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1
00:00:29,904 --> 00:00:30,905
WELL,
THERE IT IS
2
00:00:30,938 --> 00:00:32,106
MR. MAYOR,
GENTLEMEN.
3
00:00:32,139 --> 00:00:33,641
I CERTAINLY
APPRECIATE YOU
4
00:00:33,674 --> 00:00:34,809
GIVING ME
THIS CHANCE
5
00:00:34,842 --> 00:00:36,711
TO SPEAK BEFORE
THE TOWN COUNCIL.
6
00:00:36,744 --> 00:00:38,979
I HOPE YOU DECIDE
TO GIVE ME YOUR PERMISSION
7
00:00:39,013 --> 00:00:40,881
TO MAKE MY PICTURE
HERE IN MAYBERRY.
8
00:00:40,915 --> 00:00:42,750
I'D LIKE TO START
FILMING NEXT WEEK.
9
00:00:42,783 --> 00:00:45,486
HOW LONG YOU FIGURE
ON BEING HERE, MR. HARMON?
10
00:00:45,520 --> 00:00:47,655
A WEEK, MAYBE TEN DAYS.
11
00:00:47,688 --> 00:00:49,123
SOUNDS PRETTY GOOD.
12
00:00:49,156 --> 00:00:50,625
MAYOR?
13
00:00:50,658 --> 00:00:53,761
UH... WELL, UH... FLOYD?
14
00:00:53,794 --> 00:00:55,663
WELL...
15
00:00:55,696 --> 00:00:56,831
ORVILLE?
16
00:00:56,864 --> 00:00:59,667
MMM... MAYOR?
17
00:00:59,700 --> 00:01:01,936
WHY DON'T YOU
STEP OUTSIDE FOR A SPELL?
18
00:01:01,969 --> 00:01:04,605
WE'LL HAVE US
A QUICK MEETING, MR. HARMON.
19
00:01:04,639 --> 00:01:05,773
BE GLAD TO.
20
00:01:05,806 --> 00:01:07,007
THANK YOU,
GENTLEMEN.
21
00:01:07,041 --> 00:01:09,744
WON'T BE LONG--
JUST A MINUTE OR TWO.
22
00:01:09,777 --> 00:01:11,479
[ DOOR CLOSES ]
23
00:01:11,512 --> 00:01:13,481
I DON'T LIKE
THIS NARY A BIT!
24
00:01:13,514 --> 00:01:15,750
ME, NEITHER.
25
00:01:15,783 --> 00:01:17,184
HOW DO WE KNOW
WE CAN TRUST HIM?
26
00:01:17,217 --> 00:01:18,686
HOW DO WE KNOW
27
00:01:18,719 --> 00:01:20,187
THEY AIN'T COMING
HERE TO LAUGH AT US?
28
00:01:20,220 --> 00:01:22,189
NO, I'M AGAINST THIS.
ME, TOO.
29
00:01:22,222 --> 00:01:23,458
I'M WITH YOU BOYS.
30
00:01:23,491 --> 00:01:24,792
ALL THOSE OPPOSED...
31
00:01:24,825 --> 00:01:25,993
WAIT A MINUTE, MAYOR.
32
00:01:26,026 --> 00:01:28,463
WE AIN'T GIVING THIS THING
A FAIR CHANCE.
33
00:01:28,496 --> 00:01:31,432
HOW DO WE KNOW THEY'RE
COMING HERE TO LAUGH AT US?
34
00:01:31,466 --> 00:01:33,934
A MOTION PICTURE
BEING MADE RIGHT
HERE IN MAYBERRY
35
00:01:33,968 --> 00:01:35,870
MIGHT BE A GOOD
THING FOR THE TOWN.
36
00:01:35,903 --> 00:01:37,872
THAT'S JUST WHAT
I'VE BEEN THINKING.
37
00:01:37,905 --> 00:01:39,840
MIGHT BE A GOOD THING
FOR THE TOWN.
38
00:01:39,874 --> 00:01:41,108
ALL THOSE IN FAVOR...
39
00:01:41,141 --> 00:01:42,777
HOLD ON, THERE.
I STILL SAY
40
00:01:42,810 --> 00:01:45,012
WHAT ARE THEY MAKING
THIS MOVIE FOR?
41
00:01:45,045 --> 00:01:46,947
HOW DO WE KNOW
THEY AIN'T MAKING IT
42
00:01:46,981 --> 00:01:48,649
SO'S THEY CAN
LAUGH AT US?
43
00:01:48,683 --> 00:01:50,818
WELL, WHAT WOULD THEY
LAUGH AT, FLOYD?
44
00:01:50,851 --> 00:01:53,120
AT THE WAY
WE TALK OR LOOK
45
00:01:53,153 --> 00:01:55,189
OR OUR LITTLE
FAT MAYOR.
46
00:01:55,222 --> 00:01:56,824
ARE YOU GOING TO ALLOW THAT,
ANDY?
47
00:01:56,857 --> 00:01:58,793
ARE YOU GOING
TO LET THEM MAKE A PICTURE HERE
48
00:01:58,826 --> 00:02:00,495
AND LAUGH
AT YOUR LITTLE FAT MAYOR?
49
00:02:00,528 --> 00:02:01,962
WELL, I AIN'T.
ALL THOSE OPPOSED...
50
00:02:01,996 --> 00:02:03,698
WAIT A MINUTE, MAYOR.
51
00:02:03,731 --> 00:02:06,934
AIN'T WE A-PICKIN' OUR PEACHES
'FORE THEY'RE FUZZED UP GOOD?
52
00:02:06,967 --> 00:02:07,968
HUH?
53
00:02:08,002 --> 00:02:09,570
NOW, LET ME
DO THIS--
54
00:02:09,604 --> 00:02:11,472
LET ME TAKE
THIS MR. HARMON
55
00:02:11,506 --> 00:02:13,040
ON A TOUR
OF THE TOWN.
56
00:02:13,073 --> 00:02:17,044
I CAN SHOW HIM THE WAY WE WORK
AND LIVE AND TALK AND LIKE THAT
57
00:02:17,077 --> 00:02:18,546
AND I CAN WATCH HIM.
58
00:02:18,579 --> 00:02:21,248
AND IF HE'S GOT A IDEE
TO POKE ANY FUN AT US,
59
00:02:21,281 --> 00:02:23,684
WELL, I CAN KNOW IT RIGHT QUICK.
60
00:02:23,718 --> 00:02:26,621
NO, SIR.
ONCE AND FOR ALL, NO. NO, SIR.
61
00:02:26,654 --> 00:02:28,088
NOW, ALL THOSE OPPOSED...
62
00:02:28,122 --> 00:02:29,657
JUST A MINUTE,
MAYOR.
63
00:02:29,690 --> 00:02:31,492
ANDY'S GOT
AN IDEA HERE.
64
00:02:31,526 --> 00:02:32,860
YEAH.
65
00:02:32,893 --> 00:02:35,129
RECKON WE GOT
NOTHING TO LOSE.
66
00:02:35,162 --> 00:02:36,864
MIGHT BE
WORTH A TRY.
67
00:02:36,897 --> 00:02:38,198
WELL, THAT'S WHAT I SAY.
68
00:02:38,232 --> 00:02:39,600
MIGHT BE WORTH A TRY.
69
00:02:39,634 --> 00:02:41,736
I'M SO GLAD
YOU ALL SEE IT MY WAY.
70
00:02:41,769 --> 00:02:44,739
WELL, NOW, THAT'S WHAT MAKES YOU
SUCH A GOOD MAYOR--
71
00:02:44,772 --> 00:02:46,240
YOU THINK FOR YOURSELF.
72
00:02:49,777 --> 00:02:50,945
NO KIDDING, ANDY.
73
00:02:50,978 --> 00:02:52,246
THEY REALLY GONNA MAKE
A PICTURE
74
00:02:52,279 --> 00:02:53,581
RIGHT HERE IN MAYBERRY?
75
00:02:53,614 --> 00:02:54,949
THEY SURE ARE.
76
00:02:54,982 --> 00:02:56,717
I WANT TO GET THE PLACE
KIND OF PICKED UP A LITTLE
77
00:02:56,751 --> 00:02:58,185
'FORE MR. HARMON GETS HERE.
78
00:02:58,218 --> 00:03:00,120
MR. HARMON COME ALL THE WAY
FROM HOLLYWOOD, DID HE?
79
00:03:00,154 --> 00:03:01,689
HE DID.
80
00:03:01,722 --> 00:03:03,724
WELL, I'D SURE LIKE
TO GET OUT THERE SOMEDAY.
81
00:03:03,758 --> 00:03:04,925
ME TOO.
82
00:03:04,959 --> 00:03:06,093
HELP ME TIE THESE ON,
WILL YOU?
83
00:03:06,126 --> 00:03:07,562
OH, YEAH.
84
00:03:07,595 --> 00:03:09,063
YOU KNOW GORDON BELFIELD,
DON'T YOU?
85
00:03:09,096 --> 00:03:10,698
YEAH.
86
00:03:10,731 --> 00:03:13,000
HE WENT OUT THERE LAST SUMMER
ON HIS VACATION.
87
00:03:13,033 --> 00:03:14,101
DID HE?
YEAH.
88
00:03:14,134 --> 00:03:16,070
TOOK ONE OF THEM
GUIDED TOURS,
89
00:03:16,103 --> 00:03:18,606
YOU KNOW, THAT GOES RIGHT BY
THE MOVIE STARS' HOMES.
90
00:03:18,639 --> 00:03:19,674
HUH.
91
00:03:19,707 --> 00:03:20,841
ON A BUS.
92
00:03:20,875 --> 00:03:23,043
YEAH.
YOU KNOW WHAT HAPPENED?
93
00:03:23,077 --> 00:03:24,745
NO.
94
00:03:24,779 --> 00:03:27,648
THE BUS STOPPED RIGHT IN FRONT
OF GARY COOPER'S HOUSE.
95
00:03:27,682 --> 00:03:28,716
IT DID?
YEAH.
96
00:03:28,749 --> 00:03:30,117
SO THEY ALL GOT OUT
97
00:03:30,150 --> 00:03:32,853
AND WENT OVER TO THE FRONT YARD
AND LOOKED.
98
00:03:32,887 --> 00:03:34,021
AND YOU KNOW WHAT THEY SAW?
99
00:03:34,054 --> 00:03:35,255
NO.
100
00:03:35,289 --> 00:03:37,057
GARY COOPER'S NEWSPAPER.
101
00:03:37,091 --> 00:03:39,560
RIGHT THERE
IN THE FRONT YARD.
102
00:03:39,594 --> 00:03:40,861
THAT RIGHT?
103
00:03:40,895 --> 00:03:42,129
YEAH.
104
00:03:42,162 --> 00:03:44,131
SO THEY ALL LOOKED
AT IT FOR A WHILE,
105
00:03:44,164 --> 00:03:45,666
AND THEN THIS WOMAN
106
00:03:45,700 --> 00:03:47,067
THAT SAT RIGHT NEXT TO GORDON
ON THE BUS...
107
00:03:47,101 --> 00:03:48,202
YEAH?
108
00:03:48,235 --> 00:03:50,605
SHE WENT OVER
AND PICKED IT UP.
109
00:03:50,638 --> 00:03:51,939
SHE DID?
110
00:03:51,972 --> 00:03:53,574
YEAH.
111
00:03:53,608 --> 00:03:56,577
THEN GARY COOPER'S MAID COME OUT
OF THE FRONT DOOR
112
00:03:56,611 --> 00:03:59,614
AND WALKED OVER TO WHERE
THEY WAS STANDING.
113
00:03:59,647 --> 00:04:01,015
AND YOU KNOW
WHAT SHE SAID?
114
00:04:01,048 --> 00:04:02,282
WHAT?
115
00:04:02,316 --> 00:04:03,984
[ CLEARS THROAT ]
GET OFF THE GRASS.
116
00:04:04,018 --> 00:04:06,687
IS THAT RIGHT?
117
00:04:06,721 --> 00:04:08,288
YEAH.
GORDON HEARD HER.
118
00:04:08,322 --> 00:04:10,324
HE WAS STANDING
RIGHT THERE.
119
00:04:10,357 --> 00:04:14,061
SO THEY ALL STOPPED
AND LOOKED AT HER,
120
00:04:14,094 --> 00:04:18,032
AND SHE LOOKED BACK
AT THEM.
121
00:04:18,065 --> 00:04:20,300
WELL, THEN WHAT HAPPENED?
122
00:04:20,334 --> 00:04:22,770
OH, THEY ALL GOT BACK IN THE BUS
AND DROVE OFF,
123
00:04:22,803 --> 00:04:24,705
AND THE MAID WENT BACK
IN THE HOUSE.
124
00:04:28,008 --> 00:04:30,778
[ WHISTLING ]
125
00:04:30,811 --> 00:04:32,747
GARY COOPER'S MAID.
126
00:04:32,780 --> 00:04:34,048
HUH.
127
00:04:34,081 --> 00:04:36,851
TOUR SURE DO
SOUND FASCINATING.
128
00:04:36,884 --> 00:04:40,054
YEAH, I GOT TO GET
OUT THERE SOMEDAY.
129
00:04:40,087 --> 00:04:41,622
YEAH.
130
00:04:41,656 --> 00:04:42,857
MAYBE THEY'LL HAVE
131
00:04:42,890 --> 00:04:44,992
A SHERIFF'S
CONVENTION SOMETIME
132
00:04:45,025 --> 00:04:47,094
AND WE CAN GO.
YEAH.
133
00:04:47,127 --> 00:04:48,295
IT'D BE FUN,
WOULDN'T IT?
134
00:04:48,328 --> 00:04:49,630
YEAH.
135
00:04:50,831 --> 00:04:55,803
BARNEY, AGAIN?
136
00:04:55,836 --> 00:04:57,337
THEY SURE
DON'T MAKE 'EM
137
00:04:57,371 --> 00:04:59,807
LIKE THIS ANYMORE,
DO THEY?
138
00:04:59,840 --> 00:05:01,208
SORRY, ANDY.
139
00:05:01,241 --> 00:05:04,211
MIGHT KNOW THE KEY
WOULD BE ALL THE WAY
140
00:05:04,244 --> 00:05:05,813
IN THE OTHER DOOR.
141
00:05:10,017 --> 00:05:11,986
Barney:
IS THAT
GOING TO REACH?
142
00:05:12,019 --> 00:05:14,855
Andy:
IT'LL REACH
IF THE BROOM'S LONG ENOUGH
143
00:05:14,889 --> 00:05:16,991
AND MY ARM'S
LONG ENOUGH, YES.
144
00:05:17,024 --> 00:05:18,993
LET ME TURN IT OVER.
145
00:05:19,026 --> 00:05:20,394
LET'S SEE...
146
00:05:20,427 --> 00:05:22,396
NOW, LET ME
JUST LIFT IT.
147
00:05:22,429 --> 00:05:23,998
BE REAL CAREFUL.
148
00:05:24,031 --> 00:05:26,000
I'M BEING
AS CAREFUL AS I CAN.
149
00:05:26,033 --> 00:05:27,401
CAREFUL.
THAT'S IT.
150
00:05:27,434 --> 00:05:29,403
[ SNEEZES ]
151
00:05:29,436 --> 00:05:30,771
BARNEY!
152
00:05:30,805 --> 00:05:32,106
SORRY, ANDY.
153
00:05:32,139 --> 00:05:34,374
THE DUST GOT
RIGHT IN MY NOSE.
154
00:05:34,408 --> 00:05:36,343
I SEE IT DID.
155
00:05:36,376 --> 00:05:38,979
OH, UH...
HOWDY, MR. HARMON.
156
00:05:39,013 --> 00:05:40,715
OH, HELLO, SHERIFF.
157
00:05:40,748 --> 00:05:42,116
Barney:
HOWDY.
158
00:05:42,149 --> 00:05:43,718
THIS IS MARVELOUS.
159
00:05:43,751 --> 00:05:46,320
COURTHOUSE AND THE JAIL
ALL IN THE SAME ROOM.
160
00:05:46,353 --> 00:05:47,922
IT'S CONVENIENT.
161
00:05:47,955 --> 00:05:49,924
IT'S MARVELOUS.
162
00:05:49,957 --> 00:05:51,926
WELL, UH... ALL SET
163
00:05:51,959 --> 00:05:53,961
TO TAKE THAT
TOUR AROUND TOWN.
164
00:05:53,994 --> 00:05:57,331
IT'S A NICE DAY
FOR IT, I'LL SAY THAT.
165
00:05:57,364 --> 00:05:58,866
BEAUTIFUL DAY...
166
00:05:58,899 --> 00:06:00,267
JUST BEAUTIFUL.
167
00:06:02,502 --> 00:06:05,339
WELL, UH...
ARE WE ALL SET TO GO?
168
00:06:07,107 --> 00:06:09,076
UH...
169
00:06:09,109 --> 00:06:12,212
MR. HARMON, WOULD
YOU DO US A FAVOR?
170
00:06:12,246 --> 00:06:13,814
WHY, OF COURSE.
171
00:06:13,848 --> 00:06:15,482
UH, YOU, UH...
172
00:06:15,515 --> 00:06:17,985
YOU SEE THAT KEY
RIGHT DOWN THERE?
173
00:06:19,119 --> 00:06:20,287
UH-HUH.
174
00:06:20,320 --> 00:06:21,822
UH...
175
00:06:21,856 --> 00:06:23,357
OH, YOU MEAN
THAT YOU'RE...
176
00:06:23,390 --> 00:06:24,825
YEAH.
177
00:06:24,859 --> 00:06:26,226
OH, FOR PETE'S SAKE.
178
00:06:26,260 --> 00:06:28,395
WE HAD A LITTLE
LOCK TROUBLE.
179
00:06:29,529 --> 00:06:33,100
YEAH, IT'S A GOOD
THING YOU COME ALONG.
180
00:06:33,133 --> 00:06:36,370
I... I WONDER IF YOU
WOULDN'T MENTION THIS
181
00:06:36,403 --> 00:06:37,972
ANY MORE
THAN YOU HAVE TO.
182
00:06:38,005 --> 00:06:39,239
OH, OF COURSE NOT.
183
00:06:39,273 --> 00:06:40,507
APPRECIATE THAT.
184
00:06:40,540 --> 00:06:42,076
I'D LIKE
FOR YOU TO MEET
185
00:06:42,109 --> 00:06:43,844
MY ABLE DEPUTY,
BARNEY FIFE.
186
00:06:43,878 --> 00:06:45,079
HOW ARE YOU, BARNEY?
187
00:06:45,112 --> 00:06:46,881
THIS IS MR. HARMON,
THE MOVIE PRODUCER.
188
00:06:46,914 --> 00:06:47,982
I'M GONNA TAKE HIM
189
00:06:48,015 --> 00:06:49,750
A LITTLE TOUR
AROUND TOWN, BARNEY.
190
00:06:49,784 --> 00:06:51,819
SO YOU'RE A MOVIE PRODUCER
FROM HOLLYWOOD.
191
00:06:51,852 --> 00:06:52,953
YOU KNOW GABBY HAYES?
192
00:06:52,987 --> 00:06:54,088
SURE, I KNOW GABBY.
193
00:06:54,121 --> 00:06:55,189
I'LL BE DARNED.
194
00:06:55,222 --> 00:06:56,423
AS A MATTER OF FACT
195
00:06:56,456 --> 00:06:58,893
I SAW GABBY
JUST BEFORE I LEFT HOLLYWOOD.
196
00:06:58,926 --> 00:07:00,260
YOU DID?
WHAT DID HE SAY?
197
00:07:00,294 --> 00:07:02,329
WELL, UH...
I SAID, "HIYA, GABBY"
198
00:07:02,362 --> 00:07:05,332
AND HE SAID,
"HOW'S THE PICTURE BUSINESS?"
199
00:07:05,365 --> 00:07:06,466
IS THAT WHAT HE SAID?
200
00:07:06,500 --> 00:07:08,936
THAT GABBY'S
A FUNNY DUCK, AIN'T HE?
201
00:07:08,969 --> 00:07:10,137
[ LAUGHING ]
202
00:07:10,170 --> 00:07:11,405
WELL,
WE MIGHT AS WELL
203
00:07:11,438 --> 00:07:12,873
GET STARTED,
MR. HARMON.
204
00:07:12,907 --> 00:07:14,842
FINE. NICE TO HAVE
MET YOU, BARNEY.
205
00:07:14,875 --> 00:07:16,110
OH, PLEASURE'S ALL MINE.
206
00:07:16,143 --> 00:07:17,377
I'LL SEE YOU,
BARNEY.
207
00:07:17,411 --> 00:07:18,846
ALL RIGHT.
208
00:07:21,348 --> 00:07:24,852
"HOW'S THE PICTURE BUSINESS?"
209
00:07:54,114 --> 00:07:56,817
UH...
MR. HARMON, UH...
210
00:07:56,851 --> 00:07:58,352
EXCUSE ME
FOR BEING NOSY
211
00:07:58,385 --> 00:08:00,354
BUT HOW COME
YOU KEEP LOOKING
212
00:08:00,387 --> 00:08:02,089
THROUGH YOUR HANDS
LIKE THAT?
213
00:08:02,122 --> 00:08:04,324
IT GIVES ME AN IDEA
OF WHAT THE SCENE
214
00:08:04,358 --> 00:08:06,326
MIGHT LOOK LIKE
THROUGH THE CAMERA LENS.
215
00:08:06,360 --> 00:08:07,594
IN OTHER WORDS
216
00:08:07,627 --> 00:08:09,496
MY HANDS SERVE
AS A VIEWFINDER.
217
00:08:09,529 --> 00:08:11,331
OH. I'LL BE DOGGED.
218
00:08:11,365 --> 00:08:13,467
I'VE ALWAYS
HAD ONE, TOO
219
00:08:13,500 --> 00:08:15,535
AND NEVER
DID KNOW IT.
220
00:08:23,143 --> 00:08:25,245
WELL, I DECLARE,
I DO BELIEVE
221
00:08:25,279 --> 00:08:28,115
I SEE MY AUNT BEE
AND MY BOY OPIE COMING
222
00:08:28,148 --> 00:08:30,384
AND THEY LOOK
JUST AS CLEAR...
223
00:08:30,417 --> 00:08:31,952
HI, ANDY.
224
00:08:31,986 --> 00:08:33,487
HOWDY, AUNT BEE.
HOWDY, OPIE.
225
00:08:33,520 --> 00:08:34,922
HI, PA.
226
00:08:34,955 --> 00:08:37,224
I'D LIKE FOR YOU
TO MEET MR. HARMON, HERE.
227
00:08:37,257 --> 00:08:39,426
MR. HARMON'S
A HOLLYWOOD MOVIE PRODUCER.
228
00:08:39,459 --> 00:08:41,128
COMING RIGHT HERE
TO MAYBERRY
229
00:08:41,161 --> 00:08:42,496
TO MAKE A MOTION PICTURE.
230
00:08:42,529 --> 00:08:44,899
OH, HOW DO YOU DO?
REALLY?
231
00:08:44,932 --> 00:08:46,633
A MOVIE WITH COWBOYS
AND HORSES
232
00:08:46,666 --> 00:08:48,368
AND SHOOTIN'
AND KILLIN'?
233
00:08:48,402 --> 00:08:50,637
NO, SON, I'M AFRAID IT'S NOT
THAT KIND OF MOVIE.
234
00:08:50,670 --> 00:08:53,207
YOU MEAN
THERE'S ANOTHER KIND?
235
00:08:53,240 --> 00:08:55,442
OF COURSE THERE IS,
OPIE.
236
00:08:55,475 --> 00:08:56,576
THIS PICTURE...
237
00:08:56,610 --> 00:08:59,113
IS ROCK HUDSON GOING
TO BE IN IT?
238
00:08:59,146 --> 00:09:00,514
WELL, NO.
239
00:09:00,547 --> 00:09:02,482
HE'S YOUR FAVORITE,
AIN'T HE, AUNT BEE?
240
00:09:02,516 --> 00:09:03,884
TELL THE TRUTH
241
00:09:03,918 --> 00:09:05,953
OLD ROCK KINDA DOES IT
FOR YOU, DON'T HE?
242
00:09:05,986 --> 00:09:07,354
OH, HUSH, ANDY.
243
00:09:07,387 --> 00:09:08,555
HEY, WHAT WOULD YOU DO
244
00:09:08,588 --> 00:09:10,357
IF MR. HARMON
COULD WORK IT OUT
245
00:09:10,390 --> 00:09:12,960
TO WHERE YOU COULD
ACTUALLY MEET
ROCK HUDSON?
246
00:09:12,993 --> 00:09:14,962
OH, WHAT DO YOU
THINK I'D DO?
247
00:09:14,995 --> 00:09:16,330
I'D FAINT.
248
00:09:16,363 --> 00:09:17,932
[ LAUGHING ]
249
00:09:17,965 --> 00:09:19,934
IT'S A BEAUTIFUL
TOWN, AUNT BEE.
250
00:09:19,967 --> 00:09:21,936
WE LIKE IT.
251
00:09:21,969 --> 00:09:23,938
HEY, PA,
WHAT'S HE DOING?
252
00:09:23,971 --> 00:09:25,472
OH, HE'S TRYING TO SEE
253
00:09:25,505 --> 00:09:28,943
HOW MAYBERRY WILL LOOK
ON THE MOVIE SCREEN.
254
00:09:28,976 --> 00:09:30,877
SCAT! THAT
AIN'T FOR CHILDREN.
255
00:09:43,390 --> 00:09:45,525
MAYBE THERE'S
SOMETHING I MISSED.
256
00:09:49,997 --> 00:09:51,365
HUH?
257
00:09:51,398 --> 00:09:53,900
OH, YOU WANT TO
LOOK THROUGH MINE?
258
00:09:56,236 --> 00:09:58,438
YOU MET FLOYD
UP IN THE MAYOR'S OFFICE.
259
00:09:58,472 --> 00:09:59,706
OH, YEAH. HI, FLOYD.
260
00:09:59,739 --> 00:10:01,175
HOW ARE YOU, SIR?
261
00:10:01,208 --> 00:10:03,210
FLOYD'S BEEN BARBERING FOLKS
AROUND HERE
262
00:10:03,243 --> 00:10:05,145
SINCE MOST OF US
WAS JUST YOUNG 'UNS.
263
00:10:05,179 --> 00:10:06,981
YOU'RE THE ONLY BARBER
IN TOWN?
264
00:10:07,014 --> 00:10:08,415
OH, YES.
[ MUMBLES ]
265
00:10:08,448 --> 00:10:10,617
I ALWAYS DID WANT
TO BE A BARBER.
266
00:10:10,650 --> 00:10:13,253
EVEN WHEN I WAS
JUST A LITTLE TINY KID
267
00:10:13,287 --> 00:10:15,022
I USED TO PRACTICE ON CATS.
268
00:10:15,055 --> 00:10:16,456
CATS?
269
00:10:16,490 --> 00:10:18,558
YEAH, I'D CATCH 'EM IN THE ALLEY
270
00:10:18,592 --> 00:10:20,027
THEN I'D CLIP THEM.
271
00:10:20,060 --> 00:10:22,329
WE HAD THE BALDEST CATS
IN THE COUNTY.
272
00:10:22,362 --> 00:10:24,298
THAT'S A FACT.
273
00:10:24,331 --> 00:10:25,565
AND FOLKS STILL SAY
274
00:10:25,599 --> 00:10:27,601
THAT FLOYD AIN'T
MUCH WITH PEOPLE
275
00:10:27,634 --> 00:10:29,636
BUT HE'S
A GREAT CAT BARBER.
276
00:10:29,669 --> 00:10:32,239
OH, NOW, HOLD IT.
277
00:10:32,272 --> 00:10:34,241
TO THIS DAY,
HE'LL FORGET HISSELF
278
00:10:34,274 --> 00:10:35,709
AND STROKE YOU
A FEW TIMES
279
00:10:35,742 --> 00:10:37,411
'FORE HE
COMMENCES CUTTING.
280
00:10:37,444 --> 00:10:40,647
ARE YOU WANTING A HAIRCUT,
MR. HARMON?
281
00:10:40,680 --> 00:10:42,116
NOT TODAY, THANKS.
282
00:10:42,149 --> 00:10:43,750
YOU DON'T HAVE
TO TIP HIM.
283
00:10:43,783 --> 00:10:45,252
JUST ARCH YOUR BACK
284
00:10:45,285 --> 00:10:46,553
AND PURR AT HIM.
285
00:10:46,586 --> 00:10:48,022
WELL, MAYBE LATER.
286
00:10:48,055 --> 00:10:50,424
IT'S BEEN VERY GOOD
TALKING TO YOU.
287
00:10:50,457 --> 00:10:52,026
I'LL SEE YOU, FLOYD.
288
00:10:52,059 --> 00:10:53,560
ALL RIGHT, ANDY.
289
00:10:55,162 --> 00:10:58,565
AH! THIS IS
ORVILLE MONROE'S
PLACE OF BUSINESS.
290
00:10:58,598 --> 00:11:00,567
YOU MET ORVILLE
UPSTAIRS, TOO.
291
00:11:00,600 --> 00:11:03,303
ORVILLE'S ALSO
OUR TV REPAIRMAN.
292
00:11:03,337 --> 00:11:06,040
FOLKS CLAIM HE CHARGES
LESS TO BURY YOU
293
00:11:06,073 --> 00:11:08,042
THAN HE DOES
TO FIX YOUR SET.
294
00:11:08,075 --> 00:11:09,309
YES? OH.
295
00:11:09,343 --> 00:11:11,045
I'M SORRY TO
DISAPPOINT YOU, ORVILLE.
296
00:11:11,078 --> 00:11:12,579
WE DIDN'T BRING YOU
ANY BUSINESS.
297
00:11:12,612 --> 00:11:14,314
I HOPE WE'RE NOT
INTERRUPTING YOU.
298
00:11:14,348 --> 00:11:18,052
WELL, I DO HAVE A CUSTOMER
IN THE BACK ROOM--
299
00:11:18,085 --> 00:11:19,453
MRS. BARTLETT.
300
00:11:19,486 --> 00:11:21,288
ETHY BARTLETT?
301
00:11:21,321 --> 00:11:23,123
I DIDN'T KNOW.
302
00:11:23,157 --> 00:11:25,525
YEP. HER PICTURE TUBE
WENT ON THE BLINK.
303
00:11:25,559 --> 00:11:26,693
YOU KNOW HOW SHE IS
304
00:11:26,726 --> 00:11:29,163
WHEN SHE MISSES
HER WRESTLING MATCHES.
305
00:11:29,196 --> 00:11:32,099
UH, MR. MONROE...
306
00:11:32,132 --> 00:11:33,200
[ CAR APPROACHING ]
307
00:11:36,470 --> 00:11:38,072
OH, GOOD.
308
00:11:38,105 --> 00:11:41,075
THERE'S THEM NEW TV ANTENNAS
I ORDERED.
309
00:11:44,511 --> 00:11:46,080
WELL, HERE WE ARE
310
00:11:46,113 --> 00:11:47,614
RIGHT BACK
WHERE WE STARTED--
311
00:11:47,647 --> 00:11:49,216
THE OLD OAK TREE.
312
00:11:49,249 --> 00:11:50,750
YOU'VE SEEN
ABOUT ALL WE GOT
313
00:11:50,784 --> 00:11:52,219
TO OFFER IN MAYBERRY.
314
00:11:52,252 --> 00:11:53,487
WELL,
IT'S VERY INTERESTING.
315
00:11:53,520 --> 00:11:54,754
MANY'S THE TIME
316
00:11:54,788 --> 00:11:56,590
I'VE CLUMB UP
THIS OLD OAK TREE
317
00:11:56,623 --> 00:11:58,058
WHEN I WAS A YOUNG 'UN.
318
00:11:58,092 --> 00:12:00,194
YOU FIGURE ON USING IT
IN THE PICTURE?
319
00:12:00,227 --> 00:12:03,197
I SHOULD SAY SO...
THE TREE AND THE PEOPLE.
320
00:12:03,230 --> 00:12:05,199
YOU LIKE
THE PEOPLE, DO YOU?
321
00:12:05,232 --> 00:12:07,601
YOU WOULDN'T FIGURE
ON POKING FUN.
322
00:12:07,634 --> 00:12:09,203
POKING FUN?
323
00:12:09,236 --> 00:12:10,604
I SHOULD SAY NOT.
324
00:12:10,637 --> 00:12:14,074
WHY, THEY'RE
CHARMING, NATURAL.
325
00:12:14,108 --> 00:12:15,475
THEY'RE VERY NICE PEOPLE.
326
00:12:15,509 --> 00:12:17,744
I COULD NEVER
POKE FUN AT THEM.
327
00:12:17,777 --> 00:12:20,080
THAT'S GOOD,
THAT'S GOOD.
328
00:12:20,114 --> 00:12:22,082
'CAUSE IF YOU DID,
I DON'T IMAGINE
329
00:12:22,116 --> 00:12:24,351
AUNT BEE WOULD COME
TO SEE YOUR PICTURE
330
00:12:24,384 --> 00:12:27,087
EVEN IF YOU HAD
ROCK HUDSON IN IT.
331
00:12:27,121 --> 00:12:28,788
[ BOTH LAUGHING ]
332
00:14:12,292 --> 00:14:13,760
OH, HOWDY, ANDY.
333
00:14:13,793 --> 00:14:15,762
FLOYD, WHAT IN THE WORLD'S
GOING ON?
334
00:14:15,795 --> 00:14:18,965
EVERY DAY FOR THE PAST WEEK
ANOTHER STORE'S GONE BERSERK.
335
00:14:18,998 --> 00:14:21,368
EVERYBODY'S
GETTING GUSSIED UP
336
00:14:21,401 --> 00:14:22,502
FOR THE BIG MOVIE.
337
00:14:22,536 --> 00:14:23,903
OOH.
338
00:14:23,937 --> 00:14:26,273
I DON'T KNOW IF MY FINGERS
ARE GONNA HOLD OUT OR NOT
339
00:14:26,306 --> 00:14:27,741
AFTER ALL THESE HAIRCUTS.
340
00:14:27,774 --> 00:14:30,477
I'VE GIVEN MORE HAIRCUTS
IN THIS PAST WEEK
341
00:14:30,510 --> 00:14:32,612
THAN I DONE
SINCE I OPENED SHOP.
342
00:14:32,646 --> 00:14:34,748
YOU WANT A TRIM, ANDY?
343
00:14:34,781 --> 00:14:36,450
COME ON, FLOYD.
344
00:14:36,483 --> 00:14:38,752
FINISH MY CARY GRANT.
345
00:14:47,727 --> 00:14:51,465
* CUSTER AND HIS MEN
WERE SURROUNDED *
346
00:14:51,498 --> 00:14:54,768
* THE ENEMY HAD HIS
HORSES GROUNDED *
347
00:14:54,801 --> 00:14:56,636
* THEN HE FOUGHT,
FOUGHT, FOUGHT *
348
00:14:56,670 --> 00:14:57,804
* YES, HE...
349
00:14:57,837 --> 00:14:59,739
BARNEY?
350
00:14:59,773 --> 00:15:01,908
* ...AND HE FOUGHT
AND HE FOUGHT... *
351
00:15:01,941 --> 00:15:03,577
BARNEY, COME OUT HERE.
352
00:15:03,610 --> 00:15:04,944
I WANT TO TELL YOU SOMETHING.
353
00:15:04,978 --> 00:15:06,780
AND I WANT
TO SHOW YOU SOMETHING.
354
00:15:09,716 --> 00:15:12,486
DEPUTY BARNEY FIFE
REPORTING FOR INSPECTION, SIR.
355
00:15:12,519 --> 00:15:14,854
BARNEY, WHAT IN THE WORLD
HAVE YOU GOT ON?
356
00:15:14,888 --> 00:15:16,956
UNIFORM OF THE DAY, SIR!
357
00:15:18,292 --> 00:15:19,593
BARNEY, AT EASE.
358
00:15:21,728 --> 00:15:23,630
WILL YOU RELAX?
359
00:15:26,032 --> 00:15:29,569
OH, BARNEY, BE SERIOUS.
360
00:15:29,603 --> 00:15:32,306
BARNEY, I WANT YOU TO TELL ME
WHAT YOU GOT ON.
361
00:15:32,339 --> 00:15:34,774
WHERE IN THE WORLD
DID YOU GET THAT THING?
362
00:15:34,808 --> 00:15:36,276
WELL, THE MAYOR SENT IT OVER.
363
00:15:36,310 --> 00:15:37,444
DON'T YOU LIKE IT?
364
00:15:37,477 --> 00:15:39,313
HE SENT ONE OVER FOR YOU, TOO.
365
00:15:39,346 --> 00:15:40,414
NO, SIR.
366
00:15:40,447 --> 00:15:42,048
I'LL NOT PUT
ONE OF THEM THINGS ON.
367
00:15:42,081 --> 00:15:43,850
BUT, ANDY, THE MAYOR
SENT WORD DOWN
368
00:15:43,883 --> 00:15:46,353
THAT THERE'S TO BE A SPECIAL
MEETING OF THE TOWN COUNCIL,
369
00:15:46,386 --> 00:15:48,522
AND HE EXPECTS YOU TO SHOW UP
IN YOUR NEW UNIFORM.
370
00:15:48,555 --> 00:15:49,656
NO, SIR.
371
00:15:49,689 --> 00:15:51,591
NOW, I DON'T MEAN
TO BE CANTANKEROUS
372
00:15:51,625 --> 00:15:53,727
BUT I'LL NOT PUT
ONE OF THEM THINGS ON
373
00:15:53,760 --> 00:15:55,929
AND I WISH
YOU'D TAKE YOURS OFF, TOO...
374
00:15:55,962 --> 00:15:57,631
SMOKEY BEAR.
375
00:16:01,000 --> 00:16:03,337
[ DOOR CLOSES ]
376
00:16:03,370 --> 00:16:04,738
SHERIFF,
YOU'RE LATE.
377
00:16:04,771 --> 00:16:05,839
I'M SORRY, MAYOR.
378
00:16:05,872 --> 00:16:07,040
WELL, THAT'S
ALL RIGHT.
379
00:16:07,073 --> 00:16:09,008
SIT DOWN, ANDY,
AND I'LL TELL YOU
380
00:16:09,042 --> 00:16:11,311
WHY WE CALLED
THIS SPECIAL MEETING.
381
00:16:11,345 --> 00:16:12,712
THIS MOTION PICTURE
COMPANY'S
382
00:16:12,746 --> 00:16:14,548
GONNA BE HERE
TOMORROW MORNING EARLY.
383
00:16:14,581 --> 00:16:17,617
NOW, HERE'S THE RECEPTION
THEY'RE GOING TO GET FROM US.
384
00:16:17,651 --> 00:16:20,387
AS SOON AS THEY ARRIVE,
THE DRUM AND BUGLE CORPS
385
00:16:20,420 --> 00:16:22,021
WILL GIVE THEM
A ROUSING WELCOME
386
00:16:22,055 --> 00:16:25,058
AND THEN OUR LADIES
WITH THEIR HOMEMADE PIES
387
00:16:25,091 --> 00:16:27,026
THEY'LL MAKE
THEIR PRESENTATION
388
00:16:27,060 --> 00:16:31,965
AND THEN JUANITA WILL SING
"FLOW GENTLY, SWEET AFTON."
389
00:16:31,998 --> 00:16:34,934
YOUR DAUGHTER'S GOING TO SING?
390
00:16:34,968 --> 00:16:36,436
ANYTHING WRONG WITH THAT?
391
00:16:36,470 --> 00:16:38,372
OH, OH, NOTHING.
392
00:16:38,405 --> 00:16:40,039
JUANITA'S GOT A LOVELY VOICE.
393
00:16:40,073 --> 00:16:42,709
AND THEN I'LL MAKE
THE WELCOMING ADDRESS
394
00:16:42,742 --> 00:16:44,544
AND I'LL TELL THEM
HOW PROUD WE ARE
395
00:16:44,578 --> 00:16:45,979
TO HAVE THEM IN OUR FAIR CITY
396
00:16:46,012 --> 00:16:47,814
AND THAT WILL LEAD UP
TO THE CLIMAX
397
00:16:47,847 --> 00:16:49,649
OF CUTTING DOWN
THE OLD OAK TREE.
398
00:16:49,683 --> 00:16:52,386
YOU'RE GOING TO CUT DOWN
THE OAK TREE?!
399
00:16:52,419 --> 00:16:54,521
THAT'S RIGHT, WE'RE
CUTTING IT DOWN.
400
00:16:54,554 --> 00:16:55,722
WHAT IN THE WORLD FOR?!
401
00:16:55,755 --> 00:16:57,657
YOU GOT NO RIGHT
TO DO SUCH A THING.
402
00:16:57,691 --> 00:16:58,925
WE GOT A PERFECT RIGHT
403
00:16:58,958 --> 00:17:01,628
IF THE MAJORITY OF THE COUNCIL
VOTES FOR IT.
404
00:17:01,661 --> 00:17:03,997
NOW, ALL THOSE IN FAVOR OF THE
PROGRAM WE HAVE PLANNED...
405
00:17:04,030 --> 00:17:05,399
WAIT A MINUTE, MAYOR.
406
00:17:05,432 --> 00:17:07,501
WHAT IN THE WORLD
ARE Y'ALL DOING?!
407
00:17:07,534 --> 00:17:10,670
YOU'VE CHANGED YOURSELVES,
YOUR STORES, YOUR CLOTHES.
408
00:17:10,704 --> 00:17:12,138
YOU'VE GIVEN BARNEY AND ME
409
00:17:12,171 --> 00:17:14,508
RIDICULOUS-LOOKING UNIFORMS
TO PUT ON
410
00:17:14,541 --> 00:17:16,443
AND NOW YOU GOIN' CUT DOWN
411
00:17:16,476 --> 00:17:18,812
THE OLDEST OAK TREE
IN THE ENTIRE TOWN?!
412
00:17:18,845 --> 00:17:21,415
WHY, YOU'VE ALL
GONE OUT OF YOUR MINDS!
413
00:17:21,448 --> 00:17:23,116
ANDY, THERE'S NO TIME
TO DILLY-DALLY.
414
00:17:23,149 --> 00:17:25,018
NOW, THAT
MOTION PICTURE COMPANY'S
415
00:17:25,051 --> 00:17:27,554
GOING TO ARRIVE HERE
TOMORROW MORNING EARLY.
416
00:17:27,587 --> 00:17:29,756
WE WANT TO HAVE
EVERYTHING RIGHT, RIGHT?
417
00:17:29,789 --> 00:17:30,890
RIGHT.
RIGHT.
418
00:17:30,924 --> 00:17:32,426
LET'S GET TO THE VOTING.
419
00:17:32,459 --> 00:17:34,561
ALL THOSE IN FAVOR,
SIGNIFY WITH THE USUAL SIGN.
420
00:17:34,594 --> 00:17:35,695
AYE.
AYE.
421
00:17:35,729 --> 00:17:36,730
OPPOSED?
MAYOR...
422
00:17:36,763 --> 00:17:38,598
AYES HAVE IT.
PIPE DOWN, ANDY.
423
00:17:54,514 --> 00:17:56,182
AUNT BEE?
424
00:17:56,215 --> 00:17:58,151
OPIE?
425
00:17:58,184 --> 00:17:59,686
ANYBODY HOME?
426
00:17:59,719 --> 00:18:01,888
Aunt Bee:
BE DOWN
IN A MINUTE, ANDY.
427
00:18:01,921 --> 00:18:03,857
HOME KIND OF EARLY,
AIN'T YOU?
428
00:18:03,890 --> 00:18:06,059
I COULDN'T STAY IN TOWN
ANY LONGER.
429
00:18:06,092 --> 00:18:07,561
FELT LIKE A STRANGER.
430
00:18:07,594 --> 00:18:10,129
I HAD TO GET BACK
WHERE THINGS ARE NORMAL.
431
00:18:10,163 --> 00:18:12,966
THE WAY THE CITIZENS
OF THIS TOWN ARE ACTING
432
00:18:12,999 --> 00:18:14,901
YOU WOULD NOT
BELIEVE YOUR EYES.
433
00:18:14,934 --> 00:18:17,571
IT'S A PLEASURE TO BE
BACK IN MY OWN HOME
434
00:18:17,604 --> 00:18:19,005
WHERE NOTHING'S
CHANGED.
435
00:18:19,038 --> 00:18:20,740
[ CLEARING THROAT ]
436
00:18:20,774 --> 00:18:24,644
AUNT BEE, WHEN I TELL YOU
SOME OF THE TH...
437
00:18:26,546 --> 00:18:31,017
AUNT BEE, NOT YOU AND OPIE, TOO!
438
00:18:31,050 --> 00:18:34,621
PA, ARE YOU GOING TO WEAR
YOUR NEW UNIFORM TOMORROW?
439
00:18:34,654 --> 00:18:36,022
NO, I AM NOT.
440
00:18:36,055 --> 00:18:41,528
HE'S NOT GOING DOWN THERE
LOOKING LIKE THAT, IS HE?
441
00:18:45,231 --> 00:18:47,667
[ LOUD CLAMORING ]
442
00:18:52,572 --> 00:18:54,073
COME ON, EVERYBODY.
HURRY UP NOW.
443
00:18:54,107 --> 00:18:55,542
HURRY UP,
EVERYBODY.
444
00:18:55,575 --> 00:18:56,676
COME ON,
COME ON.
445
00:18:56,710 --> 00:18:58,745
IT'S YOUR BIG DAY.
NOW COME ON.
446
00:18:58,778 --> 00:19:01,748
Mayor:
COME, ALL OF YOU,
UP IN HERE.
447
00:19:01,781 --> 00:19:03,917
HURRY UP. A BIG DAY
FOR EVERYBODY.
448
00:19:06,886 --> 00:19:09,556
I SURE WISH YOU'D HAVE
WORE YOUR NEW UNIFORM.
449
00:19:09,589 --> 00:19:10,857
YOU'RE A SIGHT.
450
00:19:10,890 --> 00:19:12,692
SERVE YOU RIGHT
IF THEY DON'T PUT YOU
451
00:19:12,726 --> 00:19:13,993
IN THIS PICTURE AT ALL.
452
00:19:14,027 --> 00:19:15,995
BARNEY, I TELL
YOU THE TRUTH--
453
00:19:16,029 --> 00:19:18,097
YOU'RE ALL MAKING
A BIG MISTAKE.
454
00:19:18,131 --> 00:19:20,700
OH, LET ME GIVE YOU
A HAND THERE, MAYOR.
455
00:19:20,734 --> 00:19:23,069
PIES... PIES OVER HERE.
456
00:19:23,102 --> 00:19:24,938
NO, DON'T, DON'T!
457
00:19:24,971 --> 00:19:26,540
NO! NO!
458
00:19:26,573 --> 00:19:27,941
PIES OVER THERE.
459
00:19:27,974 --> 00:19:29,208
WHERE IS THE BAND?
460
00:19:29,242 --> 00:19:30,944
GET THE BOYS
OVER HERE.
461
00:19:30,977 --> 00:19:32,846
DRUM AND BUGLE
OVER HERE.
462
00:19:32,879 --> 00:19:34,748
DRUM AND BUGLE
OVER THERE.
463
00:19:34,781 --> 00:19:36,015
GET OVER THERE.
464
00:19:36,049 --> 00:19:37,951
GOOD GRIEF,
IT'S OVER THERE!
465
00:19:37,984 --> 00:19:39,218
NO, NO, NO!
466
00:19:39,252 --> 00:19:40,687
THAT'S ALL RIGHT.
467
00:19:40,720 --> 00:19:42,221
NOW, WHERE'S MY DAUGHTER?
468
00:19:42,255 --> 00:19:43,690
HERE.
469
00:19:43,723 --> 00:19:45,224
THERE YOU ARE,
SWEETHEART.
470
00:19:45,258 --> 00:19:47,093
NOW, SWEETHEART,
WHEN YOU SING
471
00:19:47,126 --> 00:19:48,762
GIVE THEM
YOUR VERY BEST.
472
00:19:48,795 --> 00:19:50,163
MR. MAYOR, HERE THEY COME!
473
00:19:50,196 --> 00:19:51,598
THEY'RE COMIN'!
474
00:19:51,631 --> 00:19:53,800
DRUM AND BUGLE,
DRUM AND BUGLE.
475
00:19:53,833 --> 00:19:55,001
COME ON.
COME WITH ME.
476
00:19:55,034 --> 00:19:56,235
COME ON.
477
00:20:32,071 --> 00:20:34,107
NOW, HONEY, NOW.
478
00:20:35,842 --> 00:20:39,813
[ Off-key ]
* FLOW GENTLY,
SWEET AFTON *
479
00:20:39,846 --> 00:20:43,650
* AMONG THY
GREEN BRAES *
480
00:20:43,683 --> 00:20:44,851
* FLOW GENTLY
481
00:20:44,884 --> 00:20:47,086
* I'LL SING THEE
482
00:20:47,120 --> 00:20:50,289
* A SONG
IN THY PRAISE *
483
00:20:50,323 --> 00:20:53,092
* MY MARY'S ASLEEP
484
00:20:53,126 --> 00:20:56,863
* BY THE
MURMURING STREAM *
485
00:20:56,896 --> 00:21:00,266
* FLOW GENTLY,
SWEET AFTON *
486
00:21:00,299 --> 00:21:03,737
* DISTURB NOT
HER DREAM *
487
00:21:03,770 --> 00:21:05,238
THAT WAS
BEAUTIFUL, BABY.
488
00:21:05,271 --> 00:21:06,372
THAT WAS FINE.
489
00:21:06,405 --> 00:21:07,841
SIT DOWN NOW.
490
00:21:07,874 --> 00:21:10,209
AND NOW, MR. HARMON,
I WANT TO TELL YOU
491
00:21:10,243 --> 00:21:12,111
THAT WE FIGURE
IT'S A PRIVILEGE
492
00:21:12,145 --> 00:21:14,213
TO HAVE YOU
IN OUR FAIR CITY.
493
00:21:14,247 --> 00:21:16,616
THE WELCOME THAT YOU'VE
JUST EXPERIENCED
494
00:21:16,650 --> 00:21:18,151
IS JUST A SAMPLE TOKEN
495
00:21:18,184 --> 00:21:21,320
OF HOW WE FEEL ABOUT YOUR BIG
MOTION PICTURE MAKING COMPANY
496
00:21:21,354 --> 00:21:23,990
COMING HERE TO MAKE YOUR MOVIE
IN OUR TOWN.
497
00:21:24,023 --> 00:21:25,859
AND, NOW, AS
A FINAL GESTURE
498
00:21:25,892 --> 00:21:27,093
OF OUR COOPERATION
499
00:21:27,126 --> 00:21:28,695
WE'RE ABOUT TO REMOVE
500
00:21:28,728 --> 00:21:31,264
THE LAST REMAINING
UNSIGHTLY LANDMARK.
501
00:21:31,297 --> 00:21:34,133
WE'RE ABOUT TO CUT
DOWN THAT OAK TREE.
502
00:21:34,167 --> 00:21:36,269
OKAY, BOYS,
CUT HER DOWN.
503
00:21:36,302 --> 00:21:37,771
WAIT A MINUTE.
504
00:21:37,804 --> 00:21:38,905
WHAT ARE YOU DOING?
505
00:21:38,938 --> 00:21:39,906
CUTTING DOWN
THE TREE
506
00:21:39,939 --> 00:21:41,040
FOR YOUR PICTURE.
507
00:21:41,074 --> 00:21:42,842
WHY?
508
00:21:42,876 --> 00:21:45,845
BECAUSE IT'S FULL OF TWIG
GIRDLERS AND IT'S AN EYESORE.
509
00:21:45,879 --> 00:21:47,914
IT'S RIGHT IN THE MIDDLE
OF THE ROAD.
510
00:21:47,947 --> 00:21:49,248
IT'S IN OUR WAY HERE.
511
00:21:49,282 --> 00:21:50,717
AND BESIDES,
512
00:21:50,750 --> 00:21:52,786
WE WANT EVERYTHING NICE
FOR YOUR PICTURE.
513
00:21:52,819 --> 00:21:53,953
OKAY, BOYS.
514
00:21:53,987 --> 00:21:55,121
NOW, WAIT A MINUTE.
515
00:21:55,154 --> 00:21:57,223
I DON'T WANT
THIS TREE CUT DOWN.
516
00:21:57,256 --> 00:21:58,224
YOU DON'T?
517
00:21:58,257 --> 00:21:59,392
OF COURSE NOT.
518
00:21:59,425 --> 00:22:01,928
WHAT'S GOTTEN
INTO YOU PEOPLE ANYWAY?
519
00:22:01,961 --> 00:22:03,329
WELL, WHAT
DO YOU MEAN?
520
00:22:03,362 --> 00:22:05,364
WHAT HAVE YOU DONE
TO THE TOWN?
521
00:22:05,398 --> 00:22:06,833
AND TO YOURSELVES?
522
00:22:06,866 --> 00:22:07,901
THIS ISN'T
THE MAYBERRY
523
00:22:07,934 --> 00:22:09,368
THAT I WANTED
TO PHOTOGRAPH.
524
00:22:09,402 --> 00:22:12,271
I COULD HAVE BUILT A SET
LIKE THIS IN HOLLYWOOD.
525
00:22:12,305 --> 00:22:13,940
AND LOOK AT
ALL OF YOU.
526
00:22:17,410 --> 00:22:20,113
YOU MEAN, YOU'RE AGIN US
CUTTING DOWN THE OAK?
527
00:22:20,146 --> 00:22:21,180
OF COURSE I AM.
528
00:22:21,214 --> 00:22:23,116
THIS TREE IS PART
OF THE PICTURE
529
00:22:23,149 --> 00:22:24,417
AND SO ARE ALL OF YOU.
530
00:22:24,450 --> 00:22:27,053
BUT THE WAY YOU WERE
WHEN I FIRST MET YOU
531
00:22:27,086 --> 00:22:29,989
WHEN I WALKED AROUND THE TOWN
WITH THE SHERIFF.
532
00:22:30,023 --> 00:22:31,157
THE WAY YOU WERE
533
00:22:31,190 --> 00:22:33,693
WHEN YOU WERE NATURAL,
GENUINE, REAL--
534
00:22:33,727 --> 00:22:35,729
THAT'S WHAT I WANTED
IN MY PICTURE.
535
00:22:35,762 --> 00:22:37,731
YOU'RE STILL GOING
TO MAKE YOUR MOVIE
536
00:22:37,764 --> 00:22:39,265
IN OUR TOWN HERE, AREN'T YOU?
537
00:22:39,298 --> 00:22:40,700
OF COURSE I AM.
538
00:22:40,734 --> 00:22:42,268
I'D LIKE
TO START SHOOTING
539
00:22:42,301 --> 00:22:44,003
AS SOON AS
THE COMPANY GETS HERE.
540
00:22:44,037 --> 00:22:46,405
BUT WOULD YOU MIND GETTING
THE TOWN BACK THE WAY IT WAS?
541
00:22:46,439 --> 00:22:48,842
AND GET THAT SAW AWAY
FROM THAT TREE.
542
00:22:48,875 --> 00:22:50,877
GET THAT SAW AWAY
FROM THAT TREE.
543
00:22:50,910 --> 00:22:53,312
GET OUT OF THOSE
TRICK-OR-TREAT OUTFITS.
544
00:22:53,346 --> 00:22:55,949
GET OUT OF THOSE
TRICK-OR-TREAT OUTFITS.
545
00:22:55,982 --> 00:22:57,450
GET A-MOVING
ALONG, FOLKS.
546
00:22:57,483 --> 00:22:59,052
LET'S GO HOME
AND CHANGE
547
00:22:59,085 --> 00:23:01,420
AND KIND OF NATURAL
OURSELVES UP A BIT.
548
00:23:01,454 --> 00:23:03,022
GO ON NOW. BREAK IT UP.
549
00:23:03,056 --> 00:23:04,924
BREAK IT UP, EVERYBODY.
550
00:23:13,933 --> 00:23:16,870
WE TRIED TO TELL 'EM,
DIDN'T WE, ANDY?
551
00:23:16,903 --> 00:23:18,437
WE SURE DID, MAYOR.
552
00:23:28,915 --> 00:23:30,850
YOU RECKON
IT'D BE ALL RIGHT
553
00:23:30,884 --> 00:23:34,153
IF I SAVED THIS JUST TO WEAR
ON DECORATION DAY?
554
00:23:34,187 --> 00:23:35,922
I 'SPECT.
555
00:23:44,063 --> 00:23:45,899
AUNT BEE...
556
00:23:45,932 --> 00:23:49,769
I GOT TO ADMIT YOU
DO LOOK RIGHT SMART.
557
00:23:49,803 --> 00:23:51,037
REALLY, ANDY?
558
00:23:51,070 --> 00:23:52,038
YES, SIR.
559
00:23:52,071 --> 00:23:53,773
AND YOU KNOW
SOMETHING ELSE?
560
00:23:53,807 --> 00:23:54,974
I 'SPECT ROCK HUDSON
561
00:23:55,008 --> 00:23:57,043
WOULD LIKE YOU
JUST LIKE THAT.
562
00:23:57,076 --> 00:23:59,478
OH... ANDY.
563
00:24:13,893 --> 00:24:15,261
ORVILLE.
564
00:24:15,294 --> 00:24:17,997
HOWDY, GENTLEMEN.
565
00:24:21,134 --> 00:24:23,336
FLOYD.
ANDY.
566
00:24:28,975 --> 00:24:30,376
[ CHUCKLES ]
567
00:24:30,409 --> 00:24:32,946
I'M TELLING YOU, BOY...
568
00:24:46,392 --> 00:24:49,028
YES, SIR, OPIE.
569
00:24:49,062 --> 00:24:51,464
EVERYTHING'S BACK TO NORMAL
IN MAYBERRY.
570
00:24:54,901 --> 00:24:57,904
[ WHISTLING SPRIGHTLY TUNE ]
38334
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