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1
00:01:15,242 --> 00:01:16,219
AAH!
2
00:01:16,243 --> 00:01:17,675
HA HA HA HA HA!
3
00:01:30,824 --> 00:01:34,125
YES, I THINK THE FISH-EYE
LENS WILL DO FINE.
4
00:01:35,395 --> 00:01:39,041
GREETINGS, FASHION FIENDS.
SO GLAD YOU COULD JOIN ME.
5
00:01:39,065 --> 00:01:41,877
BET YOU DIDN'T KNOW
YOUR PAL THE CRYPT KEEPER
6
00:01:41,901 --> 00:01:43,546
DABBLED IN PHOTOGRAPHY.
7
00:01:43,570 --> 00:01:45,215
I JUST LOVE
8
00:01:45,239 --> 00:01:49,018
WINDING A FEW ROLLS OF
KODAGROAN INTO MY CAMERA,
9
00:01:49,042 --> 00:01:51,588
TURNING ON THE OLD FRIGHT METER,
10
00:01:51,612 --> 00:01:53,590
AND SNAPPING OFF A FEW HEAD...
11
00:01:53,614 --> 00:01:55,058
SHOTS.
12
00:01:55,082 --> 00:01:56,926
HEE HEE HEE!
13
00:01:56,950 --> 00:01:59,028
TONIGHT'S PUTRID PICTURE
14
00:01:59,052 --> 00:02:02,532
IS SURE TO INCREASE
YOUR SHUDDER SPEED.
15
00:02:02,556 --> 00:02:05,835
IT'S ABOUT A PHOTOGRAPHER
WHO'S LOSING HIS TOUCH
16
00:02:05,859 --> 00:02:09,539
AND WOULD DO ALMOST
ANYTHING TO GET IT BACK.
17
00:02:09,563 --> 00:02:12,542
DID I SAY "ALMOST"?
18
00:02:12,566 --> 00:02:15,011
I CALL THIS SICKENING SNAPSHOT
19
00:02:15,035 --> 00:02:18,202
FOREVER AMBERGRIS.
20
00:03:07,821 --> 00:03:09,933
WHAT DO YOU THINK?
21
00:03:09,957 --> 00:03:11,600
BE HONEST WITH ME, ALL
RIGHT? JUST... YOU KNOW...
22
00:03:11,624 --> 00:03:13,602
WHAT DO YOU THINK?
23
00:03:13,626 --> 00:03:15,939
THEY'RE NOT BAD. NOT BAD.
24
00:03:15,963 --> 00:03:18,541
I MEAN, YOU'VE GOT YOUR
BASIC MOTHER WITH DEAD CHILD.
25
00:03:18,565 --> 00:03:19,675
YEAH, NOT BAD.
26
00:03:19,699 --> 00:03:21,444
YOU WANT TO SEE MINE?
27
00:03:21,468 --> 00:03:22,900
YEAH, SURE.
28
00:03:31,445 --> 00:03:33,456
THESE ARE GOOD, MAN.
29
00:03:33,480 --> 00:03:35,091
COME ON, IKE.
30
00:03:35,115 --> 00:03:37,526
I PREFER TO JERK MYSELF
OFF, IF YOU DON'T MIND.
31
00:03:37,550 --> 00:03:39,050
THEY'RE FUCKING SHIT.
32
00:03:41,221 --> 00:03:43,866
DID YOU EVER SEE
ANY OF MY OLD STUFF?
33
00:03:43,890 --> 00:03:46,402
SEEN IT? MAN, I STUDIED IT.
34
00:03:46,426 --> 00:03:48,270
THE ONE FROM TONKIN, WITH
THE SOLDIERS AT BIEN HO?
35
00:03:48,294 --> 00:03:49,839
THE ONE THAT GOT YOU
THE ROBERT CAPA AWARD?
36
00:03:49,863 --> 00:03:51,240
I GOT THAT HANGING
IN MY BEDROOM.
37
00:03:51,264 --> 00:03:52,442
AND THE ONE IN '69,
38
00:03:52,466 --> 00:03:53,944
WITH THE BUDDHIST BONZE
WHO SET HIMSELF ON FIRE,
39
00:03:53,968 --> 00:03:55,011
AT THE PROTEST OF DIEM... IKE...
40
00:03:55,035 --> 00:03:56,612
I WAS 7 YEARS OLD
WHEN I SAW THAT, MAN.
41
00:03:56,636 --> 00:03:58,514
I, LIKE, STARED AT
IT FOR DAYS. IKE...
42
00:03:58,538 --> 00:04:00,216
AND THE ONE FROM LEBANON,
WITH THE KID WITH THE...
43
00:04:00,240 --> 00:04:02,185
IKE, YOU'RE EMBARRASSING ME.
44
00:04:02,209 --> 00:04:03,209
OH, SORRY.
45
00:04:05,012 --> 00:04:08,692
OH... YOU KNOW, I
THINK I'VE LOST IT.
46
00:04:08,716 --> 00:04:10,526
NO WAY, MAN. NOT YOU.
47
00:04:10,550 --> 00:04:11,861
COME ON, YOU'RE DALTON SCOTT.
48
00:04:11,885 --> 00:04:13,229
YOU'RE THE GREATEST.
49
00:04:13,253 --> 00:04:14,686
SHUT THE FUCK UP, IKE.
50
00:04:17,324 --> 00:04:18,901
HEY, WHAT'S THAT SMELL?
51
00:04:18,925 --> 00:04:21,704
IT'S SWEET BALSAM.
IT'S GOOD FOR INCENSE.
52
00:04:21,728 --> 00:04:23,940
THEY GOT GOOD INCENSE IN IRAQ.
53
00:04:23,964 --> 00:04:26,709
I BRING SOME BACK EVERY
ASSIGNMENT FOR MY GIRL.
54
00:04:26,733 --> 00:04:28,211
WHO'S THAT, BOBBI?
55
00:04:28,235 --> 00:04:30,279
YEAH. YOU REALLY GOT TO
MEET HER SOME TIME, DALT.
56
00:04:30,303 --> 00:04:33,382
HEY, MAYBE THIS TRIP YOU CAN
COME BY FOR DINNER SOME NIGHT.
57
00:04:33,406 --> 00:04:34,551
OH, COME ON.
58
00:04:34,575 --> 00:04:36,553
BACK IN THE WORLD FOR 2 WEEKS,
59
00:04:36,577 --> 00:04:38,254
ALL THE GIRLS ON THE
BEACHES OF SAN DIEGO
60
00:04:38,278 --> 00:04:40,222
WAITING FOR ME...
61
00:04:40,246 --> 00:04:41,691
I'M GONNA COME AND
HAVE A COZY DINNER
62
00:04:41,715 --> 00:04:43,226
WITH YOU AND YOUR HAUSFRAU.
63
00:04:43,250 --> 00:04:46,429
WELL, LOOK, IF YOU
CHANGE YOUR MIND...
64
00:04:46,453 --> 00:04:47,997
BOBBI'S THE KIND OF GIRL
THAT CAN MAKE YOU FORGET
65
00:04:48,021 --> 00:04:49,432
THAT SHIT-STORM BACK THERE
66
00:04:49,456 --> 00:04:52,369
JUST BY THE WAY SHE
CRINKLES HER BROW, I SWEAR.
67
00:04:52,393 --> 00:04:55,104
YEAH, WELL. DEEP-SIX
THE STINKY STUFF, IKE.
68
00:04:55,128 --> 00:04:56,695
IT'S MAKING ME SICK.
69
00:04:58,499 --> 00:05:00,744
YOU SURE YOU DON'T
WANT SOME OF THIS?
70
00:05:00,768 --> 00:05:02,200
ALL RIGHT.
71
00:05:04,638 --> 00:05:06,238
THANKS, MAN.
72
00:05:07,474 --> 00:05:10,453
WHAT AM I LOOKING
AT? WHAT IS THIS?
73
00:05:10,477 --> 00:05:12,155
I MEAN, I DON'T KNOW
WHAT I'M LOOKING AT.
74
00:05:12,179 --> 00:05:15,091
I LOOK AT THIS AND I DON'T
KNOW WHAT I'M LOOKING AT.
75
00:05:15,115 --> 00:05:16,625
THIS LOOKS LIKE IT WAS
SHOT BY MY NEPHEW
76
00:05:16,649 --> 00:05:18,061
WITH HIS INSTAMATIC,
77
00:05:18,085 --> 00:05:19,995
AND THIS ISN'T THE
FIRST. RANDOLPH...
78
00:05:20,019 --> 00:05:22,165
I WAS TELLING MY
GUY AT THE TIMES,
79
00:05:22,189 --> 00:05:24,134
DALTON SCOTT, IN HIS PRIME,
80
00:05:24,158 --> 00:05:26,235
COULD CAPTURE THE
HORRORS OF AN ENTIRE WAR
81
00:05:26,259 --> 00:05:27,737
IN THE FACE OF A CHILD.
82
00:05:27,761 --> 00:05:32,675
NOW ALL OF A SUDDEN, THAT'S
SAID, UH, THROUGH MY NEPHEW?
83
00:05:32,699 --> 00:05:36,145
RANDOLPH, I'M WORKING
ON SOMETHING REALLY BIG.
84
00:05:36,169 --> 00:05:37,212
I GOT A TIP.
85
00:05:37,236 --> 00:05:38,314
WHERE?
86
00:05:38,338 --> 00:05:39,382
CENTRAL AMERICA.
87
00:05:39,406 --> 00:05:41,885
CENTRAL AMERICA IS
SO EIGHTIES, DALTON.
88
00:05:41,909 --> 00:05:44,921
YEAH. THIS IS SOMETHING
REALLY SPECIAL.
89
00:05:44,945 --> 00:05:47,111
I'M GOING OUT WITH A
GUERRILLA-BACKED MERCENARY UNIT.
90
00:05:49,016 --> 00:05:51,256
HAVE YOU SEEN THIS STUFF?
91
00:05:53,187 --> 00:05:54,263
ISAAC FORTE?
92
00:05:54,287 --> 00:05:55,865
THIS KID IS A STAR.
93
00:05:55,889 --> 00:05:58,301
THIS KID IS YOU 20 YEARS AGO,
94
00:05:58,325 --> 00:06:01,805
BEFORE BEIRUT AND
PANAMA AND AFGHANISTAN
95
00:06:01,829 --> 00:06:04,273
TURNED YOU INTO MY NEPHEW.
96
00:06:04,297 --> 00:06:06,176
I HATE TO THINK OF THE
BATON BEING PASSED,
97
00:06:06,200 --> 00:06:08,867
DALTON, AND YOU
ONLY 45 YEARS OLD.
98
00:06:11,372 --> 00:06:12,482
BOLLOCKS!
99
00:06:12,506 --> 00:06:14,917
YOU'RE GOING DOWN SOON?
100
00:06:14,941 --> 00:06:16,486
YEAH. FRIDAY.
101
00:06:16,510 --> 00:06:18,688
BRING ME BACK
SOMETHING LARGE, DALTON.
102
00:06:18,712 --> 00:06:21,313
BREAK MY HEART. BREAK IT IN TWO.
103
00:06:22,416 --> 00:06:24,126
AND, OF COURSE,
104
00:06:24,150 --> 00:06:27,129
YOU TAKE THE FORTE KID WITH YOU.
105
00:06:27,153 --> 00:06:29,086
YEAH, OF COURSE.
106
00:06:40,066 --> 00:06:41,310
OH, EXCUSE ME.
107
00:06:41,334 --> 00:06:43,245
I'M LOOKING FOR ISAAC FORTE.
108
00:06:43,269 --> 00:06:45,637
YOU FOUND HIM.
109
00:06:47,407 --> 00:06:48,884
MM-HMM. BOBBI?
110
00:06:48,908 --> 00:06:50,068
Ike: HEY, DALTON.
111
00:06:51,545 --> 00:06:53,956
OH, WOW, MAN, I NEVER
THOUGHT YOU'D COME.
112
00:06:53,980 --> 00:06:55,491
DALTON, THIS IS BOBBI.
113
00:06:55,515 --> 00:06:56,859
BOBBI, THIS IS... THIS
IS DALTON SCOTT,
114
00:06:56,883 --> 00:06:57,994
THE GUY I'M ALWAYS
TALKING ABOUT.
115
00:06:58,018 --> 00:07:00,363
I FEEL LIKE I KNOW YOU ALREADY.
116
00:07:00,387 --> 00:07:01,764
HEY, COME ON IN, COME ON IN.
117
00:07:01,788 --> 00:07:03,132
YOU'RE JUST IN TIME FOR SUPPER.
118
00:07:03,156 --> 00:07:05,523
WOW, THIS IS GREAT!
119
00:07:16,536 --> 00:07:20,471
♪ YOU REALLY DON'T
KNOW HOW I FEEL ♪
120
00:07:22,542 --> 00:07:27,479
♪ BABE, YOU'VE GOT TO
SEE MY LOVE IS REAL... ♪
121
00:07:30,550 --> 00:07:32,328
HEY, DALTON, WANT
TO DANCE WITH BOBBI?
122
00:07:32,352 --> 00:07:33,729
ISAAC...
123
00:07:33,753 --> 00:07:35,998
COME ON, BABY.
DANCE WITH THE GUY.
124
00:07:36,022 --> 00:07:37,800
HE'S MY BOSS. YOU HAVE TO.
125
00:07:37,824 --> 00:07:39,568
COME ON. HE HASN'T SEEN
BLOND HAIR IN 3 MONTHS.
126
00:07:39,592 --> 00:07:40,937
HE'S GOIN' NUTS. COME ON.
127
00:07:40,961 --> 00:07:42,205
IKE, I'M FINE.
128
00:07:42,229 --> 00:07:44,006
IT'S ALL RIGHT.
JUST A LITTLE DANCE.
129
00:07:44,030 --> 00:07:45,274
I DON'T DANCE.
130
00:07:45,298 --> 00:07:46,775
IT'S OK. IT'S OK.
SHE DON'T MIND.
131
00:07:46,799 --> 00:07:49,712
COME ON. YOU DANCE,
EVERYBODY DANCES.
132
00:07:49,736 --> 00:07:50,947
BOBBI'S A GREAT DANCER.
133
00:07:50,971 --> 00:07:52,248
SHE'LL SHOW YOU HOW.
134
00:07:52,272 --> 00:07:53,850
I GOT TO PEE.
135
00:07:53,874 --> 00:07:55,317
IS THIS OK WITH YOU?
136
00:07:55,341 --> 00:07:57,086
YEAH. HE'S DRUNK.
137
00:07:57,110 --> 00:07:59,055
HE'S HOME.
138
00:07:59,079 --> 00:08:00,556
NO OFFENSE, BUT YOU...
139
00:08:00,580 --> 00:08:01,824
DON'T SEEM THE TYPE OF GIRL
140
00:08:01,848 --> 00:08:03,226
TO GO WITH A GUY LIKE IKE.
141
00:08:03,250 --> 00:08:04,426
REALLY?
142
00:08:04,450 --> 00:08:06,129
COMBAT PHOTOGRAPHER?
143
00:08:06,153 --> 00:08:07,663
WELL, WHY NOT?
144
00:08:07,687 --> 00:08:09,331
I THINK SPIRITUALISM
IS THE HIGHEST FORM
145
00:08:09,355 --> 00:08:12,735
OF POLITICAL
PROTESTING, YOU KNOW?
146
00:08:12,759 --> 00:08:14,336
ISAAC SEES THINGS LIKE NOBODY.
147
00:08:14,360 --> 00:08:16,127
HE HAS THE EYE.
148
00:08:17,530 --> 00:08:19,508
WE WERE OUT HIKING ONCE.
149
00:08:19,532 --> 00:08:21,510
WE FOUND THIS DEAD POSSUM.
150
00:08:21,534 --> 00:08:23,646
IT HAD BEEN DEAD
FOR DAYS, DECAYED,
151
00:08:23,670 --> 00:08:24,647
SWIMMING WITH MAGGOTS.
152
00:08:24,671 --> 00:08:26,682
IT WAS HORRIBLE.
153
00:08:26,706 --> 00:08:30,887
YET, ISAAC THOUGHT
IT WAS, LIKE, LOVELY.
154
00:08:30,911 --> 00:08:32,021
HE... HE DUG IT.
155
00:08:32,045 --> 00:08:35,124
HE TRIPPED ON THE MAGGOTS,
156
00:08:35,148 --> 00:08:36,525
ON THE LIFE GROWING
157
00:08:36,549 --> 00:08:39,829
WITHIN THE CONTEXT OF DEATH.
158
00:08:39,853 --> 00:08:41,664
HE FINDS BEAUTY
159
00:08:41,688 --> 00:08:45,768
EVEN IN THE MOST
GROTESQUE THINGS.
160
00:08:45,792 --> 00:08:47,369
THAT IS HIS GIFT.
161
00:08:47,393 --> 00:08:49,272
HEY!
162
00:08:49,296 --> 00:08:50,995
EVERYBODY HAVING FUN?
163
00:08:52,899 --> 00:08:55,667
YEAH, HAVING A BALL.
164
00:09:04,077 --> 00:09:05,554
Ike: THAT GOOD?
165
00:09:05,578 --> 00:09:07,012
Bobbi: YEP.
166
00:09:09,082 --> 00:09:11,950
I BEEN IN THE JUNGLE
TOO LONG, BABY.
167
00:09:13,520 --> 00:09:15,331
OHH...
168
00:09:15,355 --> 00:09:16,788
I DRANK TOO MUCH.
169
00:10:35,968 --> 00:10:37,468
HI.
170
00:10:38,938 --> 00:10:40,049
WHOO.
171
00:10:40,073 --> 00:10:41,917
YOU KNOW, I HAVEN'T
SMOKED THIS SHIT
172
00:10:41,941 --> 00:10:43,786
SINCE THE FALKLANDS.
173
00:10:43,810 --> 00:10:44,987
IT RELAXES ME.
174
00:10:45,011 --> 00:10:48,291
ESPECIALLY AFTER
AN INTENSE FUCK.
175
00:10:50,416 --> 00:10:53,162
YOU LIKE TO WATCH,
DON'T YOU, DALTON?
176
00:10:53,186 --> 00:10:54,697
EXCUSE ME?
177
00:10:54,721 --> 00:10:57,466
OH, YOU KNOW. PHOTOGRAPHERS.
178
00:10:57,490 --> 00:11:00,725
THEY WATCH WHILE OTHERS DO.
179
00:11:02,428 --> 00:11:04,540
YEAH, THAT'S RIGHT.
180
00:11:04,564 --> 00:11:07,076
SO WHAT DO YOU
DO WHEN IKE'S AWAY?
181
00:11:07,100 --> 00:11:10,613
OH, THE USUAL
WARTIME WIDOW STUFF.
182
00:11:10,637 --> 00:11:12,148
YOU MUST GET VERY LONELY.
183
00:11:12,172 --> 00:11:15,818
SURE, BUT WE ALL HAVE
TO MAKE SACRIFICES.
184
00:11:15,842 --> 00:11:18,054
IKE AND ME,
185
00:11:18,078 --> 00:11:22,424
WE'RE IN A PRETTY
DANGEROUS RACKET.
186
00:11:22,448 --> 00:11:25,895
NOW, IF I HAD A GIRL
LIKE YOU AT HOME,
187
00:11:25,919 --> 00:11:27,029
I WOULDN'T BE OUT THERE
188
00:11:27,053 --> 00:11:30,066
RISKING MY NECK FOR
A FEW LOUSY PICTURES.
189
00:11:30,090 --> 00:11:33,168
WHAT IF HE DOESN'T COME BACK?
190
00:11:33,192 --> 00:11:34,670
I DON'T WANT TO THINK ABOUT IT.
191
00:11:34,694 --> 00:11:36,038
YEAH, BUT WHAT IF HE DOESN'T?
192
00:11:36,062 --> 00:11:38,262
I'D PROBABLY DIE MYSELF.
193
00:11:41,434 --> 00:11:43,478
NOW, THAT WOULD BE A TRAGEDY.
194
00:11:43,502 --> 00:11:45,480
DON'T.
195
00:11:45,504 --> 00:11:47,449
WHAT'S UP?
196
00:11:47,473 --> 00:11:50,586
YOU'RE VERY STRONG AND
YOU'RE VERY ATTRACTIVE.
197
00:11:50,610 --> 00:11:53,055
ISAAC WORSHIPS YOU,
198
00:11:53,079 --> 00:11:55,190
BUT YOU SEE, DALTON,
199
00:11:55,214 --> 00:11:57,148
I WORSHIP ISAAC.
200
00:11:59,218 --> 00:12:03,165
TAKE CARE OF HIM FOR ME, OK?
201
00:12:03,189 --> 00:12:05,122
TAKE CARE OF MY BABY.
202
00:12:06,793 --> 00:12:07,793
NIGHT.
203
00:12:11,564 --> 00:12:12,964
NIGHT.
204
00:12:36,823 --> 00:12:38,255
DALTON SCOTT.
205
00:12:48,701 --> 00:12:49,879
ROCK.
206
00:12:49,903 --> 00:12:52,848
HAVEN'T SEEN YOU
SINCE LIBYA, DALTON.
207
00:12:52,872 --> 00:12:54,016
WHAT BRINGS YOU DOWN HERE?
208
00:12:54,040 --> 00:12:55,685
IT'S THE ONLY GAME IN TOWN.
209
00:12:55,709 --> 00:13:00,189
I NEED SOMETHING BIG
TO GET ME BACK INTO IT.
210
00:13:00,213 --> 00:13:01,390
I'M A HORSE HAIR AWAY
211
00:13:01,414 --> 00:13:03,281
FROM TAKING HIGH-SCHOOL
GRADUATION PICTURES.
212
00:13:04,350 --> 00:13:05,883
SAY CHEESE, SKIPPY.
213
00:13:08,555 --> 00:13:10,421
SAME OLD ROCK.
214
00:13:11,525 --> 00:13:14,792
I HEAR NICE THINGS
ABOUT VALMALERA.
215
00:13:16,496 --> 00:13:17,840
VALMALERA?
216
00:13:17,864 --> 00:13:21,477
IT'S A CAMPESINO VILLAGE... WAS.
217
00:13:21,501 --> 00:13:23,479
NOTHING LEFT OF IT NOW.
218
00:13:23,503 --> 00:13:27,350
WORD IS, IT MAKES MY LAI
LOOK LIKE A JUNIOR PROM.
219
00:13:27,374 --> 00:13:29,814
OF COURSE, THAT'S
STRICTLY CLASSIFIED.
220
00:13:32,379 --> 00:13:34,022
IS THAT IT?
221
00:13:34,046 --> 00:13:36,992
NONE OF THE CAMPESINOS KILLED
222
00:13:37,016 --> 00:13:38,794
WERE SHOT OR FRAGGED.
223
00:13:38,818 --> 00:13:41,319
THEY FOUND CANISTERS HERE.
224
00:13:43,190 --> 00:13:46,869
THAT AIN'T GOING TO
BE EASY TO GET TO.
225
00:13:46,893 --> 00:13:49,472
OH, IT'LL BE EASY TO GET TO.
226
00:13:49,496 --> 00:13:52,375
IT JUST AIN'T GOING
TO BE EASY TO LEAVE.
227
00:13:52,399 --> 00:13:56,312
THE VILLAGE IS CONTAMINATED.
228
00:13:56,336 --> 00:13:58,280
GERM WARFARE?
229
00:13:58,304 --> 00:14:02,318
DALTON, YOU GO TO VALMALERA,
230
00:14:02,342 --> 00:14:04,821
YOU TAKE YOUR PICTURES,
231
00:14:04,845 --> 00:14:06,488
AND YOU DON'T COME BACK.
232
00:14:13,520 --> 00:14:15,219
I'LL COME BACK.
233
00:14:17,023 --> 00:14:18,723
BE LUCKY.
234
00:14:24,030 --> 00:14:26,174
WHY DON'T YOU GO
GET HER, ALL RIGHT?
235
00:14:26,198 --> 00:14:28,010
I'LL SHOW HER A THING OR TWO.
236
00:14:28,034 --> 00:14:29,979
LET'S GET IT TOGETHER, MEN.
237
00:14:30,003 --> 00:14:32,748
THE GHOSTS ARE OUT THERE.
238
00:14:32,772 --> 00:14:35,818
I CAN FEEL 'EM.
239
00:14:35,842 --> 00:14:39,155
YO. YOU GOT TO EXCUSE
UNCLE SALTY, MAN.
240
00:14:39,179 --> 00:14:41,590
HE'S ONE OF THOSE
"STILL IN SAIGON,
241
00:14:41,614 --> 00:14:43,392
"CHARLEY'S IN THE WIRE,
242
00:14:43,416 --> 00:14:46,795
COME ON, BABY, LIGHT
MY FIRE, MOTHERFUCKER."
243
00:14:46,819 --> 00:14:50,333
THERE HE IS. DALTON SCOTT.
244
00:14:50,357 --> 00:14:52,234
DIE FOR HIS CAMERA, MERCS.
245
00:14:52,258 --> 00:14:54,203
BLEED FOR THE FRONT PAGE.
246
00:14:54,227 --> 00:14:56,939
WHAT THE FUCK IS
YOUR PROBLEM, SALUCCI?
247
00:14:56,963 --> 00:15:00,008
YOU. YOU'RE THE ONLY GUY I KNOW
248
00:15:00,032 --> 00:15:01,510
WHO USES THE GREAT
AMERICAN FIGHTING MAN
249
00:15:01,534 --> 00:15:04,680
LIKE A $5.00-A-THROW
BEANER WHORE.
250
00:15:04,704 --> 00:15:07,883
YOU'RE THE ONE SPREADING YOUR
LEGS FOR THE HIGHEST BIDDER.
251
00:15:07,907 --> 00:15:09,652
I'M JUST HERE TO
RECORD YOUR POSITION.
252
00:15:09,676 --> 00:15:12,521
RELAX, BOYS. RELAX.
253
00:15:12,545 --> 00:15:14,356
ANYWAY, TO MAKE YOU HAPPY,
254
00:15:14,380 --> 00:15:17,192
I AIN'T GOING OUT
WITH YOU TODAY. IKE IS.
255
00:15:17,216 --> 00:15:18,627
I'M GOING DOWN TO VALMALERA.
256
00:15:18,651 --> 00:15:20,362
VALMALERA?
257
00:15:20,386 --> 00:15:21,797
WHAT DO YOU KNOW ABOUT IT?
258
00:15:21,821 --> 00:15:23,466
HEY, DALTON,
259
00:15:23,490 --> 00:15:26,068
THEY SAID IT WAS
REAL BAD, MAN...
260
00:15:26,092 --> 00:15:28,337
SAID THE DEAD LOOK LIKE THEY
HAD BEEN PUT THROUGH A BLENDER.
261
00:15:28,361 --> 00:15:29,872
SOUNDS RIGHT UP YOUR ALLEY.
262
00:15:29,896 --> 00:15:31,140
NOBODY DOES HUMAN SUFFERING
263
00:15:31,164 --> 00:15:33,475
LIKE DALTON SCOTT, RIGHT?
264
00:15:33,499 --> 00:15:35,177
RIGHT?!
265
00:15:35,201 --> 00:15:37,947
HEY, DALTON, CAN I GO WITH YOU?
266
00:15:37,971 --> 00:15:39,381
NO WAY, MAN.
267
00:15:39,405 --> 00:15:41,450
ONE OF US HAS TO GO
OUT WITH THE MERCS.
268
00:15:41,474 --> 00:15:42,784
IF WE DON'T GET
SOME COMBAT SHOTS,
269
00:15:42,808 --> 00:15:45,620
RANDOLPH'S GONNA HAVE MY BALLS.
270
00:15:45,644 --> 00:15:47,556
WELL, MAYBE...
271
00:15:47,580 --> 00:15:48,824
WHAT?
272
00:15:48,848 --> 00:15:50,059
MAYBE YOU CAN GO WITH THE MERCS,
273
00:15:50,083 --> 00:15:52,083
AND I CAN GO TO VALMALERA.
274
00:15:55,355 --> 00:15:56,866
YOU LITTLE FUCK.
275
00:15:56,890 --> 00:15:58,134
WHAT?
276
00:15:58,158 --> 00:16:00,136
YOU PLAY THAT "AW, SHUCKS" THING
277
00:16:00,160 --> 00:16:02,271
JUST LIKE A FUCKING PRO,
278
00:16:02,295 --> 00:16:03,806
BUT THE TRUTH IS
YOU'RE A JACKAL,
279
00:16:03,830 --> 00:16:05,141
JUST TRYING TO DEPRIVE ME
280
00:16:05,165 --> 00:16:06,575
OF ONE LAST WALK IN THE SUN.
281
00:16:06,599 --> 00:16:07,643
NO, MAN, THAT AIN'T IT.
282
00:16:07,667 --> 00:16:10,246
THIS IS MY LAST
CHANCE TO GET BACK
283
00:16:10,270 --> 00:16:12,815
TO WHERE I WAS AT THE START
OF THIS FUCKING PIG CIRCUS,
284
00:16:12,839 --> 00:16:14,550
AND YOU'RE GOING TO
TAKE IT AWAY FROM ME?
285
00:16:14,574 --> 00:16:16,418
NO WAY! HEY,
DON'T... COME ON, MAN,
286
00:16:16,442 --> 00:16:18,821
YOU SAID IT YOURSELF,
ABOUT BEING TOO JADED.
287
00:16:18,845 --> 00:16:21,390
AND THIS IS, LIKE,
AN OPPORTUNITY.
288
00:16:21,414 --> 00:16:23,625
WE'D SHARE THE SHOTS.
289
00:16:23,649 --> 00:16:24,626
SHARE THE SHOTS?
290
00:16:24,650 --> 00:16:27,362
SHARE THE FUCKING SHOTS?!
291
00:16:27,386 --> 00:16:29,987
GET OUT OF MY FACE.
292
00:16:45,738 --> 00:16:46,848
YOU GO.
293
00:16:46,872 --> 00:16:48,617
HEY, I'M SORRY, MAN.
294
00:16:48,641 --> 00:16:50,552
GO. YOU'RE RIGHT.
295
00:16:50,576 --> 00:16:52,554
YOU CAN CAPTURE IT
MUCH BETTER THAN ME.
296
00:16:52,578 --> 00:16:54,790
WE CAN SHARE...
297
00:16:54,814 --> 00:16:56,713
SO GO GET IT, IKE.
298
00:16:59,018 --> 00:17:01,130
GET IT GOOD.
299
00:17:01,154 --> 00:17:03,087
THANKS, DALTON.
300
00:17:05,825 --> 00:17:07,670
CHANGE OF PLANS, MEN.
301
00:17:07,694 --> 00:17:10,839
I'M COMING WITH YOU.
IKE'S GOING TO VALMALERA.
302
00:17:10,863 --> 00:17:12,875
YOU SENDING HIM ALONE?
303
00:17:12,899 --> 00:17:15,343
YEAH, WELL, YOU CAN SEND
ONE OF YOUR GUYS, IF YOU LIKE.
304
00:17:15,367 --> 00:17:17,146
IF IT MAKES YOU FEEL
BETTER, SEND SALUCCI.
305
00:17:17,170 --> 00:17:18,147
FUCK YOU.
306
00:17:18,171 --> 00:17:20,049
SALUCCI GOES WITH US.
307
00:17:20,073 --> 00:17:22,251
BUT YOU RUN INTO
ANYTHING, YOU LAY CHILLY.
308
00:17:22,275 --> 00:17:24,586
AND YOU GET BACK HERE DIDI MAO.
309
00:17:24,610 --> 00:17:26,155
HEY, I'LL BE COOL.
310
00:17:26,179 --> 00:17:27,945
I'LL SHOOT THEM WITH THIS.
311
00:17:30,149 --> 00:17:32,260
MOVE OUT, GUYS.
312
00:17:32,284 --> 00:17:34,530
HEY, UNCLE SALTY, TELL ME,
313
00:17:34,554 --> 00:17:36,699
IS THIS THE ONE WHERE
THE GOOD GOVERNMENT'S
314
00:17:36,723 --> 00:17:37,933
FIGHTING THE BAD GUERRILLAS,
315
00:17:37,957 --> 00:17:40,235
OR THE BAD GOVERNMENT'S
FIGHTING GOOD GUERRILLAS?
316
00:17:40,259 --> 00:17:42,905
AW, SHIT, MAN.
317
00:17:42,929 --> 00:17:44,740
WHAT YOU TALKIN' ABOUT?
WE'VE BEEN OUT ALL DAY.
318
00:17:44,764 --> 00:17:47,743
WE AIN'T SEEN NO
HOOCH, NO NOTHING.
319
00:17:47,767 --> 00:17:49,445
A WASTE OF TIME.
I TELL YOU WHAT...
320
00:17:49,469 --> 00:17:50,779
YOU GUYS ARE GETTING
FAT AND LAZY, MAN.
321
00:17:50,803 --> 00:17:51,813
YOU NEED THE EXERCISE.
322
00:17:51,837 --> 00:17:53,015
I TELL YOU WHAT...
323
00:17:53,039 --> 00:17:54,383
PIRATE, I WANT MY
FUCKING PENTHOUSE BACK.
324
00:17:54,407 --> 00:17:55,951
KEEP IT DOWN.
325
00:18:14,827 --> 00:18:17,339
HEY, I WAS GETTING WORRIED.
326
00:18:17,363 --> 00:18:19,308
DID YOU HAVE ANY TROUBLE?
327
00:18:19,332 --> 00:18:20,942
NOPE.
328
00:18:20,966 --> 00:18:21,977
YOU?
329
00:18:22,001 --> 00:18:23,279
IT WAS UNBELIEVABLE, DALTON.
330
00:18:23,303 --> 00:18:24,846
I SWEAR TO GOD, I'VE
NEVER SEEN ANYTHING LIKE IT
331
00:18:24,870 --> 00:18:26,482
IN MY WHOLE LIFE.
332
00:18:26,506 --> 00:18:28,050
IT WAS, LIKE, HAUNTED, MAN.
333
00:18:28,074 --> 00:18:29,151
WHATEVER ARTILLERY
HIT THESE PEOPLE,
334
00:18:29,175 --> 00:18:30,286
HIT THEM HARD.
335
00:18:30,310 --> 00:18:33,222
THERE WAS CRAZY
VEGETATION, SPOOKY-ASS BUGS.
336
00:18:33,246 --> 00:18:35,123
SMELL THE FIRE STILL BURNING.
337
00:18:35,147 --> 00:18:38,194
I'M WRITING BOBBI A POSTCARD
NOW, TELLING ABOUT IT.
338
00:18:38,218 --> 00:18:41,458
YOU GOT TO SEE IT. EVEN
YOU CAN GET A GOOD SH...
339
00:18:43,022 --> 00:18:44,862
I MEAN, IT WAS AMAZING.
340
00:18:46,825 --> 00:18:48,337
AMAZING, HUH? YEAH.
341
00:18:48,361 --> 00:18:49,738
YOU GET SOME GOOD SHOTS?
342
00:18:49,762 --> 00:18:51,473
OH, MAN, I GOT SOME
BRILLIANT SHOTS.
343
00:18:51,497 --> 00:18:52,774
WE'RE GONNA HIT 'EM ALL, MAN...
344
00:18:52,798 --> 00:18:54,876
TIME, NEWSWEEK, NEW
YORK FREAKIN' POST.
345
00:18:54,900 --> 00:18:55,900
HA HA!
346
00:18:57,804 --> 00:18:59,148
I'M GOING TO GET SALUCCI...
347
00:18:59,172 --> 00:19:02,372
SEE IF I CAN'T GET THESE
OFF IN THE NEXT MAIL.
348
00:19:07,413 --> 00:19:09,680
HOW THE FUCK DOES HE DO IT?
349
00:19:16,622 --> 00:19:19,802
AH, I'M TELLING YOU, DALTON,
350
00:19:19,826 --> 00:19:21,804
WAR MIGHT BE HELL,
351
00:19:21,828 --> 00:19:25,296
BUT, GOD, IT SURE
MAKES YOU SLEEP GOOD.
352
00:19:32,104 --> 00:19:33,682
AAHHH!
353
00:19:33,706 --> 00:19:36,185
AAH!
354
00:19:36,209 --> 00:19:38,387
WHAT'S THE MATTER?
355
00:19:38,411 --> 00:19:40,622
IT BURNS! AAH! IT BURNS!
356
00:19:40,646 --> 00:19:42,324
WHAT BURNS? WHAT'S WRONG?
357
00:19:42,348 --> 00:19:44,793
I DON'T KNOW! OH! OH!
358
00:19:44,817 --> 00:19:46,317
HERE, HAVE A DRINK.
359
00:19:50,890 --> 00:19:53,201
HEY, WHAT'S UP IN THERE, MAN?
360
00:19:53,225 --> 00:19:54,759
NOTHING. NOTHING. WE'RE OK.
361
00:19:55,962 --> 00:19:58,240
I'M GONNA GET LITTLE
WING ON THE RADIO.
362
00:19:58,264 --> 00:19:59,996
AAH! AAH!
363
00:20:01,567 --> 00:20:02,644
HEY, WHAT'S UP, DALTON?
364
00:20:02,668 --> 00:20:03,712
WHAT'S UP IN THERE, MAN?
365
00:20:03,736 --> 00:20:05,514
IKE'S GOT SOME KIND OF FEVER.
366
00:20:05,538 --> 00:20:06,982
SHOULDN'T WE CALL THE MEDIC?
367
00:20:07,006 --> 00:20:08,450
NO, MAN. IT'S OK.
368
00:20:08,474 --> 00:20:09,485
I'LL TAKE CARE OF HIM.
369
00:20:09,509 --> 00:20:10,552
NO. WHAT'S UP IN THERE, MAN?
370
00:20:10,576 --> 00:20:12,020
I'LL TAKE CARE OF HIM, MAN!
371
00:20:12,044 --> 00:20:14,278
ALL RIGHT. ALL RIGHT.
372
00:20:22,255 --> 00:20:25,334
UHH... AAH...
373
00:20:25,358 --> 00:20:27,158
DALTON! UHH...
374
00:20:32,265 --> 00:20:34,276
I RADIOED FOR A MEDIC.
375
00:20:34,300 --> 00:20:36,745
THEY'RE GONNA CHOPPER
YOU TO BASE CAMP HOSPITAL.
376
00:20:36,769 --> 00:20:38,980
AND IF THE DOCTORS
THINK IT'S NECESSARY,
377
00:20:39,004 --> 00:20:41,183
THEY CAN GET YOU TO
MANAGUA IN 8 HOURS.
378
00:20:41,207 --> 00:20:44,820
AAAHH! IT BURNS! IT BURNS!
379
00:20:44,844 --> 00:20:45,821
AAH!
380
00:20:45,845 --> 00:20:49,691
CAN I TELL YOU SOMETHING?
381
00:20:49,715 --> 00:20:51,649
YOU LOOK LIKE SHIT.
382
00:20:52,985 --> 00:20:54,797
REALLY. YOU'RE
STARTING TO LOOK LIKE
383
00:20:54,821 --> 00:20:57,654
THE HOUSE SALAD, WITH
DRESSING ON THE SIDE.
384
00:21:00,426 --> 00:21:01,692
VALMALERA?
385
00:21:02,762 --> 00:21:04,873
YOU GOT IT, BROTHER.
386
00:21:04,897 --> 00:21:09,712
THOSE PEASANTS WEREN'T
KILLED BY NO ARTILLERY ROUNDS.
387
00:21:09,736 --> 00:21:11,547
YOU'RE DEEP IN THE
HURT LOCKER NOW.
388
00:21:11,571 --> 00:21:13,782
WHY?
389
00:21:13,806 --> 00:21:15,083
WHY DO YOU THINK, ISAAC?
390
00:21:15,107 --> 00:21:16,107
WHY?
391
00:21:17,710 --> 00:21:19,543
I'M ON THE COMEBACK TRAIL.
392
00:21:21,247 --> 00:21:22,491
AND WHO WOULD LOOK AFTER
393
00:21:22,515 --> 00:21:24,915
THAT SWEET LITTLE GIRL OF YOURS?
394
00:21:28,287 --> 00:21:30,087
BOBBI.
395
00:21:34,193 --> 00:21:36,927
AAH... AAH!
396
00:21:38,965 --> 00:21:41,999
THERE GOES THAT
WONDERFUL EYE OF YOURS.
397
00:21:45,371 --> 00:21:47,248
IF YOU DON'T MIND,
398
00:21:47,272 --> 00:21:49,818
I'M GOING TO GET
ME SOME FRESH AIR.
399
00:21:49,842 --> 00:21:51,920
NO OFFENSE, BROTHER,
400
00:21:51,944 --> 00:21:55,212
BUT YOU'RE STARTING
TO GET A LITTLE RIPE.
401
00:21:57,983 --> 00:22:00,729
OHHH!
402
00:22:00,753 --> 00:22:03,666
BACK IN THE 'NAM, I KNEW
A LANCE CORPORAL...
403
00:22:03,690 --> 00:22:08,304
ECHO COMPANY, THIRD
BATTALION, KHANH DIEN.
404
00:22:08,328 --> 00:22:12,240
NOW, ONE NIGHT, HE GETS
A SMALL CASE OF THE ROT.
405
00:22:12,264 --> 00:22:13,609
WOKE UP IN THE MORNING,
406
00:22:13,633 --> 00:22:17,212
THE BUGS HAD EATEN HIS NOSE OFF.
407
00:22:17,236 --> 00:22:18,447
SPENT THE REST OF THE DAY
408
00:22:18,471 --> 00:22:22,484
COMBING THE DEEP,
HAIRY BUSH FOR BUGS.
409
00:22:22,508 --> 00:22:25,387
AND EVERY BUG HE'D FIND,
410
00:22:25,411 --> 00:22:27,345
HE'D CUT IT OPEN...
411
00:22:29,582 --> 00:22:32,515
LOOKING TO PUT HIS
NOSE BACK TOGETHER.
412
00:22:34,487 --> 00:22:36,398
I THINK HE MUST HAVE
PICKED UP SOMETHING
413
00:22:36,422 --> 00:22:37,865
IN VALMALERA.
414
00:22:37,889 --> 00:22:39,068
I'LL BET HE DID.
415
00:22:39,092 --> 00:22:41,825
AMAZING, ISN'T IT, HOW
IT COULD HAVE BEEN YOU?
416
00:22:47,333 --> 00:22:50,212
JESUS FUCKING CHRIST.
417
00:22:50,236 --> 00:22:51,267
CHRIST ON A...
418
00:23:06,218 --> 00:23:08,185
DALT...
419
00:23:21,067 --> 00:23:23,478
YOU KILLED HIM.
420
00:23:23,502 --> 00:23:25,246
I HAD TO.
421
00:23:25,270 --> 00:23:27,449
WHATEVER HE'S GOT IS CONTAGIOUS.
422
00:23:27,473 --> 00:23:29,217
HE WAS COMING STRAIGHT AT US.
423
00:23:29,241 --> 00:23:30,686
WHAT ARE WE GOING TO DO, SARGE?
424
00:23:30,710 --> 00:23:34,089
I DON'T KNOW. I JUST DON'T KNOW.
425
00:23:34,113 --> 00:23:35,691
WE BURN IT.
426
00:23:35,715 --> 00:23:37,225
WE CAN'T RISK CONTAMINATION.
427
00:23:37,249 --> 00:23:39,527
YOU SON OF A BITCH.
428
00:23:39,551 --> 00:23:41,391
WHAT ARE WE GOING TO DO, SARGE?
429
00:23:43,089 --> 00:23:45,366
I THINK HE'S RIGHT.
430
00:23:45,390 --> 00:23:47,625
WE BURN IT MOST RICKI TIC.
431
00:23:55,201 --> 00:23:58,168
OH, YEAH. YEAH.
432
00:24:05,211 --> 00:24:08,190
I'VE BEEN COVERING THE
WAR RACKET SINCE INCHON,
433
00:24:08,214 --> 00:24:10,692
AND I'VE NEVER SEEN SUCH HORROR.
434
00:24:10,716 --> 00:24:12,194
YOU'VE GOT IT BACK, DALTON.
435
00:24:12,218 --> 00:24:14,651
YOU'VE GOT IT BACK.
436
00:24:16,522 --> 00:24:18,167
YOU'LL GET ANOTHER CAPITAL AWARD
437
00:24:18,191 --> 00:24:20,569
FOR THIS STUFF.
438
00:24:20,593 --> 00:24:22,971
TOO BAD ABOUT FORTE, THOUGH.
439
00:24:22,995 --> 00:24:24,662
KID WAS GOOD.
440
00:24:25,964 --> 00:24:27,998
KID WAS REAL GOOD.
441
00:24:30,302 --> 00:24:33,615
WAR IS HELL, RANDOLPH.
442
00:24:33,639 --> 00:24:37,986
THESE ARE LOVELY.
THANK YOU, DALTON.
443
00:24:38,010 --> 00:24:41,856
IT WAS THE LEAST I COULD DO.
444
00:24:41,880 --> 00:24:45,894
THIS CAME FROM ISAAC YESTERDAY.
445
00:24:45,918 --> 00:24:49,130
IT WAS WEIRD,
READING HIS POSTCARD,
446
00:24:49,154 --> 00:24:52,834
KNOWING IT WAS
WRITTEN BY A DEAD MAN.
447
00:24:52,858 --> 00:24:55,604
YOU WERE NICE TO GIVE
HIM THAT LAST ASSIGNMENT.
448
00:24:55,628 --> 00:24:59,107
HE WAS VERY GRATEFUL.
449
00:24:59,131 --> 00:25:01,209
YOU WERE THERE.
450
00:25:01,233 --> 00:25:03,133
DID HE SUFFER?
451
00:25:04,670 --> 00:25:07,938
NO. HE WENT VERY,
VERY PEACEFULLY.
452
00:25:10,308 --> 00:25:14,388
THERE WAS THIS LETTER CAME
WITH HIS POSTCARD AND PACKAGES.
453
00:25:14,412 --> 00:25:15,824
IT WAS A CRAZY LETTER,
454
00:25:15,848 --> 00:25:18,426
SAYING HOW YOU SENT
HIM TO THAT VILLAGE
455
00:25:18,450 --> 00:25:20,228
KNOWING HE'D GET SICK.
456
00:25:20,252 --> 00:25:23,098
HOW ISAAC TOOK THE
PICTURES, YOU DIDN'T.
457
00:25:23,122 --> 00:25:26,635
HOW, AFTER HE WAS SICK,
458
00:25:26,659 --> 00:25:28,458
YOU SHOT HIM DEAD.
459
00:25:38,570 --> 00:25:42,851
IT WAS FROM A DOMINIC SALUCCI.
460
00:25:42,875 --> 00:25:45,219
I DIDN'T BELIEVE IT.
461
00:25:45,243 --> 00:25:47,689
I STILL DON'T.
462
00:25:47,713 --> 00:25:49,691
I KNOW YOU BULLIED ISAAC,
463
00:25:49,715 --> 00:25:54,529
BUT I KNOW YOU REALLY LOVED HIM.
464
00:25:54,553 --> 00:25:56,653
I LOVED HIM LIKE A BROTHER.
465
00:26:14,272 --> 00:26:17,207
I SAW THE PHOTOS, DALTON.
466
00:26:19,211 --> 00:26:21,690
THEY WERE ISAAC'S PHOTOS.
467
00:26:21,714 --> 00:26:25,148
YOU KILLED MY ISAAC.
468
00:26:27,186 --> 00:26:29,053
WHATEVER HE HAD...
469
00:26:33,426 --> 00:26:35,002
WE'VE NOW GOT.
470
00:26:35,026 --> 00:26:37,104
WHAT?
471
00:26:37,128 --> 00:26:41,631
ISAAC SENT ME SOME OF THE
BALSAM FROM THE VILLAGE.
472
00:26:43,602 --> 00:26:46,069
WE JUST SMOKED IT.
473
00:26:49,342 --> 00:26:52,220
WE'LL BOTH DIE.
474
00:26:52,244 --> 00:26:56,045
SURE. WE ALL HAVE
TO MAKE SACRIFICES.
475
00:27:00,352 --> 00:27:01,330
AAH!
476
00:27:01,354 --> 00:27:03,765
YOU'RE FUCKING CRAZY. NO!
477
00:27:03,789 --> 00:27:04,833
OHHH!
478
00:27:04,857 --> 00:27:05,857
GET OFF!
479
00:27:12,965 --> 00:27:14,609
GET OFF! GET OFF!
480
00:27:19,004 --> 00:27:20,815
AAH! AAH!
481
00:27:20,839 --> 00:27:22,017
AAH! NO!
482
00:27:28,647 --> 00:27:31,293
OH, GOD, NO! NO!
483
00:27:42,360 --> 00:27:43,872
AAH!
484
00:27:43,896 --> 00:27:44,873
NO!
485
00:27:44,897 --> 00:27:48,398
NO!
486
00:27:53,038 --> 00:27:55,583
NOW, THAT'S WHAT I CALL ROMANCE.
487
00:27:55,607 --> 00:27:58,486
BOY GETS GIRL. BOY LOSES GIRL.
488
00:27:58,510 --> 00:28:01,589
BOY GETS GIRL AND
GOES TO PIECES OVER HER.
489
00:28:01,613 --> 00:28:03,858
HEE HEE HEE HEE HEE!
490
00:28:03,882 --> 00:28:05,560
YOU'LL BE PLEASED
TO KNOW, KIDDIES,
491
00:28:05,584 --> 00:28:08,430
THAT THINGS TURNED OUT
PRETTY WELL FOR BOBBI.
492
00:28:08,454 --> 00:28:09,764
SHE GOT HERSELF A JOB
493
00:28:09,788 --> 00:28:13,601
AND STARTED MODELING
FOR VIC-GORE-IA'S SECRET.
494
00:28:13,625 --> 00:28:17,605
AH HA HA HA HA!
495
00:28:17,629 --> 00:28:20,909
BEAUTIFUL. BEAUTIFUL!
496
00:28:20,933 --> 00:28:24,179
TURN YOUR HEAD A
LITTLE MORE TOWARD ME.
497
00:28:24,203 --> 00:28:25,981
JUST A LITTLE MORE...
498
00:28:26,005 --> 00:28:27,704
LITTLE MORE...
499
00:28:30,909 --> 00:28:33,588
AH, PERFECT!
500
00:28:33,612 --> 00:28:39,193
HEE HEE HEE HEE HEE!
501
00:28:39,217 --> 00:28:41,885
CAPTIONING MADE
POSSIBLE BY WARNER BROS.
502
00:28:48,160 --> 00:28:51,160
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE... www.ncicap.org...
33598
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