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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,533 --> 00:00:09,300 [ Animal Panting ] 2 00:00:12,833 --> 00:00:15,633 [ Man ] YEAH, THIS IS A STORY OF FAMOUS DOGS. 3 00:00:15,667 --> 00:00:20,333 FOR THE DOG THAT CHASES ITS TAIL WILL BE DIZZY. 4 00:00:20,367 --> 00:00:22,433 DOG! 5 00:01:18,400 --> 00:01:20,367 HI, MARCUS. HEY, YOU. 6 00:01:20,400 --> 00:01:23,467 YO, I LEFT SOMETHING ON YOUR DESK FOR YOU. OH, I GOT IT. 7 00:01:23,500 --> 00:01:26,033 YO, MAN! YO, MARCUS, MAN, WHEN ARE WE GONNA HANG OUT? 8 00:01:26,067 --> 00:01:29,100 WE GONNA HANG OUT SOON. SLOW DOWN WITH THAT THING, BONY. 9 00:01:29,133 --> 00:01:32,267 GOOD MORNING, LADIES. [ Both ] HI, MARCUS. 10 00:01:33,267 --> 00:01:35,267 SO I'M THERE, RIGHT? I'M LIKE THIS. 11 00:01:35,300 --> 00:01:37,733 YO, I'M TRYIN' TO WORK. * [ Humming ] 12 00:01:37,767 --> 00:01:40,200 HEY, WHAT'S UP? YO, WHAT'S UP? 13 00:01:40,233 --> 00:01:42,633 I'LL SEE Y'ALL AT LUNCH. PEACE. OKAY. 14 00:01:42,667 --> 00:01:44,500 GOOD MORNING. 15 00:01:44,533 --> 00:01:46,600 HEY, STRANGER. NICE TO SEE YOU HERE. 16 00:01:46,633 --> 00:01:49,167 GOOD MORNING. GOOD MORNING, CUTENESS. 17 00:01:49,200 --> 00:01:51,100 HI, MARCUS. HEY, HEY, HEY, HOW'RE YOU DOIN'? 18 00:01:51,133 --> 00:01:54,333 WHAT'S UP? HEY, MORNIN'. MORNIN'. GOOD MORNIN'. GOOD MORNING. 19 00:01:54,367 --> 00:01:57,700 GOOD MORNING. MORNING. 20 00:02:04,833 --> 00:02:07,467 HEY, YOU. HELLO. 21 00:02:09,133 --> 00:02:11,600 GOOD MORNING, NOREEN. GOOD MORNING, MARCUS. 22 00:02:11,633 --> 00:02:16,033 HEY, DO ME A FAVOR AND SEND A SINGLE LONG-STEMMED ROSE TO CARRIE, TRACY, 23 00:02:16,067 --> 00:02:21,233 MIRANDA, CASSANDRA, ALEGRA, SHIRREL AND MAI-LAI. WITH THE USUAL CARD? 24 00:02:21,267 --> 00:02:23,733 YEAH. "THINKING ONLY OF YOU." RIGHT. 25 00:02:23,767 --> 00:02:27,200 OH, YOU HAVE A MEETING WITH LADY ELOISE TOMORROW AT 9:00. 26 00:02:27,233 --> 00:02:29,633 COOL. NELSON'S WAITING FOR YOU. 27 00:02:29,667 --> 00:02:31,533 UH-HUH. AND ANITA CALLED. 28 00:02:31,567 --> 00:02:35,100 I KNEW I FORGOT SOMETHING. WILL YOU GET HER ON THE PHONE? SURE. 29 00:02:35,133 --> 00:02:37,467 NELSON. HELLO, MARCUS. 30 00:02:37,500 --> 00:02:41,367 I CAN'T WAIT TO SHOW YOU THIS. I'VE RECUT THE KISSABLE SPOT. 31 00:02:41,400 --> 00:02:45,433 OH, YOU RECUT IT. BUT IS IT SEXY? 32 00:02:45,467 --> 00:02:50,167 IS IT SEXY? HA-HA-HA! IT IS SEX-SATIONAL. 33 00:02:53,300 --> 00:02:55,200 [ Nelson Chuckles ] 34 00:02:55,233 --> 00:02:59,233 * KISS, KISS, KISS KISS ME ONCE, KISS ME TWICE * 35 00:02:59,267 --> 00:03:02,267 * OH, YEAH, OOH-LA-LA * KISS ME 36 00:03:02,300 --> 00:03:05,733 - [ Chuckling ] - * OH, SO NICE, BABY 37 00:03:05,767 --> 00:03:10,100 - OOOH! - * OH, YEAH, YEAH, YEAH KISS ME, KISSABLE * 38 00:03:10,133 --> 00:03:12,767 * YEAH, YEAH, YEAH KISS, KISS, KISS * 39 00:03:12,800 --> 00:03:16,500 * KISS ME ONCE, KISS ME TWICE OH, YEAH, OOH-LA-LA * 40 00:03:16,533 --> 00:03:21,200 * C'EST SI BON, SO NICE BABY, KISS, KISS, KISS * 41 00:03:21,233 --> 00:03:23,200 * KISS ME KISS, KISS, KISS * 42 00:03:23,233 --> 00:03:25,767 * KISS ME, KISS, KISS, KISS KISS ME * 43 00:03:25,800 --> 00:03:30,200 * KISS, KISS, KISS KISS ME * 44 00:03:33,267 --> 00:03:35,767 [ Chuckles ] 45 00:03:35,800 --> 00:03:37,667 - I LIKE IT. - GOOD. 46 00:03:37,700 --> 00:03:40,367 I LIKE THE ORANGE, AND I LIKE THE ICE CREAM. GOOD. ALL RIGHT. 47 00:03:40,400 --> 00:03:43,067 YOU GOTTA GET RID OF THE CHERRIES AND LOSE THE BANANA. 48 00:03:43,100 --> 00:03:47,733 CHERRY AND BANANA? BUT THAT'S A LITTLE BUÑUEL, A LITTLE DALI, A LITTLE... YOU KNOW. 49 00:03:47,767 --> 00:03:51,367 NO, THAT'S A LITTLE TOO OVERT, YOU KNOW? WE SHOULD GO A LITTLE MORE SUBTLE. 50 00:03:51,400 --> 00:03:53,667 I THINK SOME WOMEN MIGHT GET OFFENDED. ALL RIGHT. 51 00:03:53,700 --> 00:03:57,500 BUT I DUG IT. I DUG IT. DON'T MAKE THAT "HE DIDN'T DIG IT" FACE. 52 00:03:57,533 --> 00:04:01,533 I DUG IT. JUST GOT A LITTLE NASTY, LIKE YOU ALWAYS DO. [ Laughs ] 53 00:04:01,567 --> 00:04:03,700 ALL RIGHT. OKAY. [ Chuckles ] 54 00:04:03,733 --> 00:04:06,533 ALL RIGHT. THE NASTY NELSON. THAT'S ME. 55 00:04:06,567 --> 00:04:09,800 AT LEAST THERE WASN'T NO SAUSAGES IN THIS ONE. [ Laughing ] 56 00:04:09,833 --> 00:04:11,667 [ Intercom Beeps ] YEAH? 57 00:04:11,700 --> 00:04:15,300 [ Secretary ] ANITA ON LINE ONE. GREAT. 58 00:04:18,200 --> 00:04:20,767 HEY, YOU. NOW, DON'T BE MAD... 59 00:04:20,800 --> 00:04:24,267 CAN I EXPLAIN TO YOU WHAT HAPPENED? HAVE YOU BEEN WATCHING THE NEWS? 60 00:04:24,300 --> 00:04:26,267 OH, THEN YOU HAVEN'T BEEN WATCHING THE NEWS. 61 00:04:26,300 --> 00:04:29,667 THE BIG ACCIDENT IN MIDTOWN, WHERE THE CABS BUSTED INTO THE OTHER CAB... 62 00:04:29,700 --> 00:04:32,533 AND KNOCKED IT INTO THE BUS AND THE WATER MAIN BUSTED. 63 00:04:32,567 --> 00:04:35,200 I WAS IN THAT. YOU HAVEN'T SEEN? IT'S ON THE NEWS RIGHT NOW. 64 00:04:35,233 --> 00:04:38,400 OH, JUST WENT OFF. CHANNEL FOUR, JUST WENT OFF. YEAH, BUT I WAS... 65 00:04:38,433 --> 00:04:40,500 NO, I'M COOL. I'M ALL RIGHT, YEAH. 66 00:04:40,533 --> 00:04:43,333 MY NECK'S A LITTLE STIFF, THAT'S ALL. 67 00:04:43,367 --> 00:04:48,333 [ Laughs ] NO, ACTUALLY, A MASSAGE SOUNDS KIND OF FLY. 68 00:04:48,367 --> 00:04:52,300 YEAH, I'M ALL WITH THAT. OH, THAT TOO. 69 00:04:52,333 --> 00:04:57,433 CAN I CALL YOU NEXT WEEK? COOL. LATER. 70 00:04:59,133 --> 00:05:01,333 [ Sighs ] 71 00:05:01,367 --> 00:05:03,233 [ Intercom Beeps ] 72 00:05:03,267 --> 00:05:07,200 WHAT'S NEXT? CASTING FOR THE BODY LOTION SPOT. 73 00:05:19,533 --> 00:05:25,033 UH, TELL THE FELLAS I MIGHT BE A LITTLE LATE FOR LUNCH TODAY. 74 00:05:25,067 --> 00:05:29,333 YO, MAN, I SAW SOMETHIN' ON CABLE LAST NIGHT. FREAKED ME. 75 00:05:29,367 --> 00:05:32,667 THERE WAS THIS WOMAN, RIGHT? BABY HAD BO-DY. 76 00:05:32,700 --> 00:05:35,400 SHE WAS LYIN' THERE, TOTALLY NAKED, RIGHT? 77 00:05:35,433 --> 00:05:39,100 YOU COULD SEE EVERYTHING. BUT SHE HAD A DICK, MAN. 78 00:05:39,133 --> 00:05:42,167 FUCKED ME UP! 79 00:05:42,200 --> 00:05:45,533 IT WAS A-A 976 NUMBER FOR HERMAPHRODITES... 80 00:05:45,567 --> 00:05:48,700 YOU TALKIN' ABOUT 976-DICK, "CHICKS WITH DICKS"? 81 00:05:48,733 --> 00:05:51,133 - EWWW! - [ Scoffs ] 82 00:05:51,167 --> 00:05:55,400 HOW COULD YOU PUT SOMETHING LIKE THAT IN YOUR MENTAL ROLODEX? HE'S A CLOSET FREAK. 83 00:05:55,433 --> 00:05:57,533 - YOU GOT PROBLEMS, MAN. - YOU'RE COMIN' OUT! 84 00:05:57,567 --> 00:06:00,533 - YEAH. - NO, MAN, I WAS JUST, YOU KNOW, KIDDING. 85 00:06:00,567 --> 00:06:03,067 OH, MAN. YO, THAT AIN'T REGULAR, MAN. 86 00:06:03,100 --> 00:06:06,467 SEE, SOMETIME I FEEL LIKE THERE'S A WHOLE WORLD OUT THERE WE DON'T KNOW ABOUT. 87 00:06:06,500 --> 00:06:10,067 LIKE THE SHIT YOU READ ABOUT IN PENTHOUSE. THAT NEVER HAPPENS TO ME. 88 00:06:10,100 --> 00:06:13,667 MAN, STUFF LIKE THAT NEVER HAPPENS TO ANYBODY, EXCEPT FOR MARCUS. 89 00:06:13,700 --> 00:06:18,133 HEY, THE ONLY REASON STUFF LIKE THAT HAPPENS TO ME IS I PAY ATTENTION TO WOMEN. 90 00:06:18,167 --> 00:06:20,733 - Y'ALL DON'T PAY ATTENTION TO WOMEN. - WHOA, I PAY ATTENTION. 91 00:06:20,767 --> 00:06:24,600 YOU HAVE TO WATCH THEM AND STUDY THEIR MOVES. GET OUTTA HERE, MARCUS. 92 00:06:24,633 --> 00:06:27,500 - YO, I CAN'T DO THAT, MAN. - THAT'S WHY YOU DON'T GET NO PUSSY. 93 00:06:27,533 --> 00:06:32,333 - EXACTLY. - HEY, TYLER, THERE'S OTHER THINGS IN LIFE BESIDES SEX. 94 00:06:32,367 --> 00:06:34,667 COME ON. HOW ABOUT SHARING, COMMITMENT? 95 00:06:34,700 --> 00:06:37,200 YOU GOT TO GET IN TOUCH WITH YOUR FEMININE SIDE, LIKE ME. 96 00:06:37,233 --> 00:06:40,567 STARTIN' TO SOUND A LITTLE ON THE SOFT SIDE. STARTIN' TO SOUND SOFT. 97 00:06:40,600 --> 00:06:44,067 - BORDERLINE BITCH. - YOU KNOW WHAT YOUR PROBLEM IS? 98 00:06:44,100 --> 00:06:47,633 YOU NEED MORE ROMANCE AND LESS DOBERMAN PINSCHER. THAT'S WHAT YOU NEED. 99 00:06:47,667 --> 00:06:51,033 THAT'S TRUE. THAT IS TRUE. YOU HAVE TOO MUCH DOG AND NO ROMANCE IN YOUR LIFE. 100 00:06:51,067 --> 00:06:54,333 WHOA, MARCUS, DON'T EVEN TRY THAT, ALL RIGHT? YOU AIN'T GOT NO ROMANCE. 101 00:06:54,367 --> 00:06:59,400 UH-UH-UH, EXCUSE ME. EXCUSE ME. I AM THE MOST ROMANTIC CAT BOTH OF YOU KNOW. 102 00:06:59,433 --> 00:07:01,600 - [ Groaning ] - UH-UH-UH! 103 00:07:01,633 --> 00:07:05,533 WHEN I MEET A WOMAN, I AM FLOWERS, I AM CANDY, I AM SOFT MUSIC. 104 00:07:05,567 --> 00:07:09,733 - AND MR. MILK BONE. - NO, I AM MR. ROMANCE WHEN I MEET A WOMAN. 105 00:07:09,767 --> 00:07:13,267 AND THEN ONCE I HIT IT, I LOSE INTEREST. BUT THAT AIN'T MY FAULT. 106 00:07:13,300 --> 00:07:16,533 OH, SO, IN OTHER WORDS, RIGHT AT THAT MOMENT OF ORGASM, 107 00:07:16,567 --> 00:07:19,500 JUST ALL THE ROMANCE JUST SKEETS RIGHT OUT OF YOU. 108 00:07:19,533 --> 00:07:22,567 BUT YOU CAN'T PUT THAT ON ME. THE ONUS IS NOT ON ME. HI. 109 00:07:22,600 --> 00:07:25,100 - HEY, HI. HOW ARE YOU? - GOOD. THANK YOU. 110 00:07:25,133 --> 00:07:27,367 - WHERE ARE YOU FROM? - I'M FROM HOLLAND. 111 00:07:27,400 --> 00:07:29,433 NICE MEETING YOU. NICE MEETING YOU TOO. 112 00:07:29,467 --> 00:07:32,133 - BYE. - BYE-BYE, CUTENESS. 113 00:07:32,167 --> 00:07:34,133 I'M, I'M FROM DETROIT. 114 00:07:34,167 --> 00:07:38,533 THAT SHIT MADE ME MAD, MAN. BITCHES NEVER DO THAT TO ME, MAN. 115 00:07:38,567 --> 00:07:41,267 WELL, MAYBE IT'S BECAUSE YOU CALL THEM BITCHES ALL THE TIME. 116 00:07:41,300 --> 00:07:45,400 YEAH, MAN. YOU NEED TO STRAIGHTEN UP, SHOW SOME RESPECT. COME ON! 117 00:07:45,433 --> 00:07:48,700 YO, MAN. EXCUSE ME. EXCUSE ME, WAITRESS? 118 00:07:48,733 --> 00:07:52,467 YEAH? LOOK, UM, I ORDERED THE DUCK, RIGHT? 119 00:07:52,500 --> 00:07:55,267 YEAH. WHAT VEGETABLE COMES WITH THAT? 120 00:07:55,300 --> 00:07:58,433 OOH, THAT'S A GOOD ONE. IT'S SAUTEED ASPARAGUS SPEARS. 121 00:07:58,467 --> 00:08:00,667 AND IT IS GOOD. IT'S OUR SPECIAL. 122 00:08:00,700 --> 00:08:03,367 OH, YES. DELICIOUS. 123 00:08:03,400 --> 00:08:05,633 THAT SOUNDS GOOD. OH, GOD. YOU'LL LOVE 'EM. 124 00:08:05,667 --> 00:08:08,533 BYE-BYE. THAT SOUNDS GOOD. THANK YOU. 125 00:08:08,567 --> 00:08:11,300 "THAT SOUNDS GOOD." COME ON! WHAT? 126 00:08:11,333 --> 00:08:14,300 WHY DON'T SHE JUST COME OUT AND CALL US JUNGLE BUNNIES, MAN? 127 00:08:14,333 --> 00:08:17,100 - WHAT? WHAT? - ASPARAGUS SPEARS! 128 00:08:17,133 --> 00:08:20,700 IF WE WERE WHITE, IT WOULD HAVE BEEN "ASPARAGUS TIPS." RACIAL, MAN. RACIAL! 129 00:08:20,733 --> 00:08:24,267 - OH, MAN, YOU'RE TRIPPIN' NOW. - NO, YOU'RE TRIPPIN'. 130 00:08:24,300 --> 00:08:27,100 DEFINITELY. NO, YOU DEFINITELY... 131 00:08:27,133 --> 00:08:29,633 * BOW-WOW-WOW, YIPPEE-YO YIPPEE-YEA, BOW-WOW YIPPEE-YO, YIPPEE-YEA * 132 00:08:29,667 --> 00:08:33,067 [ Friend ] YOU HAVE GOT TO PROCESS SOME OF THIS ANGER, MAN. 133 00:08:33,100 --> 00:08:36,033 [ Dog Barks ] 134 00:08:36,067 --> 00:08:38,433 YO, UH, Y'ALL EXCUSE ME FOR A MINUTE. 135 00:08:38,467 --> 00:08:41,800 YOU NEED TO GET IN TOUCH WITH TYLER, MAN. SAY, "TYLER, I LOVE YOU." 136 00:08:41,833 --> 00:08:43,800 WHAT? NIGGA, PLEASE! 137 00:08:43,833 --> 00:08:46,467 GO TAKE A WALK. [ Dog Barks ] 138 00:08:46,500 --> 00:08:49,167 OHH. I'LL GIVE YOU $20 FOR THAT LEASH. 139 00:08:49,200 --> 00:08:52,467 TAKE IT, FOOL. TURN DOWN THAT GOOD MONEY. 140 00:08:52,500 --> 00:08:56,033 * [ Indistinct Singing ] 141 00:08:56,067 --> 00:08:59,200 YES, BABY! 142 00:08:59,233 --> 00:09:03,767 [ Marcus ] KIRBY! KIRBY! 143 00:09:03,800 --> 00:09:06,033 COME ON, KIRB... 144 00:09:06,067 --> 00:09:08,567 [ Whistles ] KIRBY! 145 00:09:08,600 --> 00:09:10,800 DID YOU LOSE YOUR DOG? 146 00:09:10,833 --> 00:09:13,667 OH, YEAH. I LOST A WHITE SPRINGER SPANIEL WITH BROWN SPOTS ON HIM, NAMED KIRBY. 147 00:09:13,700 --> 00:09:17,300 REAL ENERGETIC, HAPPY DOG. DID YOU SEE HIM? OH, I HAVEN'T SEEN HIM. 148 00:09:17,333 --> 00:09:21,500 I ONLY TOOK HIM OFF THE LEASH FOR A COUPLE OF SECONDS. I CAN'T BELIEVE THIS HAPPENED. 149 00:09:21,533 --> 00:09:24,333 KIRBY! HE'S LIKE A FAMILY MEMBER YOU KNOW? OH. 150 00:09:24,367 --> 00:09:27,333 OH, I KNOW. I FEEL THE SAME WAY ABOUT BRUTUS. 151 00:09:27,367 --> 00:09:29,533 I LOVE MY BRUTUS. I CAN SEE WHY. 152 00:09:29,567 --> 00:09:32,167 DO YOU WALK HIM HERE EVERY DAY? YEAH, I DO. 153 00:09:32,200 --> 00:09:35,067 COULD YOU DO ME A FAVOR? MY NAME IS MARCUS GRAHAM. HERE'S MY CARD. 154 00:09:35,100 --> 00:09:39,033 IF YOU BUMP INTO KIRBY, COULD YOU CALL US? AND I'LL HAVE SOMEBODY COME PICK HIM UP. 155 00:09:39,067 --> 00:09:43,567 OKAY. WELL, GOOD LUCK. I SURE HOPE YOU FIND HIM. THANKS. 156 00:09:43,600 --> 00:09:47,033 KIRB! KIRBY! 157 00:09:47,067 --> 00:09:48,733 WAIT. LET ME GIVE YOU MY NUMBER. 158 00:09:48,767 --> 00:09:52,133 'CAUSE I'M NOT GONNA BE ABLE TO SLEEP UNTIL I KNOW YOU'VE FOUND HIM. 159 00:09:52,167 --> 00:09:55,133 DO YOU HAVE A PEN? DO I? [ Chuckles ] 160 00:09:55,167 --> 00:09:58,400 I HAVE A PEN RIGHT HERE. 161 00:09:59,767 --> 00:10:01,800 OH, THANK YOU. THANK YOU. 162 00:10:01,833 --> 00:10:04,233 BYE-BYE. BYE-BYE. GOOD LUCK. 163 00:10:04,267 --> 00:10:08,800 [ Dog Barking ] KIRBY? KIRB? 164 00:10:08,833 --> 00:10:11,233 KIRBSTER? 165 00:10:15,667 --> 00:10:18,800 [ Woman Shouting ] MARCUS! MARCUS! I KNOW YOU HEAR ME, 166 00:10:18,833 --> 00:10:22,200 YOU SLIMY, SLEAZY, SNEAKY, SLITHERING SON OF A BITCH. 167 00:10:22,233 --> 00:10:25,267 YOU WANNA KEEP IT DOWN? GETTIN' READY TO HAVE SOME COMPANY, OKAY? 168 00:10:25,300 --> 00:10:28,033 OH, SO WHO'S THE VICTIM TONIGHT? 169 00:10:28,067 --> 00:10:31,133 YVONNE, I DON'T FEEL LIKE PLAYIN' WITH YOU, OKAY? STOP. 170 00:10:31,167 --> 00:10:33,167 WHY DON'T YOU JUST TELL HER THE TRUTH? 171 00:10:33,200 --> 00:10:36,167 TELL HER YOU'RE GONNA USE HER, THEN YOU'RE GONNA DUMP HER LIKE YOU DID ME! 172 00:10:36,200 --> 00:10:38,800 EXCUSE ME. EXCUSE ME. I DID NOT DUMP YOU. 173 00:10:38,833 --> 00:10:41,800 WE WENT OUT. IT WAS WHACK, AND IT WAS YOUR FAULT, AND I WISH... 174 00:10:41,833 --> 00:10:46,533 LOOK, WHY DON'T YOU GET OVER IT AND GO FIND ANOTHER MAN, HUH? GET OUTTA HERE! 175 00:10:46,567 --> 00:10:50,733 I HOPE YOU CATCH A DISEASE AND YOUR DICK FALLS OFF. 176 00:10:50,767 --> 00:10:54,100 OH, I WOULD EXPECT YOU TO SAY SOMETHING CRASS LIKE THAT. 177 00:10:54,133 --> 00:10:57,067 [ Doorbell Rings ] DON'T FORGET I HAVE A COURT ORDER FOR YOU TO STAY AWAY. 178 00:10:57,100 --> 00:11:00,100 YOU AIN'T EVEN SUPPOSED TO BE THAT CLOSE TO THE GATE. COURT ORDER? 179 00:11:00,133 --> 00:11:04,133 [ Doorbell Rings ] I DON'T GIVE A DAMN ABOUT NO COURT ORDER! 180 00:11:04,167 --> 00:11:06,567 HEY. COME ON IN. HI. 181 00:11:06,600 --> 00:11:09,600 NICE TO SEE YOU AGAIN. NICE TO SEE YOU TOO. 182 00:11:09,633 --> 00:11:12,200 [ Inhales Sharply ] 183 00:11:12,233 --> 00:11:15,100 * [ Stereo: Indistinct ] 184 00:11:15,133 --> 00:11:18,267 WOW. NICE PLACE. THANK YOU. 185 00:11:18,300 --> 00:11:22,133 WHERE'S KIRBY? KIRBY! KIRBY! OH, HE'S AT THE GROOMER'S. 186 00:11:22,167 --> 00:11:25,267 HE GOT CAUGHT UNDER THIS TRUCK AND GOT SOME GREASE ON HIS COAT. 187 00:11:25,300 --> 00:11:28,333 OHHH. THANK YOU. HE'S OKAY, THOUGH. YOU LOOK GREAT. YEAH. 188 00:11:28,367 --> 00:11:30,400 GOLD STAR FOR MARCUS. 189 00:11:30,433 --> 00:11:33,367 DINNER WAS YUMMY. [ Giggles ] 190 00:11:33,400 --> 00:11:36,567 I NEVER MET A MAN WHO COULD COOK SO WELL. 191 00:11:36,600 --> 00:11:39,467 HOW'D YOU LEARN HOW TO COOK LIKE THAT? 192 00:11:39,500 --> 00:11:42,200 OH, WELL, YOU KIND OF PICK THOSE THINGS UP, 193 00:11:42,233 --> 00:11:45,733 YOU KNOW, WHEN YOU'RE ALONE AS MUCH AS I AM. 194 00:11:45,767 --> 00:11:48,467 REALLY? 195 00:11:49,700 --> 00:11:51,700 YEAH. SEE, UM... 196 00:11:51,733 --> 00:11:56,133 MARCUS! MARCUS, YOU KNOW YOU WRONG! 197 00:11:56,167 --> 00:11:59,300 YOU NO-GOOD... MARCUS! 198 00:11:59,333 --> 00:12:04,233 UH, LET'S GO IN THE LIVING ROOM. WE'LL BE MUCH MORE COMFORTABLE IN THERE. 199 00:12:04,267 --> 00:12:06,333 [ Laughs ] OKAY. 200 00:12:06,367 --> 00:12:09,300 - COME ON. - GIRLFRIEND! 201 00:12:09,333 --> 00:12:13,400 GIRLFRIEND, HEY! HEYYYY! 202 00:12:13,433 --> 00:12:18,233 HEY! GIRLFRIEND! WHOO-HOO! 203 00:12:18,267 --> 00:12:20,467 KNOCK, KNOCK. 204 00:12:23,267 --> 00:12:27,167 WHO'S THERE? A SCARED LITTLE BOY NAMED MARCUS, 205 00:12:27,200 --> 00:12:30,133 AND HE'S JUST DYING TO COME OUT. 206 00:12:30,167 --> 00:12:33,167 HE'S BEEN HURT TOO, HASN'T HE? 207 00:12:33,200 --> 00:12:38,333 TELL ME ABOUT HIM. TELL ME ALL ABOUT MARCUS. 208 00:12:42,767 --> 00:12:47,567 WELL, I HAVEN'T BEEN OUT WITH ANYBODY IN ABOUT TWO YEARS. 209 00:12:47,600 --> 00:12:51,233 NOT SINCE DEBRA. THAT'S THE GIRL I ALMOST MARRIED. 210 00:12:51,267 --> 00:12:53,567 UH, THE DAY OF MY WEDDING, 211 00:12:53,600 --> 00:12:57,400 I WENT TO THE CHURCH A LITTLE EARLY 'CAUSE I HAD A BAD FEELING. 212 00:12:57,433 --> 00:13:02,567 AND, UH, I GO IN THE BACK, AND THAT'S WHEN I SAW IT. 213 00:13:02,600 --> 00:13:06,367 SHE WAS ON THE GROUND WITH THE BEST MAN... 214 00:13:06,400 --> 00:13:09,133 [ Gasps ] AND A PRIEST. 215 00:13:09,167 --> 00:13:13,067 [ Gasps ] FREAKY. 216 00:13:13,100 --> 00:13:16,067 YOU POOR BABY. 217 00:13:16,100 --> 00:13:21,667 YEAH, THAT'S WHEN I REALIZED THAT YOU CAN'T TRUST ANYBODY. 218 00:13:24,133 --> 00:13:26,433 YOU CAN TRUST ME. 219 00:13:30,833 --> 00:13:34,300 I'M NOT READY FOR THIS. 220 00:13:34,333 --> 00:13:38,633 I THINK I SHOULD TAKE YOU HOME. I THINK IT'S BEST. 221 00:13:38,667 --> 00:13:40,467 [ Giggling ] 222 00:13:40,500 --> 00:13:43,333 I CAN'T TELL YOU HOW HELPFUL THIS HAS ALL BEEN, YOU KNOW? 223 00:13:43,367 --> 00:13:47,467 GOLD STAR FOR CHRISTIE. THANKS. YOU REALLY HELPED ME IN... HERE. I FELT THAT. 224 00:13:47,500 --> 00:13:49,800 YOU DON'T HAVE TO THANK ME. COME ON! OH, NO, NO, NO, NO! 225 00:13:49,833 --> 00:13:52,633 REALLY, I SHOULDN'T COME INTO YOUR APARTMENT. OH, COME ON! 226 00:13:52,667 --> 00:13:55,767 OH, CHRISTIE, I SHOULDN'T BE IN HERE, YOU KNOW, LIKE... OH, MARCUS. 227 00:13:55,800 --> 00:13:58,567 I'M NOT READY FOR THIS. ARE WE BY OURSELVES IN HERE? 228 00:13:58,600 --> 00:14:01,767 OF COURSE WE'RE BY OURSELVES. COME ON! OH, CHRISTIE! 229 00:14:01,800 --> 00:14:05,300 MARCUS, SPEND THE NIGHT WITH ME. 230 00:14:05,333 --> 00:14:09,200 OH, CHRISTIE, NO. IT'S JUST TOO SOON. I CAN'T... 231 00:14:15,467 --> 00:14:18,567 I JUST DON'T WANT TO BE HURT AGAIN. 232 00:14:24,767 --> 00:14:27,267 I WON'T HURT YOU. 233 00:14:29,200 --> 00:14:31,600 PLEASE BE GENTLE. 234 00:15:20,733 --> 00:15:23,733 YO, MAN, SO WHAT HAPPENED WITH THIS GIRL LAST NIGHT? 235 00:15:23,767 --> 00:15:28,333 MAN, SHE WAS BEAUTIFUL! SHE WAS BEAUTIFUL, BUT HER FEET WERE JACKED UP. 236 00:15:28,367 --> 00:15:31,167 WERE THEY? YEAH. OH, I PULLED THE COVERS BACK... 237 00:15:31,200 --> 00:15:33,067 YEAH? IT WAS HAMMER TIME. 238 00:15:33,100 --> 00:15:37,400 I SHOULD'VE KNOWN SOMETHIN' WAS UP. HER SHOES HAD LITTLE BUMPS ON THE TOP WHEN I MET HER. 239 00:15:37,433 --> 00:15:39,000 BUT I THOUGHT MAYBE IT WAS AN OLD SHOE OR SOMETHIN'. 240 00:15:39,033 --> 00:15:44,267 YOU WOULD NEVER, EVER THINK A WOMAN THAT FINE WOULD HAVE HAMMER TIME IN HER SHOE. 241 00:15:44,300 --> 00:15:46,067 COME ON, MAN. YOU DON'T FUCK HER FEET. DAMN! 242 00:15:46,100 --> 00:15:51,200 I HOPE I'M NOT OUT OF LINE, BUT DON'T YOU THINK YOU'RE BEING JUST A LITTLE BIT TOO PICKY? 243 00:15:51,233 --> 00:15:53,367 YEAH, RIGHT. WHAT HAPPENED WITH TRACY, MAN? 244 00:15:53,400 --> 00:15:56,400 GERARD, YOU MET THAT GIRL. SHE'S NOT VERY SMART. 245 00:15:56,433 --> 00:15:58,700 COME ON, MAN! YOU DON'T FUCK HER BRAINS. 246 00:15:58,733 --> 00:16:00,667 I'M LOOKING FOR PERFECTION. 247 00:16:00,700 --> 00:16:04,300 HI, MARCUS. HEY. 248 00:16:06,600 --> 00:16:08,567 YO, MARCUS! HEY, WHAT'S UP? 249 00:16:08,600 --> 00:16:12,433 HEY, YOU'RE ON YOUR WAY TO MEET LADY ELOISE TO DISCUSS THAT MERGER, RIGHT? 250 00:16:12,467 --> 00:16:14,567 HOW DO YOU KNOW EVERYTHING THAT GOES ON? 251 00:16:14,600 --> 00:16:16,133 I READ IT IN YOUR OFFICE THIS MORNING. 252 00:16:16,167 --> 00:16:20,167 HEY, MAN, YOU'RE NOT SUPPOSED TO BE IN MY OFFICE AND GOIN' THROUGH MY MAIL, OKAY? 253 00:16:20,200 --> 00:16:23,700 NO, MAN, I WASN'T GOIN' THROUGH YOUR STUFF, MAN. HERE, HOLD IT UP, HOLD IT UP. 254 00:16:23,733 --> 00:16:26,667 HOLD IT UP! OH, YOU'RE GONNA READ IT RIGHT THROUGH THE ENVELOPE? 255 00:16:26,700 --> 00:16:29,567 I'M GONNA READ RIGHT THROUGH THE ENVELOPE. IT SAYS... 256 00:16:29,600 --> 00:16:34,500 "LUNCH TOMORROW... AT HOULIHAN'S." 257 00:16:34,533 --> 00:16:37,767 OPEN IT UP. 258 00:16:37,800 --> 00:16:40,633 YEAH, "HOW ABOUT LUNCH AT..." THAT'S VERY IMPRESSIVE! 259 00:16:40,667 --> 00:16:43,800 TOLD YOU, MAN! TOLD YOU, MAN! NOW, CHECK THIS OUT, MAN. 260 00:16:43,833 --> 00:16:46,533 I'VE BEEN WORKING HERE ABOUT NINE DAYS, YOU KNOW. 261 00:16:46,567 --> 00:16:49,533 I'VE BEEN ON TIME MOST OF THE TIME, EVEN WHEN IT RAINS. 262 00:16:49,567 --> 00:16:52,167 DON'T YOU THINK IT'S ABOUT TIME WE TALKED PROMOTION? 263 00:16:52,200 --> 00:16:55,200 [ Laughing ] MARCUS, COME ON, MAN. I GET MY OWN OFFICE, MAN. 264 00:16:55,233 --> 00:17:00,200 BRING MY HOS IN HERE, WE HAVE A LITTLE PARTY, SET THIS MOTHERFUCKER OFF, MAN! 265 00:17:03,067 --> 00:17:05,633 MARCUS GRAHAM. 266 00:17:05,667 --> 00:17:07,467 LADY ELOISE? 267 00:17:07,500 --> 00:17:10,433 I CAN'T TELL YOU HOW EXCITED YOU'VE GOT EVERYBODY UP HERE. 268 00:17:10,467 --> 00:17:12,700 IT'S LIKE YOU'RE LIKE A BREATH OF FRESH AIR. 269 00:17:12,733 --> 00:17:16,033 I'VE NEVER SEEN EVERYBODY SO EXCITED. IT'S... 270 00:17:16,067 --> 00:17:18,500 LADY ELOISE? 271 00:17:18,533 --> 00:17:22,033 I THINK YOU REQUESTED TO SEE ME, MARCUS GRAHAM? 272 00:17:22,067 --> 00:17:24,367 I KNOW. 273 00:17:25,300 --> 00:17:27,167 MAY I HAVE A SEAT? 274 00:17:27,200 --> 00:17:30,667 PLEASE... KEEP STANDING. 275 00:17:30,700 --> 00:17:34,633 THE REST OF MY ADMINISTRATIVE TEAM WILL BE ARRIVING TOMORROW. 276 00:17:34,667 --> 00:17:39,133 HOWEVER, WHEN I DECIDED TO TAKE OVER THIS COMPANY, 277 00:17:39,167 --> 00:17:42,300 I CONSIDERED YOU A PRIME ASSET. 278 00:17:42,333 --> 00:17:44,600 THANK YOU VERY MUCH. 279 00:17:44,633 --> 00:17:48,667 WE NEED STRONG DEPARTMENT HEADS... 280 00:17:48,700 --> 00:17:52,233 TO OVERSEE THIS MERGER. 281 00:17:54,833 --> 00:17:57,200 BEET JUICE? OH, NO, THANK YOU. 282 00:17:57,233 --> 00:17:59,533 IT KEEPS THE SKIN TIGHT. 283 00:17:59,567 --> 00:18:03,100 AND NONE OF US ARE GETTING ANY YOUNGER. 284 00:18:03,133 --> 00:18:08,300 WELL, SOME WOMEN HAVE A GIRLISH QUALITY THAT LASTS A LIFETIME. 285 00:18:09,533 --> 00:18:11,367 [ Laughs ] 286 00:18:11,400 --> 00:18:15,167 I'VE ALWAYS HEARD YOU WERE VERY BEGUILING TO WOMEN. 287 00:18:15,200 --> 00:18:20,400 BUT MY SCHEDULE IS ALSO VERY TIGHT. 288 00:18:21,833 --> 00:18:25,533 MEET ME AT MY HOUSE TONIGHT. 289 00:18:25,567 --> 00:18:30,367 TODD, SEE TO IT THAT HE'S AT LAVENDER HILL. 290 00:18:32,133 --> 00:18:33,767 GOOD EVENING, MR. GRAHAM. GOOD EVENING. 291 00:18:33,800 --> 00:18:37,600 LADY ELOISE HAS BEEN EAGERLY ANTICIPATING YOU. 292 00:18:44,767 --> 00:18:48,333 MARCUS GRAHAM, LADY ELOISE. 293 00:18:52,300 --> 00:18:55,667 MARCUS, DARLING. [ Chuckles ] 294 00:18:55,700 --> 00:18:58,700 WELCOME TO LAVENDER HILL. 295 00:19:11,333 --> 00:19:15,033 LADY ELOISE, I CANNOT BEGIN TO TELL YOU... 296 00:19:15,067 --> 00:19:17,467 HOW HAPPY I AM TO BE WORKING WITH YOU. 297 00:19:17,500 --> 00:19:19,567 I GREW UP USING YOUR PRODUCTS. 298 00:19:19,600 --> 00:19:22,033 MY MOTHER USED YOUR PRODUCTS, YOU KNOW. 299 00:19:22,067 --> 00:19:25,033 IT'S LIKE YOU WERE IN MY MEDICINE CABINET ALL MY LIFE. 300 00:19:25,067 --> 00:19:28,367 AND NOW I'M, LIKE, WORKING WITH YOU, AND IT'S VERY EXCITING. 301 00:19:28,400 --> 00:19:33,200 [ Chuckles ] I FIND IT VERY EXCITING AS WELL. 302 00:19:33,233 --> 00:19:39,267 I'M LOOKING FORWARD TO A LONG, STRONG, PRODUCTIVE RELATIONSHIP. 303 00:19:43,500 --> 00:19:47,300 YOU KNOW, I DON'T WANT TO BLOW MY OWN HORN, 304 00:19:47,333 --> 00:19:49,767 BUT I'M REALLY QUALIFIED. 305 00:19:49,800 --> 00:19:53,533 [ Laughing ] 306 00:19:53,567 --> 00:19:57,400 YOU SHOULDN'T HAVE TO BLOW YOUR OWN HORN. 307 00:19:57,433 --> 00:20:01,733 YOU SHOULD LEAVE THAT FOR SOMEONE ELSE TO DO. 308 00:20:01,767 --> 00:20:04,433 [ Chuckles ] 309 00:20:07,100 --> 00:20:10,233 [ Snickering ] 310 00:20:13,167 --> 00:20:17,767 [ Lady Eloise ] MARCUS, DARLING! 311 00:20:19,367 --> 00:20:22,233 [ Chuckles ] 312 00:20:22,267 --> 00:20:25,500 [ Purring ] 313 00:20:28,300 --> 00:20:32,633 WOULDN'T YOU LIKE TO GET A LITTLE BIT MORE... 314 00:20:33,800 --> 00:20:35,767 COMFORTABLE? 315 00:20:35,800 --> 00:20:38,500 YEAH, SURE. WHY NOT? 316 00:21:01,733 --> 00:21:03,600 [ Chuckles ] 317 00:21:03,633 --> 00:21:07,733 WOULDN'T YOU LIKE TO GET OUT OF THAT TIGHT SHIRT? 318 00:21:07,767 --> 00:21:12,300 YEAH, I WAS JUST THINKING ABOUT DOING THAT MYSELF. 319 00:21:13,633 --> 00:21:16,467 YOU KNOW, IT'S, IT'S A LITTLE BRIGHT IN HERE. 320 00:21:16,500 --> 00:21:20,300 WOULDN'T YOU LIKE TO DIM IT TO MAKE IT A LITTLE MORE ROMANTIC? 321 00:21:20,333 --> 00:21:22,600 [ Chuckles ] 322 00:21:22,633 --> 00:21:25,500 OHHH. 323 00:21:30,833 --> 00:21:34,567 [ Purring ] 324 00:21:36,667 --> 00:21:40,233 COULD YOU GET IT JUST A LITTLE DARKER? 325 00:21:58,333 --> 00:22:02,367 * [ RandB ] 326 00:22:25,700 --> 00:22:28,133 - [ Elevator Bell Dings ] - EXCUSE ME. 327 00:22:28,167 --> 00:22:31,367 I'M SORRY TO BOTHER YOU, BUT I JUST HAD TO COME OVER AND SAY SOMETHING TO YOU. 328 00:22:31,400 --> 00:22:35,633 YOU'RE BREATHTAKING! YOU'RE THE MOST GORGEOUS WOMAN I'VE EVER LAID MY EYES ON. 329 00:22:35,667 --> 00:22:39,133 I HAD TO COME OVER AND MEET YOU. [ Laughing ] 330 00:22:39,167 --> 00:22:41,533 I'M SORRY. WHY ARE YOU LAUGHING? 331 00:22:41,567 --> 00:22:46,133 I'M SORRY. IT'S JUST THAT, UH, WHAT YOU SAID WAS PRETTY PATHETIC. 332 00:22:46,167 --> 00:22:48,467 THAT WAS NOT PATHETIC! 333 00:22:48,500 --> 00:22:52,233 OH, COME ON. I MEAN, IF I WALKED UP TO YOU AND I SAID, 334 00:22:52,267 --> 00:22:55,067 "EXCUSE ME, SIR. I'M SORRY TO BOTHER YOU. 335 00:22:55,100 --> 00:22:57,600 "BUT, WELL, I JUST HAD TO MEET YOU... 336 00:22:57,633 --> 00:23:01,133 "BECAUSE YOU ARE THE MOST HANDSOME, 337 00:23:01,167 --> 00:23:04,467 "THE MOST VIRILE MAN I HAVE EVER SEEN... 338 00:23:04,500 --> 00:23:07,367 IN ALL OF MY ENTIRE LIFE, OOOH." 339 00:23:07,400 --> 00:23:09,600 NOW, WOULD YOU BELIEVE ME? 340 00:23:09,633 --> 00:23:15,133 HONESTLY, UH, YEAH, I WOULD. BUT THAT'S JUST THE WAY I AM. 341 00:23:15,167 --> 00:23:17,600 UM, I'M GOING TO WORK. OH, OKAY. 342 00:23:17,633 --> 00:23:20,533 OH, WELL, I'M GOING THIS WAY TOO. OKAY. 343 00:23:20,567 --> 00:23:23,600 [ Laughing ] HEY, IT'S NOT LIKE I'M FOLLOWING YOU. 344 00:23:23,633 --> 00:23:27,600 I'M GOING UPSTAIRS TOO. I'M GOING TO THE 18th FLOOR TOO. 345 00:23:27,633 --> 00:23:31,300 OKAY, I'M SORRY. YOU'RE AUDITIONING FOR ONE OF THE COMMERCIALS UPSTAIRS. 346 00:23:31,333 --> 00:23:33,600 YOU'RE A MODEL OR SOMETHING? NO, NO. I'M NOT A MODEL. 347 00:23:33,633 --> 00:23:36,600 I'M GONNA GO WORK FOR THE COMPANY. REALLY? 348 00:23:36,633 --> 00:23:40,067 MMM, MARKETING, YEAH. THAT'S MY DEPARTMENT. I'M MARCUS GRAHAM. 349 00:23:40,100 --> 00:23:44,067 YOU'RE MARCUS GRAHAM? YOU'RE MARCUS GRAHAM? MM-HMM. 350 00:23:44,100 --> 00:23:47,600 THIS IS PRETTY FUNNY THAT WE'RE MEETING LIKE THIS. 351 00:23:47,633 --> 00:23:51,033 I'M SORRY. I'M JACQUELINE BROYER. OKAY. OKAY. 352 00:23:51,067 --> 00:23:53,533 I'M A HUGE FAN OF YOUR WORK. THANK YOU VERY MUCH. 353 00:23:53,567 --> 00:23:55,467 YOU'RE VERY, VERY TALENTED. 354 00:23:55,500 --> 00:23:58,700 YOU WAS TREATIN' ME LIKE MY NAME WAS STANLEY DOWN IN THE LOBBY. 355 00:23:58,733 --> 00:24:02,467 TURNS OUT YOU'RE A FAN OF MY WORK. I'M GONNA LET YOU IN ON A LITTLE SECRET. 356 00:24:02,500 --> 00:24:05,500 WHEN THIS WHOLE MERGER GOES THROUGH, 357 00:24:05,533 --> 00:24:08,333 I'M GONNA BE IN CHARGE OF ALL THE MARKETING. 358 00:24:08,367 --> 00:24:10,633 YOU ARE? MARCUS, 359 00:24:10,667 --> 00:24:14,267 I'M AFRAID THAT THERE'S BEEN SOME KIND OF MISUNDERSTANDING. 360 00:24:14,300 --> 00:24:17,567 I'M SORRY. YOU SEE, I'M IN CHARGE OF MARKETING. 361 00:24:17,600 --> 00:24:20,600 [ Laughs ] NO, THAT'S IMPOSSIBLE. 362 00:24:20,633 --> 00:24:22,767 I'M SORRY. 363 00:24:24,400 --> 00:24:26,767 [ Woman Sobbing ] I'M THE LOGICAL CHOICE. 364 00:24:26,800 --> 00:24:29,367 I'M ALREADY THE VICE PRESIDENT OF MARKETING FOR CHANTRESS. 365 00:24:29,400 --> 00:24:31,767 GOOD MORNING. THANK YOU. YES, I KNOW. 366 00:24:31,800 --> 00:24:36,067 BUT I'M DIRECTOR OF MARKETING FOR LADY ELOISE, AND AFTER ALL, WE ARE ACQUIRING YOU. 367 00:24:36,100 --> 00:24:39,133 I HAD A VERY GOOD INDICATION FROM SOMEONE THAT THE JOB WAS MINE. 368 00:24:39,167 --> 00:24:43,733 REALLY? FROM WHOM? FROM LADY ELOISE. LADY ELOISE. LADY ELOISE! 369 00:24:43,767 --> 00:24:45,800 REALLY? YES. 370 00:24:45,833 --> 00:24:49,500 MARCUS, LADY ELOISE DOESN'T MAKE ANY DECISIONS. 371 00:24:49,533 --> 00:24:52,633 SHE'S... SHE'S THE NAME ON THE PACKAGE. 372 00:24:52,667 --> 00:24:55,433 NO, IT'S HER COMPANY. THE LADY ELOISE, LADY ELOISE. 373 00:24:55,467 --> 00:24:58,033 SHE HASN'T RUN THIS COMPANY FOR 15 YEARS. 374 00:24:58,067 --> 00:25:01,433 ALL OF THE DECISIONS ARE MADE BY THE BOARD OF DIRECTORS IN PARIS. 375 00:25:01,467 --> 00:25:04,033 BUT IT'S LADY ELOISE. 376 00:25:04,067 --> 00:25:07,533 SHE HAS NO POWER. 377 00:25:07,567 --> 00:25:10,533 SHE'S A VERY SWEET WOMAN. 378 00:25:10,567 --> 00:25:14,333 SHE'S A LITTLE DETACHED FROM REALITY. 379 00:25:14,367 --> 00:25:17,533 YOU SHOULD SEE THE WAY SHE JUST, UH... 380 00:25:17,567 --> 00:25:22,567 SHE THROWS HERSELF AT YOUNG, HANDSOME, VIRILE MEN. 381 00:25:22,600 --> 00:25:25,733 WHAT ARE YOU TRYING TO IMPLY? THAT I HIT IT? NO, I SEE WHAT... 382 00:25:25,767 --> 00:25:30,200 MARCUS, DARLING. HEY! HOW'RE YA DOING, LADY ELOISE? 383 00:25:30,233 --> 00:25:34,633 [ Whispering ] I DON'T HAVE ANY PANTIES ON. [ Mutters ] 384 00:25:34,667 --> 00:25:38,167 LADY ELOISE, PLEASE, WE HAVE A MEETING. 385 00:25:38,200 --> 00:25:40,700 CAN WE JUST PLEASE GO? 386 00:25:40,733 --> 00:25:44,300 [ Laughing ] 387 00:25:44,333 --> 00:25:47,333 I'M SORRY. IT'S WARM IN HERE. 388 00:25:47,367 --> 00:25:52,633 JUST 'CAUSE SOMEBODY TAKE OFF THEIR DRAWERS DOESN'T MEAN THAT I DID SOMETHIN'. 389 00:25:59,067 --> 00:26:02,367 * [ Indistinct Singing ] 390 00:26:04,533 --> 00:26:07,133 SO, YO, MAN, YOU'RE GONNA QUIT, RIGHT? 391 00:26:07,167 --> 00:26:10,033 OF COURSE HE'S GONNA QUIT, MAN. YOU CAN'T TAKE A SMALLER OFFICE. 392 00:26:10,067 --> 00:26:12,733 STEP TO HER AND SAY, "LOOK, GIRL, I'M OUTTA THERE." 393 00:26:12,767 --> 00:26:15,467 YEAH, THAT'S WHAT I'M THINKIN' ABOUT DOIN'. THERE YOU GO! 394 00:26:15,500 --> 00:26:17,733 OOOH! THERE SHE IS RIGHT THERE. 395 00:26:17,767 --> 00:26:20,033 [ Tyler ] THAT'S HER? 396 00:26:20,067 --> 00:26:22,333 [ Marcus ] YEAH. 397 00:26:22,367 --> 00:26:25,500 PSYCHE! YO, YOU CAN'T QUIT, MAN. YOU GOTTA STAY. 398 00:26:25,533 --> 00:26:28,600 - YEAH, SHE'S BAD. - HELLO, MARCUS. 399 00:26:28,633 --> 00:26:31,133 - HELLO, JACQUELINE. - YOU LOOK GREAT. 400 00:26:31,167 --> 00:26:33,033 - AND SO DO YOU. - THANK YOU. 401 00:26:33,067 --> 00:26:36,033 THIS IS MY MAN TYLER, AND THIS IS GERARD. HELLO. HELLO. 402 00:26:36,067 --> 00:26:38,733 THIS IS ANGELA LEWIS. SHE WORKS IN OUR ART DEPARTMENT. 403 00:26:38,767 --> 00:26:42,733 SHE'S VERY TALENTED. I THINK THE TWO OF YOU SHOULD BE WORKING TOGETHER. 404 00:26:42,767 --> 00:26:45,733 EXCUSE ME, JACQUELINE, IT'S THAT TIME. GREAT. GREAT. 405 00:26:45,767 --> 00:26:48,500 THANK YOU, TODD. EXCUSE ME. NICE MEETING YOU. 406 00:26:48,533 --> 00:26:52,567 MARCUS, WOULD YOU JOIN ME FOR A SECOND? THANKS. YEAH. COOL. 407 00:26:52,600 --> 00:26:55,300 COME ON, GIRL, GET ON. [ Growls, Laughs ] 408 00:26:55,333 --> 00:26:58,600 LADIES AND GENTLEMEN, I HAVE A VERY EXCITING ANNOUNCEMENT TO MAKE. 409 00:26:58,633 --> 00:27:02,700 SINCE 1948, THE NAME LADY ELOISE HAS BEEN SYNONYMOUS... 410 00:27:02,733 --> 00:27:08,300 WITH GLAMOUR, GRACE, SENSUALITY AND STUNNING NATURAL BEAUTY. 411 00:27:08,333 --> 00:27:12,500 IN THE NEXT CENTURY, THAT TRADITION CONTINUES. 412 00:27:12,533 --> 00:27:17,033 INTRODUCING THE NEW FACE OF LADY ELOISE COSMETICS: 413 00:27:17,067 --> 00:27:19,300 STRANGE. 414 00:27:32,433 --> 00:27:35,633 [ Gasps, Murmuring ] 415 00:27:58,267 --> 00:28:01,300 [ Murmuring Continues ] 416 00:28:06,400 --> 00:28:11,067 [ Gasps, Screaming ] 417 00:28:11,100 --> 00:28:15,433 [ Shouting In French ] 418 00:28:16,833 --> 00:28:19,667 [ French Continues ] 419 00:28:33,267 --> 00:28:35,067 VOILA! 420 00:28:35,100 --> 00:28:38,800 [ Crowd Chanting ] STRANGE! STRANGE! STRANGE! 421 00:28:38,833 --> 00:28:41,267 YES! 422 00:28:48,567 --> 00:28:51,433 MWAH! 423 00:29:03,433 --> 00:29:08,000 COMMENT CA VA? OH, MAGNIFIQUE. 424 00:29:09,433 --> 00:29:12,200 CHAMPAGNE POUR TOUT LE MONDE! 425 00:29:12,233 --> 00:29:15,000 [ Quiet Chattering ] 426 00:29:22,333 --> 00:29:24,633 HEY. HI. HI. HOW ARE YOU? 427 00:29:24,667 --> 00:29:27,133 GOOD. YOU LOOK A LITTLE BIT LOST. CAN I HELP YOU? 428 00:29:27,167 --> 00:29:31,100 OH, I'M JUST LOOKING FOR JACQUELINE, BASICALLY, IS WHAT I'M DOING. 429 00:29:31,133 --> 00:29:33,800 YOU'RE INTERESTED IN HER, RIGHT? 430 00:29:33,833 --> 00:29:37,167 NOW, WHAT WOULD MAKE YOU SAY THAT? MOST MEN ARE. 431 00:29:37,200 --> 00:29:40,100 I MEAN, LOOK AT HER. SHE'S FANTASTIC. 432 00:29:40,133 --> 00:29:43,700 I MEAN, IF I WERE A GUY, I WOULD PROBABLY BE INTERESTED IN JACQUELINE. 433 00:29:43,733 --> 00:29:47,300 OH, IF YOU WERE A GUY. NOT THAT I HAVE THOSE THOUGHTS, BECAUSE I DON'T. 434 00:29:47,333 --> 00:29:51,633 BUT I'M JUST SAYING SHE'S ATTRACTIVE, AND I WOULD PROBABLY GO OUT WITH HER. 435 00:29:51,667 --> 00:29:56,567 I KNOW WHERE YOU'RE GOING. YOU SEE OTHER GIRLS AND SAY, "OH, SHE'S CUTE." 436 00:29:56,600 --> 00:29:59,800 BUT GUYS DON'T SEE OTHER GUYS AND GO, "OH, LOOK AT HIS SHOULDERS." 437 00:29:59,833 --> 00:30:02,767 WE DON'T DO THAT. SURE YOU HAVE. YOU'VE SEEN A MOVIE BEFORE, 438 00:30:02,800 --> 00:30:06,667 AND YOU'VE SEEN A MAN IN A MOVIE AND YOU'VE SAID, "THERE IS A NICE-LOOKING MAN." 439 00:30:06,700 --> 00:30:09,733 I CAN'T BELIEVE WE'RE HAVING THIS CONVERSATION. I'VE GONE TO THE MOVIES, 440 00:30:09,767 --> 00:30:13,100 AND I REMEMBER I SAW BILLY DEE WILLIAMS IN LADY SINGS THE BLUES. 441 00:30:13,133 --> 00:30:17,300 HE CAME DOWN THE STEPS, AND I THOUGHT HE WAS COOL. BUT I DIDN'T WANT TO GET WITH HIM. 442 00:30:17,333 --> 00:30:20,167 THAT'S A WHOLE ENTIRE... 443 00:30:20,200 --> 00:30:25,200 HEY, WAIT A SECOND. I HAVE SOMEONE YOU SHOULD MEET. HEY, GERARD, COME HERE. 444 00:30:25,233 --> 00:30:27,233 I MET SOMEONE THAT'S PERFECT FOR YOU. 445 00:30:27,267 --> 00:30:31,000 WHY DON'T YOU GUYS COME, COME CHITCHAT? I'M... [ Laughing ] 446 00:30:33,167 --> 00:30:35,100 HI. 447 00:30:35,133 --> 00:30:37,600 [ Clears Throat ] 448 00:30:44,133 --> 00:30:46,333 GOOD EVENING, BOSS. 449 00:30:46,367 --> 00:30:49,467 PLEASE DO NOT CALL ME THAT. 450 00:30:50,533 --> 00:30:53,700 I WANT YOU TO THINK OF ME AS YOUR COLLEAGUE. 451 00:30:53,733 --> 00:30:56,233 SO TELL ME SOMETHING. 452 00:30:56,267 --> 00:30:59,300 YOU EXCITED ABOUT WORKING WITH STRANGE? 453 00:30:59,333 --> 00:31:01,233 [ Laughs ] STOP. 454 00:31:01,267 --> 00:31:04,633 YOU KNOW I DIDN'T COME UP HERE TO TALK TO YOU ABOUT NO STRANGE. 455 00:31:04,667 --> 00:31:07,033 I CAME UP HERE TO TALK TO YOU ABOUT US. 456 00:31:07,067 --> 00:31:11,333 I'M RAPPING. THIS IS MY MACK-DADDY VIBE I'M GIVING YOU IN ALL OF ITS SPLENDOR. 457 00:31:11,367 --> 00:31:13,500 WHAT'S UP? YES! OH, REALLY? 458 00:31:13,533 --> 00:31:15,767 I MEAN, "ELEGANZA" MACK-DADDY OF THE MONTH. 459 00:31:15,800 --> 00:31:20,267 OH, I SEE. WELL, LET ME... LET ME GET A GOOD LOOK. 460 00:31:20,300 --> 00:31:23,700 CHECK IT. LIKE JET MAGAZINE. 461 00:31:23,733 --> 00:31:28,433 - WHAT'S UP? - YOU ARE ABSOLUTELY WONDERFUL. 462 00:31:30,467 --> 00:31:33,767 BUT I, I THINK THAT WE SHOULD KIND OF MAKE THIS CLEAR... 463 00:31:33,800 --> 00:31:37,667 RIGHT FROM THE START SO THERE'S NO MISUNDERSTANDING. 464 00:31:37,700 --> 00:31:43,367 YOU SEE... I DON'T DATE MEN I WORK WITH. 465 00:31:43,400 --> 00:31:46,233 WELL, THEN I QUIT. 466 00:31:46,267 --> 00:31:51,433 YOU CAN'T QUIT, BECAUSE... I NEED YOU. 467 00:31:55,733 --> 00:31:57,733 NO, HON, WAIT ONE SEC. 468 00:31:57,767 --> 00:32:01,133 YOU HAVE AN EYELASH THAT'S GONNA GO IN YOUR EYE. 469 00:32:01,167 --> 00:32:03,467 WAIT, COME HERE. 470 00:32:05,633 --> 00:32:07,767 YOU ALL RIGHT? HUH? YEAH? YEAH, I'M FINE. 471 00:32:07,800 --> 00:32:10,300 TRYIN' TO SEDUCE ME ON THE SNEAK. WHAT? 472 00:32:10,333 --> 00:32:13,267 OH, THAT WAS VERY SEDUCTIVE WHAT YOU JUST DID. WHAT ARE YOU TALKIN' ABOUT? 473 00:32:13,300 --> 00:32:17,300 YOU KNOW WHAT... OH... YOU HAD SOMETHING IN YOUR EYE. I SAVED YOUR EYE. 474 00:32:17,333 --> 00:32:20,167 NO, NO, NO, NO. I KNOW WHAT IT'S LIKE WHEN YOU HAVE SOMETHING IN YOUR EYE. 475 00:32:20,200 --> 00:32:24,467 I WAS A KID BEFORE. YOUR MOTHER OPENS YOUR EYE... YOUR WHOLE EYEBALL COMES OUT. 476 00:32:24,500 --> 00:32:26,500 IT WAS NEVER... LIKE YOU JUST DID. 477 00:32:26,533 --> 00:32:29,500 COME ON NOW. THAT WAS VERY SEDUCTIVE WHAT YOU JUST DID. 478 00:32:29,533 --> 00:32:32,100 NO, NO, NO, NO, NO, NO, NO. NO, NO, NO, NO. 479 00:32:32,133 --> 00:32:35,067 AND LET ME ASSURE YOU OF SOMETHING. 480 00:32:36,267 --> 00:32:38,467 WHEN I SEDUCE YOU, 481 00:32:38,500 --> 00:32:43,100 IF I DECIDE TO SEDUCE YOU, 482 00:32:43,133 --> 00:32:46,533 DON'T WORRY, YOU'LL KNOW. 483 00:32:58,400 --> 00:33:00,367 YO, MARCUS! HEY, WHAT'S UP, MAN? 484 00:33:00,400 --> 00:33:03,367 YO, MAN, ME AND SOME OF THE MINIMUM WAGE BROTHERS DOWN IN THE MAIL ROOM... 485 00:33:03,400 --> 00:33:07,767 WOULD LIKE TO KNOW, HOW LONG DO YOU THINK IT'S GONNA TAKE YOU TO BONE THAT NEW EXECUTRESS? 486 00:33:07,800 --> 00:33:11,200 SEE, I NEED TO KNOW 'CAUSE WE GOT A LITTLE OFFICE POOL THING GOIN' ON. 487 00:33:11,233 --> 00:33:14,167 LOOK, THAT'S VERY CRASS. MISS BROYER AND I ARE COLLEAGUES, 488 00:33:14,200 --> 00:33:16,633 AND I HAVE A GREAT DEAL OF RESPECT FOR HER AS A PERSON. 489 00:33:16,667 --> 00:33:20,433 IT'S PROFESSIONAL. TOTALLY PROFESSIONAL. REMAIN PROFESSIONAL. 490 00:33:20,467 --> 00:33:23,767 SO WHAT YOU SAYIN', MAN? IT'S GONNA TAKE A WEEK? 491 00:33:23,800 --> 00:33:27,400 NOT YOU, MARCUS! YOU THE MAN! COME ON, MAN! 492 00:33:39,600 --> 00:33:43,633 - I HATE IT. - BUT THIS FRAGRANCE TESTED VERY WELL. 493 00:33:43,667 --> 00:33:49,033 JACQUELINE, I SAID I WANTED THE ESSENCE OF SEX! YES... 494 00:33:49,067 --> 00:33:51,700 WELL, I THINK THIS IS IT. 495 00:33:51,733 --> 00:33:54,300 YOU WOULD. 496 00:33:54,333 --> 00:33:57,267 BUT LET ME SHOW YOU... 497 00:33:57,300 --> 00:34:01,333 [ Gasps, Murmurs ] WHAT I'M TALKING ABOUT. 498 00:34:01,367 --> 00:34:04,433 - UNBELIEVABLE. - THIS... 499 00:34:05,800 --> 00:34:09,733 IS THE ESSENCE... 500 00:34:09,767 --> 00:34:12,067 OF SEX. 501 00:34:13,400 --> 00:34:17,500 VOILA! [ Laughing ] 502 00:34:17,533 --> 00:34:19,433 WHOO! 503 00:34:19,467 --> 00:34:21,567 OH, LLOYD, COME ON. LLOYD. WAIT, LLOYD! 504 00:34:21,600 --> 00:34:24,767 WHO IS THIS? LLOYD! HEY, MAN. HEY, LLOYD. 505 00:34:24,800 --> 00:34:28,533 [ Shouting Continues ] LLOYD, LLOYD, WAIT. WAIT, WAIT, WAIT. HOLD IT. 506 00:34:28,567 --> 00:34:30,667 COME ON, MAN. WAIT, WAIT, WAIT, WAIT. 507 00:34:30,700 --> 00:34:33,500 THE FRAGRANCE IS FINE. NOBODY'S CHANGIN' ANYTHING. 508 00:34:33,533 --> 00:34:36,200 THAT WOMAN DOESN'T DESERVE HER OWN FRAGRANCE. 509 00:34:36,233 --> 00:34:38,800 DO YOU THINK LIZ TAYLOR WOULD'VE THROWN HER PANTIES IN MY FACE? 510 00:34:38,833 --> 00:34:42,300 YOU CAN ASK HER, LLOYD. IT WAS A JOKE, LLOYD. IT'S... 511 00:34:42,333 --> 00:34:44,233 HA-HA, HA-HA. I'M JUST TRYING, I'M BEIN' FUNNY. 512 00:34:44,267 --> 00:34:48,433 COME ON, HEY, LOOK. COME ON, ALL RIGHT, LLOYD? [ Laughing ] 513 00:34:48,467 --> 00:34:52,100 OH, MARCUS, YOU'RE A DEVIL! 514 00:34:52,133 --> 00:34:55,367 BUT I LOVE YOU. COME ON BACK. 515 00:34:57,833 --> 00:35:01,300 [ Strangé ] YOU MAKE ME FEEL RIDICULOUS! 516 00:35:01,333 --> 00:35:04,367 IT IS MON IMAGE! C'EST MON VISAGE! 517 00:35:04,400 --> 00:35:06,733 ALLURE! AND YOU, WHERE YOU BEEN, YOU? 518 00:35:06,767 --> 00:35:10,400 I HAD TO GO... OH, SHUT UP! LOOK AT THIS! 519 00:35:10,433 --> 00:35:15,400 THIS IS RIDICULOUS. WHY ARE MY CONCEPTS BEING IGNORED? 520 00:35:15,433 --> 00:35:19,200 I'M NOT A FOOL! I KNOW WHAT THE PEOPLE WANT! 521 00:35:19,233 --> 00:35:22,267 THEY WANT TO BE SHOCKED, AND THEY WANT TO BE STUNNED... 522 00:35:22,300 --> 00:35:25,067 AND THEY WANT TO BE JOLTED. 523 00:35:25,100 --> 00:35:30,300 SO, I'VE PREPARED A LIST OF NAMES FOR THE FRAGRANCE. 524 00:35:33,700 --> 00:35:37,767 "WET SPOT." NO, SORRY. I CROSSED OUT THAT ONE. 525 00:35:37,800 --> 00:35:41,567 "LOVE PUSS." "PIG PUKE." 526 00:35:41,600 --> 00:35:44,100 - "AFTERBIRTH." - AFTER WHAT? 527 00:35:44,133 --> 00:35:46,633 AFTER... BIRTH. 528 00:35:46,667 --> 00:35:48,700 I'M SORRY. I THOUGHT YOU SAID "BATH." 529 00:35:48,733 --> 00:35:53,067 NO. IT'S ENGLISH. B-I-R-T-H. BIRTH. 530 00:35:53,100 --> 00:35:56,100 I WAS JUST MAKING A DISTINCTION BETWEEN "BIRTH" OR "BATH." 531 00:35:56,133 --> 00:35:59,633 BIRTH, BIRTH, BIRTH! WHOO! [ Strangé ] THANK YOU, DARLING. 532 00:35:59,667 --> 00:36:04,167 DON'T MAKE FUN OF ME, OKAY? MY ENGLISH IS NOT SO GOOD. OW. 533 00:36:04,200 --> 00:36:07,633 "STEEL VAGINA." YOU UNDERSTAND THAT ONE. 534 00:36:07,667 --> 00:36:12,033 - YEAH. - STEEL VAGINA. MARVELOUS. 535 00:36:12,067 --> 00:36:14,533 WHAT DO YOU THINK? 536 00:36:14,567 --> 00:36:18,300 [ Clears Throat ] I... 537 00:36:18,333 --> 00:36:20,567 UH, THOSE ARE REALLY CREATIVE. OH, THANK YOU. 538 00:36:20,600 --> 00:36:25,800 BUT, UH, THE NAME OF THIS FRAGRANCE HAS TO BE SOMETHING THAT, THAT CATCHES THE EYE. 539 00:36:25,833 --> 00:36:29,033 IT HAS TO INCITE PASSION, AND IT HAS TO... 540 00:36:29,067 --> 00:36:34,067 IT HAS TO BE ELECTRIC, AND IT HAS TO SAY GLAMOUR AND IT HAS TO SAY SEXY. 541 00:36:34,100 --> 00:36:37,767 IT HAS TO SAY SMART. IT HAS TO... IT HAS TO, UH... 542 00:36:37,800 --> 00:36:40,567 WAIT A MINUTE. 543 00:36:40,600 --> 00:36:44,100 STRANGE. STRAN... YOUR NAME IS ALL OF THOSE THINGS. 544 00:36:44,133 --> 00:36:47,800 YOU'RE-YOU'RE POWERFUL. YOU'RE GLAMOROUS. YOU'RE SEXY. YOU'RE INTELLIGENT. STRAN... 545 00:36:47,833 --> 00:36:51,133 THAT'S WHAT WE SHOULD CALL THE PERFUME! STRANGE! STRANGE! 546 00:36:51,167 --> 00:36:53,133 STRANGE. STRANGE. 547 00:36:53,167 --> 00:36:55,233 [ All Agreeing ] STRANGE. STRANGE. 548 00:36:55,267 --> 00:36:59,033 OKAY, OKAY, OKAY. 549 00:37:00,267 --> 00:37:01,700 I LIKE IT. STRANGE. 550 00:37:01,733 --> 00:37:07,033 [ All Agreeing ] STRANGE. STRANGE. STRUT, GIRL, STRUT. 551 00:37:07,067 --> 00:37:10,267 GO ON, GIRL. IT'S YOU, GIRL. 552 00:37:10,300 --> 00:37:13,167 WORK IT, GIRL! STRANGE, GIRL! [ Laughing ] 553 00:37:13,200 --> 00:37:16,800 YOU KNOW, UM, THANK YOU FOR INTRODUCING ME TO GERARD. 554 00:37:16,833 --> 00:37:20,167 WE'RE GOING OUT TONIGHT. OH, NOW THAT'S SOME GOOD NEWS. 555 00:37:20,200 --> 00:37:22,333 THAT'S GOOD NEWS. GREAT. 556 00:37:22,367 --> 00:37:26,233 YOU REALIZE WE'RE NEVER GONNA BE ABLE TO CONTROL HER, DON'T YOU? 557 00:37:26,267 --> 00:37:27,800 WHY WOULD YOU WANT TO CONTROL STRANGE? 558 00:37:27,833 --> 00:37:31,400 JUST LET HER DO WHAT SHE DOES, AND WE'LL GET MORE COVERAGE. STRANGE IS BUCK WILD. 559 00:37:31,433 --> 00:37:34,667 [ Laughs ] YES, YOU'RE PROBABLY RIGHT. 560 00:37:34,700 --> 00:37:38,533 SO LISTEN, WE'VE GOT THIS MEETING IN NEW ORLEANS ON THE 24th. 561 00:37:38,567 --> 00:37:41,100 ALL OF THE SALES REPS ARE GONNA BE THERE. MMM. 562 00:37:41,133 --> 00:37:43,400 THERE'S A LOT OF WORK TO BE DONE BETWEEN NOW AND THEN. 563 00:37:43,433 --> 00:37:47,733 HMM, YEAH. OKAY, SO, WE'LL HAVE DINNER OR SOMETHING AND GO OVER IT. 564 00:37:47,767 --> 00:37:50,400 MARCUS. WHAT? 565 00:37:50,433 --> 00:37:53,500 COME ON. OH, STOP. HA-HO-HOLD ON. EXCUSE ME. EXCUSE ME. 566 00:37:53,533 --> 00:37:54,967 YOU'RE... WAIT A MINUTE. WAIT A MINUTE. 567 00:37:55,000 --> 00:37:58,567 IF WE WERE BOTH MEN, WE'RE COLLEAGUES, WE COULD HAVE A BUSINESS DINNER. 568 00:37:58,600 --> 00:38:01,400 YOU'RE THE ONE FLIPPING THIS INTO A MAN/WOMAN THING. 569 00:38:01,433 --> 00:38:04,233 I JUST SAID DINNER, AND LET'S DISCUSS OUR WORKLOAD. 570 00:38:04,267 --> 00:38:06,567 THAT'S WHAT I'M TALKING ABOUT. 571 00:38:06,600 --> 00:38:11,133 JUST DINNER? JUST OUR WORKLOAD OVER A MEAL. 572 00:38:11,167 --> 00:38:15,100 WE'VE GOT A HELL OF A LOAD. OKAY. 573 00:38:15,133 --> 00:38:16,733 DINNER? DINNER. 574 00:38:16,767 --> 00:38:20,133 OKAY, I'LL SEE YOU AT DINNER. GREAT. 575 00:38:20,167 --> 00:38:23,533 * [ Soft Instrumental ] 576 00:38:24,367 --> 00:38:26,633 [ Doorbell Rings ] 577 00:38:30,767 --> 00:38:33,700 [ Doorbell Rings ] 578 00:38:43,433 --> 00:38:46,567 [ Doorbell Rings ] 579 00:38:55,100 --> 00:38:56,600 HEY. HEY. YOU'RE HERE. 580 00:38:56,633 --> 00:38:59,133 I WAS GONNA LEAVE. I DIDN'T THINK ANYONE WAS HOME. 581 00:38:59,167 --> 00:39:03,133 OH, I'M SORRY. I DOZED OFF. [ Chuckles ] 582 00:39:03,167 --> 00:39:07,100 COME ON IN. YOU LOOK GREAT. 583 00:39:07,133 --> 00:39:11,267 YOU'RE ALL DRESSED UP. YEAH, YOU'RE LOOKING CASUALLY FINE TONIGHT. 584 00:39:11,300 --> 00:39:14,533 LET ME GET THAT COAT FOR YOU. THANK YOU. 585 00:39:16,067 --> 00:39:17,800 VERY NICE! 586 00:39:17,833 --> 00:39:22,500 MARCUS, THIS IS A VERY NICE PLACE YOU HAVE HERE. 587 00:39:22,533 --> 00:39:26,667 UH, THANK YOU VERY MUCH. THANK YOU. CHECK OUT OVER HERE. 588 00:39:26,700 --> 00:39:29,200 [ Jacqueline ] THAT'S A BIG, WONDERFUL BED. 589 00:39:29,233 --> 00:39:31,233 [ Marcus ] YEAH, WELL, I NEED MY SPACE. 590 00:39:31,267 --> 00:39:33,533 YEAH. COOL. MUSIC. 591 00:39:33,567 --> 00:39:37,033 - * [ Instrumental ] - HAVE A LOOK AROUND. 592 00:39:37,067 --> 00:39:40,400 YEAH. GO CHECK OUT UPSTAIRS. 593 00:39:48,300 --> 00:39:51,667 [ Jacqueline ] SO, WHAT YOU'RE BASICALLY TRYING TO SAY IS, MARCUS IS A... 594 00:39:51,700 --> 00:39:55,133 [ Yvonne ] A HO. HE'S A STRAIGHT-UP HO. 595 00:39:55,167 --> 00:39:57,667 [ Jacqueline Laughing ] 596 00:39:57,700 --> 00:40:01,600 HEY! HEY, DON'T... HEY, COME ON, STOP. HE'S GOT A SILVER TONGUE. 597 00:40:01,633 --> 00:40:03,667 HE'S A NO-GOOD BARKING MUTT. REALLY? 598 00:40:03,700 --> 00:40:06,533 NOTHIN' REALLY HAPPENED BETWEEN US OR NOTHIN'. COME ON. SHE'S CRAZY. 599 00:40:06,567 --> 00:40:09,267 NO, NO. THIS IS VERY INTERESTING. NO, IT'S NOT. SHE'S BUGGED. 600 00:40:09,300 --> 00:40:11,800 THIS IS VERY INTERESTING. I AIN'T CRAZY! HEY, GIRLFRIEND, GIRLFRIEND! 601 00:40:11,833 --> 00:40:16,133 DON'T LET HIM DO IT TO YOU. HE GOT A PLAN. WHAT-WHAT, YOU ABOUT MY SIZE, HEIGHT, WEIGHT? 602 00:40:16,167 --> 00:40:19,367 [ Scoffs ] DOGGIE STYLE. DOGGIE STYLE. I KNOW, GIRLFRIEND. 603 00:40:19,400 --> 00:40:23,800 HEY, HEY, HEY! I'M TRYIN' TO HELP YOU OUT. YOU KNOW, IT'S A SISTER THING. 604 00:40:23,833 --> 00:40:26,433 DAMN! 605 00:40:30,200 --> 00:40:32,333 WOW! YOU LOOK GREAT. 606 00:40:32,367 --> 00:40:36,200 THANK YOU. YOU LOOK... NEAT. 607 00:40:36,233 --> 00:40:38,733 - THANKS. - COME ON IN. 608 00:40:38,767 --> 00:40:41,600 - YEAH. THESE ARE FOR YOU. - THANK YOU. 609 00:40:41,633 --> 00:40:46,233 THIS IS WILD! MAN, DID YOU DO ALL THE DECORATIONS YOURSELF? 610 00:40:46,267 --> 00:40:49,133 MM-HMM, EVERY BIT OF IT. I KNOW YOU THINK IT'S A LITTLE WEIRD... 611 00:40:49,167 --> 00:40:52,400 AND DON'T QUITE UNDERSTAND IT, BUT IT'S REALLY... NO, NO, NO. 612 00:40:52,433 --> 00:40:54,633 IT'S ECLECTIC. YEAH. ECLECTIC, YEAH. 613 00:40:54,667 --> 00:40:58,067 SO YOU LIKE IT? VERY INTERESTING. 614 00:40:58,100 --> 00:41:00,167 WOW! UH... 615 00:41:00,200 --> 00:41:04,267 OH, THAT'S A, UM, MASK. A GOLI MASK. I GOT IT FROM AFRICA. 616 00:41:04,300 --> 00:41:07,633 NOW, THAT'S WEIRD, 'CAUSE I DIDN'T KNOW, LIKE, AFRICANS WERE INTO HOCKEY. 617 00:41:07,667 --> 00:41:11,533 OH, NO, NO, NO. "GOLI" IS THE NAME OF THE TRIBE. TRIBE. 618 00:41:11,567 --> 00:41:14,667 - IT'S A JOKE. - OH. HA-HA. 619 00:41:14,700 --> 00:41:17,633 * [ Man Singing, Indistinct ] 620 00:41:17,667 --> 00:41:20,700 YOU KNOW, THE SECRET TO MY SALMON IS THE ROSEMARY IN THE BUTTER SAUCE. 621 00:41:20,733 --> 00:41:25,300 'CAUSE... EXCUSE ME? YOU WERE... YOU WERE SAYING SOMETHING? 622 00:41:25,333 --> 00:41:28,267 I USE FRESH ROSEMARY ON MY SALMON ALL THE TIME. 623 00:41:28,300 --> 00:41:30,300 THAT'S WHY IT HAS THAT... I'M SORRY, MARCUS. 624 00:41:30,333 --> 00:41:32,733 MY MIND IS ACTUALLY SOMEPLACE ELSE. 625 00:41:32,767 --> 00:41:35,600 THE KNICKS GAME IS GONNA START IN A FEW MINUTES. 626 00:41:35,633 --> 00:41:39,267 DO YOU MIND IF WE EAT THIS IN FRONT OF THE TV? 627 00:41:39,300 --> 00:41:43,700 [ Laughs ] NO, NOT AT ALL. SURE. NO? GREAT. 628 00:41:43,733 --> 00:41:47,133 [ Angela ] OKAY, DO YOU WANT ITALIAN OR INDIAN? 629 00:41:47,167 --> 00:41:50,800 SO, LIKE, WOMEN LIKE GUYS WHO JUST... YEAH. DECIDE. 630 00:41:50,833 --> 00:41:55,100 ALL RIGHT, I'M GONNA DECIDE. I WILL CHOOSE, 631 00:41:55,133 --> 00:41:56,667 UH... CHINESE. 632 00:41:56,700 --> 00:42:00,033 NO. OH, THAT'S COOL. I MEAN, YOU KNOW, WHATEVER YOU SAY. 633 00:42:00,067 --> 00:42:02,400 IT'S ALL RIGHT. [ Laughing ] 634 00:42:02,433 --> 00:42:05,400 [ Laughs ] I'M BEING, UH, INDECISIVE. 635 00:42:05,433 --> 00:42:07,800 YES, YOU'RE BEING INDECISIVE. 636 00:42:07,833 --> 00:42:12,300 OH. CAN I ASK YOU, LIKE, A PERSONAL QUESTION? 637 00:42:12,333 --> 00:42:14,400 SURE. DO YOU LIKE KIDS? 638 00:42:14,433 --> 00:42:17,067 I LOVE KIDS. I-I PAINT KIDS. 639 00:42:17,100 --> 00:42:20,133 SO, DO YOU WANT TO HAVE, LIKE, A LOT OF KIDS WHEN YOU GET MARRIED? 640 00:42:20,167 --> 00:42:24,300 OH, I WANT A HUGE FAMILY. AT LEAST TEN CHILDREN. 641 00:42:24,333 --> 00:42:26,533 TEN CHILDREN? MM-HMM. 642 00:42:26,567 --> 00:42:29,400 THAT'S NOT A FAMILY. THAT'S LIKE A AFRICAN VILLAGE. 643 00:42:29,433 --> 00:42:34,033 THIS IS ABSOLUTELY RIDICULOUS. ARE YOU WATCHING THIS? THIS, THIS IS INCREDIBLE. 644 00:42:34,067 --> 00:42:36,767 [ TV Announcer ] ...TO GET IT OUTSIDE. [Announcer 645 00:42:36,800 --> 00:42:39,700 [ Announcer Continues, Indistinct ] 646 00:42:39,733 --> 00:42:42,733 I'M GOING TO GET SOME ESPRESSO. YOU WANT SOME? 647 00:42:42,767 --> 00:42:44,633 HMM? NO. NO, THANKS. 648 00:42:44,667 --> 00:42:47,567 [ TV Announcer ] OH, WHAT A MOVE BY JORDAN! 649 00:42:47,600 --> 00:42:50,533 [ Announcer ] IT COUNTS. HEY, LISTEN, MARCUS. 650 00:42:50,567 --> 00:42:55,033 WHILE YOU'RE UP, WILL YOU GRAB ME A BEER? 651 00:42:55,067 --> 00:42:57,367 THANKS. 652 00:42:59,467 --> 00:43:02,567 UH, ALL RIGHT. I HAD A WONDERFUL EVENING. 653 00:43:02,600 --> 00:43:05,800 THANK YOU. SO DID I. YEAH, EVEN THOUGH WE NEVER GOT TO EAT DINNER. 654 00:43:05,833 --> 00:43:09,167 I KNOW. BUT NEXT TIME, I'LL TAKE CONTROL. I'LL ORDER. 655 00:43:09,200 --> 00:43:11,300 SO, NEXT WEEK, DINNER? YOU GOT IT. 656 00:43:11,333 --> 00:43:13,767 FOLLOWED BY HOT, BUTT-NAKED SEX? JUST KIDDING! 657 00:43:13,800 --> 00:43:17,167 [ Laughing ] I'M JUST KIDDING. I'M JUST KIDDING. 658 00:43:17,200 --> 00:43:19,067 SO... [ Clears Throat ] 659 00:43:19,100 --> 00:43:21,533 NOW'S THE MOST DIFFICULT PART OF THE EVENING. 660 00:43:21,567 --> 00:43:24,167 THE KISS GOOD NIGHT. YES, I KNOW, BUT I GOT AN IDEA. 661 00:43:24,200 --> 00:43:27,500 LET'S JUST COUNT FROM FIVE BACKWARDS REAL FAST, AND THEN LET'S GO FOR IT. 662 00:43:27,533 --> 00:43:29,567 ALL RIGHT, CLOSE YOUR EYES. GO. OKAY. GO. 663 00:43:29,600 --> 00:43:32,333 FIVE, FOUR, THREE, TWO, ONE, GO. FIVE, FOUR, THREE, TWO, ONE. 664 00:43:32,367 --> 00:43:35,067 OOH. GOD, I'M SORRY. I MISSED. [ Laughing ] 665 00:43:35,100 --> 00:43:38,067 GUESS I'LL HAVE TO DO IT AGAIN, ALL RIGHT? NO. NO. I'LL DO IT. 666 00:43:38,100 --> 00:43:40,033 OKAY. 667 00:43:40,067 --> 00:43:41,633 BYE. GOOD-BYE. 668 00:43:41,667 --> 00:43:44,233 GOOD NIGHT, ANGELA. SEE YOU NEXT WEEK. GOOD NIGHT. THANK YOU. 669 00:43:44,267 --> 00:43:47,367 - BYE. - ADIOS. 670 00:43:47,400 --> 00:43:51,733 - [ Giggles ] - ARRIVEDERCI. CIAO, BELLA. 671 00:43:51,767 --> 00:43:56,033 BYE. [ Speaks Oriental Gibberish ] 672 00:43:56,067 --> 00:43:59,233 THAT'S KOREAN FOR, "I'M SORRY I SHOT YOU, BUT I THOUGHT YOU WERE ROBBING MY STORE." 673 00:43:59,267 --> 00:44:03,333 [ Laughs ] BYE-BYE. 674 00:44:09,167 --> 00:44:11,433 WHAT AN INCREDIBLE EVENING. 675 00:44:11,467 --> 00:44:13,700 DID YOU SEE JORDAN'S LAST SHOT? 676 00:44:13,733 --> 00:44:17,800 THE MAN MUST'VE BEEN 60 FEET UP, HUH? YEAH, HE REALLY CAN JUMP. 677 00:44:17,833 --> 00:44:19,667 UM, 678 00:44:19,700 --> 00:44:24,600 [ Sniffs ] WANT ME TO COME GET A CAB WITH YOU OR SOMETHING? 679 00:44:24,633 --> 00:44:30,033 NO, NO. I'M FINE. BUT YOU CAN WALK ME TO THE ELEVATOR. 680 00:44:30,067 --> 00:44:33,067 OH, WHAT A TREAT. 681 00:44:35,833 --> 00:44:38,433 YO, MAN, SHE A LESBO. 682 00:44:38,467 --> 00:44:41,167 MAN, THE TERM IS "GAY," ALL RIGHT, TYLER? ALL RIGHT. 683 00:44:41,200 --> 00:44:44,200 JUST 'CAUSE A WOMAN WON'T SLEEP WITH YOU DOESN'T MEAN THAT SHE'S HOMOSEXUAL. 684 00:44:44,233 --> 00:44:46,433 HEY, SHE'S NOT A LESBIAN, OKAY? 685 00:44:46,467 --> 00:44:49,067 YO, MAN, IT'S BEEN ABOUT THREE WEEKS. SO? 686 00:44:49,100 --> 00:44:53,400 SHE'S NOT A LESBIAN, MAN. YO, PERSONALLY, IF I WAS DATING SOMEBODY THAT FINE, 687 00:44:53,433 --> 00:44:55,567 I'D WAIT, WHAT, EIGHT OR NINE MONTHS. 688 00:44:55,600 --> 00:44:57,567 YOU CAN WAIT EIGHT OR NINE YEARS, 689 00:44:57,600 --> 00:45:01,133 AND YOU WOULDN'T NEVER HAVE NO WOMAN THAT FINE. [ Laughing ] 690 00:45:01,167 --> 00:45:05,133 [ Laughing ] YOU WILD BOY! 691 00:45:05,167 --> 00:45:08,667 BUT AT LEAST MY LADY DIDN'T LEAVE ME FOR NO DAMN GUARDIAN ANGEL. 692 00:45:08,700 --> 00:45:11,500 WHY YOU DO THAT, MAN? WHY YOU DO THAT? 693 00:45:11,533 --> 00:45:14,133 I'D HAVE FUCKED THEM UP, BUT THEY KNEW THAT KARATE SHIT! 694 00:45:14,167 --> 00:45:17,300 HEY, COME ON, MAN. STOP, STOP. YOU GONNA GIVE THE BROTHER A HEART ATTACK. OKAY, SO... 695 00:45:17,333 --> 00:45:19,700 BREATHE. BREATHE. LET THE BROTHER RELAX, MAN. 696 00:45:19,733 --> 00:45:22,300 I'M SORRY, MAN. I WAS JUST PLAYIN'. I WAS JUST PLAYIN'. 697 00:45:22,333 --> 00:45:25,500 CAN I ASK YOU SOMETHIN' THOUGH? DID YOU BANG ANGELA YET? WHAT? 698 00:45:25,533 --> 00:45:27,233 AH, GOOD QUESTION. GOOD QUESTION. 699 00:45:27,267 --> 00:45:31,767 MAN, ANGELA AND I ARE JUST TRYIN' TO GET TO KNOW EACH OTHER ON A PLATONIC LEVEL, ALL RIGHT? 700 00:45:31,800 --> 00:45:36,167 OH, OKAY. SO, IN OTHER WORDS, YOU AIN'T HIT THE TWIZZER! NOT A DROP. 701 00:45:36,200 --> 00:45:40,700 TWIZZER? WHAT'S THAT? ANOTHER ONE OF YOUR COLLOQUIALISMS FOR A VAGINA, TYLER? 702 00:45:40,733 --> 00:45:42,233 I KNOW WHAT YOU'RE GETTIN' AT, MAN. 703 00:45:42,267 --> 00:45:46,600 YOU THINK JUST 'CAUSE I HAVE A LOW SPERM COUNT THAT I CAN'T FUNCTION NORMALLY. 704 00:45:46,633 --> 00:45:50,133 BUT, SEE, I DON'T KNOW WHY IT'S LOW. IT SHOULD BE HIGH. YOU AIN'T SHOOTIN' NOTHIN'. 705 00:45:50,167 --> 00:45:53,167 OHHH, MAN, WILL YOU STOP? LEAVE THE BROTHER ALONE. 706 00:45:53,200 --> 00:45:55,567 YOU SHOULDN'T MAKE FUN OF THE AFFLICTED. HE GOT A PROBLEM. 707 00:45:55,600 --> 00:45:58,700 YEAH, HE GOT A "HANDICAPPED" SIGN ON HIS BALLS. STOP THAT, MAN! 708 00:45:58,733 --> 00:46:01,367 YO, MAN, A VERY WELL-KNOWN DOCTOR TOLD ME... 709 00:46:01,400 --> 00:46:03,367 THAT BY WEARING THE PROPER UNDERWEAR, MAN, 710 00:46:03,400 --> 00:46:06,633 THAT WILL COOL MY TESTICLE WALLS, MAN, AND THAT COULD REVERSE MY WHOLE CONDITION. 711 00:46:06,667 --> 00:46:10,300 OH, OKAY. WELL, LET ME GET YOU SOME ICY HOT. [ Laughing ] 712 00:46:10,333 --> 00:46:15,567 OH, HOWDY DOODY. AT LEAST I HAVE HAD SEX IN THE '90s. AHHH! AHH. 713 00:46:15,600 --> 00:46:18,333 "AHHH." WHAT'S THAT? YOU KNOW WHAT I'M TALKIN' ABOUT. 714 00:46:18,367 --> 00:46:22,167 YO, DON'T EVEN TRY. YOU KNOW I GETS MINE. OH, BROTHER, PLEASE. 715 00:46:22,200 --> 00:46:26,233 HEY, LISTEN, YOU ARE THE "NO-PUSSY-GETTINGEST, TALKING-SHITTINEST" CAT I KNOW. 716 00:46:26,267 --> 00:46:29,233 MARCUS, YO, DON'T EVEN TRY IT. YOU KNOW ME... DE RIGUEUR. 717 00:46:29,267 --> 00:46:32,700 AND ALL I'M SAYIN' TO YOU IS THAT IF YOU AIN'T BANGIN' JACQUELINE YET, 718 00:46:32,733 --> 00:46:36,167 SOMETHIN' WRONG WITH HER, MAN, OR SOMETHIN' WRONG WITH HER TWIZZER. 719 00:46:36,200 --> 00:46:40,400 THERE'S NOTHIN' WRONG WITH JACQUELINE, AND THERE'S NOTHIN' WRONG WITH ME. 720 00:46:40,433 --> 00:46:43,433 IT'S GONNA TAKE A LITTLE LONGER THAN I THOUGHT. 721 00:46:46,200 --> 00:46:48,733 [ Takes Deep Breath ] 722 00:46:51,167 --> 00:46:53,133 ARE YOU OKAY? OH, YEAH, I'M FINE. 723 00:46:53,167 --> 00:46:56,600 IT'S JUST THAT THESE SALES CONVENTIONS ARE REALLY BORING, YOU KNOW? 724 00:46:56,633 --> 00:47:01,500 YEAH, THEY CAN BE PRETTY BORING, BUT WE'RE GOING TO NEW ORLEANS. HAVE YOU BEEN TO NEW ORLEANS? 725 00:47:01,533 --> 00:47:04,533 NO. IT SEEMS LIKE IT'S A... A SEXY TOWN. 726 00:47:04,567 --> 00:47:08,800 YEAH, IT'S A REAL... IT'S A ROMANTIC TOWN. 727 00:47:08,833 --> 00:47:13,300 YOU KNOW? IT'S A KIND OF PLACE WHERE YOU JUST TAKE SOMEBODY THAT YOU LOVE... 728 00:47:13,333 --> 00:47:16,300 AND JUST SIT BACK, RELAX, THROW ON THE JAZZ... 729 00:47:16,333 --> 00:47:18,467 AND JUST, JUST CHILL. 730 00:47:18,500 --> 00:47:22,667 YOU KNOW? MM-HMM. 731 00:47:25,233 --> 00:47:29,700 THAT'S SOMETHING YOU CAN DO WHEN JACQUELINE GETS TO TOWN, YOU KNOW. 732 00:47:29,733 --> 00:47:33,467 NOW, WHERE'D THAT COME FROM? I DON'T KNOW. 733 00:47:33,500 --> 00:47:36,133 WHERE DID THAT COME FROM? WHO SAID THAT? 734 00:47:36,167 --> 00:47:40,600 I THINK YOU SAID IT. IT SOUNDED LIKE IT CAME OUT OF YOUR MOUTH FROM NOWHERE. 735 00:47:40,633 --> 00:47:43,800 I JUST... YOU KNOW, I... I THINK YOU'RE COOL. 736 00:47:43,833 --> 00:47:47,567 I LIKE YOU, AND I WAS JUST BEING CONCERNED. 737 00:47:47,600 --> 00:47:50,533 - ALL UP IN MY BUSINESS. - I WASN'T TRYING TO PRY, REALLY. 738 00:47:50,567 --> 00:47:53,033 DO I LOOK LIKE THE KIND OF GIRL THAT WOULD BE PRYING? 739 00:47:53,067 --> 00:47:56,167 WELL, NOT FIVE MINUTES AGO, BUT NOW YOU LOOK LIKE THE ONE. 740 00:47:56,200 --> 00:48:00,733 IF YOU LOOK UP "PRY" IN THE DICTIONARY, IT'D BE YOUR PICTURE NEXT TO IT, LIKE... 741 00:48:03,600 --> 00:48:05,733 [ Ship's Whistle Blows ] 742 00:48:05,767 --> 00:48:10,000 * [ Jazz ] [ Chattering ] 743 00:48:26,133 --> 00:48:29,100 [ Laughing ] 744 00:48:29,133 --> 00:48:32,000 AH, LOOK WHO'S COOKIN' NOW! WHOO! 745 00:48:44,467 --> 00:48:47,000 MARCUS! AAAH! 746 00:48:49,333 --> 00:48:52,533 [ Squealing ] 747 00:48:52,567 --> 00:48:55,267 WHAT'S THE MATTER WITH YOU? STOP IT. 748 00:48:55,300 --> 00:48:58,067 COME ON. WHAT? STOP! 749 00:48:58,100 --> 00:49:02,167 OKAY, OKAY, STOP IT, MARCUS. I THINK THAT WE SHOULD GO HOME. 750 00:49:02,200 --> 00:49:04,767 LET'S... LET'S GO HOME. 751 00:49:06,467 --> 00:49:10,033 WELL, THAT WAS PRETTY GREAT, HUH? 752 00:49:10,067 --> 00:49:12,433 YEAH, PRETTY GREAT. 753 00:49:12,467 --> 00:49:15,633 [ Laughing ] 754 00:49:22,667 --> 00:49:25,133 WELL, YOU, UH, YOU ENJOY THAT MINT. 755 00:49:25,167 --> 00:49:29,600 I HOPE IT'S REFRESHING AND CHOCOLATY. [ Chuckles ] 756 00:49:35,467 --> 00:49:38,400 MY KEY WON'T WORK. 757 00:49:40,833 --> 00:49:43,333 SHIT. 758 00:49:44,433 --> 00:49:48,467 HEY, MARCUS, WHY DON'T YOU COME HERE FOR A SECOND. 759 00:49:48,500 --> 00:49:51,733 I'M NOT PLAYING. MY KEY REALLY IS NOT WORKING, YOU KNOW? 760 00:49:51,767 --> 00:49:54,133 [ Chuckles ] 761 00:49:54,167 --> 00:49:56,400 PLEASE? 762 00:50:21,067 --> 00:50:24,333 [ Panting, Moaning ] 763 00:50:33,567 --> 00:50:37,533 * SPENDING TIME WITH YOU LA, LA * 764 00:50:37,567 --> 00:50:40,567 * FEELS LIKE HEAVEN 765 00:50:40,600 --> 00:50:43,700 * LA, LA * JUST CAN'T STAND IT, BABY 766 00:50:43,733 --> 00:50:47,533 * OOH, IT FEELS SO GOOD LA, LA * * IT FEELS SO GOOD 767 00:50:47,567 --> 00:50:52,567 * IT'S JUST LIKE HEAVEN LA, LA * * JUST LIKE 768 00:50:52,600 --> 00:50:54,800 * JUST CAN'T STAND IT, BABY 769 00:50:54,833 --> 00:50:57,600 * OOH, IT'S SO SWEET * FEELS SO SWEET 770 00:50:57,633 --> 00:51:00,467 * OOH, IT'S SO SWEET * FEELS SO SWEET 771 00:51:00,500 --> 00:51:04,533 * OOH, IT'S SO SWEET OOH, IT'S SO SWEET * 772 00:51:04,567 --> 00:51:09,067 * OOH, IT'S SO SWEET OOH, IT'S SO SWEET * * FEELS SO GOOD INSIDE 773 00:51:09,100 --> 00:51:12,533 * JUST CAN'T STAND IT, BABY * OOH, IT'S SO SWEET 774 00:51:12,567 --> 00:51:15,733 * IT FEELS LIKE HEAVEN [ Moaning Continues ] 775 00:51:15,767 --> 00:51:19,333 * OOH, OOH * WHEN I'M WITH YOU, BABY 776 00:51:19,367 --> 00:51:23,467 * OH, SO SWEET * LA, LA, LA, LA, LA LA, LA * 777 00:51:23,500 --> 00:51:26,733 * YOU MAKE ME FEEL SO GOOD INSIDE * 778 00:51:26,767 --> 00:51:31,733 * OHHH, AH, OHHH, AH, YEAH 779 00:51:55,500 --> 00:52:00,100 [ Sighs ] YES! YES. 780 00:52:03,167 --> 00:52:06,000 [ Quiet Moaning ] 781 00:52:15,133 --> 00:52:18,067 [ Car Horn Honking ] 782 00:52:18,100 --> 00:52:21,400 [ Marcus ] SHE'S AMAZING. SHE EVEN HAS PRETTY FEET, THIS GIRL. 783 00:52:21,433 --> 00:52:23,667 OH, YEAH? HOW'S THE COOCHY? MAN, THAT IS CRASS! 784 00:52:23,700 --> 00:52:27,000 MAY I HELP YOU? NO, WE'RE OKAY. WE'RE JUST BROWSING. 785 00:52:30,767 --> 00:52:34,200 HE'S TRIPPIN'. YO, LOOK. I'M A REALIST, RIGHT? 786 00:52:34,233 --> 00:52:37,400 IF THE COOCHY'S GOOD, EVERYTHING ELSE FALLS INTO PLACE. 787 00:52:37,433 --> 00:52:39,767 IT'S MORE THAN SEX WITH THIS GIRL. I DIG HER. 788 00:52:39,800 --> 00:52:42,100 YOU KNOW, HER SPIRIT AND HER MIND AND EVERYTHING. 789 00:52:42,133 --> 00:52:44,633 SHE'S BAD! SHE COULD BE MRS. GRAHAM. [ Gerard ] OH, YEAH? 790 00:52:44,667 --> 00:52:47,433 YOU THINK I'M JOKIN'. SHE'S THAT BAD, MAN. 791 00:52:47,467 --> 00:52:50,067 [ Laughing ] MARCUS IS IN LOVE. 792 00:52:50,100 --> 00:52:53,233 YO! YO, I'M GETTIN' THIS, MARCUS. STEP OFF. 793 00:52:53,267 --> 00:52:57,467 THAT JACKET IS $1,800. NO REFUNDS. 794 00:52:57,500 --> 00:52:59,467 WHAT, YOU THINK I CAN'T PAY FOR IT? 795 00:52:59,500 --> 00:53:02,467 WELL, THERE IS NO LAYAWAY PLAN. 796 00:53:02,500 --> 00:53:05,467 HEY, WE'RE OKAY. WE DON'T NEED ANY HELP. 797 00:53:05,500 --> 00:53:08,667 WE DON'T KEEP CASH IN THE STORE. 798 00:53:10,800 --> 00:53:14,133 HE'S A SUCKER, MAN. DON'T EVEN TRIP ON THAT. 799 00:53:14,167 --> 00:53:17,067 RACIAL... YEAH, YOU RIGHT, MAN. DON'T EVEN TRIP ON THAT. 800 00:53:17,100 --> 00:53:20,067 WAIT. NO REFUND? WHAT'S HE THINK? WE GONNA TAKE THE JACKET, WEAR IT, 801 00:53:20,100 --> 00:53:23,367 STANK IT ALL UP TO BE DAMNED AND THEN, LIKE, GIVE IT BACK TO HIM? 802 00:53:23,400 --> 00:53:26,667 WE CAN'T GET OVER THIS... THERE'S A CERTAIN GROUP OF PEOPLE... 803 00:53:26,700 --> 00:53:28,733 WITH A NATURAL FEAR OF BLACK PEOPLE. 804 00:53:28,767 --> 00:53:31,500 THEY'RE PROGRAMMED, YOU KNOW? LIKE, WATCH. NOW! 805 00:53:31,533 --> 00:53:36,400 SEE HOW FRIGHTENED HE WAS, JUST FROM A BLACK MAN SCREAMING "NOW" AT HIM? 806 00:53:36,433 --> 00:53:37,900 [ Angela ] WELL, WHAT DO YOU THINK? 807 00:53:37,933 --> 00:53:40,633 [ Jacqueline ] PEOPLE ARE GONNA LOVE THIS. YOU THINK SO? 808 00:53:40,667 --> 00:53:44,133 YES, I REALLY DO. I THINK THIS IS GONNA BE GREAT FOR HER IMAGE. 809 00:53:44,167 --> 00:53:46,067 LOOK AT THIS ONE. 810 00:53:46,100 --> 00:53:48,500 OH, ANGELA! WOW. [ Laughs ] 811 00:53:48,533 --> 00:53:51,700 YOU LIKE IT? REALLY? YES, I LIKE IT. I LIKE IT A LOT. 812 00:53:51,733 --> 00:53:53,667 GREAT. THANK YOU. GUESS WHAT. 813 00:53:53,700 --> 00:53:56,367 MARCUS THINKS WE OUGHTA GO TO THE CARIBBEAN TO SHOOT THIS. 814 00:53:56,400 --> 00:53:59,133 - THE CARIBBEAN? - MM-HMM. 815 00:53:59,167 --> 00:54:01,067 THAT'S EXPENSIVE. I KNOW. 816 00:54:01,100 --> 00:54:03,667 BUT IT'S NICE. NO, IT'S A NICE IDEA. 817 00:54:03,700 --> 00:54:07,567 - WELL, YOU KNOW MARCUS AND HIS BIG IDEAS. - I DO. 818 00:54:07,600 --> 00:54:10,467 YOU KNOW, SPEAKING OF MARCUS, UM, 819 00:54:10,500 --> 00:54:14,233 I HEAR HE'S GOT A REAL... REPUTATION. 820 00:54:14,267 --> 00:54:17,400 UH-HUH. BONY-T TOLD YOU THAT, RIGHT? 821 00:54:17,433 --> 00:54:22,500 [ Laughing ] WELL, ANGELA... 822 00:54:23,633 --> 00:54:27,600 I CAN CONFIRM THAT MARCUS'S REPUTATION... 823 00:54:27,633 --> 00:54:31,067 IS EXTREMELY WELL-DESERVED. 824 00:54:31,100 --> 00:54:35,233 YOU CAN CONFIRM IT? LIKE, YOU AND MARCUS HAVE... 825 00:54:35,267 --> 00:54:38,067 OH, GOD, THIS MAN... HE'S WONDERFUL. 826 00:54:38,100 --> 00:54:41,600 I MEAN, HE'S KIND OF... OH, HE'S MAGNIFICENT. 827 00:54:41,633 --> 00:54:45,633 AND HE JUST HAPPENS TO HAVE THE BEST ASS I HAVE EVER SEEN. 828 00:54:45,667 --> 00:54:48,267 HEY, BABY, YOU GOT A SEC? 829 00:54:48,300 --> 00:54:50,467 MARCUS, HI. OH, GOD. HI. 830 00:54:50,500 --> 00:54:52,633 [ Both Laughing ] 831 00:54:52,667 --> 00:54:55,767 WHAT DID I WALK IN ON? WHAT ARE Y'ALL TALKIN' ABOUT? 832 00:54:55,800 --> 00:54:58,667 WE'RE TALKING ABOUT WORK. WORK. 833 00:54:58,700 --> 00:55:01,600 YOU'RE BOTH BLUSHING. SOMETHING IS UP. WHAT'S UP? 834 00:55:01,633 --> 00:55:05,133 - ART. ART. - IT'S A GIRL ISSUE. WHAT'S UP? COME ON, TALK TO ME. 835 00:55:05,167 --> 00:55:07,567 OH, GOD. GIRLINESS. GIRLINESS. 836 00:55:07,600 --> 00:55:09,633 NOTHING. NOTHING. WHY YOU LEAVIN'? IT'S GERARD. 837 00:55:09,667 --> 00:55:12,067 IT'S TIME TO GO. NO, GERARD HIT IT, DIDN'T HE? 838 00:55:12,100 --> 00:55:15,567 NO, NO. HIT IT? GERARD COULD NOT HIT IT IF HE HAD A BAT, OKAY? 839 00:55:15,600 --> 00:55:18,600 OH, YOU WANT TO KEEP IT A SECRET, HUH? BUT YOU KNOW HE HIT IT. 840 00:55:18,633 --> 00:55:20,633 IT'S GERARD, ISN'T IT? I DON'T KNOW. 841 00:55:20,667 --> 00:55:23,267 OH, HAVE YOUR LITTLE SECRETS. THAT'S NOT WHY I CAME HERE. 842 00:55:23,300 --> 00:55:26,267 I CAME HERE TO TELL YOU... WHAT A WONDERFUL TIME... I HAD IN NEW ORLEANS. 843 00:55:26,300 --> 00:55:29,800 MARCUS, HON, I DON'T THINK THAT WE SHOULD DO THIS IN THE OFFICE. 844 00:55:29,833 --> 00:55:32,367 - WHAT? STOP BUGGIN'. - [ Mumbles, Indistinct ] 845 00:55:32,400 --> 00:55:37,200 WHY DON'T WE GET ON TOP OF THE DESK AND GET FRISKY AND GO CRAZY, YOU KNOW? 846 00:55:37,233 --> 00:55:40,400 UM... LISTEN. 847 00:55:42,067 --> 00:55:45,333 YOU'RE NOT GETTING SERIOUS ON ME, ARE YOU? 848 00:55:45,367 --> 00:55:48,333 WHAT ARE YOU TALKIN' ABOUT, AM I GETTING SERIOUS? WHAT IS THAT? 849 00:55:48,367 --> 00:55:54,333 WELL, YOU KNOW. WHERE YOU WANT THIS TO GROW INTO A RELATIONSHIP, 850 00:55:54,367 --> 00:55:57,533 WHERE, GOD, WE'RE TOGETHER ALL THE TIME... 851 00:55:57,567 --> 00:55:59,467 AND STUFF LIKE THAT, ARE YOU? 852 00:55:59,500 --> 00:56:01,667 EXCUSE ME. [ Chuckles ] 853 00:56:01,700 --> 00:56:06,000 I KNOW THAT YOU'RE NOT TELLING ME THAT NEW ORLEANS WAS A FLING. 854 00:56:07,233 --> 00:56:09,533 NO. NO. NO. 855 00:56:09,567 --> 00:56:12,167 I HAD A GREAT TIME IN NEW ORLEANS. 856 00:56:12,200 --> 00:56:16,200 - YOU KNOW I HAD A GREAT TIME. - SO WHAT'S THE PROBLEM? 857 00:56:16,233 --> 00:56:21,600 WELL, I JUST THINK THAT NEW ORLEANS WAS NEW ORLEANS, 858 00:56:21,633 --> 00:56:24,500 AND WE SHOULD LEAVE IT AT THAT. 859 00:56:26,700 --> 00:56:31,067 [ Chuckles ] OH, IT'S NOT LIKE I'M TRYIN' TO PRESSURE YOU OR ANYTHING. 860 00:56:31,100 --> 00:56:33,033 OH, NO. NO. NO, NO, NO. 861 00:56:33,067 --> 00:56:35,700 I'M NOT PROPOSING OR ANYTHING. OF COURSE NOT. 862 00:56:35,733 --> 00:56:38,567 MY TUXEDO WASN'T IRONED OR NOTHIN' LIKE THAT, YOU KNOW. 863 00:56:38,600 --> 00:56:40,633 I BELIEVE IN TAKIN' THINGS SLOW TOO. 864 00:56:40,667 --> 00:56:43,200 EXACTLY. THAT'S WHAT I'M TALKING ABOUT. 865 00:56:43,233 --> 00:56:47,067 I WAS JUST WONDERING WHEN WE COULD SEE EACH OTHER AGAIN, THAT'S ALL. 866 00:56:48,200 --> 00:56:52,333 [ Sighs ] I DON'T KNOW. I'M KINDA BUSY RIGHT NOW. 867 00:56:52,367 --> 00:56:57,467 I JUST FOUND OUT THAT I'M GONNA HAVE TO BE SPENDING A LOT OF TIME OUT OF TOWN, 868 00:56:57,500 --> 00:57:00,600 SO I'LL GET BACK TO YOU, OKAY? 869 00:57:00,633 --> 00:57:04,200 YOU'LL GET BACK TO ME? [ Chuckles ] 870 00:57:04,233 --> 00:57:07,100 I DON'T HAVE MY SCHEDULE. MY SECRETARY'S OUT OF TOWN. 871 00:57:07,133 --> 00:57:09,800 HE WON SOME KIND OF OFFICE POOL, SO... I'LL CALL YOU. 872 00:57:09,833 --> 00:57:13,700 "MARCUS, WITH REGARDS TO US DOING IT AGAIN, I'LL GET BACK TO YOU." 873 00:57:13,733 --> 00:57:16,333 THAT'S A... THAT'S A NEW ONE ON MARCUS. 874 00:57:16,367 --> 00:57:19,100 WELL, UH, JUST DON'T MAKE ME WAIT TOO LONG, 875 00:57:19,133 --> 00:57:23,067 'CAUSE IT'S NOT LIKE I GOTTA SIT BY THE TELEPHONE TO WAIT FOR SOMEBODY TO GET BACK TO ME. 876 00:57:23,100 --> 00:57:25,700 YOU KNOW WHAT I'M SAYING? NO. NO. I REALIZE... 877 00:57:25,733 --> 00:57:28,533 THAT YOU OF ALL PEOPLE WILL NOT BE WAITING ALONE, 878 00:57:28,567 --> 00:57:31,600 SO I WILL TRY AND GET BACK TO YOU SOON. 879 00:57:35,367 --> 00:57:38,167 YOU'RE GONNA CALL ME, RIGHT? 880 00:58:03,467 --> 00:58:05,467 [ Phone Rings ] HELLO? YES? YES? 881 00:58:05,500 --> 00:58:08,267 [ Man On Phone ] HELLO? MR. GRAHAM? YES. YES. 882 00:58:08,300 --> 00:58:13,200 MISS BROYER HAS ASKED ME TO TELL YOU THAT SHE IS FREE THE EVENING OF THE 12th. 883 00:58:15,500 --> 00:58:18,233 THE 12th IS THREE WEEKS FROM NOW! 884 00:58:18,267 --> 00:58:20,633 SORRY. THAT'S HER FIRST OPENING. 885 00:58:20,667 --> 00:58:24,000 SHOULD I PENCIL YOU IN? 886 00:58:28,400 --> 00:58:32,167 YEAH. UH, THANK YOU. 887 00:58:32,200 --> 00:58:34,433 THANK YOU. 888 00:58:38,533 --> 00:58:42,200 [ Lady Eloise's Voice ] MARCUS! 889 00:58:44,600 --> 00:58:46,533 * BOW-WOW-WOW YIPPEE-YO, YIPPEE-YEA * 890 00:58:46,567 --> 00:58:48,767 * BOW-WOW YIPPEE-YO, YIPPEE, YEA * 891 00:58:48,800 --> 00:58:51,067 * BOW-WOW-WOW YIPPEE-YO, YIPPEE-YEA * 892 00:58:51,100 --> 00:58:54,100 * BOW-WOW YIPPEE-YO, YIPPEE, YEA * 893 00:58:55,633 --> 00:58:58,500 YO, BROTHER, MAN, GOLD WATCHES, GOLD CHAINS. 894 00:58:58,533 --> 00:59:01,233 YO, BROTHER, YOU GOTTA SHOW SOME GOLD TO GET THAT GIRL. 895 00:59:01,267 --> 00:59:04,367 I'M COOL, Y'ALL. I ALREADY HAVE A WATCH. BUT THANK YOU. GUCCI. 896 00:59:04,400 --> 00:59:07,067 BROTHER, THAT'S A NICE WATCH! THANK YOU. 897 00:59:07,100 --> 00:59:08,667 WATCH YOUR BACK. 898 00:59:08,700 --> 00:59:11,400 [ Car Horn Honking, Siren Wailing ] 899 00:59:11,433 --> 00:59:15,633 I'M GONNA CHECK YOU OUT AFTER. CAN YOU TELL ME WHAT TIME THE SHOW STARTS? 900 00:59:15,667 --> 00:59:18,633 [ Woman Shouting, Indistinct ] OF COURSE I AM. 901 00:59:18,667 --> 00:59:21,700 BROTHER, PLEASE. I JUST WANNA KNOW WHAT TIME THE SHOW STARTS. 902 00:59:21,733 --> 00:59:24,500 HOLD ON FOR A SECOND. WHAT? 903 00:59:24,533 --> 00:59:27,633 [ Mimicking Hearing-Impaired Speech ] WHAT TIME DOES THE SHOW START? 904 00:59:27,667 --> 00:59:30,800 THE SHOW STARTED A HALF AN HOUR AGO. THANK YOU. 905 00:59:30,833 --> 00:59:33,367 YOU'RE WELCOME. YOU'RE VERY GOOD AT THIS JOB. 906 00:59:33,400 --> 00:59:37,100 I KNOW THIS. SOME PUNK-ASS NIGGA. 907 00:59:37,133 --> 00:59:41,300 YEAH. HI. WHAT TIME DOES FLIGHT 97 FROM TORONTO GET IN? 908 00:59:41,333 --> 00:59:43,500 THREE HOURS AGO? 909 00:59:43,533 --> 00:59:46,433 OKAY, WAS THERE A JACQUELINE BROYER ON THE PLANE? 910 00:59:46,467 --> 00:59:49,800 WHAT DO YOU MEAN, YOU CAN'T GIVE OUT THAT INFORMATION? THIS IS FLIGHT INFORMATION, RIGHT? 911 00:59:49,833 --> 00:59:55,167 THEN WHY DO YOU CALL IT "FLIGHT INF..." FORGET IT. FORGET IT. THANK YOU. 912 00:59:55,200 --> 00:59:57,233 [ Thunderclaps ] 913 00:59:57,267 --> 01:00:01,633 CAN YOU CHECK TO SEE IF THERE HAVE BEEN ANY ACCIDENTS BETWEEN JFK AND MIDTOWN? 914 01:00:01,667 --> 01:00:07,600 WHAT THE HELL IS 911 FOR? WELL, I WANNA TALK TO A SUPERVISOR. 915 01:00:07,633 --> 01:00:10,533 [ Phone Beeps Off ] 916 01:00:11,667 --> 01:00:15,467 - HELLO. - OH, YOU FINALLY DECIDED TO SHOW UP. 917 01:00:15,500 --> 01:00:20,400 I HAD SOME MEETINGS THAT RAN OVER, SO I HAD TO TAKE A LATER FLIGHT. 918 01:00:24,700 --> 01:00:28,167 YOU CAN'T PICK UP A TELEPHONE AND CALL SOMEBODY, RIGHT? 919 01:00:28,200 --> 01:00:32,667 WELL, I WOULD'VE CALLED, MARCUS, BUT THEY DIDN'T HAVE A PHONE ON THE PLANE. 920 01:00:32,700 --> 01:00:35,633 I WASTED $200 ON TICKETS... 921 01:00:35,667 --> 01:00:38,500 JUST WASTED... AND IT'S ALL YOUR FAULT, OKAY? 922 01:00:38,533 --> 01:00:41,800 I'M SORRY. LISTEN, WHY DON'T I JUST GIVE YOU THE MONEY FOR THE TICKETS? 923 01:00:41,833 --> 01:00:44,300 IT HAS NOTHING TO DO WITH THE MONEY, OKAY? YOU'RE BEING INCONSIDERATE. 924 01:00:44,333 --> 01:00:47,567 YOU DIDN'T CALL ME. YOU DIDN'T DO ANYTHING... I WAS CALLING ALL OVER NEW YORK FOR YOU. 925 01:00:47,600 --> 01:00:53,100 - YOU COULD'VE BEEN LAYIN' ON THE SIDE OF THE ROAD SOMEWHERE. - THAT'S VERY SWEET, VERY SWEET. 926 01:00:56,533 --> 01:00:59,633 ONE OF MY TRICKS, OKAY? I KNOW THE FLOWER THING. 927 01:00:59,667 --> 01:01:05,633 LISTEN. I'M UPSET WITH YOU. WHAT YOU DID WAS INCONSIDERATE, AND I'M UPSET. 928 01:01:05,667 --> 01:01:09,667 WELL, MAYBE I SHOULD JUST GO. 929 01:01:11,367 --> 01:01:14,600 YEAH, I'LL GO. 930 01:01:15,500 --> 01:01:18,533 WHOA, WHOA, WHOA, WHOA, WHOA. 931 01:01:22,833 --> 01:01:28,500 LISTEN. LOOK, LOOK. I HAD A LONG DAY. YOU'VE HAD A LONG DAY. 932 01:01:28,533 --> 01:01:32,367 AND I'M GETTIN'... I'M TRIPPIN'. I'M BUGGIN' OUT, AND MAYBE I'M GOIN' OVERBOARD. 933 01:01:32,400 --> 01:01:35,633 WHY DON'T YOU JUST GO DRY OFF, AND LET'S PUT THIS WHOLE THING BEHIND US? 934 01:01:35,667 --> 01:01:38,667 LET'S SQUASH THIS WHOLE THING. 935 01:01:38,700 --> 01:01:41,733 SO DOES THIS MEAN THAT YOU FORGIVE ME? 936 01:01:41,767 --> 01:01:46,467 THIS MEANS THAT I AM BEING A BIT EMOTIONAL, AND I ACKNOWLEDGE THAT. 937 01:01:46,500 --> 01:01:49,433 WE SHOULD JUST SQUASH IT. 938 01:01:49,467 --> 01:01:54,667 WELL, I THINK IT MEANS YOU FORGIVE ME. 939 01:01:57,133 --> 01:02:00,233 HMM? 940 01:02:00,267 --> 01:02:05,200 - YOU DIDN'T HAVE NO CLOTHES ON UNDERNEATH THE COAT. - NO. 941 01:02:06,767 --> 01:02:09,100 [ Chuckles ] 942 01:02:09,133 --> 01:02:10,533 YOU'RE TOO MUCH. 943 01:02:10,567 --> 01:02:14,367 SO YOU KNEW YOU WAS WRONG. THAT'S WHY YOU CAME OVER IN YOUR DRAWERS, 944 01:02:14,400 --> 01:02:18,000 'CAUSE YOU KNOW THAT WASN'T RIGHT. 945 01:02:27,467 --> 01:02:30,500 JACQUELINE, JACQUELINE, JACQUELINE. 946 01:02:30,533 --> 01:02:32,500 [ Moaning ] 947 01:02:32,533 --> 01:02:35,300 [ Both Mumbling, Indistinct ] 948 01:02:35,333 --> 01:02:38,233 WHOSE IS IT, HUH? WHOSE IS IT? IT'S YOURS. IT'S YOURS. 949 01:02:38,267 --> 01:02:40,500 MMM. AAH, AAH. MMM. 950 01:02:40,533 --> 01:02:43,433 OH, WAIT, WAIT, WAIT. I DON'T WANNA COME YET. I DON'T WANNA COME YET. 951 01:02:43,467 --> 01:02:46,233 NO, NO, NO, NO. WAIT, WAIT, WAIT, WAIT. 952 01:02:46,267 --> 01:02:50,300 [ Marcus: Prolonged Moan ] OH, YEAH! 953 01:02:50,333 --> 01:02:54,200 OH, YES! OH! [ Toes Crack ] 954 01:02:54,233 --> 01:02:57,367 WHOO! [ Quavering ] 955 01:02:57,400 --> 01:03:01,367 MM, MM-HMM. WAIT, WAIT. HOLD. HOLD. NO, NO. WAIT. DON'T DO NOTHIN'. 956 01:03:01,400 --> 01:03:04,533 DON'T DO THAT. [ Sighs ] 957 01:03:04,567 --> 01:03:07,733 FFFFFFFFFF... [ Continues ] 958 01:03:07,767 --> 01:03:11,633 DON'T YOU SAY NOTHIN'. DON'T SAY NOTHIN'. DON'T DO NOTHIN'. NO. DON'T TOUCH ME. 959 01:03:11,667 --> 01:03:14,600 DON'T TOUCH ME. DON'T MOVE. DON'T DO NOTHIN'. 960 01:03:14,633 --> 01:03:18,267 JUST HOLD STILL. WHOA, WHOA. HOLD IT. NO. HOLD ON! 961 01:03:18,300 --> 01:03:22,233 SWEET GOD. HOLD ON. OH, SHIT. [ Yells, Stifles Yell ] 962 01:03:22,267 --> 01:03:25,267 [ Humming ] YOU KNEW THAT I WAS COMING. YOU KNEW I WAS. 963 01:03:25,300 --> 01:03:28,633 YOU KNEW I WAS. [ Mumbling ] 964 01:03:32,567 --> 01:03:35,133 I HAVE TO CALL MY MOTHER. 965 01:03:46,233 --> 01:03:48,300 WHERE YOU GOIN'? 966 01:03:48,333 --> 01:03:53,167 HOME. I HAVE TO GIVE A SPEECH IN THE MORNING TO THE BOARD OF DIRECTORS. 967 01:03:54,267 --> 01:03:56,667 BUT THANK YOU. YOU WERE GREAT. 968 01:03:56,700 --> 01:04:00,300 GOD, MARCUS, I WAS SO TENSE WHEN I GOT OFF THE PLANE, 969 01:04:00,333 --> 01:04:04,667 BUT YOU REALLY RELAXED ME. 970 01:04:04,700 --> 01:04:08,633 SO, MR. GRAHAM, THANK YOU. 971 01:04:08,667 --> 01:04:12,367 YOU REALLY HAVE TO GO? MM-HMM. 972 01:04:12,400 --> 01:04:15,733 I'LL CALL YOU SOMETIME TOMORROW, OKAY? 973 01:04:15,767 --> 01:04:18,700 GET SOME SLEEP. 974 01:04:27,200 --> 01:04:29,733 CALL ME. 975 01:04:32,067 --> 01:04:35,133 [ Door Opens, Closes ] 976 01:04:49,800 --> 01:04:53,500 * OH, I MUST BE TOTALLY GONE 977 01:04:53,533 --> 01:04:55,633 * COMPLETELY OUT OF MY MIND 978 01:04:55,667 --> 01:04:59,700 * [ Continues, Indistinct ] 979 01:04:59,733 --> 01:05:04,067 [ Chattering, Laughter ] 980 01:05:06,100 --> 01:05:11,100 - WOULD ANYONE CARE FOR SOME DESSERT? - UH, YEAH. I'LL HAVE TIRAMISU. 981 01:05:11,133 --> 01:05:15,200 I JUST WANT SOME COFFEE. AND FOR THE LADY? 982 01:05:15,233 --> 01:05:18,233 I AM ON A DIET. 983 01:05:18,267 --> 01:05:20,633 VERY GOOD. DIET? DIET, "SCHMIET." 984 01:05:20,667 --> 01:05:25,533 WHAT, ARE YOU CRAZY? YOU LOOK GREAT. I CAN'T WAIT TO GET YOU DOWN TO THE CARIBBEAN. 985 01:05:25,567 --> 01:05:29,067 - I'M NOT SURE I'M GOING. - WELL, YOU'VE GOTTA GO. 986 01:05:29,100 --> 01:05:33,100 MARCUS HAS PLANNED A WONDERFUL TRIP. WE'RE GONNA HAVE A LOT OF FUN. 987 01:05:33,133 --> 01:05:37,333 YEAH. I'M GONNA MAKE A PHONE CALL, ALL RIGHT? GO MAKE A PHONE CALL. 988 01:05:37,367 --> 01:05:40,333 HEY. LISTEN. 989 01:05:40,367 --> 01:05:44,033 I KNOW YOU'RE A LITTLE CONCERNED ABOUT HOW THE LAYOUT WAS GONNA BE, BUT I'M PICTURING YOU... 990 01:05:44,067 --> 01:05:47,167 ON THESE BEAUTIFUL WHITE-SAND BEACHES, RIGHT, AND THESE POWDER-BLUE SKIES. 991 01:05:47,200 --> 01:05:52,367 CRYSTAL BEAUTIFUL WATER. YOU STAND IN THE MIDDLE OF ALL OF THIS, LOOKIN' BREATHTAKIN'. 992 01:05:52,400 --> 01:05:55,667 SO, WHEN ARE WE GONNA FUCK? 993 01:05:55,700 --> 01:05:59,167 - WHAT? - WELL, ACCORDING TO JACQUELINE, 994 01:05:59,200 --> 01:06:01,633 YOU ARE REALLY GREAT IN BED. 995 01:06:01,667 --> 01:06:04,667 OH, JACQUELINE TOLD YOU I WAS REALLY GOOD IN BED? 996 01:06:04,700 --> 01:06:08,033 ACCORDING TO JACQUELINE, 997 01:06:08,067 --> 01:06:11,800 YOU REALLY KNOW HOW TO MOVE YOUR ASS, YOU KNOW? [ Sucks Teeth ] 998 01:06:11,833 --> 01:06:14,800 OH, SHE TOLD YOU I KNOW HOW TO MOVE MY ASS IN BED? 999 01:06:14,833 --> 01:06:20,333 OKAY. OKAY. UH, WELL, I DON'T KNOW WHAT MISS JACQUELINE HAS TOLD YOU, 1000 01:06:20,367 --> 01:06:23,067 BUT IT'S NOT THAT KIND OF PARTY, AND I'D APPRECIATE IT IF... 1001 01:06:23,100 --> 01:06:25,767 - HEY, WHAT'S THE MATTER WITH YOU? STOP THAT! - [ Growls ] 1002 01:06:25,800 --> 01:06:28,567 STOP. STOP IT. WILL YOU STOP IT? GET OUT OF HERE! 1003 01:06:28,600 --> 01:06:31,667 MERDE! MAN, I DON'T BELIEVE THIS. 1004 01:06:31,700 --> 01:06:36,367 YOU ARE GOING TO TURN DOWN A PUSSY LIKE THIS? 1005 01:06:36,400 --> 01:06:41,633 STARING YOU SMACK IN YOUR FACE? NO MAN CAN TURN DOWN THIS PUSSY. 1006 01:06:41,667 --> 01:06:45,500 WILL YOU STOP? I DON'T KNOW ANY MAN THAT CAN REFUSE THIS PUSSY. 1007 01:06:45,533 --> 01:06:49,400 STOP SAYING "PUSSY." PEOPLE ARE EATING IN HERE. PUSSY. 1008 01:06:49,433 --> 01:06:52,400 PUSSY, PUSSY, PUSSY! 1009 01:06:52,433 --> 01:06:56,800 PUSSY, PUS-PUS-PUSSY. 1010 01:06:56,833 --> 01:07:00,767 TRYING TO FIND OUR CAT. WHERE IS THAT CAT? 1011 01:07:00,800 --> 01:07:03,600 WHAT'S THE MATTER WITH YOU? STOP SAYING THAT. 1012 01:07:03,633 --> 01:07:07,533 WHAT'S THE MATTER WITH YOU? YOU DON'T LIKE WOMEN? 1013 01:07:07,567 --> 01:07:10,300 YES, THAT'S IT. I DON'T LIKE WOMEN. 1014 01:07:10,333 --> 01:07:13,167 I'M GAY. YOU'RE NOT GAY. 1015 01:07:13,200 --> 01:07:17,133 - YOU'RE NOT GAY. YOU JUST DON'T WANT TO FUCK ME! - [ Onlookers Gasping ] 1016 01:07:17,167 --> 01:07:20,300 I KNOW A GAY MAN WHEN I SEE ONE. I KNOW WHAT A GAY GUY LOOKS LIKE. 1017 01:07:20,333 --> 01:07:25,400 MY BROTHER IS GAY. AND YOU... HE'S GAY. 1018 01:07:25,433 --> 01:07:29,133 AND HE IS GAY. MERDE. 1019 01:07:29,167 --> 01:07:33,133 [ Continues In French ] 1020 01:07:34,367 --> 01:07:37,700 [ All Murmuring ] 1021 01:07:39,400 --> 01:07:42,500 MARCUS GRAHAM, WHAT DID YOU SAY TO HER? WHAT DID I SAY? 1022 01:07:42,533 --> 01:07:45,367 DO YOU REALIZE THAT I HEARD THIS WOMAN SCREAMING FROM THE BATHROOM? 1023 01:07:45,400 --> 01:07:49,333 HOW DARE YOU DISCUSS WHAT I DO WITH YOU IN BED SEXUALLY WITH THAT WOMAN? 1024 01:07:49,367 --> 01:07:52,667 AS SOON AS YOU LEAVE THE ROOM, SHE STARTS GOING ON ABOUT HOW SHE WANTS TO FUCK ME. 1025 01:07:52,700 --> 01:07:54,667 HOW COULD YOU TALK ABOUT WHAT I DO WITH YOU WITH THIS WOMAN? 1026 01:07:54,700 --> 01:07:56,267 SHE SAID THAT? YEAH, SHE... AND I KNOW YOU SAID IT, 'CAUSE... 1027 01:07:56,300 --> 01:08:00,067 SHE'S A LITTLE OFF. SHE STARTED TALKIN' ABOUT HOW MY ASS MOVES. I KNOW YOU SAID IT. 1028 01:08:00,100 --> 01:08:03,133 LISTEN. DON'T EXPECT ME TO SLEEP WITH PEOPLE FOR BUSINESS REASONS, OKAY? 1029 01:08:03,167 --> 01:08:06,067 YOU DID WITH LADY ELOISE. EXCUSE ME. THAT IS A RUMOR. 1030 01:08:06,100 --> 01:08:10,267 WE DO NOT KNOW IF I SLEPT WITH LADY ELOISE. I HAD A CHITCHAT WITH LADY ELOISE, OKAY? 1031 01:08:10,300 --> 01:08:12,533 OH, PLEASE, MARCUS. OH, GOD. "OH, PLEASE," MY ASS. 1032 01:08:12,567 --> 01:08:15,733 DON'T DISCUSS WHAT I DO WITH YOU WITH OTHER PEOPLE. 1033 01:08:24,567 --> 01:08:28,133 [ Jacqueline ] I'LL HANDLE THIS. 1034 01:08:28,167 --> 01:08:30,700 [ Horns Honking ] 1035 01:08:32,800 --> 01:08:35,567 OKAY, STRANGE, WHAT'S THE PROBLEM? 1036 01:08:35,600 --> 01:08:39,533 WHAT PROBLEM? I'M NOT GOING. 1037 01:08:39,567 --> 01:08:44,300 NOW, LISTEN. YOU'RE GONNA HAVE YOURSELF ON THE PLANE, 1038 01:08:44,333 --> 01:08:47,200 OR I WILL NOT ONLY TAKE BACK THE MILLION OR TWO I AM PAYING YOU, 1039 01:08:47,233 --> 01:08:50,267 I WILL SUE YOU FOR EVERY GODDAMN DIME YOU'VE GOT. 1040 01:08:50,300 --> 01:08:54,667 NOW, DO YOU UNDERSTAND THAT? 1041 01:08:54,700 --> 01:08:56,767 ANDIAMO. 1042 01:08:59,700 --> 01:09:03,700 WHAT AN ABSOLUTELY EXHAUSTING EVENING, HUH? 1043 01:09:06,733 --> 01:09:11,433 TO TELL YOU THE TRUTH, MARCUS, I DON'T FEEL VERY WELL. 1044 01:09:12,733 --> 01:09:15,533 DON'T TOUCH ME. DON'T TOUCH ME. 1045 01:09:15,567 --> 01:09:19,333 YOU MADE ME FEEL DIRTY, AND I DON'T BELIEVE THIS WHOLE THING IS HAPPENING TO ME, OKAY? 1046 01:09:19,367 --> 01:09:25,367 LOOK AT YOU. GOD, MARCUS, GETTING YOURSELF ALL UPSET AND WORKED UP OVER NOTHING. 1047 01:09:25,400 --> 01:09:30,667 NOTHING? THAT'S WHAT SEX IS TO YOU? NOTHING? WHATEVER HAPPENED TO CARING, SHARING, COMMITMENT? 1048 01:09:30,700 --> 01:09:34,133 I KNOW IT SOUNDS OLD-FASHIONED, BUT SOME PEOPLE STILL THINK THINGS LIKE THAT ARE IMPORTANT. 1049 01:09:34,167 --> 01:09:38,167 YOU'VE MADE IT PAINFULLY OBVIOUS THAT YOU NOT ONE OF THEM PEOPLE. 1050 01:09:38,200 --> 01:09:40,133 WELL, 1051 01:09:40,167 --> 01:09:44,300 WHY DON'T I GIVE YOU A SECOND TO THINK ABOUT IT, HUH? 1052 01:09:44,333 --> 01:09:47,100 OH, REALLY? YEAH. 1053 01:09:47,133 --> 01:09:53,467 YEAH, I THINK... I THINK YOU SHOULD DO YOUR OWN THING. 1054 01:09:54,533 --> 01:09:58,167 OKAY, MARCUS, IT'S OVER. 1055 01:10:01,467 --> 01:10:04,067 GOOD NIGHT. 1056 01:10:04,100 --> 01:10:06,533 GOOD NIGHT. 1057 01:10:31,367 --> 01:10:35,767 * HE WILL NOT HURT ME 1058 01:10:35,800 --> 01:10:41,167 * [ Continues, Indistinct ] [ Bony-T ] MARCUS! 1059 01:10:41,200 --> 01:10:45,667 MARCUS! I DON'T BELIEVE THE WAY YOU LET HER DOG YOU OUT LIKE THAT. 1060 01:10:45,700 --> 01:10:49,300 YOU WALKIN' AROUND WITH YOUR HEAD DOWN AND MOPIN'. 1061 01:10:49,333 --> 01:10:53,533 WHERE'S YOUR PRIDE? WHERE'S YOUR DIGNITY? YOU THINK MALCOLM X DIED... 1062 01:10:53,567 --> 01:10:56,400 SO YOU COULD WALK AROUND LOOKING LIKE A CHUMP? 1063 01:10:56,433 --> 01:10:59,333 HEY, BONY, NOT TODAY, OKAY? 1064 01:10:59,367 --> 01:11:02,633 SAD, MAN. TSK. 1065 01:11:03,667 --> 01:11:07,100 FIRST THE FAT BOYS BREAK UP, NOW THIS. 1066 01:11:07,133 --> 01:11:10,467 THERE'S NOTHIN' TO BELIEVE IN ANYMORE. 1067 01:11:10,500 --> 01:11:15,133 * [ Continues, Indistinct ] 1068 01:11:15,167 --> 01:11:17,700 [ Chattering, Laughing ] 1069 01:11:17,733 --> 01:11:23,133 - * WHOA, IN MY HEART - GOOD MORNING, MARCUS. 1070 01:11:23,167 --> 01:11:24,733 [ Chattering Continues ] 1071 01:11:24,767 --> 01:11:28,300 [ Scattered Whispering ] SHH, SHH, SHH, SHH. 1072 01:11:28,333 --> 01:11:31,533 [ Woman ] GOOD MORNING. 1073 01:11:31,567 --> 01:11:36,400 [ Women ] GOOD MORNING. GOOD MORNING, MARCUS GRAHAM. 1074 01:11:36,433 --> 01:11:41,100 - GOOD MORNING. - [ Women Snickering ] 1075 01:11:41,133 --> 01:11:43,467 * WHOA 1076 01:11:43,500 --> 01:11:48,267 * WHY DID YOU KEEP MY SOUL 1077 01:11:48,300 --> 01:11:51,600 * WITHOUT A SPARK [ Continues, Indistinct ] 1078 01:11:51,633 --> 01:11:55,433 [ Laughter, Chattering Continue ] 1079 01:11:58,167 --> 01:12:01,567 * I NEED LOVE 1080 01:12:04,333 --> 01:12:10,300 MARCUS, EXCUSE ME. I NEED THE STORYBOARDS FOR THE STRANGE SPOTS. 1081 01:12:10,333 --> 01:12:14,033 I'M SHOOTING NEXT WEEK. 1082 01:12:15,333 --> 01:12:19,633 - SHOOT WHATEVER YOU WANT TO SHOOT. - WHATEVER I WANT TO SHOOT? 1083 01:12:19,667 --> 01:12:24,200 IT'S YOUR SHOW. I HAVE COMPLETE AUTONOMY? 1084 01:12:24,233 --> 01:12:27,500 - YOU THE MAN. - [ Chuckles ] 1085 01:12:27,533 --> 01:12:31,400 THANK YOU. BLESS YOU. BYE. 1086 01:12:31,433 --> 01:12:33,800 EXCUSE ME. JACQUELINE? YEAH? 1087 01:12:33,833 --> 01:12:36,767 CAN I TALK TO YOU FOR JUST A SECOND? YEAH. SURE. 1088 01:12:36,800 --> 01:12:41,500 UM, I KNOW IT'S NONE OF MY BUSINESS WHAT'S GOING ON WITH YOU AND MARCUS, 1089 01:12:41,533 --> 01:12:46,767 BUT CAN YOU TRY TO TAKE IT EASY ON HIM, PLEASE? 1090 01:12:46,800 --> 01:12:50,267 EXCUSE ME? 1091 01:12:50,300 --> 01:12:55,733 WELL, WHATEVER IT IS YOU'RE DOING TO HIM, IT'S STARTING TO AFFECT HIS WORK. 1092 01:12:55,767 --> 01:12:59,433 WHAT I AM DOING TO HIM? 1093 01:12:59,467 --> 01:13:02,700 YEAH. 1094 01:13:03,567 --> 01:13:08,800 WOW. UM, WELL, IT SEEMS LIKE... 1095 01:13:08,833 --> 01:13:12,633 WHATEVER IT IS I'M DOI TO HIM, 1096 01:13:12,667 --> 01:13:15,633 YOU ARE TAKING RATHER PERSONALLY. 1097 01:13:15,667 --> 01:13:19,667 AM I MISTAKEN, HUH? NO. JACKIE! 1098 01:13:19,700 --> 01:13:23,800 I'M JUST SAYING IT'S JUST AFFECTING HIS WORK, THAT'S ALL. 1099 01:13:23,833 --> 01:13:26,700 WELL, WE DON'T WANT TO DO THAT. 1100 01:13:29,167 --> 01:13:33,567 THANKS, JACK. 1101 01:13:33,600 --> 01:13:39,567 WE HAVE SOMETHING VERY EXCITING COMING UP. AFTER MONTHS OF HARD WORK BY OUR CREATIVE TEAM, 1102 01:13:39,600 --> 01:13:45,433 YOU'RE ABOUT TO SEE THE COMMERCIAL THAT WILL LAUNCH OUR $18 MILLION PUSH... 1103 01:13:45,467 --> 01:13:49,033 FOR THE NEW STRANGE FRAGRANCE. 1104 01:13:49,067 --> 01:13:52,567 LIGHTS, PLEASE. 1105 01:13:59,067 --> 01:14:03,500 HOW IS IT? I HAVEN'T SEEN IT. I LET NELSON DO IT BY HIMSELF. 1106 01:14:03,533 --> 01:14:07,600 THIS IS MY VISION. IT IS FABULOUS. 1107 01:14:07,633 --> 01:14:11,200 FABULOUS! [ Laughs Heartily ] 1108 01:14:18,600 --> 01:14:22,000 [ Hissing ] 1109 01:14:24,200 --> 01:14:27,733 [ Cackling ] 1110 01:14:31,300 --> 01:14:34,467 [ Screaming ] 1111 01:14:36,500 --> 01:14:40,200 [ Grunting ] 1112 01:14:41,300 --> 01:14:45,067 [ Screaming Continues ] 1113 01:14:57,267 --> 01:15:00,467 [ Bottle "Crying" ] 1114 01:15:14,500 --> 01:15:19,433 [ Announcer ] STRANGE: IT STINKS SO GOOD. 1115 01:15:19,467 --> 01:15:21,633 THAT IS RIDICULOUS! 1116 01:15:21,667 --> 01:15:25,733 WELL, THE BOARD WANTED ME TO LET YOU GO. 1117 01:15:25,767 --> 01:15:29,600 I CONVINCED THEM TO GIVE YOU ANOTHER CHANCE. 1118 01:15:29,633 --> 01:15:33,100 WELL, AS AN EMPLOYEE, I THANK YOU FOR SAVING MY JOB. 1119 01:15:33,133 --> 01:15:36,700 - AND AS YOUR LOVER, I THANK YOU FOR RUINING MY LIFE. - OH, COME ON, MARCUS. 1120 01:15:36,733 --> 01:15:40,200 I DIDN'T RUIN YOUR LIFE. YOU RUINED YOUR LIFE. 1121 01:15:40,233 --> 01:15:44,267 I SAID THIS WAS GONNA HAPPEN. I WAS JUST HOPING IT DIDN'T HAPPEN WITH YOU. 1122 01:15:47,600 --> 01:15:51,333 THE ONLY THING THAT I CAN SUGGEST IS... 1123 01:15:51,367 --> 01:15:55,567 PERHAPS YOU SHOULD TAKE A FEW WEEKS OFF. 1124 01:15:59,233 --> 01:16:01,467 OKAY. 1125 01:16:27,600 --> 01:16:29,767 [ Church Bells Ringing ] 1126 01:16:29,800 --> 01:16:33,567 THERE'S THIS ONE KID THAT YOU ARE GONNA LOVE. HE IS SO CUTE. 1127 01:16:33,600 --> 01:16:36,433 HE'S REALLY GONNA LIFT YOU UP. MARCUS! 1128 01:16:36,467 --> 01:16:39,467 I AM NOT GONNA LET YOU SIT AROUND HERE AND MOPE ALL DAY LONG. 1129 01:16:39,500 --> 01:16:44,300 NOW, SNAP OUT OF IT! HAVE YOU BEEN LISTENING? CUPID HAS HIS FOOT IN MY ASS. 1130 01:16:44,333 --> 01:16:49,167 I HAVE THE CURE FOR CUPID, ALL RIGHT? NOW, WHEN I HAVE PROBLEMS WITH MY RELATIONSHIP, 1131 01:16:49,200 --> 01:16:51,700 WHICH IS MOST OF THE TIME, 1132 01:16:51,733 --> 01:16:56,167 I FIND OUT THAT IT'S BETTER TO TAKE THE FOCUS OFF MYSELF... 1133 01:16:56,200 --> 01:16:58,367 AND PUT IT TO OTHERS. 1134 01:16:58,400 --> 01:17:03,433 I DON'T WANNA BE AROUND NO KIDS. I WANNA GO HOME AND SIT IN MY HOUSE... 1135 01:17:03,467 --> 01:17:05,500 AND LOOK AT THE WALLS AND LISTEN TO SADE. 1136 01:17:05,533 --> 01:17:07,500 THAT'S WHAT I WANNA DO. AND THAT'S FUN? 1137 01:17:07,533 --> 01:17:09,767 NO, BUT THAT'S WHERE MY HEAD IS AT RIGHT NOW. THAT'S WHERE I NEED TO BE. 1138 01:17:09,800 --> 01:17:13,667 I DON'T WANNA GO IN HERE AND PAINT. YOU CAN'T PAINT MY MISERIES AWAY. 1139 01:17:13,700 --> 01:17:17,767 [ Chattering ] [ Angela ] HI. HI, ANGELA! 1140 01:17:17,800 --> 01:17:21,067 THANK YOU. EVERYBODY, THIS IS MR. GRAHAM. 1141 01:17:21,100 --> 01:17:24,433 - [ All Laughing ] - WHO DID THAT? 1142 01:17:24,467 --> 01:17:29,533 THESE CHILDREN ARE KIDS THAT I TEACH ART TO WHOSE SCHOOLS CAN'T AFFORD AN ART PROGRAM. 1143 01:17:29,567 --> 01:17:33,500 OH, SO NICE. NOW, REMEMBER LAST WEEK, WE SAW... 1144 01:17:33,533 --> 01:17:36,500 I'M GONNA WHOOP SOMEBODY'S ASS. SIT DOWN, MARCUS. 1145 01:17:36,533 --> 01:17:40,033 REMEMBER LAST WEEK, WE LOOKED AT COLLAGES FROM ROMARE BEARDEN, RIGHT? 1146 01:17:40,067 --> 01:17:43,267 [ All YES. AND THIS WEEK, WHAT WERE YOU SUPPOSED TO DO? 1147 01:17:43,300 --> 01:17:47,333 BRING YOUR OWN COLLAGES. [ Simultaneously ] BRING OUR OWN COLLAGES. 1148 01:17:47,367 --> 01:17:50,567 WHO WANTS TO SHOW ME THEIRS FIRST? 1149 01:17:50,600 --> 01:17:53,033 OH, BOY! KENNY. 1150 01:17:53,067 --> 01:17:57,533 AS-SALAAM ALAIKUM, MY BROTHER. ALAIKUM SALAAM. 1151 01:17:57,567 --> 01:18:01,200 - GREETINGS, MY NUBIAN PRINCESS. - MY KING. 1152 01:18:01,233 --> 01:18:04,500 THIS IS THE SUN, AND THESE ARE THE SUN RAYS. 1153 01:18:04,533 --> 01:18:08,500 AND THIS IS A BIG, GIANT, HUGE HOLE IN THE OZONE LAYER. AND THIS IS WHAT'S GONNA HAPPEN... 1154 01:18:08,533 --> 01:18:12,400 TO PEOPLE AND ANIMALS IF WE DON'T FIX UP THE OZONE LAYER QUICKLY. 1155 01:18:12,433 --> 01:18:15,333 [ Angela ] THAT'S VERY AFRO-CENTRIC. YOU OUGHTA LIKE THIS, KENNY. 1156 01:18:15,367 --> 01:18:18,167 WHAT A LIVELY LITTLE THING YOU ARE. 1157 01:18:18,200 --> 01:18:22,467 - OKAY. TELL US ABOUT THIS. - THIS IS MY HOUSE. 1158 01:18:22,500 --> 01:18:24,667 THIS IS THE SUN. 1159 01:18:24,700 --> 01:18:29,300 THIS IS A SPHERE, AND THIS IS A SHIELD. 1160 01:18:29,333 --> 01:18:32,567 THEN WE HAVE... 1161 01:18:32,600 --> 01:18:36,700 THEN, RIGHT HERE, IS MY FISHBOWL. AND THIS IS BLOOD. 1162 01:18:36,733 --> 01:18:40,333 THEN THESE ARE MY CLOTHES. AND THESE ARE THE FISH. 1163 01:18:40,367 --> 01:18:44,567 WHY... THIS IS THE FISHBOWL UP HERE, RIGHT? AND THESE ARE THE FISH AND THIS THE FLOOR. 1164 01:18:44,600 --> 01:18:47,300 WHY AREN'T THE FISH IN THE BOWL? 1165 01:18:47,333 --> 01:18:51,400 BECAUSE I DON'T WANT THEM THERE. BUT THEY CAN'T LIVE ON THE FLOOR. 1166 01:18:51,433 --> 01:18:55,600 ART CAN BE VERY ABSTRACT. IT DOESN'T HAVE TO MAKE SENSE. ONLY IN THE ARTIST'S MIND. 1167 01:18:55,633 --> 01:18:59,700 THANK YOU, KHANYA. THANK YOU, KHANYA, FOR YOUR INTERPRETATION. 1168 01:18:59,733 --> 01:19:03,733 [ Angela ] OKAY. WHO'S GONNA BE NEXT? 1169 01:19:03,767 --> 01:19:06,667 YOU CANNOT TELL ME YOU DID NOT HAVE FUN IN THERE WITH THOSE KIDS. 1170 01:19:06,700 --> 01:19:10,700 I AIN'T SAYIN' IT WASN'T FUN. I'M JUST SAYIN' I WASN'T IN THE RIGHT MIND-SET. 1171 01:19:10,733 --> 01:19:15,167 MIND-SET? WHAT DO YOU MEAN? YOU DIDN'T THINK ABOUT JACQUELINE ONE TIME WHILE YOU WERE THERE. 1172 01:19:15,200 --> 01:19:19,100 THAT'S TRUE. AND I BET YOU DIDN'T THINK ABOUT THE STRANGE COMMERCIAL EITHER. 1173 01:19:19,133 --> 01:19:24,500 RIGHT? YOU'RE RIGHT. THE KIDS ARE MORE INSPIRATIONAL THAN I'VE BEEN. 1174 01:19:24,533 --> 01:19:27,067 THANK YOU. 1175 01:19:27,667 --> 01:19:30,067 I GOT AN IDEA. WHAT? 1176 01:19:30,100 --> 01:19:34,067 I GOT AN IDEA FOR THE STRANGE AD. 1177 01:19:36,700 --> 01:19:41,400 OKAY. SLOW IT DOWN. RIGHT... RIGHT THERE. 1178 01:19:41,433 --> 01:19:46,033 - [ Machine Beeps ] - [ Static ] 1179 01:19:47,433 --> 01:19:51,567 - OKAY. WHAT DO YOU THINK? - WELL, I LIKE IT. 1180 01:19:51,600 --> 01:19:54,433 [ Women Screaming Offscreen ] HOLD IT. 1181 01:19:54,467 --> 01:19:57,333 IS THAT A NIPPLE? 1182 01:19:57,367 --> 01:20:01,300 - [Marcus ] THAT'S NOT A NIPPLE. THAT'S A SHADOW. - THAT'S A NIPPLE. 1183 01:20:01,333 --> 01:20:05,567 - EXCUSE ME. THAT IS A SHADOW. - I THINK IT'S A SHADOW OF A NIPPLE. 1184 01:20:05,600 --> 01:20:08,567 COME ON. STOP PLAYING. THAT'S A NIPPLE. 1185 01:20:08,600 --> 01:20:12,367 - THAT IS A SHADOW. - I'LL BLOW IT UP. 1186 01:20:12,400 --> 01:20:16,733 IT'S A NIPPLE, 'CAUSE I'M DROOLING. 1187 01:20:16,767 --> 01:20:19,100 [ Laughs ] 1188 01:20:21,100 --> 01:20:25,200 YOU, UH, A LITTLE NERVOUS ABOUT MEETING GERARD'S PARENTS? 1189 01:20:25,233 --> 01:20:27,400 NO, I'M NOT. MM. 1190 01:20:27,433 --> 01:20:30,400 I JUST DON'T WANT THEM TO THINK WE'RE A COUPLE, YOU KNOW? 1191 01:20:30,433 --> 01:20:34,167 DON'T EVEN TRIP. GERARD AIN'T EVEN THAT CLOSE TO HIS FATHER, FIRST OF ALL. 1192 01:20:34,200 --> 01:20:38,667 YOU KNOW, I KNEW IT. GERARD IS REALLY A FUN GUY, ISN'T HE? 1193 01:20:38,700 --> 01:20:44,267 HE IS VERY MUCH FUN. IT'S HIS FATHER AND HIS MOTHER THAT ARE THE SQUARE ONES. 1194 01:20:44,300 --> 01:20:48,567 - [ Doorbell Rings ] - I GOT IT. 1195 01:20:48,600 --> 01:20:51,567 HEY-HO! [ Woman ] HAPPY THANKSGIVING! 1196 01:20:51,600 --> 01:20:54,367 WHAT'S UP? ANGELA'S OVER THERE. 1197 01:20:54,400 --> 01:20:59,433 HEY, MR. JACKSON! HAPPY THANKSGIVING! HOW YOU DOIN', HONEY? 1198 01:20:59,467 --> 01:21:03,567 YOU LOOK GREAT. THANK YOU. SO DO YOU. 1199 01:21:03,600 --> 01:21:08,400 THANKS. MY, UH, PARENTS ARE HERE. 1200 01:21:08,433 --> 01:21:11,167 YOU LOOK JUST LIKE YOUR DAD. THANKS. 1201 01:21:11,200 --> 01:21:15,100 I BROUGHT YOU SOME CHITLINS. OH! GERARD'S MOTHER... 1202 01:21:15,133 --> 01:21:19,300 ANGELA, GERARD'S MOTHER BROUGHT US A WHOLE TROUGH OF CHITLINS. 1203 01:21:19,333 --> 01:21:23,733 - [ Tyler ] I WANT A BOWL. - THIS THE LITTLE GIRL YOU BEEN TALKIN' ABOUT? 1204 01:21:23,767 --> 01:21:27,767 AGATHA? ANGELA, ANGELA LEWIS. 1205 01:21:27,800 --> 01:21:29,433 MM-HMM. THAT'S WHAT I SAID. NICE TO MEET YOU. 1206 01:21:29,467 --> 01:21:34,400 - ISN'T SHE PRETTY? SHE LOOK LIKE ONE OF MARCUS'S GIRLS. - [ Groans ] 1207 01:21:34,433 --> 01:21:40,500 HEY, WHY DON'T... AGATHA, WHY DON'T YOU GO IN THE KITCHEN AND HELP MRS. JACKSON WITH THESE? 1208 01:21:40,533 --> 01:21:42,100 GO ON. Y'ALL GO IN THE KITCHEN. CUTIE PIE. 1209 01:21:42,133 --> 01:21:46,500 - [ Mrs. Jackson ] ALL RIGHT. - MR. JACKSON, COME HERE. - HEY, BUDDY! 1210 01:21:46,533 --> 01:21:49,767 MAN, IT'S SO GOOD TO SEE YOU. EVERY YEAR, YOU DO SOMETHING NEW. 1211 01:21:49,800 --> 01:21:53,467 NOW, WHERE'D YOU GET THE MUSHROOM SHIRT? I'M TRYING TO IMPRESS YOU. 1212 01:21:53,500 --> 01:21:55,733 I KNOW. NOW, WHERE'D YOU GET THE MUSHROOM SHIRT? I GOT TO KNOW. 1213 01:21:55,767 --> 01:21:58,300 WELL, THE SECRET IS, YOU GOT TO COORDINATE. UH-HUH. 1214 01:21:58,333 --> 01:22:01,667 MOST PEOPLE DON'T COORDINATE. SEE, YOU GOT TO COORDINATE. THAT'S WHAT YOU DID. 1215 01:22:01,700 --> 01:22:06,800 INTERESTING. SEE, I TOLD YOU THEY DON'T STINK WHEN YOU PULL THE MEMBRANE OUT. 1216 01:22:06,833 --> 01:22:09,567 - MAMA! - SEE, WHEN YOU SAW ME, YOU SAW THE MUSHROOM SHIRT. 1217 01:22:09,600 --> 01:22:13,267 I SAID, "MUSHROOM SHIRT." BANG! MUSHROOM SHIRT. YOU CAN'T STOP WITH THE MUSHROOM SHIRT. 1218 01:22:13,300 --> 01:22:15,333 YOU GOTTA GO ON. I'D HAVE STOPPED AT THE SHIRT. 1219 01:22:15,367 --> 01:22:18,267 NO, YOU GOTTA KEEP GOING. LET ME SHOW YOU SOMETHING. LOOK AT THAT. 1220 01:22:18,300 --> 01:22:23,800 OH, YOU GOT ON A MUSHROOM BELT. GERARD, DID YOU KNOW YOUR POPS HAD A MUSHROOM BELT ON? 1221 01:22:23,833 --> 01:22:28,067 - YES. - BUT YOU DON'T STOP THERE, SEE? YOU GOTTA KEEP GOIN'. 1222 01:22:28,100 --> 01:22:30,767 WHAT YOU GOT? A MUSHROOM RING? YES. GOOD IDEA. 1223 01:22:30,800 --> 01:22:34,333 LOOK WHAT I GOT. DAH! GERARD, 1224 01:22:34,367 --> 01:22:39,067 DID YOU KNOW ON THE INSIDE WAS SPECIAL MUSHROOMS? YES! 1225 01:22:39,100 --> 01:22:43,467 MMM-MMM-MMM. SIMPLY DELICIOUS, MARCUS. 1226 01:22:43,500 --> 01:22:46,767 I KEEP TELLIN' YOUR MOM SHE SHOULD TAKE SOME COOKING LESSONS FROM YOU. 1227 01:22:46,800 --> 01:22:51,300 ALL SHE DO IS COOK PORK. I'LL BET WE'VE EATEN EVERYTHING ON THE PIG... 1228 01:22:51,333 --> 01:22:55,100 FROM THE ROOTER TO THE TOOTER. 1229 01:22:55,133 --> 01:22:58,567 - THE WHOLE PIG, HUH? - YOU DIDN'T MARRY ME FOR MY COOKING. 1230 01:22:58,600 --> 01:23:02,633 YOU GOT THAT RIGHT, BABY. THAT'S WHY WE GOT LITTLE JUNIOR OVER THERE. 1231 01:23:02,667 --> 01:23:05,600 BANG, BANG, BANG, BANG, BANG, BANG, BANG! 1232 01:23:05,633 --> 01:23:09,133 MUST YOU EMBARRASS ME IN FRONT OF MY FRIENDS ON EVERY POSSIBLE OCCASION? 1233 01:23:09,167 --> 01:23:13,033 NOW, SEE... SEE THERE? THAT'S YOUR SON. 1234 01:23:13,067 --> 01:23:16,067 - PRIVATE SCHOOL GOT HIM ALL "SADIDDY" LIKE THAT. - YEAH, MAN. CHILL. 1235 01:23:16,100 --> 01:23:21,233 IT'S YOUR FATHER. MR. JACKSON, ANGELA MADE THIS MEAL. IT WASN'T ME. I CAN'T TAKE CREDIT FOR IT. 1236 01:23:21,267 --> 01:23:24,133 [ Mr. Jackson ] MMM. VERY GOOD. [ Mrs. Jackson ] VERY GOOD. 1237 01:23:24,167 --> 01:23:27,567 HMM. GOOD PICK, JUNIOR. [ Gerard ] DADDY! 1238 01:23:27,600 --> 01:23:31,133 I TOLD YOU THAT ANGELA AND I ARE JUST FRIENDS. 1239 01:23:31,167 --> 01:23:33,100 MM-HMM. 1240 01:23:33,133 --> 01:23:37,533 [ Sucking Teeth ] JUST FRIENDS, HUH? 1241 01:23:37,567 --> 01:23:40,400 YES, JUST FRIENDS. JUST FRIENDS. 1242 01:23:40,433 --> 01:23:43,733 LEAVE IT ALONE, HON. THEY'VE TOLD YOU THAT 500 TIMES. JUST LET IT GO. 1243 01:23:43,767 --> 01:23:47,133 FINE. WE CHANGE THE SUBJECT. 1244 01:23:47,167 --> 01:23:53,200 NOW, MARCUS, I HEAR A GIRL AT THE OFFICE GOT YOU PUSSY-WHIPPED. 1245 01:23:53,233 --> 01:23:57,600 WHY DON'T YOU... [ Sucking Teeth ] REVERSE IT? DON'T BE PUSSY-WHIPPED. 1246 01:23:57,633 --> 01:23:59,500 WHIP THAT PUSSY! 1247 01:23:59,533 --> 01:24:04,267 - LOOK. BANG, BANG, BANG, BANG, BANG, BANG, BANG, BANG, BANG! - [ Mrs. Jackson ] OOH, DADDY! 1248 01:24:20,633 --> 01:24:25,200 YOUR PARENTS ARE SMOKIN' A JOINT IN MY BATHROOM? NO. THEY BEEN IN THERE FUCKIN'. 1249 01:24:25,233 --> 01:24:27,333 [ Laughs ] 1250 01:24:27,367 --> 01:24:29,767 WHOO! [ Sighs ] 1251 01:24:29,800 --> 01:24:32,800 DAMN. GOODNESS. WHAT'S FOR DESSERT? 1252 01:24:32,833 --> 01:24:35,233 WOW. 1253 01:25:08,267 --> 01:25:12,633 I'M ALL RIGHT, MAN. LET'S GO. LET'S GO EAT, MAN. 1254 01:25:17,200 --> 01:25:19,633 ARE YOU SURE YOU DON'T WANT ME TO GO WITH YOU? NO, NO, NO. THAT'S ALL RIGHT. 1255 01:25:19,667 --> 01:25:24,267 I'D BETTER RUN MY PARENTS HOME BEFORE THEY EMBARRASS ME ANY FURTHER. OKAY. 1256 01:25:24,300 --> 01:25:26,633 I HAD A GREAT TIME. I'LL CALL YOU TOMORROW. ME TOO. 1257 01:25:26,667 --> 01:25:29,467 BYE. MRS. JACKSON. [ Groaning ] 1258 01:25:29,500 --> 01:25:32,167 I CANNOT TELL Y'ALL HOW MUCH FUN IT IS TO BE WITH Y'ALL AND... 1259 01:25:32,200 --> 01:25:35,167 SO GOOD. OH, A PIECE OF COAT, I THINK. 1260 01:25:35,200 --> 01:25:39,600 OHH, BOY, THE RABBIT IS GETTING OLD, BABY. LOOKIE THERE. 1261 01:25:39,633 --> 01:25:42,767 WE'LL TEAR ANOTHER PIECE OFF AND MAKE SOME EARRINGS. WE'LL COORDINATE. 1262 01:25:42,800 --> 01:25:45,667 OH! YEAH, THAT'LL WORK. [ Tyler ] YO, YO, YO, YO. 1263 01:25:45,700 --> 01:25:47,633 GOT A HOOKUP FOR TONIGHT. WHO? 1264 01:25:47,667 --> 01:25:49,767 REMEMBER THAT LITTLE GIRL I MET IN EMERGENCY? YEAH. 1265 01:25:49,800 --> 01:25:52,667 BABY GOT HER STITCHES OUT. [ Grunts ] 1266 01:25:52,700 --> 01:25:56,100 YO, WELL, WHATEVER. I'LL RAP TO YOU. ALL RIGHT. I GOTTA GO. 1267 01:25:56,133 --> 01:25:58,100 OKAY, BUDDY. TAKE CARE OF YOURSELF. 1268 01:25:58,133 --> 01:26:01,333 SEE Y'ALL LATER, ALL RIGHT? [ Mumbles ] SEE YOU LATER. 1269 01:26:01,367 --> 01:26:04,667 [ Mrs. Jackson ] BYE. [ Angela ] SURE YOU DON'T WANT ME TO HELP YOU WITH THE DISHES? 1270 01:26:04,700 --> 01:26:08,400 [ Marcus ] I GOT IT. GO ON HOME. [ Angela ] OKAY. 1271 01:26:08,433 --> 01:26:12,700 [ Mr. Jackson Shouting, Indistinct ] [ Angela ] WHERE'S MY COAT? 1272 01:26:15,400 --> 01:26:17,467 [ Chuckles ] 1273 01:26:17,500 --> 01:26:19,767 ANGELA? 1274 01:26:21,767 --> 01:26:26,200 YES? I'M GONNA HAVE TO TAKE YOU UP ON THAT OFFER. 1275 01:26:26,233 --> 01:26:28,767 THOUGHT SO. YES. 1276 01:26:28,800 --> 01:26:34,700 CHITLIN JUICE EVERYWHERE, AND I DON'T KNOW IF I CAN HANDLE IT ALONE. 1277 01:26:38,633 --> 01:26:44,167 I AM SO TIRED, I DON'T CARE IF I NEVER SEE ANOTHER CUP, PLATE, AGAIN IN MY LIFE. 1278 01:26:44,200 --> 01:26:47,200 MY. OH, MY FEET ARE KILLING ME. CAN I TAKE MY SHOES OFF? 1279 01:26:47,233 --> 01:26:51,433 YEAH, YOU CAN. YOU'LL HAVE THE WHOLE HOUSE SMELLIN' LIKE FUNKY CORN CHIPS. 1280 01:26:51,467 --> 01:26:55,367 PLEASE. MY FEET DO NOT STINK. STAR TREK'S COMIN' ON. 1281 01:26:55,400 --> 01:26:57,200 I LOVE STAR TREK. DO YOU REALLY? 1282 01:26:57,233 --> 01:27:00,333 YEAH. I'M A TREKKIE. GET OUTTA HERE! I'M A TREKKIE! LOOK AT CAP... 1283 01:27:00,367 --> 01:27:05,367 AIN'T CAPTAIN KIRK THE COOLEST WHITE MAN ON THE PLANET? 1284 01:27:05,400 --> 01:27:08,467 YOU KNOW, YOU CAN ALWAYS TELL WHO'S GONNA GET KILLED WHEN YOU WATCH THIS SHOW. 1285 01:27:08,500 --> 01:27:11,067 NOW, LOOK... LOOK WHO'S BEAMIN' DOWN. 1286 01:27:11,100 --> 01:27:14,667 YOU SEE KIRK, McCOY, SPOCK... AND YEOMAN JOHNSON. 1287 01:27:14,700 --> 01:27:17,267 NOW, DOESN'T YEOMAN JOHNSON KNOW HE'S GONNA GET KILLED? 1288 01:27:17,300 --> 01:27:21,067 IF I WAS YEOMAN JOHNSON, I'D SAY, "HEY, I'M NOT GOIN'. I KNOW WHAT'S GONNA HAPPEN." 1289 01:27:25,433 --> 01:27:30,233 IT'S AMAZING HOW YOU'VE JUST SORT OF BROKEN DOWN THIS WHOLE STAR TREK THING. 1290 01:27:30,267 --> 01:27:34,700 WELL, I'M A TREKKIE. THAT'S WHY I BROKE IT DOWN TO THE BAREST ESSENCE OF THE TREK. 1291 01:27:34,733 --> 01:27:37,600 I'M A TREKKIE. I KNOW EVERYTHING ABOUT STAR TREK. 1292 01:27:37,633 --> 01:27:41,167 WHAT'S CAPTAIN KIRK'S FIRST NAME? "CAPTAIN." 1293 01:27:41,200 --> 01:27:46,633 NO, IT'S NOT "CAPTAIN." HIS NAME IS JAMES T. KIRK. 1294 01:27:47,800 --> 01:27:52,533 WHAT IS MR. SPOCK'S LAST NAME? HUH? 1295 01:27:52,567 --> 01:27:57,367 YOU DIDN'T EVEN KNOW THAT. THE NAME IS SPOCK JENKINS. 1296 01:27:57,400 --> 01:28:02,033 ONE OF THE JENKINS BOYS FROM VULCAN. 1297 01:28:04,500 --> 01:28:09,500 IT'S, UH... WE'LL TALK ABOUT IT LATER. 1298 01:28:15,167 --> 01:28:20,000 * [ TV: "Star-Spangled Banner" ] 1299 01:29:05,100 --> 01:29:10,100 HEY, WHAT ARE WE DOING? WE'RE KISSING. 1300 01:29:10,133 --> 01:29:13,633 WE AIN'T SUPPOSED TO BE KISSING. 1301 01:29:14,700 --> 01:29:19,333 WHY? WE'RE FRIENDS. 1302 01:29:21,667 --> 01:29:25,133 SO? FRIENDS CAN KISS. 1303 01:29:41,633 --> 01:29:46,400 - * [ Rock Beat ] - [ Woman ] * YEAH, YEAH, YEAH, YEAH 1304 01:29:46,433 --> 01:29:49,533 * YEAH 1305 01:29:49,567 --> 01:29:53,133 * YEAH, YEAH, YEAH, YEAH YEAH * 1306 01:29:55,800 --> 01:29:58,500 * YEAH TIME TO FEEL SOMETHING GOOD * 1307 01:29:58,533 --> 01:30:03,300 * LET YOUR HAIR HANG OUT, GIRL [ Continues, Indistinct ] 1308 01:30:03,333 --> 01:30:05,067 * YEAH 1309 01:30:05,100 --> 01:30:09,333 * TIME TO GET CRAZY YEAH, YEAH * 1310 01:30:09,367 --> 01:30:11,400 * TIME TO GET CRAZY 1311 01:30:11,433 --> 01:30:15,533 [ Whip Cracking ] * [ Ends ] 1312 01:30:19,233 --> 01:30:23,667 IT'S GOOD. IT'S VERY GOOD. CONGRATULATIONS, MARCUS. 1313 01:30:23,700 --> 01:30:28,100 OH, CONGRATULATE ANGELA. IT WAS MOSTLY HER IDEA. 1314 01:30:29,367 --> 01:30:32,200 NICE GOING, ANGELA. 1315 01:30:32,233 --> 01:30:34,300 THANKS. 1316 01:30:36,567 --> 01:30:38,633 HEY, YOU. 1317 01:30:38,667 --> 01:30:41,633 YO, MAN, IT'S RACIAL. 1318 01:30:41,667 --> 01:30:44,533 EXPAND. ALL RIGHT. CHECK IT OUT. 1319 01:30:44,567 --> 01:30:47,133 THE WHITE BALL DOMINATES EVERYTHING, RIGHT? 1320 01:30:47,167 --> 01:30:50,367 IT KNOCKS THE SHIT OUT OF THE YELLOW BALL, THE RED BALL, RIGHT? 1321 01:30:50,400 --> 01:30:56,033 AND THE GAME'S OVER WHEN THE WHITE BALL DRIVES THE BLACK BALL... 1322 01:30:56,067 --> 01:30:59,200 COMPLETELY OFF THE TABLE. [ Grunts ] 1323 01:30:59,233 --> 01:31:03,133 - NOW, WHY IS THAT? - I DON'T KNOW, BUT I'M SURE YOU'LL TELL ME, 1324 01:31:03,167 --> 01:31:05,600 MY "BROTHA." 1325 01:31:05,633 --> 01:31:08,567 SURE. YOU RIGHT. LOOK, 1326 01:31:08,600 --> 01:31:12,767 IT'S BECAUSE OF THE WHITE MAN'S FEAR... 1327 01:31:12,800 --> 01:31:16,733 OF THE SEXUAL POTENCY OF BLACK BALLS. 1328 01:31:19,100 --> 01:31:21,533 THAT ONE WAS KIND OF INTERESTING. THAT WAS INTERESTING. 1329 01:31:21,567 --> 01:31:26,167 - [ Tyler ] YOU SEE, WHAT WAS... - I SEE WHERE YOU'RE GOING. AND THE POOL TABLE IS EARTH. 1330 01:31:26,200 --> 01:31:28,433 THAT'S WHY IT'S GREEN. OH, SEE, YOUR SHIT IS COMIN' OUT NOW. 1331 01:31:28,467 --> 01:31:32,300 - AND THE WORLD, THEY USED TO THINK IT WAS FLAT. - SCHOOL HIM. 1332 01:31:32,333 --> 01:31:36,133 - WHEN YOU DO THE OPRAH WINFREY SHOW, I'M GONNA BE FRONT ROW! - IT'S NOT ABOUT JOKES. 1333 01:31:36,167 --> 01:31:39,500 - ME AND HIM ARE HERE. IT'S NOT ABOUT... - THAT ONE WAS KIND OF DEEP. 1334 01:31:39,533 --> 01:31:43,100 YOU WENT TO THE BOTTOM OF THE OCEAN ON THAT ONE. YEAH, BUT LOSERS GET THE BEER, SO... 1335 01:31:43,133 --> 01:31:46,333 - I'M GONNA GET THE BEER. BUT SEE HOW OUR THING IS HERE? - OH, YES. 1336 01:31:46,367 --> 01:31:50,033 WE'RE ON THE SAME WAVELENGTH. WE'RE THE SAME CAT. GET HIM THERE. 1337 01:31:50,067 --> 01:31:53,333 OKAY, I'LL GET HIM. I'M GONNA WORK ON HIM. FINE. 1338 01:31:53,367 --> 01:31:57,400 YO, MAN, HE'S GETTIN' WORSE. WE GOT TO FIND HIM A WOMAN QUICK. 1339 01:31:57,433 --> 01:32:03,300 HE'LL BE ALL RIGHT. HEY, HOW ARE THINGS WITH YOU AND ANGELA? 1340 01:32:03,333 --> 01:32:06,267 OH, WE'RE COOL, MAN, YOU KNOW. 1341 01:32:06,300 --> 01:32:09,467 WE WENT OUT A COUPLE TIMES, MAN, AND SHE WAS GETTIN' SO INVOLVED. 1342 01:32:09,500 --> 01:32:14,667 - I SAID, "LOOK, I'M JUST GONNA PULL BACK." - HMM. COOL. 1343 01:32:14,700 --> 01:32:19,033 OH, YEAH, YEAH. I TOLD HER. I SAID, "LOOK HERE, GIRL, DO YOUR THING, SEE OTHER MEN, 1344 01:32:19,067 --> 01:32:21,567 'CAUSE I'M GONNA SEE OTHER WOMEN," YOU KNOW? 1345 01:32:21,600 --> 01:32:26,200 I JUST DIDN'T WANT TO BREAK HER HEART RIGHT OFF, YOU KNOW? I JUST PULL OUT EASY. 1346 01:32:26,233 --> 01:32:30,167 OKAY. GOOD, GOOD. SO YOU DON'T MIND IF SHE GOES OUT WITH OTHER GUYS THEN? 1347 01:32:30,200 --> 01:32:32,767 OH, HELL, NO. WH... 1348 01:32:32,800 --> 01:32:36,700 OH, YOU'RE THINKING OF HOOKING HER UP WITH TYLER? 1349 01:32:38,567 --> 01:32:41,633 NO, NOTHING LIKE THAT. WHY YOU ASKIN', MAN? 1350 01:32:41,667 --> 01:32:45,167 I WAS JUST CURIOUS. 1351 01:33:00,500 --> 01:33:04,033 I DON'T BELIEVE THIS SHIT. 1352 01:33:07,267 --> 01:33:10,067 WHY YOU ASKIN', MAN? 1353 01:33:13,367 --> 01:33:18,000 YOU CAN'T EVEN LOOK ME IN MY EYE, CAN YOU, MARCUS? 1354 01:33:28,300 --> 01:33:31,533 DID YOU SLEEP WITH ANGELA? 1355 01:33:32,633 --> 01:33:36,267 YEAH, I DID. [ Sighs ] 1356 01:33:38,667 --> 01:33:42,767 WHY DO YOU ALWAYS HAVE TO HAVE ALL THE GIRLS, MARCUS? 1357 01:33:42,800 --> 01:33:47,133 YOU SAID A COUPLE OF SECONDS AGO YOU DIDN'T CARE WHO SHE WENT OUT WITH, NOW YOU'RE FLIPPIN'. 1358 01:33:47,167 --> 01:33:50,200 YOU'RE BEIN' A HYPOCRITE. I DON'T WANNA HEAR THAT BULLSHIT, MAN! 1359 01:33:50,233 --> 01:33:55,367 THIS IS DIFFERENT. ANGELA IS A NICE GIRL. 1360 01:33:55,400 --> 01:33:58,633 SO I CAN'T BE WITH A NICE GIRL? NO. 1361 01:33:58,667 --> 01:34:02,433 'CAUSE ALL YOU'RE GONNA DO IS DOG HER OUT LIKE YOU DO EVERY WOMAN IN YOUR LIFE. 1362 01:34:02,467 --> 01:34:07,233 OKAY. TELL ME THIS, MAN. WHY ANGELA? WHAT? SHE HAS NICE FEET? 1363 01:34:07,267 --> 01:34:10,133 OH, IT HAS NOTHING TO DO WITH HER FEET OR ANYTHING LIKE THAT, MAN. 1364 01:34:10,167 --> 01:34:14,100 I CARE ABOUT THIS GIRL. MAN, YOU DON'T CARE ABOUT NOBODY BUT YOURSELF, MAN! 1365 01:34:14,133 --> 01:34:16,267 [ Groans ] 1366 01:34:21,433 --> 01:34:27,667 SO WHEN WE CAN RISE AS A PEOPLE, WE RUNNIN' THINGS, YOU KNOW? 1367 01:34:30,500 --> 01:34:34,167 WHAT'D YOU DO, MAN? GUESS. 1368 01:34:37,700 --> 01:34:40,067 [ Shower Running ] 1369 01:34:40,100 --> 01:34:42,733 MARCUS, COME QUICK! I GOT SOMETHING I WANNA SHOW YOU! 1370 01:34:42,767 --> 01:34:45,233 [ Marcus ] WHAT? I WANNA SHOW YOU SOMETHING. 1371 01:34:45,267 --> 01:34:48,600 GET OUT OF HERE. I'M IN THE SHOWER! MARCUS! 1372 01:34:48,633 --> 01:34:51,400 - STOP! HEY, HEY! - COME ON. 1373 01:34:51,433 --> 01:34:54,500 I'M SOAKING WET. YOU'RE GONNA MAKE ME CATCH A COLD OUT HERE. I WANNA SHOW YOU SOMETHING. 1374 01:34:54,533 --> 01:34:58,700 NO, IT WON'T. LOOK. TA-DA! 1375 01:34:58,733 --> 01:35:01,600 WELL, WHAT DO YOU THINK? BLUE PEOPLE. 1376 01:35:01,633 --> 01:35:04,700 YEAH, THAT'S NICE. THE BLUE PEOPLE. WHAT DO YOU THINK? DO YOU LIKE IT? 1377 01:35:04,733 --> 01:35:07,633 YES, VERY MUCH. OKAY, 'KAY, 'KAY. LOOK AT IT... 1378 01:35:07,667 --> 01:35:10,100 AND TELL ME HOW IT MAKES YOU FEEL. 1379 01:35:10,133 --> 01:35:13,467 HONESTLY, IT'S MAKIN' ME KIND OF HORNY. NO. FEEL. 1380 01:35:13,500 --> 01:35:16,733 AND I WOULD LIKE TO BE AND I WOULD LIKE TO THINK I WAS THE INSPIRATION FOR THAT BLUE MAN. 1381 01:35:16,767 --> 01:35:19,667 YOU SHOULD BE BLUE. YOU'RE GONNA GET PAINT ALL OVER ME. 1382 01:35:19,700 --> 01:35:22,100 [ Telephone Rings ] EXACTLY. THE PHONE'S RINGING. 1383 01:35:22,133 --> 01:35:27,100 TAKE THOSE CLOTHES OFF. TAKE 'EM OFF. OFF. [ Giggles ] NO. 1384 01:35:27,133 --> 01:35:31,533 [ Phone Beeps On ] HELLO? JACQUELINE, HI! 1385 01:35:31,567 --> 01:35:35,633 HOW YOU DOIN'? HE'S RIGHT HERE, ACTUALLY. 1386 01:35:35,667 --> 01:35:38,800 NO. NO, WE WEREN'T BUSY AT ALL. HERE HE IS. 1387 01:35:38,833 --> 01:35:41,133 OKAY. 1388 01:35:42,600 --> 01:35:46,167 HEY. YEAH. 1389 01:35:47,667 --> 01:35:52,733 NO, THAT WAS ANGELA. SHE JUST STOPPED BY FOR A SECOND. 1390 01:35:54,333 --> 01:35:56,767 UH-HUH. REALLY? 1391 01:35:56,800 --> 01:36:01,600 OH, THAT'S... HEY, HEY. YOUR SPOT TESTED THROUGH THE ROOF. 1392 01:36:01,633 --> 01:36:04,633 YEAH, SHE'S HAPPY. UH-HUH. 1393 01:36:04,667 --> 01:36:08,133 YES, ABSOLUTELY. ABSOLUTELY. 1394 01:36:08,167 --> 01:36:11,767 OH, THAT'S PERFECT. GREAT. YEAH. PEACE. 1395 01:36:11,800 --> 01:36:15,500 HEY. HEY, THEY'RE SHOWIN' THE SPOT TO THE BOARD OF DIRECTORS ON FRIDAY NIGHT, 1396 01:36:15,533 --> 01:36:18,433 AND JACQUELINE WANTS ME TO BE THERE. 1397 01:36:18,467 --> 01:36:22,067 GREAT. 1398 01:36:22,100 --> 01:36:24,733 WAIT. YOU DON'T HAVE A PROBLEM WITH THAT, DO YOU? NO, NO. 1399 01:36:24,767 --> 01:36:29,167 HEY, I WILL CALL HER, AND I'LL TELL HER THAT... YOU SURE? 1400 01:36:29,200 --> 01:36:31,567 COOL. 1401 01:36:31,600 --> 01:36:35,667 THAT'S BAD. BLUE PEOPLE. 1402 01:36:39,700 --> 01:36:43,333 [ Speaking French ] [ Men Chuckling ] 1403 01:36:43,367 --> 01:36:48,767 [ Continues In French ] HEY, HEY. LE PEACE. CHILL. 1404 01:36:48,800 --> 01:36:51,700 [ Continues In French ] 1405 01:37:02,167 --> 01:37:03,800 LES PLUMES. 1406 01:37:03,833 --> 01:37:06,667 YOU ARE BRILLIANT! GOD, MARCUS, THEY LOVED IT! 1407 01:37:06,700 --> 01:37:10,067 THEY LOVED IT. DID YOU HEAR THE LITTLE FRENCHMAN SCREAMING "MAGNIFIQUE"... 1408 01:37:10,100 --> 01:37:12,267 WITH A LITTLE BEAD OF SWEAT RUNNIN' DOWN HIS FACE, MAN? 1409 01:37:12,300 --> 01:37:17,300 - I KNEW I HAD THAT CAT. - MARCUS, YOU ARE INCREDIBLY TALENTED. 1410 01:37:17,333 --> 01:37:22,733 WELL, I THANK YOU. LADY ELOISE THANKS YOU. 1411 01:37:22,767 --> 01:37:26,133 TELL HER I SAID "HEY." I'M SURE STRANGE... 1412 01:37:26,167 --> 01:37:28,167 WOULD LIKE TO THANK YOU PERSONALLY. 1413 01:37:28,200 --> 01:37:33,200 - YEAH, SHE'D LIKE TO THANK THE HELL OUT OF ME. - [ Laughing ] 1414 01:37:36,633 --> 01:37:39,100 I HAVE TO SAY, 1415 01:37:39,133 --> 01:37:41,733 IT'S VERY NICE TO HAVE THE OLD MARCUS BACK. 1416 01:37:41,767 --> 01:37:45,133 I WAS KIND OF WORRIED ABOUT YA. REALLY? 1417 01:37:45,167 --> 01:37:50,267 YOU SEEMED, UM... YOU SEEMED SO... 1418 01:37:50,300 --> 01:37:54,767 - I DON'T KNOW. CAN I BE HONEST? - PLEASE. 1419 01:37:54,800 --> 01:38:00,100 WELL, YOU SEEMED DESPERATE AND UNSURE OF YOURSELF. 1420 01:38:00,133 --> 01:38:01,700 [ Chuckling ] 1421 01:38:01,733 --> 01:38:04,533 PATHETIC? AHA. KIND OF PATHETIC. 1422 01:38:04,567 --> 01:38:06,567 UH-HUH. 1423 01:38:06,600 --> 01:38:11,433 LOOK AT YOU NOW. YOU'RE, UH... YOU'RE RELAXED. 1424 01:38:11,467 --> 01:38:18,067 YOU'RE MORE CONFIDENT. JUST LIKE THE MAN I MET IN THAT ELEVATOR. 1425 01:38:19,667 --> 01:38:23,500 I GOT IT GOIN' ON AGAIN. YEAH, YOU DO. I LIKE IT. 1426 01:38:23,533 --> 01:38:27,033 I FIND IT VERY ATTRACTIVE. 1427 01:39:28,700 --> 01:39:31,300 HOW'D IT GO LAST NIGHT? 1428 01:39:33,367 --> 01:39:35,633 IT WENT OKAY. 1429 01:39:36,633 --> 01:39:39,400 JUST OKAY? 1430 01:39:39,433 --> 01:39:44,567 IT MUST'VE GONE PRETTY WELL. YOU DIDN'T GET HOME UNTIL THE MIDDLE OF THE NIGHT. 1431 01:39:49,333 --> 01:39:52,700 I WENT FOR A WALK SO I COULD SORT SOME THINGS OUT THAT WAS IN MY HEAD. 1432 01:39:52,733 --> 01:39:58,533 - I WAS TRIPPIN' ON IT. - LIKE THE FACT THAT YOU'RE STILL IN LOVE WITH JACQUELINE? 1433 01:39:58,567 --> 01:40:01,533 ANGELA, I SAW THE WOMAN, 1434 01:40:01,567 --> 01:40:05,433 AND A BUNCH OF STUFF THAT WAS IN ME I DIDN'T EVEN KNOW WAS STILL THERE CAME OUT. 1435 01:40:05,467 --> 01:40:08,400 THINGS HAPPENED, AND... 1436 01:40:08,433 --> 01:40:12,233 THERE'S CERTAIN THINGS YOU JUST HAVE NO CONTROL OVER, ALL RIGHT? 1437 01:40:12,267 --> 01:40:14,567 REALLY? LIKE WHAT? 1438 01:40:14,600 --> 01:40:17,267 LIKE LOVE. 1439 01:40:17,300 --> 01:40:19,433 LOVE? 1440 01:40:19,467 --> 01:40:23,700 YOU KNOW, WHAT DO YOU KNOW ABOUT LOVE? 1441 01:40:23,733 --> 01:40:26,500 WHAT DO YOU POSSIBLY THINK YOU KNOW ABOUT LOVE? 1442 01:40:26,533 --> 01:40:31,067 YOU KNOW, I'M SICK AND TIRED OF MEN USING LOVE LIKE IT'S SOME KIND OF DISEASE YOU JUST CATCH. 1443 01:40:31,100 --> 01:40:35,133 LOVE SHOULD'VE BROUGHT YOUR ASS HOME LAST NIGHT. 1444 01:40:35,167 --> 01:40:38,567 DIDN'T YOU JUST HEAR ME SAY I WAS SORRY? I HEARD YOU SAY YOU'RE SORRY. 1445 01:40:38,600 --> 01:40:42,267 YOU'RE SORRY, AND YOU'RE TIRED. YOU DON'T LOVE ME. YOU DON'T LOVE JACQUELINE. 1446 01:40:42,300 --> 01:40:47,167 - YOU ONLY LOVE YOUR DAMN SELF. - HOW COULD YOU SAY I NEVER CARED ABOUT YOU? 1447 01:40:47,200 --> 01:40:51,600 JACQUELINE SAYS I'M A BETTER PERSON NOW, AND I OWE THAT ALL TO YOU. 1448 01:40:54,500 --> 01:40:57,100 I'M OUTTA HERE. 1449 01:40:59,467 --> 01:41:02,400 I'LL GET THE REST OF MY THINGS LATER. 1450 01:41:02,433 --> 01:41:06,633 LET ME JUST TELL YOU ONE MORE THING. I MIGHT NOT BE ALL GLAMOROUS, 1451 01:41:06,667 --> 01:41:11,133 AND I DON'T HAVE HAIR WEAVED ALL DOWN MY BACK, BUT LET ME TELL YOU ONE GREAT THING ABOUT ME. 1452 01:41:11,167 --> 01:41:15,333 I'VE GOT A HEART. AND YOU KNOW THE BAD THING ABOUT HAVING A HEART, MARCUS, 1453 01:41:15,367 --> 01:41:19,433 IS THAT IT GETS BROKEN WHEN YOU DEAL WITH PEOPLE LIKE YOU. 1454 01:41:19,467 --> 01:41:24,167 NOW, STAY THE FUCK OUTTA MY LIFE! 1455 01:41:26,300 --> 01:41:29,067 [ Thunderclap ] 1456 01:41:36,267 --> 01:41:38,733 SHE LEFT YOU, HUH? 1457 01:41:46,267 --> 01:41:47,567 YEAH, SHE DID. 1458 01:41:47,600 --> 01:41:52,200 [ Sighs ] I GUESS I SHOULD FEEL HAPPY, BUT I DON'T. 1459 01:41:52,233 --> 01:41:57,400 I HATE TO SEE ANOTHER PERSON IN PAIN. 1460 01:41:57,433 --> 01:42:01,033 WELL, THANK YOU VERY MUCH. THAT'S VERY NICE OF YOU, YVONNE. GOOD NIGHT. 1461 01:42:01,067 --> 01:42:06,633 SO, UH, WOULD YOU LIKE TO COME OVER FOR A CUP OF COFFEE? 1462 01:42:07,700 --> 01:42:10,600 NOT EVEN IF JESUS WAS POURIN' IT. 1463 01:42:10,633 --> 01:42:15,333 SOME MOTHERFUCKERS ARE SO BLIND THEY CAN'T SEE A GOOD THING WHEN IT'S STARIN' THEM IN THE FACE. 1464 01:42:15,367 --> 01:42:20,267 WHY DON'T YOU JUST LIFT YOUR BLACK ASS OFF THE LEDGE AND FUCK YOU! 1465 01:42:20,300 --> 01:42:24,800 * THERE YOU GO AGAIN * THERE YOU GO, THERE YOU GO 1466 01:42:24,833 --> 01:42:29,433 * THERE YOU GO * AND HERE I COME 1467 01:42:29,467 --> 01:42:33,500 * HERE I COME, HERE I COME HERE I COME * * YEAH, YEAH, OH-HO 1468 01:42:33,533 --> 01:42:40,400 * FINE, FINE DAY * IN YOUR BED, IN YOUR BED IN YOUR BED * 1469 01:42:40,433 --> 01:42:45,367 * MAKING LOVE * SWEET LOVE 1470 01:42:45,400 --> 01:42:49,433 * ONCE AGAIN, OH 1471 01:42:49,467 --> 01:42:52,100 I CAN'T DO THIS. I HAVE CONDOMS. 1472 01:42:52,133 --> 01:42:55,700 NO, IT'S NOT THAT. I GOTTA GO. 1473 01:42:58,300 --> 01:43:00,367 WHAT? 1474 01:43:04,833 --> 01:43:07,700 I'M IN LOVE WITH SOMEBODY. 1475 01:43:07,733 --> 01:43:10,467 ANGELA, RIGHT? MM-HMM. 1476 01:43:10,500 --> 01:43:15,100 SO NOW YOU THINK THAT YOU'RE IN LOVE WITH ANGELA? NO, NO, NO. 1477 01:43:15,133 --> 01:43:20,167 I KNOW. JUST AT THIS MOMENT, I KNOW I'M IN LOVE WITH THAT WOMAN. 1478 01:43:21,267 --> 01:43:25,333 MARCUS, IF YOU ARE IN LOVE WITH ANGELA, 1479 01:43:25,367 --> 01:43:29,033 WHY ARE YOU HERE WITH ME, HMM? 1480 01:43:34,400 --> 01:43:36,567 EXACTLY. 1481 01:43:41,833 --> 01:43:45,033 * LOVE SHOULD'VE BROUGHT YOU 1482 01:43:45,067 --> 01:43:49,133 * BROUGHT YOU HOME LAST NIGHT 1483 01:43:49,167 --> 01:43:51,767 * YOU SHOULD'VE BEEN WITH ME 1484 01:43:51,800 --> 01:43:56,267 * SHOULD'VE BEEN RIGHT BY MY SIDE * 1485 01:43:56,300 --> 01:44:00,633 * BABY 1486 01:44:00,667 --> 01:44:04,167 * [ Stereo: Rap ] 1487 01:44:10,733 --> 01:44:15,633 [ Knocking ] OH, SHIT! DAMN IT! HOLD UP! 1488 01:44:21,800 --> 01:44:25,200 YO, WHAT'S UP, MAN? COME ON IN. WHAT'S UP? 1489 01:44:25,233 --> 01:44:28,600 WELCOME TO THE PENTHOUSE. IT'S KIND OF SMOKY IN HERE, CHIEF. 1490 01:44:28,633 --> 01:44:33,667 NO, NO, NO. WAIT, WAIT. THAT AIN'T SMOKE, ALL RIGHT? THAT'S AROMA. 1491 01:44:33,700 --> 01:44:38,567 - [ Knocking ] - YO, CAN YOU GET THAT FOR ME? THAT MIGHT BE A SURPRISE. 1492 01:44:49,767 --> 01:44:53,700 [ Tyler ] WHAT'S UP, MAN? WHERE YOU GOIN'? 1493 01:44:53,733 --> 01:44:57,233 [ Door Closing ] 1494 01:44:58,733 --> 01:45:02,267 YO, MAN. TALK! 1495 01:45:10,100 --> 01:45:14,333 WHAT'S UP, MAN? HEY. HOW YOU DOIN'? 1496 01:45:21,333 --> 01:45:24,300 SO, YOU SEEN ANGELA LATELY? 1497 01:45:24,333 --> 01:45:29,367 NO. I HEAR SHE'S OVER AT BARTON AND DOBBS NOW. 1498 01:45:31,067 --> 01:45:34,700 YEAH, I HEARD SHE GOT PROMOTED TO CREATIVE DIRECTOR. 1499 01:45:34,733 --> 01:45:38,400 REALLY? WHERE'D YOU HEAR THAT? 1500 01:45:41,200 --> 01:45:44,233 BONY-T TOLD ME. 1501 01:45:48,200 --> 01:45:51,133 HEY, LOOK, MAN... YOU DON'T HAVE TO SAY ANYTHING. 1502 01:45:51,167 --> 01:45:54,067 YES, I DO. I... I'M REALLY SORRY, GERARD. 1503 01:45:54,100 --> 01:45:58,600 I'VE KNOWN YOU ALL MY LIFE, MAN. YOU'RE LIKE MY BROTHER, YOU KNOW? 1504 01:45:58,633 --> 01:46:02,300 I LOVE YOU, AND I DON'T WANNA GO THROUGH THIS, MAN. 1505 01:46:02,333 --> 01:46:06,467 LISTEN. IT HAPPENED, AND I'M SORRY. AND I FEEL BAD. 1506 01:46:06,500 --> 01:46:09,433 HOW LONG ARE YOU GONNA HAVE ME STANDING HERE BEGGING? YOU KNOW WHAT I'M TRYING TO SAY. 1507 01:46:09,467 --> 01:46:13,467 YOU GONNA MILK ALL THE APOLOGIES OUT OF ME. 1508 01:46:13,500 --> 01:46:16,800 IT'S COOL. MY MAN. ALL RIGHT, MAN. 1509 01:46:16,833 --> 01:46:20,233 [ Wheezing Cough ] 1510 01:46:23,533 --> 01:46:28,167 YO, MAN! WHAT'S UP, MAN? Y'ALL GONNA LET A GIRL COME BETWEEN US, MAN? WHAT'S UP? 1511 01:46:28,200 --> 01:46:32,500 WE'RE SUPPOSED TO BE HERE, MAN. WE'RE BOYS, MAN. WE DON'T HANG OUT NO MORE, NOTHIN', MAN. 1512 01:46:32,533 --> 01:46:37,567 THIS SHIT HURT, MAN. MAKE UP NOW, MAN. WE JUST, YOU KNOW, MADE UP, MAN. 1513 01:46:37,600 --> 01:46:41,700 WELL, THEN HUG. WE HUGGED JUST NOW. WE HUGGED AND GAVE EACH OTHER A PAT. 1514 01:46:41,733 --> 01:46:44,633 - AND WE BOYS AGAIN. - ALL RIGHT. THEN GIVE IT TO ME. 1515 01:46:44,667 --> 01:46:49,333 - WE JUST HUGGED ALREADY. - NO, MAN. I WANT A BIG, MOTHERFUCKIN' HUG, MAN. 1516 01:46:49,367 --> 01:46:52,433 DAMN, MAN. I LOVE Y'ALL, MAN. 1517 01:46:52,467 --> 01:46:56,633 * IS IT MY TURN TO WISH YOU WERE LYING HERE * Y'ALL READY TO EAT? 1518 01:46:56,667 --> 01:47:00,233 YEAH. ALL RIGHT. * I DIDN'T DREAM YOU 1519 01:47:00,267 --> 01:47:04,567 - * [ Continues, Indistinct ] - YO, IS THAT MY SHIT? 1520 01:47:04,600 --> 01:47:09,400 [ Sirens Blaring ] DAMN! MY PENTHOUSE! 1521 01:47:09,433 --> 01:47:12,100 * OR EVEN IMAGINARY EMOTIONS 1522 01:47:12,133 --> 01:47:17,167 * TELL MYSELF ANYTHING 1523 01:47:17,200 --> 01:47:22,033 * IS IT MY TURN TO HOLD YOU BY YOUR HAND * 1524 01:47:22,067 --> 01:47:24,467 * TELL YOU I LOVE YOU 1525 01:47:24,500 --> 01:47:29,033 * AND YOU NOT HEAR ME 1526 01:47:29,067 --> 01:47:32,267 * IS IT MY TURN TO TOTALLY UNDERSTAND * 1527 01:47:32,300 --> 01:47:36,167 * TO WATCH YOU WALK OUT OF MY LIFE * 1528 01:47:36,200 --> 01:47:40,800 * AND NOT DO A DAMN THING OH-HO * 1529 01:47:40,833 --> 01:47:43,700 * IF I COULD GIVE AWAY [ Trails Off ] 1530 01:47:43,733 --> 01:47:47,033 NO. IT'S ALL WRONG. YOU KNOW THAT MEMO I SHOWED YOU? 1531 01:47:47,067 --> 01:47:49,567 REFER TO IT AND SHOW ME A NEW MOCK-UP IN THE MORNING. 1532 01:47:49,600 --> 01:47:54,333 THIS IS WAY OFF. WE ARE NOT GONNA SHOOT THIS UNTIL IT'S RIGHT. 1533 01:47:55,733 --> 01:47:59,167 ANGELA! COME ON! 1534 01:47:59,200 --> 01:48:04,100 HI. WE'RE LOOKIN' FOR ANGELA... FORGET THAT. 1535 01:48:07,200 --> 01:48:10,133 WHAT? 1536 01:48:13,467 --> 01:48:17,767 UM, EXCUSE ME FOR A SECOND, PLEASE. 1537 01:48:19,733 --> 01:48:22,433 WHAT ARE YOU TWO DOING HERE? ANGELA! ANGELA. 1538 01:48:22,467 --> 01:48:27,667 I HAVEN'T SEEN YOU IN SO LONG. FOUR MONTHS AND TWO WEEKS, TO BE EXACT. 1539 01:48:27,700 --> 01:48:30,800 THANK YOU. WE MISS YOU. WHERE HAVE YOU BEEN? 1540 01:48:30,833 --> 01:48:34,533 I MISS YOU TOO, AND I'VE BEEN WORKING. I GOT THIS NEW JOB. 1541 01:48:34,567 --> 01:48:39,167 IT'S VERY DEMANDING, AND IT REQUIRES LONG HOURS. I HAVEN'T HAD TIME TO TEACH CLASS. 1542 01:48:39,200 --> 01:48:42,533 I'M SORRY. YOU ALWAYS HAD TIME FOR US. 1543 01:48:42,567 --> 01:48:45,800 [ Chuckles Nervously ] I KNOW. 1544 01:48:45,833 --> 01:48:49,333 LET ME TELL YOU SOMETHING, OKAY? 1545 01:48:49,367 --> 01:48:53,567 YOU KNOW WHAT I HAD TO DO? I HAD TO REARRANGE MY PRIORITIES IN LIFE. 1546 01:48:53,600 --> 01:48:58,767 ANGELA HAD TO START LOOKIN' OUT FOR ANGELA. 1547 01:48:58,800 --> 01:49:02,467 HOW'D YOU GET HERE, ANYWAY? OUR NEW TEACHER BROUGHT US. 1548 01:49:02,500 --> 01:49:05,100 YOUR NEW TEACHER? WELL, WHERE IS SHE? 1549 01:49:05,133 --> 01:49:09,067 - [ Both ] HE. - [ Angela ] WELL, WHERE IS HE? 1550 01:49:13,600 --> 01:49:16,433 UM, I THINK WE BEST GET GOIN' NOW. 1551 01:49:16,467 --> 01:49:19,433 GOOD-BYE, MY QUEEN. 1552 01:49:19,467 --> 01:49:22,600 OKAY. PEACE. 1553 01:49:22,633 --> 01:49:25,400 MY BROTHER. 1554 01:49:31,200 --> 01:49:33,700 THAT'S PRETTY LOW, USING THE KIDS, MARCUS. 1555 01:49:33,733 --> 01:49:37,567 WHAT ELSE COULD I DO? LOOK, I BEEN SENDING YOU LETTERS, ANGELA, AND I KNOW YOU GOT 'EM. 1556 01:49:37,600 --> 01:49:41,567 MM-HMM. I'M JUST NOT REAL BIG ON WORDS ON PAPER THESE DAYS. 1557 01:49:41,600 --> 01:49:45,300 OKAY. I KNOW I FUCKED UP. 1558 01:49:45,333 --> 01:49:49,100 YOU'RE DAMN RIGHT, YOU FUCKED UP. YOU HURT ME. 1559 01:49:51,667 --> 01:49:56,533 I MISS YOU. NO. I REALLY, REALLY MISS YOU. 1560 01:49:56,567 --> 01:49:59,667 I'VE NEVER MISSED ANYBODY IN MY LIFE, AND I MISS YOU. I'M IN LOVE WITH YOU. 1561 01:49:59,700 --> 01:50:04,500 THIS ISN'T ABOUT YOUR LOVE. IT'S ABOUT THE FACT YOU CAN'T LOVE ME THE WAY I DESERVE TO BE LOVED. 1562 01:50:04,533 --> 01:50:08,267 THAT'S WHAT THIS IS ABOUT. YOU THINK I'D COME DOWN HERE AND BOTHER YOU... 1563 01:50:08,300 --> 01:50:10,633 UNLESS I WAS READY TO BE EVERYTHING YOU WANTED IN A RELATIONSHIP? 1564 01:50:10,667 --> 01:50:13,700 I WANT TO BE STRAIGHT UP ABOUT EVERYTHING. I WANT TO HAVE A MONOGAMOUS RELATIONSHIP. 1565 01:50:13,733 --> 01:50:18,033 YOU ARE MY BEST FRIEND. I'M MISERABLE WITHOUT YOU. I EVEN QUIT MY JOB BECAUSE OF YOU. 1566 01:50:18,067 --> 01:50:21,133 DID I ASK YOU TO QUIT YOUR JOB? 1567 01:50:23,133 --> 01:50:25,667 WHY YOU DOIN' THIS? DOING WHAT? 1568 01:50:25,700 --> 01:50:28,467 BEING ALL STIFF AND COLD AND HIDIN' BEHIND YOUR WORK. 1569 01:50:28,500 --> 01:50:33,467 I'M TAKING CARE OF MY BUSINESS, AND I SUGGEST YOU TAKE CARE OF YOURS. 1570 01:50:33,500 --> 01:50:35,767 LISTEN, 1571 01:50:35,800 --> 01:50:40,167 I KNOW HAVING A GREAT JOB IS COOL AND ALL OF THAT, 1572 01:50:40,200 --> 01:50:44,167 BUT YOU USED TO HAVE A GOOD TIME. 1573 01:50:44,200 --> 01:50:48,200 YOU USED TO BE WITH THESE KIDS, AND ME AND YOU USED TO HAVE FUN AND WE HAD A GREAT LIFE. 1574 01:50:48,233 --> 01:50:53,100 - YOU HAD EVERYTHING. - GIVE ME ONE REASON WHY I SHOULD TAKE YOU BACK. 1575 01:50:53,133 --> 01:50:55,667 ONE. 1576 01:51:07,833 --> 01:51:11,300 I DIDN'T THINK YOU COULD. 1577 01:51:11,333 --> 01:51:14,333 DO YOU STILL LOVE ME? 1578 01:51:17,067 --> 01:51:21,200 'CAUSE I LOVE YOU SO MUCH. 1579 01:51:23,467 --> 01:51:26,567 I MISS YOU. 1580 01:51:26,600 --> 01:51:28,700 I'M SCARED. 1581 01:51:28,733 --> 01:51:32,167 AND I'M MISERABLE. 1582 01:51:34,067 --> 01:51:36,700 I CAN'T BREATHE WITHOUT YOU. 1583 01:51:36,733 --> 01:51:41,000 I CAN'T BREATHE. I CAN'T BREATHE. 1584 01:51:51,667 --> 01:51:54,033 NOW, WE SHOULD JUST GO TO YOUR PLACE AND GET YOUR THINGS AND GO TO MY PLACE. 1585 01:51:54,067 --> 01:51:58,400 NO, NO. I'M NOT MOVING INTO YOUR HOUSE THIS TIME. I'M STAYING IN MY PLACE WITH MY OWN THINGS. 1586 01:51:58,433 --> 01:52:02,400 I WANT 24/7. THAT'S HOW COMMITTED I AM. NO, NO, NO, NO. 1587 01:52:02,433 --> 01:52:04,633 NO, NO. I'M NOT DOIN' IT. 1588 01:52:04,667 --> 01:52:07,567 IF YOU EVEN TURN AND LOOK AT HER, I WILL BREAK YOUR FUCKIN' NECK. 1589 01:52:07,600 --> 01:52:11,433 I'M NOT LOOKIN' AT THAT WOMAN. I WAS LOOKIN' AT THIS WOMAN, THINKIN' ABOUT THE FUTURE. 1590 01:52:11,467 --> 01:52:13,600 THAT'S YOU IN 15 YEARS. YOU BETTER STILL LOVE ME IN 15 YEARS. 1591 01:52:13,633 --> 01:52:17,200 DID YOU SEE? SHE'S BY HERSELF. I'M PLAYIN'. I'M PLAYIN'. 1592 01:52:17,233 --> 01:52:23,067 * YOUR LOVE'S SO EXCITING BOY, I CAN'T DENY IT * 1593 01:52:23,100 --> 01:52:27,467 * SINCE YOU FOUND A PLACE IN MY HOME * 1594 01:52:27,500 --> 01:52:32,267 * GIVIN' ME A FEELIN' OOH, IT'S SUCH A FEELIN' * 1595 01:52:32,300 --> 01:52:36,433 * I FEEL THAT WE NEVER WOKE UP * 1596 01:52:36,467 --> 01:52:39,267 * HOW CAN I EXPLAIN IT 1597 01:52:39,300 --> 01:52:41,600 * DID YOU HEAR WHAT I'M SAYIN' * 1598 01:52:41,633 --> 01:52:46,067 * YOU BRING SO MUCH JOY TO MY HEART * 1599 01:52:46,100 --> 01:52:50,733 * WORDS CANNOT EXPRESS SO MUCH HAPPINESS * 1600 01:52:50,767 --> 01:52:55,133 * IF I CAN BE FOREVER BY YOUR SIDE * 1601 01:52:55,167 --> 01:52:59,200 * YOU'RE THE BEAT IN MY HEART, BABY * 1602 01:52:59,233 --> 01:53:04,100 * AND I WILL ALWAYS BE TRUE TO YOU * 1603 01:53:04,133 --> 01:53:09,200 * AND I WILL LOVE YOU FOREVER * 1604 01:53:09,233 --> 01:53:14,800 * IF I COULD JUST MAKE LOVE TO YOU * * MAKE LOVE TO YOU 1605 01:53:14,833 --> 01:53:18,700 * TELL ME WHAT'S WRONG WITH ME, BABY * 1606 01:53:18,733 --> 01:53:23,300 * DIDN'T I TREAT YOU RIGHT * RIGHT, RIGHT 1607 01:53:23,333 --> 01:53:28,067 * DIDN'T I DO IT ALL MY BABY * 1608 01:53:28,100 --> 01:53:31,167 * BELIEVE ME, BABY, BABY 1609 01:53:31,200 --> 01:53:33,633 * IT'S GONNA BE SO RIGHT 1610 01:53:33,667 --> 01:53:39,300 * IF IT'S ALL RIGHT IF IT'S ALL RIGHT * 1611 01:53:39,333 --> 01:53:42,033 * TELL ME IT'S GONNA BE ALL RIGHT * 1612 01:53:42,067 --> 01:53:47,133 * IF IT'S ALL RIGHT IF IT'S ALL RIGHT * 1613 01:53:49,800 --> 01:53:52,200 * BOW-WOW-WOW YIPPEE-YO, YIPPEE-YEA * 1614 01:53:52,233 --> 01:53:54,433 * BOW-WOW YIPPEE-YO, YIPPEE-YEA * 1615 01:53:54,467 --> 01:53:58,100 * BOW-WOW-WOW YIPPEE-YO, YIPPEE-YEA BOW-WOW, YIPPEE-YO, YIPPEE * 1616 01:53:58,133 --> 01:54:01,700 * YEA * HOW COULD SHE DO THAT TO ME * 1617 01:54:01,733 --> 01:54:04,067 * SHE LET A LOAD OUT ON ME 1618 01:54:04,100 --> 01:54:07,433 * [ Continues, Indistinct ] 1619 01:54:07,467 --> 01:54:13,400 * LOVE SHOULD'VE BROUGHT YOU BROUGHT YOU HOME LAST NIGHT * 1620 01:54:13,433 --> 01:54:15,600 * YOU SHOULD'VE BEEN WITH ME 1621 01:54:15,633 --> 01:54:19,367 * SHOULD'VE BEEN RIGHT BY MY SIDE * 1622 01:54:19,400 --> 01:54:24,467 * BABY, IF YOU CARED ANYTHING FOR ME * 1623 01:54:24,500 --> 01:54:30,267 * THEN LOVE WOULD'VE BROUGHT YOU HOME TO ME LAST NIGHT * 1624 01:54:30,300 --> 01:54:35,567 * THERE YOU GO AGAIN * THERE YOU GO, THERE YOU GO 1625 01:54:35,600 --> 01:54:39,533 * THERE YOU GO * AND HERE I COME 1626 01:54:39,567 --> 01:54:43,100 * HERE I COME, HERE I COME HERE I COME * * HEY 1627 01:54:43,133 --> 01:54:46,267 * OH-HO * RIGHT BY ME 1628 01:54:46,300 --> 01:54:50,800 * IN YOUR BED, IN YOUR BED IN YOUR BED * 1629 01:54:50,833 --> 01:54:56,333 * MAKING LOVE * MAKING LOVE 1630 01:54:56,367 --> 01:55:00,067 * ONCE AGAIN, OH 1631 01:55:00,100 --> 01:55:04,433 * DON'T WANT A DIAMOND DON'T WANT A FORTUNE * 1632 01:55:04,467 --> 01:55:09,267 * DON'T WANT YOU NEAR MY HEART * I DON'T WANT YOU NEAR MY HEART * 1633 01:55:09,300 --> 01:55:14,033 * DON'T WANNA KISS YOU TURN AROUND AND MISS YOU * 1634 01:55:14,067 --> 01:55:18,633 * STOP IT, BABY BEFORE I START * 1635 01:55:20,667 --> 01:55:25,133 * TO THE END OF THE ROAD 1636 01:55:25,167 --> 01:55:29,600 * STILL I CAN'T LET GO 1637 01:55:29,633 --> 01:55:32,333 * IT'S UNNATURAL 1638 01:55:32,367 --> 01:55:37,533 * YOU BELONG TO ME I BELONG TO YOU * 1639 01:55:37,567 --> 01:55:39,600 * I WANNA GO 1640 01:55:39,633 --> 01:55:44,467 * TO THE END OF THE ROAD 1641 01:55:44,500 --> 01:55:48,767 * STILL I CAN'T LET GO 1642 01:55:48,800 --> 01:55:51,700 * IT'S UNNATURAL 1643 01:55:51,733 --> 01:55:56,700 * YOU BELONG TO ME I BELONG TO YOU * 1644 01:55:56,733 --> 01:56:00,700 * GO TO THE END 1645 01:56:00,733 --> 01:56:03,600 * OF THE ROAD 1646 01:56:03,633 --> 01:56:08,233 * STILL I CAN'T LET GO 1647 01:56:08,267 --> 01:56:10,733 * IT'S UNNATURAL 1648 01:56:10,767 --> 01:56:17,200 * YOU BELONG TO ME I BELONG TO YOU * 140608

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