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1
00:00:04,581 --> 00:00:07,289
I'm trying to decide
whether I'm happy or sad.
2
00:00:09,206 --> 00:00:11,039
BONNIE CARLSON: None of us
really see things as they are.
3
00:00:11,122 --> 00:00:12,373
We see things as we are.
4
00:00:13,706 --> 00:00:15,873
MADELEINE MACKENZIE: This is Jane Chapman.
She's new here.
5
00:00:15,956 --> 00:00:17,414
- Hi.
- Welcome!
6
00:00:19,164 --> 00:00:20,790
You're... so nice.
7
00:00:20,997 --> 00:00:23,498
This is Monterey.
We pound people with nice.
8
00:00:23,581 --> 00:00:24,539
- (CHUCKLES)
- To death.
9
00:00:24,956 --> 00:00:26,790
- (CAMERAS CLICK)
- ♪ (DRAMATIC MUSIC PLAYS) ♪
10
00:00:26,873 --> 00:00:29,164
An autopsy
is still being conducted
11
00:00:29,247 --> 00:00:31,623
to ascertain
the exact cause of death.
12
00:00:32,289 --> 00:00:34,956
The injuries were many,
and they were severe.
13
00:00:35,581 --> 00:00:37,289
We're talking
multiple broken bones.
14
00:00:37,623 --> 00:00:39,915
There's clearly a lot
of bad blood in this community.
15
00:00:40,831 --> 00:00:43,122
Someone hurt Amabella.
16
00:00:43,373 --> 00:00:44,665
This could get ugly.
17
00:00:44,748 --> 00:00:46,498
Ticking bomb.
I'll leave it at that.
18
00:00:46,581 --> 00:00:47,790
You're dead in this town.
19
00:00:49,247 --> 00:00:52,289
So I take it that Ziggy's father
isn't exactly a good guy.
20
00:00:52,623 --> 00:00:53,581
Where is he?
21
00:00:54,289 --> 00:00:55,915
No, I know
that I'll never be over it.
22
00:00:57,373 --> 00:00:58,706
Something had to be wrong.
23
00:00:58,790 --> 00:01:01,122
We have this... dirty secret.
24
00:01:02,456 --> 00:01:04,164
When are you gonna leave him,
Celeste?
25
00:01:05,289 --> 00:01:06,790
RENATA KLEIN: I'm now one of those people
26
00:01:06,873 --> 00:01:09,289
I swore I would never
turn myself into.
27
00:01:09,373 --> 00:01:11,164
She can't just let us
all get along...
28
00:01:11,247 --> 00:01:12,665
(YELLING) I said, "Thank you!"
29
00:01:13,790 --> 00:01:15,539
You don't want anyone
getting hurt, do we?
30
00:01:15,623 --> 00:01:17,206
- You threatening me?
- JANE CHAPMAN: They bully.
31
00:01:17,289 --> 00:01:19,706
It's human nature.
They grow out of it.
32
00:01:19,790 --> 00:01:21,247
Sometimes, they don't.
33
00:01:22,456 --> 00:01:24,289
MADELEINE: Sometimes,
I'm just holding onto
34
00:01:24,373 --> 00:01:26,748
this idea of perfection so tight,
35
00:01:26,831 --> 00:01:27,831
something has to give.
36
00:01:28,456 --> 00:01:29,581
- (GASPS)
- (TIRES SCREECH)
37
00:01:30,289 --> 00:01:32,414
(WHISPERING)
We all do bad things sometimes.
38
00:01:32,498 --> 00:01:34,539
♪ (MUSIC SLOWLY INTENSIFIES) ♪
39
00:01:48,790 --> 00:01:49,790
(SCREAMS)
40
00:01:57,873 --> 00:02:01,206
♪ ("COLD LITTLE HEART"
BY MICHAEL KIWANUKA PLAYING) ♪
41
00:02:16,706 --> 00:02:18,997
♪ Did you ever want it? ♪
42
00:02:21,206 --> 00:02:23,498
♪ Did you want it bad? ♪
43
00:02:23,581 --> 00:02:25,373
♪ Oh, my ♪
44
00:02:27,748 --> 00:02:29,873
♪ It tears me apart ♪
45
00:02:34,206 --> 00:02:36,373
♪ We can try to hide it ♪
46
00:02:38,456 --> 00:02:41,164
♪ It's all the same ♪
47
00:02:41,247 --> 00:02:44,039
♪ I've been losing you ♪
48
00:02:45,414 --> 00:02:47,748
♪ One day at a time ♪
49
00:02:50,206 --> 00:02:51,498
♪ And I know ♪
50
00:02:51,581 --> 00:02:55,997
♪ In my heart
In this cold heart ♪
51
00:02:56,081 --> 00:03:00,456
♪ I can live or I can die ♪
52
00:03:00,539 --> 00:03:04,665
♪ I believe if I just try ♪
53
00:03:04,748 --> 00:03:09,706
♪ You believe in you and I ♪
54
00:03:12,331 --> 00:03:15,247
♪ In you and I ♪
55
00:03:16,665 --> 00:03:20,122
♪ In you and I ♪
56
00:03:21,122 --> 00:03:23,956
♪ In you and I ♪
57
00:03:24,748 --> 00:03:26,581
♪ (MUSIC ENDS) ♪
58
00:03:39,456 --> 00:03:42,122
(WAVES CRASHING)
59
00:04:21,289 --> 00:04:23,498
(WAVES CRASHING)
60
00:04:31,331 --> 00:04:34,039
(HEART BEATING)
61
00:04:37,915 --> 00:04:39,498
(BEATING SPEEDS UP)
62
00:04:46,665 --> 00:04:48,247
MARY LOUISE WRIGHT:
Celeste. Celeste!
63
00:04:48,331 --> 00:04:49,706
(CELESTE WRIGHT SCREAMS)
64
00:04:49,790 --> 00:04:53,206
(PANTING) Oh my God.
65
00:04:53,289 --> 00:04:55,539
(SIGHS) I just...
66
00:04:56,748 --> 00:04:58,039
I was having a nightmare.
67
00:04:58,122 --> 00:04:59,790
Oh. Shouldn't they be awake?
68
00:04:59,873 --> 00:05:02,748
CELESTE: Oh my god. Oh...
69
00:05:02,831 --> 00:05:05,873
Yeah. Josh. Max. Up we go.
We overslept.
70
00:05:05,956 --> 00:05:07,706
C'mon, c'mon, c'mon. Let's go.
We're in a rush.
71
00:05:07,790 --> 00:05:10,122
- MARY LOUISE: Come on, soldiers.
- CELESTE: Quick, quick, quick.
72
00:05:10,206 --> 00:05:12,247
- Morning, Grandma.
- CELESTE: Protein bar breakfast
73
00:05:12,331 --> 00:05:13,456
in the car.
74
00:05:13,539 --> 00:05:15,581
(CHUCKLES) Your favorite.
75
00:05:15,665 --> 00:05:18,289
MARY LOUISE: I have to go
to town. I can drop you off.
76
00:05:18,373 --> 00:05:21,706
Oh... Thanks, Mary Louise.
77
00:05:25,873 --> 00:05:27,247
What was it about?
78
00:05:28,373 --> 00:05:29,498
Your nightmare.
79
00:05:29,581 --> 00:05:31,414
Oh, it was stupid.
80
00:05:32,498 --> 00:05:33,748
Nothing, really.
81
00:05:35,581 --> 00:05:36,790
You said "rape."
82
00:05:38,414 --> 00:05:39,414
What?
83
00:05:40,373 --> 00:05:41,623
Something about a rape.
84
00:05:45,873 --> 00:05:46,831
Huh.
85
00:05:46,915 --> 00:05:48,748
- (FAINT BUZZING)
- (SIGHS)
86
00:05:54,122 --> 00:05:56,039
Can I have some water, please?
87
00:05:59,956 --> 00:06:01,164
(SNIFFLES)
88
00:06:01,247 --> 00:06:02,373
(SIGHS)
89
00:06:04,331 --> 00:06:07,247
- (BUZZING CONTINUES)
- (EXHALES)
90
00:06:10,539 --> 00:06:12,831
♪ And I don't give a damn
About my reputation ♪
91
00:06:12,915 --> 00:06:15,122
♪ ("BAD REPUTATION"
BY JOAN JETT PLAYS) ♪
92
00:06:15,206 --> 00:06:18,289
♪ Never said I wanted
To improve my station ♪
93
00:06:19,790 --> 00:06:22,164
♪ And I'm only doin' good
When I'm havin' fun ♪
94
00:06:22,247 --> 00:06:24,206
♪ And I don't have
To please no one ♪
95
00:06:24,289 --> 00:06:27,581
♪ And I don't give a damn
'Bout my bad reputation ♪
96
00:06:29,122 --> 00:06:30,997
- ♪ Oh, no ♪
- ♪ No, no, no, no, no, no ♪
97
00:06:31,081 --> 00:06:33,206
Okay, I'm putting this
in your small pocket, okay?
98
00:06:33,289 --> 00:06:34,956
ZIGGY: Yep.
99
00:06:35,039 --> 00:06:36,331
- ♪ ...My reputation ♪
- (SINGING) ♪ Reputation ♪
100
00:06:36,414 --> 00:06:37,373
(YELLING) First day of school!
101
00:06:37,456 --> 00:06:38,873
(SEAGULLS SQUAWK)
102
00:06:38,956 --> 00:06:40,956
JOSH WRIGHT: Stop!
Hey, Max, you idiot!
103
00:06:41,039 --> 00:06:43,039
Hey, hey, boys come on.
Keep it down, would you?
104
00:06:43,122 --> 00:06:44,331
I can't hear myself think.
105
00:06:44,414 --> 00:06:45,706
MAX WRIGHT: Then just don't think, Mom.
106
00:06:45,790 --> 00:06:47,331
- JOSH: Give it back, you idiot!
- Hey!
107
00:06:47,414 --> 00:06:48,665
- Stop!
- Give it back!
108
00:06:48,748 --> 00:06:50,414
MARY LOUISE: (YELLING) Hey!
Quiet!
109
00:06:54,164 --> 00:06:55,331
Fine young men
110
00:06:55,414 --> 00:06:57,581
don't suddenly
become fine young men
111
00:06:57,665 --> 00:06:59,915
all of sudden in a whoosh,
you know.
112
00:06:59,997 --> 00:07:01,122
(CLEARS THROAT)
113
00:07:01,206 --> 00:07:03,289
It starts with being
fine young boys.
114
00:07:03,373 --> 00:07:05,748
And part of being
a fine young boy
115
00:07:05,831 --> 00:07:08,164
is listening
and respecting your mother.
116
00:07:08,997 --> 00:07:10,623
She works so hard for you.
117
00:07:10,706 --> 00:07:13,039
That's why the sun shines
on her so.
118
00:07:15,122 --> 00:07:16,331
Thank you, Mary Louise.
119
00:07:21,831 --> 00:07:23,247
MADELINE MACKENZIE: I have two showings,
120
00:07:23,331 --> 00:07:24,790
I have
Abigail's college advisor,
121
00:07:24,873 --> 00:07:26,122
not to mention
all this scrutiny.
122
00:07:26,206 --> 00:07:27,997
- It's just gonna be a day.
- What scrutiny?
123
00:07:28,081 --> 00:07:29,790
MADELINE: Ed, this is
the first day of school.
124
00:07:29,873 --> 00:07:32,581
We have to earn our
good-mom badges all over again.
125
00:07:32,665 --> 00:07:34,456
"Has she gotten fatter
over the summer?
126
00:07:34,539 --> 00:07:37,164
Does she look older?"
These questions get asked, Ed,
127
00:07:37,247 --> 00:07:39,414
and we all get judged
all over again.
128
00:07:39,498 --> 00:07:41,623
It's a complete double standard
'cause if a dad shows up,
129
00:07:41,706 --> 00:07:43,206
they're like,
"Wow, there's a dad here.
130
00:07:43,289 --> 00:07:45,373
He's involved."
But with the moms...
131
00:07:45,456 --> 00:07:47,373
(SCOFFS)
it just makes me wanna blow.
132
00:07:47,456 --> 00:07:48,623
CHLOE MACKENZIE: Boom!
133
00:07:48,706 --> 00:07:50,790
MADELINE: Oh my god.
Chloe. Goddammit!
134
00:07:50,873 --> 00:07:53,289
- (CROSSING GUARD BLOWS WHISTLE)
- Just right there. I need to get right there.
135
00:07:53,373 --> 00:07:54,331
- Chloe...
- (HONKS HORN)
136
00:07:54,414 --> 00:07:55,581
Could you please turn it down?
137
00:07:55,665 --> 00:07:56,997
Let second grade begin.
138
00:07:57,081 --> 00:07:58,790
♪ ("I'LL BE AROUND"
BY THE SPINNERS PLAYS) ♪
139
00:07:58,873 --> 00:08:02,997
♪ This is our bump in the road
140
00:08:03,081 --> 00:08:05,997
♪ Love's last episode ♪
141
00:08:07,665 --> 00:08:11,206
♪ There's nowhere to go ♪
142
00:08:11,289 --> 00:08:12,665
♪ Oh no ♪
143
00:08:12,748 --> 00:08:14,873
♪ You made your choice ♪
144
00:08:16,039 --> 00:08:19,164
♪ Now it's up to me ♪
145
00:08:20,373 --> 00:08:24,498
♪ To bow out gracefully ♪
146
00:08:24,581 --> 00:08:27,498
♪ Though you hold the key ♪
147
00:08:27,581 --> 00:08:29,498
♪ But, baby ♪
148
00:08:29,581 --> 00:08:33,997
♪ Whenever you call me
I'll be there ♪
149
00:08:34,081 --> 00:08:38,331
♪ Whenever you want me
I'll be there ♪
150
00:08:38,414 --> 00:08:42,164
♪ Whenever you need me
I'll be there ♪
151
00:08:42,247 --> 00:08:44,498
- (BELL RINGS)
- Welcome back to our wonderful,
152
00:08:44,581 --> 00:08:46,122
wonderful Otter Bay.
153
00:08:46,206 --> 00:08:48,247
Gosh, I always so love
the sound of that.
154
00:08:48,331 --> 00:08:50,122
Let's all say that together,
shall we?
155
00:08:50,206 --> 00:08:53,122
ALL:
Wonderful, wonderful Otter Bay.
156
00:08:53,206 --> 00:08:55,456
- Here we go. Now, gang...
- ♪ (PIANO BEGINS JAUNTY TUNE) ♪
157
00:08:55,539 --> 00:08:57,915
since we ask our children
to sing this song every year,
158
00:08:57,997 --> 00:09:00,247
I think it's high time
we sing it with them,
159
00:09:00,331 --> 00:09:02,706
so everybody let out
their inner otter,
160
00:09:02,790 --> 00:09:04,665
and sing along.
161
00:09:04,748 --> 00:09:06,289
ALL: (SINGING) ♪ Otter Bay ♪
162
00:09:06,373 --> 00:09:08,665
♪ Otter Bay, it's the best plac
Of them all ♪
163
00:09:08,748 --> 00:09:11,623
Very impressive. We're in
the key of F, Madeline.
164
00:09:11,706 --> 00:09:13,331
ALL: (SINGING) ♪ To start our day ♪
165
00:09:13,414 --> 00:09:15,373
♪ When we rise up with a snort ♪
166
00:09:15,456 --> 00:09:16,665
(SNORTING)
167
00:09:16,748 --> 00:09:20,122
♪ With dance and song
And sport ♪
168
00:09:20,206 --> 00:09:21,665
(SNORTING)
169
00:09:21,748 --> 00:09:27,081
♪ Oh, to be a little otter
In the bay ♪
170
00:09:27,164 --> 00:09:30,831
Yes! Oh, you got my otter heart
going! Thank you!
171
00:09:31,790 --> 00:09:33,831
Warren. (CHUCKLES)
172
00:09:33,915 --> 00:09:36,164
Really pushing the school spirit
this year, aren't you?
173
00:09:36,247 --> 00:09:38,122
Well, it's my otter blood,
Madeline.
174
00:09:38,206 --> 00:09:40,790
- Hi, Madeline Martha Mackenzie.
- Lisa Coolidge.
175
00:09:40,873 --> 00:09:42,581
Anyway, it was
a beautiful service, Warren.
176
00:09:42,665 --> 00:09:44,331
WARREN NIPPAL: (LAUGHS) Well,
thank you, Madeline,
177
00:09:44,414 --> 00:09:46,247
I like to think of it more
as an assembly.
178
00:09:46,331 --> 00:09:48,581
A service
is for when someone dies,
179
00:09:48,665 --> 00:09:50,581
you know,
like a school fundraiser.
180
00:09:50,665 --> 00:09:52,790
You're not seriously
gonna go there, are you?
181
00:09:52,873 --> 00:09:54,748
My hope is that
you don't go there, Madeline.
182
00:09:54,831 --> 00:09:56,997
Now, let's remember
a lot of last year's mishigas
183
00:09:57,081 --> 00:09:59,039
were lovingly stirred up by you.
184
00:10:00,164 --> 00:10:01,706
MELISSA: Anybody want a red velvet?
185
00:10:01,790 --> 00:10:03,790
- Melissa!
- Cupcake?
186
00:10:03,873 --> 00:10:05,790
MADELINE: I'll take one
for each thigh.
187
00:10:05,873 --> 00:10:07,247
MELISSA: Absolutely.
188
00:10:07,331 --> 00:10:08,956
I don't even like to chew.
I just shove 'em down.
189
00:10:09,039 --> 00:10:11,831
Maybe you can give one to Warren
so he can shove it too.
190
00:10:11,915 --> 00:10:15,039
WARREN: (CHUCKLES) And we're off.
191
00:10:15,122 --> 00:10:17,122
- MADELINE: Bonnie.
- It's a classy crop of moms,
192
00:10:17,206 --> 00:10:19,247
these ones. Those gluten-free?
193
00:10:19,331 --> 00:10:20,706
MADELINE: Tahoe was good?
194
00:10:20,790 --> 00:10:23,247
Uh, yeah, it was good.
Nathan caught a lot of fish.
195
00:10:23,331 --> 00:10:25,164
Wow.
196
00:10:25,247 --> 00:10:27,331
BONNIE CARLSON: And I hear you're selling
houses like crazy. That's very cool.
197
00:10:27,414 --> 00:10:29,164
Oh my gosh, in Monterey,
it is like printing money.
198
00:10:29,247 --> 00:10:30,873
I should have done this
years ago.
199
00:10:32,414 --> 00:10:34,081
- I'm gonna go find Skye.
- Okay.
200
00:10:36,081 --> 00:10:38,081
Okay. Are you two fighting?
201
00:10:38,164 --> 00:10:40,623
Uh, no.
Actually, I almost wish we were.
202
00:10:40,706 --> 00:10:45,081
No, she's... she's been acting
like that for a while now.
203
00:10:45,164 --> 00:10:46,539
Acting like what?
204
00:10:47,623 --> 00:10:49,790
Shut down. Like, withdrawn.
205
00:10:49,873 --> 00:10:52,081
Oh, you mean
you're not having sex.
206
00:10:52,164 --> 00:10:54,122
Okay, don't forget
that Abigail has
207
00:10:54,206 --> 00:10:56,081
- her college counselor meeting at 2:00 p.m.
- Yeah, yeah, I got your...
208
00:10:56,164 --> 00:10:57,665
I got your emails.
Six of them this morning.
209
00:10:57,748 --> 00:10:59,956
- Good. Thank you.
- This is her future, Nathan.
210
00:11:00,039 --> 00:11:01,831
Nice to be back.
211
00:11:01,915 --> 00:11:03,498
I'm told that my daughter,
Amabella,
212
00:11:03,581 --> 00:11:06,081
is going to be in your class.
So exciting.
213
00:11:06,164 --> 00:11:07,498
Yes, very nice to meet you.
214
00:11:07,581 --> 00:11:11,956
Um, she has an IQ of 152.
Genius level, right.
215
00:11:12,039 --> 00:11:14,247
That's a very high number.
Life's about give and take.
216
00:11:14,331 --> 00:11:16,373
I expect you to take care
of my daughter.
217
00:11:16,456 --> 00:11:19,081
Pay special attention.
And, again, welcome.
218
00:11:20,373 --> 00:11:23,373
Um, oh, oh, oh. (CHUCKLES)
And...
219
00:11:23,456 --> 00:11:25,956
my Amabella was bullied
last year.
220
00:11:26,039 --> 00:11:28,915
I mean, in like,
biting and choking.
221
00:11:28,997 --> 00:11:32,206
So, we're gonna make sure
that doesn't happen again.
222
00:11:32,289 --> 00:11:34,831
- (BAND PLAYS)
- RENATA KLEIN: Oh.
223
00:11:34,915 --> 00:11:37,081
Oops. Sorry.
224
00:11:37,164 --> 00:11:38,498
Sorry.
225
00:11:38,581 --> 00:11:40,414
Here's my problem
with the whole meditation thing.
226
00:11:40,498 --> 00:11:41,873
It's like you shut out
the world,
227
00:11:41,956 --> 00:11:43,247
but you also shut out
your friends,
228
00:11:43,331 --> 00:11:44,790
which is a little bit weird.
229
00:11:44,873 --> 00:11:47,581
And also, does she look funny?
Something's not right.
230
00:11:47,665 --> 00:11:49,456
- Are you talking about Bonnie?
- Uh-huh.
231
00:11:50,956 --> 00:11:54,456
Like, she's off. But she was off
before she went to Tahoe.
232
00:11:54,539 --> 00:11:55,706
Unplugged is one thing,
233
00:11:55,790 --> 00:11:57,665
but unhinged
is a total other thing.
234
00:11:57,748 --> 00:11:59,956
- (HORN BLARES)
- Hey! Asshole! Hey!
235
00:12:00,039 --> 00:12:01,873
- Oh, hon.
- Why are you cutting me off?
236
00:12:01,956 --> 00:12:04,164
- Honey. The horn. The horn.
- Dick! I just think we...
237
00:12:04,247 --> 00:12:05,247
Oh, yeah, sorry.
238
00:12:05,331 --> 00:12:07,039
Once I lean in,
you know how I am.
239
00:12:07,122 --> 00:12:09,206
- CELESTE: Indeed.
- I think we need to talk to her
240
00:12:09,289 --> 00:12:10,706
and see where her head is at.
241
00:12:10,790 --> 00:12:13,373
- CELESTE: Do you?
- Do you want to get a coffee?
242
00:12:13,456 --> 00:12:15,498
By the way, did you see Renata
243
00:12:15,581 --> 00:12:17,706
getting up
that new teacher's ass?
244
00:12:17,790 --> 00:12:19,915
I thought she was gonna have
to pull out her snorkel.
245
00:12:19,997 --> 00:12:22,081
CELESTE: Easy. I'm gonna go
to the ladies' room;
246
00:12:22,164 --> 00:12:25,206
- can you get me an Americano?
- MADELINE: Will do.
247
00:12:25,289 --> 00:12:27,039
- Hey, Bruna.
- BRUNA: Hey, Madeline.
248
00:12:27,122 --> 00:12:28,873
MADELINE: Wow, do you sell weed?
It smells like weed over here.
249
00:12:28,956 --> 00:12:30,873
- Keep the change.
- BRUNA: Thank you so much.
250
00:12:30,997 --> 00:12:32,665
- Can I get an Americano
- (DISTANT CHATTER)
251
00:12:32,748 --> 00:12:34,247
and a bran muffin?
252
00:12:34,331 --> 00:12:36,498
- ...that's a thing?
- MADELINE: Mary Louise?
253
00:12:38,456 --> 00:12:39,915
- Hi. Madeline.
- MARY LOUISE: Hi.
254
00:12:39,997 --> 00:12:41,498
- Madeline!
- Yes.
255
00:12:41,581 --> 00:12:43,414
- So nice to see you again.
- I'm Celeste's friend. Yes.
256
00:12:43,498 --> 00:12:44,748
How have you been?
257
00:12:44,831 --> 00:12:46,831
Good, good. The kids are good.
How are you?
258
00:12:46,915 --> 00:12:48,373
I can't complain.
259
00:12:49,665 --> 00:12:50,997
Actually, I can.
260
00:12:54,414 --> 00:12:55,623
My son is dead.
261
00:12:58,498 --> 00:13:01,373
But Celeste tells me that
you continue to be so helpful
262
00:13:01,456 --> 00:13:03,164
with her and the boys and...
263
00:13:03,247 --> 00:13:05,206
She should just get
a proper housekeeper.
264
00:13:05,289 --> 00:13:07,706
- You're very short.
- (SCOFFS) Excuse me?
265
00:13:07,790 --> 00:13:09,581
I don't mean it
in a negative way.
266
00:13:09,665 --> 00:13:10,873
MADELINE: Oh. (CHUCKLES)
267
00:13:11,831 --> 00:13:13,498
Maybe I do.
268
00:13:13,581 --> 00:13:18,373
I find little people to be
untrustworthy.
269
00:13:18,456 --> 00:13:21,498
(CHUCKLES) My apologies.
It's just that I'm...
270
00:13:22,790 --> 00:13:25,539
I pride myself on being
a very good judge of character,
271
00:13:25,623 --> 00:13:29,289
but you have always presented
such a difficult read.
272
00:13:29,373 --> 00:13:33,039
You know,
you seem like a nice person.
273
00:13:33,122 --> 00:13:37,623
Loving. But also,
you strike me as a wanter.
274
00:13:37,706 --> 00:13:39,790
- A... A wanter?
- Mm.
275
00:13:39,873 --> 00:13:41,331
You know...
276
00:13:41,414 --> 00:13:44,623
there are people in... in life
who content themselves
277
00:13:44,706 --> 00:13:46,706
with what they have,
and then there are others
278
00:13:46,790 --> 00:13:50,373
who just... just want.
279
00:13:52,247 --> 00:13:53,498
I'm not a wanter.
280
00:13:53,581 --> 00:13:55,081
Oh, you don't have to take it
personally.
281
00:13:55,164 --> 00:13:56,915
Anyway, I'm a wanter myself.
282
00:13:58,373 --> 00:14:01,748
You know what I want?
I want Perry back.
283
00:14:01,831 --> 00:14:03,997
I wanna know what happened
that night.
284
00:14:04,081 --> 00:14:06,956
And I... I'm very tempted
to ask you,
285
00:14:07,039 --> 00:14:09,790
but I doubt I would get
the, uh...
286
00:14:09,873 --> 00:14:11,289
the truth, would I?
287
00:14:13,831 --> 00:14:16,039
Your son lost his balance
and he fell.
288
00:14:16,122 --> 00:14:19,164
Yes, that seems to be
the company line.
289
00:14:19,247 --> 00:14:21,831
Depending on whose company
you keep.
290
00:14:21,915 --> 00:14:23,456
Mary Louise.
291
00:14:23,539 --> 00:14:26,581
Madeline and I were just...
talking.
292
00:14:27,748 --> 00:14:29,122
MADELINE:
What the hell was that?
293
00:14:29,206 --> 00:14:30,831
That was a very strong position.
294
00:14:30,915 --> 00:14:32,373
And I didn't like it!
295
00:14:33,289 --> 00:14:34,623
Welcome to my life.
296
00:14:41,289 --> 00:14:42,748
- (CARTS CRASH)
- Sorry.
297
00:14:43,456 --> 00:14:45,456
Whoa. Hi!
298
00:14:46,623 --> 00:14:47,790
Tori.
299
00:14:47,873 --> 00:14:49,956
Sorry, I didn't recognize you
at first.
300
00:14:50,039 --> 00:14:52,790
Yeah, I had my breasts done.
301
00:14:54,331 --> 00:14:55,498
Oh.
302
00:14:55,581 --> 00:14:57,039
Yeah, it's fabulous.
303
00:14:57,122 --> 00:14:58,831
I always felt a little
self-conscious, you know.
304
00:15:00,915 --> 00:15:02,206
About your breasts?
305
00:15:02,289 --> 00:15:03,623
- My nose.
- Oh.
306
00:15:03,706 --> 00:15:06,414
Now, nobody notices it so much.
307
00:15:06,498 --> 00:15:10,623
Everybody notices these though.
And that pisses Joseph off.
308
00:15:11,956 --> 00:15:13,456
So... uh...
309
00:15:13,539 --> 00:15:15,623
Well, I'll see you around.
310
00:15:17,873 --> 00:15:19,081
(CHUCKLES)
311
00:15:19,164 --> 00:15:22,247
(MAN TALKING INDISTINCTLY
ON LOUDSPEAKER)
312
00:15:22,331 --> 00:15:24,498
DR. AMANDA REISMAN:
How long does she plan to stay?
313
00:15:24,581 --> 00:15:25,831
Well, she comes and goes.
314
00:15:25,915 --> 00:15:27,873
It's a short hop
from San Francisco.
315
00:15:29,206 --> 00:15:30,997
She's been...
316
00:15:31,081 --> 00:15:33,831
- a really big help.
- Mm-hmm.
317
00:15:33,915 --> 00:15:35,790
I mean, I'd be lost without her.
318
00:15:37,790 --> 00:15:39,164
So what brings you?
319
00:15:39,247 --> 00:15:40,539
It's been a while.
320
00:15:41,790 --> 00:15:42,831
(CHUCKLES)
321
00:15:45,665 --> 00:15:46,915
(SIGHS)
322
00:15:46,997 --> 00:15:50,997
I've had some nightmares
starting up of late that, um...
323
00:15:52,122 --> 00:15:53,206
I mean, may be triggered
324
00:15:53,289 --> 00:15:54,915
by the beginning
of the school year.
325
00:15:54,997 --> 00:15:56,373
I think I still...
326
00:15:56,456 --> 00:15:59,539
- associate that place with...
- How could you not?
327
00:16:05,039 --> 00:16:06,331
Last night was...
328
00:16:07,623 --> 00:16:09,331
It was a beauty.
329
00:16:12,790 --> 00:16:17,873
Perry and I were in...
the in-vitro facility, and...
330
00:16:19,873 --> 00:16:24,997
it was all so sweet, and...
And suddenly, I...
331
00:16:26,790 --> 00:16:30,122
I turned into a monster.
332
00:16:30,206 --> 00:16:33,706
I was strangling him.
I was lifting him up, and I...
333
00:16:33,790 --> 00:16:34,997
I... (SIGHS)
334
00:16:36,873 --> 00:16:40,164
It was... beyond disturbing,
and I... I...
335
00:16:43,247 --> 00:16:44,748
a little exhilarating.
336
00:16:45,748 --> 00:16:46,873
Hmm...
337
00:16:48,414 --> 00:16:51,122
Is that... Do you see yourself
as a monster?
338
00:16:53,623 --> 00:16:55,247
I guess I still feel...
339
00:16:58,414 --> 00:17:00,581
- responsible.
- For...?
340
00:17:03,289 --> 00:17:05,164
For the accident.
341
00:17:05,247 --> 00:17:07,373
I mean, if I'd left him
when I should have...
342
00:17:07,456 --> 00:17:09,539
We should have
never been together that night,
343
00:17:09,623 --> 00:17:10,997
and he might still be alive.
344
00:17:11,081 --> 00:17:13,997
That I chose that night
of all nights to leave him
345
00:17:14,081 --> 00:17:15,539
and to tell him and...
346
00:17:20,081 --> 00:17:23,206
Even in death,
his message lives on.
347
00:17:23,289 --> 00:17:25,289
- What message?
- That you're to blame.
348
00:17:26,164 --> 00:17:28,289
You're always to blame.
349
00:17:31,956 --> 00:17:33,164
You're not.
350
00:17:40,456 --> 00:17:43,039
- Are you getting out?
- (SCOFFS)
351
00:17:43,122 --> 00:17:45,581
- Are you seeing anyone?
- No.
352
00:17:45,665 --> 00:17:48,331
That part of me is still dead,
I suppose.
353
00:17:48,414 --> 00:17:51,081
First thing's first: get
the boys' lives back on track,
354
00:17:51,164 --> 00:17:52,373
that's the priority.
355
00:17:52,456 --> 00:17:54,122
Seeing their mom happy
could help there.
356
00:17:54,206 --> 00:17:56,539
So, you're saying for my life
to go on successfully,
357
00:17:56,623 --> 00:17:58,623
- I need to be with a man?
- No.
358
00:17:58,706 --> 00:18:00,790
But the freedom to be with one,
maybe.
359
00:18:02,623 --> 00:18:06,873
You're still married, Celeste,
and the husband is dead.
360
00:18:10,164 --> 00:18:11,956
(TALKING INDISTINCTLY)
361
00:18:12,039 --> 00:18:13,956
(PANTING)
362
00:18:26,414 --> 00:18:29,498
(PANTING)
363
00:18:31,247 --> 00:18:32,665
NATHAN CARLSON:
Where've you been?
364
00:18:33,665 --> 00:18:35,039
I told you I was running.
365
00:18:35,122 --> 00:18:37,289
That was like two hours ago,
I've been calling you.
366
00:18:37,997 --> 00:18:39,039
BONNIE: Sorry.
367
00:18:44,373 --> 00:18:45,748
Honey.
368
00:18:45,831 --> 00:18:47,247
I just thought it might be
that you hated Tahoe,
369
00:18:47,331 --> 00:18:48,539
but since we've been back...
370
00:18:50,873 --> 00:18:52,164
Come on.
371
00:18:52,247 --> 00:18:54,581
BONNIE: I need some space,
Nathan. I told you.
372
00:18:55,498 --> 00:18:56,997
Just let it be.
373
00:18:57,081 --> 00:18:59,623
JANE CHAPMAN: He's my favorite
in the whole aquarium.
374
00:18:59,706 --> 00:19:01,122
It's a red octopus, and watch.
375
00:19:01,206 --> 00:19:04,039
The closer he gets to the kelp,
he'll change his color
376
00:19:04,122 --> 00:19:06,373
so that he camouflages
with his environment.
377
00:19:06,456 --> 00:19:08,456
- CHILD: Cool.
- Look. You see him right now?
378
00:19:08,539 --> 00:19:10,414
- CHILD: Yeah.
- He's changing color.
379
00:19:10,498 --> 00:19:12,748
You guys want to know a fun fact
about octopus?
380
00:19:12,831 --> 00:19:14,623
- ALL: Yeah!
- It's kinda weird.
381
00:19:14,706 --> 00:19:16,748
- You can handle it?
- Yeah.
382
00:19:16,831 --> 00:19:19,456
Okay, females contain
deadly venom,
383
00:19:19,539 --> 00:19:22,081
and sometimes, they'll kill
and they'll eat the males
384
00:19:22,164 --> 00:19:25,956
- after they mate with them.
- CHILDREN: (GROAN) Ew!
385
00:19:26,039 --> 00:19:27,206
JANE: (CHUCKLES) I know.
386
00:19:27,289 --> 00:19:29,414
SARAH: Why is it
the prettier something is,
387
00:19:29,498 --> 00:19:32,831
the more dangerous?
Like with snakes and spiders.
388
00:19:32,915 --> 00:19:35,665
That's a great question. I wish
I knew the answer to that.
389
00:19:35,748 --> 00:19:37,623
- COREY BROCKFIELD: One second, okay?
- You're so observant.
390
00:19:37,706 --> 00:19:40,164
Sometimes, pretty colors
are to give a fair warning
391
00:19:40,247 --> 00:19:43,748
so other animals know they need
to keep a safe distance.
392
00:19:43,831 --> 00:19:45,122
GIRL: Oh.
393
00:19:51,081 --> 00:19:52,122
There you go.
394
00:19:52,206 --> 00:19:54,748
(INDISTINCT CHATTER)
395
00:19:57,748 --> 00:19:58,873
NATHAN: How you doing?
396
00:19:59,873 --> 00:20:01,539
Good. You?
397
00:20:03,289 --> 00:20:05,581
Not really, no. Bonnie.
398
00:20:05,665 --> 00:20:08,164
I mean, she's gone missing
in mental action.
399
00:20:08,247 --> 00:20:10,122
The whole summer, truth be told.
400
00:20:11,122 --> 00:20:12,247
Hey, man, could I...
401
00:20:13,873 --> 00:20:15,706
Could I ask you a big favor?
402
00:20:15,790 --> 00:20:17,498
Could you maybe take her out
to lunch?
403
00:20:18,665 --> 00:20:19,997
Um...
404
00:20:20,081 --> 00:20:21,748
Listen, you've always
been better to talking to women
405
00:20:21,831 --> 00:20:23,331
than I have and, you know,
you certainly got Madeline
406
00:20:23,414 --> 00:20:24,873
in a way I never could.
407
00:20:24,956 --> 00:20:26,831
I mean, I think you might be
able to get her to open up.
408
00:20:26,915 --> 00:20:28,456
You know,
you have your little way.
409
00:20:28,539 --> 00:20:30,206
All I'm getting is pushback
at every turn.
410
00:20:30,289 --> 00:20:32,122
I swear to God, if I signed up
for this bullshit,
411
00:20:32,206 --> 00:20:33,831
I'd still be with Maddie.
412
00:20:33,915 --> 00:20:36,790
- I mean... I don't mean...
- Oh, no, no.
413
00:20:36,873 --> 00:20:39,790
Um, look, Nathan...
414
00:20:39,873 --> 00:20:42,081
I'm no expert on marriage
or anything.
415
00:20:42,164 --> 00:20:44,373
I mean, something tells me
if you're seeking out
416
00:20:44,456 --> 00:20:46,873
the husband of your ex-wife
to, like,
417
00:20:46,956 --> 00:20:50,164
lead the communication charge
with your new one...
418
00:20:53,331 --> 00:20:54,873
Why do you always have to be
so snide?
419
00:20:54,956 --> 00:20:56,831
- I don't mean to be snide.
- No, you don't mean to be,
420
00:20:56,915 --> 00:20:59,247
it just comes natural.
It's like you're a snide fuck.
421
00:20:59,331 --> 00:21:01,039
That's what you are.
You're a snide fuck.
422
00:21:01,122 --> 00:21:04,498
You know, Nathan, maybe instead
of just talking to Bonnie,
423
00:21:04,581 --> 00:21:06,915
you should embrace
some of her interests.
424
00:21:06,997 --> 00:21:08,373
- Her interests?
- Yeah.
425
00:21:08,456 --> 00:21:10,623
She won't even let me
embrace her.
426
00:21:10,706 --> 00:21:12,081
- Okay.
- Yeah, you're snide.
427
00:21:12,164 --> 00:21:13,665
- You're a snide fuck.
- What?
428
00:21:14,581 --> 00:21:15,915
- Whatever.
- Come on.
429
00:21:15,997 --> 00:21:17,748
Snide fuck.
430
00:21:17,831 --> 00:21:21,039
♪ ("WHAT BECOMES OF THE BROKENHEARTED"
BY JIMMY RUFFIN PLAYS) ♪
431
00:21:21,122 --> 00:21:24,997
♪ As I walk this land
Of broken dreams ♪
432
00:21:25,081 --> 00:21:26,373
(PHONE RINGING)
433
00:21:26,456 --> 00:21:28,081
- ♪ I have visions... ♪ (CUTS OFF)
- Hello.
434
00:21:28,164 --> 00:21:29,997
- JULIETTE: (OVER PHONE) Mrs. Klein?
- Juliette.
435
00:21:30,081 --> 00:21:32,331
Hey, honey. I'm pulling in.
Can you...
436
00:21:32,414 --> 00:21:33,748
- (PHONE VIBRATING)
- can... wait.
437
00:21:33,831 --> 00:21:35,748
Hold on one second. Hold on...
Hello?
438
00:21:35,831 --> 00:21:37,665
MADELINE: This is why
I talk about being nice.
439
00:21:37,748 --> 00:21:40,498
Hey. No, I can't...
440
00:21:40,581 --> 00:21:42,122
MADELINE: What do you think?
441
00:21:42,206 --> 00:21:43,665
MAN: I love the view.
442
00:21:43,748 --> 00:21:45,623
Oh, sorry, I'm on the phone.
443
00:21:45,706 --> 00:21:47,331
Yeah, I thought Tahoe
was supposed
444
00:21:47,414 --> 00:21:48,665
to be about decompression too,
445
00:21:48,748 --> 00:21:50,206
but she seems like
she's on Mars.
446
00:21:50,289 --> 00:21:52,539
- Maybe she's using.
- WOMAN: Excuse me.
447
00:21:52,623 --> 00:21:54,039
Yeah, just a second.
448
00:21:54,122 --> 00:21:55,456
And I am beating myself up
449
00:21:55,539 --> 00:21:57,039
that I told Jane
I liked her bangs.
450
00:21:57,122 --> 00:21:58,623
Can you get off the phone,
please?
451
00:21:58,706 --> 00:21:59,748
Hmm?
452
00:22:00,748 --> 00:22:02,331
Oh, let me call you back.
453
00:22:02,414 --> 00:22:04,247
♪ ("IT'S MY HOUSE"
BY DIANA ROSS PLAYS) ♪
454
00:22:04,331 --> 00:22:05,956
Yeah, what can I do for you?
455
00:22:06,039 --> 00:22:07,790
RENATA KLEIN:
I mean, I can't deny it.
456
00:22:07,873 --> 00:22:10,289
♪ It's my house
And I live here ♪
457
00:22:10,373 --> 00:22:12,623
JOEL: Good, right there.
458
00:22:12,706 --> 00:22:15,997
♪ It's my house
And I live here ♪
459
00:22:16,081 --> 00:22:19,873
Beautiful, come on down. Good.
Eyes up this way. Gorgeous.
460
00:22:19,956 --> 00:22:21,706
I'm so tired of those shots
of women.
461
00:22:21,790 --> 00:22:23,289
I mean, they're in power, right?
462
00:22:23,373 --> 00:22:26,122
They own banks and they're
all, like, demure. Bullshit.
463
00:22:27,748 --> 00:22:29,122
JOEL: Back to the ocean.
464
00:22:29,206 --> 00:22:30,748
GORDON KLEIN: What's all this?
465
00:22:30,831 --> 00:22:33,706
RENATA: Hey! The photoshoot.
Women in power.
466
00:22:33,790 --> 00:22:35,706
I thought they wanted just,
uh... office shots.
467
00:22:35,790 --> 00:22:39,623
No, um, they're doing house
and, uh, office.
468
00:22:40,498 --> 00:22:41,915
GORDON: You look nice.
469
00:22:41,997 --> 00:22:43,623
JOEL: Here we go. Look at me.
470
00:22:43,706 --> 00:22:45,539
♪ And I live here ♪
471
00:22:45,623 --> 00:22:47,373
(MINIATURE TRAIN WHISTLE BLOWS)
472
00:22:57,456 --> 00:23:00,456
♪ It's my house
And I live here ♪
473
00:23:01,373 --> 00:23:03,373
So she has a 3.8 GPA,
474
00:23:03,456 --> 00:23:06,915
and she has done charity work
with human trafficking.
475
00:23:06,997 --> 00:23:08,665
She also has an internship
coming up...
476
00:23:08,748 --> 00:23:10,873
Uh, Stanford has an admit rate
of under ten.
477
00:23:10,956 --> 00:23:12,539
Princeton and Williams the same,
478
00:23:12,623 --> 00:23:14,289
and since she doesn't have
legacy going for her...
479
00:23:14,373 --> 00:23:17,039
Any of these schools
would be lucky to have her.
480
00:23:17,122 --> 00:23:19,706
- She's an excellent candidate...
- MADELINE: Candidate is,
481
00:23:19,790 --> 00:23:21,289
- I think, the wrong...
- Honey.
482
00:23:21,373 --> 00:23:24,414
What? Don't "honey" me.
She has a 3.8 GPA.
483
00:23:24,498 --> 00:23:26,206
She has a 1350 on her SATs,
484
00:23:26,289 --> 00:23:27,748
but we're gonna get
that number up
485
00:23:27,831 --> 00:23:30,373
because she has private tutoring
coming up, so I feel...
486
00:23:30,456 --> 00:23:32,164
I don't even want
to go to college.
487
00:23:33,122 --> 00:23:34,915
(SCOFFS)
488
00:23:34,997 --> 00:23:36,665
I mean, she's just...
She's just nervous.
489
00:23:36,748 --> 00:23:39,331
- She doesn't mean that.
- I do mean it.
490
00:23:39,414 --> 00:23:41,247
I don't want to go to college.
491
00:23:41,331 --> 00:23:42,581
(CHUCKLES)
492
00:23:42,665 --> 00:23:45,081
It feels so good to say that
out loud. (SIGHS)
493
00:23:45,164 --> 00:23:47,498
Okay, Abigail, honey.
You're going to college.
494
00:23:47,581 --> 00:23:49,289
The planet is dying, Mom,
495
00:23:49,373 --> 00:23:53,414
but God forbid I don't study
Lysistrata? It's bullshit.
496
00:23:53,498 --> 00:23:54,956
Do you know what kids do
at college?
497
00:23:55,039 --> 00:23:58,373
They drink. They fuck.
They mull over a sex change.
498
00:23:58,456 --> 00:23:59,498
I'm not going.
499
00:23:59,581 --> 00:24:01,081
All right, you're going
to college.
500
00:24:01,164 --> 00:24:02,581
- I'm not going to college.
- Whoa, whoa, whoa.
501
00:24:02,665 --> 00:24:03,997
If you wanna go, you know,
you should go.
502
00:24:04,081 --> 00:24:05,456
You should go to college.
503
00:24:05,539 --> 00:24:06,956
Hey, no, I know how to make
any situation about me.
504
00:24:07,039 --> 00:24:08,539
This is not that.
This is about you
505
00:24:08,623 --> 00:24:10,790
- and your future, Abigail.
- NATHAN: Abby.
506
00:24:13,081 --> 00:24:15,206
- ABIGAIL CARLSON: I'm not going.
- I'm so sorry.
507
00:24:17,581 --> 00:24:18,831
Where did she go?
508
00:24:19,373 --> 00:24:20,498
I...
509
00:24:21,831 --> 00:24:24,206
- Did you know about this?
- No, I swear.
510
00:24:24,289 --> 00:24:25,956
You were with her all summer
in Tahoe,
511
00:24:26,039 --> 00:24:27,456
and you knew nothing about this?
512
00:24:27,539 --> 00:24:28,956
- Madeline, I didn't know.
- And what about Bonnie?
513
00:24:29,039 --> 00:24:30,539
Did she know about this
"fuck college" plan?
514
00:24:30,623 --> 00:24:32,206
Bonnie's left the building.
515
00:24:34,665 --> 00:24:35,831
Unbelievable.
516
00:24:35,915 --> 00:24:37,247
You know if she doesn't go
to college,
517
00:24:37,331 --> 00:24:39,122
she won't have a life.
518
00:24:39,206 --> 00:24:41,790
She'll just be serving Big Macs and
French fries, and that'll be her life.
519
00:24:41,873 --> 00:24:43,997
- Is that what you want for her, Nathan?
- Stop, stop. Stop yelling at me.
520
00:24:44,081 --> 00:24:46,748
- Stop yelling at me.
- What? You know you bear some responsibility here, right?
521
00:24:46,831 --> 00:24:48,206
- NATHAN: I do?
- You're her father.
522
00:24:48,289 --> 00:24:49,539
- NATHAN: Oh, okay.
- This is her senior year,
523
00:24:49,623 --> 00:24:50,873
she's on the cusp of her life,
524
00:24:50,956 --> 00:24:52,831
and you let it go all to shit
in Tahoe!
525
00:24:52,915 --> 00:24:54,665
Don't... You just hit me.
You just hit me.
526
00:24:54,748 --> 00:24:55,997
Because you deserve it!
527
00:24:57,081 --> 00:24:58,706
- (WIND RUSTLES)
- (WAVES CRASH)
528
00:25:13,831 --> 00:25:16,081
But honestly, Ed,
if she doesn't go to college,
529
00:25:16,164 --> 00:25:19,081
what's she gonna do?
Go into retail?
530
00:25:20,790 --> 00:25:22,456
Oh, let me call you right back.
531
00:25:23,665 --> 00:25:24,790
Mary Louise?
532
00:25:24,873 --> 00:25:27,289
- Hey, Maddie.
- Oh, Madeline. Hello.
533
00:25:27,373 --> 00:25:28,915
What's going on?
534
00:25:28,997 --> 00:25:32,164
Well, I thought I might look
for a small flat here in town,
535
00:25:32,247 --> 00:25:34,247
so that I could help out
with the boys
536
00:25:34,331 --> 00:25:36,414
but not quite be so underfoot.
537
00:25:36,498 --> 00:25:37,665
(CLEARS THROAT)
538
00:25:37,748 --> 00:25:39,331
- MADELINE: Oh, I see.
- Do you work here?
539
00:25:39,414 --> 00:25:40,997
- Yes.
- Do you handle rentals?
540
00:25:41,081 --> 00:25:43,456
I do, actually.
Oren and I both do, yes.
541
00:25:44,331 --> 00:25:45,790
I see you're wearing heels.
542
00:25:48,081 --> 00:25:49,706
Yes.
543
00:25:49,790 --> 00:25:52,748
Um, Oren, do you mind if I just
have a minute with Mrs. Wright?
544
00:25:52,831 --> 00:25:55,665
Of course not.
You're in wonderful hands.
545
00:25:55,748 --> 00:25:58,039
MADELINE: Thank you.
546
00:25:58,122 --> 00:26:00,748
Mary Louise, I realize
that you're still grieving,
547
00:26:00,831 --> 00:26:01,997
and that you've been through
548
00:26:02,081 --> 00:26:03,915
a tremendous amount
of heartbreak,
549
00:26:03,997 --> 00:26:06,456
but I don't care for the way
you spoke to me before.
550
00:26:06,539 --> 00:26:08,498
It was rude,
and I didn't deserve it.
551
00:26:08,581 --> 00:26:12,748
No, you didn't. Um, I apologize.
552
00:26:13,790 --> 00:26:15,331
Well, thank you.
553
00:26:15,414 --> 00:26:17,206
MARY LOUISE: The truth is,
it had nothing to do with you.
554
00:26:17,289 --> 00:26:20,039
When I was in boarding school,
I had... I had a best friend,
555
00:26:20,122 --> 00:26:21,831
or so I thought,
556
00:26:21,915 --> 00:26:24,414
who revealed herself
to be quite treacherous,
557
00:26:24,498 --> 00:26:28,748
and, uh, caused me
a lot of pain.
558
00:26:28,831 --> 00:26:31,873
So... she was just
an itty-bitty little thing
559
00:26:31,956 --> 00:26:35,331
with a big, bubbly personality
that, um...
560
00:26:35,414 --> 00:26:37,873
was designed to hide...
561
00:26:37,956 --> 00:26:39,790
that she was utterly vapid
inside.
562
00:26:39,873 --> 00:26:41,623
You remind me so much of her
563
00:26:41,706 --> 00:26:43,414
that I suppose I punish you
for that.
564
00:26:43,498 --> 00:26:45,373
That's wrong of me,
and I apologize.
565
00:26:49,122 --> 00:26:52,414
- Oren.
- OREN: Yes. Sorry.
566
00:26:52,498 --> 00:26:55,081
I'm sure Oren will address
all of your concerns.
567
00:26:55,164 --> 00:26:56,623
MARY LOUISE: Okay.
568
00:26:56,706 --> 00:26:59,206
- Where did we leave it?
- (CHUCKLES)
569
00:26:59,289 --> 00:27:02,539
♪ ("MYSTERY OF LOVE"
BY SUFJAN STEVENS PLAYS) ♪
570
00:27:12,790 --> 00:27:16,915
♪ Oh, to see without my eyes ♪
571
00:27:16,997 --> 00:27:21,289
♪ The first time
That you kissed me ♪
572
00:27:21,373 --> 00:27:24,706
♪ Boundless by the time
I cried ♪
573
00:27:26,122 --> 00:27:30,206
♪ I built your walls around me
574
00:27:30,289 --> 00:27:33,498
♪ White noise
What an awful sound ♪
575
00:27:35,039 --> 00:27:39,247
♪ Fumbling by Rogue River ♪
576
00:27:39,331 --> 00:27:42,665
♪ Feel my feet
Above the ground ♪
577
00:27:43,873 --> 00:27:48,039
♪ Hand of God deliver me ♪
578
00:27:48,122 --> 00:27:50,706
- ♪ (MUSIC CONTINUES THROUGH EARBUDS) ♪
- Oh!
579
00:27:52,539 --> 00:27:54,247
♪ (MUSIC ENDS) ♪
580
00:27:54,331 --> 00:27:56,748
(CHUCKLES) That probably
looked weird.
581
00:27:56,831 --> 00:27:57,956
Yeah.
582
00:27:58,039 --> 00:27:59,373
(BOTH LAUGH)
583
00:28:00,790 --> 00:28:02,289
Are you on the spectrum?
584
00:28:02,373 --> 00:28:04,915
- (BOTH CHUCKLE)
- Are you?
585
00:28:05,456 --> 00:28:07,414
Um, I'm...
586
00:28:08,581 --> 00:28:11,331
- Yeah, most likely.
- (BOTH CHUCKLE)
587
00:28:11,414 --> 00:28:13,997
- Well, I don't think I am, but...
- A little advice,
588
00:28:14,081 --> 00:28:16,247
you probably don't wanna act
weird and shit in public.
589
00:28:16,331 --> 00:28:18,956
We do a lot of kids' events at the
aquarium, and parents have a thing
590
00:28:19,039 --> 00:28:20,873
about entrusting their kids
to psychos.
591
00:28:21,665 --> 00:28:23,373
(CHUCKLES)
592
00:28:23,456 --> 00:28:25,414
Noted. Got it. Thank you.
593
00:28:25,498 --> 00:28:26,873
The way people talk
in this town,
594
00:28:26,956 --> 00:28:28,831
I don't need to tell you.
595
00:28:28,915 --> 00:28:31,247
You don't need to tell me?
What does that mean?
596
00:28:33,247 --> 00:28:35,122
You're one of
the Monterey Five, right?
597
00:28:36,623 --> 00:28:37,706
Monterey Five?
598
00:28:37,790 --> 00:28:39,414
You were there
the night the guy fell.
599
00:28:39,498 --> 00:28:41,539
Wh... Where did you here that?
600
00:28:41,623 --> 00:28:43,956
Someone at work.
I'll see you around.
601
00:28:44,623 --> 00:28:45,665
Yeah.
602
00:28:46,956 --> 00:28:49,039
JANE: It was just the way he said it.
603
00:28:49,122 --> 00:28:51,247
RENATA: How exactly was that?
604
00:28:51,331 --> 00:28:53,414
Like we all have scarlet letters
on our backs.
605
00:28:53,498 --> 00:28:55,414
- Oh, please.
- We're kidding ourselves
606
00:28:55,498 --> 00:28:57,081
if we think people
have stopped talking.
607
00:28:57,164 --> 00:28:58,539
Yeah, but people talk. It's...
608
00:28:58,623 --> 00:29:00,748
I think we're all being
a little bit paranoid, you guys.
609
00:29:00,831 --> 00:29:01,997
I think people have moved on,
610
00:29:02,081 --> 00:29:03,623
and the police
definitely moved on.
611
00:29:03,706 --> 00:29:05,373
- Well, we don't know for sure.
- Yeah...
612
00:29:05,456 --> 00:29:08,414
No, I talked to Susie Burke.
Do you know Susie from IBM?
613
00:29:08,498 --> 00:29:09,706
Yeah.
614
00:29:09,790 --> 00:29:11,373
She's a good friend
of Detective Quinlan.
615
00:29:11,456 --> 00:29:12,748
- Oh.
- I mean,
616
00:29:12,831 --> 00:29:15,665
like, really good friend.
Gossip for another day,
617
00:29:15,748 --> 00:29:19,164
but she told me that she heard
Quinlan say, like,
618
00:29:19,247 --> 00:29:23,623
the case isn't "closed" closed,
but they've got nothing.
619
00:29:23,706 --> 00:29:25,623
- Mm-hmm.
- CELESTE: Good.
620
00:29:27,164 --> 00:29:28,206
Good.
621
00:29:29,164 --> 00:29:30,706
- We're good.
- Okay.
622
00:29:30,790 --> 00:29:32,122
CELESTE: Yeah, good.
623
00:29:35,164 --> 00:29:36,498
(BELL RINGS)
624
00:29:44,581 --> 00:29:45,748
MADELINE: Where were you?
625
00:29:45,831 --> 00:29:47,331
We were waiting
for you at the beach.
626
00:29:47,414 --> 00:29:49,831
Oh, yeah. Something came up.
627
00:29:50,665 --> 00:29:51,790
MADELINE: Yeah?
628
00:29:55,039 --> 00:29:56,081
What?
629
00:29:57,581 --> 00:29:58,706
Are you all right?
630
00:30:00,373 --> 00:30:03,414
- Do you care?
- Do I care?
631
00:30:03,498 --> 00:30:04,706
What's going on?
632
00:30:09,623 --> 00:30:10,706
I killed someone.
633
00:30:11,665 --> 00:30:13,206
- Remember?
- Yes.
634
00:30:13,289 --> 00:30:14,623
It's heavy.
635
00:30:14,706 --> 00:30:18,373
Are you... I mean, are you angry
at me for some reason?
636
00:30:22,539 --> 00:30:23,997
I'm angry with myself.
637
00:30:25,373 --> 00:30:27,873
If I had just told the truth,
I would have gotten off,
638
00:30:27,956 --> 00:30:29,289
but you said he slipped,
639
00:30:29,373 --> 00:30:31,081
and everyone else
joined in the fucking chorus.
640
00:30:31,164 --> 00:30:33,873
- That was to protect you.
- Yeah, thanks a lot.
641
00:30:36,581 --> 00:30:38,581
You know, I can't talk
to my husband.
642
00:30:40,623 --> 00:30:41,706
Or my kid.
643
00:30:43,956 --> 00:30:45,581
I have to just swallow it all.
644
00:30:47,039 --> 00:30:48,289
You can talk to us.
645
00:30:49,373 --> 00:30:51,247
We're here for you. All of us.
646
00:30:53,748 --> 00:30:56,665
Well, it hasn't really felt
like that.
647
00:30:56,748 --> 00:30:58,706
Well, I'm sorry,
but you've been in Tahoe.
648
00:30:58,790 --> 00:31:01,164
It's not like
you can put that shit on Gmail.
649
00:31:01,247 --> 00:31:03,414
- Like, what am I supposed to...
- NATHAN: Hey.
650
00:31:04,831 --> 00:31:06,414
Hey. Bye, Maddie.
651
00:31:12,915 --> 00:31:14,164
Little Miss Sunshine, right?
652
00:31:14,247 --> 00:31:15,956
MADELINE:
Listen, I'm sorry I pushed you.
653
00:31:16,039 --> 00:31:17,539
There you go, I said it.
654
00:31:17,623 --> 00:31:21,122
(SIGHS) Okay, um, I need to talk
to Abby. Is she here?
655
00:31:22,331 --> 00:31:23,581
NATHAN: Abby!
656
00:31:23,665 --> 00:31:25,414
♪ ("THE RIP"
BY PORTISHEAD PLAYS) ♪
657
00:31:25,498 --> 00:31:27,414
♪ As she walks in the room ♪
658
00:31:27,498 --> 00:31:29,831
♪ Scented and tall ♪
659
00:31:30,956 --> 00:31:35,956
♪ Hesitating once more ♪
660
00:31:36,039 --> 00:31:38,289
- ♪ And as I take... ♪
- ♪ (MUSIC ENDS) ♪
661
00:31:40,331 --> 00:31:43,956
So... what was that all about?
662
00:31:44,039 --> 00:31:48,456
I just don't think college
is for everyone, that's all.
663
00:31:48,539 --> 00:31:49,665
MADELINE: Okay.
664
00:31:50,790 --> 00:31:52,581
So why is not for you?
665
00:31:53,164 --> 00:31:54,748
Well...
666
00:31:54,831 --> 00:31:58,623
Starting with the cost.
It's really expensive.
667
00:31:58,706 --> 00:32:00,623
So, I'm assuming
that if you're gonna abandon
668
00:32:00,706 --> 00:32:02,623
that plan to go to college,
you have another plan...
669
00:32:02,706 --> 00:32:03,790
I do.
670
00:32:05,997 --> 00:32:07,122
What is it?
671
00:32:08,498 --> 00:32:11,247
- It's to work for a startup.
- Oh, my God.
672
00:32:11,331 --> 00:32:12,956
Specifically, one that builds
673
00:32:13,039 --> 00:32:15,247
for-profit housing
for the homeless.
674
00:32:15,331 --> 00:32:16,748
- Excuse me?
- ABIGAIL: Yeah.
675
00:32:16,831 --> 00:32:20,539
And unlike, you know,
the privatized shams
676
00:32:20,623 --> 00:32:22,414
like banks
and credit card companies,
677
00:32:22,498 --> 00:32:25,623
ours will make money
while actually helping people.
678
00:32:25,706 --> 00:32:27,039
This is something real?
679
00:32:27,122 --> 00:32:30,164
I've been offered a position
to start in June.
680
00:32:30,247 --> 00:32:32,456
- You cannot be serious.
- I'm gonna take it.
681
00:32:32,539 --> 00:32:34,039
You cannot mortgage your future
682
00:32:34,122 --> 00:32:36,247
over some sort of
short-term plan.
683
00:32:36,331 --> 00:32:38,122
ABIGAIL: I'm not doing that!
684
00:32:38,206 --> 00:32:39,706
Well, then, what are you doing?
685
00:32:39,790 --> 00:32:42,414
There are four million
homeless people in America,
686
00:32:42,498 --> 00:32:44,456
the average age
being nine years old,
687
00:32:44,539 --> 00:32:46,456
- and I...
- I don't give a fuck!
688
00:32:46,539 --> 00:32:49,039
I don't care
about fucking homeless people.
689
00:32:50,373 --> 00:32:51,289
What?
690
00:32:51,373 --> 00:32:52,623
That is not what I meant.
691
00:32:52,706 --> 00:32:54,414
I do care about homeless people.
692
00:32:54,498 --> 00:32:57,456
I just think you can give money
to some charity
693
00:32:57,539 --> 00:32:59,206
while you actually
attend college.
694
00:32:59,289 --> 00:33:01,997
- I'm not going to college.
- Yes, you are.
695
00:33:02,081 --> 00:33:03,414
Give me
one good reason what I should...
696
00:33:03,498 --> 00:33:04,665
It's non-negotiable.
697
00:33:04,748 --> 00:33:06,665
You are going to college
because I said so,
698
00:33:06,748 --> 00:33:08,539
and because you're not thinking
straight...
699
00:33:08,623 --> 00:33:09,790
Because you said so?
700
00:33:09,873 --> 00:33:11,289
- Yes, because I said so.
- What do you know?
701
00:33:11,373 --> 00:33:12,748
You didn't go to college.
702
00:33:12,831 --> 00:33:15,039
That's exactly why you're going.
703
00:33:15,873 --> 00:33:17,289
Exactly.
704
00:33:17,373 --> 00:33:19,206
Because you will have no life!
705
00:33:22,581 --> 00:33:23,623
(DOOR SLAMS)
706
00:33:24,414 --> 00:33:25,414
(SIGHS)
707
00:33:30,247 --> 00:33:33,456
♪ ("THE FADE OUT LINE" BY PHOEBE
KILLDEER AND THE SHORT STRAWS PLAYS) ♪
708
00:33:34,790 --> 00:33:36,498
Can't you just tell her
it's time to go?
709
00:33:36,581 --> 00:33:39,748
CELESTE: The boys love her.
I mean, they love her.
710
00:33:39,831 --> 00:33:43,748
And she's... she's a big help,
she really is.
711
00:33:45,790 --> 00:33:48,665
So what's up? I'm guessing
you don't need my help
712
00:33:48,748 --> 00:33:50,539
on how to handle
a mother-in-law.
713
00:33:52,122 --> 00:33:55,247
Why are you
not cashing the checks?
714
00:33:55,331 --> 00:33:56,831
JANE: (SIGHS) I don't know.
715
00:33:56,915 --> 00:33:58,331
CELESTE: Come on, Jane. Why?
716
00:33:58,414 --> 00:34:01,623
It's rape money.
You know I can't do that.
717
00:34:04,039 --> 00:34:05,748
Ziggy's entitled to it.
718
00:34:06,665 --> 00:34:08,414
He's part of Perry's estate.
719
00:34:09,873 --> 00:34:12,498
Do you ever hate me?
Just a little bit.
720
00:34:15,790 --> 00:34:17,498
How could I hate you?
721
00:34:17,581 --> 00:34:20,081
Because I slept
with your husband.
722
00:34:20,164 --> 00:34:23,539
I mean, I didn't...
You know what I mean.
723
00:34:23,623 --> 00:34:25,081
He raped you.
724
00:34:25,164 --> 00:34:27,039
But I knew he was married.
I mean, I didn't know
725
00:34:27,122 --> 00:34:30,456
he was married to you,
but... somebody.
726
00:34:30,539 --> 00:34:33,331
No.
I don't blame you for anything.
727
00:34:35,039 --> 00:34:37,581
JANE: I think I would
if I were in your shoes.
728
00:34:38,873 --> 00:34:40,539
Celeste, for a man
to commit adultery,
729
00:34:40,623 --> 00:34:42,206
he... there... there
has to be another woman,
730
00:34:42,289 --> 00:34:45,206
and, you know what, more times
than not, she's complicit.
731
00:34:45,289 --> 00:34:48,831
I was complicit.
Not in the end, but...
732
00:34:48,915 --> 00:34:50,456
definitely in the beginning.
733
00:34:59,039 --> 00:35:00,623
Are you glad that he's dead?
734
00:35:04,206 --> 00:35:05,665
CELESTE: It's complicated.
735
00:35:07,831 --> 00:35:09,081
(SIGHS)
736
00:35:09,164 --> 00:35:11,331
(GATE BUZZES)
737
00:35:27,581 --> 00:35:30,331
♪ ("HARVEST MOON"
BY CASSANDRA WILSON PLAYS) ♪
738
00:35:46,373 --> 00:35:49,039
♪ Come a little bit closer ♪
739
00:35:50,873 --> 00:35:53,539
♪ Hear what I have to say ♪
740
00:36:02,498 --> 00:36:05,706
♪ Just like children sleeping ♪
741
00:36:07,247 --> 00:36:11,997
♪ We could dream
This night away ♪
742
00:36:12,081 --> 00:36:16,373
♪ (MUSIC CONTINUES
IN BACKGROUND)
743
00:36:16,456 --> 00:36:19,748
♪ (JOSH PLAYS
DISCORDANT NOTES) ♪
744
00:36:19,831 --> 00:36:22,873
♪ But there's a full moon
Rising ♪
745
00:36:24,498 --> 00:36:28,414
♪ Let's go dancing
In the light... ♪
746
00:36:33,831 --> 00:36:35,373
MARY LOUISE: Come on, everybody.
747
00:36:36,122 --> 00:36:37,247
Put it away, Max.
748
00:36:38,498 --> 00:36:39,581
Come.
749
00:36:42,498 --> 00:36:46,247
This looks so delicious.
Thank you, Mary Louise.
750
00:36:46,331 --> 00:36:48,706
MAX: I thought we were having KFC.
751
00:36:48,790 --> 00:36:52,456
Well, one cannot survive
on fast food every night.
752
00:36:52,539 --> 00:36:54,373
(CHUCKLING)
We don't have it every night.
753
00:36:54,456 --> 00:36:55,790
MARY LOUISE: You know that they...
754
00:36:55,873 --> 00:36:58,873
They ban these
insidious fast food institutions
755
00:36:58,956 --> 00:37:01,206
from some parts
of San Francisco.
756
00:37:01,289 --> 00:37:04,997
Do you remember when we walked
across the Golden Gate Bridge?
757
00:37:05,081 --> 00:37:06,373
It's red.
758
00:37:06,456 --> 00:37:08,498
(CHUCKLES)
You're right, it is red.
759
00:37:08,581 --> 00:37:09,873
(LAUGHS)
760
00:37:09,956 --> 00:37:11,997
Oh, and Dad said he was going
to swim to Alcatraz.
761
00:37:12,081 --> 00:37:13,498
(LAUGHS) Oh, yeah.
762
00:37:13,581 --> 00:37:16,081
Sharks would have
eaten him, stupid.
763
00:37:16,164 --> 00:37:17,915
No, they wouldn't, idiot.
764
00:37:17,997 --> 00:37:19,206
(SCOFFS)
765
00:37:19,289 --> 00:37:20,623
- CELESTE: Hey! Hey!
- Ow!
766
00:37:20,706 --> 00:37:23,539
You could hurt him!
What's wrong with you?
767
00:37:23,623 --> 00:37:25,122
I barely touched him.
768
00:37:25,206 --> 00:37:29,623
You stuck him with a fork, Josh.
That is unacceptable.
769
00:37:29,706 --> 00:37:31,414
For God's sake.
770
00:37:31,498 --> 00:37:33,831
♪ (MUSIC CONTINUES QUIETLY) ♪
771
00:37:36,247 --> 00:37:37,331
I miss Dad.
772
00:37:39,373 --> 00:37:42,331
I know, baby. I know you do.
773
00:37:44,665 --> 00:37:46,539
We all do.
774
00:37:46,623 --> 00:37:48,956
We've still got some recovery
ahead of us.
775
00:37:49,039 --> 00:37:52,665
Well, they're grieving, Celeste.
776
00:37:52,748 --> 00:37:56,206
Their father's death is not...
(CLEARS THROAT)
777
00:37:56,289 --> 00:37:59,289
something to be recovered
from like a cold.
778
00:37:59,373 --> 00:38:02,748
You know, your daddy
was the most amazing man,
779
00:38:02,831 --> 00:38:05,706
and you were so lucky
to have him.
780
00:38:05,790 --> 00:38:10,206
And it's very unfair and wrong
that he died.
781
00:38:10,289 --> 00:38:13,790
And you still feel angry
about it, don't you?
782
00:38:13,873 --> 00:38:17,498
I mean, you feel angry that
the other kids have their dads.
783
00:38:17,581 --> 00:38:19,373
You don't.
784
00:38:19,456 --> 00:38:22,331
You know, the other day,
I was with some friends,
785
00:38:22,414 --> 00:38:26,873
and, um, their sons
were not a patch on your dad.
786
00:38:26,956 --> 00:38:28,539
(LAUGHS) Not a patch.
787
00:38:30,081 --> 00:38:33,331
Just... I felt so angry.
(YELLING) Angry!
788
00:38:33,414 --> 00:38:36,665
(QUIETLY) You know,
that their mediocre,
789
00:38:36,748 --> 00:38:39,122
spindly, pudgy, balding,
790
00:38:39,206 --> 00:38:42,164
middle-management sons...
Still alive...
791
00:38:42,247 --> 00:38:46,081
And my Perry...
(WHISPERING) My Perry...
792
00:38:46,164 --> 00:38:49,247
I just... felt just...
I wanted to scream.
793
00:38:50,790 --> 00:38:51,956
So you know what I did?
794
00:38:52,039 --> 00:38:53,831
- MAX: What?
- I did scream.
795
00:38:55,831 --> 00:38:57,331
Wanna hear?
796
00:38:57,414 --> 00:38:59,081
MARY LOUISE: (CHUCKLES) Okay.
797
00:39:03,456 --> 00:39:05,665
(SCREAMS)
798
00:39:05,748 --> 00:39:07,748
Oh!
799
00:39:07,831 --> 00:39:10,706
Oh! Mary Louise! Mary Louise!
Mary Louise, please.
800
00:39:10,790 --> 00:39:13,289
What, my grief is too loud
for you?
801
00:39:13,373 --> 00:39:15,373
- Oh, Celeste.
- Just... Just... The boys!
802
00:39:15,456 --> 00:39:17,247
MARY LOUISE:
I should be more discrete.
803
00:39:17,331 --> 00:39:18,581
We should scream.
804
00:39:18,665 --> 00:39:21,623
We should scream
and beat our breasts
805
00:39:21,706 --> 00:39:25,081
and... and tear our hair.
Don't you feel angry?
806
00:39:26,915 --> 00:39:27,956
N...
807
00:39:28,039 --> 00:39:29,373
MARY LOUISE: You don't?
808
00:39:37,081 --> 00:39:38,164
I'm sorry.
809
00:39:39,790 --> 00:39:41,289
(SIGHS)
810
00:39:41,373 --> 00:39:45,831
(SOBS) I feel so, so alone.
(CLEARS THROAT)
811
00:39:50,915 --> 00:39:53,456
♪ ("ALL APOLOGIES" COVER VERSION
BY SINÉAD O'CONNOR PLAYS) ♪
812
00:39:53,539 --> 00:39:58,247
♪ In the sun
I feel as one ♪
813
00:39:58,331 --> 00:40:00,665
♪ In the sun ♪
814
00:40:00,748 --> 00:40:02,581
♪ In the sun ♪
815
00:40:04,164 --> 00:40:06,539
♪ I'm married ♪
816
00:40:06,623 --> 00:40:08,498
♪ Married ♪
817
00:40:09,247 --> 00:40:11,081
♪ Buried ♪
818
00:40:32,748 --> 00:40:35,164
(DISTANT WALKIE-TALKIE CHATTER)
819
00:40:40,289 --> 00:40:42,539
We were like animals.
We... We had to save her.
820
00:40:42,623 --> 00:40:45,915
We... It was like every instinct
inside of me
821
00:40:45,997 --> 00:40:47,581
told me that she was...
822
00:40:47,665 --> 00:40:50,997
He was gonna kill her
if we didn't help her.
823
00:40:51,081 --> 00:40:52,956
And, um...
824
00:40:53,039 --> 00:40:57,414
I thought he was gonna crush
her or kick her ribs in or...
825
00:40:57,498 --> 00:40:59,122
I didn't know
what he was gonna do.
826
00:40:59,206 --> 00:41:04,331
And then, he... Renata or... me,
we grabbed him, and then, um...
827
00:41:04,414 --> 00:41:06,331
then he grabbed Jane
by the neck.
828
00:41:08,289 --> 00:41:09,373
Yeah, um....
829
00:41:12,706 --> 00:41:14,289
(SNIFFS, SIGHS)
830
00:41:14,373 --> 00:41:15,539
I'm sorry.
831
00:41:17,539 --> 00:41:18,581
(SIGHS)
832
00:41:30,206 --> 00:41:31,331
In your own time...
833
00:41:33,247 --> 00:41:34,373
take a good look.
834
00:41:39,498 --> 00:41:41,373
♪ (SINISTER MUSIC PLAYS) ♪
835
00:41:45,081 --> 00:41:46,331
(YELLS) No!
836
00:41:46,414 --> 00:41:48,206
Fucking kill you!
837
00:41:48,748 --> 00:41:50,373
No!
838
00:41:50,456 --> 00:41:52,373
- (PANTING)
- MARY LOUISE: Are you all right?
839
00:41:52,456 --> 00:41:53,539
Celeste?
840
00:41:54,706 --> 00:41:55,748
You all right?
841
00:41:57,456 --> 00:41:58,581
You all right, dear?
842
00:42:00,039 --> 00:42:01,581
- Yeah.
- Another nightmare?
843
00:42:03,039 --> 00:42:04,081
Yes?
844
00:42:13,289 --> 00:42:14,956
- It's all right.
- (SIGHS)
845
00:42:15,039 --> 00:42:16,498
MARY LOUISE: It's all right.
846
00:42:16,581 --> 00:42:19,539
- CELESTE: I'm sorry.
- It's all right.
847
00:42:23,122 --> 00:42:24,247
So...
848
00:42:25,581 --> 00:42:27,539
who are we planning to kill?
849
00:42:27,623 --> 00:42:31,456
♪ ("THE FADE OUT LINE" BY PHOEBE
KILLDEER AND THE SHORT STRAWS PLAYS) ♪
850
00:42:37,790 --> 00:42:39,748
♪ It's everywhere I look ♪
851
00:42:39,831 --> 00:42:42,331
♪ From Las Vegas to right here
852
00:42:42,414 --> 00:42:46,748
♪ Under your dresser
Right by your ear ♪
853
00:42:46,831 --> 00:42:51,331
♪ It's creeping in sweetly
It's definitely here ♪
854
00:42:51,414 --> 00:42:56,081
♪ There's nothing more deadly
Than slow growing fear ♪
855
00:42:56,164 --> 00:43:00,623
♪ Life was full and fruitful an
You could a take a real bite ♪
856
00:43:00,706 --> 00:43:03,039
♪ The juice pouring
Well over you ♪
857
00:43:03,122 --> 00:43:05,206
♪ Skin's delight ♪
858
00:43:05,289 --> 00:43:09,665
♪ But the shadow it grows
And takes the depth away ♪
859
00:43:09,748 --> 00:43:14,247
♪ Leaving broken down pieces
To this priceless ballet ♪
860
00:43:14,331 --> 00:43:18,997
♪ The shallower it grows
The shallower it grows ♪
861
00:43:19,081 --> 00:43:23,414
♪ The fainter we go
Into the fade out line ♪
862
00:43:23,498 --> 00:43:28,122
♪ The shallower it grows
The shallower it grows ♪
863
00:43:28,206 --> 00:43:32,748
♪ The fainter we go
Into the fade out line ♪
864
00:43:32,831 --> 00:43:34,706
♪ Did we build
All those bridges ♪
865
00:43:34,790 --> 00:43:37,331
♪ To watch them thin down
To dust? ♪
866
00:43:37,414 --> 00:43:42,039
♪ Or blow them voluntarily
Out of constant trust ♪
867
00:43:42,122 --> 00:43:46,498
♪ The clock is ticking
Its last couple of tocks ♪
868
00:43:46,581 --> 00:43:51,081
♪ And there won't be a party
With weathering frocks ♪
869
00:43:51,164 --> 00:43:55,790
♪ The shallower it grows
The shallower it grows ♪
870
00:43:55,873 --> 00:44:00,289
♪ The fainter we go
Into the fade out line ♪
871
00:44:00,373 --> 00:44:04,956
♪ The shallower it grows
The shallower it grows ♪
872
00:44:05,039 --> 00:44:09,623
♪ The fainter we go
Into the fade out line ♪
873
00:44:09,706 --> 00:44:11,831
♪ Heading deep down ♪
874
00:44:11,915 --> 00:44:15,164
♪ We're sliding
Without noticing ♪
875
00:44:15,247 --> 00:44:16,873
♪ Our own decline ♪
876
00:44:19,373 --> 00:44:21,039
♪ Heading deep down ♪
877
00:44:21,122 --> 00:44:26,039
♪ We're hanging onto
Sweet nothings left behind ♪
878
00:44:30,915 --> 00:44:33,081
♪ Deeper down ♪
879
00:44:35,122 --> 00:44:37,456
♪ We're all going down ♪
880
00:44:39,456 --> 00:44:42,456
♪ Down, deeper down, yeah ♪
881
00:44:46,498 --> 00:44:50,373
♪ We are all plunging straight
Towards our own decline ♪
882
00:44:50,456 --> 00:44:54,997
♪ Without noticing we slide dow
Deeper down ♪
883
00:44:55,081 --> 00:44:59,456
♪ The shadow grows
Without ever slowing down ♪
884
00:44:59,539 --> 00:45:04,665
♪ We are heading straight
Into the fade out line ♪
885
00:45:04,748 --> 00:45:09,498
♪ The shallower it grows
The shallower it grows ♪
886
00:45:09,581 --> 00:45:13,956
♪ The fainter we go
Into the fade out line ♪
887
00:45:14,039 --> 00:45:18,539
♪ The shallower it grows
The shallower it grows ♪
888
00:45:18,623 --> 00:45:23,122
♪ The fainter we go
Into the fade out line ♪
889
00:45:23,206 --> 00:45:27,748
♪ The shallower it grows
The shallower it grows ♪
890
00:45:27,831 --> 00:45:32,373
♪ The fainter we go
Into the fade out line ♪
891
00:45:32,456 --> 00:45:37,039
♪ The shallower it grows
The shallower it grows ♪
892
00:45:37,122 --> 00:45:41,623
♪ The fainter we go
Into the fade out line ♪
893
00:45:41,706 --> 00:45:46,206
♪ The shallower it grows
The shallower it grows ♪
894
00:45:46,289 --> 00:45:50,414
♪ The fainter we go
Into the fade out line... ♪
67533
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