All language subtitles for Tales From The Crypt (1989) S02E13

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These are the user uploaded subtitles that are being translated: 1 00:00:07,208 --> 00:00:09,841 OH, HI THERE, FRIGHT FIENDS. 2 00:00:09,910 --> 00:00:13,312 HOW DO YOU LIKE MY RANCID RENDERING? 3 00:00:13,380 --> 00:00:15,380 NOT BAD FOR AN AMATEUR. 4 00:00:15,449 --> 00:00:17,394 HOPEFULLY, IT'LL GIVE YOU AN INKLING 5 00:00:17,418 --> 00:00:20,686 OF WHAT TONIGHT'S FUNGUSY PHOTOPLAY IS ABOUT, 6 00:00:20,754 --> 00:00:23,555 BECAUSE LONG BEFORE MY EERIE OFFERINGS APPEARED 7 00:00:23,624 --> 00:00:25,457 ON YOUR SILVER SCREEN, 8 00:00:25,526 --> 00:00:27,192 THEY WERE A MAGAZINE CALLED... 9 00:00:27,261 --> 00:00:28,660 GET A LOAD OF THIS... 10 00:00:28,729 --> 00:00:31,330 TALES FROM THE CRYPT. 11 00:00:31,398 --> 00:00:34,766 TONIGHT, LET'S TAKE A BEHIND-THE-SCREAMS LOOK 12 00:00:34,835 --> 00:00:37,285 AT A STRUGGLING ARTIST NAMED JIM KORMAN 13 00:00:37,354 --> 00:00:42,491 WHO ONE DAY GOT A LITTLE TOO DRAWN INTO HIS WORK. 14 00:00:53,904 --> 00:01:00,174 ♪ OOH, OOH ♪ 15 00:01:00,243 --> 00:01:05,714 ♪ OOH ♪ 16 00:01:05,782 --> 00:01:07,816 ♪ EACH DAY THROUGH MY WINDOW ♪ 17 00:01:07,885 --> 00:01:13,788 ♪ I WATCH HER AS SHE PASSES BY ♪ 18 00:01:15,926 --> 00:01:18,326 ♪ I SAY TO MYSELF ♪ 19 00:01:18,395 --> 00:01:24,599 ♪ YOU'RE SUCH A LUCKY GUY ♪ 20 00:01:27,170 --> 00:01:30,605 ♪ TO HAVE A GIRL LIKE HER ♪ 21 00:01:30,674 --> 00:01:36,144 ♪ IS TRULY A DREAM COME TRUE ♪ 22 00:01:36,212 --> 00:01:41,416 ♪ OUT OF ALL THE FELLAS IN THE WORLD ♪ 23 00:01:41,484 --> 00:01:46,688 ♪ SHE BELONGS TO YOU ♪ 24 00:01:46,757 --> 00:01:50,224 ♪ BUT IT WAS JUST MY IMAGINATION ♪ 25 00:01:53,030 --> 00:01:54,963 ♪ RUNNIN' AWAY WITH ME ♪ 26 00:01:57,034 --> 00:02:02,136 ♪ IT WAS JUST MY IMAGINATION ♪ 27 00:02:02,205 --> 00:02:04,706 ♪ RUNNIN' AWAY WITH ME ♪ 28 00:02:05,943 --> 00:02:07,208 Man: SAME TO YOU, RUDY. 29 00:02:07,277 --> 00:02:08,810 JIM, HOW ARE YOU DOING 30 00:02:08,879 --> 00:02:10,623 ON CORPSE-EATERS FROM PLUTO? 31 00:02:10,647 --> 00:02:12,124 TICK, TICK, TICK, TICK, TICK, TICK. 32 00:02:12,148 --> 00:02:14,027 AREN'T YOU DONE YET, KORMAN? 33 00:02:14,051 --> 00:02:15,361 I FIGURED YOU'D BE HALFWAY THROUGH 34 00:02:15,385 --> 00:02:16,796 THE DISEMBOWELMENT BY NOW. 35 00:02:16,820 --> 00:02:19,520 HEY, BOB, I GOT ANOTHER STORY IDEA. 36 00:02:19,590 --> 00:02:21,756 THE OWNER OF A MINIATURE GOLF COURSE 37 00:02:21,825 --> 00:02:24,025 KILLS HIS WIFE, PROPS HER MOUTH OPEN, 38 00:02:24,094 --> 00:02:25,560 AND USES HER FOR THE 16th HOLE. 39 00:02:25,629 --> 00:02:27,040 BETTER STILL, SOME LITTLE OLD LADY 40 00:02:27,064 --> 00:02:27,996 IS CLEANING OUT HER REFRIGERATOR 41 00:02:28,065 --> 00:02:29,475 AND COMES ACROSS HER LONG-DEAD BOYFRIEND. 42 00:02:29,499 --> 00:02:31,800 A DOCTOR HAS TO TAKE OUT HIS OWN APPENDIX! 43 00:02:31,868 --> 00:02:33,212 A BUTCHER'S GOTTA EAT HIS OWN SHORT RIBS. 44 00:02:33,236 --> 00:02:35,403 GIVE IT A REST, WILL YOU GUYS? 45 00:02:35,472 --> 00:02:37,405 I'M TRYING TO CONCENTRATE. 46 00:02:37,474 --> 00:02:39,485 DO IT ON YOUR OWN TIME. WE HAVE A MAGAZINE TO PUT OUT HERE. 47 00:02:39,509 --> 00:02:41,621 WHAT'S SO HARD ABOUT DRAWING CORPSE-EATERS, ANYHOW? 48 00:02:41,645 --> 00:02:43,122 I DON'T KNOW. THERE'S SOMETHING TRICKY ABOUT THIS. 49 00:02:43,146 --> 00:02:44,586 I CAN'T SEEM TO GET IT RIGHT. 50 00:02:46,734 --> 00:02:48,200 OH, NO. 51 00:02:51,238 --> 00:02:52,571 IS THAT MY PHONE? 52 00:02:52,640 --> 00:02:53,672 THAT'S MY PHONE. 53 00:03:12,926 --> 00:03:14,692 HI, HONEY. 54 00:03:14,761 --> 00:03:17,896 DON'T "HI, HONEY" ME, YOU POMPOUS JACKASS, THIS IS SATURDAY. 55 00:03:17,965 --> 00:03:19,209 WHEN DO YOU PLAN ON COMING HOME? 56 00:03:19,233 --> 00:03:21,833 I'VE GOT TO FINISH THIS EDITION. 57 00:03:21,902 --> 00:03:26,455 BULL SNOT! YOU CAN'T FOOL ME, MR. WEEKEND WORKAHOLIC. 58 00:03:26,523 --> 00:03:28,756 YOU GOT A BLONDE BIMBO STASHED AWAY SOMEPLACE, 59 00:03:28,825 --> 00:03:31,994 AND WHEN I FIND HER, I'M GONNA RIP HER CUTE LITTLE POWDERED FACE OFF. 60 00:03:32,062 --> 00:03:35,447 IT'S NOT ENOUGH THAT YOU GOTTA DRAW THESE DUMB CARTOONS 61 00:03:35,515 --> 00:03:37,215 INSTEAD OF GETTING A REAL JOB, 62 00:03:37,284 --> 00:03:39,550 BUT YOU CAN'T EVEN KEEP YOUR PAWS OFF THE SECRETARIES 63 00:03:39,619 --> 00:03:41,619 IN THIS GODDAMNED OFFICE! 64 00:03:41,688 --> 00:03:44,889 HONEY, THE SECRETARIES ARE OFF TODAY. 65 00:03:44,958 --> 00:03:48,009 I SHOULD HAVE KNOWN WHAT A DISASTER THIS MARRIAGE WOULD BE. 66 00:03:48,078 --> 00:03:51,612 TO THINK I GAVE THE BEST YEARS OF MY LIFE, 67 00:03:51,682 --> 00:03:52,981 AND FOR WHAT? 68 00:03:53,050 --> 00:03:55,850 A STINGY, TWO-TIMING LOSER. 69 00:03:55,919 --> 00:04:00,205 YOU CAN'T EVEN GIVE ME CHILDREN. 70 00:04:00,274 --> 00:04:01,840 YOU LITTLE WIMP! 71 00:04:01,908 --> 00:04:03,336 THE DOCTOR SAYS THAT CAN BE 72 00:04:03,360 --> 00:04:04,520 EITHER ONE OF US. 73 00:04:10,584 --> 00:04:12,784 I'M TAKING THE PILLS. 74 00:04:12,852 --> 00:04:14,402 YOU MEAN THESE PILLS? 75 00:04:14,471 --> 00:04:18,390 POTENCY PLUS, THE MALE ANSWER TO INFERTILITY? 76 00:04:18,459 --> 00:04:21,287 Do we have to talk about this now? 77 00:04:21,311 --> 00:04:23,528 YOU FORGOT TO TAKE YOUR PILL THIS MORNING, LOVE NUTS. 78 00:04:23,596 --> 00:04:26,697 WHEN I COUNTED THEM, THERE WAS 24 INSTEAD OF 23. 79 00:04:26,766 --> 00:04:27,698 YOU COUNTED THE PILLS? 80 00:04:27,767 --> 00:04:29,066 DAMN RIGHT. 81 00:04:29,135 --> 00:04:30,797 YOU WANT TO KICK-START MILDRED JUNIOR HERE, 82 00:04:30,821 --> 00:04:32,870 YOU HAVE TO TAKE A PILL EVERY SINGLE MORNING. 83 00:04:32,939 --> 00:04:34,823 THESE ARE EXPERIMENTAL. 84 00:04:34,892 --> 00:04:37,258 THEY HAVEN'T BEEN APPROVED BY THE FDA. 85 00:04:37,327 --> 00:04:39,138 I DON'T KNOW ABOUT THE SIDE EFFECTS. 86 00:04:39,162 --> 00:04:41,129 WHAT SIDE EFFECTS? 87 00:04:41,197 --> 00:04:45,717 IT'S LIKE IT'S MAKING MY IMAGINATION FERTILE. 88 00:04:45,786 --> 00:04:49,321 I THINK IT'S AFFECTING MY BRAIN. 89 00:04:49,389 --> 00:04:50,555 GOOD. 90 00:04:50,624 --> 00:04:52,640 MAYBE YOU'LL DO A DECENT DAY'S WORK FOR A CHANGE. 91 00:05:01,385 --> 00:05:03,785 MAYBE YOU NEED A NEW HUSBAND. 92 00:05:05,655 --> 00:05:07,455 YOU'D LIKE THAT, WOULDN'T YOU? 93 00:05:07,524 --> 00:05:10,325 GIVE YOU A CHANCE TO PROD 94 00:05:10,393 --> 00:05:12,728 SOME LITTLE CUTIE FROM THE TYPING POOL. 95 00:05:12,796 --> 00:05:14,863 WELL, FORGET IT, JIMBO. 96 00:05:14,932 --> 00:05:18,332 YOU'RE STUCK WITH ME... 97 00:05:18,401 --> 00:05:21,520 TILL DEATH DO US PART. 98 00:05:43,093 --> 00:05:45,544 What a monster. 99 00:07:33,320 --> 00:07:34,769 DAMN IT. 100 00:07:43,563 --> 00:07:45,230 JESUS! 101 00:07:45,299 --> 00:07:47,310 DID I SCARE YOU, LADY? 102 00:07:47,334 --> 00:07:49,400 DO YOU WORK HERE? 103 00:07:49,469 --> 00:07:50,418 NO, MA'AM. 104 00:07:50,486 --> 00:07:53,221 I JUST HAPPENED ON BY. 105 00:07:53,290 --> 00:07:55,156 LISTEN, COULD YOU TAKE A LOOK IN THE BACK? 106 00:07:55,225 --> 00:07:57,108 MAYBE IT'S A BLOWN FUSE OR SOMETHING. 107 00:07:57,177 --> 00:07:58,610 NO USE, MA'AM. 108 00:07:58,679 --> 00:08:00,406 THE WHOLE BOX IS SHORTED OUT. 109 00:08:00,430 --> 00:08:01,763 YOU ALREADY LOOKED? 110 00:08:01,831 --> 00:08:02,831 LOOKED? 111 00:08:02,899 --> 00:08:03,831 HELL, I DID IT. 112 00:08:03,900 --> 00:08:05,661 DON'T LIKE IT AS MUCH 113 00:08:05,685 --> 00:08:07,845 WHEN THE LIGHTS ARE ON. 114 00:08:09,739 --> 00:08:11,940 ARE YOU GOING TO HURT ME? 115 00:08:12,009 --> 00:08:14,290 YES, MA'AM. I'M AFRAID SO. 116 00:08:24,187 --> 00:08:26,054 NOW, LOOK, UH... 117 00:08:26,122 --> 00:08:28,689 YOU'RE MAKING A BIG MISTAKE HERE, PAL. 118 00:08:28,758 --> 00:08:30,925 OH? WHY'S THAT? 119 00:08:30,994 --> 00:08:34,362 BECAUSE... I'M A COP. 120 00:08:36,033 --> 00:08:37,210 WHERE'D YOU GET THAT, 121 00:08:37,234 --> 00:08:38,434 AT THE DIME STORE? 122 00:08:49,562 --> 00:08:50,962 OW. 123 00:08:51,031 --> 00:08:55,400 THAT BRUCE LEE SHIT IS GONNA COST YOU, BABE. 124 00:09:02,025 --> 00:09:04,509 LAUNDRY'S DONE. 125 00:09:07,380 --> 00:09:10,448 OH, MY GOD. BEHIND YOU. 126 00:09:10,517 --> 00:09:13,112 LADY, IF YOU THINK I'M GOING TO FALL FOR THAT... 127 00:09:13,136 --> 00:09:14,602 NO. 128 00:09:14,670 --> 00:09:17,272 THAT'S THE OLDEST TRICK IN THE BOOK. 129 00:09:17,340 --> 00:09:19,073 AAH! AAH! 130 00:09:43,066 --> 00:09:45,144 Man: YEAH, THAT'S RIGHT UP YOUR ALLEY. 131 00:09:45,168 --> 00:09:46,261 Second Man: YOU GOT EVERYTHING? 132 00:09:46,285 --> 00:09:48,063 YEAH, YEAH. THE HEAD'S IN THE BAG. 133 00:09:48,087 --> 00:09:49,287 OK, LET'S GET HIM OUT OF HERE. 134 00:09:49,356 --> 00:09:50,588 ALL RIGHT. READY? 135 00:09:50,657 --> 00:09:51,589 WHAT ABOUT LUNCH? 136 00:09:51,658 --> 00:09:52,835 COME ON, WATCH YOUR BACK. 137 00:09:52,859 --> 00:09:55,259 YEAH. OK. COMING THROUGH. 138 00:09:57,564 --> 00:09:59,664 JESUS, I DON'T KNOW WHAT IT IS. 139 00:09:59,733 --> 00:10:01,632 LET ME GET THIS STRAIGHT. 140 00:10:01,701 --> 00:10:04,569 A MONSTER EMERGED FROM THE WASHING MACHINE 141 00:10:04,637 --> 00:10:06,937 AND GOBBLED UP THE ASSAILANT. 142 00:10:07,006 --> 00:10:08,206 THAT'S RIGHT, SIR. 143 00:10:08,241 --> 00:10:10,941 AND YOU LEFT THE PREMISES AFTER IT SPAT THE HEAD OUT. 144 00:10:11,010 --> 00:10:12,020 WELL, ACTUALLY... 145 00:10:12,044 --> 00:10:14,679 HEY, YOU BETTER HAVE THAT UNIFORM 146 00:10:14,748 --> 00:10:16,308 CLEANED AND PRESSED BY TOMORROW MORNING. 147 00:10:16,349 --> 00:10:18,683 THE CAPTAIN WILL WANT TO HAVE A WORD WITH YOU. 148 00:10:18,752 --> 00:10:21,836 I AM A COP, PHIL. 149 00:10:21,904 --> 00:10:23,438 I DON'T DRINK OFF DUTY, 150 00:10:23,506 --> 00:10:26,024 AND I DON'T MAKE UP CRAZY STORIES! 151 00:10:26,093 --> 00:10:29,159 NEITHER DID THE MAN WHO SAW A 2-HEADED OGRE LAST WEEK, 152 00:10:29,228 --> 00:10:32,079 OR THE HOUSEWIFE WHO FOUND A DINOSAUR IN HER VOLKSWAGEN. 153 00:10:32,148 --> 00:10:36,600 THIS WAS REAL, PHIL. HONEST! 154 00:10:36,669 --> 00:10:38,519 HAVE IT YOUR WAY, 155 00:10:38,588 --> 00:10:41,856 BUT IF THERE WAS A MONSTER, 156 00:10:41,925 --> 00:10:43,992 I'VE GOT ONE THING TO SAY ABOUT IT. 157 00:10:44,061 --> 00:10:47,829 HE'S GOT ONE HELL OF AN OVERBITE. 158 00:10:53,236 --> 00:10:54,703 HEY, HARRIS. 159 00:10:54,771 --> 00:10:56,470 HI, LORELEI. 160 00:11:02,362 --> 00:11:04,362 A MONSTER WITH AN OVERBITE. 161 00:11:09,419 --> 00:11:12,253 A 2-HEADED OGRE... 162 00:11:12,322 --> 00:11:14,622 AND A DINOSAUR IN A VOLKSWAGEN. 163 00:11:20,080 --> 00:11:21,529 JIM KORMAN. 164 00:11:23,716 --> 00:11:25,916 HEY, YOU GOING TO PAY FOR THOSE? 165 00:11:27,053 --> 00:11:31,655 I GOT IT. I GOT IT. SO WE'LL DO A STORY ABOUT A RABID DOG, SEE, 166 00:11:31,724 --> 00:11:33,891 BUT FROM THE DOG'S POINT OF VIEW, 167 00:11:33,960 --> 00:11:35,559 WITH FOAM DRIBBLING AROUND THE MARGINS. 168 00:11:35,628 --> 00:11:37,108 AND LITTLE FLEAS JUMPING OFF THE PAGE. 169 00:11:38,898 --> 00:11:40,731 UGH. 170 00:11:43,002 --> 00:11:46,037 TALES FROM THE CRYPT. JIM KORMAN. 171 00:11:46,105 --> 00:11:47,738 HI, HONEY. 172 00:11:47,807 --> 00:11:49,957 UH, YEAH, I'M STILL WORKING. 173 00:11:50,026 --> 00:11:54,278 YES, YES, I TOOK THE PILL. 174 00:11:54,347 --> 00:12:01,836 UH, NO, THE SECRETARIES HAVE ALL GONE HOME. 175 00:12:01,905 --> 00:12:06,674 HONEY, YOU KNOW I WOULDN'T DO THAT. 176 00:12:06,743 --> 00:12:09,410 NO, HONEY. 177 00:12:09,479 --> 00:12:11,011 NO. 178 00:12:15,251 --> 00:12:17,552 HONEY, HONEY, WOULD YOU GIVE ME A BREAK? 179 00:12:17,620 --> 00:12:19,987 Mildred: GIVE YOU A BREAK? I'LL GIVE YOU A BREAK! 180 00:12:20,056 --> 00:12:21,634 I'LL BREAK YOUR NECK, YOU GOD DAMNED IDIOT! 181 00:12:21,658 --> 00:12:23,825 JUST WAIT TILL YOU GET HOME, YOU MORON! 182 00:12:46,149 --> 00:12:47,682 HELL WITH IT. 183 00:13:20,866 --> 00:13:21,910 AAH! 184 00:13:21,934 --> 00:13:24,668 SORRY TO STARTLE YOU, MR. KORMAN. 185 00:13:24,737 --> 00:13:26,270 IT'S YOU! 186 00:13:26,339 --> 00:13:29,207 YOU'RE THE GIRL FROM THE LAUNDROMAT. 187 00:13:29,276 --> 00:13:31,437 WHAT THE HELL ARE YOU DOING IN MY CAR? 188 00:13:31,461 --> 00:13:33,778 MY NAME IS LORELEI PHELPS. 189 00:13:33,847 --> 00:13:36,597 I'M A POLICEWOMAN. 190 00:13:36,666 --> 00:13:38,266 WANTED TO TALK TO YOU IN PRIVATE. 191 00:13:38,334 --> 00:13:40,835 I LOCKED THIS THING. HOW DID YOU GET IN? 192 00:13:43,506 --> 00:13:44,506 YOU SEEN THE PAPER, JIM? 193 00:13:49,779 --> 00:13:51,762 I WAS THERE. 194 00:13:51,831 --> 00:13:54,098 I SAW THAT THING WITH MY OWN EYES. 195 00:13:54,167 --> 00:13:56,217 WHAT'S YOUR POINT? 196 00:13:56,285 --> 00:13:58,598 THERE'S BEEN A RASH OF MONSTER SIGHTINGS IN THE PAST MONTH... 197 00:13:58,622 --> 00:14:00,737 ALL DIFFERENT, ALL HORRIBLE. 198 00:14:00,806 --> 00:14:03,808 THESE ARE POLICE SKETCHES 199 00:14:03,876 --> 00:14:06,243 MADE FROM EYEWITNESS DESCRIPTIONS. 200 00:14:06,312 --> 00:14:11,298 THESE ARE RECENT TALES FROM THE CRYPT COMIC BOOKS DRAWN BY YOU. 201 00:14:16,555 --> 00:14:17,688 SEE ANY SIMILARITY? 202 00:14:29,586 --> 00:14:30,930 WHAT DO YOU THINK THIS ALL MEANS? 203 00:14:30,954 --> 00:14:34,872 WELL, JIM, I THINK IN SOME CRAZY WAY, 204 00:14:34,941 --> 00:14:36,740 YOUR DRAWINGS ARE COMING TO LIFE... 205 00:14:36,810 --> 00:14:40,127 JUST POPPING IN FROM THE TWILIGHT ZONE. 206 00:14:42,665 --> 00:14:45,983 YOU KNOW THAT'S A REALLY WEIRD IDEA. 207 00:14:46,052 --> 00:14:47,784 I'D LIKE TO TRY A SIMPLE EXPERIMENT. 208 00:14:47,853 --> 00:14:52,473 IF IT DOESN'T WORK, I'LL LEAVE YOU ALONE. 209 00:14:56,045 --> 00:14:58,679 OK. WHAT CAN I DO FOR YOU? 210 00:15:01,651 --> 00:15:03,691 JUST DRAW A MONSTER. 211 00:15:05,238 --> 00:15:06,849 SOMETHING REPULSIVE. 212 00:15:06,873 --> 00:15:08,806 COMING UP. 213 00:15:37,186 --> 00:15:40,187 WHAT EXACTLY DO YOU EXPECT TO HAVE HAPPEN? 214 00:15:42,992 --> 00:15:44,625 WELL... 215 00:15:44,694 --> 00:15:46,126 SOMEHOW... 216 00:15:46,195 --> 00:15:48,529 SOMEWHERE... 217 00:15:48,598 --> 00:15:51,231 OUR NEW FRIEND IS GOING TO MAKE 218 00:15:51,301 --> 00:15:53,021 A SURPRISE GUEST APPEARANCE. 219 00:16:09,852 --> 00:16:12,386 ALL RIGHT... I'M DONE. 220 00:16:12,454 --> 00:16:14,121 AND NOTHING HAPPENED. 221 00:16:14,190 --> 00:16:15,622 SO I GUESS IT DIDN'T WORK. 222 00:16:15,692 --> 00:16:19,544 MAYBE. 223 00:16:19,612 --> 00:16:21,073 MAYBE IT HAPPENED ELSEWHERE. 224 00:16:21,097 --> 00:16:23,408 MAYBE IT HASN'T BEEN SPOTTED YET. 225 00:16:23,432 --> 00:16:25,933 YEAH. MAYBE. MAYBE. 226 00:16:26,002 --> 00:16:27,668 I THINK I'VE HAD ENOUGH OF THIS. 227 00:16:27,737 --> 00:16:29,436 JIM... 228 00:16:29,506 --> 00:16:31,456 GIVE IT A CHANCE. 229 00:16:31,524 --> 00:16:33,774 ANYTHING'S POSSIBLE. 230 00:16:36,746 --> 00:16:37,794 ANYTHING? 231 00:16:41,935 --> 00:16:44,001 NO. DON'T. 232 00:16:46,372 --> 00:16:47,388 WHY NOT? 233 00:16:50,810 --> 00:16:52,288 BECAUSE I DON'T KNOW ANYTHING ABOUT YOU, 234 00:16:52,312 --> 00:16:56,213 EXCEPT THAT YOU MAKE HORRIBLE DRAWINGS. 235 00:16:56,282 --> 00:16:59,082 OK. I TELL YOU WHAT. I'LL GIVE UP HORROR. 236 00:16:59,151 --> 00:17:01,347 I'M GETTING BURNED OUT ON IT, ANYWAY. 237 00:17:01,371 --> 00:17:04,405 I'LL DRAW ROMANCE COMICS. 238 00:17:04,473 --> 00:17:08,426 MY DRAWINGS WILL BE SO CUTE AND CHARMING 239 00:17:08,495 --> 00:17:12,430 THAT MY EDITOR WILL THROW A FIT. 240 00:17:12,498 --> 00:17:17,835 OF COURSE, I MIGHT NEED SOME... RESEARCH. 241 00:17:45,982 --> 00:17:47,514 I HAVE TO GO. 242 00:17:47,583 --> 00:17:49,083 I'LL CALL YOU. 243 00:17:50,719 --> 00:17:51,799 FOR A DATE? 244 00:17:54,507 --> 00:17:56,473 TO LET YOU KNOW IF ANY SLIME-FACED MONSTERS 245 00:17:56,543 --> 00:17:58,092 HAVE BEEN TERRORIZING THE NEIGHBORHOOD. 246 00:18:00,129 --> 00:18:01,962 TELL ME OVER DINNER. 247 00:18:02,031 --> 00:18:04,364 MAYBE. 248 00:18:04,434 --> 00:18:05,999 I'LL CALL YOU. 249 00:18:20,616 --> 00:18:21,849 THANKS, PAL. 250 00:18:42,722 --> 00:18:44,722 ALL CLEAR, MAN. LET'S MOVE OUT. 251 00:18:44,790 --> 00:18:46,068 SAWYER, FASTBALL, COME WITH ME. 252 00:18:46,092 --> 00:18:47,469 CRAIG, TAKE THE SOUTH PLANK. 253 00:18:47,493 --> 00:18:48,759 HEY, BUTCH! HEY, BUTCH! 254 00:18:48,828 --> 00:18:49,760 WHAT IS IT? 255 00:18:49,829 --> 00:18:50,761 WHAT ABOUT ME? 256 00:18:50,830 --> 00:18:51,762 WHAT ABOUT YOU? 257 00:18:51,831 --> 00:18:53,197 CAN I COME WITH YOU? 258 00:18:53,266 --> 00:18:55,244 BEAT IT, 4-EYES! WE'RE ON A DANGEROUS MISSION! 259 00:18:55,268 --> 00:18:56,334 BUT CAN'T I... 260 00:18:56,402 --> 00:18:57,335 LET'S MOVE OUT, MEN. 261 00:18:57,403 --> 00:18:58,514 Boy: COME ON, MICHAEL! FOLLOW ME! 262 00:18:58,538 --> 00:18:59,682 Girl: LET'S GO! 263 00:18:59,706 --> 00:19:01,939 WHO NEEDS THEM, ANYWAY? 264 00:19:05,527 --> 00:19:06,838 Butch: STAY TOGETHER, MEN! 265 00:19:23,512 --> 00:19:25,212 BUTCH? 266 00:19:27,249 --> 00:19:29,009 IS SOMEBODY IN THERE? 267 00:19:31,120 --> 00:19:34,288 MOM SAYS YOU SHOULDN'T PLAY IN THE OLD REFRIGERATORS. 268 00:19:34,357 --> 00:19:37,625 THE DOOR COULD CLOSE, AND YOU CAN GET STUCK INSIDE. 269 00:19:37,693 --> 00:19:38,693 YOU CAN DIE! 270 00:19:50,205 --> 00:19:52,873 HEY, BUTCH! HEY, GUYS! COME HERE! COME HERE! 271 00:20:03,585 --> 00:20:05,653 OK, DOUGLAS. WHAT IS IT? 272 00:20:05,721 --> 00:20:06,865 THERE'S SOMEBODY STUCK INSIDE THERE. 273 00:20:06,889 --> 00:20:08,288 WE GOTTA GET 'EM OUT! 274 00:20:08,357 --> 00:20:10,624 JEEZ, WHAT A TURD BRAIN. 275 00:20:10,693 --> 00:20:12,359 I MEAN IT! 276 00:20:18,150 --> 00:20:20,451 MAYBE IT'S A CREATURE... 277 00:20:20,519 --> 00:20:23,854 YOU KNOW, ALL ICKY AND SLIMY. 278 00:20:23,923 --> 00:20:30,227 DOUGLAS... FEED ME, DOUGLAS. 279 00:20:30,296 --> 00:20:32,262 DOUGLAS... 280 00:20:32,331 --> 00:20:34,898 FEED ME, DOUGLAS... 281 00:20:43,292 --> 00:20:45,125 AAH! 282 00:20:45,194 --> 00:20:46,459 AAH! 283 00:20:50,966 --> 00:20:53,433 REMEMBER! I FOUND HIM! 284 00:21:02,878 --> 00:21:05,079 WHAT'S WRONG WITH YOU, JIM? 285 00:21:05,147 --> 00:21:06,347 YOU'RE BEHIND SCHEDULE 286 00:21:06,415 --> 00:21:08,415 ON BRAIN SUCKERS FROM THE AMAZON. 287 00:21:12,054 --> 00:21:14,555 "MY HEART YEARNED FOR HER LIPS, HER ARMS, 288 00:21:14,624 --> 00:21:15,989 HER SATIN SKIN"? 289 00:21:16,058 --> 00:21:18,270 THAT DOESN'T SOUND LIKE BRAIN SUCKING TO ME. 290 00:21:18,294 --> 00:21:20,644 GUESS I'M IN A ROMANTIC MOOD. 291 00:21:20,713 --> 00:21:23,492 MILDRED LOSE SOME WEIGHT OR SOMETHING? 292 00:21:23,516 --> 00:21:26,317 IT'S A LONG STORY. 293 00:21:26,385 --> 00:21:27,496 WELL, TELL ME SOME OTHER TIME. 294 00:21:27,520 --> 00:21:28,635 I'M LATE. 295 00:21:28,704 --> 00:21:31,504 MY WIFE'S NOT AS FORGIVING AS YOURS. 296 00:21:33,026 --> 00:21:34,659 GOOD NIGHT, JIM. 297 00:21:34,727 --> 00:21:35,847 GOOD NIGHT, BOB. 298 00:21:41,451 --> 00:21:43,251 TALES FROM THE CRYPT. JIM KORMAN. 299 00:21:45,455 --> 00:21:47,455 HI, LORELEI. 300 00:21:47,523 --> 00:21:49,790 HMM? 301 00:21:49,859 --> 00:21:53,694 YEAH. I WAS JUST THINKING OF YOU, TOO. 302 00:21:53,763 --> 00:21:55,663 UH-HUH. 303 00:21:55,731 --> 00:21:59,232 YOU KNOW, I KNOW THIS NICE SECLUDED SPOT 304 00:21:59,301 --> 00:22:03,203 JUST DOWN THE STREET. GREAT VIEW, GREAT FOOD, 305 00:22:03,272 --> 00:22:07,174 SOFT MUSIC. 306 00:22:07,242 --> 00:22:09,977 YEAH. SURE. 307 00:22:10,045 --> 00:22:11,912 JUST COME RIGHT UP. 308 00:22:11,981 --> 00:22:14,448 SEE YOU IN 5. 309 00:22:18,688 --> 00:22:19,820 NICE SECLUDED SPOT, HUH? 310 00:22:19,889 --> 00:22:23,574 MILDRED... HOW LONG HAVE YOU... 311 00:22:23,642 --> 00:22:24,875 LONG ENOUGH, YOU LITTLE CREEP. 312 00:22:24,944 --> 00:22:27,745 YOU'RE GOING TO MEET SOME PLAYGIRL TRAMP, AREN'T YOU? 313 00:22:27,813 --> 00:22:30,948 OF COURSE NOT, HONEY. 314 00:22:31,017 --> 00:22:35,151 YOU'RE THE ONLY WOMAN IN THE WORLD FOR ME. 315 00:22:35,220 --> 00:22:37,354 YEAH? AND PIGS HAVE WINGS! 316 00:22:37,423 --> 00:22:39,890 LOOK, YOU WAIT HERE, MISTER. 317 00:22:39,959 --> 00:22:43,493 I'VE GOT A SURPRISE FOR YOU IN THE CAR. 318 00:22:50,219 --> 00:22:51,318 DAMN IT! 319 00:23:37,649 --> 00:23:38,649 SURPRISE, HONEY. 320 00:23:41,020 --> 00:23:43,486 MILDRED, I... I CAN EXPLAIN. 321 00:23:43,555 --> 00:23:44,666 YEAH? 322 00:23:44,690 --> 00:23:48,608 EXPLAIN IT TO SAINT PETER, YOU TWO-TIMING TWERP. 323 00:23:50,863 --> 00:23:51,962 WHAT'S THAT? 324 00:23:55,734 --> 00:24:00,271 ME? YOU WERE DRAWING ME AS A MONSTER? 325 00:24:04,944 --> 00:24:07,310 YOU DON'T UNDERSTAND. IT'S THESE PILLS! 326 00:24:07,379 --> 00:24:09,813 I TAKE THESE PILLS, THEN I DRAW SOMETHING. 327 00:24:09,882 --> 00:24:13,002 THEN IF I THINK ABOUT IT HARD ENOUGH, SOMETHING HAPPENS. 328 00:24:13,052 --> 00:24:14,684 GRR! 329 00:24:17,306 --> 00:24:18,367 WHAT THE HELL IS THAT? 330 00:24:18,391 --> 00:24:20,390 HMPH! 331 00:24:20,459 --> 00:24:24,427 THAT'S YOU... SORT OF. 332 00:24:24,496 --> 00:24:25,723 WELL, THAT'S FLATTERING. 333 00:24:25,747 --> 00:24:27,209 IS THAT HOW YOU PICTURE ME, JIM? 334 00:24:27,233 --> 00:24:28,560 AS A RANCID HEAP OF GARBAGE? 335 00:24:28,584 --> 00:24:30,818 GOD, WHAT AN EYESORE. 336 00:24:30,886 --> 00:24:32,163 WHY DON'T YOU FEED IT A LAXATIVE 337 00:24:32,187 --> 00:24:33,865 AND PUT IT OUT OF ITS MISERY? 338 00:24:33,889 --> 00:24:37,140 TRY SOME SKIN LOTION, ZIT FACE. 339 00:24:37,209 --> 00:24:39,754 YOUR COMPLEXION COULD SCARE A PROCTOLOGIST. 340 00:24:39,778 --> 00:24:41,211 HUH? 341 00:24:44,082 --> 00:24:46,516 GET OUT OF HERE, YOU SLIMY, SMELLY PILE OF PUS. 342 00:24:46,585 --> 00:24:48,585 I'LL VENTILATE YOU. 343 00:25:04,654 --> 00:25:06,732 I CAN SEE YOU GUYS HAVE A LOT OF CATCHING UP TO DO. 344 00:25:15,464 --> 00:25:17,464 HI, JIM. I'M SORRY I'M LATE. 345 00:25:17,533 --> 00:25:19,645 ACTUALLY, YOUR TIMING IS PERFECT. 346 00:25:19,669 --> 00:25:20,934 THERE WAS A SIGHTING TODAY 347 00:25:21,003 --> 00:25:22,202 REPORTED BY SOME KIDS. 348 00:25:22,271 --> 00:25:24,383 OH, WELL, YOU KNOW HOW KIDS ARE. 349 00:25:24,407 --> 00:25:26,206 NO, BUT YOU DON'T UNDERSTAND... 350 00:25:27,810 --> 00:25:29,410 WHAT'S ALL THE NOISE? 351 00:25:29,478 --> 00:25:31,278 WE'RE REDECORATING. 352 00:25:34,016 --> 00:25:35,882 Mildred: AAH! 353 00:25:53,753 --> 00:25:55,786 SO TELL ME, JIM... 354 00:25:55,855 --> 00:25:58,355 ARE YOU MARRIED? 355 00:26:00,626 --> 00:26:01,746 NOT ANYMORE. 356 00:26:11,737 --> 00:26:15,305 WELL, HOW'S THAT FOR A SAPPY ENDING? 357 00:26:15,374 --> 00:26:18,808 WAS IT A LITTLE TOO GRAPHIC FOR YOU? 358 00:26:18,877 --> 00:26:20,755 OH, WELL. NEXT THINK YOU KNOW, 359 00:26:20,779 --> 00:26:26,916 JIM AND HIS NEW GAL PAL WILL BE WALKING DOWN THE EASEL TOGETHER. 360 00:26:26,985 --> 00:26:28,051 I GUESS HE LEARNED 361 00:26:28,120 --> 00:26:30,954 THAT LIFE IMITATES ART AFTER ALL. 362 00:26:31,023 --> 00:26:32,922 AS FOR POOR MILDRED, 363 00:26:32,991 --> 00:26:36,360 SHE LEARNED THAT DEATH IMITATES ART, TOO. 364 00:26:36,428 --> 00:26:38,562 MAYBE IF SHE'D BEEN NICER TO HIM, 365 00:26:38,631 --> 00:26:41,498 SHE WOULDN'T HAVE ENDED UP A MONSTERPIECE. 366 00:26:44,670 --> 00:26:47,604 CAPTIONING MADE POSSIBLE BY WARNER BROS. 367 00:26:47,673 --> 00:26:50,753 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 25028

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