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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,581 --> 00:00:07,289 I'm trying to decide whether I'm happy or sad. 2 00:00:09,206 --> 00:00:11,039 BONNIE CARLSON: None of us really see things as they are. 3 00:00:11,122 --> 00:00:12,373 We see things as we are. 4 00:00:13,706 --> 00:00:15,873 MADELEINE MACKENZIE: This is Jane Chapman. She's new here. 5 00:00:15,956 --> 00:00:17,414 - Hi. - Welcome! 6 00:00:19,164 --> 00:00:20,790 You're... so nice. 7 00:00:20,997 --> 00:00:23,498 This is Monterey. We pound people with nice. 8 00:00:23,581 --> 00:00:24,539 - (CHUCKLES) - To death. 9 00:00:24,956 --> 00:00:26,790 - (CAMERAS CLICK) - ♪ (DRAMATIC MUSIC PLAYS) ♪ 10 00:00:26,873 --> 00:00:29,164 An autopsy is still being conducted 11 00:00:29,247 --> 00:00:31,623 to ascertain the exact cause of death. 12 00:00:32,289 --> 00:00:34,956 The injuries were many, and they were severe. 13 00:00:35,581 --> 00:00:37,289 We're talking multiple broken bones. 14 00:00:37,623 --> 00:00:39,915 There's clearly a lot of bad blood in this community. 15 00:00:40,831 --> 00:00:43,122 Someone hurt Amabella. 16 00:00:43,373 --> 00:00:44,665 This could get ugly. 17 00:00:44,748 --> 00:00:46,498 Ticking bomb. I'll leave it at that. 18 00:00:46,581 --> 00:00:47,790 You're dead in this town. 19 00:00:49,247 --> 00:00:52,289 So I take it that Ziggy's father isn't exactly a good guy. 20 00:00:52,623 --> 00:00:53,581 Where is he? 21 00:00:54,289 --> 00:00:55,915 No, I know that I'll never be over it. 22 00:00:57,373 --> 00:00:58,706 Something had to be wrong. 23 00:00:58,790 --> 00:01:01,122 We have this... dirty secret. 24 00:01:02,456 --> 00:01:04,164 When are you gonna leave him, Celeste? 25 00:01:05,289 --> 00:01:06,790 RENATA KLEIN: I'm now one of those people 26 00:01:06,873 --> 00:01:09,289 I swore I would never turn myself into. 27 00:01:09,373 --> 00:01:11,164 She can't just let us all get along... 28 00:01:11,247 --> 00:01:12,665 (YELLING) I said, "Thank you!" 29 00:01:13,790 --> 00:01:15,539 You don't want anyone getting hurt, do we? 30 00:01:15,623 --> 00:01:17,206 - You threatening me? - JANE CHAPMAN: They bully. 31 00:01:17,289 --> 00:01:19,706 It's human nature. They grow out of it. 32 00:01:19,790 --> 00:01:21,247 Sometimes, they don't. 33 00:01:22,456 --> 00:01:24,289 MADELEINE: Sometimes, I'm just holding onto 34 00:01:24,373 --> 00:01:26,748 this idea of perfection so tight, 35 00:01:26,831 --> 00:01:27,831 something has to give. 36 00:01:28,456 --> 00:01:29,581 - (GASPS) - (TIRES SCREECH) 37 00:01:30,289 --> 00:01:32,414 (WHISPERING) We all do bad things sometimes. 38 00:01:32,498 --> 00:01:34,539 ♪ (MUSIC SLOWLY INTENSIFIES) ♪ 39 00:01:48,790 --> 00:01:49,790 (SCREAMS) 40 00:01:57,873 --> 00:02:01,206 ♪ ("COLD LITTLE HEART" BY MICHAEL KIWANUKA PLAYING) ♪ 41 00:02:16,706 --> 00:02:18,997 ♪ Did you ever want it? ♪ 42 00:02:21,206 --> 00:02:23,498 ♪ Did you want it bad? ♪ 43 00:02:23,581 --> 00:02:25,373 ♪ Oh, my ♪ 44 00:02:27,748 --> 00:02:29,873 ♪ It tears me apart ♪ 45 00:02:34,206 --> 00:02:36,373 ♪ We can try to hide it ♪ 46 00:02:38,456 --> 00:02:41,164 ♪ It's all the same ♪ 47 00:02:41,247 --> 00:02:44,039 ♪ I've been losing you ♪ 48 00:02:45,414 --> 00:02:47,748 ♪ One day at a time ♪ 49 00:02:50,206 --> 00:02:51,498 ♪ And I know ♪ 50 00:02:51,581 --> 00:02:55,997 ♪ In my heart In this cold heart ♪ 51 00:02:56,081 --> 00:03:00,456 ♪ I can live or I can die ♪ 52 00:03:00,539 --> 00:03:04,665 ♪ I believe if I just try ♪ 53 00:03:04,748 --> 00:03:09,706 ♪ You believe in you and I ♪ 54 00:03:12,331 --> 00:03:15,247 ♪ In you and I ♪ 55 00:03:16,665 --> 00:03:20,122 ♪ In you and I ♪ 56 00:03:21,122 --> 00:03:23,956 ♪ In you and I ♪ 57 00:03:24,748 --> 00:03:26,581 ♪ (MUSIC ENDS) ♪ 58 00:03:39,456 --> 00:03:42,122 (WAVES CRASHING) 59 00:04:21,289 --> 00:04:23,498 (WAVES CRASHING) 60 00:04:31,331 --> 00:04:34,039 (HEART BEATING) 61 00:04:37,915 --> 00:04:39,498 (BEATING SPEEDS UP) 62 00:04:46,665 --> 00:04:48,247 MARY LOUISE WRIGHT: Celeste. Celeste! 63 00:04:48,331 --> 00:04:49,706 (CELESTE WRIGHT SCREAMS) 64 00:04:49,790 --> 00:04:53,206 (PANTING) Oh my God. 65 00:04:53,289 --> 00:04:55,539 (SIGHS) I just... 66 00:04:56,748 --> 00:04:58,039 I was having a nightmare. 67 00:04:58,122 --> 00:04:59,790 Oh. Shouldn't they be awake? 68 00:04:59,873 --> 00:05:02,748 CELESTE: Oh my god. Oh... 69 00:05:02,831 --> 00:05:05,873 Yeah. Josh. Max. Up we go. We overslept. 70 00:05:05,956 --> 00:05:07,706 C'mon, c'mon, c'mon. Let's go. We're in a rush. 71 00:05:07,790 --> 00:05:10,122 - MARY LOUISE: Come on, soldiers. - CELESTE: Quick, quick, quick. 72 00:05:10,206 --> 00:05:12,247 - Morning, Grandma. - CELESTE: Protein bar breakfast 73 00:05:12,331 --> 00:05:13,456 in the car. 74 00:05:13,539 --> 00:05:15,581 (CHUCKLES) Your favorite. 75 00:05:15,665 --> 00:05:18,289 MARY LOUISE: I have to go to town. I can drop you off. 76 00:05:18,373 --> 00:05:21,706 Oh... Thanks, Mary Louise. 77 00:05:25,873 --> 00:05:27,247 What was it about? 78 00:05:28,373 --> 00:05:29,498 Your nightmare. 79 00:05:29,581 --> 00:05:31,414 Oh, it was stupid. 80 00:05:32,498 --> 00:05:33,748 Nothing, really. 81 00:05:35,581 --> 00:05:36,790 You said "rape." 82 00:05:38,414 --> 00:05:39,414 What? 83 00:05:40,373 --> 00:05:41,623 Something about a rape. 84 00:05:45,873 --> 00:05:46,831 Huh. 85 00:05:46,915 --> 00:05:48,748 - (FAINT BUZZING) - (SIGHS) 86 00:05:54,122 --> 00:05:56,039 Can I have some water, please? 87 00:05:59,956 --> 00:06:01,164 (SNIFFLES) 88 00:06:01,247 --> 00:06:02,373 (SIGHS) 89 00:06:04,331 --> 00:06:07,247 - (BUZZING CONTINUES) - (EXHALES) 90 00:06:10,539 --> 00:06:12,831 ♪ And I don't give a damn About my reputation ♪ 91 00:06:12,915 --> 00:06:15,122 ♪ ("BAD REPUTATION" BY JOAN JETT PLAYS) ♪ 92 00:06:15,206 --> 00:06:18,289 ♪ Never said I wanted To improve my station ♪ 93 00:06:19,790 --> 00:06:22,164 ♪ And I'm only doin' good When I'm havin' fun ♪ 94 00:06:22,247 --> 00:06:24,206 ♪ And I don't have To please no one ♪ 95 00:06:24,289 --> 00:06:27,581 ♪ And I don't give a damn 'Bout my bad reputation ♪ 96 00:06:29,122 --> 00:06:30,997 - ♪ Oh, no ♪ - ♪ No, no, no, no, no, no ♪ 97 00:06:31,081 --> 00:06:33,206 Okay, I'm putting this in your small pocket, okay? 98 00:06:33,289 --> 00:06:34,956 ZIGGY: Yep. 99 00:06:35,039 --> 00:06:36,331 - ♪ ...My reputation ♪ - (SINGING) ♪ Reputation ♪ 100 00:06:36,414 --> 00:06:37,373 (YELLING) First day of school! 101 00:06:37,456 --> 00:06:38,873 (SEAGULLS SQUAWK) 102 00:06:38,956 --> 00:06:40,956 JOSH WRIGHT: Stop! Hey, Max, you idiot! 103 00:06:41,039 --> 00:06:43,039 Hey, hey, boys come on. Keep it down, would you? 104 00:06:43,122 --> 00:06:44,331 I can't hear myself think. 105 00:06:44,414 --> 00:06:45,706 MAX WRIGHT: Then just don't think, Mom. 106 00:06:45,790 --> 00:06:47,331 - JOSH: Give it back, you idiot! - Hey! 107 00:06:47,414 --> 00:06:48,665 - Stop! - Give it back! 108 00:06:48,748 --> 00:06:50,414 MARY LOUISE: (YELLING) Hey! Quiet! 109 00:06:54,164 --> 00:06:55,331 Fine young men 110 00:06:55,414 --> 00:06:57,581 don't suddenly become fine young men 111 00:06:57,665 --> 00:06:59,915 all of sudden in a whoosh, you know. 112 00:06:59,997 --> 00:07:01,122 (CLEARS THROAT) 113 00:07:01,206 --> 00:07:03,289 It starts with being fine young boys. 114 00:07:03,373 --> 00:07:05,748 And part of being a fine young boy 115 00:07:05,831 --> 00:07:08,164 is listening and respecting your mother. 116 00:07:08,997 --> 00:07:10,623 She works so hard for you. 117 00:07:10,706 --> 00:07:13,039 That's why the sun shines on her so. 118 00:07:15,122 --> 00:07:16,331 Thank you, Mary Louise. 119 00:07:21,831 --> 00:07:23,247 MADELINE MACKENZIE: I have two showings, 120 00:07:23,331 --> 00:07:24,790 I have Abigail's college advisor, 121 00:07:24,873 --> 00:07:26,122 not to mention all this scrutiny. 122 00:07:26,206 --> 00:07:27,997 - It's just gonna be a day. - What scrutiny? 123 00:07:28,081 --> 00:07:29,790 MADELINE: Ed, this is the first day of school. 124 00:07:29,873 --> 00:07:32,581 We have to earn our good-mom badges all over again. 125 00:07:32,665 --> 00:07:34,456 "Has she gotten fatter over the summer? 126 00:07:34,539 --> 00:07:37,164 Does she look older?" These questions get asked, Ed, 127 00:07:37,247 --> 00:07:39,414 and we all get judged all over again. 128 00:07:39,498 --> 00:07:41,623 It's a complete double standard 'cause if a dad shows up, 129 00:07:41,706 --> 00:07:43,206 they're like, "Wow, there's a dad here. 130 00:07:43,289 --> 00:07:45,373 He's involved." But with the moms... 131 00:07:45,456 --> 00:07:47,373 (SCOFFS) it just makes me wanna blow. 132 00:07:47,456 --> 00:07:48,623 CHLOE MACKENZIE: Boom! 133 00:07:48,706 --> 00:07:50,790 MADELINE: Oh my god. Chloe. Goddammit! 134 00:07:50,873 --> 00:07:53,289 - (CROSSING GUARD BLOWS WHISTLE) - Just right there. I need to get right there. 135 00:07:53,373 --> 00:07:54,331 - Chloe... - (HONKS HORN) 136 00:07:54,414 --> 00:07:55,581 Could you please turn it down? 137 00:07:55,665 --> 00:07:56,997 Let second grade begin. 138 00:07:57,081 --> 00:07:58,790 ♪ ("I'LL BE AROUND" BY THE SPINNERS PLAYS) ♪ 139 00:07:58,873 --> 00:08:02,997 ♪ This is our bump in the road 140 00:08:03,081 --> 00:08:05,997 ♪ Love's last episode ♪ 141 00:08:07,665 --> 00:08:11,206 ♪ There's nowhere to go ♪ 142 00:08:11,289 --> 00:08:12,665 ♪ Oh no ♪ 143 00:08:12,748 --> 00:08:14,873 ♪ You made your choice ♪ 144 00:08:16,039 --> 00:08:19,164 ♪ Now it's up to me ♪ 145 00:08:20,373 --> 00:08:24,498 ♪ To bow out gracefully ♪ 146 00:08:24,581 --> 00:08:27,498 ♪ Though you hold the key ♪ 147 00:08:27,581 --> 00:08:29,498 ♪ But, baby ♪ 148 00:08:29,581 --> 00:08:33,997 ♪ Whenever you call me I'll be there ♪ 149 00:08:34,081 --> 00:08:38,331 ♪ Whenever you want me I'll be there ♪ 150 00:08:38,414 --> 00:08:42,164 ♪ Whenever you need me I'll be there ♪ 151 00:08:42,247 --> 00:08:44,498 - (BELL RINGS) - Welcome back to our wonderful, 152 00:08:44,581 --> 00:08:46,122 wonderful Otter Bay. 153 00:08:46,206 --> 00:08:48,247 Gosh, I always so love the sound of that. 154 00:08:48,331 --> 00:08:50,122 Let's all say that together, shall we? 155 00:08:50,206 --> 00:08:53,122 ALL: Wonderful, wonderful Otter Bay. 156 00:08:53,206 --> 00:08:55,456 - Here we go. Now, gang... - ♪ (PIANO BEGINS JAUNTY TUNE) ♪ 157 00:08:55,539 --> 00:08:57,915 since we ask our children to sing this song every year, 158 00:08:57,997 --> 00:09:00,247 I think it's high time we sing it with them, 159 00:09:00,331 --> 00:09:02,706 so everybody let out their inner otter, 160 00:09:02,790 --> 00:09:04,665 and sing along. 161 00:09:04,748 --> 00:09:06,289 ALL: (SINGING) ♪ Otter Bay ♪ 162 00:09:06,373 --> 00:09:08,665 ♪ Otter Bay, it's the best plac Of them all ♪ 163 00:09:08,748 --> 00:09:11,623 Very impressive. We're in the key of F, Madeline. 164 00:09:11,706 --> 00:09:13,331 ALL: (SINGING) ♪ To start our day ♪ 165 00:09:13,414 --> 00:09:15,373 ♪ When we rise up with a snort ♪ 166 00:09:15,456 --> 00:09:16,665 (SNORTING) 167 00:09:16,748 --> 00:09:20,122 ♪ With dance and song And sport ♪ 168 00:09:20,206 --> 00:09:21,665 (SNORTING) 169 00:09:21,748 --> 00:09:27,081 ♪ Oh, to be a little otter In the bay ♪ 170 00:09:27,164 --> 00:09:30,831 Yes! Oh, you got my otter heart going! Thank you! 171 00:09:31,790 --> 00:09:33,831 Warren. (CHUCKLES) 172 00:09:33,915 --> 00:09:36,164 Really pushing the school spirit this year, aren't you? 173 00:09:36,247 --> 00:09:38,122 Well, it's my otter blood, Madeline. 174 00:09:38,206 --> 00:09:40,790 - Hi, Madeline Martha Mackenzie. - Lisa Coolidge. 175 00:09:40,873 --> 00:09:42,581 Anyway, it was a beautiful service, Warren. 176 00:09:42,665 --> 00:09:44,331 WARREN NIPPAL: (LAUGHS) Well, thank you, Madeline, 177 00:09:44,414 --> 00:09:46,247 I like to think of it more as an assembly. 178 00:09:46,331 --> 00:09:48,581 A service is for when someone dies, 179 00:09:48,665 --> 00:09:50,581 you know, like a school fundraiser. 180 00:09:50,665 --> 00:09:52,790 You're not seriously gonna go there, are you? 181 00:09:52,873 --> 00:09:54,748 My hope is that you don't go there, Madeline. 182 00:09:54,831 --> 00:09:56,997 Now, let's remember a lot of last year's mishigas 183 00:09:57,081 --> 00:09:59,039 were lovingly stirred up by you. 184 00:10:00,164 --> 00:10:01,706 MELISSA: Anybody want a red velvet? 185 00:10:01,790 --> 00:10:03,790 - Melissa! - Cupcake? 186 00:10:03,873 --> 00:10:05,790 MADELINE: I'll take one for each thigh. 187 00:10:05,873 --> 00:10:07,247 MELISSA: Absolutely. 188 00:10:07,331 --> 00:10:08,956 I don't even like to chew. I just shove 'em down. 189 00:10:09,039 --> 00:10:11,831 Maybe you can give one to Warren so he can shove it too. 190 00:10:11,915 --> 00:10:15,039 WARREN: (CHUCKLES) And we're off. 191 00:10:15,122 --> 00:10:17,122 - MADELINE: Bonnie. - It's a classy crop of moms, 192 00:10:17,206 --> 00:10:19,247 these ones. Those gluten-free? 193 00:10:19,331 --> 00:10:20,706 MADELINE: Tahoe was good? 194 00:10:20,790 --> 00:10:23,247 Uh, yeah, it was good. Nathan caught a lot of fish. 195 00:10:23,331 --> 00:10:25,164 Wow. 196 00:10:25,247 --> 00:10:27,331 BONNIE CARLSON: And I hear you're selling houses like crazy. That's very cool. 197 00:10:27,414 --> 00:10:29,164 Oh my gosh, in Monterey, it is like printing money. 198 00:10:29,247 --> 00:10:30,873 I should have done this years ago. 199 00:10:32,414 --> 00:10:34,081 - I'm gonna go find Skye. - Okay. 200 00:10:36,081 --> 00:10:38,081 Okay. Are you two fighting? 201 00:10:38,164 --> 00:10:40,623 Uh, no. Actually, I almost wish we were. 202 00:10:40,706 --> 00:10:45,081 No, she's... she's been acting like that for a while now. 203 00:10:45,164 --> 00:10:46,539 Acting like what? 204 00:10:47,623 --> 00:10:49,790 Shut down. Like, withdrawn. 205 00:10:49,873 --> 00:10:52,081 Oh, you mean you're not having sex. 206 00:10:52,164 --> 00:10:54,122 Okay, don't forget that Abigail has 207 00:10:54,206 --> 00:10:56,081 - her college counselor meeting at 2:00 p.m. - Yeah, yeah, I got your... 208 00:10:56,164 --> 00:10:57,665 I got your emails. Six of them this morning. 209 00:10:57,748 --> 00:10:59,956 - Good. Thank you. - This is her future, Nathan. 210 00:11:00,039 --> 00:11:01,831 Nice to be back. 211 00:11:01,915 --> 00:11:03,498 I'm told that my daughter, Amabella, 212 00:11:03,581 --> 00:11:06,081 is going to be in your class. So exciting. 213 00:11:06,164 --> 00:11:07,498 Yes, very nice to meet you. 214 00:11:07,581 --> 00:11:11,956 Um, she has an IQ of 152. Genius level, right. 215 00:11:12,039 --> 00:11:14,247 That's a very high number. Life's about give and take. 216 00:11:14,331 --> 00:11:16,373 I expect you to take care of my daughter. 217 00:11:16,456 --> 00:11:19,081 Pay special attention. And, again, welcome. 218 00:11:20,373 --> 00:11:23,373 Um, oh, oh, oh. (CHUCKLES) And... 219 00:11:23,456 --> 00:11:25,956 my Amabella was bullied last year. 220 00:11:26,039 --> 00:11:28,915 I mean, in like, biting and choking. 221 00:11:28,997 --> 00:11:32,206 So, we're gonna make sure that doesn't happen again. 222 00:11:32,289 --> 00:11:34,831 - (BAND PLAYS) - RENATA KLEIN: Oh. 223 00:11:34,915 --> 00:11:37,081 Oops. Sorry. 224 00:11:37,164 --> 00:11:38,498 Sorry. 225 00:11:38,581 --> 00:11:40,414 Here's my problem with the whole meditation thing. 226 00:11:40,498 --> 00:11:41,873 It's like you shut out the world, 227 00:11:41,956 --> 00:11:43,247 but you also shut out your friends, 228 00:11:43,331 --> 00:11:44,790 which is a little bit weird. 229 00:11:44,873 --> 00:11:47,581 And also, does she look funny? Something's not right. 230 00:11:47,665 --> 00:11:49,456 - Are you talking about Bonnie? - Uh-huh. 231 00:11:50,956 --> 00:11:54,456 Like, she's off. But she was off before she went to Tahoe. 232 00:11:54,539 --> 00:11:55,706 Unplugged is one thing, 233 00:11:55,790 --> 00:11:57,665 but unhinged is a total other thing. 234 00:11:57,748 --> 00:11:59,956 - (HORN BLARES) - Hey! Asshole! Hey! 235 00:12:00,039 --> 00:12:01,873 - Oh, hon. - Why are you cutting me off? 236 00:12:01,956 --> 00:12:04,164 - Honey. The horn. The horn. - Dick! I just think we... 237 00:12:04,247 --> 00:12:05,247 Oh, yeah, sorry. 238 00:12:05,331 --> 00:12:07,039 Once I lean in, you know how I am. 239 00:12:07,122 --> 00:12:09,206 - CELESTE: Indeed. - I think we need to talk to her 240 00:12:09,289 --> 00:12:10,706 and see where her head is at. 241 00:12:10,790 --> 00:12:13,373 - CELESTE: Do you? - Do you want to get a coffee? 242 00:12:13,456 --> 00:12:15,498 By the way, did you see Renata 243 00:12:15,581 --> 00:12:17,706 getting up that new teacher's ass? 244 00:12:17,790 --> 00:12:19,915 I thought she was gonna have to pull out her snorkel. 245 00:12:19,997 --> 00:12:22,081 CELESTE: Easy. I'm gonna go to the ladies' room; 246 00:12:22,164 --> 00:12:25,206 - can you get me an Americano? - MADELINE: Will do. 247 00:12:25,289 --> 00:12:27,039 - Hey, Bruna. - BRUNA: Hey, Madeline. 248 00:12:27,122 --> 00:12:28,873 MADELINE: Wow, do you sell weed? It smells like weed over here. 249 00:12:28,956 --> 00:12:30,873 - Keep the change. - BRUNA: Thank you so much. 250 00:12:30,997 --> 00:12:32,665 - Can I get an Americano - (DISTANT CHATTER) 251 00:12:32,748 --> 00:12:34,247 and a bran muffin? 252 00:12:34,331 --> 00:12:36,498 - ...that's a thing? - MADELINE: Mary Louise? 253 00:12:38,456 --> 00:12:39,915 - Hi. Madeline. - MARY LOUISE: Hi. 254 00:12:39,997 --> 00:12:41,498 - Madeline! - Yes. 255 00:12:41,581 --> 00:12:43,414 - So nice to see you again. - I'm Celeste's friend. Yes. 256 00:12:43,498 --> 00:12:44,748 How have you been? 257 00:12:44,831 --> 00:12:46,831 Good, good. The kids are good. How are you? 258 00:12:46,915 --> 00:12:48,373 I can't complain. 259 00:12:49,665 --> 00:12:50,997 Actually, I can. 260 00:12:54,414 --> 00:12:55,623 My son is dead. 261 00:12:58,498 --> 00:13:01,373 But Celeste tells me that you continue to be so helpful 262 00:13:01,456 --> 00:13:03,164 with her and the boys and... 263 00:13:03,247 --> 00:13:05,206 She should just get a proper housekeeper. 264 00:13:05,289 --> 00:13:07,706 - You're very short. - (SCOFFS) Excuse me? 265 00:13:07,790 --> 00:13:09,581 I don't mean it in a negative way. 266 00:13:09,665 --> 00:13:10,873 MADELINE: Oh. (CHUCKLES) 267 00:13:11,831 --> 00:13:13,498 Maybe I do. 268 00:13:13,581 --> 00:13:18,373 I find little people to be untrustworthy. 269 00:13:18,456 --> 00:13:21,498 (CHUCKLES) My apologies. It's just that I'm... 270 00:13:22,790 --> 00:13:25,539 I pride myself on being a very good judge of character, 271 00:13:25,623 --> 00:13:29,289 but you have always presented such a difficult read. 272 00:13:29,373 --> 00:13:33,039 You know, you seem like a nice person. 273 00:13:33,122 --> 00:13:37,623 Loving. But also, you strike me as a wanter. 274 00:13:37,706 --> 00:13:39,790 - A... A wanter? - Mm. 275 00:13:39,873 --> 00:13:41,331 You know... 276 00:13:41,414 --> 00:13:44,623 there are people in... in life who content themselves 277 00:13:44,706 --> 00:13:46,706 with what they have, and then there are others 278 00:13:46,790 --> 00:13:50,373 who just... just want. 279 00:13:52,247 --> 00:13:53,498 I'm not a wanter. 280 00:13:53,581 --> 00:13:55,081 Oh, you don't have to take it personally. 281 00:13:55,164 --> 00:13:56,915 Anyway, I'm a wanter myself. 282 00:13:58,373 --> 00:14:01,748 You know what I want? I want Perry back. 283 00:14:01,831 --> 00:14:03,997 I wanna know what happened that night. 284 00:14:04,081 --> 00:14:06,956 And I... I'm very tempted to ask you, 285 00:14:07,039 --> 00:14:09,790 but I doubt I would get the, uh... 286 00:14:09,873 --> 00:14:11,289 the truth, would I? 287 00:14:13,831 --> 00:14:16,039 Your son lost his balance and he fell. 288 00:14:16,122 --> 00:14:19,164 Yes, that seems to be the company line. 289 00:14:19,247 --> 00:14:21,831 Depending on whose company you keep. 290 00:14:21,915 --> 00:14:23,456 Mary Louise. 291 00:14:23,539 --> 00:14:26,581 Madeline and I were just... talking. 292 00:14:27,748 --> 00:14:29,122 MADELINE: What the hell was that? 293 00:14:29,206 --> 00:14:30,831 That was a very strong position. 294 00:14:30,915 --> 00:14:32,373 And I didn't like it! 295 00:14:33,289 --> 00:14:34,623 Welcome to my life. 296 00:14:41,289 --> 00:14:42,748 - (CARTS CRASH) - Sorry. 297 00:14:43,456 --> 00:14:45,456 Whoa. Hi! 298 00:14:46,623 --> 00:14:47,790 Tori. 299 00:14:47,873 --> 00:14:49,956 Sorry, I didn't recognize you at first. 300 00:14:50,039 --> 00:14:52,790 Yeah, I had my breasts done. 301 00:14:54,331 --> 00:14:55,498 Oh. 302 00:14:55,581 --> 00:14:57,039 Yeah, it's fabulous. 303 00:14:57,122 --> 00:14:58,831 I always felt a little self-conscious, you know. 304 00:15:00,915 --> 00:15:02,206 About your breasts? 305 00:15:02,289 --> 00:15:03,623 - My nose. - Oh. 306 00:15:03,706 --> 00:15:06,414 Now, nobody notices it so much. 307 00:15:06,498 --> 00:15:10,623 Everybody notices these though. And that pisses Joseph off. 308 00:15:11,956 --> 00:15:13,456 So... uh... 309 00:15:13,539 --> 00:15:15,623 Well, I'll see you around. 310 00:15:17,873 --> 00:15:19,081 (CHUCKLES) 311 00:15:19,164 --> 00:15:22,247 (MAN TALKING INDISTINCTLY ON LOUDSPEAKER) 312 00:15:22,331 --> 00:15:24,498 DR. AMANDA REISMAN: How long does she plan to stay? 313 00:15:24,581 --> 00:15:25,831 Well, she comes and goes. 314 00:15:25,915 --> 00:15:27,873 It's a short hop from San Francisco. 315 00:15:29,206 --> 00:15:30,997 She's been... 316 00:15:31,081 --> 00:15:33,831 - a really big help. - Mm-hmm. 317 00:15:33,915 --> 00:15:35,790 I mean, I'd be lost without her. 318 00:15:37,790 --> 00:15:39,164 So what brings you? 319 00:15:39,247 --> 00:15:40,539 It's been a while. 320 00:15:41,790 --> 00:15:42,831 (CHUCKLES) 321 00:15:45,665 --> 00:15:46,915 (SIGHS) 322 00:15:46,997 --> 00:15:50,997 I've had some nightmares starting up of late that, um... 323 00:15:52,122 --> 00:15:53,206 I mean, may be triggered 324 00:15:53,289 --> 00:15:54,915 by the beginning of the school year. 325 00:15:54,997 --> 00:15:56,373 I think I still... 326 00:15:56,456 --> 00:15:59,539 - associate that place with... - How could you not? 327 00:16:05,039 --> 00:16:06,331 Last night was... 328 00:16:07,623 --> 00:16:09,331 It was a beauty. 329 00:16:12,790 --> 00:16:17,873 Perry and I were in... the in-vitro facility, and... 330 00:16:19,873 --> 00:16:24,997 it was all so sweet, and... And suddenly, I... 331 00:16:26,790 --> 00:16:30,122 I turned into a monster. 332 00:16:30,206 --> 00:16:33,706 I was strangling him. I was lifting him up, and I... 333 00:16:33,790 --> 00:16:34,997 I... (SIGHS) 334 00:16:36,873 --> 00:16:40,164 It was... beyond disturbing, and I... I... 335 00:16:43,247 --> 00:16:44,748 a little exhilarating. 336 00:16:45,748 --> 00:16:46,873 Hmm... 337 00:16:48,414 --> 00:16:51,122 Is that... Do you see yourself as a monster? 338 00:16:53,623 --> 00:16:55,247 I guess I still feel... 339 00:16:58,414 --> 00:17:00,581 - responsible. - For...? 340 00:17:03,289 --> 00:17:05,164 For the accident. 341 00:17:05,247 --> 00:17:07,373 I mean, if I'd left him when I should have... 342 00:17:07,456 --> 00:17:09,539 We should have never been together that night, 343 00:17:09,623 --> 00:17:10,997 and he might still be alive. 344 00:17:11,081 --> 00:17:13,997 That I chose that night of all nights to leave him 345 00:17:14,081 --> 00:17:15,539 and to tell him and... 346 00:17:20,081 --> 00:17:23,206 Even in death, his message lives on. 347 00:17:23,289 --> 00:17:25,289 - What message? - That you're to blame. 348 00:17:26,164 --> 00:17:28,289 You're always to blame. 349 00:17:31,956 --> 00:17:33,164 You're not. 350 00:17:40,456 --> 00:17:43,039 - Are you getting out? - (SCOFFS) 351 00:17:43,122 --> 00:17:45,581 - Are you seeing anyone? - No. 352 00:17:45,665 --> 00:17:48,331 That part of me is still dead, I suppose. 353 00:17:48,414 --> 00:17:51,081 First thing's first: get the boys' lives back on track, 354 00:17:51,164 --> 00:17:52,373 that's the priority. 355 00:17:52,456 --> 00:17:54,122 Seeing their mom happy could help there. 356 00:17:54,206 --> 00:17:56,539 So, you're saying for my life to go on successfully, 357 00:17:56,623 --> 00:17:58,623 - I need to be with a man? - No. 358 00:17:58,706 --> 00:18:00,790 But the freedom to be with one, maybe. 359 00:18:02,623 --> 00:18:06,873 You're still married, Celeste, and the husband is dead. 360 00:18:10,164 --> 00:18:11,956 (TALKING INDISTINCTLY) 361 00:18:12,039 --> 00:18:13,956 (PANTING) 362 00:18:26,414 --> 00:18:29,498 (PANTING) 363 00:18:31,247 --> 00:18:32,665 NATHAN CARLSON: Where've you been? 364 00:18:33,665 --> 00:18:35,039 I told you I was running. 365 00:18:35,122 --> 00:18:37,289 That was like two hours ago, I've been calling you. 366 00:18:37,997 --> 00:18:39,039 BONNIE: Sorry. 367 00:18:44,373 --> 00:18:45,748 Honey. 368 00:18:45,831 --> 00:18:47,247 I just thought it might be that you hated Tahoe, 369 00:18:47,331 --> 00:18:48,539 but since we've been back... 370 00:18:50,873 --> 00:18:52,164 Come on. 371 00:18:52,247 --> 00:18:54,581 BONNIE: I need some space, Nathan. I told you. 372 00:18:55,498 --> 00:18:56,997 Just let it be. 373 00:18:57,081 --> 00:18:59,623 JANE CHAPMAN: He's my favorite in the whole aquarium. 374 00:18:59,706 --> 00:19:01,122 It's a red octopus, and watch. 375 00:19:01,206 --> 00:19:04,039 The closer he gets to the kelp, he'll change his color 376 00:19:04,122 --> 00:19:06,373 so that he camouflages with his environment. 377 00:19:06,456 --> 00:19:08,456 - CHILD: Cool. - Look. You see him right now? 378 00:19:08,539 --> 00:19:10,414 - CHILD: Yeah. - He's changing color. 379 00:19:10,498 --> 00:19:12,748 You guys want to know a fun fact about octopus? 380 00:19:12,831 --> 00:19:14,623 - ALL: Yeah! - It's kinda weird. 381 00:19:14,706 --> 00:19:16,748 - You can handle it? - Yeah. 382 00:19:16,831 --> 00:19:19,456 Okay, females contain deadly venom, 383 00:19:19,539 --> 00:19:22,081 and sometimes, they'll kill and they'll eat the males 384 00:19:22,164 --> 00:19:25,956 - after they mate with them. - CHILDREN: (GROAN) Ew! 385 00:19:26,039 --> 00:19:27,206 JANE: (CHUCKLES) I know. 386 00:19:27,289 --> 00:19:29,414 SARAH: Why is it the prettier something is, 387 00:19:29,498 --> 00:19:32,831 the more dangerous? Like with snakes and spiders. 388 00:19:32,915 --> 00:19:35,665 That's a great question. I wish I knew the answer to that. 389 00:19:35,748 --> 00:19:37,623 - COREY BROCKFIELD: One second, okay? - You're so observant. 390 00:19:37,706 --> 00:19:40,164 Sometimes, pretty colors are to give a fair warning 391 00:19:40,247 --> 00:19:43,748 so other animals know they need to keep a safe distance. 392 00:19:43,831 --> 00:19:45,122 GIRL: Oh. 393 00:19:51,081 --> 00:19:52,122 There you go. 394 00:19:52,206 --> 00:19:54,748 (INDISTINCT CHATTER) 395 00:19:57,748 --> 00:19:58,873 NATHAN: How you doing? 396 00:19:59,873 --> 00:20:01,539 Good. You? 397 00:20:03,289 --> 00:20:05,581 Not really, no. Bonnie. 398 00:20:05,665 --> 00:20:08,164 I mean, she's gone missing in mental action. 399 00:20:08,247 --> 00:20:10,122 The whole summer, truth be told. 400 00:20:11,122 --> 00:20:12,247 Hey, man, could I... 401 00:20:13,873 --> 00:20:15,706 Could I ask you a big favor? 402 00:20:15,790 --> 00:20:17,498 Could you maybe take her out to lunch? 403 00:20:18,665 --> 00:20:19,997 Um... 404 00:20:20,081 --> 00:20:21,748 Listen, you've always been better to talking to women 405 00:20:21,831 --> 00:20:23,331 than I have and, you know, you certainly got Madeline 406 00:20:23,414 --> 00:20:24,873 in a way I never could. 407 00:20:24,956 --> 00:20:26,831 I mean, I think you might be able to get her to open up. 408 00:20:26,915 --> 00:20:28,456 You know, you have your little way. 409 00:20:28,539 --> 00:20:30,206 All I'm getting is pushback at every turn. 410 00:20:30,289 --> 00:20:32,122 I swear to God, if I signed up for this bullshit, 411 00:20:32,206 --> 00:20:33,831 I'd still be with Maddie. 412 00:20:33,915 --> 00:20:36,790 - I mean... I don't mean... - Oh, no, no. 413 00:20:36,873 --> 00:20:39,790 Um, look, Nathan... 414 00:20:39,873 --> 00:20:42,081 I'm no expert on marriage or anything. 415 00:20:42,164 --> 00:20:44,373 I mean, something tells me if you're seeking out 416 00:20:44,456 --> 00:20:46,873 the husband of your ex-wife to, like, 417 00:20:46,956 --> 00:20:50,164 lead the communication charge with your new one... 418 00:20:53,331 --> 00:20:54,873 Why do you always have to be so snide? 419 00:20:54,956 --> 00:20:56,831 - I don't mean to be snide. - No, you don't mean to be, 420 00:20:56,915 --> 00:20:59,247 it just comes natural. It's like you're a snide fuck. 421 00:20:59,331 --> 00:21:01,039 That's what you are. You're a snide fuck. 422 00:21:01,122 --> 00:21:04,498 You know, Nathan, maybe instead of just talking to Bonnie, 423 00:21:04,581 --> 00:21:06,915 you should embrace some of her interests. 424 00:21:06,997 --> 00:21:08,373 - Her interests? - Yeah. 425 00:21:08,456 --> 00:21:10,623 She won't even let me embrace her. 426 00:21:10,706 --> 00:21:12,081 - Okay. - Yeah, you're snide. 427 00:21:12,164 --> 00:21:13,665 - You're a snide fuck. - What? 428 00:21:14,581 --> 00:21:15,915 - Whatever. - Come on. 429 00:21:15,997 --> 00:21:17,748 Snide fuck. 430 00:21:17,831 --> 00:21:21,039 ♪ ("WHAT BECOMES OF THE BROKENHEARTED" BY JIMMY RUFFIN PLAYS) ♪ 431 00:21:21,122 --> 00:21:24,997 ♪ As I walk this land Of broken dreams ♪ 432 00:21:25,081 --> 00:21:26,373 (PHONE RINGING) 433 00:21:26,456 --> 00:21:28,081 - ♪ I have visions... ♪ (CUTS OFF) - Hello. 434 00:21:28,164 --> 00:21:29,997 - JULIETTE: (OVER PHONE) Mrs. Klein? - Juliette. 435 00:21:30,081 --> 00:21:32,331 Hey, honey. I'm pulling in. Can you... 436 00:21:32,414 --> 00:21:33,748 - (PHONE VIBRATING) - can... wait. 437 00:21:33,831 --> 00:21:35,748 Hold on one second. Hold on... Hello? 438 00:21:35,831 --> 00:21:37,665 MADELINE: This is why I talk about being nice. 439 00:21:37,748 --> 00:21:40,498 Hey. No, I can't... 440 00:21:40,581 --> 00:21:42,122 MADELINE: What do you think? 441 00:21:42,206 --> 00:21:43,665 MAN: I love the view. 442 00:21:43,748 --> 00:21:45,623 Oh, sorry, I'm on the phone. 443 00:21:45,706 --> 00:21:47,331 Yeah, I thought Tahoe was supposed 444 00:21:47,414 --> 00:21:48,665 to be about decompression too, 445 00:21:48,748 --> 00:21:50,206 but she seems like she's on Mars. 446 00:21:50,289 --> 00:21:52,539 - Maybe she's using. - WOMAN: Excuse me. 447 00:21:52,623 --> 00:21:54,039 Yeah, just a second. 448 00:21:54,122 --> 00:21:55,456 And I am beating myself up 449 00:21:55,539 --> 00:21:57,039 that I told Jane I liked her bangs. 450 00:21:57,122 --> 00:21:58,623 Can you get off the phone, please? 451 00:21:58,706 --> 00:21:59,748 Hmm? 452 00:22:00,748 --> 00:22:02,331 Oh, let me call you back. 453 00:22:02,414 --> 00:22:04,247 ♪ ("IT'S MY HOUSE" BY DIANA ROSS PLAYS) ♪ 454 00:22:04,331 --> 00:22:05,956 Yeah, what can I do for you? 455 00:22:06,039 --> 00:22:07,790 RENATA KLEIN: I mean, I can't deny it. 456 00:22:07,873 --> 00:22:10,289 ♪ It's my house And I live here ♪ 457 00:22:10,373 --> 00:22:12,623 JOEL: Good, right there. 458 00:22:12,706 --> 00:22:15,997 ♪ It's my house And I live here ♪ 459 00:22:16,081 --> 00:22:19,873 Beautiful, come on down. Good. Eyes up this way. Gorgeous. 460 00:22:19,956 --> 00:22:21,706 I'm so tired of those shots of women. 461 00:22:21,790 --> 00:22:23,289 I mean, they're in power, right? 462 00:22:23,373 --> 00:22:26,122 They own banks and they're all, like, demure. Bullshit. 463 00:22:27,748 --> 00:22:29,122 JOEL: Back to the ocean. 464 00:22:29,206 --> 00:22:30,748 GORDON KLEIN: What's all this? 465 00:22:30,831 --> 00:22:33,706 RENATA: Hey! The photoshoot. Women in power. 466 00:22:33,790 --> 00:22:35,706 I thought they wanted just, uh... office shots. 467 00:22:35,790 --> 00:22:39,623 No, um, they're doing house and, uh, office. 468 00:22:40,498 --> 00:22:41,915 GORDON: You look nice. 469 00:22:41,997 --> 00:22:43,623 JOEL: Here we go. Look at me. 470 00:22:43,706 --> 00:22:45,539 ♪ And I live here ♪ 471 00:22:45,623 --> 00:22:47,373 (MINIATURE TRAIN WHISTLE BLOWS) 472 00:22:57,456 --> 00:23:00,456 ♪ It's my house And I live here ♪ 473 00:23:01,373 --> 00:23:03,373 So she has a 3.8 GPA, 474 00:23:03,456 --> 00:23:06,915 and she has done charity work with human trafficking. 475 00:23:06,997 --> 00:23:08,665 She also has an internship coming up... 476 00:23:08,748 --> 00:23:10,873 Uh, Stanford has an admit rate of under ten. 477 00:23:10,956 --> 00:23:12,539 Princeton and Williams the same, 478 00:23:12,623 --> 00:23:14,289 and since she doesn't have legacy going for her... 479 00:23:14,373 --> 00:23:17,039 Any of these schools would be lucky to have her. 480 00:23:17,122 --> 00:23:19,706 - She's an excellent candidate... - MADELINE: Candidate is, 481 00:23:19,790 --> 00:23:21,289 - I think, the wrong... - Honey. 482 00:23:21,373 --> 00:23:24,414 What? Don't "honey" me. She has a 3.8 GPA. 483 00:23:24,498 --> 00:23:26,206 She has a 1350 on her SATs, 484 00:23:26,289 --> 00:23:27,748 but we're gonna get that number up 485 00:23:27,831 --> 00:23:30,373 because she has private tutoring coming up, so I feel... 486 00:23:30,456 --> 00:23:32,164 I don't even want to go to college. 487 00:23:33,122 --> 00:23:34,915 (SCOFFS) 488 00:23:34,997 --> 00:23:36,665 I mean, she's just... She's just nervous. 489 00:23:36,748 --> 00:23:39,331 - She doesn't mean that. - I do mean it. 490 00:23:39,414 --> 00:23:41,247 I don't want to go to college. 491 00:23:41,331 --> 00:23:42,581 (CHUCKLES) 492 00:23:42,665 --> 00:23:45,081 It feels so good to say that out loud. (SIGHS) 493 00:23:45,164 --> 00:23:47,498 Okay, Abigail, honey. You're going to college. 494 00:23:47,581 --> 00:23:49,289 The planet is dying, Mom, 495 00:23:49,373 --> 00:23:53,414 but God forbid I don't study Lysistrata? It's bullshit. 496 00:23:53,498 --> 00:23:54,956 Do you know what kids do at college? 497 00:23:55,039 --> 00:23:58,373 They drink. They fuck. They mull over a sex change. 498 00:23:58,456 --> 00:23:59,498 I'm not going. 499 00:23:59,581 --> 00:24:01,081 All right, you're going to college. 500 00:24:01,164 --> 00:24:02,581 - I'm not going to college. - Whoa, whoa, whoa. 501 00:24:02,665 --> 00:24:03,997 If you wanna go, you know, you should go. 502 00:24:04,081 --> 00:24:05,456 You should go to college. 503 00:24:05,539 --> 00:24:06,956 Hey, no, I know how to make any situation about me. 504 00:24:07,039 --> 00:24:08,539 This is not that. This is about you 505 00:24:08,623 --> 00:24:10,790 - and your future, Abigail. - NATHAN: Abby. 506 00:24:13,081 --> 00:24:15,206 - ABIGAIL CARLSON: I'm not going. - I'm so sorry. 507 00:24:17,581 --> 00:24:18,831 Where did she go? 508 00:24:19,373 --> 00:24:20,498 I... 509 00:24:21,831 --> 00:24:24,206 - Did you know about this? - No, I swear. 510 00:24:24,289 --> 00:24:25,956 You were with her all summer in Tahoe, 511 00:24:26,039 --> 00:24:27,456 and you knew nothing about this? 512 00:24:27,539 --> 00:24:28,956 - Madeline, I didn't know. - And what about Bonnie? 513 00:24:29,039 --> 00:24:30,539 Did she know about this "fuck college" plan? 514 00:24:30,623 --> 00:24:32,206 Bonnie's left the building. 515 00:24:34,665 --> 00:24:35,831 Unbelievable. 516 00:24:35,915 --> 00:24:37,247 You know if she doesn't go to college, 517 00:24:37,331 --> 00:24:39,122 she won't have a life. 518 00:24:39,206 --> 00:24:41,790 She'll just be serving Big Macs and French fries, and that'll be her life. 519 00:24:41,873 --> 00:24:43,997 - Is that what you want for her, Nathan? - Stop, stop. Stop yelling at me. 520 00:24:44,081 --> 00:24:46,748 - Stop yelling at me. - What? You know you bear some responsibility here, right? 521 00:24:46,831 --> 00:24:48,206 - NATHAN: I do? - You're her father. 522 00:24:48,289 --> 00:24:49,539 - NATHAN: Oh, okay. - This is her senior year, 523 00:24:49,623 --> 00:24:50,873 she's on the cusp of her life, 524 00:24:50,956 --> 00:24:52,831 and you let it go all to shit in Tahoe! 525 00:24:52,915 --> 00:24:54,665 Don't... You just hit me. You just hit me. 526 00:24:54,748 --> 00:24:55,997 Because you deserve it! 527 00:24:57,081 --> 00:24:58,706 - (WIND RUSTLES) - (WAVES CRASH) 528 00:25:13,831 --> 00:25:16,081 But honestly, Ed, if she doesn't go to college, 529 00:25:16,164 --> 00:25:19,081 what's she gonna do? Go into retail? 530 00:25:20,790 --> 00:25:22,456 Oh, let me call you right back. 531 00:25:23,665 --> 00:25:24,790 Mary Louise? 532 00:25:24,873 --> 00:25:27,289 - Hey, Maddie. - Oh, Madeline. Hello. 533 00:25:27,373 --> 00:25:28,915 What's going on? 534 00:25:28,997 --> 00:25:32,164 Well, I thought I might look for a small flat here in town, 535 00:25:32,247 --> 00:25:34,247 so that I could help out with the boys 536 00:25:34,331 --> 00:25:36,414 but not quite be so underfoot. 537 00:25:36,498 --> 00:25:37,665 (CLEARS THROAT) 538 00:25:37,748 --> 00:25:39,331 - MADELINE: Oh, I see. - Do you work here? 539 00:25:39,414 --> 00:25:40,997 - Yes. - Do you handle rentals? 540 00:25:41,081 --> 00:25:43,456 I do, actually. Oren and I both do, yes. 541 00:25:44,331 --> 00:25:45,790 I see you're wearing heels. 542 00:25:48,081 --> 00:25:49,706 Yes. 543 00:25:49,790 --> 00:25:52,748 Um, Oren, do you mind if I just have a minute with Mrs. Wright? 544 00:25:52,831 --> 00:25:55,665 Of course not. You're in wonderful hands. 545 00:25:55,748 --> 00:25:58,039 MADELINE: Thank you. 546 00:25:58,122 --> 00:26:00,748 Mary Louise, I realize that you're still grieving, 547 00:26:00,831 --> 00:26:01,997 and that you've been through 548 00:26:02,081 --> 00:26:03,915 a tremendous amount of heartbreak, 549 00:26:03,997 --> 00:26:06,456 but I don't care for the way you spoke to me before. 550 00:26:06,539 --> 00:26:08,498 It was rude, and I didn't deserve it. 551 00:26:08,581 --> 00:26:12,748 No, you didn't. Um, I apologize. 552 00:26:13,790 --> 00:26:15,331 Well, thank you. 553 00:26:15,414 --> 00:26:17,206 MARY LOUISE: The truth is, it had nothing to do with you. 554 00:26:17,289 --> 00:26:20,039 When I was in boarding school, I had... I had a best friend, 555 00:26:20,122 --> 00:26:21,831 or so I thought, 556 00:26:21,915 --> 00:26:24,414 who revealed herself to be quite treacherous, 557 00:26:24,498 --> 00:26:28,748 and, uh, caused me a lot of pain. 558 00:26:28,831 --> 00:26:31,873 So... she was just an itty-bitty little thing 559 00:26:31,956 --> 00:26:35,331 with a big, bubbly personality that, um... 560 00:26:35,414 --> 00:26:37,873 was designed to hide... 561 00:26:37,956 --> 00:26:39,790 that she was utterly vapid inside. 562 00:26:39,873 --> 00:26:41,623 You remind me so much of her 563 00:26:41,706 --> 00:26:43,414 that I suppose I punish you for that. 564 00:26:43,498 --> 00:26:45,373 That's wrong of me, and I apologize. 565 00:26:49,122 --> 00:26:52,414 - Oren. - OREN: Yes. Sorry. 566 00:26:52,498 --> 00:26:55,081 I'm sure Oren will address all of your concerns. 567 00:26:55,164 --> 00:26:56,623 MARY LOUISE: Okay. 568 00:26:56,706 --> 00:26:59,206 - Where did we leave it? - (CHUCKLES) 569 00:26:59,289 --> 00:27:02,539 ♪ ("MYSTERY OF LOVE" BY SUFJAN STEVENS PLAYS) ♪ 570 00:27:12,790 --> 00:27:16,915 ♪ Oh, to see without my eyes ♪ 571 00:27:16,997 --> 00:27:21,289 ♪ The first time That you kissed me ♪ 572 00:27:21,373 --> 00:27:24,706 ♪ Boundless by the time I cried ♪ 573 00:27:26,122 --> 00:27:30,206 ♪ I built your walls around me 574 00:27:30,289 --> 00:27:33,498 ♪ White noise What an awful sound ♪ 575 00:27:35,039 --> 00:27:39,247 ♪ Fumbling by Rogue River ♪ 576 00:27:39,331 --> 00:27:42,665 ♪ Feel my feet Above the ground ♪ 577 00:27:43,873 --> 00:27:48,039 ♪ Hand of God deliver me ♪ 578 00:27:48,122 --> 00:27:50,706 - ♪ (MUSIC CONTINUES THROUGH EARBUDS) ♪ - Oh! 579 00:27:52,539 --> 00:27:54,247 ♪ (MUSIC ENDS) ♪ 580 00:27:54,331 --> 00:27:56,748 (CHUCKLES) That probably looked weird. 581 00:27:56,831 --> 00:27:57,956 Yeah. 582 00:27:58,039 --> 00:27:59,373 (BOTH LAUGH) 583 00:28:00,790 --> 00:28:02,289 Are you on the spectrum? 584 00:28:02,373 --> 00:28:04,915 - (BOTH CHUCKLE) - Are you? 585 00:28:05,456 --> 00:28:07,414 Um, I'm... 586 00:28:08,581 --> 00:28:11,331 - Yeah, most likely. - (BOTH CHUCKLE) 587 00:28:11,414 --> 00:28:13,997 - Well, I don't think I am, but... - A little advice, 588 00:28:14,081 --> 00:28:16,247 you probably don't wanna act weird and shit in public. 589 00:28:16,331 --> 00:28:18,956 We do a lot of kids' events at the aquarium, and parents have a thing 590 00:28:19,039 --> 00:28:20,873 about entrusting their kids to psychos. 591 00:28:21,665 --> 00:28:23,373 (CHUCKLES) 592 00:28:23,456 --> 00:28:25,414 Noted. Got it. Thank you. 593 00:28:25,498 --> 00:28:26,873 The way people talk in this town, 594 00:28:26,956 --> 00:28:28,831 I don't need to tell you. 595 00:28:28,915 --> 00:28:31,247 You don't need to tell me? What does that mean? 596 00:28:33,247 --> 00:28:35,122 You're one of the Monterey Five, right? 597 00:28:36,623 --> 00:28:37,706 Monterey Five? 598 00:28:37,790 --> 00:28:39,414 You were there the night the guy fell. 599 00:28:39,498 --> 00:28:41,539 Wh... Where did you here that? 600 00:28:41,623 --> 00:28:43,956 Someone at work. I'll see you around. 601 00:28:44,623 --> 00:28:45,665 Yeah. 602 00:28:46,956 --> 00:28:49,039 JANE: It was just the way he said it. 603 00:28:49,122 --> 00:28:51,247 RENATA: How exactly was that? 604 00:28:51,331 --> 00:28:53,414 Like we all have scarlet letters on our backs. 605 00:28:53,498 --> 00:28:55,414 - Oh, please. - We're kidding ourselves 606 00:28:55,498 --> 00:28:57,081 if we think people have stopped talking. 607 00:28:57,164 --> 00:28:58,539 Yeah, but people talk. It's... 608 00:28:58,623 --> 00:29:00,748 I think we're all being a little bit paranoid, you guys. 609 00:29:00,831 --> 00:29:01,997 I think people have moved on, 610 00:29:02,081 --> 00:29:03,623 and the police definitely moved on. 611 00:29:03,706 --> 00:29:05,373 - Well, we don't know for sure. - Yeah... 612 00:29:05,456 --> 00:29:08,414 No, I talked to Susie Burke. Do you know Susie from IBM? 613 00:29:08,498 --> 00:29:09,706 Yeah. 614 00:29:09,790 --> 00:29:11,373 She's a good friend of Detective Quinlan. 615 00:29:11,456 --> 00:29:12,748 - Oh. - I mean, 616 00:29:12,831 --> 00:29:15,665 like, really good friend. Gossip for another day, 617 00:29:15,748 --> 00:29:19,164 but she told me that she heard Quinlan say, like, 618 00:29:19,247 --> 00:29:23,623 the case isn't "closed" closed, but they've got nothing. 619 00:29:23,706 --> 00:29:25,623 - Mm-hmm. - CELESTE: Good. 620 00:29:27,164 --> 00:29:28,206 Good. 621 00:29:29,164 --> 00:29:30,706 - We're good. - Okay. 622 00:29:30,790 --> 00:29:32,122 CELESTE: Yeah, good. 623 00:29:35,164 --> 00:29:36,498 (BELL RINGS) 624 00:29:44,581 --> 00:29:45,748 MADELINE: Where were you? 625 00:29:45,831 --> 00:29:47,331 We were waiting for you at the beach. 626 00:29:47,414 --> 00:29:49,831 Oh, yeah. Something came up. 627 00:29:50,665 --> 00:29:51,790 MADELINE: Yeah? 628 00:29:55,039 --> 00:29:56,081 What? 629 00:29:57,581 --> 00:29:58,706 Are you all right? 630 00:30:00,373 --> 00:30:03,414 - Do you care? - Do I care? 631 00:30:03,498 --> 00:30:04,706 What's going on? 632 00:30:09,623 --> 00:30:10,706 I killed someone. 633 00:30:11,665 --> 00:30:13,206 - Remember? - Yes. 634 00:30:13,289 --> 00:30:14,623 It's heavy. 635 00:30:14,706 --> 00:30:18,373 Are you... I mean, are you angry at me for some reason? 636 00:30:22,539 --> 00:30:23,997 I'm angry with myself. 637 00:30:25,373 --> 00:30:27,873 If I had just told the truth, I would have gotten off, 638 00:30:27,956 --> 00:30:29,289 but you said he slipped, 639 00:30:29,373 --> 00:30:31,081 and everyone else joined in the fucking chorus. 640 00:30:31,164 --> 00:30:33,873 - That was to protect you. - Yeah, thanks a lot. 641 00:30:36,581 --> 00:30:38,581 You know, I can't talk to my husband. 642 00:30:40,623 --> 00:30:41,706 Or my kid. 643 00:30:43,956 --> 00:30:45,581 I have to just swallow it all. 644 00:30:47,039 --> 00:30:48,289 You can talk to us. 645 00:30:49,373 --> 00:30:51,247 We're here for you. All of us. 646 00:30:53,748 --> 00:30:56,665 Well, it hasn't really felt like that. 647 00:30:56,748 --> 00:30:58,706 Well, I'm sorry, but you've been in Tahoe. 648 00:30:58,790 --> 00:31:01,164 It's not like you can put that shit on Gmail. 649 00:31:01,247 --> 00:31:03,414 - Like, what am I supposed to... - NATHAN: Hey. 650 00:31:04,831 --> 00:31:06,414 Hey. Bye, Maddie. 651 00:31:12,915 --> 00:31:14,164 Little Miss Sunshine, right? 652 00:31:14,247 --> 00:31:15,956 MADELINE: Listen, I'm sorry I pushed you. 653 00:31:16,039 --> 00:31:17,539 There you go, I said it. 654 00:31:17,623 --> 00:31:21,122 (SIGHS) Okay, um, I need to talk to Abby. Is she here? 655 00:31:22,331 --> 00:31:23,581 NATHAN: Abby! 656 00:31:23,665 --> 00:31:25,414 ♪ ("THE RIP" BY PORTISHEAD PLAYS) ♪ 657 00:31:25,498 --> 00:31:27,414 ♪ As she walks in the room ♪ 658 00:31:27,498 --> 00:31:29,831 ♪ Scented and tall ♪ 659 00:31:30,956 --> 00:31:35,956 ♪ Hesitating once more ♪ 660 00:31:36,039 --> 00:31:38,289 - ♪ And as I take... ♪ - ♪ (MUSIC ENDS) ♪ 661 00:31:40,331 --> 00:31:43,956 So... what was that all about? 662 00:31:44,039 --> 00:31:48,456 I just don't think college is for everyone, that's all. 663 00:31:48,539 --> 00:31:49,665 MADELINE: Okay. 664 00:31:50,790 --> 00:31:52,581 So why is not for you? 665 00:31:53,164 --> 00:31:54,748 Well... 666 00:31:54,831 --> 00:31:58,623 Starting with the cost. It's really expensive. 667 00:31:58,706 --> 00:32:00,623 So, I'm assuming that if you're gonna abandon 668 00:32:00,706 --> 00:32:02,623 that plan to go to college, you have another plan... 669 00:32:02,706 --> 00:32:03,790 I do. 670 00:32:05,997 --> 00:32:07,122 What is it? 671 00:32:08,498 --> 00:32:11,247 - It's to work for a startup. - Oh, my God. 672 00:32:11,331 --> 00:32:12,956 Specifically, one that builds 673 00:32:13,039 --> 00:32:15,247 for-profit housing for the homeless. 674 00:32:15,331 --> 00:32:16,748 - Excuse me? - ABIGAIL: Yeah. 675 00:32:16,831 --> 00:32:20,539 And unlike, you know, the privatized shams 676 00:32:20,623 --> 00:32:22,414 like banks and credit card companies, 677 00:32:22,498 --> 00:32:25,623 ours will make money while actually helping people. 678 00:32:25,706 --> 00:32:27,039 This is something real? 679 00:32:27,122 --> 00:32:30,164 I've been offered a position to start in June. 680 00:32:30,247 --> 00:32:32,456 - You cannot be serious. - I'm gonna take it. 681 00:32:32,539 --> 00:32:34,039 You cannot mortgage your future 682 00:32:34,122 --> 00:32:36,247 over some sort of short-term plan. 683 00:32:36,331 --> 00:32:38,122 ABIGAIL: I'm not doing that! 684 00:32:38,206 --> 00:32:39,706 Well, then, what are you doing? 685 00:32:39,790 --> 00:32:42,414 There are four million homeless people in America, 686 00:32:42,498 --> 00:32:44,456 the average age being nine years old, 687 00:32:44,539 --> 00:32:46,456 - and I... - I don't give a fuck! 688 00:32:46,539 --> 00:32:49,039 I don't care about fucking homeless people. 689 00:32:50,373 --> 00:32:51,289 What? 690 00:32:51,373 --> 00:32:52,623 That is not what I meant. 691 00:32:52,706 --> 00:32:54,414 I do care about homeless people. 692 00:32:54,498 --> 00:32:57,456 I just think you can give money to some charity 693 00:32:57,539 --> 00:32:59,206 while you actually attend college. 694 00:32:59,289 --> 00:33:01,997 - I'm not going to college. - Yes, you are. 695 00:33:02,081 --> 00:33:03,414 Give me one good reason what I should... 696 00:33:03,498 --> 00:33:04,665 It's non-negotiable. 697 00:33:04,748 --> 00:33:06,665 You are going to college because I said so, 698 00:33:06,748 --> 00:33:08,539 and because you're not thinking straight... 699 00:33:08,623 --> 00:33:09,790 Because you said so? 700 00:33:09,873 --> 00:33:11,289 - Yes, because I said so. - What do you know? 701 00:33:11,373 --> 00:33:12,748 You didn't go to college. 702 00:33:12,831 --> 00:33:15,039 That's exactly why you're going. 703 00:33:15,873 --> 00:33:17,289 Exactly. 704 00:33:17,373 --> 00:33:19,206 Because you will have no life! 705 00:33:22,581 --> 00:33:23,623 (DOOR SLAMS) 706 00:33:24,414 --> 00:33:25,414 (SIGHS) 707 00:33:30,247 --> 00:33:33,456 ♪ ("THE FADE OUT LINE" BY PHOEBE KILLDEER AND THE SHORT STRAWS PLAYS) ♪ 708 00:33:34,790 --> 00:33:36,498 Can't you just tell her it's time to go? 709 00:33:36,581 --> 00:33:39,748 CELESTE: The boys love her. I mean, they love her. 710 00:33:39,831 --> 00:33:43,748 And she's... she's a big help, she really is. 711 00:33:45,790 --> 00:33:48,665 So what's up? I'm guessing you don't need my help 712 00:33:48,748 --> 00:33:50,539 on how to handle a mother-in-law. 713 00:33:52,122 --> 00:33:55,247 Why are you not cashing the checks? 714 00:33:55,331 --> 00:33:56,831 JANE: (SIGHS) I don't know. 715 00:33:56,915 --> 00:33:58,331 CELESTE: Come on, Jane. Why? 716 00:33:58,414 --> 00:34:01,623 It's rape money. You know I can't do that. 717 00:34:04,039 --> 00:34:05,748 Ziggy's entitled to it. 718 00:34:06,665 --> 00:34:08,414 He's part of Perry's estate. 719 00:34:09,873 --> 00:34:12,498 Do you ever hate me? Just a little bit. 720 00:34:15,790 --> 00:34:17,498 How could I hate you? 721 00:34:17,581 --> 00:34:20,081 Because I slept with your husband. 722 00:34:20,164 --> 00:34:23,539 I mean, I didn't... You know what I mean. 723 00:34:23,623 --> 00:34:25,081 He raped you. 724 00:34:25,164 --> 00:34:27,039 But I knew he was married. I mean, I didn't know 725 00:34:27,122 --> 00:34:30,456 he was married to you, but... somebody. 726 00:34:30,539 --> 00:34:33,331 No. I don't blame you for anything. 727 00:34:35,039 --> 00:34:37,581 JANE: I think I would if I were in your shoes. 728 00:34:38,873 --> 00:34:40,539 Celeste, for a man to commit adultery, 729 00:34:40,623 --> 00:34:42,206 he... there... there has to be another woman, 730 00:34:42,289 --> 00:34:45,206 and, you know what, more times than not, she's complicit. 731 00:34:45,289 --> 00:34:48,831 I was complicit. Not in the end, but... 732 00:34:48,915 --> 00:34:50,456 definitely in the beginning. 733 00:34:59,039 --> 00:35:00,623 Are you glad that he's dead? 734 00:35:04,206 --> 00:35:05,665 CELESTE: It's complicated. 735 00:35:07,831 --> 00:35:09,081 (SIGHS) 736 00:35:09,164 --> 00:35:11,331 (GATE BUZZES) 737 00:35:27,581 --> 00:35:30,331 ♪ ("HARVEST MOON" BY CASSANDRA WILSON PLAYS) ♪ 738 00:35:46,373 --> 00:35:49,039 ♪ Come a little bit closer ♪ 739 00:35:50,873 --> 00:35:53,539 ♪ Hear what I have to say ♪ 740 00:36:02,498 --> 00:36:05,706 ♪ Just like children sleeping ♪ 741 00:36:07,247 --> 00:36:11,997 ♪ We could dream This night away ♪ 742 00:36:12,081 --> 00:36:16,373 ♪ (MUSIC CONTINUES IN BACKGROUND) 743 00:36:16,456 --> 00:36:19,748 ♪ (JOSH PLAYS DISCORDANT NOTES) ♪ 744 00:36:19,831 --> 00:36:22,873 ♪ But there's a full moon Rising ♪ 745 00:36:24,498 --> 00:36:28,414 ♪ Let's go dancing In the light... ♪ 746 00:36:33,831 --> 00:36:35,373 MARY LOUISE: Come on, everybody. 747 00:36:36,122 --> 00:36:37,247 Put it away, Max. 748 00:36:38,498 --> 00:36:39,581 Come. 749 00:36:42,498 --> 00:36:46,247 This looks so delicious. Thank you, Mary Louise. 750 00:36:46,331 --> 00:36:48,706 MAX: I thought we were having KFC. 751 00:36:48,790 --> 00:36:52,456 Well, one cannot survive on fast food every night. 752 00:36:52,539 --> 00:36:54,373 (CHUCKLING) We don't have it every night. 753 00:36:54,456 --> 00:36:55,790 MARY LOUISE: You know that they... 754 00:36:55,873 --> 00:36:58,873 They ban these insidious fast food institutions 755 00:36:58,956 --> 00:37:01,206 from some parts of San Francisco. 756 00:37:01,289 --> 00:37:04,997 Do you remember when we walked across the Golden Gate Bridge? 757 00:37:05,081 --> 00:37:06,373 It's red. 758 00:37:06,456 --> 00:37:08,498 (CHUCKLES) You're right, it is red. 759 00:37:08,581 --> 00:37:09,873 (LAUGHS) 760 00:37:09,956 --> 00:37:11,997 Oh, and Dad said he was going to swim to Alcatraz. 761 00:37:12,081 --> 00:37:13,498 (LAUGHS) Oh, yeah. 762 00:37:13,581 --> 00:37:16,081 Sharks would have eaten him, stupid. 763 00:37:16,164 --> 00:37:17,915 No, they wouldn't, idiot. 764 00:37:17,997 --> 00:37:19,206 (SCOFFS) 765 00:37:19,289 --> 00:37:20,623 - CELESTE: Hey! Hey! - Ow! 766 00:37:20,706 --> 00:37:23,539 You could hurt him! What's wrong with you? 767 00:37:23,623 --> 00:37:25,122 I barely touched him. 768 00:37:25,206 --> 00:37:29,623 You stuck him with a fork, Josh. That is unacceptable. 769 00:37:29,706 --> 00:37:31,414 For God's sake. 770 00:37:31,498 --> 00:37:33,831 ♪ (MUSIC CONTINUES QUIETLY) ♪ 771 00:37:36,247 --> 00:37:37,331 I miss Dad. 772 00:37:39,373 --> 00:37:42,331 I know, baby. I know you do. 773 00:37:44,665 --> 00:37:46,539 We all do. 774 00:37:46,623 --> 00:37:48,956 We've still got some recovery ahead of us. 775 00:37:49,039 --> 00:37:52,665 Well, they're grieving, Celeste. 776 00:37:52,748 --> 00:37:56,206 Their father's death is not... (CLEARS THROAT) 777 00:37:56,289 --> 00:37:59,289 something to be recovered from like a cold. 778 00:37:59,373 --> 00:38:02,748 You know, your daddy was the most amazing man, 779 00:38:02,831 --> 00:38:05,706 and you were so lucky to have him. 780 00:38:05,790 --> 00:38:10,206 And it's very unfair and wrong that he died. 781 00:38:10,289 --> 00:38:13,790 And you still feel angry about it, don't you? 782 00:38:13,873 --> 00:38:17,498 I mean, you feel angry that the other kids have their dads. 783 00:38:17,581 --> 00:38:19,373 You don't. 784 00:38:19,456 --> 00:38:22,331 You know, the other day, I was with some friends, 785 00:38:22,414 --> 00:38:26,873 and, um, their sons were not a patch on your dad. 786 00:38:26,956 --> 00:38:28,539 (LAUGHS) Not a patch. 787 00:38:30,081 --> 00:38:33,331 Just... I felt so angry. (YELLING) Angry! 788 00:38:33,414 --> 00:38:36,665 (QUIETLY) You know, that their mediocre, 789 00:38:36,748 --> 00:38:39,122 spindly, pudgy, balding, 790 00:38:39,206 --> 00:38:42,164 middle-management sons... Still alive... 791 00:38:42,247 --> 00:38:46,081 And my Perry... (WHISPERING) My Perry... 792 00:38:46,164 --> 00:38:49,247 I just... felt just... I wanted to scream. 793 00:38:50,790 --> 00:38:51,956 So you know what I did? 794 00:38:52,039 --> 00:38:53,831 - MAX: What? - I did scream. 795 00:38:55,831 --> 00:38:57,331 Wanna hear? 796 00:38:57,414 --> 00:38:59,081 MARY LOUISE: (CHUCKLES) Okay. 797 00:39:03,456 --> 00:39:05,665 (SCREAMS) 798 00:39:05,748 --> 00:39:07,748 Oh! 799 00:39:07,831 --> 00:39:10,706 Oh! Mary Louise! Mary Louise! Mary Louise, please. 800 00:39:10,790 --> 00:39:13,289 What, my grief is too loud for you? 801 00:39:13,373 --> 00:39:15,373 - Oh, Celeste. - Just... Just... The boys! 802 00:39:15,456 --> 00:39:17,247 MARY LOUISE: I should be more discrete. 803 00:39:17,331 --> 00:39:18,581 We should scream. 804 00:39:18,665 --> 00:39:21,623 We should scream and beat our breasts 805 00:39:21,706 --> 00:39:25,081 and... and tear our hair. Don't you feel angry? 806 00:39:26,915 --> 00:39:27,956 N... 807 00:39:28,039 --> 00:39:29,373 MARY LOUISE: You don't? 808 00:39:37,081 --> 00:39:38,164 I'm sorry. 809 00:39:39,790 --> 00:39:41,289 (SIGHS) 810 00:39:41,373 --> 00:39:45,831 (SOBS) I feel so, so alone. (CLEARS THROAT) 811 00:39:50,915 --> 00:39:53,456 ♪ ("ALL APOLOGIES" COVER VERSION BY SINÉAD O'CONNOR PLAYS) ♪ 812 00:39:53,539 --> 00:39:58,247 ♪ In the sun I feel as one ♪ 813 00:39:58,331 --> 00:40:00,665 ♪ In the sun ♪ 814 00:40:00,748 --> 00:40:02,581 ♪ In the sun ♪ 815 00:40:04,164 --> 00:40:06,539 ♪ I'm married ♪ 816 00:40:06,623 --> 00:40:08,498 ♪ Married ♪ 817 00:40:09,247 --> 00:40:11,081 ♪ Buried ♪ 818 00:40:32,748 --> 00:40:35,164 (DISTANT WALKIE-TALKIE CHATTER) 819 00:40:40,289 --> 00:40:42,539 We were like animals. We... We had to save her. 820 00:40:42,623 --> 00:40:45,915 We... It was like every instinct inside of me 821 00:40:45,997 --> 00:40:47,581 told me that she was... 822 00:40:47,665 --> 00:40:50,997 He was gonna kill her if we didn't help her. 823 00:40:51,081 --> 00:40:52,956 And, um... 824 00:40:53,039 --> 00:40:57,414 I thought he was gonna crush her or kick her ribs in or... 825 00:40:57,498 --> 00:40:59,122 I didn't know what he was gonna do. 826 00:40:59,206 --> 00:41:04,331 And then, he... Renata or... me, we grabbed him, and then, um... 827 00:41:04,414 --> 00:41:06,331 then he grabbed Jane by the neck. 828 00:41:08,289 --> 00:41:09,373 Yeah, um.... 829 00:41:12,706 --> 00:41:14,289 (SNIFFS, SIGHS) 830 00:41:14,373 --> 00:41:15,539 I'm sorry. 831 00:41:17,539 --> 00:41:18,581 (SIGHS) 832 00:41:30,206 --> 00:41:31,331 In your own time... 833 00:41:33,247 --> 00:41:34,373 take a good look. 834 00:41:39,498 --> 00:41:41,373 ♪ (SINISTER MUSIC PLAYS) ♪ 835 00:41:45,081 --> 00:41:46,331 (YELLS) No! 836 00:41:46,414 --> 00:41:48,206 Fucking kill you! 837 00:41:48,748 --> 00:41:50,373 No! 838 00:41:50,456 --> 00:41:52,373 - (PANTING) - MARY LOUISE: Are you all right? 839 00:41:52,456 --> 00:41:53,539 Celeste? 840 00:41:54,706 --> 00:41:55,748 You all right? 841 00:41:57,456 --> 00:41:58,581 You all right, dear? 842 00:42:00,039 --> 00:42:01,581 - Yeah. - Another nightmare? 843 00:42:03,039 --> 00:42:04,081 Yes? 844 00:42:13,289 --> 00:42:14,956 - It's all right. - (SIGHS) 845 00:42:15,039 --> 00:42:16,498 MARY LOUISE: It's all right. 846 00:42:16,581 --> 00:42:19,539 - CELESTE: I'm sorry. - It's all right. 847 00:42:23,122 --> 00:42:24,247 So... 848 00:42:25,581 --> 00:42:27,539 who are we planning to kill? 849 00:42:27,623 --> 00:42:31,456 ♪ ("THE FADE OUT LINE" BY PHOEBE KILLDEER AND THE SHORT STRAWS PLAYS) ♪ 850 00:42:37,790 --> 00:42:39,748 ♪ It's everywhere I look ♪ 851 00:42:39,831 --> 00:42:42,331 ♪ From Las Vegas to right here 852 00:42:42,414 --> 00:42:46,748 ♪ Under your dresser Right by your ear ♪ 853 00:42:46,831 --> 00:42:51,331 ♪ It's creeping in sweetly It's definitely here ♪ 854 00:42:51,414 --> 00:42:56,081 ♪ There's nothing more deadly Than slow growing fear ♪ 855 00:42:56,164 --> 00:43:00,623 ♪ Life was full and fruitful an You could a take a real bite ♪ 856 00:43:00,706 --> 00:43:03,039 ♪ The juice pouring Well over you ♪ 857 00:43:03,122 --> 00:43:05,206 ♪ Skin's delight ♪ 858 00:43:05,289 --> 00:43:09,665 ♪ But the shadow it grows And takes the depth away ♪ 859 00:43:09,748 --> 00:43:14,247 ♪ Leaving broken down pieces To this priceless ballet ♪ 860 00:43:14,331 --> 00:43:18,997 ♪ The shallower it grows The shallower it grows ♪ 861 00:43:19,081 --> 00:43:23,414 ♪ The fainter we go Into the fade out line ♪ 862 00:43:23,498 --> 00:43:28,122 ♪ The shallower it grows The shallower it grows ♪ 863 00:43:28,206 --> 00:43:32,748 ♪ The fainter we go Into the fade out line ♪ 864 00:43:32,831 --> 00:43:34,706 ♪ Did we build All those bridges ♪ 865 00:43:34,790 --> 00:43:37,331 ♪ To watch them thin down To dust? ♪ 866 00:43:37,414 --> 00:43:42,039 ♪ Or blow them voluntarily Out of constant trust ♪ 867 00:43:42,122 --> 00:43:46,498 ♪ The clock is ticking Its last couple of tocks ♪ 868 00:43:46,581 --> 00:43:51,081 ♪ And there won't be a party With weathering frocks ♪ 869 00:43:51,164 --> 00:43:55,790 ♪ The shallower it grows The shallower it grows ♪ 870 00:43:55,873 --> 00:44:00,289 ♪ The fainter we go Into the fade out line ♪ 871 00:44:00,373 --> 00:44:04,956 ♪ The shallower it grows The shallower it grows ♪ 872 00:44:05,039 --> 00:44:09,623 ♪ The fainter we go Into the fade out line ♪ 873 00:44:09,706 --> 00:44:11,831 ♪ Heading deep down ♪ 874 00:44:11,915 --> 00:44:15,164 ♪ We're sliding Without noticing ♪ 875 00:44:15,247 --> 00:44:16,873 ♪ Our own decline ♪ 876 00:44:19,373 --> 00:44:21,039 ♪ Heading deep down ♪ 877 00:44:21,122 --> 00:44:26,039 ♪ We're hanging onto Sweet nothings left behind ♪ 878 00:44:30,915 --> 00:44:33,081 ♪ Deeper down ♪ 879 00:44:35,122 --> 00:44:37,456 ♪ We're all going down ♪ 880 00:44:39,456 --> 00:44:42,456 ♪ Down, deeper down, yeah ♪ 881 00:44:46,498 --> 00:44:50,373 ♪ We are all plunging straight Towards our own decline ♪ 882 00:44:50,456 --> 00:44:54,997 ♪ Without noticing we slide dow Deeper down ♪ 883 00:44:55,081 --> 00:44:59,456 ♪ The shadow grows Without ever slowing down ♪ 884 00:44:59,539 --> 00:45:04,665 ♪ We are heading straight Into the fade out line ♪ 885 00:45:04,748 --> 00:45:09,498 ♪ The shallower it grows The shallower it grows ♪ 886 00:45:09,581 --> 00:45:13,956 ♪ The fainter we go Into the fade out line ♪ 887 00:45:14,039 --> 00:45:18,539 ♪ The shallower it grows The shallower it grows ♪ 888 00:45:18,623 --> 00:45:23,122 ♪ The fainter we go Into the fade out line ♪ 889 00:45:23,206 --> 00:45:27,748 ♪ The shallower it grows The shallower it grows ♪ 890 00:45:27,831 --> 00:45:32,373 ♪ The fainter we go Into the fade out line ♪ 891 00:45:32,456 --> 00:45:37,039 ♪ The shallower it grows The shallower it grows ♪ 892 00:45:37,122 --> 00:45:41,623 ♪ The fainter we go Into the fade out line ♪ 893 00:45:41,706 --> 00:45:46,206 ♪ The shallower it grows The shallower it grows ♪ 894 00:45:46,289 --> 00:45:50,414 ♪ The fainter we go Into the fade out line... ♪ 67533

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