:06:52,667 RIGHT? 294 00:06:52,667 --> 00:06:54,367 HE FEELS HE CAN HAVE YOU BOTH. 295 00:06:54,367 --> 00:06:55,867 GIRL, HE LOVE IT, GIRL. 296 00:06:55,867 --> 00:06:56,867 NO, IT'S NOT EVEN THAT. 297 00:06:56,867 --> 00:06:57,733 SWITCH SEATS, 'CAUSE HE'S 298 00:06:57,733 --> 00:06:58,500 ABOUT TO START LYING, 299 00:06:58,500 --> 00:06:59,367 AND I WANT TO KNOCK HIM 300 00:06:59,367 --> 00:07:00,400 IN HIS [bleep]. 301 00:07:00,400 --> 00:07:02,200 SO PLEASE GO OVER THERE, 302 00:07:02,200 --> 00:07:02,967 LIKE, FOR REAL. 303 00:07:02,967 --> 00:07:03,967 YO. 304 00:07:03,967 --> 00:07:05,467 "I AM GOD"? 305 00:07:05,467 --> 00:07:06,533 MIMI, HE WANT TO HAVE SEX 306 00:07:06,533 --> 00:07:07,200 WITH YOU. 307 00:07:07,200 --> 00:07:08,300 HE WANT TO HAVE SEX WITH ME. 308 00:07:08,300 --> 00:07:08,967 AND HE WANT TO DO 309 00:07:08,967 --> 00:07:11,067 WHAT HE WANTS TO DO. 310 00:07:11,067 --> 00:07:12,467 STEVIE, THAT'S NOT-- 311 00:07:12,467 --> 00:07:14,400 THAT'S NOT GONNA HAPPEN. 312 00:07:14,400 --> 00:07:15,700 I'M NOT GONNA SIT HERE 313 00:07:15,700 --> 00:07:16,800 AND TELL YOU, 314 00:07:16,800 --> 00:07:17,733 "YOU HAVE TO MAKE A CHOICE." 315 00:07:17,733 --> 00:07:19,600 NO, YOU'VE MADE YOUR CHOICE. 316 00:07:19,600 --> 00:07:20,333 WHAT CHOICE DO YOU THINK 317 00:07:20,333 --> 00:07:21,200 HE'S MADE? 318 00:07:21,200 --> 00:07:23,733 HE NOT HOME WITH ME. 319 00:07:23,733 --> 00:07:25,067 THEY GO TO THE STRIP CLUB, 320 00:07:25,067 --> 00:07:26,667 HANG OUT, AND DO THIS AND THAT. 321 00:07:26,667 --> 00:07:27,867 YOU CHOOSE TO HANG OUT 322 00:07:27,867 --> 00:07:29,333 AND DO THINGS WITH HER. 323 00:07:29,333 --> 00:07:30,867 WE GO TO THE CLUB. 324 00:07:30,867 --> 00:07:32,867 WHAT'S WRONG WITH THAT? 325 00:07:32,867 --> 00:07:33,667 THAT'S WHAT--THAT'S WHAT-- 326 00:07:33,667 --> 00:07:34,333 THAT'S WHAT WE DO. 327 00:07:34,333 --> 00:07:35,067 YOU DON'T SEE ANYTHING 328 00:07:35,067 --> 00:07:35,733 WRONG WITH THAT... 329 00:07:35,733 --> 00:07:36,433 GIRL, YOU CAN HANG OUT 330 00:07:36,433 --> 00:07:37,467 WITH US IF YOU WANT TO. 331 00:07:37,467 --> 00:07:38,200 I'M NOT TRIPPING. 332 00:07:38,200 --> 00:07:38,867 LIKE, I'M SAYING-- 333 00:07:38,867 --> 00:07:39,767 AND THIS IS NOT BEING FUNNY, 334 00:07:39,767 --> 00:07:40,667 MIMI. 335 00:07:40,667 --> 00:07:41,933 I'M GOOD, JOSELINE. 336 00:07:41,933 --> 00:07:43,067 YOU CAN HANG OUT WITH STEVIE 337 00:07:43,067 --> 00:07:44,900 ALL YOU WANT. 338 00:07:44,900 --> 00:07:47,467 YOU'RE THE FLAVOR OF THE MOMENT. 339 00:07:47,467 --> 00:07:49,700 'CAUSE THERE WILL BE ANOTHER YOU 340 00:07:49,700 --> 00:07:53,067 AND ANOTHER YOU. 341 00:07:53,067 --> 00:07:53,667 LOOK, STEVIE'S 342 00:07:53,667 --> 00:07:54,400 GONNA BE STEVIE. 343 00:07:54,400 --> 00:07:55,633 HE'S GONNA HAVE SEX WITH ANYBODY 344 00:07:55,633 --> 00:07:56,767 HE'S GONNA HAVE SEX WITH. 345 00:07:56,767 --> 00:07:57,433 HE'S GONNA CHEAT. 346 00:07:57,433 --> 00:07:58,133 HE'S GONNA LIE. 347 00:07:58,133 --> 00:07:58,867 HE'S GONNA DO IT. 348 00:07:58,867 --> 00:08:00,200 THAT'S JUST WHAT STEVIE DOES. 349 00:08:00,200 --> 00:08:01,567 SO IT'S NOT AN ISSUE FOR YOU 350 00:08:01,567 --> 00:08:03,067 WITH HIM HAVING OTHER LOVERS? 351 00:08:03,067 --> 00:08:03,867 HE CAN DO WHAT HE WANT TO DO, 352 00:08:03,867 --> 00:08:04,533 'CAUSE YOU KNOW WHY? 353 00:08:04,533 --> 00:08:05,200 AT THE END OF THE DAY, 354 00:08:05,200 --> 00:08:06,067 AS LONG AS YOU TAKE CARE OF ME 355 00:08:06,067 --> 00:08:07,200 AND GIVE ME MY MONEY 356 00:08:07,200 --> 00:08:08,200 AND MAKE SURE I BE 357 00:08:08,200 --> 00:08:08,933 WHERE I NEED TO BE AT 358 00:08:08,933 --> 00:08:09,867 AS FAR AS MY CAREER GOES, 359 00:08:09,867 --> 00:08:12,067 YOU CAN DO WHAT YOU WANT. 360 00:08:12,067 --> 00:08:13,067 GIRL, HE HAD SEX WITH MY 361 00:08:13,067 --> 00:08:15,533 BEST FRIEND IN MY OWN BED. 362 00:08:15,533 --> 00:08:16,767 WERE YOU THERE? 363 00:08:16,767 --> 00:08:17,533 OF COURSE I WAS THERE. 364 00:08:17,533 --> 00:08:18,333 I WAS WATCHING. 365 00:08:18,333 --> 00:08:19,333 'CAUSE, YOU KNOW, HE KNOWS 366 00:08:19,333 --> 00:08:20,367 I LIKE GIRLS TOO. 367 00:08:20,367 --> 00:08:21,700 THERE IS A REALITY 368 00:08:21,700 --> 00:08:23,200 TO WHAT JOSELINE IS SAYING. 369 00:08:23,200 --> 00:08:24,733 SHE'S SAYING, "YOU KNOW WHAT? 370 00:08:24,733 --> 00:08:27,200 I JUST TAKE HIM THE WAY HE IS." 371 00:08:27,200 --> 00:08:28,533 AND IT'S OBVIOUS. 372 00:08:28,533 --> 00:08:29,233 AND SHE'S TAKING HIM 373 00:08:29,233 --> 00:08:30,067 THE WAY HE IS TOO, 'CAUSE SHE-- 374 00:08:30,067 --> 00:08:30,733 NO, I'M NOT. 375 00:08:30,733 --> 00:08:31,967 I'M NOT TAKING ANYTHING. 376 00:08:31,967 --> 00:08:33,200 YES, YOU DO, MIMI. 377 00:08:33,200 --> 00:08:37,233 YOU'VE BEEN AROUND FOR 15 YEARS. 378 00:08:37,233 --> 00:08:40,067 THIS IS THE REALITY. 379 00:08:40,067 --> 00:08:41,900 HE IS NOT GOING TO CHANGE. 380 00:08:41,900 --> 00:08:44,900 THE TWO OF YOU HAVE TO TAKE 381 00:08:44,900 --> 00:08:47,400 CONTROL OVER YOUR OWN LIVES. 382 00:08:47,400 --> 00:08:48,133 I'M COOL, THOUGH. 383 00:08:48,133 --> 00:08:48,767 I'M NOT-- 384 00:08:48,767 --> 00:08:50,067 OKAY. 385 00:08:50,067 --> 00:08:51,300 I'M NOT FIGHTING NO MORE. 386 00:08:51,300 --> 00:08:52,767 ALL RIGHT, HOW DO YOU 387 00:08:52,767 --> 00:08:53,433 TAKE CONTROL-- 388 00:08:53,433 --> 00:08:54,633 ARE WE DONE? 389 00:08:54,633 --> 00:08:56,200 HOLD ON, STEVIE. 390 00:08:56,200 --> 00:08:57,900 HOW DO YOU TAKE CONTROL 391 00:08:57,900 --> 00:08:59,500 OF YOUR OWN LIVES? 392 00:08:59,500 --> 00:09:00,267 THEY CAN TAKE CONTROL 393 00:09:00,267 --> 00:09:01,067 OVER THEIR OWN LIVES 394 00:09:01,067 --> 00:09:02,400 IF THEY WANT TO. 395 00:09:02,400 --> 00:09:03,233 THEY COOL. 396 00:09:03,233 --> 00:09:03,933 THEY GOOD. 397 00:09:03,933 --> 00:09:04,667 THEY CAN TAKE CONTROL 398 00:09:04,667 --> 00:09:06,333 OVER THEIR LIVES. 399 00:09:06,333 --> 00:09:07,633 IT'S STILL MY BUS. 400 00:09:07,633 --> 00:09:09,700 IT'S STILL MY GAS. 401 00:09:09,700 --> 00:09:11,300 IT'S STILL MY AIR ON THE BUS. 402 00:09:11,300 --> 00:09:12,300 SO... 403 00:09:12,300 --> 00:09:12,967 WHAT DOES THAT MEAN? 404 00:09:12,967 --> 00:09:14,567 I CREATE THE OPPORTUNITIES 405 00:09:14,567 --> 00:09:15,233 FOR THE LADIES; 406 00:09:15,233 --> 00:09:16,800 FOR THEM TO GET MONEY, 407 00:09:16,800 --> 00:09:18,200 FOR THEM TO GET RECOGNITION, 408 00:09:18,200 --> 00:09:19,600 FOR THEM TO GET FAMOUS. 409 00:09:19,600 --> 00:09:20,600 THAT'S ALL THE GOOD GUY. 410 00:09:20,600 --> 00:09:22,267 THAT'S ALL ME. 411 00:09:22,267 --> 00:09:23,933 IT'S MY BUS. 412 00:09:23,933 --> 00:09:25,233 GET WITH THE PROGRAM 413 00:09:25,233 --> 00:09:26,200 OR I'M GONNA HAVE 414 00:09:26,200 --> 00:09:27,500 TO LEAVE YOU IN THE DESERT. 415 00:09:27,500 --> 00:09:29,500 I'M RUNNING THIS [bleep]. 416 00:09:33,867 --> 00:09:34,700 IT'S LIKE, IT'S ONE OF THE 417 00:09:34,700 --> 00:09:35,833 HARDEST DECISIONS I'VE EVER MADE 418 00:09:35,833 --> 00:09:36,633 RIGHT NOW. 419 00:09:36,633 --> 00:09:37,833 IT'S LIKE, IT'S WEIGHING ON ME. 420 00:09:37,833 --> 00:09:38,667 I JUST DON'T WANT TO BE 421 00:09:38,667 --> 00:09:39,333 NO SUCKER, 422 00:09:39,333 --> 00:09:40,433 YOU KNOW WHAT I'M SAYING? 423 00:09:40,433 --> 00:09:41,233 YOU AIN'T THE ONLY ONE 424 00:09:41,233 --> 00:09:42,733 THAT CAN BE HURT, BOO. 425 00:09:42,733 --> 00:09:43,967 YOU PLAYING WITH ME NOW 426 00:09:43,967 --> 00:09:44,800 JUST LIKE THIS BITCH 427 00:09:44,800 --> 00:09:46,100 WAS PLAYING WITH YOU. 428 00:09:46,100 --> 00:09:46,900 I'M JUST NOT 429 00:09:46,900 --> 00:09:48,133 DOING THIS ANYMORE. 430 00:09:48,133 --> 00:09:48,900 NOT DOING STEVIE. 431 00:09:48,900 --> 00:09:49,600 JUST SAY YOU DON'T WANT 432 00:09:49,600 --> 00:09:50,267 TO BE WITH ME. 433 00:09:50,267 --> 00:09:50,933 I DON'T WANT TO BE 434 00:09:50,933 --> 00:09:51,900 IN A RELATIONSHIP WITH YOU 435 00:09:51,900 --> 00:09:52,600 ANYMORE. 436 00:09:52,600 --> 00:09:54,600 I'M DONE. 437 00:10:08,067 --> 00:10:09,467 HI, LOVE. 438 00:10:09,467 --> 00:10:11,067 HELLO. 439 00:10:11,067 --> 00:10:11,933 WHEN I TOLD ARIANE 440 00:10:11,933 --> 00:10:14,400 I WAS AT ANOTHER THERAPY SESSION 441 00:10:14,400 --> 00:10:15,633 WITH STEVIE AND JOSELINE, 442 00:10:15,633 --> 00:10:17,067 SHE HAD A REAL HARD TIME 443 00:10:17,067 --> 00:10:17,900 BELIEVING IT. 444 00:10:17,900 --> 00:10:18,667 AREN'T YOU SICK OF THAT 445 00:10:18,667 --> 00:10:20,533 [bleep], THOUGH? 446 00:10:20,533 --> 00:10:22,133 FIXING IT? 447 00:10:22,133 --> 00:10:22,800 FIX WHAT? 448 00:10:22,800 --> 00:10:23,467 WHO SAID I WAS TRYING 449 00:10:23,467 --> 00:10:24,467 TO FIX ANYTHING? 450 00:10:24,467 --> 00:10:25,933 THE REASON FOR THAT SESSION 451 00:10:25,933 --> 00:10:27,700 WAS FOR ME TO FEEL COMFORTABLE 452 00:10:27,700 --> 00:10:28,933 WITH HIM WORKING WITH HER. 453 00:10:28,933 --> 00:10:29,600 OKAY. 454 00:10:29,600 --> 00:10:30,300 CLEARLY, THAT'S NEVER 455 00:10:30,300 --> 00:10:31,000 GONNA HAPPEN. 456 00:10:31,000 --> 00:10:32,333 WAIT, THE KILLER: 457 00:10:32,333 --> 00:10:34,433 HE CAME IN THERE WITH AN 458 00:10:34,433 --> 00:10:36,533 "I AM GOD" T-SHIRT ON. 459 00:10:36,533 --> 00:10:38,700 HE REALLY HAS AN ISSUE. 460 00:10:38,700 --> 00:10:41,067 THIS DUDE HAS LOST HIS MIND. 461 00:10:41,067 --> 00:10:42,367 AT ONE POINT DURING 462 00:10:42,367 --> 00:10:43,767 THE COUNSELING SESSION, 463 00:10:43,767 --> 00:10:44,600 WHEN HE WAS TALKING ABOUT BOTH 464 00:10:44,600 --> 00:10:46,900 OF US WAS "RIDING HIS BUS"-- 465 00:10:46,900 --> 00:10:48,233 HE SEEMS TO THINK THAT 466 00:10:48,233 --> 00:10:49,933 OLD GIRL AND I 467 00:10:49,933 --> 00:10:51,333 ARE RIDING OFF HIS COATTAILS 468 00:10:51,333 --> 00:10:52,333 OF HIS "CELEBRITY," 469 00:10:52,333 --> 00:10:53,800 LIKE, YOU KNOW--HE KEEPS-- 470 00:10:53,800 --> 00:10:55,567 WHAT CELEBRITY, THOUGH? 471 00:10:55,567 --> 00:10:56,767 WHAT CELEBRITY? 472 00:10:56,767 --> 00:10:57,733 I'M JUST TELLING YOU 473 00:10:57,733 --> 00:10:59,133 WHAT HE'S SAYING. 474 00:10:59,133 --> 00:11:00,133 YOU KNOW, "DON'T FORGET 475 00:11:00,133 --> 00:11:01,867 WHO PUT YOU ON" AND THIS, 476 00:11:01,867 --> 00:11:02,867 THAT, AND THE THIRD. 477 00:11:02,867 --> 00:11:03,900 AND I'M LIKE, 478 00:11:03,900 --> 00:11:05,200 "REALLY? 479 00:11:05,200 --> 00:11:06,800 I WAS MADE BEFORE I MET YOU. 480 00:11:06,800 --> 00:11:07,600 LET'S NOT PLAY THOSE GAMES." 481 00:11:07,600 --> 00:11:08,867 BITCH. 482 00:11:08,867 --> 00:11:10,600 I'M LOOKING AT MYSELF CRAZY. 483 00:11:10,600 --> 00:11:12,867 WHAT'S WRONG WITH ME 484 00:11:12,867 --> 00:11:14,567 THAT I'M ALLOWING THIS MAN 485 00:11:14,567 --> 00:11:17,100 TO DO THIS TO ME AND TELL ME, 486 00:11:17,100 --> 00:11:18,300 YOU KNOW, "I DID THIS AND THAT 487 00:11:18,300 --> 00:11:19,300 FOR YOU"? 488 00:11:19,300 --> 00:11:22,333 A REAL MAN WHO LOVED HIS WOMAN 489 00:11:22,333 --> 00:11:24,200 WOULD NEVER DO THAT, 490 00:11:24,200 --> 00:11:24,867 EVER. 491 00:11:24,867 --> 00:11:28,433 THAT'S HOW I KNOW THAT IT AIN'T 492 00:11:28,433 --> 00:11:30,067 NOTHING WHAT I THOUGHT. 493 00:11:30,067 --> 00:11:31,800 IT WAS ALL SMOKE AND MIRRORS. 494 00:11:31,800 --> 00:11:33,300 WHEN YOU'RE BEING LIED TO 495 00:11:33,300 --> 00:11:34,700 AND YOU'RE IN THIS PIGEONHOLE 496 00:11:34,700 --> 00:11:38,467 OF A BUBBLE OF WHAT YOU THOUGHT 497 00:11:38,467 --> 00:11:40,533 WAS YOUR LIFE, 498 00:11:40,533 --> 00:11:42,233 WHEN THAT BUBBLE IS BUST 499 00:11:42,233 --> 00:11:44,233 AND YOU CAN SEE THINGS CLEARLY, 500 00:11:44,233 --> 00:11:47,067 IT MAKES ALL THE DIFFERENCE. 501 00:11:47,067 --> 00:11:48,367 WHAT'S YOUR PLAN, THOUGH? 502 00:11:48,367 --> 00:11:49,500 I'M NOT SITTING AROUND, 503 00:11:49,500 --> 00:11:50,867 WAITING ON HIM. 504 00:11:50,867 --> 00:11:53,067 I'VE GOT MY CLIENTS. 505 00:11:53,067 --> 00:11:53,700 I'VE GOT... 506 00:11:53,700 --> 00:11:54,367 HALLELUJAH. 507 00:11:54,367 --> 00:11:56,467 YOU KNOW, CONTRACTS. 508 00:11:56,467 --> 00:11:57,567 I'M DOING THE THINGS 509 00:11:57,567 --> 00:11:58,600 AND TAKING THE STEPS 510 00:11:58,600 --> 00:11:59,833 TO HAVE MY SITUATION-- 511 00:11:59,833 --> 00:12:02,300 ABOUT [bleep] TIME. 512 00:12:02,300 --> 00:12:03,533 WHAT PEOPLE DON'T KNOW 513 00:12:03,533 --> 00:12:05,833 ABOUT ME IS, I HAVE A CLEANING 514 00:12:05,833 --> 00:12:06,933 SERVICE, AND I'VE HAD IT 515 00:12:06,933 --> 00:12:08,833 FOR 11 YEARS. 516 00:12:08,833 --> 00:12:10,433 IT'S CALLED "KEEP IT CLEAN." 517 00:12:10,433 --> 00:12:11,933 I WORK FOR CELEBRITY CLIENTS. 518 00:12:11,933 --> 00:12:12,933 I DO RESIDENTIAL 519 00:12:12,933 --> 00:12:14,633 AND COMMERCIAL PROPERTY. 520 00:12:14,633 --> 00:12:15,867 THIS IS WHAT I DO. 521 00:12:15,867 --> 00:12:17,300 I DON'T NEED STEVIE'S MONEY; 522 00:12:17,300 --> 00:12:19,900 NEVER HAVE, AND I NEVER WILL. 523 00:12:19,900 --> 00:12:21,467 HE FELT LIKE THE BABY 524 00:12:21,467 --> 00:12:23,300 WAS GONNA STOP EVERYTHING. 525 00:12:23,300 --> 00:12:24,633 LIKE, ONCE YOU HAD THE BABY, 526 00:12:24,633 --> 00:12:25,300 YOU WEREN'T GONNA DO 527 00:12:25,300 --> 00:12:26,400 [bleep] ELSE. 528 00:12:26,400 --> 00:12:28,067 BUT, "OH, I'M GONNA STICK 529 00:12:28,067 --> 00:12:29,867 TO EVA AND STEVIE. 530 00:12:29,867 --> 00:12:31,067 EVA AND STEVIE, 531 00:12:31,067 --> 00:12:31,833 EVA AND STEVIE." 532 00:12:31,833 --> 00:12:32,667 REALLY? 533 00:12:32,667 --> 00:12:34,500 ABSO-[bleep]-LUTELY. 534 00:12:34,500 --> 00:12:35,400 AND YOU'D BE A FOOL 535 00:12:35,400 --> 00:12:37,067 TO NOT THINK THE SAME THING. 536 00:12:37,067 --> 00:12:37,800 WELL, GUESS WHAT. 537 00:12:37,800 --> 00:12:39,533 I'M BACK, OKAY? 538 00:12:39,533 --> 00:12:40,300 HOW ABOUT THAT? 539 00:12:40,300 --> 00:12:41,800 I'M BACK. 540 00:12:41,800 --> 00:12:43,467 I AM ABSOLUTELY DIGGING 541 00:12:43,467 --> 00:12:44,833 MIMI'S NEW ATTITUDE. 542 00:12:44,833 --> 00:12:46,267 IT'S ABOUT [bleep] TIME 543 00:12:46,267 --> 00:12:46,967 THAT MIMI WOKE UP 544 00:12:46,967 --> 00:12:47,933 AND SMELLED THE COFFEE. 545 00:12:47,933 --> 00:12:48,833 HIGH FIVE AT SMOKE AND MIRRORS. 546 00:12:48,833 --> 00:12:50,867 HIGH FIVE. 547 00:12:50,867 --> 00:12:52,867 WHOA. 548 00:13:00,467 --> 00:13:01,500 AFTER ME AND ERICA 549 00:13:01,500 --> 00:13:03,067 DECIDED TO CALL IT QUITS, 550 00:13:03,067 --> 00:13:03,833 YOU KNOW, I JUST HAD TO GO 551 00:13:03,833 --> 00:13:04,633 HOLLER AT THE HOMEY, 552 00:13:04,633 --> 00:13:06,767 SHIZ-NY-EE, SHAY, 553 00:13:06,767 --> 00:13:07,833 SO I CAN LET HER KNOW 554 00:13:07,833 --> 00:13:09,100 THAT IT'S REALLY, REALLY 555 00:13:09,100 --> 00:13:10,533 O.V. BETWEEN ME AND ERICA. 556 00:13:10,533 --> 00:13:12,333 DO YOU FEEL ME? 557 00:13:12,333 --> 00:13:13,733 SHAY-SHAY. 558 00:13:13,733 --> 00:13:14,700 AND I THINK I OWE HER 559 00:13:14,700 --> 00:13:15,667 SOME REAL SPIT 560 00:13:15,667 --> 00:13:16,600 SINCE SHE ALWAYS DONE BEEN 561 00:13:16,600 --> 00:13:18,067 SUPPORTIVE OF ME, YOU KNOW. 562 00:13:18,067 --> 00:13:19,433 JUST LET HER KNOW THE REAL. 563 00:13:19,433 --> 00:13:21,533 I HAD A CONVERSATION 564 00:13:21,533 --> 00:13:24,667 WITH MY BABY MAMA, ERICA-- 565 00:13:24,667 --> 00:13:25,333 YOU FEEL ME-- 566 00:13:25,333 --> 00:13:26,767 TO THE POINT WHERE I REALLY WAS, 567 00:13:26,767 --> 00:13:28,933 YOU KNOW, THINKING ABOUT, 568 00:13:28,933 --> 00:13:29,900 YOU KNOW, JUST GETTING 569 00:13:29,900 --> 00:13:30,567 BACK WITH HER. 570 00:13:30,567 --> 00:13:31,467 YOU FEEL ME? 571 00:13:31,467 --> 00:13:33,533 WAIT, WAIT, WAIT, WAIT, WAIT. 572 00:13:33,533 --> 00:13:34,600 YOU CAN'T FLIP-FLOP 573 00:13:34,600 --> 00:13:35,433 BETWEEN ME AND THAT. 574 00:13:35,433 --> 00:13:36,733 I ASKED YOU IF THAT WAS OVER, 575 00:13:36,733 --> 00:13:38,133 AND YOU TOLD ME THAT WAS OVER. 576 00:13:38,133 --> 00:13:38,800 IT IS. 577 00:13:38,800 --> 00:13:40,233 YOU JUST VOUCHED OVER THERE. 578 00:13:40,233 --> 00:13:41,067 YOU DISAPPEARED ON ME 579 00:13:41,067 --> 00:13:42,067 FOR A WEEK. 580 00:13:42,067 --> 00:13:43,533 I MEAN, I LOVE THE GIRL. 581 00:13:43,533 --> 00:13:44,733 OKAY, THEN WHY WON'T 582 00:13:44,733 --> 00:13:45,833 YOU BE WITH HER THEN? 583 00:13:45,833 --> 00:13:46,900 I WANTED TO BE WITH HER-- 584 00:13:46,900 --> 00:13:48,533 YOU FEEL ME--BUT IT JUST-- 585 00:13:48,533 --> 00:13:51,433 WE JUST TWO PEOPLE THAT-- 586 00:13:51,433 --> 00:13:53,067 LIKE, WE WOULD LIKE FOR IT 587 00:13:53,067 --> 00:13:53,933 TO HAPPEN, BUT IT AIN'T 588 00:13:53,933 --> 00:13:54,967 GONNA HAPPEN-- 589 00:13:54,967 --> 00:13:55,633 YOU FEEL ME-- 590 00:13:55,633 --> 00:13:56,833 'CAUSE WE JUST SO FAR OFF 591 00:13:56,833 --> 00:13:57,600 FROM EACH OTHER. 592 00:13:57,600 --> 00:13:58,433 YOU FEEL ME? 593 00:13:58,433 --> 00:14:00,700 YOU [bleep] UP. 594 00:14:00,700 --> 00:14:02,200 YOU [bleep] UP REAL BAD 595 00:14:02,200 --> 00:14:03,133 RIGHT NOW. 596 00:14:03,133 --> 00:14:03,933 WELL, THAT AIN'T EVEN 597 00:14:03,933 --> 00:14:04,667 MY INTENTIONS, GIRL. 598 00:14:04,667 --> 00:14:05,333 IT DON'T MATTER 599 00:14:05,333 --> 00:14:06,167 WHAT YOUR INTENTIONS IS. 600 00:14:06,167 --> 00:14:07,967 I'M SUPPOSED TO BE YOUR FRIEND. 601 00:14:07,967 --> 00:14:08,733 AND WE'RE SUPPOSED TO HAVE 602 00:14:08,733 --> 00:14:11,067 AN HONEST COMMUNICATION. 603 00:14:11,067 --> 00:14:12,167 YOU JUST BROKE THAT. 604 00:14:12,167 --> 00:14:13,300 WE HAVE A GREAT COMMUNICATION, 605 00:14:13,300 --> 00:14:14,067 SO I THOUGHT, 606 00:14:14,067 --> 00:14:14,667 BUT AT THIS POINT, 607 00:14:14,667 --> 00:14:15,700 I SEE A LOT OF LIES, 608 00:14:15,700 --> 00:14:17,167 AND THERE'S A MISCOMMUNICATION, 609 00:14:17,167 --> 00:14:18,300 AND I'M NOT WITH IT. 610 00:14:18,300 --> 00:14:19,100 SO HE EITHER NEED 611 00:14:19,100 --> 00:14:20,133 TO COME CORRECT 612 00:14:20,133 --> 00:14:21,300 AND FIGURE THIS OUT 613 00:14:21,300 --> 00:14:23,200 OR IT'S ABOUT TO BE A PROBLEM. 614 00:14:23,200 --> 00:14:25,300 HOW YOU REALLY FEEL ABOUT ME? 615 00:14:25,300 --> 00:14:25,967 I LOVE YOU. 616 00:14:25,967 --> 00:14:26,833 YOU FEEL ME? 617 00:14:26,833 --> 00:14:27,500 AND-- 618 00:14:27,500 --> 00:14:28,200 YEAH, YOU SHOWING THAT 619 00:14:28,200 --> 00:14:28,867 BY WHAT YOU'RE DOING. 620 00:14:28,867 --> 00:14:30,133 YOUR ACTIONS--WHAT YOU JUST DID 621 00:14:30,133 --> 00:14:31,567 WAS LOVE? 622 00:14:31,567 --> 00:14:32,500 WELL, I'LL PUT IT LIKE THIS. 623 00:14:32,500 --> 00:14:34,600 LIKE, IT AIN'T EVEN, LIKE, 624 00:14:34,600 --> 00:14:36,367 TRYING TO HURT NOBODY FEELINGS 625 00:14:36,367 --> 00:14:37,067 OR NOTHING LIKE THAT-- 626 00:14:37,067 --> 00:14:39,633 WHAT YOU THINK THIS IS? 627 00:14:39,633 --> 00:14:40,667 YOU THINK I'M GOOD RIGHT NOW? 628 00:14:40,667 --> 00:14:42,233 YOU THINK YOU'RE SWEET? 629 00:14:42,233 --> 00:14:43,700 MY THIRD EYE IS SO OPEN 630 00:14:43,700 --> 00:14:45,067 ON YOUR ASS RIGHT NOW. 631 00:14:45,067 --> 00:14:46,067 YOU AIN'T THE ONLY ONE 632 00:14:46,067 --> 00:14:48,133 THAT CAN BE HURT, BOO. 633 00:14:48,133 --> 00:14:49,067 AND THAT [bleep] 634 00:14:49,067 --> 00:14:49,800 THAT HAPPENED IN THE PAST; 635 00:14:49,800 --> 00:14:50,600 YOU CAN'T BRING THAT [bleep] 636 00:14:50,600 --> 00:14:52,100 INTO WHAT WE GOT RIGHT HERE. 637 00:14:52,100 --> 00:14:53,100 YOU PLAYING WITH ME NOW 638 00:14:53,100 --> 00:14:53,800 JUST LIKE THIS BITCH 639 00:14:53,800 --> 00:14:55,433 WAS PLAYING WITH YOU. 640 00:14:55,433 --> 00:14:57,633 AT THE END OF THE DAY, 641 00:14:57,633 --> 00:14:59,233 I TOLD YOU I LOVE YOU. 642 00:14:59,233 --> 00:15:00,933 I WOULD LIKE TO SEE, YOU KNOW, 643 00:15:00,933 --> 00:15:02,633 WHAT WE COULD DO 644 00:15:02,633 --> 00:15:03,633 AND TRY AND JUMP OFF THE CLIFF 645 00:15:03,633 --> 00:15:04,833 WITH IT, 'CAUSE I DON'T 646 00:15:04,833 --> 00:15:06,100 WANT TO SEE YOU HURTIN'. 647 00:15:06,100 --> 00:15:06,767 YOU FEEL ME? 648 00:15:06,767 --> 00:15:07,767 AND I DON'T WANT TO BE HURTIN'. 649 00:15:07,767 --> 00:15:09,667 YOU HURT MY LITTLE FEELINGS. 650 00:15:09,667 --> 00:15:11,067 IT'S COOL. 651 00:15:11,067 --> 00:15:11,800 I'LL BOUNCE BACK. 652 00:15:11,800 --> 00:15:13,133 I ALWAYS DO. 653 00:15:13,133 --> 00:15:16,300 BUT YOU HURT MY LITTLE FEELINGS. 654 00:15:16,300 --> 00:15:18,233 AND... 655 00:15:22,300 --> 00:15:23,333 I DON'T EVEN KNOW WHAT TO SAY, 656 00:15:23,333 --> 00:15:24,533 YOU KNOW? 657 00:15:24,533 --> 00:15:26,067 I'M DEFINITELY SORRY. 658 00:15:26,067 --> 00:15:27,433 I DEFINITELY DIDN'T MEAN 659 00:15:27,433 --> 00:15:28,433 TO HURT YOUR FEELINGS. 660 00:15:28,433 --> 00:15:30,900 YOU FEEL ME? 661 00:15:30,900 --> 00:15:31,667 I DEFINITELY DIDN'T MEAN 662 00:15:31,667 --> 00:15:33,667 TO HURT YOUR FEELINGS. 663 00:15:47,600 --> 00:15:48,333 8:00'S GOOD? 664 00:15:48,333 --> 00:15:49,800 YEAH, 8:00'S COOL. 665 00:15:49,800 --> 00:15:50,500 YEAH, 8:00. 666 00:15:50,500 --> 00:15:51,300 AND MAKE SURE THAT 667 00:15:51,300 --> 00:15:52,400 HE HAS A STYLIST, PLEASE. 668 00:15:52,400 --> 00:15:53,233 ALL RIGHT? 669 00:15:53,233 --> 00:15:53,900 YO. 670 00:15:53,900 --> 00:15:55,067 WHAT'S GOOD, FELLAS? 671 00:15:55,067 --> 00:15:56,267 HEY, WHAT UP? 672 00:15:56,267 --> 00:15:57,467 HEY. 673 00:15:57,467 --> 00:15:58,133 ALL RIGHT. 674 00:15:58,133 --> 00:16:00,067 WHAT UP, Z? 675 00:16:00,067 --> 00:16:02,067 KARLIE AND Z, 676 00:16:02,067 --> 00:16:03,067 THEY'RE HEADED TOWARD 677 00:16:03,067 --> 00:16:04,933 THE CHAPEL RIGHT NOW. 678 00:16:04,933 --> 00:16:06,300 I'M A LITTLE NERVOUS NOW, 679 00:16:06,300 --> 00:16:07,367 'CAUSE I DON'T WANT TO SEE HIM 680 00:16:07,367 --> 00:16:08,367 BACKTRACK OR GO THROUGH 681 00:16:08,367 --> 00:16:09,833 NO EXTRA DRAMA TO SET HIM BACK. 682 00:16:09,833 --> 00:16:10,600 WE MOVING UP. 683 00:16:10,600 --> 00:16:12,167 WE MOVING FORWARD. 684 00:16:12,167 --> 00:16:13,200 WHAT'S GOOD WITH YOU, MY G? 685 00:16:13,200 --> 00:16:13,867 THINGS GOOD, 686 00:16:13,867 --> 00:16:14,700 YOU KNOW WHAT I'M SAYING? 687 00:16:14,700 --> 00:16:16,300 JUST BEEN CONTEMPLATING, 688 00:16:16,300 --> 00:16:17,200 YOU KNOW WHAT I'M SAYING? 689 00:16:17,200 --> 00:16:19,100 CONTEMPLATING WHAT? 690 00:16:19,100 --> 00:16:20,400 YOU KNOW, 691 00:16:20,400 --> 00:16:21,633 ABOUT LITTLE MAMA. 692 00:16:21,633 --> 00:16:22,633 THE THING THING? 693 00:16:22,633 --> 00:16:23,967 THE THING THING. 694 00:16:23,967 --> 00:16:25,700 I GOT A BIG DECISION TO MAKE; 695 00:16:25,700 --> 00:16:26,700 WHETHER OR NOT TO GIVE 696 00:16:26,700 --> 00:16:27,633 KARLIE THE RING 697 00:16:27,633 --> 00:16:28,700 AND TAKE OUR RELATIONSHIP 698 00:16:28,700 --> 00:16:29,667 TO THE NEXT LEVEL 699 00:16:29,667 --> 00:16:31,167 OR JUST MOVE ON. 700 00:16:31,167 --> 00:16:32,067 I JUST WANT TO MAKE SURE 701 00:16:32,067 --> 00:16:33,133 I'M ON THE RIGHT PAGE, 702 00:16:33,133 --> 00:16:34,133 'CAUSE, LIKE, WHEN YOU DO THIS, 703 00:16:34,133 --> 00:16:35,233 YOU KNOW WHAT I'M SAYING, 704 00:16:35,233 --> 00:16:36,400 YOU GOT TO DO THIS FOR GOOD. 705 00:16:36,400 --> 00:16:37,600 THERE AIN'T NO TURNING BACK. 706 00:16:37,600 --> 00:16:39,233 AND I WANT TO MAKE IT HAPPEN. 707 00:16:39,233 --> 00:16:40,067 I JUST DON'T WANT TO BE 708 00:16:40,067 --> 00:16:41,067 NO SUCKER, YOU KNOW 709 00:16:41,067 --> 00:16:42,567 WHAT I'M SAYING? 710 00:16:42,567 --> 00:16:43,867 IT'S LIKE, NOW IS JUST-- 711 00:16:43,867 --> 00:16:44,567 I DON'T KNOW, MAN. 712 00:16:44,567 --> 00:16:45,967 IT'S JUST... 713 00:16:45,967 --> 00:16:46,867 I'M SEEING LITTLE THINGS 714 00:16:46,867 --> 00:16:48,267 THAT'S KIND OF, LIKE, MAKING ME, 715 00:16:48,267 --> 00:16:49,067 LIKE-- 716 00:16:49,067 --> 00:16:50,067 LIKE LITTLE THINGS LIKE WHAT? 717 00:16:50,067 --> 00:16:50,700 IT CAN'T BE NOTHING 718 00:16:50,700 --> 00:16:51,367 THAT SERIOUS-- 719 00:16:51,367 --> 00:16:53,067 IT'S THE TRUST. 720 00:16:53,067 --> 00:16:54,867 OH, WHOA, THE "T" WORD. 721 00:16:54,867 --> 00:16:55,700 AND I DON'T WANT TO COME OFF 722 00:16:55,700 --> 00:16:56,967 AS THE JEALOUS GUY, 723 00:16:56,967 --> 00:16:59,067 BUT IT'S LIKE EVERY TIME SHE-- 724 00:16:59,067 --> 00:17:00,500 YOU KNOW, SHE WANTS TO GO 725 00:17:00,500 --> 00:17:02,067 TO THE STUDIO, LATE NIGHTS. 726 00:17:02,067 --> 00:17:02,800 SHE DON'T CALL. 727 00:17:02,800 --> 00:17:04,067 THEN SHE'LL JUST COME BACK, 728 00:17:04,067 --> 00:17:05,067 YOU KNOW, THE NEXT DAY. 729 00:17:05,067 --> 00:17:06,733 AND I--AND I MEAN, I JUST-- 730 00:17:06,733 --> 00:17:08,600 I DON'T WANT TO GO THROUGH THAT. 731 00:17:08,600 --> 00:17:09,600 I BOUGHT THE RING, YOU KNOW? 732 00:17:09,600 --> 00:17:10,667 I HAVE EVERY INTENTIONS 733 00:17:10,667 --> 00:17:11,833 ON WANTING TO BE WITH THIS WOMAN 734 00:17:11,833 --> 00:17:13,300 FOR THE REST OF MY LIFE. 735 00:17:13,300 --> 00:17:15,067 BUT THEN, WHAT IF, YOU KNOW, 736 00:17:15,067 --> 00:17:15,900 SHE'S PLAYING ME? 737 00:17:15,900 --> 00:17:17,067 I'VE BEEN HEARING STUFF ABOUT 738 00:17:17,067 --> 00:17:18,133 HER WITH OTHER GUYS, 739 00:17:18,133 --> 00:17:19,900 GOING ON DATES. 740 00:17:19,900 --> 00:17:21,067 AND IT WAS JUST ALL 741 00:17:21,067 --> 00:17:21,867 RACING THROUGH MY HEAD 742 00:17:21,867 --> 00:17:22,800 AT ONE TIME. 743 00:17:22,800 --> 00:17:23,900 I DON'T KNOW, MAN. 744 00:17:23,900 --> 00:17:24,867 I JUST--YOU KNOW, EVERYTHING-- 745 00:17:24,867 --> 00:17:25,700 LISTEN, MAN. 746 00:17:25,700 --> 00:17:27,367 YOU A MADE GUY, MAN. 747 00:17:27,367 --> 00:17:28,200 YOU KNOW WHAT I'M SAYING? 748 00:17:28,200 --> 00:17:29,900 AND THERE'S A TON OF WOMEN 749 00:17:29,900 --> 00:17:31,400 OUT HERE WHO WANT A MADE GUY 750 00:17:31,400 --> 00:17:32,067 AND A GOOD GUY. 751 00:17:32,067 --> 00:17:32,867 HOLD ON, HOLD ON, Z. 752 00:17:32,867 --> 00:17:33,567 YOU KNOW WHAT I'M SAYING? 753 00:17:33,567 --> 00:17:34,233 YOU DESERVE NOTHING 754 00:17:34,233 --> 00:17:35,267 BUT THE BEST, BRO. 755 00:17:35,267 --> 00:17:35,967 YOU KNOW WHAT I'M SAYING? 756 00:17:35,967 --> 00:17:37,233 AND THAT'S THAT. 757 00:17:37,233 --> 00:17:38,433 AND IF I FIND OUT SHE'S DOING 758 00:17:38,433 --> 00:17:39,933 ANYTHING CRAZY, MAN, 759 00:17:39,933 --> 00:17:40,600 SHE GONNA HAVE TO DEAL 760 00:17:40,600 --> 00:17:41,467 WITH THAT, MAN. 761 00:17:41,467 --> 00:17:42,300 YOU KNOW WHAT I'M SAYING? 762 00:17:42,300 --> 00:17:43,133 IT'S LIKE, IT'S ONE OF THE 763 00:17:43,133 --> 00:17:44,800 HARDEST DECISIONS, YOU KNOW, 764 00:17:44,800 --> 00:17:45,833 I'VE EVER MADE RIGHT NOW. 765 00:17:45,833 --> 00:17:46,500 AND IT'S LIKE, 766 00:17:46,500 --> 00:17:48,567 IT'S WEIGHING ON ME. 767 00:17:48,567 --> 00:17:49,333 WHEREVER MY HEART TAKES ME, 768 00:17:49,333 --> 00:17:51,333 THAT'S WHERE I'M GONNA GO. 769 00:17:54,333 --> 00:17:55,133 IS HE A RAPPER? 770 00:17:55,133 --> 00:17:56,867 NO, HE'S AN ITALIAN. 771 00:17:56,867 --> 00:17:58,767 WAIT, WAIT, WAIT, WAIT, WAIT. 772 00:17:58,767 --> 00:17:59,500 HE'S A WHITE MAN? 773 00:17:59,500 --> 00:18:01,067 YES, K., AND THE BODY IS, 774 00:18:01,067 --> 00:18:03,300 MM, SOMETHING SO SERIOUS. 775 00:18:03,300 --> 00:18:04,167 I'M NOT GONNA BE RAN UP 776 00:18:04,167 --> 00:18:04,967 OUT OF ATLANTA. 777 00:18:04,967 --> 00:18:05,867 I'M GONNA SAY WHAT THE [bleep] 778 00:18:05,867 --> 00:18:06,700 I WANT TO SAY, 779 00:18:06,700 --> 00:18:07,533 'CAUSE YOU KNOW WHAT? 780 00:18:07,533 --> 00:18:08,900 I'M MOTHER[bleep] HURT. 781 00:18:08,900 --> 00:18:10,900 NO MORE TEARS. 782 00:18:20,700 --> 00:18:21,700 I HAVEN'T SEEN STEVIE 783 00:18:21,700 --> 00:18:22,933 SINCE THE THERAPY SESSION. 784 00:18:22,933 --> 00:18:24,067 I'M NOT MAD AT HIM, 785 00:18:24,067 --> 00:18:25,267 BUT I DON'T THINK THAT THE 786 00:18:25,267 --> 00:18:26,633 THERAPY HAS RESOLVED ANYTHING. 787 00:18:26,633 --> 00:18:27,800 SO WHEN STEVIE CALLED, 788 00:18:27,800 --> 00:18:29,433 I WAS LIKE, "BITCH, LOOK, 789 00:18:29,433 --> 00:18:30,100 JUST GIVE ME THAT SEX 790 00:18:30,100 --> 00:18:30,800 WHEN I WANT IT. 791 00:18:30,800 --> 00:18:32,333 LET'S MAKE SOME MONEY TOGETHER. 792 00:18:32,333 --> 00:18:34,067 AND WE CAN BE FRIENDS." 793 00:18:34,067 --> 00:18:34,900 I STILL CARE, 794 00:18:34,900 --> 00:18:35,667 YOU KNOW WHAT I'M SAYING? 795 00:18:35,667 --> 00:18:37,067 WE--PLEASE. 796 00:18:37,067 --> 00:18:37,933 IT'S OKAY. 797 00:18:37,933 --> 00:18:38,600 YOU DON'T NO LONGER 798 00:18:38,600 --> 00:18:39,433 HAVE TO LIE TO ME. 799 00:18:39,433 --> 00:18:40,133 I'M OKAY. 800 00:18:40,133 --> 00:18:40,867 YOU DON'T THINK I CARE? 801 00:18:40,867 --> 00:18:41,700 I JUST WANT TO GET TO WORK. 802 00:18:41,700 --> 00:18:42,400 YOU DON'T THINK I WANT 803 00:18:42,400 --> 00:18:43,100 WHAT'S BEST FOR YOU? 804 00:18:43,100 --> 00:18:43,800 YOU KNOW WHAT I WANT YOU 805 00:18:43,800 --> 00:18:44,467 TO CARE ABOUT RIGHT NOW 806 00:18:44,467 --> 00:18:45,267 IS MY BUSINESS. 807 00:18:45,267 --> 00:18:46,167 YOU'RE MAKING THIS [bleep] 808 00:18:46,167 --> 00:18:47,133 HAPPEN LIKE YOU SAY YOU WAS 809 00:18:47,133 --> 00:18:48,433 GONNA DO, AND YOU'RE DOING 810 00:18:48,433 --> 00:18:49,500 WHAT YOU HAVE TO DO. 811 00:18:49,500 --> 00:18:50,167 BUT THE THING IS, 812 00:18:50,167 --> 00:18:51,133 I'M NOT THAT SAME PERSON. 813 00:18:51,133 --> 00:18:53,067 THAT'S ALL I WANT YOU TO KNOW. 814 00:18:53,067 --> 00:18:53,833 SO IT'S LIKE, 815 00:18:53,833 --> 00:18:55,700 I THOUGHT THAT, YOU KNOW-- 816 00:18:55,700 --> 00:18:56,500 I THOUGHT THAT I WAS 817 00:18:56,500 --> 00:18:57,567 IN LOVE WITH YOU, 818 00:18:57,567 --> 00:18:58,667 AND I THOUGHT THAT I, YOU KNOW, 819 00:18:58,667 --> 00:19:00,233 EVERYTHING WAS ABOUT STEVIE. 820 00:19:00,233 --> 00:19:01,067 BUT EVERYTHING IS NOT-- 821 00:19:01,067 --> 00:19:01,767 YOU THOUGHT YOU WAS? 822 00:19:01,767 --> 00:19:02,433 YEAH, I THOUGHT 823 00:19:02,433 --> 00:19:03,400 I WAS IN LOVE WITH YOU. 824 00:19:03,400 --> 00:19:04,400 IT WAS ALL A MIRAGE? 825 00:19:04,400 --> 00:19:05,333 IT WASN'T REAL? 826 00:19:05,333 --> 00:19:06,533 I MEAN, IT COULDN'T BE REAL 827 00:19:06,533 --> 00:19:08,100 BECAUSE YOUR PART OF THE END 828 00:19:08,100 --> 00:19:08,767 WASN'T REAL. 829 00:19:08,767 --> 00:19:09,767 SO HOW COULD IT BE REAL 830 00:19:09,767 --> 00:19:10,533 ON MY PART? 831 00:19:10,533 --> 00:19:11,767 I WAS NEVER REALLY IN LOVE 832 00:19:11,767 --> 00:19:12,733 WITH STEVIE NOW THAT I 833 00:19:12,733 --> 00:19:14,400 GO BACK AND SEE EVERYTHING 834 00:19:14,400 --> 00:19:15,100 THAT HAPPENED. 835 00:19:15,100 --> 00:19:17,100 I WAS MORE IN LOVE WITH HIS IDEA 836 00:19:17,100 --> 00:19:19,733 OF HIS DREAMS, YOU KNOW, 837 00:19:19,733 --> 00:19:20,600 HIS WORK ETHICS. 838 00:19:20,600 --> 00:19:22,233 I WAS IN LOVE WITH THAT PERSON 839 00:19:22,233 --> 00:19:24,767 BUT NOT THAT ACTUAL STEVIE, 840 00:19:24,767 --> 00:19:26,133 'CAUSE HE CAN BE AN ASS[bleep]. 841 00:19:26,133 --> 00:19:27,233 I'M AT A POINT IN MY LIFE 842 00:19:27,233 --> 00:19:28,167 WHERE I LEARNED A LOT 843 00:19:28,167 --> 00:19:29,067 ABOUT MYSELF. 844 00:19:29,067 --> 00:19:30,733 I DON'T WANT TO BE LIED TO. 845 00:19:30,733 --> 00:19:32,100 I DON'T WANT TO BE CHEATED ON. 846 00:19:32,100 --> 00:19:33,300 IF I--WHENEVER I DO 847 00:19:33,300 --> 00:19:34,467 GET ME A MAN, HE'S GONNA BE 848 00:19:34,467 --> 00:19:35,833 MY MAN AND ONLY MY MAN. 849 00:19:35,833 --> 00:19:37,067 AND IF YOU'RE NOT HAPPY FOR ME, 850 00:19:37,067 --> 00:19:38,100 THEN THAT'S COOL. 851 00:19:38,100 --> 00:19:39,233 BUT I'M GONNA MAKE IT WITH YOU 852 00:19:39,233 --> 00:19:40,433 OR WITHOUT YOU. 853 00:19:40,433 --> 00:19:42,533 WELL, EH, YEAH, YEAH. 854 00:19:42,533 --> 00:19:43,200 BUT THIS IS 855 00:19:43,200 --> 00:19:44,067 A LITTLE BIT DIFFERENT. 856 00:19:44,067 --> 00:19:45,433 THIS IS NOT THE REGULAR 857 00:19:45,433 --> 00:19:47,333 GUY [bleep] THAT GOES ON. 858 00:19:47,333 --> 00:19:48,067 YOU KNOW WHAT I'M SAYING? 859 00:19:48,067 --> 00:19:48,900 YOU CAN'T WALK DOWN THE STREET 860 00:19:48,900 --> 00:19:49,867 AND MEAN THIS [bleep] 861 00:19:49,867 --> 00:19:51,067 AND BE LIKE, "YO, 862 00:19:51,067 --> 00:19:52,600 GET ME TO BE SUCCESSFUL 863 00:19:52,600 --> 00:19:54,433 IN A MONTH." 864 00:19:54,433 --> 00:19:55,600 YES, YOU HELPED ME. 865 00:19:55,600 --> 00:19:56,367 THANK YOU. 866 00:19:56,367 --> 00:19:57,600 I APPRECIATE THAT. 867 00:19:57,600 --> 00:19:58,267 BUT YOU GOT ENOUGH 868 00:19:58,267 --> 00:19:59,100 CREDIT FOR IT. 869 00:19:59,100 --> 00:20:01,733 NOW YOU NEED TO WORK FOR ME, 870 00:20:01,733 --> 00:20:02,767 AND I NEED TO WORK FOR YOU, 871 00:20:02,767 --> 00:20:05,000 AND LET'S MAKE THIS HAPPEN. 872 00:20:05,000 --> 00:20:05,700 BUT THERE ARE RULES AND 873 00:20:05,700 --> 00:20:07,033 REGULATIONS TO EVERY JOB 874 00:20:07,033 --> 00:20:08,233 THAT YOU GET INTO. 875 00:20:08,233 --> 00:20:09,300 IF YOU DON'T ABIDE BY 876 00:20:09,300 --> 00:20:11,100 THE RULES OF THE JOB, 877 00:20:11,100 --> 00:20:12,400 THEN SOMEBODY ELSE 878 00:20:12,400 --> 00:20:13,667 CAN REPLACE YOU. 879 00:20:13,667 --> 00:20:16,467 FORD HIRES AND FIRES EVERY DAY. 880 00:20:16,467 --> 00:20:17,967 SO DO I. 881 00:20:17,967 --> 00:20:20,733 YOU KNOW, THAT'S IT. 882 00:20:20,733 --> 00:20:22,300 IT'S ALL ABOUT THAT BUSINESS. 883 00:20:22,300 --> 00:20:24,267 HANDLE IT STRONG. 884 00:20:24,267 --> 00:20:26,167 NEVER HANDLE IT WRONG. 885 00:20:26,167 --> 00:20:26,967 RIGHT? 886 00:20:26,967 --> 00:20:28,733 YOU ALREADY KNOW. 887 00:20:28,733 --> 00:20:30,133 I'M GONNA DO WHAT I SAID 888 00:20:30,133 --> 00:20:31,167 I WAS GONNA DO FOR YOU. 889 00:20:31,167 --> 00:20:33,267 AND IT'S GONNA BE THE BEST 890 00:20:33,267 --> 00:20:34,933 ARTIST THAT I CAN BE. 891 00:20:34,933 --> 00:20:35,600 AND YOU GOT TO BE 892 00:20:35,600 --> 00:20:36,267 THE BEST MANAGER 893 00:20:36,267 --> 00:20:36,933 THAT YOU CAN BE TO ME. 894 00:20:36,933 --> 00:20:37,600 AND THAT'S WHAT WE 895 00:20:37,600 --> 00:20:39,400 PROMISED EACH OTHER BEFORE. 896 00:20:39,400 --> 00:20:40,067 STEVIE'S ALWAYS 897 00:20:40,067 --> 00:20:40,900 GONNA PLAY GAMES. 898 00:20:40,900 --> 00:20:41,833 HE SAYS, "OH, YEAH, WE JUST 899 00:20:41,833 --> 00:20:42,900 GONNA KEEP IT BUSINESS." 900 00:20:42,900 --> 00:20:43,667 BUT GUESS WHAT. 901 00:20:43,667 --> 00:20:44,633 HE ALWAYS FINDS HIS WAY 902 00:20:44,633 --> 00:20:45,333 RIGHT AROUND 903 00:20:45,333 --> 00:20:46,900 BACK TO JOSELINE HERNANDEZ 904 00:20:46,900 --> 00:20:47,800 AND COME TRY TO GET 905 00:20:47,800 --> 00:20:48,533 IN MY GOODIES. 906 00:20:48,533 --> 00:20:52,700 TO THE BUSINESS. 907 00:20:56,900 --> 00:20:57,867 I LIKE THIS BED. 908 00:20:57,867 --> 00:20:59,267 I THINK THAT BED IS HOT. 909 00:20:59,267 --> 00:21:00,433 AND YOU DON'T WANT THOSE OLD 910 00:21:00,433 --> 00:21:01,900 SPIRITS ON THE BED, YOU KNOW, 911 00:21:01,900 --> 00:21:03,067 'CAUSE THEY SAY THAT SPIRITS 912 00:21:03,067 --> 00:21:04,867 HOP OFF LIKE, UH, BED BUGS. 913 00:21:04,867 --> 00:21:05,767 NOW THAT I'VE GOT MY NEW 914 00:21:05,767 --> 00:21:07,367 HOUSE, I ASKED K. 915 00:21:07,367 --> 00:21:08,500 TO MEET WITH ME TO PICK OUT 916 00:21:08,500 --> 00:21:09,633 SOME NEW FURNITURE. 917 00:21:09,633 --> 00:21:10,800 AND I WANTED TO LET HER KNOW 918 00:21:10,800 --> 00:21:11,600 THAT THERE'S NO MORE 919 00:21:11,600 --> 00:21:12,700 ME AND SCRAPPY. 920 00:21:12,700 --> 00:21:14,100 SO YOU MOVED OUT THE HOUSE? 921 00:21:14,100 --> 00:21:15,067 MM-HMM. 922 00:21:15,067 --> 00:21:18,133 YES, I'M OUT OF THERE, GONE. 923 00:21:18,133 --> 00:21:19,400 WOW, THIS IS LIFE-CHANGING. 924 00:21:19,400 --> 00:21:20,267 THIS IS DIFFERENT, HONEY. 925 00:21:20,267 --> 00:21:21,300 YES, IT IS. 926 00:21:21,300 --> 00:21:22,500 GIRL, YOU GOT YOUR NEW BED. 927 00:21:22,500 --> 00:21:23,633 YOU GOT TO FIND YOU A MAN 928 00:21:23,633 --> 00:21:25,100 TO BREAK THE BED IN, HONEY. 929 00:21:25,100 --> 00:21:28,267 WELL... 930 00:21:28,267 --> 00:21:31,267 I AM DATING SOMEONE. 931 00:21:31,267 --> 00:21:33,067 YOU GOT ANOTHER MAN TOO? 932 00:21:33,067 --> 00:21:34,067 NO, I DIDN'T SAY I HAD A MAN. 933 00:21:34,067 --> 00:21:35,633 OH, I WAS LIKE, "HONEY, 934 00:21:35,633 --> 00:21:36,333 I AIN'T TALK TO YOU"-- 935 00:21:36,333 --> 00:21:37,400 THERE IS A MAN 936 00:21:37,400 --> 00:21:39,867 THAT I AM INTERESTED IN, 937 00:21:39,867 --> 00:21:41,567 YOU KNOW? 938 00:21:41,567 --> 00:21:42,300 IS HE A RAPPER? 939 00:21:42,300 --> 00:21:43,100 NO. 940 00:21:43,100 --> 00:21:44,267 GOOD. 941 00:21:44,267 --> 00:21:45,733 HE'S MY REALTOR. 942 00:21:45,733 --> 00:21:47,267 HE HELPED ME FIND THE HOUSE. 943 00:21:47,267 --> 00:21:48,567 HE'S AN ITALIAN. 944 00:21:48,567 --> 00:21:50,500 WAIT, WAIT, WAIT, WAIT, WAIT. 945 00:21:50,500 --> 00:21:52,500 GIRL, HE'S A WHITE MAN? 946 00:21:52,500 --> 00:21:54,300 YES, K., AND THE BODY IS, 947 00:21:54,300 --> 00:21:56,100 MM, SOMETHING SO SERIOUS. 948 00:21:56,100 --> 00:21:57,267 HOW HIS SAUSAGE? 949 00:21:57,267 --> 00:21:58,267 OH, WE HAVEN'T 950 00:21:58,267 --> 00:21:59,267 GOT THAT FAR, K. 951 00:21:59,267 --> 00:22:00,067 RELAX. 952 00:22:00,067 --> 00:22:01,067 I MEAN, I DIDN'T-- 953 00:22:01,067 --> 00:22:01,700 I WANT TO KNOW. 954 00:22:01,700 --> 00:22:02,633 LIKE, YOU KNOW, THE LITTLE 955 00:22:02,633 --> 00:22:03,933 RUMORS AND STUFF. 956 00:22:03,933 --> 00:22:04,633 I WANT TO KNOW 957 00:22:04,633 --> 00:22:05,433 WHAT IT LOOK LIKE, 958 00:22:05,433 --> 00:22:07,367 WHAT IT'S DOING. 959 00:22:07,367 --> 00:22:09,233 BABY STEPS FIRST, OKAY? 960 00:22:09,233 --> 00:22:10,100 I NEED TO, YOU KNOW, 961 00:22:10,100 --> 00:22:11,333 GET TO KNOW HIM. 962 00:22:11,333 --> 00:22:12,400 SO YOU-- 963 00:22:12,400 --> 00:22:13,167 I HAVE TO BE ATTRACTED 964 00:22:13,167 --> 00:22:14,500 TO SOMETHING ELSE, YOU KNOW-- 965 00:22:14,500 --> 00:22:15,767 OTHER THAN THE SAUSAGE. 966 00:22:15,767 --> 00:22:16,467 OTHER THAN THAT. 967 00:22:16,467 --> 00:22:18,333 YOU GOT TO AT LEAST GRAB IT. 968 00:22:18,333 --> 00:22:20,100 'CAUSE THEN YOU SPENT 969 00:22:20,100 --> 00:22:20,833 ALL THAT TIME, 970 00:22:20,833 --> 00:22:22,100 AND THEN WHAT IF HIS SAUSAGE 971 00:22:22,100 --> 00:22:23,267 IS MINIATURE? 972 00:22:23,267 --> 00:22:24,367 CUP IT JUST TO SEE 973 00:22:24,367 --> 00:22:25,667 WHAT'S GOING ON. 974 00:22:25,667 --> 00:22:26,467 IT'S--IT'S REALLY-- 975 00:22:26,467 --> 00:22:27,900 IT'S TIME TO START OVER. 976 00:22:27,900 --> 00:22:28,733 THIS IS, YOU KNOW, 977 00:22:28,733 --> 00:22:29,633 MY FRESH START. 978 00:22:29,633 --> 00:22:31,867 THAT'S REALLY DOPE, ERICA. 979 00:22:31,867 --> 00:22:33,067 YOU DESERVE IT. 980 00:22:33,067 --> 00:22:34,767 AND YOU'VE BEEN A GOOD PERSON. 981 00:22:34,767 --> 00:22:36,067 YOU'VE BEEN A GREAT FRIEND. 982 00:22:36,067 --> 00:22:39,467 AND, YOU KNOW, I'M PROUD OF YOU. 983 00:22:39,467 --> 00:22:40,267 GREAT FRIENDS. 984 00:22:40,267 --> 00:22:42,100 LET'S TALK ABOUT GREAT FRIENDS. 985 00:22:42,100 --> 00:22:44,133 WHAT, K.? 986 00:22:44,133 --> 00:22:45,667 AFTER Y'ALL CAME 987 00:22:45,667 --> 00:22:47,133 TO THE SAVING OUR DAUGHTERS 988 00:22:47,133 --> 00:22:47,900 EVENT OR WHATEVER, 989 00:22:47,900 --> 00:22:50,067 I WENT AND SAT, 990 00:22:50,067 --> 00:22:51,067 YOU KNOW, TO HAVE A REGULAR 991 00:22:51,067 --> 00:22:52,600 CONVERSATION WITH RASHEEDA, 992 00:22:52,600 --> 00:22:55,267 JUST A REGULAR--WHAT WE DO. 993 00:22:55,267 --> 00:22:56,833 WE GO EAT, WHATEVER. 994 00:22:56,833 --> 00:22:58,167 THIS THING LOOKS ME 995 00:22:58,167 --> 00:23:00,867 IN MY EYEBALLS AND SAY, 996 00:23:00,867 --> 00:23:02,400 WITH HER BAGS LIKE THIS, 997 00:23:02,400 --> 00:23:05,933 "WELL, WHAT IF HE DIDN'T DO IT?" 998 00:23:05,933 --> 00:23:07,700 AND HER REASONING BEHIND THIS 999 00:23:07,700 --> 00:23:10,900 WAS, HE HER FRIEND. 1000 00:23:10,900 --> 00:23:12,100 AND HE'S COOL WITH HER. 1001 00:23:12,100 --> 00:23:13,633 WHEN THE MEDIA STARTS 1002 00:23:13,633 --> 00:23:15,233 COMING AT YOU 1003 00:23:15,233 --> 00:23:17,933 FOR BEING BOTH OF OUR FRIENDS, 1004 00:23:17,933 --> 00:23:19,500 YOU START BACKPEDALING. 1005 00:23:19,500 --> 00:23:20,500 WHAT THE [bleep] ARE WE IN, 1006 00:23:20,500 --> 00:23:21,933 SWEET VALLEY HIGH? 1007 00:23:21,933 --> 00:23:22,600 DO YOU REALLY THINK 1008 00:23:22,600 --> 00:23:23,267 THAT'S IT? 1009 00:23:23,267 --> 00:23:23,933 YEAH. 1010 00:23:23,933 --> 00:23:24,867 'CAUSE WE TALKED. 1011 00:23:24,867 --> 00:23:26,500 AND SHE PRETTY MUCH TOLD ME, 1012 00:23:26,500 --> 00:23:27,700 LIKE, "SHE'S IN A ROCK 1013 00:23:27,700 --> 00:23:28,567 AND A HARD PLACE." 1014 00:23:28,567 --> 00:23:29,567 NO. 1015 00:23:29,567 --> 00:23:30,767 NO, NO, NO, NO, NO. 1016 00:23:30,767 --> 00:23:31,467 YOU CAN BE CAUGHT BETWEEN 1017 00:23:31,467 --> 00:23:32,400 A ROCK AND A HARD PLACE. 1018 00:23:32,400 --> 00:23:33,633 BUT AS A WOMAN, 1019 00:23:33,633 --> 00:23:35,067 YOU SAY HOW YOU FEEL. 1020 00:23:35,067 --> 00:23:36,900 AS A GROWN WOMAN, YOU SAY-- 1021 00:23:36,900 --> 00:23:37,733 WELL, SHE SAID SHE WAS GONNA 1022 00:23:37,733 --> 00:23:38,467 TALK TO YOU. 1023 00:23:38,467 --> 00:23:39,333 AND THAT'S WHEN I SAID--I SAID, 1024 00:23:39,333 --> 00:23:40,267 "WELL, JUST TALK TO HER." 1025 00:23:40,267 --> 00:23:41,833 NO, I DON'T NEED-- 1026 00:23:41,833 --> 00:23:42,533 I DON'T NEED TO DO THIS. 1027 00:23:42,533 --> 00:23:45,500 K., LET'S BE AN ADULT. 1028 00:23:45,500 --> 00:23:47,400 PUT THOSE SHOULDERS BACK 1029 00:23:47,400 --> 00:23:48,400 AND GO AND SIT DOWN 1030 00:23:48,400 --> 00:23:50,400 AND TALK TO HER, OKAY? 1031 00:23:51,733 --> 00:23:54,100 IF THERE WAS ANY DOUBTS, 1032 00:23:54,100 --> 00:23:55,567 I WOULDN'T HAVE DID THAT. 1033 00:23:55,567 --> 00:23:57,500 ARE YOU READY? 1034 00:23:57,500 --> 00:23:58,633 I HAVE THINGS I HAVE TO DO. 1035 00:23:58,633 --> 00:23:59,400 I CANNOT ENTERTAIN 1036 00:23:59,400 --> 00:24:00,533 YOUR SHENANIGANS. 1037 00:24:00,533 --> 00:24:01,867 SLOW IT DOWN. 1038 00:24:01,867 --> 00:24:02,867 IT'S NO SHENANIGANS. 1039 00:24:02,867 --> 00:24:03,767 I'M OFFICIAL. 1040 00:24:03,767 --> 00:24:04,467 I'M PRETTY SURE IF YOU 1041 00:24:04,467 --> 00:24:05,333 [bleep] HIS [bleep], 1042 00:24:05,333 --> 00:24:06,333 HE WILL MAKE A TRACK. 1043 00:24:06,333 --> 00:24:08,333 SO GET TO [bleep]. 1044 00:24:17,867 --> 00:24:18,533 YOU KNOW ME. 1045 00:24:18,533 --> 00:24:19,533 I GOT A HOT NEW ARTIST 1046 00:24:19,533 --> 00:24:21,133 BY THE NAME OF CHE MACK. 1047 00:24:21,133 --> 00:24:21,867 I'VE BEEN WORKING WITH HER 1048 00:24:21,867 --> 00:24:22,867 FOR A MINUTE. 1049 00:24:22,867 --> 00:24:23,833 AND I JUST FELT THE NEED 1050 00:24:23,833 --> 00:24:25,067 TO CALL JOSELINE DOWN 1051 00:24:25,067 --> 00:24:26,067 TO SEE IF THEY COULD VIBE 1052 00:24:26,067 --> 00:24:27,067 A LITTLE BIT, YOU KNOW, 1053 00:24:27,067 --> 00:24:28,900 IF WE CAN MAKE A HIT TOGETHER 1054 00:24:28,900 --> 00:24:31,667 WITH BOTH OF THEM. 1055 00:24:31,667 --> 00:24:32,467 I LIKE R&B. 1056 00:24:32,467 --> 00:24:34,133 I LIKE RAP. 1057 00:24:34,133 --> 00:24:37,333 I LIKE SOULFUL MUSIC, 1058 00:24:37,333 --> 00:24:39,167 EMBODIED MUSIC. 1059 00:24:39,167 --> 00:24:40,500 WHAT YOU GRABBING ON? 1060 00:24:40,500 --> 00:24:41,167 I'M JUST-- 1061 00:24:41,167 --> 00:24:41,967 WATCH YOUR HANDS. 1062 00:24:41,967 --> 00:24:42,967 WHAT YOU GRABBING ON? 1063 00:24:42,967 --> 00:24:43,733 RELAX, BABY. 1064 00:24:43,733 --> 00:24:44,700 WHAT YOU GRABBING ON? 1065 00:24:44,700 --> 00:24:45,367 I WAS JUST LOOKING-- 1066 00:24:45,367 --> 00:24:46,200 WHAT IS YOU GRABBING ON? 1067 00:24:46,200 --> 00:24:46,867 I WAS LOOKING-- 1068 00:24:46,867 --> 00:24:48,700 WATCH YOUR HANDS. 1069 00:24:48,700 --> 00:24:49,433 HOLD UP, HOLD UP, 1070 00:24:49,433 --> 00:24:50,333 HOLD UP, HOLD UP. 1071 00:24:50,333 --> 00:24:51,333 ACT LIKE YOU KNOW. 1072 00:24:51,333 --> 00:24:52,067 WHEN I FIRST MET HIM, 1073 00:24:52,067 --> 00:24:52,867 HE PULLED HIS BEEFCAKE 1074 00:24:52,867 --> 00:24:54,500 OUT ON ME IN THE STUDIO. 1075 00:24:54,500 --> 00:24:55,933 SO I KNOW EVERY CHANCE HE GET, 1076 00:24:55,933 --> 00:24:56,733 HE PULL IT OUT, 1077 00:24:56,733 --> 00:24:57,900 IN FRONT OF EVERY BITCH 1078 00:24:57,900 --> 00:24:58,600 HE'S WITH. 1079 00:24:58,600 --> 00:25:00,233 HE PULLS HIS BEEFCAKE OUT 1080 00:25:00,233 --> 00:25:01,400 IN THE STUDIO. 1081 00:25:01,400 --> 00:25:02,800 HE PULL IT OUT, "AH. 1082 00:25:02,800 --> 00:25:04,267 WHAT YOU THINK ABOUT THIS?" 1083 00:25:04,267 --> 00:25:05,133 "NOTHING." 1084 00:25:05,133 --> 00:25:06,067 WHY AM I HERE? 1085 00:25:06,067 --> 00:25:06,900 'CAUSE I THOUGHT I'D BRING 1086 00:25:06,900 --> 00:25:08,133 YOU HERE TO LET YOU KNOW 1087 00:25:08,133 --> 00:25:09,633 THAT I WAS WORKING ON, UM-- 1088 00:25:09,633 --> 00:25:10,467 WORKING ON HER JOINT 1089 00:25:10,467 --> 00:25:11,367 AND INTRODUCE YOU. 1090 00:25:11,367 --> 00:25:12,333 WELL, WHAT WITH HER? 1091 00:25:12,333 --> 00:25:12,933 WHY--YOU DON'T HAVE 1092 00:25:12,933 --> 00:25:13,600 TO INTRODUCE ME 1093 00:25:13,600 --> 00:25:14,433 TO EVERY ARTIST YOU WORK WITH. 1094 00:25:14,433 --> 00:25:15,333 THAT'S NONE OF MY BUSINESS. 1095 00:25:15,333 --> 00:25:16,200 THAT'S NONE OF YOUR BUSINESS? 1096 00:25:16,200 --> 00:25:17,067 I REALLY DON'T CARE, SO... 1097 00:25:17,067 --> 00:25:17,667 I JUST THOUGHT 1098 00:25:17,667 --> 00:25:18,367 I'D LET YOU IN ON IT. 1099 00:25:18,367 --> 00:25:19,067 LET ME IN FOR WHAT? 1100 00:25:19,067 --> 00:25:19,700 I DON'T WANT TO KNOW. 1101 00:25:19,700 --> 00:25:20,367 I DON'T CARE, 1102 00:25:20,367 --> 00:25:21,333 'CAUSE THIS IS MY TIME TO WORK. 1103 00:25:21,333 --> 00:25:22,333 I COULD BE AT THE STUDIO 1104 00:25:22,333 --> 00:25:23,533 DOING MY [bleep]. 1105 00:25:23,533 --> 00:25:24,833 WELL, YOU CAN JUMP 1106 00:25:24,833 --> 00:25:26,067 ON THIS JOINT IF YOU WANT TO. 1107 00:25:26,067 --> 00:25:26,867 NO, I'M NOT JUMPING 1108 00:25:26,867 --> 00:25:27,533 ON ANYTHING. 1109 00:25:27,533 --> 00:25:28,200 I'M WORKING ON 1110 00:25:28,200 --> 00:25:29,200 JOSELINE HERNANDEZ JOINTS, 1111 00:25:29,200 --> 00:25:30,433 WHAT YOU NEEDED TO BE DOING. 1112 00:25:30,433 --> 00:25:32,067 BUT SINCE YOU'RE NOT DOING THAT, 1113 00:25:32,067 --> 00:25:33,200 I HAVE TONY WORKING ON 1114 00:25:33,200 --> 00:25:34,367 JOSELINE HERNANDEZ. 1115 00:25:34,367 --> 00:25:35,733 SO I CAN GET MY [bleep] DONE 1116 00:25:35,733 --> 00:25:36,700 WHILE YOU GO DO YOUR THING. 1117 00:25:36,700 --> 00:25:37,367 I'M COOL. 1118 00:25:37,367 --> 00:25:38,600 WELL, YOU KNOW, BUT THE THING 1119 00:25:38,600 --> 00:25:39,700 ABOUT IT IS, 1120 00:25:39,700 --> 00:25:40,533 DON'T NOBODY MOVE 1121 00:25:40,533 --> 00:25:41,200 UNLESS I SAY THEY MOVE. 1122 00:25:41,200 --> 00:25:41,900 PLEASE. 1123 00:25:41,900 --> 00:25:42,900 I MOVE WHEN I WANT TO MOVE, 1124 00:25:42,900 --> 00:25:44,133 'CAUSE I'VE BEEN MOVING. 1125 00:25:44,133 --> 00:25:45,067 YOU KNOW, IF JOSELINE THINKS 1126 00:25:45,067 --> 00:25:45,767 SHE'S THE ONLY HORSE 1127 00:25:45,767 --> 00:25:46,933 IN THE STABLE, 1128 00:25:46,933 --> 00:25:48,633 SHE'S GOT ANOTHER THING COMING. 1129 00:25:48,633 --> 00:25:49,633 YOU KNOW, THIS BUSTA'S 1130 00:25:49,633 --> 00:25:50,667 ALWAYS ON THE MOVE; 1131 00:25:50,667 --> 00:25:52,400 PICKING UP, DROPPING OFF, 1132 00:25:52,400 --> 00:25:54,767 GROOMING TALENT, FIXING TALENT. 1133 00:25:54,767 --> 00:25:56,867 I'M NOT GONNA STOP. 1134 00:25:56,867 --> 00:25:58,600 SLOW IT DOWN. 1135 00:25:58,600 --> 00:25:59,367 AT THE END OF THE DAY, 1136 00:25:59,367 --> 00:26:00,533 YOU'RE HERE BECAUSE I ASKED YOU 1137 00:26:00,533 --> 00:26:01,200 TO BE HERE. 1138 00:26:01,200 --> 00:26:02,767 YOU WORK WITH HER, COOL. 1139 00:26:02,767 --> 00:26:04,400 LOOK, HAVE A HIT. 1140 00:26:04,400 --> 00:26:06,833 LET ME GO DO MY JOB, 'CAUSE-- 1141 00:26:06,833 --> 00:26:08,333 IS THAT WHAT YOU REALLY MEAN? 1142 00:26:08,333 --> 00:26:09,733 BECAUSE YOUR ATTITUDE DICTATES 1143 00:26:09,733 --> 00:26:11,400 THAT YOU--IT'S NOT MAKE A HIT. 1144 00:26:11,400 --> 00:26:12,500 IT'S JUST LIKE, YOU COME IN 1145 00:26:12,500 --> 00:26:13,900 THERE MAD WHEN IT'S JUST LIKE, 1146 00:26:13,900 --> 00:26:15,533 I THOUGHT WE WAS ALL COOL. 1147 00:26:15,533 --> 00:26:16,533 I WANT TO KNOW WHY AM I 1148 00:26:16,533 --> 00:26:17,633 NOT AT THE STUDIO 1149 00:26:17,633 --> 00:26:18,667 AND YOU CALLING ME OVER HERE 1150 00:26:18,667 --> 00:26:19,333 TO MEET SOMEBODY ELSE 1151 00:26:19,333 --> 00:26:20,067 WHEN I COULD BE WORKING 1152 00:26:20,067 --> 00:26:20,700 ON MY THING. 1153 00:26:20,700 --> 00:26:21,933 OBVIOUSLY, STEVIE WANTED 1154 00:26:21,933 --> 00:26:22,967 TO PLAY GAMES WITH ME. 1155 00:26:22,967 --> 00:26:23,767 HE'S LIKE A LITTLE BOY. 1156 00:26:23,767 --> 00:26:24,767 HE CAN'T HELP IT. 1157 00:26:24,767 --> 00:26:25,800 I NEED TO BE AT THE STUDIO, 1158 00:26:25,800 --> 00:26:27,167 WORKING ON MY [bleep]. 1159 00:26:27,167 --> 00:26:28,067 WHY IS YOU CALLING ME 1160 00:26:28,067 --> 00:26:28,900 TO COME SEE YOU AT THE STUDIO 1161 00:26:28,900 --> 00:26:29,567 WITH THIS BITCH? 1162 00:26:29,567 --> 00:26:30,467 WHO IS THIS BITCH ANYWAY? 1163 00:26:30,467 --> 00:26:32,633 I DON'T KNOW THIS [bleep] BITCH. 1164 00:26:32,633 --> 00:26:33,433 STEVIE, I HAVE THINGS 1165 00:26:33,433 --> 00:26:34,333 I HAVE TO DO. 1166 00:26:34,333 --> 00:26:34,933 I CANNOT ENTERTAIN 1167 00:26:34,933 --> 00:26:36,333 YOUR SHENANIGANS. 1168 00:26:36,333 --> 00:26:37,333 IT'S NO SHENANIGANS. 1169 00:26:37,333 --> 00:26:38,167 I'M OFFICIAL. 1170 00:26:38,167 --> 00:26:39,133 WHAT YOU MEAN? 1171 00:26:39,133 --> 00:26:40,433 YOU CAN DO A SONG WITH HIM. 1172 00:26:40,433 --> 00:26:41,633 I'M PRETTY SURE IF YOU 1173 00:26:41,633 --> 00:26:42,667 [bleep] HIS [bleep], 1174 00:26:42,667 --> 00:26:44,400 HE WILL MAKE A TRACK. 1175 00:26:44,400 --> 00:26:45,467 SO GET TO [bleep]. 1176 00:26:45,467 --> 00:26:46,133 I DON'T NEED TO DO 1177 00:26:46,133 --> 00:26:46,800 WHAT YOU GOT TO DO 1178 00:26:46,800 --> 00:26:48,067 TO MAKE A SONG, THOUGH. 1179 00:26:48,067 --> 00:26:50,067 SEE YOU LATER. 1180 00:26:52,867 --> 00:26:55,167 I'M READY TO GET IT. 1181 00:26:55,167 --> 00:26:57,167 YOU MY MAN AND 50 GRAND. 1182 00:27:06,467 --> 00:27:07,700 LAST TIME I SAW RASHEEDA, 1183 00:27:07,700 --> 00:27:08,767 SHE DIDN'T NECESSARILY 1184 00:27:08,767 --> 00:27:09,933 CALL ME A LIAR, 1185 00:27:09,933 --> 00:27:12,067 BUT SHE IMPLIED IT. 1186 00:27:14,400 --> 00:27:16,233 SHE TRIES TO PLAY THE FENCE, 1187 00:27:16,233 --> 00:27:17,467 YOU KNOW WHAT I'M SAYING? 1188 00:27:17,467 --> 00:27:18,233 BUT I'M NOT GONNA TIP-TOE 1189 00:27:18,233 --> 00:27:19,733 AROUND THE ISSUE ANYMORE. 1190 00:27:19,733 --> 00:27:23,333 I HAVE BEEN BEAT BY MY EX, 1191 00:27:23,333 --> 00:27:25,600 WHO KEEPS LYING OVER AND OVER 1192 00:27:25,600 --> 00:27:27,067 AND OVER AGAIN ABOUT IT 1193 00:27:27,067 --> 00:27:28,067 WITH NO REMORSE. 1194 00:27:28,067 --> 00:27:29,133 THIS IS MY STORY, 1195 00:27:29,133 --> 00:27:30,100 AND IT'S MY TRUTH. 1196 00:27:30,100 --> 00:27:31,100 AND I'M STICKING TO IT. 1197 00:27:31,100 --> 00:27:31,833 AND NOBODY 1198 00:27:31,833 --> 00:27:33,200 CAN TAKE THAT FROM ME. 1199 00:27:33,200 --> 00:27:36,067 ONE THING THAT NOBODY DESERVES 1200 00:27:36,067 --> 00:27:37,600 IS TO BE HIT. 1201 00:27:37,600 --> 00:27:39,733 FOR YOU TO SAY, "WELL, WHAT IF 1202 00:27:39,733 --> 00:27:40,600 HE DON'T APOLOGIZE 'CAUSE 1203 00:27:40,600 --> 00:27:41,700 HE DIDN'T DO IT," 1204 00:27:41,700 --> 00:27:46,067 THAT, TO ME, 1205 00:27:46,067 --> 00:27:47,733 WAS VERY INSENSITIVE, 1206 00:27:47,733 --> 00:27:50,533 ESPECIALLY IN A TIME LIKE THIS. 1207 00:27:50,533 --> 00:27:51,200 YOU KNOW WHAT? 1208 00:27:51,200 --> 00:27:51,967 THAT [bleep] AIN'T NOTHING 1209 00:27:51,967 --> 00:27:52,800 COMPARED TO EVERYTHING ELSE 1210 00:27:52,800 --> 00:27:53,667 COMING AT YOU. 1211 00:27:53,667 --> 00:27:54,500 THAT'S JUST ME, 1212 00:27:54,500 --> 00:27:55,333 SOMEBODY WHO YOU SITTING HERE 1213 00:27:55,333 --> 00:27:56,067 TALKING TO-- 1214 00:27:56,067 --> 00:27:56,900 BUT IT'S WRONG 1215 00:27:56,900 --> 00:27:58,067 FOR YOU TO DO IT 1216 00:27:58,067 --> 00:28:00,067 THAN FOR THE OUTSIDE WORLD. 1217 00:28:00,067 --> 00:28:00,733 AT LEAST YOU'VE SEEN 1218 00:28:00,733 --> 00:28:01,733 A LITTLE BIT OF ME. 1219 00:28:01,733 --> 00:28:03,467 WHEN A BLOGGER GETS TO BLOGGING, 1220 00:28:03,467 --> 00:28:04,767 THEY AIN'T SEEN NOTHING. 1221 00:28:04,767 --> 00:28:05,800 AND THAT'S WHAT I'M SAYING. 1222 00:28:05,800 --> 00:28:07,367 I'VE SEEN A LITTLE BIT OF YOU, 1223 00:28:07,367 --> 00:28:08,067 YOU KNOW? 1224 00:28:08,067 --> 00:28:09,867 AND I'VE SEEN ALL OF THEM. 1225 00:28:09,867 --> 00:28:11,400 WE AT EACH OTHER'S CRIBS. 1226 00:28:11,400 --> 00:28:12,133 WE TAKE TRIPS TOGETHER. 1227 00:28:12,133 --> 00:28:13,367 AND YOU SEE EVERYTHING. 1228 00:28:13,367 --> 00:28:15,733 I SEE NONE OF THAT PERSON. 1229 00:28:15,733 --> 00:28:18,067 HE IS A CON ARTIST. 1230 00:28:18,067 --> 00:28:18,700 YOU WENT FROM SAYING, 1231 00:28:18,700 --> 00:28:19,633 "NOTHING HAPPENED" 1232 00:28:19,633 --> 00:28:21,400 TO, "I RESTRAINED HER." 1233 00:28:21,400 --> 00:28:22,567 WHICH ONE IS IT? 1234 00:28:22,567 --> 00:28:23,233 YOU WENT FROM SAYING, 1235 00:28:23,233 --> 00:28:23,933 "SHE DIDN'T LIVE WITH ME" 1236 00:28:23,933 --> 00:28:25,067 TO, "SHE MOVED MY STUFF 1237 00:28:25,067 --> 00:28:25,667 OUT THE HOUSE." 1238 00:28:25,667 --> 00:28:28,133 EVER SINCE I TOLD MY STORY 1239 00:28:28,133 --> 00:28:30,133 YEARS AGO, I HAVEN'T CHANGED 1240 00:28:30,133 --> 00:28:31,500 ONE DETAIL OF IT. 1241 00:28:31,500 --> 00:28:32,700 BUT WITH HIM, 1242 00:28:32,700 --> 00:28:34,400 ON MONDAY, HE DID IT. 1243 00:28:34,400 --> 00:28:35,967 ON FRIDAY, HE'S SORRY. 1244 00:28:35,967 --> 00:28:37,400 IN THE MIDDLE OF WEDNESDAY, 1245 00:28:37,400 --> 00:28:39,100 HE WAS JUST RESTRAINING ME. 1246 00:28:39,100 --> 00:28:41,567 THESE STORIES AREN'T ADDING UP. 1247 00:28:41,567 --> 00:28:42,400 YOU ACT LIKE THIS MAN 1248 00:28:42,400 --> 00:28:43,500 GONNA SIT HERE AND BE LIKE, 1249 00:28:43,500 --> 00:28:44,800 "OKAY, THIS IS WHAT I DID. 1250 00:28:44,800 --> 00:28:45,967 THIS IS WHAT HAPPENED." 1251 00:28:45,967 --> 00:28:47,167 HELL, CHRIS BROWN DID. 1252 00:28:47,167 --> 00:28:48,533 HE TOLD WHAT HAPPENED. 1253 00:28:48,533 --> 00:28:49,200 BUT GUESS WHAT. 1254 00:28:49,200 --> 00:28:51,133 IT WAS A WHOLE LOT OF EVIDENCE 1255 00:28:51,133 --> 00:28:51,867 WITH THAT [bleep]. 1256 00:28:51,867 --> 00:28:53,133 THEY KEEP ON [bleep] WITH ME, 1257 00:28:53,133 --> 00:28:54,633 IT'S GONNA BE EVERYWHERE. 1258 00:28:54,633 --> 00:28:56,167 I'MA LET THAT [bleep] LOOSE. 1259 00:28:56,167 --> 00:28:57,200 BUT I'VE BEEN TRYING TO BE 1260 00:28:57,200 --> 00:28:58,567 THE BIGGER PERSON ABOUT IT. 1261 00:28:58,567 --> 00:28:59,633 I'M NOT GONNA BE RAN UP 1262 00:28:59,633 --> 00:29:00,400 OUT OF ATLANTA. 1263 00:29:00,400 --> 00:29:01,233 I'M GONNA SAY WHAT THE [bleep] 1264 00:29:01,233 --> 00:29:02,400 I WANT TO SAY. 1265 00:29:02,400 --> 00:29:03,700 AND I'MA BE 100. 1266 00:29:03,700 --> 00:29:04,700 'CAUSE YOU KNOW WHAT? 1267 00:29:04,700 --> 00:29:05,733 I'M MOTHER[bleep] HURT. 1268 00:29:05,733 --> 00:29:07,733 NO MORE TEARS. 1269 00:29:10,333 --> 00:29:12,567 WHAT ARE YOU SAYING? 1270 00:29:12,567 --> 00:29:14,433 I MEAN, IF YOU DOUBTING 1271 00:29:14,433 --> 00:29:15,267 THAT I LOVE YOU, 1272 00:29:15,267 --> 00:29:16,767 I'M TRYING TO SAY THAT, 1273 00:29:16,767 --> 00:29:19,467 DOES THIS SHOW ANY DOUBT? 1274 00:29:19,467 --> 00:29:20,700 ARE YOU THREATENING ME? 1275 00:29:20,700 --> 00:29:21,400 THREATENING YOU? 1276 00:29:21,400 --> 00:29:22,433 MIMI, GET THE [bleep] OUT 1277 00:29:22,433 --> 00:29:23,900 OF HERE WITH THAT [bleep]. 1278 00:29:23,900 --> 00:29:24,933 STOP ACTING DUMB. 1279 00:29:24,933 --> 00:29:25,800 I'M ACTING DUMB? 1280 00:29:25,800 --> 00:29:27,800 YEAH. 1281 00:29:39,633 --> 00:29:40,767 I'VE SPENT A LOT OF TIME 1282 00:29:40,767 --> 00:29:42,733 THINKING ABOUT THIS MOMENT. 1283 00:29:42,733 --> 00:29:43,733 TONIGHT'S THE NIGHT 1284 00:29:43,733 --> 00:29:45,067 I'M GONNA ASK KARLIE REDD 1285 00:29:45,067 --> 00:29:45,967 IF SHE WOULD SPEND 1286 00:29:45,967 --> 00:29:48,067 THE REST OF HER LIFE WITH ME. 1287 00:29:48,067 --> 00:29:48,767 THERE JUST COMES A TIME 1288 00:29:48,767 --> 00:29:49,733 IN EVERY MAN'S LIFE 1289 00:29:49,733 --> 00:29:51,200 THAT IT'S TIME TO STEP IT UP. 1290 00:29:51,200 --> 00:29:52,100 THIS IS THE WOMAN 1291 00:29:52,100 --> 00:29:53,367 THAT I WANT TO BE WITH. 1292 00:29:53,367 --> 00:29:54,067 THIS IS THE WOMAN 1293 00:29:54,067 --> 00:29:55,067 THAT I FEEL FOR. 1294 00:29:55,067 --> 00:29:55,967 WHEN YOU'RE WITH SOMEBODY 1295 00:29:55,967 --> 00:29:56,900 THAT YOU REALLY FEEL LIKE, 1296 00:29:56,900 --> 00:29:57,767 "THIS IS IT," 1297 00:29:57,767 --> 00:29:58,600 IT'S LIKE YOU'RE GONNA OPEN 1298 00:29:58,600 --> 00:29:59,267 YOUR EMOTIONS 1299 00:29:59,267 --> 00:30:00,400 AND YOUR FEELINGS UP. 1300 00:30:00,400 --> 00:30:01,067 YOU'RE GONNA TAKE 1301 00:30:01,067 --> 00:30:02,033 YOUR GUARDS DOWN. 1302 00:30:02,033 --> 00:30:05,167 HERE GOES EVERYTHING. 1303 00:30:05,167 --> 00:30:06,400 HEY. 1304 00:30:06,400 --> 00:30:07,133 HOW YOU DOING? 1305 00:30:07,133 --> 00:30:08,133 I'M GOOD. 1306 00:30:08,133 --> 00:30:08,933 YOU LOOK NICE. 1307 00:30:08,933 --> 00:30:10,167 MY SITUATION WITH ZINO 1308 00:30:10,167 --> 00:30:10,967 HAS GOTTEN A LITTLE BIT 1309 00:30:10,967 --> 00:30:11,900 COMPLICATED. 1310 00:30:11,900 --> 00:30:13,067 I'M MOVED OUT OF THE HOUSE. 1311 00:30:13,067 --> 00:30:13,900 AND WE DON'T TALK 1312 00:30:13,900 --> 00:30:14,900 LIKE WE USED TO. 1313 00:30:14,900 --> 00:30:16,167 RIGHT NOW, I'M INTERESTED 1314 00:30:16,167 --> 00:30:17,433 TO HEAR WHAT HE HAS TO SAY 1315 00:30:17,433 --> 00:30:19,133 FOR HIMSELF. 1316 00:30:19,133 --> 00:30:20,000 YOU KNOW I CARE ABOUT YOU 1317 00:30:20,000 --> 00:30:20,667 AND I LOVE YOU. 1318 00:30:20,667 --> 00:30:24,733 I KNOW, LIKE, I CAN BE JEALOUS. 1319 00:30:24,733 --> 00:30:26,067 I KNOW THAT. 1320 00:30:26,067 --> 00:30:28,700 AND, YOU KNOW, I KNOW, LIKE, 1321 00:30:28,700 --> 00:30:30,500 MY TEMPER PROBABLY FLARES UP 1322 00:30:30,500 --> 00:30:32,100 BECAUSE OF THAT, YOU KNOW, 1323 00:30:32,100 --> 00:30:35,167 BUT THERE'S, LIKE, NOTHING 1324 00:30:35,167 --> 00:30:36,500 I WOULDN'T DO FOR YOU. 1325 00:30:36,500 --> 00:30:38,967 BUT YOU KNOW THAT I DEFINITELY, 1326 00:30:38,967 --> 00:30:41,567 DEFINITELY, SINCERELY, 1327 00:30:41,567 --> 00:30:43,067 YOU KNOW, FELL FOR YOU. 1328 00:30:43,067 --> 00:30:46,800 I HAVE MY DOUBTS. 1329 00:30:46,800 --> 00:30:48,000 YOU KNOW, IF THERE WAS 1330 00:30:48,000 --> 00:30:51,900 ANY DOUBTS... 1331 00:30:51,900 --> 00:30:54,933 I WOULDN'T HAVE DID THAT. 1332 00:30:54,933 --> 00:30:57,000 I'VE HAD THIS FOR A WHILE NOW. 1333 00:30:57,000 --> 00:31:00,367 WHAT ARE YOU SAYING? 1334 00:31:00,367 --> 00:31:02,067 I MEAN, IF YOU DOUBTING 1335 00:31:02,067 --> 00:31:02,767 THAT I LOVE YOU, 1336 00:31:02,767 --> 00:31:04,200 I'M TRYING TO SAY THAT, 1337 00:31:04,200 --> 00:31:06,433 DOES THIS SHOW ANY DOUBT? 1338 00:31:06,433 --> 00:31:08,900 ARE YOU READY FOR THAT? 1339 00:31:08,900 --> 00:31:12,100 ARE YOU READY? 1340 00:31:12,100 --> 00:31:14,100 I'M NOT READY. 1341 00:31:17,200 --> 00:31:17,867 FIRST THING SHE SAYS: 1342 00:31:17,867 --> 00:31:19,367 "I DOUBT THAT YOU LOVE ME." 1343 00:31:19,367 --> 00:31:20,367 I DON'T KNOW HOW SHE CAN HAVE 1344 00:31:20,367 --> 00:31:21,633 DOUBTS IN ME. 1345 00:31:21,633 --> 00:31:23,633 I DID EVERYTHING I COULD 1346 00:31:23,633 --> 00:31:25,567 TO SHOW HER THAT I LOVED HER. 1347 00:31:25,567 --> 00:31:26,767 SO RIGHT THEN AND THERE 1348 00:31:26,767 --> 00:31:27,833 SHOWED ME. 1349 00:31:27,833 --> 00:31:28,767 AND I JUST LOOKED IN HER EYES, 1350 00:31:28,767 --> 00:31:29,967 AND I JUST-- 1351 00:31:29,967 --> 00:31:31,167 I COULDN'T DO IT. 1352 00:31:31,167 --> 00:31:31,900 I DON'T WANT THIS-- 1353 00:31:31,900 --> 00:31:32,633 YOU KNOW WHAT I'M SAYING-- 1354 00:31:32,633 --> 00:31:34,433 TO BE ANY MORE HARDER ON ME 1355 00:31:34,433 --> 00:31:35,100 AS IT IS. 1356 00:31:35,100 --> 00:31:35,767 WHY WOULD YOU COME 1357 00:31:35,767 --> 00:31:36,433 AND BRING ME A RING, 1358 00:31:36,433 --> 00:31:37,100 AND THEN YOU DON'T EVEN 1359 00:31:37,100 --> 00:31:37,767 GIVE IT TO ME? 1360 00:31:37,767 --> 00:31:38,433 WHO DOES THAT? 1361 00:31:38,433 --> 00:31:39,167 I HAD THE RING. 1362 00:31:39,167 --> 00:31:40,367 NO, YOU [bleep] UP. 1363 00:31:40,367 --> 00:31:41,367 BENZINO IS A MOTHER[bleep] 1364 00:31:41,367 --> 00:31:42,467 ASS[bleep]. 1365 00:31:42,467 --> 00:31:44,433 WHO THE [bleep] BRINGS A RING 1366 00:31:44,433 --> 00:31:45,100 AND THEN SNATCHES 1367 00:31:45,100 --> 00:31:45,867 THAT [bleep] BACK? 1368 00:31:45,867 --> 00:31:47,367 WHO THE [bleep] DOES THAT? 1369 00:31:47,367 --> 00:31:48,067 KNOW WHAT? 1370 00:31:48,067 --> 00:31:49,367 [bleep] YOU. 1371 00:31:49,367 --> 00:31:50,500 YOU COULD USE ME, RIGHT? 1372 00:31:50,500 --> 00:31:51,200 I'M NOT USING YOU. 1373 00:31:51,200 --> 00:31:53,067 BUT YOU CAN'T ABUSE ME. 1374 00:31:53,067 --> 00:31:53,700 YOU FEEL ME? 1375 00:31:53,700 --> 00:31:55,667 ME GETTING WITH YOU, BENZINO, 1376 00:31:55,667 --> 00:31:57,133 WAS A GOOD LOOK FOR YOU, 1377 00:31:57,133 --> 00:31:58,900 'CAUSE I PUT YOU ON. 1378 00:31:58,900 --> 00:31:59,600 'CAUSE IF YOU DIDN'T 1379 00:31:59,600 --> 00:32:00,767 GET WITH ME, 1380 00:32:00,767 --> 00:32:01,700 YOU WOULDN'T BE THE [bleep] 1381 00:32:01,700 --> 00:32:02,733 YOU ARE NOW. 1382 00:32:02,733 --> 00:32:03,800 THAT'S IT. 1383 00:32:03,800 --> 00:32:07,800 WE AIN'T ROCKIN' NO MORE. 1384 00:32:07,800 --> 00:32:09,600 KARLIE SAID SHE HAD HER DOUBTS. 1385 00:32:09,600 --> 00:32:11,067 BUT IN THE END, 1386 00:32:11,067 --> 00:32:13,067 ZINO HAD HIS TOO. 1387 00:32:25,767 --> 00:32:27,367 THE DOWNSTAIRS LOOKS GOOD, 1388 00:32:27,367 --> 00:32:28,367 BUT I WANT YOU TO DO NOW IS 1389 00:32:28,367 --> 00:32:29,633 START IN THE MASTER BEDROOM. 1390 00:32:29,633 --> 00:32:30,733 [doorbell rings] 1391 00:32:30,733 --> 00:32:31,900 AT THE LAST THERAPY SESSION 1392 00:32:31,900 --> 00:32:33,067 WITH DR. JEFF, 1393 00:32:33,067 --> 00:32:34,067 MIMI SEEMS LIKE SHE'S NOT 1394 00:32:34,067 --> 00:32:35,667 RIDING ON MY BUS. 1395 00:32:35,667 --> 00:32:36,533 SHE SEEMS LIKE SHE CAN 1396 00:32:36,533 --> 00:32:37,800 GET HER OWN JOINT. 1397 00:32:37,800 --> 00:32:39,067 SO YOU KNOW ME. 1398 00:32:39,067 --> 00:32:40,167 I HAD TO POP UP ON HER 1399 00:32:40,167 --> 00:32:41,500 AND PAY A LITTLE VISIT. 1400 00:32:41,500 --> 00:32:43,400 I JUST WANT HER BACK ON MY BUS. 1401 00:32:43,400 --> 00:32:44,833 SHE CAN EVEN DRIVE SOMETIME 1402 00:32:44,833 --> 00:32:47,700 WHEN I GET SLEEPY. 1403 00:32:47,700 --> 00:32:48,733 WHAT'S GOING ON? 1404 00:32:48,733 --> 00:32:50,367 WORKING. 1405 00:32:50,367 --> 00:32:53,367 WORKING LOOKING LIKE THAT? 1406 00:32:53,367 --> 00:32:54,867 I'M OVERSEEING. 1407 00:32:54,867 --> 00:32:56,667 I'M AT MY CLIENT'S HOME, 1408 00:32:56,667 --> 00:32:57,900 WORKING. 1409 00:32:57,900 --> 00:32:59,533 YOU'RE NOT RUNNING [bleep] HERE, 1410 00:32:59,533 --> 00:33:02,667 SO TAKE THAT ELSEWHERE. 1411 00:33:02,667 --> 00:33:05,100 UM... 1412 00:33:05,100 --> 00:33:06,800 I MADE A LOT OF MISTAKES 1413 00:33:06,800 --> 00:33:09,567 IN OUR RELATIONSHIP. 1414 00:33:09,567 --> 00:33:11,867 I HANDLED THINGS THE WRONG WAY. 1415 00:33:11,867 --> 00:33:13,367 I HANDLED A LOT OF SITUATIONS 1416 00:33:13,367 --> 00:33:14,067 [bleep] UP. 1417 00:33:14,067 --> 00:33:15,433 AND IF I COULD, 1418 00:33:15,433 --> 00:33:17,733 I WOULD DO IT ALL OVER AGAIN. 1419 00:33:17,733 --> 00:33:21,167 BUT, YOU KNOW, WE GOT HISTORY. 1420 00:33:21,167 --> 00:33:22,800 WE GOT A BOND THAT REALLY 1421 00:33:22,800 --> 00:33:23,567 CAN'T BE BROKEN 1422 00:33:23,567 --> 00:33:24,367 WITH OUR DAUGHTER. 1423 00:33:24,367 --> 00:33:25,467 BUT AT THIS POINT IN THE GAME, 1424 00:33:25,467 --> 00:33:26,133 IT'S LIKE, 1425 00:33:26,133 --> 00:33:27,500 WE'RE NOT EVEN TALKING. 1426 00:33:27,500 --> 00:33:30,833 AND IT'S LIKE, YOU KNOW, 1427 00:33:30,833 --> 00:33:31,833 WHERE WE ARE IS LIKE-- 1428 00:33:31,833 --> 00:33:33,233 IT'S GOT ME [bleep] UP. 1429 00:33:33,233 --> 00:33:34,500 I'M GONNA TAKE RESPONSIBILITY 1430 00:33:34,500 --> 00:33:36,067 FOR THIS AS WELL. 1431 00:33:36,067 --> 00:33:37,833 THIS IS A LOT OF MY DOING, 1432 00:33:37,833 --> 00:33:39,367 BECAUSE I HAVE ALLOWED THIS 1433 00:33:39,367 --> 00:33:40,767 TO CONTINUE 1434 00:33:40,767 --> 00:33:42,533 AND HAPPEN REPEATEDLY. 1435 00:33:42,533 --> 00:33:45,833 SO I ALSO HAVE TO SHARE 1436 00:33:45,833 --> 00:33:47,433 THE RESPONSIBILITY IN THIS. 1437 00:33:47,433 --> 00:33:48,900 SO I MEAN, WE... 1438 00:33:48,900 --> 00:33:49,633 WE ON THE SAME PAGE 1439 00:33:49,633 --> 00:33:50,367 OR SOMETHING RIGHT NOW? 1440 00:33:50,367 --> 00:33:50,967 WE'RE ABSOLUTELY 1441 00:33:50,967 --> 00:33:52,200 ON THE SAME PAGE WITH THIS. 1442 00:33:52,200 --> 00:33:54,133 SO YOU THINK THAT WE COULD 1443 00:33:54,133 --> 00:33:55,733 CONTINUE TO BE ON THE SAME PAGE 1444 00:33:55,733 --> 00:33:57,300 WITH JUST TRYING 1445 00:33:57,300 --> 00:33:58,367 TO GET OUR THING TOGETHER? 1446 00:33:58,367 --> 00:34:01,100 NO. 1447 00:34:01,100 --> 00:34:03,667 STEVIE, WE HAVE DONE THIS, 1448 00:34:03,667 --> 00:34:05,167 AND WE HAVE TRIED THIS. 1449 00:34:05,167 --> 00:34:06,700 AND EVERY TIME WE HAVE 1450 00:34:06,700 --> 00:34:08,267 THIS CONVERSATION, 1451 00:34:08,267 --> 00:34:08,933 YOU TELL ME 1452 00:34:08,933 --> 00:34:09,733 YOU WANT TO FIX THIS, 1453 00:34:09,733 --> 00:34:10,500 YOU TELL ME YOU WANT 1454 00:34:10,500 --> 00:34:11,500 TO MAKE THIS RIGHT, 1455 00:34:11,500 --> 00:34:13,067 YOU WANT TO MAKE IT BETTER. 1456 00:34:13,067 --> 00:34:15,700 AND IT NEVER GETS BETTER. 1457 00:34:15,700 --> 00:34:16,933 IT GETS WORSE. 1458 00:34:16,933 --> 00:34:17,767 NOTHING EVER GETS FIXED. 1459 00:34:17,767 --> 00:34:18,433 GETS WORSE? 1460 00:34:18,433 --> 00:34:19,800 ABSOLUTELY. 1461 00:34:19,800 --> 00:34:21,367 OUR RELATIONSHIP GETS WORSE? 1462 00:34:21,367 --> 00:34:23,900 HAS IT NOT GOTTEN WORSE? 1463 00:34:23,900 --> 00:34:24,600 YEAH, WITH THE [bleep] 1464 00:34:24,600 --> 00:34:25,433 ALL IN YOUR EAR. 1465 00:34:25,433 --> 00:34:26,200 THIS HAS NOTHING TO DO 1466 00:34:26,200 --> 00:34:27,467 WITH ANYONE IN MY EAR. 1467 00:34:27,467 --> 00:34:29,133 THIS STRICTLY HAS TO DO 1468 00:34:29,133 --> 00:34:32,133 WITH YOU AND ME 1469 00:34:32,133 --> 00:34:33,400 AND WHAT WE'RE GOING THROUGH. 1470 00:34:33,400 --> 00:34:34,600 SO DON'T COME IN HERE 1471 00:34:34,600 --> 00:34:35,567 WITH THE BULL[bleep]. 1472 00:34:35,567 --> 00:34:36,367 I DON'T WANT TO SCREAM. 1473 00:34:36,367 --> 00:34:37,900 SEE, YOU JUST MAD AND JUST-- 1474 00:34:37,900 --> 00:34:38,633 I DON'T WANT YOU TO BE MAD. 1475 00:34:38,633 --> 00:34:40,067 I'M NOT MAD, STEVIE. 1476 00:34:40,067 --> 00:34:40,767 KNOW WHAT I'M SAYING? 1477 00:34:40,767 --> 00:34:41,700 YOU LOOK TOO CUTE TO BE MAD. 1478 00:34:41,700 --> 00:34:42,700 I'M NOT MAD. 1479 00:34:42,700 --> 00:34:45,067 I'M JUST NOT DOING THIS ANYMORE. 1480 00:34:45,067 --> 00:34:45,900 NOT DOING STEVIE. 1481 00:34:45,900 --> 00:34:46,900 JUST SAY YOU'RE NOT DOING-- 1482 00:34:46,900 --> 00:34:48,067 YOU WANT ME TO SPELL IT OUT? 1483 00:34:48,067 --> 00:34:48,833 YEAH, SAY YOU DON'T WANT-- 1484 00:34:48,833 --> 00:34:49,833 I DON'T WANT TO BE 1485 00:34:49,833 --> 00:34:50,900 IN A RELATIONSHIP WITH YOU 1486 00:34:50,900 --> 00:34:51,600 ANYMORE. 1487 00:34:51,600 --> 00:34:53,600 I'M DONE. 1488 00:34:58,367 --> 00:35:02,267 WILL MIMI EVER LEAVE ME? 1489 00:35:02,267 --> 00:35:03,767 IT AIN'T HAPPENING. 1490 00:35:03,767 --> 00:35:05,067 WHAT DO YOU THINK I'MA DO? 1491 00:35:05,067 --> 00:35:05,667 WHAT ARE YOU GONNA DO? 1492 00:35:05,667 --> 00:35:06,767 ARE YOU THREATENING ME? 1493 00:35:06,767 --> 00:35:07,500 THREATENING YOU? 1494 00:35:07,500 --> 00:35:08,367 YES, WHAT ARE YOU GONNA DO? 1495 00:35:08,367 --> 00:35:09,233 I'M STANDING 100 FEET 1496 00:35:09,233 --> 00:35:10,500 AWAY FROM YOU. 1497 00:35:10,500 --> 00:35:11,167 I... 1498 00:35:11,167 --> 00:35:12,200 AND I SAID, 1499 00:35:12,200 --> 00:35:13,933 "ARE YOU THREATENING?" 1500 00:35:13,933 --> 00:35:14,600 MIMI, GET THE [bleep] 1501 00:35:14,600 --> 00:35:15,933 OUT OF HERE WITH THAT [bleep]. 1502 00:35:15,933 --> 00:35:17,067 STOP ACTING DUMB. 1503 00:35:17,067 --> 00:35:18,067 I'M ACTING DUMB? 1504 00:35:18,067 --> 00:35:18,933 YEAH. 1505 00:35:18,933 --> 00:35:19,967 I'VE BEEN GOING THROUGH 1506 00:35:19,967 --> 00:35:20,967 THE WORST THING I'VE EVER 1507 00:35:20,967 --> 00:35:22,133 GONE THROUGH IN MY LIFE. 1508 00:35:22,133 --> 00:35:23,200 NAH, IT'S BEEN [bleep] 1509 00:35:23,200 --> 00:35:24,800 YOU UP ALL YOUR WHOLE LIFE. 1510 00:35:24,800 --> 00:35:25,600 AND YOU HAVEN'T? 1511 00:35:25,600 --> 00:35:26,367 NAH, I GAVE YOU THE BEST 1512 00:35:26,367 --> 00:35:27,100 THING YOU EVER COULD'VE HAD. 1513 00:35:27,100 --> 00:35:28,067 YOU BETTER BE GRATEFUL. 1514 00:35:28,067 --> 00:35:30,067 I BETTER BE GRATEFUL? 1515 00:35:30,067 --> 00:35:30,733 YOU DISGUST ME. 1516 00:35:30,733 --> 00:35:31,400 BUT I GAVE YOU A KID 1517 00:35:31,400 --> 00:35:32,067 WHEN EVERYBODY ELSE 1518 00:35:32,067 --> 00:35:33,233 JUST TOSSED YOU ON THE WAYSIDE. 1519 00:35:33,233 --> 00:35:34,500 YOU GAVE ME A KID? 1520 00:35:34,500 --> 00:35:35,167 YEAH, YEAH. 1521 00:35:35,167 --> 00:35:36,500 YOU SOUND RIDICULOUS. 1522 00:35:36,500 --> 00:35:39,133 CAN YOU PLEASE GO? 1523 00:35:39,133 --> 00:35:39,900 PLEASE? 1524 00:35:39,900 --> 00:35:42,100 I'M DONE TALKING. 1525 00:35:42,100 --> 00:35:42,900 YOU'RE DONE TALKING? 1526 00:35:42,900 --> 00:35:44,100 DONE TALKING. 1527 00:35:44,100 --> 00:35:45,067 HAVE A GOOD LIFE, MA, 1528 00:35:45,067 --> 00:35:45,867 YOU KNOW WHAT I'M SAYING? 1529 00:35:45,867 --> 00:35:47,267 YEAH, I WILL. 1530 00:35:47,267 --> 00:35:49,067 ALL I GOT TO SAY IS, 1531 00:35:49,067 --> 00:35:51,767 DAMN, THAT FELT GOOD. 1532 00:35:54,600 --> 00:35:56,167 YES, YES, YES, YES. 1533 00:35:56,167 --> 00:35:57,600 TO 12 MORE YEARS 1534 00:35:57,600 --> 00:36:06,867 AND 12 MORE AND 12 MORE. 1535 00:36:06,867 --> 00:36:08,867 THIS RIDE HAS BEEN CRAZY. 1536 00:36:08,867 --> 00:36:12,533 I HAVE BEEN A BITCH TO MY MAN. 1537 00:36:12,533 --> 00:36:14,067 * FIFTY FIRST 1538 00:36:14,067 --> 00:36:16,200 ♪ AND NO ONE'S HURT ♪ 1539 00:36:16,200 --> 00:36:17,267 ♪ 1540 00:36:17,267 --> 00:36:18,267 BUT, YOU KNOW, 1541 00:36:18,267 --> 00:36:19,300 LOVE CONQUERS ALL 1542 00:36:19,300 --> 00:36:21,433 OVER HERE IN FROST LAND. 1543 00:36:21,433 --> 00:36:22,733 BROTHERS AND SISTERS, 1544 00:36:22,733 --> 00:36:23,667 WE'VE ASSEMBLED OURSELVES 1545 00:36:23,667 --> 00:36:24,833 TOGETHER HERE TODAY 1546 00:36:24,833 --> 00:36:25,500 SO THAT THIS MAN 1547 00:36:25,500 --> 00:36:26,633 AND THIS WOMAN 1548 00:36:26,633 --> 00:36:27,700 CAN RENEW THE VOWS THEY MADE 1549 00:36:27,700 --> 00:36:29,167 TO EACH OTHER 12 YEARS AGO. 1550 00:36:29,167 --> 00:36:31,067 OUR LOVE HAS STOOD TALLER 1551 00:36:31,067 --> 00:36:31,933 THAN ANY BUILDING, 1552 00:36:31,933 --> 00:36:34,333 AS HIGH AS ANY PLANE CAN GO. 1553 00:36:34,333 --> 00:36:35,633 AND I JUST WANT US TO CONTINUE 1554 00:36:35,633 --> 00:36:36,667 TO LOVE EACH OTHER 1555 00:36:36,667 --> 00:36:37,933 UNCONDITIONALLY. 1556 00:36:37,933 --> 00:36:38,933 AND EVERYTHING ELSE 1557 00:36:38,933 --> 00:36:40,367 CAN FALL TO THE WAYSIDE. 1558 00:36:40,367 --> 00:36:41,067 DO YOU PROMISE 1559 00:36:41,067 --> 00:36:41,867 TO RENEW THE VOWS 1560 00:36:41,867 --> 00:36:42,667 WHICH YOU MADE WHEN 1561 00:36:42,667 --> 00:36:44,533 YOU FIRST UNITED IN MARRIAGE 1562 00:36:44,533 --> 00:36:45,767 12 YEARS AGO? 1563 00:36:45,767 --> 00:36:47,867 both: I DO. 1564 00:36:47,867 --> 00:36:48,767 I NOW PRONOUNCE YOU 1565 00:36:48,767 --> 00:36:49,667 RECOMMITTED TO EACH OTHER 1566 00:36:49,667 --> 00:36:50,667 FOR LIFE. 1567 00:36:50,667 --> 00:36:53,367 YOU MAY NOW SALUTE YOUR BRIDE. 1568 00:36:53,367 --> 00:36:54,100 ME AND RASHEEDA 1569 00:36:54,100 --> 00:36:55,067 ARE DEFINITELY HAVING 1570 00:36:55,067 --> 00:36:56,767 OUR MOJO SWING RIGHT NOW, 1571 00:36:56,767 --> 00:36:57,767 BECAUSE WE'RE, LIKE, 1572 00:36:57,767 --> 00:36:59,067 IN LOVE LIKE THE BEGINNING 1573 00:36:59,067 --> 00:36:59,667 AGAIN. 1574 00:36:59,667 --> 00:37:00,833 AND THAT'S A GREAT FEELING. 1575 00:37:00,833 --> 00:37:01,833 AND I'M LIKE, "YO, 1576 00:37:01,833 --> 00:37:03,200 I'M NOT TRYING TO LOSE THIS. 1577 00:37:03,200 --> 00:37:04,833 I GOT TO KEEP THIS." 1578 00:37:04,833 --> 00:37:05,833 TO 12 MORE YEARS 1579 00:37:05,833 --> 00:37:08,833 AND 12 MORE AND 12 MORE. 1580 00:37:08,833 --> 00:37:10,833 I MAY NOT BE MAINSTREAM YET, 1581 00:37:10,833 --> 00:37:12,967 BUT, BABY, SKY'S THE LIMIT. 1582 00:37:12,967 --> 00:37:14,733 YOUR GIRL IS ON THE WAY. 1583 00:37:14,733 --> 00:37:15,500 ♪ 1584 00:37:15,500 --> 00:37:16,733 Y'ALL READY? 1585 00:37:16,733 --> 00:37:17,733 [plaintive piano music] 1586 00:37:17,733 --> 00:37:19,600 ♪ 1587 00:37:19,600 --> 00:37:20,733 IT'S TOO BAD THAT ME AND Z 1588 00:37:20,733 --> 00:37:21,867 DIDN'T WORK OUT. 1589 00:37:21,867 --> 00:37:23,667 BUT IT TAKES A MAN 1590 00:37:23,667 --> 00:37:24,500 TO HANDLE A GIRL 1591 00:37:24,500 --> 00:37:25,367 LIKE KARLIE REDD. 1592 00:37:25,367 --> 00:37:26,600 *PASTEL HURT ME SCARS ♪ 1593 00:37:26,600 --> 00:37:27,867 ♪ CA-CA-CATCH UP 1594 00:37:27,867 --> 00:37:28,833 ♪ HOLD 'EM UP ♪ 1595 00:37:28,833 --> 00:37:29,867 I'VE WORKED SO HARD 1596 00:37:29,867 --> 00:37:31,067 FOR MY CAREER 1597 00:37:31,067 --> 00:37:31,967 THAT I'M NOT GONNA LET 1598 00:37:31,967 --> 00:37:34,367 ANY MAN COME IN BETWEEN IT. 1599 00:37:34,367 --> 00:37:37,067 SO BY ANY MEANS NECESSARY, 1600 00:37:37,067 --> 00:37:39,367 KARLIE'S GONNA GET THAT HIT. 1601 00:37:39,367 --> 00:37:41,300 AND KARLIE CAREER COMES FIRST. 1602 00:37:41,300 --> 00:37:41,967 * WATCH IT 1603 00:37:41,967 --> 00:37:42,800 ♪ YOU FOLLOWING TRENDS 1604 00:37:42,800 --> 00:37:43,967 ♪ I'M CARVING ♪ 1605 00:37:43,967 --> 00:37:44,800 ♪ YOU LOOKIN' FUNNY ♪ 1606 00:37:44,800 --> 00:37:45,633 ♪ AND THAT'S WHAT ♪ 1607 00:37:45,633 --> 00:37:47,267 ♪ BRINGS MARLEY 1608 00:37:47,267 --> 00:37:48,800 I AM AN OPEN BOOK 1609 00:37:48,800 --> 00:37:51,067 BUT NOT A CLEAN SLATE. 1610 00:37:51,067 --> 00:37:53,900 I'M A WORK IN PROGRESS. 1611 00:37:53,900 --> 00:37:56,300 BUT I'M TAKING IT STEP-BY-STEP, 1612 00:37:56,300 --> 00:37:57,433 A DAY AT A TIME. 1613 00:37:57,433 --> 00:38:00,200 AND I'M BECOMING A WOMAN 1614 00:38:00,200 --> 00:38:02,467 THAT I LIKE TO SEE. 1615 00:38:02,467 --> 00:38:04,133 I'MA ALWAYS DO ME, 1616 00:38:04,133 --> 00:38:05,067 THROW GLITTER, 1617 00:38:05,067 --> 00:38:05,700 AND ROCK OUT 1618 00:38:05,700 --> 00:38:06,733 WITH MY [bleep] OUT. 1619 00:38:06,733 --> 00:38:09,067 * I'M ALREADY GONE ♪ 1620 00:38:09,067 --> 00:38:11,400 ♪ I'VE ALREADY SHOWN ♪ 1621 00:38:11,400 --> 00:38:12,700 ♪ THAT YOU'LL NEVER ♪ 1622 00:38:12,700 --> 00:38:13,700 I AM LOOKING FORWARD 1623 00:38:13,700 --> 00:38:15,067 TO MEETING A MAN, 1624 00:38:15,067 --> 00:38:16,267 AND I MEAN "MAN," 1625 00:38:16,267 --> 00:38:17,567 NOT A LITTLE BOY LIKE SCRAPPY 1626 00:38:17,567 --> 00:38:18,833 THAT NEEDS EVERY APPROVAL 1627 00:38:18,833 --> 00:38:20,067 FROM HIS MAMA 1628 00:38:20,067 --> 00:38:21,867 AND NEEDS TO REPORT TO MAMA 1629 00:38:21,867 --> 00:38:22,533 EVERY TIME WE'RE 1630 00:38:22,533 --> 00:38:23,833 GOING THROUGH SOMETHING; 1631 00:38:23,833 --> 00:38:26,167 A REAL MAN. 1632 00:38:26,167 --> 00:38:27,233 A MAN DOES 1633 00:38:27,233 --> 00:38:28,133 WHAT HE'S SUPPOSED TO DO, 1634 00:38:28,133 --> 00:38:30,100 NOT WHAT HE'S TOLD TO DO. 1635 00:38:30,100 --> 00:38:30,767 ♪ 1636 00:38:30,767 --> 00:38:31,433 * HEY 1637 00:38:31,433 --> 00:38:35,067 ♪ I'M ALREADY GONE ♪ 1638 00:38:35,067 --> 00:38:36,133 I AIN'T TRYING TO BE 1639 00:38:36,133 --> 00:38:39,100 TIED DOWN TO NOBODY BUT GOD 1640 00:38:39,100 --> 00:38:40,200 AND THE LITTLE ONE, 1641 00:38:40,200 --> 00:38:42,800 EMANI. 1642 00:38:42,800 --> 00:38:44,067 I'M THANKING GOD, YOU KNOW, 1643 00:38:44,067 --> 00:38:45,333 THE LORD JESUS, FOR BLESSING ME 1644 00:38:45,333 --> 00:38:46,200 FOR BEING HERE. 1645 00:38:46,200 --> 00:38:46,867 YOU KNOW WHAT? 1646 00:38:46,867 --> 00:38:47,667 I'M JUST TRYING TO TAKE CARE 1647 00:38:47,667 --> 00:38:48,833 OF MY KID, MAN. 1648 00:38:48,833 --> 00:38:51,200 FOR US, A GANG IS WHAT WE DOING, 1649 00:38:51,200 --> 00:38:53,067 SO FACE THAT. 1650 00:38:53,067 --> 00:38:54,200 * HARD PRESSED 1651 00:38:54,200 --> 00:38:54,867 ♪ WHEN I SAW THAT 1652 00:38:54,867 --> 00:38:55,867 ♪ AND BECAME LESS 1653 00:38:55,867 --> 00:38:56,700 ♪ I HIT THE GROUND 1654 00:38:56,700 --> 00:38:57,667 ♪ MY CONNECT SAID 1655 00:38:57,667 --> 00:38:58,700 ♪ SHOW ME SOMETHING 1656 00:38:58,700 --> 00:39:00,100 ♪ AND CAME BACK IN SOME HOURS 1657 00:39:00,100 --> 00:39:01,933 ♪LIKE I WAS ON SOMETHING ♪ 1658 00:39:01,933 --> 00:39:03,500 A COUPLE OF MONTHS AGO, 1659 00:39:03,500 --> 00:39:06,567 I WAS A STRIPPER. 1660 00:39:06,567 --> 00:39:08,833 NOW I'M DOING CONCERTS. 1661 00:39:08,833 --> 00:39:09,900 I'M AN ARTIST. 1662 00:39:09,900 --> 00:39:11,167 I'M A POP ARTIST. 1663 00:39:11,167 --> 00:39:13,167 I'M THE PUERTO RICAN PRINCESS. 1664 00:39:16,867 --> 00:39:17,833 I DON'T WANT TO CRY ANYMORE. 1665 00:39:17,833 --> 00:39:19,233 I'M ALMOST ABOUT TO CRY, 1666 00:39:19,233 --> 00:39:20,100 'CAUSE THIS--FOR REAL, 1667 00:39:20,100 --> 00:39:22,067 LIKE, THAT'S CRAZY. 1668 00:39:22,067 --> 00:39:23,300 I'M GOING TO THE TOP, 1669 00:39:23,300 --> 00:39:24,800 ALL THE WAY TO THE TOP. 1670 00:39:24,800 --> 00:39:26,433 MISS HERNANDEZ IS HERE TO STAY. 1671 00:39:26,433 --> 00:39:27,267 * THAT YOU'LL NEVER ♪ 1672 00:39:27,267 --> 00:39:28,933 ♪ BE CLOSE TO ME 1673 00:39:28,933 --> 00:39:31,700 ♪ BUT YOU KEEP PUTTIN' ON ♪ 1674 00:39:31,700 --> 00:39:33,700 ♪ BUT I'M ALREADY GONE ♪ 1675 00:39:33,700 --> 00:39:34,700 ♪ 1676 00:39:34,700 --> 00:39:36,067 I GET A BUM RAP. 1677 00:39:36,067 --> 00:39:37,833 YOU KNOW, PEOPLE JUST SEE, 1678 00:39:37,833 --> 00:39:39,067 YOU KNOW, HOW I TALK TO WOMEN 1679 00:39:39,067 --> 00:39:40,333 AND, YOU KNOW, HOW I HANDLE 1680 00:39:40,333 --> 00:39:41,733 MY RELATIONSHIPS. 1681 00:39:41,733 --> 00:39:42,400 BUT ME? 1682 00:39:42,400 --> 00:39:43,167 I'M JUST ME. 1683 00:39:43,167 --> 00:39:44,067 I'M STEVIE J. 1684 00:39:44,067 --> 00:39:44,700 EVERYBODY HANDLES 1685 00:39:44,700 --> 00:39:45,633 THINGS DIFFERENT. 1686 00:39:45,633 --> 00:39:47,067 YOU SAY "POTATO," 1687 00:39:47,067 --> 00:39:48,733 I SAY "PO-TOT-O." 1688 00:39:48,733 --> 00:39:51,200 * I'M ALREADY GONE ♪ 1689 00:39:51,200 --> 00:39:52,833 ♪ 1690 00:39:52,833 --> 00:39:54,700 I'M GONNA BE ME. 1691 00:39:54,700 --> 00:39:56,433 AND ANYBODY WHO'S IN 1692 00:39:56,433 --> 00:39:59,567 MY REALM OR ON MY BUS 1693 00:39:59,567 --> 00:40:00,300 GOT TO RIDE IT OUT 1694 00:40:00,300 --> 00:40:02,367 WITH THE GOOD GUY. 1695 00:40:02,367 --> 00:40:03,700 * NOT COMING DOWN 1696 00:40:03,700 --> 00:40:05,367 ♪ I'M ALREADY GONE ♪ 1697 00:40:05,367 --> 00:40:08,200 ♪ MY JET IS UP 1698 00:40:08,200 --> 00:40:09,533 ♪ ON THE GROUND 1699 00:40:09,533 --> 00:40:10,700 ♪ I PICK IT UP 1700 00:40:10,700 --> 00:40:12,300 ♪ IN THE CLOUDS 1701 00:40:12,300 --> 00:40:15,833 I GAVE STEVIE 100% 1702 00:40:15,833 --> 00:40:19,367 OF EVERYTHING THAT I HAD. 1703 00:40:19,367 --> 00:40:22,367 AND FOR HIM NOT TO RESPECT THAT, 1704 00:40:22,367 --> 00:40:23,500 THAT'S HIS BAD. 1705 00:40:23,500 --> 00:40:25,033 * I FOCUS 1706 00:40:25,033 --> 00:40:27,667 ♪ FOCUS, MAN 1707 00:40:27,667 --> 00:40:29,767 STEVIE HAS THREE DAUGHTERS. 1708 00:40:29,767 --> 00:40:31,000 AND I TELL HIM, "YOU NEED TO GET 1709 00:40:31,000 --> 00:40:33,000 ON YOUR KNEES AND PRAY 1710 00:40:33,000 --> 00:40:34,400 THAT YOUR GIRLS DON'T 1711 00:40:34,400 --> 00:40:35,667 MEET A MAN LIKE YOU." 1712 00:40:35,667 --> 00:40:38,000 AND THAT'S REAL. 1713 00:40:38,000 --> 00:40:40,800 * I'VE ALREADY GONE ♪ 1714 00:40:40,800 --> 00:40:41,967 ♪ BUT YOU'LL NEVER ♪ 1715 00:40:41,967 --> 00:40:43,633 ♪ BE CLOSE TO ME 1716 00:40:43,633 --> 00:40:46,300 ♪ BUT YOU KEEP PUTTIN' ON ♪ 1717 00:40:46,300 --> 00:40:48,633 ♪ BUT I'M ALREADY GONE ♪ 1718 00:40:48,633 --> 00:40:51,300 ♪ I'VE ALREADY SHOWN ♪ 1719 00:40:51,300 --> 00:40:52,633 ♪ THAT YOU'LL NEVER ♪ 1720 00:40:52,633 --> 00:40:54,367 ♪ BE CLOSE TO ME 1721 00:40:54,367 --> 00:40:55,433 ♪ BUT YOU KEEP PUTTIN' ON ♪ 1722 00:40:55,433 --> 00:40:57,433 ♪ BUT I'M ALREADY ♪ 104785