All language subtitles for Deadwood - 1x08 - Suffer the Little Children

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English Download
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai Download
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,033 --> 00:00:10,100 ( theme music playing ) 2 00:01:49,501 --> 00:01:51,067 Al YOU MIGHT, DAN, 3 00:01:51,067 --> 00:01:53,868 WANT TO LEARN HOW TO INDICATE INTEREST IN A GIRL 4 00:01:53,868 --> 00:01:56,901 OTHER THAN MURDERING ANOTHER PERSON. 5 00:01:58,300 --> 00:01:59,934 I APOLOGIZE FOR THE DISRUPTION 6 00:01:59,934 --> 00:02:03,834 AND THE FREE DRINKS YOU HAD TO GIVE OUT RESTORING ORDER. 7 00:02:03,834 --> 00:02:07,000 JESUS CHRIST, IT'S FALSE DAWN, AL. 8 00:02:07,000 --> 00:02:08,667 FALSE DAWN ALREADY. 9 00:02:08,667 --> 00:02:12,434 IF WE'RE GONNA ACT, WE SHOULD DO IT IN DARKNESS. 10 00:02:12,434 --> 00:02:13,868 WHERE'S THE FUCKING WHORE? 11 00:02:13,868 --> 00:02:16,868 WHEREVER TRIXIE IS, WE KNOW WHAT WE NEED TO. 12 00:02:16,868 --> 00:02:19,300 BULLOCK'S FOUR SQUARE BEHIND THE NEW YORK WOMAN. 13 00:02:19,300 --> 00:02:21,300 THE QUESTION'S DO WE ACT? 14 00:02:21,300 --> 00:02:23,801 AND TO ME, THE COURSE IS CLEAR. 15 00:02:23,801 --> 00:02:25,367 WELL, WHAT'S THE COURSE? 16 00:02:25,367 --> 00:02:27,434 MURDER THEM WHERE THEY SLEEP! 17 00:02:27,434 --> 00:02:30,434 THE NEW YORK WOMAN AND BULLOCK BOTH. 18 00:02:30,434 --> 00:02:34,567 DAN, LOAN E.B. YOUR KNIFE. 19 00:02:34,567 --> 00:02:36,133 NAH, I WON'T BRANDISH THE KNIFE, 20 00:02:36,133 --> 00:02:39,167 BUT I'LL WIELD A PASSKEY AT THE WIDOW'S DOOR. 21 00:02:39,167 --> 00:02:42,200 AS FOR BULLOCK, HE SLEEPS ON HIS STORE'S SECOND FLOOR, 22 00:02:42,200 --> 00:02:44,501 AND I'LL STEADY A LADDER, DAN, AT THAT WALL, 23 00:02:44,501 --> 00:02:46,334 WHILE YOU CLIMB UP AND BUSHWHACK HIM. 24 00:02:47,667 --> 00:02:51,167 THEN, WITH THEM DEAD AND DISPOSED OF, 25 00:02:51,167 --> 00:02:54,667 WE FORGE A PREDATED BILL OF SALE, TAKE POSSESSION OF THE CLAIM 26 00:02:54,667 --> 00:02:57,334 WITH THE ALLOCATED PERCENTAGES OF OWNERSHIP 27 00:02:57,334 --> 00:03:00,067 PREVIOUSLY AGREED TO IN OUR INTERNAL DISCUSSIONS, 28 00:03:00,067 --> 00:03:03,367 AND DON'T SPEND A FUCKING DOLLAR IN THE PROCESS. 29 00:03:08,534 --> 00:03:09,801 BOLD? 30 00:03:10,934 --> 00:03:12,434 I SUPPOSE. 31 00:03:12,434 --> 00:03:14,567 BUT WHEN BOLDNESS IS CALLED FOR, 32 00:03:14,567 --> 00:03:16,300 BOLD MEN DO NOT SHRINK. 33 00:03:16,300 --> 00:03:19,701 - THAT'S WHAT THE B IN E.B. FARNUM STANDS FOR. - BOLD. 34 00:03:19,701 --> 00:03:21,734 ( slams desk ) YOU'RE GODDAMN RIGHT. 35 00:03:21,734 --> 00:03:23,200 SAY IT, AL. 36 00:03:23,200 --> 00:03:26,067 SAY THE FUCKING WORDS MY BONES ALREADY KNOW. 37 00:03:26,067 --> 00:03:28,601 YOU'RE GONNA BACK OFF ON THAT FUCKING CLAIM. 38 00:03:28,601 --> 00:03:31,000 ( gunshots ) 39 00:03:31,000 --> 00:03:32,901 ( cheering ) 40 00:03:36,400 --> 00:03:40,334 WE BRUNG IT, SIR. VACCINE FOR THE SMALLPOX, SECURED IN CHEYENNE. 41 00:03:40,334 --> 00:03:44,367 WELL DONE, FELLAS, AND CONGRATULATIONS ON THE ENTIRE FUCKING SETTLEMENT. 42 00:03:44,367 --> 00:03:47,367 E.B., GET DOWNSTAIRS AND GIVE THESE HEROES WHAT THEY'RE OWED. 43 00:03:47,367 --> 00:03:50,200 - YES, SIR. $50 A MAN. - IF YOU DON'T SPEND IT IN MY JOINT, 44 00:03:50,200 --> 00:03:52,501 I'LL TURN THE MOURNING OVER TO WEEPING. 45 00:03:52,501 --> 00:03:55,300 YOU WON'T SHED NARY A TEAR ON OUR ACCOUNT, MR. SWEARENGEN. 46 00:03:55,300 --> 00:03:57,501 VACCINE TO DOC COCHRAN IN THE PEST TENT. 47 00:03:57,501 --> 00:04:01,000 WE'LL BE TOASTING THE TREATY, TOO, WITH THE FUCKING HEATHENS. 48 00:04:01,000 --> 00:04:03,234 - EXPLAIN YOURSELF. - Man: THEY'VE ALL BEEN 49 00:04:03,234 --> 00:04:05,801 CALLED BACK TO THE AGENCY. WE HEARD THAT IN CHEYENNE. 50 00:04:05,801 --> 00:04:09,133 - ARE THEY GOING'S THE FUCKING QUESTION. - FUCK YEAH, THEY ARE. 51 00:04:09,133 --> 00:04:11,267 Man #2: THAT'S THE WORD IN CHEYENNE. 52 00:04:11,267 --> 00:04:14,067 RED CLOUD AND SPOTTED TAIL ARE LEADING THEIR PEOPLE IN. 53 00:04:14,067 --> 00:04:17,801 DAN, $10 IN BONUS CREDITS ACROSS THE BOARD FOR THESE HEROES. 54 00:04:17,801 --> 00:04:20,734 10 IN PUSSY, 10 IN FARO, 10 IN BOOZE. 55 00:04:20,734 --> 00:04:23,567 - ( men cheer ) - GOD BLESS YOU, MR. SWEARENGEN! 56 00:04:23,567 --> 00:04:25,467 WELL, NOT LIKELY, 57 00:04:25,467 --> 00:04:27,767 BUT MY SHORT-TERM PROSPECTS JUST IMPROVED. 58 00:04:28,868 --> 00:04:31,200 SAY THE WORDS, SO I CAN LET THE DREAM DIE. 59 00:04:31,200 --> 00:04:33,334 E.B., DID YOU NOT HEAR THE FUCKING NEWS? 60 00:04:33,334 --> 00:04:35,467 DID YOU NOT LISTEN TO THE FUCKING NEWS? 61 00:04:35,467 --> 00:04:37,734 THAT PLAGUE'S END'S IN PROSPECT. 62 00:04:37,734 --> 00:04:40,834 AND SO'S PEACE WITH THE FUCKING DIRT WORSHIPPERS. 63 00:04:42,767 --> 00:04:44,300 COME HERE, COME HERE. 64 00:04:45,367 --> 00:04:46,667 SIT DOWN. 65 00:04:48,133 --> 00:04:49,934 THE DAM... 66 00:04:49,934 --> 00:04:51,801 HAS BROKEN, YOUNG MAN, 67 00:04:51,801 --> 00:04:55,067 AND ONLY OURSELVES CAN FUCK UP, 68 00:04:55,067 --> 00:04:57,434 FOR WE ARE ABOUT TO BE SWIMMING IN MONEY. 69 00:04:57,434 --> 00:04:59,634 AND HOW COULD WE FUCK UP? 70 00:04:59,634 --> 00:05:03,067 BY ENGAGING IN OPEN FUCKING BLOODLETTING. 71 00:05:03,067 --> 00:05:05,300 AND RIGHT HERE AT HAND IN OUR VERY HOUR OF NEED 72 00:05:05,300 --> 00:05:08,100 IS THE PRIGGISH FUCKING DOUCHE BAG, BULLOCK, 73 00:05:08,100 --> 00:05:09,934 WHO ONLY WANTS TO SELL POTS AND PANS, 74 00:05:09,934 --> 00:05:12,234 FAN HIS PRETTY FACE AND HOLD HIS NOSE 75 00:05:12,234 --> 00:05:14,934 FROM THE STENCH OF OUR SORDID CARRYINGS ON OVER HERE, 76 00:05:14,934 --> 00:05:18,200 ALL THE TIME THINKING HE CAN PROTECT THE MEEK AND INNOCENT. 77 00:05:18,200 --> 00:05:21,167 THE PERFECT FUCKING FRONT MAN. 78 00:05:21,167 --> 00:05:23,367 AND YOU WANT TO KILL HIM? 79 00:05:23,367 --> 00:05:25,934 MUCH AS WE MIGHT WANT THE WIDOW'S CLAIM, 80 00:05:25,934 --> 00:05:28,734 IT'S A LUXURY NOW TO FOREGO. 81 00:05:28,734 --> 00:05:32,634 E.B., FIND YOURSELF SOMEWHERE TO LIE DOWN 82 00:05:32,634 --> 00:05:34,334 TILL THE FEELING PASSES, HUH? 83 00:05:35,767 --> 00:05:38,634 FIRST, I'LL GO GIVE THE HOOPLE HEADS THEIR MONEY. 84 00:05:38,634 --> 00:05:39,934 THANK YOU. 85 00:05:48,000 --> 00:05:49,567 YOU GO FIND THAT FUCKING WHORE. 86 00:05:51,300 --> 00:05:53,033 WHAT THE FUCK IS THIS, HUH? 87 00:05:54,801 --> 00:05:56,400 ( in hoarse voice ) I LOST MY VOICE. 88 00:05:57,734 --> 00:05:59,300 ( knocks ) 89 00:06:01,000 --> 00:06:05,033 - WHAT HAPPENED? - I SEEN SOMETHING BAD. 90 00:06:05,033 --> 00:06:06,734 COME IN. 91 00:06:13,634 --> 00:06:15,033 HERE, SIT DOWN. 92 00:06:16,634 --> 00:06:19,000 I SEEN SOMETHING AT THE PLACE MY BROTHER WORKS. 93 00:06:19,000 --> 00:06:22,801 A MAN WAS STABBED AND KILLED RIGHT IN FRONT OF ME. 94 00:06:22,801 --> 00:06:25,234 ONE MAN SAID HE DIDN'T LIKE THE WAY THE OTHER MAN 95 00:06:25,234 --> 00:06:27,567 WAS LOOKING AT ME, AND HE STABBED AND KILLED HIM. 96 00:06:38,968 --> 00:06:40,400 DRINK THIS. 97 00:06:44,467 --> 00:06:46,067 WHERE'S YOUR BROTHER NOW? 98 00:06:46,067 --> 00:06:48,000 WE GOT A ROOM. 99 00:06:49,834 --> 00:06:51,367 I'LL GO IN A MINUTE. 100 00:06:51,367 --> 00:06:53,334 IT'S ALL RIGHT, FLORA. 101 00:06:55,234 --> 00:06:58,834 I'VE JUST COME TO SAY I DON'T KNOW IF I CAN DO THIS. 102 00:06:58,834 --> 00:07:00,834 IT'S HORRIBLE. 103 00:07:00,834 --> 00:07:02,734 IT'S ONE THING LEADS TO ANOTHER 104 00:07:02,734 --> 00:07:05,300 AND YOU NEVER KNOW WHEN IT'S GONNA HAPPEN. 105 00:07:05,300 --> 00:07:07,501 MOSTLY YOU CAN STEER IT, SWEETHEART, 106 00:07:07,501 --> 00:07:10,067 AND WHEN IT'S GONNA GET TO WHERE YOU CAN'T, 107 00:07:10,067 --> 00:07:13,000 YOU GET JUST A LITTLE NOTICE, JUST A COUPLE OF SECONDS 108 00:07:13,000 --> 00:07:15,534 BEFORE THE ONE THING TURNS INTO THE OTHER. 109 00:07:15,534 --> 00:07:19,100 IT'S LIKE A FUNNY SMELL COMES INTO THE AIR, 110 00:07:19,100 --> 00:07:21,834 THEN YOU KNOW THERE'S NO MORE STEERING 111 00:07:21,834 --> 00:07:23,767 AND GET THE HELL OUT OF THE WAY. 112 00:07:25,267 --> 00:07:26,868 I SMELLED IT IN THE SALOON. 113 00:07:26,868 --> 00:07:29,434 AND DID YOU GET OUT OF THE WAY IN TIME? 114 00:07:33,133 --> 00:07:35,033 IT'S ALL RIGHT. IT'S ALL RIGHT. 115 00:07:38,434 --> 00:07:41,167 MILES DOESN'T KNOW NOTHING. 116 00:07:41,167 --> 00:07:43,133 HE DIDN'T SMELL NOTHING AND HE... 117 00:07:43,133 --> 00:07:45,033 DIDN'T KNOW NOTHING ABOUT WHAT TO DO. 118 00:07:45,033 --> 00:07:47,734 ALL RIGHT, I KNOW. 119 00:07:49,767 --> 00:07:51,701 CAN I STAY? 120 00:07:51,701 --> 00:07:55,834 CAN I SLEEP HERE WITH YOU JUST THIS LAST LITTLE WHILE BEFORE WE HAVE TO GET UP? 121 00:07:55,834 --> 00:07:58,367 YEAH, YOU CAN SLEEP HERE WITH ME. 122 00:08:23,501 --> 00:08:24,934 CAN YOU HELP? 123 00:09:19,067 --> 00:09:21,267 - NAME? - BOLAND. 124 00:09:22,334 --> 00:09:23,701 MAKE YOUR MARK. 125 00:09:23,701 --> 00:09:25,467 SAINT ANDY CRAMED. 126 00:09:27,534 --> 00:09:30,000 ALL THAT'S MISSING ARE THE SCOURGES AND FLAYS. 127 00:09:31,601 --> 00:09:35,300 - MAYBE THEY'RE UNDER HIS SHIRT. - ( laughs ) 128 00:09:48,334 --> 00:09:51,200 KIND OF YOU TO LET US WORK OUT OF THE HORSESHIT AND FLIES. 129 00:09:51,200 --> 00:09:52,667 SURE. 130 00:09:58,200 --> 00:10:00,133 ( groans ) 131 00:10:00,133 --> 00:10:02,100 JESUS CHRIST! 132 00:10:12,067 --> 00:10:14,434 ( rasping ) HAVE YOU SEEN TRIXIE, DOC? 133 00:10:14,434 --> 00:10:16,434 WHAT? 134 00:10:18,968 --> 00:10:20,400 TRIXIE. 135 00:10:22,467 --> 00:10:24,868 NO, TEA AND HONEY. 136 00:10:26,767 --> 00:10:30,367 - FOR THIS? - YOU ARE A STUPID SON OF A BITCH. 137 00:10:30,367 --> 00:10:33,300 YEAH, THE TRAFFIC'S A BOON, SETH. 138 00:10:33,300 --> 00:10:37,033 WE'RE UP $27 ALREADY FROM YESTERDAY'S ENTIRE PROCEEDS. 139 00:10:37,033 --> 00:10:38,501 GOOD. 140 00:10:39,767 --> 00:10:41,667 PITIFUL SPECIMEN YOU ARE. 141 00:10:42,934 --> 00:10:45,868 IT WASN'T A PINPRICK. I AIN'T ATE. 142 00:10:45,868 --> 00:10:49,067 REALLY? STRANGE YOU NEVER KEELED OVER 143 00:10:49,067 --> 00:10:51,067 WHEN WE WAS HUNGRY ON THE FUCKING TRAIL. 144 00:10:53,467 --> 00:10:57,133 YOUR BOSS SPEAK TO YOU ABOUT SENDING ME AN ASSAYER THIS MORNING? 145 00:10:57,133 --> 00:10:59,567 NO, SIR, HE DIDN'T. 146 00:10:59,567 --> 00:11:02,734 I WILL REMIND HIM 147 00:11:02,734 --> 00:11:04,901 ONCE I FINISH HIS ERRANDS. 148 00:11:04,901 --> 00:11:07,234 I ONLY GOT ONE PLACE LEFT TO LOOK: 149 00:11:07,234 --> 00:11:09,634 BELLA UNION- THAT'S OUR COMPETITION. 150 00:11:09,634 --> 00:11:13,133 WELL, I'LL TELL HIM WHAT YOU SAID. 151 00:11:17,300 --> 00:11:18,734 GOOD MORNING. 152 00:11:19,801 --> 00:11:21,234 GOOD MORNING, MR. BULLOCK. 153 00:11:21,234 --> 00:11:23,701 COME TO HAVE THE CHILD INOCULATED? 154 00:11:23,701 --> 00:11:25,701 YES, AND TO TELL YOU, 155 00:11:25,701 --> 00:11:28,634 FOR REASONS WE NEEDN'T EXPLORE, THAT MY PLANS HAVE CHANGED. 156 00:11:28,634 --> 00:11:31,400 AS SOON AS I CAN ARRANGE TRANSPORTATION 157 00:11:31,400 --> 00:11:34,033 I'LL RETURN WITH THE CHILD TO NEW YORK CITY. 158 00:11:34,033 --> 00:11:37,300 WHY NEEDN'T WE EXPLORE YOUR REASONS? 159 00:11:37,300 --> 00:11:39,234 BECAUSE, MR. BULLOCK, I'VE ALREADY 160 00:11:39,234 --> 00:11:41,934 QUITE SUFFICIENTLY IMPOSED UPON YOU 161 00:11:41,934 --> 00:11:43,734 MY PRIVATE REASONS AND FACTS. 162 00:11:46,334 --> 00:11:50,300 AS REGARDS TO THE CLAIM MY HUSBAND PURCHASED BEFORE HIS MURDER, 163 00:11:50,300 --> 00:11:52,601 I'M INCLINED TO ACCEPT THE LAST BID 164 00:11:52,601 --> 00:11:54,400 FROM MR. SWEARENGEN'S HAND-PUPPET 165 00:11:54,400 --> 00:11:57,701 AND I WOULD BE VERY GRATEFUL IF YOU WOULD TELL MR. FARNUM SO, 166 00:11:57,701 --> 00:11:59,868 AS SPEAKING TO HIM DIRECTLY MAKES ME ILL. 167 00:12:01,200 --> 00:12:03,467 I'M GONNA ASSAY YOUR CLAIM, MRS. GARRET. 168 00:12:03,467 --> 00:12:06,167 I PROMISED MR. HICKOK, AND I PROMISED YOU. 169 00:12:06,167 --> 00:12:08,801 I RELEASED YOU FROM YOUR PROMISE TO ME YESTERDAY. 170 00:12:08,801 --> 00:12:11,267 AND TODAY I INSTRUCT YOU NOT TO KEEP IT. 171 00:12:11,267 --> 00:12:12,801 YOU DO TEND TO CHANGE YOUR MIND, 172 00:12:12,801 --> 00:12:16,100 AND THE FIRST PROMISE, YOU WEREN'T A PARTY TO. 173 00:12:18,067 --> 00:12:21,234 WHY DON'T YOU GET THE CHILD INOCULATED? I'LL GO ABOUT MY BUSINESS, 174 00:12:21,234 --> 00:12:24,334 AND WE'LL REVISIT THE WHOLE MESS SUBSEQUENTLY. 175 00:12:30,033 --> 00:12:32,434 DON'T FUCKING LEAD ELLSWORTH RIGHT TO IT 176 00:12:32,434 --> 00:12:35,033 SO HE CAN HOOT AND HOLLER AND HAIL FUCKING BULLOCK. 177 00:12:35,033 --> 00:12:37,000 YOU WALK AROUND. 178 00:12:38,067 --> 00:12:39,701 YOU'RE DISCOURAGED. 179 00:12:41,601 --> 00:12:43,934 IT'S NOT EVEN WORTH IT TO MAKE THE STEEP ASCENT. 180 00:12:43,934 --> 00:12:45,434 I START FROM BELOW? 181 00:12:46,767 --> 00:12:48,434 YOU START AT THE FUCKING CREEK. 182 00:12:48,434 --> 00:12:50,267 WHAT, DO YOU WANT TO START AT THE CLIFF? 183 00:12:50,267 --> 00:12:53,200 THE THREE OF YOU LEAP THE FUCK OFF HOLDING HANDS? 184 00:12:55,300 --> 00:12:56,767 TOP O' THE MORNIN'. 185 00:13:00,167 --> 00:13:02,267 I'M TO LEAD YOU TO THE WIDOW GARRET'S CLAIM. 186 00:13:02,267 --> 00:13:05,501 - YOU'RE THE ASSAYER? - NOPE. 187 00:13:07,067 --> 00:13:09,634 - I'M TO TAKE YOU TO HIM. - HE'S ONE CLAIM OVER. 188 00:13:09,634 --> 00:13:11,367 NICE FUCKING GUY 189 00:13:11,367 --> 00:13:13,667 AND A DEAD EYE FOR THE FUCKING COLOR. 190 00:13:13,667 --> 00:13:15,534 - ELLSWORTH. - ELLSWORTH... 191 00:13:15,534 --> 00:13:17,834 IS ABSOLUTELY RIGHT. 192 00:13:17,834 --> 00:13:19,367 WELL, COME ON. 193 00:13:29,901 --> 00:13:31,767 I WAS INOCULATED SOME TIME AGO, 194 00:13:31,767 --> 00:13:34,834 BUT I THOUGHT SHE SHOULD BE TREATED BEFORE OUR TRIP. 195 00:13:34,834 --> 00:13:37,968 I AM DELIGHTED YOU'RE TAKING HER WITH YOU. 196 00:13:37,968 --> 00:13:40,033 IT WAS TRIXIE WHO MADE ME REALIZE 197 00:13:40,033 --> 00:13:42,200 THAT MY REASONS FOR STAYING WEREN'T SOUND. 198 00:13:42,200 --> 00:13:44,601 GLAD SHE SUCCEEDED WHERE I FAILED. 199 00:13:44,601 --> 00:13:47,267 I INTEND TO WRITE HER A NOTE OF PROFOUND THANKS. 200 00:13:47,267 --> 00:13:49,033 I HOPE THAT YOU'LL DELIVER IT TO HER 201 00:13:49,033 --> 00:13:50,567 AT MR. SWEARENGEN'S SALOON. 202 00:13:50,567 --> 00:13:53,400 IS THAT WHERE SHE WENT WHEN SHE LEFT YOU? 203 00:13:53,400 --> 00:13:56,067 YES, I CERTAINLY ASSUME SO. 204 00:14:01,667 --> 00:14:04,868 SORRY, I'M SORRY, HONEY. IT'S ALL OVER. 205 00:14:06,934 --> 00:14:08,734 WHEN WILL YOU BE LEAVIN'? 206 00:14:08,734 --> 00:14:11,167 AS QUICKLY AS IS PRACTICAL. 207 00:14:11,167 --> 00:14:13,501 STAR'LL SEE TO YOUR TRAVEL ARRANGEMENTS. 208 00:14:13,501 --> 00:14:16,434 SOON AS HE GETS HIS WITS BACK, I'LL SEND HIM TO YOU. 209 00:14:16,434 --> 00:14:18,200 THANK YOU, DOCTOR. 210 00:14:19,567 --> 00:14:21,100 THANK YOU FOR EVERYTHING. 211 00:14:35,267 --> 00:14:37,367 WHAT DID SHE SAY ABOUT TRIXIE? 212 00:14:37,367 --> 00:14:39,200 NOTHIN'. 213 00:14:43,000 --> 00:14:44,901 HOW'D YOU DO WITH THAT BLOODSTAIN? 214 00:14:44,901 --> 00:14:47,801 I SCRUBBED IT REAL HARD. 215 00:14:47,801 --> 00:14:51,701 DID I ASK YOU HOW HARD YOU FUCKING SCRUBBED? 216 00:14:51,701 --> 00:14:53,200 - NO. - NO. 217 00:14:53,200 --> 00:14:56,567 I ASKED IF YOU GOT IT OUT. 218 00:15:01,334 --> 00:15:03,834 GET ME THE FUCKIN' SCRUB BRUSH. 219 00:15:03,834 --> 00:15:07,000 EVERY FUCKING THING I GOTTA DO MYSELF, HUH? 220 00:15:07,000 --> 00:15:09,734 - WHERE IS SHE?! - TRIXIE? 221 00:15:09,734 --> 00:15:12,367 NO, QUEEN FUCKING VICTORIA. 222 00:15:12,367 --> 00:15:15,801 LAST I SAW HER WAS YESTERDAY WHEN SHE CAME TO SEE YOU. 223 00:15:15,801 --> 00:15:17,901 JUST GET ME THE FUCKING SCRUB BRUSH. 224 00:15:17,901 --> 00:15:20,300 GIVES HER WORD SHE'LL RETURN. 225 00:15:20,300 --> 00:15:21,601 WHERE THE FUCK IS SHE, HUH? 226 00:15:25,033 --> 00:15:27,067 WHAT'D SHE SAY TO YOU WHEN YOU SAW HER? 227 00:15:27,067 --> 00:15:29,534 SHE SAID HER PUSSY HURT WHERE YOU GRABBED IT. 228 00:15:29,534 --> 00:15:31,801 THAT HAS A RING OF FUCKING TRUTH. 229 00:15:31,801 --> 00:15:33,934 SHE SAID YOU NEARLY KILLED HER. 230 00:15:33,934 --> 00:15:35,968 SHE SAID TO ME SHE'D BE RIGHT BACK. 231 00:15:37,400 --> 00:15:39,667 A FOOL'S FUCKING ERRAND, ANYWAY. 232 00:15:39,667 --> 00:15:41,734 I FOUND OUT WHAT I NEEDED TO KNOW 233 00:15:41,734 --> 00:15:44,300 WHEN I LOOKED IN THAT COCKSUCKER BULLOCK'S EYES 234 00:15:44,300 --> 00:15:46,167 WHILE DORITY WAS SPILLING BLOOD 235 00:15:46,167 --> 00:15:49,334 THAT YOU HAVE FAILED TO ADEQUATELY CLEAN UP. 236 00:15:49,334 --> 00:15:51,067 YOU WANT ME TO DO SOME MORE? 237 00:15:51,067 --> 00:15:52,868 NO, SHUT THE FUCK UP. 238 00:15:54,767 --> 00:15:56,634 NOW, WHAT'S SHE DOIN'? 239 00:15:56,634 --> 00:15:58,567 SHE MAKING A POINT? 240 00:15:58,567 --> 00:16:00,934 NO GRABBING AT THE CUNT? 241 00:16:00,934 --> 00:16:02,901 - IS THAT WHAT SHE SAID TO YOU? - NO. 242 00:16:02,901 --> 00:16:05,567 I MEAN, Y-YOU- SHE TOLD YOU, RIGHT, THAT I GRABBED HER? 243 00:16:05,567 --> 00:16:07,234 DID SHE HAVE AN ATTITUDE ABOUT IT? 244 00:16:07,234 --> 00:16:10,100 SHE DIDN'T HAVE AN ATTITUDE. SHE JUST SAID HER PUSSY HURT. 245 00:16:10,100 --> 00:16:12,033 AGH. 246 00:16:12,033 --> 00:16:13,968 POINT'S MADE WITH THE SNATCH GRABS, OKAY. 247 00:16:15,734 --> 00:16:19,334 50 OTHER FUCKING THINGS I SHOULD BE PAYING ATTENTION TO, 248 00:16:19,334 --> 00:16:21,734 ROSIEST PROSPECTS OF MY CAREER, 249 00:16:21,734 --> 00:16:25,100 AND HERE I AM ON MY FUCKING HANDS AND KNEES 250 00:16:25,100 --> 00:16:27,601 DISCUSSING SNIPPETS OF INFORMATION WITH A GIMP. 251 00:16:27,601 --> 00:16:29,000 THERE! 252 00:16:29,000 --> 00:16:32,267 NOW THAT'S HOW YOU SCRUB A FUCKING BLOODSTAIN! 253 00:16:33,467 --> 00:16:35,100 I COULDN'T FIND TRIXIE. 254 00:16:36,400 --> 00:16:37,934 YOU SEE HER, 255 00:16:37,934 --> 00:16:39,667 YOU SEND HER THE FUCK BACK TO ME, 256 00:16:39,667 --> 00:16:41,167 'CAUSE IF I SEE HER OUTSIDE, 257 00:16:41,167 --> 00:16:43,133 SHE'LL WISH I HAD KILLED HER BEFORE. 258 00:16:43,133 --> 00:16:45,801 THAT SHOT DIDN'T HURT TOO BAD, AL, 259 00:16:45,801 --> 00:16:47,567 BUT IT FUCKING ITCHES. 260 00:16:47,567 --> 00:16:49,634 YEAH? GOOD. 261 00:16:49,634 --> 00:16:52,267 YOU HAD YOUR SHOT YET, KID? 262 00:16:52,267 --> 00:16:53,834 NOT YET. THE LINE WAS TOO LONG, 263 00:16:53,834 --> 00:16:55,834 AND I DID NOT WANT TO BE LATE FOR WORK. 264 00:16:55,834 --> 00:16:58,801 OPEN FOR BUSINESS AND TALK LIKE HIM 265 00:16:58,801 --> 00:17:01,701 - UNTIL FURTHER INSTRUCTED. - ( rasps ) YES, SIR. 266 00:17:14,367 --> 00:17:16,467 AW, JESUS. 267 00:17:18,767 --> 00:17:20,234 TRIXIE? 268 00:17:26,133 --> 00:17:28,701 GOD DAMN IT, TRIXIE, WAKE UP. 269 00:17:28,701 --> 00:17:31,067 - WAKE UP, TRIXIE. - ( knock on door ) 270 00:17:31,067 --> 00:17:33,534 - TRIXIE, WAKE UP- - A.W.: DOC! DOC! 271 00:17:34,934 --> 00:17:36,367 - WHAT?! - DOC! 272 00:17:36,367 --> 00:17:38,534 - STAY THE FUCK OVER THERE! - IT'S A.W., DOC. 273 00:17:38,534 --> 00:17:42,100 STAY THE FUCK OVER THERE, ANYWAY. 274 00:17:42,100 --> 00:17:45,400 AW, I DON'T TAKE YOUR BAD TEMPER PERSONALLY, DOC. 275 00:17:45,400 --> 00:17:47,834 THE HOURS YOU'RE WORKING WOULD TRY A SAINT. 276 00:17:47,834 --> 00:17:49,400 WHAT DO YOU WANT? 277 00:17:49,400 --> 00:17:52,701 ( panting ) I'M IN PAIN, DOC, IN THE SMALL OF MY BACK, 278 00:17:52,701 --> 00:17:56,100 WHICH I'M AWARE IS A PRECURSOR SYMPTOM. 279 00:17:56,100 --> 00:17:58,067 - WHEN DID THE PAIN START? - AM I WARM? 280 00:17:58,067 --> 00:18:00,100 ANSWER THE QUESTION. 281 00:18:00,100 --> 00:18:03,801 WELL, IT'S BECOME MORE CONCENTRATED AND SEVERE. 282 00:18:05,567 --> 00:18:08,667 - WHY DID YOU STRIKE ME? - TO SECURE YOUR ATTENTION. 283 00:18:08,667 --> 00:18:10,767 WHEN DID THE PAIN START? 284 00:18:10,767 --> 00:18:13,767 THE ORIGINAL PAIN I'VE LIVED WITH FOR QUITE SOME TIME, 285 00:18:13,767 --> 00:18:15,234 BUT IN THIS LAST PERIOD, 286 00:18:15,234 --> 00:18:18,968 IT'S BECOME MUCH MORE CONCENTRATED AND SEVERE. 287 00:18:18,968 --> 00:18:21,901 IN VIEWING THE CONTEXT OF THIS OUTBREAK, 288 00:18:21,901 --> 00:18:24,033 I KNEW I SHOULD CONSULT YOU. 289 00:18:24,033 --> 00:18:25,934 - OW. - WELL, YOU DON'T HAVE A FEVER. 290 00:18:25,934 --> 00:18:27,400 - I DON'T? - NO. 291 00:18:27,400 --> 00:18:28,934 YOU PUT ON WEIGHT? 292 00:18:30,534 --> 00:18:32,801 MAY I ASK THAT QUERY'S RELEVANCE? 293 00:18:32,801 --> 00:18:36,133 IT'S HARDER ON YOUR BACK AS YOU GET FATTER. 294 00:18:38,567 --> 00:18:41,234 SO, IN CONCERT WITH THE SYMPTOMS 295 00:18:41,234 --> 00:18:43,200 I'M ALREADY EXHIBITING, 296 00:18:43,200 --> 00:18:46,567 YOU'D SAY BE ALERT FOR FEVER? 297 00:18:46,567 --> 00:18:48,801 AND WORK HARD ON YOUR PAPER. 298 00:18:48,801 --> 00:18:51,100 - AND GET YOURSELF INOCULATED. - UH-HUH. 299 00:18:51,100 --> 00:18:52,834 AND TRY TO EAT LESS. 300 00:19:03,267 --> 00:19:06,934 YOU BOTCHED THIS JOB PRETTY GOOD, 301 00:19:06,934 --> 00:19:08,567 DIDN'T YOU, YOUNG LADY? 302 00:19:16,167 --> 00:19:20,100 NOW YOU LISTEN TO ME, IF YOU WANT, 303 00:19:20,100 --> 00:19:23,868 I WILL DO THE JOB FOR YOU RIGHT. 304 00:19:23,868 --> 00:19:26,200 BUT FIRST, I WANT YOU TO KNOW THAT 305 00:19:26,200 --> 00:19:28,133 THAT RICH WOMAN IS LEAVING TOWN, 306 00:19:28,133 --> 00:19:31,367 AND SHE TOLD ME THAT SHE WOULD TAKE YOU WITH HER. 307 00:19:31,367 --> 00:19:34,367 I KNOW THAT YOU THOUGHT ENOUGH OF THAT WOMAN 308 00:19:34,367 --> 00:19:36,734 TO HELP HER GET OFF THIS... STUFF 309 00:19:36,734 --> 00:19:39,601 YOU TRIED TO USE TO KILL YOURSELF WITH. 310 00:19:39,601 --> 00:19:43,167 BUT WHAT I DON'T KNOW IS, IS IF YOU WANTED TO DIE, PERIOD, 311 00:19:43,167 --> 00:19:45,868 OR 'CAUSE YOU THOUGHT YOU DIDN'T HAVE A WAY OUT OF HERE, 312 00:19:45,868 --> 00:19:49,467 'CAUSE YOU DO HAVE A WAY OUT. 313 00:19:54,133 --> 00:19:56,801 IS THAT A VOTE FOR NEW YORK CITY? 314 00:19:59,734 --> 00:20:01,400 ALL RIGHT, THEN. 315 00:20:55,501 --> 00:20:56,968 ( door opens ) 316 00:21:04,734 --> 00:21:06,234 MORNING, MR. TOLLIVER. 317 00:21:07,434 --> 00:21:09,033 GOOD MORNING, FLORA. 318 00:21:10,601 --> 00:21:13,400 I SWEAR I SAW YOU LEAVE LAST NIGHT AFTER YOUR SHIFT. 319 00:21:13,400 --> 00:21:14,868 I COME BACK. 320 00:21:14,868 --> 00:21:18,167 A MAN WAS MURDERED WHERE MY BROTHER WORKS, AT THE GEM SALOON, 321 00:21:18,167 --> 00:21:20,734 - AND I GOT SCARED. - YOU SAW IT, HONEY? 322 00:21:20,734 --> 00:21:23,767 YES, SIR. I WAS THERE PICKING MY BROTHER UP. 323 00:21:23,767 --> 00:21:26,801 YOU'RE BRAVE TO EVEN BE IN A JOINT LIKE THAT. 324 00:21:31,200 --> 00:21:33,200 AND AFTER, 325 00:21:33,200 --> 00:21:35,434 YOU SOUGHT REFUGE WITH JOANIE, DID YOU? 326 00:21:35,434 --> 00:21:38,701 - YES, SIR. - NO BETTER PORT IN A STORM. 327 00:21:40,467 --> 00:21:43,100 - ANYWAYS, I'LL GO CHANGE. - GOOD GIRL. GOOD FOR YOU. 328 00:21:44,968 --> 00:21:48,434 - YOU SETTLE IN REAL GOOD, FLORA. - THANK YOU, SIR. 329 00:21:52,100 --> 00:21:55,868 MM-MMM, JOANIE STUBBS. 330 00:21:55,868 --> 00:21:58,601 IS THAT A FRESH SCALP I SEE HANGING FROM YOUR BELT? 331 00:21:58,601 --> 00:22:00,167 SHE SAW A GUTTING LAST NIGHT. 332 00:22:00,167 --> 00:22:03,267 SHE WAS UPSET. I HELD HER. 333 00:22:03,267 --> 00:22:06,267 Terrance: I WAS WATCHING FOR YOU AT THE DOOR, FLORA, 334 00:22:06,267 --> 00:22:08,901 BUT HERE YOU ARE ALREADY INSIDE. 335 00:22:08,901 --> 00:22:10,534 NOT WORKING YET, TERRANCE. 336 00:22:10,534 --> 00:22:12,434 POOR THING. 337 00:22:12,434 --> 00:22:15,567 ADJUSTING SO SMOOTH TO LOSING HER CHERRY 338 00:22:15,567 --> 00:22:18,334 AND YET THAT UPSET BY BLOOD. 339 00:22:18,334 --> 00:22:21,267 SHE LOST HER CHERRY BACK HOME. I TOLD YOU THAT. 340 00:22:21,267 --> 00:22:22,934 GONNA PUT YOUR GARTERS ON NOW? 341 00:22:39,200 --> 00:22:41,801 I'LL GIVE YOU $2 FOR THAT APPLE AND A PIECE OF CHEESE. 342 00:22:45,000 --> 00:22:47,667 IT'S MY KNIFE. YOU WANT TO BUY THAT? 343 00:22:47,667 --> 00:22:48,901 I'VE GOT A FUCKING KNIFE. 344 00:22:58,067 --> 00:23:00,667 I'LL JUST BE A SECOND AND TAKE MY BROTHER HIS LUNCH. 345 00:23:00,667 --> 00:23:02,133 SURE, HONEY. 346 00:23:08,534 --> 00:23:11,167 UNLESS SHE AIN'T UPSET AT ALL. 347 00:23:23,601 --> 00:23:25,033 WHAT HAPPENED NOW, FLORA? 348 00:23:25,033 --> 00:23:28,634 I THOUGHT YOU WAS CHANGIN' INTO YOUR GARTERS. 349 00:23:28,634 --> 00:23:30,501 YOU GEEK-LOOKING FUCK. 350 00:23:30,501 --> 00:23:33,467 GET AWAY FROM ME BEFORE I CUT YOUR FUCKING HEART OUT. 351 00:23:47,300 --> 00:23:49,901 ( knocks ) IT'S DR. COCHRAN. 352 00:23:57,667 --> 00:23:59,067 DOCTOR. 353 00:23:59,067 --> 00:24:01,367 TRIXIE TRIED TO COMMIT SUICIDE WITH LAUDANUM. 354 00:24:01,367 --> 00:24:05,000 - MY GOD. - SHE PUNCTURED HER VEIN. 355 00:24:05,000 --> 00:24:07,834 THAT'S THE ONLY REASON WHY SHE'S STILL ALIVE. 356 00:24:17,834 --> 00:24:20,267 WHO'S WITH HER? 357 00:24:20,267 --> 00:24:24,300 NO ONE AT THE GODDAMN MOMENT IS WITH HER, MRS. GARRET. 358 00:24:24,300 --> 00:24:27,934 HER SITUATION IN THIS CAMP ISN'T SUCH THAT THAT WOULD BE SAFE. 359 00:24:27,934 --> 00:24:31,033 WHICH IS WHY, WHILE TRYING TO DISSUADE HER 360 00:24:31,033 --> 00:24:33,434 FROM FUTURE EFFORTS AT MURDERING HERSELF, 361 00:24:33,434 --> 00:24:36,701 I TOLD A FIB, 362 00:24:36,701 --> 00:24:39,834 INVOKING YOUR NAME AND WILLINGNESS 363 00:24:39,834 --> 00:24:41,834 TO TAKE HER WITH YOU ON YOUR TRIP. 364 00:24:43,601 --> 00:24:44,934 LAST NIGHT, DOCTOR, 365 00:24:44,934 --> 00:24:47,000 I MADE THAT VERY OFFER TO TRIXIE. 366 00:24:47,000 --> 00:24:48,501 SHE REFUSED. 367 00:24:51,267 --> 00:24:53,567 MORE PRECISELY, 368 00:24:53,567 --> 00:24:56,934 I OFFERED TO SEND TRIXIE TO NEW YORK 369 00:24:56,934 --> 00:24:59,634 WITH THE CHILD TO MAKE THE APPROPRIATE 370 00:24:59,634 --> 00:25:01,334 INTRODUCTIONS TO MY FAMILY, 371 00:25:01,334 --> 00:25:03,968 AND TO PAY TO SEE THEM ESTABLISHED. 372 00:25:03,968 --> 00:25:06,434 IS IT POSSIBLE, MRS. GARRET, 373 00:25:06,434 --> 00:25:10,167 THAT LEAVING THIS CAMP AND HEADING TO NEW YORK CITY 374 00:25:10,167 --> 00:25:13,467 IN SERVICE TO YOU AND THE CHILD MIGHT, 375 00:25:13,467 --> 00:25:18,133 TO A GIRL LIKE TRIXIE, APPEAR A MORE REALISTIC PROPOSITION 376 00:25:18,133 --> 00:25:22,567 THAN BEING DISPATCHED ON SOME CRUEL MASQUERADE? 377 00:25:27,267 --> 00:25:30,267 PLEASE TELL HER SHE'S WELCOME. 378 00:25:31,534 --> 00:25:33,300 TELL HER SHE'S NECESSARY. 379 00:25:34,968 --> 00:25:37,067 IF HER INDISPOSITION DOESN'T PRECLUDE IT, 380 00:25:37,067 --> 00:25:39,100 I'D BE HAPPY TO TELL HER MYSELF. 381 00:25:40,234 --> 00:25:41,434 THANK YOU, MADAM. 382 00:26:20,267 --> 00:26:22,467 IF I'M TO GET MY THROAT CUT, DAN, 383 00:26:22,467 --> 00:26:25,601 I'D RATHER NOT EXERT MYSELF FURTHER. 384 00:26:27,033 --> 00:26:29,033 IF I HAVE ANY CHOICE IN THE MATTER, 385 00:26:29,033 --> 00:26:30,601 I'D PREFER ONE BEHIND THE EAR. 386 00:26:30,601 --> 00:26:33,133 KEEP CLIMBING, ELLSWORTH. 387 00:26:33,133 --> 00:26:36,200 YOU'RE OFF THE HOOK FOR SEEING THAT NEW YORK DUDE'S ACCIDENT. 388 00:26:39,701 --> 00:26:42,434 WHEN SWEARENGEN WAS MOVED TO TRUST, 389 00:26:42,434 --> 00:26:44,601 I KNOW YOU SPOKE FOR ME HARD. 390 00:26:44,601 --> 00:26:46,834 WELL, I DIDN'T- DIDN'T SPEAK AGAINST YOU. 391 00:26:48,734 --> 00:26:51,834 YOU MIGHT TRY TAKIN' A GANDER OVER TO YOUR RIGHT. 392 00:26:51,834 --> 00:26:54,767 YOU DON'T HAVE TO TELL ME WHERE TO FUCKING LOOK. 393 00:26:54,767 --> 00:26:57,601 IF YOU'RE THE GODDAMN ASSAYER, 394 00:26:57,601 --> 00:26:59,868 SHOULDN'T I BE FOLLOWING YOU? 395 00:27:02,267 --> 00:27:04,400 HEAD ON BACK DOWN, MR. BULLOCK. 396 00:27:04,400 --> 00:27:07,234 WE THINK WE FOUND A FORMATION WORTH LOOKING AT. 397 00:27:15,100 --> 00:27:18,601 YOUNG LADY, THANK CHRIST. 398 00:27:18,601 --> 00:27:21,167 I'D FEARED AFTER THE MURDER YOU'D SHUN US. 399 00:27:21,167 --> 00:27:22,534 I COME FOR LUNCH WITH MILES. 400 00:27:22,534 --> 00:27:24,868 WELL, BLESS YOU THEN FOR BEING A CARING SISTER. 401 00:27:24,868 --> 00:27:27,067 - MILES! - SIR? 402 00:27:27,067 --> 00:27:30,300 MILES, YOU LUCKY SON OF A BITCH, YOUR SISTER'S HERE WITH YOUR LUNCH. 403 00:27:30,300 --> 00:27:31,968 SHE BROUGHT YOU A FRESH APPLE 404 00:27:31,968 --> 00:27:34,334 AND SOME KIND OF DELICACY WRAPPED IN SWADDLING. 405 00:27:36,734 --> 00:27:40,467 I'VE BEEN SCRUBBING THAT BLOODSTAIN ALL MORNIN', AND THE CRIPPLE HAS TOO. 406 00:27:40,467 --> 00:27:44,067 SITUATE YOUR SISTER TO SPARE HER TO STAND AT THAT FUCKING STAIN, HUH? 407 00:27:52,000 --> 00:27:54,133 - LET'S DO IT. - NOW? 408 00:27:54,133 --> 00:27:56,767 - NOW, AND GET THE FUCK OUTTA HERE. - WHAT IF- 409 00:27:56,767 --> 00:27:58,801 FLORA, IF WE DO IT SLOW AND RIGHT, 410 00:27:58,801 --> 00:28:02,133 - WE'RE 50 MILES GONE BEFORE ANYONE KNOWS WE BLEW. - MY BOSS IS ONTO ME. 411 00:28:02,133 --> 00:28:05,100 SAVVY OPERATOR FROM CHICAGO AND YOU COULD TELL HE'S ON TO YOU? 412 00:28:05,100 --> 00:28:06,834 SAVVY ENOUGH THAT HE DIDN'T CRACK, 413 00:28:06,834 --> 00:28:08,467 AND I STILL COULD FUCKING TELL. 414 00:28:12,968 --> 00:28:15,834 YOU'RE FULL OF SHIT. YOU WANT TO DO IT FAST AND DIRTY 415 00:28:15,834 --> 00:28:17,601 SO YOU HAVE TO CUT SOMEBODY'S THROAT. 416 00:28:26,868 --> 00:28:30,033 - THIS JOINT YOU WANT TO TAKE? - WHERE I WORK. 417 00:28:30,033 --> 00:28:33,167 - WHERE YOUR BOSS IS ONTO YOU? - I CAN MOVE THE DYKE. 418 00:28:35,667 --> 00:28:38,868 HELD ME IN HER ARMS ALL NIGHT LIKE I WAS A LITTLE FUCKING KID. 419 00:28:43,167 --> 00:28:45,601 CAN I ASSUME THERE'S A FUCKING PLAN? 420 00:28:55,534 --> 00:28:57,300 MR. BULLOCK, WHAT HO? 421 00:28:57,300 --> 00:28:58,834 MRS. GARRET'S ROOM. 422 00:28:58,834 --> 00:29:00,634 NUMBER TWO. 423 00:29:13,434 --> 00:29:15,267 DON'T SELL, MRS. GARRET. 424 00:29:35,868 --> 00:29:38,133 DARLING... 425 00:29:38,133 --> 00:29:41,868 UM, I'M GOING TO BE UNSPEAKABLY RUDE 426 00:29:41,868 --> 00:29:43,934 AND LEAVE YOU HERE ALONE FOR JUST A MOMENT, 427 00:29:43,934 --> 00:29:45,934 WHILE I GO DOWNSTAIRS WITH MR. BULLOCK, 428 00:29:45,934 --> 00:29:48,434 WHO'S JUST ARRIVED WITH THE MOST INTERESTING NEWS, 429 00:29:48,434 --> 00:29:50,767 AND WHOM I- I CAN'T RECEIVE HERE IN MY ROOM, 430 00:29:50,767 --> 00:29:52,801 PARTICULARLY WITH YOU PRESENT, 431 00:29:52,801 --> 00:29:55,434 FOR REASONS TOO BORING AND COMPLEX TO EXPLAIN. 432 00:29:55,434 --> 00:30:00,100 SO I'M GOING TO GO DOWNSTAIRS TO SPEAK WITH MR. BULLOCK 433 00:30:00,100 --> 00:30:02,100 IN MR. FARNUM'S ABSURD RESTAURANT, 434 00:30:02,100 --> 00:30:03,734 THEN I'LL COME BACK UP 435 00:30:03,734 --> 00:30:06,667 AND WE WILL CONTINUE TO READY OUR LEAVING. ALL RIGHT, DARLING? 436 00:30:08,300 --> 00:30:12,100 I'LL BE IN THE RESTAURANT FOR JUST ONE MOMENT. 437 00:30:13,167 --> 00:30:14,667 CAN I BRING YOU A GLASS OF MILK? 438 00:30:16,701 --> 00:30:18,133 ALL RIGHT. 439 00:30:18,133 --> 00:30:20,300 I'LL- I'LL BE RIGHT BACK. 440 00:30:31,534 --> 00:30:34,234 MAY I INQUIRE AS TO THE ASSAY'S OUTCOME? 441 00:30:34,234 --> 00:30:36,934 - ASK THE OWNER. - MRS. GARRET? 442 00:30:36,934 --> 00:30:39,701 IS THE TECHNICAL TERM "BONANZA"? 443 00:30:39,701 --> 00:30:41,267 THAT'S THE LOOK OF IT. 444 00:30:41,267 --> 00:30:42,868 IT'S A BONANZA, MR. FARNUM. 445 00:30:45,667 --> 00:30:49,067 I SEE. CONGRATULATIONS. 446 00:30:52,434 --> 00:30:54,300 ( moans ) 447 00:30:54,300 --> 00:30:57,400 DOES THE FIND CHANGE YOUR MIND AT ALL ABOUT NEW YORK CITY? 448 00:31:00,601 --> 00:31:03,033 I CAN'T SEE WHY IT WOULD. 449 00:31:03,033 --> 00:31:05,767 I CAN'T, EITHER, BUT I DON'T COUNT. 450 00:31:05,767 --> 00:31:08,501 OF COURSE YOU COUNT. WHY WOULDN'T YOU? 451 00:31:08,501 --> 00:31:12,033 'CAUSE YOUR CHANGES OF MIND COME SO QUICK AND OFTEN, 452 00:31:12,033 --> 00:31:13,434 I CAN'T KEEP UP. 453 00:31:13,434 --> 00:31:16,334 I CAN'T UNDERSTAND WHAT CHANGED YOUR MIND FROM YESTERDAY 454 00:31:16,334 --> 00:31:18,100 WHEN IT WAS MADE UP TO STAY. 455 00:31:19,467 --> 00:31:22,167 I WAS MADE TO UNDERSTAND LAST NIGHT THAT MY REASONS 456 00:31:22,167 --> 00:31:25,100 FOR WANTING TO STAY HAVE BEEN COMPLETELY SELFISH. 457 00:31:25,100 --> 00:31:27,501 - BY WHO? - TRIXIE. 458 00:31:27,501 --> 00:31:31,334 I'D OFFERED TO SEND HER TO NEW YORK CITY WITH THE CHILD, 459 00:31:31,334 --> 00:31:33,634 WHERE TRIXIE, I'VE SINCE COME TO REALIZE, 460 00:31:33,634 --> 00:31:36,234 WOULD BE COMPLETELY UNSUITED. 461 00:31:36,234 --> 00:31:40,634 AND BECAUSE I WISHED TO STAY HERE UNENCUMBERED 462 00:31:40,634 --> 00:31:45,000 WHEN I SHOULD BE CARING FOR THE CHILD. 463 00:31:45,000 --> 00:31:46,934 WHY CAN'T YOU CARE FOR HER HERE? 464 00:31:49,868 --> 00:31:51,901 WHERE THE FUCK IS HE? 465 00:31:51,901 --> 00:31:55,000 SAID HE WAS GONNA GO TELL THE WIDOW OF HER FIND. 466 00:31:55,000 --> 00:31:57,334 HOW THE FUCK LONG DOES IT TAKE TO TELL HER? 467 00:31:57,334 --> 00:31:59,567 I DON'T KNOW, AL, I'M HERE WITH YOU. 468 00:31:59,567 --> 00:32:02,000 - WHAT, ARE YOU GETTING SMART WITH ME NOW? - NO. 469 00:32:03,133 --> 00:32:04,934 COCKSUCKER BULLOCK. 470 00:32:04,934 --> 00:32:06,934 WHEN YOU CAN'T STAND THE SIGHT OF HIM, 471 00:32:06,934 --> 00:32:09,300 HE'S NOWHERE BUT UNDERFOOT. 472 00:32:09,300 --> 00:32:11,868 SIR, MY SISTER WAS TOLD OF A MAN 473 00:32:11,868 --> 00:32:14,501 WHO RESEMBLES OUR FATHER'S PHOTOGRAPH DOWN BY LEAD, 474 00:32:14,501 --> 00:32:16,434 AND I'D BE GRATEFUL IF THIS AFTERNOON 475 00:32:16,434 --> 00:32:19,400 I COULD GO LOOK AND MAYBE I COULD TAKE A NIGHT SHIFT TO MAKE UP. 476 00:32:19,400 --> 00:32:20,968 IF I SAID NO, 477 00:32:20,968 --> 00:32:24,367 I'D HOPE YOU'D WALK OUT AND GO LOOKING ANYWAY, 478 00:32:24,367 --> 00:32:27,334 THEN SEEK A NEW JOB ELSEWHERE AFTER. 479 00:32:27,334 --> 00:32:28,734 THAT IS WHAT I'D DO, SIR. 480 00:32:28,734 --> 00:32:32,400 ALL RIGHT, KID. GO LOOK FOR HIM. 481 00:32:32,400 --> 00:32:34,501 TELL ARNETTE AT THE LIVERY STABLE 482 00:32:34,501 --> 00:32:36,701 I'LL STAND METAL FOR THE HORSE. 483 00:32:36,701 --> 00:32:39,968 IF YOUR SISTER LOOKS WITH YOU, TELL ARNETTE I'M GOOD FOR HER MOUNT. 484 00:32:41,601 --> 00:32:43,400 SO YOU THINK IT'S A GOOD IDEA TO GO? 485 00:32:43,400 --> 00:32:45,534 IT'S WHY THE FUCK YOU'RE HERE, ISN'T IT? 486 00:32:45,534 --> 00:32:47,400 RIGHT. 487 00:32:47,400 --> 00:32:50,033 I'M GONNA GO GET THE HORSES THEN. 488 00:32:51,200 --> 00:32:53,000 PERMISSION TO LEAVE THE BAR, TROOPER. 489 00:32:57,033 --> 00:32:59,000 THANKS, TO BOTH OF YOU. 490 00:33:03,300 --> 00:33:06,267 AH, STRUCK RICH FOR THE WIDOW, HUH, BULLOCK? 491 00:33:06,267 --> 00:33:07,667 FREE DRINK! 492 00:33:13,167 --> 00:33:15,267 BIG, HUH? 493 00:33:16,501 --> 00:33:19,133 RICH AND FUCKING THICK, THAT VEIN IS? 494 00:33:19,133 --> 00:33:22,767 - NOT BEING EXPERT, I CAN'T GUESS AT THE EXTENT. - DAN'S A FUCKING EXPERT. 495 00:33:22,767 --> 00:33:25,133 WHEN HE'S NOT SHIT-FACED DRUNK, SO IS ELLSWORTH. 496 00:33:25,133 --> 00:33:27,501 THE IMMEDIATE RESULT IS SHE WON'T BE SELLIN'. 497 00:33:27,501 --> 00:33:29,534 OF COURSE, SHE FUCKING WON'T. 498 00:33:29,534 --> 00:33:31,868 I SHOULD FUCKING THINK NOT, HUH? 499 00:33:31,868 --> 00:33:34,100 NOT FOR ANY $20,000 AT LEAST. 500 00:33:36,000 --> 00:33:39,367 COME HERE. COME DRINK WITH YOUR VANQUISHED FOE. 501 00:33:42,601 --> 00:33:45,033 Al: VERY GOOD OF YOU AND MR. STAR, INCIDENTALLY, 502 00:33:45,033 --> 00:33:48,467 TO MAKE YOUR VENUE AVAILABLE SO THE HOOPLE HEADS CAN GET VACCINATED. 503 00:33:48,467 --> 00:33:51,100 I WAS THE SECOND HOOPLE HEAD STUCK. 504 00:33:51,100 --> 00:33:53,467 THEM RIDERS THAT BROUGHT THE VACCINE, 505 00:33:53,467 --> 00:33:56,033 SAY THE HEATHENS HAVE BEEN CALLED BACK TO THE AGENCY. 506 00:33:56,033 --> 00:33:59,367 - IN A SPASM OF GOOD SENSE, THEY'RE FUCKING GOING. - I HEARD. 507 00:34:01,567 --> 00:34:04,634 BEFORE YOU KNOW IT, WE'LL HAVE LAWS HERE AND EVERY OTHER THING. 508 00:34:04,634 --> 00:34:07,667 YEAH, WHICH BRINGS ME, BULLOCK, TO THE MATTER OF THE WIDOW. 509 00:34:07,667 --> 00:34:12,033 I WANTED TO SHOW YOU MY BONA FIDES FOR COOPERATION. 510 00:34:12,033 --> 00:34:15,934 IF A TREATY IS SIGNED, BE WISE FOR YOU AND ME 511 00:34:15,934 --> 00:34:17,634 TO PADDLE IN THE SAME DIRECTION. 512 00:34:17,634 --> 00:34:21,067 TICS OR HABITS OF BEHAVIOR EITHER FINDS DISLIKABLE IN THE OTHER 513 00:34:21,067 --> 00:34:23,567 GOTTA BE OVERLOOKED OR TAKEN WITH A GRAIN OF SALT. 514 00:34:23,567 --> 00:34:27,100 WOULD YOUR BONA FIDES EXTEND TO MRS. GARRET'S FUTURE SAFETY? 515 00:34:30,567 --> 00:34:32,467 MY OATH ON THIS: 516 00:34:32,467 --> 00:34:36,100 EVERY DAY THAT THE WIDOW SITS ON HER ASS IN NEW YORK CITY, 517 00:34:36,100 --> 00:34:38,400 LOOKS WEST AT SUNSET AND THINKS TO HERSELF, 518 00:34:38,400 --> 00:34:41,167 "GOD BLESS YOU IGNORANT COCKSUCKERS IN DEADWOOD, 519 00:34:41,167 --> 00:34:43,400 WHO STRIVE MIGHTILY AND AT LITTLE MONEY 520 00:34:43,400 --> 00:34:46,033 TO ADD TO MY EVER-INCREASING FORTUNE," 521 00:34:46,033 --> 00:34:48,334 SHE'LL BE SAFE FROM THE WILES OF AL SWEARENGEN. 522 00:34:48,334 --> 00:34:49,767 SHE'S STAYIN'. 523 00:34:53,968 --> 00:34:56,367 THE OATH STANDS AS A GESTURE TO YOU. 524 00:34:58,133 --> 00:35:00,334 - CAN I TAKE A SHAVE OVER HERE? - PLEASE. 525 00:35:04,434 --> 00:35:09,000 BARNEY, BE CAREFUL IN THE AREA OF THE THROAT, HUH? 526 00:35:11,868 --> 00:35:15,033 IF YOU AUTHORIZED AN OFFER OF 20 ON THE WIDOW'S CLAIM... 527 00:35:16,334 --> 00:35:18,567 YOUR AGENT WAS LOOKING TO SKIM A LITTLE CREAM. 528 00:35:18,567 --> 00:35:22,167 - HOW HIGH DID E.B. GO? - $19,500. 529 00:35:24,067 --> 00:35:27,133 I WOULDN'T TRUST A MAN THAT WOULDN'T TRY TO STEAL A LITTLE. 530 00:35:39,367 --> 00:35:42,234 WHERE'S THAT FUCKING WHORE? 531 00:35:54,968 --> 00:35:57,467 YOU STAY HERE, SWEETHEART. 532 00:36:17,434 --> 00:36:20,067 I'M SO VERY SORRY... 533 00:36:20,067 --> 00:36:22,634 FOR ANY PART THAT I MAY HAVE PLAYED IN THIS. 534 00:36:25,634 --> 00:36:27,400 I DON'T REMEMBER YOU BEING THE ONE 535 00:36:27,400 --> 00:36:29,234 THAT MADE ME A WHORE, MRS. GARRET. 536 00:36:32,868 --> 00:36:36,067 I'M GOING TO STAY IN THE CAMP WITH THE CHILD, TRIXIE. 537 00:36:37,567 --> 00:36:40,734 DR. COCHRAN EXPLAINED TO ME THE DIFFICULTIES 538 00:36:40,734 --> 00:36:42,901 YOUR EXTRAORDINARY KINDNESS TOWARD ME 539 00:36:42,901 --> 00:36:45,234 HAS PUT YOU IN, IN RELATIONSHIP TO MR. SWEARENGEN. 540 00:36:45,234 --> 00:36:46,934 IF YOU WISH TO STAY, 541 00:36:46,934 --> 00:36:50,467 I'D BE SO GRATEFUL IF YOU'D STAY WITH US. 542 00:36:54,701 --> 00:36:57,467 BUT PERHAPS YOU WANT TO GO, TRIXIE. 543 00:36:57,467 --> 00:36:59,634 IF YOU DO... 544 00:37:01,300 --> 00:37:03,067 TAKE THIS. 545 00:37:05,467 --> 00:37:08,400 AS YOUR EARNEST CLAIM ON THE FUTURE. 546 00:37:10,000 --> 00:37:11,934 I'LL SEND YOU MORE. 547 00:37:13,133 --> 00:37:15,400 I APPEAR TO HAVE STRUCK IT RICH. 548 00:37:15,400 --> 00:37:18,000 I'LL SEND YOU ALL THAT YOU NEED. 549 00:37:18,000 --> 00:37:19,901 Girl: TRIXIE? 550 00:37:26,567 --> 00:37:28,000 TRIXIE? 551 00:37:28,000 --> 00:37:30,634 HELLO, SWEETHEART. 552 00:37:30,634 --> 00:37:33,234 ( whispers ) DON'T I LOOK TIRED? 553 00:37:33,234 --> 00:37:35,334 SOPHIA. 554 00:37:38,567 --> 00:37:40,667 SOPHIA. 555 00:37:42,200 --> 00:37:44,667 SOPHIA. 556 00:37:46,834 --> 00:37:48,634 YOU'RE SO BEAUTIFUL. 557 00:37:49,868 --> 00:37:52,100 I SHOULD'VE GUESSED IT. 558 00:37:55,834 --> 00:37:57,868 TAKE HER HOME, MRS. GARRET. 559 00:38:05,534 --> 00:38:07,501 HOW DO YOU TAKE MY SUGGESTION? 560 00:38:09,067 --> 00:38:11,067 ARE YOU SURE THAT GOLD'S REAL? 561 00:38:11,067 --> 00:38:13,133 ABSOLUTELY. 562 00:38:14,300 --> 00:38:16,467 UH, LET ME THINK THINGS THROUGH. 563 00:38:19,000 --> 00:38:20,400 ALL RIGHT. 564 00:38:28,868 --> 00:38:30,634 ( door opens, closes ) 565 00:38:38,968 --> 00:38:42,133 - WHAT'S YOUR NAME? - ELIZABETH. 566 00:38:44,934 --> 00:38:48,467 - I'M QUITTIN'. - ALL RIGHT, FLORA. 567 00:38:48,467 --> 00:38:51,567 I LEFT A PIN UP IN YOUR ROOM. I WANNA GO LOOK FOR IT. 568 00:38:54,934 --> 00:38:56,100 GO AHEAD AND LOOK. 569 00:39:00,901 --> 00:39:03,334 WHEN DOES THE PART COME WHEN THAT LITTLE PIECE OF TRIM 570 00:39:03,334 --> 00:39:05,100 FINALLY GETS INTO HER WORKING CLOTHES 571 00:39:05,100 --> 00:39:07,167 AND STARTS MAKING US SOME FUCKING MONEY? 572 00:39:07,167 --> 00:39:09,234 SHE'S QUITTING, CY. 573 00:39:10,334 --> 00:39:12,300 SHE'S QUITTING? 574 00:39:12,300 --> 00:39:16,167 AND THAT SEEMS TO BE YOUR ROOM SHE'S WALKING INTO YET AGAIN. 575 00:39:16,167 --> 00:39:18,200 SHE LOST A PIN... UP THERE. 576 00:39:19,367 --> 00:39:20,534 A PIN? 577 00:39:47,501 --> 00:39:49,901 CAN YOU TELL THE STONES FROM THE PASTE? 578 00:39:51,334 --> 00:39:53,501 SHOW ME WHICH IS WHICH. 579 00:39:54,567 --> 00:39:56,000 I DON'T THINK SO. 580 00:39:57,234 --> 00:39:59,734 - LET ME TAKE IT. - GET OUTTA HERE, FLORA. 581 00:39:59,734 --> 00:40:03,334 PUT DOWN MY THINGS AND I'LL LET YOU GET OUT WITHOUT RAISING HELL. 582 00:40:03,334 --> 00:40:05,701 WHY DON'T LET ME GO WITH YOUR THINGS 583 00:40:05,701 --> 00:40:07,834 AND SHUT YOUR FUCKING MOUTH? 584 00:40:07,834 --> 00:40:10,968 BECAUSE I REMIND YOU OF WHOEVER THE FUCK I REMIND YOU OF. 585 00:40:12,334 --> 00:40:13,467 NO. 586 00:40:14,868 --> 00:40:17,067 NOW WHAT ARE YOU GONNA DO, FLORA, KILL ME? 587 00:40:20,067 --> 00:40:22,901 - MAYBE. - DO YOU THINK YOU'RE GONNA GET OUT OF HERE ALIVE? 588 00:40:22,901 --> 00:40:24,601 I'LL GIVE IT A GODDAMN WHIRL. 589 00:40:24,601 --> 00:40:26,701 YOU'RE NOT GONNA GET OUT ALIVE. 590 00:40:28,667 --> 00:40:30,100 YOU'RE GONNA DIE HERE. 591 00:40:31,501 --> 00:40:33,734 WHO AM I? 592 00:40:35,100 --> 00:40:37,367 YOUR LITTLE BABY? 593 00:40:37,367 --> 00:40:38,667 YOUR LITTLE SISTER? 594 00:40:40,534 --> 00:40:42,033 YOU? 595 00:40:57,767 --> 00:40:59,534 I WOULDN'T MOVE THIS. 596 00:41:09,968 --> 00:41:12,901 - DID YOU FIND YOUR PIN? - I DID, SIR. 597 00:41:12,901 --> 00:41:14,734 JOANIE TELLS ME YOU'RE LEAVING US. 598 00:41:14,734 --> 00:41:17,067 CAN'T TAKE IT ANYMORE, SIR. 599 00:41:17,067 --> 00:41:19,000 DECIDED I WASN'T CUT OUT FOR IT. 600 00:41:19,000 --> 00:41:20,567 MY BROTHER TOO. 601 00:41:20,567 --> 00:41:22,634 DECIDED HE WASN'T CUT OUT FOR WHAT? 602 00:41:22,634 --> 00:41:24,334 SWEEPING UP AT THE GEM SALOON. 603 00:41:25,767 --> 00:41:28,033 ( chuckling ) I SEE. 604 00:41:28,033 --> 00:41:31,167 MY FIRST TAKE ON YOUR MEANING WAS THEY WERE FUCKING YOUR BROTHER 605 00:41:31,167 --> 00:41:33,734 FOR MONEY OVER THERE LIKE YOU WAS GETTIN' DONE TO HERE. 606 00:41:35,367 --> 00:41:38,901 - STEP ASIDE AND LET ME DO MY BUSINESS. - ( door closes ) 607 00:41:40,100 --> 00:41:42,334 AND WHAT IS YOUR FUCKING BUSINESS?! 608 00:41:42,334 --> 00:41:44,400 YOU WITH YOUR BEADY LITTLE FERRET EYES. 609 00:41:44,400 --> 00:41:47,267 SHE CAME TO SAY GOODBYE, CY. SHE'S MOVING ON. 610 00:41:47,267 --> 00:41:48,801 IT DON'T FEEL RIGHT TO ME, BABE. 611 00:41:48,801 --> 00:41:50,167 ( grunts ) 612 00:41:52,467 --> 00:41:54,234 BUT IF I'M MISTAKEN IN MY JUDGMENT, 613 00:41:54,234 --> 00:41:56,634 MAY I REGRET WHAT I JUST DID FOR THE REST OF MY LIFE. 614 00:41:56,634 --> 00:41:59,234 - NOW LET HER GO! - ( grunts ) 615 00:41:59,234 --> 00:42:01,968 - ( Flora screaming ) - YOU LITTLE CUNT! 616 00:42:03,467 --> 00:42:05,400 YOU'RE GONNA DIE HERE! 617 00:42:05,400 --> 00:42:07,033 ( continues screaming ) 618 00:42:07,033 --> 00:42:08,601 COME ON! 619 00:42:11,167 --> 00:42:13,100 GET OUTTA HERE. GET OUT. GET OUT FRONT. 620 00:42:13,100 --> 00:42:14,934 GET AROUND! THEY'RE GOIN' OVER THE TOP! 621 00:42:18,367 --> 00:42:19,801 COME ON. 622 00:42:19,801 --> 00:42:21,934 DON'T IMPEDE HER PROGRESS, JOANIE. 623 00:42:23,000 --> 00:42:24,968 DON'T DO NOTHING RASH. 624 00:42:48,801 --> 00:42:51,734 - WHAT ARE YOU DOING? - THAT'S NONE OF YOUR BUSINESS! 625 00:42:51,734 --> 00:42:55,234 THEM TWO ROBBED MY JOINT. THAT'S WHERE THEY'RE GONNA BE DEALT WITH. 626 00:42:55,234 --> 00:42:58,467 I GUESS THEY NEEDN'T GET BEAT ANYMORE OUT HERE. 627 00:42:59,968 --> 00:43:01,901 TAKE 'EM THE FUCK INSIDE, BOYS. 628 00:43:07,234 --> 00:43:09,534 AND YOU CAN HELP YOUR DELICATE SENSIBILITIES 629 00:43:09,534 --> 00:43:11,000 BY TURNING THE FUCK AWAY. 630 00:43:36,434 --> 00:43:39,167 CY WANTS YOU UP THERE, HONEY. 631 00:43:55,734 --> 00:43:58,801 Al: I TELL YOU, YOUR FACE COME OUT OF THAT IN PRETTY GOOD SHAPE. 632 00:43:58,801 --> 00:44:02,601 - MATTERS TOOK A HAPPY TURN, YOU COULD STILL PROBABLY WORK. - ( door opens ) 633 00:44:03,667 --> 00:44:05,234 COME ON IN, HONEY, 634 00:44:05,234 --> 00:44:08,267 OVER HERE ON WHAT THE DAGOS CALL MY SINISTER SIDE, 635 00:44:09,434 --> 00:44:11,634 ALTHOUGH YOUR BEADY LITTLE RAT EYES 636 00:44:11,634 --> 00:44:13,667 DON'T SEEM LIKE THEY'RE TAKING IN THE VIEW. 637 00:44:13,667 --> 00:44:15,467 YOU BUST SOMETHING UP THERE, SWEETHEART?! 638 00:44:15,467 --> 00:44:16,934 DOES THAT FUCKIN' HURT YOU?! 639 00:44:16,934 --> 00:44:18,367 YOU FUCKIN' UNDERSTAND ME?! 640 00:44:19,667 --> 00:44:22,667 SEE, THAT UPSETS JOANIE NOW. 641 00:44:22,667 --> 00:44:24,400 "OH, CY, DO UP THE BOY. 642 00:44:24,400 --> 00:44:26,801 MY GOD, I CAN'T STAND TO SEE THE OTHER." 643 00:44:26,801 --> 00:44:28,601 YOU WANT ME TO SEE TO THE BOY, JOANIE? 644 00:44:28,601 --> 00:44:30,734 'CAUSE YOU KNOW I'M CLAY IN YOUR HANDS. 645 00:44:30,734 --> 00:44:32,300 - CY. - WHAT IS IT, EDDIE? 646 00:44:32,300 --> 00:44:33,901 WE COULD ALL BE ELSEWHERE? 647 00:44:33,901 --> 00:44:35,834 NOTHING BUT TRUE. 648 00:44:35,834 --> 00:44:37,467 ARE YOU AWAKE, MILES? 649 00:44:37,467 --> 00:44:40,334 DON'T BE FUCKING PASSING OUT, YOUNGSTER. 650 00:44:40,334 --> 00:44:42,634 NEXT BREATH YOU DRAW, THE SMELL OF SULFUR'S 651 00:44:42,634 --> 00:44:44,901 LIABLE TO BE STRONG IN YOUR NOSE. 652 00:44:44,901 --> 00:44:47,634 WHERE IS YOUR FUCKING NOSE, ANYWAY? 653 00:44:47,634 --> 00:44:49,400 FUCK IT, MILES! 654 00:44:49,400 --> 00:44:51,801 YOU'RE FOUND FUCKIN' GUILTY OF BEING A CUNT. 655 00:44:51,801 --> 00:44:53,701 I'M HEREBY PASSING JUDGMENT 656 00:44:53,701 --> 00:44:57,000 FOR YOUR LETTIN' THIS BITCH PUSH YOU AROUND AND TELLING YOU WHAT TO DO 657 00:44:57,000 --> 00:44:59,567 WHEN YOU WERE SUPPOSED TO BE A MAN AND SHOWING HER RULES! 658 00:45:00,934 --> 00:45:02,734 YOU HEAR ME, MILES? 659 00:45:02,734 --> 00:45:04,367 AND FOR BEING THE CUNT YOU ARE NOW, 660 00:45:04,367 --> 00:45:06,300 BEFORE YOU COULD HAVE BEEN A MAN, 661 00:45:06,300 --> 00:45:08,968 DONE YOUR FUCKING PART, YOU LITTLE PIECE OF SHIT. 662 00:45:11,133 --> 00:45:12,868 I KNOW YOU DON'T WANT OUT OF HERE, JOANIE. 663 00:45:12,868 --> 00:45:15,934 - DON'T HURT HER, CY. - DON'T HURT HER? 664 00:45:15,934 --> 00:45:18,200 YOU MEAN BEFORE I KILL HER? 665 00:45:18,200 --> 00:45:20,234 YES. 666 00:45:20,234 --> 00:45:23,467 LISTEN TO THAT, FLORA. THAT'S THE PERSON YOU ROBBED, 667 00:45:23,467 --> 00:45:27,133 WHO HAD THOSE KIND OF FEELINGS FOR YOU. 668 00:45:29,200 --> 00:45:31,968 BUT I'M THE ONE YOU STABBED. 669 00:45:31,968 --> 00:45:33,767 SEE? 670 00:45:33,767 --> 00:45:36,267 I THINK YOUR FUCKIN' SKULL'S BROKEN, FLORA. 671 00:45:36,267 --> 00:45:39,434 YOU'RE TRYING FOR THE KNIFE. IT'S MAYBE A FOOT TO YOUR LEFT. 672 00:45:42,701 --> 00:45:44,267 THIS IS FUCKING PITIFUL. 673 00:45:47,667 --> 00:45:51,133 WHY DON'T YOU PUT THAT OUT OF ITS MISERY? 674 00:45:55,234 --> 00:45:57,334 ( moaning ) 675 00:46:03,934 --> 00:46:05,033 - ( gunshot ) - ( grunts ) 676 00:46:09,234 --> 00:46:12,567 DON'T DO NOTHIN'. 677 00:46:12,567 --> 00:46:15,868 WHATEVER YOU WANT TO DO WILL BE A MISTAKE. 678 00:46:15,868 --> 00:46:19,467 YOU KEEP DRAWING BREATH RIGHT HERE. 679 00:46:24,200 --> 00:46:26,868 ( piano playing ) 680 00:46:39,767 --> 00:46:41,934 YOU DID EVERYTHING YOU COULD, E.B., 681 00:46:41,934 --> 00:46:44,434 TO PRESERVE OUR FUCKING INTERESTS. 682 00:46:44,434 --> 00:46:46,868 I MEAN, YOU KNOW, SOMETIMES THE CARDS GO COLD. 683 00:46:46,868 --> 00:46:50,100 FAR AS THE EVENTS AT THE BELLA UNION, 684 00:46:50,100 --> 00:46:52,634 BY ALL ACCOUNTS, IT WAS TWO YOUNG THIEVES, 685 00:46:52,634 --> 00:46:54,367 A BOY AND A GIRL. 686 00:46:54,367 --> 00:46:56,067 WE ALL KNOW WHO THEY ARE. 687 00:46:56,067 --> 00:46:59,567 WHO THEY ARE NOW IS LATE NIGHT VITTLES FOR WU'S PIGS. 688 00:46:59,567 --> 00:47:01,767 THAT YOUNG GIRL HAD ME FOOLED. 689 00:47:01,767 --> 00:47:03,601 YOUR DICK HAD YOU FOOLED. 690 00:47:03,601 --> 00:47:05,701 AND IN THAT STATE OF ADDLEMENT, 691 00:47:05,701 --> 00:47:08,167 YOU MISTOOK HER PURPOSE, HER SO-CALLED BROTHER'S 692 00:47:08,167 --> 00:47:10,934 AND THEIR ENTIRE FUCKING COCKEYED STORY. 693 00:47:12,467 --> 00:47:14,767 YOU DID DO EVERYTHING YOU COULD, DIDN'T YOU, E.B.? 694 00:47:14,767 --> 00:47:16,501 YOU WENT TO THE LIMIT ON OUR OFFER. 695 00:47:16,501 --> 00:47:18,734 - EVERYTHING HUMANLY POSSIBLE. - YOU DID GO TO THE LIMIT? 696 00:47:18,734 --> 00:47:21,334 WELL, I WENT TO THE LIMIT'S PRECIPICE. 697 00:47:21,334 --> 00:47:23,868 SOUNDS LIKE YOU DIDN'T GO TO THE LIMIT. 698 00:47:23,868 --> 00:47:26,767 AL, I HELD BACK A FEW DOLLARS, 699 00:47:26,767 --> 00:47:28,901 AGAINST SOME FINAL UNFORESEEN TURN. 700 00:47:28,901 --> 00:47:30,834 SO WE'LL NEVER KNOW IF THEM FEW DOLLARS 701 00:47:30,834 --> 00:47:34,701 YOU HELD BACK WOULDN'T HAVE MADE US BOTH FUCKING RICH. 702 00:47:40,701 --> 00:47:41,868 I'M GOING UP. 703 00:47:43,534 --> 00:47:46,234 FIND OUT HOW MUCH TOLLIVER PAID WU. 704 00:47:48,067 --> 00:47:51,200 DON'T WANT TO BE SUCKIN' HIND TIT ON DISPOSAL FEES. 705 00:48:11,267 --> 00:48:14,267 DON'T THINK I ENJOYED THAT BULLSHIT, JOANIE. 706 00:48:15,701 --> 00:48:17,734 CERTAIN THINGS YOU... 707 00:48:17,734 --> 00:48:19,634 HAVE TO DO TO IMPRESS UPON PEOPLE 708 00:48:19,634 --> 00:48:21,801 WHAT YOU'RE WILLING TO DO. DO YOU LIKE IT? NO. 709 00:48:21,801 --> 00:48:23,968 DO YOU ENJOY IT? NO. 710 00:48:23,968 --> 00:48:27,801 DO YOU HAVE TO LOOK LIKE YOU DO? YES. 711 00:48:29,234 --> 00:48:31,834 I GOT EDDIE IN THERE. 712 00:48:31,834 --> 00:48:33,467 GOTTA LET HIM KNOW. 713 00:48:33,467 --> 00:48:36,534 CAPRA'S DOWNSTAIRS, GONNA HEAR ABOUT IT. 714 00:48:37,934 --> 00:48:40,734 WHEN PEOPLE COME TO ROB YOU, JOANIE, YOU GOTTA GET ROUGH. 715 00:48:40,734 --> 00:48:42,767 IF IT LOOKS LIKE AN ACT, IT'S NOT GONNA WORK. 716 00:48:46,367 --> 00:48:50,534 AND THEN I GRAB YOUR HAND... 717 00:48:51,868 --> 00:48:54,234 AND I THINK, "MY GOD, THIS POOR FUCKING GIRL." 718 00:48:56,968 --> 00:48:59,367 BUT I DID WHAT I HAD TO DO IN THAT ROOM. 719 00:49:01,601 --> 00:49:03,100 AND NOW I'M OUT HERE. 720 00:49:04,567 --> 00:49:06,000 I'M TELLING YOU, 721 00:49:06,000 --> 00:49:08,501 YOUR HAPPINESS IS IMPORTANT TO ME, 722 00:49:08,501 --> 00:49:10,467 AND WHATEVER THE FUCK I GOTTA DO, 723 00:49:10,467 --> 00:49:12,000 IF YOU'RE TOO MUCH IN MY SHADOW, 724 00:49:12,000 --> 00:49:14,634 IF I MAKE THINGS TOO TOUGH ON YOU, THEN WE'LL STOP IT. 725 00:49:14,634 --> 00:49:18,200 - WE'RE GONNA DO SOMETHING ELSE. - CY. 726 00:49:18,200 --> 00:49:21,701 YOU BRING WARMTH INTO MY LIFE. 727 00:49:23,167 --> 00:49:27,234 I CAN'T BEAR TO SEE YOU UNHAPPY LIKE THIS. 728 00:49:29,934 --> 00:49:31,534 I WANT... 729 00:49:32,801 --> 00:49:34,734 TO SET YOU UP IN YOUR OWN BUSINESS HERE. 730 00:49:36,400 --> 00:49:39,501 INDEPENDENT FUCKING OPERATOR. I'LL PUT UP THE MONEY. 731 00:49:39,501 --> 00:49:41,701 ANY KIND OF INTEREST IN RETURN, THAT'S FINE, 732 00:49:41,701 --> 00:49:45,100 BUT THAT AIN'T WHAT THIS IS ABOUT. IT'LL BE YOUR PLACE. 733 00:49:45,100 --> 00:49:47,334 I WANT YOU TO FEEL WHEN I WALK IN THERE 734 00:49:47,334 --> 00:49:49,801 THAT YOU CAN SAY, "I'M BUSY, CY. COME BACK LATER." 735 00:49:49,801 --> 00:49:52,267 I WANT YOU TO WATCH ME TURN AROUND WHEN YOU SAY THAT 736 00:49:52,267 --> 00:49:55,000 LIKE I'M SOME RUBE TRICK WITH MY CHIN DOWN ON THE FLOOR, 737 00:49:55,000 --> 00:49:57,033 "WHEN SHOULD I TRY YOU AGAIN, JOANIE?" 738 00:49:57,033 --> 00:49:58,667 "I'LL LET YOU KNOW, CY." 739 00:49:58,667 --> 00:50:01,000 THAT'S HOW I WANT YOU TO FEEL. 740 00:50:01,000 --> 00:50:03,868 I USED TO MAKE YOU WARM, DIDN'T I, CY? 741 00:50:03,868 --> 00:50:07,400 AND I COULD MAKE YOU FEEL LIKE SOMETHING'S FUNNY. 742 00:50:07,400 --> 00:50:09,400 YOU STILL DO, HONEY. 743 00:50:09,400 --> 00:50:12,434 WHEN YOU'RE HAPPY, YOU STILL DO. 744 00:50:14,567 --> 00:50:16,868 KILL ME TOO, CY, 745 00:50:16,868 --> 00:50:18,767 OR LET ME GO. 746 00:50:21,667 --> 00:50:24,200 I UNDERSTOOD MYSELF TO BE SAYIN', JOANIE, 747 00:50:24,200 --> 00:50:26,334 I WANT TO FIND A WAY TO GIVE YOU A LOOSER REIN. 748 00:50:26,334 --> 00:50:29,200 YOU'VE GOTTA FIGURE OUT A WAY TO MEAN IT. 749 00:50:29,200 --> 00:50:31,033 IF YOU DON'T KILL ME OR LET ME GO, 750 00:50:31,033 --> 00:50:32,767 I'M GONNA KILL YOU. 751 00:51:50,801 --> 00:51:54,501 HAS HE GOT YOU AT YOUR HANDS AND KNEES AT 2:00 IN THE FUCKING MORNING? 752 00:51:54,501 --> 00:51:57,234 I GOT MYSELF AT MY HANDS AND KNEES, 753 00:51:57,234 --> 00:51:59,567 WONDERING WHAT BECAME OF YOU. 754 00:52:12,634 --> 00:52:14,367 WAKE UP, DAVID. 755 00:52:16,200 --> 00:52:17,734 I'M UP. 756 00:52:36,634 --> 00:52:40,434 * ROW, ROW, ROW, ROW YOUR BOAT * 757 00:52:40,434 --> 00:52:44,000 * GENTLY DOWN THE STREAM * 758 00:52:44,000 --> 00:52:47,367 * MERRILY, MERRILY, MERRILY, MERRILY * 759 00:52:47,367 --> 00:52:49,167 * LIFE IS BUT A DREAM * 760 00:52:51,667 --> 00:52:53,501 ( door opening ) 761 00:54:16,234 --> 00:54:18,200 ( country ballad playing ) 762 00:54:18,200 --> 00:54:26,033 * I WAS A-STANDIN' BY MY WINDOW * 763 00:54:26,033 --> 00:54:32,133 * OH ONE COLD AND CLOUDY DAY * 764 00:54:33,634 --> 00:54:41,000 * WHEN I SAW THAT HEARSE COME ROLLIN' * 765 00:54:41,000 --> 00:54:47,300 * FOR TO CARRY MY MOTHER AWAY * 766 00:54:48,567 --> 00:54:55,934 * WILL A CIRCLE BE UNBROKEN? * 767 00:54:55,934 --> 00:55:02,934 * BY AND BY, LORD, BY AND BY * 768 00:55:02,934 --> 00:55:10,767 * THERE'S BETTER HOME AWAY * 769 00:55:10,767 --> 00:55:19,467 * IN THE SKY, LORD, IN THE SKY. * 54836

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.