Original subtitles

PREVIOUSLY ON LOVE & HIP-HOP:

ATLANTA...

I JUST WANT TO MAKE SURE WE

ON THE SAME PAGE AS FAR AS

MOVING FORWARD IN OUR

RELATIONSHIP.

I GOT TO GET MY OWN SPOT.

I'M WORKING ON YOU, AND YOU

WORKING ON ME.

YEAH.

AND ONLY YOU AND ONLY ME.

YES.

YOU LOSE A PERSONAL

RELATIONSHIP AND CAN'T EVEN GET

A HUG SOMETIME, AND,

LIKE, IS THIS--

DON'T THINK I DON'T THINK

ABOUT THE PERSONAL STUFF, BUT

WE RIGHT HERE.

GIVE ME A KISS.

YOU GONNA GIVE ME A KISS.

WHAT HAPPENED?

I SAID EXACTLY WHAT

YOU JUST SAID.

OKAY, HE WAS LIKE, "NO,

BITCH, WAS THE [bleep] DID YOU

SAY?"

BITCH?

YES, BITCH.

THAT'S WHAT HE CALLED ME.

I WANT TO PUT THEM

PAWS ON HIM.

WHOSE BABY IS IT?

I AIN'T BEEN [bleep] NOBODY

FOR THE LAST SIX MONTHS BUT YOU.

I KNOW WHO BABY I HAVE IN MY

STOMACH, AND YOU KNOW TOO.

WHAT'S GOING ON?

SHE TELLS ME SHE'S PREGNANT

BY YOU.

THAT'S WHAT SHE SAID?

WHAT ARE YOU DOING WITH THAT?

WHY ARE YOU BRINGING

THAT OUT?

IT IS HIS BABY.

* THIS IS THE LIFE

♪ THIS IS THE LIFE

* YEAH

* THIS THE LIFE

♪ THIS IS THE LIFE

* 'SUP ♪

* THIS THE LIFE

♪ THIS IS THE LIFE

* HUH

* THIS THE LIFE

♪ THIS IS THE LIFE

* HUH

♪ THERE AIN'T NOTHING LIKE ♪

♪ HIP-HOP MUSIC

♪ MUSIC

* THIS IS THE LIFE

♪ THIS IS THE LIFE

I GOT A CALL FROM ARIANE,

INVITING ME OVER TO HAVE DRINKS

WITH HER AND MIMI.

THE THREE OF US DIDN'T GET THE

CHANCE TO HANG AT MY SHOWCASE,

BECAUSE MIMI'S MAN DECIDES TO

ACT A FOOL.

HI.

HEY.

SO I'M LOOKING FORWARD TO A

LITTLE GIRL TALK TODAY.

SO WHAT'S BEEN GOING ON?

LIKE, I THOUGHT WE WAS GONNA BE

PARTYING, EXCITED.

Y'ALL SEEM--WHAT'S UP?

WHAT?

DID I DO SOMETHING?

WHAT'S WRONG?

WHAT'S GOING ON?

NO, YOU DIDN'T DO ANYTHING.

MIMI?

JOSELINE CALLED ME THE OTHER

DAY--OR YESTERDAY.

I GO MEET HER, AND SHE PROCEEDS

TO TELL ME THAT SHE'S PREGNANT.

OH.

AND SHE TELLS ME SHE'S

PREGNANT BY STEVIE

AND JUST STARTS GOING IN ON ME,

LIKE--AND I'M SITTING AT THE

TABLE CONFUSED.

WHAT THE [bleep] ARE YOU

MAD ABOUT?

BITCH, YOU PREGNANT BY MY DUDE.

SO I TELL HER, "CALL HIM.

HAVE HIM COME DOWN."

OH, MY GOD, MIMI.

HE COMES DOWN.

HE STANDS IN BETWEEN THE TWO OF

US AND WANTS TO KNOW WHAT WE'RE

HERE FOR.

AND SHE SAYS, "I TOLD HER

WHAT'S UP."

THIS FOOL PULLS HER PREGNANCY

TEST OUT OF HIS POCKET.

IN FRONT OF YOU.

IN FRONT OF ME.

WHY ARE YOU CARRYING THIS

BITCH'S PREGNANCY TEST?

FOR WHAT?

THAT'S NASTY.

THAT IS PISS ON A STICK.

THAT'S LIKE CARRYING AROUND A

BLOODY [bleep] TAMPON.

I CAN'T--I DON'T SEE HOW--

AT THAT POINT, I HAD NOTHING

ELSE TO SAY.

I SAID, "BITCH, YOU AND THAT

BABY AND HIM, GOOD LUCK."

I JUST LEFT.

WELL--

I COULDN'T TAKE ANOTHER

SECOND OF SITTING THERE,

LISTENING TO THIS [bleep].

WHEN YOU'VE HAD ENOUGH OF A

SITUATION, YOU'VE HAD ENOUGH.

AND ONLY ME KNOWS WHEN I'VE

HAD ENOUGH.

I'M BUBBLED UP TO THE TOP.

HE'LL SAY ONE THING TO ME.

YOU KNOW, "I LOVE YOU.

I WANT TO BE WITH YOU, AND I

WANT MY FAMILY."

BUT THEN HE'LL TURN AROUND, AND

HIS ACTIONS WILL DO SOMETHING

COMPLETELY OPPOSITE.

I'M NOT AROUND STEVIE ALL THE

TIME.

I DON'T KNOW WHAT THE [bleep] HE

DOES WHEN I'M NOT WITH HIM,

BUT ALL I GET FROM HIM IS,

"I LOVE YOU.

I WANT YOU.

I WANT MY FAMILY."

BUT THEN WHEN THIS TYPE OF

[bleep] GOES DOWN, AND I GOT THE

NEXT BITCH TALKING ABOUT, SHE'S

PREGNANT, AND IT'S JUST--

IF YOU WANT TO HURT, YOU CAN

HURT WITH ME, HONEY.

YOU CAN CALL ME, DO WHATEVER,

'CAUSE I BEEN THERE, AND I STILL

HAVE HARD DAYS.

YOU GOT AHOLD OF BEING STRONG,

AND MY HEART GOES OUT TO YOU,

BECAUSE I'M A SINGLE MAMA JUST

LIKE YOU.

MY BABY'S FATHER WAS A CLOWN.

I JUST FEEL LIKE YOU DIDN'T--

SHE NEVER WANTED TO SAY, "I'M

A SINGLE MOTHER," AND SHE ALWAYS

WANTED IT--AND I GET IT.

LIKE, I GET THE WHOLE NOT

WANTING TO BE A SINGLE MOTHER,

BUT YOU CAN'T KEEP FIGHTING FOR

SOMEBODY THAT WON'T FIGHT FOR

THEMSELVES OR THAT WON'T--

HE DOES NOT CARE.

FOR YEARS I'VE BEEN TELLING MIMI

SHE DESERVES SO MUCH BETTER.

SHE KEEPS SAYING SHE'S GONNA

MOVE ON AND SHE'S GONNA DO

BETTER.

AND I REALLY PRAY THAT SHE'LL

JUST MOVE ON.

IT'S TIME.

SO WHAT ARE YOU DOING?

I'M ALL ABOUT MOVING FORWARD.

I DON'T WANT TO WALLOW

IN NO [bleep].

THAT'S NOT WHAT I'M ABOUT.

I DON'T WANT NO REVENGE.

I'M NOT NO WOMAN SCORNED.

I'M NONE OF THAT.

I'M GONNA BETTER MYSELF, AND I'M

GONNA MOVE FORWARD FOR ME AND MY

DAUGHTER, PERIOD.

I DON'T WANT TO DO THIS ANYMORE.

I JUST--I DON'T.

I DON'T.

I'M DONE.

SINCE MY SON HAS MADE HIS

MAJOR MOVE FROM ERICA'S HOUSE,

I THOUGHT I'D GO OVER AND

SURPRISE HIM AND SEE HOW THINGS

WERE GOING.

WHO THAT?

ME, IT'S MOMMY.

WHAT'S HAPPENIN', LADY?

OH, WOW, THIS IS NICE.

DID THAT.

I LIKE IT.

MAMA'S BIG MAN.

THANK YOU.

WOW.

SO, LOOK, HOW DOES IT FEEL TO BE

IN YOUR OWN SPOT AGAIN?

I FEEL LIKE A MAN AGAIN,

A "G."

OKAY.

YOU FEEL ME?

'CAUSE STAYING WITH SOMEBODY,

YOU GOT TO LIVE BY THEIR RULES,

YOU FEEL ME?

AND THEN THAT'S BABY MAMA, SO

YOU KNOW, I HAD TO SHOW LOVE,

YOU KNOW, RESPECT.

BUT, SEE, NOW IT'S LIKE, YOU

KNOW, I GOT MY OWN JOINT.

YEAH.

I CAN CHILL AND WAKE UP...

I LOVE IT.

YOU KNOW WHAT I'M SAYING?

IF I WANT A MILLION CHICKS

BUTT-NAKED RUNNING AROUND HERE,

I CAN DO IT, YOU FEEL ME?

IF I WANT TO RUN AROUND HERE

BUTT-NAKED MYSELF, WHATEVER.

WELL, YEAH, IT FEELS GOOD,

THOUGH.

YOU KNOW WHAT I'M SAYING?

A'IGHT, WHAT'S GOING WITH

YOU AND ERICA?

WHAT'S GOING ON?

I THINK SHE REALLY COOL

WITH IT.

ERICA, THAT'S MY BABY MAMA.

YOU FEEL ME?

AND WE ALL FAMILY OR WHATEVER,

'CAUSE WE GOT THE LITTLE ONE

THAT I LOVE TO DEATH.

YOU KNOW WHAT I'M SAYIN'?

THAT'S MY GANGSTER RIGHT THERE.

HE MONEY, BUT RIGHT NOW I JUST

CAN'T REALLY SEE US TOGETHER.

YOU KNOW WHAT I'M 'SAYIN'?

IT AIN'T WORKING.

SO DID YOU TELL HER THAT,

THOUGH?

NO.

Y'ALL AIN'T HAD THAT TALK

YET, BUT YOU GOING TO.

YEAH, WE'RE GONNA HAVE THAT

CONVERSATION.

'CAUSE I KNOW YOU AND SHAY GO

OUT FROM TIME TO TIME WITH HER

PRETTY SELF.

I MEAN, BUT THAT'S JUST A

HOMEY, THOUGH.

YOU KNOW WHAT I'M SAYIN'?

LIKE, SHE, LIKE, A BEST

FRIEND, BEST, BEST, BEST FRIEND,

YOU FEEL ME, LIKE--

THEY SAY BEST FRIENDS MAKE

GOOD WIVES.

I THINK SHAY IS THE PERFECT

YOUNG LADY FOR MY SON.

SHE HAS A VERY GOOD PERSONALITY.

SHE'S GOT A FINE, TIGHT BODY.

AND IF I WAS MY SON, I'D BE ON

THAT TOO.

HAVE YOU HIT IT YET?

THAT'S WHEN I COME BACK AND I

SAY, "MOM, STAY IN YOUR LANE."

YOU STAY OUT OF MY BUSINESS.

YOU FEEL ME?

MY NOSINESS IS GETTING THE

BEST OF ME.

I'M A GENTLEMAN, AND A

GENTLEMAN NEVER TELLS.

A PLAYER NEVER TELLS.

SHAY BUCKEEY JOHNSON, MY BEST

FRIEND FOR, LIKE, FOUR, FIVE

YEARS.

FINE AS HELL, YOU KNOW, ON

EVERYTHING, BUT, YOU KNOW, RIGHT

NOW, I CAN'T SEEM TO THINK ABOUT

HER WITHOUT ALL THIS CRAZINESS

CONSISTENTLY GOING ON WITH

ERICA, YOU FEEL ME?

SO I'M OVER AT ERICA'S HOUSE,

YOU KNOW WHAT I'M SAYIN'?

I WAS GETTING READY TO DIP

WITHOUT PACKING MY STUFF.

SHE COME IN AND SAY SHE GOT INTO

IT WITH THIS DUDE

NAMED STEVIE J.

WHAT'D HE SAY?

I DON'T KNOW.

SHE SAID HE CALLED HER A BITCH.

WHAT?

BITCH, AND ANOTHER BITCH.

SHUT THE [bleep] FRONT DOOR.

I SHUT IT ALREADY,

BUT I'M GONNA--

DID ERICA GO BACK AT HIM?

SHE SAID SHE DID.

SO YOU TEACH THIS PERSON THAT

HE'S NEVER TO DISRESPECT THE

PRINCE OF THE SOUTH, EVER.

I'M GONNA HOLLER AT HIM.

I'M GONNA HOLLER AT HIM,

RESPECTFULLY, LIKE A MAN.

YEAH, RIGHT.

YOU KNOW WHAT I'M SAYIN'?

IF HE GET OUT OF LINE, I'M GONNA

HOLLER AT HIM.

I'M THE QUEEN OF THIS THRONE.

AND THE PRINCE, I WILL SEND YOU

OUT TO PROTECT EVERYTHING THAT

WE HAVE ESTABLISHED, AND NOBODY

GETS AWAY WITH THAT.

NOT DOWN TO THE SOUTH,

YOU FEEL ME?

I DON'T CARE WHO STEVIE J. IS.

HE DISRESPECTED, AND HE'S GOT TO

BE HANDLED.

NO DISRESPECT OUT HERE IN THESE

STREETS.

I'M NOT GOING FOR IT, AND

NEITHER IS MY SON.

GO AT HIM.

MAKE HIM ANSWER.

KICK HIM.

TWO DAYS AGO, I WENT TO THE

ABORTION CLINIC,

AND THE PROCEDURE JUST LEFT ME

FEELING DOWN AND TIRED.

I HAVEN'T SPOKEN TO STEVIE SINCE

HE DROPPED ME OFF TO THE

ABORTION CLINIC.

AND HE'S JUST BEEN BLOWING UP MY

PHONE.

I'M STILL REALLY MAD AT HIM.

HOW YOU GONNA SIT OUT THERE AND

DENY MY BABY?

WHAT YOU WANT TO TALK ABOUT,

STEVIE?

THIS WHOLE SITUATION THAT WE

JUST HAD TO GO THROUGH.

WHO WENT THROUGH THAT?

ME OR YOU?

BOTH OF US.

BUT YOU SAID IT WASN'T YOUR

BABY, SO HOW DID YOU

GO THROUGH IT?

I MEAN--

I JUST COULDN'T BELIEVE THAT

YOU WOULD EVEN...

I'M SORRY, I JUST--

ACKNOWLEDGE THAT IT WAS YOUR

BABY, AND I DIDN'T LIKE THAT.

I COULDN'T RESPECT IT.

I CAN'T.

I STILL CAN'T RESPECT THAT

FROM YOU.

EVERY TIME THAT WE TALK ABOUT

SOMETHING, YOU'RE JUST POINTING

YOUR FINGERS AT ME.

LET'S JUST KEEP IT COOL.

IF WE'RE GONNA BE TOGETHER,

WE GONNA BE TOGETHER.

IF WE NOT GONNA BE TOGETHER, WE

NOT HAVING NO SEX; WE NOT DOING

THIS; WE NOT DOING THAT;

WE'RE NOT GONNA--

I'M CELIBATE.

AH, SHUT THE [bleep] UP.

I'M CELIBATE.

I'M COOL WITH THAT.

I'M NOT THIRSTY FOR NO [bleep].

I'M THIRSTY FOR THAT BREAD.

YOU KNOW WHAT I'M SAYIN'?

I'M THIRSTY FOR HER TO MAKE A

WAY FOR HERSELF SO SHE AIN'T GOT

TO HIT THE CLUB NO MORE.

SHE CAN HAVE HER OWN MILLION

DOLLARS.

SO AT THE END OF THE DAY, SHE'LL

RESPECT ME MORE, AND I'M SURE I

COULD DO WHATEVER I LIKE.

YOU KNOW WHAT I'M SAYIN'?

LETTIN' THAT BREAD COME THROUGH.

WE GOT A LOT OF WORK TO DO.

AND I WANT TO MAKE SURE, FROM

THIS POINT FORWARD...

THAT'S ALL YOU CARE ABOUT.

THAT YOU GOT TO DO TO MAKE

SURE YOUR BABY IS TAKEN CARE OF.

I GOT TO TAKE MEDICINE.

I GOT TO TAKE PAINKILLERS.

I GOT TO TAKE ANTIBIOTICS.

AND THE FIRST THING YOU DO, WHEN

YOU GET UP IN MY ROOM, IS SAY WE

GOT TO GET BACK TO WORK IN A

COUPLE OF DAYS.

YOU'RE NOT WORRYING ABOUT ME

TAKING CARE OF MYSELF...

I AM.

I COOKED YOU BREAKFAST.

YOU COOKED ME BREAKFAST, AND

YOU TOOK ME TO GET A [bleep]

ABORTION.

THAT'S THE LEAST YOU COULD

HAVE DONE.

I GUESS HE THOUGHT HE WAS DOING

SOMETHING BY COOKING ME SOME

BREAKFAST.

I TOOK MY RESPONSIBILITIES.

I CARRY MINE'S ON MY SHOULDER.

I JUST FEEL LIKE HE WASN'T

CARRYING HIS ON HIS SHOULDERS.

HAVE YOU EVER REALLY LOVED ME,

STEVIE?

REALLY, REALLY LOVED ME?

LIKE YOU SAY YOU DID?

ARE YOU SERIOUS?

I HAVE A LOT OF LOVE FOR YOU.

NO, HAVE YOU EVER LOVED ME?

DO YOU LOVE ME?

THAT'S NOT AN ANSWER.

WHAT ELSE DO YOU WANT

FROM ME?

HUH?

ALL I WANT FROM STEVIE IS

THE TRUTH.

I GAVE HIM ALL OF ME.

I GAVE HIM MY HEART, MY SOUL.

ALL HE'S EVER DONE IS BREAK ME

DOWN AND BREAK MY HEART.

AND I WON'T LET HIM DO THIS TO

ME AGAIN.

HEY, HEY.

HEY.

A'IGHT?

I'M ROCKIN' WITH YOU.

I KNOW THIS IS AN EMOTIONAL

TIME, BUT I WANT YOU TO KNOW YOU

CAN CALL ME ANYTIME,

NO MATTER WHAT.

YOU HEAR ME?

GIVE ME A HUG.

I'LL SEE YOU LATER, OKAY?

THIS IS IT, THE FINAL STRAW.

AND YES, I WANT TO BE MARRIED TO

SCRAPPY.

IF YOU AIN'T GOT [bleep] TO

SAY, IF YOU DON'T WANT TO MAKE

[bleep] RIGHT, THEN [bleep] YOU.

I DIDN'T [bleep] NOBODY AND GET

'EM PREGNANT; YOU DID.

[all shouting at once]

WHAT ARE YOU TRYING TO

GET AT?

WHAT ARE YOU TRYING TO

GET AT?

NO, WE DIDN'T [bleep], BITCH,

NO.

HI, ERICA.

HEY, MOM.

HOW YOU DOING?

I'M GOOD.

OH, OKAY, WHAT ARE YOU DOING?

I'M IN THE KITCHEN FIXING

A SALAD.

OOH, THAT LOOKS WONDERFUL.

YOU NEED SOME HELP?

NO, I HAVE IT.

I HAVEN'T SEEN MY MOM SINCE

SCRAPPY MOVED OUT, SO I INVITED

HER OVER TO LET HER KNOW THAT

EVERYTHING'S GOING GREAT IN OUR

RELATIONSHIP.

SO HOW THINGS GOING WITH YOU

AND SCRAP?

IT'S REALLY GOOD.

IT IS?

YES.

OKAY, HAS IT IMPROVED SINCE--

IT HAS IMPROVED TREMENDOUSLY.

SO YOU'RE DOING OKAY

WITH THAT?

YEAH, I'M DOING VERY WELL.

I WAS NERVOUS AT FIRST WITH

HIM MOVING, BUT I'M OKAY, AND

WE'VE BEEN DOING VERY WELL.

SO YOU'RE NOT WORRIED ABOUT

ALL THE WOMEN?

YOU KNOW, LAST TIME Y'ALL WERE

IN SEPARATE PLACES, HE ENDED UP

WITH DIAMOND.

SCRAPPY KNOWS HOW THAT

AFFECTED ME, SO I HAVE FAITH IN

HIM THAT HE'S NOT GONNA PUT ME

THROUGH ANYTHING LIKE THAT

EVER AGAIN.

IT'S NO MORE SHACKING UP.

IT'S ME WORKING ON YOU,

AND YOU WORKING ON ME.

AND IN THE END, I'M GONNA HAVE

A RING, SO HE KNOWS THAT.

WHEN EMANI WAS ABOUT TWO,

SCRAPPY PROPOSED, AND I OBJECTED

BECAUSE WE REALLY WEREN'T JUST

READY, BUT THIS GO-AROUND, YOU

KNOW, WE'RE DOING WELL IN OUR

RELATIONSHIP, MOVING FORWARD,

AND I'M READY.

I JUST DON'T KNOW IF HE'S READY.

I JUST FEEL IN MY HEART, IF

WE'RE GONNA WORK TOWARD MARRIAGE

AND LONGEVITY, WE SHOULD BE

LIVING TOGETHER.

I WANT TO GET MARRIED, BUT

WE'RE NOT IN A HURRY BECAUSE

WE'RE STILL--WE'RE GETTING TO

KNOW EACH OTHER ALL OVER AGAIN.

SO I DON'T WANT TO RUSH

ANYTHING.

I WANT TO TAKE IT SLOW.

THIS IS IT, THE FINAL STRAW.

AND YES, I WANT TO BE MARRIED TO

SCRAPPY.

MY MOM DOESN'T THINK SCRAPPY'S

THE ONE FOR ME, SO SHE SAYS

WE'RE NOT EQUALLY YOKED.

SHE THINKS I'M MUCH MORE MATURE

THAN HIM, AND HE HAS A LOT OF

GROWING TO DO.

MAYBE IT'S NOT UP TO HER LIKINGS

RIGHT NOW, BUT IT'S UP TO MINE.

SO YOU SHOULD RESPECT MY

DECISION RIGHT NOW.

REGARDLESS, YOU KNOW, OF WHAT

WENT ON IN THE PAST, WE'RE GONNA

MAKE THIS WORK.

WE'RE MOVING FORWARD.

SO THAT'S WHAT WE'RE DOING

RIGHT NOW.

WE'RE MOVING FORWARD,

AND WE'RE HAPPY.

AND REGARDLESS OF WHAT ANYBODY

ELSE THINKS, WE GOOD.

BUT I JUST WANT YOU TO KNOW

WHAT YOU'RE DOING, KNOW WHAT

YOU'RE GETTING INTO.

AND I DON'T WANT YOU TO GET

HURT, BUT IF YOU DO, I WANT YOU

TO BE PREPARED.

TIME HEALS EVERYTHING.

I WANT YOU TO BE ABLE TO TAKE--

DUST IT OFF AND MOVE ON.

MOVE PAST IT.

TRUST THAT I KNOW WHAT I'M

DOING RIGHT NOW.

OKAY.

TRUST THAT IF I PUT MYSELF IN

THE LINE OF FIRE, I'M PREPARED

TO GET BURNED.

WHAT HAVE WE HERE?

HELLO.

WOW, WHERE AM I?

COME ON, COME ON.

IT'S GETTING COLD.

BUSINESS PUTS A LOT OF PRESSURE

AND A LOT OF STRESS ON KIRK AND

I'S RELATIONSHIP.

AND WHAT HAPPENED AT THE VIDEO

IS PRETTY TYPICAL, BUT ONE THING

I WANT KIRK TO UNDERSTAND IS,

NOT ONLY DO I GO HARD FOR OUR

BUSINESS AND THE THINGS WE'RE

TRYING TO ACHIEVE, BUT I GO HARD

FOR OUR MARRIAGE, AND I

DEFINITELY GO HARD FOR HIS LOVE.

I JUST WANTED TO DO SOMETHING A

LITTLE SPECIAL.

I WANT YOU TO UNDERSTAND THAT I

HEARD YOU LOUD AND CLEAR WHEN

YOU SAID, THE PERSONAL TIME, SO

I FIGURED, LET ME COOK INSTEAD

OF US GOING OUT,

HAVING A BIG BILL.

THIS IS AWESOME.

LIKE, YES, YOU NEED

TO DO THIS MORE.

IT'S JUST ALL ABOUT ME AND

YOU HAVING DINNER, DESSERT, AND

SOME MORE DESSERT.

NOW, FOR REAL.

I'M REALLY GLAD THAT RASHEEDA

TOOK TIME OUT TO, LIKE, DO

SOMETHING SPECIAL FOR ME,

BECAUSE, IT'S LIKE, EVERYTHING

OF MY LIFE IS ALWAYS DOING

THINGS FOR HER.

AND FOR HER TO TAKE OUT TIME OF

HER DAY TO DO SOMETHING FOR ME,

I REALLY FELT SPECIAL.

IT FELT GOOD.

ONE THING I DO WANT TO TALK

ABOUT IS A LITTLE BIT OF

FAMILY STUFF, THOUGH.

YEAH, WE NEED TO GET

EVERYBODY ON TRACK.

I KNOW THAT.

WE WENT FROM BILL, TO VIDEO,

TO BILLS.

IT'S A LOT.

RASHEEDA AND I HAVE A SON

TOGETHER, BUT I HAVE FOUR OTHER

KIDS FROM PREVIOUS

RELATIONSHIPS.

SOMETIMES I FEEL LIKE IT'S A BIG

FINANCIAL BURDEN, AND IT'S TIME

FOR THEM TO PICK UP AND START

DOING THINGS ON THEIR OWN.

WE NEED TO GET THEM ON THE PAGE

AND UNDERSTAND,

"LISTEN, THIS IS IT."

I'M LOOKING FOR A RELIEF.

IT WAS REALLY GREAT TO GET ON

THE SAME PAGE AS KIRK.

AND THOUGH WE HAVE OUR UPS AND

DOWNS ALL THE TIME, I JUST

APPRECIATE HIM SO MUCH AS A

HUSBAND AND EVERYTHING HE

DOES FOR OUR FAMILY.

TO LOVE, HEALTH, FAMILY, AND

GOING HARD.

AND LOVE AND MORE

PERSONAL TIME.

THIS IS EXCELLENT.

MM-HMM.

SO STEVIE'S BEEN BLOWING UP

MY PHONE FOR THE PAST FEW DAYS.

AND, REALLY, I JUST DIDN'T FEEL

LIKE DEALING WITH HIM.

BUT I GUESS I DON'T HAVE MUCH OF

A CHOICE NOW, DO I?

IT'S TIME FOR STEVIE TO HEAR

SOME REAL TALK.

WHAT'S GOOD?

WHAT'S GOING ON?

YOU TELL ME.

I WANTED TO STOP THROUGH,

COME AND SAY HELLO TO YOU, SEE

WHAT WAS ON YOUR MIND.

YOU STOPPED THROUGH TO SEE

WHAT WAS ON MY MIND?

YEAH.

YOU HAVE THE NEXT BITCH

PREGNANT AND THAT'S SOME MORE

[bleep].

I WAS EVERYTHING MEAN,

EVERYTHING NEGATIVE,

EVERYTHING, RIGHT?

YOU NEVER CAME TO MY DEFENSE

OR ANYTHING.

YOU'RE GONNA LET THIS BITCH SIT

THERE AND [bleep] CALL ME OUT MY

NAME AND SOME MORE [bleep].

AND YOU DON'T SAY [bleep] TO

THIS BITCH?

COME ON, MA.

DON'T [bleep] "COME ON, MA,"

ME.

ARE YOU SERIOUS RIGHT NOW?

RIGHT, YOU NEVER WANT TO [bleep]

DO IT.

YOU ALWAYS WANT TO [bleep]

BITCHES, BUT YOU NEVER WANT TO

HANDLE [bleep] AFTER THE FACT.

SO THIS IS WHERE YOU WANT TO

GO WITH THIS RIGHT NOW?

WHERE DO YOU WANT

TO GO WITH IT?

I'M NOT TRYING TO ARGUE

WITH YOU.

I'M NOT TRYING TO SCREAM

WITH YOU.

YOU'RE NOT TRYING TO ARGUE

'CAUSE YOU DON'T HAVE NO [bleep]

ARGUMENT.

I'M THE ONE WITH THE GRIPE,

NOT YOU.

I DIDN'T [bleep] NOBODY AND GET

'EM PREGNANT; YOU DID.

HE WAS JUST WRONG.

IN EVERY SENSE, IN EVERY ASPECT,

NO MATTER HOW YOU CUT IT, SLICE

IT, FLIP IT UP, RUB IT THE

[bleep] DOWN, [bleep] WRONG,

PERIOD.

AND HE HAD NOTHING TO SAY.

HOW CAN WE FIX THIS?

WHAT IS THERE TO FIX, STEVIE?

YOU'RE GONNA SIT UP AND

PILLOW-TALK WITH THE NEXT BITCH.

I DON'T PILLOW-TALK--

I BET YOU [bleep] DID, 'CAUSE

THIS BITCH IS PREGNANT BY YOU.

ARE YOU [bleep] SERIOUS?

SHE'S NOT?

WHY ISN'T SHE?

YOU TOOK HER TO THE CLINIC?

WHY IS SHE NOT PREGNANT?

SHE HAD AN ABORTION.

SO YOU TOOK THE BITCH TO HAVE AN

ABORTION.

SHE HAD AN ABORTION.

DON'T YOU THINK THAT WAS THE

RIGHT THING TO DO?

I DON'T KNOW WHAT THE [bleep]

YOU THINK IS THE RIGHT THING

TO DO.

CAN YOU STOP?

I'M GIVING YOU THE FLOOR.

WHAT YOU GOT TO SAY, PLEASE?

I JUST WANT TO KNOW WHAT YOU

WANT TO DO MOVING FORWARD.

I DON'T WANT TO DO [bleep]

WITH YOU MOVING [bleep] FORWARD.

ALL RIGHT, COOL.

THAT'S IT.

WITH YOU [bleep] THIS BITCH.

AND YOU STILL CARRYING ON WITH

THIS BITCH.

AND YOU STILL AROUND THIS BITCH.

EVERY TIME YOU'RE AROUND THIS

BITCH, THERE'S SOME [bleep]

DRAMA AND BULL[bleep].

YOU KNOW WHAT, STEVIE?

YOU CAN EXIT STAGE LEFT.

I KNOW I MESSED UP, BUT

SHE'S SO FIRED UP RIGHT NOW THAT

ANYTHING I SAY IS GONNA

SET HER OFF.

I HOPE YOU'RE HAPPY WITH THAT

[bleep] BITCH.

I'M HAPPY WITH ME.

GOOD.

SEE YA.

THIS IS IT?

YOU AIN'T SAID [bleep] ELSE.

I AIN'T GOT TO SAY NOTHING.

YOU MOTHER[bleep] RIGHT.

IF YOU AIN'T GOT [bleep] TO SAY,

IF YOU DON'T WANT TO MAKE

[bleep] RIGHT, THEN [bleep] YOU,

'CAUSE YOU SHOWED ME WHAT THE

[bleep] YOU WANT.

YOU WANT A [bleep] SLUT-ASS

BITCH.

YOU GO DO THAT.

OKAY?

IF THAT'S WHAT STEVIE CHOOSES TO

DO, HE CAN DO THAT, BUT I'M NOT

GONNA DO IT WITH HIM.

I'M MOVING THIS WAY.

YOU STAY IN THE GUTTER WITH ALL

THAT [bleep] AND TRASH.

YOU GOT THAT.

I JUST WANT TO GET BACK TO

HER BEING HAPPY, HER TRUSTING ME

AGAIN.

YOU GOT TO KEEP YOUR

MOTHER[bleep] [bleep]

IN YOUR PANTS.

YOU THINK YOU CAN DO THAT?

I FEEL LIKE YOU LEFT ME OUT

IN THE DARK BEFORE.

WITH THE WHOLE SITUATION THAT

HAPPENED, I JUST NEED YOU TO BE

THERE.

I CALLED UP MY BOY BENZINO TO

TRY TO GET A, LIKE, A MAN'S

PERSPECTIVE ON THIS WHOLE

SCENARIO THAT'S GOING ON.

IT'S KILLING ME.

SO I'VE KNOWN HIM FOR A LONG

TIME, AND I KNOW THAT HE'LL BE

THE BEST PERSON TO GO TO.

SO WHAT HAPPENED?

I DON'T KNOW WHAT TO DO, MAN.

EVERY TIME I TRY TO SPEAK

TO HER, SHE'S JUST SCREAMING,

HOLLERING.

COME ON, WHAT YOU EXPECT?

YOU KNOW WHAT I'M SAYIN'?

LIKE, PUT YOURSELF IN HER

POSITION.

ALL OF A SUDDEN, YOU KNOW WHAT

I'M SAYIN', THE ARTIST THAT

YOU'RE WORKING WITH TURNS UP

PREGNANT.

[bleep] THAT AIN'T NO EASY PILL

TO SWALLOW, MAN.

I UNDERSTAND.

I'M SORRY.

YOU KNOW WHAT I'M SAYIN'?

I MADE A MISTAKE.

DID YOU TELL HER THAT?

I DIDN'T GET THE CHANCE TO.

ALL SHE WANTED TO DO WAS SCREAM

AND HOLLER.

ALL YOU GOT TO DO IS SAY,

"I'M SORRY," WITHIN THE TIME

SHE'S SCREAMING AND HOLLERING.

THAT'S IT: "I'M SORRY."

I COULDN'T GET PAST ALL OF

THE "MOTHER[bleep]" AND THE

"ASSES"--

YEAH, BUT YOU GOT TO, AGAIN,

YOU KNOW WHAT I'M SAYIN', LIKE,

WHAT DO YOU EXPECT?

IF THE GIRL DIDN'T HAVE FEELINGS

FOR YOU, THEN SHE WOULDN'T CARE.

I KNOW MIMI STILL LOVES ME,

BUT SHE HAS TO UNDERSTAND THIS

IS THE WAY I AM.

I LOVE HER.

I LOVE HER TO DEATH.

AIN'T THAT ENOUGH?

AT THE END OF THE DAY, I DON'T

WANT TO MESS UP, YOU KNOW WHAT

I'M SAYIN', ANY RELATIONSHIP I

GOT WITH MIMI, WHETHER IT'S

FAMILY, WHETHER IT'S BUSINESS--

YOU ALREADY DID THAT.

YOU ALREADY ACCOMPLISHED THAT.

SO NOW IT'S ABOUT HOW YOU GONNA

GET IT BACK?

IF YOU WANT IT BACK.

SEE, THAT'S WHAT IT IS.

SLEAZE, YOU GOT TO, LIKE, REALLY

DEEP DOWN, YOU KNOW, DO YOU KNOW

WHAT YOU WANT?

YOU KNOW WHAT I MEAN?

BECAUSE, TO ME, HONESTLY, YOU

KNOW WHAT I'M SAYIN', LIKE--

I WANT TO GET BACK ON TOP.

THAT'S WHAT I WANT TO DO.

BUT ALL THAT [bleep] TAKES A

BACKSEAT BECAUSE YOU CONSTANTLY

IN SOME DRAMA WITH SOME WOMEN.

IT'S LIKE, YOU GOT TO CLEAN YOUR

HOUSE UP, BECAUSE, REALLY, TO BE

HONEST WITH YOU, IT SEEM LIKE, I

DON'T KNOW, JUST SEEMS LIKE

IT TAKES AWAY YOUR FOCUS FROM

THE MUSIC.

ZINO'S RIGHT.

I GOT ALL TYPE OF [bleep] GOING

ON, AND I'M FORGETTING ABOUT MY

MUSIC.

YOU KNOW WHAT I MEAN?

I'M FORGETTING ABOUT MY

BUSINESS.

I LOVE JOSELINE.

YOU KNOW WHAT I'M SAYIN'?

I LOVE MIMI.

BUT AT THE END OF THE DAY, IT'S

LIKE, I GOT TO FOCUS ON MY

BUSINESS.

YOU KNOW WHAT I'M SAYIN'?

THAT'S WHAT GOT ME HERE IN THE

FIRST PLACE.

CLEAN UP YOUR SITUATION WITH

MIMI.

YOU KNOW WHAT I'M SAYIN'?

IF IT'S A THING WHERE SHE SAYS,

LOOK, SHE DON'T WANT YOU WORKING

WITH JOSELINE NO MORE, WELL, YOU

GONNA HAVE TO MAKE THAT CHOICE,

'CAUSE ULTIMATELY, CAN'T NONE OF

THAT [bleep] MESS UP ALL THE

STUFF THAT'S GETTING READY TO

POP OFF FOR YOU.

YOU'D BE A FOOL.

I WANT TO WIN, BUT AT THE END

OF THE DAY, YOU KNOW WHAT I'M

SAYIN', I WANT MIMI HAPPY TOO.

YOU KNOW?

YEAH, WELL, IF YOU WANT MIMI

HAPPY, YOU KNOW WHAT I'M SAYIN',

YOU GOT TO BE MONOGAMOUS,

MY BROTHER.

THE WORD OF THE DAY IS

"MONOGAMOUS."

SAY IT.

MONOGAMOUS.

COME ON.

SAY IT TOGETHER.

both: MONOGAMOUS.

MONOGAMOUS.

JUST KEEP THINKING THAT.

MONOGAMOUS.

ALL RIGHT.

HIPPOPOTAMUS.

YEAH, THERE YOU GO.

I KNOW I GOT TO DO BETTER,

AND I KNOW I GOT TO DO WHAT I

GOT TO DO TO MAKE HER SMILE, TO

MAKE HER HAPPY, PERIOD,

POINT BLANK.

IT'S LIKE, YOU KNOW WHEN YOU

LOVE SOMEBODY YOU JUST DO THE

RIGHT THING BY THEM.

YOU KNOW?

AND I DO MY BEST, BUT SOMETIMES

MY BEST, [bleep], IS JUST NOT

GOOD ENOUGH, YOU KNOW?

I JUST WANT TO GET BACK TO HER

BEING HAPPY.

YOU KNOW?

HER TRUSTING ME AGAIN.

YEAH, BUT--WELL, THEN YOU GOT

TO KEEP YOUR MOTHER[bleep]

[bleep] IN YOUR PANTS.

YOU THINK YOU CAN DO THAT?

SLEAZE, YOU THINK YOU CAN BE

MONOGAMOUS?

KEEP IT 100, MAN.

IF YOU WANT HER TO GAIN YOUR

TRUST BACK, THEN YOU GOT TO,

COME ON, YOU GOT TO REALLY STEP

UP TO THE PLATE.

STEP UP TO THE PLATE?

STEP UP TO THE PLATE,

MY BROTHER.

HEY, YOU.

SEXY, GORGEOUS, WHAT'S

HAPPENING?

I MISS YOU TOO.

WHAT'S HAPPENING?

NOTHING MUCH.

SHAY IS MY BEST FRIEND.

SHE ONE OF THEM BEST FRIENDS YOU

EVER LOOK AT, YOU'D BE LIKE,

"DAMN."

YOU FEEL ME?

LIKE, WHEW.

SHE ALWAYS TELLING ME, YOU KNOW,

THE REAL.

SO I'MA HOLLER AT HER ABOUT THIS

STEVIE J. CHARACTER, SEE WHAT

SHE THINK.

SO WHAT'S BEEN UP?

GOT SOME SITUATIONS THAT

OCCURRED, AND I HAVE TO JUMP ON

IT RIGHT THEN, BECAUSE IF YOU

DON'T JUMP ON IT RIGHT THEN, YOU

FEEL ME?

WHAT?

EVERYTHING GO HAYWIRE.

EVERYBODY FEEL LIKE THEY

CAN DO IT.

WHAT HAPPENED?

EVERYBODY WANT TO PUT THEIR

HAND UP, THEIR NUMBER UP.

I MEAN, WHAT YOU TALKING

ABOUT SPECIFICALLY?

THIS FOOL NAMED STEVIE J.

CUSSED BABY MAMA OUT.

WHAT'D HE SAY?

ALL I KNOW IS, HE SAID THE

"B" WORD A COUPLE TIMES.

OH, OKAY.

EVEN IF HE DON'T KNOW--

'CAUSE THAT'S YOUR BABY

MAMA, BUT NOT YOUR GIRLFRIEND.

RIGHT.

BUT YOU STICKING UP FOR HER

'CAUSE THAT'S YOUR BABY MAMA.

DIG THAT.

YOU MAY KNOW ME AS BUCKEEY

FROM FLAVOR OF LOVE 2 AND

CHARM SCHOOL, BUT I WANT YOU TO

CALL ME SHAY JOHNSON.

I BECAME CLOSE FRIENDS WITH

SCRAPPY ABOUT FOUR OR FIVE YEARS

AGO IN MIAMI.

AND WE'VE BEEN SUPPORTING EACH

OTHER, LIKE, EVER SINCE.

AND I DON'T REALLY THINK

STICKING UP FOR ERICA IS THE

BEST IDEA IF HE'S TRYING

TO MOVE ON.

YOU THINK SHE GONNA FEEL LIKE

Y'ALL GOT SOMETHING MORE THAN

WHAT IT IS BECAUSE YOU STICKING

UP FOR HER LIKE THIS?

OR THIS JUST--

I DON'T CARE IF SHE TOLD ME

EFF YOU THREE TIMES A DAY AND

TOLD ME SHE HOPE I DIE.

SOMEBODY MESS WITH HER, I'MA GO

OVER THERE AND HANDLE

THE BUSINESS IN A GOOD WAY.

SAME THING WITH ME TOO?

OH, DEFINITELY.

BUT SEE, YOU DON'T CALL PEOPLE--

I WOULDN'T CALL YOU--

YOU DON'T CALL ME TO--

IT'S TWO WEEKS IN THE GAME.

[bleep] NO, IT AIN'T TWO

WEEKS, BOO-BOO.

AIN'T TWO--ADD SOME NUMBERS ONTO

THAT.

I AIN'T GONNA EVEN LIE ABOUT

IT, TRY TO KEEP IT ON THE D.L.,

MAN, TRY TO LET THIS GREASE

SETTLE DOWN WITH ME AND ERICA,

MAN.

YOU KNOW WHAT I'M SAYIN'?

BUT, ME AND SHORTY, ME AND SHAY,

WE DONE CAME A LITTLE BIT MORE

THAN FRIENDS.

I AIN'T TRYING TO GO THERE YET,

YOU KNOW WHAT I'M SAYIN', 'CAUSE

I AIN'T TRYING TO JUMP IN THERE

YET, BUT DAMN, SHE'S SEXY, MAN.

YOU FEEL ME?

YOU'RE NOT GONNA DO NOTHING

CRAZY.

I'M NOT GONNA DO NOTHING

CRAZY, AS LONG AS HE DON'T

TOUCH ME, YOU FEEL ME?

LONG AS NOBODY TOUCH ME.

HIT YOU, TOUCH YOU, OKAY--

I DON'T THINK NOBODY'S GONNA

TOUCH YOU.

JUST BE CAREFUL.

I'MA BE COOL.

BE CAREFUL.

I'M GONNA GO CRAZY IF SOMETHING

HAPPENS TO YOU.

PUT SOME OF THIS ON ME, PLEASE?

REALLY?

YOU KNOW YOU WANT TO.

WHAT YOU MEAN?

WHAT YOU MEAN, WHAT I MEAN?

AH.

[laughs]

DON'T GO CRAZY.

STOP.

JUNK IN THE TRUNK.

STOP IT.

WHAT YOU MEAN, STOP?

DON'T DO ALL THAT.

YOU NEED IT EVERYWHERE.

I NEED IT JUST ON MY BACK AND

MY LEGS.

AND YOUR LEG?

AND MY LEGS.

I WAS TRYING TO DO THE LEGS.

YOU WAS GOING ON MY ASS.

YOU WASN'T ON MY LEG.

I'M ON THE LEG.

LET'S GO IN THE HOUSE.

I'M ON THE LEG.

I WANT TO SEE.

ON THE LEG.

YEAH, DO IT AGAIN.

HERE WE GO.

FIVE, SIX, FIVE, SIX, SEVEN,

AND ONE.

[singing in Spanish]

♪

ONE, TWO, THREE, FOUR, STEP,

FIVE, ROCK YOUR HIPS, UP, DOWN,

POINT, YES.

THAT WAS GOOD.

LOOKING HOT.

HEY, WHAT'S UP?

LET ME GET FIVE MINUTES WITH

HER.

THANK YOU, RICH.

HOW'S IT GOING?

SHE ON IT.

WHAT'S UP, BABY?

THE ABORTION, IT REALLY KIND OF

[bleep] THINGS UP WITH ME AND

JOSELINE.

IT'S GONNA TAKE A MINUTE TO SORT

THINGS OUT, BUT FOR ME, MOST

IMPORTANT, IS TO GET THAT MONEY.

GOT TO STAY FOCUSED.

WHAT'S GOING ON WITH YOU?

YOU'RE LOOKING AMAZING.

OUT THE BED, POPPIN'.

I'M TRYING TO GET THERE,

WORKING HARD.

TRYING?

IF YOU'RE TRYING, YOU'RE LYING.

WHAT I MEAN, I'VE BEEN IN

BED--I'VE BEEN IN BED REST.

JUST KNOW YOU'RE

LOOKING GOOD.

YOU KNOW WHAT I MEAN?

I CAN WIPE MY OWN SWEAT.

I KNOW YOU CAN WIPE

YOUR OWN SWEAT.

I WANTED TO WIPE IT FOR YOU.

HMM.

YOU'RE LOOKING GOOD, MAMI.

YOU'RE READY TO COMPETE ON A

HIGH LEVEL.

I KNOW.

YOU'RE FOCUSED?

I'M FOCUSED.

YOU GOT YOUR MIND RIGHT?

I GOT IT RIGHT.

YOU READY FOR WAR?

I JUST NEED YOU TO BE THERE

FOR ME.

THIS IS A WAR.

OH, I'MA BE HERE FOR YOU.

I FEEL LIKE YOU LEFT ME OUT

IN THE DARK BEFORE.

WITH THE WHOLE SITUATION THAT

HAPPENED, I JUST NEED YOU TO BE

THERE.

I NEVER LEAVE YOU OUT IN THE

DARK ANYWHERE, BUT JUST

UNDERSTAND, I WANT YOU TO WIN.

YOU KNOW?

IT'S NEVER BEEN EASY FOR NOBODY.

I KNOW.

TRUTH IS, I'M STILL HURT, BUT I

PUT IN TOO MUCH WORK IN THIS

PROJECT JUST TO LET IT GO TO

WASTE.

STEVIE SAY HE WANTS ME TO WIN,

BUT IT'S BEYOND STEVIE.

IF I DON'T WIN, THAT MEANS I'M

GOING BACK TO THE STRIP CLUB,

AND THAT'S NOT GONNA HAPPEN.

I GOT SOME STUDIO TIME SET UP

FOR YOU TONIGHT.

YOU WANT TO GO IN?

YEAH, I'M READY.

I'M ROCKING WITH YOU TILL THE

WHEELS FALL OFF.

JUST ME AND YOU, YOU ROCKING

WITH ME?

I AM.

HUG.

STEVIE'S THE ONLY MAN, THE ONLY

PERSON, IN THE WORLD THAT

MOTIVATES ME LIKE THIS.

I KNOW IT'S CRAZY, BUT I STILL

HAVE FEELINGS FOR HIM.

CAN I SEE YOU DANCE?

YEAH, I GUESS YOU CAN.

LET ME SEE YOU SHAKE SOME.

I'M SO SHY IN FRONT OF YOU.

PLEASE, DON'T GIVE ME THAT HARD

STARE.

COME ON.

I'M JUST GONNA PUT MY GLASSES ON

SO YOU DON'T HAVE TO SEE ME.

OKAY.

IT'S VERY GOOD TO SEE THAT

JOSELINE HAS HER MIND STRAIGHT

ON HER WORK.

I GOT TO DO WHATEVER IN MY POWER

TO MAKE SURE SHE POPS OFF AS THE

NEXT LATIN SUPERSTAR.

BUT FOR NOW, I GOT TO SEE HOW

THOSE DANCE LESSONS

ARE PAYING OFF.

YOU KNOW, JUST SAMPLING THE

PRODUCT.

HEY.

[singing in Spanish]

♪

AT THE END OF THE DAY, YOU

GOT IT.

YOU KNOW WHAT I'M SAYIN'?

YOU ALREADY HAVE IT.

WE GONNA WIN THIS.

YOU KNOW WHAT I'M SAYIN'?

WE'RE GONNA WIN.

I SEE YOU.

GIVE ME A HUG.

I BELIEVE IN YOU.

YOU KNOW WHAT I'M SAYIN'?

ME AND YOU, WE ROCKING.

MM-HMM.

WE ARE.

BONNIE AND CLYDE LIKE.

YEAH.

YEAH?

ALL RIGHT, LET'S WIN THEN.

LET'S GO.

OKAY.

NAH, GET OFF OF ME,

RAGGEDY-ASS [bleep].

SHE GONNA TURN ME STRAIGHT?

THAT BITCH WANT A SMACK-OFF?

I KNOW WHO THAT BITCH IS.

YEAH, TALK, TALK.

[bleep].

WHAT?

AFTER STEVIE J. INTRODUCES

HISSELF VERY RUDELY AND CALLS ME

A BITCH, SCRAPPY DECIDES TO MEET

UP WITH THE [bleep].

HE'S GONNA CHECK HIM ABOUT

DISRESPECTING ME.

I HEARD THROUGH THE GRAPEVINE

THAT THAT LITTLE FELLA IS AT THE

STUDIO TONIGHT.

AND I CAN'T WAIT TO SEE WHAT

HAPPENS.

OH, YEAH, THAT'S--

THAT'S HIM RIGHT THERE.

IT'S ME, THE BITCH.

WOW.

WHAT'S UP, MA?

HOW ARE YOU?

WHAT'S UP?

HEY, NOTHIN'.

EVERYTHING GRAVY.

I'VE BEEN LOOKING FOR YOU.

I WANTED TO HAVE A WORD

WITH YOU.

[bleep] IT WAS CRAZY.

[bleep] IT WAS A LITTLE, YOU

KNOW, A LITTLE OUT OF ORDER.

I WAS DRINKING AND ALL THAT.

YOU KNOW, SINCE I CALLED YOU A

BITCH, I WANTED TO APOLOGIZE

TO YOU.

YOU KNOW THIS WAS

MY BABY MAMA?

'CAUSE I DON'T KNOW YOU.

I DON'T KNOW YOU.

ONLY TIME I EVER HEARD OF YOU

WAS THE VH1 BEHIND THE SCENES

WITH EVE.

YOU FEEL ME?

OKAY, OKAY.

I HEARD, YOU FEEL ME, YOU GOT

REAL DISRESPECTFUL WITH BABY

MAMA; AT THE END OF THE DAY,

LIKE, MY [bleep] LIKE ON.

I MEAN, I SEE YOU GROWN, MAN.

YOU FEEL ME?

YOU KNOW HOW TO HANDLE YOUR

BUSINESS, SO AT THE END OF THE

DAY, LIKE, I TAKE THAT [bleep]

AS DISRESPECT.

YOU FEEL ME?

I TAKE IT--HOLD ON, HOLD ON.

I TAKE IT AS DISRESPECT, BUT

JUST 'CAUSE YOU GOT A BABY MAMA.

I GOT A FEW OF 'EM.

I GOT, LIKE, FIVE OF 'EM.

FIVE, OH.

I GOT A DAUGHTER.

YOU KNOW WHAT I'M SAYIN'?

WHO I'D NEVER LET A [bleep] TALK

TO HER LIKE THAT.

YOU FEEL ME?

NEVER, NEVER.

I RESPECT THAT.

I FEEL REAL DISRESPECTED.

I KNOW SHE DIDN'T EVEN KNOW HIM

ENOUGH FOR HIM TO EVEN--TO COME

OUT HIS TONGUE LIKE THAT.

YOU DISRESPECT YOUR CHICK.

YOU FEEL ME?

BUT DON'T DISRESPECT NOBODY

ELSE, 'CAUSE THAT GET YOU HURT.

IF I CUSS YOUR [bleep] OUT RIGHT

NOW--

BUT WAIT A MINUTE.

WAIT A MINUTE.

WAIT, WAIT, WAIT.

WHAT'S THE PROBLEM?

I'M JUST SAYING, IF I CUSS

YOUR [bleep] OUT--

YOU FEEL ME, AND SAY [bleep]--

[all shouting at once]

WAIT A MINUTE.

LET ME SAY SOMETHING, BABY.

LET ME--LET ME--LET ME JUST SAY.

WAIT, LET ME JUST SAY SOMETHING,

BABY.

DIDN'T Y'ALL [bleep]?

BEFORE YOU KNEW HIM?

BEFORE ANYTHING?

SO WHAT'S THE PROBLEM?

WHOA.

I AIN'T EVEN SEE THIS COMING.

JOSELINE SAYING I'M [bleep]

ERICA?

I DON'T EVEN KNOW THIS GIRL.

IT'S GOT ME BUGGED OUT.

I DIDN'T KNOW WHAT WAS

GOING ON.

BUT I THINK I HEARD ABOUT THIS

CHICK GETTING WITH STEVIE.

NOW HER MAN IS COMING TO CHECK

STEVIE AND CALLING ME A BITCH?

HOLD UP.

WHAT'S GOING ON?

WHO ARE YOU?

I'M JOSELINE HERNANDEZ, BABY.

OH, IRRELEVANT.

ANYHOO--

HOLD ON.

[bleep].

JOSELINE HERNANDEZ?

HOLD ON, HOLD ON, HOLD ON.

WHO ARE YOU?

YOU'RE DOING ALL THIS WHOOPING

AND HOLLERING.

GET THE [bleep] OUT YOUR MOUTH,

AND LISTEN.

I DON'T HAVE ANYTHING TO DO WITH

STEVIE J.

I DON'T EVEN KNOW HIM.

WHO ARE YOU [bleep]?

YOU ARE NOBODY!

NO, WHY?

WHY, WHY, WHY, WHY, WHY?

WHAT YOU SO MAD FOR?

WHAT ARE YOU TRYING TO GET

AT?

WHAT ARE YOU TRYING TO GET AT?

NO, WE DIDN'T [bleep], BITCH.

THIS BITCH IS ALL UP IN MY GRILL

QUESTIONING ME ABOUT WHETHER OR

NOT I SLEPT WITH STEVIE J.

NEXT THING I KNOW, ALL HELL

BREAKS LOOSE.

WHOA, WHOA, WHOA, WHOA.

[bleep], [bleep], [bleep],

[bleep].

GET OFF OF ME.

NAH, GET OFF OF ME,

RAGGEDY-ASS [bleep].

LET ME GO.

JUST LET ME GO.

YOU'RE SAYING WHAT?

[bleep], [bleep], [bleep].

LET ME GO.

[bleep] LET ME GO.

LET ME GO.

I WANT TO MAKE SURE MY

[bleep] STRAIGHT.

LET ME GO.

LET ME GO; I'M COOL.

I'M COOL; I'M COOL.

[bleep], [bleep], [bleep],

[bleep], [bleep].

STOP DRAGGING ME.

WHY Y'ALL DRAGGING ME?

YOU KNOW WHAT I'M SAYING?

YOU GONNA SET ME STRAIGHT?

NO, [bleep].

BITCH!

YOU SUCKER BITCH!

IN THE CAR.

GET THE [bleep].

YEAH, TALK, TALK.

[bleep], [bleep].

DON'T DO IT!

I KNOW WHO THAT BITCH IS!

TALK, TALK, TALK!

YEAH, TALK, TALK!

KEEP TALKING!

I AIN'T GOT NO TOLERATION FOR NO

BULL[bleep].

HOMEGIRL KEEP ON POPPIN' OFF.

YOU KNOW WHAT I'M SAYIN'?

SHE DONE POPPED OFF

ON BABY MAMA.

CUZ AIN'T DOING NOTHING BUT

FANNING THE FLAME.

BITCH!

YOU SUCKER BITCH!

AIN'T NOBODY GETTING A CHECK IN

THE "A" NOW.

Y'ALL BETTER GO TO NEW YORK WITH

THAT [bleep] [bleep]!

BELIEVE THAT!

BELIEVE THAT [bleep]!

SCRAPPY GOING MAD LIKE HE'S

LOST HIS DAMN MIND.

COME ON, MAN, RELAX BEFORE YOU

POP A BLOOD VESSEL OR SOMETHING,

BABY.

BELIEVE IT!

COME HERE!

CHILL OUT, [bleep].

MAN, [bleep] ALL THAT.

LET ME TALK TO YOU.

HEY!

LOOK AT ME.

I'VE SEEN SCRAPPY ANGRY, UPSET,

BUT I'VE NEVER SEEN HIM LIKE

THIS, AND IT'S ALL BECAUSE OF

THAT SIDELINE JOSELINE AND

LITTLE-BITTY ASS STEVIE J.

GET IN THE CAR, [bleep].

ERICA, ERICA!

[shouting indistinctly]

SUCK MY [bleep] LIKE YOU

SUCKED HIS [bleep].

GET IN THE CAR.

GET THE [bleep] IN THE CAR.

GET IN THE CAR.

RELAX.

I SAID GET IN THE CAR.

SCRAPPY, YOU CAN KISS MY ASS.

YOU CALL ME A BITCH?

BUT YOUR GIRL [bleep] MY MAN?

I'M NOT SCARED OF YOU.

BRING IT ON.

* STRIP DOWN, TURN AROUND

♪ SHOW ME WHAT IT IS

♪ STRIP DOWN, TURN AROUND

♪ SHOW ME WHAT IT IS

♪ STRIP DOWN, TURN AROUND

♪ SHOW ME WHAT IT IS

♪ STRIP DOWN, TURN AROUND

♪ SHOW ME WHAT IT IS

WAIT A MINUTE; HOLD UP.

I DON'T KNOW THE FULL DETAILS.

SCRAPPY CALLED ME AND WAS LIKE,

"YO, IT WENT DOWN."

AND I'M LIKE, "WHAT THE [bleep]

DONE HAPPENED?"

SCRAPPY MY HOMEBOY.

I'VE KNOWN SCRAP FOR A MINUTE.

SO WHEN HE HIT ME UP AND CALLED

ME AND TOLD ME THAT HIM,

JOSELINE, STEVIE J., AND ERICA

GOT INTO A FIGHT, I WAS LIKE,

"YO, THIS [bleep] IS CRAZY."

YOUR BABY DADDY WAS ALL IN THE

MIX.

WHAT THE HELL GOING ON WITH HIM?

THIS IS WHAT I KNOW.

AT HER SHOWCASE, HE CALLED HER

OUT OF HER NAME.

HE WAS REAL DISRESPECTFUL.

WHO?

STEVE.

HE CALLED--

ERICA.

HE DON'T EVEN KNOW HER.

NEVER SEEN HER A DAY

IN HIS LIFE.

THAT'S WHY SCRAPPY ASS WENT

GODDAMN HAM.

HE AIN'T SAY NOTHING ABOUT

SOMEBODY DISRESPECTING

SOMEBODY'S BABY MAMA,

ESPECIALLY WHEN THEY DON'T KNOW

EACH OTHER.

YOU KNOW WHAT I'M SAYIN'?

LIKE, WHAT HAPPENED?

WE WERE SITTING AT THE TABLE.

AND, THANK YOU, JESUS.

HERE SHE IS.

HEY.

IT'S BEEN TWO DAYS SINCE THE

FIGHT, AND I AM STILL HIGHLY

UPSET THAT JOSELINE ACCUSED ME

OF SLEEPING WITH STEVIE J.

I GOT TO MEET UP WITH MY GIRLS

AND TALK ABOUT THIS.

WE MET UP, ME, HIM, SCRAP, AND

HE HAD SOME GIRL WITH HIM,

JOSELINE.

WHEN SHE WALKED UP, EVERYTHING

ABOUT HER JUST READ [bleep].

AND I JUST LOOKED AND...

ANYHOO, AND YOU KNOW, SOON AS

STEVIE WALKS OUT, I'M LIKE,

"IT'S ME, THE BITCH."

YOU KNOW, HE COME OUT, HE'S LIKE

"OH, I'M SORRY."

AND I'M LIKE, "OKAY, COOL."

BUT THEN SHE JUST COMES OUT OF

NOWHERE, LIKE, "BUT DIDN'T Y'ALL

[bleep]?"

YOU AND STEVIE?

THAT YOU AND STEVIE [bleep].

ME AND STEVIE.

OH, LORD.

I AM SICK AND TIRED OF HEARING

THE NAME JOSELINE COME UP EVERY

TIME I HEAR STEVIE'S NAME

COME UP.

NOW THIS BITCH IS FIGHTING

FOR HIM?

LIKE SHE HIS MAIN CHICK OR

SOMETHING?

THIS JUST CONFIRMS EVERYTHING

I'VE BEEN FEELING ABOUT STEVIE

AND HIS BULL[bleep].

WHAT DID SCRAP DO?

HE SWUNG ON STEVIE.

LIKE, HE SWUNG ON STEVIE.

AND, OKAY, THAT'S CRAZY

[bleep].

A.T.L.

ALL DAY.

THAT'S LIKE, LOOK--

SHE CLAIMED IT.

I'M GONNA FINISH IT.

HOW DID THIS END?

THAT WAS IT.

REALLY?

GETTING IN THE CARS AND LEFT.

THAT'S IT.

THERE'S BEEN NO COMMUNICATION,

NO NOTHING.

THAT HAPPENED THAT NIGHT, AND

THAT'S IT.

[all talking at once]

AND REALLY, IT'S ALL BECAUSE

YOU HAD A [bleep] WITH YOU THAT

DIDN'T KNOW NOTHING ABOUT

NOTHING.

AND RUNNING HER [bleep]

MOUTH.

RUNNING HER MOUTH.

FROM WHAT MIMI TOLD ME, THIS

BITCH HAS BEEN NOTHING BUT A

NIGHTMARE.

AND SHE'S FOOLING HER DAMN SELF

IF SHE THINK SHE GONNA MESS

WITH ME.

I REALLY NEED TO MEET UP WITH

JOSELINE AND TALK TO THIS

[bleep] FOR REAL, 'CAUSE NOT

ONLY HAS SHE TRIED ME, SHE

TRIED YOU, MIMI.

SHE GOES THERE, GIRL.

AND I GOT YOU, BOO.

I GOT YOU.

WHAT REALLY THREW ME OFF WAS,

WHEN YOU WAS LIKE, I WAS

SMASHING SHORTY.

SO YOU DIDN'T SMASH?

I DON'T REMEMBER

SMASHING HER.

I JUST DON'T BELIEVE YOU.

WATCH THE BEST MOMENTS AND

BONUS VIDEOS FROM TONIGHT'S

I INVITED STEVIE OVER FOR

BREAKFAST AFTER THAT LONG FIGHT

WITH SCRAPPY AND ERICA.

I'M STILL CONFUSED WITH

EVERYTHING THAT WENT ON.

ALL I KNEW THAT SHE WAS

WAVING HER HANDS IN MY FACE.

AND I JUST FELT LIKE I HAD TO

PROTECT MYSELF.

WHAT WAS THAT ABOUT WITH THE

GIRL AND--WHAT WAS GOING ON?

WHAT WAS THE PROBLEM?

ABOUT A WEEK AGO, WE OUT AT

THE CLUB, THEN SHE HAD A FEW

WORDS AND I HAD A FEW WORDS

WITH HER, BUT I WAS SET TO BE

LIKE, YO, MY BAD.

YOU KNOW WHAT I'M SAYIN'?

I CAME OUT, AND I WAS LIKE, "YO,

FROM THE OTHER NIGHT, IT WASN'T

NOTHING."

UNTIL LITTLE MAN JUST STARTED

RUNNING HIS MOUTH AND ALL THAT.

YOU KNOW WHAT I'M SAYIN'?

HE'S SAYING, HE'S CALLING ME

A BITCH.

I'M LIKE, OKAY, SO WHAT IS THE

PROBLEM?

YOU KNOW, LIKE, YOU CALLED HER A

BITCH, OR DID Y'ALL [bleep]?

THEN I'M ASKING HER, "WHAT THE

[bleep] IS GOING ON?"

BUT YOU NEVER SAY NOTHING, SO...

JOSELINE WENT IN REAL HARD,

BUT SHE WAS POPPING HER MOUTH

OFF, AND I COULDN'T SAY A WORD.

I DON'T NEED A WINGMAN.

I CAN HANDLE THIS DUDE MYSELF.

WHAT REALLY THREW ME OFF, WAS

WHEN YOU WAS LIKE, I WAS

SMASHING SHORTY.

YOU AIN'T HIT?

I NEVER--

YOU DIDN'T POP?

I NEVER SMASHED.

I DON'T REMEMBER SMASHING HER.

HA, I JUST DON'T BELIEVE YOU.

IF I SEE HER TODAY, I MIGHT NOT

REMEMBER HER EITHER.

BUT I DON'T BELIEVE THAT

DOWN THERE.

I LOVE STEVIE, BUT HE'S SMASHED

SO MANY GIRLS THAT I KNOW HE

FORGOT ABOUT A COUPLE OF THEM.

IF I WAS WRONG ABOUT ERICA,

MY BAD.

BUT STEVIE MAKE IT SO EASY FOR

ME NOT TO TRUST HIM WITH THIS

TYPE OF [bleep].

WELL, YOU KNOW, IT IS

WHAT IT IS.

WE MOVING FORWARD.

YOU KNOW WHAT I'M SAYIN'?

WE JUST GONNA HAVE A NICE, GOOD

DAY TODAY.

WE GONNA KEEP IT POPPIN' UNTIL

WE MEET THEM AGAIN, YOU KNOW?

I'MA HANDLE THIS FOR SURE.

SCRAPPY RUNNING AROUND TOWN LIKE

HE THE KING.

THAT [bleep] AIN'T RIGHT.

I'M THE PERFECT PERSON TO SHOW

HIM A LESSON.

YOU NEED TO HANDLE THAT.

THIS IS A SMALL PLACE.

YOU KNOW HOW SMALL ATLANTA IS.

IT'S ALL GOOD.

LET'S JUST KEEP IT BUSINESS.

LET ME HANDLE ANYTHING ELSE.

STEVIE CAN HANDLE SCRAPPY,

AND I KNOW I CAN HANDLE ERICA.

SHE PUT HER HANDS IN MY FACE,

AND THAT WAS WRONG.

IF SHE TRIES THAT AGAIN, SHE'S

NOT GETTING AWAY WALKING.

I CAN'T BREATHE FOR NOTHING.

SCRAPPY HAD A ASTHMA ATTACK.

AND YOU LEFT HIM.

I DIDN'T LEAVE HIM.

YOU LEFT HIM FOR DEAD.

YOU LEFT MY CHILD FOR DEAD.

LOOK AT ALL THE [bleep] YOU

PUT ME THROUGH.

CALM DOWN; I'M TALKING.

NO, YOU DON'T TELL ME TO

[bleep] CALM DOWN.

IT'S DONE.

WHAT'S DONE?

EVERYTHING, IT'S DONE.

AS LONG AS HE KEEPS [bleep]

WITH JOSELINE, I'M NOT [bleep]

WITH HIM.

YOU TELL THAT [bleep], SHE

THREATEN ME AGAIN, WE GONNA HAVE

PROBLEMS.

WHAT'D SHE SAY TO YOU?

THEY ASKED ME IF I COULD GET

A FEW SONGS WITH YOU GUYS

TOGETHER.

NO, I'M NOT WILLING

TO DO THAT.

I NEED YOU TO DO THIS.

THIS SITUATION WITH KARLIE, I

KNOW SHE DID SOME FOUL [bleep],

BUT WOULD YOU SIT DOWN AND TALK

TO HER?

I'MA SAY WHAT I NEED TO SAY

TO HER.

I GOT YOU ON TAPE.

DON'T YOU...

EVER LIE ON ME.

YOU CAN [bleep] HAVE HIM,

[bleep].

I DON'T LIKE HER.

I NEED TO [bleep] WHIP THIS

BITCH ASS.