All language subtitles for S01E31 The Guitar Player Returns

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:23,826 --> 00:00:27,032 HEY, BARNEY, I GOT NEWS YOU WON'T BELIEVE. 2 00:00:27,065 --> 00:00:28,702 GUESS WHO'S COMING TO MAYBERRY. 3 00:00:28,735 --> 00:00:29,803 WHO? JIM LINDSEY. 4 00:00:29,838 --> 00:00:30,773 I DON'T BELIEVE IT. 5 00:00:30,805 --> 00:00:32,510 WELL, YOU BETTER. 6 00:00:32,544 --> 00:00:34,981 I GOT A CALL FROM HIM. HE'S A-DRIVING DOWN TOMORROW. 7 00:00:35,014 --> 00:00:37,118 WANTS ME TO RESERVE A ROOM FOR HIM AT THE HOTEL. 8 00:00:37,152 --> 00:00:38,522 AIN'T THAT GREAT? 9 00:00:38,556 --> 00:00:39,658 YEAH, BOY. 10 00:00:39,691 --> 00:00:40,725 WHO'S JIM LINDSEY? 11 00:00:40,760 --> 00:00:42,530 WHO'S J...? 12 00:00:42,564 --> 00:00:43,999 OH, NOW I'VE HEARD EVERYTHING. 13 00:00:44,032 --> 00:00:45,735 DON'T YOU LISTEN TO RECORDS? 14 00:00:45,770 --> 00:00:47,105 OF COURSE. 15 00:00:47,138 --> 00:00:48,941 MAYBE YOU'VE HEARD OF BOBBY FLEET 16 00:00:48,975 --> 00:00:50,680 AND HIS BAND WITH A BEAT? YEAH. 17 00:00:50,713 --> 00:00:51,914 JIM LINDSEY'S ONLY 18 00:00:51,947 --> 00:00:53,818 THE MAIN ATTRACTION WITH THE BAND. 19 00:00:53,851 --> 00:00:55,989 HE PLAYS GUITAR. GEE WHIZ, HE'S A STAR. 20 00:00:56,023 --> 00:00:58,227 AND BESIDES THAT, HE'S A FRIEND OF OURS. 21 00:00:58,259 --> 00:00:59,598 I USED TO HAVE TO ARREST HIM 22 00:00:59,631 --> 00:01:01,534 FOR PLAYING GUITAR ON THE STREET. 23 00:01:01,534 --> 00:01:03,237 REMEMBER, BARNEY? 24 00:01:03,270 --> 00:01:05,709 THEN WE'D GO INSIDE OF THE JAIL AND PICK AND SING TOGETHER. 25 00:01:05,743 --> 00:01:07,713 HE'S RICH AND FAMOUS NOW. 26 00:01:07,747 --> 00:01:08,882 YOU BETTER KNOW IT. 27 00:01:08,916 --> 00:01:10,284 LET'S GO TELL EVERYBODY THE GOOD NEWS. 28 00:01:10,317 --> 00:01:12,254 THEY'LL BE GLAD TO HEAR IT. COME ON. 29 00:01:12,288 --> 00:01:13,691 I JUST CAN'T BELIEVE 30 00:01:13,725 --> 00:01:15,630 YOU NEVER HEARD OF JIM LINDSEY. 31 00:01:15,662 --> 00:01:18,033 YOU'D THINK YOU'D HAVE HEARD HIS HIT RECORD 32 00:01:18,067 --> 00:01:20,037 "ROCK AND ROLL ROSIE FROM RALEIGH." 33 00:01:23,946 --> 00:01:25,616 THAT'S GREAT, THAT'S JUST GREAT. 34 00:01:25,650 --> 00:01:27,252 DON'T YOU THINK THAT'S GREAT, FLOYD? 35 00:01:27,284 --> 00:01:29,923 OUR JIM, COMING BACK TO MAYBERRY. 36 00:01:29,958 --> 00:01:31,359 OH, OH, GREAT. OH... 37 00:01:31,393 --> 00:01:32,929 BIG AS THAT BOY IS, 38 00:01:32,964 --> 00:01:34,833 HE IS NOT FORGETTING HIS HOME TOWN. 39 00:01:34,868 --> 00:01:36,370 HE'S A FINE BOY. 40 00:01:36,402 --> 00:01:38,039 I CAN'T WAIT TO SEE HIM AGAIN. 41 00:01:38,073 --> 00:01:39,910 ANDY, WHAT KIND OF A WELCOME DO YOU THINK 42 00:01:39,943 --> 00:01:40,945 WE OUGHT TO GIVE JIM? 43 00:01:40,979 --> 00:01:42,414 WE OUGHT TO MAKE IT A DOOZY. 44 00:01:42,447 --> 00:01:45,922 WE OUGHT TO GET SOMEBODY TO MAKE A "WELCOME HOME" BANNER 45 00:01:45,955 --> 00:01:47,760 AND PUT IT ON THE STREET. 46 00:01:47,794 --> 00:01:49,361 AND ALSO, I THINK WE OUGHT TO HAVE 47 00:01:49,396 --> 00:01:51,166 THE MAYBERRY DRUM AND BUGLE CORPS 48 00:01:51,200 --> 00:01:53,304 MEET HIM AS HE COMES TO THE HOTEL. 49 00:01:53,337 --> 00:01:55,007 THAT'S A GREAT IDEA. 50 00:01:55,040 --> 00:01:57,680 MAYBE MY DAUGHTER COULD SING A SONG. 51 00:01:57,714 --> 00:02:00,184 HOW ABOUT "FLOW GENTLY, SWEET AFTON"? 52 00:02:00,218 --> 00:02:02,824 LET'S GIVE JIM A POLICE ESCORT INTO TOWN. 53 00:02:02,856 --> 00:02:04,392 THAT'S AN OUTSTANDING IDEA. 54 00:02:04,425 --> 00:02:06,430 YOU MEET HIM DOWN AT THE JUNCTION. 55 00:02:06,462 --> 00:02:09,236 BRING HIM IN WITH SIRENS A-BLASTING, HORNS A-TOOTING. 56 00:02:09,268 --> 00:02:10,805 I'M TAKING CARE OF... 57 00:02:12,843 --> 00:02:14,211 WHERE YOU BEEN, BARN? 58 00:02:14,246 --> 00:02:16,752 WHERE DO YOU THINK? WASHING THE PATROL CAR. 59 00:02:16,784 --> 00:02:18,821 WHEN YOU'RE AN OFFICIAL POLICE ESCORT 60 00:02:18,856 --> 00:02:20,224 YOU GOT TO LOOK SMART. 61 00:02:20,258 --> 00:02:22,864 EVERYTHING'S SET. I'LL CALL THE HOTEL. 62 00:02:22,896 --> 00:02:24,398 OH, SARAH? 63 00:02:24,432 --> 00:02:26,938 GET ME JASON OVER AT THE HOTEL. 64 00:02:26,971 --> 00:02:28,406 BARNEY, YOU BETTER SIMMER DOWN. 65 00:02:28,440 --> 00:02:30,378 YOU'RE GONNA BUST YOUR LITTLE CORPUSCLES. 66 00:02:30,410 --> 00:02:32,347 WELL, IF I DIDN'T WORRY ABOUT THESE THINGS, 67 00:02:32,382 --> 00:02:33,752 I DON'T JUST WONDER WHO -- 68 00:02:33,786 --> 00:02:34,754 HELLO, JASE? BARN. 69 00:02:34,788 --> 00:02:36,957 IS EVERYBODY AT THE HOTEL? 70 00:02:36,992 --> 00:02:38,159 UH-HUH. 71 00:02:38,193 --> 00:02:41,065 WHO YOU GOT HOLDING THE BANNER? 72 00:02:41,099 --> 00:02:43,004 WHO? 73 00:02:43,036 --> 00:02:45,008 OH, GEE, I DON'T KNOW. 74 00:02:45,040 --> 00:02:46,475 WELL, RALPH'S ALL RIGHT, 75 00:02:46,510 --> 00:02:49,983 BUT THAT CHARLIE, HE ALWAYS LETS HIS END DROOP. 76 00:02:50,018 --> 00:02:51,320 YEAH. 77 00:02:51,353 --> 00:02:54,225 WELL, WHAT ABOUT THE DRUM AND BUGLE CORPS? 78 00:02:54,259 --> 00:02:56,062 ARE THEY THERE? 79 00:02:56,095 --> 00:02:58,066 WHAT?! 80 00:02:58,099 --> 00:03:00,003 ONLY TWO BUGLES? 81 00:03:00,038 --> 00:03:03,945 WELL, JUST HAVE TO TRY AND MAKE OUT. 82 00:03:03,979 --> 00:03:06,382 YEAH, WELL, I'M LEAVING FOR THE JUNCTION RIGHT AWAY, 83 00:03:06,416 --> 00:03:08,822 SO IT WON'T BE LONG. YEAH. 84 00:03:08,856 --> 00:03:10,591 WHAT'S THE MATTER WITH THE DRUM AND BUGLE CORPS? 85 00:03:10,625 --> 00:03:12,227 OH, KESTER GOT MAD AND QUIT. 86 00:03:12,262 --> 00:03:13,364 WHY? 87 00:03:13,396 --> 00:03:15,467 THEY WOULDN'T PRACTICE AT HIS HOUSE. 88 00:03:15,500 --> 00:03:16,536 OH. 89 00:03:28,593 --> 00:03:30,564 WHAT ARE YOU LOOKING FOR NOW? 90 00:03:30,597 --> 00:03:31,566 MY WHISTLE. 91 00:03:31,599 --> 00:03:33,036 YOUR WHISTLE? 92 00:03:33,070 --> 00:03:34,639 WHAT DO YOU NEED A WHISTLE FOR? 93 00:03:34,672 --> 00:03:37,012 YOU CAN'T BE AN OFFICIAL POLICE ESCORT 94 00:03:37,045 --> 00:03:38,949 WITHOUT A WHISTLE, FOR HEAVEN'S SAKES. 95 00:03:38,982 --> 00:03:41,620 LOOK IN THE BACK ROOM. MAYBE IT'S BACK THERE, 96 00:03:41,653 --> 00:03:43,124 AND IF IT'S NOT 97 00:03:43,156 --> 00:03:45,593 YOU MAY HAVE TO PUCKER AND MAKE IT ON YOUR OWN. 98 00:03:45,628 --> 00:03:46,965 HA-HA-HA. 99 00:04:06,335 --> 00:04:08,339 I TELL YOU WHAT ELSE YOU MIGHT DO, BARNEY, 100 00:04:08,373 --> 00:04:10,043 IF YOU DON'T FIND THAT WHISTLE. 101 00:04:10,077 --> 00:04:12,282 YOU MIGHT TRY BLOWING ACROSS AN EMPTY POP BOTTLE. 102 00:04:12,315 --> 00:04:14,185 SOUND LIKE A BOAT COMING IN. 103 00:04:16,992 --> 00:04:19,029 [ GUITAR CHORDS PLAYING ] 104 00:04:19,061 --> 00:04:22,035 JIM LINDSEY! 105 00:04:22,067 --> 00:04:23,237 HEY, BARNEY, IT'S JIM. 106 00:04:23,269 --> 00:04:24,338 JIM LINDSEY. 107 00:04:24,371 --> 00:04:27,344 [ GUITAR PLAYS MELODY ] 108 00:05:08,594 --> 00:05:10,563 LET ME HAVE THAT HAND THERE, JIM. 109 00:05:10,598 --> 00:05:13,669 OH, YOU'RE LOOKING GOOD, PLAYING BETTER THAN EVER. 110 00:05:13,703 --> 00:05:16,410 DON'T HE SOUND GOOD, BARNEY? 111 00:05:16,443 --> 00:05:17,745 YES, GOOD FOR YOU. 112 00:05:17,779 --> 00:05:19,416 DON'T HE LOOK GOOD? 113 00:05:19,448 --> 00:05:21,286 I JUST DROVE UP -- 114 00:05:21,319 --> 00:05:22,321 OH, NO. 115 00:05:22,355 --> 00:05:23,323 OH, NO! 116 00:05:23,357 --> 00:05:24,793 NO! 117 00:05:24,826 --> 00:05:26,430 WHAT'S THE MATTER, BARNEY? 118 00:05:26,462 --> 00:05:28,434 WELL, YOU MESSED UP THE PLANS, JIM. 119 00:05:28,466 --> 00:05:29,769 PLANS? WHAT PLANS? 120 00:05:29,803 --> 00:05:32,442 BARNEY WAS SUPPOSED TO MEET YOU AT THE JUNCTION 121 00:05:32,474 --> 00:05:35,114 AND GIVE YOU A BIG POLICE ESCORT INTO TOWN. 122 00:05:35,148 --> 00:05:36,283 I FOUND MY WHISTLE. 123 00:05:36,315 --> 00:05:37,718 WELL, I'M SORRY, BARNEY. 124 00:05:37,753 --> 00:05:39,256 OH, THAT'S OKAY. 125 00:05:39,289 --> 00:05:41,593 YOU PLAN AND YOU PLAN, AND WHAT HAPPENS? 126 00:05:41,626 --> 00:05:43,329 WELL, COME ON, LET'S GET STARTED. 127 00:05:43,364 --> 00:05:44,465 ESCORT PARADE. 128 00:05:44,498 --> 00:05:45,601 ESCORT PARADE? 129 00:05:45,634 --> 00:05:47,471 IT'S JUST TO THE HOTEL. 130 00:05:47,504 --> 00:05:49,810 I KNOW, BUT WE AGREED TO AN ESCORT PARADE 131 00:05:49,842 --> 00:05:52,148 AND THAT'S WHAT WE'RE GOING TO HAVE. 132 00:05:52,182 --> 00:05:54,252 WELL, BARNEY... OH, WELL, UH... 133 00:05:54,286 --> 00:05:55,789 LEAD THE WAY, GRAND MARSHAL. 134 00:05:55,822 --> 00:05:57,625 OKAY. COME ON, JIM, LET'S GO. 135 00:05:57,658 --> 00:05:58,860 BOY, WAIT TILL YOU SEE 136 00:05:58,895 --> 00:06:00,731 WHAT WE GOT LINED UP FOR YOU. 137 00:06:00,764 --> 00:06:02,134 YEAH, IT REALLY IS GOOD... 138 00:06:02,134 --> 00:06:07,278 OOH-WEE, WOULD YOU LOOK AT THAT CAR! 139 00:06:07,311 --> 00:06:09,349 BARNEY, DID YOU EVER SEE ANYTHING LIKE THAT? 140 00:06:09,381 --> 00:06:10,451 THAT'S CRAZY, AIN'T IT? 141 00:06:10,484 --> 00:06:11,453 YOU BETTER KNOW IT. 142 00:06:11,486 --> 00:06:12,622 RED... AND LOOK -- 143 00:06:12,655 --> 00:06:14,758 LOOK AT ALL THE KNOBS AND THINGS 144 00:06:14,792 --> 00:06:16,362 AND LEATHER UPHOLSTERY. 145 00:06:16,396 --> 00:06:18,835 THIS MUST HAVE SET YOU BACK A PRETTY PENNY, JIM. 146 00:06:18,867 --> 00:06:20,538 WELL, YOU MAKE IT, YOU SPEND IT. 147 00:06:20,570 --> 00:06:21,873 WE AIN'T GOT TIME TO TALK NOW. 148 00:06:21,907 --> 00:06:23,810 JIM, YOU FOLLOW US. WE'RE THE LEAD CAR. 149 00:06:29,020 --> 00:06:30,457 ALL RIGHT. 150 00:06:33,028 --> 00:06:34,732 ALL SET, JIM? 151 00:06:37,839 --> 00:06:38,908 [ WHISTLE BLOWS ] 152 00:06:38,940 --> 00:06:40,778 GET THAT VEHICLE OFF THE STREET. 153 00:06:40,811 --> 00:06:42,647 THERE'S A PARADE STARTING HERE. 154 00:06:42,681 --> 00:06:43,750 GO ON! 155 00:06:48,693 --> 00:06:51,433 [ ENGINE TURNS OVER, REVS ] 156 00:06:51,465 --> 00:06:54,806 [ SIREN WAILING ] 157 00:07:06,796 --> 00:07:09,469 [ WAILING CONTINUES ] 158 00:07:09,501 --> 00:07:13,443 [ BAND PLAYING ] 159 00:07:36,823 --> 00:07:38,093 ALL RIGHT, QUIET! 160 00:07:38,125 --> 00:07:39,829 QUIET, FOLKS, QUIET! 161 00:07:39,862 --> 00:07:44,406 MY BOY, THIS IS A PROUD DAY FOR MAYBERRY 162 00:07:44,439 --> 00:07:48,046 AND ALTHOUGH YOU'VE BEEN GONE OH... THESE MANY MONTHS 163 00:07:48,078 --> 00:07:50,952 YOU'VE REMAINED STEADFAST IN OUR HEARTS 164 00:07:50,985 --> 00:07:54,559 AND WE'RE MIGHTY PROUD TO SEE YOU BACK HERE AGAIN 165 00:07:54,591 --> 00:07:56,129 PROSPEROUS AND FAMOUS. 166 00:07:56,161 --> 00:07:59,601 [ CHEERS AND APPLAUSE ] 167 00:07:59,636 --> 00:08:00,871 WELL, THANK YOU. 168 00:08:00,905 --> 00:08:04,144 THANK YOU, MAYOR AND FOLKS OF MAYBERRY. 169 00:08:04,178 --> 00:08:05,714 I JUST WANT TO THANK YOU 170 00:08:05,748 --> 00:08:08,686 FOR THIS WONDERFUL WELCOME YOU'VE SHOWN ME, AND... 171 00:08:08,720 --> 00:08:11,626 WELL, I DON'T HAVE MUCH TO SAY EXCEPT THAT, UH... 172 00:08:11,659 --> 00:08:15,099 WELL, YOU WERE AWFUL KIND TO ME WHEN I WASN'T DOING TOO WELL 173 00:08:15,133 --> 00:08:17,905 AND NOW THAT I'M A BIT PROSPEROUS AND FAMOUS 174 00:08:17,938 --> 00:08:19,841 LIKE THE MAYOR SAID... 175 00:08:19,875 --> 00:08:21,612 I WANT YOU TO KNOW 176 00:08:21,646 --> 00:08:23,216 WE'RE GOING TO GO ON BEING FRIENDS 177 00:08:23,248 --> 00:08:24,551 THE SAME AS USUAL. 178 00:08:24,586 --> 00:08:25,654 All: ALL RIGHT! 179 00:08:25,687 --> 00:08:27,658 THANKS VERY MUCH, MAYOR. 180 00:08:27,691 --> 00:08:29,628 THERE YOU ARE. 181 00:08:29,662 --> 00:08:31,800 WE'RE LOOKING FOR YOU FOR SUPPER TONIGHT, JIM. 182 00:08:31,832 --> 00:08:34,671 WE'RE HAVING YOUR FAVORITE -- FRIED CHICKEN AND CORNBREAD. 183 00:08:34,706 --> 00:08:36,675 OH, I'M GONNA BE THERE, AUNT BEE. 184 00:08:36,710 --> 00:08:38,113 WE'LL SEE YA. 185 00:08:38,146 --> 00:08:41,152 SUCCESS DOESN'T SEEM TO HAVE GONE TO HIS HEAD. 186 00:08:41,184 --> 00:08:43,123 NO, BOY. JIM'S A GOOD BOY. 187 00:08:43,156 --> 00:08:45,995 PA, WHAT AM I GONNA DO WITH ALL THIS CONFETTI? 188 00:08:46,029 --> 00:08:48,500 YOU WERE SUPPOSED TO THROW IT AT JIM. 189 00:08:48,534 --> 00:08:50,170 I KNOW, BUT I FORGOT. 190 00:08:50,202 --> 00:08:53,978 WELL, I RECKON YOU CAN THROW IT AT ME IF YOU WANT TO. 191 00:08:54,011 --> 00:08:55,047 OKAY. 192 00:08:55,080 --> 00:08:56,683 WELCOME HOME! 193 00:08:56,715 --> 00:08:59,821 [ LAUGHS ] HOW'D THAT DO FOR YOU? 194 00:08:59,855 --> 00:09:02,494 IT AIN'T THE SAME, PA. 195 00:09:02,494 --> 00:09:04,065 YOU AIN'T BEEN ANYPLACE. 196 00:09:04,098 --> 00:09:06,002 ALL RIGHT. 197 00:09:06,034 --> 00:09:07,604 ELLIE AIN'T, EITHER. 198 00:09:09,174 --> 00:09:11,312 * ...MIDNIGHT SPECIAL 199 00:09:11,345 --> 00:09:13,716 * SHINE YOUR EVER-LOVIN' LIGHT ON ME * 200 00:09:13,750 --> 00:09:16,255 * YONDER COME MISS ROSIE 201 00:09:16,288 --> 00:09:18,926 * HOW IN THE WORLD DO I KNOW? * 202 00:09:18,959 --> 00:09:21,833 * WELL, I KNOW HER BY HER APRON * 203 00:09:21,865 --> 00:09:23,336 * AND THE DRESS SHE WORE 204 00:09:23,368 --> 00:09:25,641 * UMBRELLA ON HER SHOULDER 205 00:09:25,673 --> 00:09:28,146 * A PIECE OF PAPER IN HER HAND * 206 00:09:28,178 --> 00:09:31,285 * WELL, SHE GONNA SEE THE GOVERNOR * 207 00:09:31,318 --> 00:09:33,223 * JUST RELEASE HER MAN 208 00:09:33,255 --> 00:09:35,860 * LET THE MIDNIGHT SPECIAL 209 00:09:35,893 --> 00:09:38,365 * SHINE YOUR LIGHT ON ME 210 00:09:38,398 --> 00:09:40,771 * WELL, LET THE MIDNIGHT SPECIAL * 211 00:09:40,803 --> 00:09:43,610 * SHINE YOUR EVER-LOVIN' LIGHT ON ME * 212 00:09:43,644 --> 00:09:45,848 * WELL, IF YOU EVER COME TO MAYBERRY * 213 00:09:45,880 --> 00:09:48,286 * YOU BETTER WALK RIGHT 214 00:09:48,318 --> 00:09:51,693 * WELL, YOU BETTER NOT SQUABBLE * 215 00:09:51,726 --> 00:09:53,229 * AND YOU BETTER NOT FIGHT 216 00:09:53,263 --> 00:09:56,068 * DEPUTY FIFE WILL ARREST YOU 217 00:09:56,102 --> 00:09:57,904 * AND HE'S SURE TO TAKE YOU DOWN * 218 00:09:57,937 --> 00:10:01,179 * WELL, YOU CAN BET YOUR BOTTOM DOLLAR * 219 00:10:01,212 --> 00:10:02,614 * THAT YOU'RE JAILHOUSE BOUND 220 00:10:02,614 --> 00:10:04,986 * LET THE MIDNIGHT SPECIAL 221 00:10:05,019 --> 00:10:08,660 * SHINE YOUR LIGHT ON ME 222 00:10:08,694 --> 00:10:11,032 * LET THE MIDNIGHT SPECIAL 223 00:10:11,064 --> 00:10:12,968 * SHINE YOUR EVER-LOVIN' LIGHT ON * 224 00:10:13,002 --> 00:10:14,371 * EVER-LOVIN' LIGHT ON 225 00:10:14,404 --> 00:10:16,742 * EVER-LOVIN' LIGHT ON ME 226 00:10:19,315 --> 00:10:21,185 YOU'RE PLAYIN' BETTER THAN EVER. 227 00:10:21,219 --> 00:10:22,755 ELLIE, HE'S PLAYIN' BETTER 228 00:10:22,787 --> 00:10:24,458 THAN HE DID 'FORE HE LEFT HERE. 229 00:10:24,490 --> 00:10:26,696 LET ME SEE THAT GOOD-LOOKIN' GUITAR 230 00:10:26,730 --> 00:10:27,797 ONE MORE TIME. 231 00:10:27,832 --> 00:10:28,900 MM-MMM! 232 00:10:28,933 --> 00:10:30,803 HOW MANY OF THESE THINGS YOU GOT? 233 00:10:30,838 --> 00:10:32,207 OH, I GOT THREE. 234 00:10:32,241 --> 00:10:35,313 OH, YOU ARE DOIN' WELL. 235 00:10:35,347 --> 00:10:37,952 THEM'S SLICK-LOOKIN' DUDS YOU GOT ON THERE, TOO, JIM. 236 00:10:37,984 --> 00:10:38,986 AIN'T THEY? 237 00:10:39,019 --> 00:10:40,357 THESE ARE CUSTOM-MADE. 238 00:10:40,390 --> 00:10:41,359 NO. 239 00:10:41,392 --> 00:10:43,095 OH, YEAH. EVERY BIT OF 'EM. 240 00:10:43,128 --> 00:10:45,868 YOU KNOW WHAT THE GUYS IN THE BAND CALL THIS? 241 00:10:45,901 --> 00:10:47,805 A SET OF THREADS. 242 00:10:47,838 --> 00:10:50,277 [ LAUGHING ] DID YOU HEAR THAT? 243 00:10:50,310 --> 00:10:53,949 FELLAS IN THE BAND CALL THAT A SET OF THREADS. 244 00:10:53,984 --> 00:10:55,287 IT'S A SUIT. 245 00:10:55,320 --> 00:10:57,156 JIMMY, YOU NEVER DID TELL US 246 00:10:57,190 --> 00:10:58,959 WHAT BROUGHT YOU BACK HERE. 247 00:10:58,994 --> 00:11:01,399 OH, UH... TO RELAX. 248 00:11:01,432 --> 00:11:02,501 REST, HUH? 249 00:11:02,533 --> 00:11:05,072 YOU KNOW, UH, BEING A BIG STAR 250 00:11:05,107 --> 00:11:07,311 ISN'T ALL SUNGLASSES AND AUTOGRAPHS. 251 00:11:07,343 --> 00:11:08,780 THAT'S RIGHT. 252 00:11:08,814 --> 00:11:11,252 WHEN YOU GOT TO REPORT BACK TO THE BAND, JIM? 253 00:11:11,284 --> 00:11:13,256 UH, YOU MEAN TO BOBBY FLEET? YEAH. 254 00:11:13,288 --> 00:11:14,524 I'M NOT WITH HIM ANYMORE. 255 00:11:14,558 --> 00:11:15,927 YOU AIN'T? 256 00:11:15,960 --> 00:11:17,998 HOW COME? DON'T GET THE WRONG IDEA. 257 00:11:18,031 --> 00:11:21,004 IT'S JUST THAT I'M MOVING UP. 258 00:11:21,037 --> 00:11:22,473 I WAS THE MAIN ATTRACTION. 259 00:11:22,507 --> 00:11:25,147 I WAS THE ONE THAT BROUGHT IN ALL THE CROWDS, 260 00:11:25,179 --> 00:11:29,020 SO I THOUGHT, "WHY SHOULD I MAKE ALL THAT MONEY FOR BOBBY FLEET? 261 00:11:29,053 --> 00:11:31,224 "I SHOULD BE MAKING IT FOR JIM LINDSEY!" 262 00:11:31,258 --> 00:11:33,562 SO, I JUST TOOK OUT ON MY OWN. 263 00:11:33,596 --> 00:11:35,834 A-A-AND YOU'RE DOING GOOD, HUH? 264 00:11:35,868 --> 00:11:39,039 OH, I'D HAVE TO BE FOUR FELLAS TO TAKE ALL THOSE OFFERS. 265 00:11:39,074 --> 00:11:40,276 OH, NAW! 266 00:11:40,310 --> 00:11:41,880 [ KNOCK ON DOOR ] 267 00:11:41,913 --> 00:11:44,585 Andy: WELL, JIM, YOU SURE HAVE COME A LONG WAY 268 00:11:44,617 --> 00:11:47,190 FROM JUST PLAYIN' GUITAR IN THE STREET. 269 00:11:47,223 --> 00:11:49,627 HE USED TO PLAY ON THE STREET ALL THE TIME. 270 00:11:49,660 --> 00:11:51,098 HOW DO YOU DO? 271 00:11:51,131 --> 00:11:52,902 IS THERE A JIM LINDSEY HERE? 272 00:11:52,935 --> 00:11:54,237 YES. JIMMY? 273 00:11:54,270 --> 00:11:56,008 SOMEONE FOR YOU. 274 00:11:56,041 --> 00:11:57,243 FOR ME? 275 00:11:57,276 --> 00:11:59,014 IT'S ANOTHER OFFER. LOOK OUT, NOW. 276 00:11:59,047 --> 00:12:00,383 EXCUSE ME. 277 00:12:00,417 --> 00:12:01,552 [ CHUCKLES ] 278 00:12:02,854 --> 00:12:04,458 MR. LINDSEY? 279 00:12:04,491 --> 00:12:06,061 YES? 280 00:12:06,094 --> 00:12:08,132 THEY TOLD ME AT THE HOTEL I'D FIND YOU HERE. 281 00:12:08,165 --> 00:12:09,401 WELL, YES? 282 00:12:09,435 --> 00:12:12,241 I'M FROM THE MID-MOUNTAIN FINANCE COMPANY. 283 00:12:14,510 --> 00:12:16,382 COULD WE SPEAK OUT HERE? 284 00:12:20,656 --> 00:12:23,328 MR. LINDSEY, I'M SURE YOU KNOW WHY I'M HERE. 285 00:12:23,362 --> 00:12:25,633 YES, SIR, BUT IF YOU COULD JUST GIVE ME 286 00:12:25,666 --> 00:12:27,102 A LITTLE MORE TIME... 287 00:12:27,136 --> 00:12:29,607 I'M SORRY, BUT YOU'RE BEHIND THREE PAYMENTS. 288 00:12:29,641 --> 00:12:31,946 UNLESS YOU'RE PREPARED TO MAKE THEM, 289 00:12:31,980 --> 00:12:33,583 THE COMPANY WANTS THAT CAR. 290 00:12:33,615 --> 00:12:35,420 BUT I DON'T HAVE ANY MONEY RIGHT NOW. 291 00:12:35,453 --> 00:12:37,223 I'M TAPPED OUT. I DON'T HAVE A DIME. 292 00:12:37,256 --> 00:12:39,660 BUT IF YOU'D JUST GIVE ME A LITTLE BREAK... 293 00:12:39,695 --> 00:12:43,235 I'M SORRY. CAN I HAVE THE KEYS, PLEASE? 294 00:12:43,268 --> 00:12:46,041 IF YOU COULD JUST GIVE ME A LITTLE MORE TIME. 295 00:12:46,074 --> 00:12:47,644 SORRY, LINDSEY. 296 00:12:58,765 --> 00:13:00,470 Andy: ...CUSTOM-MADE CLOTHES. 297 00:13:00,503 --> 00:13:02,974 Aunt Bee: WHAT WAS IT HE CALLED IT AGAIN? 298 00:13:02,974 --> 00:13:07,317 HE'S SUCH A GOOD BOY. 299 00:13:07,351 --> 00:13:08,686 HE DOE LOOK GOOD. 300 00:13:08,718 --> 00:13:11,424 HEY, WHAT WAS IT HE CALLED THAT SUIT? 301 00:13:11,459 --> 00:13:12,660 A SET OF THREADS. 302 00:13:12,693 --> 00:13:15,066 SET OF THREADS. WHO WAS THAT, JIM? 303 00:13:15,098 --> 00:13:16,469 I BET IT WAS ANOTHER OFFER. 304 00:13:16,502 --> 00:13:18,072 TURNED HIM DOWN, TOO, HUH? 305 00:13:18,104 --> 00:13:20,342 [ VEHICLE DEPARTS ] 306 00:13:20,377 --> 00:13:23,583 YEAH. YEAH, I TURNED HIM DOWN. 307 00:13:23,616 --> 00:13:25,687 WELL, WE'D BETTER HEAR 308 00:13:25,719 --> 00:13:27,757 ONE MORE GUITAR PIECE, HADN'T WE? 309 00:13:27,790 --> 00:13:29,528 COME ON, JIM, PLAY US ONE MORE PIECE. 310 00:13:29,561 --> 00:13:31,163 YOU'RE LIABLE TO LEAVE ANY TIME. 311 00:13:31,198 --> 00:13:33,403 WE WON'T SEE YOU FOR AIN'T NO TELLIN' HOW LONG. 312 00:13:36,542 --> 00:13:40,182 [ BLUES MUSIC PLAYS ] 313 00:14:06,501 --> 00:14:08,905 THAT'S $4.60. 314 00:14:08,939 --> 00:14:10,810 OH, DANG. 315 00:14:10,842 --> 00:14:13,483 I'VE GONE AND LEFT MY WALLET UP AT THE HOTEL. 316 00:14:13,516 --> 00:14:15,719 PUT THAT ON MY TAB, WILL YA, ELLIE? 317 00:14:15,752 --> 00:14:17,155 OH, JIM. 318 00:14:17,190 --> 00:14:18,257 THAT'S SWEET OF YA. 319 00:14:18,292 --> 00:14:19,259 HOWDY, JIM. 320 00:14:19,295 --> 00:14:20,663 OH, HELLO, ANDY. 321 00:14:20,697 --> 00:14:22,801 DOING A LITTLE SHOPPING, I SEE. 322 00:14:22,833 --> 00:14:25,239 HEY, WHERE'S YOUR CAR? I AIN'T SEEN IT AROUND. 323 00:14:25,271 --> 00:14:27,910 UH... WELL, UH... 324 00:14:27,944 --> 00:14:29,715 THEY PICKED IT UP FOR SERVICING. 325 00:14:29,748 --> 00:14:31,652 YOU SEE, THAT'S A FOREIGN JOB 326 00:14:31,685 --> 00:14:34,557 AND THEY CAN'T GET THOSE PARTS HERE IN MAYBERRY. 327 00:14:34,590 --> 00:14:36,228 YEAH, I GUESS THAT'S RIGHT. 328 00:14:36,261 --> 00:14:37,896 YOU BETTER TELL THEM TO GET IT FIXED IN A HURRY. 329 00:14:37,931 --> 00:14:39,701 ONE OF THEM OFFERS COMES THROUGH SO GOOD 330 00:14:39,735 --> 00:14:41,872 YOU HAVE TO TAKE IT, YOU'LL HAVE TO LIGHT OUT OF HERE IN A HURRY. 331 00:14:41,904 --> 00:14:44,510 OH, WELL, I DON'T HAVE TO WORRY ABOUT THAT. 332 00:14:44,544 --> 00:14:46,449 THOSE OFFERS JUST KEEP POURING IN. 333 00:14:46,481 --> 00:14:48,218 I'M JUST WAITING FOR THE BEST ONE. 334 00:14:48,252 --> 00:14:49,321 THAT'S THE TYPE. 335 00:14:49,355 --> 00:14:50,922 I'D BETTER GET OVER TO THE HOTEL. 336 00:14:50,957 --> 00:14:51,924 CHECK MY MAIL. 337 00:14:51,959 --> 00:14:52,926 I'LL SEE YOU. 338 00:14:52,961 --> 00:14:54,798 BYE. BYE. 339 00:14:54,831 --> 00:14:57,636 BOY, IT SURE IS GOOD HAVIN' OLD JIM BACK IN TOWN. 340 00:14:57,670 --> 00:14:58,906 ANDY, THERE'S SOMETHING 341 00:14:58,938 --> 00:15:00,676 I'D LIKE TO ASK YOU ABOUT JIM. 342 00:15:00,710 --> 00:15:02,546 HE'S BEEN BUYING A LOT OF THINGS 343 00:15:02,580 --> 00:15:03,214 AND JUST CHARGING THEM. 344 00:15:03,214 --> 00:15:06,288 WELL, THERE AIN'T NOTHIN' WRONG WITH THAT. 345 00:15:06,322 --> 00:15:08,023 NO, I GUESS NOT, BUT THE POINT IS, 346 00:15:08,057 --> 00:15:10,296 IF HE'S AS PROSPEROUS AS HE SAYS HE IS 347 00:15:10,329 --> 00:15:12,433 WHY DOESN'T HE PAY FOR ANYTHING HE BUYS? 348 00:15:12,467 --> 00:15:14,805 DIDN'T HE PAY YOU FOR ANYTHING? 349 00:15:14,837 --> 00:15:16,006 NOT A PENNY. 350 00:15:16,040 --> 00:15:18,412 NOW, I KNOW HE'S A GOOD FRIEND OF YOURS, 351 00:15:18,445 --> 00:15:20,817 BUT, WELL, AFTER ALL, I DID JUST MEET HIM 352 00:15:20,850 --> 00:15:23,054 AND, YOU KNOW, I HAVE A RESPONSIBILITY. 353 00:15:23,086 --> 00:15:26,328 YEAH, WELL... THAT IS A LITTLE STRANGE. 354 00:15:26,362 --> 00:15:28,398 OH, I-I SUPPOSE I SHOULDN'T WORRY, 355 00:15:28,433 --> 00:15:30,536 BUT IT'S RUNNING INTO QUITE A BILL. 356 00:15:30,570 --> 00:15:31,872 WELL, I WOULDN'T WORRY. 357 00:15:31,904 --> 00:15:33,509 JIM'LL TAKE CARE OF IT. 358 00:15:33,542 --> 00:15:36,012 WELL, I'D BETTER GET BACK OVER TO THE COURTHOUSE. 359 00:15:36,047 --> 00:15:38,853 I JUST THOUGHT I'D STOP BY AND SAY GOOD MORNING. 360 00:15:38,886 --> 00:15:39,855 BYE. 361 00:15:39,888 --> 00:15:40,890 BYE-BYE. 362 00:16:18,699 --> 00:16:20,502 HOWDY, BOYS. 363 00:16:20,537 --> 00:16:21,872 OH, HOWDY, ANDY. 364 00:16:21,905 --> 00:16:24,043 I JUST RUN INTO JIM LINDSEY AT THE DRUG STORE. 365 00:16:24,075 --> 00:16:27,049 SURE IS GOOD HAVING HIM BACK IN TOWN AGAIN, AIN'T IT? 366 00:16:27,081 --> 00:16:28,051 YEAH. 367 00:16:28,083 --> 00:16:29,888 YEAH, GOOD TO SEE OLD JIM. 368 00:16:29,921 --> 00:16:31,089 YEAH. 369 00:16:31,123 --> 00:16:32,761 AS A MATTER OF FACT, ANDY, UH... 370 00:16:32,793 --> 00:16:34,965 JASE AND I WERE JUST TALKING ABOUT JIM. 371 00:16:34,998 --> 00:16:36,669 AND, UH, YOU KNOW SOMETHIN'? 372 00:16:36,701 --> 00:16:37,770 WHAT? 373 00:16:37,803 --> 00:16:40,108 WELL, JIM HAS, UH... 374 00:16:40,140 --> 00:16:42,846 WELL, HE'S... HE'S KIND OF CHANGED. 375 00:16:42,880 --> 00:16:44,918 YEAH? HOW? 376 00:16:44,951 --> 00:16:47,457 WELL, HE COMES IN QUITE OFTEN, YES, 377 00:16:47,491 --> 00:16:50,563 AND HE HAS NEVER ONCE PAID FOR A HAIRCUT OR A SHAVE. 378 00:16:50,597 --> 00:16:52,666 HE JUST SAYS, UH, "PUT IT ON MY TAB." 379 00:16:52,701 --> 00:16:54,837 HE DOES, HUH? 380 00:16:54,870 --> 00:16:56,575 HI. 381 00:16:56,609 --> 00:16:58,778 OH, HI, BARN. 382 00:16:58,812 --> 00:17:00,583 AS LONG AS WE'RE ON THE SUBJECT 383 00:17:00,617 --> 00:17:01,985 I MIGHT AS WELL TELL YOU-- 384 00:17:02,019 --> 00:17:03,455 HE HASN'T PAID HIS HOTEL BILL YET. 385 00:17:03,455 --> 00:17:05,224 REALLY? 386 00:17:05,258 --> 00:17:07,864 I LEAVE HIS HOTEL BILL IN HIS BOX EVERY DAY. 387 00:17:07,896 --> 00:17:09,033 HE JUST IGNORES IT. 388 00:17:09,065 --> 00:17:10,168 I'LL BE DOGGED. 389 00:17:10,200 --> 00:17:12,205 YOU FELLAS TALKIN' ABOUT JIM LINDSEY? 390 00:17:12,238 --> 00:17:14,142 I DON'T MIND HIS CHARGIN' THINGS. 391 00:17:14,175 --> 00:17:16,280 IT'S JUST... IT'S JUST HIS ATTITUDE. 392 00:17:16,313 --> 00:17:17,984 AW, WAIT A MINUTE, FELLAS. 393 00:17:18,016 --> 00:17:20,622 I THINK YOU'RE ALL JUMPIN' TO CONCLUSIONS. 394 00:17:20,657 --> 00:17:23,027 YOU KNOW SOMETHING, DO YOU, BARN? 395 00:17:23,061 --> 00:17:26,300 WELL, ONE THING I DO KNOW IS JIM LINDSEY'S OKAY. 396 00:17:26,332 --> 00:17:28,539 IF YOU'RE WORRIED ABOUT YOUR MONEY, 397 00:17:28,573 --> 00:17:29,541 JUST FORGET IT. 398 00:17:29,575 --> 00:17:31,077 WHAT MAKES YOU SO CERTAIN? 399 00:17:31,110 --> 00:17:32,614 BECAUSE ANY DAY NOW 400 00:17:32,646 --> 00:17:35,185 JIM'S GONNA GET A NICE, GREAT BIG ROYALTY CHECK. 401 00:17:35,217 --> 00:17:37,557 WHEN HE DOES, HE'LL HAVE MONEY TO BURN. 402 00:17:37,591 --> 00:17:39,760 WHO TOLD YOU THAT? 403 00:17:39,795 --> 00:17:40,762 JIM. 404 00:17:40,797 --> 00:17:42,065 WHEN? 405 00:17:42,099 --> 00:17:43,935 WHEN I LOANED HIM THE MONEY. 406 00:17:43,968 --> 00:17:46,073 YOU LOANED JIM SOME MONEY, DID YOU? 407 00:17:46,107 --> 00:17:48,845 WELL, YEAH. 408 00:17:48,878 --> 00:17:54,089 HE SAID HE NEEDED $10... AND ALL HE HAD WAS BIG BILLS. 409 00:17:54,123 --> 00:17:56,695 YOU SEE? HIM, TOO. 410 00:17:56,729 --> 00:18:00,837 UH, JASE, HOW MUCH MAIL DOES JIM GET? 411 00:18:00,869 --> 00:18:02,105 MAIL? 412 00:18:02,139 --> 00:18:03,575 YOU GET THE MAIL IN EVERY MORNING. 413 00:18:03,575 --> 00:18:06,815 HOW MANY LETTERS HAS JIM GOT SINCE HE'S BEEN HERE? 414 00:18:06,848 --> 00:18:08,050 NARY A ONE. 415 00:18:10,155 --> 00:18:12,392 LET'S SEE IF WE CAN GET AHOLD OF BOBBY FLEET. 416 00:18:12,425 --> 00:18:13,829 WHO? WHO? 417 00:18:13,862 --> 00:18:16,400 DON'T ASK SO MANY STUPID QUESTIONS, BOYS. 418 00:18:16,433 --> 00:18:18,270 THIS IS LAWMAN'S WORK. 419 00:18:20,742 --> 00:18:22,981 Andy: APPRECIATE YOUR COMIN' HERE, MR. FLEET. 420 00:18:23,013 --> 00:18:24,216 IT'S A LONG WAYS. 421 00:18:24,248 --> 00:18:26,153 NOT IF YOU GET A GOOD GUITARIST OUT OF IT. 422 00:18:26,187 --> 00:18:28,892 WHAT MAKES YOU THINK LINDSEY WANTS BACK WITH MY BAND? 423 00:18:28,926 --> 00:18:32,801 JUST A NOTION. WHAT HAPPENED BETWEEN YOU-ALL? 424 00:18:32,833 --> 00:18:34,871 WE HEARD HE WAS DOING FINE WITH YOU. 425 00:18:34,904 --> 00:18:36,742 HE WAS. HE WAS DOING JUST GREAT 426 00:18:36,775 --> 00:18:37,943 TILL HIS HEAD BLEW UP. 427 00:18:37,976 --> 00:18:39,445 YOU WANT TO HEAR THE PAYOFF? 428 00:18:39,478 --> 00:18:41,785 HE WANTED ME TO TAKE HIM IN AS A PARTNER, 429 00:18:41,819 --> 00:18:44,223 CHANGE THE NAME OF THE BAND TO FLEET AND LINDSEY. 430 00:18:44,256 --> 00:18:45,291 WHAT'D YOU DO? 431 00:18:45,325 --> 00:18:46,795 WHAT COULD I DO? 432 00:18:46,829 --> 00:18:49,032 GOT OURSELVES INTO A SLIGHT LITTLE HASSLE 433 00:18:49,065 --> 00:18:50,969 AND I CALLED HIM A NO-TALENT BUM. 434 00:18:51,002 --> 00:18:53,174 MM. 435 00:18:53,207 --> 00:18:55,044 I KNOW I SHOULDN'T HAVE SAID THAT, 436 00:18:55,077 --> 00:18:56,849 BUT HONESTLY, HE JUST KEPT BUGGING ME. 437 00:18:56,882 --> 00:18:58,985 AND THAT'S WHY HE WENT OUT ON HIS OWN? 438 00:18:59,018 --> 00:19:01,323 YOU KNOW WHAT KIND OF A COCKY KID HE IS. 439 00:19:01,357 --> 00:19:03,695 HE SAID HE WAS GOING TO GO OUT AND MAKE IT AS A SINGLE. 440 00:19:03,695 --> 00:19:05,966 NATURALLY, HE BOMBED OUT. 441 00:19:05,999 --> 00:19:07,837 ALONE, HE'S FROM NOWHERESVILLE. 442 00:19:07,870 --> 00:19:09,339 THAT'S PROBABLY WHY HE CAME BACK HERE-- 443 00:19:09,372 --> 00:19:11,744 THIS IS THE ONLY TOWN LEFT THAT'D GIVE HIM A FREE MEAL. 444 00:19:11,779 --> 00:19:13,748 HE DON'T HAVE TO STAY BROKE. 445 00:19:13,783 --> 00:19:15,484 HE COULD START MAKING IT AGAIN. 446 00:19:15,518 --> 00:19:18,124 YOU'D TAKE HIM BACK? 447 00:19:18,156 --> 00:19:20,763 SURE, I'D TAKE HIM BACK IF THE CRAZY CHARACTER 448 00:19:20,797 --> 00:19:23,166 WOULD FORGET HIS PRIDE LONG ENOUGH TO SAY YES 449 00:19:23,200 --> 00:19:24,805 AND STOP TRYIN' TO CROWD ME. 450 00:19:24,838 --> 00:19:26,206 YOU JUST STAY RIGHT HERE 451 00:19:26,240 --> 00:19:29,313 AND I'LL SEE IF I CAN'T FETCH YOU ONE GUITAR PLAYER. 452 00:19:33,054 --> 00:19:34,991 [ KNOCK ON DOOR ] COME IN. 453 00:19:35,024 --> 00:19:37,061 HOWDY, JIM. 454 00:19:37,094 --> 00:19:38,998 OH, HELLO, ANDY. 455 00:19:39,033 --> 00:19:40,268 LEAVIN' US? 456 00:19:40,301 --> 00:19:41,569 WELL, UH... 457 00:19:41,603 --> 00:19:44,476 I'M USED TO THOSE ONE-NIGHT STANDS, YOU KNOW. 458 00:19:44,508 --> 00:19:47,482 I STAY IN ONE PLACE TOO LONG, I GET ITCHY FEET. 459 00:19:47,514 --> 00:19:50,055 WELL, WHERE YOU HEADED? 460 00:19:50,087 --> 00:19:52,359 WELL, I GOT OFFERS FROM ALL OVER-- 461 00:19:52,392 --> 00:19:55,431 CHICAGO, NEW ORLEANS... COULD BE ANYPLACE. 462 00:19:57,534 --> 00:19:59,538 JIM, I JUST SAW BOBBY FLEET. 463 00:20:01,879 --> 00:20:03,514 YOU SAW BOBBY? 464 00:20:03,546 --> 00:20:06,053 HERE IN MAYBERRY? 465 00:20:08,157 --> 00:20:11,030 WONDER WHAT HE'S DOING HERE? 466 00:20:11,062 --> 00:20:13,033 OH, I KNOW. HE... 467 00:20:13,067 --> 00:20:15,872 HE KNOWS I'M ON MY OWN NOW AND DOIN' GREAT. 468 00:20:15,907 --> 00:20:18,945 HE... PROBABLY WANTS ME TO COME BACK WITH HIS BAND. 469 00:20:18,978 --> 00:20:22,019 THAT'LL BE THE DAY WHEN I JOIN THAT TWO-BIT OUTFIT. 470 00:20:22,051 --> 00:20:25,025 JIM, I NOT ONLY SAW BOBBY FLEET. 471 00:20:25,057 --> 00:20:27,494 I HAD A TALK WITH HIM. 472 00:20:27,529 --> 00:20:29,166 YOU TALKED WITH HIM? 473 00:20:29,198 --> 00:20:31,037 YEAH. 474 00:20:44,195 --> 00:20:46,600 THEN YOU KNOW THE TRUTH, THEN, DON'T YOU? 475 00:20:48,636 --> 00:20:50,008 WELL, WHAT'D YOU... 476 00:20:50,041 --> 00:20:53,581 WHAT'D YOU PUT ON SUCH A BIG ACT FOR? 477 00:20:53,614 --> 00:20:56,120 WHAT'D YOU EXPECT ME TO DO? 478 00:20:56,152 --> 00:20:59,093 COME BACK TO MY OWN HOMETOWN AND SAY 479 00:20:59,126 --> 00:21:00,227 "COME ON, FOLKS. 480 00:21:00,260 --> 00:21:02,700 COME LOOK AT YOUR HOMETOWN FAILURE." 481 00:21:02,732 --> 00:21:03,935 I THINK YOU'RE 482 00:21:03,935 --> 00:21:06,640 KIND OF UNDERESTIMATING YOUR FRIENDS A LITTLE. 483 00:21:06,673 --> 00:21:09,513 WHAT DO YOU MEAN? 484 00:21:09,545 --> 00:21:12,319 WASN'T YOU TREATED PRETTY GOOD BEFORE YOU LEFT? 485 00:21:12,352 --> 00:21:14,456 AND YOU WASN'T A BIG STAR OR NOTHIN'. 486 00:21:14,488 --> 00:21:17,996 WHY SHOULD FOLKS THINK ANY LESS OF YOU NOW? 487 00:21:21,771 --> 00:21:24,009 WHAT'S IT MATTER WHAT THEY THINK? 488 00:21:27,716 --> 00:21:30,588 I'M LEAVIN' ANYWAY. 489 00:21:30,620 --> 00:21:34,529 JIM, BOBBY FLEET WANTS YOU BACK WITH THE BAND. 490 00:21:37,702 --> 00:21:41,110 YOU MEAN HE WANTS ME TO COME BACK AND EAT CROW, DON'T YA? 491 00:21:41,143 --> 00:21:43,714 WELL, NOT ME, NOT JIM LINDSEY. NO, SIR. 492 00:21:43,747 --> 00:21:45,384 WON'T YOU EVEN TALK TO HIM? 493 00:21:45,417 --> 00:21:48,725 NO. IN FACT, I'M CUTTIN' OUT OF HERE RIGHT NOW. 494 00:21:48,757 --> 00:21:50,695 YOU SURE ARE BULLHEADED, AIN'T YA? 495 00:21:50,729 --> 00:21:53,601 WELL, I'LL HAVE TO TAKE MATTERS INTO MY OWN HANDS. 496 00:21:53,634 --> 00:21:55,205 JIM, YOU'RE UNDER ARREST. 497 00:21:55,238 --> 00:21:56,673 ARREST? FOR WHAT? 498 00:21:56,707 --> 00:21:59,278 LEAVIN' TOWN WITHOUT PAYIN' YOUR BILLS. 499 00:21:59,313 --> 00:22:01,183 WELL... I LEFT THIS WATCH, ANDY. 500 00:22:01,217 --> 00:22:04,055 IT'LL... IT'LL COVER ALL MY BILLS, MORE THAN COVER THEM. 501 00:22:04,055 --> 00:22:06,127 WELL, THEN YOU'RE UNDER ARREST 502 00:22:06,160 --> 00:22:07,796 FOR NOT LEAVIN' TOWN FAST ENOUGH. 503 00:22:07,829 --> 00:22:08,797 LET'S GO. 504 00:22:08,832 --> 00:22:09,866 NOW, WAIT A MINUTE. 505 00:22:09,900 --> 00:22:11,270 I-I WOULD'VE BEEN GONE 506 00:22:11,302 --> 00:22:13,240 IF YOU HADN'T KEPT ME HERE YAPPIN'. 507 00:22:13,273 --> 00:22:14,643 NO FLIMSY EXCUSES. LET'S GO. 508 00:22:14,675 --> 00:22:16,313 ANDY, THIS IS RIDICULOUS. 509 00:22:17,816 --> 00:22:20,388 YEAH, THESE BABIES COME IN MIGHTY HANDY. 510 00:22:20,420 --> 00:22:22,291 [ DOOR OPENS ] 511 00:22:26,800 --> 00:22:28,471 ANDY, WHAT ARE YOU DOIN'? 512 00:22:28,503 --> 00:22:29,738 WHAT'S IT LOOK LIKE? 513 00:22:29,774 --> 00:22:31,844 HE'S A VAGRANT, GOT A LOT OF UNPAID BILLS-- 514 00:22:31,877 --> 00:22:33,481 I'M LOCKIN' HIM UP. 515 00:22:33,513 --> 00:22:35,418 I'LL SQUARE IT. HOW MUCH DOES HE OWE? 516 00:22:35,450 --> 00:22:36,586 DON'T BOTHER. 517 00:22:36,620 --> 00:22:38,657 I'M NOT TAKIN' ANY HANDOUTS FROM YOU. 518 00:22:38,691 --> 00:22:40,161 WHO SAYS THIS IS A HANDOUT? 519 00:22:40,195 --> 00:22:42,165 IT'S COMIN' OUT OF YOUR FIRST WEEK'S CHECK. 520 00:22:42,199 --> 00:22:43,667 WHO SAYS I'M WORKIN' FOR YOU? 521 00:22:43,701 --> 00:22:46,273 AW, COME ON. HOW MUCH DOES HE OWE YOU? 522 00:22:46,307 --> 00:22:48,177 YOU CALLED ME A NO-TALENT BUM. 523 00:22:48,211 --> 00:22:49,914 I APOLOGIZE, OKAY? 524 00:22:49,946 --> 00:22:51,717 NOW, HOW MUCH DOES HE OWE YOU? 525 00:22:51,750 --> 00:22:56,260 WELL, I'D SAY $75 WOULD COVER IT NICE. 526 00:22:56,293 --> 00:22:58,431 OKAY. THERE YOU ARE. 527 00:22:58,463 --> 00:23:00,869 NOW, YOU SEE? YOU GOTTA WORK FOR ME. 528 00:23:00,901 --> 00:23:02,705 YOU'RE INTO ME FOR TOO MUCH LOOT. 529 00:23:02,739 --> 00:23:03,875 IN FACT, I FIGURE 530 00:23:03,907 --> 00:23:05,979 YOU MISSED ABOUT 30 HOURS OF REHEARSAL 531 00:23:06,012 --> 00:23:08,551 SO I MAY HAVE TO FINE YOU ANOTHER 50 BUCKS. 532 00:23:08,584 --> 00:23:10,688 50 BUCKS?! 533 00:23:10,721 --> 00:23:12,458 BUT I MAY HAVE TO GIVE YOU A RAISE 534 00:23:12,492 --> 00:23:14,863 SO YOU CAN AFFORD TO PAY ME BACK ALL THE LOOT YOU OWE ME. 535 00:23:14,896 --> 00:23:17,368 A RAISE? 536 00:23:18,771 --> 00:23:20,407 ARE YOU KIDDIN', BOBBY? 537 00:23:25,851 --> 00:23:28,291 WELL, DON'T JUST STAND THERE LIKE A NINNY. 538 00:23:28,324 --> 00:23:32,498 COME ON OUT AND SHAKE ON IT BEFORE HE CHANGES HIS MIND. 539 00:23:32,532 --> 00:23:33,934 THANK YOU. 540 00:23:33,968 --> 00:23:35,839 A-ANDY, I'VE BEEN A REAL... 541 00:23:35,871 --> 00:23:37,674 JIM, YOU BETTER GET TO WORK. 542 00:23:37,708 --> 00:23:40,315 YOU GOT A SET OF THREADS, AND A LITTLE RED CAR 543 00:23:40,348 --> 00:23:41,884 AND THREE GUITARS TO FEED. 544 00:23:41,918 --> 00:23:44,423 YEAH. 545 00:23:44,456 --> 00:23:47,561 ACT LIKE YOU GOT SOME SMART, NOW. 546 00:23:56,746 --> 00:23:58,918 [ UP-TEMPO MUSIC PLAYS ] 547 00:24:04,295 --> 00:24:07,535 OH, THAT WAS SOME KIND OF EXTRA GOOD. 548 00:24:07,568 --> 00:24:09,072 HOW ABOUT IT? 549 00:24:09,104 --> 00:24:11,108 AIN'T IT GOOD TO SEE BOBBY AND JIMMY TOGETHER AGAIN? 550 00:24:11,142 --> 00:24:12,679 IT SURE IS. 551 00:24:12,712 --> 00:24:15,385 SAY, WHY DON'T I JOIN YOU IN THE NEXT NUMBER, HUH? 552 00:24:15,417 --> 00:24:17,354 WHAT'LL IT BE, "I'M JUST A VAGABOND LOVER"? 553 00:24:17,389 --> 00:24:19,393 "ROLL OUT THE BARREL"? "MAIRZY DOATS"? 554 00:24:19,425 --> 00:24:20,727 "TIPTOE THROUGH THE TULIPS"? 555 00:24:20,760 --> 00:24:22,097 [ NOTES PLAY ] 556 00:24:33,654 --> 00:24:35,790 NOW LET'S PLAY ONE MORE FAST ONE. 557 00:24:35,824 --> 00:24:37,395 ONE MORE! 558 00:24:39,967 --> 00:24:42,539 [ UP-TEMPO MUSIC PLAYS ] 559 00:25:03,846 --> 00:25:07,688 [ WHISTLING SPRIGHTLY TUNE ] 38803

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