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1
00:00:08,033 --> 00:00:10,100
( theme music playing )
2
00:01:49,501 --> 00:01:51,067
Al
YOU MIGHT, DAN,
3
00:01:51,067 --> 00:01:53,868
WANT TO LEARN HOW TO
INDICATE INTEREST IN A GIRL
4
00:01:53,868 --> 00:01:56,901
OTHER THAN MURDERING
ANOTHER PERSON.
5
00:01:58,300 --> 00:01:59,934
I APOLOGIZE
FOR THE DISRUPTION
6
00:01:59,934 --> 00:02:03,834
AND THE FREE DRINKS YOU HAD
TO GIVE OUT RESTORING ORDER.
7
00:02:03,834 --> 00:02:07,000
JESUS CHRIST,
IT'S FALSE DAWN, AL.
8
00:02:07,000 --> 00:02:08,667
FALSE DAWN ALREADY.
9
00:02:08,667 --> 00:02:12,434
IF WE'RE GONNA ACT,
WE SHOULD DO IT IN DARKNESS.
10
00:02:12,434 --> 00:02:13,868
WHERE'S THE FUCKING WHORE?
11
00:02:13,868 --> 00:02:16,868
WHEREVER TRIXIE IS,
WE KNOW WHAT WE NEED TO.
12
00:02:16,868 --> 00:02:19,300
BULLOCK'S FOUR SQUARE
BEHIND THE NEW YORK WOMAN.
13
00:02:19,300 --> 00:02:21,300
THE QUESTION'S
DO WE ACT?
14
00:02:21,300 --> 00:02:23,801
AND TO ME,
THE COURSE IS CLEAR.
15
00:02:23,801 --> 00:02:25,367
WELL, WHAT'S THE COURSE?
16
00:02:25,367 --> 00:02:27,434
MURDER THEM
WHERE THEY SLEEP!
17
00:02:27,434 --> 00:02:30,434
THE NEW YORK WOMAN
AND BULLOCK BOTH.
18
00:02:30,434 --> 00:02:34,567
DAN, LOAN E.B. YOUR KNIFE.
19
00:02:34,567 --> 00:02:36,133
NAH, I WON'T
BRANDISH THE KNIFE,
20
00:02:36,133 --> 00:02:39,167
BUT I'LL WIELD A PASSKEY
AT THE WIDOW'S DOOR.
21
00:02:39,167 --> 00:02:42,200
AS FOR BULLOCK, HE SLEEPS
ON HIS STORE'S SECOND FLOOR,
22
00:02:42,200 --> 00:02:44,501
AND I'LL STEADY A LADDER,
DAN, AT THAT WALL,
23
00:02:44,501 --> 00:02:46,334
WHILE YOU CLIMB UP
AND BUSHWHACK HIM.
24
00:02:47,667 --> 00:02:51,167
THEN, WITH THEM DEAD
AND DISPOSED OF,
25
00:02:51,167 --> 00:02:54,667
WE FORGE A PREDATED BILL OF
SALE, TAKE POSSESSION OF THE CLAIM
26
00:02:54,667 --> 00:02:57,334
WITH THE ALLOCATED
PERCENTAGES OF OWNERSHIP
27
00:02:57,334 --> 00:03:00,067
PREVIOUSLY AGREED TO IN
OUR INTERNAL DISCUSSIONS,
28
00:03:00,067 --> 00:03:03,367
AND DON'T SPEND A FUCKING
DOLLAR IN THE PROCESS.
29
00:03:08,534 --> 00:03:09,801
BOLD?
30
00:03:10,934 --> 00:03:12,434
I SUPPOSE.
31
00:03:12,434 --> 00:03:14,567
BUT WHEN BOLDNESS
IS CALLED FOR,
32
00:03:14,567 --> 00:03:16,300
BOLD MEN
DO NOT SHRINK.
33
00:03:16,300 --> 00:03:19,701
- THAT'S WHAT THE B IN E.B. FARNUM STANDS FOR.
- BOLD.
34
00:03:19,701 --> 00:03:21,734
( slams desk )
YOU'RE GODDAMN RIGHT.
35
00:03:21,734 --> 00:03:23,200
SAY IT, AL.
36
00:03:23,200 --> 00:03:26,067
SAY THE FUCKING WORDS
MY BONES ALREADY KNOW.
37
00:03:26,067 --> 00:03:28,601
YOU'RE GONNA BACK OFF
ON THAT FUCKING CLAIM.
38
00:03:28,601 --> 00:03:31,000
( gunshots )
39
00:03:31,000 --> 00:03:32,901
( cheering )
40
00:03:36,400 --> 00:03:40,334
WE BRUNG IT, SIR. VACCINE FOR
THE SMALLPOX, SECURED IN CHEYENNE.
41
00:03:40,334 --> 00:03:44,367
WELL DONE, FELLAS, AND CONGRATULATIONS
ON THE ENTIRE FUCKING SETTLEMENT.
42
00:03:44,367 --> 00:03:47,367
E.B., GET DOWNSTAIRS AND GIVE
THESE HEROES WHAT THEY'RE OWED.
43
00:03:47,367 --> 00:03:50,200
- YES, SIR. $50 A MAN.
- IF YOU DON'T SPEND IT IN MY JOINT,
44
00:03:50,200 --> 00:03:52,501
I'LL TURN THE MOURNING
OVER TO WEEPING.
45
00:03:52,501 --> 00:03:55,300
YOU WON'T SHED NARY A TEAR
ON OUR ACCOUNT, MR. SWEARENGEN.
46
00:03:55,300 --> 00:03:57,501
VACCINE TO DOC COCHRAN
IN THE PEST TENT.
47
00:03:57,501 --> 00:04:01,000
WE'LL BE TOASTING THE TREATY,
TOO, WITH THE FUCKING HEATHENS.
48
00:04:01,000 --> 00:04:03,234
- EXPLAIN YOURSELF.
- Man: THEY'VE ALL BEEN
49
00:04:03,234 --> 00:04:05,801
CALLED BACK TO THE AGENCY.
WE HEARD THAT IN CHEYENNE.
50
00:04:05,801 --> 00:04:09,133
- ARE THEY GOING'S THE FUCKING QUESTION.
- FUCK YEAH, THEY ARE.
51
00:04:09,133 --> 00:04:11,267
Man #2: THAT'S THE WORD IN CHEYENNE.
52
00:04:11,267 --> 00:04:14,067
RED CLOUD AND SPOTTED TAIL
ARE LEADING THEIR PEOPLE IN.
53
00:04:14,067 --> 00:04:17,801
DAN, $10 IN BONUS CREDITS ACROSS
THE BOARD FOR THESE HEROES.
54
00:04:17,801 --> 00:04:20,734
10 IN PUSSY, 10 IN FARO,
10 IN BOOZE.
55
00:04:20,734 --> 00:04:23,567
- ( men cheer )
- GOD BLESS YOU, MR. SWEARENGEN!
56
00:04:23,567 --> 00:04:25,467
WELL, NOT LIKELY,
57
00:04:25,467 --> 00:04:27,767
BUT MY SHORT-TERM PROSPECTS
JUST IMPROVED.
58
00:04:28,868 --> 00:04:31,200
SAY THE WORDS, SO I CAN
LET THE DREAM DIE.
59
00:04:31,200 --> 00:04:33,334
E.B., DID YOU NOT
HEAR THE FUCKING NEWS?
60
00:04:33,334 --> 00:04:35,467
DID YOU NOT LISTEN
TO THE FUCKING NEWS?
61
00:04:35,467 --> 00:04:37,734
THAT PLAGUE'S END'S
IN PROSPECT.
62
00:04:37,734 --> 00:04:40,834
AND SO'S PEACE WITH THE
FUCKING DIRT WORSHIPPERS.
63
00:04:42,767 --> 00:04:44,300
COME HERE,
COME HERE.
64
00:04:45,367 --> 00:04:46,667
SIT DOWN.
65
00:04:48,133 --> 00:04:49,934
THE DAM...
66
00:04:49,934 --> 00:04:51,801
HAS BROKEN,
YOUNG MAN,
67
00:04:51,801 --> 00:04:55,067
AND ONLY OURSELVES
CAN FUCK UP,
68
00:04:55,067 --> 00:04:57,434
FOR WE ARE ABOUT TO BE
SWIMMING IN MONEY.
69
00:04:57,434 --> 00:04:59,634
AND HOW COULD
WE FUCK UP?
70
00:04:59,634 --> 00:05:03,067
BY ENGAGING IN OPEN
FUCKING BLOODLETTING.
71
00:05:03,067 --> 00:05:05,300
AND RIGHT HERE AT HAND
IN OUR VERY HOUR OF NEED
72
00:05:05,300 --> 00:05:08,100
IS THE PRIGGISH FUCKING
DOUCHE BAG, BULLOCK,
73
00:05:08,100 --> 00:05:09,934
WHO ONLY WANTS
TO SELL POTS AND PANS,
74
00:05:09,934 --> 00:05:12,234
FAN HIS PRETTY FACE
AND HOLD HIS NOSE
75
00:05:12,234 --> 00:05:14,934
FROM THE STENCH OF OUR SORDID
CARRYINGS ON OVER HERE,
76
00:05:14,934 --> 00:05:18,200
ALL THE TIME THINKING HE CAN
PROTECT THE MEEK AND INNOCENT.
77
00:05:18,200 --> 00:05:21,167
THE PERFECT
FUCKING FRONT MAN.
78
00:05:21,167 --> 00:05:23,367
AND YOU WANT
TO KILL HIM?
79
00:05:23,367 --> 00:05:25,934
MUCH AS WE MIGHT
WANT THE WIDOW'S CLAIM,
80
00:05:25,934 --> 00:05:28,734
IT'S A LUXURY
NOW TO FOREGO.
81
00:05:28,734 --> 00:05:32,634
E.B., FIND YOURSELF
SOMEWHERE TO LIE DOWN
82
00:05:32,634 --> 00:05:34,334
TILL THE FEELING
PASSES, HUH?
83
00:05:35,767 --> 00:05:38,634
FIRST, I'LL GO GIVE THE
HOOPLE HEADS THEIR MONEY.
84
00:05:38,634 --> 00:05:39,934
THANK YOU.
85
00:05:48,000 --> 00:05:49,567
YOU GO FIND THAT
FUCKING WHORE.
86
00:05:51,300 --> 00:05:53,033
WHAT THE FUCK
IS THIS, HUH?
87
00:05:54,801 --> 00:05:56,400
( in hoarse voice )
I LOST MY VOICE.
88
00:05:57,734 --> 00:05:59,300
( knocks )
89
00:06:01,000 --> 00:06:05,033
- WHAT HAPPENED?
- I SEEN SOMETHING BAD.
90
00:06:05,033 --> 00:06:06,734
COME IN.
91
00:06:13,634 --> 00:06:15,033
HERE, SIT DOWN.
92
00:06:16,634 --> 00:06:19,000
I SEEN SOMETHING AT
THE PLACE MY BROTHER WORKS.
93
00:06:19,000 --> 00:06:22,801
A MAN WAS STABBED AND KILLED
RIGHT IN FRONT OF ME.
94
00:06:22,801 --> 00:06:25,234
ONE MAN SAID HE DIDN'T
LIKE THE WAY THE OTHER MAN
95
00:06:25,234 --> 00:06:27,567
WAS LOOKING AT ME, AND HE
STABBED AND KILLED HIM.
96
00:06:38,968 --> 00:06:40,400
DRINK THIS.
97
00:06:44,467 --> 00:06:46,067
WHERE'S YOUR BROTHER NOW?
98
00:06:46,067 --> 00:06:48,000
WE GOT A ROOM.
99
00:06:49,834 --> 00:06:51,367
I'LL GO IN A MINUTE.
100
00:06:51,367 --> 00:06:53,334
IT'S ALL RIGHT, FLORA.
101
00:06:55,234 --> 00:06:58,834
I'VE JUST COME TO SAY I
DON'T KNOW IF I CAN DO THIS.
102
00:06:58,834 --> 00:07:00,834
IT'S HORRIBLE.
103
00:07:00,834 --> 00:07:02,734
IT'S ONE THING
LEADS TO ANOTHER
104
00:07:02,734 --> 00:07:05,300
AND YOU NEVER KNOW
WHEN IT'S GONNA HAPPEN.
105
00:07:05,300 --> 00:07:07,501
MOSTLY YOU CAN STEER IT,
SWEETHEART,
106
00:07:07,501 --> 00:07:10,067
AND WHEN IT'S GONNA
GET TO WHERE YOU CAN'T,
107
00:07:10,067 --> 00:07:13,000
YOU GET JUST A LITTLE NOTICE,
JUST A COUPLE OF SECONDS
108
00:07:13,000 --> 00:07:15,534
BEFORE THE ONE THING
TURNS INTO THE OTHER.
109
00:07:15,534 --> 00:07:19,100
IT'S LIKE A FUNNY SMELL
COMES INTO THE AIR,
110
00:07:19,100 --> 00:07:21,834
THEN YOU KNOW THERE'S
NO MORE STEERING
111
00:07:21,834 --> 00:07:23,767
AND GET THE HELL
OUT OF THE WAY.
112
00:07:25,267 --> 00:07:26,868
I SMELLED IT IN THE SALOON.
113
00:07:26,868 --> 00:07:29,434
AND DID YOU GET OUT
OF THE WAY IN TIME?
114
00:07:33,133 --> 00:07:35,033
IT'S ALL RIGHT.
IT'S ALL RIGHT.
115
00:07:38,434 --> 00:07:41,167
MILES DOESN'T KNOW NOTHING.
116
00:07:41,167 --> 00:07:43,133
HE DIDN'T SMELL NOTHING
AND HE...
117
00:07:43,133 --> 00:07:45,033
DIDN'T KNOW NOTHING
ABOUT WHAT TO DO.
118
00:07:45,033 --> 00:07:47,734
ALL RIGHT, I KNOW.
119
00:07:49,767 --> 00:07:51,701
CAN I STAY?
120
00:07:51,701 --> 00:07:55,834
CAN I SLEEP HERE WITH YOU JUST THIS LAST
LITTLE WHILE BEFORE WE HAVE TO GET UP?
121
00:07:55,834 --> 00:07:58,367
YEAH, YOU CAN SLEEP
HERE WITH ME.
122
00:08:23,501 --> 00:08:24,934
CAN YOU HELP?
123
00:09:19,067 --> 00:09:21,267
- NAME?
- BOLAND.
124
00:09:22,334 --> 00:09:23,701
MAKE YOUR MARK.
125
00:09:23,701 --> 00:09:25,467
SAINT ANDY CRAMED.
126
00:09:27,534 --> 00:09:30,000
ALL THAT'S MISSING ARE
THE SCOURGES AND FLAYS.
127
00:09:31,601 --> 00:09:35,300
- MAYBE THEY'RE UNDER HIS SHIRT.
- ( laughs )
128
00:09:48,334 --> 00:09:51,200
KIND OF YOU TO LET US WORK
OUT OF THE HORSESHIT AND FLIES.
129
00:09:51,200 --> 00:09:52,667
SURE.
130
00:09:58,200 --> 00:10:00,133
( groans )
131
00:10:00,133 --> 00:10:02,100
JESUS CHRIST!
132
00:10:12,067 --> 00:10:14,434
( rasping )
HAVE YOU SEEN TRIXIE, DOC?
133
00:10:14,434 --> 00:10:16,434
WHAT?
134
00:10:18,968 --> 00:10:20,400
TRIXIE.
135
00:10:22,467 --> 00:10:24,868
NO, TEA AND HONEY.
136
00:10:26,767 --> 00:10:30,367
- FOR THIS?
- YOU ARE A STUPID SON OF A BITCH.
137
00:10:30,367 --> 00:10:33,300
YEAH, THE TRAFFIC'S
A BOON, SETH.
138
00:10:33,300 --> 00:10:37,033
WE'RE UP $27 ALREADY FROM
YESTERDAY'S ENTIRE PROCEEDS.
139
00:10:37,033 --> 00:10:38,501
GOOD.
140
00:10:39,767 --> 00:10:41,667
PITIFUL SPECIMEN YOU ARE.
141
00:10:42,934 --> 00:10:45,868
IT WASN'T A PINPRICK.
I AIN'T ATE.
142
00:10:45,868 --> 00:10:49,067
REALLY? STRANGE YOU
NEVER KEELED OVER
143
00:10:49,067 --> 00:10:51,067
WHEN WE WAS HUNGRY
ON THE FUCKING TRAIL.
144
00:10:53,467 --> 00:10:57,133
YOUR BOSS SPEAK TO YOU ABOUT
SENDING ME AN ASSAYER THIS MORNING?
145
00:10:57,133 --> 00:10:59,567
NO, SIR, HE DIDN'T.
146
00:10:59,567 --> 00:11:02,734
I WILL REMIND HIM
147
00:11:02,734 --> 00:11:04,901
ONCE I FINISH HIS ERRANDS.
148
00:11:04,901 --> 00:11:07,234
I ONLY GOT ONE PLACE
LEFT TO LOOK:
149
00:11:07,234 --> 00:11:09,634
BELLA UNION-
THAT'S OUR COMPETITION.
150
00:11:09,634 --> 00:11:13,133
WELL, I'LL TELL HIM
WHAT YOU SAID.
151
00:11:17,300 --> 00:11:18,734
GOOD MORNING.
152
00:11:19,801 --> 00:11:21,234
GOOD MORNING, MR. BULLOCK.
153
00:11:21,234 --> 00:11:23,701
COME TO HAVE
THE CHILD INOCULATED?
154
00:11:23,701 --> 00:11:25,701
YES, AND TO TELL YOU,
155
00:11:25,701 --> 00:11:28,634
FOR REASONS WE NEEDN'T EXPLORE,
THAT MY PLANS HAVE CHANGED.
156
00:11:28,634 --> 00:11:31,400
AS SOON AS I CAN
ARRANGE TRANSPORTATION
157
00:11:31,400 --> 00:11:34,033
I'LL RETURN WITH THE CHILD
TO NEW YORK CITY.
158
00:11:34,033 --> 00:11:37,300
WHY NEEDN'T WE
EXPLORE YOUR REASONS?
159
00:11:37,300 --> 00:11:39,234
BECAUSE, MR. BULLOCK,
I'VE ALREADY
160
00:11:39,234 --> 00:11:41,934
QUITE SUFFICIENTLY
IMPOSED UPON YOU
161
00:11:41,934 --> 00:11:43,734
MY PRIVATE REASONS
AND FACTS.
162
00:11:46,334 --> 00:11:50,300
AS REGARDS TO THE CLAIM MY HUSBAND
PURCHASED BEFORE HIS MURDER,
163
00:11:50,300 --> 00:11:52,601
I'M INCLINED TO ACCEPT
THE LAST BID
164
00:11:52,601 --> 00:11:54,400
FROM MR. SWEARENGEN'S
HAND-PUPPET
165
00:11:54,400 --> 00:11:57,701
AND I WOULD BE VERY GRATEFUL
IF YOU WOULD TELL MR. FARNUM SO,
166
00:11:57,701 --> 00:11:59,868
AS SPEAKING TO HIM
DIRECTLY MAKES ME ILL.
167
00:12:01,200 --> 00:12:03,467
I'M GONNA ASSAY YOUR CLAIM,
MRS. GARRET.
168
00:12:03,467 --> 00:12:06,167
I PROMISED MR. HICKOK,
AND I PROMISED YOU.
169
00:12:06,167 --> 00:12:08,801
I RELEASED YOU FROM YOUR
PROMISE TO ME YESTERDAY.
170
00:12:08,801 --> 00:12:11,267
AND TODAY I INSTRUCT
YOU NOT TO KEEP IT.
171
00:12:11,267 --> 00:12:12,801
YOU DO TEND
TO CHANGE YOUR MIND,
172
00:12:12,801 --> 00:12:16,100
AND THE FIRST PROMISE,
YOU WEREN'T A PARTY TO.
173
00:12:18,067 --> 00:12:21,234
WHY DON'T YOU GET THE CHILD
INOCULATED? I'LL GO ABOUT MY BUSINESS,
174
00:12:21,234 --> 00:12:24,334
AND WE'LL REVISIT
THE WHOLE MESS SUBSEQUENTLY.
175
00:12:30,033 --> 00:12:32,434
DON'T FUCKING LEAD
ELLSWORTH RIGHT TO IT
176
00:12:32,434 --> 00:12:35,033
SO HE CAN HOOT AND HOLLER
AND HAIL FUCKING BULLOCK.
177
00:12:35,033 --> 00:12:37,000
YOU WALK AROUND.
178
00:12:38,067 --> 00:12:39,701
YOU'RE DISCOURAGED.
179
00:12:41,601 --> 00:12:43,934
IT'S NOT EVEN WORTH IT
TO MAKE THE STEEP ASCENT.
180
00:12:43,934 --> 00:12:45,434
I START FROM BELOW?
181
00:12:46,767 --> 00:12:48,434
YOU START
AT THE FUCKING CREEK.
182
00:12:48,434 --> 00:12:50,267
WHAT, DO YOU WANT
TO START AT THE CLIFF?
183
00:12:50,267 --> 00:12:53,200
THE THREE OF YOU LEAP THE
FUCK OFF HOLDING HANDS?
184
00:12:55,300 --> 00:12:56,767
TOP O' THE MORNIN'.
185
00:13:00,167 --> 00:13:02,267
I'M TO LEAD YOU
TO THE WIDOW GARRET'S CLAIM.
186
00:13:02,267 --> 00:13:05,501
- YOU'RE THE ASSAYER?
- NOPE.
187
00:13:07,067 --> 00:13:09,634
- I'M TO TAKE YOU TO HIM.
- HE'S ONE CLAIM OVER.
188
00:13:09,634 --> 00:13:11,367
NICE FUCKING GUY
189
00:13:11,367 --> 00:13:13,667
AND A DEAD EYE
FOR THE FUCKING COLOR.
190
00:13:13,667 --> 00:13:15,534
- ELLSWORTH.
- ELLSWORTH...
191
00:13:15,534 --> 00:13:17,834
IS ABSOLUTELY RIGHT.
192
00:13:17,834 --> 00:13:19,367
WELL, COME ON.
193
00:13:29,901 --> 00:13:31,767
I WAS INOCULATED
SOME TIME AGO,
194
00:13:31,767 --> 00:13:34,834
BUT I THOUGHT SHE SHOULD
BE TREATED BEFORE OUR TRIP.
195
00:13:34,834 --> 00:13:37,968
I AM DELIGHTED
YOU'RE TAKING HER WITH YOU.
196
00:13:37,968 --> 00:13:40,033
IT WAS TRIXIE
WHO MADE ME REALIZE
197
00:13:40,033 --> 00:13:42,200
THAT MY REASONS
FOR STAYING WEREN'T SOUND.
198
00:13:42,200 --> 00:13:44,601
GLAD SHE SUCCEEDED
WHERE I FAILED.
199
00:13:44,601 --> 00:13:47,267
I INTEND TO WRITE HER
A NOTE OF PROFOUND THANKS.
200
00:13:47,267 --> 00:13:49,033
I HOPE THAT YOU'LL
DELIVER IT TO HER
201
00:13:49,033 --> 00:13:50,567
AT MR. SWEARENGEN'S
SALOON.
202
00:13:50,567 --> 00:13:53,400
IS THAT WHERE SHE WENT
WHEN SHE LEFT YOU?
203
00:13:53,400 --> 00:13:56,067
YES, I CERTAINLY
ASSUME SO.
204
00:14:01,667 --> 00:14:04,868
SORRY, I'M SORRY, HONEY.
IT'S ALL OVER.
205
00:14:06,934 --> 00:14:08,734
WHEN WILL YOU
BE LEAVIN'?
206
00:14:08,734 --> 00:14:11,167
AS QUICKLY
AS IS PRACTICAL.
207
00:14:11,167 --> 00:14:13,501
STAR'LL SEE TO
YOUR TRAVEL ARRANGEMENTS.
208
00:14:13,501 --> 00:14:16,434
SOON AS HE GETS HIS WITS
BACK, I'LL SEND HIM TO YOU.
209
00:14:16,434 --> 00:14:18,200
THANK YOU, DOCTOR.
210
00:14:19,567 --> 00:14:21,100
THANK YOU
FOR EVERYTHING.
211
00:14:35,267 --> 00:14:37,367
WHAT DID SHE SAY
ABOUT TRIXIE?
212
00:14:37,367 --> 00:14:39,200
NOTHIN'.
213
00:14:43,000 --> 00:14:44,901
HOW'D YOU DO
WITH THAT BLOODSTAIN?
214
00:14:44,901 --> 00:14:47,801
I SCRUBBED IT
REAL HARD.
215
00:14:47,801 --> 00:14:51,701
DID I ASK YOU HOW HARD
YOU FUCKING SCRUBBED?
216
00:14:51,701 --> 00:14:53,200
- NO.
- NO.
217
00:14:53,200 --> 00:14:56,567
I ASKED IF
YOU GOT IT OUT.
218
00:15:01,334 --> 00:15:03,834
GET ME THE FUCKIN'
SCRUB BRUSH.
219
00:15:03,834 --> 00:15:07,000
EVERY FUCKING THING
I GOTTA DO MYSELF, HUH?
220
00:15:07,000 --> 00:15:09,734
- WHERE IS SHE?!
- TRIXIE?
221
00:15:09,734 --> 00:15:12,367
NO, QUEEN
FUCKING VICTORIA.
222
00:15:12,367 --> 00:15:15,801
LAST I SAW HER WAS YESTERDAY
WHEN SHE CAME TO SEE YOU.
223
00:15:15,801 --> 00:15:17,901
JUST GET ME
THE FUCKING SCRUB BRUSH.
224
00:15:17,901 --> 00:15:20,300
GIVES HER WORD
SHE'LL RETURN.
225
00:15:20,300 --> 00:15:21,601
WHERE THE FUCK
IS SHE, HUH?
226
00:15:25,033 --> 00:15:27,067
WHAT'D SHE SAY TO YOU
WHEN YOU SAW HER?
227
00:15:27,067 --> 00:15:29,534
SHE SAID HER PUSSY HURT
WHERE YOU GRABBED IT.
228
00:15:29,534 --> 00:15:31,801
THAT HAS A RING
OF FUCKING TRUTH.
229
00:15:31,801 --> 00:15:33,934
SHE SAID YOU
NEARLY KILLED HER.
230
00:15:33,934 --> 00:15:35,968
SHE SAID TO ME
SHE'D BE RIGHT BACK.
231
00:15:37,400 --> 00:15:39,667
A FOOL'S
FUCKING ERRAND, ANYWAY.
232
00:15:39,667 --> 00:15:41,734
I FOUND OUT WHAT
I NEEDED TO KNOW
233
00:15:41,734 --> 00:15:44,300
WHEN I LOOKED IN THAT
COCKSUCKER BULLOCK'S EYES
234
00:15:44,300 --> 00:15:46,167
WHILE DORITY WAS
SPILLING BLOOD
235
00:15:46,167 --> 00:15:49,334
THAT YOU HAVE FAILED
TO ADEQUATELY CLEAN UP.
236
00:15:49,334 --> 00:15:51,067
YOU WANT ME
TO DO SOME MORE?
237
00:15:51,067 --> 00:15:52,868
NO, SHUT THE FUCK UP.
238
00:15:54,767 --> 00:15:56,634
NOW, WHAT'S SHE DOIN'?
239
00:15:56,634 --> 00:15:58,567
SHE MAKING A POINT?
240
00:15:58,567 --> 00:16:00,934
NO GRABBING AT THE CUNT?
241
00:16:00,934 --> 00:16:02,901
- IS THAT WHAT SHE SAID TO YOU?
- NO.
242
00:16:02,901 --> 00:16:05,567
I MEAN, Y-YOU- SHE TOLD YOU,
RIGHT, THAT I GRABBED HER?
243
00:16:05,567 --> 00:16:07,234
DID SHE HAVE
AN ATTITUDE ABOUT IT?
244
00:16:07,234 --> 00:16:10,100
SHE DIDN'T HAVE AN ATTITUDE.
SHE JUST SAID HER PUSSY HURT.
245
00:16:10,100 --> 00:16:12,033
AGH.
246
00:16:12,033 --> 00:16:13,968
POINT'S MADE WITH
THE SNATCH GRABS, OKAY.
247
00:16:15,734 --> 00:16:19,334
50 OTHER FUCKING THINGS
I SHOULD BE PAYING ATTENTION TO,
248
00:16:19,334 --> 00:16:21,734
ROSIEST PROSPECTS
OF MY CAREER,
249
00:16:21,734 --> 00:16:25,100
AND HERE I AM ON
MY FUCKING HANDS AND KNEES
250
00:16:25,100 --> 00:16:27,601
DISCUSSING SNIPPETS
OF INFORMATION WITH A GIMP.
251
00:16:27,601 --> 00:16:29,000
THERE!
252
00:16:29,000 --> 00:16:32,267
NOW THAT'S HOW YOU SCRUB
A FUCKING BLOODSTAIN!
253
00:16:33,467 --> 00:16:35,100
I COULDN'T
FIND TRIXIE.
254
00:16:36,400 --> 00:16:37,934
YOU SEE HER,
255
00:16:37,934 --> 00:16:39,667
YOU SEND HER
THE FUCK BACK TO ME,
256
00:16:39,667 --> 00:16:41,167
'CAUSE IF I
SEE HER OUTSIDE,
257
00:16:41,167 --> 00:16:43,133
SHE'LL WISH I HAD
KILLED HER BEFORE.
258
00:16:43,133 --> 00:16:45,801
THAT SHOT DIDN'T
HURT TOO BAD, AL,
259
00:16:45,801 --> 00:16:47,567
BUT IT FUCKING ITCHES.
260
00:16:47,567 --> 00:16:49,634
YEAH? GOOD.
261
00:16:49,634 --> 00:16:52,267
YOU HAD YOUR
SHOT YET, KID?
262
00:16:52,267 --> 00:16:53,834
NOT YET. THE LINE
WAS TOO LONG,
263
00:16:53,834 --> 00:16:55,834
AND I DID NOT WANT
TO BE LATE FOR WORK.
264
00:16:55,834 --> 00:16:58,801
OPEN FOR BUSINESS
AND TALK LIKE HIM
265
00:16:58,801 --> 00:17:01,701
- UNTIL FURTHER INSTRUCTED.
- ( rasps ) YES, SIR.
266
00:17:14,367 --> 00:17:16,467
AW, JESUS.
267
00:17:18,767 --> 00:17:20,234
TRIXIE?
268
00:17:26,133 --> 00:17:28,701
GOD DAMN IT, TRIXIE,
WAKE UP.
269
00:17:28,701 --> 00:17:31,067
- WAKE UP, TRIXIE.
- ( knock on door )
270
00:17:31,067 --> 00:17:33,534
- TRIXIE, WAKE UP-
- A.W.: DOC! DOC!
271
00:17:34,934 --> 00:17:36,367
- WHAT?!
- DOC!
272
00:17:36,367 --> 00:17:38,534
- STAY THE FUCK OVER THERE!
- IT'S A.W., DOC.
273
00:17:38,534 --> 00:17:42,100
STAY THE FUCK
OVER THERE, ANYWAY.
274
00:17:42,100 --> 00:17:45,400
AW, I DON'T TAKE YOUR
BAD TEMPER PERSONALLY, DOC.
275
00:17:45,400 --> 00:17:47,834
THE HOURS YOU'RE WORKING
WOULD TRY A SAINT.
276
00:17:47,834 --> 00:17:49,400
WHAT DO YOU WANT?
277
00:17:49,400 --> 00:17:52,701
( panting ) I'M IN PAIN,
DOC, IN THE SMALL OF MY BACK,
278
00:17:52,701 --> 00:17:56,100
WHICH I'M AWARE IS
A PRECURSOR SYMPTOM.
279
00:17:56,100 --> 00:17:58,067
- WHEN DID THE PAIN START?
- AM I WARM?
280
00:17:58,067 --> 00:18:00,100
ANSWER THE QUESTION.
281
00:18:00,100 --> 00:18:03,801
WELL, IT'S BECOME MORE
CONCENTRATED AND SEVERE.
282
00:18:05,567 --> 00:18:08,667
- WHY DID YOU STRIKE ME?
- TO SECURE YOUR ATTENTION.
283
00:18:08,667 --> 00:18:10,767
WHEN DID
THE PAIN START?
284
00:18:10,767 --> 00:18:13,767
THE ORIGINAL PAIN I'VE LIVED
WITH FOR QUITE SOME TIME,
285
00:18:13,767 --> 00:18:15,234
BUT IN THIS LAST PERIOD,
286
00:18:15,234 --> 00:18:18,968
IT'S BECOME MUCH MORE
CONCENTRATED AND SEVERE.
287
00:18:18,968 --> 00:18:21,901
IN VIEWING THE CONTEXT
OF THIS OUTBREAK,
288
00:18:21,901 --> 00:18:24,033
I KNEW I SHOULD
CONSULT YOU.
289
00:18:24,033 --> 00:18:25,934
- OW.
- WELL, YOU DON'T HAVE A FEVER.
290
00:18:25,934 --> 00:18:27,400
- I DON'T?
- NO.
291
00:18:27,400 --> 00:18:28,934
YOU PUT ON WEIGHT?
292
00:18:30,534 --> 00:18:32,801
MAY I ASK THAT
QUERY'S RELEVANCE?
293
00:18:32,801 --> 00:18:36,133
IT'S HARDER ON YOUR BACK
AS YOU GET FATTER.
294
00:18:38,567 --> 00:18:41,234
SO, IN CONCERT
WITH THE SYMPTOMS
295
00:18:41,234 --> 00:18:43,200
I'M ALREADY EXHIBITING,
296
00:18:43,200 --> 00:18:46,567
YOU'D SAY BE
ALERT FOR FEVER?
297
00:18:46,567 --> 00:18:48,801
AND WORK HARD
ON YOUR PAPER.
298
00:18:48,801 --> 00:18:51,100
- AND GET YOURSELF
INOCULATED. - UH-HUH.
299
00:18:51,100 --> 00:18:52,834
AND TRY TO EAT LESS.
300
00:19:03,267 --> 00:19:06,934
YOU BOTCHED
THIS JOB PRETTY GOOD,
301
00:19:06,934 --> 00:19:08,567
DIDN'T YOU, YOUNG LADY?
302
00:19:16,167 --> 00:19:20,100
NOW YOU LISTEN TO ME,
IF YOU WANT,
303
00:19:20,100 --> 00:19:23,868
I WILL DO THE JOB
FOR YOU RIGHT.
304
00:19:23,868 --> 00:19:26,200
BUT FIRST, I WANT
YOU TO KNOW THAT
305
00:19:26,200 --> 00:19:28,133
THAT RICH WOMAN
IS LEAVING TOWN,
306
00:19:28,133 --> 00:19:31,367
AND SHE TOLD ME THAT
SHE WOULD TAKE YOU WITH HER.
307
00:19:31,367 --> 00:19:34,367
I KNOW THAT YOU
THOUGHT ENOUGH OF THAT WOMAN
308
00:19:34,367 --> 00:19:36,734
TO HELP HER
GET OFF THIS... STUFF
309
00:19:36,734 --> 00:19:39,601
YOU TRIED TO USE
TO KILL YOURSELF WITH.
310
00:19:39,601 --> 00:19:43,167
BUT WHAT I DON'T KNOW IS, IS
IF YOU WANTED TO DIE, PERIOD,
311
00:19:43,167 --> 00:19:45,868
OR 'CAUSE YOU THOUGHT YOU
DIDN'T HAVE A WAY OUT OF HERE,
312
00:19:45,868 --> 00:19:49,467
'CAUSE YOU DO
HAVE A WAY OUT.
313
00:19:54,133 --> 00:19:56,801
IS THAT A VOTE
FOR NEW YORK CITY?
314
00:19:59,734 --> 00:20:01,400
ALL RIGHT, THEN.
315
00:20:55,501 --> 00:20:56,968
( door opens )
316
00:21:04,734 --> 00:21:06,234
MORNING,
MR. TOLLIVER.
317
00:21:07,434 --> 00:21:09,033
GOOD MORNING,
FLORA.
318
00:21:10,601 --> 00:21:13,400
I SWEAR I SAW YOU LEAVE
LAST NIGHT AFTER YOUR SHIFT.
319
00:21:13,400 --> 00:21:14,868
I COME BACK.
320
00:21:14,868 --> 00:21:18,167
A MAN WAS MURDERED WHERE MY
BROTHER WORKS, AT THE GEM SALOON,
321
00:21:18,167 --> 00:21:20,734
- AND I GOT SCARED.
- YOU SAW IT, HONEY?
322
00:21:20,734 --> 00:21:23,767
YES, SIR. I WAS THERE
PICKING MY BROTHER UP.
323
00:21:23,767 --> 00:21:26,801
YOU'RE BRAVE TO EVEN BE
IN A JOINT LIKE THAT.
324
00:21:31,200 --> 00:21:33,200
AND AFTER,
325
00:21:33,200 --> 00:21:35,434
YOU SOUGHT REFUGE
WITH JOANIE, DID YOU?
326
00:21:35,434 --> 00:21:38,701
- YES, SIR.
- NO BETTER PORT IN A STORM.
327
00:21:40,467 --> 00:21:43,100
- ANYWAYS, I'LL GO CHANGE.
- GOOD GIRL. GOOD FOR YOU.
328
00:21:44,968 --> 00:21:48,434
- YOU SETTLE IN REAL GOOD, FLORA.
- THANK YOU, SIR.
329
00:21:52,100 --> 00:21:55,868
MM-MMM,
JOANIE STUBBS.
330
00:21:55,868 --> 00:21:58,601
IS THAT A FRESH SCALP
I SEE HANGING FROM YOUR BELT?
331
00:21:58,601 --> 00:22:00,167
SHE SAW A GUTTING
LAST NIGHT.
332
00:22:00,167 --> 00:22:03,267
SHE WAS UPSET.
I HELD HER.
333
00:22:03,267 --> 00:22:06,267
Terrance: I WAS WATCHING
FOR YOU AT THE DOOR, FLORA,
334
00:22:06,267 --> 00:22:08,901
BUT HERE YOU ARE
ALREADY INSIDE.
335
00:22:08,901 --> 00:22:10,534
NOT WORKING YET,
TERRANCE.
336
00:22:10,534 --> 00:22:12,434
POOR THING.
337
00:22:12,434 --> 00:22:15,567
ADJUSTING SO SMOOTH
TO LOSING HER CHERRY
338
00:22:15,567 --> 00:22:18,334
AND YET THAT UPSET
BY BLOOD.
339
00:22:18,334 --> 00:22:21,267
SHE LOST HER CHERRY
BACK HOME. I TOLD YOU THAT.
340
00:22:21,267 --> 00:22:22,934
GONNA PUT YOUR
GARTERS ON NOW?
341
00:22:39,200 --> 00:22:41,801
I'LL GIVE YOU $2 FOR THAT
APPLE AND A PIECE OF CHEESE.
342
00:22:45,000 --> 00:22:47,667
IT'S MY KNIFE.
YOU WANT TO BUY THAT?
343
00:22:47,667 --> 00:22:48,901
I'VE GOT
A FUCKING KNIFE.
344
00:22:58,067 --> 00:23:00,667
I'LL JUST BE A SECOND AND
TAKE MY BROTHER HIS LUNCH.
345
00:23:00,667 --> 00:23:02,133
SURE, HONEY.
346
00:23:08,534 --> 00:23:11,167
UNLESS SHE AIN'T
UPSET AT ALL.
347
00:23:23,601 --> 00:23:25,033
WHAT HAPPENED NOW,
FLORA?
348
00:23:25,033 --> 00:23:28,634
I THOUGHT YOU WAS CHANGIN'
INTO YOUR GARTERS.
349
00:23:28,634 --> 00:23:30,501
YOU GEEK-LOOKING FUCK.
350
00:23:30,501 --> 00:23:33,467
GET AWAY FROM ME BEFORE
I CUT YOUR FUCKING HEART OUT.
351
00:23:47,300 --> 00:23:49,901
( knocks )
IT'S DR. COCHRAN.
352
00:23:57,667 --> 00:23:59,067
DOCTOR.
353
00:23:59,067 --> 00:24:01,367
TRIXIE TRIED TO COMMIT
SUICIDE WITH LAUDANUM.
354
00:24:01,367 --> 00:24:05,000
- MY GOD.
- SHE PUNCTURED HER VEIN.
355
00:24:05,000 --> 00:24:07,834
THAT'S THE ONLY REASON
WHY SHE'S STILL ALIVE.
356
00:24:17,834 --> 00:24:20,267
WHO'S WITH HER?
357
00:24:20,267 --> 00:24:24,300
NO ONE AT THE GODDAMN MOMENT
IS WITH HER, MRS. GARRET.
358
00:24:24,300 --> 00:24:27,934
HER SITUATION IN THIS CAMP ISN'T
SUCH THAT THAT WOULD BE SAFE.
359
00:24:27,934 --> 00:24:31,033
WHICH IS WHY, WHILE
TRYING TO DISSUADE HER
360
00:24:31,033 --> 00:24:33,434
FROM FUTURE EFFORTS
AT MURDERING HERSELF,
361
00:24:33,434 --> 00:24:36,701
I TOLD A FIB,
362
00:24:36,701 --> 00:24:39,834
INVOKING YOUR NAME
AND WILLINGNESS
363
00:24:39,834 --> 00:24:41,834
TO TAKE HER WITH YOU
ON YOUR TRIP.
364
00:24:43,601 --> 00:24:44,934
LAST NIGHT, DOCTOR,
365
00:24:44,934 --> 00:24:47,000
I MADE THAT
VERY OFFER TO TRIXIE.
366
00:24:47,000 --> 00:24:48,501
SHE REFUSED.
367
00:24:51,267 --> 00:24:53,567
MORE PRECISELY,
368
00:24:53,567 --> 00:24:56,934
I OFFERED TO SEND
TRIXIE TO NEW YORK
369
00:24:56,934 --> 00:24:59,634
WITH THE CHILD
TO MAKE THE APPROPRIATE
370
00:24:59,634 --> 00:25:01,334
INTRODUCTIONS
TO MY FAMILY,
371
00:25:01,334 --> 00:25:03,968
AND TO PAY
TO SEE THEM ESTABLISHED.
372
00:25:03,968 --> 00:25:06,434
IS IT POSSIBLE,
MRS. GARRET,
373
00:25:06,434 --> 00:25:10,167
THAT LEAVING THIS CAMP
AND HEADING TO NEW YORK CITY
374
00:25:10,167 --> 00:25:13,467
IN SERVICE TO YOU
AND THE CHILD MIGHT,
375
00:25:13,467 --> 00:25:18,133
TO A GIRL LIKE TRIXIE, APPEAR
A MORE REALISTIC PROPOSITION
376
00:25:18,133 --> 00:25:22,567
THAN BEING DISPATCHED
ON SOME CRUEL MASQUERADE?
377
00:25:27,267 --> 00:25:30,267
PLEASE TELL HER
SHE'S WELCOME.
378
00:25:31,534 --> 00:25:33,300
TELL HER SHE'S NECESSARY.
379
00:25:34,968 --> 00:25:37,067
IF HER INDISPOSITION
DOESN'T PRECLUDE IT,
380
00:25:37,067 --> 00:25:39,100
I'D BE HAPPY
TO TELL HER MYSELF.
381
00:25:40,234 --> 00:25:41,434
THANK YOU, MADAM.
382
00:26:20,267 --> 00:26:22,467
IF I'M TO GET
MY THROAT CUT, DAN,
383
00:26:22,467 --> 00:26:25,601
I'D RATHER NOT
EXERT MYSELF FURTHER.
384
00:26:27,033 --> 00:26:29,033
IF I HAVE ANY CHOICE
IN THE MATTER,
385
00:26:29,033 --> 00:26:30,601
I'D PREFER ONE
BEHIND THE EAR.
386
00:26:30,601 --> 00:26:33,133
KEEP CLIMBING,
ELLSWORTH.
387
00:26:33,133 --> 00:26:36,200
YOU'RE OFF THE HOOK FOR SEEING
THAT NEW YORK DUDE'S ACCIDENT.
388
00:26:39,701 --> 00:26:42,434
WHEN SWEARENGEN
WAS MOVED TO TRUST,
389
00:26:42,434 --> 00:26:44,601
I KNOW YOU SPOKE
FOR ME HARD.
390
00:26:44,601 --> 00:26:46,834
WELL, I DIDN'T-
DIDN'T SPEAK AGAINST YOU.
391
00:26:48,734 --> 00:26:51,834
YOU MIGHT TRY TAKIN'
A GANDER OVER TO YOUR RIGHT.
392
00:26:51,834 --> 00:26:54,767
YOU DON'T HAVE TO TELL ME
WHERE TO FUCKING LOOK.
393
00:26:54,767 --> 00:26:57,601
IF YOU'RE
THE GODDAMN ASSAYER,
394
00:26:57,601 --> 00:26:59,868
SHOULDN'T I BE
FOLLOWING YOU?
395
00:27:02,267 --> 00:27:04,400
HEAD ON BACK DOWN,
MR. BULLOCK.
396
00:27:04,400 --> 00:27:07,234
WE THINK WE FOUND
A FORMATION WORTH LOOKING AT.
397
00:27:15,100 --> 00:27:18,601
YOUNG LADY,
THANK CHRIST.
398
00:27:18,601 --> 00:27:21,167
I'D FEARED AFTER
THE MURDER YOU'D SHUN US.
399
00:27:21,167 --> 00:27:22,534
I COME FOR LUNCH
WITH MILES.
400
00:27:22,534 --> 00:27:24,868
WELL, BLESS YOU THEN
FOR BEING A CARING SISTER.
401
00:27:24,868 --> 00:27:27,067
- MILES!
- SIR?
402
00:27:27,067 --> 00:27:30,300
MILES, YOU LUCKY SON OF A BITCH,
YOUR SISTER'S HERE WITH YOUR LUNCH.
403
00:27:30,300 --> 00:27:31,968
SHE BROUGHT YOU
A FRESH APPLE
404
00:27:31,968 --> 00:27:34,334
AND SOME KIND OF DELICACY
WRAPPED IN SWADDLING.
405
00:27:36,734 --> 00:27:40,467
I'VE BEEN SCRUBBING THAT BLOODSTAIN
ALL MORNIN', AND THE CRIPPLE HAS TOO.
406
00:27:40,467 --> 00:27:44,067
SITUATE YOUR SISTER TO SPARE HER
TO STAND AT THAT FUCKING STAIN, HUH?
407
00:27:52,000 --> 00:27:54,133
- LET'S DO IT.
- NOW?
408
00:27:54,133 --> 00:27:56,767
- NOW, AND GET THE FUCK
OUTTA HERE. - WHAT IF-
409
00:27:56,767 --> 00:27:58,801
FLORA, IF WE DO IT
SLOW AND RIGHT,
410
00:27:58,801 --> 00:28:02,133
- WE'RE 50 MILES GONE BEFORE ANYONE KNOWS WE BLEW.
- MY BOSS IS ONTO ME.
411
00:28:02,133 --> 00:28:05,100
SAVVY OPERATOR FROM CHICAGO AND
YOU COULD TELL HE'S ON TO YOU?
412
00:28:05,100 --> 00:28:06,834
SAVVY ENOUGH THAT
HE DIDN'T CRACK,
413
00:28:06,834 --> 00:28:08,467
AND I STILL
COULD FUCKING TELL.
414
00:28:12,968 --> 00:28:15,834
YOU'RE FULL OF SHIT. YOU
WANT TO DO IT FAST AND DIRTY
415
00:28:15,834 --> 00:28:17,601
SO YOU HAVE TO CUT
SOMEBODY'S THROAT.
416
00:28:26,868 --> 00:28:30,033
- THIS JOINT YOU WANT TO TAKE?
- WHERE I WORK.
417
00:28:30,033 --> 00:28:33,167
- WHERE YOUR BOSS IS ONTO YOU?
- I CAN MOVE THE DYKE.
418
00:28:35,667 --> 00:28:38,868
HELD ME IN HER ARMS ALL NIGHT
LIKE I WAS A LITTLE FUCKING KID.
419
00:28:43,167 --> 00:28:45,601
CAN I ASSUME THERE'S
A FUCKING PLAN?
420
00:28:55,534 --> 00:28:57,300
MR. BULLOCK, WHAT HO?
421
00:28:57,300 --> 00:28:58,834
MRS. GARRET'S ROOM.
422
00:28:58,834 --> 00:29:00,634
NUMBER TWO.
423
00:29:13,434 --> 00:29:15,267
DON'T SELL,
MRS. GARRET.
424
00:29:35,868 --> 00:29:38,133
DARLING...
425
00:29:38,133 --> 00:29:41,868
UM, I'M GOING
TO BE UNSPEAKABLY RUDE
426
00:29:41,868 --> 00:29:43,934
AND LEAVE YOU HERE ALONE
FOR JUST A MOMENT,
427
00:29:43,934 --> 00:29:45,934
WHILE I GO DOWNSTAIRS
WITH MR. BULLOCK,
428
00:29:45,934 --> 00:29:48,434
WHO'S JUST ARRIVED
WITH THE MOST INTERESTING NEWS,
429
00:29:48,434 --> 00:29:50,767
AND WHOM I- I CAN'T
RECEIVE HERE IN MY ROOM,
430
00:29:50,767 --> 00:29:52,801
PARTICULARLY
WITH YOU PRESENT,
431
00:29:52,801 --> 00:29:55,434
FOR REASONS TOO BORING
AND COMPLEX TO EXPLAIN.
432
00:29:55,434 --> 00:30:00,100
SO I'M GOING TO GO DOWNSTAIRS
TO SPEAK WITH MR. BULLOCK
433
00:30:00,100 --> 00:30:02,100
IN MR. FARNUM'S
ABSURD RESTAURANT,
434
00:30:02,100 --> 00:30:03,734
THEN I'LL
COME BACK UP
435
00:30:03,734 --> 00:30:06,667
AND WE WILL CONTINUE TO READY
OUR LEAVING. ALL RIGHT, DARLING?
436
00:30:08,300 --> 00:30:12,100
I'LL BE IN THE RESTAURANT
FOR JUST ONE MOMENT.
437
00:30:13,167 --> 00:30:14,667
CAN I BRING YOU
A GLASS OF MILK?
438
00:30:16,701 --> 00:30:18,133
ALL RIGHT.
439
00:30:18,133 --> 00:30:20,300
I'LL- I'LL BE
RIGHT BACK.
440
00:30:31,534 --> 00:30:34,234
MAY I INQUIRE
AS TO THE ASSAY'S OUTCOME?
441
00:30:34,234 --> 00:30:36,934
- ASK THE OWNER.
- MRS. GARRET?
442
00:30:36,934 --> 00:30:39,701
IS THE TECHNICAL TERM
"BONANZA"?
443
00:30:39,701 --> 00:30:41,267
THAT'S THE LOOK OF IT.
444
00:30:41,267 --> 00:30:42,868
IT'S A BONANZA,
MR. FARNUM.
445
00:30:45,667 --> 00:30:49,067
I SEE.
CONGRATULATIONS.
446
00:30:52,434 --> 00:30:54,300
( moans )
447
00:30:54,300 --> 00:30:57,400
DOES THE FIND CHANGE YOUR MIND
AT ALL ABOUT NEW YORK CITY?
448
00:31:00,601 --> 00:31:03,033
I CAN'T SEE
WHY IT WOULD.
449
00:31:03,033 --> 00:31:05,767
I CAN'T, EITHER,
BUT I DON'T COUNT.
450
00:31:05,767 --> 00:31:08,501
OF COURSE YOU COUNT.
WHY WOULDN'T YOU?
451
00:31:08,501 --> 00:31:12,033
'CAUSE YOUR CHANGES OF MIND
COME SO QUICK AND OFTEN,
452
00:31:12,033 --> 00:31:13,434
I CAN'T KEEP UP.
453
00:31:13,434 --> 00:31:16,334
I CAN'T UNDERSTAND WHAT
CHANGED YOUR MIND FROM YESTERDAY
454
00:31:16,334 --> 00:31:18,100
WHEN IT WAS MADE UP
TO STAY.
455
00:31:19,467 --> 00:31:22,167
I WAS MADE TO UNDERSTAND
LAST NIGHT THAT MY REASONS
456
00:31:22,167 --> 00:31:25,100
FOR WANTING TO STAY HAVE
BEEN COMPLETELY SELFISH.
457
00:31:25,100 --> 00:31:27,501
- BY WHO?
- TRIXIE.
458
00:31:27,501 --> 00:31:31,334
I'D OFFERED TO SEND HER TO
NEW YORK CITY WITH THE CHILD,
459
00:31:31,334 --> 00:31:33,634
WHERE TRIXIE, I'VE SINCE
COME TO REALIZE,
460
00:31:33,634 --> 00:31:36,234
WOULD BE COMPLETELY
UNSUITED.
461
00:31:36,234 --> 00:31:40,634
AND BECAUSE I WISHED
TO STAY HERE UNENCUMBERED
462
00:31:40,634 --> 00:31:45,000
WHEN I SHOULD BE
CARING FOR THE CHILD.
463
00:31:45,000 --> 00:31:46,934
WHY CAN'T YOU
CARE FOR HER HERE?
464
00:31:49,868 --> 00:31:51,901
WHERE THE FUCK IS HE?
465
00:31:51,901 --> 00:31:55,000
SAID HE WAS GONNA GO TELL
THE WIDOW OF HER FIND.
466
00:31:55,000 --> 00:31:57,334
HOW THE FUCK LONG
DOES IT TAKE TO TELL HER?
467
00:31:57,334 --> 00:31:59,567
I DON'T KNOW, AL,
I'M HERE WITH YOU.
468
00:31:59,567 --> 00:32:02,000
- WHAT, ARE YOU GETTING SMART WITH ME NOW?
- NO.
469
00:32:03,133 --> 00:32:04,934
COCKSUCKER BULLOCK.
470
00:32:04,934 --> 00:32:06,934
WHEN YOU CAN'T STAND
THE SIGHT OF HIM,
471
00:32:06,934 --> 00:32:09,300
HE'S NOWHERE
BUT UNDERFOOT.
472
00:32:09,300 --> 00:32:11,868
SIR, MY SISTER
WAS TOLD OF A MAN
473
00:32:11,868 --> 00:32:14,501
WHO RESEMBLES OUR FATHER'S
PHOTOGRAPH DOWN BY LEAD,
474
00:32:14,501 --> 00:32:16,434
AND I'D BE GRATEFUL
IF THIS AFTERNOON
475
00:32:16,434 --> 00:32:19,400
I COULD GO LOOK AND MAYBE I COULD
TAKE A NIGHT SHIFT TO MAKE UP.
476
00:32:19,400 --> 00:32:20,968
IF I SAID NO,
477
00:32:20,968 --> 00:32:24,367
I'D HOPE YOU'D WALK OUT
AND GO LOOKING ANYWAY,
478
00:32:24,367 --> 00:32:27,334
THEN SEEK A NEW JOB
ELSEWHERE AFTER.
479
00:32:27,334 --> 00:32:28,734
THAT IS
WHAT I'D DO, SIR.
480
00:32:28,734 --> 00:32:32,400
ALL RIGHT, KID.
GO LOOK FOR HIM.
481
00:32:32,400 --> 00:32:34,501
TELL ARNETTE
AT THE LIVERY STABLE
482
00:32:34,501 --> 00:32:36,701
I'LL STAND METAL
FOR THE HORSE.
483
00:32:36,701 --> 00:32:39,968
IF YOUR SISTER LOOKS WITH YOU,
TELL ARNETTE I'M GOOD FOR HER MOUNT.
484
00:32:41,601 --> 00:32:43,400
SO YOU THINK IT'S
A GOOD IDEA TO GO?
485
00:32:43,400 --> 00:32:45,534
IT'S WHY THE FUCK
YOU'RE HERE, ISN'T IT?
486
00:32:45,534 --> 00:32:47,400
RIGHT.
487
00:32:47,400 --> 00:32:50,033
I'M GONNA GO GET
THE HORSES THEN.
488
00:32:51,200 --> 00:32:53,000
PERMISSION TO LEAVE
THE BAR, TROOPER.
489
00:32:57,033 --> 00:32:59,000
THANKS, TO BOTH OF YOU.
490
00:33:03,300 --> 00:33:06,267
AH, STRUCK RICH
FOR THE WIDOW, HUH, BULLOCK?
491
00:33:06,267 --> 00:33:07,667
FREE DRINK!
492
00:33:13,167 --> 00:33:15,267
BIG, HUH?
493
00:33:16,501 --> 00:33:19,133
RICH AND FUCKING THICK,
THAT VEIN IS?
494
00:33:19,133 --> 00:33:22,767
- NOT BEING EXPERT, I CAN'T GUESS AT THE EXTENT.
- DAN'S A FUCKING EXPERT.
495
00:33:22,767 --> 00:33:25,133
WHEN HE'S NOT SHIT-FACED DRUNK,
SO IS ELLSWORTH.
496
00:33:25,133 --> 00:33:27,501
THE IMMEDIATE RESULT
IS SHE WON'T BE SELLIN'.
497
00:33:27,501 --> 00:33:29,534
OF COURSE,
SHE FUCKING WON'T.
498
00:33:29,534 --> 00:33:31,868
I SHOULD FUCKING
THINK NOT, HUH?
499
00:33:31,868 --> 00:33:34,100
NOT FOR ANY $20,000
AT LEAST.
500
00:33:36,000 --> 00:33:39,367
COME HERE. COME DRINK
WITH YOUR VANQUISHED FOE.
501
00:33:42,601 --> 00:33:45,033
Al: VERY GOOD OF YOU AND
MR. STAR, INCIDENTALLY,
502
00:33:45,033 --> 00:33:48,467
TO MAKE YOUR VENUE AVAILABLE SO
THE HOOPLE HEADS CAN GET VACCINATED.
503
00:33:48,467 --> 00:33:51,100
I WAS THE SECOND
HOOPLE HEAD STUCK.
504
00:33:51,100 --> 00:33:53,467
THEM RIDERS THAT
BROUGHT THE VACCINE,
505
00:33:53,467 --> 00:33:56,033
SAY THE HEATHENS HAVE BEEN
CALLED BACK TO THE AGENCY.
506
00:33:56,033 --> 00:33:59,367
- IN A SPASM OF GOOD SENSE, THEY'RE FUCKING GOING.
- I HEARD.
507
00:34:01,567 --> 00:34:04,634
BEFORE YOU KNOW IT, WE'LL HAVE
LAWS HERE AND EVERY OTHER THING.
508
00:34:04,634 --> 00:34:07,667
YEAH, WHICH BRINGS ME, BULLOCK,
TO THE MATTER OF THE WIDOW.
509
00:34:07,667 --> 00:34:12,033
I WANTED TO SHOW YOU
MY BONA FIDES FOR COOPERATION.
510
00:34:12,033 --> 00:34:15,934
IF A TREATY IS SIGNED,
BE WISE FOR YOU AND ME
511
00:34:15,934 --> 00:34:17,634
TO PADDLE
IN THE SAME DIRECTION.
512
00:34:17,634 --> 00:34:21,067
TICS OR HABITS OF BEHAVIOR EITHER
FINDS DISLIKABLE IN THE OTHER
513
00:34:21,067 --> 00:34:23,567
GOTTA BE OVERLOOKED
OR TAKEN WITH A GRAIN OF SALT.
514
00:34:23,567 --> 00:34:27,100
WOULD YOUR BONA FIDES EXTEND
TO MRS. GARRET'S FUTURE SAFETY?
515
00:34:30,567 --> 00:34:32,467
MY OATH ON THIS:
516
00:34:32,467 --> 00:34:36,100
EVERY DAY THAT THE WIDOW SITS
ON HER ASS IN NEW YORK CITY,
517
00:34:36,100 --> 00:34:38,400
LOOKS WEST AT SUNSET
AND THINKS TO HERSELF,
518
00:34:38,400 --> 00:34:41,167
"GOD BLESS YOU IGNORANT
COCKSUCKERS IN DEADWOOD,
519
00:34:41,167 --> 00:34:43,400
WHO STRIVE MIGHTILY
AND AT LITTLE MONEY
520
00:34:43,400 --> 00:34:46,033
TO ADD TO MY
EVER-INCREASING FORTUNE,"
521
00:34:46,033 --> 00:34:48,334
SHE'LL BE SAFE FROM THE
WILES OF AL SWEARENGEN.
522
00:34:48,334 --> 00:34:49,767
SHE'S STAYIN'.
523
00:34:53,968 --> 00:34:56,367
THE OATH STANDS
AS A GESTURE TO YOU.
524
00:34:58,133 --> 00:35:00,334
- CAN I TAKE A SHAVE OVER HERE?
- PLEASE.
525
00:35:04,434 --> 00:35:09,000
BARNEY, BE CAREFUL IN THE
AREA OF THE THROAT, HUH?
526
00:35:11,868 --> 00:35:15,033
IF YOU AUTHORIZED AN OFFER
OF 20 ON THE WIDOW'S CLAIM...
527
00:35:16,334 --> 00:35:18,567
YOUR AGENT WAS LOOKING
TO SKIM A LITTLE CREAM.
528
00:35:18,567 --> 00:35:22,167
- HOW HIGH DID E.B. GO?
- $19,500.
529
00:35:24,067 --> 00:35:27,133
I WOULDN'T TRUST A MAN THAT
WOULDN'T TRY TO STEAL A LITTLE.
530
00:35:39,367 --> 00:35:42,234
WHERE'S THAT
FUCKING WHORE?
531
00:35:54,968 --> 00:35:57,467
YOU STAY HERE,
SWEETHEART.
532
00:36:17,434 --> 00:36:20,067
I'M SO VERY SORRY...
533
00:36:20,067 --> 00:36:22,634
FOR ANY PART THAT
I MAY HAVE PLAYED IN THIS.
534
00:36:25,634 --> 00:36:27,400
I DON'T REMEMBER
YOU BEING THE ONE
535
00:36:27,400 --> 00:36:29,234
THAT MADE ME A WHORE,
MRS. GARRET.
536
00:36:32,868 --> 00:36:36,067
I'M GOING TO STAY IN THE
CAMP WITH THE CHILD, TRIXIE.
537
00:36:37,567 --> 00:36:40,734
DR. COCHRAN EXPLAINED
TO ME THE DIFFICULTIES
538
00:36:40,734 --> 00:36:42,901
YOUR EXTRAORDINARY
KINDNESS TOWARD ME
539
00:36:42,901 --> 00:36:45,234
HAS PUT YOU IN, IN
RELATIONSHIP TO MR. SWEARENGEN.
540
00:36:45,234 --> 00:36:46,934
IF YOU WISH TO STAY,
541
00:36:46,934 --> 00:36:50,467
I'D BE SO GRATEFUL
IF YOU'D STAY WITH US.
542
00:36:54,701 --> 00:36:57,467
BUT PERHAPS YOU
WANT TO GO, TRIXIE.
543
00:36:57,467 --> 00:36:59,634
IF YOU DO...
544
00:37:01,300 --> 00:37:03,067
TAKE THIS.
545
00:37:05,467 --> 00:37:08,400
AS YOUR EARNEST CLAIM
ON THE FUTURE.
546
00:37:10,000 --> 00:37:11,934
I'LL SEND YOU MORE.
547
00:37:13,133 --> 00:37:15,400
I APPEAR TO HAVE
STRUCK IT RICH.
548
00:37:15,400 --> 00:37:18,000
I'LL SEND YOU
ALL THAT YOU NEED.
549
00:37:18,000 --> 00:37:19,901
Girl:
TRIXIE?
550
00:37:26,567 --> 00:37:28,000
TRIXIE?
551
00:37:28,000 --> 00:37:30,634
HELLO, SWEETHEART.
552
00:37:30,634 --> 00:37:33,234
( whispers )
DON'T I LOOK TIRED?
553
00:37:33,234 --> 00:37:35,334
SOPHIA.
554
00:37:38,567 --> 00:37:40,667
SOPHIA.
555
00:37:42,200 --> 00:37:44,667
SOPHIA.
556
00:37:46,834 --> 00:37:48,634
YOU'RE SO BEAUTIFUL.
557
00:37:49,868 --> 00:37:52,100
I SHOULD'VE GUESSED IT.
558
00:37:55,834 --> 00:37:57,868
TAKE HER HOME,
MRS. GARRET.
559
00:38:05,534 --> 00:38:07,501
HOW DO YOU TAKE
MY SUGGESTION?
560
00:38:09,067 --> 00:38:11,067
ARE YOU SURE
THAT GOLD'S REAL?
561
00:38:11,067 --> 00:38:13,133
ABSOLUTELY.
562
00:38:14,300 --> 00:38:16,467
UH, LET ME THINK
THINGS THROUGH.
563
00:38:19,000 --> 00:38:20,400
ALL RIGHT.
564
00:38:28,868 --> 00:38:30,634
( door opens, closes )
565
00:38:38,968 --> 00:38:42,133
- WHAT'S YOUR NAME?
- ELIZABETH.
566
00:38:44,934 --> 00:38:48,467
- I'M QUITTIN'.
- ALL RIGHT, FLORA.
567
00:38:48,467 --> 00:38:51,567
I LEFT A PIN UP IN YOUR
ROOM. I WANNA GO LOOK FOR IT.
568
00:38:54,934 --> 00:38:56,100
GO AHEAD AND LOOK.
569
00:39:00,901 --> 00:39:03,334
WHEN DOES THE PART COME
WHEN THAT LITTLE PIECE OF TRIM
570
00:39:03,334 --> 00:39:05,100
FINALLY GETS INTO
HER WORKING CLOTHES
571
00:39:05,100 --> 00:39:07,167
AND STARTS MAKING US
SOME FUCKING MONEY?
572
00:39:07,167 --> 00:39:09,234
SHE'S QUITTING, CY.
573
00:39:10,334 --> 00:39:12,300
SHE'S QUITTING?
574
00:39:12,300 --> 00:39:16,167
AND THAT SEEMS TO BE YOUR ROOM
SHE'S WALKING INTO YET AGAIN.
575
00:39:16,167 --> 00:39:18,200
SHE LOST A PIN...
UP THERE.
576
00:39:19,367 --> 00:39:20,534
A PIN?
577
00:39:47,501 --> 00:39:49,901
CAN YOU TELL THE STONES
FROM THE PASTE?
578
00:39:51,334 --> 00:39:53,501
SHOW ME
WHICH IS WHICH.
579
00:39:54,567 --> 00:39:56,000
I DON'T THINK SO.
580
00:39:57,234 --> 00:39:59,734
- LET ME TAKE IT.
- GET OUTTA HERE, FLORA.
581
00:39:59,734 --> 00:40:03,334
PUT DOWN MY THINGS AND I'LL LET
YOU GET OUT WITHOUT RAISING HELL.
582
00:40:03,334 --> 00:40:05,701
WHY DON'T LET ME
GO WITH YOUR THINGS
583
00:40:05,701 --> 00:40:07,834
AND SHUT YOUR
FUCKING MOUTH?
584
00:40:07,834 --> 00:40:10,968
BECAUSE I REMIND YOU OF WHOEVER
THE FUCK I REMIND YOU OF.
585
00:40:12,334 --> 00:40:13,467
NO.
586
00:40:14,868 --> 00:40:17,067
NOW WHAT ARE YOU GONNA DO,
FLORA, KILL ME?
587
00:40:20,067 --> 00:40:22,901
- MAYBE.
- DO YOU THINK YOU'RE GONNA GET OUT OF HERE ALIVE?
588
00:40:22,901 --> 00:40:24,601
I'LL GIVE IT
A GODDAMN WHIRL.
589
00:40:24,601 --> 00:40:26,701
YOU'RE NOT GONNA
GET OUT ALIVE.
590
00:40:28,667 --> 00:40:30,100
YOU'RE GONNA DIE HERE.
591
00:40:31,501 --> 00:40:33,734
WHO AM I?
592
00:40:35,100 --> 00:40:37,367
YOUR LITTLE BABY?
593
00:40:37,367 --> 00:40:38,667
YOUR LITTLE SISTER?
594
00:40:40,534 --> 00:40:42,033
YOU?
595
00:40:57,767 --> 00:40:59,534
I WOULDN'T MOVE THIS.
596
00:41:09,968 --> 00:41:12,901
- DID YOU FIND YOUR PIN?
- I DID, SIR.
597
00:41:12,901 --> 00:41:14,734
JOANIE TELLS ME
YOU'RE LEAVING US.
598
00:41:14,734 --> 00:41:17,067
CAN'T TAKE IT
ANYMORE, SIR.
599
00:41:17,067 --> 00:41:19,000
DECIDED I WASN'T
CUT OUT FOR IT.
600
00:41:19,000 --> 00:41:20,567
MY BROTHER TOO.
601
00:41:20,567 --> 00:41:22,634
DECIDED HE WASN'T
CUT OUT FOR WHAT?
602
00:41:22,634 --> 00:41:24,334
SWEEPING UP
AT THE GEM SALOON.
603
00:41:25,767 --> 00:41:28,033
( chuckling )
I SEE.
604
00:41:28,033 --> 00:41:31,167
MY FIRST TAKE ON YOUR MEANING
WAS THEY WERE FUCKING YOUR BROTHER
605
00:41:31,167 --> 00:41:33,734
FOR MONEY OVER THERE LIKE
YOU WAS GETTIN' DONE TO HERE.
606
00:41:35,367 --> 00:41:38,901
- STEP ASIDE AND LET ME DO MY BUSINESS.
- ( door closes )
607
00:41:40,100 --> 00:41:42,334
AND WHAT IS YOUR
FUCKING BUSINESS?!
608
00:41:42,334 --> 00:41:44,400
YOU WITH YOUR BEADY
LITTLE FERRET EYES.
609
00:41:44,400 --> 00:41:47,267
SHE CAME TO SAY
GOODBYE, CY. SHE'S MOVING ON.
610
00:41:47,267 --> 00:41:48,801
IT DON'T FEEL
RIGHT TO ME, BABE.
611
00:41:48,801 --> 00:41:50,167
( grunts )
612
00:41:52,467 --> 00:41:54,234
BUT IF I'M MISTAKEN
IN MY JUDGMENT,
613
00:41:54,234 --> 00:41:56,634
MAY I REGRET WHAT I JUST DID
FOR THE REST OF MY LIFE.
614
00:41:56,634 --> 00:41:59,234
- NOW LET HER GO!
- ( grunts )
615
00:41:59,234 --> 00:42:01,968
- ( Flora screaming )
- YOU LITTLE CUNT!
616
00:42:03,467 --> 00:42:05,400
YOU'RE GONNA DIE HERE!
617
00:42:05,400 --> 00:42:07,033
( continues screaming )
618
00:42:07,033 --> 00:42:08,601
COME ON!
619
00:42:11,167 --> 00:42:13,100
GET OUTTA HERE.
GET OUT. GET OUT FRONT.
620
00:42:13,100 --> 00:42:14,934
GET AROUND! THEY'RE GOIN' OVER THE TOP!
621
00:42:18,367 --> 00:42:19,801
COME ON.
622
00:42:19,801 --> 00:42:21,934
DON'T IMPEDE HER
PROGRESS, JOANIE.
623
00:42:23,000 --> 00:42:24,968
DON'T DO NOTHING RASH.
624
00:42:48,801 --> 00:42:51,734
- WHAT ARE YOU DOING?
- THAT'S NONE OF YOUR BUSINESS!
625
00:42:51,734 --> 00:42:55,234
THEM TWO ROBBED MY JOINT. THAT'S
WHERE THEY'RE GONNA BE DEALT WITH.
626
00:42:55,234 --> 00:42:58,467
I GUESS THEY NEEDN'T
GET BEAT ANYMORE OUT HERE.
627
00:42:59,968 --> 00:43:01,901
TAKE 'EM THE FUCK
INSIDE, BOYS.
628
00:43:07,234 --> 00:43:09,534
AND YOU CAN HELP YOUR
DELICATE SENSIBILITIES
629
00:43:09,534 --> 00:43:11,000
BY TURNING
THE FUCK AWAY.
630
00:43:36,434 --> 00:43:39,167
CY WANTS YOU
UP THERE, HONEY.
631
00:43:55,734 --> 00:43:58,801
Al: I TELL YOU, YOUR FACE COME
OUT OF THAT IN PRETTY GOOD SHAPE.
632
00:43:58,801 --> 00:44:02,601
- MATTERS TOOK A HAPPY TURN, YOU COULD STILL PROBABLY WORK.
- ( door opens )
633
00:44:03,667 --> 00:44:05,234
COME ON IN, HONEY,
634
00:44:05,234 --> 00:44:08,267
OVER HERE ON WHAT THE DAGOS
CALL MY SINISTER SIDE,
635
00:44:09,434 --> 00:44:11,634
ALTHOUGH YOUR BEADY
LITTLE RAT EYES
636
00:44:11,634 --> 00:44:13,667
DON'T SEEM LIKE
THEY'RE TAKING IN THE VIEW.
637
00:44:13,667 --> 00:44:15,467
YOU BUST SOMETHING UP
THERE, SWEETHEART?!
638
00:44:15,467 --> 00:44:16,934
DOES THAT FUCKIN'
HURT YOU?!
639
00:44:16,934 --> 00:44:18,367
YOU FUCKIN'
UNDERSTAND ME?!
640
00:44:19,667 --> 00:44:22,667
SEE, THAT UPSETS
JOANIE NOW.
641
00:44:22,667 --> 00:44:24,400
"OH, CY,
DO UP THE BOY.
642
00:44:24,400 --> 00:44:26,801
MY GOD, I CAN'T STAND
TO SEE THE OTHER."
643
00:44:26,801 --> 00:44:28,601
YOU WANT ME TO SEE
TO THE BOY, JOANIE?
644
00:44:28,601 --> 00:44:30,734
'CAUSE YOU KNOW
I'M CLAY IN YOUR HANDS.
645
00:44:30,734 --> 00:44:32,300
- CY.
- WHAT IS IT, EDDIE?
646
00:44:32,300 --> 00:44:33,901
WE COULD ALL
BE ELSEWHERE?
647
00:44:33,901 --> 00:44:35,834
NOTHING BUT TRUE.
648
00:44:35,834 --> 00:44:37,467
ARE YOU AWAKE, MILES?
649
00:44:37,467 --> 00:44:40,334
DON'T BE FUCKING
PASSING OUT, YOUNGSTER.
650
00:44:40,334 --> 00:44:42,634
NEXT BREATH YOU DRAW,
THE SMELL OF SULFUR'S
651
00:44:42,634 --> 00:44:44,901
LIABLE TO BE STRONG
IN YOUR NOSE.
652
00:44:44,901 --> 00:44:47,634
WHERE IS YOUR
FUCKING NOSE, ANYWAY?
653
00:44:47,634 --> 00:44:49,400
FUCK IT, MILES!
654
00:44:49,400 --> 00:44:51,801
YOU'RE FOUND FUCKIN'
GUILTY OF BEING A CUNT.
655
00:44:51,801 --> 00:44:53,701
I'M HEREBY
PASSING JUDGMENT
656
00:44:53,701 --> 00:44:57,000
FOR YOUR LETTIN' THIS BITCH PUSH
YOU AROUND AND TELLING YOU WHAT TO DO
657
00:44:57,000 --> 00:44:59,567
WHEN YOU WERE SUPPOSED TO BE
A MAN AND SHOWING HER RULES!
658
00:45:00,934 --> 00:45:02,734
YOU HEAR ME, MILES?
659
00:45:02,734 --> 00:45:04,367
AND FOR BEING THE CUNT
YOU ARE NOW,
660
00:45:04,367 --> 00:45:06,300
BEFORE YOU COULD
HAVE BEEN A MAN,
661
00:45:06,300 --> 00:45:08,968
DONE YOUR FUCKING PART,
YOU LITTLE PIECE OF SHIT.
662
00:45:11,133 --> 00:45:12,868
I KNOW YOU DON'T WANT
OUT OF HERE, JOANIE.
663
00:45:12,868 --> 00:45:15,934
- DON'T HURT HER, CY.
- DON'T HURT HER?
664
00:45:15,934 --> 00:45:18,200
YOU MEAN
BEFORE I KILL HER?
665
00:45:18,200 --> 00:45:20,234
YES.
666
00:45:20,234 --> 00:45:23,467
LISTEN TO THAT, FLORA.
THAT'S THE PERSON YOU ROBBED,
667
00:45:23,467 --> 00:45:27,133
WHO HAD THOSE KIND OF
FEELINGS FOR YOU.
668
00:45:29,200 --> 00:45:31,968
BUT I'M THE ONE
YOU STABBED.
669
00:45:31,968 --> 00:45:33,767
SEE?
670
00:45:33,767 --> 00:45:36,267
I THINK YOUR FUCKIN'
SKULL'S BROKEN, FLORA.
671
00:45:36,267 --> 00:45:39,434
YOU'RE TRYING FOR THE KNIFE.
IT'S MAYBE A FOOT TO YOUR LEFT.
672
00:45:42,701 --> 00:45:44,267
THIS IS
FUCKING PITIFUL.
673
00:45:47,667 --> 00:45:51,133
WHY DON'T YOU PUT THAT
OUT OF ITS MISERY?
674
00:45:55,234 --> 00:45:57,334
( moaning )
675
00:46:03,934 --> 00:46:05,033
- ( gunshot )
- ( grunts )
676
00:46:09,234 --> 00:46:12,567
DON'T DO NOTHIN'.
677
00:46:12,567 --> 00:46:15,868
WHATEVER YOU WANT TO DO
WILL BE A MISTAKE.
678
00:46:15,868 --> 00:46:19,467
YOU KEEP DRAWING BREATH
RIGHT HERE.
679
00:46:24,200 --> 00:46:26,868
( piano playing )
680
00:46:39,767 --> 00:46:41,934
YOU DID EVERYTHING
YOU COULD, E.B.,
681
00:46:41,934 --> 00:46:44,434
TO PRESERVE OUR
FUCKING INTERESTS.
682
00:46:44,434 --> 00:46:46,868
I MEAN, YOU KNOW,
SOMETIMES THE CARDS GO COLD.
683
00:46:46,868 --> 00:46:50,100
FAR AS THE EVENTS
AT THE BELLA UNION,
684
00:46:50,100 --> 00:46:52,634
BY ALL ACCOUNTS,
IT WAS TWO YOUNG THIEVES,
685
00:46:52,634 --> 00:46:54,367
A BOY AND A GIRL.
686
00:46:54,367 --> 00:46:56,067
WE ALL KNOW
WHO THEY ARE.
687
00:46:56,067 --> 00:46:59,567
WHO THEY ARE NOW IS LATE
NIGHT VITTLES FOR WU'S PIGS.
688
00:46:59,567 --> 00:47:01,767
THAT YOUNG GIRL
HAD ME FOOLED.
689
00:47:01,767 --> 00:47:03,601
YOUR DICK
HAD YOU FOOLED.
690
00:47:03,601 --> 00:47:05,701
AND IN THAT STATE
OF ADDLEMENT,
691
00:47:05,701 --> 00:47:08,167
YOU MISTOOK HER PURPOSE,
HER SO-CALLED BROTHER'S
692
00:47:08,167 --> 00:47:10,934
AND THEIR ENTIRE
FUCKING COCKEYED STORY.
693
00:47:12,467 --> 00:47:14,767
YOU DID DO EVERYTHING
YOU COULD, DIDN'T YOU, E.B.?
694
00:47:14,767 --> 00:47:16,501
YOU WENT TO THE LIMIT
ON OUR OFFER.
695
00:47:16,501 --> 00:47:18,734
- EVERYTHING HUMANLY POSSIBLE.
- YOU DID GO TO THE LIMIT?
696
00:47:18,734 --> 00:47:21,334
WELL, I WENT
TO THE LIMIT'S PRECIPICE.
697
00:47:21,334 --> 00:47:23,868
SOUNDS LIKE YOU DIDN'T
GO TO THE LIMIT.
698
00:47:23,868 --> 00:47:26,767
AL, I HELD BACK
A FEW DOLLARS,
699
00:47:26,767 --> 00:47:28,901
AGAINST SOME
FINAL UNFORESEEN TURN.
700
00:47:28,901 --> 00:47:30,834
SO WE'LL NEVER
KNOW IF THEM FEW DOLLARS
701
00:47:30,834 --> 00:47:34,701
YOU HELD BACK WOULDN'T HAVE
MADE US BOTH FUCKING RICH.
702
00:47:40,701 --> 00:47:41,868
I'M GOING UP.
703
00:47:43,534 --> 00:47:46,234
FIND OUT HOW MUCH
TOLLIVER PAID WU.
704
00:47:48,067 --> 00:47:51,200
DON'T WANT TO BE SUCKIN'
HIND TIT ON DISPOSAL FEES.
705
00:48:11,267 --> 00:48:14,267
DON'T THINK I ENJOYED
THAT BULLSHIT, JOANIE.
706
00:48:15,701 --> 00:48:17,734
CERTAIN THINGS YOU...
707
00:48:17,734 --> 00:48:19,634
HAVE TO DO TO IMPRESS
UPON PEOPLE
708
00:48:19,634 --> 00:48:21,801
WHAT YOU'RE WILLING TO
DO. DO YOU LIKE IT? NO.
709
00:48:21,801 --> 00:48:23,968
DO YOU ENJOY IT? NO.
710
00:48:23,968 --> 00:48:27,801
DO YOU HAVE TO
LOOK LIKE YOU DO? YES.
711
00:48:29,234 --> 00:48:31,834
I GOT EDDIE IN THERE.
712
00:48:31,834 --> 00:48:33,467
GOTTA LET HIM KNOW.
713
00:48:33,467 --> 00:48:36,534
CAPRA'S DOWNSTAIRS,
GONNA HEAR ABOUT IT.
714
00:48:37,934 --> 00:48:40,734
WHEN PEOPLE COME TO ROB YOU,
JOANIE, YOU GOTTA GET ROUGH.
715
00:48:40,734 --> 00:48:42,767
IF IT LOOKS LIKE AN ACT,
IT'S NOT GONNA WORK.
716
00:48:46,367 --> 00:48:50,534
AND THEN
I GRAB YOUR HAND...
717
00:48:51,868 --> 00:48:54,234
AND I THINK, "MY GOD,
THIS POOR FUCKING GIRL."
718
00:48:56,968 --> 00:48:59,367
BUT I DID WHAT I HAD
TO DO IN THAT ROOM.
719
00:49:01,601 --> 00:49:03,100
AND NOW I'M OUT HERE.
720
00:49:04,567 --> 00:49:06,000
I'M TELLING YOU,
721
00:49:06,000 --> 00:49:08,501
YOUR HAPPINESS
IS IMPORTANT TO ME,
722
00:49:08,501 --> 00:49:10,467
AND WHATEVER
THE FUCK I GOTTA DO,
723
00:49:10,467 --> 00:49:12,000
IF YOU'RE TOO MUCH
IN MY SHADOW,
724
00:49:12,000 --> 00:49:14,634
IF I MAKE THINGS TOO TOUGH
ON YOU, THEN WE'LL STOP IT.
725
00:49:14,634 --> 00:49:18,200
- WE'RE GONNA DO SOMETHING ELSE.
- CY.
726
00:49:18,200 --> 00:49:21,701
YOU BRING WARMTH
INTO MY LIFE.
727
00:49:23,167 --> 00:49:27,234
I CAN'T BEAR TO SEE YOU
UNHAPPY LIKE THIS.
728
00:49:29,934 --> 00:49:31,534
I WANT...
729
00:49:32,801 --> 00:49:34,734
TO SET YOU UP
IN YOUR OWN BUSINESS HERE.
730
00:49:36,400 --> 00:49:39,501
INDEPENDENT FUCKING OPERATOR.
I'LL PUT UP THE MONEY.
731
00:49:39,501 --> 00:49:41,701
ANY KIND OF INTEREST
IN RETURN, THAT'S FINE,
732
00:49:41,701 --> 00:49:45,100
BUT THAT AIN'T WHAT THIS IS
ABOUT. IT'LL BE YOUR PLACE.
733
00:49:45,100 --> 00:49:47,334
I WANT YOU TO FEEL
WHEN I WALK IN THERE
734
00:49:47,334 --> 00:49:49,801
THAT YOU CAN SAY, "I'M
BUSY, CY. COME BACK LATER."
735
00:49:49,801 --> 00:49:52,267
I WANT YOU TO WATCH ME
TURN AROUND WHEN YOU SAY THAT
736
00:49:52,267 --> 00:49:55,000
LIKE I'M SOME RUBE TRICK
WITH MY CHIN DOWN ON THE FLOOR,
737
00:49:55,000 --> 00:49:57,033
"WHEN SHOULD I TRY
YOU AGAIN, JOANIE?"
738
00:49:57,033 --> 00:49:58,667
"I'LL LET YOU KNOW, CY."
739
00:49:58,667 --> 00:50:01,000
THAT'S HOW I WANT
YOU TO FEEL.
740
00:50:01,000 --> 00:50:03,868
I USED TO MAKE YOU WARM,
DIDN'T I, CY?
741
00:50:03,868 --> 00:50:07,400
AND I COULD MAKE YOU FEEL
LIKE SOMETHING'S FUNNY.
742
00:50:07,400 --> 00:50:09,400
YOU STILL DO, HONEY.
743
00:50:09,400 --> 00:50:12,434
WHEN YOU'RE HAPPY,
YOU STILL DO.
744
00:50:14,567 --> 00:50:16,868
KILL ME TOO, CY,
745
00:50:16,868 --> 00:50:18,767
OR LET ME GO.
746
00:50:21,667 --> 00:50:24,200
I UNDERSTOOD MYSELF
TO BE SAYIN', JOANIE,
747
00:50:24,200 --> 00:50:26,334
I WANT TO FIND A WAY TO
GIVE YOU A LOOSER REIN.
748
00:50:26,334 --> 00:50:29,200
YOU'VE GOTTA FIGURE OUT
A WAY TO MEAN IT.
749
00:50:29,200 --> 00:50:31,033
IF YOU DON'T KILL ME
OR LET ME GO,
750
00:50:31,033 --> 00:50:32,767
I'M GONNA KILL YOU.
751
00:51:50,801 --> 00:51:54,501
HAS HE GOT YOU AT YOUR HANDS AND
KNEES AT 2:00 IN THE FUCKING MORNING?
752
00:51:54,501 --> 00:51:57,234
I GOT MYSELF AT
MY HANDS AND KNEES,
753
00:51:57,234 --> 00:51:59,567
WONDERING WHAT
BECAME OF YOU.
754
00:52:12,634 --> 00:52:14,367
WAKE UP, DAVID.
755
00:52:16,200 --> 00:52:17,734
I'M UP.
756
00:52:36,634 --> 00:52:40,434
* ROW, ROW, ROW,
ROW YOUR BOAT *
757
00:52:40,434 --> 00:52:44,000
* GENTLY DOWN
THE STREAM *
758
00:52:44,000 --> 00:52:47,367
* MERRILY, MERRILY,
MERRILY, MERRILY *
759
00:52:47,367 --> 00:52:49,167
* LIFE IS
BUT A DREAM *
760
00:52:51,667 --> 00:52:53,501
( door opening )
761
00:54:16,234 --> 00:54:18,200
( country ballad playing )
762
00:54:18,200 --> 00:54:26,033
* I WAS A-STANDIN'
BY MY WINDOW *
763
00:54:26,033 --> 00:54:32,133
* OH ONE COLD
AND CLOUDY DAY *
764
00:54:33,634 --> 00:54:41,000
* WHEN I SAW THAT
HEARSE COME ROLLIN' *
765
00:54:41,000 --> 00:54:47,300
* FOR TO CARRY
MY MOTHER AWAY *
766
00:54:48,567 --> 00:54:55,934
* WILL A CIRCLE
BE UNBROKEN? *
767
00:54:55,934 --> 00:55:02,934
* BY AND BY, LORD,
BY AND BY *
768
00:55:02,934 --> 00:55:10,767
* THERE'S BETTER
HOME AWAY *
769
00:55:10,767 --> 00:55:19,467
* IN THE SKY, LORD,
IN THE SKY. *
54836
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