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PREVIOUSLY ON LOVE & HIP-HOP:
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ATLANTA...
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I JUST WANT TO MAKE SURE WE
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ON THE SAME PAGE AS FAR AS
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MOVING FORWARD IN OUR
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RELATIONSHIP.
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I GOT TO GET MY OWN SPOT.
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I'M WORKING ON YOU, AND YOU
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WORKING ON ME.
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YEAH.
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AND ONLY YOU AND ONLY ME.
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YES.
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YOU LOSE A PERSONAL
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RELATIONSHIP AND CAN'T EVEN GET
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A HUG SOMETIME, AND,
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LIKE, IS THIS--
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DON'T THINK I DON'T THINK
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ABOUT THE PERSONAL STUFF, BUT
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WE RIGHT HERE.
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GIVE ME A KISS.
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YOU GONNA GIVE ME A KISS.
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WHAT HAPPENED?
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I SAID EXACTLY WHAT
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YOU JUST SAID.
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OKAY, HE WAS LIKE, "NO,
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BITCH, WAS THE [bleep] DID YOU
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SAY?"
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BITCH?
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YES, BITCH.
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THAT'S WHAT HE CALLED ME.
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I WANT TO PUT THEM
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PAWS ON HIM.
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WHOSE BABY IS IT?
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I AIN'T BEEN [bleep] NOBODY
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FOR THE LAST SIX MONTHS BUT YOU.
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I KNOW WHO BABY I HAVE IN MY
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STOMACH, AND YOU KNOW TOO.
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WHAT'S GOING ON?
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SHE TELLS ME SHE'S PREGNANT
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BY YOU.
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THAT'S WHAT SHE SAID?
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WHAT ARE YOU DOING WITH THAT?
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WHY ARE YOU BRINGING
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THAT OUT?
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IT IS HIS BABY.
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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* YEAH
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* THIS THE LIFE
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♪ THIS IS THE LIFE
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* 'SUP ♪
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* THIS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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* THIS THE LIFE
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♪ THIS IS THE LIFE
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* HUH
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♪ THERE AIN'T NOTHING LIKE ♪
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♪ HIP-HOP MUSIC
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♪ MUSIC
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* THIS IS THE LIFE
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♪ THIS IS THE LIFE
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I GOT A CALL FROM ARIANE,
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INVITING ME OVER TO HAVE DRINKS
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WITH HER AND MIMI.
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THE THREE OF US DIDN'T GET THE
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CHANCE TO HANG AT MY SHOWCASE,
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BECAUSE MIMI'S MAN DECIDES TO
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ACT A FOOL.
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HI.
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HEY.
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SO I'M LOOKING FORWARD TO A
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LITTLE GIRL TALK TODAY.
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SO WHAT'S BEEN GOING ON?
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LIKE, I THOUGHT WE WAS GONNA BE
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PARTYING, EXCITED.
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Y'ALL SEEM--WHAT'S UP?
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WHAT?
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DID I DO SOMETHING?
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WHAT'S WRONG?
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WHAT'S GOING ON?
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NO, YOU DIDN'T DO ANYTHING.
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MIMI?
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JOSELINE CALLED ME THE OTHER
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DAY--OR YESTERDAY.
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I GO MEET HER, AND SHE PROCEEDS
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TO TELL ME THAT SHE'S PREGNANT.
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OH.
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AND SHE TELLS ME SHE'S
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PREGNANT BY STEVIE
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AND JUST STARTS GOING IN ON ME,
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LIKE--AND I'M SITTING AT THE
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TABLE CONFUSED.
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WHAT THE [bleep] ARE YOU
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MAD ABOUT?
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BITCH, YOU PREGNANT BY MY DUDE.
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SO I TELL HER, "CALL HIM.
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HAVE HIM COME DOWN."
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OH, MY GOD, MIMI.
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HE COMES DOWN.
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HE STANDS IN BETWEEN THE TWO OF
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US AND WANTS TO KNOW WHAT WE'RE
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HERE FOR.
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AND SHE SAYS, "I TOLD HER
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WHAT'S UP."
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THIS FOOL PULLS HER PREGNANCY
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TEST OUT OF HIS POCKET.
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IN FRONT OF YOU.
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IN FRONT OF ME.
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WHY ARE YOU CARRYING THIS
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BITCH'S PREGNANCY TEST?
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FOR WHAT?
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THAT'S NASTY.
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THAT IS PISS ON A STICK.
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THAT'S LIKE CARRYING AROUND A
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BLOODY [bleep] TAMPON.
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I CAN'T--I DON'T SEE HOW--
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AT THAT POINT, I HAD NOTHING
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ELSE TO SAY.
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I SAID, "BITCH, YOU AND THAT
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BABY AND HIM, GOOD LUCK."
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I JUST LEFT.
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WELL--
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I COULDN'T TAKE ANOTHER
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SECOND OF SITTING THERE,
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LISTENING TO THIS [bleep].
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WHEN YOU'VE HAD ENOUGH OF A
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SITUATION, YOU'VE HAD ENOUGH.
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AND ONLY ME KNOWS WHEN I'VE
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HAD ENOUGH.
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I'M BUBBLED UP TO THE TOP.
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HE'LL SAY ONE THING TO ME.
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YOU KNOW, "I LOVE YOU.
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I WANT TO BE WITH YOU, AND I
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WANT MY FAMILY."
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BUT THEN HE'LL TURN AROUND, AND
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HIS ACTIONS WILL DO SOMETHING
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COMPLETELY OPPOSITE.
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I'M NOT AROUND STEVIE ALL THE
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TIME.
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I DON'T KNOW WHAT THE [bleep] HE
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DOES WHEN I'M NOT WITH HIM,
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BUT ALL I GET FROM HIM IS,
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"I LOVE YOU.
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I WANT YOU.
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I WANT MY FAMILY."
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BUT THEN WHEN THIS TYPE OF
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[bleep] GOES DOWN, AND I GOT THE
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NEXT BITCH TALKING ABOUT, SHE'S
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PREGNANT, AND IT'S JUST--
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IF YOU WANT TO HURT, YOU CAN
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HURT WITH ME, HONEY.
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YOU CAN CALL ME, DO WHATEVER,
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'CAUSE I BEEN THERE, AND I STILL
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HAVE HARD DAYS.
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YOU GOT AHOLD OF BEING STRONG,
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AND MY HEART GOES OUT TO YOU,
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BECAUSE I'M A SINGLE MAMA JUST
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LIKE YOU.
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MY BABY'S FATHER WAS A CLOWN.
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I JUST FEEL LIKE YOU DIDN'T--
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SHE NEVER WANTED TO SAY, "I'M
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A SINGLE MOTHER," AND SHE ALWAYS
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WANTED IT--AND I GET IT.
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LIKE, I GET THE WHOLE NOT
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WANTING TO BE A SINGLE MOTHER,
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BUT YOU CAN'T KEEP FIGHTING FOR
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SOMEBODY THAT WON'T FIGHT FOR
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THEMSELVES OR THAT WON'T--
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HE DOES NOT CARE.
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FOR YEARS I'VE BEEN TELLING MIMI
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SHE DESERVES SO MUCH BETTER.
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SHE KEEPS SAYING SHE'S GONNA
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MOVE ON AND SHE'S GONNA DO
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BETTER.
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AND I REALLY PRAY THAT SHE'LL
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JUST MOVE ON.
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IT'S TIME.
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SO WHAT ARE YOU DOING?
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I'M ALL ABOUT MOVING FORWARD.
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I DON'T WANT TO WALLOW
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IN NO [bleep].
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THAT'S NOT WHAT I'M ABOUT.
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I DON'T WANT NO REVENGE.
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I'M NOT NO WOMAN SCORNED.
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I'M NONE OF THAT.
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I'M GONNA BETTER MYSELF, AND I'M
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GONNA MOVE FORWARD FOR ME AND MY
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DAUGHTER, PERIOD.
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I DON'T WANT TO DO THIS ANYMORE.
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I JUST--I DON'T.
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I DON'T.
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I'M DONE.
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SINCE MY SON HAS MADE HIS
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MAJOR MOVE FROM ERICA'S HOUSE,
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I THOUGHT I'D GO OVER AND
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SURPRISE HIM AND SEE HOW THINGS
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WERE GOING.
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WHO THAT?
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ME, IT'S MOMMY.
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WHAT'S HAPPENIN', LADY?
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OH, WOW, THIS IS NICE.
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DID THAT.
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I LIKE IT.
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MAMA'S BIG MAN.
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THANK YOU.
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WOW.
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SO, LOOK, HOW DOES IT FEEL TO BE
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IN YOUR OWN SPOT AGAIN?
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I FEEL LIKE A MAN AGAIN,
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A "G."
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OKAY.
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YOU FEEL ME?
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'CAUSE STAYING WITH SOMEBODY,
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YOU GOT TO LIVE BY THEIR RULES,
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YOU FEEL ME?
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AND THEN THAT'S BABY MAMA, SO
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YOU KNOW, I HAD TO SHOW LOVE,
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YOU KNOW, RESPECT.
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BUT, SEE, NOW IT'S LIKE, YOU
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KNOW, I GOT MY OWN JOINT.
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YEAH.
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I CAN CHILL AND WAKE UP...
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I LOVE IT.
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YOU KNOW WHAT I'M SAYING?
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IF I WANT A MILLION CHICKS
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BUTT-NAKED RUNNING AROUND HERE,
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I CAN DO IT, YOU FEEL ME?
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IF I WANT TO RUN AROUND HERE
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BUTT-NAKED MYSELF, WHATEVER.
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WELL, YEAH, IT FEELS GOOD,
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THOUGH.
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YOU KNOW WHAT I'M SAYING?
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A'IGHT, WHAT'S GOING WITH
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YOU AND ERICA?
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WHAT'S GOING ON?
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I THINK SHE REALLY COOL
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WITH IT.
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ERICA, THAT'S MY BABY MAMA.
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YOU FEEL ME?
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AND WE ALL FAMILY OR WHATEVER,
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'CAUSE WE GOT THE LITTLE ONE
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THAT I LOVE TO DEATH.
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YOU KNOW WHAT I'M SAYIN'?
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THAT'S MY GANGSTER RIGHT THERE.
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HE MONEY, BUT RIGHT NOW I JUST
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CAN'T REALLY SEE US TOGETHER.
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YOU KNOW WHAT I'M 'SAYIN'?
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IT AIN'T WORKING.
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SO DID YOU TELL HER THAT,
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THOUGH?
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NO.
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Y'ALL AIN'T HAD THAT TALK
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YET, BUT YOU GOING TO.
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YEAH, WE'RE GONNA HAVE THAT
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CONVERSATION.
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'CAUSE I KNOW YOU AND SHAY GO
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OUT FROM TIME TO TIME WITH HER
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PRETTY SELF.
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I MEAN, BUT THAT'S JUST A
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HOMEY, THOUGH.
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YOU KNOW WHAT I'M SAYIN'?
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LIKE, SHE, LIKE, A BEST
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FRIEND, BEST, BEST, BEST FRIEND,
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YOU FEEL ME, LIKE--
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THEY SAY BEST FRIENDS MAKE
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GOOD WIVES.
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I THINK SHAY IS THE PERFECT
269
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YOUNG LADY FOR MY SON.
270
00:06:40,433 --> 00:06:42,633
SHE HAS A VERY GOOD PERSONALITY.
271
00:06:42,633 --> 00:06:45,400
SHE'S GOT A FINE, TIGHT BODY.
272
00:06:45,400 --> 00:06:47,667
AND IF I WAS MY SON, I'D BE ON
273
00:06:47,667 --> 00:06:48,967
THAT TOO.
274
00:06:48,967 --> 00:06:50,133
HAVE YOU HIT IT YET?
275
00:06:50,133 --> 00:06:51,633
THAT'S WHEN I COME BACK AND I
276
00:06:51,633 --> 00:06:53,633
SAY, "MOM, STAY IN YOUR LANE."
277
00:06:53,633 --> 00:06:55,133
YOU STAY OUT OF MY BUSINESS.
278
00:06:55,133 --> 00:06:55,833
YOU FEEL ME?
279
00:06:55,833 --> 00:06:56,633
MY NOSINESS IS GETTING THE
280
00:06:56,633 --> 00:06:57,300
BEST OF ME.
281
00:06:57,300 --> 00:06:58,067
I'M A GENTLEMAN, AND A
282
00:06:58,067 --> 00:06:59,133
GENTLEMAN NEVER TELLS.
283
00:06:59,133 --> 00:07:03,067
A PLAYER NEVER TELLS.
284
00:07:03,067 --> 00:07:04,533
SHAY BUCKEEY JOHNSON, MY BEST
285
00:07:04,533 --> 00:07:06,200
FRIEND FOR, LIKE, FOUR, FIVE
286
00:07:06,200 --> 00:07:06,833
YEARS.
287
00:07:06,833 --> 00:07:08,267
FINE AS HELL, YOU KNOW, ON
288
00:07:08,267 --> 00:07:10,467
EVERYTHING, BUT, YOU KNOW, RIGHT
289
00:07:10,467 --> 00:07:12,067
NOW, I CAN'T SEEM TO THINK ABOUT
290
00:07:12,067 --> 00:07:13,467
HER WITHOUT ALL THIS CRAZINESS
291
00:07:13,467 --> 00:07:14,933
CONSISTENTLY GOING ON WITH
292
00:07:14,933 --> 00:07:16,333
ERICA, YOU FEEL ME?
293
00:07:16,333 --> 00:07:18,067
SO I'M OVER AT ERICA'S HOUSE,
294
00:07:18,067 --> 00:07:18,833
YOU KNOW WHAT I'M SAYIN'?
295
00:07:18,833 --> 00:07:19,800
I WAS GETTING READY TO DIP
296
00:07:19,800 --> 00:07:21,233
WITHOUT PACKING MY STUFF.
297
00:07:21,233 --> 00:07:23,500
SHE COME IN AND SAY SHE GOT INTO
298
00:07:23,500 --> 00:07:24,467
IT WITH THIS DUDE
299
00:07:24,467 --> 00:07:25,400
NAMED STEVIE J.
300
00:07:25,400 --> 00:07:26,200
WHAT'D HE SAY?
301
00:07:26,200 --> 00:07:26,800
I DON'T KNOW.
302
00:07:26,800 --> 00:07:27,667
SHE SAID HE CALLED HER A BITCH.
303
00:07:27,667 --> 00:07:28,367
WHAT?
304
00:07:28,367 --> 00:07:30,200
BITCH, AND ANOTHER BITCH.
305
00:07:30,200 --> 00:07:31,833
SHUT THE [bleep] FRONT DOOR.
306
00:07:31,833 --> 00:07:32,900
I SHUT IT ALREADY,
307
00:07:32,900 --> 00:07:33,567
BUT I'M GONNA--
308
00:07:33,567 --> 00:07:35,300
DID ERICA GO BACK AT HIM?
309
00:07:35,300 --> 00:07:36,200
SHE SAID SHE DID.
310
00:07:36,200 --> 00:07:38,367
SO YOU TEACH THIS PERSON THAT
311
00:07:38,367 --> 00:07:41,100
HE'S NEVER TO DISRESPECT THE
312
00:07:41,100 --> 00:07:43,100
PRINCE OF THE SOUTH, EVER.
313
00:07:43,100 --> 00:07:44,333
I'M GONNA HOLLER AT HIM.
314
00:07:44,333 --> 00:07:45,200
I'M GONNA HOLLER AT HIM,
315
00:07:45,200 --> 00:07:46,633
RESPECTFULLY, LIKE A MAN.
316
00:07:46,633 --> 00:07:47,300
YEAH, RIGHT.
317
00:07:47,300 --> 00:07:48,133
YOU KNOW WHAT I'M SAYIN'?
318
00:07:48,133 --> 00:07:49,133
IF HE GET OUT OF LINE, I'M GONNA
319
00:07:49,133 --> 00:07:50,267
HOLLER AT HIM.
320
00:07:50,267 --> 00:07:51,667
I'M THE QUEEN OF THIS THRONE.
321
00:07:51,667 --> 00:07:53,733
AND THE PRINCE, I WILL SEND YOU
322
00:07:53,733 --> 00:07:56,067
OUT TO PROTECT EVERYTHING THAT
323
00:07:56,067 --> 00:07:57,933
WE HAVE ESTABLISHED, AND NOBODY
324
00:07:57,933 --> 00:07:59,133
GETS AWAY WITH THAT.
325
00:07:59,133 --> 00:08:01,200
NOT DOWN TO THE SOUTH,
326
00:08:01,200 --> 00:08:01,833
YOU FEEL ME?
327
00:08:01,833 --> 00:08:03,867
I DON'T CARE WHO STEVIE J. IS.
328
00:08:03,867 --> 00:08:05,833
HE DISRESPECTED, AND HE'S GOT TO
329
00:08:05,833 --> 00:08:07,233
BE HANDLED.
330
00:08:07,233 --> 00:08:08,767
NO DISRESPECT OUT HERE IN THESE
331
00:08:08,767 --> 00:08:09,433
STREETS.
332
00:08:09,433 --> 00:08:10,933
I'M NOT GOING FOR IT, AND
333
00:08:10,933 --> 00:08:12,233
NEITHER IS MY SON.
334
00:08:12,233 --> 00:08:13,200
GO AT HIM.
335
00:08:13,200 --> 00:08:15,200
MAKE HIM ANSWER.
336
00:08:15,200 --> 00:08:17,200
KICK HIM.
337
00:08:24,867 --> 00:08:26,067
TWO DAYS AGO, I WENT TO THE
338
00:08:26,067 --> 00:08:26,900
ABORTION CLINIC,
339
00:08:26,900 --> 00:08:28,200
AND THE PROCEDURE JUST LEFT ME
340
00:08:28,200 --> 00:08:29,900
FEELING DOWN AND TIRED.
341
00:08:29,900 --> 00:08:31,200
I HAVEN'T SPOKEN TO STEVIE SINCE
342
00:08:31,200 --> 00:08:32,833
HE DROPPED ME OFF TO THE
343
00:08:32,833 --> 00:08:34,067
ABORTION CLINIC.
344
00:08:34,067 --> 00:08:35,067
AND HE'S JUST BEEN BLOWING UP MY
345
00:08:35,067 --> 00:08:35,733
PHONE.
346
00:08:35,733 --> 00:08:37,733
I'M STILL REALLY MAD AT HIM.
347
00:08:37,733 --> 00:08:38,667
HOW YOU GONNA SIT OUT THERE AND
348
00:08:38,667 --> 00:08:39,733
DENY MY BABY?
349
00:08:39,733 --> 00:08:40,633
WHAT YOU WANT TO TALK ABOUT,
350
00:08:40,633 --> 00:08:41,333
STEVIE?
351
00:08:41,333 --> 00:08:42,633
THIS WHOLE SITUATION THAT WE
352
00:08:42,633 --> 00:08:44,467
JUST HAD TO GO THROUGH.
353
00:08:44,467 --> 00:08:45,533
WHO WENT THROUGH THAT?
354
00:08:45,533 --> 00:08:46,200
ME OR YOU?
355
00:08:46,200 --> 00:08:47,300
BOTH OF US.
356
00:08:47,300 --> 00:08:48,133
BUT YOU SAID IT WASN'T YOUR
357
00:08:48,133 --> 00:08:49,067
BABY, SO HOW DID YOU
358
00:08:49,067 --> 00:08:49,800
GO THROUGH IT?
359
00:08:49,800 --> 00:08:50,467
I MEAN--
360
00:08:50,467 --> 00:08:51,867
I JUST COULDN'T BELIEVE THAT
361
00:08:51,867 --> 00:08:53,333
YOU WOULD EVEN...
362
00:08:53,333 --> 00:08:54,533
I'M SORRY, I JUST--
363
00:08:54,533 --> 00:08:56,267
ACKNOWLEDGE THAT IT WAS YOUR
364
00:08:56,267 --> 00:08:57,900
BABY, AND I DIDN'T LIKE THAT.
365
00:08:57,900 --> 00:08:58,733
I COULDN'T RESPECT IT.
366
00:08:58,733 --> 00:08:59,400
I CAN'T.
367
00:08:59,400 --> 00:09:00,333
I STILL CAN'T RESPECT THAT
368
00:09:00,333 --> 00:09:01,133
FROM YOU.
369
00:09:01,133 --> 00:09:02,333
EVERY TIME THAT WE TALK ABOUT
370
00:09:02,333 --> 00:09:03,300
SOMETHING, YOU'RE JUST POINTING
371
00:09:03,300 --> 00:09:04,333
YOUR FINGERS AT ME.
372
00:09:04,333 --> 00:09:05,300
LET'S JUST KEEP IT COOL.
373
00:09:05,300 --> 00:09:06,533
IF WE'RE GONNA BE TOGETHER,
374
00:09:06,533 --> 00:09:08,500
WE GONNA BE TOGETHER.
375
00:09:08,500 --> 00:09:10,133
IF WE NOT GONNA BE TOGETHER, WE
376
00:09:10,133 --> 00:09:11,533
NOT HAVING NO SEX; WE NOT DOING
377
00:09:11,533 --> 00:09:12,467
THIS; WE NOT DOING THAT;
378
00:09:12,467 --> 00:09:13,133
WE'RE NOT GONNA--
379
00:09:13,133 --> 00:09:14,067
I'M CELIBATE.
380
00:09:14,067 --> 00:09:16,067
AH, SHUT THE [bleep] UP.
381
00:09:16,067 --> 00:09:17,067
I'M CELIBATE.
382
00:09:17,067 --> 00:09:17,867
I'M COOL WITH THAT.
383
00:09:17,867 --> 00:09:20,067
I'M NOT THIRSTY FOR NO [bleep].
384
00:09:20,067 --> 00:09:21,500
I'M THIRSTY FOR THAT BREAD.
385
00:09:21,500 --> 00:09:22,267
YOU KNOW WHAT I'M SAYIN'?
386
00:09:22,267 --> 00:09:23,067
I'M THIRSTY FOR HER TO MAKE A
387
00:09:23,067 --> 00:09:24,767
WAY FOR HERSELF SO SHE AIN'T GOT
388
00:09:24,767 --> 00:09:25,733
TO HIT THE CLUB NO MORE.
389
00:09:25,733 --> 00:09:26,533
SHE CAN HAVE HER OWN MILLION
390
00:09:26,533 --> 00:09:27,200
DOLLARS.
391
00:09:27,200 --> 00:09:28,367
SO AT THE END OF THE DAY, SHE'LL
392
00:09:28,367 --> 00:09:29,867
RESPECT ME MORE, AND I'M SURE I
393
00:09:29,867 --> 00:09:30,900
COULD DO WHATEVER I LIKE.
394
00:09:30,900 --> 00:09:31,667
YOU KNOW WHAT I'M SAYIN'?
395
00:09:31,667 --> 00:09:33,700
LETTIN' THAT BREAD COME THROUGH.
396
00:09:33,700 --> 00:09:34,800
WE GOT A LOT OF WORK TO DO.
397
00:09:34,800 --> 00:09:36,100
AND I WANT TO MAKE SURE, FROM
398
00:09:36,100 --> 00:09:37,067
THIS POINT FORWARD...
399
00:09:37,067 --> 00:09:39,200
THAT'S ALL YOU CARE ABOUT.
400
00:09:39,200 --> 00:09:40,533
THAT YOU GOT TO DO TO MAKE
401
00:09:40,533 --> 00:09:43,867
SURE YOUR BABY IS TAKEN CARE OF.
402
00:09:43,867 --> 00:09:44,767
I GOT TO TAKE MEDICINE.
403
00:09:44,767 --> 00:09:46,500
I GOT TO TAKE PAINKILLERS.
404
00:09:46,500 --> 00:09:47,567
I GOT TO TAKE ANTIBIOTICS.
405
00:09:47,567 --> 00:09:49,533
AND THE FIRST THING YOU DO, WHEN
406
00:09:49,533 --> 00:09:51,567
YOU GET UP IN MY ROOM, IS SAY WE
407
00:09:51,567 --> 00:09:52,900
GOT TO GET BACK TO WORK IN A
408
00:09:52,900 --> 00:09:53,600
COUPLE OF DAYS.
409
00:09:53,600 --> 00:09:54,400
YOU'RE NOT WORRYING ABOUT ME
410
00:09:54,400 --> 00:09:56,067
TAKING CARE OF MYSELF...
411
00:09:56,067 --> 00:09:56,700
I AM.
412
00:09:56,700 --> 00:09:58,300
I COOKED YOU BREAKFAST.
413
00:09:58,300 --> 00:09:59,800
YOU COOKED ME BREAKFAST, AND
414
00:09:59,800 --> 00:10:00,767
YOU TOOK ME TO GET A [bleep]
415
00:10:00,767 --> 00:10:01,667
ABORTION.
416
00:10:01,667 --> 00:10:02,500
THAT'S THE LEAST YOU COULD
417
00:10:02,500 --> 00:10:03,200
HAVE DONE.
418
00:10:03,200 --> 00:10:04,000
I GUESS HE THOUGHT HE WAS DOING
419
00:10:04,000 --> 00:10:05,033
SOMETHING BY COOKING ME SOME
420
00:10:05,033 --> 00:10:05,833
BREAKFAST.
421
00:10:05,833 --> 00:10:07,467
I TOOK MY RESPONSIBILITIES.
422
00:10:07,467 --> 00:10:09,333
I CARRY MINE'S ON MY SHOULDER.
423
00:10:09,333 --> 00:10:10,433
I JUST FEEL LIKE HE WASN'T
424
00:10:10,433 --> 00:10:12,000
CARRYING HIS ON HIS SHOULDERS.
425
00:10:12,000 --> 00:10:13,500
HAVE YOU EVER REALLY LOVED ME,
426
00:10:13,500 --> 00:10:14,233
STEVIE?
427
00:10:14,233 --> 00:10:15,967
REALLY, REALLY LOVED ME?
428
00:10:15,967 --> 00:10:16,667
LIKE YOU SAY YOU DID?
429
00:10:16,667 --> 00:10:19,333
ARE YOU SERIOUS?
430
00:10:19,333 --> 00:10:21,400
I HAVE A LOT OF LOVE FOR YOU.
431
00:10:21,400 --> 00:10:24,433
NO, HAVE YOU EVER LOVED ME?
432
00:10:24,433 --> 00:10:27,067
DO YOU LOVE ME?
433
00:10:27,067 --> 00:10:28,967
THAT'S NOT AN ANSWER.
434
00:10:28,967 --> 00:10:31,067
WHAT ELSE DO YOU WANT
435
00:10:31,067 --> 00:10:31,733
FROM ME?
436
00:10:31,733 --> 00:10:33,467
HUH?
437
00:10:33,467 --> 00:10:34,800
ALL I WANT FROM STEVIE IS
438
00:10:34,800 --> 00:10:35,767
THE TRUTH.
439
00:10:35,767 --> 00:10:37,967
I GAVE HIM ALL OF ME.
440
00:10:37,967 --> 00:10:39,700
I GAVE HIM MY HEART, MY SOUL.
441
00:10:39,700 --> 00:10:41,067
ALL HE'S EVER DONE IS BREAK ME
442
00:10:41,067 --> 00:10:42,667
DOWN AND BREAK MY HEART.
443
00:10:42,667 --> 00:10:43,733
AND I WON'T LET HIM DO THIS TO
444
00:10:43,733 --> 00:10:44,767
ME AGAIN.
445
00:10:44,767 --> 00:10:48,667
HEY, HEY.
446
00:10:48,667 --> 00:10:50,667
HEY.
447
00:10:59,900 --> 00:11:01,967
A'IGHT?
448
00:11:03,200 --> 00:11:05,200
I'M ROCKIN' WITH YOU.
449
00:11:07,800 --> 00:11:08,933
I KNOW THIS IS AN EMOTIONAL
450
00:11:08,933 --> 00:11:10,667
TIME, BUT I WANT YOU TO KNOW YOU
451
00:11:10,667 --> 00:11:11,700
CAN CALL ME ANYTIME,
452
00:11:11,700 --> 00:11:12,367
NO MATTER WHAT.
453
00:11:12,367 --> 00:11:13,800
YOU HEAR ME?
454
00:11:13,800 --> 00:11:18,567
GIVE ME A HUG.
455
00:11:18,567 --> 00:11:20,567
I'LL SEE YOU LATER, OKAY?
456
00:11:26,600 --> 00:11:28,267
THIS IS IT, THE FINAL STRAW.
457
00:11:28,267 --> 00:11:30,067
AND YES, I WANT TO BE MARRIED TO
458
00:11:30,067 --> 00:11:30,833
SCRAPPY.
459
00:11:30,833 --> 00:11:32,400
IF YOU AIN'T GOT [bleep] TO
460
00:11:32,400 --> 00:11:33,300
SAY, IF YOU DON'T WANT TO MAKE
461
00:11:33,300 --> 00:11:34,533
[bleep] RIGHT, THEN [bleep] YOU.
462
00:11:34,533 --> 00:11:35,867
I DIDN'T [bleep] NOBODY AND GET
463
00:11:35,867 --> 00:11:37,333
'EM PREGNANT; YOU DID.
464
00:11:37,333 --> 00:11:38,367
[all shouting at once]
465
00:11:38,367 --> 00:11:39,200
WHAT ARE YOU TRYING TO
466
00:11:39,200 --> 00:11:39,800
GET AT?
467
00:11:39,800 --> 00:11:40,467
WHAT ARE YOU TRYING TO
468
00:11:40,467 --> 00:11:41,200
GET AT?
469
00:11:41,200 --> 00:11:43,200
NO, WE DIDN'T [bleep], BITCH,
470
00:11:43,200 --> 00:11:45,400
NO.
471
00:11:54,100 --> 00:11:56,100
HI, ERICA.
472
00:11:56,100 --> 00:11:57,100
HEY, MOM.
473
00:11:57,100 --> 00:11:58,200
HOW YOU DOING?
474
00:11:58,200 --> 00:11:59,067
I'M GOOD.
475
00:11:59,067 --> 00:12:00,667
OH, OKAY, WHAT ARE YOU DOING?
476
00:12:00,667 --> 00:12:02,067
I'M IN THE KITCHEN FIXING
477
00:12:02,067 --> 00:12:03,300
A SALAD.
478
00:12:03,300 --> 00:12:04,167
OOH, THAT LOOKS WONDERFUL.
479
00:12:04,167 --> 00:12:04,800
YOU NEED SOME HELP?
480
00:12:04,800 --> 00:12:06,367
NO, I HAVE IT.
481
00:12:06,367 --> 00:12:07,833
I HAVEN'T SEEN MY MOM SINCE
482
00:12:07,833 --> 00:12:09,967
SCRAPPY MOVED OUT, SO I INVITED
483
00:12:09,967 --> 00:12:11,400
HER OVER TO LET HER KNOW THAT
484
00:12:11,400 --> 00:12:12,467
EVERYTHING'S GOING GREAT IN OUR
485
00:12:12,467 --> 00:12:13,500
RELATIONSHIP.
486
00:12:13,500 --> 00:12:14,900
SO HOW THINGS GOING WITH YOU
487
00:12:14,900 --> 00:12:16,500
AND SCRAP?
488
00:12:16,500 --> 00:12:17,400
IT'S REALLY GOOD.
489
00:12:17,400 --> 00:12:18,167
IT IS?
490
00:12:18,167 --> 00:12:18,967
YES.
491
00:12:18,967 --> 00:12:20,067
OKAY, HAS IT IMPROVED SINCE--
492
00:12:20,067 --> 00:12:22,667
IT HAS IMPROVED TREMENDOUSLY.
493
00:12:22,667 --> 00:12:23,567
SO YOU'RE DOING OKAY
494
00:12:23,567 --> 00:12:24,233
WITH THAT?
495
00:12:24,233 --> 00:12:25,633
YEAH, I'M DOING VERY WELL.
496
00:12:25,633 --> 00:12:26,900
I WAS NERVOUS AT FIRST WITH
497
00:12:26,900 --> 00:12:28,867
HIM MOVING, BUT I'M OKAY, AND
498
00:12:28,867 --> 00:12:30,467
WE'VE BEEN DOING VERY WELL.
499
00:12:30,467 --> 00:12:32,067
SO YOU'RE NOT WORRIED ABOUT
500
00:12:32,067 --> 00:12:32,767
ALL THE WOMEN?
501
00:12:32,767 --> 00:12:33,800
YOU KNOW, LAST TIME Y'ALL WERE
502
00:12:33,800 --> 00:12:34,800
IN SEPARATE PLACES, HE ENDED UP
503
00:12:34,800 --> 00:12:35,567
WITH DIAMOND.
504
00:12:35,567 --> 00:12:36,967
SCRAPPY KNOWS HOW THAT
505
00:12:36,967 --> 00:12:39,100
AFFECTED ME, SO I HAVE FAITH IN
506
00:12:39,100 --> 00:12:40,200
HIM THAT HE'S NOT GONNA PUT ME
507
00:12:40,200 --> 00:12:41,367
THROUGH ANYTHING LIKE THAT
508
00:12:41,367 --> 00:12:42,467
EVER AGAIN.
509
00:12:42,467 --> 00:12:43,667
IT'S NO MORE SHACKING UP.
510
00:12:43,667 --> 00:12:44,733
IT'S ME WORKING ON YOU,
511
00:12:44,733 --> 00:12:46,100
AND YOU WORKING ON ME.
512
00:12:46,100 --> 00:12:48,100
AND IN THE END, I'M GONNA HAVE
513
00:12:48,100 --> 00:12:50,600
A RING, SO HE KNOWS THAT.
514
00:12:50,600 --> 00:12:52,500
WHEN EMANI WAS ABOUT TWO,
515
00:12:52,500 --> 00:12:54,800
SCRAPPY PROPOSED, AND I OBJECTED
516
00:12:54,800 --> 00:12:56,267
BECAUSE WE REALLY WEREN'T JUST
517
00:12:56,267 --> 00:12:58,667
READY, BUT THIS GO-AROUND, YOU
518
00:12:58,667 --> 00:13:00,067
KNOW, WE'RE DOING WELL IN OUR
519
00:13:00,067 --> 00:13:01,467
RELATIONSHIP, MOVING FORWARD,
520
00:13:01,467 --> 00:13:02,733
AND I'M READY.
521
00:13:02,733 --> 00:13:05,500
I JUST DON'T KNOW IF HE'S READY.
522
00:13:05,500 --> 00:13:08,067
I JUST FEEL IN MY HEART, IF
523
00:13:08,067 --> 00:13:09,500
WE'RE GONNA WORK TOWARD MARRIAGE
524
00:13:09,500 --> 00:13:10,733
AND LONGEVITY, WE SHOULD BE
525
00:13:10,733 --> 00:13:11,767
LIVING TOGETHER.
526
00:13:11,767 --> 00:13:12,833
I WANT TO GET MARRIED, BUT
527
00:13:12,833 --> 00:13:14,067
WE'RE NOT IN A HURRY BECAUSE
528
00:13:14,067 --> 00:13:15,700
WE'RE STILL--WE'RE GETTING TO
529
00:13:15,700 --> 00:13:17,067
KNOW EACH OTHER ALL OVER AGAIN.
530
00:13:17,067 --> 00:13:17,800
SO I DON'T WANT TO RUSH
531
00:13:17,800 --> 00:13:18,767
ANYTHING.
532
00:13:18,767 --> 00:13:20,500
I WANT TO TAKE IT SLOW.
533
00:13:20,500 --> 00:13:22,433
THIS IS IT, THE FINAL STRAW.
534
00:13:22,433 --> 00:13:24,433
AND YES, I WANT TO BE MARRIED TO
535
00:13:24,433 --> 00:13:25,800
SCRAPPY.
536
00:13:25,800 --> 00:13:27,867
MY MOM DOESN'T THINK SCRAPPY'S
537
00:13:27,867 --> 00:13:29,867
THE ONE FOR ME, SO SHE SAYS
538
00:13:29,867 --> 00:13:31,433
WE'RE NOT EQUALLY YOKED.
539
00:13:31,433 --> 00:13:33,167
SHE THINKS I'M MUCH MORE MATURE
540
00:13:33,167 --> 00:13:34,267
THAN HIM, AND HE HAS A LOT OF
541
00:13:34,267 --> 00:13:35,100
GROWING TO DO.
542
00:13:35,100 --> 00:13:36,467
MAYBE IT'S NOT UP TO HER LIKINGS
543
00:13:36,467 --> 00:13:38,967
RIGHT NOW, BUT IT'S UP TO MINE.
544
00:13:38,967 --> 00:13:40,367
SO YOU SHOULD RESPECT MY
545
00:13:40,367 --> 00:13:41,433
DECISION RIGHT NOW.
546
00:13:41,433 --> 00:13:43,533
REGARDLESS, YOU KNOW, OF WHAT
547
00:13:43,533 --> 00:13:44,767
WENT ON IN THE PAST, WE'RE GONNA
548
00:13:44,767 --> 00:13:45,767
MAKE THIS WORK.
549
00:13:45,767 --> 00:13:46,833
WE'RE MOVING FORWARD.
550
00:13:46,833 --> 00:13:48,067
SO THAT'S WHAT WE'RE DOING
551
00:13:48,067 --> 00:13:48,667
RIGHT NOW.
552
00:13:48,667 --> 00:13:49,667
WE'RE MOVING FORWARD,
553
00:13:49,667 --> 00:13:50,867
AND WE'RE HAPPY.
554
00:13:50,867 --> 00:13:52,267
AND REGARDLESS OF WHAT ANYBODY
555
00:13:52,267 --> 00:13:54,567
ELSE THINKS, WE GOOD.
556
00:13:54,567 --> 00:13:55,367
BUT I JUST WANT YOU TO KNOW
557
00:13:55,367 --> 00:13:56,767
WHAT YOU'RE DOING, KNOW WHAT
558
00:13:56,767 --> 00:13:57,767
YOU'RE GETTING INTO.
559
00:13:57,767 --> 00:13:59,433
AND I DON'T WANT YOU TO GET
560
00:13:59,433 --> 00:14:01,333
HURT, BUT IF YOU DO, I WANT YOU
561
00:14:01,333 --> 00:14:02,567
TO BE PREPARED.
562
00:14:02,567 --> 00:14:03,533
TIME HEALS EVERYTHING.
563
00:14:03,533 --> 00:14:04,600
I WANT YOU TO BE ABLE TO TAKE--
564
00:14:04,600 --> 00:14:07,200
DUST IT OFF AND MOVE ON.
565
00:14:07,200 --> 00:14:08,867
MOVE PAST IT.
566
00:14:08,867 --> 00:14:09,667
TRUST THAT I KNOW WHAT I'M
567
00:14:09,667 --> 00:14:10,433
DOING RIGHT NOW.
568
00:14:10,433 --> 00:14:11,167
OKAY.
569
00:14:11,167 --> 00:14:13,067
TRUST THAT IF I PUT MYSELF IN
570
00:14:13,067 --> 00:14:14,400
THE LINE OF FIRE, I'M PREPARED
571
00:14:14,400 --> 00:14:16,400
TO GET BURNED.
572
00:14:26,467 --> 00:14:27,833
WHAT HAVE WE HERE?
573
00:14:27,833 --> 00:14:30,967
HELLO.
574
00:14:30,967 --> 00:14:33,167
WOW, WHERE AM I?
575
00:14:33,167 --> 00:14:34,100
COME ON, COME ON.
576
00:14:34,100 --> 00:14:37,767
IT'S GETTING COLD.
577
00:14:37,767 --> 00:14:38,733
BUSINESS PUTS A LOT OF PRESSURE
578
00:14:38,733 --> 00:14:40,300
AND A LOT OF STRESS ON KIRK AND
579
00:14:40,300 --> 00:14:41,333
I'S RELATIONSHIP.
580
00:14:41,333 --> 00:14:42,400
AND WHAT HAPPENED AT THE VIDEO
581
00:14:42,400 --> 00:14:45,167
IS PRETTY TYPICAL, BUT ONE THING
582
00:14:45,167 --> 00:14:46,567
I WANT KIRK TO UNDERSTAND IS,
583
00:14:46,567 --> 00:14:48,100
NOT ONLY DO I GO HARD FOR OUR
584
00:14:48,100 --> 00:14:49,100
BUSINESS AND THE THINGS WE'RE
585
00:14:49,100 --> 00:14:50,700
TRYING TO ACHIEVE, BUT I GO HARD
586
00:14:50,700 --> 00:14:51,667
FOR OUR MARRIAGE, AND I
587
00:14:51,667 --> 00:14:53,200
DEFINITELY GO HARD FOR HIS LOVE.
588
00:14:53,200 --> 00:14:54,533
I JUST WANTED TO DO SOMETHING A
589
00:14:54,533 --> 00:14:57,533
LITTLE SPECIAL.
590
00:14:57,533 --> 00:14:59,700
I WANT YOU TO UNDERSTAND THAT I
591
00:14:59,700 --> 00:15:01,767
HEARD YOU LOUD AND CLEAR WHEN
592
00:15:01,767 --> 00:15:04,667
YOU SAID, THE PERSONAL TIME, SO
593
00:15:04,667 --> 00:15:07,400
I FIGURED, LET ME COOK INSTEAD
594
00:15:07,400 --> 00:15:08,833
OF US GOING OUT,
595
00:15:08,833 --> 00:15:10,767
HAVING A BIG BILL.
596
00:15:10,767 --> 00:15:11,700
THIS IS AWESOME.
597
00:15:11,700 --> 00:15:12,867
LIKE, YES, YOU NEED
598
00:15:12,867 --> 00:15:14,167
TO DO THIS MORE.
599
00:15:14,167 --> 00:15:15,533
IT'S JUST ALL ABOUT ME AND
600
00:15:15,533 --> 00:15:19,067
YOU HAVING DINNER, DESSERT, AND
601
00:15:19,067 --> 00:15:20,533
SOME MORE DESSERT.
602
00:15:20,533 --> 00:15:23,067
NOW, FOR REAL.
603
00:15:23,067 --> 00:15:24,667
I'M REALLY GLAD THAT RASHEEDA
604
00:15:24,667 --> 00:15:26,167
TOOK TIME OUT TO, LIKE, DO
605
00:15:26,167 --> 00:15:27,567
SOMETHING SPECIAL FOR ME,
606
00:15:27,567 --> 00:15:28,867
BECAUSE, IT'S LIKE, EVERYTHING
607
00:15:28,867 --> 00:15:30,333
OF MY LIFE IS ALWAYS DOING
608
00:15:30,333 --> 00:15:31,500
THINGS FOR HER.
609
00:15:31,500 --> 00:15:32,867
AND FOR HER TO TAKE OUT TIME OF
610
00:15:32,867 --> 00:15:34,133
HER DAY TO DO SOMETHING FOR ME,
611
00:15:34,133 --> 00:15:35,800
I REALLY FELT SPECIAL.
612
00:15:35,800 --> 00:15:36,733
IT FELT GOOD.
613
00:15:36,733 --> 00:15:37,833
ONE THING I DO WANT TO TALK
614
00:15:37,833 --> 00:15:38,700
ABOUT IS A LITTLE BIT OF
615
00:15:38,700 --> 00:15:39,833
FAMILY STUFF, THOUGH.
616
00:15:39,833 --> 00:15:41,067
YEAH, WE NEED TO GET
617
00:15:41,067 --> 00:15:42,500
EVERYBODY ON TRACK.
618
00:15:42,500 --> 00:15:43,533
I KNOW THAT.
619
00:15:43,533 --> 00:15:47,300
WE WENT FROM BILL, TO VIDEO,
620
00:15:47,300 --> 00:15:48,867
TO BILLS.
621
00:15:48,867 --> 00:15:50,300
IT'S A LOT.
622
00:15:50,300 --> 00:15:51,467
RASHEEDA AND I HAVE A SON
623
00:15:51,467 --> 00:15:53,100
TOGETHER, BUT I HAVE FOUR OTHER
624
00:15:53,100 --> 00:15:53,900
KIDS FROM PREVIOUS
625
00:15:53,900 --> 00:15:54,867
RELATIONSHIPS.
626
00:15:54,867 --> 00:15:56,467
SOMETIMES I FEEL LIKE IT'S A BIG
627
00:15:56,467 --> 00:15:59,100
FINANCIAL BURDEN, AND IT'S TIME
628
00:15:59,100 --> 00:16:00,333
FOR THEM TO PICK UP AND START
629
00:16:00,333 --> 00:16:01,767
DOING THINGS ON THEIR OWN.
630
00:16:01,767 --> 00:16:04,167
WE NEED TO GET THEM ON THE PAGE
631
00:16:04,167 --> 00:16:05,167
AND UNDERSTAND,
632
00:16:05,167 --> 00:16:06,067
"LISTEN, THIS IS IT."
633
00:16:06,067 --> 00:16:08,367
I'M LOOKING FOR A RELIEF.
634
00:16:08,367 --> 00:16:09,700
IT WAS REALLY GREAT TO GET ON
635
00:16:09,700 --> 00:16:10,800
THE SAME PAGE AS KIRK.
636
00:16:10,800 --> 00:16:12,067
AND THOUGH WE HAVE OUR UPS AND
637
00:16:12,067 --> 00:16:13,300
DOWNS ALL THE TIME, I JUST
638
00:16:13,300 --> 00:16:14,833
APPRECIATE HIM SO MUCH AS A
639
00:16:14,833 --> 00:16:16,233
HUSBAND AND EVERYTHING HE
640
00:16:16,233 --> 00:16:17,467
DOES FOR OUR FAMILY.
641
00:16:17,467 --> 00:16:19,433
TO LOVE, HEALTH, FAMILY, AND
642
00:16:19,433 --> 00:16:20,400
GOING HARD.
643
00:16:20,400 --> 00:16:21,800
AND LOVE AND MORE
644
00:16:21,800 --> 00:16:22,700
PERSONAL TIME.
645
00:16:22,700 --> 00:16:23,967
THIS IS EXCELLENT.
646
00:16:23,967 --> 00:16:25,967
MM-HMM.
647
00:16:31,400 --> 00:16:32,467
SO STEVIE'S BEEN BLOWING UP
648
00:16:32,467 --> 00:16:34,100
MY PHONE FOR THE PAST FEW DAYS.
649
00:16:34,100 --> 00:16:35,267
AND, REALLY, I JUST DIDN'T FEEL
650
00:16:35,267 --> 00:16:36,200
LIKE DEALING WITH HIM.
651
00:16:36,200 --> 00:16:37,733
BUT I GUESS I DON'T HAVE MUCH OF
652
00:16:37,733 --> 00:16:39,267
A CHOICE NOW, DO I?
653
00:16:39,267 --> 00:16:40,500
IT'S TIME FOR STEVIE TO HEAR
654
00:16:40,500 --> 00:16:41,833
SOME REAL TALK.
655
00:16:41,833 --> 00:16:43,333
WHAT'S GOOD?
656
00:16:43,333 --> 00:16:44,067
WHAT'S GOING ON?
657
00:16:44,067 --> 00:16:46,067
YOU TELL ME.
658
00:16:46,067 --> 00:16:47,133
I WANTED TO STOP THROUGH,
659
00:16:47,133 --> 00:16:48,667
COME AND SAY HELLO TO YOU, SEE
660
00:16:48,667 --> 00:16:50,067
WHAT WAS ON YOUR MIND.
661
00:16:50,067 --> 00:16:51,167
YOU STOPPED THROUGH TO SEE
662
00:16:51,167 --> 00:16:52,367
WHAT WAS ON MY MIND?
663
00:16:52,367 --> 00:16:53,167
YEAH.
664
00:16:53,167 --> 00:16:53,933
YOU HAVE THE NEXT BITCH
665
00:16:53,933 --> 00:16:55,100
PREGNANT AND THAT'S SOME MORE
666
00:16:55,100 --> 00:16:55,800
[bleep].
667
00:16:55,800 --> 00:16:57,333
I WAS EVERYTHING MEAN,
668
00:16:57,333 --> 00:16:58,167
EVERYTHING NEGATIVE,
669
00:16:58,167 --> 00:16:59,767
EVERYTHING, RIGHT?
670
00:16:59,767 --> 00:17:01,067
YOU NEVER CAME TO MY DEFENSE
671
00:17:01,067 --> 00:17:02,067
OR ANYTHING.
672
00:17:02,067 --> 00:17:02,967
YOU'RE GONNA LET THIS BITCH SIT
673
00:17:02,967 --> 00:17:04,767
THERE AND [bleep] CALL ME OUT MY
674
00:17:04,767 --> 00:17:05,867
NAME AND SOME MORE [bleep].
675
00:17:05,867 --> 00:17:06,667
AND YOU DON'T SAY [bleep] TO
676
00:17:06,667 --> 00:17:07,433
THIS BITCH?
677
00:17:07,433 --> 00:17:08,167
COME ON, MA.
678
00:17:08,167 --> 00:17:09,867
DON'T [bleep] "COME ON, MA,"
679
00:17:09,867 --> 00:17:10,600
ME.
680
00:17:10,600 --> 00:17:12,167
ARE YOU SERIOUS RIGHT NOW?
681
00:17:12,167 --> 00:17:13,433
RIGHT, YOU NEVER WANT TO [bleep]
682
00:17:13,433 --> 00:17:14,167
DO IT.
683
00:17:14,167 --> 00:17:15,200
YOU ALWAYS WANT TO [bleep]
684
00:17:15,200 --> 00:17:16,233
BITCHES, BUT YOU NEVER WANT TO
685
00:17:16,233 --> 00:17:17,833
HANDLE [bleep] AFTER THE FACT.
686
00:17:17,833 --> 00:17:18,700
SO THIS IS WHERE YOU WANT TO
687
00:17:18,700 --> 00:17:19,367
GO WITH THIS RIGHT NOW?
688
00:17:19,367 --> 00:17:20,067
WHERE DO YOU WANT
689
00:17:20,067 --> 00:17:20,700
TO GO WITH IT?
690
00:17:20,700 --> 00:17:21,433
I'M NOT TRYING TO ARGUE
691
00:17:21,433 --> 00:17:22,167
WITH YOU.
692
00:17:22,167 --> 00:17:22,800
I'M NOT TRYING TO SCREAM
693
00:17:22,800 --> 00:17:23,433
WITH YOU.
694
00:17:23,433 --> 00:17:24,500
YOU'RE NOT TRYING TO ARGUE
695
00:17:24,500 --> 00:17:25,433
'CAUSE YOU DON'T HAVE NO [bleep]
696
00:17:25,433 --> 00:17:26,700
ARGUMENT.
697
00:17:26,700 --> 00:17:27,833
I'M THE ONE WITH THE GRIPE,
698
00:17:27,833 --> 00:17:28,633
NOT YOU.
699
00:17:28,633 --> 00:17:30,067
I DIDN'T [bleep] NOBODY AND GET
700
00:17:30,067 --> 00:17:31,333
'EM PREGNANT; YOU DID.
701
00:17:31,333 --> 00:17:32,533
HE WAS JUST WRONG.
702
00:17:32,533 --> 00:17:35,133
IN EVERY SENSE, IN EVERY ASPECT,
703
00:17:35,133 --> 00:17:36,767
NO MATTER HOW YOU CUT IT, SLICE
704
00:17:36,767 --> 00:17:38,767
IT, FLIP IT UP, RUB IT THE
705
00:17:38,767 --> 00:17:39,933
[bleep] DOWN, [bleep] WRONG,
706
00:17:39,933 --> 00:17:41,500
PERIOD.
707
00:17:41,500 --> 00:17:43,333
AND HE HAD NOTHING TO SAY.
708
00:17:43,333 --> 00:17:44,500
HOW CAN WE FIX THIS?
709
00:17:44,500 --> 00:17:47,400
WHAT IS THERE TO FIX, STEVIE?
710
00:17:47,400 --> 00:17:49,133
YOU'RE GONNA SIT UP AND
711
00:17:49,133 --> 00:17:50,867
PILLOW-TALK WITH THE NEXT BITCH.
712
00:17:50,867 --> 00:17:51,667
I DON'T PILLOW-TALK--
713
00:17:51,667 --> 00:17:53,067
I BET YOU [bleep] DID, 'CAUSE
714
00:17:53,067 --> 00:17:54,433
THIS BITCH IS PREGNANT BY YOU.
715
00:17:54,433 --> 00:17:56,133
ARE YOU [bleep] SERIOUS?
716
00:17:56,133 --> 00:17:57,233
SHE'S NOT?
717
00:17:57,233 --> 00:17:58,600
WHY ISN'T SHE?
718
00:17:58,600 --> 00:18:00,367
YOU TOOK HER TO THE CLINIC?
719
00:18:00,367 --> 00:18:01,667
WHY IS SHE NOT PREGNANT?
720
00:18:01,667 --> 00:18:03,533
SHE HAD AN ABORTION.
721
00:18:03,533 --> 00:18:04,900
SO YOU TOOK THE BITCH TO HAVE AN
722
00:18:04,900 --> 00:18:05,633
ABORTION.
723
00:18:05,633 --> 00:18:06,333
SHE HAD AN ABORTION.
724
00:18:06,333 --> 00:18:07,167
DON'T YOU THINK THAT WAS THE
725
00:18:07,167 --> 00:18:08,367
RIGHT THING TO DO?
726
00:18:08,367 --> 00:18:09,300
I DON'T KNOW WHAT THE [bleep]
727
00:18:09,300 --> 00:18:10,367
YOU THINK IS THE RIGHT THING
728
00:18:10,367 --> 00:18:11,167
TO DO.
729
00:18:11,167 --> 00:18:11,833
CAN YOU STOP?
730
00:18:11,833 --> 00:18:12,633
I'M GIVING YOU THE FLOOR.
731
00:18:12,633 --> 00:18:13,533
WHAT YOU GOT TO SAY, PLEASE?
732
00:18:13,533 --> 00:18:14,367
I JUST WANT TO KNOW WHAT YOU
733
00:18:14,367 --> 00:18:15,533
WANT TO DO MOVING FORWARD.
734
00:18:15,533 --> 00:18:16,600
I DON'T WANT TO DO [bleep]
735
00:18:16,600 --> 00:18:18,167
WITH YOU MOVING [bleep] FORWARD.
736
00:18:18,167 --> 00:18:18,933
ALL RIGHT, COOL.
737
00:18:18,933 --> 00:18:19,600
THAT'S IT.
738
00:18:19,600 --> 00:18:20,500
WITH YOU [bleep] THIS BITCH.
739
00:18:20,500 --> 00:18:21,333
AND YOU STILL CARRYING ON WITH
740
00:18:21,333 --> 00:18:22,067
THIS BITCH.
741
00:18:22,067 --> 00:18:23,200
AND YOU STILL AROUND THIS BITCH.
742
00:18:23,200 --> 00:18:24,067
EVERY TIME YOU'RE AROUND THIS
743
00:18:24,067 --> 00:18:25,067
BITCH, THERE'S SOME [bleep]
744
00:18:25,067 --> 00:18:26,300
DRAMA AND BULL[bleep].
745
00:18:26,300 --> 00:18:27,233
YOU KNOW WHAT, STEVIE?
746
00:18:27,233 --> 00:18:29,900
YOU CAN EXIT STAGE LEFT.
747
00:18:29,900 --> 00:18:31,267
I KNOW I MESSED UP, BUT
748
00:18:31,267 --> 00:18:32,667
SHE'S SO FIRED UP RIGHT NOW THAT
749
00:18:32,667 --> 00:18:33,967
ANYTHING I SAY IS GONNA
750
00:18:33,967 --> 00:18:34,900
SET HER OFF.
751
00:18:34,900 --> 00:18:36,067
I HOPE YOU'RE HAPPY WITH THAT
752
00:18:36,067 --> 00:18:36,967
[bleep] BITCH.
753
00:18:36,967 --> 00:18:37,633
I'M HAPPY WITH ME.
754
00:18:37,633 --> 00:18:38,300
GOOD.
755
00:18:38,300 --> 00:18:39,267
SEE YA.
756
00:18:39,267 --> 00:18:39,933
THIS IS IT?
757
00:18:39,933 --> 00:18:41,100
YOU AIN'T SAID [bleep] ELSE.
758
00:18:41,100 --> 00:18:42,167
I AIN'T GOT TO SAY NOTHING.
759
00:18:42,167 --> 00:18:43,233
YOU MOTHER[bleep] RIGHT.
760
00:18:43,233 --> 00:18:44,133
IF YOU AIN'T GOT [bleep] TO SAY,
761
00:18:44,133 --> 00:18:45,067
IF YOU DON'T WANT TO MAKE
762
00:18:45,067 --> 00:18:46,133
[bleep] RIGHT, THEN [bleep] YOU,
763
00:18:46,133 --> 00:18:47,067
'CAUSE YOU SHOWED ME WHAT THE
764
00:18:47,067 --> 00:18:47,733
[bleep] YOU WANT.
765
00:18:47,733 --> 00:18:49,333
YOU WANT A [bleep] SLUT-ASS
766
00:18:49,333 --> 00:18:50,100
BITCH.
767
00:18:50,100 --> 00:18:51,100
YOU GO DO THAT.
768
00:18:51,100 --> 00:18:52,800
OKAY?
769
00:18:52,800 --> 00:18:54,867
IF THAT'S WHAT STEVIE CHOOSES TO
770
00:18:54,867 --> 00:18:57,200
DO, HE CAN DO THAT, BUT I'M NOT
771
00:18:57,200 --> 00:18:58,133
GONNA DO IT WITH HIM.
772
00:18:58,133 --> 00:19:00,767
I'M MOVING THIS WAY.
773
00:19:00,767 --> 00:19:02,333
YOU STAY IN THE GUTTER WITH ALL
774
00:19:02,333 --> 00:19:03,833
THAT [bleep] AND TRASH.
775
00:19:03,833 --> 00:19:06,200
YOU GOT THAT.
776
00:19:11,700 --> 00:19:12,500
I JUST WANT TO GET BACK TO
777
00:19:12,500 --> 00:19:14,467
HER BEING HAPPY, HER TRUSTING ME
778
00:19:14,467 --> 00:19:15,267
AGAIN.
779
00:19:15,267 --> 00:19:15,967
YOU GOT TO KEEP YOUR
780
00:19:15,967 --> 00:19:16,633
MOTHER[bleep] [bleep]
781
00:19:16,633 --> 00:19:17,533
IN YOUR PANTS.
782
00:19:17,533 --> 00:19:18,867
YOU THINK YOU CAN DO THAT?
783
00:19:18,867 --> 00:19:20,067
I FEEL LIKE YOU LEFT ME OUT
784
00:19:20,067 --> 00:19:21,933
IN THE DARK BEFORE.
785
00:19:21,933 --> 00:19:23,267
WITH THE WHOLE SITUATION THAT
786
00:19:23,267 --> 00:19:24,200
HAPPENED, I JUST NEED YOU TO BE
787
00:19:24,200 --> 00:19:26,200
THERE.
788
00:19:35,233 --> 00:19:37,367
I CALLED UP MY BOY BENZINO TO
789
00:19:37,367 --> 00:19:38,633
TRY TO GET A, LIKE, A MAN'S
790
00:19:38,633 --> 00:19:39,533
PERSPECTIVE ON THIS WHOLE
791
00:19:39,533 --> 00:19:40,867
SCENARIO THAT'S GOING ON.
792
00:19:40,867 --> 00:19:41,533
IT'S KILLING ME.
793
00:19:41,533 --> 00:19:42,500
SO I'VE KNOWN HIM FOR A LONG
794
00:19:42,500 --> 00:19:43,633
TIME, AND I KNOW THAT HE'LL BE
795
00:19:43,633 --> 00:19:45,467
THE BEST PERSON TO GO TO.
796
00:19:45,467 --> 00:19:46,533
SO WHAT HAPPENED?
797
00:19:46,533 --> 00:19:48,267
I DON'T KNOW WHAT TO DO, MAN.
798
00:19:48,267 --> 00:19:50,133
EVERY TIME I TRY TO SPEAK
799
00:19:50,133 --> 00:19:51,067
TO HER, SHE'S JUST SCREAMING,
800
00:19:51,067 --> 00:19:52,133
HOLLERING.
801
00:19:52,133 --> 00:19:53,267
COME ON, WHAT YOU EXPECT?
802
00:19:53,267 --> 00:19:54,133
YOU KNOW WHAT I'M SAYIN'?
803
00:19:54,133 --> 00:19:54,800
LIKE, PUT YOURSELF IN HER
804
00:19:54,800 --> 00:19:55,467
POSITION.
805
00:19:55,467 --> 00:19:56,733
ALL OF A SUDDEN, YOU KNOW WHAT
806
00:19:56,733 --> 00:19:57,667
I'M SAYIN', THE ARTIST THAT
807
00:19:57,667 --> 00:19:59,300
YOU'RE WORKING WITH TURNS UP
808
00:19:59,300 --> 00:20:00,133
PREGNANT.
809
00:20:00,133 --> 00:20:01,133
[bleep] THAT AIN'T NO EASY PILL
810
00:20:01,133 --> 00:20:02,267
TO SWALLOW, MAN.
811
00:20:02,267 --> 00:20:03,233
I UNDERSTAND.
812
00:20:03,233 --> 00:20:04,700
I'M SORRY.
813
00:20:04,700 --> 00:20:05,467
YOU KNOW WHAT I'M SAYIN'?
814
00:20:05,467 --> 00:20:06,433
I MADE A MISTAKE.
815
00:20:06,433 --> 00:20:07,933
DID YOU TELL HER THAT?
816
00:20:07,933 --> 00:20:09,733
I DIDN'T GET THE CHANCE TO.
817
00:20:09,733 --> 00:20:10,700
ALL SHE WANTED TO DO WAS SCREAM
818
00:20:10,700 --> 00:20:11,400
AND HOLLER.
819
00:20:11,400 --> 00:20:12,333
ALL YOU GOT TO DO IS SAY,
820
00:20:12,333 --> 00:20:13,433
"I'M SORRY," WITHIN THE TIME
821
00:20:13,433 --> 00:20:14,767
SHE'S SCREAMING AND HOLLERING.
822
00:20:14,767 --> 00:20:16,333
THAT'S IT: "I'M SORRY."
823
00:20:16,333 --> 00:20:17,733
I COULDN'T GET PAST ALL OF
824
00:20:17,733 --> 00:20:19,367
THE "MOTHER[bleep]" AND THE
825
00:20:19,367 --> 00:20:20,500
"ASSES"--
826
00:20:20,500 --> 00:20:22,333
YEAH, BUT YOU GOT TO, AGAIN,
827
00:20:22,333 --> 00:20:23,300
YOU KNOW WHAT I'M SAYIN', LIKE,
828
00:20:23,300 --> 00:20:23,967
WHAT DO YOU EXPECT?
829
00:20:23,967 --> 00:20:25,567
IF THE GIRL DIDN'T HAVE FEELINGS
830
00:20:25,567 --> 00:20:26,767
FOR YOU, THEN SHE WOULDN'T CARE.
831
00:20:26,767 --> 00:20:28,133
I KNOW MIMI STILL LOVES ME,
832
00:20:28,133 --> 00:20:29,567
BUT SHE HAS TO UNDERSTAND THIS
833
00:20:29,567 --> 00:20:30,900
IS THE WAY I AM.
834
00:20:30,900 --> 00:20:32,067
I LOVE HER.
835
00:20:32,067 --> 00:20:33,433
I LOVE HER TO DEATH.
836
00:20:33,433 --> 00:20:34,300
AIN'T THAT ENOUGH?
837
00:20:34,300 --> 00:20:35,767
AT THE END OF THE DAY, I DON'T
838
00:20:35,767 --> 00:20:36,967
WANT TO MESS UP, YOU KNOW WHAT
839
00:20:36,967 --> 00:20:38,200
I'M SAYIN', ANY RELATIONSHIP I
840
00:20:38,200 --> 00:20:39,400
GOT WITH MIMI, WHETHER IT'S
841
00:20:39,400 --> 00:20:40,767
FAMILY, WHETHER IT'S BUSINESS--
842
00:20:40,767 --> 00:20:41,933
YOU ALREADY DID THAT.
843
00:20:41,933 --> 00:20:43,067
YOU ALREADY ACCOMPLISHED THAT.
844
00:20:43,067 --> 00:20:44,067
SO NOW IT'S ABOUT HOW YOU GONNA
845
00:20:44,067 --> 00:20:45,133
GET IT BACK?
846
00:20:45,133 --> 00:20:46,333
IF YOU WANT IT BACK.
847
00:20:46,333 --> 00:20:47,567
SEE, THAT'S WHAT IT IS.
848
00:20:47,567 --> 00:20:49,200
SLEAZE, YOU GOT TO, LIKE, REALLY
849
00:20:49,200 --> 00:20:50,800
DEEP DOWN, YOU KNOW, DO YOU KNOW
850
00:20:50,800 --> 00:20:51,467
WHAT YOU WANT?
851
00:20:51,467 --> 00:20:52,133
YOU KNOW WHAT I MEAN?
852
00:20:52,133 --> 00:20:53,233
BECAUSE, TO ME, HONESTLY, YOU
853
00:20:53,233 --> 00:20:54,100
KNOW WHAT I'M SAYIN', LIKE--
854
00:20:54,100 --> 00:20:55,133
I WANT TO GET BACK ON TOP.
855
00:20:55,133 --> 00:20:55,900
THAT'S WHAT I WANT TO DO.
856
00:20:55,900 --> 00:20:57,267
BUT ALL THAT [bleep] TAKES A
857
00:20:57,267 --> 00:20:59,500
BACKSEAT BECAUSE YOU CONSTANTLY
858
00:20:59,500 --> 00:21:01,867
IN SOME DRAMA WITH SOME WOMEN.
859
00:21:01,867 --> 00:21:03,600
IT'S LIKE, YOU GOT TO CLEAN YOUR
860
00:21:03,600 --> 00:21:05,833
HOUSE UP, BECAUSE, REALLY, TO BE
861
00:21:05,833 --> 00:21:06,967
HONEST WITH YOU, IT SEEM LIKE, I
862
00:21:06,967 --> 00:21:08,400
DON'T KNOW, JUST SEEMS LIKE
863
00:21:08,400 --> 00:21:09,233
IT TAKES AWAY YOUR FOCUS FROM
864
00:21:09,233 --> 00:21:10,467
THE MUSIC.
865
00:21:10,467 --> 00:21:11,700
ZINO'S RIGHT.
866
00:21:11,700 --> 00:21:12,833
I GOT ALL TYPE OF [bleep] GOING
867
00:21:12,833 --> 00:21:13,900
ON, AND I'M FORGETTING ABOUT MY
868
00:21:13,900 --> 00:21:14,567
MUSIC.
869
00:21:14,567 --> 00:21:15,233
YOU KNOW WHAT I MEAN?
870
00:21:15,233 --> 00:21:15,933
I'M FORGETTING ABOUT MY
871
00:21:15,933 --> 00:21:16,600
BUSINESS.
872
00:21:16,600 --> 00:21:17,933
I LOVE JOSELINE.
873
00:21:17,933 --> 00:21:18,800
YOU KNOW WHAT I'M SAYIN'?
874
00:21:18,800 --> 00:21:19,467
I LOVE MIMI.
875
00:21:19,467 --> 00:21:20,500
BUT AT THE END OF THE DAY, IT'S
876
00:21:20,500 --> 00:21:21,500
LIKE, I GOT TO FOCUS ON MY
877
00:21:21,500 --> 00:21:22,167
BUSINESS.
878
00:21:22,167 --> 00:21:22,933
YOU KNOW WHAT I'M SAYIN'?
879
00:21:22,933 --> 00:21:23,767
THAT'S WHAT GOT ME HERE IN THE
880
00:21:23,767 --> 00:21:24,467
FIRST PLACE.
881
00:21:24,467 --> 00:21:25,567
CLEAN UP YOUR SITUATION WITH
882
00:21:25,567 --> 00:21:26,300
MIMI.
883
00:21:26,300 --> 00:21:27,233
YOU KNOW WHAT I'M SAYIN'?
884
00:21:27,233 --> 00:21:28,800
IF IT'S A THING WHERE SHE SAYS,
885
00:21:28,800 --> 00:21:29,767
LOOK, SHE DON'T WANT YOU WORKING
886
00:21:29,767 --> 00:21:31,633
WITH JOSELINE NO MORE, WELL, YOU
887
00:21:31,633 --> 00:21:32,967
GONNA HAVE TO MAKE THAT CHOICE,
888
00:21:32,967 --> 00:21:34,167
'CAUSE ULTIMATELY, CAN'T NONE OF
889
00:21:34,167 --> 00:21:35,167
THAT [bleep] MESS UP ALL THE
890
00:21:35,167 --> 00:21:36,100
STUFF THAT'S GETTING READY TO
891
00:21:36,100 --> 00:21:37,133
POP OFF FOR YOU.
892
00:21:37,133 --> 00:21:40,533
YOU'D BE A FOOL.
893
00:21:40,533 --> 00:21:42,500
I WANT TO WIN, BUT AT THE END
894
00:21:42,500 --> 00:21:43,633
OF THE DAY, YOU KNOW WHAT I'M
895
00:21:43,633 --> 00:21:45,300
SAYIN', I WANT MIMI HAPPY TOO.
896
00:21:45,300 --> 00:21:46,667
YOU KNOW?
897
00:21:46,667 --> 00:21:48,300
YEAH, WELL, IF YOU WANT MIMI
898
00:21:48,300 --> 00:21:50,067
HAPPY, YOU KNOW WHAT I'M SAYIN',
899
00:21:50,067 --> 00:21:51,733
YOU GOT TO BE MONOGAMOUS,
900
00:21:51,733 --> 00:21:52,633
MY BROTHER.
901
00:21:52,633 --> 00:21:53,900
THE WORD OF THE DAY IS
902
00:21:53,900 --> 00:21:54,633
"MONOGAMOUS."
903
00:21:54,633 --> 00:21:55,300
SAY IT.
904
00:21:55,300 --> 00:21:56,233
MONOGAMOUS.
905
00:21:56,233 --> 00:21:56,967
COME ON.
906
00:21:56,967 --> 00:21:57,933
SAY IT TOGETHER.
907
00:21:57,933 --> 00:21:59,233
both: MONOGAMOUS.
908
00:21:59,233 --> 00:22:04,600
MONOGAMOUS.
909
00:22:04,600 --> 00:22:05,900
JUST KEEP THINKING THAT.
910
00:22:05,900 --> 00:22:07,667
MONOGAMOUS.
911
00:22:07,667 --> 00:22:09,233
ALL RIGHT.
912
00:22:09,233 --> 00:22:10,833
HIPPOPOTAMUS.
913
00:22:10,833 --> 00:22:12,267
YEAH, THERE YOU GO.
914
00:22:12,267 --> 00:22:13,800
I KNOW I GOT TO DO BETTER,
915
00:22:13,800 --> 00:22:14,767
AND I KNOW I GOT TO DO WHAT I
916
00:22:14,767 --> 00:22:16,233
GOT TO DO TO MAKE HER SMILE, TO
917
00:22:16,233 --> 00:22:17,200
MAKE HER HAPPY, PERIOD,
918
00:22:17,200 --> 00:22:17,867
POINT BLANK.
919
00:22:17,867 --> 00:22:18,867
IT'S LIKE, YOU KNOW WHEN YOU
920
00:22:18,867 --> 00:22:19,800
LOVE SOMEBODY YOU JUST DO THE
921
00:22:19,800 --> 00:22:20,867
RIGHT THING BY THEM.
922
00:22:20,867 --> 00:22:21,567
YOU KNOW?
923
00:22:21,567 --> 00:22:23,133
AND I DO MY BEST, BUT SOMETIMES
924
00:22:23,133 --> 00:22:25,067
MY BEST, [bleep], IS JUST NOT
925
00:22:25,067 --> 00:22:26,767
GOOD ENOUGH, YOU KNOW?
926
00:22:26,767 --> 00:22:27,600
I JUST WANT TO GET BACK TO HER
927
00:22:27,600 --> 00:22:28,533
BEING HAPPY.
928
00:22:28,533 --> 00:22:29,333
YOU KNOW?
929
00:22:29,333 --> 00:22:31,400
HER TRUSTING ME AGAIN.
930
00:22:31,400 --> 00:22:32,900
YEAH, BUT--WELL, THEN YOU GOT
931
00:22:32,900 --> 00:22:34,900
TO KEEP YOUR MOTHER[bleep]
932
00:22:34,900 --> 00:22:36,700
[bleep] IN YOUR PANTS.
933
00:22:36,700 --> 00:22:38,733
YOU THINK YOU CAN DO THAT?
934
00:22:38,733 --> 00:22:40,400
SLEAZE, YOU THINK YOU CAN BE
935
00:22:40,400 --> 00:22:41,567
MONOGAMOUS?
936
00:22:41,567 --> 00:22:43,833
KEEP IT 100, MAN.
937
00:22:43,833 --> 00:22:44,700
IF YOU WANT HER TO GAIN YOUR
938
00:22:44,700 --> 00:22:46,567
TRUST BACK, THEN YOU GOT TO,
939
00:22:46,567 --> 00:22:47,800
COME ON, YOU GOT TO REALLY STEP
940
00:22:47,800 --> 00:22:48,933
UP TO THE PLATE.
941
00:22:48,933 --> 00:22:51,067
STEP UP TO THE PLATE?
942
00:22:51,067 --> 00:22:51,967
STEP UP TO THE PLATE,
943
00:22:51,967 --> 00:22:54,067
MY BROTHER.
944
00:23:02,167 --> 00:23:03,067
HEY, YOU.
945
00:23:03,067 --> 00:23:04,400
SEXY, GORGEOUS, WHAT'S
946
00:23:04,400 --> 00:23:05,133
HAPPENING?
947
00:23:05,133 --> 00:23:05,733
I MISS YOU TOO.
948
00:23:05,733 --> 00:23:06,833
WHAT'S HAPPENING?
949
00:23:06,833 --> 00:23:08,400
NOTHING MUCH.
950
00:23:08,400 --> 00:23:10,133
SHAY IS MY BEST FRIEND.
951
00:23:10,133 --> 00:23:11,700
SHE ONE OF THEM BEST FRIENDS YOU
952
00:23:11,700 --> 00:23:12,700
EVER LOOK AT, YOU'D BE LIKE,
953
00:23:12,700 --> 00:23:14,567
"DAMN."
954
00:23:14,567 --> 00:23:15,867
YOU FEEL ME?
955
00:23:15,867 --> 00:23:17,200
LIKE, WHEW.
956
00:23:17,200 --> 00:23:19,133
SHE ALWAYS TELLING ME, YOU KNOW,
957
00:23:19,133 --> 00:23:19,967
THE REAL.
958
00:23:19,967 --> 00:23:21,367
SO I'MA HOLLER AT HER ABOUT THIS
959
00:23:21,367 --> 00:23:23,567
STEVIE J. CHARACTER, SEE WHAT
960
00:23:23,567 --> 00:23:24,467
SHE THINK.
961
00:23:24,467 --> 00:23:25,300
SO WHAT'S BEEN UP?
962
00:23:25,300 --> 00:23:27,067
GOT SOME SITUATIONS THAT
963
00:23:27,067 --> 00:23:29,200
OCCURRED, AND I HAVE TO JUMP ON
964
00:23:29,200 --> 00:23:30,267
IT RIGHT THEN, BECAUSE IF YOU
965
00:23:30,267 --> 00:23:31,167
DON'T JUMP ON IT RIGHT THEN, YOU
966
00:23:31,167 --> 00:23:31,833
FEEL ME?
967
00:23:31,833 --> 00:23:32,633
WHAT?
968
00:23:32,633 --> 00:23:33,633
EVERYTHING GO HAYWIRE.
969
00:23:33,633 --> 00:23:34,533
EVERYBODY FEEL LIKE THEY
970
00:23:34,533 --> 00:23:35,300
CAN DO IT.
971
00:23:35,300 --> 00:23:36,500
WHAT HAPPENED?
972
00:23:36,500 --> 00:23:37,533
EVERYBODY WANT TO PUT THEIR
973
00:23:37,533 --> 00:23:38,600
HAND UP, THEIR NUMBER UP.
974
00:23:38,600 --> 00:23:39,800
I MEAN, WHAT YOU TALKING
975
00:23:39,800 --> 00:23:40,533
ABOUT SPECIFICALLY?
976
00:23:40,533 --> 00:23:42,100
THIS FOOL NAMED STEVIE J.
977
00:23:42,100 --> 00:23:43,600
CUSSED BABY MAMA OUT.
978
00:23:43,600 --> 00:23:44,267
WHAT'D HE SAY?
979
00:23:44,267 --> 00:23:45,467
ALL I KNOW IS, HE SAID THE
980
00:23:45,467 --> 00:23:47,067
"B" WORD A COUPLE TIMES.
981
00:23:47,067 --> 00:23:47,967
OH, OKAY.
982
00:23:47,967 --> 00:23:48,767
EVEN IF HE DON'T KNOW--
983
00:23:48,767 --> 00:23:50,667
'CAUSE THAT'S YOUR BABY
984
00:23:50,667 --> 00:23:51,900
MAMA, BUT NOT YOUR GIRLFRIEND.
985
00:23:51,900 --> 00:23:52,600
RIGHT.
986
00:23:52,600 --> 00:23:53,433
BUT YOU STICKING UP FOR HER
987
00:23:53,433 --> 00:23:54,467
'CAUSE THAT'S YOUR BABY MAMA.
988
00:23:54,467 --> 00:23:55,233
DIG THAT.
989
00:23:55,233 --> 00:23:56,267
YOU MAY KNOW ME AS BUCKEEY
990
00:23:56,267 --> 00:23:57,333
FROM FLAVOR OF LOVE 2 AND
991
00:23:57,333 --> 00:23:58,567
CHARM SCHOOL, BUT I WANT YOU TO
992
00:23:58,567 --> 00:23:59,633
CALL ME SHAY JOHNSON.
993
00:23:59,633 --> 00:24:00,833
I BECAME CLOSE FRIENDS WITH
994
00:24:00,833 --> 00:24:02,200
SCRAPPY ABOUT FOUR OR FIVE YEARS
995
00:24:02,200 --> 00:24:03,433
AGO IN MIAMI.
996
00:24:03,433 --> 00:24:05,333
AND WE'VE BEEN SUPPORTING EACH
997
00:24:05,333 --> 00:24:06,833
OTHER, LIKE, EVER SINCE.
998
00:24:06,833 --> 00:24:07,567
AND I DON'T REALLY THINK
999
00:24:07,567 --> 00:24:08,800
STICKING UP FOR ERICA IS THE
1000
00:24:08,800 --> 00:24:10,200
BEST IDEA IF HE'S TRYING
1001
00:24:10,200 --> 00:24:11,067
TO MOVE ON.
1002
00:24:11,067 --> 00:24:12,133
YOU THINK SHE GONNA FEEL LIKE
1003
00:24:12,133 --> 00:24:13,900
Y'ALL GOT SOMETHING MORE THAN
1004
00:24:13,900 --> 00:24:15,133
WHAT IT IS BECAUSE YOU STICKING
1005
00:24:15,133 --> 00:24:16,133
UP FOR HER LIKE THIS?
1006
00:24:16,133 --> 00:24:16,900
OR THIS JUST--
1007
00:24:16,900 --> 00:24:17,933
I DON'T CARE IF SHE TOLD ME
1008
00:24:17,933 --> 00:24:19,800
EFF YOU THREE TIMES A DAY AND
1009
00:24:19,800 --> 00:24:21,633
TOLD ME SHE HOPE I DIE.
1010
00:24:21,633 --> 00:24:23,267
SOMEBODY MESS WITH HER, I'MA GO
1011
00:24:23,267 --> 00:24:24,700
OVER THERE AND HANDLE
1012
00:24:24,700 --> 00:24:26,167
THE BUSINESS IN A GOOD WAY.
1013
00:24:26,167 --> 00:24:26,900
SAME THING WITH ME TOO?
1014
00:24:26,900 --> 00:24:28,500
OH, DEFINITELY.
1015
00:24:28,500 --> 00:24:29,967
BUT SEE, YOU DON'T CALL PEOPLE--
1016
00:24:29,967 --> 00:24:30,800
I WOULDN'T CALL YOU--
1017
00:24:30,800 --> 00:24:31,633
YOU DON'T CALL ME TO--
1018
00:24:31,633 --> 00:24:34,667
IT'S TWO WEEKS IN THE GAME.
1019
00:24:34,667 --> 00:24:35,667
[bleep] NO, IT AIN'T TWO
1020
00:24:35,667 --> 00:24:36,400
WEEKS, BOO-BOO.
1021
00:24:36,400 --> 00:24:39,267
AIN'T TWO--ADD SOME NUMBERS ONTO
1022
00:24:39,267 --> 00:24:40,167
THAT.
1023
00:24:40,167 --> 00:24:41,100
I AIN'T GONNA EVEN LIE ABOUT
1024
00:24:41,100 --> 00:24:43,300
IT, TRY TO KEEP IT ON THE D.L.,
1025
00:24:43,300 --> 00:24:44,733
MAN, TRY TO LET THIS GREASE
1026
00:24:44,733 --> 00:24:46,500
SETTLE DOWN WITH ME AND ERICA,
1027
00:24:46,500 --> 00:24:47,167
MAN.
1028
00:24:47,167 --> 00:24:47,933
YOU KNOW WHAT I'M SAYIN'?
1029
00:24:47,933 --> 00:24:49,300
BUT, ME AND SHORTY, ME AND SHAY,
1030
00:24:49,300 --> 00:24:50,967
WE DONE CAME A LITTLE BIT MORE
1031
00:24:50,967 --> 00:24:51,967
THAN FRIENDS.
1032
00:24:51,967 --> 00:24:52,833
I AIN'T TRYING TO GO THERE YET,
1033
00:24:52,833 --> 00:24:54,100
YOU KNOW WHAT I'M SAYIN', 'CAUSE
1034
00:24:54,100 --> 00:24:55,233
I AIN'T TRYING TO JUMP IN THERE
1035
00:24:55,233 --> 00:24:57,467
YET, BUT DAMN, SHE'S SEXY, MAN.
1036
00:24:57,467 --> 00:24:58,400
YOU FEEL ME?
1037
00:24:58,400 --> 00:24:59,233
YOU'RE NOT GONNA DO NOTHING
1038
00:24:59,233 --> 00:24:59,900
CRAZY.
1039
00:24:59,900 --> 00:25:00,700
I'M NOT GONNA DO NOTHING
1040
00:25:00,700 --> 00:25:01,433
CRAZY, AS LONG AS HE DON'T
1041
00:25:01,433 --> 00:25:02,133
TOUCH ME, YOU FEEL ME?
1042
00:25:02,133 --> 00:25:04,133
LONG AS NOBODY TOUCH ME.
1043
00:25:04,133 --> 00:25:06,767
HIT YOU, TOUCH YOU, OKAY--
1044
00:25:06,767 --> 00:25:08,200
I DON'T THINK NOBODY'S GONNA
1045
00:25:08,200 --> 00:25:09,633
TOUCH YOU.
1046
00:25:09,633 --> 00:25:11,500
JUST BE CAREFUL.
1047
00:25:11,500 --> 00:25:12,300
I'MA BE COOL.
1048
00:25:12,300 --> 00:25:13,833
BE CAREFUL.
1049
00:25:13,833 --> 00:25:15,067
I'M GONNA GO CRAZY IF SOMETHING
1050
00:25:15,067 --> 00:25:16,133
HAPPENS TO YOU.
1051
00:25:16,133 --> 00:25:17,533
PUT SOME OF THIS ON ME, PLEASE?
1052
00:25:17,533 --> 00:25:18,767
REALLY?
1053
00:25:18,767 --> 00:25:20,467
YOU KNOW YOU WANT TO.
1054
00:25:20,467 --> 00:25:21,700
WHAT YOU MEAN?
1055
00:25:21,700 --> 00:25:22,667
WHAT YOU MEAN, WHAT I MEAN?
1056
00:25:22,667 --> 00:25:23,967
AH.
1057
00:25:23,967 --> 00:25:25,300
[laughs]
1058
00:25:25,300 --> 00:25:28,167
DON'T GO CRAZY.
1059
00:25:40,367 --> 00:25:41,333
STOP.
1060
00:25:41,333 --> 00:25:43,233
JUNK IN THE TRUNK.
1061
00:25:43,233 --> 00:25:44,767
STOP IT.
1062
00:25:44,767 --> 00:25:45,733
WHAT YOU MEAN, STOP?
1063
00:25:45,733 --> 00:25:47,100
DON'T DO ALL THAT.
1064
00:25:47,100 --> 00:25:47,933
YOU NEED IT EVERYWHERE.
1065
00:25:47,933 --> 00:25:49,300
I NEED IT JUST ON MY BACK AND
1066
00:25:49,300 --> 00:25:50,233
MY LEGS.
1067
00:25:50,233 --> 00:25:51,133
AND YOUR LEG?
1068
00:25:51,133 --> 00:25:51,967
AND MY LEGS.
1069
00:25:51,967 --> 00:25:53,100
I WAS TRYING TO DO THE LEGS.
1070
00:25:53,100 --> 00:25:54,600
YOU WAS GOING ON MY ASS.
1071
00:25:54,600 --> 00:25:56,400
YOU WASN'T ON MY LEG.
1072
00:25:56,400 --> 00:25:57,367
I'M ON THE LEG.
1073
00:25:57,367 --> 00:25:59,100
LET'S GO IN THE HOUSE.
1074
00:25:59,100 --> 00:26:00,167
I'M ON THE LEG.
1075
00:26:00,167 --> 00:26:02,800
I WANT TO SEE.
1076
00:26:02,800 --> 00:26:05,167
ON THE LEG.
1077
00:26:09,633 --> 00:26:10,633
YEAH, DO IT AGAIN.
1078
00:26:10,633 --> 00:26:12,133
HERE WE GO.
1079
00:26:12,133 --> 00:26:14,733
FIVE, SIX, FIVE, SIX, SEVEN,
1080
00:26:14,733 --> 00:26:16,067
AND ONE.
1081
00:26:16,067 --> 00:26:17,067
[singing in Spanish]
1082
00:26:17,067 --> 00:26:25,067
♪
1083
00:26:29,167 --> 00:26:32,733
ONE, TWO, THREE, FOUR, STEP,
1084
00:26:32,733 --> 00:26:34,967
FIVE, ROCK YOUR HIPS, UP, DOWN,
1085
00:26:34,967 --> 00:26:36,367
POINT, YES.
1086
00:26:36,367 --> 00:26:37,900
THAT WAS GOOD.
1087
00:26:37,900 --> 00:26:38,700
LOOKING HOT.
1088
00:26:38,700 --> 00:26:39,400
HEY, WHAT'S UP?
1089
00:26:39,400 --> 00:26:40,267
LET ME GET FIVE MINUTES WITH
1090
00:26:40,267 --> 00:26:40,933
HER.
1091
00:26:40,933 --> 00:26:41,600
THANK YOU, RICH.
1092
00:26:41,600 --> 00:26:42,433
HOW'S IT GOING?
1093
00:26:42,433 --> 00:26:43,300
SHE ON IT.
1094
00:26:43,300 --> 00:26:45,100
WHAT'S UP, BABY?
1095
00:26:45,100 --> 00:26:46,700
THE ABORTION, IT REALLY KIND OF
1096
00:26:46,700 --> 00:26:48,167
[bleep] THINGS UP WITH ME AND
1097
00:26:48,167 --> 00:26:48,967
JOSELINE.
1098
00:26:48,967 --> 00:26:50,400
IT'S GONNA TAKE A MINUTE TO SORT
1099
00:26:50,400 --> 00:26:53,067
THINGS OUT, BUT FOR ME, MOST
1100
00:26:53,067 --> 00:26:54,367
IMPORTANT, IS TO GET THAT MONEY.
1101
00:26:54,367 --> 00:26:56,200
GOT TO STAY FOCUSED.
1102
00:26:56,200 --> 00:26:57,133
WHAT'S GOING ON WITH YOU?
1103
00:26:57,133 --> 00:26:58,467
YOU'RE LOOKING AMAZING.
1104
00:26:58,467 --> 00:27:00,200
OUT THE BED, POPPIN'.
1105
00:27:00,200 --> 00:27:01,167
I'M TRYING TO GET THERE,
1106
00:27:01,167 --> 00:27:02,400
WORKING HARD.
1107
00:27:02,400 --> 00:27:03,133
TRYING?
1108
00:27:03,133 --> 00:27:04,367
IF YOU'RE TRYING, YOU'RE LYING.
1109
00:27:04,367 --> 00:27:05,533
WHAT I MEAN, I'VE BEEN IN
1110
00:27:05,533 --> 00:27:06,700
BED--I'VE BEEN IN BED REST.
1111
00:27:06,700 --> 00:27:07,367
JUST KNOW YOU'RE
1112
00:27:07,367 --> 00:27:08,167
LOOKING GOOD.
1113
00:27:08,167 --> 00:27:09,133
YOU KNOW WHAT I MEAN?
1114
00:27:09,133 --> 00:27:10,400
I CAN WIPE MY OWN SWEAT.
1115
00:27:10,400 --> 00:27:11,133
I KNOW YOU CAN WIPE
1116
00:27:11,133 --> 00:27:11,933
YOUR OWN SWEAT.
1117
00:27:11,933 --> 00:27:13,300
I WANTED TO WIPE IT FOR YOU.
1118
00:27:13,300 --> 00:27:14,067
HMM.
1119
00:27:14,067 --> 00:27:15,400
YOU'RE LOOKING GOOD, MAMI.
1120
00:27:15,400 --> 00:27:16,500
YOU'RE READY TO COMPETE ON A
1121
00:27:16,500 --> 00:27:17,533
HIGH LEVEL.
1122
00:27:17,533 --> 00:27:18,367
I KNOW.
1123
00:27:18,367 --> 00:27:19,333
YOU'RE FOCUSED?
1124
00:27:19,333 --> 00:27:20,067
I'M FOCUSED.
1125
00:27:20,067 --> 00:27:20,733
YOU GOT YOUR MIND RIGHT?
1126
00:27:20,733 --> 00:27:21,433
I GOT IT RIGHT.
1127
00:27:21,433 --> 00:27:22,767
YOU READY FOR WAR?
1128
00:27:22,767 --> 00:27:24,600
I JUST NEED YOU TO BE THERE
1129
00:27:24,600 --> 00:27:25,267
FOR ME.
1130
00:27:25,267 --> 00:27:26,133
THIS IS A WAR.
1131
00:27:26,133 --> 00:27:27,167
OH, I'MA BE HERE FOR YOU.
1132
00:27:27,167 --> 00:27:28,100
I FEEL LIKE YOU LEFT ME OUT
1133
00:27:28,100 --> 00:27:30,067
IN THE DARK BEFORE.
1134
00:27:30,067 --> 00:27:31,333
WITH THE WHOLE SITUATION THAT
1135
00:27:31,333 --> 00:27:32,767
HAPPENED, I JUST NEED YOU TO BE
1136
00:27:32,767 --> 00:27:33,433
THERE.
1137
00:27:33,433 --> 00:27:34,333
I NEVER LEAVE YOU OUT IN THE
1138
00:27:34,333 --> 00:27:35,300
DARK ANYWHERE, BUT JUST
1139
00:27:35,300 --> 00:27:36,733
UNDERSTAND, I WANT YOU TO WIN.
1140
00:27:36,733 --> 00:27:37,400
YOU KNOW?
1141
00:27:37,400 --> 00:27:39,600
IT'S NEVER BEEN EASY FOR NOBODY.
1142
00:27:39,600 --> 00:27:41,333
I KNOW.
1143
00:27:41,333 --> 00:27:43,933
TRUTH IS, I'M STILL HURT, BUT I
1144
00:27:43,933 --> 00:27:45,333
PUT IN TOO MUCH WORK IN THIS
1145
00:27:45,333 --> 00:27:47,067
PROJECT JUST TO LET IT GO TO
1146
00:27:47,067 --> 00:27:47,800
WASTE.
1147
00:27:47,800 --> 00:27:49,200
STEVIE SAY HE WANTS ME TO WIN,
1148
00:27:49,200 --> 00:27:51,433
BUT IT'S BEYOND STEVIE.
1149
00:27:51,433 --> 00:27:52,833
IF I DON'T WIN, THAT MEANS I'M
1150
00:27:52,833 --> 00:27:54,233
GOING BACK TO THE STRIP CLUB,
1151
00:27:54,233 --> 00:27:55,600
AND THAT'S NOT GONNA HAPPEN.
1152
00:27:55,600 --> 00:27:57,433
I GOT SOME STUDIO TIME SET UP
1153
00:27:57,433 --> 00:27:58,267
FOR YOU TONIGHT.
1154
00:27:58,267 --> 00:27:59,067
YOU WANT TO GO IN?
1155
00:27:59,067 --> 00:27:59,667
YEAH, I'M READY.
1156
00:27:59,667 --> 00:28:00,733
I'M ROCKING WITH YOU TILL THE
1157
00:28:00,733 --> 00:28:01,567
WHEELS FALL OFF.
1158
00:28:01,567 --> 00:28:02,500
JUST ME AND YOU, YOU ROCKING
1159
00:28:02,500 --> 00:28:05,067
WITH ME?
1160
00:28:05,067 --> 00:28:07,867
I AM.
1161
00:28:07,867 --> 00:28:09,333
HUG.
1162
00:28:09,333 --> 00:28:11,500
STEVIE'S THE ONLY MAN, THE ONLY
1163
00:28:11,500 --> 00:28:14,067
PERSON, IN THE WORLD THAT
1164
00:28:14,067 --> 00:28:15,333
MOTIVATES ME LIKE THIS.
1165
00:28:15,333 --> 00:28:17,600
I KNOW IT'S CRAZY, BUT I STILL
1166
00:28:17,600 --> 00:28:19,133
HAVE FEELINGS FOR HIM.
1167
00:28:19,133 --> 00:28:20,633
CAN I SEE YOU DANCE?
1168
00:28:20,633 --> 00:28:21,667
YEAH, I GUESS YOU CAN.
1169
00:28:21,667 --> 00:28:22,467
LET ME SEE YOU SHAKE SOME.
1170
00:28:22,467 --> 00:28:23,467
I'M SO SHY IN FRONT OF YOU.
1171
00:28:23,467 --> 00:28:24,367
PLEASE, DON'T GIVE ME THAT HARD
1172
00:28:24,367 --> 00:28:25,167
STARE.
1173
00:28:25,167 --> 00:28:25,833
COME ON.
1174
00:28:25,833 --> 00:28:26,700
I'M JUST GONNA PUT MY GLASSES ON
1175
00:28:26,700 --> 00:28:27,800
SO YOU DON'T HAVE TO SEE ME.
1176
00:28:27,800 --> 00:28:28,533
OKAY.
1177
00:28:28,533 --> 00:28:29,333
IT'S VERY GOOD TO SEE THAT
1178
00:28:29,333 --> 00:28:30,733
JOSELINE HAS HER MIND STRAIGHT
1179
00:28:30,733 --> 00:28:31,533
ON HER WORK.
1180
00:28:31,533 --> 00:28:32,667
I GOT TO DO WHATEVER IN MY POWER
1181
00:28:32,667 --> 00:28:34,567
TO MAKE SURE SHE POPS OFF AS THE
1182
00:28:34,567 --> 00:28:35,900
NEXT LATIN SUPERSTAR.
1183
00:28:35,900 --> 00:28:37,433
BUT FOR NOW, I GOT TO SEE HOW
1184
00:28:37,433 --> 00:28:38,100
THOSE DANCE LESSONS
1185
00:28:38,100 --> 00:28:39,133
ARE PAYING OFF.
1186
00:28:39,133 --> 00:28:41,233
YOU KNOW, JUST SAMPLING THE
1187
00:28:41,233 --> 00:28:43,133
PRODUCT.
1188
00:28:43,133 --> 00:28:44,100
HEY.
1189
00:28:44,100 --> 00:28:45,100
[singing in Spanish]
1190
00:28:45,100 --> 00:28:53,100
♪
1191
00:28:55,967 --> 00:28:57,700
AT THE END OF THE DAY, YOU
1192
00:28:57,700 --> 00:28:58,400
GOT IT.
1193
00:28:58,400 --> 00:28:59,333
YOU KNOW WHAT I'M SAYIN'?
1194
00:28:59,333 --> 00:29:00,667
YOU ALREADY HAVE IT.
1195
00:29:00,667 --> 00:29:01,500
WE GONNA WIN THIS.
1196
00:29:01,500 --> 00:29:02,333
YOU KNOW WHAT I'M SAYIN'?
1197
00:29:02,333 --> 00:29:03,100
WE'RE GONNA WIN.
1198
00:29:03,100 --> 00:29:03,933
I SEE YOU.
1199
00:29:03,933 --> 00:29:05,067
GIVE ME A HUG.
1200
00:29:05,067 --> 00:29:06,067
I BELIEVE IN YOU.
1201
00:29:06,067 --> 00:29:06,867
YOU KNOW WHAT I'M SAYIN'?
1202
00:29:06,867 --> 00:29:08,233
ME AND YOU, WE ROCKING.
1203
00:29:08,233 --> 00:29:08,933
MM-HMM.
1204
00:29:08,933 --> 00:29:10,200
WE ARE.
1205
00:29:10,200 --> 00:29:12,600
BONNIE AND CLYDE LIKE.
1206
00:29:12,600 --> 00:29:13,433
YEAH.
1207
00:29:13,433 --> 00:29:14,400
YEAH?
1208
00:29:14,400 --> 00:29:15,800
ALL RIGHT, LET'S WIN THEN.
1209
00:29:15,800 --> 00:29:17,067
LET'S GO.
1210
00:29:17,067 --> 00:29:19,733
OKAY.
1211
00:29:19,733 --> 00:29:20,600
NAH, GET OFF OF ME,
1212
00:29:20,600 --> 00:29:21,700
RAGGEDY-ASS [bleep].
1213
00:29:21,700 --> 00:29:22,833
SHE GONNA TURN ME STRAIGHT?
1214
00:29:22,833 --> 00:29:24,600
THAT BITCH WANT A SMACK-OFF?
1215
00:29:24,600 --> 00:29:25,533
I KNOW WHO THAT BITCH IS.
1216
00:29:25,533 --> 00:29:28,133
YEAH, TALK, TALK.
1217
00:29:28,133 --> 00:29:29,133
[bleep].
1218
00:29:29,133 --> 00:29:31,967
WHAT?
1219
00:29:43,067 --> 00:29:44,500
AFTER STEVIE J. INTRODUCES
1220
00:29:44,500 --> 00:29:46,533
HISSELF VERY RUDELY AND CALLS ME
1221
00:29:46,533 --> 00:29:48,833
A BITCH, SCRAPPY DECIDES TO MEET
1222
00:29:48,833 --> 00:29:49,633
UP WITH THE [bleep].
1223
00:29:49,633 --> 00:29:50,567
HE'S GONNA CHECK HIM ABOUT
1224
00:29:50,567 --> 00:29:51,567
DISRESPECTING ME.
1225
00:29:51,567 --> 00:29:53,533
I HEARD THROUGH THE GRAPEVINE
1226
00:29:53,533 --> 00:29:55,300
THAT THAT LITTLE FELLA IS AT THE
1227
00:29:55,300 --> 00:29:56,300
STUDIO TONIGHT.
1228
00:29:56,300 --> 00:29:57,400
AND I CAN'T WAIT TO SEE WHAT
1229
00:29:57,400 --> 00:29:59,400
HAPPENS.
1230
00:30:02,400 --> 00:30:03,333
OH, YEAH, THAT'S--
1231
00:30:03,333 --> 00:30:06,133
THAT'S HIM RIGHT THERE.
1232
00:30:06,133 --> 00:30:07,300
IT'S ME, THE BITCH.
1233
00:30:07,300 --> 00:30:08,800
WOW.
1234
00:30:08,800 --> 00:30:09,567
WHAT'S UP, MA?
1235
00:30:09,567 --> 00:30:10,300
HOW ARE YOU?
1236
00:30:10,300 --> 00:30:11,133
WHAT'S UP?
1237
00:30:11,133 --> 00:30:12,200
HEY, NOTHIN'.
1238
00:30:12,200 --> 00:30:13,167
EVERYTHING GRAVY.
1239
00:30:13,167 --> 00:30:14,333
I'VE BEEN LOOKING FOR YOU.
1240
00:30:14,333 --> 00:30:15,000
I WANTED TO HAVE A WORD
1241
00:30:15,000 --> 00:30:15,667
WITH YOU.
1242
00:30:15,667 --> 00:30:16,767
[bleep] IT WAS CRAZY.
1243
00:30:16,767 --> 00:30:17,633
[bleep] IT WAS A LITTLE, YOU
1244
00:30:17,633 --> 00:30:18,667
KNOW, A LITTLE OUT OF ORDER.
1245
00:30:18,667 --> 00:30:19,867
I WAS DRINKING AND ALL THAT.
1246
00:30:19,867 --> 00:30:20,967
YOU KNOW, SINCE I CALLED YOU A
1247
00:30:20,967 --> 00:30:22,133
BITCH, I WANTED TO APOLOGIZE
1248
00:30:22,133 --> 00:30:22,933
TO YOU.
1249
00:30:22,933 --> 00:30:23,733
YOU KNOW THIS WAS
1250
00:30:23,733 --> 00:30:24,667
MY BABY MAMA?
1251
00:30:24,667 --> 00:30:25,700
'CAUSE I DON'T KNOW YOU.
1252
00:30:25,700 --> 00:30:27,500
I DON'T KNOW YOU.
1253
00:30:27,500 --> 00:30:29,567
ONLY TIME I EVER HEARD OF YOU
1254
00:30:29,567 --> 00:30:31,733
WAS THE VH1 BEHIND THE SCENES
1255
00:30:31,733 --> 00:30:32,500
WITH EVE.
1256
00:30:32,500 --> 00:30:33,167
YOU FEEL ME?
1257
00:30:33,167 --> 00:30:33,867
OKAY, OKAY.
1258
00:30:33,867 --> 00:30:35,133
I HEARD, YOU FEEL ME, YOU GOT
1259
00:30:35,133 --> 00:30:36,933
REAL DISRESPECTFUL WITH BABY
1260
00:30:36,933 --> 00:30:38,267
MAMA; AT THE END OF THE DAY,
1261
00:30:38,267 --> 00:30:39,467
LIKE, MY [bleep] LIKE ON.
1262
00:30:39,467 --> 00:30:41,500
I MEAN, I SEE YOU GROWN, MAN.
1263
00:30:41,500 --> 00:30:42,200
YOU FEEL ME?
1264
00:30:42,200 --> 00:30:42,933
YOU KNOW HOW TO HANDLE YOUR
1265
00:30:42,933 --> 00:30:43,767
BUSINESS, SO AT THE END OF THE
1266
00:30:43,767 --> 00:30:44,667
DAY, LIKE, I TAKE THAT [bleep]
1267
00:30:44,667 --> 00:30:45,767
AS DISRESPECT.
1268
00:30:45,767 --> 00:30:46,433
YOU FEEL ME?
1269
00:30:46,433 --> 00:30:47,833
I TAKE IT--HOLD ON, HOLD ON.
1270
00:30:47,833 --> 00:30:49,367
I TAKE IT AS DISRESPECT, BUT
1271
00:30:49,367 --> 00:30:50,967
JUST 'CAUSE YOU GOT A BABY MAMA.
1272
00:30:50,967 --> 00:30:52,567
I GOT A FEW OF 'EM.
1273
00:30:52,567 --> 00:30:53,700
I GOT, LIKE, FIVE OF 'EM.
1274
00:30:53,700 --> 00:30:54,367
FIVE, OH.
1275
00:30:54,367 --> 00:30:55,633
I GOT A DAUGHTER.
1276
00:30:55,633 --> 00:30:56,400
YOU KNOW WHAT I'M SAYIN'?
1277
00:30:56,400 --> 00:30:57,600
WHO I'D NEVER LET A [bleep] TALK
1278
00:30:57,600 --> 00:30:58,500
TO HER LIKE THAT.
1279
00:30:58,500 --> 00:30:59,167
YOU FEEL ME?
1280
00:30:59,167 --> 00:31:00,100
NEVER, NEVER.
1281
00:31:00,100 --> 00:31:00,867
I RESPECT THAT.
1282
00:31:00,867 --> 00:31:02,300
I FEEL REAL DISRESPECTED.
1283
00:31:02,300 --> 00:31:03,633
I KNOW SHE DIDN'T EVEN KNOW HIM
1284
00:31:03,633 --> 00:31:05,667
ENOUGH FOR HIM TO EVEN--TO COME
1285
00:31:05,667 --> 00:31:07,500
OUT HIS TONGUE LIKE THAT.
1286
00:31:07,500 --> 00:31:08,767
YOU DISRESPECT YOUR CHICK.
1287
00:31:08,767 --> 00:31:09,433
YOU FEEL ME?
1288
00:31:09,433 --> 00:31:10,733
BUT DON'T DISRESPECT NOBODY
1289
00:31:10,733 --> 00:31:12,067
ELSE, 'CAUSE THAT GET YOU HURT.
1290
00:31:12,067 --> 00:31:13,267
IF I CUSS YOUR [bleep] OUT RIGHT
1291
00:31:13,267 --> 00:31:13,967
NOW--
1292
00:31:13,967 --> 00:31:14,633
BUT WAIT A MINUTE.
1293
00:31:14,633 --> 00:31:15,333
WAIT A MINUTE.
1294
00:31:15,333 --> 00:31:16,067
WAIT, WAIT, WAIT.
1295
00:31:16,067 --> 00:31:16,700
WHAT'S THE PROBLEM?
1296
00:31:16,700 --> 00:31:17,633
I'M JUST SAYING, IF I CUSS
1297
00:31:17,633 --> 00:31:18,600
YOUR [bleep] OUT--
1298
00:31:18,600 --> 00:31:19,933
YOU FEEL ME, AND SAY [bleep]--
1299
00:31:19,933 --> 00:31:22,633
[all shouting at once]
1300
00:31:22,633 --> 00:31:23,700
WAIT A MINUTE.
1301
00:31:23,700 --> 00:31:24,533
LET ME SAY SOMETHING, BABY.
1302
00:31:24,533 --> 00:31:26,600
LET ME--LET ME--LET ME JUST SAY.
1303
00:31:26,600 --> 00:31:27,533
WAIT, LET ME JUST SAY SOMETHING,
1304
00:31:27,533 --> 00:31:28,200
BABY.
1305
00:31:28,200 --> 00:31:29,233
DIDN'T Y'ALL [bleep]?
1306
00:31:29,233 --> 00:31:30,533
BEFORE YOU KNEW HIM?
1307
00:31:30,533 --> 00:31:31,200
BEFORE ANYTHING?
1308
00:31:31,200 --> 00:31:32,167
SO WHAT'S THE PROBLEM?
1309
00:31:32,167 --> 00:31:32,967
WHOA.
1310
00:31:32,967 --> 00:31:34,133
I AIN'T EVEN SEE THIS COMING.
1311
00:31:34,133 --> 00:31:35,167
JOSELINE SAYING I'M [bleep]
1312
00:31:35,167 --> 00:31:35,967
ERICA?
1313
00:31:35,967 --> 00:31:37,233
I DON'T EVEN KNOW THIS GIRL.
1314
00:31:37,233 --> 00:31:38,833
IT'S GOT ME BUGGED OUT.
1315
00:31:38,833 --> 00:31:39,833
I DIDN'T KNOW WHAT WAS
1316
00:31:39,833 --> 00:31:40,533
GOING ON.
1317
00:31:40,533 --> 00:31:41,867
BUT I THINK I HEARD ABOUT THIS
1318
00:31:41,867 --> 00:31:43,900
CHICK GETTING WITH STEVIE.
1319
00:31:43,900 --> 00:31:45,133
NOW HER MAN IS COMING TO CHECK
1320
00:31:45,133 --> 00:31:47,267
STEVIE AND CALLING ME A BITCH?
1321
00:31:47,267 --> 00:31:47,967
HOLD UP.
1322
00:31:47,967 --> 00:31:48,667
WHAT'S GOING ON?
1323
00:31:48,667 --> 00:31:49,500
WHO ARE YOU?
1324
00:31:49,500 --> 00:31:50,700
I'M JOSELINE HERNANDEZ, BABY.
1325
00:31:50,700 --> 00:31:52,600
OH, IRRELEVANT.
1326
00:31:52,600 --> 00:31:53,267
ANYHOO--
1327
00:31:53,267 --> 00:31:53,933
HOLD ON.
1328
00:31:53,933 --> 00:31:54,600
[bleep].
1329
00:31:54,600 --> 00:31:56,167
JOSELINE HERNANDEZ?
1330
00:31:56,167 --> 00:31:58,133
HOLD ON, HOLD ON, HOLD ON.
1331
00:31:58,133 --> 00:31:59,667
WHO ARE YOU?
1332
00:31:59,667 --> 00:32:00,733
YOU'RE DOING ALL THIS WHOOPING
1333
00:32:00,733 --> 00:32:01,467
AND HOLLERING.
1334
00:32:01,467 --> 00:32:02,700
GET THE [bleep] OUT YOUR MOUTH,
1335
00:32:02,700 --> 00:32:03,833
AND LISTEN.
1336
00:32:03,833 --> 00:32:05,067
I DON'T HAVE ANYTHING TO DO WITH
1337
00:32:05,067 --> 00:32:05,733
STEVIE J.
1338
00:32:05,733 --> 00:32:06,767
I DON'T EVEN KNOW HIM.
1339
00:32:06,767 --> 00:32:08,367
WHO ARE YOU [bleep]?
1340
00:32:08,367 --> 00:32:09,567
YOU ARE NOBODY!
1341
00:32:09,567 --> 00:32:10,467
NO, WHY?
1342
00:32:10,467 --> 00:32:11,300
WHY, WHY, WHY, WHY, WHY?
1343
00:32:11,300 --> 00:32:14,367
WHAT YOU SO MAD FOR?
1344
00:32:14,367 --> 00:32:15,133
WHAT ARE YOU TRYING TO GET
1345
00:32:15,133 --> 00:32:15,833
AT?
1346
00:32:15,833 --> 00:32:16,900
WHAT ARE YOU TRYING TO GET AT?
1347
00:32:16,900 --> 00:32:18,667
NO, WE DIDN'T [bleep], BITCH.
1348
00:32:18,667 --> 00:32:20,767
THIS BITCH IS ALL UP IN MY GRILL
1349
00:32:20,767 --> 00:32:22,633
QUESTIONING ME ABOUT WHETHER OR
1350
00:32:22,633 --> 00:32:23,933
NOT I SLEPT WITH STEVIE J.
1351
00:32:23,933 --> 00:32:25,800
NEXT THING I KNOW, ALL HELL
1352
00:32:25,800 --> 00:32:26,800
BREAKS LOOSE.
1353
00:32:26,800 --> 00:32:29,467
WHOA, WHOA, WHOA, WHOA.
1354
00:32:29,467 --> 00:32:30,867
[bleep], [bleep], [bleep],
1355
00:32:30,867 --> 00:32:31,833
[bleep].
1356
00:32:31,833 --> 00:32:34,767
GET OFF OF ME.
1357
00:32:34,767 --> 00:32:35,633
NAH, GET OFF OF ME,
1358
00:32:35,633 --> 00:32:36,800
RAGGEDY-ASS [bleep].
1359
00:32:36,800 --> 00:32:37,567
LET ME GO.
1360
00:32:37,567 --> 00:32:40,733
JUST LET ME GO.
1361
00:32:40,733 --> 00:32:44,067
YOU'RE SAYING WHAT?
1362
00:32:44,067 --> 00:32:45,233
[bleep], [bleep], [bleep].
1363
00:32:45,233 --> 00:32:46,067
LET ME GO.
1364
00:32:46,067 --> 00:32:48,567
[bleep] LET ME GO.
1365
00:32:48,567 --> 00:32:51,867
LET ME GO.
1366
00:32:51,867 --> 00:32:52,567
I WANT TO MAKE SURE MY
1367
00:32:52,567 --> 00:32:53,300
[bleep] STRAIGHT.
1368
00:32:53,300 --> 00:32:57,133
LET ME GO.
1369
00:32:57,133 --> 00:32:58,467
LET ME GO; I'M COOL.
1370
00:32:58,467 --> 00:33:00,200
I'M COOL; I'M COOL.
1371
00:33:00,200 --> 00:33:03,767
[bleep], [bleep], [bleep],
1372
00:33:03,767 --> 00:33:11,267
[bleep], [bleep].
1373
00:33:11,267 --> 00:33:13,267
STOP DRAGGING ME.
1374
00:33:13,267 --> 00:33:14,467
WHY Y'ALL DRAGGING ME?
1375
00:33:14,467 --> 00:33:15,567
YOU KNOW WHAT I'M SAYING?
1376
00:33:15,567 --> 00:33:16,967
YOU GONNA SET ME STRAIGHT?
1377
00:33:16,967 --> 00:33:18,967
NO, [bleep].
1378
00:33:25,267 --> 00:33:25,967
BITCH!
1379
00:33:25,967 --> 00:33:27,367
YOU SUCKER BITCH!
1380
00:33:27,367 --> 00:33:28,167
IN THE CAR.
1381
00:33:28,167 --> 00:33:29,133
GET THE [bleep].
1382
00:33:29,133 --> 00:33:31,400
YEAH, TALK, TALK.
1383
00:33:31,400 --> 00:33:35,167
[bleep], [bleep].
1384
00:33:35,167 --> 00:33:37,167
DON'T DO IT!
1385
00:33:42,367 --> 00:33:43,600
I KNOW WHO THAT BITCH IS!
1386
00:33:43,600 --> 00:33:44,967
TALK, TALK, TALK!
1387
00:33:44,967 --> 00:33:46,133
YEAH, TALK, TALK!
1388
00:33:46,133 --> 00:33:47,100
KEEP TALKING!
1389
00:33:47,100 --> 00:33:48,867
I AIN'T GOT NO TOLERATION FOR NO
1390
00:33:48,867 --> 00:33:49,633
BULL[bleep].
1391
00:33:49,633 --> 00:33:51,067
HOMEGIRL KEEP ON POPPIN' OFF.
1392
00:33:51,067 --> 00:33:51,833
YOU KNOW WHAT I'M SAYIN'?
1393
00:33:51,833 --> 00:33:52,633
SHE DONE POPPED OFF
1394
00:33:52,633 --> 00:33:53,333
ON BABY MAMA.
1395
00:33:53,333 --> 00:33:54,567
CUZ AIN'T DOING NOTHING BUT
1396
00:33:54,567 --> 00:33:55,500
FANNING THE FLAME.
1397
00:33:55,500 --> 00:33:56,867
BITCH!
1398
00:33:56,867 --> 00:33:58,367
YOU SUCKER BITCH!
1399
00:33:58,367 --> 00:33:59,667
AIN'T NOBODY GETTING A CHECK IN
1400
00:33:59,667 --> 00:34:00,500
THE "A" NOW.
1401
00:34:00,500 --> 00:34:02,067
Y'ALL BETTER GO TO NEW YORK WITH
1402
00:34:02,067 --> 00:34:03,300
THAT [bleep] [bleep]!
1403
00:34:03,300 --> 00:34:04,200
BELIEVE THAT!
1404
00:34:04,200 --> 00:34:07,800
BELIEVE THAT [bleep]!
1405
00:34:07,800 --> 00:34:09,367
SCRAPPY GOING MAD LIKE HE'S
1406
00:34:09,367 --> 00:34:10,733
LOST HIS DAMN MIND.
1407
00:34:10,733 --> 00:34:12,400
COME ON, MAN, RELAX BEFORE YOU
1408
00:34:12,400 --> 00:34:13,600
POP A BLOOD VESSEL OR SOMETHING,
1409
00:34:13,600 --> 00:34:14,333
BABY.
1410
00:34:14,333 --> 00:34:15,300
BELIEVE IT!
1411
00:34:15,300 --> 00:34:15,933
COME HERE!
1412
00:34:15,933 --> 00:34:17,100
CHILL OUT, [bleep].
1413
00:34:17,100 --> 00:34:18,533
MAN, [bleep] ALL THAT.
1414
00:34:18,533 --> 00:34:19,300
LET ME TALK TO YOU.
1415
00:34:19,300 --> 00:34:20,600
HEY!
1416
00:34:20,600 --> 00:34:21,300
LOOK AT ME.
1417
00:34:21,300 --> 00:34:22,200
I'VE SEEN SCRAPPY ANGRY, UPSET,
1418
00:34:22,200 --> 00:34:25,167
BUT I'VE NEVER SEEN HIM LIKE
1419
00:34:25,167 --> 00:34:26,600
THIS, AND IT'S ALL BECAUSE OF
1420
00:34:26,600 --> 00:34:28,567
THAT SIDELINE JOSELINE AND
1421
00:34:28,567 --> 00:34:30,367
LITTLE-BITTY ASS STEVIE J.
1422
00:34:30,367 --> 00:34:31,700
GET IN THE CAR, [bleep].
1423
00:34:31,700 --> 00:34:32,633
ERICA, ERICA!
1424
00:34:32,633 --> 00:34:36,767
[shouting indistinctly]
1425
00:34:36,767 --> 00:34:37,500
SUCK MY [bleep] LIKE YOU
1426
00:34:37,500 --> 00:34:39,500
SUCKED HIS [bleep].
1427
00:34:45,133 --> 00:34:45,800
GET IN THE CAR.
1428
00:34:45,800 --> 00:34:47,633
GET THE [bleep] IN THE CAR.
1429
00:34:47,633 --> 00:34:48,333
GET IN THE CAR.
1430
00:34:48,333 --> 00:34:49,067
RELAX.
1431
00:34:49,067 --> 00:34:49,800
I SAID GET IN THE CAR.
1432
00:34:49,800 --> 00:34:51,833
SCRAPPY, YOU CAN KISS MY ASS.
1433
00:34:51,833 --> 00:34:52,867
YOU CALL ME A BITCH?
1434
00:34:52,867 --> 00:34:54,233
BUT YOUR GIRL [bleep] MY MAN?
1435
00:34:54,233 --> 00:34:55,067
I'M NOT SCARED OF YOU.
1436
00:34:55,067 --> 00:34:56,900
BRING IT ON.
1437
00:34:56,900 --> 00:34:58,067
* STRIP DOWN, TURN AROUND
1438
00:34:58,067 --> 00:34:59,400
♪ SHOW ME WHAT IT IS
1439
00:34:59,400 --> 00:35:00,433
♪ STRIP DOWN, TURN AROUND
1440
00:35:00,433 --> 00:35:01,733
♪ SHOW ME WHAT IT IS
1441
00:35:01,733 --> 00:35:02,867
♪ STRIP DOWN, TURN AROUND
1442
00:35:02,867 --> 00:35:06,400
♪ SHOW ME WHAT IT IS
1443
00:35:06,400 --> 00:35:07,700
♪ STRIP DOWN, TURN AROUND
1444
00:35:07,700 --> 00:35:12,067
♪ SHOW ME WHAT IT IS
1445
00:35:19,467 --> 00:35:20,767
WAIT A MINUTE; HOLD UP.
1446
00:35:20,767 --> 00:35:22,067
I DON'T KNOW THE FULL DETAILS.
1447
00:35:22,067 --> 00:35:23,300
SCRAPPY CALLED ME AND WAS LIKE,
1448
00:35:23,300 --> 00:35:26,400
"YO, IT WENT DOWN."
1449
00:35:26,400 --> 00:35:27,500
AND I'M LIKE, "WHAT THE [bleep]
1450
00:35:27,500 --> 00:35:28,167
DONE HAPPENED?"
1451
00:35:28,167 --> 00:35:29,333
SCRAPPY MY HOMEBOY.
1452
00:35:29,333 --> 00:35:30,667
I'VE KNOWN SCRAP FOR A MINUTE.
1453
00:35:30,667 --> 00:35:31,867
SO WHEN HE HIT ME UP AND CALLED
1454
00:35:31,867 --> 00:35:33,367
ME AND TOLD ME THAT HIM,
1455
00:35:33,367 --> 00:35:35,500
JOSELINE, STEVIE J., AND ERICA
1456
00:35:35,500 --> 00:35:36,933
GOT INTO A FIGHT, I WAS LIKE,
1457
00:35:36,933 --> 00:35:39,500
"YO, THIS [bleep] IS CRAZY."
1458
00:35:39,500 --> 00:35:40,400
YOUR BABY DADDY WAS ALL IN THE
1459
00:35:40,400 --> 00:35:41,100
MIX.
1460
00:35:41,100 --> 00:35:42,133
WHAT THE HELL GOING ON WITH HIM?
1461
00:35:42,133 --> 00:35:43,200
THIS IS WHAT I KNOW.
1462
00:35:43,200 --> 00:35:45,167
AT HER SHOWCASE, HE CALLED HER
1463
00:35:45,167 --> 00:35:46,433
OUT OF HER NAME.
1464
00:35:46,433 --> 00:35:47,767
HE WAS REAL DISRESPECTFUL.
1465
00:35:47,767 --> 00:35:48,467
WHO?
1466
00:35:48,467 --> 00:35:49,200
STEVE.
1467
00:35:49,200 --> 00:35:49,867
HE CALLED--
1468
00:35:49,867 --> 00:35:50,700
ERICA.
1469
00:35:50,700 --> 00:35:51,767
HE DON'T EVEN KNOW HER.
1470
00:35:51,767 --> 00:35:52,833
NEVER SEEN HER A DAY
1471
00:35:52,833 --> 00:35:53,600
IN HIS LIFE.
1472
00:35:53,600 --> 00:35:55,633
THAT'S WHY SCRAPPY ASS WENT
1473
00:35:55,633 --> 00:35:57,400
GODDAMN HAM.
1474
00:35:57,400 --> 00:35:58,233
HE AIN'T SAY NOTHING ABOUT
1475
00:35:58,233 --> 00:35:59,633
SOMEBODY DISRESPECTING
1476
00:35:59,633 --> 00:36:00,467
SOMEBODY'S BABY MAMA,
1477
00:36:00,467 --> 00:36:01,433
ESPECIALLY WHEN THEY DON'T KNOW
1478
00:36:01,433 --> 00:36:02,133
EACH OTHER.
1479
00:36:02,133 --> 00:36:02,900
YOU KNOW WHAT I'M SAYIN'?
1480
00:36:02,900 --> 00:36:03,733
LIKE, WHAT HAPPENED?
1481
00:36:03,733 --> 00:36:05,467
WE WERE SITTING AT THE TABLE.
1482
00:36:05,467 --> 00:36:07,900
AND, THANK YOU, JESUS.
1483
00:36:07,900 --> 00:36:08,933
HERE SHE IS.
1484
00:36:08,933 --> 00:36:09,700
HEY.
1485
00:36:09,700 --> 00:36:11,500
IT'S BEEN TWO DAYS SINCE THE
1486
00:36:11,500 --> 00:36:13,400
FIGHT, AND I AM STILL HIGHLY
1487
00:36:13,400 --> 00:36:16,200
UPSET THAT JOSELINE ACCUSED ME
1488
00:36:16,200 --> 00:36:17,300
OF SLEEPING WITH STEVIE J.
1489
00:36:17,300 --> 00:36:18,333
I GOT TO MEET UP WITH MY GIRLS
1490
00:36:18,333 --> 00:36:19,300
AND TALK ABOUT THIS.
1491
00:36:19,300 --> 00:36:22,600
WE MET UP, ME, HIM, SCRAP, AND
1492
00:36:22,600 --> 00:36:23,800
HE HAD SOME GIRL WITH HIM,
1493
00:36:23,800 --> 00:36:25,100
JOSELINE.
1494
00:36:25,100 --> 00:36:26,067
WHEN SHE WALKED UP, EVERYTHING
1495
00:36:26,067 --> 00:36:27,767
ABOUT HER JUST READ [bleep].
1496
00:36:27,767 --> 00:36:28,900
AND I JUST LOOKED AND...
1497
00:36:28,900 --> 00:36:31,567
ANYHOO, AND YOU KNOW, SOON AS
1498
00:36:31,567 --> 00:36:33,733
STEVIE WALKS OUT, I'M LIKE,
1499
00:36:33,733 --> 00:36:35,133
"IT'S ME, THE BITCH."
1500
00:36:35,133 --> 00:36:36,833
YOU KNOW, HE COME OUT, HE'S LIKE
1501
00:36:36,833 --> 00:36:37,633
"OH, I'M SORRY."
1502
00:36:37,633 --> 00:36:38,933
AND I'M LIKE, "OKAY, COOL."
1503
00:36:38,933 --> 00:36:40,133
BUT THEN SHE JUST COMES OUT OF
1504
00:36:40,133 --> 00:36:42,100
NOWHERE, LIKE, "BUT DIDN'T Y'ALL
1505
00:36:42,100 --> 00:36:43,067
[bleep]?"
1506
00:36:43,067 --> 00:36:44,467
YOU AND STEVIE?
1507
00:36:44,467 --> 00:36:45,667
THAT YOU AND STEVIE [bleep].
1508
00:36:45,667 --> 00:36:46,733
ME AND STEVIE.
1509
00:36:46,733 --> 00:36:47,600
OH, LORD.
1510
00:36:47,600 --> 00:36:49,333
I AM SICK AND TIRED OF HEARING
1511
00:36:49,333 --> 00:36:51,333
THE NAME JOSELINE COME UP EVERY
1512
00:36:51,333 --> 00:36:53,100
TIME I HEAR STEVIE'S NAME
1513
00:36:53,100 --> 00:36:53,967
COME UP.
1514
00:36:53,967 --> 00:36:55,333
NOW THIS BITCH IS FIGHTING
1515
00:36:55,333 --> 00:36:56,100
FOR HIM?
1516
00:36:56,100 --> 00:36:57,133
LIKE SHE HIS MAIN CHICK OR
1517
00:36:57,133 --> 00:36:58,067
SOMETHING?
1518
00:36:58,067 --> 00:36:59,533
THIS JUST CONFIRMS EVERYTHING
1519
00:36:59,533 --> 00:37:00,800
I'VE BEEN FEELING ABOUT STEVIE
1520
00:37:00,800 --> 00:37:02,367
AND HIS BULL[bleep].
1521
00:37:02,367 --> 00:37:03,567
WHAT DID SCRAP DO?
1522
00:37:03,567 --> 00:37:05,067
HE SWUNG ON STEVIE.
1523
00:37:05,067 --> 00:37:07,467
LIKE, HE SWUNG ON STEVIE.
1524
00:37:07,467 --> 00:37:08,533
AND, OKAY, THAT'S CRAZY
1525
00:37:08,533 --> 00:37:10,567
[bleep].
1526
00:37:10,567 --> 00:37:11,567
A.T.L.
1527
00:37:11,567 --> 00:37:13,433
ALL DAY.
1528
00:37:13,433 --> 00:37:14,133
THAT'S LIKE, LOOK--
1529
00:37:14,133 --> 00:37:16,200
SHE CLAIMED IT.
1530
00:37:16,200 --> 00:37:17,367
I'M GONNA FINISH IT.
1531
00:37:17,367 --> 00:37:18,500
HOW DID THIS END?
1532
00:37:18,500 --> 00:37:19,200
THAT WAS IT.
1533
00:37:19,200 --> 00:37:20,067
REALLY?
1534
00:37:20,067 --> 00:37:21,600
GETTING IN THE CARS AND LEFT.
1535
00:37:21,600 --> 00:37:22,300
THAT'S IT.
1536
00:37:22,300 --> 00:37:23,300
THERE'S BEEN NO COMMUNICATION,
1537
00:37:23,300 --> 00:37:24,167
NO NOTHING.
1538
00:37:24,167 --> 00:37:25,333
THAT HAPPENED THAT NIGHT, AND
1539
00:37:25,333 --> 00:37:26,667
THAT'S IT.
1540
00:37:26,667 --> 00:37:28,700
[all talking at once]
1541
00:37:28,700 --> 00:37:29,633
AND REALLY, IT'S ALL BECAUSE
1542
00:37:29,633 --> 00:37:31,133
YOU HAD A [bleep] WITH YOU THAT
1543
00:37:31,133 --> 00:37:31,900
DIDN'T KNOW NOTHING ABOUT
1544
00:37:31,900 --> 00:37:32,567
NOTHING.
1545
00:37:32,567 --> 00:37:33,300
AND RUNNING HER [bleep]
1546
00:37:33,300 --> 00:37:33,967
MOUTH.
1547
00:37:33,967 --> 00:37:34,633
RUNNING HER MOUTH.
1548
00:37:34,633 --> 00:37:36,600
FROM WHAT MIMI TOLD ME, THIS
1549
00:37:36,600 --> 00:37:37,500
BITCH HAS BEEN NOTHING BUT A
1550
00:37:37,500 --> 00:37:38,400
NIGHTMARE.
1551
00:37:38,400 --> 00:37:39,733
AND SHE'S FOOLING HER DAMN SELF
1552
00:37:39,733 --> 00:37:40,733
IF SHE THINK SHE GONNA MESS
1553
00:37:40,733 --> 00:37:41,567
WITH ME.
1554
00:37:41,567 --> 00:37:42,500
I REALLY NEED TO MEET UP WITH
1555
00:37:42,500 --> 00:37:43,433
JOSELINE AND TALK TO THIS
1556
00:37:43,433 --> 00:37:44,767
[bleep] FOR REAL, 'CAUSE NOT
1557
00:37:44,767 --> 00:37:46,633
ONLY HAS SHE TRIED ME, SHE
1558
00:37:46,633 --> 00:37:47,600
TRIED YOU, MIMI.
1559
00:37:47,600 --> 00:37:48,700
SHE GOES THERE, GIRL.
1560
00:37:48,700 --> 00:37:49,767
AND I GOT YOU, BOO.
1561
00:37:49,767 --> 00:37:54,467
I GOT YOU.
1562
00:37:54,467 --> 00:37:55,967
WHAT REALLY THREW ME OFF WAS,
1563
00:37:55,967 --> 00:37:57,667
WHEN YOU WAS LIKE, I WAS
1564
00:37:57,667 --> 00:37:59,100
SMASHING SHORTY.
1565
00:37:59,100 --> 00:38:00,500
SO YOU DIDN'T SMASH?
1566
00:38:00,500 --> 00:38:01,400
I DON'T REMEMBER
1567
00:38:01,400 --> 00:38:02,167
SMASHING HER.
1568
00:38:02,167 --> 00:38:05,100
I JUST DON'T BELIEVE YOU.
1569
00:38:05,100 --> 00:38:05,933
WATCH THE BEST MOMENTS AND
1570
00:38:05,933 --> 00:38:18,200
BONUS VIDEOS FROM TONIGHT'S
1571
00:38:18,200 --> 00:38:19,467
I INVITED STEVIE OVER FOR
1572
00:38:19,467 --> 00:38:21,067
BREAKFAST AFTER THAT LONG FIGHT
1573
00:38:21,067 --> 00:38:22,533
WITH SCRAPPY AND ERICA.
1574
00:38:22,533 --> 00:38:24,367
I'M STILL CONFUSED WITH
1575
00:38:24,367 --> 00:38:25,900
EVERYTHING THAT WENT ON.
1576
00:38:25,900 --> 00:38:26,967
ALL I KNEW THAT SHE WAS
1577
00:38:26,967 --> 00:38:28,367
WAVING HER HANDS IN MY FACE.
1578
00:38:28,367 --> 00:38:29,800
AND I JUST FELT LIKE I HAD TO
1579
00:38:29,800 --> 00:38:30,767
PROTECT MYSELF.
1580
00:38:30,767 --> 00:38:32,067
WHAT WAS THAT ABOUT WITH THE
1581
00:38:32,067 --> 00:38:34,133
GIRL AND--WHAT WAS GOING ON?
1582
00:38:34,133 --> 00:38:35,067
WHAT WAS THE PROBLEM?
1583
00:38:35,067 --> 00:38:36,533
ABOUT A WEEK AGO, WE OUT AT
1584
00:38:36,533 --> 00:38:38,067
THE CLUB, THEN SHE HAD A FEW
1585
00:38:38,067 --> 00:38:39,667
WORDS AND I HAD A FEW WORDS
1586
00:38:39,667 --> 00:38:41,133
WITH HER, BUT I WAS SET TO BE
1587
00:38:41,133 --> 00:38:42,300
LIKE, YO, MY BAD.
1588
00:38:42,300 --> 00:38:43,100
YOU KNOW WHAT I'M SAYIN'?
1589
00:38:43,100 --> 00:38:44,700
I CAME OUT, AND I WAS LIKE, "YO,
1590
00:38:44,700 --> 00:38:45,667
FROM THE OTHER NIGHT, IT WASN'T
1591
00:38:45,667 --> 00:38:46,400
NOTHING."
1592
00:38:46,400 --> 00:38:48,067
UNTIL LITTLE MAN JUST STARTED
1593
00:38:48,067 --> 00:38:49,400
RUNNING HIS MOUTH AND ALL THAT.
1594
00:38:49,400 --> 00:38:50,300
YOU KNOW WHAT I'M SAYIN'?
1595
00:38:50,300 --> 00:38:51,300
HE'S SAYING, HE'S CALLING ME
1596
00:38:51,300 --> 00:38:52,067
A BITCH.
1597
00:38:52,067 --> 00:38:52,867
I'M LIKE, OKAY, SO WHAT IS THE
1598
00:38:52,867 --> 00:38:53,800
PROBLEM?
1599
00:38:53,800 --> 00:38:55,367
YOU KNOW, LIKE, YOU CALLED HER A
1600
00:38:55,367 --> 00:38:56,333
BITCH, OR DID Y'ALL [bleep]?
1601
00:38:56,333 --> 00:38:57,233
THEN I'M ASKING HER, "WHAT THE
1602
00:38:57,233 --> 00:38:58,067
[bleep] IS GOING ON?"
1603
00:38:58,067 --> 00:39:01,133
BUT YOU NEVER SAY NOTHING, SO...
1604
00:39:01,133 --> 00:39:02,267
JOSELINE WENT IN REAL HARD,
1605
00:39:02,267 --> 00:39:03,767
BUT SHE WAS POPPING HER MOUTH
1606
00:39:03,767 --> 00:39:05,700
OFF, AND I COULDN'T SAY A WORD.
1607
00:39:05,700 --> 00:39:07,067
I DON'T NEED A WINGMAN.
1608
00:39:07,067 --> 00:39:08,367
I CAN HANDLE THIS DUDE MYSELF.
1609
00:39:08,367 --> 00:39:09,700
WHAT REALLY THREW ME OFF, WAS
1610
00:39:09,700 --> 00:39:11,500
WHEN YOU WAS LIKE, I WAS
1611
00:39:11,500 --> 00:39:13,067
SMASHING SHORTY.
1612
00:39:13,067 --> 00:39:14,167
YOU AIN'T HIT?
1613
00:39:14,167 --> 00:39:14,967
I NEVER--
1614
00:39:14,967 --> 00:39:17,067
YOU DIDN'T POP?
1615
00:39:17,067 --> 00:39:19,400
I NEVER SMASHED.
1616
00:39:19,400 --> 00:39:20,600
I DON'T REMEMBER SMASHING HER.
1617
00:39:20,600 --> 00:39:23,367
HA, I JUST DON'T BELIEVE YOU.
1618
00:39:23,367 --> 00:39:24,500
IF I SEE HER TODAY, I MIGHT NOT
1619
00:39:24,500 --> 00:39:25,600
REMEMBER HER EITHER.
1620
00:39:25,600 --> 00:39:26,933
BUT I DON'T BELIEVE THAT
1621
00:39:26,933 --> 00:39:28,067
DOWN THERE.
1622
00:39:28,067 --> 00:39:29,700
I LOVE STEVIE, BUT HE'S SMASHED
1623
00:39:29,700 --> 00:39:31,333
SO MANY GIRLS THAT I KNOW HE
1624
00:39:31,333 --> 00:39:33,300
FORGOT ABOUT A COUPLE OF THEM.
1625
00:39:33,300 --> 00:39:34,733
IF I WAS WRONG ABOUT ERICA,
1626
00:39:34,733 --> 00:39:35,633
MY BAD.
1627
00:39:35,633 --> 00:39:37,867
BUT STEVIE MAKE IT SO EASY FOR
1628
00:39:37,867 --> 00:39:39,667
ME NOT TO TRUST HIM WITH THIS
1629
00:39:39,667 --> 00:39:40,933
TYPE OF [bleep].
1630
00:39:40,933 --> 00:39:41,800
WELL, YOU KNOW, IT IS
1631
00:39:41,800 --> 00:39:42,467
WHAT IT IS.
1632
00:39:42,467 --> 00:39:43,633
WE MOVING FORWARD.
1633
00:39:43,633 --> 00:39:44,433
YOU KNOW WHAT I'M SAYIN'?
1634
00:39:44,433 --> 00:39:46,700
WE JUST GONNA HAVE A NICE, GOOD
1635
00:39:46,700 --> 00:39:47,400
DAY TODAY.
1636
00:39:47,400 --> 00:39:49,633
WE GONNA KEEP IT POPPIN' UNTIL
1637
00:39:49,633 --> 00:39:51,633
WE MEET THEM AGAIN, YOU KNOW?
1638
00:39:51,633 --> 00:39:53,067
I'MA HANDLE THIS FOR SURE.
1639
00:39:53,067 --> 00:39:54,833
SCRAPPY RUNNING AROUND TOWN LIKE
1640
00:39:54,833 --> 00:39:55,633
HE THE KING.
1641
00:39:55,633 --> 00:39:57,400
THAT [bleep] AIN'T RIGHT.
1642
00:39:57,400 --> 00:39:58,867
I'M THE PERFECT PERSON TO SHOW
1643
00:39:58,867 --> 00:40:00,067
HIM A LESSON.
1644
00:40:00,067 --> 00:40:00,700
YOU NEED TO HANDLE THAT.
1645
00:40:00,700 --> 00:40:02,000
THIS IS A SMALL PLACE.
1646
00:40:02,000 --> 00:40:03,533
YOU KNOW HOW SMALL ATLANTA IS.
1647
00:40:03,533 --> 00:40:04,767
IT'S ALL GOOD.
1648
00:40:04,767 --> 00:40:05,633
LET'S JUST KEEP IT BUSINESS.
1649
00:40:05,633 --> 00:40:07,633
LET ME HANDLE ANYTHING ELSE.
1650
00:40:07,633 --> 00:40:09,133
STEVIE CAN HANDLE SCRAPPY,
1651
00:40:09,133 --> 00:40:10,900
AND I KNOW I CAN HANDLE ERICA.
1652
00:40:10,900 --> 00:40:12,367
SHE PUT HER HANDS IN MY FACE,
1653
00:40:12,367 --> 00:40:13,467
AND THAT WAS WRONG.
1654
00:40:13,467 --> 00:40:14,967
IF SHE TRIES THAT AGAIN, SHE'S
1655
00:40:14,967 --> 00:40:17,267
NOT GETTING AWAY WALKING.
1656
00:40:23,467 --> 00:40:25,200
I CAN'T BREATHE FOR NOTHING.
1657
00:40:25,200 --> 00:40:26,600
SCRAPPY HAD A ASTHMA ATTACK.
1658
00:40:26,600 --> 00:40:27,833
AND YOU LEFT HIM.
1659
00:40:27,833 --> 00:40:29,033
I DIDN'T LEAVE HIM.
1660
00:40:29,033 --> 00:40:30,967
YOU LEFT HIM FOR DEAD.
1661
00:40:30,967 --> 00:40:32,833
YOU LEFT MY CHILD FOR DEAD.
1662
00:40:32,833 --> 00:40:33,700
LOOK AT ALL THE [bleep] YOU
1663
00:40:33,700 --> 00:40:34,367
PUT ME THROUGH.
1664
00:40:34,367 --> 00:40:35,567
CALM DOWN; I'M TALKING.
1665
00:40:35,567 --> 00:40:36,267
NO, YOU DON'T TELL ME TO
1666
00:40:36,267 --> 00:40:36,933
[bleep] CALM DOWN.
1667
00:40:36,933 --> 00:40:37,600
IT'S DONE.
1668
00:40:37,600 --> 00:40:38,267
WHAT'S DONE?
1669
00:40:38,267 --> 00:40:39,167
EVERYTHING, IT'S DONE.
1670
00:40:39,167 --> 00:40:40,567
AS LONG AS HE KEEPS [bleep]
1671
00:40:40,567 --> 00:40:42,067
WITH JOSELINE, I'M NOT [bleep]
1672
00:40:42,067 --> 00:40:42,733
WITH HIM.
1673
00:40:42,733 --> 00:40:43,600
YOU TELL THAT [bleep], SHE
1674
00:40:43,600 --> 00:40:44,933
THREATEN ME AGAIN, WE GONNA HAVE
1675
00:40:44,933 --> 00:40:45,700
PROBLEMS.
1676
00:40:45,700 --> 00:40:46,400
WHAT'D SHE SAY TO YOU?
1677
00:40:46,400 --> 00:40:47,433
THEY ASKED ME IF I COULD GET
1678
00:40:47,433 --> 00:40:48,267
A FEW SONGS WITH YOU GUYS
1679
00:40:48,267 --> 00:40:48,933
TOGETHER.
1680
00:40:48,933 --> 00:40:49,633
NO, I'M NOT WILLING
1681
00:40:49,633 --> 00:40:50,300
TO DO THAT.
1682
00:40:50,300 --> 00:40:51,200
I NEED YOU TO DO THIS.
1683
00:40:51,200 --> 00:40:53,200
THIS SITUATION WITH KARLIE, I
1684
00:40:53,200 --> 00:40:54,700
KNOW SHE DID SOME FOUL [bleep],
1685
00:40:54,700 --> 00:40:56,833
BUT WOULD YOU SIT DOWN AND TALK
1686
00:40:56,833 --> 00:40:57,567
TO HER?
1687
00:40:57,567 --> 00:40:58,333
I'MA SAY WHAT I NEED TO SAY
1688
00:40:58,333 --> 00:40:59,000
TO HER.
1689
00:40:59,000 --> 00:40:59,833
I GOT YOU ON TAPE.
1690
00:40:59,833 --> 00:41:00,633
DON'T YOU...
1691
00:41:00,633 --> 00:41:01,833
EVER LIE ON ME.
1692
00:41:01,833 --> 00:41:02,633
YOU CAN [bleep] HAVE HIM,
1693
00:41:02,633 --> 00:41:04,100
[bleep].
1694
00:41:04,100 --> 00:41:04,967
I DON'T LIKE HER.
1695
00:41:04,967 --> 00:41:06,433
I NEED TO [bleep] WHIP THIS
1696
00:41:06,433 --> 00:41:08,433
BITCH ASS.
104843
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