Original subtitles

That little city tucked quietly against

the mountains is Santa Barbara, California.

Over 40,000 people live there.

When 40,000 people get together somewhere

something must be happening.

Let's take a look.

This is Main Street.

Only in Santa Barbara,

it's called State Street.

The people here are the same as people anywhere.

Old people, young people. For the most part, nice people.

And speaking of nice people

this is Pop Scully's soda fountain.

Meeting place of the world, Pop calls it.

Everybody loves Pop and everybody goes there.

That is, everybody except Mr. Pringle.

He's too busy.

He's owner of the local radio station.

Sponsor of the Community Theatre.

President of the bank and he plays golf.

So, Mr. Pringle doesn't get home very often.

Too bad too, it's a beautiful home.

Mr. Foster's a busy man, too.

He owns and operates a fish cannery on the coast.

But he's never too busy that he can't find time for his family.

Mr. Fosters' home isn't quite as beautiful as Mr. Pringle's

but he thinks it is.

And he gets home often.

Just around the corner is the high school.

There's always something going on here

especially when Judy Foster and her friends are around.

Let's go in.

Now, just a minute, you can't do that to us.

We'd like to come in.

That's better. Thank you very much.

♪ It's a most unusual day ♪

♪ Feel like throwing my worries away ♪

♪ As an old native-born Californian would say ♪

♪ It's a most unusual day ♪

♪ There's a most unusual sky ♪

♪ Not a sign of a cloud passing by ♪

♪ And if I want to sing, throw my heart in the ring ♪

♪ It's a most unusual day ♪

♪ There are people meeting people ♪

♪ There is sunshine everywhere ♪

♪ There are people greeting people ♪

♪ And a feeling of spring in the air ♪

♪ It's a most unusual time ♪

♪ I keep feeling my temperature climb ♪

♪ If my heart won't behave in the usual way ♪

♪ There is only one thing to say ♪

♪ It's a most unusual ♪

♪ Most unusual ♪

♪ Most unusual day ♪

Gee, that was nice, Judy.

Thanks, Oogie. What do you think, Carol?

Well, it's a very cute little swing number, Judy... but frankly

I think it's a bit juvenile for a senior high school dance.

Alright, Judy. Why do you ask her for, anyway?

You know my sister never approves of anything.

Please be quiet. Carol is talking.

Yes, go on, Carol.

Hey, now, wait a minute. Who's directing this, anyway?

- Carol is, of course. - Well, naturally.

Women.

Try singing the number slower, Judy.

More seductively.

And a scarf might give you something to do with your hands.

Like this, follow me.

♪ It's a most ♪

♪ Unusual day ♪

♪ Feel like throwing ♪

♪ My worries away ♪

♪ As an old native-born ♪

♪ Californian would say ♪

♪ It's a most ♪

♪ Unu... ♪

Jo-Jo, that is not the place where the cymbal crash.

Oh Carol, what does she have to hang on to a handkerchief for?

- You'd think she had hay fever. - Don't be vulgar, Oogie.

But this is supposed to be a swing number.

As I was saying--

Oh Judy, please, don't pay any attention to her.

Last week you were Kathryn Grayson.

This week you're Hildegard.

Couldn't you be just plain Judy Foster for tonight?

If you don't like the way I sing, Oogie

you can use my understudy, Mitzie.

Alright, Judy, have it your own way.

You always do, anyway.

Here, you may as well take this, too.

After all, Oogie, someone has to supervise us

so we'd be here all night.

Jinkies, I gotta call mother. I'll be back.

Hurry back, Judy.

The things a man has to put up with.

Yes, Judy, your dress came.

Yes, it's lovely, Judy. Nightingale's pressing it now.

Well, you better hurry home. It's almost time for dinner.

Alright, dear.

- Feeling better, Melvin? - Yes, a little bit.

I think you should see Dr. Lippincott about glasses.

Oh, nonsense.

My eyes are just as good now as the day I met you.

Ooh.

- Hi, dad. Hi, mom. - Hi.

Do you have to sneak into the house like that, Randolph?

Why don't you blow a siren?

- Your father has a headache. - Yes, I have a headache.

What he needs is glasses.

♪ Swing low sweet chariot ♪

♪ Coming for to carry me home ♪

♪ Swing low... ♪

Dora, can't you teach her another song?

- She's a very good cook. - Yeah.

Hey, mom, would you ask father if I could have 50 cents?

Dora, will you tell your son that he may not have 50 cents?

Bad timing, Randolph.

- Hello, father. Hello, mother. - Hi, darling.

Do you have to slam the door like that, Judy?

Oh, I'm sorry. Look, I've got an orchid.

- Your father's got a headache. - What he needs is glasses.

My eyes are just as good as a 16-year-old boy's.

Well, Jo-Jo Hoffenpepper's only 15 and he can't see a thing.

Judy, I'm sure Oogie would be upset

if he saw you wearing his orchid now.

It will be dead before the dance.

That's just when you have acid in your system or something.

I'll never get dinner on, Mrs. Foster

if you don't get Gramps out of my kitchen.

- Here, take over, Judy. - Alright.

- Father. - Mm-hm?

I've been thinking.

No, what now?

Well, Mitzie wears false eyelashes.

Could I wear false eyelashes tonight?

- No, you may not. - I'll sell you mine for a dime.

Father, you're going to have to do something about Randolph.

What do you want us to do, drown him?

- Somebody drowned? - No, Gramps. Not yet, anyway.

- Doorbell’s ringing, Dora. - Uh-uh. Telephone.

I'm gonna have that telephone disconnected.

Oh, mother, say something to father.

- Hello, father. - Hello, mother.

The Pringle butler on the wire for Miss Foster.

He says it's very urgent.

Matter of life or death, no doubt.

Dinner's ready whenever you are.

Why can't we have a butler like the Pringles do?

Why can't we be civilized?

One more word about the Pringles or the oxblood nail polish

or the long eyelashes, and I'm going to forget

that I'm civilized.

- Oh, father. - Oh, brother.

Oh, Jameson.

Yes, Jameson? I'll wait.

- Miss Foster on the phone. - Thank you, Jameson.

Judy, dean I thought you'd like to know

that Xavier Cugat accepted my invitation to the dance tonight.

He seemed pleased when I told that he'd be guest of honor.

Oh, now, Judy, as for your dress for tonight

what are you wearing?

You have a new dress?

It's blue?

Judy, dear, don't you think your pink

would be more appropriate?

Your complexion really calls for pink.

It brings out the freshness and charm of your youth.

That's fine. I knew you'd agree with me.

Au revoir for now.

I beg your pardon, Mr. Father called to say

he'll not be home for dinner.

Thank you.

A very smart man.

Ogden, I think it's up to you to find father and talk to him.

I don't think he'd remember me.

Tell him it would be a good strategic move

for him to come to the dance.

Would promote goodwill with his depositors.

Now, how am I gonna find father, eat dinner

and pick up Judy, all in time for the dance?

Simple, Ogden, you don't eat.

Don't eat?

Iturbi never eats before a concert.

I'm not Iturbi. I'm Oogie, remember?

And besides, what about Judy? I gotta pick her up.

Ogden, it's a fundamental law of human nature

that women are always attracted to men who ignore them.

I don't think Judy knows that law.

Well, of course she doesn't. You spoil her.

- You shouldn't do that. - I shouldn't?

And you should never have given her an orchid.

Now she'll expect one every week.

- She will? - Naturally.

You've set a very high standard.

It's gonna be hard to live up to it.

Well, golly, Carol, what am I gonna do?

Don't let her know you're so interested.

Take tonight, for instance. Let somebody else call for her.

Be indifferent.

Do you really think so, Carol?

Of course.

I'll arrange for someone to call for her.

Then, when she sees you again she'll be so relieved

she'll probably fall right in your arms.

Hm. She's never done that before.

How do I look?

Oh, you look lovely, dear.

But what about the new dress?

Yeah, the one that was so vital.

Oh, blue does nothing for me.

Oh, now, wait a minute.

For the last six weeks

I've heard nothing, but how important it was

that you should have a new dress for this dance tonight.

Now that you have it, you're not going to wear it.

Why?

It would be very difficult to explain to you.

I'm sure it would take too much time.

- Come on, Melvin. - Alright, alright!

You coming along with us, honey?

Oh, father, really?

Why, if I walked in there with my parents

I'd be the laughing stock.

How do you like that?

Well, maybe we had better wear a disguise.

Oh, father.

Sometimes, I think you don't understand a thing about women.

It's time you and Gramps had a heart-to-heart talk.

You wait for Oogie, dear, and make a grand entrance.

- Have a good time. - I will.

- Goodbye, son. - So long.

Maybe I should have worn a girdle.

- What do you got to hold in? - Oh, Randolph.

Judy.

If I didn't know better

I'd swear your grandmother was standing there.

Why, she used to wear a pink dress just like that.

While you're waiting, would you do your old Gramps a favor?

Of course, Gramps.

- Your favorite? - Uh-huh.

♪ Through the years ♪

♪ I'll take my place beside you ♪

♪ Smiling through the years ♪

♪ Through your tears ♪

♪ I keep my place beside you ♪

♪ Smiling through your tears ♪

♪ I'll be near ♪

♪ No matter when or where ♪

♪ Remember ♪

♪ What is mine I'll always share ♪

♪ I'll come to you ♪

♪ Smiling through ♪

♪ The years ♪

Thank you, darling. That was nice.

Telephones, ought to be a law against them.

It's the doorbell, Gramps. Will you get it?

I'd like to make an entrance.

You look mighty pretty, Ms. Judy.

Thanks, Nightingale.

Now, Judy?

Now, Gramps.

- Evening, Oogie. - I'm not Oogie. I'm Jo-Jo.

Oh, Jo-Jo, come in. Jo-Jo's here, Judy.

Jo-Jo? What are you doing here?

I came to take you to the dance.

What?

- Where's Oogie? - He's busy.

Busy?

You mean...

You mean, he expects me, Judy Foster

to go to the high school closing dance with a mere child?

- An infant, a half-pint? - I'm taking vitamins.

Oogie can't do this to me. I won't stand for it.

You mean, you don't wanna go with me?

No, I don't.

Can I go now?

Why... Why, how dare you?

You should be thrilled to have a date with an-an older woman.

Thrilled, she says.

Randolph, I've gotta use this phone. It's an emergency.

So is this. I'm trying to borrow Peewee Finnegan's

electric worm finder.

Oh, Randolph.

- Randolph, give me that phone. - Four bits and it's yours.

Of all the mercenary, money-grabbing...

Oh.

Hello, Peewee?

- Evening, Judy. - Hello, Pop.

Mr. Pringle?

This is to inform that our friendship

as of tonight is dissolved.

You can have your class pin back.

And I'm sending at my earliest convenience

your 12 boogie-woogie records.

Is anything wrong?

Why do men always say, "Is anything wrong?"

Yes, somebody came for me.

Jo-Jo Hoffenpepper, indeed.

Why didn't you just send a midget?

Anything wrong, Judy?

Oh, just everything, Pop. Everything.

Oh, now, you look beautiful.

The high heels, too.

An inch and a half.

Next year, I'm gonna have two inches.

That's if I live that long.

Oh, now, what you need is a strawberry parfait.

What I need is a date for the dance, tonight.

Oh.

Pop, who's that?

Huh?

Oh, that's Stephen Andrews, my nephew.

Oh, he's wonderful.

Yeah, he's late.

- Is he married? - No, he's not married.

- Is he engaged? - Yes, to me, for the summer.

Do you think that maybe, he could, um...?

You sit right there and don't you move.

I'll wait. I won't move an inch.

I-I wonder if you'd do me a little favor?

Why, sure, Pop. What is it?

Uh, well, how would you like to take

a beautiful young lady to a dance?

You call that a favor? Who is she?

Well, she's a friend of mine. An old friend.

That is, we've known each other a long time.

- Where is she? - Right there.

You mean...

- You mean that youngster? - Shh.

Now, wait a minute, she's only a child.

I'd look great taking her to a dance, wouldn't I?

Now, Stephen, this is important. Her heart's breaking.

Now, you got a kid sister, you know how tragic

something like this can be.

Now, besides, I promised her.

Come on.

Alright, Pop, you win.

But it's against my better judgment.

And if I send out an S.O.S., I'll expect your help.

♪ It's a most unusual day Ta-da-da-da-da-da ♪

Gramps.

Nobody's gonna stand up my granddaughter. No, sirree.

Oh, you're a lamb.

I'll take you to the dance and I'll fetch you home.

And if they play a polka, I'll even dance with you.

Oh, thanks, Gramps, but I think that maybe, I have a date.

You have, Judy.

Stephen, Judy.

- Hello, Judy. - Hello.

- Gramps, this is Stephen. - Glad to know you, Gramps.

Always tell a man's character the way he shakes hand.

- Thank you, sir. - We'd better hurry, Stephen.

I don't wanna miss a minute of the dance now.

Goodbye, Gramps. Bye, Mr. Scully.

Oh, dear.

- How about a cherry phosphate? - Don't mind if I do.

Got anything to put a little sting in it?

Hey, Jo-Jo, take over for me for a minute, will you?

Look.

Don't worry, Oogie. Everything will be alright.

Yeah, and in the meantime, I'm a bachelor.

Melvin, who's Judy dancing with?

I can't tell at this distance.

Well, you need glasses, Mr. Foster.

My eyes are perfect.

Judy, hey.

I, uh, I think the orchestra leader is trying to attract

your attention, Judy.

Ignore it.

He's just someone I used to know in my childhood.

Ladies and gentlemen

our popular 16-year-old singer, Miss Judy Foster

will sing for you, now!

That's despicable, that's what it is. It's despicable.

He knows that I'm practically 17.

Any man who'd reveal a woman's age should be horse-whipped.

Would you?

I'd much rather hear you sing, Judy.

Alright, Stephen.

But only because you want me to.

Your pin, Mr. Pringle.

Oh, Judy, please don't be mad at me.

I meant to pick you up. Honest, I did.

But I had other things to do.

And besides, I oughta be mad at you, coming in here late

and with some other guy.

Kindly, play the introduction to "Love Is Where You Find It."

You can't sing that tonight, Judy.

"Love Is Where You Find It" is the song you're gonna sing

on the night of your parents wedding anniversary.

Oogie, "Love Is Where You Find It."

Very well.

"Love Is Where You Find It."

♪ Love is where you find it ♪

♪ Don't be blinded ♪

♪ It's all around you everywhere ♪

♪ Take it, take a chance now ♪

♪ For romance now ♪

♪ Tell a someone that you care ♪

♪ Spring love comes upon you ♪

♪ When it's gone you feel despair ♪

♪ Soon though, in the moon glow ♪

♪ You'll find that a new love is there ♪

♪ Love is where you find it ♪

♪ Fate designed it ♪

♪ To be waiting everywhere ♪

♪ It may hide from you for a while ♪

♪ It may come tonight in a smile ♪

♪ And a plea for the new love ♪

♪ In the arms of a new love ♪

♪ Seek and you shall ♪

♪ Find ♪

♪ La-la-la-ah, la-la-la-ah ♪

♪ Aah ♪

♪ La-la-la-ah ♪

♪ Aah ♪

♪ Aah ♪

♪ Love is where you find it ♪

♪ Don't be blinded ♪

♪ It's all around you ♪

♪ Everywhere ♪

♪ Everywhere ♪

Judy, isn't there something I can do to make up with you?

Yes, Mr. Pringle.

You may borrow some of Jo-Jo's vitamins.

Did you like my song, Stephen?

I thought it was wonderful, Judy.

I think you're swell too.

Oh, you're magnificent.

- Have some punch. - Thank you.

Judy, you didn't sing the song

that we rehearsed this afternoon.

Oh, I'm-I'm sorry, Carol.

But-but I had to sing a special song for a special person.

Oh, Stephen, this is Carol Pringle. Carol, this is Stephen.

- How do you do? - Hello, Carol.

Judy dear, it's time for Mr. Cugat to arrive.

I think you'd better be in the door to welcome him.

- Well, I-- - Run along.

Business comes first.

Alright, I'll be right back. Don't go away.

Don't worry, Judy. I'll be right here.

I have a few moments to spare if you'd care to dance.

Oh, that's very generous of you.

I don't believe I know who you are.

I'm sure you don't.

- But I know who you are. - You do?

You're the prettiest girl in Santa Barbara. That's obvious.

Well, thank you very much.

And you know it. That's also obvious.

That wasn't very nice, was it?

No, it wasn't. I'm sorry.

Are you spending the summer here?

I think most of it will be spent at Scully's drug store.

Better come in sometime and sample a malted milk.

I never drink malt.

And now, if you'll excuse me, I'm in charge of the program.

Oh Judy, won't you listen to me for just a minute?

Please don't talk to me. I've just renounced you.

But I don't wanna be renounced. I want you to wear my pin.

In fact, I'm going to erase your name from my diary.

You know, Judy, sometimes I think you don't like me at all.

- Good evening. - Oh, Mr. Cugat.

I thought, maybe, I got in the wrong place, no?

Oh, no, this is the right place.

Come with me and I'll introduce you around.

There's some other old people here too.

Oh?

Who's the young man Judy's with?

His name's Stephen Andrews. He works at Scully's drugstore.

Nice-looking fellow.

Yes, I suppose, one might say that he is.

I'm sorry, my father isn't here tonight.

He promised he'd try to come.

Well, you know how businessmen are.

Sometimes it's very hard to find time

to go to a high school dance.

You always seem to find time, Mr. Foster.

That's because I guess, I'm curious and want to know

what's going on.

I think it's very nice.

Having someone who wants to know what's going on.

Just the opposite in our family.

My father never knows what's going on.

Of course, he's an extremely busy man.

Oh, of course he is, yes.

Sometimes I wish...

Sometimes I wish he weren't so busy.

Will you excuse me? I'm sure Ogden needs me.

Mr. Cugat, this is my mother and father, Mr. and Mrs. Foster.

How do you do, Mr. Cugat? Nice to meet you.

Hello, Mr. Cugat. Won't you sit down?

Thank you, I will.

My daughter, Judy, here, is a great admirer of yours.

- So is her mother. - Oh, thank you, thank you.

That's a charming compliment from two very charming ladies.

They're playing that especially for you, Mr. Cugat.

Melvin.

Aren't you going to dance with me?

What?

A man of my age get there and make a fool

like those jack-in-the-boxes?

Well, you could do a more dignified version, dear.

Dora, look.

I've been a faithful husband to you for 19 years, haven't I?

Twenty. It's our anniversary next week. Remember, dear?

- A good provider? - Yes.

Satisfactory father to the children?

Yes.

Then please don't ask me to rumba.

If-if you don't mind, Señor Foster

perhaps, your wife will do the rumba with me?

Oh, sure, go ahead and ask her. You won't have to coax her.

Thank you, Mr. Cugat. I'd love it.

It's a shame mother has to dance by herself.

- Judy? - Yes, father?

I don't wanna hear another word about me learning to do rumba.

Yes, father.

But I would like to hear who the young man was

you were dancing with.

- Oh, that's my dream man. - What about Oogie?

Oh, I just gave him up forever, for a little while.

Oh, I see.

Would you like to meet Stephen?

Well, I believe it's customary.

If you can get him away from Mitzie there.

So, that's what happens when my back is turned.

Excuse me, father.

Mitzie dear, Oogie wants you.

Oh, well, tell him I'm-I'm busy right now.

Mitzi, Oogie wants you, now.

Oh, thank you, Stephen. It's just been wonderful.

I'll be right back.

You do wanna dance with me, don't you, Stephen?

It would be a pleasure, Judy.

Where's Mrs. Foster?

Out there dancing the rumba with Mr. Cugat.

Oh.

Kind of a vulgar dance, don't you think?

I can't do it, either.

Mrs. Foster, you are what we call muy guapa.

Oh. Is that good?

Well, in my language, it means terrifico.

I'd spend the rest of my life singing for you, Stephen.

I don't think, Oogie would like that very well.

- Oogie brought this on himself. - Alright.

But don't be rough on him, Judy. He's a nice guy.

Goodnight. Thank you, for a very nice evening.

Good night, Stephen,

and thank you for a very nice evening.

- Well, goodnight. - Stephen...

Do you think a girl should let a boy

kiss her on their first date?

I most certainly do not.

Oh...

- Not even-- - Not even then, Judy.

- Oh. - Goodnight.

Sweet 16.

Almost 17.

If I'd taken Judy to the dance tonight

that malt mixer wouldn't have taken her.

Well, if he hadn't have taken her, she wouldn't have met him.

And I wouldn't be miserable like I am now.

I'm sure Mr. Andrews realizes

the obvious difference in their ages.

Maybe so. But does Judy?

She even kissed him.

She did?

I've known her all my life.

She's never kissed me, except on birthdays.

He's better looking than I am too.

Does she really mean that much to you, Oogie?

Sure, she does.

She's real fine.

Oh, why didn't he fall for you instead for of my girl?

You haven't any heart, that's all.

I have a heart, Oogie.

It's just that I haven't had much chance to use it.

Like... neither one of us has had much chance.

I don't have anyone to talk to.

You don't have anyone to talk to.

I guess, we just have to talk to each other.

Oh, I wish mother were here.

Me too.

I'll take care of everything, Oogie.

Oh, no, look, Carol, I-I-I...

I said I'd take care of everything.

Goodnight.

♪ Swing low sweet chariot ♪

♪ Coming for to carry me home ♪

Sometimes she's going to swing so low

they're gonna have to carry me home.

Now, Melvin.

Your breakfast is getting cold, dear.

- Breakfast? - That's right, breakfast.

Yeah, we're different than most families.

We have breakfast in the morning

lunch at lunchtime and dinner at--

Never mind, Randolph.

Drink your orange juice, dear

What did you say, father?

I didn't a say a word. It was your mother who just spoke.

What's the matter with you, anyway?

Hm?

Melvin, see if you can get through to her.

I'll try, Dora. It might take a little time.

Judy? Judy Foster.

Good morning, father.

Good morning, dear ones.

Wee! You got through.

Judy, did you and Oogie make up?

My heart belongs to Stephen.

I think we have a lead.

Where did you meet Stephen, dear?

I met him in a prescription booth.

Ah, he's a soda jerk.

I'm sorry, this household just isn't big enough

for both, Randolph and me.

Eventually, one of us has to go.

Father, you'll have to make the choice.

Well, Dora, what do you think? You have a preference?

Well, it's something we can't decide in a hurry.

I think we ought to have at least until tomorrow morning.

Now, you're making fun of me.

You never take anything I say seriously.

Yes, we do, darling.

But having to make a choice between you and Randolph

is serious indeed.

Now, sit down and eat your breakfast, dear.

Well, there's a picture of Mr. Cugat.

- I hadn't seen it. - What you need is glasses.

Dr. Lippincott can fix you up.

Oh. Ha-ha. Yeah.

Oh, he hasn't changed since last night.

You know, he's a very romantic man.

He said, I was muy guapa.

- What? - Oh, that's a compliment.

Wow, look at that prized string of palominos he's got.

Oh, that's nothing.

I can have my face splashed on there anytime.

Oh, father, you know, you'd look perfectly ridiculous

standing beside a string of mackerel.

And he dances divinely.

He should.

That's his business. My business is canning fish.

If you really loved me, Melvin, you'd learn how to rumba.

Oh, what has my loving you

got to do with that ridiculous dance?

Nothing, Melvin.

Except that when I go to dances, I like to dance.

And I like to dance with my husband.

That reminds me, the drug store is open. Bye, everybody.

Where's Judy? Why didn't she come down for breakfast?

Nothing like a quiet breakfast with the Fosters, is there?

- Melvin? - Mm-hm?

I love you.

Even if you can't rumba like Mr. Cugat.

Muy guapa sounds like birdseed.

How was the dance?

Uh, it was fine. I met a lot of nice people.

Say, Pop, do you know a girl by the name of Carol Pringle?

Sure, sure. Everybody knows the Pringles.

She never comes in here, though.

Not since she grew out of her bobby socks, anyway.

Good morning, Mr. Scully.

Meta lot of nice people, huh?

Hello, Miss Pringle.

I haven't seen you here for some time. How's your father?

Well, he's fine, thank you.

Anything I can do for you?

I thought, perhaps Judy would be here. I wanted to talk to her.

Well, she isn't here, but I'm reasonably sure she will be.

Hello.

Hello.

Didn't know I was artistic, did you?

I know very little about you.

Go ahead, eat it.

Ought to be more fancy ice cream sundaes in everybody's life.

- Thanks. - Hi, Carol.

- Hello, Stephen. - Hello, Judy.

- Oh, that looks yummy. - Would you like it?

No, thanks. I came to talk to Stephen.

What are you doing here?

I wanted to talk to you, Judy.

I thought I'd find you here.

I finally convinced father to let you

and Oogie try out on his radio station.

You did? Oh, that's stinky super.

Of course, it's only a sustaining program

but undoubtedly you can get your father to sponsor it.

My father seems to think that his fish

can get along very well without my help.

Oh, but I'm sure your voice would double his sales, Judy.

Gee, I don't know.

Why don't you go and talk to him about it?

Maybe, he will see it our way, Carol.

I'll go right away. Don't go away, Stephen.

- I'll be right back. - So long, Judy.

- Cute as a button, isn't she? - Judy's a charming child.

It's nice to see a young girl act her age.

Yes and 16 is such a nice age to be.

Oh. You remember.

You are amusing, Stephen.

Oh, by the way, I thought, perhaps

you'd like to drop around for dinner tonight.

You've talked me into it.

- Shall we say seven o'clock? - Seven o'clock.

Why, Carol, you've hardly touched a bite.

- Don't you like it? - Oh, of course.

Now, that's what I like to see. A girl with a healthy appetite.

- Hi, Carol. - Hi, Carol.

Oh, give me one of those, will you?

This is Mr. Foster's office, yes?

- And you are Miss Rosita. - That's right.

Come in.

- Mr. Foster's expecting you. - Good.

Mr. Foster, this is Miss Rosita.

- How do you do? - How do you do?

Uh, thank you, Miss Clarke

and please see that we're not disturbed for about an hour.

Yes, Mr. Foster.

I really don't know how to explain this to you, but I--

You want to rumba, yes? That is it, huh?

Well, not exactly. I really don't want...

Well, yes, I do want to.

You see, Mr. Cugat told me that you could teach me.

- Do you think you could? - Of course I can.

I'm not the ballroom type.

I spent most of my life at sea on these, here, fishing boats.

They didn't do much rumba dancing there.

Mr. Foster, I put you in my hands.

You watch me and I show you the beginning steps.

You see, it is just a matter of a little wiggle here

and a little wiggle there.

All you have to do is to get the right wiggle

at the right place and at the right time.

Everything would be fine. I'll show you.

Watch me.

See, the only way to learn is to do it. Come on.

Now turn this way.

Good. Now this way.

Turn this way.

That's it.

See?

Oh, Miss Clarke, I've got to see father.

Oh, Judy, I'm very sorry. Your father is busy, very busy.

But this is vital.

What your father is doing is also vital.

- Is he in conference? - Oh, not exactly.

- I bet he's asleep. - Judy.

Your father is not in habit of sleeping during business hours.

If he's not doing those, what else could he be doing?

I've got to see him.

Well, just let me announce you.

Oh, Mr. Foster, your daughter is here.

She says, it's very important.

Alright.

- Just a second, Judy. - Thank you.

That's a pretty dress you're wearing.

Lovely color.

- Well, second's up. Thanks. - But Judy...

Miss Clarke said you were busy, but you don't look very busy.

I am very busy. Thinking, Judy, thinking.

I'm glad you're thinking, father

because I have something I want you to think about.

You always do. What is it now?

Well, you see, Carol talked to her father and her father said

that maybe my father would sponsor a program

on his radio station.

So, Oogie and I can be on the air.

Ooh.

Well, I thought that you and Oogie had split up.

Well, this is strictly business.

Carol said it will double your sale of fish.

Now, Judy, my fish are doing just dandy

without any radio advertising

and I might add without the advice of Carol.

I was only trying to help your fish.

I appreciate that, and the fish do too.

- But father, if we-- - Now, now, now.

You run along home and we'll take it up later. Come on.

But I can't go home, father.

I've a very important day at the drug store.

Well, then, you run on to the drug store. Goodbye, Judy.

Goodbye.

Oh, Miss Rosita, I want to apologize. I didn't have time--

Mr. Foster, my profession is an honorable one.

You engaged me to teach you the rumba, don't you?

And I do not teach in closets.

Well, wait, wait. Oh, listen. Oh, please, Miss Rosita, please.

That was my daughter that was just in here.

And if she saw you, that would spoil everything.

What do you mean, spoil everything?

I thought you're a respectable man.

Oh, I am, honest. Believe me, I am.

You see, I'm doing this for my family.

- It's a great big surprise. - What surprise?

Well, next week, my wife and I are celebrating

our wedding anniversary.

For years, she's wanted me to learn how to rumba

and it's for her.

Oh, so, that is it, huh?

When you say you celebrate this anniversary?

- Next week. - Next week.

Alright, I stay.

But remember, if I teach in any more closets

I raise the price.

And with you I'm starting from behind scratch.

Oh, that's your daughter, no?

No, my wife.

But she looks so young.

You know something?

You too would look 10 years younger

if you do not dress so stuffy.

- Stuffy? - Si, look at that tie here.

So tired. Throw him away.

And that tummy, that should go too.

Well, never mind. We'll get rid of them dancing.

With a beautiful wife like this, senor

you better be on the toes, you know.

She is beautiful, isn't she, huh?

Yeah. Now we come into the business, huh?

Let us try again. Chin up.

Waist in.

Shoulders back. Chest out.

Come now.

One, two, three, hip.

One, two, three, hip. Watch the hip.

- One, two-- - I am, lady, I am.

Then go ahead. Do it.

One, two, three, hip.

One, two, three, hip. That's it.

One, two, three, hip. One...

That's right, Jameson. We'd just use candlelight.

Yes, miss, candlelight.

And two martinis, Jameson.

One with alcohol and one without.

Oh, but don't forget the olive.

Uh, no, miss.

After dinner, you may build a fire in the fireplace.

I beg your pardon.

But I think it's a bit warm for a fire.

Then we'll open the windows.

Uh, yes, miss.

Oh, thank you.

After we have demitasse, take the rest of the evening off.

Oh, yes, miss. I understand.

- Good evening, sir. - Good evening.

- Oh, good evening, Miss Judy. - Hi, Jameson.

Tell Miss Carol that I'm here and that Mr. Andrews is, too.

Yes, miss. Would you just wait in the living room, please?

I beg your pardon, miss.

Mr. Andrews is here and Miss Judy.

- Judy? - Yes, miss.

You'll have to set another place then, Jameson, quickly.

I don't think the pheasant will stretch three ways.

- Give Mr. Andrews the neck. - Yes, miss.

Oh, and you better forget about the martinis.

Yes, miss.

- Hello, Stephen. - Good evening.

Judy, how wonderful to see you, both of you.

It was nice of you to invite us to dinner.

I'm so glad you could come.

What's the matter? Is something wrong?

- Oh, where's Oogie? - He won't be here for dinner.

- He won't? - He won't?

He'll be here later.

Just because he lives here

I don't see why he should always be here.

- Dinner is served, Miss Carol. - Thank you, Jameson. Shall we?

We thank you for this food

and for the privilege of eating it together and in peace. Amen.

Telephone's ringing, Nightingale.

It's the door, Gramps.

Doorbells, phone bells,

bells is always ringing.

The doors and bells and everything.

Hello, Nightingale.

Lan sakes.

Oogie, how is it you always manage to get here

just when everybody's eating dinner.

Oh, it's no trouble at all.

- Hello, Oogie. - Hello, Mrs. Foster, everybody.

- Hi. - You lose something, Oogie?

Oh, no, nothing at all.

Will you have dinner with us, Oogie?

Sure, thank you.

Uh, isn't Judy here?

No, Judy won't be here for dinner.

She's having dinner with your sister.

- She is? - Mm-hm.

So that's why she wanted me to eat at the drugstore.

- Hm? - Yeah.

She wanted me to leave the house so that she could talk to Judy.

And naturally, if I were at the house,

she couldn't talk to Judy.

So, therefore, she asked me to leave.

- See what I mean? - No.

I don't see what you mean. I'll take your word for it, though.

That must be it. Sure, she's fixing everything up.

Yes, sir, that's it.

Doorbell.

Wrong again, Gramps. Telephone.

If I don't pay the telephone bill

how soon will they take it out?

Now, Melvin.

Mr. Pringle, you're wanted on the telephone.

Oh, thanks.

You see, it's just like I told you. Excuse me.

Randolph, what language does he speak?

For 25 cents, I'll translate it.

Yeah? She is?

She did? She has?

She does? Yahoo!

I'll be right home.

I take it back. I have to have 50 cents to translate that.

♪ Love is where you find it ♪

♪ Don't be blinded ♪

♪ It's all around you everywhere ♪

♪ Spring love comes upon you ♪

♪ When it's gone you feel despair ♪

♪ Aah ah ah ah ♪

Hi, Oogie. Glad to see you.

Hi.

Hi, Judy. Why'd you stop?

The mood's been broken.

Seems to me you're getting awfully moody lately.

Sit down, Oogie.

Hon jeepers! Who wants a fire on a night like this?

I find it cozy.

- Very cozy. - How cozy can you get?

I don't see how I can possibly do a radio program with him.

- He's impossible! - What radio program?

The one Carol fixed for us on your father's station.

I don't know anything about it

and I'll bet father doesn't.

Why, he won't even let me inside the station.

If Carol says it's alright, it's alright.

Why don't you and Oogie run through your new number?

You could use it for the initial broadcast.

- I don't feel like it. - She just wants to be coaxed.

Please do, Judy, I'd like to hear it.

You would?

Well, alright, then.

Let's proceed, Oogie.

♪ When I was just a little girl ♪

♪ Along long time ago ♪

♪ I promised me I'd grow to be ♪

♪ A woman of the world ♪

♪ But fate plays many funny tricks ♪

♪ It did to me I know ♪

And as Jimmy Durante puts it...

♪ I've been foiled ♪

♪ I'm strictly on the corny side ♪

♪ Corny side corny side ♪

♪ I'm strictly on the corny side ♪

♪ But the boys like me that way ♪

♪ I never go for city chicks ♪

♪ I can't mix got no tricks ♪

♪ But put me with the cows and chicks ♪

♪ And you'll find that I'm not hay ♪

♪ I'm a real hillbilly I" ♪ The gals go silly ♪

♪ A willy-nilly when I roll my eyes ♪

♪ You're a real humdinger ♪ ♪ Don't you point your finger ♪

♪ I just do it for the exercise ♪

♪ We're strictly on the corny side ♪

♪ Corny side corny side ♪

♪ We're strictly on the corny side ♪

♪ And the folks like us that way ♪

♪ I used to dream of being quite a siren ♪

♪ With cavaliers bedecking me with jewels ♪

♪ I'd have a yacht a foreign car to drive in ♪

♪ But now I drive a pair of seven mules ♪

♪ I used to wanna be a wealthy broker ♪

♪ With secretaries sitting on my knee ♪

♪ I guess I'll wind up being just a joker ♪

♪ Shaking apples from an apple tree ♪

♪ We're strictly on the corny side ♪

♪ Corny side corny side ♪

♪ We're strictly on the corny side ♪

♪ And that's the place to be ♪

♪ You can have the city you can save your pity ♪

♪ For the folks who run around and scream ♪

♪ Oh the country's quiet come along and try it ♪

♪ Down by the old mill stream ♪

♪ We're strictly on the com ♪

♪ Corny side corny side ♪

♪ We're strictly on the corny side ♪

♪ And that's the place to be ♪

Thank you, Judy. Better run through it again, though.

I think we should leave them alone while they rehearse.

Yeah, and there's a terrific moon out, tonight.

The moon has nothing to do with it, Ogden.

I can hear you from out here.

Please don't go. I'd like to talk to you.

Go ahead, talk.

Don't you like me anymore, Judy?

Of course I do, Oogie.

But there comes a time when people

must find the way of their hearts.

And follow their hearts.

I know the way in my heart.

I know that someday when I'm through school and have a job,

well, then I'm gonna ask you to marry me.

Jinkies, if I have to wait for all that to happen

I'll be too old to marry.

Well, gee, the least you can do

when a man ask you him is be polite.

Mr. Pringle, I feel that

I'm under no obligation to you whatsoever

as far as marriage is concerned.

I'm an adult now and I must conduct myself accordingly.

- What? Judy, are you hurt? - You pushed me.

Pushed you? How can you say such a thing?

Don't you ever speak to me again.

I should have pushed her.

Why did you bring Judy tonight, Stephen?

She came back to the drugstore this afternoon and...

a lot of her girlfriends were there.

She said she had a date with me tonight.

- They said she didn't, so I-- - So you said she did.

Well, you know how it is.

I can't say that I do.

Just how is it?

You're a funny girl.

You've got everything any girl could possibly want.

You're beautiful. It's almost too beautiful.

You have youth, education, a lovely home.

With all these things why do you have to try

so hard to impress people?

- Is that how you feel about me? - I'm afraid it is.

- Then I think you're very rude. - I think you're very spoiled.

I'm not interested in your personal opinion, Mr. Andrews.

It's nice to see you angry. That's a good sign.

It's the first time I've ever seen you

follow a natural impulse.

If I follow my natural impulse,

I'd push you in the flowerbed.

Goodnight.

- Where's Judy? - She's upstairs.

And will you tell her, I didn't push her?

Women!

I know what you mean.

Look, Steve, you wouldn't take my girl away from me, would you?

You bet your life I wouldn't, Oogie.

I wouldn't have a chance even if I wanted to.

No?

When a girl goes to all the trouble Judy does

to make you jealous... that's true love.

Gee, I never thought of that.

Steve, you're a man of the world.

Do you think Judy will be easier to understand as she gets older?

Don't try to understand women, Oogie. Just accept them.

I guess that would be easier.

Oh, and Oogie, would you mind taking

Judy home when she comes down?

I gotta go back to work.

Oh, glad to, Steve. Glad to.

And tell Carol goodnight for me, will you?

You bet. Come back again, Steve. Anytime, anytime at all.

- Thanks, Oogie. Goodnight. - Goodnight.

Goodnight, Steve ol' boy.

Oh, Jameson.

Jameson, could you fix me a double-decker

ham-and-cheese sandwich, please?

I'll try, sir. And a glass of milk?

Yeah. Let's make it four-decker.

Four? Yes, sir.

Carol?

You know much more about men than I do.

Tell me about them, will you?

Very little to tell, Judy.

If you know one man, you know them all.

Of course, Stephens different.

Stephen's a man, Judy.

Once a person is a man, there's nothing anyone can do about it.

Oh, I don't wanna do anything about it.

The pathetic part of it all is they never improve with age.

In fact, they get worse.

Shakespeare once said, "A man in his time plays many parts.

His acts being seven ages."

Of course, I never did see eye to eye with Shakespeare.

As far as I'm concerned, there are but three ages.

Youth, middle age and infirmity.

It's the middle age we have to beware of

'cause that's the critical age.

But Stephens not middle-aged.

He isn't now, will be someday.

All men reach it.

My father did.

Believe me, Judy, then they are a problem.

Jinkies.

How do you know when they reach that critical age, Carol?

Oh, by little things.

Sudden changes in their habits.

They start throwing money away like mad.

Maybe something as minor as a sudden obsession

for bright clothes.

In my father's case,

it was a desire for monogrammed silk shirts.

Oh, I had a terrible two years.

Oh, I think my father skipped that critical age.

Oh, he doesn't do any of those things.

- Particularly throw money away. - But you never can tell, Judy.

Really?

With men, it can happen overnight.

♪ Rum pum pum pum pum ♪

One, two, three, shake hips.

One, two, three, shake hips.

One, two, three, shake hips.

One, two, three, shake hips.

Father.

Father, what are you doing up so late? You should be in bed.

Oh, reading, just reading. Trying to improve my mind.

Oh, but you never read before you go to bed.

And it's so late.

Now wait a minute, young lady.

I'm supposed to ask the questions in this house.

What are you doing out so late?

Oogie took a shortcut and we got lost.

Oh, yeah.

I've heard that one before.

Time for you to go to bed, Judy.

Father, I'd like to ask you a few questions, if I may.

Sure, go ahead.

Please sit down.

Do you remember how you felt when you first met mother?

Sure, I felt fine.

Did you know right away that you loved her?

- Of course I did. - And did you tell her so?

Well, no, not right then.

After all, I didn't want her to know that I was that easy.

So, I... just sort of let her tell me.

- Oh, I see. - Oh, but, uh, Judy...

Don't mention that to your mother, will you, please?

And you were happy just to be alive, weren't you?

The whole world seemed brighter and music sounded much sweeter.

Oh, yes, I was happy.

And mother got the same way. I know, she did.

- She told me so. - She did?

- She did. - Hee-hee.

Hey, what are you driving at, anyway?

Well, father... l feel the same way now

as mother did when she first met you.

I'm in love. Terribly in love.

I want to get married.

Well, Judy, you're kind of young, don't you think?

And Oogie, his allowance isn't enough to support a wife on.

Oh, father, I'm not talking about a child.

I'm talking about a man, Stephen.

Stephen Andrews.

Has he asked you?

No.

Of course, I haven't give him any encouragement.

But I'm sure he feels the same way about me

as you did about mother.

When the right time arrives... I'll ask him.

Well, Judy, you're just a little child.

But mother was only 17 when she married you.

Well... this is terribly serious. I...

Coming especially at this time when I really need your help.

Oh, father, you know if you need me, I'll stay.

Well, I was thinking about that there radio program of yours.

You know, a little advertising

might be of great help to me now.

Of course, if you're leaving,

naturally you won't be of any help.

Father, you know I'll always stand by you.

Even if it means working with Oogie.

Of course, my working with him will have to be

on a strictly business basis.

Oh, naturally. Strictly business, of course.

Now, you run onto bed and we'll talk over again in a few days.

If you don't mind, I'd like to stay down

just a little while longer, if I may.

I have so many things to think about.

So many, many things.

Alright, you stay down here a few minutes and think.

But if you don't come upstairs in 10 minutes

I'm coming down personally and carry you up piggyback

like I used do before you grew up.

- Oh, father. - Goodnight, honey.

Goodnight, father.

Dora.

Dora.

Hmm?

Judy's in love.

Oh, that's nice.

Oogie must be happy. Don't forget to wind the clock.

No, no, no. You don't know what I mean.

It isn't Oogie.

She's in love with Stephen.

Looks very serious.

What? Stephen?

- What are you... you mean... - That's what I mean.

Oh, he couldn't be serious or could he?

I don't know about him, but Judy is.

Oh, she's just a baby.

Well, I'm not so sure about that.

She informed me that she now feels as you did

when you first met me.

Oh, my.

Oh, my!

No bacon this morning, Jameson.

That new specialist has eliminated pork for my diet.

Alright Davis, I'll come down myself and speak to them.

- Good morning, Ms. Carol. - Good morning, Jameson.

Oh, Carol, what are you doing up so early?

You're not ill, are you?

- No, father, I'm not ill. - That's good.

- I wanted to talk to you. - Hmm?

I said, I wanted to talk to you.

What is it? New clothes? Allowance overdrawn?

- Ogden's not in trouble? - No, father.

Your broker is on the wire, sir.

I'd like to go away for a while.

Hello, Grayson. Fine, fine.

A change is beneficial for everyone.

Where you going? Now, have you sold those shares, Grayson?

I don't know, father.

Indecision's a sign of weakness.

No, no, not you, Grayson, I'm talking to my daughter.

What about those shares?

The market broke before you had the chance to sell?

Well, be in my office in half an hour with the figures.

Yes.

- Where's Carol? - She's left, Mr. Pringle.

She didn't touch her breakfast.

Well, people in love rarely have much appetite, sir.

- In love. Who's in love? - Miss Carol, I believe, sir.

Nonsense! Why, she's only a child. She...

- What do you mean, in love? - Just that, sir.

Well, with whom? Who is he?

What's he do? What's his background?

His name is Stephen Andrews, sir.

He works in Scully's drugstore.

What? Wait a minute, Jameson.

Didn't she say something about wanting to go away?

Yeah, I believe she did, sir.

A sensible girl, Carol. I'll speak to her myself.

In the meantime, you see what you can do

about finding out who this young fellow is.

Yes, I'll do my best, sir.

About this trip, Carol,

I thought you might like to go to

your grandmother's for a while.

Maine is very nice this time of the year.

I'm sure it is, father.

But I changed my mind. I'm staying here.

Oh?

- And, father? - Yes, Carol.

You'll be happy to know that American Tel. & Tel.

Went up two points today.

♪ Rum pum pum pum pum ♪

- Good morning, Nightingale. - Yes, I suppose it is.

Even in the morning, the door bell, the phone bell...

This is the "bellingest" house I've ever been in.

- Good morning, Oogie. - Hello, Nightingale.

How do you always manage to

get here just when everybody's eating?

Oh, it's no trouble at all.

Good morning, Oogie. How are you this beautiful glorious morning?

Fine, sir. I-I-I mean, I'm not fine. It's just that I'm...

Well, to tell you the truth, I'm not fine at all.

Well, sit down and tell me all about it, Oogie.

Well, it's like this, Mr. Foster.

I-I think your daughter is losing interest in me.

Oh, well, you know how girls are, Oogie.

No, sir, I don't. How are they?

Well... you see, you have to keep two jumps ahead of them.

Find out what they want and then don't give it to 'em.

Later on, surprise 'em. Ha-ha.

Always works, Oogie.

Gee, I can't seem to surprise Judy much.

Seems she always knows what I'm gonna do before I do.

Well, that's because she's a Foster. Always on her toes.

- Good morning, Mr. Pringle. - Oh, hi, Judy.

- Good morning, father. - Good morning, Judy, dear.

Father! You're wearing a new tie!

That's right, a new tie. You like it?

I think it's snazzy, Mr. Foster.

- But it's so loud. - Well, so it's loud.

I got a dozen more, just as loud.

But it's not like you at all.

Mmm, well, I'm a different person, a new man.

After all, a man of my age is liable to get into a rut.

Well, goodbye, Judy, dear. Goodbye, Oogie.

You two kids try and get along together

and work out that there radio idea.

He didn't eat a thing.

I-I brought the contract for the radio show--

We'll have to see Father about it first.

But we just saw him.

Mr. Pringle, we have a policy in our household.

We never discuss business at home.

We'll have to call on him at the office.

I'm doing pretty good, don't you think?

Magnificent, wonderful.

Somewhere in your family tree, must be hanging a Spaniard.

Let's go.

That's it. Now watch the hip.

- Watch the hip. - Yeah, I am. I am.

Hi, Miss Clarke. I wanna see Father.

You'll have to wait. Your father's busy.

But that's what you told me yesterday and the day before.

I thought this was a slack season.

Business is picking up.

Oh, but I've got to see him. It's terribly vital.

Mmm.

Hello.

Judy's on her way in? Hold her a minute.

It'll be just a minute.

I don't see what difference one little minute makes. Do you?

Judy!

Well, Judy.

My own little Judy.

- Of course, father. Who else? - What brings you two here?

We came about the radio program.

Oh. Yes, yes, of course.

Oogie's drawn up sort of a contract he wants you to sign.

He's gonna be a Supreme Court justice. Sign here.

Well, Judy, I never sign anything

before I read it. Now you two run along.

Oh, it's nothing tricky, Mr. Foster, just seven years.

Oh, with options.

Seven years?

Well, what if your voice changes?

Now, here, Judy.

You take that and buy yourself a new dress for the radio show.

- Buy a dress, father? - Yeah.

And get yourself some shoes or

buy anything that you want to but run along.

- Are you sure you feel alright? - Oh, I feel fine.

- He looks fine to me. - Sure. Fine.

Father, how old are you?

Well, I'm just half as old as you think I am, Judy.

Now, run along. Go on up to the store.

I think he wants us to go, Judy.

- Get yourself a lot of clothes. - It's happened.

- Huh? - Men, beasts! I hate you all.

- Golly, Judy, what did I do? - Nothing yet, but you will.

- Why? - Because you're a man.

One of us must be crazy, Judy. Frankly, I'm bewildered.

From now on, don't you ever speak to me again.

Very well, Ms. Foster.

I'll see you at rehearsal at 4.

Purely as maestro and vocalist.

I'm a very patient man, but I've reached the end of my rope.

Miss Clarke... do you have trouble with men?

Just getting them, that's all.

For goodness sakes, Oogie, stop pacing. You'll wear yourself.

Oh, how can you have a rehearsal

when you have nobody to rehearse with?

- Oh, maybe she isn't coming? - Judy will be here.

Where is she?

I'm the last man in the world who'd know

where Judy Foster is.

Well, good afternoon, Miss Foster.

You know, of course that we have a radio show

to do on Tuesday morning?

Yes, I know, Oogie. I'm ready.

Okay, kids, let's hit it.

Presenting, The Foster Fish Program.

♪ Spend each Tuesday morn at 8 ♪

♪ With Judaline ♪

♪ Don't forget you've got a date ♪

♪ With Judaline ♪

♪ Like an angel out of space ♪

♪ Golden hair and a classic face ♪

♪ Nothing like her anyplace ♪

♪ Man she's really fine ♪

♪ I love the charming way you speak ♪

♪ Of Judaline ♪

♪ It brings the color to the cheeks ♪

♪ Of Judaline ♪

♪ Although you mean all the things you've said ♪

♪ You're embarrassing me instead ♪

♪ No one person could be so divine ♪

♪ Lovely as a summer breeze ♪

♪ It is Judaline ♪

♪ Makes me wonder if these charms are really mine ♪

♪ If I'm all the things that you see in me ♪

♪ Where's the me that I used to be ♪

♪ Where is Judy ♪

♪ You mean Judaline ♪

♪ 'Cause [spend my life in being ♪

♪ Judaline ♪

Golly, now what did I do?

This time, Oogie, I think I'm the one who's at fault.

I'll talk to her.

Judy... what's the matter?

Oh, I can't tell you, Carol. I can't tell anybody.

Come on and sit down.

Don't you trust me, Judy?

Of course, I trust you, Carol. It's...

It's just that... Well, I think men are awful.

Even the ones you think are wonderful turn out to be

just like the ones you think aren't wonderful.

Please forgive me, Judy.

I don't know how it happened. I didn't want it to.

It just did.

I didn't think it was possible to fall in love so fast.

I wanted so to tell someone. There wasn't anyone to tell.

Anyway, I don't think he even likes me.

What are you talking about, Carol?

Stephen.

- Weren't you? - No, I wasn't.

If I hadn't decided, just this morning, to put men completely

out of my life, I'd be very angry with you.

Very angry, indeed.

I guess it must be his age. It's caught up with him.

Carol, I'm talking about my father.

Your father? What are you saying?

He's hiding a woman in his office.

Oh, you must be mistaken.

Your father is wonderful. He wouldn't do anything like that.

This isn't the first time, either.

She'll probably be there tomorrow, too.

Oh, Carol, what shall I do? I can't tell mother.

Oh, no, you mustn't do that.

Tomorrow is their wedding anniversary.

Well, there must be some reason. There has to be a reason.

How's his home life?

Father says it's noisy.

Usually when a man turns to another woman

it's because something's lacking in his home life.

He's seeking a change. Maybe he doesn't get enough affection.

Of course he gets enough affection.

We think he's the most wonderful father in the world.

At least he was.

Oh, Judy, we can't let this happen. Not to your home.

I've an idea.

Now, today when you go home, be sure that you...

Judy, what are you doing?

Oh, just making things more comfortable for him.

I mean, father.

Well, that's very nice, I'm sure.

Oh, mother, you really should do something

- about your hair. - My hair?

I should think father would think

it looks dreadful. Please sit down.

As long as the dinner's good, young lady,

your father won't notice my hair.

Oh, but it's terribly important to a man

how a women's hair looks.

It's terribly important to your father how his food tastes.

You spend too much time in the kitchen.

You should appeal more to his aesthetic senses

than to his stomach.

You don't know your father.

No, I guess, I don't.

But then who does?

Mother, what shade of lipstick are you using?

Let me see, I think the clerk called it Soft Rose Number 3.

- Soft Rose? - Or was it Number 4?

What you should use is Flaming Folly. It does things for you.

Yes, I'm sure it would, Judy. I'll bite my lips for tonight.

- Mother? - Hmm?

- Do you have a black nightgown? - Judy Foster!

What's this all about?

Oh, nothing, I've just been reading a book.

A book on how to have a happy peaceful home.

Randolph! Do you have to be so noisy?

Gee, what'd you do to your hair, mom? It looks awful.

You keep out of this, junior.

Mother's hair looks simply beautiful.

- And it does things for her. - Yes, I can feel it does.

- Randolph! - Now what?

Stay out of it. That's for father.

And when father gets home, be glad to see him, will you?

And act with a little charm for once, huh?

Sure, sure, I'll be just like Walter Pidgeon.

Or would you rather have me be Clark Gable?

Walter Pidgeon would be fine. And when Father cracks a joke...

laugh, whether it's funny or not, hmm? Just laugh.

Well, that's asking a good deal, Judy.

♪ Swing low sweet chariot coming for to carry me ♪

Nightingale.

Nightingale, could you sing something else for tonight?

Yeah, I can sing John Brown's

"Body Lies A-Moldering in the Dust."

No... but not to try to sing so loud.

What's the use of singing if you don't sing loud?

♪ Swing low sweet chariot ♪

Two minutes till 6. Dinner ready yet?

- Gramps? - Eh?

Gramps, tonight when you say grace at dinner...

would you mention something about

home is where the heart is?

Sure thing, Judy. Sure thing.

Nightingale! Nightingale!

There's father's car. Randolph, mother, come on down here.

Now, Randolph, you make sure to laugh at father's jokes.

And, mother, don't you forget to kiss father hello.

Let's all sing.

♪ Mid pleasures and palaces ♪

♪ Though we may roam ♪

♪ Be it ever so humble ♪

♪ There's no place like home ♪

♪ There's no place like home ♪

♪ Oh there's no place like home ♪

Well, greetings, everybody. Greetings.

- Hello, Melvin. - Hello, Dora.

Father.

- Well. - Hello, pater.

Say, what's going on around here, anyway?

Dora, you look awfully funny.

Are you sure you're feeling well?

Oh, father.

It's just a new hair dress, Melvin.

Judy didn't care for the old one.

Oh, like I always say, hair today and gone tomorrow.

Now, wait a minute. Somebody's up to some mischief around here.

Oh, we're just in high spirits.

After all, tomorrow's the big day, you know.

Yeah, so it is.

And do you know what else is

going to happen tomorrow?

What else is going to happen?

Oh, you'd like to know, wouldn't you, huh?

You're going to increase my allowance?

- Randolph! - I'm going to surprise you all.

A surprise?

Melvin, how wonderful! I adore surprises.

Yes, sir. A surprise to end all surprises.

Another one?

Oh, no. They're very good, though, Mr. Andrews. Very Good.

You've been doing this sort of thing, I presume, for some time?

No, just for a couple of days, in fact.

I see.

Uh, going to make this your lifework?

No.

Got something else in due, is that it?

- Yes. - What?

Look, Jameson... as a private investigator

you couldn't get a job on a soap opera.

Yes sir, I suppose you're right.

Who sent you?

Oh, I'm not at liberty to tell, sir.

It couldn't be Carol's father, could it?

Yes, sir. I mean no, sir.

Yes, sir.

Why should Mr. Pringle care how long I've been mixing milks?

Well, after all, Carol's his only daughter.

He has to be careful the kind of people

she becomes involved with.

Go on.

Well, it's just a routine sort of thing.

He's naturally interested in, shall we say, your background.

Yes, let's do.

After all, you can understand his feelings on the matter.

His daughter's welfare would be his first concern.

It would, eh?

Take care of him, Pop. I'll be right back.

I'm sorry, Mr. Leonard

Mr. Pringle is busy and can't be disturbed.

Perhaps, this afternoon he'll talk to you.

Excuse me, miss, would you please

tell Mr. Pringle I wish to speak to him.

Do you have an appointment?

Just tell him Stephen I. Andrews from the drugstore is here.

Mr. Stephen Andrews is here, sir.

Not now, I'm busy.

But he's already on his way in, Mr. Pringle.

Young man, it's customary to knock before you enter.

I'm sorry, sir, I didn't know you're interested in the

ordinary courtesies of life or I'd have knocked.

Now, just a moment. What is it you want?

I want to save you little time and expense.

My name is Stephen I. Andrews. I weigh 170 pounds.

- And my health's excellent. - What's that got to do--

I spent two years in college, three years in the Navy.

And right now, I'm working my way through school

and hope to become a doctor.

- Well, that's fine. - I believe in God.

I believe in my country.

I don't think the younger generations

going to the dogs.

I play a fairly good game of tennis.

My swimming gets by. And I like boxing.

- Well, that's all very-- - My parents were born in

Missouri and have lived there

for the past 46 years.

Now, unless they've done something in the past two weeks

to disgrace the name of Andrews.

You'll find them respectable people, who have an active

interest in what their sons and daughters are doing.

And if you'll excuse my saying so, sir,

if you'd do the same thing

you wouldn't have to send your butler out asking

silly questions because you'd know yourself what was going on.

Now, any further questions, Mr. Pringle?

Yes, I have. Just what is your interest in my daughter?

I think she's one of the most beautiful, spoiled

egotistical girls I've ever had the misfortune to meet.

Now that I've met you, I understand little better

why she is as she is.

- Anything else? - That's enough.

Then good day, sir.

Mr. Pringle, what are you doing home?

What's so surprising about a man coming home for dinner?

Why, nothing, sir. Nothing. Did you say dinner?

Yes. I said dinner. Now, whatever's prepared,

- make it for three. - Yes, sir, three.

And Jameson, tell my family

I want to see them in the library, right away.

Yes, sir.

And I've got something to say to you too, later.

Yes, sir.

You see... l realized I haven't been a very good father and...

Good evening, father.

Good evening, Carol. Good evening.

You look lovely tonight, Carol. You really do.

And you've grown too. You certainly have.

W-won't you come in and sit down?

Good evening, father.

Oh, Ogden, my boy.

Come in, come in.

Sit down, sit down.

You know, I thought perhaps we might

have a little sort of family get-together before dinner.

It won't take long. Sort of get acquainted with one another.

You know, it's just wonderful to be home with one's family.

Just wonderful.

Father, I thought you had

a board of directors meeting, tonight.

Well, to tell you the truth, I did.

But I decided they could meet without me.

You see, I think my family should come first.

Ogden, I've been thinking.

How would you like to go

on a little fishing trip up in the mountains?

Just the two of us. We could cook our own meals.

Of course, they probably won't be very good.

I wasn't much of a cook.

But it might be a lot of fun. Don't you think so, son?

Well, yes, sir.

If you say so, sir.

Ogden, you know that "sir" sort of frightens me.

Do you think maybe you could say "Dad?"

Yes, sir. Dad.

Say, I have an idea.

How do you feel about seeing a show tonight?

We could make it a party. Ogden. Uh, Oogie, you might call Judy.

Nice girl, Judy. She might like to go along.

Oh, no, I, I can't call her.

- You see, we've separated. - Oh.

Well, of course, if that's the way you feel

about her it's alright with me.

How about you, Carol?

I've been thinking about that young man, Stephen.

Seems like a fine young man. Good qualities.

Of course, I realize you're a little young

but I would have no objections if after a while you...

Why don't you phone him?

Maybe he'd like to go to the show with us.

I'd rather not.

I'm sure Stephen has no interest in me whatsoever.

Nor I, in him.

Oh, well,

of course if that's the way you feel about it, Carol,

it's perfectly alright with me.

Father, did something go wrong at the office today?

No, no, everything's fine.

Dinner is served.

Thank you. Thank you, Jameson.

Father, will you excuse me a moment? I'll be right with you.

Of course, dear. Come on, son.

Oh, Judy! Oh.

- Hello. - Hello, Judy?

Something frightening is just happened.

Father came home to dinner.

Yes.

He isn't acting a bit normal. And...

And that isn't all. He practically came right out

and said he thought it was time I was getting married.

I think he wants to get rid of me.

Carol, I know just how you feel.

I think father's trying to get rid of me too.

At dinnertime, he kept telling me what a wonderful

young man Oogie is.

Yes, he did.

Parents are such great responsibilities.

♪ In my heart ♪

♪ There's only room for Judaline ♪

♪ I've seen orchids ♪

♪ Try to bloom like Judaline ♪

♪ Judaline ♪

♪ Golden hair and an angel face ♪

♪ Spring for me is in her embrace ♪

♪ What a glow ♪

♪ To know that she is mine ♪

♪ Ain't she divine ♪

♪ Beautiful to look at ♪

♪ Are my Judy's eyes ♪

♪ Bright as stars ♪

♪ When only two are in the sky ♪

♪ When there's Judy there's melody ♪

♪ While there's Judy there's love for me ♪

♪ And the sun will shine ♪

♪ Judaline ♪

♪ Judaline ♪

Hey, Judy! Judy, I gotta talk to you.

Oogie Pringle, whatever you have to say can keep till morning.

Oh, no, it can't. I gotta see you right away.

For heaven's sakes, go on down and talk to him.

Alright, father.

Okay, thanks, fellas. You can go home now.

And don't make any noise.

This is the silliest thing I ever heard of.

Oogie, it's isn't that I didn't enjoy the song.

It was very nice.

But, did you have to wake up the whole neighborhood with it?

Gee, I'm sorry, Judy.

I-I had to see you though, to say goodbye.

Goodbye? Well, where you going?

I'm going on a fishing trip with my father.

But what about the radio show?

You mean, I-I shouldn't leave?

I don't care whether you leave or not.

If you wanna walk out on a business deal, go right ahead.

I shouldn't expect loyalty from you, anyway.

Judy Foster, I've been loyal and true to you for years.

Ever since the first time I met you

and you ran over me with your tricycle.

And you've been running over me ever since.

But things have changed. I've grown up.

And when you grow up and can quit acting

like a child, call me.

I may be waiting for you and I may not.

And in the meantime, I have many important things to do.

One of them is to go on a fishing trip with my dad.

We're going alone, just the two of us.

We don't need any women around to tell us

what we can and what we can't do.

I may be back in time for the radio show and I may not.

So, goodnight, Judy, and goodbye.

Attaboy, Oogie, that's the way to talk to 'em.

Always keep the upper hand.

I don't know which one is more middle-aged.

We'll be the sensation tonight, Mr. Foster.

I'm so glad for you. So glad.

Well, I'm happy I don't have to earn a living doing that.

It's much easier selling fish.

When you do it for a living, it is like selling fish.

Hope that you're not late for your rehearsal

and that Mr. Cugat won't be angry with you.

Why, Cugie, angry? Oh, no, he never get angry.

He's sweet and kind just like you, Mr. Foster.

Always a gentleman. He's gentle as a kitten.

And we'll be married pretty soon, you know?

No. Isn't that wonderful?

Well, I hope your married life is as happy as mine has been.

It will be. If it's not, I hit Cugie right on the head.

Yes, Mr. Foster?

Miss Rosita and I are going over to the hotel and arranged

for the wedding-anniversary dinner tonight.

If you want, you can take the rest of the day off?

Thank you, Mr. Foster. I'd love to.

Good luck, and congratulations.

Thank you ever so much.

I'm going home to tell mother.

Oh, no, Judy, you mustn't do that.

Not on the day of her wedding anniversary.

In fact, I'm not sure you should ever tell her.

Maybe, somehow there's been a mistake.

Maybe.

There's no mistake.

I think she has a right to know.

Then at least wait until after the party, tonight.

Alright.

Carol, you won't hold this against me.

Of course not, Judy.

Who knows?

I may be coming to you with the same kind of problem.

So, my Rosita, my dove, my little pigeon

the light of my life, she's late again, eh?

You think you're so good, you don't have to come

to rehearsal no more, no?

Cugie, he's just a little bit upset. Just a little.

And don't go away. He does not stay angry long.

I'll show you.

Now, baby, you're not going to stay angry long with your baby?

Well, I'll forgive you. This last time I forgive you.

But you better don't forget a single word of your song.

You see? His bite is worse than his bark.

Now, I rehearse my song,

then you talk about your dinner tonight, huh?

There.

Nice.

Pancho! Go down with eight and come up with the downbeat.

♪ I love the Latin music of Señor Cugat ♪

♪ He's got the kind of a zip that only a few got ♪

♪ The music is rrromantic ♪

♪ The music is exciting ♪

♪ But I like a little better what you got ♪

♪ Not Cugat but what you got ♪

♪ Not Cugat but what you got ♪

♪ Ahh that's the kind of the music I like it ♪

♪ It talks to my skin ♪

♪ I'm a jitterbug and I'm hot as a pipe ♪

♪ I want to tell you brother I'm the bobby-sock type ♪

♪ I'm a red tomato and I'm overly ripe ♪

♪ Borali Bati Boomin' ♪

♪ I'm cooking with glass ♪

♪ Chi waiki wai wai Chi waiki wai wai oui ♪

♪ Chi waiki wai wai Chi waiki wai wai ♪

♪ I got a mellow fellow and he's right on the track ♪

♪ And I'm so tutti-frutti that I holler "Hey, Mack" ♪

♪ Beats me up very and I'll beat you right back ♪

♪ Cabouch-it and boorie-boorie ♪

♪ I'm cooking with glass ♪

♪ Dig dig dig deep right in the grove ♪

♪ Then send me boy with a boot and a boat ♪

♪ A furiyakazaka got some fish in my food ♪

♪ I don't know what the heck that I'm talking about ♪

♪ Chi waiki wai wai Chi waiki wai wai ♪

♪ Chi waiki wai wai Chi waiki wai wai ♪

♪ I'm an alligator and I'm sharp as a bug ♪

♪ I like to boogie-woogie like to chew up a rug ♪

♪ I'm very very groovy and I'm a hot chili pep ♪

♪ Borali Bati Boomin' ♪

♪ I'm cooking with glass ♪

♪ Ta re re re re rele ♪

♪ Ta da da da da ♪

♪ Oh dig dig dig deep right in the grove ♪

♪ Then send me boy with a boot and a boat ♪

♪ A furiyakazaka got some fish in my food ♪

♪ I don't know what the heck that I'm talking about ♪

♪ Do you like it? ♪

♪ Yes I like it ♪

♪ Do you dig me ♪

♪ Yes I dig you ♪

♪ Is it murder? ♪

♪ Sure it's murder ♪

♪ Will you swing it? ♪

♪ Yes I Will ♪

♪ I'm the zootiest chick this side of Brazil ♪

♪ Yes sir ♪

♪ Wooo ♪

Come in.

Oh, Judy, dear. Come in.

Will you please excuse us, Nightingale?

I'd like to talk to mother alone.

I'm practically downstairs right now, Miss Judy.

My, oh, my. Doesn't she look just like a bride to be?

Thank you, Nightingale.

- Mother? - Hm?

Do you love father very much?

Very much, Judy.

Very, very much.

When a woman loves a man terribly and finds out

that he doesn't love her like she thought he did...

what happens then, mom?

Well, at my age it might very well be a tragedy.

But at your age, honey, it's just all part of growing up.

Learning about people, learning about a lot of things.

Whatever problem you have, we'll work out together.

Now, this is no time to be sad.

We're all going out to dinner

and have a grand time, aren't we?

Of course, we are, but this is much...

Ready, Dora?

Practically ready, Melvin.

Good evening, father.

Oh, such formality. Good evening, Miss Foster.

Will we do?

I'm looking at the two most

beautiful women in the world.

- Thanks, Melvin. - Thank you, father.

Judy, I want to speak to your mother just a few minutes alone.

I'll be waiting outside if you need me, mother.

Alright, dear.

Dora, I'm a little bit worried about Judy.

She's been acting very strange the past week.

I just bumped into her a few minutes ago

and she looked at me and... shook her head.

I thought she wanted to tell me something, then she ran away.

Well, she's probably just trying to make up her mind

between Stephen and Oogie.

And, Melvin, your letting her make her

own decision as you're doing is wonderful.

Judy will be alright.

I think she likes living here.

- You know something, Dora? - Hmm?

I do, too.

There! You look really sharp, Gramps.

You really think so, Randolph?

Sure. I bet you were a Jim Dandy when you were a young guy.

Well, I never had any complaints.

Randolph? Gramps?

I have something to say of the utmost importance.

Something that may change our whole lives.

You gonna run for president?

This is no time for jokes, Randolph.

Oh, what is it, Judy girl?

Just remember one thing, if you will.

Whatever happens this evening,

we must be patient and understanding.

We must stick together.

Please, remember.

My sister used to be a normal human being.

Now she's in love.

Never criticize anyone for being in love, Randolph.

It's a mighty important institution.

And now, ladies and gentlemen,

I take great pleasure in presenting to you

our very talented, lovely and beautiful singer

Senorita Rosita Cochellas.

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ We gotta get going where are we going ♪

♪ What are we gonna do ♪

♪ We're on our way to somewhere but only me and you ♪

♪ All we see there who we'll see there what a big surprise ♪

♪ There may be caballeros with dark and flashing eyes ♪

♪ We're on our way ♪

♪ Pick up your pack ♪

♪ And if we stay ♪

♪ We won't come back ♪

♪ How can we go we haven't got a dime ♪

♪ But we're going and we're gonna have happy time ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ Now someone said they just come back from somewhere ♪

♪ A friend of mine that I don't even know ♪

♪ He said there's lot of fun If we can get there ♪

♪ If that's the case that's the place ♪

♪ The place we want to go ♪

♪ We gotta get going where we going ♪

The nerve of her. How dare she?

How dare she? And in front of mother, too.

♪ Who we'll see there who will be there what a big surprise ♪

♪ There may be caballeros with dark and flashing eyes ♪

♪ I'll take the train, you take the boat ♪

♪ Or I'll take the plane and you ride the boat ♪

♪ Oh we don't care we rather walk or climb ♪

♪ But we're going and we're gonna have a happy time ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

♪ Cuanto la gusta la gusta la gusta la gusta la gusta ♪

Melvin, she seems to know you.

Oh, yes, I get around quite a bit.

We've got a great, big secret, Dora.

Did somebody say, "Let's eat"?

Nobody did, Gramps, but it's a good idea.

Hello, girls, did you want to see me?

Never mind being polite.

You ought to be ashamed of yourself.

Ashamed of what?

Running around with a man old enough to be your father.

Well, I think it's my business who I choose to run around with.

Not when you run around with a married man.

A married man with children.

Just a minute, did you say married?

Yes, married and with two children.

- Grown children. - Two children?

You're breaking up a wonderful family and a happy home.

- It was a happy home. - You wait in here.

Don't go away.

There, sit down.

Now, you tell him what you just told me.

Go on, tell him. Go on. Okay, then I tell him.

You big good-for-nothing, unfaithful lug.

Why don' tell me you're married? And have two children?

Grown children.

What do you mean, married? I am not married.

And I don't have no two children of any kind.

What is this all about?

We didn't mean you, Mr. Cugat.

We were talking about Mr. Foster.

Mr. Foster? Mr. Foster, eh?

- My father. - Her father.

Weren't you at his office every day this week?

And hiding in his closet?

- Well, were you? - Of course, I was.

I mean, I was teaching him the rumba.

In a closet?

Oh, I see. You thought... Oh, my... tsk tsk tsk.

I was teaching your father the rumba as a surprise

for you and your mother, tonight.

What?

Oh, I'm afraid we made a terrible mistake, Miss Rosita.

Oh, please forgive us, Mr. Cugat.

I forgive you.

You, I wanna talk to.

And as for Mr. Foster, he better know how to do the rumba.

I guess I better apologize to my father.

I think the less said the better.

Might as well go back now.

Just a minute, Carol.

I believe we have some unfinished business.

Now that my faith in men has been restored.

What's this about you and Stephen?

Stephen? Well, I don't know.

That is, not exactly.

Well, exactly what does "not exactly" mean?

I mean that Stephen isn't interested in me.

Not even a little bit.

Well then, if he isn't interested in you, Carol,

maybe he could be interested in me.

I think he might be.

- Shall we join the others? - Mm-hm.

I should have known all the time my father was fatherly.

Dora, I don't like to mention this, but, don't you think

you should brush up on your rumba a little bit?

Tell me, Melvin, how'd you manage

to keep this a secret from the children and me?

No trouble at all. It was easy.

In fact, they used to call me "Foxy Foster."

Excuse me, Carol.

Evening, Oogie.

- Oh, good evening. - Hi.

There's something I wish to discuss with you.

Oh, of course. Go right ahead.

I thought you'd like to know that I've changed.

I'm not the same Judy Foster you knew yesterday.

Well, you look the same to me.

I've decided to take you back.

Frankly, Miss Foster, I don't want you back.

Oogie Pringle, you listen to me.

First you want me, then you don't want me.

Then I want you to want me, you don't want me.

I wish you'd make up your mind.

- I have made up my mind. - He has made up his mind.

Mitzi Hoffman, you keep out of it!

I don't have to!

- You keep out-- - Oh, now, girls, girls.

Please be calm.

You'll find someone someday, Judy.

Oh!

Good evening, Mr. Pringle.

Oh, Oogie. Oogie, you're so right.

I hope you two will be very happy.

Oh, Oogie, I didn't know you cared for me.

Oh, don't talk to me. I'm confused.

Good evening, Stephen, Mr. Pringle.

Good evening, Judy. Is my daughter here?

She's right over there.

- Will you excuse me? - Oh, I certainly will.

Will you dance with me, Stephen?

The situation is desperate.

Of course, I'll dance with you, Judy.

May I join you?

Please do.

What would you say if I told you I had the prettiest

and nicest daughter in the whole world?

I guess I'd be so happy...

I wouldn't know what to say.

Then don't say anything.

- Would you like to dance? - No, thank you.

In fact, I think I'd like to go home.

I wish you'd do me a favor.

I'd like you to stay, just a little while.

Just as you say, Dad.

Where are you going?

I have something very important

to take care of.

Ahem.

Ladies and gentlemen.

We have a young lady here with us tonight...

As a matter of fact, she's just a little more than 16,

who'll sing a song for us in honor of her mother and father

who are celebrating their 20th wedding anniversary.

Miss Judy Foster.

This is the final insult.

Oh, now, don't forget, Judy,

this is a celebration for your mother and dad.

May I?

Haven't you forgotten something?

Maybe.

I'm spoiled and egotistical.

That's right.

Maybe I'll get used to you, say in...

well, say in a few years. You think so?

If you don't, it will be all your fault.

That's alright. I'll take that chance.

I forgive you for everything.

♪ It's a most unusual day ♪

♪ It's like catching a bridal bouquet ♪

♪ It's like reaching the moon Or composing a tune ♪

♪ It's a most unusual day ♪

♪ All the world is bursting with song ♪

♪ And I feel like I really belong ♪

♪ It's like finding a friend having money to spend ♪

♪ It's a most unusual day ♪

♪ There are people greeting people ♪

♪ There is sunshine everywhere ♪

♪ There are people greeting people ♪

♪ And a feeling of spring in the air ♪

♪ It's a most unusual time ♪

♪ I keep feeling my temperature climb ♪

♪ If my heart won't behave in the usual way ♪

♪ Then there's only one thing to say ♪

♪ It's the most unusual most unusual ♪

♪ Most unusual day ♪