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These are the user uploaded subtitles that are being translated: 1 00:00:02,867 --> 00:00:04,667 PREVIOUSLY ON LOVE & HIP-HOP 2 00:00:04,667 --> 00:00:05,367 ATLANTA... 3 00:00:05,367 --> 00:00:06,200 HOW YOU THINK THIS WOULD 4 00:00:06,200 --> 00:00:07,167 LOOK TOGETHER TO DO A SONG 5 00:00:07,167 --> 00:00:07,933 TOGETHER? 6 00:00:07,933 --> 00:00:08,833 I THINK THAT'S AN 7 00:00:08,833 --> 00:00:09,733 EXCELLENT IDEA. 8 00:00:09,733 --> 00:00:12,000 JOSELINE IS RIDE OR DIE FOR 9 00:00:12,000 --> 00:00:13,833 HER MAN, STEVIE J. 10 00:00:13,833 --> 00:00:14,733 THAT WOULD BE MY MAN. 11 00:00:14,733 --> 00:00:15,633 I DON'T WANT TO HEAR THIS 12 00:00:15,633 --> 00:00:17,000 EVERY TIME I GO OUT. 13 00:00:17,000 --> 00:00:18,267 I WANT TO WORK WITH STEVIE. 14 00:00:18,267 --> 00:00:19,500 I AM STEVIE'S NUMBER ONE 15 00:00:19,500 --> 00:00:21,500 PRIORITY RIGHT NOW. 16 00:00:22,700 --> 00:00:25,600 WHERE DOES THIS LEAVE US? 17 00:00:25,600 --> 00:00:26,400 WE WORKING ON IT, 18 00:00:26,400 --> 00:00:27,767 GETTING IT RIGHT. 19 00:00:27,767 --> 00:00:29,267 AND ONLY YOU AND ONLY ME? 20 00:00:29,267 --> 00:00:30,067 YES. 21 00:00:30,067 --> 00:00:31,067 I WON'T BE DISRESPECTED 22 00:00:31,067 --> 00:00:31,833 AGAIN. 23 00:00:31,833 --> 00:00:32,867 I NEED IT JUST ON MY BACK 24 00:00:32,867 --> 00:00:33,700 AND MY LEGS. 25 00:00:33,700 --> 00:00:34,367 ON THE LEGS? 26 00:00:34,367 --> 00:00:35,600 LET'S GO IN THE HOUSE. 27 00:00:35,600 --> 00:00:37,867 SHAY IS MY BEST FRIEND. 28 00:00:37,867 --> 00:00:38,867 SHE ONE OF THEM BEST FRIENDS, 29 00:00:38,867 --> 00:00:40,567 YOU EVER LOOK AT, YOU BE LIKE, 30 00:00:40,567 --> 00:00:41,967 "DAMN." 31 00:00:41,967 --> 00:00:43,000 HAVE YOU HIT IT YET? 32 00:00:43,000 --> 00:00:43,800 I'M A GENTLEMAN, 33 00:00:43,800 --> 00:00:45,800 AND A GENTLEMAN NEVER TELLS. 34 00:00:47,533 --> 00:00:48,833 YOU GON' SIT UP AND PILLOW 35 00:00:48,833 --> 00:00:50,200 TALK WITH THE NEXT BITCH? 36 00:00:50,200 --> 00:00:51,033 I DON'T PILLOW TALK. 37 00:00:51,033 --> 00:00:52,333 I [bleep] BET YOU DID, 'CAUSE 38 00:00:52,333 --> 00:00:54,967 THIS BITCH IS PREGNANT BY YOU. 39 00:00:54,967 --> 00:00:56,400 FOR REAL, SON, HE AIN'T GONNA 40 00:00:56,400 --> 00:00:57,433 GIVE ME KISS. 41 00:00:57,433 --> 00:00:58,100 [squeals] 42 00:00:58,100 --> 00:00:59,467 WHAT HAPPENED? 43 00:00:59,467 --> 00:01:00,667 I SAID EXACTLY WHAT YOU 44 00:01:00,667 --> 00:01:01,333 JUST SAID. 45 00:01:01,333 --> 00:01:02,133 I'M NOT [bleep], BITCH. 46 00:01:02,133 --> 00:01:02,867 FOR REAL. 47 00:01:02,867 --> 00:01:03,867 HE WAS LIKE, "NO, BITCH, 48 00:01:03,867 --> 00:01:05,333 WHAT THE [bleep] DID YOU SAY?" 49 00:01:05,333 --> 00:01:06,067 BITCH? 50 00:01:06,067 --> 00:01:07,333 YES! 51 00:01:07,333 --> 00:01:08,200 IT'S ME, THE BITCH. 52 00:01:08,200 --> 00:01:08,867 [chuckles] 53 00:01:08,867 --> 00:01:09,833 IF I CUSS YOUR [bleep] OUT 54 00:01:09,833 --> 00:01:10,567 RIGHT NOW... 55 00:01:10,567 --> 00:01:11,433 WAIT A MINUTE. WAIT A MINUTE. 56 00:01:11,433 --> 00:01:12,167 WAIT A MINUTE. 57 00:01:12,167 --> 00:01:13,300 YOU TRYING TO [bleep]? 58 00:01:13,300 --> 00:01:14,267 SO WHAT'S THE PROBLEM? 59 00:01:14,267 --> 00:01:15,267 HO! 60 00:01:15,267 --> 00:01:16,167 JOSELINE'S SAYING I'M [bleep] 61 00:01:16,167 --> 00:01:17,300 ERICA? 62 00:01:17,300 --> 00:01:18,400 I DON'T EVEN KNOW THIS GIRL. 63 00:01:18,400 --> 00:01:19,133 WHO ARE YOU? 64 00:01:19,133 --> 00:01:19,833 I'M JOSELINE HERNANDEZ, 65 00:01:19,833 --> 00:01:20,600 BABY. 66 00:01:20,600 --> 00:01:21,867 OH, IRRELEVANT. 67 00:01:21,867 --> 00:01:22,900 I DON'T HAVE ANYTHING TO DO WITH 68 00:01:22,900 --> 00:01:23,567 STEVIE J. 69 00:01:23,567 --> 00:01:25,567 I DON'T EVEN KNOW HIM. 70 00:01:27,133 --> 00:01:28,367 * THIS IS THE LIFE 71 00:01:28,367 --> 00:01:29,367 ♪ THIS IS THE LIFE 72 00:01:29,367 --> 00:01:30,067 * YEAH 73 00:01:30,067 --> 00:01:30,867 * THIS THE LIFE 74 00:01:30,867 --> 00:01:31,667 ♪ THIS IS THE LIFE 75 00:01:31,667 --> 00:01:32,333 * 'SUP 76 00:01:32,333 --> 00:01:33,133 * THIS THE LIFE 77 00:01:33,133 --> 00:01:34,133 ♪ THIS IS THE LIFE 78 00:01:34,133 --> 00:01:34,767 * HUH 79 00:01:34,767 --> 00:01:35,433 * THIS THE LIFE 80 00:01:35,433 --> 00:01:38,633 ♪ THIS IS THE LIFE 81 00:01:38,633 --> 00:01:39,500 * HUH 82 00:01:39,500 --> 00:01:40,400 ♪ THERE AIN'T NOTHING LIKE 83 00:01:40,400 --> 00:01:41,133 ♪ HIP-HOP MUSIC 84 00:01:41,133 --> 00:01:41,733 ♪ MUSIC 85 00:01:41,733 --> 00:01:42,733 * THIS THE LIFE 86 00:01:42,733 --> 00:01:44,067 ♪ THIS IS THE LIFE 87 00:01:44,067 --> 00:01:45,067 ♪ THIS THE LIFE 88 00:01:45,067 --> 00:01:47,067 ♪ THIS IS THE LIFE 89 00:01:55,733 --> 00:01:57,267 ERICA WANTED ME TO MEET HER. 90 00:01:57,267 --> 00:01:58,300 I GUESS SHE GOT SOMETHING TO 91 00:01:58,300 --> 00:01:59,200 TELL ME AFTER THE FIGHT 92 00:01:59,200 --> 00:02:00,100 THE OTHER NIGHT. 93 00:02:00,100 --> 00:02:01,233 AND I PROBABLY OWE HER 94 00:02:01,233 --> 00:02:02,233 AN APOLOGY. 95 00:02:02,233 --> 00:02:03,067 I THOUGHT SHE HAD SEX 96 00:02:03,067 --> 00:02:03,700 WITH STEVIE. 97 00:02:03,700 --> 00:02:04,600 I THOUGHT HE SMASHED HER, 98 00:02:04,600 --> 00:02:06,467 BUT I GUESS I WAS WRONG. 99 00:02:06,467 --> 00:02:07,800 WHAT'S GOING ON, BABE? 100 00:02:07,800 --> 00:02:09,433 GLAD YOU DECIDED TO MEET 101 00:02:09,433 --> 00:02:10,233 WITH ME. 102 00:02:10,233 --> 00:02:11,400 I FEEL LIKE WE SHOULD TALK 103 00:02:11,400 --> 00:02:12,067 ABOUT THIS. 104 00:02:12,067 --> 00:02:12,867 OKAY. 105 00:02:12,867 --> 00:02:14,600 LET'S GO BACK. 106 00:02:14,600 --> 00:02:16,300 ME [bleep] STEVIE J.--LIKE, 107 00:02:16,300 --> 00:02:17,267 WHERE DID THAT COME FROM? 108 00:02:17,267 --> 00:02:18,300 IT WAS REALLY HONESTLY 109 00:02:18,300 --> 00:02:19,133 A MISTAKE. 110 00:02:19,133 --> 00:02:20,500 AND I THOUGHT THAT YOU GUYS HAD 111 00:02:20,500 --> 00:02:22,467 SEX BEFORE, SO... 112 00:02:22,467 --> 00:02:23,800 THAT'S WHY I SAID THAT. 113 00:02:23,800 --> 00:02:24,700 YOU KNOW, ME AND HIM HAD 114 00:02:24,700 --> 00:02:25,400 A CONVERSATION 115 00:02:25,400 --> 00:02:27,333 AND HE TOLD ME NO. 116 00:02:27,333 --> 00:02:28,433 I WAS LIKE, "OKAY, WELL, I HAD 117 00:02:28,433 --> 00:02:29,100 THE WRONG PERSON." 118 00:02:29,100 --> 00:02:30,233 AND I APOLOGIZE FOR THAT, 119 00:02:30,233 --> 00:02:31,067 'CAUSE IT SHOULD HAVE NEVER EVEN 120 00:02:31,067 --> 00:02:32,600 GOT THAT OUT OF LINE. 121 00:02:32,600 --> 00:02:33,467 YOU KNOW WHAT I'M SAYING? 122 00:02:33,467 --> 00:02:34,733 SO YOU TELLING ME THIS WHOLE 123 00:02:34,733 --> 00:02:36,433 ALTERCATION WENT DOWN BECAUSE 124 00:02:36,433 --> 00:02:37,533 YOU CONFUSING ME WITH 125 00:02:37,533 --> 00:02:38,633 ANOTHER BITCH? 126 00:02:38,633 --> 00:02:39,667 I DON'T KNOW HIM. 127 00:02:39,667 --> 00:02:41,067 I ONLY MET HIM AT K.'S PARTY, 128 00:02:41,067 --> 00:02:41,833 AND--[scoffs] 129 00:02:41,833 --> 00:02:42,567 STEVIE COULDN'T GET IT 130 00:02:42,567 --> 00:02:43,800 ON MY BAD DAY. 131 00:02:43,800 --> 00:02:44,633 SCRAPPY WAS ACTING LIKE HE 132 00:02:44,633 --> 00:02:46,700 WANTED TO FIGHT, LIKE, FOR WHAT? 133 00:02:46,700 --> 00:02:47,733 BUT THAT'S SCRAPPY. 134 00:02:47,733 --> 00:02:48,567 I CAME HERE TO DISCUSS 135 00:02:48,567 --> 00:02:50,267 WHAT YOU DID, WHICH I FELT WAS 136 00:02:50,267 --> 00:02:51,067 ALL OUT OF LINE AND OUT OF 137 00:02:51,067 --> 00:02:52,833 POCKET, AND WHICH YOU APOLOGIZE, 138 00:02:52,833 --> 00:02:53,767 AND WHICH IS COOL. 139 00:02:53,767 --> 00:02:54,600 I STILL DON'T LIKE YOU, 140 00:02:54,600 --> 00:02:55,533 JUST UNDERSTAND, FOR WHAT YOU 141 00:02:55,533 --> 00:02:56,233 DID, 'CAUSE YOU CAME INTO 142 00:02:56,233 --> 00:02:56,900 A SITUATION-- 143 00:02:56,900 --> 00:02:57,633 THERE'S A LOT OF PEOPLE 144 00:02:57,633 --> 00:02:58,300 THAT DON'T LIKE ME. 145 00:02:58,300 --> 00:02:59,167 WELL, I JUST WANT TO MAKE IT 146 00:02:59,167 --> 00:02:59,767 CLEAR, THOUGH. 147 00:02:59,767 --> 00:03:01,067 YOU ENTITLED NOT TO LIKE ME. 148 00:03:01,067 --> 00:03:03,067 BUT WHEN YOU GUYS WAS TALKING 149 00:03:03,067 --> 00:03:04,367 BACK AND FORTH AND YOU GOT KIND 150 00:03:04,367 --> 00:03:05,767 OF LOUD AND PUT YOUR HANDS IN MY 151 00:03:05,767 --> 00:03:06,900 FACE, I FELT THREATENED. 152 00:03:06,900 --> 00:03:07,867 AND I HAD A ROUGH LIFE GROWING 153 00:03:07,867 --> 00:03:08,967 UP WITH PEOPLE, SO IT'S LIKE 154 00:03:08,967 --> 00:03:10,267 WHEN ANYBODY DO THIS TO ME, 155 00:03:10,267 --> 00:03:11,467 I'M THINKING LIKE, 156 00:03:11,467 --> 00:03:12,233 "WAIT A MINUTE. 157 00:03:12,233 --> 00:03:12,867 WHAT'S GOING ON?" 158 00:03:12,867 --> 00:03:14,067 YOU'RE NOT SUPPOSED TO DO THAT. 159 00:03:14,067 --> 00:03:15,067 WHAT IS THAT? 160 00:03:15,067 --> 00:03:16,233 DID I EVEN DO THAT TO YOU? 161 00:03:16,233 --> 00:03:16,933 HOW THE [bleep] YOU GONNA 162 00:03:16,933 --> 00:03:17,667 TELL ME WHAT TO DO? 163 00:03:17,667 --> 00:03:18,700 I DO WHAT I WANT TO DO. 164 00:03:18,700 --> 00:03:19,833 MY HANDS STILL MOVING. 165 00:03:19,833 --> 00:03:21,433 WHAT YOU DOING? 166 00:03:21,433 --> 00:03:22,467 SO I'MA GO AHEAD AND LET YOU 167 00:03:22,467 --> 00:03:23,133 GET THIS ONE. 168 00:03:23,133 --> 00:03:24,467 WE ALREADY KNOW WHAT WE CAN DO. 169 00:03:24,467 --> 00:03:25,300 I'M A GROWN WOMAN. 170 00:03:25,300 --> 00:03:26,333 I DON'T HAVE TIME FOR THIS. 171 00:03:26,333 --> 00:03:27,233 YOU HAVE ANYTHING ELSE TO SAY, 172 00:03:27,233 --> 00:03:27,833 HONEY? 173 00:03:27,833 --> 00:03:28,633 MM-MM, I SURE DON'T. 174 00:03:28,633 --> 00:03:29,300 OKAY. 175 00:03:29,300 --> 00:03:31,133 WELL, I GUESS... 176 00:03:31,133 --> 00:03:32,667 I'LL SEE YOU WHEN I SEE YOU. 177 00:03:32,667 --> 00:03:33,900 MAYBE ERICA DON'T LIKE ME 178 00:03:33,900 --> 00:03:35,867 EVEN THOUGH I APOLOGIZED TO HER 179 00:03:35,867 --> 00:03:37,067 BECAUSE MAYBE SHE'S JUST JEALOUS 180 00:03:37,067 --> 00:03:38,233 OF ME. 181 00:03:38,233 --> 00:03:40,233 SHE'S BEING A LITTLE HATER. 182 00:03:42,833 --> 00:03:43,833 [gentle piano music] 183 00:03:43,833 --> 00:03:49,833 ♪ 184 00:03:50,467 --> 00:03:52,433 I HAVE HAD IT WITH STEVIE. 185 00:03:52,433 --> 00:03:53,867 I'M PACKING UP HIS [bleep] SO I 186 00:03:53,867 --> 00:03:55,267 CAN GET IT OUT OF MY HOUSE. 187 00:03:55,267 --> 00:03:56,667 HE HAS PROVEN HE CAN'T BE 188 00:03:56,667 --> 00:03:58,867 FAITHFUL, SO I'M MOVING ON. 189 00:04:01,333 --> 00:04:03,100 * AS YOU'RE GONE 190 00:04:03,100 --> 00:04:06,500 ♪ I'LL CARRY ON YEAH 191 00:04:06,500 --> 00:04:10,233 ♪ I'LL BE STRONG FOR 192 00:04:10,233 --> 00:04:15,233 ♪ HOWEVER LONG IT TAKES 193 00:04:15,233 --> 00:04:16,800 * TAKE ME BY THE HAND 194 00:04:16,800 --> 00:04:18,300 ♪ T-T-TAKE ME HIGH 195 00:04:18,300 --> 00:04:20,133 ♪ AND WE'LL BOTH LAND 196 00:04:20,133 --> 00:04:21,100 ♪ MAKE THESE NIGHTS 197 00:04:21,100 --> 00:04:22,900 ♪ JUST NEVER END 198 00:04:22,900 --> 00:04:24,533 MIMI! 199 00:04:24,533 --> 00:04:26,233 HEY, MA. 200 00:04:26,233 --> 00:04:28,233 WHAT ARE YOU DOING? 201 00:04:28,233 --> 00:04:30,933 I AM CLEANING HOUSE. 202 00:04:30,933 --> 00:04:31,833 I WOULD LOVE TO FIX MY 203 00:04:31,833 --> 00:04:32,667 RELATIONSHIP. 204 00:04:32,667 --> 00:04:33,467 WHO WOULDN'T? 205 00:04:33,467 --> 00:04:34,633 HE'S THE FATHER OF MY CHILD. 206 00:04:34,633 --> 00:04:36,800 LIKE, I WOULD LOVE IT TO WORK 207 00:04:36,800 --> 00:04:37,800 IF IT'S GONNA WORK. 208 00:04:37,800 --> 00:04:38,700 IF IT'S NOT GONNA WORK, 209 00:04:38,700 --> 00:04:40,233 THEN [bleep] IT. 210 00:04:40,233 --> 00:04:42,233 I DON'T KNOW THIS--THIS YOU. 211 00:04:42,233 --> 00:04:43,400 I JUST--THERE'S ONLY SO MUCH 212 00:04:43,400 --> 00:04:47,800 I CAN TAKE, AND I CAN'T HANDLE 213 00:04:47,800 --> 00:04:49,533 MY FAMILY AND SOMEONE ELSE. 214 00:04:49,533 --> 00:04:50,767 I CAN'T DO THAT. 215 00:04:50,767 --> 00:04:52,700 I MEAN, HE'S TEXT ME, 216 00:04:52,700 --> 00:04:53,967 AND HE'S APOLOGIZED, 217 00:04:53,967 --> 00:04:55,167 AND HE SAYS HE WANTS TO MAKE 218 00:04:55,167 --> 00:04:57,367 THIS WORK, BUT THE BOTTOM LINE 219 00:04:57,367 --> 00:04:59,733 IS, AS LONG AS HE KEEPS [bleep] 220 00:04:59,733 --> 00:05:01,267 WITH JOSELINE, I'M NOT [bleep] 221 00:05:01,267 --> 00:05:03,067 WITH HIM, PERIOD. 222 00:05:03,067 --> 00:05:04,733 ARE YOU HAPPY RIGHT NOW? 223 00:05:04,733 --> 00:05:05,400 LIKE, ARE YOU... 224 00:05:05,400 --> 00:05:06,500 NO, I'M NOT HAPPY. 225 00:05:06,500 --> 00:05:08,067 I'D BE SITTING HERE LYING IF 226 00:05:08,067 --> 00:05:10,433 I TOLD YOU I DON'T LOVE HIM AND 227 00:05:10,433 --> 00:05:11,133 ALL THIS. 228 00:05:11,133 --> 00:05:11,800 I'D BE LYING TO YOU. 229 00:05:11,800 --> 00:05:12,467 I LOVE HIM. 230 00:05:12,467 --> 00:05:14,900 I WOULD LIKE IT TO WORK, 231 00:05:14,900 --> 00:05:15,933 BUT UNDER THE CORRECT 232 00:05:15,933 --> 00:05:16,833 CIRCUMSTANCES. 233 00:05:16,833 --> 00:05:18,567 WE ALL KNOW HOW CHARISMATIC 234 00:05:18,567 --> 00:05:20,933 HE IS, AND WE KNOW THAT STEVIE 235 00:05:20,933 --> 00:05:22,233 IS VERY MANIPULATIVE. 236 00:05:22,233 --> 00:05:25,367 LIKE, HE HAS HELD ONTO YOU 237 00:05:25,367 --> 00:05:26,067 FOR THIS LONG. 238 00:05:26,067 --> 00:05:27,233 WHAT THE [bleep]? 239 00:05:27,233 --> 00:05:28,500 I CAN'T DO THIS ANYMORE. 240 00:05:28,500 --> 00:05:29,367 I'VE SEEN THIS HAPPEN 241 00:05:29,367 --> 00:05:30,133 SO MANY TIMES. 242 00:05:30,133 --> 00:05:31,733 IT'S ALL GOING WELL, 243 00:05:31,733 --> 00:05:33,067 THEN STEVIE GETS BORED ALL OF 244 00:05:33,067 --> 00:05:35,367 A SUDDEN AND JUST DOES HURTFUL 245 00:05:35,367 --> 00:05:36,567 [bleep] TO MIMI. 246 00:05:36,567 --> 00:05:39,833 BUT MIMI'S TO BLAME TOO. 247 00:05:39,833 --> 00:05:41,433 SHE'S ALWAYS THERE TO JUST TAKE 248 00:05:41,433 --> 00:05:43,067 HIM BACK AND WELCOME HIM BACK 249 00:05:43,067 --> 00:05:44,567 HOME WITH OPEN ARMS AS IF 250 00:05:44,567 --> 00:05:45,900 NOTHING EVER HAPPENED. 251 00:05:45,900 --> 00:05:46,800 I JUST KNOW YOU. 252 00:05:46,800 --> 00:05:47,533 YOU KNOW WHAT? 253 00:05:47,533 --> 00:05:48,300 WHAT DO YOU KNOW? 254 00:05:48,300 --> 00:05:49,167 I KNOW YOUR ASS WILL FALL 255 00:05:49,167 --> 00:05:52,167 VICTIM TO THE MANIPULATION. 256 00:05:52,167 --> 00:05:53,967 YOU HAVE NO FAITH IN ME. 257 00:05:53,967 --> 00:05:54,700 I DO HAVE FAITH IN YOU. 258 00:05:54,700 --> 00:05:55,667 THAT [bleep] SUCKS. 259 00:05:55,667 --> 00:05:56,333 I DO! 260 00:05:56,333 --> 00:05:57,067 NO, YOU DON'T. 261 00:05:57,067 --> 00:05:57,933 MIMI, I HAVE FAITH IN YOU-- 262 00:05:57,933 --> 00:05:58,633 WELL, THEN STOP SAYING 263 00:05:58,633 --> 00:05:59,300 THAT [bleep]. 264 00:05:59,300 --> 00:06:00,067 OKAY, WELL, BITCH, 265 00:06:00,067 --> 00:06:00,700 I GOT FAITH. 266 00:06:00,700 --> 00:06:04,467 I JUST WANT YOU TO REALLY DO IT. 267 00:06:04,467 --> 00:06:05,600 I GOT TO START SOMEWHERE. 268 00:06:05,600 --> 00:06:06,300 HELLO. 269 00:06:06,300 --> 00:06:07,833 AND I'MA KEEP IT MOVING. 270 00:06:07,833 --> 00:06:09,067 I JUST REALLY WANT YOU TO GET 271 00:06:09,067 --> 00:06:09,800 THIS [bleep] OUT OF HERE. 272 00:06:09,800 --> 00:06:10,700 LIKE, ARE YOU REALLY GONNA GET 273 00:06:10,700 --> 00:06:11,733 ALL THIS [bleep] OUT OF HERE. 274 00:06:11,733 --> 00:06:12,600 BABY, YOU SEE WHAT I'M DOING, 275 00:06:12,600 --> 00:06:13,633 RIGHT? 276 00:06:13,633 --> 00:06:15,633 YOU SEE WHAT I'M DOING. 277 00:06:20,767 --> 00:06:21,767 [fantastical hip-hop music] 278 00:06:21,767 --> 00:06:27,433 ♪ 279 00:06:27,433 --> 00:06:29,333 OH, MAMA'S BABY. 280 00:06:29,333 --> 00:06:30,467 HEY, MA. 281 00:06:30,467 --> 00:06:31,400 HOW YOU DOING? 282 00:06:31,400 --> 00:06:33,733 YESTERDAY MY SON HAD A REAL BAD 283 00:06:33,733 --> 00:06:34,667 ASTHMA ATTACK. 284 00:06:34,667 --> 00:06:37,267 AND WHEN I GOT TO THE HOSPITAL, 285 00:06:37,267 --> 00:06:38,667 HE WAS DOING BETTER, 286 00:06:38,667 --> 00:06:42,233 BUT HE KINDA DIDN'T SEEM RIGHT 287 00:06:42,233 --> 00:06:43,333 FROM THE HEART. 288 00:06:43,333 --> 00:06:45,367 SO I THOUGHT, "I'LL GO OVER 289 00:06:45,367 --> 00:06:46,833 TODAY AND CHECK ON HIM AND GET 290 00:06:46,833 --> 00:06:48,367 SOME CLARITY ABOUT HOW HE'S 291 00:06:48,367 --> 00:06:49,867 REALLY FEELING." 292 00:06:49,867 --> 00:06:51,467 YESTERDAY WAS A BIG SCARE. 293 00:06:51,467 --> 00:06:52,600 YOU SCARED ME TO DEATH. 294 00:06:52,600 --> 00:06:53,967 CRAZY, MA. 295 00:06:53,967 --> 00:06:56,600 JUST GOT REAL DRUNK, AND I WOKE 296 00:06:56,600 --> 00:06:59,167 UP JUST--I CAN'T BREATHE 297 00:06:59,167 --> 00:07:00,233 FOR NOTHING, YOU KNOW WHAT 298 00:07:00,233 --> 00:07:00,833 I'M SAYING? 299 00:07:00,833 --> 00:07:02,667 I'M TAKING THE PUMP, AND I'M 300 00:07:02,667 --> 00:07:04,333 SQUEEZING IT, BUT IT AIN'T DOING 301 00:07:04,333 --> 00:07:05,133 NOTHING. 302 00:07:05,133 --> 00:07:06,900 ERICA IS NOT ALL THE WAY OUT, 303 00:07:06,900 --> 00:07:07,567 SO I'M SAYING, "HEY, 304 00:07:07,567 --> 00:07:08,967 I CAN'T BREATHE." 305 00:07:08,967 --> 00:07:09,633 SHE GETTING UP. 306 00:07:09,633 --> 00:07:12,067 SHE TALKING TO HER WORK PEOPLE. 307 00:07:12,067 --> 00:07:13,233 SHE ON HER WAY OUT THE DOOR. 308 00:07:13,233 --> 00:07:14,233 I'M LIKE, "YO," YOU KNOW WHAT 309 00:07:14,233 --> 00:07:14,833 I'M SAYING? 310 00:07:14,833 --> 00:07:15,600 AND SHE LIKE, "HEY." 311 00:07:15,600 --> 00:07:16,700 ON HER WAY OUT THE DOOR? 312 00:07:16,700 --> 00:07:18,100 SHE CALLED THE HULK, 313 00:07:18,100 --> 00:07:19,567 TELLING HIM TO COME, YOU KNOW, 314 00:07:19,567 --> 00:07:20,467 TAKE ME TO THE HOSPITAL. 315 00:07:20,467 --> 00:07:22,133 HE SHOOTS ME DOWN. 316 00:07:22,133 --> 00:07:23,567 AND IT WAS LIKE I FEEL THE RUSH, 317 00:07:23,567 --> 00:07:24,500 YOU KNOW, LIKE... 318 00:07:24,500 --> 00:07:25,767 YEAH, NO OXYGEN'S GOING TO 319 00:07:25,767 --> 00:07:26,467 YOUR BRAIN. 320 00:07:26,467 --> 00:07:27,967 LIKE, SHE WANT ME TO DO 321 00:07:27,967 --> 00:07:28,733 SOMETHING, I DO IT. 322 00:07:28,733 --> 00:07:29,800 WHEN IT'S UP TO HER AND I NEED 323 00:07:29,800 --> 00:07:30,667 HER TO DO SOMETHING, 324 00:07:30,667 --> 00:07:33,067 SHE PUT WORK FIRST. 325 00:07:33,067 --> 00:07:34,667 ME AND ERICA, WE GOT TOGETHER 326 00:07:34,667 --> 00:07:35,800 AND TRY TO DO THIS THING OVER 327 00:07:35,800 --> 00:07:37,067 AGAIN, TRY TO MAKE IT WORK 328 00:07:37,067 --> 00:07:39,067 FOR THE BABY, YOU FEEL ME? 329 00:07:39,067 --> 00:07:40,133 BUT AT THE END OF THE DAY, 330 00:07:40,133 --> 00:07:41,300 YOU KNOW, I'M HAVING A ASTHMA 331 00:07:41,300 --> 00:07:42,967 ATTACK, FEELIN', "DOG, I'M 332 00:07:42,967 --> 00:07:43,867 GONNA DIE." 333 00:07:43,867 --> 00:07:45,400 IF THE AFFECTION IS THERE 334 00:07:45,400 --> 00:07:47,833 AND THE LOVE IS THERE, THEN SHE 335 00:07:47,833 --> 00:07:49,067 GONNA BE THERE, YOU FEEL ME? 336 00:07:49,067 --> 00:07:51,700 BUT SHE CALLED OUT TO HER JOB. 337 00:07:51,700 --> 00:07:52,633 HOW WOULD YOU HANDLE IT? 338 00:07:52,633 --> 00:07:54,600 LIKE, YOUR BABY DADDY, 339 00:07:54,600 --> 00:07:56,767 YOUR EX-HUSBAND--[coughs]-- 340 00:07:56,767 --> 00:07:57,633 EXCUSE ME--YOUR--[coughs]-- 341 00:07:57,633 --> 00:07:58,300 YOUR EX-HUSBAND... 342 00:07:58,300 --> 00:07:59,700 OH, MY GOODNESS. 343 00:07:59,700 --> 00:08:00,933 WHOEVER, WOULD YOU TELL 344 00:08:00,933 --> 00:08:02,233 SOMEBODY ELSE'S HOMEBOY 345 00:08:02,233 --> 00:08:02,833 TO DO IT? 346 00:08:02,833 --> 00:08:04,667 YOUR FATHER, YOU KNOW, EVEN 347 00:08:04,667 --> 00:08:05,867 THOUGH WE'RE NOT TOGETHER-- 348 00:08:05,867 --> 00:08:07,067 WELL, I'D HAVE STAYED RIGHT 349 00:08:07,067 --> 00:08:08,233 THERE AND I WOULDN'T HAVE LEFT 350 00:08:08,233 --> 00:08:09,833 HIM UNTIL THE DOCTOR SAID HE WAS 351 00:08:09,833 --> 00:08:12,133 FEELING BETTER, BECAUSE WHEN YOU 352 00:08:12,133 --> 00:08:13,600 LOVE A MAN, YOU DON'T LEAVE 353 00:08:13,600 --> 00:08:14,367 HIS SIDE. 354 00:08:14,367 --> 00:08:15,700 CLEARLY SHE'S DISCONNECTED. 355 00:08:15,700 --> 00:08:16,833 AND YOU HAVE SOME DECISIONS TO 356 00:08:16,833 --> 00:08:18,567 MAKE, SON, AND I SUGGEST 357 00:08:18,567 --> 00:08:19,767 YOU GET TO IT. 358 00:08:19,767 --> 00:08:20,933 I RAISED YOU TO BE A STRONG 359 00:08:20,933 --> 00:08:22,267 BLACK MAN. 360 00:08:22,267 --> 00:08:23,067 I SUGGEST YOU DO THAT. 361 00:08:23,067 --> 00:08:23,867 I ALREADY MADE MY DECISION. 362 00:08:23,867 --> 00:08:24,633 OKAY. 363 00:08:24,633 --> 00:08:25,733 I JUST UNDERSTAND IT PROBABLY 364 00:08:25,733 --> 00:08:26,967 THE RIGHT THING TO DO. 365 00:08:26,967 --> 00:08:28,433 IT'S JUST LIKE--IT LIKE TELLING 366 00:08:28,433 --> 00:08:29,667 ME IN MY FACE, "IT AIN'T IT. 367 00:08:29,667 --> 00:08:30,467 IT AIN'T IT. IT AIN'T IT. 368 00:08:30,467 --> 00:08:31,233 IT AIN'T IT." 369 00:08:31,233 --> 00:08:32,233 YOU KNOW I GOT YOUR BACK. 370 00:08:32,233 --> 00:08:34,233 I BELIEVE IN YOU, SO... 371 00:08:34,233 --> 00:08:34,900 I APPRECIATE YOU 372 00:08:34,900 --> 00:08:35,767 FOR COMING OVER. 373 00:08:35,767 --> 00:08:36,500 YEAH, I LOVE YOU. 374 00:08:36,500 --> 00:08:37,967 MAMA ALWAYS BE THERE. 375 00:08:37,967 --> 00:08:38,967 ALWAYS. 376 00:08:38,967 --> 00:08:40,933 YEAH, YEAH. 377 00:08:40,933 --> 00:08:43,933 [indistinct] 378 00:08:43,933 --> 00:08:45,867 BUT I'M SAYING YOU LEFT HIM. 379 00:08:45,867 --> 00:08:46,933 YOU LEFT HIM FOR DEAD. 380 00:08:46,933 --> 00:08:48,433 IF YOU REALLY FELT LIKE THAT, 381 00:08:48,433 --> 00:08:49,233 THEN YOU SHOULD'VE-- 382 00:08:49,233 --> 00:08:50,600 YOU LEFT MY CHILD FOR DEAD! 383 00:08:50,600 --> 00:08:52,067 WHAT'S GOING ON? 384 00:08:52,067 --> 00:08:52,767 WHAT'S THE MEETING ABOUT? 385 00:08:52,767 --> 00:08:53,633 YOU KNOW, YOU AND HER HOOKING 386 00:08:53,633 --> 00:08:55,167 UP, DOING A FEW SONGS TOGETHER. 387 00:08:55,167 --> 00:08:55,900 NO, I'M NOT WILLING 388 00:08:55,900 --> 00:08:56,567 TO DO THAT. 389 00:08:56,567 --> 00:08:57,433 WAIT A MINUTE. WAIT A MINUTE. 390 00:08:57,433 --> 00:08:58,167 YOU KNOW WHAT? 391 00:08:58,167 --> 00:08:59,067 WHY IS SHE DRIVING ALL OVER 392 00:08:59,067 --> 00:08:59,833 MY JOINTS? 393 00:08:59,833 --> 00:09:01,900 YOU SHOULD'VE PICKED IT UP. 394 00:09:06,300 --> 00:09:07,300 [dynamic hip-hop music] 395 00:09:07,300 --> 00:09:12,267 ♪ 396 00:09:12,633 --> 00:09:14,833 I WANTED TO TAKE MIMI OUT, 397 00:09:14,833 --> 00:09:15,700 YOU KNOW, JUST TO HAVE 398 00:09:15,700 --> 00:09:16,400 A GOOD TIME. 399 00:09:16,400 --> 00:09:18,800 I JUST REALLY WANTED TO SEE HOW 400 00:09:18,800 --> 00:09:19,967 SHE WAS FEELING. 401 00:09:19,967 --> 00:09:21,300 WHAT'S GOING ON? 402 00:09:21,300 --> 00:09:23,167 GIRL, I'M JUST OVER THIS 403 00:09:23,167 --> 00:09:25,533 WHOLE SITUATION. 404 00:09:25,533 --> 00:09:27,300 I'VE PACKED UP HIS STUFF. 405 00:09:27,300 --> 00:09:28,333 HE NEEDS TO COME GET IT. 406 00:09:28,333 --> 00:09:29,733 IF HE'S NOT GONNA COME GET IT, 407 00:09:29,733 --> 00:09:30,867 I'MA GO AHEAD 408 00:09:30,867 --> 00:09:31,533 AND GIVE IT TO HIM. 409 00:09:31,533 --> 00:09:32,467 HE GONNA USE IT AS 410 00:09:32,467 --> 00:09:33,500 AN EXCUSE. 411 00:09:33,500 --> 00:09:35,533 HE GONNA COME GET IT. 412 00:09:35,533 --> 00:09:36,500 IF HE COMES AND GETS IT, 413 00:09:36,500 --> 00:09:37,467 HE'S GETTING HIS STUFF, 414 00:09:37,467 --> 00:09:38,433 AND THAT'S THAT. 415 00:09:38,433 --> 00:09:39,100 PERIOD. 416 00:09:39,100 --> 00:09:40,200 HE NOT GONNA REACT TOO GOOD 417 00:09:40,200 --> 00:09:41,233 TO THAT, MIMI. 418 00:09:41,233 --> 00:09:42,533 MM, I DIDN'T REACT TOO GOOD 419 00:09:42,533 --> 00:09:43,933 ABOUT HIM GETTING THE NEXT ONE 420 00:09:43,933 --> 00:09:44,733 PREGNANT. 421 00:09:44,733 --> 00:09:46,067 I JUST WOULD LOVE TO BE 422 00:09:46,067 --> 00:09:48,267 A FLY ON THE WALL TO HEAR 423 00:09:48,267 --> 00:09:49,633 WHAT HE HAS TO SAY ABOUT 424 00:09:49,633 --> 00:09:50,400 ANY OF THAT. 425 00:09:50,400 --> 00:09:51,067 HE DOESN'T. 426 00:09:51,067 --> 00:09:52,600 HE JUST KEEPS--"I'MA FIX IT. 427 00:09:52,600 --> 00:09:54,067 I'M GONNA MAKE IT RIGHT." 428 00:09:54,067 --> 00:09:54,800 GIRL. 429 00:09:54,800 --> 00:09:56,067 AND THEN I GOT OLD GIRL 430 00:09:56,067 --> 00:09:57,067 SENDING ME THREATENING TEXT 431 00:09:57,067 --> 00:09:58,333 MESSAGES. 432 00:09:58,333 --> 00:09:59,267 IT'S JUST TOO MUCH. 433 00:09:59,267 --> 00:10:00,367 WHAT SHE GONNA THREATEN? 434 00:10:00,367 --> 00:10:01,100 WHAT IS SHE THREATENING? 435 00:10:01,100 --> 00:10:03,033 YOU KNOW, "YOU OLD GROUPIE 436 00:10:03,033 --> 00:10:04,400 SLUT BITCH" AND-- 437 00:10:04,400 --> 00:10:05,367 WHAT? 438 00:10:05,367 --> 00:10:07,667 OH, BABY, IF I EVER TELL 439 00:10:07,667 --> 00:10:09,500 STEVIE ANYTHING ABOUT HER AGAIN, 440 00:10:09,500 --> 00:10:11,167 SHE GONNA MOP MY ASS. 441 00:10:11,167 --> 00:10:12,300 WHAT SHE CALLING YOU THAT 442 00:10:12,300 --> 00:10:13,433 AND SHE SLEEPING WITH YOUR MAN? 443 00:10:13,433 --> 00:10:14,500 WHAT IS THE PROBLEM? 444 00:10:14,500 --> 00:10:15,800 I BEEN ASKING THAT QUESTION. 445 00:10:15,800 --> 00:10:18,267 "WHY ARE YOU MAD?" 446 00:10:18,267 --> 00:10:19,467 BECAUSE WE CAN'T TELL IF SHE 447 00:10:19,467 --> 00:10:20,400 A MAN OR A WOMAN. 448 00:10:20,400 --> 00:10:21,533 I WOULD BE MAD TOO, BUT SHE 449 00:10:21,533 --> 00:10:22,567 GOT TO TAKE THAT UP WITH JESUS 450 00:10:22,567 --> 00:10:23,367 AND NOT YOU. 451 00:10:23,367 --> 00:10:24,367 [laughs] 452 00:10:24,367 --> 00:10:25,800 IF JOSELINE FEELS COMFORTABLE 453 00:10:25,800 --> 00:10:28,467 ENOUGH TO THREATEN ME OVER TEXT, 454 00:10:28,467 --> 00:10:29,767 IT'S OBVIOUS THEY'RE STILL 455 00:10:29,767 --> 00:10:30,700 [bleep]. 456 00:10:30,700 --> 00:10:31,533 THAT'S WHY I'M DONE 457 00:10:31,533 --> 00:10:32,567 WITH THIS [bleep]. 458 00:10:32,567 --> 00:10:35,067 AND JOSELINE AND STEVIE, 459 00:10:35,067 --> 00:10:36,700 Y'ALL CAN GO AHEAD WITH THAT. 460 00:10:36,700 --> 00:10:37,933 HAVE A GOOD LIFE. 461 00:10:37,933 --> 00:10:39,633 I CAN'T GO OUT NOWHERE WITHOUT, 462 00:10:39,633 --> 00:10:41,600 YOU KNOW, ALL OF THIS POPPIN' 463 00:10:41,600 --> 00:10:43,133 OFF AND RUNNIN' THEIR MOUTH 464 00:10:43,133 --> 00:10:45,467 ABOUT SEEING THIS, DID THAT, 465 00:10:45,467 --> 00:10:46,867 AND THIS AND THERE, AND WHAT? 466 00:10:46,867 --> 00:10:48,133 MIGHT RAISE UP ON THIS. 467 00:10:48,133 --> 00:10:52,533 I AM OVER KARLIE. 468 00:10:52,533 --> 00:10:54,933 I SAT THERE ON MY BIRTHDAY AND 469 00:10:54,933 --> 00:10:57,033 SAW THAT GIRL HURT YOUR FEELINGS 470 00:10:57,033 --> 00:10:58,067 AND HURT YOU. 471 00:10:58,067 --> 00:11:00,467 THEN MY SHOWCASE. 472 00:11:00,467 --> 00:11:01,767 AGAIN. 473 00:11:01,767 --> 00:11:02,933 THAT'S ANOTHER TIME WHEN I'M 474 00:11:02,933 --> 00:11:05,067 TRYING TO HAVE EVERYBODY JUST 475 00:11:05,067 --> 00:11:07,300 BE HAPPY, NO STRESS. 476 00:11:07,300 --> 00:11:09,133 WHO BROUGHT THE DRAMA? 477 00:11:09,133 --> 00:11:10,633 BESIDES STEVIE. 478 00:11:10,633 --> 00:11:11,833 [snorts] 479 00:11:11,833 --> 00:11:14,767 THIS TROPICAL BIRD 480 00:11:14,767 --> 00:11:17,333 HAS THE NERVE TO GO AND TELL 481 00:11:17,333 --> 00:11:19,167 MY PRODUCER, 482 00:11:19,167 --> 00:11:20,133 "YOU MESSIN' WITH THE WRONG 483 00:11:20,133 --> 00:11:21,200 ARTIST. 484 00:11:21,200 --> 00:11:22,600 YOU'LL SEE." 485 00:11:22,600 --> 00:11:24,500 I'M TIRED OF THE DISRESPECT. 486 00:11:24,500 --> 00:11:25,700 SHE'S TOO OLD FOR THIS. 487 00:11:25,700 --> 00:11:27,367 SENIOR CITIZENS SHOULD NOT ACT 488 00:11:27,367 --> 00:11:28,533 LIKE THAT. 489 00:11:28,533 --> 00:11:29,933 WHEN I SEE KARLIE, 490 00:11:29,933 --> 00:11:31,100 IT'S A PROBLEM. 491 00:11:31,100 --> 00:11:33,900 SO YOU CAN CALL HER AND TELL HER 492 00:11:33,900 --> 00:11:35,100 I NEED TO SEE HER. 493 00:11:35,100 --> 00:11:36,467 SO YOU WANT TO SPEAK TO HER? 494 00:11:36,467 --> 00:11:37,433 I'M GONNA SPEAK TO HER. 495 00:11:37,433 --> 00:11:38,100 OKAY. 496 00:11:38,100 --> 00:11:39,233 WHEN YOU COMING TO AN EVENT 497 00:11:39,233 --> 00:11:41,400 THAT I'M HAVING AND HURT 498 00:11:41,400 --> 00:11:42,900 SOMEBODY AND THEY GOT TO GO HOME 499 00:11:42,900 --> 00:11:44,433 IN PAIN, BOO-BOO, THIS AIN'T 500 00:11:44,433 --> 00:11:45,533 WHAT YOU WANT. 501 00:11:45,533 --> 00:11:47,367 I'M NOT NO BULLY, BUT WHAT 502 00:11:47,367 --> 00:11:48,967 YOU'RE NOT GONNA DO IS HINDER 503 00:11:48,967 --> 00:11:51,133 ANY HAPPINESS OVER HERE. 504 00:11:51,133 --> 00:11:52,600 I JUST WANT SOMEBODY TO HASH 505 00:11:52,600 --> 00:11:53,633 SOMETHING OUT. 506 00:11:53,633 --> 00:11:55,067 IF I CAN'T HASH OUT MINE, 507 00:11:55,067 --> 00:11:56,433 CAN WE AT LEAST HASH IT OUT 508 00:11:56,433 --> 00:11:57,233 WITH YOU? 509 00:11:57,233 --> 00:11:58,900 YOU GO AND HASH OUT YOURS. 510 00:11:58,900 --> 00:12:00,667 I'M GONNA HASH OUT MINE. 511 00:12:00,667 --> 00:12:02,300 HOW IT'S GONNA GET HASHED OUT 512 00:12:02,300 --> 00:12:03,733 IS ANOTHER THING. 513 00:12:03,733 --> 00:12:05,900 I'MA SET THIS UP. 514 00:12:05,900 --> 00:12:07,667 JUST CAN YOU PROMISE ME 515 00:12:07,667 --> 00:12:08,933 YOU BEHAVE? 516 00:12:08,933 --> 00:12:10,300 I WILL KEEP IT 100 WITH YOU 517 00:12:10,300 --> 00:12:12,400 AND TELL YOU THAT IF I HAD 518 00:12:12,400 --> 00:12:14,067 A FLASHBACK TO MY HEAD STARTED 519 00:12:14,067 --> 00:12:15,400 SPINNING, EVERYBODY NEED 520 00:12:15,400 --> 00:12:16,100 TO CLEAR THE ROOM. 521 00:12:16,100 --> 00:12:17,733 I BEEN DISRESPECTED. 522 00:12:17,733 --> 00:12:19,733 ALL RIGHT, GIRL. 523 00:12:27,433 --> 00:12:29,433 WHAT'S CRAY? 524 00:12:30,733 --> 00:12:32,200 SHAY AIN'T SEEN ME SINCE I BEEN 525 00:12:32,200 --> 00:12:32,967 IN THE HOSPITAL FOR 526 00:12:32,967 --> 00:12:34,233 MY ASTHMA ATTACK. 527 00:12:34,233 --> 00:12:36,233 SHE WAS DEFINITELY THERE FOR ME. 528 00:12:36,233 --> 00:12:37,300 I MEAN, SHE HIT MY PHONE UP 529 00:12:37,300 --> 00:12:39,533 100 TIMES, AND THEN SHE CAME 530 00:12:39,533 --> 00:12:41,067 THROUGH WHEN I ALLOWED HER TO. 531 00:12:41,067 --> 00:12:42,433 I MISS YOU. 532 00:12:42,433 --> 00:12:43,867 I MISS YOU TOO. 533 00:12:43,867 --> 00:12:45,067 YOU GOT TO BE MORE CAREFUL, 534 00:12:45,067 --> 00:12:46,300 LIKE, STRAIGHT UP. 535 00:12:46,300 --> 00:12:47,267 THAT'S SERIOUS. 536 00:12:47,267 --> 00:12:48,067 YOU COULD DIE FROM SOMETHING 537 00:12:48,067 --> 00:12:48,733 LIKE THAT. 538 00:12:48,733 --> 00:12:49,500 WHAT I'M TALKING ABOUT-- 539 00:12:49,500 --> 00:12:50,233 I COULD NOT BREATHE 540 00:12:50,233 --> 00:12:51,233 IN THIS SON OF A BITCH. 541 00:12:51,233 --> 00:12:52,233 DON'T SCARE ME LIKE THAT 542 00:12:52,233 --> 00:12:53,067 NO MORE. 543 00:12:53,067 --> 00:12:53,767 LET ME ASK YOU SOMETHING, 544 00:12:53,767 --> 00:12:54,867 THOUGH. 545 00:12:54,867 --> 00:12:58,300 IF YOU HAD AN EX HAVE AN ASTHMA 546 00:12:58,300 --> 00:13:01,467 ATTACK, WOULD YOU AT LEAST GO 547 00:13:01,467 --> 00:13:04,900 SEE IF THE [bleep] OKAY? 548 00:13:04,900 --> 00:13:05,800 IT DEPENDS ON THE EXTENT 549 00:13:05,800 --> 00:13:06,700 OF THE RELATIONSHIP. 550 00:13:06,700 --> 00:13:08,200 I DID NOT BREATHE AT ALL. 551 00:13:08,200 --> 00:13:09,333 BUT YOU HAVE A CHILD, BUT SHE 552 00:13:09,333 --> 00:13:10,900 DON'T OWE YOU ANYTHING ELSE. 553 00:13:10,900 --> 00:13:12,533 NO, SHE DO OWE ME THAT. 554 00:13:12,533 --> 00:13:13,400 YOU'S TALKING ABOUT-- 555 00:13:13,400 --> 00:13:14,200 'CAUSE I WOULD'VE DID IT 556 00:13:14,200 --> 00:13:14,867 FOR HER. 557 00:13:14,867 --> 00:13:15,567 AT THE END OF THE DAY, 558 00:13:15,567 --> 00:13:16,533 THAT'S HIS CHILD'S MOTHER, 559 00:13:16,533 --> 00:13:17,667 AND I UNDERSTAND HIS FEELINGS 560 00:13:17,667 --> 00:13:19,167 THAT HE EXPECTED HER TO BE THERE 561 00:13:19,167 --> 00:13:20,333 IN A SITUATION LIKE THAT, 562 00:13:20,333 --> 00:13:21,167 "LIFE OR DEATH." 563 00:13:21,167 --> 00:13:22,300 DUH, DUMMY. 564 00:13:22,300 --> 00:13:23,700 BUT LONG AS I WAS THERE AND I 565 00:13:23,700 --> 00:13:25,200 DID WHAT I HAD TO DO, 566 00:13:25,200 --> 00:13:26,067 AT THE END OF THE DAY, HE REALLY 567 00:13:26,067 --> 00:13:26,933 DIDN'T NEED YOU. 568 00:13:26,933 --> 00:13:27,733 WHAT'S THE EXTENT OF Y'ALL 569 00:13:27,733 --> 00:13:28,900 RELATIONSHIP RIGHT NOW? 570 00:13:28,900 --> 00:13:30,067 BABY MAMA, BABY DADDY, 571 00:13:30,067 --> 00:13:30,900 YOU FEEL ME? 572 00:13:30,900 --> 00:13:31,867 YOU DON'T DEAL WITH HER AT 573 00:13:31,867 --> 00:13:32,733 ALL AS FAR AS WITH 574 00:13:32,733 --> 00:13:33,733 THE RELATIONSHIP? 575 00:13:33,733 --> 00:13:34,800 I CAN'T DO IT. 576 00:13:34,800 --> 00:13:36,400 [laughs] 577 00:13:36,400 --> 00:13:37,233 I CAN'T DO IT. 578 00:13:37,233 --> 00:13:37,867 NOTHING AGAINST HER, 579 00:13:37,867 --> 00:13:38,867 YOU FEEL ME? 580 00:13:38,867 --> 00:13:40,833 SHE DON'T KNOW ABOUT... 581 00:13:40,833 --> 00:13:42,067 YEAH, NOTHING. 582 00:13:42,067 --> 00:13:42,733 NOTHING? 583 00:13:42,733 --> 00:13:44,067 [both laugh] 584 00:13:44,067 --> 00:13:44,667 I MEAN... 585 00:13:44,667 --> 00:13:46,133 OH, I MEAN, IT'S NOT 586 00:13:46,133 --> 00:13:48,233 A SECRET, THOUGH, RIGHT? 587 00:13:48,233 --> 00:13:49,067 NO. 588 00:13:49,067 --> 00:13:50,233 I KNOW SHE HAS TO BE AROUND, 589 00:13:50,233 --> 00:13:51,400 YOU KNOW WHAT I MEAN? 590 00:13:51,400 --> 00:13:52,500 'CAUSE OF THE BABY, SO I'M JUST 591 00:13:52,500 --> 00:13:53,800 ASKING 'CAUSE IF I'M DEALING 592 00:13:53,800 --> 00:13:55,533 WITH YOU, I'MA HAVE TO SOME TYPE 593 00:13:55,533 --> 00:13:56,400 OF WAY. 594 00:13:56,400 --> 00:13:57,400 I'LL HANDLE THAT, 595 00:13:57,400 --> 00:13:58,233 YOU KNOW WHAT I'M SAYING? 596 00:13:58,233 --> 00:14:00,367 'CAUSE I WOULD WANT SOMEBODY TO 597 00:14:00,367 --> 00:14:01,933 HANDLE IN THE RIGHT WAY WITH ME, 598 00:14:01,933 --> 00:14:03,533 SO I'M HANDLING THAT. 599 00:14:03,533 --> 00:14:04,533 I FEEL LIKE THE RELATIONSHIP 600 00:14:04,533 --> 00:14:05,867 WITH SCRAPPY AND ERICA IS 601 00:14:05,867 --> 00:14:07,567 NON-EXISTENT AT THIS POINT. 602 00:14:07,567 --> 00:14:08,433 IT'S NOT WORKING. 603 00:14:08,433 --> 00:14:09,433 IT WAS NEVER GONNA WORK BASED ON 604 00:14:09,433 --> 00:14:10,300 WHAT HE TOLD ME, 605 00:14:10,300 --> 00:14:11,933 AND IT'S JUST NOTHING. 606 00:14:11,933 --> 00:14:12,900 THERE'S NOTHING IN THE FUTURE. 607 00:14:12,900 --> 00:14:13,700 THERE'S NOTHING NOW. 608 00:14:13,700 --> 00:14:15,100 IT'S A WRAP. IT'S DONE. 609 00:14:15,100 --> 00:14:16,300 IF I CAN BE HAPPY WITH YOU, 610 00:14:16,300 --> 00:14:17,167 I'M COOL. 611 00:14:17,167 --> 00:14:18,433 I'M WITH IT. 612 00:14:18,433 --> 00:14:19,567 CAN YOU SEE YOURSELF WITH ME 613 00:14:19,567 --> 00:14:20,567 LIKE THAT? 614 00:14:20,567 --> 00:14:21,900 I CAN SEE IT, BUT... 615 00:14:21,900 --> 00:14:22,567 YOU CAN SEE IT. 616 00:14:22,567 --> 00:14:23,433 BUT SEE, THERE'S ALSO THAT 617 00:14:23,433 --> 00:14:26,067 OTHER SIZ-NAI-EE-ZIDE. 618 00:14:26,067 --> 00:14:28,167 I DON'T WANT TO SEE A LOT OF 619 00:14:28,167 --> 00:14:29,167 THAT OTHER SIDE THAT I KNOW 620 00:14:29,167 --> 00:14:31,967 ABOUT, EITHER, BUT IT DEPENDS ON 621 00:14:31,967 --> 00:14:33,533 WHO YOU WITH, TOO, BABY. 622 00:14:33,533 --> 00:14:34,533 YOU GOT TO GET TO KNOW ME 623 00:14:34,533 --> 00:14:35,900 ON THAT LEVEL. 624 00:14:35,900 --> 00:14:37,233 HE'S PERFECT IN MY EYES FOR 625 00:14:37,233 --> 00:14:38,233 WHAT I WANT. 626 00:14:38,233 --> 00:14:40,267 SO ALL YOU [bleep] THAT DON'T 627 00:14:40,267 --> 00:14:41,967 LIKE IT, EAT IT AND WEEP. 628 00:14:41,967 --> 00:14:44,267 HE'S MINE, BIZ-NAI-EE, HUH. 629 00:14:44,267 --> 00:14:46,267 [both laughing] 630 00:14:49,233 --> 00:14:51,233 WHY YOU LOOK SO CUTE TODAY? 631 00:14:51,233 --> 00:14:52,633 I DON'T KNOW. 632 00:14:52,633 --> 00:14:53,933 WHY YOU LOOK SO SEXY? 633 00:14:53,933 --> 00:14:54,733 I DON'T KNOW, BUT I WANT TO 634 00:14:54,733 --> 00:14:55,867 DO SOMETHING. 635 00:14:55,867 --> 00:14:57,133 [chuckles] 636 00:14:57,133 --> 00:14:58,700 YOU KNOW, I'M-- 637 00:14:58,700 --> 00:15:01,200 [laughter] 638 00:15:01,200 --> 00:15:02,200 [confident hip-hop music] 639 00:15:02,200 --> 00:15:06,167 ♪ 640 00:15:06,167 --> 00:15:07,900 TODAY IS A BIG DAY FOR ME. 641 00:15:07,900 --> 00:15:09,067 I'M FINALLY MEETING WITH 642 00:15:09,067 --> 00:15:09,767 STEVIE J. 643 00:15:09,767 --> 00:15:11,867 I WANT HIM TO KNOW THAT WORKING 644 00:15:11,867 --> 00:15:14,567 WITH ME IS NOT A WASTE OF TIME. 645 00:15:14,567 --> 00:15:15,567 [rapping indistinctly] 646 00:15:15,567 --> 00:15:20,300 ♪ 647 00:15:20,300 --> 00:15:22,167 AFTER GOING BETWEEN HIS 648 00:15:22,167 --> 00:15:24,200 ARTIST AND HIS BABY MOTHER, 649 00:15:24,200 --> 00:15:26,200 I'M HAPPY TO FINALLY MEET WITH 650 00:15:26,200 --> 00:15:27,900 STEVIE J. HIMSELF. 651 00:15:27,900 --> 00:15:35,233 * LIKE A MILLIONAIRE 652 00:15:35,233 --> 00:15:36,467 ♪ OOH 653 00:15:36,467 --> 00:15:37,667 YO, FELLAS, GIVE ME 654 00:15:37,667 --> 00:15:38,433 FIVE MINUTES. 655 00:15:38,433 --> 00:15:39,633 I NEED FIVE, MAN. 656 00:15:39,633 --> 00:15:40,900 KARLIE REDD ASKED ME TO PRODUCE 657 00:15:40,900 --> 00:15:42,600 HER THE FIRST TIME I MET HER, 658 00:15:42,600 --> 00:15:44,067 WHICH WAS COOL. 659 00:15:44,067 --> 00:15:45,367 THEN SHE TURNS AROUND AND RATS 660 00:15:45,367 --> 00:15:46,700 ME OUT TO MIMI. 661 00:15:46,700 --> 00:15:48,367 NOT SO COOL. 662 00:15:48,367 --> 00:15:49,067 WHAT YOU WORKING? 663 00:15:49,067 --> 00:15:49,733 WHAT YOU GOT? 664 00:15:49,733 --> 00:15:52,233 MY MANAGEMENT IS CASH MONEY, 665 00:15:52,233 --> 00:15:54,467 AND MY THING IS, 666 00:15:54,467 --> 00:15:55,500 I NEED A SINGLE. 667 00:15:55,500 --> 00:15:56,400 I DIDN'T REALLY WANT TO WORK 668 00:15:56,400 --> 00:15:57,333 WITH KARLIE AT FIRST, 669 00:15:57,333 --> 00:15:59,233 BUT CASH MONEY, THAT CHANGES 670 00:15:59,233 --> 00:16:00,300 THE GAME. 671 00:16:00,300 --> 00:16:01,333 AND I HAVE A FEW FRIENDS THAT 672 00:16:01,333 --> 00:16:02,400 WORK OVER THERE. 673 00:16:02,400 --> 00:16:03,300 AND I TALKED TO THEM ABOUT 674 00:16:03,300 --> 00:16:04,900 JOSELINE AND KARLIE DOING 675 00:16:04,900 --> 00:16:06,167 A RECORD TOGETHER. 676 00:16:06,167 --> 00:16:07,300 I BELIEVE IT'LL WORK OUT 677 00:16:07,300 --> 00:16:08,300 VERY WELL. 678 00:16:08,300 --> 00:16:10,300 NO ONE KNOWS WHO YOU ARE IF 679 00:16:10,300 --> 00:16:11,333 YOU DON'T HAVE THAT SINGLE. 680 00:16:11,333 --> 00:16:14,633 AND MY TEAM WON'T MOVE UNLESS 681 00:16:14,633 --> 00:16:16,633 I HAVE SOMETHING TO MOVE WITH. 682 00:16:16,633 --> 00:16:17,933 THEY WON'T BUDGE UNLESS-- 683 00:16:17,933 --> 00:16:18,867 THAT'S COOL, 'CAUSE I GOT 684 00:16:18,867 --> 00:16:19,967 A TEAM THAT MOVE WHEN I SAY 685 00:16:19,967 --> 00:16:21,067 MOVE. 686 00:16:21,067 --> 00:16:22,200 BUT BEFORE WE DO, IT'S LIKE, 687 00:16:22,200 --> 00:16:23,600 YOU KNOW, I JUST WANT TO KNOW 688 00:16:23,600 --> 00:16:24,333 WHAT'S UP WITH ME AND YOU. 689 00:16:24,333 --> 00:16:25,433 ARE WE GOOD? 690 00:16:25,433 --> 00:16:26,533 YEAH. 691 00:16:26,533 --> 00:16:27,600 YOU SAYIN' YEAH, BUT IT'S 692 00:16:27,600 --> 00:16:28,833 LIKE EVERY TIME I GET WITH YOU, 693 00:16:28,833 --> 00:16:30,300 IT'S LIKE YOU TELLIN' THIS AND 694 00:16:30,300 --> 00:16:31,633 YOU SAYIN' THAT, AND, YOU KNOW, 695 00:16:31,633 --> 00:16:32,567 I JUST WANT TO ELIMINATE ALL 696 00:16:32,567 --> 00:16:33,367 THE BULL[bleep], THOUGH. 697 00:16:33,367 --> 00:16:34,067 ABSOLUTELY. 698 00:16:34,067 --> 00:16:34,867 YOU KNOW WHAT I'M SAYING? 699 00:16:34,867 --> 00:16:35,833 ALL OF THAT OTHER [bleep] GOT 700 00:16:35,833 --> 00:16:36,500 TO STOP. 701 00:16:36,500 --> 00:16:37,367 I WISH THEY WOULD STOP COMING 702 00:16:37,367 --> 00:16:38,067 TO ME WITH THE DRAMA. 703 00:16:38,067 --> 00:16:38,933 I'M TALKING ABOUT ME AND YOU, 704 00:16:38,933 --> 00:16:39,600 THOUGH, RIGHT NOW. 705 00:16:39,600 --> 00:16:40,333 ABSOLUTELY. 706 00:16:40,333 --> 00:16:41,100 YOU KNOW WHAT I'M SAYING? 707 00:16:41,100 --> 00:16:41,833 AND WE GOT THAT? 708 00:16:41,833 --> 00:16:42,933 WE GOT THAT UNDERSTANDING? 709 00:16:42,933 --> 00:16:43,900 I'LL DO WHATEVER IT TAKES TO 710 00:16:43,900 --> 00:16:45,333 GET IN THE STUDIO WITH STEVIE. 711 00:16:45,333 --> 00:16:46,233 I JUST NEED TO PROVE TO MY 712 00:16:46,233 --> 00:16:48,633 MANAGEMENT THAT I CAN DELIVER. 713 00:16:48,633 --> 00:16:49,933 YOU NEED THAT HIT RECORD. 714 00:16:49,933 --> 00:16:51,433 I'M--ALWAYS SAID, LIKE, 715 00:16:51,433 --> 00:16:52,900 "STEVIE J. CAN BRING IT." 716 00:16:52,900 --> 00:16:55,067 YOU KNOW, I GOT THAT FOR YOU. 717 00:16:55,067 --> 00:16:56,100 I JUST WANT TO SEE WHAT YOU GOT. 718 00:16:56,100 --> 00:16:56,833 I NEVER HEARD ANYTHING, 719 00:16:56,833 --> 00:16:57,500 YOU KNOW. 720 00:16:57,500 --> 00:16:58,333 THE WORLD IS YOUR STAGE, 721 00:16:58,333 --> 00:16:59,233 AND IT'S A BEAUTIFUL ONE 722 00:16:59,233 --> 00:16:59,900 RIGHT THERE. 723 00:16:59,900 --> 00:17:00,633 ABSOLUTELY. 724 00:17:00,633 --> 00:17:01,533 LET ME SEE WHAT YOU WORKING. 725 00:17:01,533 --> 00:17:02,300 LITTLE PERFORMANCE. 726 00:17:02,300 --> 00:17:03,067 YEAH, LET ME SEE WHAT 727 00:17:03,067 --> 00:17:03,700 YOU GOT. 728 00:17:03,700 --> 00:17:04,767 I DIDN'T KNOW I WAS GONNA BE 729 00:17:04,767 --> 00:17:06,433 AUDITIONING FOR STEVIE J. 730 00:17:06,433 --> 00:17:07,833 BUT THAT'S OKAY. 731 00:17:07,833 --> 00:17:09,200 I'M ALWAYS READY. 732 00:17:09,200 --> 00:17:10,200 [throbbing hip-hop music] 733 00:17:10,200 --> 00:17:17,433 ♪ LOUIS, PRADA, GUCCI 734 00:17:17,433 --> 00:17:20,467 ♪ HIDE THEM TAGS 735 00:17:20,467 --> 00:17:22,467 ♪ I KNOW SOME HIGH CLASS 736 00:17:22,467 --> 00:17:23,600 ♪ BOUGIE CHICKS 737 00:17:23,600 --> 00:17:25,067 ♪ LIFT ASS TO A DATE 738 00:17:25,067 --> 00:17:26,333 ♪ ON SOME MOVIE [bleep] 739 00:17:26,333 --> 00:17:28,167 ♪ GOT THEM BLACK CARDS 740 00:17:28,167 --> 00:17:29,100 ♪ UNLIMITED 741 00:17:29,100 --> 00:17:30,300 ♪ COME TO ME 742 00:17:30,300 --> 00:17:31,700 ♪ MY STYLE IS MEAN 743 00:17:31,700 --> 00:17:32,967 ♪ I WANT THE BEST 744 00:17:32,967 --> 00:17:34,233 ♪ OR BETTER 745 00:17:34,233 --> 00:17:35,967 HEY. 746 00:17:35,967 --> 00:17:38,233 * SO I DESERVE TO SPEND IT 747 00:17:38,233 --> 00:17:39,433 ♪ ON WHATEVER 748 00:17:39,433 --> 00:17:42,067 ♪ WHATEVER 749 00:17:42,067 --> 00:17:44,233 NOT BAD, NOT BAD. 750 00:17:44,233 --> 00:17:45,267 STEVIE TELLS ME TO COME IN 751 00:17:45,267 --> 00:17:46,400 AND, YOU KNOW, I SEE HER ONSTAGE 752 00:17:46,400 --> 00:17:47,100 DANCING. 753 00:17:47,100 --> 00:17:47,867 I'M LIKE, "WHAT THE HELL IS 754 00:17:47,867 --> 00:17:48,600 GOING ON?" 755 00:17:48,600 --> 00:17:49,433 SHE DOESN'T KNOW HOW TO DANCE. 756 00:17:49,433 --> 00:17:50,100 GET OVER IT. 757 00:17:50,100 --> 00:17:51,133 JUST BE SEXY IF YOU DON'T KNOW 758 00:17:51,133 --> 00:17:52,533 HOW TO DANCE. 759 00:17:52,533 --> 00:17:53,867 'SUP, MA? 760 00:17:53,867 --> 00:17:56,233 WHAT'S GOING ON? 761 00:17:56,233 --> 00:17:57,100 SHE DON'T WORK AS HARD AS ME. 762 00:17:57,100 --> 00:17:57,800 NOBODY WORK AS HARD AS ME. 763 00:17:57,800 --> 00:17:58,467 WOULD YOU LIKE ME 764 00:17:58,467 --> 00:17:59,133 TO TELL HER? 765 00:17:59,133 --> 00:17:59,800 AND YOU GONNA LET THEM 766 00:17:59,800 --> 00:18:00,733 [bleep] TAKE MY [bleep] WHEN I 767 00:18:00,733 --> 00:18:01,900 BE WORKING FOR IT? 768 00:18:01,900 --> 00:18:02,933 [bleep] THAT [bleep]. 769 00:18:02,933 --> 00:18:06,200 I DON'T WANT TO DO THAT [bleep]. 770 00:18:06,200 --> 00:18:07,667 IT AIN'T EVEN THAT SERIOUS. 771 00:18:07,667 --> 00:18:09,167 YOU AIN'T TELLING ME NOTHING. 772 00:18:09,167 --> 00:18:10,467 AND YOU ARE JEALOUS OF ME 773 00:18:10,467 --> 00:18:11,333 'CAUSE OF WHAT? 774 00:18:11,333 --> 00:18:12,400 WHY WOULD I BE JEALOUS? 775 00:18:12,400 --> 00:18:13,300 YOU OLD AS [bleep]. 776 00:18:13,300 --> 00:18:15,233 YOU LOOK LIKE [bleep]. 777 00:18:17,800 --> 00:18:18,800 [sassy hip-hop music] 778 00:18:18,800 --> 00:18:20,833 ♪ 779 00:18:20,833 --> 00:18:22,067 'SUP, MA? 780 00:18:22,067 --> 00:18:23,900 WHAT'S GOING ON? 781 00:18:23,900 --> 00:18:25,067 YOU KNOW, SHE'S LETTING ME 782 00:18:25,067 --> 00:18:26,967 HEAR HER MUSIC, AND JUST WANTED 783 00:18:26,967 --> 00:18:28,300 TO SEE HOW SHE ROCK. 784 00:18:28,300 --> 00:18:29,367 WHAT'S THE MEETING ABOUT? 785 00:18:29,367 --> 00:18:30,933 BASICALLY, YOU KNOW, YOU AND 786 00:18:30,933 --> 00:18:31,800 HER HOOKING UP, DOING A FEW 787 00:18:31,800 --> 00:18:33,400 SONGS TOGETHER. 788 00:18:33,400 --> 00:18:34,300 DID YOU RUN THAT BY ME 789 00:18:34,300 --> 00:18:35,333 BEFORE THIS, 'CAUSE I DIDN'T 790 00:18:35,333 --> 00:18:36,500 KNOW ANYTHING ABOUT THIS. 791 00:18:36,500 --> 00:18:38,867 I'M JUST FINDING THIS OUT. 792 00:18:38,867 --> 00:18:39,867 I'M RUNNING IT BY YOU NOW. 793 00:18:39,867 --> 00:18:40,800 WHY DON'T YOU HAVE A SEAT? 794 00:18:40,800 --> 00:18:41,633 WE'RE JUST HAVING A MEETING. 795 00:18:41,633 --> 00:18:42,700 I'M OKAY. I LIKE TO STAND UP. 796 00:18:42,700 --> 00:18:43,367 I'M COOL. 797 00:18:43,367 --> 00:18:44,133 JUST SIT DOWN, THOUGH. 798 00:18:44,133 --> 00:18:44,833 I MEAN, WE ALL SITTING 799 00:18:44,833 --> 00:18:45,733 IN THIS MEETING. 800 00:18:45,733 --> 00:18:46,900 IT'S LIKE A SIT-DOWN MEETING. 801 00:18:46,900 --> 00:18:49,367 I'M CONFUSED AT WHY I DIDN'T 802 00:18:49,367 --> 00:18:50,300 KNOW ABOUT THIS BEFORE IT 803 00:18:50,300 --> 00:18:51,700 HAPPENED. 804 00:18:51,700 --> 00:18:52,633 JUST SIT DOWN. 805 00:18:52,633 --> 00:18:53,500 LET ME TELL YOU WHAT'S GOING ON. 806 00:18:53,500 --> 00:18:54,500 YOU KNOW WHAT I'M SAYING? 807 00:18:54,500 --> 00:18:55,333 BUT IS IT GOOD BUSINESS TO BE 808 00:18:55,333 --> 00:18:57,133 DOING A SONG WITH A 40-YEAR-OLD 809 00:18:57,133 --> 00:18:58,300 THAT REALLY IS NOT DOING WHAT 810 00:18:58,300 --> 00:18:58,933 I'M DOING? 811 00:18:58,933 --> 00:19:00,567 WHERE YOU COMING AT? 812 00:19:00,567 --> 00:19:01,500 I JUST EXPLAINED TO HIM MY 813 00:19:01,500 --> 00:19:03,433 WHOLE AFFILIATION, SO... 814 00:19:03,433 --> 00:19:04,633 SHE--HER MANAGEMENT IS 815 00:19:04,633 --> 00:19:05,367 CASH MONEY. 816 00:19:05,367 --> 00:19:06,200 WHO IS SHE? 817 00:19:06,200 --> 00:19:06,867 SHE'S WITH THEM. 818 00:19:06,867 --> 00:19:08,567 OKAY, WELL, THEN SHE CAN BE 819 00:19:08,567 --> 00:19:09,233 WITH THEM. 820 00:19:09,233 --> 00:19:10,067 THEY ASK ME IF I CAN GET 821 00:19:10,067 --> 00:19:11,067 A FEW SONGS WITH YOU GUYS 822 00:19:11,067 --> 00:19:12,367 TOGETHER AND SEE WHAT IT SOUND 823 00:19:12,367 --> 00:19:13,067 LIKE. 824 00:19:13,067 --> 00:19:13,800 YOU KNOW, SO ARE YOU 825 00:19:13,800 --> 00:19:14,467 WILLING TO DO THAT? 826 00:19:14,467 --> 00:19:15,467 NO, NO, I'M NOT WILLING 827 00:19:15,467 --> 00:19:16,133 TO DO THAT. 828 00:19:16,133 --> 00:19:17,067 WAIT A MINUTE. WAIT A MINUTE. 829 00:19:17,067 --> 00:19:18,133 WHAT DO SHE DO? 830 00:19:18,133 --> 00:19:19,233 I MEAN, SHE'S A DANCER. 831 00:19:19,233 --> 00:19:19,900 SHE'S A SINGER. 832 00:19:19,900 --> 00:19:20,900 SHE'S AN ENTERTAINER. 833 00:19:20,900 --> 00:19:21,933 OKAY, WELL, WELL, I DON'T 834 00:19:21,933 --> 00:19:22,800 NEED NO BACKGROUND DANCER. 835 00:19:22,800 --> 00:19:23,700 WAIT A MINUTE. WAIT A MINUTE. 836 00:19:23,700 --> 00:19:24,533 WAIT A MINUTE. 837 00:19:24,533 --> 00:19:25,967 I NEED YOU TO DO THIS. 838 00:19:25,967 --> 00:19:27,067 NO. 839 00:19:27,067 --> 00:19:28,333 I WORK TOO HARD TO GET TO WHERE 840 00:19:28,333 --> 00:19:30,100 I'M AT TO JUST DO A SONG WITH 841 00:19:30,100 --> 00:19:31,067 HER JUST BECAUSE IT'S GREAT 842 00:19:31,067 --> 00:19:31,733 BUSINESS. 843 00:19:31,733 --> 00:19:32,533 WHAT ABOUT ME? 844 00:19:32,533 --> 00:19:33,267 WHAT ABOUT MY WORK? 845 00:19:33,267 --> 00:19:34,433 THIS IS ABOUT A BUSINESS, SO 846 00:19:34,433 --> 00:19:35,100 YOU PUT YOUR EMOTIONS 847 00:19:35,100 --> 00:19:35,800 TO THE SIDE. 848 00:19:35,800 --> 00:19:36,500 IT'S NOT EMOTIONS. 849 00:19:36,500 --> 00:19:37,433 THAT'S THE DIFFERENCE BETWEEN 850 00:19:37,433 --> 00:19:38,833 ME BEING IN THE MUSIC INDUSTRY 851 00:19:38,833 --> 00:19:39,933 FOR A LONG TIME, 'CAUSE I 852 00:19:39,933 --> 00:19:41,367 UNDERSTAND THE POLITICS. 853 00:19:41,367 --> 00:19:42,633 POLITICALLY IT'S A GREAT MOVE 854 00:19:42,633 --> 00:19:44,367 BECAUSE I RESPECT WHAT IT IS 855 00:19:44,367 --> 00:19:45,167 THAT CASH MONEY BRINGS TO 856 00:19:45,167 --> 00:19:45,867 THE TABLE... 857 00:19:45,867 --> 00:19:46,633 WELL, THEN, Y'ALL CAN GO 858 00:19:46,633 --> 00:19:47,400 AHEAD--WHY DON'T SHE GO DO 859 00:19:47,400 --> 00:19:48,233 A SONG WITH NICKI MINAJ? 860 00:19:48,233 --> 00:19:49,767 AIN'T SHE DOWN WITH CASH MONEY? 861 00:19:49,767 --> 00:19:50,567 WHY SHE GOT TO DO A SONG 862 00:19:50,567 --> 00:19:51,300 WITH ME? 863 00:19:51,300 --> 00:19:52,967 CALM DOWN, ALL RIGHT? 864 00:19:52,967 --> 00:19:54,433 I NEED YOU DO THIS FOR ME. 865 00:19:54,433 --> 00:19:56,200 WHAT YOU WANT TO TELL ME? 866 00:19:56,200 --> 00:19:57,567 I DO A SONG WITH HER 867 00:19:57,567 --> 00:19:58,367 BECAUSE OF YOU. 868 00:19:58,367 --> 00:19:59,367 ONE SONG, AND THAT'S ALL 869 00:19:59,367 --> 00:20:00,033 I'M DOING. 870 00:20:00,033 --> 00:20:00,700 COOL. 871 00:20:00,700 --> 00:20:01,700 THE ONLY REASON WHY I'M DOING 872 00:20:01,700 --> 00:20:02,733 THIS SONG WITH YOU IS BECAUSE 873 00:20:02,733 --> 00:20:04,067 I RESPECT HIM AND I'M LOYAL TO 874 00:20:04,067 --> 00:20:05,767 HIM AND I TRUST HIM. 875 00:20:05,767 --> 00:20:07,033 I RESPECT THE FACT THAT HE'S 876 00:20:07,033 --> 00:20:08,133 A PRODUCER, AND HE KNOWS 877 00:20:08,133 --> 00:20:09,400 WHAT HE'S DOING. 878 00:20:09,400 --> 00:20:10,067 I KNOW. 879 00:20:10,067 --> 00:20:11,500 I WORK WITH THIS MAN EVERY DAY. 880 00:20:11,500 --> 00:20:12,433 WE'LL KEEP IT MOVING. 881 00:20:12,433 --> 00:20:13,733 I APPRECIATE EVERYTHING. 882 00:20:13,733 --> 00:20:14,600 I JUST WANT TO GET Y'ALL 883 00:20:14,600 --> 00:20:15,300 IN THE STUDIO. 884 00:20:15,300 --> 00:20:17,300 YOU KNOW WHAT I'M SAYING? 885 00:20:17,300 --> 00:20:18,667 IT'S NOT FOR HER, TRUST ME, 886 00:20:18,667 --> 00:20:19,467 'CAUSE I DON'T LIKE HER. 887 00:20:19,467 --> 00:20:20,133 IT'S FOR US. 888 00:20:20,133 --> 00:20:21,033 IT'S ONLY FOR YOU. 889 00:20:21,033 --> 00:20:22,467 TRUST ME, I DON'T WANT TO DO 890 00:20:22,467 --> 00:20:23,767 THIS NO MORE THAN JOSELINE. 891 00:20:23,767 --> 00:20:25,400 JOSELINE NEEDS TO CHILL OUT, 892 00:20:25,400 --> 00:20:27,400 LET STEVIE J. DO HIS MAGIC 893 00:20:27,400 --> 00:20:28,767 SO WE CAN MAKE A HIT. 894 00:20:28,767 --> 00:20:29,667 SHE DON'T WORK AS HARD AS ME. 895 00:20:29,667 --> 00:20:30,367 NOBODY WORK AS HARD AS ME. 896 00:20:30,367 --> 00:20:31,033 WOULD YOU LIKE ME 897 00:20:31,033 --> 00:20:31,700 TO TELL HER? 898 00:20:31,700 --> 00:20:32,367 AND YOU GONNA LET THEM 899 00:20:32,367 --> 00:20:33,300 [bleep] TAKE MY [bleep] WHEN 900 00:20:33,300 --> 00:20:34,300 I BE WORKING FOR IT? 901 00:20:34,300 --> 00:20:34,900 I DON'T LIKE THAT. 902 00:20:34,900 --> 00:20:35,933 NO, I DON'T LIKE THAT. 903 00:20:35,933 --> 00:20:37,033 YOU DOING THIS [bleep] ON 904 00:20:37,033 --> 00:20:37,700 PURPOSE. 905 00:20:37,700 --> 00:20:38,467 YOU GONNA MAKE THIS BITCH-- 906 00:20:38,467 --> 00:20:39,867 AIN'T RIGHT--IT ABOUT-- 907 00:20:39,867 --> 00:20:40,567 [bleep] THAT [bleep]. 908 00:20:40,567 --> 00:20:43,733 I DON'T WANT TO DO THAT [bleep]. 909 00:20:43,733 --> 00:20:45,200 IT AIN'T EVEN THAT SERIOUS. 910 00:20:45,200 --> 00:20:46,133 IT'S ABOUT MAKING THIS 911 00:20:46,133 --> 00:20:47,367 CONNECTION, AND THAT'S ALL IT'S 912 00:20:47,367 --> 00:20:49,367 ABOUT, OKAY? 913 00:20:49,367 --> 00:20:50,333 THAT [bleep] AIN'T FAIR. 914 00:20:50,333 --> 00:20:51,300 YOU GOT ME WORKING HARD AS 915 00:20:51,300 --> 00:20:51,967 [bleep]. 916 00:20:51,967 --> 00:20:52,867 LIFE AIN'T FAIR. 917 00:20:52,867 --> 00:20:53,900 SO CHOCK IT UP AS BUSINESS AND 918 00:20:53,900 --> 00:20:55,067 LET'S DO THE [bleep] WE GOT TO 919 00:20:55,067 --> 00:20:55,900 DO AND KEEP IT MOVING. 920 00:20:55,900 --> 00:20:57,100 YOU UNDERSTAND WHAT I'M SAYING? 921 00:20:57,100 --> 00:20:58,567 AND THAT'S THAT. 922 00:20:58,567 --> 00:20:59,467 COME ON. 923 00:20:59,467 --> 00:21:01,633 COME HERE. 924 00:21:01,633 --> 00:21:03,200 MALCOLM. 925 00:21:03,200 --> 00:21:04,500 YO, YOU HAVE TO COME OUT HERE, 926 00:21:04,500 --> 00:21:05,800 BECAUSE I NEED YOU TO MEET 927 00:21:05,800 --> 00:21:06,500 WITH STEVIE J. 928 00:21:06,500 --> 00:21:07,233 EXCUSE ME. 929 00:21:07,233 --> 00:21:08,433 HELLO, EXCUSE ME. 930 00:21:08,433 --> 00:21:09,367 HOW YOU DOING? 931 00:21:09,367 --> 00:21:10,867 HEY, I'MA CALL YOU BACK. 932 00:21:10,867 --> 00:21:11,667 HEY. 933 00:21:11,667 --> 00:21:12,367 CAN I TALK TO YOU 934 00:21:12,367 --> 00:21:13,067 FOR A MINUTE? 935 00:21:13,067 --> 00:21:14,233 SURE. 936 00:21:14,233 --> 00:21:15,100 HEY, DOUG, YOU WANT TO EXCUSE 937 00:21:15,100 --> 00:21:16,167 ME FOR A SECOND? 938 00:21:16,167 --> 00:21:16,833 HEY. 939 00:21:16,833 --> 00:21:17,500 HI, HOW ARE YOU? 940 00:21:17,500 --> 00:21:18,600 GOOD. 941 00:21:18,600 --> 00:21:19,433 I'M KARLIE. 942 00:21:19,433 --> 00:21:20,633 BENZINO. NICE TO MEET YOU. 943 00:21:20,633 --> 00:21:21,800 NICE TO MEET YOU TOO. 944 00:21:21,800 --> 00:21:23,133 MY NAME IS BENZINO. 945 00:21:23,133 --> 00:21:24,733 A LOT OF Y'ALL PROBABLY KNOW ME 946 00:21:24,733 --> 00:21:25,900 AS THE FORMER OWNER OF 947 00:21:25,900 --> 00:21:27,300 THE SOURCE MAGAZINE. 948 00:21:27,300 --> 00:21:28,333 I HAD SONGS OUT-- 949 00:21:28,333 --> 00:21:29,300 BOOTY & ROCK THE PARTY, 950 00:21:29,300 --> 00:21:30,300 A LOT OF STUFF. 951 00:21:30,300 --> 00:21:32,367 BUT NOW I OWN HIP HOP WEEKLY. 952 00:21:32,367 --> 00:21:33,400 YEAH, I SEEN YOU IN THERE. 953 00:21:33,400 --> 00:21:34,767 YOU'RE INCREDIBLY BEAUTIFUL. 954 00:21:34,767 --> 00:21:35,633 THANK YOU. 955 00:21:35,633 --> 00:21:36,767 I SAW YOU ONSTAGE WITH STEVIE. 956 00:21:36,767 --> 00:21:37,567 YEAH, YEAH, YEAH. 957 00:21:37,567 --> 00:21:38,367 WE'RE DOING A THING, LIKE, 958 00:21:38,367 --> 00:21:39,100 THE BAND THING. 959 00:21:39,100 --> 00:21:39,767 REALLY? 960 00:21:39,767 --> 00:21:40,467 YEAH. 961 00:21:40,467 --> 00:21:41,133 OKAY. 962 00:21:41,133 --> 00:21:41,800 ARE YOU FROM HERE? 963 00:21:41,800 --> 00:21:42,500 I'M FROM TRINIDAD. 964 00:21:42,500 --> 00:21:43,400 FROM TRINIDAD? 965 00:21:43,400 --> 00:21:44,100 MM-HMM, MM-HMM. 966 00:21:44,100 --> 00:21:44,933 YEAH, THAT'S WHY YOU'RE SO 967 00:21:44,933 --> 00:21:45,633 BEAUTIFUL. 968 00:21:45,633 --> 00:21:46,333 THANK YOU. 969 00:21:46,333 --> 00:21:47,067 GOT THAT EXOTIC THING 970 00:21:47,067 --> 00:21:47,700 GOING ON. 971 00:21:47,700 --> 00:21:48,800 THANK YOU. 972 00:21:48,800 --> 00:21:50,933 BENZINO. GOT IT. 973 00:21:50,933 --> 00:21:52,467 ONSTAGE. 974 00:21:52,467 --> 00:21:54,200 I PUT TWO AND TWO TOGETHER, 975 00:21:54,200 --> 00:21:56,633 AND JUST RIGHT AWAY, 976 00:21:56,633 --> 00:21:57,600 THERE WAS A VIBE. 977 00:21:57,600 --> 00:21:58,633 THERE WAS A CONNECTION. 978 00:21:58,633 --> 00:22:00,167 AND FOR SOME--I FEEL-- 979 00:22:00,167 --> 00:22:01,067 I FELT IT. 980 00:22:01,067 --> 00:22:01,833 [laughs] 981 00:22:01,833 --> 00:22:02,533 YOU'RE GORGEOUS. 982 00:22:02,533 --> 00:22:03,467 THANK YOU. 983 00:22:03,467 --> 00:22:04,367 DO YOU HAVE A MAN? 984 00:22:04,367 --> 00:22:05,067 I'M SURE YOU PROBABLY GOT 985 00:22:05,067 --> 00:22:05,967 SOMEONE. 986 00:22:05,967 --> 00:22:08,367 NO, I'M TOTALLY SINGLE. 987 00:22:08,367 --> 00:22:09,267 WHAT ABOUT YOU? 988 00:22:09,267 --> 00:22:10,633 NO, NO, I DON'T HAVE ANYBODY. 989 00:22:10,633 --> 00:22:11,633 COME ON, NOW. STOP. 990 00:22:11,633 --> 00:22:12,433 NO, FOR REAL. 991 00:22:12,433 --> 00:22:13,267 NO, DON'T MAKE ME BLUSH. 992 00:22:13,267 --> 00:22:14,800 DEFINITELY, NO, I'M SINGLE. 993 00:22:14,800 --> 00:22:15,733 ANTONIO AND I SPLIT UP 994 00:22:15,733 --> 00:22:16,733 A WHILE BACK. 995 00:22:16,733 --> 00:22:18,433 IT WASN'T A BAD BREAKUP. 996 00:22:18,433 --> 00:22:19,367 WE JUST DIDN'T HAVE MUCH 997 00:22:19,367 --> 00:22:20,300 IN COMMON. 998 00:22:20,300 --> 00:22:21,633 WE'RE GONNA REMAIN FRIENDS, 999 00:22:21,633 --> 00:22:23,333 AND I'M TOTALLY READY TO PLAY 1000 00:22:23,333 --> 00:22:24,300 THE FIELD AGAIN. 1001 00:22:24,300 --> 00:22:25,500 THINK MAYBE I COULD--YOU 1002 00:22:25,500 --> 00:22:26,300 KNOW, WE COULD GO OUT OR 1003 00:22:26,300 --> 00:22:26,933 SOMETHING? 1004 00:22:26,933 --> 00:22:27,667 TAKE YOU OUT? 1005 00:22:27,667 --> 00:22:28,800 I WOULD LOVE THAT. 1006 00:22:28,800 --> 00:22:29,667 REALLY? 1007 00:22:29,667 --> 00:22:30,600 IS THAT AN INVITE? 1008 00:22:30,600 --> 00:22:31,600 YEAH, OF COURSE, YOU KNOW, 1009 00:22:31,600 --> 00:22:32,800 IF YOU WOULD LIKE TO, 1010 00:22:32,800 --> 00:22:33,633 I WOULD LOVE TO. 1011 00:22:33,633 --> 00:22:34,400 WELL, MAYBE WE CAN EXCHANGE 1012 00:22:34,400 --> 00:22:35,067 NUMBERS. 1013 00:22:35,067 --> 00:22:35,733 ABSOLUTELY. 1014 00:22:35,733 --> 00:22:36,400 LET ME GET YOUR NUMBER. 1015 00:22:36,400 --> 00:22:37,067 YUP. 1016 00:22:37,067 --> 00:22:39,900 HE DEFINITELY MAKES ME 1017 00:22:39,900 --> 00:22:40,700 NERVOUS. 1018 00:22:40,700 --> 00:22:42,300 BENZINO HAS A CERTAIN SWAG 1019 00:22:42,300 --> 00:22:43,433 THAT I LIKE. 1020 00:22:43,433 --> 00:22:46,133 HE'S DEFINITELY MY TYPE. 1021 00:22:46,133 --> 00:22:46,933 I GUESS I'LL BE WAITING FOR 1022 00:22:46,933 --> 00:22:47,900 YOUR CALL. 1023 00:22:47,900 --> 00:22:48,700 MMKAY, I'LL TEXT YOU. 1024 00:22:48,700 --> 00:22:49,367 YEAH, IT WAS GREAT 1025 00:22:49,367 --> 00:22:50,100 MEETING YOU. 1026 00:22:50,100 --> 00:22:51,067 NICE TO MEET YOU TOO. 1027 00:22:51,067 --> 00:22:51,700 YOU'RE GORGEOUS. 1028 00:22:51,700 --> 00:22:52,600 THANK YOU. ALL RIGHT. 1029 00:22:52,600 --> 00:22:53,500 [chuckles] 1030 00:22:53,500 --> 00:22:55,167 YOU MAKE ME NERVOUS, KARLIE. 1031 00:22:55,167 --> 00:22:56,133 [laughs] 1032 00:22:56,133 --> 00:22:57,667 TAKE CARE, KARLIE. 1033 00:22:57,667 --> 00:22:58,533 ALL RIGHT. BYE. 1034 00:22:58,533 --> 00:22:59,200 BYE. 1035 00:22:59,200 --> 00:23:01,300 [exhales] 1036 00:23:04,067 --> 00:23:06,067 DAMN. 1037 00:23:09,100 --> 00:23:10,100 [aggressive hip-hop music] 1038 00:23:10,100 --> 00:23:15,600 ♪ 1039 00:23:15,600 --> 00:23:17,600 I CALLED ERICA TO MY HOUSE, 1040 00:23:17,600 --> 00:23:19,467 'CAUSE AFTER VISITING MY SON, 1041 00:23:19,467 --> 00:23:21,200 I THOUGHT WE NEEDED A REAL 1042 00:23:21,200 --> 00:23:23,333 WOMAN-TO-WOMAN TALK ABOUT HOW 1043 00:23:23,333 --> 00:23:24,933 SHE TREATED MY SON AND HOW SHE 1044 00:23:24,933 --> 00:23:26,467 LEFT HIM FOR DEAD. 1045 00:23:26,467 --> 00:23:27,933 BEFORE I ASK YOU THIS QUESTION, 1046 00:23:27,933 --> 00:23:29,067 I WANT TO KNOW HOW YOU AND 1047 00:23:29,067 --> 00:23:29,800 SCRAPPY ARE DOING. 1048 00:23:29,800 --> 00:23:31,867 WE OKAY. 1049 00:23:31,867 --> 00:23:34,300 I WOULD BELIEVE THAT, 1050 00:23:34,300 --> 00:23:36,700 BUT LAST WEEK, HE HAD 1051 00:23:36,700 --> 00:23:37,667 A ASTHMA ATTACK. 1052 00:23:37,667 --> 00:23:38,567 MM-HMM. 1053 00:23:38,567 --> 00:23:39,800 AND YOU WENT TO WORK, 1054 00:23:39,800 --> 00:23:41,433 AND YOU LEFT HIM. 1055 00:23:41,433 --> 00:23:43,067 I DIDN'T LEAVE HIM. 1056 00:23:43,067 --> 00:23:44,067 YOU LEFT HIM... 1057 00:23:44,067 --> 00:23:44,733 NO, I DIDN'T. 1058 00:23:44,733 --> 00:23:46,433 BECAUSE WHEN I GOT TO 1059 00:23:46,433 --> 00:23:47,400 THE EMERGENCY ROOM, 1060 00:23:47,400 --> 00:23:49,067 HE PUT THE 'MERGENCY ROOM 1061 00:23:49,067 --> 00:23:49,833 DOCTOR OUT. 1062 00:23:49,833 --> 00:23:51,467 HE PUT FRIENDS THAT WERE IN 1063 00:23:51,467 --> 00:23:52,933 THE ROOM OUT JUST TO PULL ME TO 1064 00:23:52,933 --> 00:23:54,433 THE SIDE AND SAY, "MOMMY, YOU 1065 00:23:54,433 --> 00:23:55,200 KNOW WHAT? 1066 00:23:55,200 --> 00:23:57,067 SHE ABANDONED ME." 1067 00:23:57,067 --> 00:23:58,167 THAT'S WHAT HE DID. 1068 00:23:58,167 --> 00:23:59,133 IT'S NOT FAIR THAT HE ACCUSED 1069 00:23:59,133 --> 00:24:00,567 ME OF ABANDONMENT, BECAUSE 1070 00:24:00,567 --> 00:24:01,800 WHEN I LOST OUR FIRST CHILD, 1071 00:24:01,800 --> 00:24:02,800 YOU UP AND LEFT. 1072 00:24:02,800 --> 00:24:03,800 YOU TOOK A FLIGHT AND GOT 1073 00:24:03,800 --> 00:24:04,633 THE HELL OUT. 1074 00:24:04,633 --> 00:24:05,400 WHO YOU LEAVIN' ME WITH? 1075 00:24:05,400 --> 00:24:06,833 YOUR HOMEBOY. 1076 00:24:06,833 --> 00:24:07,767 I LEFT YOU WITH SOMEBODY THAT 1077 00:24:07,767 --> 00:24:08,500 YOU KNEW THAT YOU WERE 1078 00:24:08,500 --> 00:24:09,367 COMFORTABLE WITH, AND I MADE 1079 00:24:09,367 --> 00:24:10,633 SURE THAT YOU GOT TO WHERE YOU 1080 00:24:10,633 --> 00:24:11,900 NEEDED TO GO. 1081 00:24:11,900 --> 00:24:12,867 YOU'RE ASTHMATIC. 1082 00:24:12,867 --> 00:24:14,967 YOU HAVE ASTHMA ATTACKS. 1083 00:24:14,967 --> 00:24:15,933 YOU DON'T GET IT. 1084 00:24:15,933 --> 00:24:17,533 WHEN YOU LOVE SOMEBODY, BOO, 1085 00:24:17,533 --> 00:24:18,600 YOU DON'T LEAVE THEM. 1086 00:24:18,600 --> 00:24:19,367 YOU SHOULDN'T HAVE LEFT 1087 00:24:19,367 --> 00:24:20,067 HIS SIDE. 1088 00:24:20,067 --> 00:24:20,800 MATTER FACT, THEY SHOULDN'T 1089 00:24:20,800 --> 00:24:21,467 HAVE TOOK HIM TO 1090 00:24:21,467 --> 00:24:22,133 THE EMERGENCY ROOM. 1091 00:24:22,133 --> 00:24:23,167 YOU SHOULDA TOOK HIM. 1092 00:24:23,167 --> 00:24:24,167 IT'S NOT LIKE HE WAS JUST 1093 00:24:24,167 --> 00:24:25,300 LEFT AT THE HOUSE BY HISSELF. 1094 00:24:25,300 --> 00:24:26,300 YOU REMEMBER WE HAD A TALK A 1095 00:24:26,300 --> 00:24:27,833 WHILE BACK ABOUT HOW SO 1096 00:24:27,833 --> 00:24:31,200 UNEMOTIONALLY AND DISATTACHED 1097 00:24:31,200 --> 00:24:32,067 THAT YOU ARE. 1098 00:24:32,067 --> 00:24:33,767 WAIT A MINUTE. 1099 00:24:33,767 --> 00:24:34,867 THAT'S WHY HE LEFT THE HOUSE. 1100 00:24:34,867 --> 00:24:36,067 THAT'S MY SON, FOOL. 1101 00:24:36,067 --> 00:24:36,933 I KNOW, BUT CALM DOWN. 1102 00:24:36,933 --> 00:24:37,700 THAT'S MY SON. 1103 00:24:37,700 --> 00:24:38,500 WHAT YOU MEAN, "CALM DOWN"? 1104 00:24:38,500 --> 00:24:39,167 RELAX. 1105 00:24:39,167 --> 00:24:40,067 NO, I'M NOT GONNA RELAX. 1106 00:24:40,067 --> 00:24:41,667 I CAN'T RELAX WHEN I ALMOST LOST 1107 00:24:41,667 --> 00:24:42,700 MY SON. 1108 00:24:42,700 --> 00:24:43,900 YOU CAN'T GIVE NO ADVICE. 1109 00:24:43,900 --> 00:24:45,367 IT'S LIKE TWO, THREE FAILED 1110 00:24:45,367 --> 00:24:47,567 MARRIAGES, SEVERAL FAILED 1111 00:24:47,567 --> 00:24:48,833 RELATIONSHIPS. 1112 00:24:48,833 --> 00:24:49,667 THIS IS WHAT YOUR SON SEES, 1113 00:24:49,667 --> 00:24:51,300 SO... 1114 00:24:51,300 --> 00:24:52,800 IN MY EYES, HE KNOWS 1115 00:24:52,800 --> 00:24:53,767 NO DIFFERENT. 1116 00:24:53,767 --> 00:24:54,733 YOU CAN TALK TO ME ABOUT IT, 1117 00:24:54,733 --> 00:24:55,600 BUT YOU DON'T CHECK ME. 1118 00:24:55,600 --> 00:24:56,467 I'M NOT YOUR CHILD. 1119 00:24:56,467 --> 00:24:57,800 I'M GONNA CHECK THAT. 1120 00:24:57,800 --> 00:24:59,400 NO, YOU'RE NOT MY CHILD. 1121 00:24:59,400 --> 00:25:01,133 BUT YOU SAID YOU LOVED MY CHILD. 1122 00:25:01,133 --> 00:25:02,200 I DO, BUT YOU DON'T CHECK ME, 1123 00:25:02,200 --> 00:25:02,867 BOO. 1124 00:25:02,867 --> 00:25:03,867 YOU LEFT HIM. 1125 00:25:03,867 --> 00:25:05,133 YOU LEFT HIM FOR DEAD. 1126 00:25:05,133 --> 00:25:08,200 YOU LEFT HIM FOR DEAD! 1127 00:25:08,200 --> 00:25:10,500 YOU LEFT MY CHILD FOR DEAD! 1128 00:25:10,500 --> 00:25:12,500 IT'S OVER BETWEEN HIM AND ERICA. 1129 00:25:12,500 --> 00:25:14,067 FOR HER TO GO TO WORK AND LEAVE 1130 00:25:14,067 --> 00:25:16,067 HIM FOR DEAD, 1131 00:25:16,067 --> 00:25:18,367 CLEARLY, THERE'S NO LOVE. 1132 00:25:18,367 --> 00:25:20,167 IT WON'T BE NO LOVE LOST, 1133 00:25:20,167 --> 00:25:21,200 NOT WHEN YOU'RE MESSING WITH 1134 00:25:21,200 --> 00:25:22,633 MAMA'S SON. 1135 00:25:22,633 --> 00:25:25,900 CLEARLY HE DOESN'T FEEL LOVED, 1136 00:25:25,900 --> 00:25:26,700 AND THAT'S FROM... 1137 00:25:26,700 --> 00:25:27,533 FROM THE INSTANT THAT 1138 00:25:27,533 --> 00:25:28,700 THAT HAPPENED. 1139 00:25:28,700 --> 00:25:29,767 THAT'S WHY HE MOVED 1140 00:25:29,767 --> 00:25:30,933 THE [bleep] OUT. 1141 00:25:30,933 --> 00:25:32,067 OKAY. 1142 00:25:32,067 --> 00:25:33,100 AND YOU KNOW WHAT I TOLD YOU 1143 00:25:33,100 --> 00:25:34,067 A LONG TIME AGO. 1144 00:25:34,067 --> 00:25:35,167 IF I WERE YOU, WHEN IT COME DOWN 1145 00:25:35,167 --> 00:25:37,500 TO MY SON, I WOULDN'T TRUST ME. 1146 00:25:39,400 --> 00:25:40,467 LOOK AT ALL THE [bleep] YOU 1147 00:25:40,467 --> 00:25:41,200 PUT ME THROUGH. 1148 00:25:41,200 --> 00:25:42,100 HOLD ON, HOLD ON, CALM DOWN. 1149 00:25:42,100 --> 00:25:42,900 NO, YOU DON'T TELL ME TO 1150 00:25:42,900 --> 00:25:43,700 [bleep] CALM DOWN. 1151 00:25:43,700 --> 00:25:44,533 I SAY WHAT THE [bleep] I WANT TO 1152 00:25:44,533 --> 00:25:45,433 SAY, HOW I WANT TO SAY IT. 1153 00:25:45,433 --> 00:25:46,433 AND I'M HEATED RIGHT NOW SO I'MA 1154 00:25:46,433 --> 00:25:47,967 SAY IT HOW I WANT TO SAY IT. 1155 00:25:47,967 --> 00:25:49,367 BRING IT DOWN, 'CAUSE MY HEAD 1156 00:25:49,367 --> 00:25:50,433 WILL START SPINNING, AND I'LL 1157 00:25:50,433 --> 00:25:52,067 CHOP YOU IN YOUR TRACHEALA. 1158 00:25:52,067 --> 00:25:53,567 TRY IT. TRY IT. 1159 00:25:53,567 --> 00:25:54,367 WHOO! 1160 00:25:54,367 --> 00:25:55,433 IT'S NOT A GOOD THING. 1161 00:25:55,433 --> 00:25:56,800 THIS BITCH IS SHAKING 1162 00:25:56,800 --> 00:25:58,800 THE TABLE! 1163 00:26:02,267 --> 00:26:03,267 [dramatic hip-hop music] 1164 00:26:03,267 --> 00:26:09,267 ♪ 1165 00:26:12,733 --> 00:26:13,900 WHEN SCRAPPY ASKED TO MEET 1166 00:26:13,900 --> 00:26:15,233 UP, I REALLY JUST THOUGHT WE WAS 1167 00:26:15,233 --> 00:26:16,333 GONNA HAVE A CONVERSATION, LIKE, 1168 00:26:16,333 --> 00:26:17,167 WHEN HE WAS WANTS TO TALK, 1169 00:26:17,167 --> 00:26:19,467 EVERYTHING COMES OUT. 1170 00:26:19,467 --> 00:26:20,967 EVEN THE STUFF FROM FIVE YEARS 1171 00:26:20,967 --> 00:26:22,333 AGO COMES BACK OUT. 1172 00:26:22,333 --> 00:26:23,100 SO I FIGURED IT WAS GONNA BE ONE 1173 00:26:23,100 --> 00:26:24,733 OF THOSE KIND OF CONVERSATIONS. 1174 00:26:24,733 --> 00:26:25,533 REMEMBER WHEN I TOLD YOU-- 1175 00:26:25,533 --> 00:26:26,700 I WAS LIKE, "I'M A GROWN MAN. 1176 00:26:26,700 --> 00:26:27,633 I TELL YOU WHAT I WANT, 1177 00:26:27,633 --> 00:26:28,400 WHAT I NEED. 1178 00:26:28,400 --> 00:26:29,100 YOU TELL ME WHAT YOU WANT, 1179 00:26:29,100 --> 00:26:29,933 WHAT YOU NEED, 1180 00:26:29,933 --> 00:26:32,067 AND WE TRY TO WORK ON IT"? 1181 00:26:32,067 --> 00:26:34,067 BUT... 1182 00:26:34,533 --> 00:26:35,333 I DON'T THINK YOU WANT 1183 00:26:35,333 --> 00:26:35,967 TO DO THAT. 1184 00:26:35,967 --> 00:26:37,900 NOT COMING TO SEE ME IN 1185 00:26:37,900 --> 00:26:40,333 THE HOSPITAL, NOT SEEING ME 1186 00:26:40,333 --> 00:26:41,433 TO THE HOSPITAL. 1187 00:26:41,433 --> 00:26:42,667 I WAS ALREADY LOOKING FOR HER TO 1188 00:26:42,667 --> 00:26:43,767 SHOW ME MORE, 1189 00:26:43,767 --> 00:26:45,333 AND THAT'S SHOWING YOU. 1190 00:26:45,333 --> 00:26:46,067 YOUR MOTHER STRESSED 1191 00:26:46,067 --> 00:26:46,667 THE ISSUE, SAYING 1192 00:26:46,667 --> 00:26:47,333 I ABANDONED YOU. 1193 00:26:47,333 --> 00:26:48,100 AT THE END OF THE DAY, 1194 00:26:48,100 --> 00:26:49,067 THAT'S WHAT WAS HAPPENING. 1195 00:26:49,067 --> 00:26:50,467 I'M SITTING THERE, TEARS COMING 1196 00:26:50,467 --> 00:26:51,333 DOWN FROM MY EYES, 1197 00:26:51,333 --> 00:26:52,233 AND I CAN'T BREATHE. 1198 00:26:52,233 --> 00:26:53,333 I'M LIKE, "WOW," LIKE, 1199 00:26:53,333 --> 00:26:53,967 AND THE ONLY THING-- 1200 00:26:53,967 --> 00:26:54,700 TEARS WAS COMING OUT 1201 00:26:54,700 --> 00:26:55,367 YOUR EYES? 1202 00:26:55,367 --> 00:26:56,100 AND YOU THE ONLY ONE THAT 1203 00:26:56,100 --> 00:26:57,100 DIDN'T SEE 'EM. 1204 00:26:57,100 --> 00:26:58,533 THIS IS NOTHING NEW TO ME. 1205 00:26:58,533 --> 00:26:59,800 YOU KNOW, HE'S ASTHMATIC. 1206 00:26:59,800 --> 00:27:01,100 HE HAS ASTHMA ATTACKS. 1207 00:27:01,100 --> 00:27:03,233 I GET READY AND I GO TO WORK, 1208 00:27:03,233 --> 00:27:05,267 AND HE'S MAD AT ME, 1209 00:27:05,267 --> 00:27:06,567 AND I'M STILL CONFUSED AS TO 1210 00:27:06,567 --> 00:27:07,633 WHY, BECAUSE I STILL HAVE TO 1211 00:27:07,633 --> 00:27:09,133 MAKE MY MONEY TO TAKE CARE 1212 00:27:09,133 --> 00:27:10,200 OF OUR DAUGHTER. 1213 00:27:10,200 --> 00:27:11,167 AND I'M NOT GONNA START 1214 00:27:11,167 --> 00:27:12,533 BABYSITTING SCRAPPY BECAUSE HE 1215 00:27:12,533 --> 00:27:14,333 GOT WASTED THE NIGHT BEFORE. 1216 00:27:14,333 --> 00:27:15,100 I CAN'T SAY THAT YOU'RE 1217 00:27:15,100 --> 00:27:16,067 A BAD PERSON. 1218 00:27:16,067 --> 00:27:17,067 I THINK YOU GOT LOVE IN YOUR 1219 00:27:17,067 --> 00:27:18,700 HEART, BUT YOU DON'T HAVE THAT 1220 00:27:18,700 --> 00:27:19,667 EMOTION WITH YOU. 1221 00:27:19,667 --> 00:27:20,900 YOU HAVE SOME EMOTION WHAT YOU 1222 00:27:20,900 --> 00:27:21,967 FEEL LIKE YOU SHOULD CARE FOR. 1223 00:27:21,967 --> 00:27:23,333 NO, OKAY, SO YOU'RE USING 1224 00:27:23,333 --> 00:27:24,533 THAT AS JUSTIFICATION? 1225 00:27:24,533 --> 00:27:25,867 WHEN YOU BE REAL TO YOURSELF, 1226 00:27:25,867 --> 00:27:28,333 AND YOU OWN UP TO YOUR FEELINGS 1227 00:27:28,333 --> 00:27:29,167 AND WHAT YOU GO THROUGH 1228 00:27:29,167 --> 00:27:30,467 AND WHAT YOU HAVE BEEN THROUGH, 1229 00:27:30,467 --> 00:27:31,333 AND UNDERSTAND THAT YOU'RE 1230 00:27:31,333 --> 00:27:32,800 DETACHED FROM THOSE FEELINGS-- 1231 00:27:32,800 --> 00:27:33,600 I'M NOT DETACHED. 1232 00:27:33,600 --> 00:27:34,333 YOU ARE DETACHED FROM 1233 00:27:34,333 --> 00:27:35,333 YOUR FEELINGS, AND THAT'S WHY 1234 00:27:35,333 --> 00:27:36,067 I DON'T WANT TO DO THAT. 1235 00:27:36,067 --> 00:27:36,900 SO WHY YOU BEEN COMING BACK? 1236 00:27:36,900 --> 00:27:38,133 IF I'M SO DETACHED, TEN YEARS ON 1237 00:27:38,133 --> 00:27:38,967 AND OFF, WHY DO YOU KEEP 1238 00:27:38,967 --> 00:27:39,667 COMING BACK? 1239 00:27:39,667 --> 00:27:40,467 I BE TRYING HOPING THAT-- 1240 00:27:40,467 --> 00:27:41,333 IF I'M SO DETACHED-- 1241 00:27:41,333 --> 00:27:42,167 HOPING THAT IT WORK ONE DAY, 1242 00:27:42,167 --> 00:27:43,133 HOPING THAT YOU COME TO, AND 1243 00:27:43,133 --> 00:27:43,933 THAT'S WHAT I AM NOT GONNA DO. 1244 00:27:43,933 --> 00:27:44,767 IT DOESN'T MAKE SENSE. 1245 00:27:44,767 --> 00:27:45,667 THAT'S WHY I DON'T WANT TO 1246 00:27:45,667 --> 00:27:47,133 SIT HERE--I DON'T WANT TO SIT 1247 00:27:47,133 --> 00:27:48,067 HERE AND WAITING MY WHOLE LIFE 1248 00:27:48,067 --> 00:27:48,733 FOR YOU TO GET... 1249 00:27:48,733 --> 00:27:49,567 YOU DON'T HAVE TO WAIT YOUR 1250 00:27:49,567 --> 00:27:50,333 WHOLE LIFE. 1251 00:27:50,333 --> 00:27:51,100 ATTACHED TO YOUR EMOTIONS. 1252 00:27:51,100 --> 00:27:52,333 YOU JUST NEED SOMETHING, 1253 00:27:52,333 --> 00:27:53,100 AND IF THAT'S WHAT YOU WANT TO 1254 00:27:53,100 --> 00:27:54,367 USE AND THAT'S JUST COOL, 'CAUSE 1255 00:27:54,367 --> 00:27:55,433 THAT JUST GOES TO SHOW WHAT TYPE 1256 00:27:55,433 --> 00:27:56,600 OF PERSON YOU REALLY ARE. 1257 00:27:56,600 --> 00:27:57,333 WHAT TYPE OF PERSON I AM? 1258 00:27:57,333 --> 00:27:58,333 IT JUST REVEALS, YES. 1259 00:27:58,333 --> 00:28:00,067 WHEN YOU DOWN AND OUT, "OH, BABY 1260 00:28:00,067 --> 00:28:01,067 MAMA ERICA, WHERE YOU AT? 1261 00:28:01,067 --> 00:28:01,767 I NEED YA, I NEED YA, 1262 00:28:01,767 --> 00:28:02,433 I NEED YA." 1263 00:28:02,433 --> 00:28:04,267 AS SOON AS YOU COME BACK DOWN TO 1264 00:28:04,267 --> 00:28:06,233 GROUND ZERO, REALIZATION, THEN 1265 00:28:06,233 --> 00:28:06,900 IT'S, "YOU KNOW WHAT? 1266 00:28:06,900 --> 00:28:07,733 I'M SORRY." 1267 00:28:07,733 --> 00:28:09,400 LET ME GO BACK, THEN. 1268 00:28:09,400 --> 00:28:11,067 I REMEMBER WHEN--YOU REMEMBER 1269 00:28:11,067 --> 00:28:12,467 WHEN I WAS SAYING I WAS TRYING 1270 00:28:12,467 --> 00:28:15,333 TO GET--GET YOU TO BE "MY GIRL" 1271 00:28:15,333 --> 00:28:16,900 NOT JUST MY BABY MAMA, NOT JUST 1272 00:28:16,900 --> 00:28:18,167 A FRIEND THAT LET ME 1273 00:28:18,167 --> 00:28:19,100 IN WHEN ALL-- 1274 00:28:19,100 --> 00:28:19,900 BUT LOOK AT THE [bleep] 1275 00:28:19,900 --> 00:28:20,633 YOU PUT ME THROUGH. 1276 00:28:20,633 --> 00:28:21,500 HOLD ON, HOLD ON, CALM DOWN. 1277 00:28:21,500 --> 00:28:22,433 NO, YOU DON'T TELL ME TO 1278 00:28:22,433 --> 00:28:23,100 [bleep] CALM DOWN. 1279 00:28:23,100 --> 00:28:23,900 I SAY WHAT THE [bleep] I 1280 00:28:23,900 --> 00:28:24,633 WANT TO SAY HOW I WANT TO SAY 1281 00:28:24,633 --> 00:28:25,800 IT, AND I'M HEATED RIGHT NOW, SO 1282 00:28:25,800 --> 00:28:26,467 I'MA SAY IT HOW I WANT 1283 00:28:26,467 --> 00:28:27,467 TO SAY IT. 1284 00:28:27,467 --> 00:28:29,600 I GO TO WORK EVERY DAY, AND NOT 1285 00:28:29,600 --> 00:28:30,900 BECAUSE I WANT TO DO--BECAUSE I 1286 00:28:30,900 --> 00:28:31,900 NEED TO. 1287 00:28:31,900 --> 00:28:33,533 BUT THEN HE GOES OUT AND BLOWS 1288 00:28:33,533 --> 00:28:35,133 ALL HIS MONEY AT THE CLUB. 1289 00:28:35,133 --> 00:28:36,067 I WANT THINGS TO WORK OUT 1290 00:28:36,067 --> 00:28:38,067 BETWEEN US, BUT SCRAPPY NEEDS TO 1291 00:28:38,067 --> 00:28:39,333 STEP UP AND BE A MAN. 1292 00:28:39,333 --> 00:28:40,567 FOR ME--I DIDN'T EVEN RESPECT 1293 00:28:40,567 --> 00:28:41,333 YOU AND NOTHING LIKE THAT. 1294 00:28:41,333 --> 00:28:42,333 I'M DONE WITH THIS CONVERSATION. 1295 00:28:42,333 --> 00:28:43,100 I DON'T CARE AT THIS POINT, 1296 00:28:43,100 --> 00:28:43,767 SCRAPPY. 1297 00:28:43,767 --> 00:28:45,900 I DON'T CARE. 1298 00:28:45,900 --> 00:28:47,133 YOU STILL SITTING RIGHT HERE. 1299 00:28:47,133 --> 00:28:48,067 IT'S VOILA MAGIIC. 1300 00:28:48,067 --> 00:28:48,767 IT'S VOILA MAGIC. 1301 00:28:48,767 --> 00:28:49,467 IT'S DONE. 1302 00:28:49,467 --> 00:28:50,167 WHAT'S DONE? 1303 00:28:50,167 --> 00:28:51,067 IT'S DONE--THE CONVERSATION 1304 00:28:51,067 --> 00:28:51,767 AND EVERYTHING. 1305 00:28:51,767 --> 00:28:52,433 IT'S DONE. 1306 00:28:52,433 --> 00:28:53,600 THAT SHOWS YOU WEAK. 1307 00:28:53,600 --> 00:28:54,533 YOU CAN'T DEAL WITH IT. 1308 00:28:54,533 --> 00:28:55,200 YOU BAD. 1309 00:28:55,200 --> 00:28:56,233 YOU HAVING A BAD DAY. 1310 00:28:56,233 --> 00:28:57,867 OH, I'M GOOD. I'M GOOD. 1311 00:28:57,867 --> 00:28:58,600 I'M GOOD. 1312 00:28:58,600 --> 00:29:00,233 KEEP WALKING. KEEP WALKING. 1313 00:29:00,233 --> 00:29:01,233 [confident hip-hop music] 1314 00:29:01,233 --> 00:29:08,567 ♪ 1315 00:29:08,567 --> 00:29:11,833 [horn honking] 1316 00:29:11,833 --> 00:29:12,967 I FINALLY FOUND OUT WHERE 1317 00:29:12,967 --> 00:29:14,267 STEVIE WAS STAYING, SO I DECIDED 1318 00:29:14,267 --> 00:29:17,067 TO TAKE HIM HIS [bleep]. 1319 00:29:17,067 --> 00:29:19,067 I SHOULD'VE BURNED HIS STUFF, 1320 00:29:19,067 --> 00:29:20,333 BUT I DECIDED TO BE THE BIGGER 1321 00:29:20,333 --> 00:29:22,067 PERSON AND DROP IT OFF. 1322 00:29:22,067 --> 00:29:23,367 WHAT'S THIS? 1323 00:29:23,367 --> 00:29:24,933 SOME OF YOUR STUFF. 1324 00:29:24,933 --> 00:29:26,233 I JUST WANTED ANYTHING THAT 1325 00:29:26,233 --> 00:29:27,967 REMINDED ME OF HIM 1326 00:29:27,967 --> 00:29:29,533 OUT OF MY LIFE. 1327 00:29:29,533 --> 00:29:30,267 WHY YOU COMING OVER HERE 1328 00:29:30,267 --> 00:29:31,067 LIKE THIS? 1329 00:29:31,067 --> 00:29:31,733 THOUGHT YOU SHOULD HAVE 1330 00:29:31,733 --> 00:29:33,100 YOUR STUFF. 1331 00:29:33,100 --> 00:29:33,967 I UNDERSTAND WHY YOU FEELING 1332 00:29:33,967 --> 00:29:34,733 HOW YOU FEELING. 1333 00:29:34,733 --> 00:29:35,400 WHY IS THAT? 1334 00:29:35,400 --> 00:29:37,400 BECAUSE IT'S LIKE I'VE BEEN 1335 00:29:37,400 --> 00:29:38,600 DOING SOME RECKLESS [bleep]. 1336 00:29:38,600 --> 00:29:39,267 MM-HMM. 1337 00:29:39,267 --> 00:29:40,800 BUT IT DOESN'T TAKE AWAY FROM 1338 00:29:40,800 --> 00:29:42,333 THE FACT THAT I STILL LOVE YOU. 1339 00:29:42,333 --> 00:29:43,733 AND I WANT TO MAKE SURE THAT WE 1340 00:29:43,733 --> 00:29:45,367 CAN GET ON A PAGE, ON SOME TYPE 1341 00:29:45,367 --> 00:29:46,333 OF PAGE TOGETHER. 1342 00:29:46,333 --> 00:29:48,067 YOU SPEND MORE TIME WITH THAT 1343 00:29:48,067 --> 00:29:49,100 BITCH THAN YOU DO ME 1344 00:29:49,100 --> 00:29:50,167 AND YOUR DAUGHTER. 1345 00:29:50,167 --> 00:29:50,967 YOU DON'T EVEN WANT TO BE 1346 00:29:50,967 --> 00:29:51,667 AROUND ME. 1347 00:29:51,667 --> 00:29:52,733 WHY NOT? WHY NOT? 1348 00:29:52,733 --> 00:29:54,333 'CAUSE YOU'RE AROUND THIS BITCH. 1349 00:29:54,333 --> 00:29:55,133 BECAUSE YOU STARTED... 1350 00:29:55,133 --> 00:29:56,500 I DON'T WANT TO BE WITH A MAN 1351 00:29:56,500 --> 00:29:57,867 THAT'S WITH A BITCH EVERY DAY. 1352 00:29:57,867 --> 00:29:58,800 YOU DO WAY MORE THAN WORK 1353 00:29:58,800 --> 00:29:59,467 WITH HER. 1354 00:29:59,467 --> 00:30:00,167 YOU MANAGE HER. 1355 00:30:00,167 --> 00:30:01,300 YOU MANAGE HER [bleep] [bleep], 1356 00:30:01,300 --> 00:30:02,333 HER ASS, AND EVERYTHING UNDER 1357 00:30:02,333 --> 00:30:03,467 THE [bleep] SUN. 1358 00:30:03,467 --> 00:30:04,567 THAT'S WHAT I DO? 1359 00:30:04,567 --> 00:30:05,467 YEAH, THAT'S WHAT YOU DO. 1360 00:30:05,467 --> 00:30:06,200 HOW YOU FIT THAT? 1361 00:30:06,200 --> 00:30:07,067 YOU GOT THE BITCH PREGNANT, 1362 00:30:07,067 --> 00:30:07,933 SO YEAH, THAT'S WHAT YOU DO. 1363 00:30:07,933 --> 00:30:08,633 I APOLOGIZED FOR THAT. 1364 00:30:08,633 --> 00:30:09,433 I'M SORRY. 1365 00:30:09,433 --> 00:30:10,567 IF I GOT PREGNANT BY THE NEXT 1366 00:30:10,567 --> 00:30:11,600 MAN, IS THAT GONNA FLY 1367 00:30:11,600 --> 00:30:12,333 WITH YOU? 1368 00:30:12,333 --> 00:30:13,167 YOU JUST GONNA SCREAM UNTIL 1369 00:30:13,167 --> 00:30:14,433 YOU JUST FEEL THE NEED TO STOP? 1370 00:30:14,433 --> 00:30:15,333 I WANT YOU TO UNDERSTAND 1371 00:30:15,333 --> 00:30:16,000 WHERE I'M COMING FROM. 1372 00:30:16,000 --> 00:30:16,667 I UNDERSTAND WHERE 1373 00:30:16,667 --> 00:30:17,367 YOU COMING FROM. 1374 00:30:17,367 --> 00:30:18,567 WHERE AM I COMING FROM THEN? 1375 00:30:18,567 --> 00:30:19,833 YOU'RE UPTIGHT. YOU'RE MAD. 1376 00:30:19,833 --> 00:30:20,700 "UPTIGHT" WOULD BE THE WRONG 1377 00:30:20,700 --> 00:30:22,000 [bleep] WORD TO USE FOR WHAT 1378 00:30:22,000 --> 00:30:22,800 I AM RIGHT NOW. 1379 00:30:22,800 --> 00:30:24,667 HOW YOU--HOW CAN WE GET THIS 1380 00:30:24,667 --> 00:30:25,700 ON THE PAGE WHERE WE CAN JUST 1381 00:30:25,700 --> 00:30:26,967 KEEP IT CALM AND COOL? 1382 00:30:26,967 --> 00:30:28,000 WHERE CAN WE START? 1383 00:30:28,000 --> 00:30:28,967 YOU TELL ME WHERE WE CAN GET 1384 00:30:28,967 --> 00:30:30,500 A STARTING POINT. 1385 00:30:30,500 --> 00:30:31,333 SOMEWHERE WE CAN SIT DOWN 1386 00:30:31,333 --> 00:30:32,433 WHERE YOU CAN'T YELL. 1387 00:30:32,433 --> 00:30:33,333 THEN WHAT? 1388 00:30:33,333 --> 00:30:34,033 FOR YOU TO SAY WHAT? 1389 00:30:34,033 --> 00:30:34,933 LET'S JUST TALK. 1390 00:30:34,933 --> 00:30:35,767 FOR ME TO SAY WHAT I NEED TO SAY 1391 00:30:35,767 --> 00:30:36,667 WITHOUT YOU SCREAMING. 1392 00:30:36,667 --> 00:30:37,833 I DON'T REACT WELL. 1393 00:30:37,833 --> 00:30:38,967 CAN WE SIT IN THE THERAPIST? 1394 00:30:38,967 --> 00:30:40,467 YOU KNOW WHAT, I DON'T-- 1395 00:30:40,467 --> 00:30:41,333 NOW YOU TALKING. 1396 00:30:41,333 --> 00:30:42,133 YOU WANT TO GO IN FRONT OF 1397 00:30:42,133 --> 00:30:42,833 A THERAPIST? 1398 00:30:42,833 --> 00:30:43,533 YEAH. 1399 00:30:43,533 --> 00:30:44,333 I'MA TAKE HIM UP ON 1400 00:30:44,333 --> 00:30:45,900 THE OFFER SEEING A THERAPIST. 1401 00:30:45,900 --> 00:30:47,533 SOMETHING TELLS ME THAT 1402 00:30:47,533 --> 00:30:49,067 THE THERAPIST WILL THINK THAT 1403 00:30:49,067 --> 00:30:50,767 THIS IS JUST AS [bleep] UP 1404 00:30:50,767 --> 00:30:51,633 AS I DO. 1405 00:30:51,633 --> 00:30:53,000 OKAY, NOBODY TELL ME [bleep] 1406 00:30:53,000 --> 00:30:54,733 ABOUT YOU, ESPECIALLY NO BITCH 1407 00:30:54,733 --> 00:30:55,467 THAT'S ONLY KNOWN YOU FOR 1408 00:30:55,467 --> 00:30:56,500 A COUPLE OF MONTHS. 1409 00:30:56,500 --> 00:30:57,733 AND YOU TELL THAT [bleep] SHE 1410 00:30:57,733 --> 00:30:58,900 THREATEN ME AGAIN, WE GONNA HAVE 1411 00:30:58,900 --> 00:30:59,600 PROBLEMS. 1412 00:30:59,600 --> 00:31:00,533 WHAT DID SHE SAY TO YOU? 1413 00:31:00,533 --> 00:31:01,400 WHY DON'T YOU ASK HER WHAT 1414 00:31:01,400 --> 00:31:03,067 SHE SAID TO ME, 'CAUSE I HAVEN'T 1415 00:31:03,067 --> 00:31:04,733 DID [bleep] TO YOU OR HER. 1416 00:31:04,733 --> 00:31:06,333 SO IF ANYBODY NEEDS TO BE MAD OR 1417 00:31:06,333 --> 00:31:07,133 THREATENING ANYBODY, 1418 00:31:07,133 --> 00:31:08,433 IT SHOULD BE ME. 1419 00:31:08,433 --> 00:31:10,433 YOU'RE RIGHT. 1420 00:31:10,433 --> 00:31:11,733 HONESTLY, THE REASON WHY 1421 00:31:11,733 --> 00:31:12,900 STEVIE CAN'T SHAKE HIS ARTIST IS 1422 00:31:12,900 --> 00:31:14,200 BECAUSE IT'S TOO MUCH EMOTIONS 1423 00:31:14,200 --> 00:31:15,967 INVOLVED, AND HE GOT THIS BITCH 1424 00:31:15,967 --> 00:31:17,900 FEELING SO COMFORTABLE THAT SHE 1425 00:31:17,900 --> 00:31:18,733 FEEL LIKE SHE CAN SAY WHATEVER 1426 00:31:18,733 --> 00:31:20,200 TO ME, AND THAT'S A [bleep] 1427 00:31:20,200 --> 00:31:21,533 PROBLEM. 1428 00:31:21,533 --> 00:31:22,200 YOU GOT THIS BITCH 1429 00:31:22,200 --> 00:31:22,867 THREATENING ME. 1430 00:31:22,867 --> 00:31:23,667 I GOT HER THREATENING YOU? 1431 00:31:23,667 --> 00:31:24,333 YEAH, YOU GOT HER 1432 00:31:24,333 --> 00:31:25,067 THREATENING ME. 1433 00:31:25,067 --> 00:31:25,733 YOU THINK I ASKED HER TO 1434 00:31:25,733 --> 00:31:26,433 THREATEN MY FAMILY? 1435 00:31:26,433 --> 00:31:27,333 WAIT. WAIT. WAIT. WAIT. WAIT. 1436 00:31:27,333 --> 00:31:28,133 FIRST OF ALL, YOU SHOULD HAVE 1437 00:31:28,133 --> 00:31:29,067 THIS [bleep] ON CHECK. 1438 00:31:29,067 --> 00:31:30,133 THIS BITCH SHOULD NOT CALL ME, 1439 00:31:30,133 --> 00:31:31,167 TEXT ME, NOTHING. 1440 00:31:31,167 --> 00:31:32,333 YEAH, SO YOU GOT HER 1441 00:31:32,333 --> 00:31:33,600 THREATENING ME. 1442 00:31:33,600 --> 00:31:34,733 DON'T YOU EVEN. 1443 00:31:34,733 --> 00:31:35,867 YOU UP ON ME. 1444 00:31:35,867 --> 00:31:36,700 YOU MIGHT AS WELL LET ME 1445 00:31:36,700 --> 00:31:38,800 GET A KISS. 1446 00:31:38,800 --> 00:31:41,067 AS LONG AS THAT [bleep] WITH 1447 00:31:41,067 --> 00:31:44,600 THAT [bleep], YOU AND ME... 1448 00:31:46,367 --> 00:31:48,333 WHEN I DO SEE MIMI, IT'S LIKE 1449 00:31:48,333 --> 00:31:49,367 A BUNCH OF, "RAWR, RAWR, 1450 00:31:49,367 --> 00:31:50,733 [bleep], YOU [bleep]. 1451 00:31:50,733 --> 00:31:51,800 YOU PIECE OF [bleep]." 1452 00:31:51,800 --> 00:31:53,500 YOU KNOW, IT'S EVERYTHING 1453 00:31:53,500 --> 00:31:54,633 AND THEN SOME. 1454 00:31:54,633 --> 00:31:55,833 BUT I'M WILLING TO DO WHATEVER 1455 00:31:55,833 --> 00:31:57,900 IT TAKES TO MAKE THINGS RIGHT. 1456 00:31:57,900 --> 00:31:59,533 I [bleep] HATE WHAT YOU DID 1457 00:31:59,533 --> 00:32:01,400 TO US. 1458 00:32:01,400 --> 00:32:02,900 [bleep] CAN'T BELIEVE 1459 00:32:02,900 --> 00:32:03,933 THIS [bleep]. 1460 00:32:03,933 --> 00:32:06,967 [sobs] 1461 00:32:06,967 --> 00:32:08,967 [engine turns over] 1462 00:32:11,600 --> 00:32:12,767 WHY SHE DRIVING OVER 1463 00:32:12,767 --> 00:32:13,833 MY JOINTS? 1464 00:32:13,833 --> 00:32:15,833 YOU SHOULD'VE PICKED IT UP. 1465 00:32:22,867 --> 00:32:25,067 YOU THINK IT'S SOMEBODY ELSE? 1466 00:32:25,067 --> 00:32:25,700 I DON'T THINK 1467 00:32:25,700 --> 00:32:27,067 IT'S NOBODY ELSE. 1468 00:32:27,067 --> 00:32:28,933 HE'S NOT HAPPY WITH HIS LIFE. 1469 00:32:28,933 --> 00:32:31,500 HE JUST--ISSUES. 1470 00:32:31,500 --> 00:32:33,167 YOU HAVE NO RECEIPT! 1471 00:32:33,167 --> 00:32:34,933 [both talking over each other] 1472 00:32:34,933 --> 00:32:35,867 I GOT YOU ON TAPE! 1473 00:32:35,867 --> 00:32:37,533 DON'T YOU MAKE--DON'T YOU 1474 00:32:37,533 --> 00:32:39,533 EVER LIE ON ME. 1475 00:32:49,533 --> 00:32:51,167 AND I UNDERSTAND YOU HAVE TO 1476 00:32:51,167 --> 00:32:52,500 BE THERE FOR YOUR MAN, BUT I 1477 00:32:52,500 --> 00:32:54,067 JUST ASK THAT SHE AT LEAST BE 1478 00:32:54,067 --> 00:32:54,800 UNDERSTANDING. 1479 00:32:54,800 --> 00:32:56,067 THAT'S WHY AS BAD AS MY MOUTH 1480 00:32:56,067 --> 00:32:57,967 IS, I NEVER CAME BACK, 'CAUSE I 1481 00:32:57,967 --> 00:33:00,300 KNOW HOW MEN CAN SAY ANYTHING. 1482 00:33:00,300 --> 00:33:02,500 YOU NEVER REALLY KNOW. 1483 00:33:02,500 --> 00:33:04,567 UH-OH. 1484 00:33:04,567 --> 00:33:06,167 LATE, MAMA. 1485 00:33:06,167 --> 00:33:07,067 HI. 1486 00:33:07,067 --> 00:33:07,833 WHAT'S UP, HONEY BUN? 1487 00:33:07,833 --> 00:33:08,600 I WANTED TO MEET WITH 1488 00:33:08,600 --> 00:33:10,800 RASHEEDA AND K.MICHELLE TO TALK 1489 00:33:10,800 --> 00:33:12,467 TO THEM ABOUT, YOU KNOW, WHAT 1490 00:33:12,467 --> 00:33:13,167 WAS GOING ON WITH ME 1491 00:33:13,167 --> 00:33:13,833 AND SCRAPPY. 1492 00:33:13,833 --> 00:33:15,133 AND RASHEEDA BECAUSE HER AND 1493 00:33:15,133 --> 00:33:15,867 SCRAPPY ARE REALLY, 1494 00:33:15,867 --> 00:33:16,533 REALLY CLOSE. 1495 00:33:16,533 --> 00:33:17,200 THEY'RE LIKE BROTHER 1496 00:33:17,200 --> 00:33:18,600 AND SISTER, SO MAYBE SHE CAN 1497 00:33:18,600 --> 00:33:20,067 GIVE ME SOME INSIGHT AS TO 1498 00:33:20,067 --> 00:33:21,933 WHAT'S GOING ON IN HIS HEAD. 1499 00:33:21,933 --> 00:33:24,533 BOO, YOU A'IGHT. 1500 00:33:24,533 --> 00:33:26,067 GIVE US THE 100. 1501 00:33:26,067 --> 00:33:27,067 SCRAPPY CALLS ME. 1502 00:33:27,067 --> 00:33:27,967 HE WANTS TO MEET. 1503 00:33:27,967 --> 00:33:29,233 HE WANTS TO TALK. 1504 00:33:29,233 --> 00:33:32,133 I MEET WITH HIM, AND HE'S JUST 1505 00:33:32,133 --> 00:33:33,400 LIKE, "WELL, I CALLED YOU HERE 1506 00:33:33,400 --> 00:33:34,733 BECAUSE I DON'T WANT TO DO THIS 1507 00:33:34,733 --> 00:33:37,067 NO MORE." 1508 00:33:37,067 --> 00:33:37,700 WHAT? 1509 00:33:37,700 --> 00:33:38,700 I'M LIKE, "WHAT?" 1510 00:33:38,700 --> 00:33:40,100 "YOU WEREN'T THERE FOR ME WHEN I 1511 00:33:40,100 --> 00:33:42,267 HAD MY ASTHMA ATTACK. 1512 00:33:42,267 --> 00:33:43,233 YOU WENT TO WORK. 1513 00:33:43,233 --> 00:33:44,600 YOU PUT WORK BEFORE ME. 1514 00:33:44,600 --> 00:33:46,900 I WAS ON MY DEATHBED." 1515 00:33:46,900 --> 00:33:48,467 I'M THE ONE THAT PUSHED--LIKE, 1516 00:33:48,467 --> 00:33:49,567 I'M PUSHING, LIKE, HE NEEDS TO 1517 00:33:49,567 --> 00:33:50,833 GO TO THE HOSPITAL. 1518 00:33:50,833 --> 00:33:52,067 IT SOUNDS CRAZY FOR IT TO BE 1519 00:33:52,067 --> 00:33:54,867 ONE LITTLE SMALL THING ABOVE ALL 1520 00:33:54,867 --> 00:33:56,333 THE [bleep] YOU BEEN THROUGH. 1521 00:33:56,333 --> 00:33:57,333 AND YOU'D HAVE BEEN THROUGH-- 1522 00:33:57,333 --> 00:33:58,233 AND THAT'S WHAT I--USUALLY 1523 00:33:58,233 --> 00:33:59,067 IT'S ONE THING. 1524 00:33:59,067 --> 00:34:00,500 AND JUST LAST WEEK, 1525 00:34:00,500 --> 00:34:01,233 YOU TEXTING ME. 1526 00:34:01,233 --> 00:34:01,900 YOU AT THE CLUB. 1527 00:34:01,900 --> 00:34:02,600 YOU AT THE VELVET ROOM. 1528 00:34:02,600 --> 00:34:03,400 IT'S 3:00 SOMETHING 1529 00:34:03,400 --> 00:34:04,067 IN THE MORNING. 1530 00:34:04,067 --> 00:34:04,700 "OH, I'M AROUND A MILLION 1531 00:34:04,700 --> 00:34:05,867 BAD [bleep], AND ALL I CAN THINK 1532 00:34:05,867 --> 00:34:06,700 ABOUT IS YOU." 1533 00:34:06,700 --> 00:34:08,500 THIS WAS LAST SUNDAY. 1534 00:34:08,500 --> 00:34:09,500 SO YOU JUST GOT A CHANGE 1535 00:34:09,500 --> 00:34:10,900 OF A HEART ALL OF A SUDDEN 1536 00:34:10,900 --> 00:34:11,967 A WEEK LATER? 1537 00:34:11,967 --> 00:34:13,767 IT PISSES ME OFF THAT ONE MINUTE 1538 00:34:13,767 --> 00:34:14,800 SCRAPPY WANTS TO BE WITH ME, 1539 00:34:14,800 --> 00:34:16,500 AND THE NEXT MINUTE HE DOESN'T. 1540 00:34:16,500 --> 00:34:18,833 AT THIS POINT, I DON'T KNOW IF I 1541 00:34:18,833 --> 00:34:20,067 CAN JUST DEAL WITH IT ANYMORE. 1542 00:34:20,067 --> 00:34:21,067 LIKE, I'M GONNA HONESTLY 1543 00:34:21,067 --> 00:34:21,767 BE DONE. 1544 00:34:21,767 --> 00:34:22,600 HE SAYS HE'S DONE, 1545 00:34:22,600 --> 00:34:23,500 AND HE COMES BACK. 1546 00:34:23,500 --> 00:34:24,733 LIKE, I'M GONNA REALLY BE DONE, 1547 00:34:24,733 --> 00:34:26,600 AND THERE'S NO COMING BACK. 1548 00:34:26,600 --> 00:34:27,467 I DON'T UNDERSTAND IT, 1549 00:34:27,467 --> 00:34:28,467 AND I KNOW THAT'S GOT TO BE 1550 00:34:28,467 --> 00:34:29,200 KILLING YOU. 1551 00:34:29,200 --> 00:34:30,533 IT'S GOT TO BE. 1552 00:34:30,533 --> 00:34:32,600 YOU THINK IT'S SOMEBODY ELSE? 1553 00:34:34,800 --> 00:34:36,433 HONESTLY, I DON'T THINK IT'S 1554 00:34:36,433 --> 00:34:37,767 NOBODY ELSE. 1555 00:34:37,767 --> 00:34:39,067 IT'S JUST HIM? 1556 00:34:39,067 --> 00:34:40,733 I THINK IT'S HIM. 1557 00:34:40,733 --> 00:34:41,967 SCRAPPY'S NOT HAPPY WITH 1558 00:34:41,967 --> 00:34:42,833 HISSELF. 1559 00:34:42,833 --> 00:34:44,700 HE'S NOT HAPPY WITH HIS LIFE. 1560 00:34:44,700 --> 00:34:47,067 HE JUST--ISSUES. 1561 00:34:47,067 --> 00:34:48,800 HE TALKING ABOUT EMOTIONS AND 1562 00:34:48,800 --> 00:34:50,433 AFFECTION, AND SOMETIMES I FEEL 1563 00:34:50,433 --> 00:34:52,067 LIKE, "MAN, YOU NEED TO MAN UP. 1564 00:34:52,067 --> 00:34:52,733 HELL." 1565 00:34:52,733 --> 00:34:53,400 RIGHT. 1566 00:34:53,400 --> 00:34:54,333 YOU MORE EMOTIONAL THAN ME, 1567 00:34:54,333 --> 00:34:55,233 AND I'M THE FEMALE. 1568 00:34:55,233 --> 00:34:56,067 [chuckling] 1569 00:34:56,067 --> 00:34:56,800 OKAY. 1570 00:34:56,800 --> 00:34:57,600 BUT YOU KNOW WHAT IT 1571 00:34:57,600 --> 00:34:58,367 SOUNDS LIKE? 1572 00:34:58,367 --> 00:34:59,433 YOU KNOW WHAT'S CRAZY--IT SOUNDS 1573 00:34:59,433 --> 00:35:01,433 LIKE THAT'S SOMETHING THAT HE 1574 00:35:01,433 --> 00:35:02,767 NEEDS TO LEARN, AND IT SOUNDS 1575 00:35:02,767 --> 00:35:04,067 LIKE YOU THE PERFECT PERSON TO 1576 00:35:04,067 --> 00:35:05,633 TEACH HIM, BUT HE DOESN'T ALLOW 1577 00:35:05,633 --> 00:35:06,567 YOU THAT. 1578 00:35:06,567 --> 00:35:07,400 GIRL, I DON'T THINK YOU NEED 1579 00:35:07,400 --> 00:35:08,400 TO TEACH HIM. 1580 00:35:08,400 --> 00:35:09,100 YOU KNOW WHAT I'M SAYING? 1581 00:35:09,100 --> 00:35:10,100 HIS MAMA--HIS MAMA WAS 1582 00:35:10,100 --> 00:35:11,233 SUPPOSED TO TEACH HIM THAT. 1583 00:35:11,233 --> 00:35:12,067 THAT'S TOO LATE. 1584 00:35:12,067 --> 00:35:13,067 IT'S TOO LATE. 1585 00:35:13,067 --> 00:35:14,633 HE IS ALWAYS--HE'S OUT OF 1586 00:35:14,633 --> 00:35:15,433 THE HOUSE. 1587 00:35:15,433 --> 00:35:17,233 HIS MAMA SHOULD--HIS MAMA STILL 1588 00:35:17,233 --> 00:35:17,933 BABY HIM. 1589 00:35:17,933 --> 00:35:19,700 SHE'S STILL AROUND BABYING HIM. 1590 00:35:19,700 --> 00:35:22,067 WHAT HIS MAMA NEEDS TO DO IS 1591 00:35:22,067 --> 00:35:24,067 SAY, "START AT POINT 'A' AND 1592 00:35:24,067 --> 00:35:25,233 TAKE IT ALL THE WAY TO 'Z,'" 1593 00:35:25,233 --> 00:35:26,400 BECAUSE HONESTLY, SHE SKIPPED 1594 00:35:26,400 --> 00:35:27,867 SOME STEPS ALONG THE WAY. 1595 00:35:27,867 --> 00:35:28,800 AND YOU AIN'T DONE. 1596 00:35:28,800 --> 00:35:30,067 DON'T TEACH HIM NOTHING. 1597 00:35:30,067 --> 00:35:31,600 TEACH HIM HOW TO LOOK AT YOUR 1598 00:35:31,600 --> 00:35:33,400 BUTT AND SAY, "GOOD-BYE." 1599 00:35:33,400 --> 00:35:34,733 GIVE HIM THE DEUCES. 1600 00:35:34,733 --> 00:35:36,733 [laughs] 1601 00:35:48,533 --> 00:35:49,233 SO YOU KNOW I CALLED 1602 00:35:49,233 --> 00:35:50,300 KARLIE DOWN. 1603 00:35:50,300 --> 00:35:51,800 SHE ALREADY DOWN HERE. 1604 00:35:51,800 --> 00:35:53,067 YOU AIN'T HAVE TO CALL THAT FOR. 1605 00:35:53,067 --> 00:35:54,367 I CALLED HER HERE JUST SO WE 1606 00:35:54,367 --> 00:35:56,067 CAN GET IT ON THE TABLE, 'CAUSE 1607 00:35:56,067 --> 00:35:57,167 I KNOW YOU GOT A FEW THINGS YOU 1608 00:35:57,167 --> 00:35:57,833 WANT TO SAY TO HER. 1609 00:35:57,833 --> 00:35:58,833 ABSOLUTELY. 1610 00:35:58,833 --> 00:36:00,067 SHE GOT SOME ISSUES. 1611 00:36:00,067 --> 00:36:01,567 I GOT A COUPLE ISSUES WITH HER. 1612 00:36:01,567 --> 00:36:02,400 AS LONG AS SHE DON'T GET IN 1613 00:36:02,400 --> 00:36:03,900 THE WAY OF MY GOOD COCKTAIL AND 1614 00:36:03,900 --> 00:36:05,167 MY MACARONI AND CHEESE, 1615 00:36:05,167 --> 00:36:06,200 'CAUSE THAT WHY I CAME HERE. 1616 00:36:06,200 --> 00:36:07,400 BUT I'MA SAY WHAT I NEED TO SAY 1617 00:36:07,400 --> 00:36:08,067 TO HER. 1618 00:36:08,067 --> 00:36:08,833 ABSOLUTELY. 1619 00:36:08,833 --> 00:36:09,967 HEY. 1620 00:36:09,967 --> 00:36:10,733 HEY, MISS REDD. 1621 00:36:10,733 --> 00:36:11,433 HOW ARE YOU? 1622 00:36:11,433 --> 00:36:12,267 I'M WONDERFUL. 1623 00:36:12,267 --> 00:36:14,833 AND YOURSELF? 1624 00:36:14,833 --> 00:36:15,500 HEY, BOO. 1625 00:36:15,500 --> 00:36:16,467 YOU LOOK CUTE. 1626 00:36:16,467 --> 00:36:17,433 THANK YOU. 1627 00:36:17,433 --> 00:36:18,100 UH-UH. 1628 00:36:18,100 --> 00:36:19,200 I DID NOT COME IN LOVE. 1629 00:36:19,200 --> 00:36:19,900 HAVE A SEAT. 1630 00:36:19,900 --> 00:36:21,067 [laughs] 1631 00:36:21,067 --> 00:36:22,067 WHAT'S THE DEAL? 1632 00:36:22,067 --> 00:36:22,933 GIRL, YOU LOOK LIKE YOU WAS 1633 00:36:22,933 --> 00:36:25,133 READY TO GO TO A RED CARPET 1634 00:36:25,133 --> 00:36:25,933 ON THE GRAMMY'S, 1635 00:36:25,933 --> 00:36:26,833 BUT THE KNOCK-OFF ONE. 1636 00:36:26,833 --> 00:36:27,833 IT'S NOT A GOOD DAY TO HATE, 1637 00:36:27,833 --> 00:36:28,533 TRUST ME. 1638 00:36:28,533 --> 00:36:29,633 I WOULD NEVER TRUST 1639 00:36:29,633 --> 00:36:31,967 THE WOMAN WITH A RHINESTONE 1640 00:36:31,967 --> 00:36:33,967 SNAKE AROUND HER NECK. 1641 00:36:33,967 --> 00:36:34,800 YOU CAN'T TRUST NO WOMAN 1642 00:36:34,800 --> 00:36:36,067 LIKE THAT. 1643 00:36:36,067 --> 00:36:37,567 SO WHAT'S UP, MAMA? 1644 00:36:37,567 --> 00:36:38,867 IT'S JUST BEEN A FEW THINGS 1645 00:36:38,867 --> 00:36:40,467 THAT HAVE BEEN SAID. 1646 00:36:40,467 --> 00:36:41,933 THE FIRST TIME I SAW YOU, YOU 1647 00:36:41,933 --> 00:36:43,267 DIDN'T KNOW THE SITUATION. 1648 00:36:43,267 --> 00:36:44,300 YOU HAD NO IDEA. 1649 00:36:44,300 --> 00:36:45,800 SECOND TIME I SAW YOU, YOU 1650 00:36:45,800 --> 00:36:46,867 SITTING AT THE TABLE AT HER 1651 00:36:46,867 --> 00:36:48,733 LISTENING PARTY, AND YOU TELLING 1652 00:36:48,733 --> 00:36:50,500 ME ABOUT THIS WOMAN. 1653 00:36:50,500 --> 00:36:51,767 BECAUSE EVERY TIME I SAW YOU, 1654 00:36:51,767 --> 00:36:54,700 ARIANE--IS IT ARIA, ARIEN, 1655 00:36:54,700 --> 00:36:55,400 WHATEVER HER NAME IS-- 1656 00:36:55,400 --> 00:36:56,733 ARIANE. 1657 00:36:56,733 --> 00:36:57,533 YOU KNOW THAT GIRL NAME. 1658 00:36:57,533 --> 00:36:58,200 THAT'S MY FRIEND. 1659 00:36:58,200 --> 00:37:00,267 ARIANE--ARIANE--K.MICHELLE, 1660 00:37:00,267 --> 00:37:01,200 I'M TELLING YOU. 1661 00:37:01,200 --> 00:37:02,100 YOU WANT TO TAKE SHOTS? 1662 00:37:02,100 --> 00:37:03,633 I'MA TAKE SHOTS BACK. 1663 00:37:03,633 --> 00:37:06,400 WE COULD TAKE SHOTS ALL DAY. 1664 00:37:06,400 --> 00:37:07,700 YOU AIN'T TELLING ME NOTHING. 1665 00:37:07,700 --> 00:37:08,967 AND YOU ARE JEALOUS OF ME 1666 00:37:08,967 --> 00:37:10,067 BECAUSE OF WHAT? 1667 00:37:10,067 --> 00:37:11,100 WHY WOULD I BE JEALOUS? 1668 00:37:11,100 --> 00:37:11,933 YOU OLD AS [bleep]. 1669 00:37:11,933 --> 00:37:13,067 YOU LOOK LIKE [bleep]. 1670 00:37:13,067 --> 00:37:15,400 A 40-YEAR-OLD ASPIRING SINGER 1671 00:37:15,400 --> 00:37:16,667 WITHOUT A WIKIPEDIA PAGE. 1672 00:37:16,667 --> 00:37:17,667 YOU LOOK LIKE THE BOTTOM OF 1673 00:37:17,667 --> 00:37:18,700 MY SHOE. 1674 00:37:18,700 --> 00:37:19,800 I GOT MORE [bleep] UNDER MY BELT 1675 00:37:19,800 --> 00:37:21,067 THAN YOU WILL EVER HAVE. 1676 00:37:21,067 --> 00:37:21,933 'CAUSE YOU OLD ENOUGH, BITCH. 1677 00:37:21,933 --> 00:37:22,600 AND YOU'RE PSYCHO. 1678 00:37:22,600 --> 00:37:23,267 YOU'RE 40. 1679 00:37:23,267 --> 00:37:23,933 LOOK AT YOU. 1680 00:37:23,933 --> 00:37:24,667 YOU GOT ONE DEFLATED 1681 00:37:24,667 --> 00:37:25,500 ASS CHEEK. 1682 00:37:25,500 --> 00:37:26,200 WHOOP-WHOOP. 1683 00:37:26,200 --> 00:37:26,867 YOU'RE LIKE THIS. 1684 00:37:26,867 --> 00:37:28,400 POOP, POOP, PA, PA. 1685 00:37:28,400 --> 00:37:29,267 IT'S NOT WORKING. 1686 00:37:29,267 --> 00:37:30,067 PA, PA, PA. 1687 00:37:30,067 --> 00:37:31,933 IT DOESN'T HAVE TO WORK. 1688 00:37:31,933 --> 00:37:33,600 THE BITCH IS CRAZY. 1689 00:37:33,600 --> 00:37:34,600 SHE'S PSYCHO. 1690 00:37:34,600 --> 00:37:35,500 THAT'S WHY THEY PUT MENTAL 1691 00:37:35,500 --> 00:37:37,267 PEOPLE IN STRAITJACKETS. 1692 00:37:37,267 --> 00:37:38,567 BRING IT DOWN, 'CAUSE MY HEAD 1693 00:37:38,567 --> 00:37:39,667 WILL START SPINNING, AND I'LL 1694 00:37:39,667 --> 00:37:41,300 CHOP YOU IN YOUR TRACHEALA. 1695 00:37:41,300 --> 00:37:44,167 TRY IT. 1696 00:37:44,167 --> 00:37:45,467 [bleep] WITH ME IF YOU WANT TO. 1697 00:37:45,467 --> 00:37:46,200 IT'S NOT A GOOD DAY, OKAY? 1698 00:37:46,200 --> 00:37:47,500 WHOO! 1699 00:37:47,500 --> 00:37:48,600 THIS BITCH IS SHAKING 1700 00:37:48,600 --> 00:37:49,800 THE TABLE! 1701 00:37:49,800 --> 00:37:51,967 DON'T SHAKE UNLESS YOU READY TO 1702 00:37:51,967 --> 00:37:53,367 GET SHOOK. 1703 00:37:53,367 --> 00:37:54,933 YOU HAVE NO RECEIPT! 1704 00:37:54,933 --> 00:37:56,600 YOU [bleep] EVERYBODY IN 1705 00:37:56,600 --> 00:37:57,333 THE INDUSTRY! 1706 00:37:57,333 --> 00:37:58,133 YOU ARE VERY JEALOUS OF ME. 1707 00:37:58,133 --> 00:37:58,933 YOU HAVE NO RECEIPT! 1708 00:37:58,933 --> 00:38:01,200 [both talking over each other] 1709 00:38:01,200 --> 00:38:02,700 I GOT YOU ON TAPE! 1710 00:38:02,700 --> 00:38:03,900 DON'T MAKE UP NO [bleep] 1711 00:38:03,900 --> 00:38:04,733 ON ME, BITCH. 1712 00:38:04,733 --> 00:38:05,400 HEY! 1713 00:38:05,400 --> 00:38:07,300 DON'T YOU MAKE--DON'T YOU 1714 00:38:07,300 --> 00:38:08,400 EVER LIE ON ME. 1715 00:38:08,400 --> 00:38:10,400 DON'T VIOLATE ME! 1716 00:38:10,400 --> 00:38:12,100 I BEEN THROUGH TOO MUCH. 1717 00:38:12,100 --> 00:38:13,833 I'M NOBODY'S PUNK. 1718 00:38:13,833 --> 00:38:15,267 RUN FAR AWAY, 'CAUSE YOU'RE 1719 00:38:15,267 --> 00:38:16,400 [bleep]! 1720 00:38:16,400 --> 00:38:18,400 EVERY TIME I SEE YOU! 1721 00:38:18,400 --> 00:38:20,433 I DON'T LIKE HER. 1722 00:38:20,433 --> 00:38:24,267 EVERY TIME I SEE YOU! 1723 00:38:24,267 --> 00:38:25,533 SHE FELT LIKE YOU WERE BEING 1724 00:38:25,533 --> 00:38:27,600 INAPPROPRIATE AT HER FUNCTIONS, 1725 00:38:27,600 --> 00:38:28,400 AND-- 1726 00:38:28,400 --> 00:38:29,233 I DON'T GIVE A [bleep] WHAT A 1727 00:38:29,233 --> 00:38:30,167 BITCH GOT TO SAY. 1728 00:38:30,167 --> 00:38:31,533 ONCE YOU PUT YOUR HANDS ON ME, 1729 00:38:31,533 --> 00:38:33,633 I WILL BE AT YOUR HOUSE TODAY! 1730 00:38:33,633 --> 00:38:34,767 YOU GOT TO ARREST ME TODAY, 1731 00:38:34,767 --> 00:38:35,933 TRUST ME. 1732 00:38:35,933 --> 00:38:37,400 TRUST ME, YOU GOT TO ARREST ME 1733 00:38:37,400 --> 00:38:41,900 TODAY. 1734 00:38:41,900 --> 00:38:42,667 YOU'RE [bleep] WITH 1735 00:38:42,667 --> 00:38:43,567 THE WRONG BITCH! 1736 00:38:43,567 --> 00:38:44,300 TRUST ME! 1737 00:38:44,300 --> 00:38:45,333 MIMI, YOU BETTER TELL 'EM! 1738 00:38:45,333 --> 00:38:46,667 BITCH, SHUT YOUR ASS UP! 1739 00:38:46,667 --> 00:38:47,567 YOU STUPID BITCH! 1740 00:38:47,567 --> 00:38:48,367 YOU AIN'T GONNA DO [bleep]! 1741 00:38:48,367 --> 00:38:49,467 I'M FROM MEMPHIS! 1742 00:38:49,467 --> 00:38:50,467 I NEED TO [bleep] WHIP THIS 1743 00:38:50,467 --> 00:38:51,500 BITCH ASS! 1744 00:38:51,500 --> 00:38:53,300 OKAY, I'M NOT GONNA PLAY THEM 1745 00:38:53,300 --> 00:38:53,967 GAMES. 1746 00:38:53,967 --> 00:38:54,633 I'M FROM MEMPHIS. 1747 00:38:54,633 --> 00:38:56,567 I DON'T PLAY THAT, CARLOS. 1748 00:38:56,567 --> 00:38:57,467 I JUST WANTED TO COME OUT 1749 00:38:57,467 --> 00:38:59,100 THE BATHROOM, AND I WANTED TO 1750 00:38:59,100 --> 00:39:00,867 APOLOGIZE FOR MY NAPKIN. 1751 00:39:00,867 --> 00:39:02,467 EXCUSE ME, ME AND MY NAPKIN 1752 00:39:02,467 --> 00:39:04,567 APOLOGIZE TO YOU AND YOUR LUMP. 1753 00:39:04,567 --> 00:39:05,733 SEE THESE CRIES ON HERE? 1754 00:39:05,733 --> 00:39:07,067 THEY COME FROM ANGER THAT I 1755 00:39:07,067 --> 00:39:09,067 CANNOT BEAT THIS BITCH ASS 1756 00:39:09,067 --> 00:39:10,100 RIGHT NOW. 1757 00:39:10,100 --> 00:39:12,267 YOU KNOW ME, MIMI. 1758 00:39:12,267 --> 00:39:13,433 SHE FELT LIKE YOU WERE BEING 1759 00:39:13,433 --> 00:39:15,100 INAPPROPRIATE AT HER FUNCTIONS, 1760 00:39:15,100 --> 00:39:16,267 AND-- 1761 00:39:16,267 --> 00:39:17,133 I DON'T GIVE A [bleep] WHAT A 1762 00:39:17,133 --> 00:39:18,067 BITCH GOT TO SAY. 1763 00:39:18,067 --> 00:39:19,400 ONCE YOU PUT YOUR HANDS ON ME, 1764 00:39:19,400 --> 00:39:21,533 I WILL BE AT YOUR HOUSE TODAY! 1765 00:39:21,533 --> 00:39:22,567 'CAUSE ONCE YOU PUT YOUR HANDS 1766 00:39:22,567 --> 00:39:24,167 ON ME, IT IS OVER! 1767 00:39:24,167 --> 00:39:25,633 BETTER LUCK NEXT TIME. 1768 00:39:25,633 --> 00:39:26,967 MAYBE SHE WON'T SHAKE A TABLE 1769 00:39:26,967 --> 00:39:27,967 NO MORE. 1770 00:39:27,967 --> 00:39:30,400 MAYBE SHE WON'T LIE ON ME. 1771 00:39:30,400 --> 00:39:31,300 MAYBE SHE WON'T CALL ME 1772 00:39:31,300 --> 00:39:32,833 ON MY NIGHT. 1773 00:39:32,833 --> 00:39:33,467 WE GONNA SEE EACH OTHER 1774 00:39:33,467 --> 00:39:35,067 AGAIN. 1775 00:39:35,067 --> 00:39:36,300 WE GONNA SEE EACH OTHER AGAIN. 1776 00:39:36,300 --> 00:39:37,633 YOU GOT TO ARREST ME TODAY, 1777 00:39:37,633 --> 00:39:38,733 TRUST ME. 1778 00:39:38,733 --> 00:39:40,133 TRUST ME, YOU GOT TO ARREST ME 1779 00:39:40,133 --> 00:39:42,133 TODAY. 1780 00:39:45,233 --> 00:39:47,233 ON THE NEXT LOVE & HIP-HOP 1781 00:39:47,233 --> 00:39:48,233 ATLANTA... 1782 00:39:48,233 --> 00:39:49,367 I'M MORE SEASONED IN THIS 1783 00:39:49,367 --> 00:39:50,067 GAME THAN YOU. 1784 00:39:50,067 --> 00:39:51,233 THAT'S WHAT YOU THINK, BABY. 1785 00:39:51,233 --> 00:39:52,067 YOU DON'T KNOW ME. 1786 00:39:52,067 --> 00:39:52,967 I GOOGLED YOUR NAME. 1787 00:39:52,967 --> 00:39:54,233 A VINEGAR POPPED UP, 1788 00:39:54,233 --> 00:39:55,400 A BRAND OF VINEGAR. 1789 00:39:55,400 --> 00:39:56,567 K.MICHELLE DOES NOT HAVE 1790 00:39:56,567 --> 00:39:58,100 THE ABILITY OF HAVING ANY ADULT 1791 00:39:58,100 --> 00:39:59,267 CONVERSATION. 1792 00:39:59,267 --> 00:40:00,433 GET THE [bleep] OUT. 1793 00:40:00,433 --> 00:40:03,667 I LIKE YOUR PINK DRESS. 1794 00:40:03,667 --> 00:40:04,933 WHAT'S GOING ON WITH YOU 1795 00:40:04,933 --> 00:40:06,267 AND KARLIE? 1796 00:40:06,267 --> 00:40:07,367 LIKE, NO JOKE, SHE'S A REAL 1797 00:40:07,367 --> 00:40:08,700 HUMBLE PERSON. 1798 00:40:08,700 --> 00:40:09,767 I'M GONNA MEET HER FAMILY SOON. 1799 00:40:09,767 --> 00:40:10,600 OH, WOW. 1800 00:40:10,600 --> 00:40:11,400 YEAH. 1801 00:40:11,400 --> 00:40:12,933 WHOO. 1802 00:40:12,933 --> 00:40:15,100 I NEVER KNEW JOSELINE, SHE 1803 00:40:15,100 --> 00:40:16,000 THREATENED MIMI MORE. 1804 00:40:16,000 --> 00:40:16,800 FOR WHAT? 1805 00:40:16,800 --> 00:40:17,700 ARE Y'ALL STILL [bleep] AROUND? 1806 00:40:17,700 --> 00:40:19,033 OCCASIONALLY, I TAKE A DIP 1807 00:40:19,033 --> 00:40:20,633 BACK IN THERE. 1808 00:40:20,633 --> 00:40:22,067 THE PROBLEM IS STEVIE AND HIS 1809 00:40:22,067 --> 00:40:23,367 LYING ASS. 1810 00:40:23,367 --> 00:40:25,767 HE JUST A RABBIT. 1811 00:40:25,767 --> 00:40:27,600 HE HAS A WAY OF TELLING YOU ONE 1812 00:40:27,600 --> 00:40:28,633 THING, TELLING ME ONE THING, 1813 00:40:28,633 --> 00:40:30,033 AND TELLING EVERYBODY ELSE ONE 1814 00:40:30,033 --> 00:40:32,000 THING, AND PLAYING EVERYBODY. 1815 00:40:32,000 --> 00:40:34,767 YOU STILL GONNA... 1816 00:40:34,767 --> 00:40:35,867 LOOK OUT FOR ME ON THAT CHILD 1817 00:40:35,867 --> 00:40:36,733 SUPPORT? 1818 00:40:36,733 --> 00:40:37,833 I ASKED YOU FOR SOME MONEY 1819 00:40:37,833 --> 00:40:38,533 AND I STILL HAVE YET 1820 00:40:38,533 --> 00:40:39,600 TO RECEIVE IT. 1821 00:40:39,600 --> 00:40:40,800 I AIN'T GET AROUND TO IT. 1822 00:40:40,800 --> 00:40:42,200 YOU'RE NOT TAKING HIM 1823 00:40:42,200 --> 00:40:43,000 OFF CHILD SUPPORT. 1824 00:40:43,000 --> 00:40:44,400 HE IS GONNA DO WHAT HE'S 1825 00:40:44,400 --> 00:40:45,333 SUPPOSED TO DO. 1826 00:40:45,333 --> 00:40:47,567 I'M GOING TO HAVE A MEETING 1827 00:40:47,567 --> 00:40:49,533 WITH OUTSIDE MANAGEMENT. 1828 00:40:49,533 --> 00:40:51,367 MMM, EUGH. 1829 00:40:51,367 --> 00:40:53,200 YOU'RE THE TALENT. 1830 00:40:53,200 --> 00:40:54,333 AND THEY WOULDN'T BE IN THAT 1831 00:40:54,333 --> 00:40:55,733 ROLE WITHOUT YOU, AND THAT'S 1832 00:40:55,733 --> 00:40:57,400 WHAT YOU HAVE TO UNDERSTAND. 1833 00:40:57,400 --> 00:40:58,300 I'M ABOUT TO GET FIRED, 1834 00:40:58,300 --> 00:40:59,433 IS WHAT YOU'RE TELLING ME. 1835 00:40:59,433 --> 00:41:00,867 THE PERSON WHO PUT THEIR LIFE ON 1836 00:41:00,867 --> 00:41:02,567 THE LINE FOR YOU FOR 17 YEARS. 1837 00:41:02,567 --> 00:41:03,400 YOU'RE GONNA TELL ME YOU'RE 1838 00:41:03,400 --> 00:41:04,433 GONNA FIRE ME? 1839 00:41:04,433 --> 00:41:05,233 WELL, I DON'T WANT TO 1840 00:41:05,233 --> 00:41:08,067 SAY THAT. 1841 00:41:08,067 --> 00:41:10,067 [sobbing] 113288