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1
00:00:00,634 --> 00:00:03,802
MADE POSSIBLE BY WARNER BROS.
2
00:01:14,909 --> 00:01:17,776
AH HA HA HA!
3
00:01:23,384 --> 00:01:26,251
YES, THAT'S BETTER.
4
00:01:26,320 --> 00:01:28,520
OH, HELLO, BOORS AND GHOULS.
5
00:01:28,589 --> 00:01:31,790
I HOPE YOU'LL EXCUSE
ME IF I DON'T GET UP.
6
00:01:31,858 --> 00:01:33,992
I'M A LITTLE STIFF TODAY.
7
00:01:34,061 --> 00:01:37,663
THEN AGAIN, I'M A
LITTLE STIFF EVERY DAY.
8
00:01:39,099 --> 00:01:43,202
ACTUALLY, I TWISTED MY
NECK PLAYING CROAK-ET,
9
00:01:43,270 --> 00:01:46,137
BUT IT WASN'T HURTING THE
WAY I THOUGHT IT SHOULD,
10
00:01:46,207 --> 00:01:48,640
SO I CALLED MY CHIRO-HACK-TOR.
11
00:01:48,709 --> 00:01:52,777
OF COURSE, SOME PEOPLE
LOOK ELSEWHERE FOR THEIR PAIN,
12
00:01:52,846 --> 00:01:56,014
LIKE THE OLD MAN IN
TONIGHT'S TERROR TALE.
13
00:01:56,083 --> 00:01:58,750
HIS IDEA OF AN ANTI-DIE-OTIC
14
00:01:58,819 --> 00:02:00,985
WAS TO MARRY A YOUNGER WOMAN.
15
00:02:01,054 --> 00:02:02,287
HEE HEE HEE HEE!
16
00:02:02,356 --> 00:02:03,356
AAH!
17
00:02:06,393 --> 00:02:08,493
AHH!
18
00:02:08,562 --> 00:02:13,931
I CALL THIS PLASMA
PLAY... STRUNG ALONG.
19
00:02:31,618 --> 00:02:34,185
HEY, CLYDE, WHAT'S THE MATTER?
20
00:02:34,254 --> 00:02:36,922
I KIND OF LEFT MY
DOG HERE, KOKO.
21
00:02:36,991 --> 00:02:39,357
YOU LEFT YOUR DOG HERE?
22
00:02:39,426 --> 00:02:41,793
HEY, CLYDE, CAN'T YOU READ?
23
00:02:41,862 --> 00:02:43,929
THIS IS A NO BARKING ZONE.
24
00:02:43,998 --> 00:02:45,630
OH, NO.
25
00:02:45,699 --> 00:02:47,865
OH, YEAH, KIDDO.
26
00:02:47,935 --> 00:02:50,135
I BET THE COPS COLLARD HIM.
27
00:02:50,204 --> 00:02:52,271
WELL, WE BETTER
GET TO THE POUND.
28
00:02:58,012 --> 00:03:01,446
HOPE YOU HAD A GOOD
TIME, KIDS, AND REMEMBER,
29
00:03:01,515 --> 00:03:04,549
WHEREVER YOU MAY GO,
WHATEVER YOU MAY SEEK,
30
00:03:04,618 --> 00:03:07,585
WE'LL ALL GET TOGETHER
SAME TIME NEXT WEEK.
31
00:03:37,250 --> 00:03:40,619
OH, WHAT A DAY! IT'S PERFECT.
32
00:03:40,687 --> 00:03:42,621
COME ON BACK IN.
33
00:03:44,124 --> 00:03:45,690
OH!
34
00:03:45,759 --> 00:03:48,226
WHY DON'T YOU GET BACK OUT?
35
00:04:06,213 --> 00:04:07,779
HI, HONEY.
36
00:04:11,018 --> 00:04:13,284
I CAN'T GET HIM
OUT OF THE HOUSE.
37
00:04:18,658 --> 00:04:21,526
RADIO CITY MUSIC HALL PRESENTS
38
00:04:21,594 --> 00:04:25,096
JOSEPH RENFIELD
AND KOKO THE CLOWN.
39
00:04:25,165 --> 00:04:27,599
O.K., LET'S GIVE A BIG HAND
40
00:04:27,668 --> 00:04:29,101
FOR KOKO THE CLOWN
41
00:04:29,169 --> 00:04:30,668
AND COWBOY CLYDE.
42
00:04:30,737 --> 00:04:33,171
HERE THEY ARE,
LADIES AND GENTLEMEN,
43
00:04:33,240 --> 00:04:34,673
KOKO AND CLYDE.
44
00:04:39,513 --> 00:04:41,612
WANT MY OPINION?
45
00:04:41,681 --> 00:04:43,681
NOT ESPECIALLY.
46
00:04:44,918 --> 00:04:48,687
HOW ABOUT TAKING A
LITTLE MORE OFF THE TOP?
47
00:04:48,756 --> 00:04:50,121
NOBODY ASKED YOU, KOKO.
48
00:04:50,190 --> 00:04:52,991
YOU'VE CARVED THAT
HEAD FOR TWO MONTHS.
49
00:04:53,059 --> 00:04:55,694
YOU MAKE THOSE
CHEEKBONES ANY HIGHER...
50
00:04:55,763 --> 00:04:57,328
OH, DAMN IT!
51
00:04:57,398 --> 00:04:58,630
DON'T SAY IT.
52
00:04:58,699 --> 00:05:01,700
I DON'T WANT TO
HEAR "I TOLD YOU SO."
53
00:05:02,770 --> 00:05:05,203
KOKO BEEN BOTHERING YOU AGAIN?
54
00:05:05,272 --> 00:05:07,739
KOKO BOTHERING
ME? ARE YOU KIDDING?
55
00:05:07,808 --> 00:05:09,741
I BROUGHT YOU YOUR MAIL.
56
00:05:12,645 --> 00:05:14,765
WHY DON'T YOU COME FOR A SWIM?
57
00:05:15,615 --> 00:05:17,326
I DON'T WANT TO TAKE YOU
AWAY FROM YOUR FRIEND.
58
00:05:17,350 --> 00:05:18,917
LUCY WENT HOME.
59
00:05:18,985 --> 00:05:20,618
FOR CHRIST SAKES, JOE,
60
00:05:20,687 --> 00:05:23,087
YOU GOING TO JEALOUS
OF MY FEMALE FRIENDS TOO?
61
00:05:23,157 --> 00:05:25,223
I'M SORRY, I GUESS
I'M JUST DEPRESSED.
62
00:05:25,292 --> 00:05:28,293
OF COURSE YOU'RE DEPRESSED
YOU SIT IN THIS DARK LITTLE ROOM
63
00:05:28,362 --> 00:05:30,802
TALKING TO YOURSELF,
IT'S NOT HEALTHY.
64
00:05:32,665 --> 00:05:33,976
DID YOU TAKE YOUR
MEDICATION TODAY?
65
00:05:34,000 --> 00:05:35,566
I FEEL FINE, REALLY.
66
00:05:35,635 --> 00:05:38,469
WHAT COLOR SHOULD I
WEAR TO YOUR FUNERAL?
67
00:05:38,538 --> 00:05:42,174
IF YOU WANT ANOTHER
HEART ATTACK, GO AHEAD.
68
00:05:43,610 --> 00:05:46,077
DON'T BE ANGRY WITH ME, KIDDO.
69
00:05:46,146 --> 00:05:50,048
I'M NOT ANGRY WITH
YOU. I'M JUST FRUSTRATED.
70
00:05:50,116 --> 00:05:53,485
YOU'VE GOT TO TAKE
BETTER CARE OF YOURSELF.
71
00:06:03,230 --> 00:06:06,431
SHE'S MAGNIFICENT,
ISN'T SHE, KOKO?
72
00:06:06,500 --> 00:06:09,501
SHE'S A REAL PIECE
OF WORK, ALL RIGHT.
73
00:06:35,328 --> 00:06:37,395
WHAT IS IT?
74
00:06:37,463 --> 00:06:40,331
YOU WON'T BELIEVE
IT. THIS IS INCREDIBLE.
75
00:06:40,400 --> 00:06:42,333
THEY WANT ME FOR A TRIBUTE
76
00:06:42,402 --> 00:06:44,335
TO THE GOLDEN AGE OF TELEVISION.
77
00:06:44,404 --> 00:06:45,670
WHAT?
78
00:06:45,739 --> 00:06:49,808
THEY WANT ME TO DO ONE OF THE
OLD KOKO AND CLYDE ROUTINES.
79
00:06:49,877 --> 00:06:53,411
NOW, WAIT A MINUTE.
ARE YOU UP FOR THIS?
80
00:06:53,480 --> 00:06:54,524
THERE'S NOT MUCH NOTICE.
81
00:06:54,548 --> 00:06:56,848
UP TO IT, WHY I COULD
DO IT IN MY SLEEP.
82
00:06:56,916 --> 00:06:58,416
THIS IS WHAT I NEED.
83
00:06:58,485 --> 00:07:00,184
I'M GOING OUT OF MY HEAD.
84
00:07:00,254 --> 00:07:03,255
THIS COULD BE THE
BEGINNING OF A COMEBACK.
85
00:07:03,323 --> 00:07:05,356
DON'T BLOW IT OUT OF PROPORTION.
86
00:07:05,425 --> 00:07:06,857
IT'S JUST A TV SHOW.
87
00:07:09,929 --> 00:07:11,462
BUT WHO KNOWS?
88
00:07:11,531 --> 00:07:14,699
MAYBE IT'LL GET YOU
OUT OF THE HOUSE.
89
00:07:14,767 --> 00:07:17,935
OH, YEAH... WELL,
THERE'S SO MUCH TO DO.
90
00:07:18,004 --> 00:07:20,538
THERE'S A TON OF PEOPLE TO CALL.
91
00:07:20,607 --> 00:07:22,607
KIDDO, I'VE BEEN THINKING.
92
00:07:22,675 --> 00:07:26,311
INSTEAD OF AN OLD ROUTINE,
I'LL DO SOMETHING NEW.
93
00:07:27,814 --> 00:07:29,381
NOW, WAIT A MINUTE.
94
00:07:29,449 --> 00:07:31,749
I DON'T WANT YOU
PUSHING YOURSELF.
95
00:07:31,818 --> 00:07:33,818
I WON'T LET YOU GET SICK AGAIN.
96
00:07:33,887 --> 00:07:36,888
SICK? I HAVEN'T FELT
THIS GOOD IN YEARS.
97
00:07:36,957 --> 00:07:40,425
LET'S HAVE DR. LITTMAN
CHECK YOU OUT IN CASE.
98
00:07:40,493 --> 00:07:43,161
WHY? I'M ON ENOUGH
MEDICATION ALREADY.
99
00:07:44,398 --> 00:07:46,331
ALL RIGHT, NO MORE DOCTORS.
100
00:07:46,400 --> 00:07:49,334
COULD WE GET
SOMEONE TO HELP YOU?
101
00:07:49,403 --> 00:07:51,903
WOULD YOU DO THAT FOR ME?
102
00:07:51,972 --> 00:07:54,406
OH, I DON'T KNOW
ANYBODY ANYMORE.
103
00:07:54,474 --> 00:07:58,543
WELL, MAYBE I'LL CALL
THE TRADES TOMORROW
104
00:07:58,611 --> 00:08:00,845
AND PLACE A CLASSIFIED.
105
00:08:00,914 --> 00:08:02,414
CLASSIFIEDS.
106
00:08:02,482 --> 00:08:05,850
YOU NEVER KNOW WHO
YOU'LL GET FROM THOSE.
107
00:08:07,487 --> 00:08:09,854
I'LL TALK TO MY ACTING TEACHER.
108
00:08:09,923 --> 00:08:12,857
HE MIGHT KNOW SOMEONE
WHO COULD HELP YOU.
109
00:08:12,926 --> 00:08:13,959
ALL RIGHT.
110
00:08:20,334 --> 00:08:21,666
WHAT'S THAT ALL ABOUT?
111
00:08:23,470 --> 00:08:26,671
I DON'T KNOW I
GUESS I FEEL INSPIRED.
112
00:08:29,609 --> 00:08:30,976
INSPIRED AYE.
113
00:08:40,787 --> 00:08:42,331
AND THIS IS JOSEPH'S WORKSHOP.
114
00:08:42,355 --> 00:08:43,922
I CAN'T TELL YOU
HOW EXCITED I AM.
115
00:08:43,991 --> 00:08:45,857
I GREW UP ON
THIS STUFF AS A KID.
116
00:08:45,925 --> 00:08:47,158
DIDN'T WE ALL.
117
00:08:50,063 --> 00:08:51,063
OH, WOW!
118
00:08:54,934 --> 00:08:56,701
JOSEPH, DAVID IS HERE.
119
00:08:59,105 --> 00:09:01,539
THAT'S FUNNY. HE
KNEW YOU WERE COMING.
120
00:09:01,608 --> 00:09:05,109
WAIT HERE. I'LL GO FIND HIM.
121
00:09:05,178 --> 00:09:06,377
O.K. THANKS.
122
00:09:27,500 --> 00:09:28,933
DON'T TOUCH HIM!
123
00:09:29,002 --> 00:09:31,369
YOU DON'T KNOW WHERE HE'S BEEN.
124
00:09:31,438 --> 00:09:32,970
WHO IS THAT?
125
00:09:33,039 --> 00:09:35,573
WHO DO YOU WANT IT TO BE?
126
00:09:53,994 --> 00:09:56,227
HOW THE HELL DID YOU DO THAT?
127
00:09:56,296 --> 00:10:00,231
THAT'S FOR ME TO KNOW
AND YOU TO FIND OUT.
128
00:10:00,300 --> 00:10:01,799
JOSEPH, COME ON OUT.
129
00:10:01,868 --> 00:10:04,735
THERE'S A GUY OUT
HERE SPYING ON US.
130
00:10:04,804 --> 00:10:07,805
KOKO, TRY BEING NICER
TO THE YOUNG MAN.
131
00:10:07,874 --> 00:10:10,809
YOU DON'T WANT
TO SCARE HIM AWAY.
132
00:10:10,877 --> 00:10:13,311
I DON'T FRIGHTEN
EASY, MR. RENFIELD.
133
00:10:13,380 --> 00:10:15,513
FOR STARTERS, IT'S
NOT MR. RENFIELD.
134
00:10:15,581 --> 00:10:17,581
IT'S JOSEPH, O.K.?
135
00:10:17,650 --> 00:10:19,117
YES, SIR.
136
00:10:19,185 --> 00:10:21,386
THIS IS A REAL HONOR FOR ME.
137
00:10:22,588 --> 00:10:23,954
DID ELLEN TELL YOU
138
00:10:24,023 --> 00:10:26,591
KISSING MY ASS WAS
PART OF THE JOB?
139
00:10:26,660 --> 00:10:29,160
NO, SIR. ACTUALLY,
THAT WAS MY IDEA.
140
00:10:29,228 --> 00:10:30,428
UH-HUH.
141
00:10:35,669 --> 00:10:38,603
SO, HOW DO YOU KNOW ELLEN?
142
00:10:38,672 --> 00:10:42,607
SHE TAKES ACTING CLASS
FROM A FRIEND OF MINE.
143
00:10:42,676 --> 00:10:45,610
AND DO YOU KNOW
EACH OTHER VERY WELL?
144
00:10:45,679 --> 00:10:48,346
ACTUALLY, WE'VE NEVER MET.
145
00:10:48,414 --> 00:10:51,116
I HAD TO STOP TAKING THE CLASS.
146
00:10:51,184 --> 00:10:52,550
OH. IN THAT CASE,
147
00:10:52,619 --> 00:10:55,120
LET'S GET TO THE GOOD STUFF.
148
00:10:55,188 --> 00:10:57,588
HAVE YOU WORKED WITH
MARIONETTES BEFORE?
149
00:10:57,657 --> 00:11:00,691
I HAVE DONE SOME
WORK IN ANIMATRONICS.
150
00:11:00,760 --> 00:11:04,361
UH, MECHANICAL PUPPETS,
USING REMOTE CONTROLS
151
00:11:04,431 --> 00:11:07,265
AND COMPUTER CIRCUITS,
THAT SORT OF THING.
152
00:11:07,333 --> 00:11:10,301
I'VE GOT SOME PICTURES
I'D LOVE TO SHOW YOU.
153
00:11:10,370 --> 00:11:11,714
NO, NO. PUPPETS AREN'T MACHINES.
154
00:11:11,738 --> 00:11:13,804
THEY'RE AN EXTENSION
OF THE PUPPETEER.
155
00:11:13,874 --> 00:11:15,340
THEY'RE A PART OF YOU.
156
00:11:15,408 --> 00:11:17,641
YOU BECOME PART OF THEM.
157
00:11:17,710 --> 00:11:19,944
IF THAT'S A PROBLEM FOR YOU,
158
00:11:20,013 --> 00:11:21,512
YOU SHOULDN'T DO IT.
159
00:11:21,581 --> 00:11:23,180
MR. RENFIELD... JOSEPH,
160
00:11:23,250 --> 00:11:25,083
I WANT TO LEARN.
161
00:11:25,151 --> 00:11:26,918
THAT'S WHY I'M HERE.
162
00:11:26,987 --> 00:11:30,454
I'VE GOT THE CHANCE TO LEARN
THE CRAFT FROM A MASTER.
163
00:11:33,493 --> 00:11:34,425
I WANT THAT CHANCE.
164
00:11:34,494 --> 00:11:35,494
I DO.
165
00:11:40,934 --> 00:11:42,199
GREAT.
166
00:11:42,268 --> 00:11:43,268
THANKS.
167
00:11:46,440 --> 00:11:48,373
I TOLD YOU I WOULD.
168
00:11:49,943 --> 00:11:51,509
YES, I KNOW.
169
00:11:52,712 --> 00:11:54,879
WE'LL TALK ABOUT IT LATER.
170
00:11:54,948 --> 00:11:56,180
RICK,
171
00:11:56,249 --> 00:12:00,217
I SAID WE'LL TALK
ABOUT IT LATER.
172
00:12:00,286 --> 00:12:01,686
I HAVE TO GO.
173
00:12:02,823 --> 00:12:03,823
WHO'S THAT?
174
00:12:03,857 --> 00:12:06,391
A FRIEND FROM CLASS.
175
00:12:07,927 --> 00:12:10,806
SO, HOW'S WHAT'S-HIS-NAME
WORKING OUT?
176
00:12:10,830 --> 00:12:12,363
DAVID.
177
00:12:12,431 --> 00:12:14,398
I THINK HE'LL BE FINE.
178
00:12:17,270 --> 00:12:18,336
GREAT.
179
00:12:18,405 --> 00:12:19,904
WHAT?
180
00:12:19,973 --> 00:12:22,240
HE JUST SEEMED TOO EAGER.
181
00:12:22,309 --> 00:12:24,075
YOU DON'T LIKE HIM?
182
00:12:24,143 --> 00:12:25,710
NO, HE'S FINE.
183
00:12:25,778 --> 00:12:27,345
HE COMES HIGHLY RECOMMENDED.
184
00:12:27,414 --> 00:12:29,847
HE JUST STRUCK ME AS TOO PUSHY.
185
00:12:33,486 --> 00:12:36,520
BUT IF HE HELPS YOU GET
YOUR SHOW TOGETHER,
186
00:12:36,589 --> 00:12:38,389
HE'S O.K. BY ME.
187
00:12:38,458 --> 00:12:40,291
I'M GLAD TO SEE YOU SO PLEASED.
188
00:12:46,332 --> 00:12:48,833
I LEFT SOME DINNER FOR YOU.
189
00:12:48,901 --> 00:12:50,468
WHERE ARE YOU GOING?
190
00:12:50,537 --> 00:12:53,216
WHERE I GO EVERY TUESDAY
NIGHT, MY ACTING CLASS.
191
00:12:53,240 --> 00:12:54,172
DO YOU HAVE TO GO?
192
00:12:54,241 --> 00:12:55,784
WHY CAN'T WE HAVE
DINNER AT HOME?
193
00:12:55,808 --> 00:12:58,442
IT'S THE ONLY CHANCE I GET
TO GET OUT OF THE HOUSE.
194
00:12:59,646 --> 00:13:01,079
YOU MAY LIKE BEING SHUT IN,
195
00:13:01,147 --> 00:13:02,147
BUT I DON'T.
196
00:13:17,763 --> 00:13:20,231
ARE YOU THINKING
WHAT I'M THINKING?
197
00:13:22,302 --> 00:13:24,201
IT DEPENDS, KOKO.
198
00:13:24,270 --> 00:13:25,737
WHAT ARE YOU THINKING?
199
00:13:29,409 --> 00:13:32,243
SHE WOULDN'T DO THAT TO US...
200
00:13:32,311 --> 00:13:35,747
NOT AFTER THINGS HAVE FINALLY
STARTED HAPPENING AGAIN.
201
00:13:37,884 --> 00:13:39,183
SHE WOULDN'T.
202
00:13:40,820 --> 00:13:43,254
TELL ME YOU AGREE WITH ME.
203
00:14:01,407 --> 00:14:03,274
OH, THERE YOU ARE, CLYDE.
204
00:14:03,342 --> 00:14:05,276
I LOST YOU IN THAT WAVE.
205
00:14:05,345 --> 00:14:08,813
I LOST ME IN THAT WAVE, TOO.
206
00:14:08,882 --> 00:14:10,414
BY THE WAY, CLYDE,
207
00:14:10,483 --> 00:14:12,650
DAMN IT, I KEEP GETTING
THE STRINGS TANGLED.
208
00:14:14,453 --> 00:14:16,420
WELL, NOW, IT'S OKAY.
209
00:14:16,489 --> 00:14:17,788
DON'T GET FRUSTRATED.
210
00:14:17,857 --> 00:14:20,191
YOU'RE USING TO MUCH WRIST.
211
00:14:20,259 --> 00:14:23,560
NOW JUST THINK OF THE ARMS
AND HANDS AS A LONG APPENDAGE
212
00:14:23,629 --> 00:14:25,441
REACHING DOWN
THROUGH THE CONTROLLER.
213
00:14:25,465 --> 00:14:27,098
INTO THE PUPPET'S TOES.
214
00:14:27,166 --> 00:14:30,501
SEE, JUST BACK AND
FORTH REALLY EASY.
215
00:14:30,569 --> 00:14:32,303
LIKE THIS.
216
00:14:32,372 --> 00:14:35,974
JUST DON'T FORCE IT.
217
00:14:36,042 --> 00:14:38,276
IT'S AMAZING HOW YOU DO THAT.
218
00:14:39,946 --> 00:14:41,645
THANKS, KIDDO.
219
00:14:41,714 --> 00:14:43,981
I'VE BEEN IN THIS
BUSINESS A LONG TIME.
220
00:14:44,050 --> 00:14:45,549
IT SHOULD BE AMAZING.
221
00:14:46,886 --> 00:14:48,664
OH, I'M SORRY, HERE
YOU TRY A LITTLE.
222
00:14:55,261 --> 00:14:56,527
OH, THERE YOU ARE, CLYDE.
223
00:14:56,596 --> 00:14:58,840
I LOST YOU IN THAT LAST WAVE.
224
00:14:58,864 --> 00:15:02,199
I LOST ME IN THAT LAST WAVE TOO.
225
00:15:02,268 --> 00:15:04,101
OH, AND BY THE WAY, CLYDE.
226
00:15:04,170 --> 00:15:05,715
WHEN YOU GET ON THE BOARD,
227
00:15:05,739 --> 00:15:07,650
YOU'RE SUPPOSED
TO YELL "COWABUNGA,"
228
00:15:07,674 --> 00:15:09,106
NOT "HELP ME, MOMMY."
229
00:15:09,175 --> 00:15:10,475
THANKS, KOKO.
230
00:15:10,543 --> 00:15:13,811
WHAT DO I YELL WHEN THE
BOARD GETS ON TOP OF ME?
231
00:15:13,880 --> 00:15:17,849
THAT'S WHEN YOU
YELL "HELP ME, MOMMY."
232
00:15:17,917 --> 00:15:20,284
OH, THAT'S MUCH
BETTER, MUCH BETTER.
233
00:15:20,353 --> 00:15:22,453
COME ON, COME ON.
234
00:15:24,758 --> 00:15:27,625
HELLO, DARLING.
WASN'T DAVID GREAT?
235
00:15:27,693 --> 00:15:29,127
LUNCHTIME.
236
00:15:29,195 --> 00:15:32,130
HE LEARNED IN TWO WEEKS
WHAT TOOK ME TWO YEARS.
237
00:15:32,198 --> 00:15:34,331
DID YOU CATCH THE SCENE?
238
00:15:34,400 --> 00:15:35,566
LOOKED O.K.
239
00:15:35,635 --> 00:15:37,435
FOR HER THAT'S A RAVE REVIEW.
240
00:15:37,503 --> 00:15:39,770
WHAT'D YOU THINK
OF THE NEW LINES?
241
00:15:39,839 --> 00:15:40,771
THEY'RE O.K.
242
00:15:40,840 --> 00:15:42,306
I THOUGHT THEY WERE GREAT.
243
00:15:42,375 --> 00:15:44,909
DAVID WROTE THEM.
244
00:15:44,978 --> 00:15:46,377
WHO TOLD DAVID TO DO THAT?
245
00:15:46,445 --> 00:15:48,980
HE CAME UP WITH
THE IDEA AND I LIKED IT.
246
00:15:49,048 --> 00:15:51,782
JOE, YOU'VE BEEN WINNING
EMMYS FOR WRITING
247
00:15:51,851 --> 00:15:53,417
SINCE BEFORE HE WAS BORN.
248
00:15:53,486 --> 00:15:56,421
WE HIRED HIM TO HELP,
NOT CHANGE THE ACT.
249
00:15:56,489 --> 00:15:58,756
ALL I DID WAS
UPDATE THE MATERIAL
250
00:15:58,825 --> 00:16:01,759
FROM THE FIFTIES
TO THE NINETIES.
251
00:16:01,828 --> 00:16:05,663
GREAT, BUT THE SHOW IS
A TRIBUTE TO THE FIFTIES.
252
00:16:05,732 --> 00:16:08,298
I SUGGEST YOU CHANGE IT BACK.
253
00:16:08,368 --> 00:16:09,867
THE CHANGES WORK BETTER.
254
00:16:09,935 --> 00:16:13,070
WHO'S RUNNING THE
SHOW, YOU OR HIM?
255
00:16:25,351 --> 00:16:26,650
YOU O.K., JOE?
256
00:16:28,321 --> 00:16:29,620
YEAH, I'M FINE.
257
00:16:31,390 --> 00:16:32,690
WANT ME TO GO GET HER?
258
00:16:34,594 --> 00:16:37,028
NO, NO, I'LL BE O.K.
259
00:16:37,097 --> 00:16:39,563
JUST GOT TO CATCH MY BREATH.
260
00:16:41,033 --> 00:16:42,400
WHAT'S GOING ON, JOE?
261
00:16:43,970 --> 00:16:45,770
NOTHING.
262
00:16:45,838 --> 00:16:49,340
COME ON THIS IS ME,
DAVID YOU CAN TALK TO ME.
263
00:16:51,911 --> 00:16:53,889
IS THERE SOME KIND OF
PROBLEM BETWEEN YOU AND ELLEN
264
00:16:53,913 --> 00:16:55,113
YOU WANT TO TALK ABOUT?
265
00:16:58,617 --> 00:17:01,685
I THINK THERE'S SOMEONE
IN HER ACTING CLASS.
266
00:17:02,822 --> 00:17:04,655
YOU THINK SHE'S
HAVING AN AFFAIR?
267
00:17:07,594 --> 00:17:09,071
WELL, UH, I'M BEING RIDICULOUS.
268
00:17:09,095 --> 00:17:10,961
LET'S GET BACK TO WORK.
269
00:17:11,030 --> 00:17:13,163
I CAN SWING BY HER ACTING CLASS
270
00:17:13,232 --> 00:17:15,800
ON WEDNESDAY NIGHT
AND CHECK IT OUT.
271
00:17:15,868 --> 00:17:17,234
IT'D BE NO PROBLEM.
272
00:17:19,038 --> 00:17:21,271
WEDNESDAY NIGHT?
273
00:17:21,341 --> 00:17:24,508
HER ACTING CLASS
IS ON TUESDAY NIGHT.
274
00:17:24,577 --> 00:17:26,577
IT USED TO BE TUESDAY NIGHT,
275
00:17:26,646 --> 00:17:29,346
BUT THEY CHANGED IT A YEAR AGO.
276
00:17:29,415 --> 00:17:32,483
THAT'S WHY I HAD TO DROP OUT.
277
00:17:32,551 --> 00:17:33,885
OH, YEAH.
278
00:17:44,130 --> 00:17:45,229
SORRY, JOE.
279
00:17:45,297 --> 00:17:47,331
REALLY.
280
00:17:47,399 --> 00:17:49,199
THAT'S OKAY.
281
00:17:49,268 --> 00:17:51,802
THAT'S OKAY, I'M ALL RIGHT.
282
00:17:56,609 --> 00:17:59,476
I DON'T THINK YOU SHOULD
COME BACK TOMORROW.
283
00:17:59,545 --> 00:18:02,212
WHAT HAVE YOU GOT AGAINST ME?
284
00:18:02,281 --> 00:18:05,416
I DON'T UNDERSTAND WHY
YOU HATE ME SO MUCH.
285
00:18:05,485 --> 00:18:09,086
I'D LIKE TO DO THIS AS
QUIETLY AS POSSIBLE,
286
00:18:09,155 --> 00:18:12,089
BUT IF IT'S A MATTER OF MONEY,
287
00:18:12,158 --> 00:18:15,159
I'M SURE WE CAN COME
TO SOME AGREEMENT.
288
00:18:17,663 --> 00:18:20,664
IS THAT WHAT YOU
THINK THIS IS ABOUT?
289
00:18:20,733 --> 00:18:22,467
YOU ARE DISGUSTING.
290
00:18:22,535 --> 00:18:24,368
DO YOU KNOW THAT?
291
00:18:27,740 --> 00:18:29,106
BY THE WAY,
292
00:18:29,175 --> 00:18:32,176
HOW LONG HAVE YOU BEEN
CHEATING ON YOUR HUSBAND?
293
00:18:32,245 --> 00:18:33,844
HOW DARE YOU!
294
00:18:33,913 --> 00:18:35,345
STOP IT, YOU TWO.
295
00:18:35,415 --> 00:18:37,347
DID YOU HEAR WHAT HE SAID?
296
00:18:37,417 --> 00:18:39,983
I WANT YOU TO FIRE HIM!
297
00:18:40,052 --> 00:18:42,965
I CAN'T DO THE SHOW
WITHOUT HIM. I NEED HIM.
298
00:18:42,989 --> 00:18:45,422
YOU NEED ME. I
DON'T WANT HIM HERE.
299
00:18:45,491 --> 00:18:48,125
JOE, IT'S NOT WORTH
UPSETTING YOU.
300
00:18:48,194 --> 00:18:51,162
THE SHOW'S THE
MOST IMPORTANT THING.
301
00:18:51,230 --> 00:18:52,496
WE'LL BE IN TOUCH.
302
00:18:52,564 --> 00:18:54,732
I PROMISE.
303
00:18:54,800 --> 00:18:58,169
DAVID, DON'T GO, PLEASE.
304
00:18:58,238 --> 00:19:00,404
WHAT'S THE MATTER WITH
YOU, DAVID IS MY FRIEND.
305
00:19:00,473 --> 00:19:01,772
OH, HE'S YOUR FRIEND, IS HE?
306
00:19:01,841 --> 00:19:03,852
YOU CAN HAVE
FRIENDS BUT I CAN'T?
307
00:19:03,876 --> 00:19:05,510
I NEVER SAID YOU
CAN'T HAVE FRIENDS.
308
00:19:05,578 --> 00:19:07,289
THAT'S NEWS, IN THE PAST 8 YEARS
309
00:19:07,313 --> 00:19:09,424
I'VE LOST EVERY
FRIEND BECAUSE OF YOU.
310
00:19:09,448 --> 00:19:11,148
I SICK OF YOUR JEALOUSY.
311
00:19:11,217 --> 00:19:14,151
I'M SICK OF YOU CONTROLLING ME
LIKE ONE OF YOU DAMN PUPPETS.
312
00:19:14,219 --> 00:19:15,886
WHERE ARE YOU GOING?
313
00:19:15,955 --> 00:19:17,788
TO SEE A FRIEND.
314
00:19:23,562 --> 00:19:26,330
I NEVER DID TRUST THAT DAME.
315
00:19:29,001 --> 00:19:30,434
TAKE MY ADVICE.
316
00:19:31,804 --> 00:19:33,203
ALL I'M SAYING IS
317
00:19:33,272 --> 00:19:36,206
MAYBE YOU SHOULD
JUST CHECK INTO IT.
318
00:19:38,177 --> 00:19:39,376
DO IT!
319
00:19:51,023 --> 00:19:52,289
AHA!
320
00:20:18,885 --> 00:20:21,125
I SHOULD'VE LISTENED
TO YOU KOKO.
321
00:20:24,356 --> 00:20:25,356
YOU KNEW.
322
00:20:25,391 --> 00:20:26,924
YOU KNEW.
323
00:20:26,993 --> 00:20:28,671
IT WASN'T EXACTLY
HARD TO SEE COMING.
324
00:20:28,695 --> 00:20:30,494
SHE'S YOUNG AND BEAUTIFUL.
325
00:20:30,563 --> 00:20:32,763
YOU'RE JUST A TIRED OLD MAN.
326
00:20:34,667 --> 00:20:37,034
WHAT AM I GOING TO DO?
327
00:20:37,102 --> 00:20:41,505
YOU MEAN IF YOU WERE
YOU OR IF YOU WERE ME?
328
00:20:43,309 --> 00:20:44,608
I'LL DIVORCE HER...
329
00:20:45,744 --> 00:20:48,179
CALL MY LAWYER IN THE MORNING.
330
00:20:50,249 --> 00:20:53,117
I NEVER WANT TO SEE HER AGAIN.
331
00:20:53,185 --> 00:20:54,552
DIVORCE WILL COST YOU.
332
00:20:54,621 --> 00:20:58,355
I SAY YOU TAKE MATTERS
INTO YOUR OWN HANDS.
333
00:20:58,424 --> 00:21:00,257
NO, I...
334
00:21:00,326 --> 00:21:02,193
NO. NO.
335
00:21:03,396 --> 00:21:06,229
NO, I CAN'T. I CAN'T.
336
00:21:07,366 --> 00:21:09,199
SURE, YOU CAN.
337
00:21:14,674 --> 00:21:15,706
NO.
338
00:21:17,109 --> 00:21:18,109
NO.
339
00:21:20,146 --> 00:21:21,378
NO, I...
340
00:21:47,807 --> 00:21:49,039
KOKO?
341
00:21:58,551 --> 00:21:59,817
KOKO?
342
00:22:01,086 --> 00:22:03,153
AAH!
343
00:22:04,390 --> 00:22:05,390
AAH! ELLEN!
344
00:22:09,929 --> 00:22:12,129
AAH! AAH!
345
00:22:13,365 --> 00:22:14,798
HA HA HA!
346
00:22:52,905 --> 00:22:54,738
SORRY, OLD MAN.
347
00:23:17,396 --> 00:23:19,963
HA HA HA! HA HA HA!
348
00:23:20,032 --> 00:23:21,799
IS HE DEAD YET?
349
00:23:21,867 --> 00:23:23,133
ALMOST.
350
00:23:28,374 --> 00:23:31,208
JOSEPH, THIS IS RICK.
351
00:23:31,277 --> 00:23:34,011
HE'S A PUPPETEER, JUST LIKE YOU.
352
00:23:36,015 --> 00:23:37,015
AREN'T YOU, BABY?
353
00:23:37,083 --> 00:23:38,363
MMM.
354
00:23:46,592 --> 00:23:48,492
WHAT DO YOU THINK, JOE?
355
00:23:48,560 --> 00:23:50,961
I KNOW IT'S NOT AS GRACEFUL
356
00:23:51,030 --> 00:23:52,529
AS WHAT YOU DO,
357
00:23:52,598 --> 00:23:54,531
BUT I THINK WITH
A LITTLE MONEY...
358
00:23:54,600 --> 00:23:56,133
YOUR MONEY...
359
00:23:56,202 --> 00:23:59,870
I THINK HE'LL END UP
PRETTY DAMN GOOD.
360
00:23:59,939 --> 00:24:01,099
BYE, JOE.
361
00:24:09,748 --> 00:24:11,314
YOU SHOULD GET CLEANED UP.
362
00:24:11,383 --> 00:24:12,783
CALL 911.
363
00:24:12,852 --> 00:24:15,151
WHERE'D YOU PUT THE REAL KOKO?
364
00:24:15,220 --> 00:24:16,653
HE'S UNDER THERE.
365
00:24:16,722 --> 00:24:19,456
COME ON. WE DON'T
HAVE THAT MUCH TIME.
366
00:24:19,525 --> 00:24:20,525
O.K.
367
00:24:41,980 --> 00:24:43,480
UHH!
368
00:24:45,051 --> 00:24:46,216
RICK?
369
00:24:49,889 --> 00:24:52,923
RICK, WHAT ARE YOU DOING
THE PARAMEDICS ARE COMING.
370
00:24:59,565 --> 00:25:01,131
RICK, WHAT ARE YOU DOING?
371
00:25:01,200 --> 00:25:04,668
YOU HAVE TO GET OUT OF HERE.
372
00:25:07,573 --> 00:25:08,805
THIS ISN'T FUNNY.
373
00:25:12,177 --> 00:25:14,244
UP HERE, KIDDO.
374
00:25:17,950 --> 00:25:19,617
AAH!
375
00:25:22,388 --> 00:25:24,132
YOU'RE NOT GOING
TO BELIEVE THIS.
376
00:25:24,156 --> 00:25:25,889
YEAH, I'VE SEEN JUST
ABOUT EVERYTHING.
377
00:25:27,693 --> 00:25:29,974
NOT LIKE THIS YOU HAVEN'T.
378
00:25:51,183 --> 00:25:52,783
HA HA HA!
379
00:25:58,390 --> 00:26:01,091
KOKO MAY HAVE BEEN THE PUPPET,
380
00:26:01,160 --> 00:26:02,525
BUT IN THE END,
381
00:26:02,594 --> 00:26:06,196
JOSEPH WAS THE ONE WHO
PAID FOR MARRYING-ETTE.
382
00:26:08,133 --> 00:26:09,933
AS FOR ME, KIDDIES,
383
00:26:10,002 --> 00:26:12,302
IT SEEMS MY PAIN IN THE NECK
384
00:26:12,370 --> 00:26:14,470
WAS MORE SERIOUS THAN I THOUGHT,
385
00:26:14,539 --> 00:26:18,875
BUT I'M ALMOST FINISHED
WITH MY SCARE-APY.
386
00:26:18,944 --> 00:26:22,879
ONE MORE ADJUSTMENT,
AND I'LL BE OUT OF HERE.
387
00:26:22,948 --> 00:26:25,816
ANY TIME YOU'RE READY, BONES.
388
00:26:31,256 --> 00:26:32,690
HEE HEE HEE!
389
00:26:32,758 --> 00:26:36,827
NOW, THAT'S WHAT
I CALL PAIN IN FULL!
390
00:26:41,800 --> 00:26:44,868
CAPTIONING MADE
POSSIBLE BY WARNER BROS.
391
00:26:44,937 --> 00:26:47,938
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE... www.ncicap.org...
392
00:26:50,842 --> 00:26:52,778
PUBLIC PERFORMANCE OF
CAPTIONS PROHIBITED WITHOUT
393
00:26:52,802 --> 00:26:54,522
PERMISSION OF NATIONAL
CAPTIONING INSTITUTE
26535
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