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1
00:01:14,875 --> 00:01:17,376
AAH HA HA HA HA HA!
2
00:01:21,482 --> 00:01:24,983
IT WAS ANOTHER ONE
OF THOSE HOT L.A. DAYS.
3
00:01:25,051 --> 00:01:27,819
THINGS WERE ABOUT
TO GET INTERESTING.
4
00:01:27,888 --> 00:01:30,589
WHEN SHE WALKED IN.
5
00:01:30,657 --> 00:01:34,760
HER NAME WAS SAMANTHA
AND SHE WAS BEAUTIFUL.
6
00:01:34,828 --> 00:01:37,796
A REGULAR CORPUS DELICTI.
7
00:01:37,865 --> 00:01:39,330
WITH A GREAT KISS.
8
00:01:39,400 --> 00:01:40,932
CAVITY THAT IS.
9
00:01:41,001 --> 00:01:44,035
SOMETHING IN HER
SOCKET SAID BEWARE.
10
00:01:44,104 --> 00:01:47,572
MUST'VE BEEN THE WAY
THEY SAID HELLO TO ME.
11
00:01:49,009 --> 00:01:50,675
SO, SWEETHEART,
12
00:01:50,744 --> 00:01:53,578
YOU SAY YOUR HUSBAND'S
BEEN CHEATING ON YOU
13
00:01:53,647 --> 00:01:55,079
WITH ANOTHER GHOUL?
14
00:01:55,148 --> 00:01:56,347
THAT IT?
15
00:01:56,417 --> 00:01:58,817
WELL, I'LL BE GLAD
TO HEAR YOUR STORY,
16
00:01:58,886 --> 00:02:03,288
BUT FIRST I'VE GOT A TAWDRY
TALE OF MY OWN TO TELL.
17
00:02:03,356 --> 00:02:05,724
IT'S ABOUT A COUPLE
OF SCAM ARTISTS
18
00:02:05,793 --> 00:02:08,193
WHO WANT TO MAKE A KILLING,
19
00:02:08,261 --> 00:02:10,796
PROVIDED THEY DON'T
KILL EACH OTHER FIRST.
20
00:02:10,864 --> 00:02:12,965
I CALL IT SEANCE.
21
00:02:18,872 --> 00:02:22,007
I AM ETERNAL FLAME.
22
00:02:22,076 --> 00:02:28,680
IN FIRE, ALL THINGS BEGIN,
AND ALL THINGS RETURN.
23
00:02:28,749 --> 00:02:32,017
BUT... I AM NOT DEATH,
24
00:02:32,086 --> 00:02:34,953
AS THE UNINITIATED
WOULD HAVE ME.
25
00:02:35,022 --> 00:02:39,190
I AM POINT OF TRANSITION.
26
00:02:39,260 --> 00:02:43,695
I AM BREATH THAT TRANSFORMS.
27
00:02:43,764 --> 00:02:45,697
I AM LIFE.
28
00:02:45,766 --> 00:02:47,065
IN THIS FLAME,
29
00:02:47,134 --> 00:02:50,435
LET ME WITNESS THINE
IMAGE, PRESCOTT CHALMERS,
30
00:02:50,504 --> 00:02:54,139
MY DEPARTED SERVANT.
31
00:02:54,207 --> 00:02:58,644
IN THE EXPRESSION OF
THE SACRED TAOIST SQUARE
32
00:02:58,712 --> 00:03:01,513
DO I INVOKE YOUR IMAGE.
33
00:03:15,663 --> 00:03:18,797
WHAT DO YOU WISH
TO TELL US THIS NIGHT?
34
00:03:23,904 --> 00:03:27,105
DO YOU WISH TO TELL
US SOMETHING, O SPIRIT?
35
00:03:33,013 --> 00:03:35,013
JESUS CHRIST IN A
CARDIGAN SWEATER.
36
00:03:35,082 --> 00:03:37,749
BENNY, ONE LOUSY LINE!
37
00:03:37,818 --> 00:03:39,084
YEAH, YEAH, YEAH.
38
00:03:39,152 --> 00:03:42,053
"GIVE THE MONEY TO
MY FRIENDS, DOROTHY."
39
00:03:42,122 --> 00:03:43,767
THE LINE'S NOT THE PROBLEM.
40
00:03:43,791 --> 00:03:45,301
THE DEAC'S THE PROBLEM.
41
00:03:45,325 --> 00:03:48,026
MY NIGHTMARE IS
DYING OLD AND BROKE.
42
00:03:48,095 --> 00:03:50,962
I GOT A NAME FOR
IT... MONKEY ISLAND.
43
00:03:51,031 --> 00:03:53,765
THAT'S WHERE LOSER
CONS GO AT THE END,
44
00:03:53,833 --> 00:03:56,134
DEAD-EYED AND DESPERATE.
45
00:03:56,203 --> 00:03:58,203
THERE AIN'T NO LIFE
ON MONKEY ISLAND.
46
00:03:58,271 --> 00:04:01,217
THERE'S NOBODY THERE TO
DEAC. THAT'S WHY YOU HATE IT.
47
00:04:01,241 --> 00:04:03,074
THIS ISN'T PITTSBURGH.
REMEMBER PITTSBURGH?
48
00:04:03,143 --> 00:04:05,577
THE FIRST TIME YOU WENT SOFT.
49
00:04:05,646 --> 00:04:07,579
THE FIRST TIME YOU CHOKED.
50
00:04:07,648 --> 00:04:09,581
SOMEBODY GOT DEAD IN PITTSBURGH.
51
00:04:09,650 --> 00:04:10,815
LISTEN TO ME.
52
00:04:10,884 --> 00:04:14,452
YOU WANT OUT OF
THIS LIFE? HERE IT IS.
53
00:04:14,521 --> 00:04:18,189
AFTER THIS SCORE, YOU
GO YOUR WAY, I'LL GO MINE.
54
00:04:18,258 --> 00:04:19,891
WE'LL WALK AWAY RICH.
55
00:04:19,960 --> 00:04:23,106
WHAT WE'RE DOING, WE
DON'T DESERVE TO WALK AWAY.
56
00:04:23,130 --> 00:04:26,531
MADAME LEONA, ARE YOU HERE?
57
00:04:26,600 --> 00:04:28,720
YOU GOT SPIDERS IN YOUR VEINS.
58
00:04:28,769 --> 00:04:31,102
YOU'RE TANGLING UP
MY WEB, SWEETHEART.
59
00:04:31,170 --> 00:04:34,138
WILL YOU QUIT PUSHING?
60
00:04:38,211 --> 00:04:40,144
CAN YOU SEE ALL RIGHT?
61
00:04:40,213 --> 00:04:41,145
YEAH, YEAH.
62
00:04:41,214 --> 00:04:43,147
MADAME?
63
00:04:43,216 --> 00:04:44,716
YES. I AM HERE.
64
00:04:44,785 --> 00:04:46,651
I'LL BE RIGHT WITH YOU.
65
00:04:47,954 --> 00:04:49,921
BENNY YOU'RE GOING
TO BLOW THE WHOLE DEAL.
66
00:04:49,990 --> 00:04:51,990
SORRY. I SLIPPED.
67
00:04:52,059 --> 00:04:53,491
HOW DO I LOOK?
68
00:04:53,560 --> 00:04:55,227
YOU LOOK BEAUTIFUL.
69
00:05:05,973 --> 00:05:08,173
COME IN, MRS. CHALMERS. COME IN.
70
00:05:08,242 --> 00:05:11,176
MADAME LEONA, THIS IS
MY NEW VALET GIBSON.
71
00:05:11,245 --> 00:05:12,677
PLEASURE TO MEET YOU.
72
00:05:12,746 --> 00:05:15,046
YOU SOUND HOARSE. ARE YOU SICK?
73
00:05:15,115 --> 00:05:17,182
JUST A COLD, MY DEAR.
74
00:05:17,251 --> 00:05:18,616
PLEASE, SIT DOWN,
75
00:05:18,685 --> 00:05:20,685
AND WE'LL GET STARTED.
76
00:05:20,754 --> 00:05:22,687
YOU MAY PUT THE BRIEFCASE
77
00:05:22,756 --> 00:05:24,167
ON THE TABLE, PLEASE.
78
00:05:24,191 --> 00:05:27,692
GEE, THAT POOR WOMAN.
79
00:05:27,761 --> 00:05:31,029
HOW DID I EVER
GET INTO THIS MESS?
80
00:05:37,271 --> 00:05:38,970
HOW DO I LOOK?
81
00:05:40,307 --> 00:05:41,706
COME ON, BENNY.
82
00:05:41,775 --> 00:05:42,707
TELL ME YOU DON'T MISS IT
83
00:05:42,776 --> 00:05:44,642
WITH ME AND YOU JUST A LITTLE.
84
00:05:44,711 --> 00:05:47,212
YOU WANT TO KNOW WHAT I MISS?
85
00:05:47,281 --> 00:05:49,247
I MISS THE SHOWER AFTER.
86
00:05:52,252 --> 00:05:54,186
COME IN.
87
00:05:57,357 --> 00:06:00,224
MR. CHALMERS, HOW
NICE TO MEET YOU.
88
00:06:00,294 --> 00:06:01,294
THANKS FOR COMING.
89
00:06:01,361 --> 00:06:03,339
MR. POLOSKY, I'M SORRY I'M LATE.
90
00:06:03,363 --> 00:06:06,464
BUT YOUR ELEVATOR IS BROKEN.
91
00:06:06,532 --> 00:06:08,566
OH, PERHAPS I SHOULD
HAVE WARNED YOU, I'M SORRY.
92
00:06:08,635 --> 00:06:09,935
MR. CHALMERS,
93
00:06:10,003 --> 00:06:14,272
THIS IS MISS ALISON PETERS,
WHOM I TOLD YOU ABOUT.
94
00:06:15,909 --> 00:06:20,412
MR. POLOSKY TOLD ME THERE
WOULD BE A YOUNG LADY HERE.
95
00:06:20,481 --> 00:06:23,515
HE NEVER TOLD ME
SHE WAS BEAUTIFUL.
96
00:06:23,584 --> 00:06:25,484
BECAUSE HE'S AN HONEST LAWYER.
97
00:06:25,552 --> 00:06:28,487
MR. POLOSKY'S BEEN
NEGLIGENT ON BOTH OUR BEHALFS.
98
00:06:28,555 --> 00:06:31,490
HE SHOULD'VE TOLD ME
HOW HANDSOME MY COUSIN IS.
99
00:06:33,427 --> 00:06:35,360
PLEASE.
100
00:06:36,529 --> 00:06:39,397
FRANKLY, I'M A LITTLE CONFUSED
101
00:06:39,466 --> 00:06:41,444
ABOUT MY RELATION TO MISS...
102
00:06:41,468 --> 00:06:42,901
MISS PETERS HERE.
103
00:06:42,970 --> 00:06:43,970
OF COURSE.
104
00:06:44,004 --> 00:06:46,637
AS I EXPLAINED OVER THE PHONE,
105
00:06:46,706 --> 00:06:50,408
I'M EXECUTOR OF THE ESTATE
OF YOUR UNCLE ALBERT PETERS.
106
00:06:50,477 --> 00:06:53,177
THE ONLY MAN I KNOW BY THAT NAME
107
00:06:53,246 --> 00:06:55,947
IS MY MOTHER'S
BROTHER, WHO DIED...
108
00:06:56,016 --> 00:06:58,016
WHEN SHE WAS A CHILD.
109
00:06:58,084 --> 00:07:03,521
SOME SORT OF TRAIN
ACCIDENT, I BELIEVE.
110
00:07:03,590 --> 00:07:05,423
I LOVE TRAINS. CIGARETTE?
111
00:07:05,491 --> 00:07:06,724
NO, THANK YOU.
112
00:07:06,793 --> 00:07:08,559
MR. CHALMERS,
113
00:07:08,628 --> 00:07:11,897
YOUR UNCLE DIDN'T
DIE IN A TRAIN ACCIDENT.
114
00:07:11,965 --> 00:07:14,265
HE WAS FOUND GUILTY
OF MASTERMINDING
115
00:07:14,334 --> 00:07:17,535
THE WILMINGTON
BANK ROBBERY OF 1901.
116
00:07:17,604 --> 00:07:20,872
THE WILMINGTON BANK ROBBERY?
117
00:07:20,940 --> 00:07:22,807
$200,000.
118
00:07:22,875 --> 00:07:25,743
IN HIS DAY THE LARGEST PAYROLL
HIGHEST IN STATE HISTORY.
119
00:07:25,812 --> 00:07:27,344
HE GOT 20 YEARS.
120
00:07:27,413 --> 00:07:30,215
WELL, DADDY WAS DADDY.
121
00:07:30,283 --> 00:07:35,586
I IMAGINE YOUR MOTHER BELIEVED
IT BEST YOU THOUGHT HIM DEAD.
122
00:07:35,655 --> 00:07:38,023
THAT HAPPENS IN FAMILIES.
123
00:07:38,091 --> 00:07:40,091
WELL, AFTER SERVING HIS TIME,
124
00:07:40,160 --> 00:07:45,030
YOUR UNCLE BEGAN A
NEW LIFE IN CHICAGO.
125
00:07:45,098 --> 00:07:48,233
HE STARTED A BUSINESS, MARRIED,
126
00:07:48,302 --> 00:07:50,936
AND RAISED A FAMILY.
127
00:07:51,004 --> 00:07:53,672
NOW, LAST YEAR,
YOUR UNCLE, ALISON'S...
128
00:07:53,740 --> 00:07:56,775
MISS PETERS'... FATHER DIED.
129
00:07:56,843 --> 00:07:59,009
NOW, ALONG WITH HIS PUBLIC WILL,
130
00:07:59,078 --> 00:08:00,578
I FOUND A SECOND DOCUMENT...
131
00:08:00,647 --> 00:08:02,714
DETAILS OF ANOTHER
INVESTMENT ACCOUNT.
132
00:08:02,782 --> 00:08:04,983
IT WAS OPENED UNDER
AN ASSUMED NAME
133
00:08:05,052 --> 00:08:09,654
TO BE PASSED ON TO ANY OR
ALL OF ALBERT PETERS' HEIRS.
134
00:08:09,723 --> 00:08:13,290
THIS IS THE ACCOUNT'S NET WORTH
135
00:08:13,359 --> 00:08:15,159
AS OF LAST MONTH.
136
00:08:17,464 --> 00:08:20,331
A LITTLE UNDER $3 MILLION.
137
00:08:20,400 --> 00:08:21,932
MY GOD.
138
00:08:22,001 --> 00:08:23,134
INDEED.
139
00:08:23,203 --> 00:08:25,470
HOWEVER, THERE'S A PROBLEM.
140
00:08:25,539 --> 00:08:28,339
AS YOU'LL SEE ON
THE FIRST SHEET,
141
00:08:28,408 --> 00:08:30,975
THE ACCOUNT WAS OPENED
BEFORE PETERS WENT TO PRISON.
142
00:08:31,044 --> 00:08:35,679
THE OPENING BALANCE
WAS $200,000. CASH.
143
00:08:35,748 --> 00:08:37,148
OH.
144
00:08:37,217 --> 00:08:38,828
THE WILMINGTON BANK MONEY?
145
00:08:38,852 --> 00:08:41,452
I'M SURE THAT'S HOW
THE D.A. WILL SEE IT.
146
00:08:41,522 --> 00:08:44,622
BUT AS FAR AS I CAN TELL,
147
00:08:44,691 --> 00:08:49,060
AS LONG AS WE CAN KEEP
THE AUTHORITIES OUT OF THIS,
148
00:08:49,129 --> 00:08:51,074
YOU COULD PROBABLY CLAIM
THE MONEY WITHOUT TROUBLE.
149
00:08:51,098 --> 00:08:53,765
ALL YOU'D NEED WOULD
BE THE ACCOUNT NUMBER.
150
00:08:53,834 --> 00:08:55,500
WHICH YOU HAVE.
151
00:08:55,569 --> 00:08:58,202
AND WHAT DO YOU
WANT, MR. POLOSKY?
152
00:08:58,271 --> 00:09:00,571
NOTHING.
153
00:09:00,641 --> 00:09:02,507
THE PROBATE GIVES ME 10%
154
00:09:02,575 --> 00:09:05,076
FROM THE SALE OF
THE INVESTMENTS.
155
00:09:05,145 --> 00:09:08,079
I DON'T WANT ANY MORE THAN THAT.
156
00:09:10,483 --> 00:09:12,717
ALBERT WAS A FRIEND.
157
00:09:12,786 --> 00:09:16,988
MR. POLOSKY, WOULD YOU
MIND IF WE HAVE A WORD?
158
00:09:17,056 --> 00:09:20,425
OF COURSE NOT. I'LL BE OUTSIDE.
159
00:09:25,999 --> 00:09:28,044
THAT WAS AN INTERESTING STORY,
160
00:09:28,068 --> 00:09:31,035
BUT I DON'T BELIEVE
A WORD OF IT.
161
00:09:31,104 --> 00:09:33,338
YOU AND ME BOTH, COUSIN.
162
00:09:33,406 --> 00:09:36,841
ALTHOUGH IT DOES EXPLAIN
A FEW THINGS ABOUT DADDY.
163
00:09:36,909 --> 00:09:38,776
OH?
164
00:09:38,845 --> 00:09:40,445
SUCH AS?
165
00:09:40,513 --> 00:09:42,447
WELL, HE CLAIMED TO BE
166
00:09:42,515 --> 00:09:44,949
THIS BIG WORLD WAR I HERO.
167
00:09:45,017 --> 00:09:46,995
THE ONLY MUSTARD GAS HE SAW
168
00:09:47,019 --> 00:09:49,979
WAS AT A HOT DOG
STAND AT WRIGLEY FIELD.
169
00:09:50,022 --> 00:09:52,724
I WAS A WORLD WAR I HERO.
170
00:09:52,793 --> 00:09:55,126
YOU HAVE THE CANE TO PROVE IT.
171
00:09:56,563 --> 00:09:58,996
I WANT TO DO SOME CHECKING.
172
00:09:59,065 --> 00:10:01,465
WHY DON'T WE MEET LATER?
173
00:10:01,534 --> 00:10:02,934
TO TALK.
174
00:10:03,003 --> 00:10:05,503
I'M ONLY IN TOWN FOR A FEW DAYS.
175
00:10:05,571 --> 00:10:09,307
I'M STAYING AT THE PARK
PLAZA. WHERE COULD WE MEET?
176
00:10:09,375 --> 00:10:11,710
WELL, WHY DON'T WE MEET THERE?
177
00:10:11,778 --> 00:10:15,046
FOR THE PRIVACY IT WILL
AFFORD US, OF COURSE.
178
00:10:15,114 --> 00:10:17,048
OF COURSE.
179
00:10:24,624 --> 00:10:26,057
HOW DO I LOOK?
180
00:10:26,126 --> 00:10:28,058
THIS IS NUTS.
181
00:10:28,127 --> 00:10:30,973
WHY MUST I TAKE PICTURES?
THE DEAC'S FLOWING.
182
00:10:30,997 --> 00:10:32,930
IF THE DEAC STOPS FLOWING,
183
00:10:32,999 --> 00:10:35,933
WE WHIP OUT THE 8 X 10S.
184
00:10:36,002 --> 00:10:38,670
I THINK YOU GOT HOT PANTS.
185
00:10:38,738 --> 00:10:43,240
KEEP THE PICS TO REMEMBER
ME BY WHEN I'M IN TANGIERS
186
00:10:43,310 --> 00:10:45,075
AND YOU'RE WHEREVER
YOU'RE GOING.
187
00:10:45,144 --> 00:10:46,577
MILWAUKEE.
188
00:10:46,646 --> 00:10:48,746
ZIP ME.
189
00:10:48,814 --> 00:10:51,950
BLACKMAIL GOT US
INTO IT IN PITTSBURGH.
190
00:10:52,018 --> 00:10:53,084
SAYS YOU.
191
00:10:53,153 --> 00:10:56,587
YOU GOING SOFT ON
ME GOT US INTO THIS.
192
00:10:56,656 --> 00:10:58,089
GET IN THE CLOSET.
193
00:10:58,158 --> 00:11:01,092
COUSIN PRESCOTT WILL
BE HERE ANY MINUTE.
194
00:11:02,395 --> 00:11:05,263
I DON'T WANT ANYTHING
SOFT IN THIS ROOM.
195
00:11:19,312 --> 00:11:21,145
COMING.
196
00:11:25,986 --> 00:11:27,952
PRESCOTT, HI.
197
00:11:31,024 --> 00:11:32,189
A ROSE FOR A ROSE.
198
00:11:32,258 --> 00:11:33,402
THANK YOU.
199
00:11:33,426 --> 00:11:36,460
HOW ABOUT AN EYE
OPENER FOR AN EYE OPENER?
200
00:11:38,031 --> 00:11:39,031
WHAT EVER YOU'RE HAVING.
201
00:11:56,616 --> 00:11:59,150
THAT'S A LOVELY SONG.
202
00:11:59,218 --> 00:12:01,119
I'VE NEVER HEARD IT BEFORE.
203
00:12:01,187 --> 00:12:02,197
IT'S ONE OF MY FAVORITES.
204
00:12:02,221 --> 00:12:04,588
I PLAY IT ALL THE TIME.
205
00:12:04,658 --> 00:12:08,059
DID YOU FIND WHAT YOU WERE
LOOKING FOR THIS AFTERNOON?
206
00:12:08,128 --> 00:12:11,107
IT SEEMS OUR MR. POLOSKY
IS ON THE LEVEL.
207
00:12:11,131 --> 00:12:12,997
HO HO! REALLY?
208
00:12:13,066 --> 00:12:14,810
IT'S A TOP-SHELF PORTFOLIO.
209
00:12:14,834 --> 00:12:16,646
THE INVESTMENT GROUP GUARANTEES
210
00:12:16,670 --> 00:12:18,136
A TOTAL BUYOUT.
211
00:12:18,204 --> 00:12:21,139
THERE'S A CHANCE IT
COULD TRIPLE IN TIME.
212
00:12:21,207 --> 00:12:24,275
IT'S A SHAME WE'D
HAVE TO SELL OUT NOW.
213
00:12:24,343 --> 00:12:26,610
SO WHY SELL IT NOW?
214
00:12:26,680 --> 00:12:29,659
WHY DON'T WE BUY
POLOSKY OUT? IT'S PERFECT.
215
00:12:29,683 --> 00:12:35,119
GIVE HIM 300,000, AND
WE HOLD ON TIGHT.
216
00:12:35,188 --> 00:12:39,691
WELL, THAT WOULD
BE $150,000 EACH.
217
00:12:39,759 --> 00:12:42,493
I DON'T THINK I CAN GET MY
HANDS ON THAT KIND OF MONEY.
218
00:12:42,562 --> 00:12:44,628
HOW MUCH DO YOU THINK
219
00:12:44,698 --> 00:12:47,131
YOU CAN GET YOUR HANDS ON?
220
00:13:02,448 --> 00:13:04,882
KISSING COUSINS, AREN'T WE?
221
00:13:04,950 --> 00:13:09,186
I SHUTTER AT THE THOUGHT OF HOW
MANY FAMILY GATHERINGS WE'VE MISSED.
222
00:13:10,723 --> 00:13:11,656
SHALL I...
223
00:13:11,724 --> 00:13:13,358
NO, DON'T.
224
00:13:13,426 --> 00:13:16,060
I WANT TO SEE EVERY INCH OF YOU.
225
00:13:52,666 --> 00:13:54,131
HA HA HA!
226
00:13:54,200 --> 00:13:56,634
AH, YOU POOR BASTARD.
227
00:13:56,703 --> 00:13:59,637
MY UNCLE TOOK SOME
SHRAPNEL IN THE WAR.
228
00:14:02,208 --> 00:14:03,641
GOOD MORNING, MR. POLOSKY.
229
00:14:03,710 --> 00:14:05,187
GOOD MORNING, MISS PETERS.
230
00:14:05,211 --> 00:14:06,143
MORNING.
231
00:14:06,212 --> 00:14:07,690
GOOD MORNING, MR. CHALMERS.
232
00:14:07,714 --> 00:14:08,957
I'VE DONE ALL THE PAPERWORK,
233
00:14:08,981 --> 00:14:11,449
BUT AS I TOLD YOU
OVER THE PHONE,
234
00:14:11,517 --> 00:14:14,218
BUYING ME OUT ISN'T
A WISE BUSINESS MOVE.
235
00:14:14,287 --> 00:14:17,187
WE APPRECIATE YOUR CONCERN.
236
00:14:17,256 --> 00:14:21,658
MY COUSIN AND I HAVE
MADE UP OUR MINDS.
237
00:14:26,065 --> 00:14:29,700
WELL, I'LL JUST GET YOU
TO SIGN THE DOCUMENTS.
238
00:14:37,110 --> 00:14:43,815
♪ ADORED ONE, I'LL KEEP THE
FUTURE CLEAR FOR YOU ♪♪
239
00:14:48,654 --> 00:14:55,526
IS THAT ONE OF YOUR FAVORITE
SONGS, TOO, MR. POLOSKY?
240
00:14:55,595 --> 00:14:57,228
I'VE BEEN HAD.
241
00:14:57,297 --> 00:14:59,730
A COUPLE OF TWO-BIT HUSTLERS.
242
00:14:59,799 --> 00:15:04,301
OR AM I GIVING YOU CREDIT
FOR ONE BIT TOO MANY?
243
00:15:04,370 --> 00:15:06,270
MR. CHALMERS...
244
00:15:06,339 --> 00:15:08,317
SAVE IT FOR THE BUNCO SQUAD!
245
00:15:08,341 --> 00:15:10,607
BENNY, SHOW HIM THE PICTURES.
246
00:15:10,676 --> 00:15:14,779
O.K., BUSTER, FEAST
YOUR EYES ON THOSE.
247
00:15:14,848 --> 00:15:16,347
ALL RIGHT.
248
00:15:23,990 --> 00:15:25,422
DEAR GOD.
249
00:15:25,491 --> 00:15:28,425
I HOPE YOU HAVE A VERY
UNDERSTANDING WIFE.
250
00:15:28,494 --> 00:15:30,427
HORRIFIC.
251
00:15:32,999 --> 00:15:34,298
TERRIBLE.
252
00:15:34,367 --> 00:15:36,934
HA HA HA!
253
00:15:37,003 --> 00:15:40,437
MY WIFE WILL NEVER SEE THESE.
254
00:15:45,345 --> 00:15:46,544
CHRIST, BENNY!
255
00:15:46,613 --> 00:15:48,546
DAMN.
256
00:15:48,615 --> 00:15:49,680
AL.
257
00:15:56,522 --> 00:15:58,122
PRESCOTT.
258
00:15:58,190 --> 00:16:00,124
PRESCOTT!
259
00:16:01,627 --> 00:16:03,038
PRESCOTT, DON'T YOU THINK
260
00:16:03,062 --> 00:16:05,062
YOU SHOULD TALK ABOUT THIS?
261
00:16:05,965 --> 00:16:07,899
PRESCOTT.
262
00:16:07,967 --> 00:16:09,767
PRESCOTT!
263
00:16:11,304 --> 00:16:14,972
I WOULDN'T DO THAT IF
I WERE YOU, PRESCOTT.
264
00:16:15,041 --> 00:16:17,474
PLEASE...
265
00:16:17,543 --> 00:16:19,043
MISS PETERS.
266
00:16:19,112 --> 00:16:21,078
YOU'RE CAPABLE OF MANY THINGS.
267
00:16:21,147 --> 00:16:23,013
MURDER ISN'T ONE OF THEM.
268
00:16:23,082 --> 00:16:24,115
AL!
269
00:16:24,183 --> 00:16:25,116
BENNY!
270
00:16:25,184 --> 00:16:27,051
AAH!
271
00:16:34,561 --> 00:16:35,993
OH, NO.
272
00:16:36,062 --> 00:16:38,963
PLEASE, HELP ME.
273
00:16:39,032 --> 00:16:39,964
PRESCOTT?
274
00:16:40,033 --> 00:16:42,066
HOLD ON!
275
00:16:42,135 --> 00:16:44,635
I'M GOING TO GO GET HELP.
276
00:16:44,704 --> 00:16:47,605
THE HELL YOU ARE.
THIS IS YOUR FAULT.
277
00:16:47,673 --> 00:16:49,607
$300,000, AND YOU BLOW IT!
278
00:16:49,675 --> 00:16:51,109
GET DOWN THERE, BENNY.
279
00:16:51,177 --> 00:16:53,677
YOU POINTING THE GUN AT ME?
280
00:16:53,746 --> 00:16:55,591
A MAN'S LYING DOWN THERE!
281
00:16:55,615 --> 00:16:58,016
YOU'RE POINTING
THE DAMN GUN AT ME?
282
00:16:58,084 --> 00:16:59,884
BENNY! BENNY!
283
00:16:59,952 --> 00:17:04,755
PLEASE... DON'T LEAVE ME HERE.
284
00:17:04,823 --> 00:17:06,690
AW, JEEZ.
285
00:17:08,594 --> 00:17:09,871
WE WERE CLOSE, BENNY.
286
00:17:09,895 --> 00:17:12,930
WE WERE REALLY
CLOSE ON THIS ONE.
287
00:17:18,605 --> 00:17:20,571
AW, NO.
288
00:17:20,640 --> 00:17:22,373
AAH!
289
00:17:41,127 --> 00:17:43,761
NEXT STOP... MONKEY ISLAND.
290
00:17:48,134 --> 00:17:49,611
BEST DOUBLE CLOCK EVER,
291
00:17:49,635 --> 00:17:51,595
AND THE BUTTER-AND-EGG MAN
292
00:17:51,637 --> 00:17:53,449
FALLS DOWN AN ELEVATOR SHAFT.
293
00:17:53,473 --> 00:17:56,385
YOU EVER HEAR OF A
GUY DYING LIKE THAT?
294
00:17:56,409 --> 00:17:57,541
STUPID MUG.
295
00:17:57,610 --> 00:17:59,543
HAVE A LITTLE
RESPECT FOR THE DEAD.
296
00:17:59,612 --> 00:18:02,246
I DO. VERY LITTLE RESPECT.
297
00:18:02,315 --> 00:18:03,325
HELLO, OFFICERS.
298
00:18:03,349 --> 00:18:04,281
MA'AM.
299
00:18:04,350 --> 00:18:06,817
THIS IS A MISTAKE, BEING HERE.
300
00:18:06,886 --> 00:18:08,886
WE GAVE THEM OUR STATEMENTS.
301
00:18:08,955 --> 00:18:12,256
WE'RE JOHN AND JANE
STRAIGHT-UP CITIZENS.
302
00:18:12,325 --> 00:18:15,292
I'M OUT OF HERE
TONIGHT. I'M ON A BUS.
303
00:18:15,361 --> 00:18:16,794
SEE YOU NEXT LIFE.
304
00:18:18,364 --> 00:18:20,664
THANKS FOR COMING
DOWN, MRS. CHALMERS.
305
00:18:20,733 --> 00:18:23,267
I KNOW THIS IS REAL DIFFICULT.
306
00:18:23,335 --> 00:18:24,668
I APPRECIATE YOUR COOPERATION.
307
00:18:24,737 --> 00:18:28,438
YOU CAN GO. YOUR
STATEMENTS CHECKED OUT FINE.
308
00:18:28,508 --> 00:18:30,908
OFFICER CASTLE
WILL SEE YOU HOME.
309
00:18:30,976 --> 00:18:33,310
HOLD THAT BUS, BENNY.
310
00:18:33,379 --> 00:18:34,445
MRS. CHALMERS.
311
00:18:34,514 --> 00:18:35,679
YES.
312
00:18:35,748 --> 00:18:37,648
WE'RE ALISON PETERS
AND BENNY POLOSKY.
313
00:18:37,717 --> 00:18:41,885
YES. YOU WERE
WITH MY... PRESCOTT.
314
00:18:41,954 --> 00:18:43,019
WE'D, UH...
315
00:18:43,088 --> 00:18:45,722
WE'D LIKE TO GIVE YOU THIS.
316
00:18:45,791 --> 00:18:47,758
GIVE ME WHAT?
317
00:18:51,764 --> 00:18:54,265
I'M SORRY, MY DEAR. I'M BLIND.
318
00:18:54,334 --> 00:18:56,868
OH, UH...
319
00:18:56,936 --> 00:18:58,268
IT'S HIS CANE.
320
00:18:58,337 --> 00:19:00,370
THANK YOU, MY DEAR.
321
00:19:00,439 --> 00:19:02,350
PRESCOTT MENTIONED YOU TO ME.
322
00:19:02,374 --> 00:19:05,342
SOMETHING ABOUT A
LONG-LOST RELATIVE.
323
00:19:05,411 --> 00:19:06,677
YES.
324
00:19:06,746 --> 00:19:08,779
I WANT YOU TO KNOW
325
00:19:08,848 --> 00:19:11,794
THAT I INTEND TO FULFILL
MY HUSBAND'S OBLIGATIONS.
326
00:19:11,818 --> 00:19:13,584
NOW, THAT WON'T BE NECESSARY.
327
00:19:13,653 --> 00:19:15,486
LET THE LADY FINISH.
328
00:19:15,555 --> 00:19:17,054
AS I WAS SAYING,
329
00:19:17,123 --> 00:19:19,490
I'LL HAVE TO TALK TO PRESCOTT
330
00:19:19,559 --> 00:19:21,103
AND GET HIS APPROVAL.
331
00:19:21,127 --> 00:19:22,193
HOW'S THAT?
332
00:19:22,262 --> 00:19:25,129
I WANT TO MAKE SURE
THAT THE BUSINESS
333
00:19:25,198 --> 00:19:26,708
HAS MY HUSBAND'S APPROVAL.
334
00:19:26,732 --> 00:19:29,600
I'VE MADE AN APPOINTMENT
FOR TOMORROW EVENING
335
00:19:29,669 --> 00:19:32,589
WITH MY SPIRITUAL
ADVISER MADAME LEONA.
336
00:19:39,912 --> 00:19:42,279
MADAME LEONA, SAY
YOUR NAME AGAIN.
337
00:19:42,348 --> 00:19:43,714
YOU'RE A WICKED WOMAN.
338
00:19:43,782 --> 00:19:46,717
YOU WEAR YOUR
WICKEDNESS LIKE A CAUL.
339
00:19:46,785 --> 00:19:50,654
YOU WEAR YOUR
WICKEDNESS LIKE A CAUL.
340
00:19:50,723 --> 00:19:54,358
SEE IF YOU CAN IMITATE
A DAME WITH SCRUPLES.
341
00:19:54,427 --> 00:19:55,792
I PITY YOU BOTH.
342
00:19:55,861 --> 00:19:58,362
MADAME CHALMERS IS SINCERE WOMAN
343
00:19:58,431 --> 00:20:00,731
WHO HAS EMBARKED
ON HONORABLE QUEST.
344
00:20:00,799 --> 00:20:03,233
WHAT YOU ARE
DOING IS DISGUSTING.
345
00:20:03,302 --> 00:20:06,281
LISTEN TO THE POT CALLING
THE KETTLE DISRESPECTFUL.
346
00:20:06,305 --> 00:20:07,805
SPIRITUAL ADVISER...
347
00:20:07,874 --> 00:20:11,742
NOW, THERE'S A SURE
CON IF I EVER HEARD ONE.
348
00:20:11,811 --> 00:20:15,479
YOU DO NOT APPRECIATE THE
POWERS YOU ARE DEALING WITH.
349
00:20:15,547 --> 00:20:18,493
I APPRECIATE THAT I'M
GETTING TIRED OF YOU.
350
00:20:18,517 --> 00:20:21,018
YOU AIN'T GOT NO HEART.
351
00:20:21,087 --> 00:20:22,820
I'LL JUST SHUT HER YAP!
352
00:20:47,346 --> 00:20:50,347
I'M SENSING A
PRESENCE IN THE ROOM.
353
00:20:51,684 --> 00:20:54,785
MY DEPARTED SERVANT,
PRESCOTT CHALMERS,
354
00:20:54,853 --> 00:20:56,653
I BESEECH CONTACT.
355
00:20:56,722 --> 00:21:00,223
IN MY FLAME, LET ME
WITNESS THINE IMAGE.
356
00:21:00,292 --> 00:21:04,294
IN THE EXPRESSION OF
THE SACRED TAOIST SQUARE
357
00:21:04,363 --> 00:21:06,730
DO I INVOKE YOUR SPIRIT!
358
00:21:19,445 --> 00:21:21,078
WHAT IS IT, GIBSON?
359
00:21:21,146 --> 00:21:24,782
IT, UH, IT LOOKS LIKE
MR. CHALMERS, MA'AM.
360
00:21:24,850 --> 00:21:27,885
PRESCOTT, IS THAT YOU?
361
00:21:27,954 --> 00:21:29,834
YES, OF COURSE IT'S HIM.
362
00:21:29,889 --> 00:21:32,567
WHAT ABOUT THE
MONEY, MR. CHALMERS?
363
00:21:32,591 --> 00:21:35,826
WHAT DO YOU WANT
DOROTHY TO DO WITH IT?
364
00:21:35,894 --> 00:21:39,930
WELL... HA HA HA!
365
00:21:39,999 --> 00:21:46,771
ALWAYS FAITHFUL, I
PROMISED I'D BE HERE FOR YOU.
366
00:21:46,839 --> 00:21:50,107
PRESCOTT... IS THAT YOU?
367
00:21:50,175 --> 00:21:52,387
WE'RE WAITING, MR. CHALMERS.
368
00:21:52,411 --> 00:21:53,344
YES, PRESCOTT.
369
00:21:53,412 --> 00:21:55,146
WHAT SHALL WE DO
370
00:21:55,214 --> 00:21:57,581
ABOUT MR. POLOSKY
AND MISS PETERS?
371
00:21:57,650 --> 00:21:59,249
GIVE THEM THE MONEY?
372
00:21:59,318 --> 00:22:02,352
YES.
373
00:22:02,421 --> 00:22:06,957
I WANT TO GIVE IT TO
THEM PERSONALLY.
374
00:22:13,699 --> 00:22:15,966
BENNY?
375
00:22:18,338 --> 00:22:20,037
GUESS AGAIN.
376
00:22:20,106 --> 00:22:21,372
BENNY.
377
00:22:21,441 --> 00:22:26,777
YOU MIGHT CALL
THIS BAIT AND SWITCH.
378
00:22:26,845 --> 00:22:28,812
HA HA HA!
379
00:22:30,283 --> 00:22:32,683
GIBSON, WHAT'S HAPPENING?
380
00:22:32,751 --> 00:22:37,621
MR. CHALMERS IS LOOKING
A BIT PEAKED, MA'AM.
381
00:22:37,689 --> 00:22:41,525
YOUR FRIEND BENNY WAS RIGHT.
382
00:22:41,594 --> 00:22:42,526
HA HA HA!
383
00:22:42,594 --> 00:22:45,195
OH, JESUS CHRIST IN
A CARDIGAN SWEATER.
384
00:22:54,907 --> 00:22:58,976
AAH!
385
00:22:59,044 --> 00:23:01,445
YOU AIN'T GOT NO HEART.
386
00:23:15,194 --> 00:23:17,127
WELL, MAYBE AL AND BENNY
387
00:23:17,196 --> 00:23:19,630
WILL FINALLY GET
IT TOGETHER NOW.
388
00:23:19,698 --> 00:23:23,066
AFTER ALL, TWO DEADS
ARE BETTER THAN ONE.
389
00:23:23,135 --> 00:23:27,070
AS FOR SAM, IT TURNED
OUT SHE WAS RIGHT.
390
00:23:27,139 --> 00:23:29,573
HER HUSBAND WAS
CHEATING ON HER...
391
00:23:29,642 --> 00:23:32,942
WITH A ZOMBIE HE
MET ON A BUSINESS TRIP
392
00:23:33,011 --> 00:23:34,578
OUT TO THE GHOST.
393
00:23:34,647 --> 00:23:39,650
IN THE END, I DECIDED TO LET
SAM HANDLE THINGS HER OWN WAY.
394
00:23:39,718 --> 00:23:43,654
GO AHEAD... SLAY IT AGAIN, SAM.
395
00:23:43,722 --> 00:23:45,222
HA HA HA!
396
00:23:47,092 --> 00:23:50,627
CAPTIONING MADE
POSSIBLE BY WARNER BROS.
397
00:23:55,667 --> 00:23:58,702
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE... www.ncicap.org...
398
00:24:10,749 --> 00:24:12,685
PUBLIC PERFORMANCE OF
CAPTIONS PROHIBITED WITHOUT
399
00:24:12,709 --> 00:24:14,429
PERMISSION OF NATIONAL
CAPTIONING INSTITUTE
27020
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