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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,103 --> 00:00:04,205 (police radio chatter, telephone ringing) 2 00:00:04,238 --> 00:00:05,506 BAGGED LUNCH OR GORY EVIDENCE? 3 00:00:05,539 --> 00:00:07,641 I'M NOT SURE. EW. 4 00:00:07,675 --> 00:00:09,643 COULD BE BOTH. FOUND IT IN THE BACKSEAT OF MY CAR, 5 00:00:09,677 --> 00:00:11,445 AND I'M PRETTY SURE I DIDN'T LEAVE IT THERE. 6 00:00:11,479 --> 00:00:13,347 ARE YOU SURE? 7 00:00:13,381 --> 00:00:14,648 FRANK WANTS TO SEE US. 8 00:00:14,682 --> 00:00:17,318 ** 9 00:00:17,351 --> 00:00:19,753 THIS CAN'T BE GOOD. 10 00:00:19,787 --> 00:00:21,322 ** 11 00:00:21,355 --> 00:00:22,423 ALL RIGHT, LOOK, WE KNEW THIS WAS COMING, 12 00:00:22,456 --> 00:00:24,625 SO LET'S JUST CUT TO THE CHASE. 13 00:00:24,658 --> 00:00:27,095 OKAY, DIAZ IS GONE, AND HE WON'T BE COMING BACK, 14 00:00:27,128 --> 00:00:28,629 WHICH MEANS I'M GONNA BE SHORT AN OFFICER, 15 00:00:28,662 --> 00:00:30,064 SO I'M GONNA ASK YOU ALL TO MAKE SURE THAT-- 16 00:00:30,098 --> 00:00:31,232 WAIT, WAIT. I'M SORRY, SIR. 17 00:00:31,265 --> 00:00:32,333 CHRIS IS GONE? 18 00:00:32,366 --> 00:00:35,303 FRIDAY WAS HIS LAST SHIFT. 19 00:00:35,336 --> 00:00:38,372 HE'S STARTING WITH TIMMINS P.D. TODAY. 20 00:00:38,406 --> 00:00:40,208 HE DIDN'T WANNA MAKE A BIG DEAL OF IT. 21 00:00:40,241 --> 00:00:41,742 YOU KNOW HOW DIAZ IS. 22 00:00:41,775 --> 00:00:47,515 LOOK, THIS JOB-- PEOPLE COME, PEOPLE GO. 23 00:00:47,548 --> 00:00:49,250 SO WE MIGHT AS WELL GET USED TO IT. 24 00:00:49,283 --> 00:00:50,384 ALL RIGHT? SO LET'S JUST GET OUT THERE 25 00:00:50,418 --> 00:00:53,354 AND DO WHAT WE'RE HERE TO DO. 26 00:00:53,387 --> 00:00:56,357 -- Captions by VITA -- 27 00:00:56,390 --> 00:00:58,359 ** 28 00:00:58,392 --> 00:01:01,195 YOU HAVEN'T HEARD FROM HIM AT ALL? 29 00:01:01,229 --> 00:01:02,763 HE DIDN'T EVEN CALL TO SAY GOOD-BYE. 30 00:01:02,796 --> 00:01:05,733 (indistinct conversations) 31 00:01:05,766 --> 00:01:07,468 (telephone ringing) 32 00:01:07,501 --> 00:01:09,637 OKAY, SO PAST COUPLE OF DAYS, SILENT TREATMENT, 33 00:01:09,670 --> 00:01:10,871 NOT RETURNING MY TEXTS OR PHONE CALLS, 34 00:01:10,904 --> 00:01:12,806 BUT THEN YOU LEAVE ORANGE PIE IN MY CAR. 35 00:01:12,840 --> 00:01:15,243 IT FEELS LIKE YOU'RE TRYING TO TELL ME SOMETHING. 36 00:01:15,276 --> 00:01:16,844 THIS IS A MAC AND CHEESE PUFF PIE, 37 00:01:16,877 --> 00:01:20,281 AND IT'S A LITTLE PEACE OFFERING I MADE FOR YOU LAST NIGHT. 38 00:01:20,314 --> 00:01:21,415 I MEAN, DO YOU KNOW HOW MANY RECIPES YOU CAN MAKE 39 00:01:21,449 --> 00:01:22,483 WITH CHEESE PUFFS? 40 00:01:22,516 --> 00:01:24,852 PLEASE TELL ME IT'S JUST ONE. (knock on window) 41 00:01:24,885 --> 00:01:26,387 LOOK, DO YOU WANNA TALK ABOUT SOMETHING? 42 00:01:26,420 --> 00:01:27,788 UH, YES, BUT-- BUT I'M ON DESK TODAY, 43 00:01:27,821 --> 00:01:30,558 SO I PROMISE WE'RE GONNA TALK ABOUT THIS LATER, SO... 44 00:01:30,591 --> 00:01:31,792 OKAY. 45 00:01:31,825 --> 00:01:34,462 (door buzzes, radio chatter) 46 00:01:34,495 --> 00:01:36,664 OKAY, WHAT'S THE PROBLEM, SIR? 47 00:01:36,697 --> 00:01:40,501 I NEED TO TALK TO SOMEONE ABOUT MY DAUGHTER GRACIE-- 48 00:01:40,534 --> 00:01:42,136 GRACE ALISON FINN. 49 00:01:42,170 --> 00:01:43,137 SHE DIDN'T COME HOME LAST NIGHT. 50 00:01:43,171 --> 00:01:46,174 LOOK, I KNOW YOU HAVE RULES ABOUT THESE THINGS. 51 00:01:46,207 --> 00:01:49,410 BUT, PLEASE, I'M BEGGING YOU. SOMETHING IS DEFINITELY WRONG. 52 00:01:49,443 --> 00:01:51,145 OKAY, MY NAME IS OFFICER PECK, AND I PROMISE 53 00:01:51,179 --> 00:01:52,413 I'M GONNA HELP YOU ANY WAY I CAN. 54 00:01:52,446 --> 00:01:55,283 SO LET'S JUST TAKE THIS ONE STEP AT A TIME. 55 00:01:55,316 --> 00:01:56,250 HOW OLD IS GRACE? 56 00:01:56,284 --> 00:01:59,520 UH, SHE JUST TURNED 23 A COUPLE OF MONTHS AGO. 57 00:01:59,553 --> 00:02:00,654 OKAY, AND HOW LONG HAS SHE BEEN GONE? 58 00:02:00,688 --> 00:02:02,556 ALMOST NINE HOURS. 59 00:02:03,824 --> 00:02:05,193 I'M SORRY. 60 00:02:05,226 --> 00:02:08,362 YOU'RE RIGHT. IT HASN'T BEEN LONG ENOUGH. 61 00:02:08,396 --> 00:02:12,266 THEN I'LL--I'LL JUST KEEP WAITING TILL IT IS. 62 00:02:14,335 --> 00:02:15,503 GOOD MORNING. 63 00:02:15,536 --> 00:02:17,171 WHEN WERE YOU GONNA TELL ME YOU CHANGED THE FILING SYSTEM? 64 00:02:17,205 --> 00:02:19,273 I CAN'T FIND ANYTHING. 65 00:02:19,307 --> 00:02:20,808 NASH, I CHANGED THE FILING SYSTEM. 66 00:02:20,841 --> 00:02:22,410 WELL, YOU KNOW, ANYTHING ELSE OF JERRY'S 67 00:02:22,443 --> 00:02:23,344 YOU PLAN ON CHANGING, 68 00:02:23,377 --> 00:02:24,812 MAYBE YOU WANNA LET ME KNOW IN ADVANCE. 69 00:02:24,845 --> 00:02:26,714 SORT OF THROWS ME OFF. 70 00:02:26,747 --> 00:02:29,383 WOW. YEAH, THE GREAT FILE DEBATE OF 2013. 71 00:02:29,417 --> 00:02:30,684 YEAH, I MEAN, YOU GUYS ARE NOT GONNA START 72 00:02:30,718 --> 00:02:31,952 THROWING PUNCHES, ARE YOU? I WILL JUST... 73 00:02:31,985 --> 00:02:33,887 I'M SORRY. WHO ARE YOU? 74 00:02:33,921 --> 00:02:36,790 TRACI NASH, STEVE PECK. GUNS AND GANGS. 75 00:02:36,824 --> 00:02:38,926 OH. WE'RE HANDING OVER A COUPLE OF CASES. 76 00:02:38,959 --> 00:02:41,595 I NEED YOU TO GO UPSTAIRS AND GIVE HIM THE RUNDOWN. YEAH. 77 00:02:41,629 --> 00:02:43,731 YOU'RE GAIL'S BROTHER. UH, IT'S NICE TO MEET YOU. 78 00:02:43,764 --> 00:02:45,933 NO, WE'VE MET BEFORE, ACTUALLY, BUT I GUESS THIS IS THE PART 79 00:02:45,966 --> 00:02:47,134 WHERE I SWALLOW MY PRIDE 80 00:02:47,167 --> 00:02:48,769 AND SAY IT'S NICE TO MEET YOU FOR THE SECOND TIME, RIGHT? 81 00:02:48,802 --> 00:02:50,371 I'M STARTING TO SEE THE FAMILY RESEMBLANCE. 82 00:02:50,404 --> 00:02:51,605 (chuckles) OKAY. 83 00:02:51,639 --> 00:02:52,873 WELL, NOW THAT WE'RE ALL GETTING ALONG, 84 00:02:52,906 --> 00:02:55,676 LET'S GET A LEG UP ON THE DAY, SHALL WE? 85 00:02:55,709 --> 00:02:57,478 (indistinct conversations) 86 00:02:57,511 --> 00:02:59,547 (siren whoops) 87 00:02:59,580 --> 00:03:01,415 ALL RIGHT, GET IT OUT. COME ON. 88 00:03:01,449 --> 00:03:02,583 I'M FINE. 89 00:03:02,616 --> 00:03:04,285 OKAY. ALL RIGHT. 90 00:03:04,318 --> 00:03:05,686 'CAUSE WE GOT A JOB TO DO. WE'RE GONNA GO DO IT. 91 00:03:05,719 --> 00:03:07,421 AND I DON'T NEED YOU GOING OFF ON SOME MOE 92 00:03:07,455 --> 00:03:08,689 'CAUSE CHRIS DIAZ LEFT WITHOUT SAYING GOOD-BYE. 93 00:03:08,722 --> 00:03:09,823 UNLOCK THE DOOR. 94 00:03:09,857 --> 00:03:14,528 WHEN YOU RIP OFF A BAND-AID, DO YOU CALL ALL YOUR FRIENDS 95 00:03:14,562 --> 00:03:15,929 AND HAVE EVERYBODY COME OVER AND WATCH, 96 00:03:15,963 --> 00:03:18,966 OR DO YOU JUST DO IT AND GET IT OVER WITH? 97 00:03:18,999 --> 00:03:20,234 OKAY, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 98 00:03:20,268 --> 00:03:22,370 CHRIS IS GONE. DOESN'T MATTER. 99 00:03:22,403 --> 00:03:24,272 WE HAVE A JOB TO DO, SO LET'S DO IT. 100 00:03:24,305 --> 00:03:26,540 (radio chatter, alarm chirps) 101 00:03:26,574 --> 00:03:29,277 (door opens) 102 00:03:29,310 --> 00:03:31,312 DOV IS AN IDIOT. 103 00:03:31,345 --> 00:03:34,782 YOU KNOW, I KINDA LIKE EPSTEIN. 104 00:03:34,815 --> 00:03:37,685 HE'S GOT A NERVOUS ENERGY, BUT HE SEEMS NICE. 105 00:03:37,718 --> 00:03:39,687 IT'S NOT OFTEN YOU SEE A GUY ROCKING THE BANGS. 106 00:03:39,720 --> 00:03:42,723 HMM. YEAH, I LIKE DUDES WITH BANGS, YOU KNOW? 107 00:03:42,756 --> 00:03:43,824 IT ADDS A LITTLE MYSTERY. 108 00:03:43,857 --> 00:03:45,559 OKAY, SO THEN WHAT'S YOUR PROBLEM? 109 00:03:45,593 --> 00:03:48,296 HE ACCUSED ME OF BEING BIPOLAR. 110 00:03:48,329 --> 00:03:50,798 SOMEONE AT 15 DROPPED THEIR MEDICATION. 111 00:03:50,831 --> 00:03:52,032 HE JUST ASSUMED IT WAS MINE, 112 00:03:52,065 --> 00:03:53,601 AND INSTEAD OF ASKING ME ABOUT IT, 113 00:03:53,634 --> 00:03:54,935 HE JUST BLEW ME OFF. 114 00:03:54,968 --> 00:03:56,804 ARE YOU SURPRISED? WHAT DO YOU MEAN? 115 00:03:56,837 --> 00:03:58,506 I DON'T KNOW. 116 00:03:58,539 --> 00:04:00,408 MENTAL ILLNESS-- PRETTY BIG STIGMA. 117 00:04:00,441 --> 00:04:01,942 THROW IN A JOB WITH GUNS, FORGET ABOUT IT. 118 00:04:01,975 --> 00:04:03,311 OH, I GET THAT. 119 00:04:03,344 --> 00:04:05,379 OKAY? WHAT I DON'T GET IS HOW DOV THOUGHT 120 00:04:05,413 --> 00:04:06,914 I COULD KEEP IT A SECRET. 121 00:04:06,947 --> 00:04:08,015 HOW DO YOU KEEP SOMETHING LIKE THAT 122 00:04:08,048 --> 00:04:09,683 FROM SOMEONE YOU WANNA BE WITH? 123 00:04:09,717 --> 00:04:13,387 ANYWAYS, I JUST--I DON'T-- I DON'T DIG LABELS, YOU KNOW? 124 00:04:13,421 --> 00:04:14,822 I THINK EVERYONE IS A LITTLE MESSED UP 125 00:04:14,855 --> 00:04:16,424 IN THEIR OWN WAY, OKAY? 126 00:04:16,457 --> 00:04:18,959 IT'S WHAT MAKES THE WORLD SO INTERESTING. 127 00:04:18,992 --> 00:04:21,529 BOYS ARE STUPID. 128 00:04:23,964 --> 00:04:26,934 SO WEIRD THAT CHRIS JUST DISAPPEARED LIKE THAT. 129 00:04:26,967 --> 00:04:28,702 YEAH, I ALWAYS KINDA LIKED DIAZ. 130 00:04:28,736 --> 00:04:31,605 DIDN'T YOU TWO HAVE A HUGE FEUD OVER GAIL LAST YEAR? 131 00:04:31,639 --> 00:04:33,841 WHICH I WON, THUS I ALWAYS KINDA LIKED DIAZ. 132 00:04:33,874 --> 00:04:37,611 OH. WELL... CONGRATULATIONS. WHAT A PRIZE. 133 00:04:37,645 --> 00:04:38,779 OOH, SINGLE LIFE GETTING YOU DOWN, McNALLY? 134 00:04:38,812 --> 00:04:40,514 (chuckles) YOU SEEM A LITTLE TENSE. 135 00:04:40,548 --> 00:04:41,682 OH, DO I? MM-HMM. 136 00:04:41,715 --> 00:04:44,418 WELL, I'LL HAVE YOU KNOW THAT I HAVE NEVER BEEN BETTER. 137 00:04:44,452 --> 00:04:48,055 REALLY, ACTUALLY. I'M, UM... I'M HAPPY. 138 00:04:48,088 --> 00:04:51,325 CALM, EVEN--MAN ON HOOD. WHAT? 139 00:04:51,359 --> 00:04:53,461 MAN ON HOOD! (shouting indistinctly) 140 00:04:53,494 --> 00:04:56,664 (tires peal) UH, 15-05. WE'RE WESTBOUND ON LAKES ROW, UH, 141 00:04:56,697 --> 00:04:59,400 IN PURSUIT OF A CAB. IT APPEARS TO HAVE STRUCK A PEDESTRIAN. (siren wailing) 142 00:04:59,433 --> 00:05:00,568 (static crackles) 143 00:05:01,869 --> 00:05:04,104 (siren whoops) 144 00:05:04,137 --> 00:05:05,839 WHOA. UHH! 145 00:05:05,873 --> 00:05:06,974 WHOA, WHOA, WHOA. YOU'RE GARBAGE! 146 00:05:07,007 --> 00:05:08,709 YOU ARE NOTHING BUT FILTH! YOU HEAR ME?! HEY! HEY! 147 00:05:08,742 --> 00:05:09,910 STAY BACK. YOU JUMPED ONTO THE CAR, MAN. 148 00:05:09,943 --> 00:05:11,779 I DIDN'T DO ANYTHING. IT'S NOT MY FAULT. 149 00:05:11,812 --> 00:05:12,913 IT WOULDN'T STOP. THE BRAKES KEPT SEIZING UP. HE'S A THIEF. 150 00:05:12,946 --> 00:05:14,582 WAIT. SO THIS CAB'S YOURS? NO. 151 00:05:14,615 --> 00:05:16,417 HE'S JUST SOME GAS JOCKEY WHO SHOULD MIND HIS OWN BUSINESS. 152 00:05:16,450 --> 00:05:18,085 OH, YOU SHUT YOUR FACE, OR I'LL SHUT IT FOR YOU. 153 00:05:18,118 --> 00:05:21,622 YEAH. EVERYBODY, SHUT UP TILL WE FIGURE OUT WHAT'S GOING ON. 154 00:05:21,655 --> 00:05:23,824 (radio chatter) WHAT'S GOING ON? 155 00:05:23,857 --> 00:05:25,426 THAT KID COMES INTO MY STORE EVERY WEEK 156 00:05:25,459 --> 00:05:26,394 AND STEALS FROM ME. 157 00:05:26,427 --> 00:05:28,128 I CALL YOU GUYS, AND WHAT DO YOU DO? NOTHING. 158 00:05:28,161 --> 00:05:29,830 TODAY I SEE HIM IN THE FRONT SEAT OF A CAB, 159 00:05:29,863 --> 00:05:32,533 AND I KNOW IT'S NOT HIS, SO I TRY TO STOP HIM. 160 00:05:32,566 --> 00:05:33,401 GO BACK TO COUNTING CHANGE, BRO. 161 00:05:33,434 --> 00:05:34,835 KEY WAS IN THE IGNITION. DOOR WAS OPEN. 162 00:05:34,868 --> 00:05:36,804 (scoffs) I DIDN'T BREAK INTO ANYTHING, OKAY? 163 00:05:36,837 --> 00:05:38,071 THERE'S AN EASY WAY TO SOLVE THIS. 164 00:05:38,105 --> 00:05:39,973 YOUR GAS STATION HAVE SECURITY CAMERAS? YEAH. 165 00:05:40,007 --> 00:05:42,075 SCREW YOU, MAN. I'M UNDERAGE. THEY CAN'T DO SQUAT. 166 00:05:42,109 --> 00:05:44,712 OH, YEAH. SCREW ME? NO, NO, NO, NO, NO. SCREW YOU. OKAY, OKAY. 167 00:05:44,745 --> 00:05:48,516 SCREW YOU. OKAY! THANK YOU. YOU'VE BOTH BEEN VERY HELPFUL. 168 00:05:48,549 --> 00:05:50,518 OH, YOU'RE WELCOME. COME WITH ME. 169 00:05:50,551 --> 00:05:51,919 KID LIFTED IT FROM THE PARKING LOT 170 00:05:51,952 --> 00:05:54,388 OF AN I.V.A. GAS STATION, TOOK IT FOR A JOYRIDE. 171 00:05:54,422 --> 00:05:56,023 (Frank) OKAY, SO KID TAKES IT FOR A RIDE. 172 00:05:56,056 --> 00:05:58,091 ACCIDENTALLY HITS A GOOD SAMARITAN. 173 00:05:58,125 --> 00:05:59,893 YOU GOT THE KID. WHY AM I LOOKING AT THIS? 174 00:05:59,927 --> 00:06:01,962 THIS IS THE SAME TAPE, EIGHT HOURS EARLIER. (keyboard keys click) 175 00:06:01,995 --> 00:06:05,466 TRYING TO FIND THE REAL OWNER OF THE CAB SO HE CAN EXPLAIN THIS. 176 00:06:05,499 --> 00:06:07,835 FEMALE, OUT COLD, LIGHT BROWN HAIR, IN HER 20s. 177 00:06:07,868 --> 00:06:10,571 WE NEVER SEE MUCH OF THE GUY. WELL, LET'S SEE IF THERE'S 178 00:06:10,604 --> 00:06:12,473 ANY MISSING PERSONS REPORTS ON FILE. 179 00:06:12,506 --> 00:06:14,708 IF ANYTHING, UH, RINGS A BELL, WE'LL MOVE ON. 180 00:06:14,742 --> 00:06:16,510 YES, SIR. 181 00:06:16,544 --> 00:06:17,911 McNALLY, WHAT IS IT? YOU HAVE A LOOK. 182 00:06:17,945 --> 00:06:19,046 I JUST RAN THE CAB. 183 00:06:19,079 --> 00:06:21,582 TRACED IT BACK TO IMPOUND. IT WAS FORMERLY EVIDENCE. 184 00:06:21,615 --> 00:06:22,983 WHAT CASE? 185 00:06:23,016 --> 00:06:24,718 ROSS PERIK. 186 00:06:24,752 --> 00:06:27,455 IT WAS REGISTERED TO ROSS PERIK RIGHT BEFORE HE WAS ARRESTED 187 00:06:27,488 --> 00:06:31,425 FOR THE MURDER OF DETECTIVE BARBER. 188 00:06:34,094 --> 00:06:35,996 THANKS FOR COMING. OF COURSE. WHERE ARE WE AT? 189 00:06:36,029 --> 00:06:37,631 CAB'S IN FORENSICS. 190 00:06:37,665 --> 00:06:40,501 GIRL'S NAME IS GRACE ALISON FINN, 23. 191 00:06:40,534 --> 00:06:42,836 FATHER REPORTED HER MISSING THIS MORNING. 192 00:06:42,870 --> 00:06:45,005 I.D.'d HER OFF THE SECURITY FOOTAGE. 193 00:06:45,038 --> 00:06:47,741 PULLED PECK FROM THE CASE. NASH IS UP IN GUNS AND GANGS, 194 00:06:47,775 --> 00:06:49,209 AND I INTEND TO KEEP IT THAT WAY. 195 00:06:49,242 --> 00:06:51,044 (woman speaking indistinctly over P.A.) 196 00:06:51,078 --> 00:06:51,879 WHAT ABOUT HIM? 197 00:06:51,912 --> 00:06:54,582 YOU WANNA PULL HIM, GO AHEAD, BUT... 198 00:06:54,615 --> 00:06:58,652 YOU AND I BOTH KNOW HE'S GONNA WORK IT ANYWAY. 199 00:06:58,686 --> 00:07:00,053 RIGHT NOW WE DON'T KNOW WHAT WE HAVE, 200 00:07:00,087 --> 00:07:02,923 BUT WE KNOW THAT GRACE FINN WAS ABDUCTED THIS MORNING 201 00:07:02,956 --> 00:07:06,126 IN A CAB PREVIOUSLY REGISTERED TO INMATE ROSS PERIK. 202 00:07:06,159 --> 00:07:10,964 WE ALSO KNOW THAT PERIK IS LOCKED AWAY IN MILLBURN PRISON. 203 00:07:10,998 --> 00:07:13,133 TEN MONTHS AGO, HE ABDUCTED ONE OF OUR OFFICERS 204 00:07:13,166 --> 00:07:15,135 DURING AN UNDERCOVER ASSIGNMENT 205 00:07:15,168 --> 00:07:17,838 AND HELD HER CAPTIVE IN HIS BASEMENT. 206 00:07:17,871 --> 00:07:20,741 IN THE PROCESS... 207 00:07:20,774 --> 00:07:23,577 IN THE PROCESS OF LOCATING HER, JERRY BARBER, 208 00:07:23,611 --> 00:07:25,979 A DETECTIVE FROM THIS DIVISION, WAS KILLED IN THE LINE OF DUTY. 209 00:07:26,013 --> 00:07:28,616 (officers murmuring) 210 00:07:28,649 --> 00:07:33,120 OKAY, PERIK'S M.O. WAS HE LIKED BLONDES, MID 20s. 211 00:07:33,153 --> 00:07:35,823 PICKED THEM UP AS A CAB DRIVER. HE DRUGGED THEM. 212 00:07:35,856 --> 00:07:38,125 KEPT THEM ALIVE IN HIS BASEMENT FOR 24 HOURS. 213 00:07:38,158 --> 00:07:39,627 SO WE'RE DEALING WITH A COPYCAT? 214 00:07:39,660 --> 00:07:41,629 WE DON'T KNOW THAT. GRACE FINN FITS HIS PROFILE, 215 00:07:41,662 --> 00:07:42,796 BUT THE CAB COULD BE A COINCIDENCE, 216 00:07:42,830 --> 00:07:44,765 SO RIGHT NOW IT'S WIDE OPEN. 217 00:07:44,798 --> 00:07:45,966 EITHER WAY, IT'S STILL A MISSING GIRL. 218 00:07:45,999 --> 00:07:48,936 WHAT ARE WE DOING ABOUT IT? COLLINS, TAKE OVER FOR PECK. 219 00:07:48,969 --> 00:07:51,639 TALK TO GRACE'S FATHER, SEE WHAT YOU CAN GET. 220 00:07:51,672 --> 00:07:54,708 I WANT ALL OTHER UNIFORMS CANVASSING THE AREA 221 00:07:54,742 --> 00:07:55,809 WHERE THE CAB WAS DROPPED. 222 00:07:55,843 --> 00:07:58,111 AND FOR NOW, WE'RE GONNA KEEP THE PERIK CONNECTION 223 00:07:58,145 --> 00:08:00,213 TO OURSELVES UNTIL WE'RE ABSOLUTELY SURE. 224 00:08:00,247 --> 00:08:03,584 IF YOU FIND SOMETHING, YOU COME DIRECTLY TO ME 225 00:08:03,617 --> 00:08:05,218 OR DETECTIVE SWAREK. 226 00:08:05,252 --> 00:08:08,121 GRACE FINN WAS ABDUCTED AT 2:04 A.M. THIS MORNING, 227 00:08:08,155 --> 00:08:09,757 WHICH MEANS WE'RE DEALING WITH A COPYCAT. 228 00:08:09,790 --> 00:08:12,626 WE'VE GOT 12 HOURS. LET'S GO FIND HER. 229 00:08:12,660 --> 00:08:15,028 (indistinct conversations) 230 00:08:15,062 --> 00:08:17,030 CALLAGHAN, DO YOU MIND RUNNING THIS THING? 231 00:08:17,064 --> 00:08:19,567 I'LL--I'LL GRAB McNALLY AND TAKE HER TO THE IMPOUND YARD 232 00:08:19,600 --> 00:08:21,201 AND FIGURE OUT WHO BOUGHT THE CAB. YEAH. 233 00:08:21,234 --> 00:08:23,036 OKAY. I'D JUST RATHER BE OUT ON THE STREET. 234 00:08:23,070 --> 00:08:24,271 YEAH, SURE. THANKS. 235 00:08:24,304 --> 00:08:25,906 McNALLY? 236 00:08:34,314 --> 00:08:36,016 ALL RIGHT, SO YOU SAID GRACE LEFT FOR A RUN 237 00:08:36,049 --> 00:08:37,551 SOMETIME AFTER MIDNIGHT. 238 00:08:37,585 --> 00:08:39,653 YOU SURE ABOUT THE TIME? YEAH. 239 00:08:39,687 --> 00:08:42,790 I MEAN, I THINK SO. I WAS... I GOT HOME LATE. 240 00:08:42,823 --> 00:08:45,726 SHE WAS HEADING OUT AS I WAS COMING IN. 241 00:08:45,759 --> 00:08:47,761 (sighs) DIDN'T EVEN GET TO TALK TO HER. 242 00:08:47,795 --> 00:08:49,096 MIDNIGHT'S PRETTY LATE FOR A JOG. 243 00:08:49,129 --> 00:08:50,631 LOOK, IF YOU'RE GOING TO TELL ME 244 00:08:50,664 --> 00:08:53,000 THAT I SHOULD HAVE STOPPED HER, SAVE YOUR BREATH, 245 00:08:53,033 --> 00:08:54,067 'CAUSE I ALREADY KNOW-- 246 00:08:54,101 --> 00:08:56,003 THIS ISN'T YOUR FAULT. WE JUST NEED TO TALK THROUGH 247 00:08:56,036 --> 00:08:56,970 EVERYTHING THAT HAPPENED, ALL RIGHT? 248 00:08:57,004 --> 00:08:59,707 I'VE ALREADY GONE OVER THIS WITH OFFICER PECK. 249 00:08:59,740 --> 00:09:01,775 DON'T YOU GUYS TALK TO EACH OTHER? 250 00:09:01,809 --> 00:09:03,877 OFFICER, TELL HIM, ALL RIGHT? 251 00:09:03,911 --> 00:09:05,713 PLEASE DON'T MAKE ME DO THIS AGAIN. 252 00:09:05,746 --> 00:09:08,616 I'M SORRY. I'M NOT ON THE CASE ANYMORE. I'VE BEEN REASSIGNED. 253 00:09:08,649 --> 00:09:10,718 MY DAUGHTER'S CASE ISN'T IMPORTANT ENOUGH? 254 00:09:10,751 --> 00:09:12,886 LOOK, LAST YEAR AN OFFICER FROM THIS DIVISION 255 00:09:12,920 --> 00:09:15,889 WENT MISSING, AND... WE BROUGHT HER HOME, SO-- 256 00:09:15,923 --> 00:09:17,057 SO WHAT?! 257 00:09:17,090 --> 00:09:20,260 THAT'S SUPPOSED TO MAKE ME FEEL BETTER? 258 00:09:20,293 --> 00:09:23,263 THAT'S MY DAUGHTER OUT THERE. 259 00:09:23,296 --> 00:09:26,934 I GUESS TO YOU, IT'S NO BIG DEAL. 260 00:09:26,967 --> 00:09:29,202 JUST ANOTHER FACE ON YOUR WALL. 261 00:09:33,641 --> 00:09:36,009 (Nick) SIR. SIR? WAIT A MINUTE. 262 00:09:36,043 --> 00:09:37,778 (Steve) OKAY. 263 00:09:37,811 --> 00:09:39,713 I BELIEVE MY WORK HERE IS DONE, DETECTIVE, 264 00:09:39,747 --> 00:09:43,250 SO IF YOU DON'T MIND, I'M GONNA HEAD BACK DOWNSTAIRS. 265 00:09:43,283 --> 00:09:44,351 YOU OKAY? 266 00:09:44,384 --> 00:09:45,853 UH, YEAH. THAT WAS FRANK. 267 00:09:45,886 --> 00:09:48,656 HE SAID I COULD BORROW YOU FOR THE FULL DAY, SO... 268 00:09:48,689 --> 00:09:49,823 DO I HAVE A CHOICE? 269 00:09:49,857 --> 00:09:50,891 NOT REALLY, BUT ON THE POSITIVE, 270 00:09:50,924 --> 00:09:52,225 I GOT ONE OF THOSE FACES-- 271 00:09:52,259 --> 00:09:53,994 YOU KNOW, IT GETS BETTER THE LONGER YOU LOOK AT IT. 272 00:09:54,027 --> 00:09:55,629 SO IT'S A WIN-WIN FOR BOTH OF US. 273 00:09:55,663 --> 00:09:57,030 OKAY. 274 00:09:57,064 --> 00:09:59,232 (indistinct conversations, telephone ringing) 275 00:09:59,266 --> 00:10:01,368 (sighs) 276 00:10:01,401 --> 00:10:06,006 MORT BARO, KYLE ZEE, IGGY WELLS. 277 00:10:06,039 --> 00:10:07,775 MEET GARY ALVA. 278 00:10:07,808 --> 00:10:09,943 OKAY, NOW THESE THREE ARE IN POLICE CUSTODY 279 00:10:09,977 --> 00:10:12,713 FOR GUN TRAFFICKING, BUT WE GOT REASON TO BELIEVE THAT 280 00:10:12,746 --> 00:10:14,648 GARY'S THE HEAD HONCHO. 281 00:10:14,682 --> 00:10:15,448 LET ME GUESS. NONE OF THEM WILL FLIP. 282 00:10:15,482 --> 00:10:16,817 YEAH. WE HAVE A COUPLE OF LEADS, 283 00:10:16,850 --> 00:10:18,886 BUT NOTHING THAT STICKS. 284 00:10:18,919 --> 00:10:20,854 SO I THOUGHT MAYBE YOU CAN WALK THROUGH WITH ME 285 00:10:20,888 --> 00:10:21,855 AND SHOW ME YOUR MOVES? 286 00:10:21,889 --> 00:10:23,256 MY MOVES? 287 00:10:23,290 --> 00:10:24,692 YEAH. 288 00:10:24,725 --> 00:10:26,126 UNLESS YOU'RE TELLING ME YOU DON'T HAVE ANY. 289 00:10:26,159 --> 00:10:28,161 THIS IS GUNS AND GANGS, SWEETHEART. 290 00:10:28,195 --> 00:10:30,263 IT'S NOT THE DOWNSTAIRS RODEO YOU'RE USED TO, HUH? 291 00:10:30,297 --> 00:10:34,067 GIVE ME THE FILE. 292 00:10:34,101 --> 00:10:37,370 EXCUSE ME, SIR. I NEED YOU TO STEP BACK, OKAY? UH, SURE. 293 00:10:37,404 --> 00:10:39,272 STRAIGHT BACK TO THE OTHER SIDEWALK, ALL RIGHT? 294 00:10:39,306 --> 00:10:41,875 SORRY, I'M JUST TRYING TO KEEP AN EYE ON MY DAUGHTER. 295 00:10:41,909 --> 00:10:43,911 MYA, HONEY, NOT SO CLOSE! 296 00:10:43,944 --> 00:10:45,178 IT'S LIKE TALKING TO A WALL. 297 00:10:45,212 --> 00:10:46,847 YEAH. (siren whoops) 298 00:10:46,880 --> 00:10:49,182 SO, UH, IS IT TRUE? IS THERE ANOTHER GIRL MISSING? 299 00:10:49,216 --> 00:10:52,052 UH... YOU FROM THE NEIGHBORHOOD? 300 00:10:52,085 --> 00:10:53,153 WE LIVE AROUND THE CORNER. UH-HUH. 301 00:10:53,186 --> 00:10:54,221 I'M PART OF THE NEIGHBORHOOD WATCH. 302 00:10:54,254 --> 00:10:55,222 SO IF THERE'S SOMETHING GOING ON, 303 00:10:55,255 --> 00:10:56,857 YOU KNOW, WE NEED TO KNOW. 304 00:10:56,890 --> 00:10:58,158 ALL RIGHT, MR. NEIGHBORHOOD WATCH. 305 00:10:58,191 --> 00:11:00,761 (cell phone buttons clicking) 306 00:11:00,794 --> 00:11:02,129 THIS GIRL WENT MISSING FROM THIS PARKING LOT, 307 00:11:02,162 --> 00:11:05,032 2:00 A.M. THIS MORNING. YOU SEE ANYTHING? I WAS IN BED BY 11:00. 308 00:11:05,065 --> 00:11:08,201 OH. WELL... IT'S GOOD TO KNOW YOU GOT IT COVERED. 309 00:11:08,235 --> 00:11:10,103 HAVE A NICE DAY. 310 00:11:10,137 --> 00:11:13,206 (car engine starts) 311 00:11:13,240 --> 00:11:14,474 (man) YEAH, I'M LOOKING INTO IT RIGHT NOW. 312 00:11:14,507 --> 00:11:15,475 EPSTEIN... 313 00:11:15,508 --> 00:11:17,110 (siren whoops) YOU GOTTA GO EASY. 314 00:11:17,144 --> 00:11:19,379 ALL RIGHT, YOU KNOW WHAT? LUNCH IS ON ME TODAY. 315 00:11:19,412 --> 00:11:20,413 HOW DOES THAT SOUND? 316 00:11:20,447 --> 00:11:21,915 OH, THANK YOU, BUT I'M GOOD. 317 00:11:21,949 --> 00:11:23,751 TELL YOU THE TRUTH, I'M NOT EVEN THAT HUNGRY. 318 00:11:23,784 --> 00:11:28,822 OKAY. GOOD. I'M NOT HUNGRY EITHER. 319 00:11:36,797 --> 00:11:39,166 IT'S GONNA TAKE A BIT TO LOCATE THE RECORDS. 320 00:11:39,199 --> 00:11:40,868 COMPUTER GUY JUST WENT ON LUNCH, 321 00:11:40,901 --> 00:11:42,135 BUT THEY'RE CALLING HIM. 322 00:11:42,169 --> 00:11:43,771 LUNCH. GREAT. DID YOU TELL HIM 323 00:11:43,804 --> 00:11:44,938 WE'RE IN THE MIDDLE OF AN INVESTIGATION? 324 00:11:44,972 --> 00:11:47,140 WE GOT A MISSING GIRL AND A CAB THAT TRACES BACK TO-- 325 00:11:47,174 --> 00:11:48,441 YES, I TOLD THEM. 326 00:11:48,475 --> 00:11:51,144 IT'S JUST GONNA BE A FEW MINUTES. 327 00:11:55,916 --> 00:11:57,050 SAM... 328 00:11:57,084 --> 00:11:58,185 WHAT? 329 00:11:59,486 --> 00:12:00,453 (sighs) NOTHING. WHAT? 330 00:12:00,487 --> 00:12:01,454 NOTHING. I JUST-- 331 00:12:01,488 --> 00:12:05,192 OKAY, NO, NO, NO. NOT TODAY, McNALLY, OKAY? 332 00:12:05,225 --> 00:12:07,861 OKAY. I JUST THOUGHT MAYBE-- 333 00:12:07,895 --> 00:12:09,329 I CHOSE YOU SO WE WOULDN'T HAVE TO TALK ABOUT IT. 334 00:12:09,362 --> 00:12:10,931 WE WERE PARTNERED THAT DAY, 335 00:12:10,964 --> 00:12:13,300 WHICH MEANS I DON'T HAVE TO EXPLAIN ANYTHING, OKAY? 336 00:12:13,333 --> 00:12:15,302 WE CLEAR? CRYSTAL. 337 00:12:15,335 --> 00:12:17,771 HEY, HEY. DID YOU HAVE A GOOD LUNCH? 338 00:12:17,805 --> 00:12:19,439 WE NEED TO KNOW WHO BOUGHT THAT CAB. 339 00:12:19,472 --> 00:12:21,041 WE NEED A NAME, PLEASE. 340 00:12:21,074 --> 00:12:24,912 YEP. I GOT IT. 341 00:12:24,945 --> 00:12:26,046 GOOD. 342 00:12:26,079 --> 00:12:26,847 (cell phone beeps) 343 00:12:26,880 --> 00:12:28,281 SWAREK AND McNALLY JUST GOT A LEAD 344 00:12:28,315 --> 00:12:29,783 ON THE GUY WHO BOUGHT THE CAB. 345 00:12:29,817 --> 00:12:30,818 THEY'RE GONNA GO PICK HIM UP NOW. 346 00:12:30,851 --> 00:12:32,219 WELL, IT'S A START. 347 00:12:32,252 --> 00:12:34,054 FORENSICS FOUND RESIDUE IN THE CAB, 348 00:12:34,087 --> 00:12:35,555 TRACE AMOUNTS OF KETAMINE AND A.C.P. 349 00:12:35,588 --> 00:12:37,858 (sighs) WHAT? 350 00:12:37,891 --> 00:12:39,192 LUKE? 351 00:12:39,226 --> 00:12:41,461 PERIK USED KETAMINE AND A.C.P. TO SEDATE HIS VICTIMS. 352 00:12:41,494 --> 00:12:43,330 WE NEVER RELEASED THAT TO THE PUBLIC. 353 00:12:43,363 --> 00:12:45,465 THE ONLY PEOPLE WHO KNEW THAT ARE THE POLICE AND PERIK. 354 00:12:45,498 --> 00:12:48,035 ALL RIGHT, SO MAYBE OUR GUY'S HAD CONTACT WITH HIM. 355 00:12:48,068 --> 00:12:50,437 I'LL CALL MILLBURN, SEE IF I CAN SCHEDULE A SIT-DOWN. 356 00:12:50,470 --> 00:12:51,504 A SIT-DOWN WITH WHO? PERIK. 357 00:12:51,538 --> 00:12:53,373 LOOK, IF WE GOT A COPYCAT OUT THERE RUNNING AROUND, 358 00:12:53,406 --> 00:12:56,576 HE EITHER GOT HIS INFORMATION FROM US OR FROM PERIK. 359 00:12:56,609 --> 00:12:58,445 IF ANYBODY'S GOT A BETTER IDEA, I'D LOVE TO HEAR IT. 360 00:12:58,478 --> 00:13:00,113 (cell phone beeps) 361 00:13:00,147 --> 00:13:03,050 MOSES KELLIE, APARTMENT 307. 362 00:13:03,083 --> 00:13:07,020 ** 363 00:13:07,054 --> 00:13:08,588 10 BUCKS THIS IS OUR GUY. 364 00:13:08,621 --> 00:13:10,590 ** 365 00:13:10,623 --> 00:13:12,292 UNKNOWN DANGER? 366 00:13:12,325 --> 00:13:14,061 WE HAD TO GO IN. 367 00:13:14,094 --> 00:13:15,595 (holsters click) 368 00:13:15,628 --> 00:13:17,064 (whimpers) 369 00:13:17,097 --> 00:13:18,198 RIGHT. 370 00:13:18,231 --> 00:13:20,133 (doorknob clicks) 371 00:13:20,167 --> 00:13:22,535 ** 372 00:13:22,569 --> 00:13:25,505 (blues rock music blaring loudly) 373 00:13:40,320 --> 00:13:42,155 SAM? 374 00:13:45,158 --> 00:13:48,929 (plastic crinkles) 375 00:13:48,962 --> 00:13:50,931 ** 376 00:13:50,964 --> 00:13:53,000 OH. 377 00:13:53,033 --> 00:13:54,201 (mouths words) 378 00:13:54,234 --> 00:13:56,203 (static crackles) UM... THIS IS McNALLY. 379 00:13:56,236 --> 00:13:57,470 CAN I PLEASE GET AN AMBULANCE 380 00:13:57,504 --> 00:14:00,874 TO APARTMENT 3-0-7, 423 BELLEVUE? 381 00:14:00,908 --> 00:14:04,477 (The British Columbians' "Evil in the Pines" playing) 382 00:14:04,511 --> 00:14:09,216 ** 383 00:14:09,249 --> 00:14:12,352 (banging in distance) 384 00:14:12,385 --> 00:14:20,427 ** 385 00:14:20,460 --> 00:14:22,629 (banging continues) 386 00:14:22,662 --> 00:14:27,400 ** 387 00:14:27,434 --> 00:14:32,505 (banging continues) 388 00:14:32,539 --> 00:14:34,908 MOSES KELLIE! 389 00:14:34,942 --> 00:14:36,443 MOSES KELLIE! 390 00:14:36,476 --> 00:14:40,113 ** 391 00:14:40,147 --> 00:14:41,514 MOSES KELLIE! 392 00:14:41,548 --> 00:14:46,419 ** 393 00:14:46,453 --> 00:14:48,655 I'M GONNA TELL YOU ONE TIME, DROP THE KNIFE! 394 00:14:48,688 --> 00:14:51,491 (knife clatters) PUT YOUR HANDS UP! 395 00:14:51,524 --> 00:14:54,294 ** 396 00:14:57,364 --> 00:14:59,099 (foreign accent) I ALREADY TOLD YOU, I'M A BUSINESS OWNER. 397 00:14:59,132 --> 00:15:00,700 NOTHING MORE. I BOUGHT THE CAB AND I SOLD IT. 398 00:15:00,733 --> 00:15:02,402 END OF STORY. BUSINESS OWNER? 399 00:15:02,435 --> 00:15:04,471 MURDERABILIA. 400 00:15:04,504 --> 00:15:07,074 KELLIE'S GOT A WEB SITE. 401 00:15:07,107 --> 00:15:10,077 SELLS ARTICLES FROM REAL LIFE MURDERS FOR PROFIT. 402 00:15:10,110 --> 00:15:13,546 (scoffs) 100% LEGAL. 403 00:15:13,580 --> 00:15:15,448 GOD BLESS THE CONSTITUTION. 404 00:15:15,482 --> 00:15:18,118 THE GUY YOU SOLD IT TO-- DID HE COME AND PICK IT UP? 405 00:15:18,151 --> 00:15:20,120 NO. I DROPPED IT OFF AT A PARKING LOT 406 00:15:20,153 --> 00:15:24,557 NEAR COLLEGE STREET-- THE ONE BESIDE THE LIBRARY. 407 00:15:24,591 --> 00:15:27,160 (sighs) I JUST DON'T REALLY LIKE 408 00:15:27,194 --> 00:15:30,430 PEOPLE COMING DIRECTLY TO MY HOME, YOU SEE? 409 00:15:30,463 --> 00:15:32,165 YOU CAN'T BE TOO CAREFUL. 410 00:15:32,199 --> 00:15:34,334 SO DID YOU GET A LOOK AT HIS FACE? NO. 411 00:15:34,367 --> 00:15:38,571 I LEFT THE CAB THERE, AND THEN I LEFT. 412 00:15:38,605 --> 00:15:41,608 LOOK, YOU DON'T REALLY HAVE ANYTHING ON ME, DO YOU? 413 00:15:41,641 --> 00:15:44,177 I MEAN, I GOT AN ALIBI FOR LAST NIGHT, AND THIS CAB-- 414 00:15:44,211 --> 00:15:46,479 I DON'T HAVE IT ANYMORE. MEANS I CAN GO. 415 00:15:46,513 --> 00:15:49,049 OH, YOU CAN GO. YOU JUST CAN'T GO HOME. 416 00:15:49,082 --> 00:15:50,517 YOU KNOW YOUR DAD NEEDED AN AMBULANCE 417 00:15:50,550 --> 00:15:52,385 TO TAKE HIM TO THE HOSPITAL. 418 00:15:52,419 --> 00:15:54,521 IT TURNS OUT HE WAS A LITTLE DEHYDRATED. 419 00:15:54,554 --> 00:15:59,026 YEAH, WELL, KARMA IS A BITCH, DETECTIVE. 420 00:15:59,059 --> 00:16:00,727 HE'S A BIG BOY, MY OLD MAN. 421 00:16:00,760 --> 00:16:03,363 HUH. OKAY. EXCEPT YOU'RE HIS LEGAL GUARDIAN, 422 00:16:03,396 --> 00:16:05,532 WHICH MEANS YOU'RE RESPONSIBLE. 423 00:16:05,565 --> 00:16:08,301 THAT PUTS YOU ON THE HOOK FOR ABUSE, NEGLECT. 424 00:16:08,335 --> 00:16:09,502 THAT'S A HEAVY SENTENCE. 425 00:16:09,536 --> 00:16:11,004 THIS MUST BE A JOKE. 426 00:16:12,772 --> 00:16:14,307 JUST THINK OF ALL THE CONTACTS YOU'LL MAKE 427 00:16:14,341 --> 00:16:15,308 FOR YOUR BUSINESS. 428 00:16:16,809 --> 00:16:18,545 YOU'RE RIGHT, MOSES. 429 00:16:18,578 --> 00:16:21,014 KARMA IS A BITCH. (door buzzes and beeps) 430 00:16:22,682 --> 00:16:24,717 PLEASE TELL ME YOU GOT SOMETHING ON KELLIE. 431 00:16:24,751 --> 00:16:27,754 SOLID ALIBI. SOLD THE CAB WITH AN ONLINE ACCOUNT 432 00:16:27,787 --> 00:16:29,356 TO AN UNDISCLOSED BUYER. 433 00:16:29,389 --> 00:16:31,791 HE'S GARBAGE, BUT NOT WHAT WE'RE LOOKING FOR. 434 00:16:31,824 --> 00:16:33,126 WE SENT THE I.P. OF THE ONLINE ACCOUNT 435 00:16:33,160 --> 00:16:34,361 OFF TO TECH DESK. 436 00:16:34,394 --> 00:16:36,363 IT'S ENCRYPTED, BUT THEY'RE WORKING ON IT. 437 00:16:36,396 --> 00:16:37,730 OKAY. SO WE KEEP GOING. 438 00:16:37,764 --> 00:16:40,367 WHAT'S THIS? 439 00:16:40,400 --> 00:16:41,401 TRYING TO FIGURE OUT GRACE FINN'S ROUTE LAST NIGHT. 440 00:16:41,434 --> 00:16:42,635 THINK SHE WAS GRABBED ALONG HERE. 441 00:16:42,669 --> 00:16:44,304 THAT'S WHERE THE CAB WAS DROPPED. 442 00:16:44,337 --> 00:16:45,638 SO WE THINK HE LIVES IN THIS AREA. 443 00:16:45,672 --> 00:16:47,240 JUST WAITING TO HEAR BACK FROM THE OFFICERS 444 00:16:47,274 --> 00:16:49,242 WORKING THE STREETS. CALLAGHAN. 445 00:16:49,276 --> 00:16:50,343 JUST GOT OFF THE PHONE WITH MILLBURN. 446 00:16:50,377 --> 00:16:52,079 PERIK'S WILLING TO TALK. 447 00:16:52,112 --> 00:16:54,647 WHAT? WHEN DID YOU GUYS DECIDE TO TALK TO HIM? 448 00:16:54,681 --> 00:16:57,384 LOOK, WITH THE DRUG RESIDUE WE FOUND IN THE CAB, 449 00:16:57,417 --> 00:16:58,518 IT GIVES ME REASON TO BELIEVE 450 00:16:58,551 --> 00:17:01,621 THAT PERIK'S HAD CONTACT WITH OUR GUY. 451 00:17:01,654 --> 00:17:03,223 I'M ON MY WAY. 452 00:17:03,256 --> 00:17:05,225 DON'T BOTHER. WHY? 453 00:17:05,258 --> 00:17:07,627 PERIK WILL ONLY AGREE TO AN INTERVIEW ON ONE CONDITION. 454 00:17:07,660 --> 00:17:09,629 HAS TO BE PECK. 455 00:17:09,662 --> 00:17:12,232 OKAY, NOW WE KEEP THIS QUIET FOR NOW UNTIL WE FIGURE OUT 456 00:17:12,265 --> 00:17:13,766 HOW TO GET AROUND THE ISSUE. 457 00:17:13,800 --> 00:17:16,136 I WANT PECK KEPT AWAY FROM IT, UNDERSTOOD? 458 00:17:16,169 --> 00:17:17,370 (Gail) KEPT AWAY FROM WHAT? 459 00:17:19,839 --> 00:17:21,541 I ASSIGNED YOU TO OTHER DUTIES, 460 00:17:21,574 --> 00:17:22,509 TOLD YOU TO STAY AWAY FROM THIS. 461 00:17:22,542 --> 00:17:24,644 DO YOU WANT ME TO GO IN? BECAUSE I CAN DO IT. 462 00:17:24,677 --> 00:17:27,547 ABSOLUTELY NOT. THE GUY'S PLAYING WITH US. 463 00:17:27,580 --> 00:17:30,183 YOU CAN HEAD BACK TO YOUR DESK. 464 00:17:35,388 --> 00:17:37,224 I'LL DO IT. I'LL GO IN. 465 00:17:37,257 --> 00:17:39,792 YEAH. NO, THANKS. WE NEED PERIK ALIVE. FRANK-- 466 00:17:39,826 --> 00:17:43,230 NO, LUKE. I AM NOT SENDING HER IN THERE, 467 00:17:43,263 --> 00:17:44,497 NOT AFTER WHAT HE DID TO HER. 468 00:17:46,533 --> 00:17:50,337 LOOK, THESE ARE SPECIAL CIRCUMSTANCES. 469 00:17:50,370 --> 00:17:52,439 WE WANNA HELP AS MUCH AS WE CAN. 470 00:17:52,472 --> 00:17:53,573 (door buzzes) 471 00:17:53,606 --> 00:17:56,376 BUT I GOTTA TELL YOU, PERIK'S BEEN A MODEL PRISONER. 472 00:17:56,409 --> 00:17:57,777 SO GLAD TO HEAR IT. 473 00:17:57,810 --> 00:17:58,878 HERE YOU GO. 474 00:17:58,911 --> 00:18:02,515 THIS IS THE LAST FOUR MONTHS OF VISITOR LOGS, VIDEO. 475 00:18:02,549 --> 00:18:05,585 WE'VE RECORDED EVERY VISITATION AND INTERVIEW. 476 00:18:05,618 --> 00:18:06,653 WAIT. THIS IS ONLY FOUR MONTHS? 477 00:18:06,686 --> 00:18:08,421 GUY LIKE THIS DRAWS A CROWD. 478 00:18:08,455 --> 00:18:09,722 HE'S HAD FOUR LAWYERS SINCE HE GOT HERE, 479 00:18:09,756 --> 00:18:11,824 EACH WITH A TEAM OF ASSOCIATES. 480 00:18:11,858 --> 00:18:13,860 THEN THERE'S THE PSYCHOLOGISTS, PSYCHIATRISTS, 481 00:18:13,893 --> 00:18:16,429 JOURNALISTS, CRIMINOLOGY STUDENTS. 482 00:18:16,463 --> 00:18:17,530 I'LL SEND OVER THE EARLIER STUFF 483 00:18:17,564 --> 00:18:18,598 AS SOON AS WE GET IT OUT OF RECORDS. 484 00:18:18,631 --> 00:18:19,766 THIS IS GONNA TAKE WEEKS. 485 00:18:19,799 --> 00:18:21,534 IT CAN'T. 486 00:18:21,568 --> 00:18:23,570 GET IT OVER TO 15. HAND IT OVER TO SWAREK. 487 00:18:25,872 --> 00:18:27,274 (door buzzes) 488 00:18:32,445 --> 00:18:35,448 DETECTIVE CALLAGHAN. WHERE'S GAIL? 489 00:18:35,482 --> 00:18:36,583 SHE'S BUSY. 490 00:18:40,287 --> 00:18:41,588 GRACE ALISON FINN. 491 00:18:41,621 --> 00:18:44,291 ABDUCTED EARLY THIS MORNING. 492 00:18:46,959 --> 00:18:49,262 OH. 493 00:18:49,296 --> 00:18:50,930 OH, LET ME GUESS. 494 00:18:50,963 --> 00:18:52,832 SHE WAS PICKED UP IN MY OLD CAB, 495 00:18:52,865 --> 00:18:56,236 AND SHE WAS DRUGGED WITH KETAMINE AND A.C.P. 496 00:18:56,269 --> 00:18:57,270 HOW DO YOU KNOW THAT? 497 00:18:59,572 --> 00:19:01,741 DO YOU KNOW WHO'S DOING THIS? 498 00:19:01,774 --> 00:19:03,910 WELL, I KNOW I WAS LOCKED UP TIGHT IN MY CELL LAST NIGHT, 499 00:19:03,943 --> 00:19:04,911 SO IT WASN'T ME. 500 00:19:04,944 --> 00:19:07,647 ROSS, PLEASE. IF YOU KNOW WHO'S DOING THIS... 501 00:19:07,680 --> 00:19:09,949 I-IF YOU WANT MY HELP, 502 00:19:09,982 --> 00:19:12,652 THEN DO WHAT I ASKED. 503 00:19:12,685 --> 00:19:13,586 SEND OFFICER PECK. 504 00:19:13,620 --> 00:19:17,590 TELL HER TO WEAR THAT LITTLE BLACK NUMBER. 505 00:19:17,624 --> 00:19:19,559 SHE'LL KNOW THE ONE I'M TALKING ABOUT. 506 00:19:19,592 --> 00:19:20,460 CAN'T DO THAT, ROSS. 507 00:19:20,493 --> 00:19:24,564 WHEN EXACTLY DID THIS GIRL GO MISSING? 508 00:19:24,597 --> 00:19:27,967 WHY? I'M JUST WONDERING HOW MUCH TIME YOU'LL HAVE LEFT TO FIND HER 509 00:19:28,000 --> 00:19:30,303 AND HOW MUCH MORE YOU PLAN ON WASTING. 510 00:19:30,337 --> 00:19:33,406 ROSS-- PLEASE STOP CALLING ME BY MY FIRST NAME. 511 00:19:33,440 --> 00:19:35,842 IT'S FACILE. YOU CAN DO BETTER. 512 00:19:35,875 --> 00:19:39,479 GUARD, I'D LIKE TO GO BACK TO MY CELL NOW IF YOU DON'T MIND. 513 00:19:42,449 --> 00:19:43,683 (yawning) I'M SLEEPY. 514 00:19:43,716 --> 00:19:46,253 (door clanks) 515 00:19:46,286 --> 00:19:47,520 SO ONE OF GARY'S SUBSIDIES 516 00:19:47,554 --> 00:19:49,789 IS A J.D.'s CASH MARKET AND LOAN. 517 00:19:49,822 --> 00:19:50,923 YEAH. 518 00:19:50,957 --> 00:19:52,525 HE'S PROBABLY USING IT TO LAUNDER MONEY. 519 00:19:52,559 --> 00:19:54,661 THAT'S WHY YOUR GUYS WON'T TALK. 520 00:19:54,694 --> 00:19:58,465 THEY'RE BEING PAID OFF... OR THEIR FAMILIES ARE. 521 00:19:58,498 --> 00:20:02,001 SO... WE PUT A TEAM ON CASH MARKET, 522 00:20:02,034 --> 00:20:04,271 WE PULL IN WHOEVER SHOWS UP TO COLLECT, 523 00:20:04,304 --> 00:20:06,573 AND WE-- WE FLIP 'EM THAT WAY. 524 00:20:06,606 --> 00:20:09,509 I LIKE IT. IT'S IMPRESSIVE. 525 00:20:09,542 --> 00:20:10,910 OH. 526 00:20:10,943 --> 00:20:13,546 WELL, ONE THING I HAVEN'T FIGURED OUT STILL... 527 00:20:13,580 --> 00:20:14,747 HMM? WHAT'S THAT? 528 00:20:14,781 --> 00:20:15,948 (telephone rings in distance) 529 00:20:15,982 --> 00:20:18,951 WHY I'M SOLVING SOMETHING I'M PRETTY SURE YOU ALREADY KNOW. 530 00:20:18,985 --> 00:20:20,687 ANYONE WHO LOOKED IN THIS FILE 531 00:20:20,720 --> 00:20:23,523 COULD HAVE FIGURED THIS OUT, DETECTIVE. 532 00:20:23,556 --> 00:20:24,824 WHAT'S GOING ON? 533 00:20:24,857 --> 00:20:28,695 (sighs) THERE'S A GIRL MISSING, 534 00:20:28,728 --> 00:20:31,431 AND THEY THINK THEY MAY BE LOOKING FOR A COPYCAT. 535 00:20:31,464 --> 00:20:32,699 COPYCAT? COPYCAT OF WHO? 536 00:20:34,634 --> 00:20:35,835 ROSS PERIK. 537 00:20:37,970 --> 00:20:41,541 TRACI... 538 00:20:41,574 --> 00:20:43,410 LOOK, TRACI, IF YOU GO DOWN THERE, 539 00:20:43,443 --> 00:20:44,777 PEOPLE'S CONCERN FOR YOU 540 00:20:44,811 --> 00:20:47,680 IS GONNA DISTRACT THEM FROM STAYING ON TASK. 541 00:20:47,714 --> 00:20:50,783 OKAY, IS THAT WHAT YOU WANT? 542 00:20:50,817 --> 00:20:52,585 (telephone ringing in distance) 543 00:20:52,619 --> 00:20:55,588 (indistinct conversations) 544 00:21:01,528 --> 00:21:03,796 THAT COP... 545 00:21:03,830 --> 00:21:06,899 THE ONE THAT YOU SAID WAS ABDUCTED LAST YEAR... 546 00:21:06,933 --> 00:21:08,368 THAT WAS YOU, WASN'T IT? 547 00:21:08,401 --> 00:21:12,505 I HEARD SOME OF THE GUYS TALKING. 548 00:21:12,539 --> 00:21:14,341 I WISH YOU'D TOLD ME THAT. 549 00:21:14,374 --> 00:21:15,808 WHAT WAS I SUPPOSED TO SAY? 550 00:21:15,842 --> 00:21:19,446 I WOULDN'T HAVE BEEN SO... ROUGH ON YOU BACK THERE. 551 00:21:20,713 --> 00:21:23,816 OR MAYBE I WOULD HAVE. I DON'T KNOW. 552 00:21:23,850 --> 00:21:29,689 IT'S JUST... GRACIE'S ALL I'VE GOT. 553 00:21:29,722 --> 00:21:32,325 IT'S THE ONLY THING IN THE WORLD THAT MATTERS TO ME. 554 00:21:32,359 --> 00:21:33,993 THE ONLY THING. 555 00:21:34,026 --> 00:21:38,498 AND I'M GONNA PUT MY FAITH IN WHAT YOU SAID. 556 00:21:38,531 --> 00:21:39,832 WHAT DO YOU MEAN? 557 00:21:39,866 --> 00:21:42,034 THEY FOUND YOU. 558 00:21:42,068 --> 00:21:43,570 THEY CAN FIND HER, TOO, RIGHT? 559 00:21:47,006 --> 00:21:50,843 ANYWAY... I'M SORRY. 560 00:21:54,381 --> 00:21:57,316 (Luke speaking indistinctly) 561 00:21:59,386 --> 00:22:02,489 PECK. YOU NEED SOMETHING? 562 00:22:02,522 --> 00:22:03,556 I WANNA GO IN. 563 00:22:03,590 --> 00:22:04,824 OKAY, BUT, GAIL-- 564 00:22:04,857 --> 00:22:05,892 CAN YOU GUYS STOP PROTECTING ME? 565 00:22:05,925 --> 00:22:08,595 THERE'S A GIRL MISSING, AND I'M A POLICE OFFICER. 566 00:22:08,628 --> 00:22:11,831 SO PLEASE, JUST FOR GOD SAKES, JUST LET ME DO MY JOB. 567 00:22:11,864 --> 00:22:12,765 SHE'LL BE COMPLETELY SAFE. 568 00:22:12,799 --> 00:22:14,601 HE'LL BE SECURED AND CHAINED TO THE TABLE, 569 00:22:14,634 --> 00:22:15,602 AND THERE'S A CAMERA IN THE CEILING 570 00:22:15,635 --> 00:22:17,036 THAT'S RECORDING EVERYTHING. 571 00:22:17,069 --> 00:22:18,738 LOOK, GAIL, IF WE DO THIS, 572 00:22:18,771 --> 00:22:19,806 I'LL BE RIGHT ON THE OTHER SIDE OF THE GLASS. 573 00:22:19,839 --> 00:22:22,709 STOP SAYING "IF" AND JUST TELL ME WHAT I NEED TO DO. 574 00:22:26,746 --> 00:22:27,914 (Luke) MAINTAIN EQUAL FOOTING WITH HIM. 575 00:22:27,947 --> 00:22:31,684 HE'S NOT ABOVE YOU. MAKE SURE HE FEELS THAT. 576 00:22:31,718 --> 00:22:34,587 HE'S GONNA TRY AND DISTRACT YOU FROM WHY YOU'RE THERE. 577 00:22:34,621 --> 00:22:38,391 KEEP HIM ON TARGET. BUILD A RAPPORT. 578 00:22:38,425 --> 00:22:41,694 PERSONAL EXPERIENCE IS HE'S GONNA ASK YOU QUESTIONS. 579 00:22:41,728 --> 00:22:44,664 ONLY GIVE HIM WHAT YOU FEEL COMFORTABLE GIVING. 580 00:22:44,697 --> 00:22:46,799 THERE'S A PART IN EVERYONE'S PSYCHE, 581 00:22:46,833 --> 00:22:48,468 A WEAKNESS TO BE FOUND. 582 00:22:50,503 --> 00:22:53,440 ALL ELSE FAILS, BE QUIET. 583 00:22:53,473 --> 00:22:55,575 LET HIM TALK. 584 00:22:55,608 --> 00:22:59,078 SOMETIMES ALL IT TAKES IS A LITTLE SILENCE. 585 00:22:59,111 --> 00:23:00,079 YOU READY? 586 00:23:00,112 --> 00:23:02,114 YES. 587 00:23:02,148 --> 00:23:03,716 ANY QUESTIONS? 588 00:23:05,184 --> 00:23:06,753 OKAY. 589 00:23:08,955 --> 00:23:10,823 (door buzzes) 590 00:23:13,893 --> 00:23:16,128 (door closes) 591 00:23:16,162 --> 00:23:18,465 IT'S GOOD TO SEE YOU, GAIL. 592 00:23:23,703 --> 00:23:26,473 PLEASE, SIT DOWN. YOU WANTED TO SEE ME? 593 00:23:26,506 --> 00:23:28,040 I'M RIGHT HERE. 594 00:23:28,074 --> 00:23:29,576 YOU KNOW WHY I'M HERE, DR. PERIK. 595 00:23:29,609 --> 00:23:32,211 OH, THAT'S A BIT FORMAL. 596 00:23:32,244 --> 00:23:33,580 CALL ME "ROSS." 597 00:23:33,613 --> 00:23:36,115 OKAY. 598 00:23:36,148 --> 00:23:37,784 I'LL CALL YOU "ROSS." I MEAN, I GUESS IT'S TRUE. 599 00:23:37,817 --> 00:23:39,151 YOU LOST YOUR MEDICAL LICENSE, 600 00:23:39,185 --> 00:23:41,153 SO YOU'RE NOT REALLY A DOCTOR ANYMORE. 601 00:23:41,187 --> 00:23:45,157 GRACE ALISON FINN, YES, I KNOW. 602 00:23:45,191 --> 00:23:46,693 SHE'S VERY ATTRACTIVE. 603 00:23:46,726 --> 00:23:48,895 SHE WAS ABDUCTED WITH MY OLD CAB. 604 00:23:48,928 --> 00:23:51,498 WOULD YOU MIND TURNING AROUND? 605 00:23:53,065 --> 00:23:54,767 NO, IT'S JUST--I-I... 606 00:23:54,801 --> 00:23:56,536 YOU'RE TALLER THAN I REMEMBER. 607 00:23:56,569 --> 00:23:57,570 WELL, I GUESS IT'S HARD TO GAUGE A PERSON'S HEIGHT 608 00:23:57,604 --> 00:23:59,105 WHEN THEY'RE TIED TO A TABLE. 609 00:23:59,138 --> 00:24:00,940 (chuckles) 610 00:24:00,973 --> 00:24:02,609 YOU'RE ADORABLE. 611 00:24:04,010 --> 00:24:06,479 LOOK, WE HAVE REASON TO BELIEVE 612 00:24:06,513 --> 00:24:08,681 THAT THE MAN WHO ABDUCTED GRACE 613 00:24:08,715 --> 00:24:10,082 SPOKE WITH YOU. 614 00:24:10,116 --> 00:24:11,851 WELL, I DO GET A LOT OF VISITORS. 615 00:24:11,884 --> 00:24:14,854 UH, THE THING IS, I CAN'T BE HELD RESPONSIBLE 616 00:24:14,887 --> 00:24:17,223 FOR WHAT THEY DO IN THEIR OWN TIME. 617 00:24:17,256 --> 00:24:19,826 I'M NOT ASKING YOU TO BE RESPONSIBLE. 618 00:24:19,859 --> 00:24:21,994 I'M ASKING YOU TO HELP ME. 619 00:24:22,028 --> 00:24:25,164 ARE YOU A FAN OF JUNG? 620 00:24:25,197 --> 00:24:26,599 EXCUSE ME? CARL JUNG. 621 00:24:26,633 --> 00:24:28,735 IT'S THE ONE UPSIDE OF BEING IN HERE. 622 00:24:28,768 --> 00:24:31,571 IT'S LOTS OF TIME TO CATCH UP ON MY READING. 623 00:24:31,604 --> 00:24:33,573 GRACE ALISON FINN. SHE IS 23 YEARS OLD. 624 00:24:33,606 --> 00:24:35,241 SHE WENT MISSING FROM AN I.V.A. GAS STATION 625 00:24:35,274 --> 00:24:37,276 AT 2:04 THIS MORNING. 626 00:24:37,309 --> 00:24:39,178 BRILLIANT THINKER--JUNG. 627 00:24:39,211 --> 00:24:44,751 HIS PRIMARY THEORY-- WE ALL HAVE A SHADOW SELF. 628 00:24:44,784 --> 00:24:46,252 IT'S A PART OF US THAT'S SO UGLY, 629 00:24:46,285 --> 00:24:49,789 THAT WE TRY TO KEEP IT HIDDEN AWAY FROM THE WORLD. 630 00:24:49,822 --> 00:24:51,257 PROBLEM IS, THE MORE WE IGNORE IT, 631 00:24:51,290 --> 00:24:53,292 THE UNHAPPIER IT BECOMES. 632 00:24:53,325 --> 00:24:56,596 I'M SO SORRY TO HEAR THAT YOU'RE UNHAPPY, ROSS. 633 00:24:56,629 --> 00:25:02,869 (scoffs) I'M SAYING THAT GUILT IS THE BIGGEST SHADOW OF ALL. 634 00:25:02,902 --> 00:25:05,171 WE WEAR IT ON OUR FACE. 635 00:25:05,204 --> 00:25:07,139 IT AGES US. 636 00:25:07,173 --> 00:25:08,541 YOU SHOULD BE CAREFUL. 637 00:25:08,575 --> 00:25:09,776 WHAT ARE YOU TALKING ABOUT? 638 00:25:09,809 --> 00:25:12,879 YOU KNOW WHAT I'M TALKING ABOUT. 639 00:25:12,912 --> 00:25:14,981 NO, I'M NOT HERE TO PLAY GAMES. 640 00:25:15,014 --> 00:25:18,150 ME NEITHER. 641 00:25:18,184 --> 00:25:20,052 I'M HERE TO TELL YOU A SECRET, 642 00:25:20,086 --> 00:25:23,790 SOON AS YOU TELL ME YOURS. 643 00:25:23,823 --> 00:25:27,660 THE STEPS OUTSIDE THE FUNERAL HOME-- 644 00:25:27,694 --> 00:25:29,996 YOU WERE COMING IN WHEN I, UH-- 645 00:25:30,029 --> 00:25:31,698 WHEN I TRIPPED, AND YOU HELPED ME UP. 646 00:25:31,731 --> 00:25:32,765 YEAH. 647 00:25:32,799 --> 00:25:33,766 I FORGOT. 648 00:25:33,800 --> 00:25:36,736 I CAN'T IMAGINE HOW HARD THIS HAS BEEN FOR YOU. 649 00:25:36,769 --> 00:25:41,173 YOU KNOW, I HAVE THIS DREAM SOMETIMES 650 00:25:41,207 --> 00:25:44,243 WHERE MY PHONE RINGS AND I-I ANSWER IT, 651 00:25:44,276 --> 00:25:47,980 AND ON THE OTHER LINE IS JERRY, 652 00:25:48,014 --> 00:25:50,349 AND, UH, HE ASKS ME TO MEET HIM 653 00:25:50,382 --> 00:25:53,352 AT THIS PLACE WHERE WE USED TO HAVE BREAKFAST. 654 00:25:53,385 --> 00:25:57,256 AND I GO THERE, AND, UH, 655 00:25:57,289 --> 00:26:00,927 I CAN SEE HIM IN THE WINDOW. 656 00:26:00,960 --> 00:26:04,864 AND... BEFORE I CAN OPEN THE DOOR, THOUGH, 657 00:26:04,897 --> 00:26:08,267 I WAKE UP. 658 00:26:08,300 --> 00:26:12,271 AND FOR A SECOND, I FORGET. 659 00:26:12,304 --> 00:26:14,774 THAT'S OKAY. 660 00:26:14,807 --> 00:26:16,743 THAT'S NORMAL. 661 00:26:16,776 --> 00:26:17,910 IT TAKES TIME. 662 00:26:19,846 --> 00:26:21,180 DO YOU KNOW HOW LONG IT TAKES A LITTLE BOY 663 00:26:21,213 --> 00:26:26,285 TO STOP ASKING WHERE PEOPLE GO AFTER THEY DIE? 664 00:26:26,318 --> 00:26:29,355 'CAUSE I DO. 665 00:26:29,388 --> 00:26:33,159 OR I GUESS I DON'T, BECAUSE LEO'S STILL ASKING. 666 00:26:33,192 --> 00:26:35,762 (voice breaking) I MEAN, I'M TRYING. 667 00:26:35,795 --> 00:26:40,667 I'M TRYING SO HARD JUST TO KEEP GOING... 668 00:26:40,700 --> 00:26:42,301 (sniffles) 669 00:26:42,334 --> 00:26:45,237 BUT SOMETIMES... 670 00:26:47,173 --> 00:26:52,411 SOMETIMES ALL I CAN THINK ABOUT IS HOW MUCH I MISS HIM. 671 00:26:52,444 --> 00:26:54,313 (knocks) 672 00:26:54,346 --> 00:26:56,415 (dog barking in distance, police radio chatter) 673 00:26:56,448 --> 00:26:58,417 HUH? HI, MA'AM. I'M OFFICER SHAW. 674 00:26:58,450 --> 00:27:00,019 THIS IS OFFICER EPSTEIN. 675 00:27:00,052 --> 00:27:01,153 YOU'RE HERE ABOUT THE MISSING GIRL? UH-HUH. 676 00:27:01,187 --> 00:27:02,722 I WAS AT THE GAS STATION EARLIER. 677 00:27:02,755 --> 00:27:04,223 I WAS OUT FOR A WALK WITH MY DAUGHTER, 678 00:27:04,256 --> 00:27:06,425 AND WE NOTICED THE POLICE CARS. 679 00:27:06,458 --> 00:27:08,360 YEAH, WE, UH, SPOKE WITH YOUR HUSBAND BRIEFLY THIS MORNING. 680 00:27:08,394 --> 00:27:09,428 MY HUSBAND'S IN NEW YORK THIS WEEK. 681 00:27:09,461 --> 00:27:11,964 KAREN AND I ARE GOING TO VISIT HIM THIS WEEKEND. 682 00:27:11,998 --> 00:27:15,935 I-I'M SORRY. YOUR DAUGHTER'S NAME IS KAREN, NOT... MYA? 683 00:27:15,968 --> 00:27:17,436 YES. 684 00:27:17,469 --> 00:27:19,872 EXCUSE US ONE SECOND. 685 00:27:19,906 --> 00:27:21,240 IT'S NOT HIS DAUGHTER. 686 00:27:21,273 --> 00:27:23,075 GUY SNOWED US RIGHT THERE. WE LET HIM GO. 687 00:27:23,109 --> 00:27:24,777 NEIGHBORHOOD WATCH, MY ASS. 688 00:27:24,811 --> 00:27:25,644 BUT WHY? DOESN'T MAKE SENSE. 689 00:27:25,678 --> 00:27:27,013 WHY WOULD HE COME TO THE CRIME SCENE? 690 00:27:27,046 --> 00:27:28,314 WHY TALK TO COPS? 691 00:27:28,347 --> 00:27:30,850 FIGURE OUT WHAT WE KNEW. 692 00:27:30,883 --> 00:27:33,886 HE WAS RIGHT IN FRONT OF US, AND WE LET HIM GO. 693 00:27:33,920 --> 00:27:36,155 THANK YOU VERY MUCH. 694 00:27:36,188 --> 00:27:38,224 (telephone ringing) 695 00:27:38,257 --> 00:27:39,191 THIS IS A NEEDLE IN A HAYSTACK. 696 00:27:39,225 --> 00:27:40,960 I MEAN, IT COULD BE ANY ONE OF THESE PEOPLE. 697 00:27:40,993 --> 00:27:43,062 McNALLY, I'M, UH, JUST TRYING TO DO MY JOB. 698 00:27:43,095 --> 00:27:44,463 WHY DON'T YOU GIVE THAT A TRY? 699 00:27:44,496 --> 00:27:48,701 I AM DOING MY JOB. 700 00:27:48,735 --> 00:27:51,437 YOU DON'T WANNA TALK? FINE. WE DON'T HAVE TO. 701 00:27:51,470 --> 00:27:54,140 STOP TREATING ME LIKE YOUR PERSONAL PUNCHING BAG. (cell phone rings) 702 00:27:54,173 --> 00:27:56,308 PLEASE. (presses key) 703 00:27:56,342 --> 00:27:58,978 (ring) 704 00:27:59,011 --> 00:28:00,046 (ring, beep) 705 00:28:00,079 --> 00:28:01,914 OLIVER, HEY. 706 00:28:03,983 --> 00:28:06,853 YOU GET A NAME? OKAY, UH, GIVE ME A DESCRIPTION. 707 00:28:06,886 --> 00:28:08,154 WE'LL GO THROUGH THE TAPES. 708 00:28:08,187 --> 00:28:09,889 SEE IF WE CAN FIND ANYONE THAT MATCHES, YEAH? 709 00:28:11,991 --> 00:28:13,760 (Perik) YOU'RE STALLING. 710 00:28:13,793 --> 00:28:14,894 (Gail) WHAT DOES IT MATTER? 711 00:28:14,927 --> 00:28:17,363 WHAT ARE YOU DOING HERE? I ALREADY CLEARED IT WITH FRANK. 712 00:28:17,396 --> 00:28:20,366 I JUST WANNA BE HERE WHEN SHE GETS OUT. 713 00:28:20,399 --> 00:28:22,902 FINE. YOU WANT A SECRET? 714 00:28:22,935 --> 00:28:24,103 OKAY. 715 00:28:24,136 --> 00:28:28,174 WHEN I WAS A TEENAGER, I USED TO SHOPLIFT-- 716 00:28:28,207 --> 00:28:31,210 MAKEUP... SOMETIMES EVEN CLOTHES. 717 00:28:31,243 --> 00:28:33,512 OH, AND I'M THE ONE IN JAIL? 718 00:28:33,545 --> 00:28:35,782 WELL, I NEVER DISCLOSED IT ON MY POLICE APPLICATION. 719 00:28:35,815 --> 00:28:36,883 I... 720 00:28:36,916 --> 00:28:38,184 I LIED. 721 00:28:38,217 --> 00:28:40,286 COME ON. YOU CAN DO BETTER THAN THAT. 722 00:28:40,319 --> 00:28:42,321 I WANT SOMETHING REAL, 723 00:28:42,354 --> 00:28:44,891 SOMETHING YOU'RE ASHAMED OF. 724 00:28:44,924 --> 00:28:49,361 YOU KNOW, I DO WONDER HOW GRACE FINN IS DOING RIGHT NOW. 725 00:28:49,395 --> 00:28:52,098 I KILLED A CAT. OKAY? 726 00:28:52,131 --> 00:28:54,867 ARE YOU HAPPY, ROSS? 727 00:28:54,901 --> 00:28:59,438 I WAS 9 YEARS OLD, AND WE HAD JUST GOTTEN A NEW KITTEN. 728 00:28:59,471 --> 00:29:02,041 AND MY BROTHER WAS CHASING ME, 729 00:29:02,074 --> 00:29:05,177 SO... I RAN INTO MY BEDROOM 730 00:29:05,211 --> 00:29:08,180 BECAUSE I DIDN'T WANT HIM TO TAKE IT AWAY FROM ME. 731 00:29:10,316 --> 00:29:14,186 PUT IT IN A DRAWER, BUT HE PICKED THE LOCK. 732 00:29:14,220 --> 00:29:17,824 AND HE GOT INTO THE ROOM... 733 00:29:17,857 --> 00:29:22,494 AND I SLAMMED... THE DRAWER SHUT. 734 00:29:22,528 --> 00:29:23,896 SO HE WOULDN'T SEE. 735 00:29:23,930 --> 00:29:26,065 BUT THE CAT-- 736 00:29:26,098 --> 00:29:29,135 LAST MOMENT HAD... 737 00:29:29,168 --> 00:29:32,504 SORT OF POPPED ITS HEAD UP... 738 00:29:34,340 --> 00:29:36,208 AND I DIDN'T SEE IT IN TIME. 739 00:29:36,242 --> 00:29:37,343 YOU SNAPPED ITS NECK? 740 00:29:37,376 --> 00:29:40,813 I TOLD MY PARENTS THAT IT RAN AWAY. 741 00:29:40,847 --> 00:29:44,583 AND I'VE BEEN TERRIFIED OF CATS EVER SINCE. 742 00:29:44,616 --> 00:29:52,191 OKAY? SO I TOLD YOU A SECRET, ROSS, 743 00:29:52,224 --> 00:29:54,560 AND NOW IT'S YOUR TURN TO TELL ME SOMETHING. 744 00:29:54,593 --> 00:29:58,931 WELL... 745 00:29:58,965 --> 00:30:00,833 THERE MIGHT BE SOMEONE. 746 00:30:00,867 --> 00:30:03,469 BUT I HAVEN'T SEE HIM IN A WHILE. 747 00:30:03,502 --> 00:30:06,205 THE GUY'S CURIOUS... 748 00:30:06,238 --> 00:30:08,908 A READER. 749 00:30:08,941 --> 00:30:10,609 HE'S A REAL DETAIL PERSON. 750 00:30:10,642 --> 00:30:13,179 BUT HE'D HAVE TO BE TO DO WHAT HE DOES. 751 00:30:13,212 --> 00:30:15,581 WHAT DOES HE DO? WELL, WE'LL GET TO THAT. 752 00:30:16,949 --> 00:30:20,619 THANK YOU AGAIN FOR COMING, GAIL. 753 00:30:20,652 --> 00:30:23,322 I'M REALLY STARTING TO ENJOY MYSELF. 754 00:30:28,627 --> 00:30:30,362 SO OLIVER AND EPSTEIN THINK HE'S OUR GUY. 755 00:30:30,396 --> 00:30:31,497 THEY'RE NOT SURE, BUT HE LIED, 756 00:30:31,530 --> 00:30:33,599 AND HE WAS AT THE CRIME SCENE, FISHING FOR INFORMATION. 757 00:30:33,632 --> 00:30:34,666 LOOK, THEY GAVE US A DESCRIPTION, 758 00:30:34,700 --> 00:30:37,036 BUT SO FAR WE HAVEN'T SEEN ANYBODY THAT MATCHES. 759 00:30:37,069 --> 00:30:38,170 YEAH, PERIK MENTIONED SOMEONE. 760 00:30:38,204 --> 00:30:39,638 SAID HE HADN'T SEEN HIM IN A WHILE. 761 00:30:39,671 --> 00:30:40,672 LOOK FURTHER BACK. 762 00:30:40,706 --> 00:30:45,511 SO... WE'LL START FROM WHEN PERIK FIRST WENT IN 763 00:30:45,544 --> 00:30:46,946 AND WORK OUR WAY TO THE PRESENT. 764 00:30:46,979 --> 00:30:48,948 LUKE, IT'S GONNA TAKE A WHILE. 765 00:30:48,981 --> 00:30:50,950 VIKTOR E. FRANKL. 766 00:30:50,983 --> 00:30:53,419 "MAN'S SEARCH FOR MEANING." 767 00:30:53,452 --> 00:30:54,887 YOU EVER READ IT? 768 00:30:54,921 --> 00:30:56,422 IS THAT WHERE THE ANSWER IS? 769 00:30:56,455 --> 00:30:58,157 AM I GONNA FIND IT IN A BOOK? 770 00:30:58,190 --> 00:31:02,528 THE ANSWER'S ALWAYS IN A BOOK. 771 00:31:02,561 --> 00:31:06,899 FRANKL WROTE IT ABOUT HIS EXPERIENCES IN CAPTIVITY. 772 00:31:06,933 --> 00:31:10,269 HE BELIEVED THAT IN PERIODS OF EXTREME DISTRESS, 773 00:31:10,302 --> 00:31:12,204 LOVE KEEPS US GOING. 774 00:31:12,238 --> 00:31:14,941 YOU MUST KNOW SOMETHING ABOUT THAT. 775 00:31:14,974 --> 00:31:16,475 LOOK, HE'S NOT GIVING HER ANYTHING. 776 00:31:16,508 --> 00:31:18,310 HE'S JUST GETTING OFF ON THE ATTENTION. 777 00:31:18,344 --> 00:31:19,611 SOON AS ANDY AND SWAREK HAVE A SOLID LEAD, 778 00:31:19,645 --> 00:31:21,280 I'LL PULL HER OUT. 779 00:31:21,313 --> 00:31:25,084 THE DAY YOU GOT AWAY FROM ME, 780 00:31:25,117 --> 00:31:28,354 WHO WAS ON THE OTHER SIDE WHEN YOU MADE YOUR GREAT ESCAPE? 781 00:31:28,387 --> 00:31:30,622 MY BOYFRIEND. SEE? THERE'S THAT GUILT AGAIN. 782 00:31:30,656 --> 00:31:33,025 TELL ME ABOUT HIM. WHAT'S HIS NAME? 783 00:31:33,059 --> 00:31:36,262 NICK. THERE'S NOTHING TO TELL. YOU'RE LYING. 784 00:31:36,295 --> 00:31:37,596 I'M NOT LYING. PLEASE. 785 00:31:37,629 --> 00:31:40,967 IT'S IN THE BACK OF YOUR EYES, 786 00:31:41,000 --> 00:31:42,601 THE SHAPE OF YOUR MOUTH. 787 00:31:42,634 --> 00:31:46,338 YOUR SHADOW SELF, CLAWING TO THE SURFACE, 788 00:31:46,372 --> 00:31:47,940 BEGGING TO BREATHE. 789 00:31:47,974 --> 00:31:52,478 STOP WORRYING ABOUT THE CAMERAS, GAIL. 790 00:31:52,511 --> 00:31:55,214 YOU'RE HERE FOR GRACE. WORRY ABOUT GRACE. 791 00:31:55,247 --> 00:31:56,482 WHY ARE YOU DOING THIS? 792 00:31:56,515 --> 00:31:59,351 BECAUSE OF YOU, I HAVE NOTHING-- 793 00:31:59,385 --> 00:32:02,121 FOUR WALLS AND A STACK OF BOOKS. YOU WANT MY HELP? 794 00:32:02,154 --> 00:32:05,457 GIVE ME SOMETHING TO THINK ABOUT WHILE I'M ROTTING AWAY IN HERE, 795 00:32:05,491 --> 00:32:07,293 WAITING FOR MY APPEAL. 796 00:32:10,662 --> 00:32:13,032 I SLEPT WITH SOMEONE ELSE. 797 00:32:13,065 --> 00:32:16,202 (exhales) YOU CHEATED. 798 00:32:16,235 --> 00:32:19,505 I DID, YEAH. I SLEPT WITH SOMEONE ELSE 799 00:32:19,538 --> 00:32:23,675 TO MAKE MYSELF FEEL BETTER BECAUSE I WAS JEALOUS. 800 00:32:23,709 --> 00:32:26,045 AND I LIED ABOUT IT TO HIM. 801 00:32:26,078 --> 00:32:27,479 I LIED ABOUT IT TO MY FRIENDS, 802 00:32:27,513 --> 00:32:29,748 AND I LIED ABOUT IT TO MYSELF. YOU WERE JEALOUS. 803 00:32:29,781 --> 00:32:32,118 WAS THERE ANOTHER WOMAN? 804 00:32:34,020 --> 00:32:35,387 WERE YOU REPLACED? 805 00:32:35,421 --> 00:32:38,224 OH, POOR GAIL. 806 00:32:38,257 --> 00:32:40,626 MUST BE TOUGH BEING SECOND CHOICE. 807 00:32:40,659 --> 00:32:43,362 ARE YOU GONNA ANSWER ME? 808 00:32:43,395 --> 00:32:45,764 WHAT ARE YOU DOING, GAIL? 809 00:32:45,797 --> 00:32:48,334 WH-WHERE ARE YOU GOING? GAIL? OFFICER PECK-- 810 00:32:48,367 --> 00:32:51,503 NO, YOU ARE NOT GONNA TELL ME WHERE GRACE FINN IS 811 00:32:51,537 --> 00:32:53,439 BECAUSE THIS IS NOT YOUR CRIME. 812 00:32:53,472 --> 00:32:55,374 YOU HAVE NOTHING TO CONFESS TO ME. 813 00:32:55,407 --> 00:32:58,210 YOU'RE JUST A GUY CHAINED TO A TABLE. 814 00:32:58,244 --> 00:33:00,112 I GUESS WE'VE BOTH BEEN REPLACED. 815 00:33:00,146 --> 00:33:01,180 YOU WEREN'T-- YOU WEREN'T LISTENING. 816 00:33:01,213 --> 00:33:02,781 'CAUSE I ALREADY TOLD YOU. 817 00:33:02,814 --> 00:33:05,784 THE ANSWER'S ALWAYS IN A BOOK. 818 00:33:05,817 --> 00:33:08,454 HE'S THE ONE WITH ALL THE ANSWERS 819 00:33:08,487 --> 00:33:10,522 BECAUSE HE'S THE ONE WITH ALL THE BOOKS. 820 00:33:10,556 --> 00:33:11,490 I NEED A NAME. 821 00:33:11,523 --> 00:33:14,693 HE ALWAYS CALLED ME "DR. PERIK." I-I NEVER... 822 00:33:14,726 --> 00:33:16,028 BOTHERED TO ASK HIS NAME. 823 00:33:16,062 --> 00:33:17,263 OKAY, PERIK'S HAD ACCESS TO BOOKS. 824 00:33:17,296 --> 00:33:18,664 WHO RUNS THE MILLBURN LIBRARY? 825 00:33:18,697 --> 00:33:21,067 IT'S AN INMATE-- ADAM SAWYER. 826 00:33:21,100 --> 00:33:23,369 HE WAS JUST PAROLED MAYBE TWO WEEKS AGO. 827 00:33:23,402 --> 00:33:26,272 GIVE ME AN ADDRESS, ANYTHING ELSE YOU GOT. 828 00:33:26,305 --> 00:33:27,306 PECK, GET OUTTA THERE. 829 00:33:27,339 --> 00:33:29,041 (door buzzing) I'M NOT DONE YET. 830 00:33:29,075 --> 00:33:32,211 WHERE ARE YOU GOING? YOU CAN'T LEAVE NOW. 831 00:33:32,244 --> 00:33:34,546 GAIL! YOU CAN'T LEAVE NOW. 832 00:33:34,580 --> 00:33:37,649 (Perik) GAIL! 833 00:33:37,683 --> 00:33:40,519 WHAT ARE YOU DOING HERE? 834 00:33:40,552 --> 00:33:42,121 I WAS WORRIED ABOUT YOU. 835 00:33:42,154 --> 00:33:43,822 NICK? 836 00:33:43,855 --> 00:33:45,824 LOOK, WE GOT A NAME. 837 00:33:45,857 --> 00:33:47,226 GOOD WORK. 838 00:33:47,259 --> 00:33:48,627 I'LL GET YOU BACK. 839 00:33:48,660 --> 00:33:51,463 (Alert the Medic's "The Weatherman (Pt. 2)" plays) 840 00:33:51,497 --> 00:33:52,631 (indistinct conversations, police radio chatter) 841 00:33:52,664 --> 00:33:55,234 * THE WEATHERMAN SAYS 842 00:33:55,267 --> 00:33:58,804 * LOOKS LIKE WE'RE GONNA HAVE RAIN TODAY * 843 00:33:58,837 --> 00:34:01,373 * THE WEATHERMAN'S ALWAYS RIGHT * 844 00:34:01,407 --> 00:34:04,810 (police radio chatter) 845 00:34:04,843 --> 00:34:07,113 * THE WEATHERMAN SAYS 846 00:34:07,146 --> 00:34:11,250 * LOOKS LIKE THE STORM WILL TAKE AIM TODAY * 847 00:34:11,283 --> 00:34:14,052 * BETTER WE STAND ASIDE 848 00:34:15,487 --> 00:34:18,257 WE FOUND HER TODAY BECAUSE OF YOU. 849 00:34:18,290 --> 00:34:19,725 JUST SO YOU KNOW, THE INTERVIEW WILL BE PART 850 00:34:19,758 --> 00:34:21,627 OF THE OFFICIAL RECORD, SUBMITTED INTO THE COURT 851 00:34:21,660 --> 00:34:23,795 WHEN THE CASE GOES TO TRIAL, BUT OTHER THAN THAT, 852 00:34:23,829 --> 00:34:25,131 WE'LL TRY AND KEEP IT PRIVATE. 853 00:34:25,164 --> 00:34:28,500 YOU DID AN AMAZING AND BRAVE THING TODAY. 854 00:34:28,534 --> 00:34:30,502 THAT'S ALL THAT MATTERS. 855 00:34:30,536 --> 00:34:34,506 * UNITED WE STAND, DIVIDED WE ARE * 856 00:34:34,540 --> 00:34:38,244 * ENEMIES ALWAYS FIGHT 857 00:34:38,277 --> 00:34:46,652 * AND IT'S A LONG WAY DOWN 858 00:34:49,555 --> 00:34:50,556 MR. FINN? 859 00:34:50,589 --> 00:34:53,125 * THE WEATHERMAN SAYS 860 00:34:53,159 --> 00:34:54,526 WE FOUND GRACE. 861 00:34:54,560 --> 00:34:55,894 (gasps) 862 00:34:55,927 --> 00:34:56,895 AN AMBULANCE IS TRANSPORTING HER... 863 00:34:56,928 --> 00:34:58,096 AMBULANCE? TO VICTORIA MERCY. 864 00:34:58,130 --> 00:35:01,433 LOOK, WE'VE ARRANGED A SQUAD TO TAKE YOU THERE TO MEET HER. 865 00:35:01,467 --> 00:35:03,402 SHE'S SAFE NOW. WE--WE FOUND HER. 866 00:35:03,435 --> 00:35:05,604 (gasps) 867 00:35:05,637 --> 00:35:08,340 OH, THANK GOD. 868 00:35:08,374 --> 00:35:09,441 THANK YOU. 869 00:35:09,475 --> 00:35:10,809 * WELL, IT'S A LONG WAY 870 00:35:10,842 --> 00:35:12,278 YOU'RE WELCOME. 871 00:35:12,311 --> 00:35:13,845 * DOWN COME ON. LET'S GET YOU TO HER. 872 00:35:13,879 --> 00:35:16,682 (gasps) 873 00:35:18,817 --> 00:35:20,619 (telephone rings) 874 00:35:22,754 --> 00:35:26,825 THEY FOUND THE GIRL. 875 00:35:26,858 --> 00:35:28,927 ALIVE. YOU KNOW, SHE'S OKAY. SHE'S FINE. 876 00:35:28,960 --> 00:35:31,230 I JUST WANTED TO MAKE SURE YOU KNEW. 877 00:35:31,263 --> 00:35:32,431 YEAH, I HEARD. 878 00:35:32,464 --> 00:35:33,899 BUT THANK YOU FOR TELLING ME. 879 00:35:33,932 --> 00:35:35,234 YEAH. 880 00:35:35,267 --> 00:35:40,472 AND, UM... LISTEN, ABOUT EARLIER... 881 00:35:40,506 --> 00:35:42,574 I'M SORRY. I DON'T KNOW WHERE THAT CAME FROM. 882 00:35:42,608 --> 00:35:45,177 AH, HEY, NO. FORGET ABOUT IT. 883 00:35:45,211 --> 00:35:48,880 NO. IT'S--IT'S BEEN A TOUGH DAY. 884 00:35:48,914 --> 00:35:51,517 WHICH IS WHY I THOUGHT MAYBE YOU MIGHT WANNA HAVE A DRINK? 885 00:35:51,550 --> 00:35:55,354 I DON'T KNOW. I'M JUST NOT REALLY MUCH IN THE MOOD 886 00:35:55,387 --> 00:35:56,522 FOR GOING OUT TONIGHT. 887 00:35:56,555 --> 00:35:59,825 WHO SAID ANYTHING ABOUT GOING OUT? 888 00:35:59,858 --> 00:36:01,660 OH. (clatter) 889 00:36:01,693 --> 00:36:04,530 AND... BLOOP? 890 00:36:04,563 --> 00:36:05,531 OH. (chuckles) 891 00:36:05,564 --> 00:36:06,965 YEAH? YEAH. 892 00:36:06,998 --> 00:36:09,735 ALL RIGHT. OKAY. 893 00:36:09,768 --> 00:36:11,937 (unscrews cap) 894 00:36:15,741 --> 00:36:18,477 (exhales) WELL, THAT'S EMBARRASSING. 895 00:36:18,510 --> 00:36:20,946 (clatter) 896 00:36:20,979 --> 00:36:22,648 YOU KNOW WHAT? 897 00:36:22,681 --> 00:36:24,550 WHAT? 898 00:36:24,583 --> 00:36:26,918 THERE USED TO BE... 899 00:36:26,952 --> 00:36:31,590 UNLESS SWAREK MOVED IT-- NO, HE DIDN'T. 900 00:36:31,623 --> 00:36:33,292 (exhales) YES. 901 00:36:34,860 --> 00:36:36,595 NICE. 902 00:36:39,265 --> 00:36:42,200 (indistinct conversations) 903 00:36:48,674 --> 00:36:51,343 HEY. 904 00:36:51,377 --> 00:36:54,513 I'M SORRY I WAS HARD ON YOU THIS AFTERNOON. 905 00:36:54,546 --> 00:36:56,915 I JUST--I-I NEEDED YOU TO BACK ME UP. 906 00:36:56,948 --> 00:36:59,418 THAT'S WHY I WANTED TO RIDE TOGETHER. 907 00:36:59,451 --> 00:37:02,354 I THOUGHT YOU SHOULD KNOW. OKAY. 908 00:37:02,388 --> 00:37:03,455 OKAY. 909 00:37:06,458 --> 00:37:07,526 HOW YOU BEEN, McNALLY? 910 00:37:07,559 --> 00:37:10,262 GOOD. 911 00:37:10,296 --> 00:37:11,263 WHAT ABOUT YOU? 912 00:37:11,297 --> 00:37:14,466 WHO KNOWS? 913 00:37:15,967 --> 00:37:17,869 STABLE. 914 00:37:17,903 --> 00:37:19,004 IF YOU CAN BELIEVE THAT. 915 00:37:19,037 --> 00:37:21,540 WELL, I'M GLAD. 916 00:37:21,573 --> 00:37:23,442 AS YOUR FRIEND, YOU KNOW. 917 00:37:23,475 --> 00:37:25,911 'CAUSE I REALLY--I REALLY DO WANNA BE YOUR FRIEND. 918 00:37:25,944 --> 00:37:28,780 I THOUGHT WE ALREADY WERE FRIENDS. 919 00:37:30,849 --> 00:37:32,351 HEY, McNALLY. HEY. 920 00:37:32,384 --> 00:37:34,286 HEY. YOU READY? 921 00:37:34,320 --> 00:37:35,787 YEAH. JUST NEED A SECOND. 922 00:37:35,821 --> 00:37:37,323 OKEYDOKEY. 923 00:37:37,356 --> 00:37:39,525 BE OUTSIDE. OKAY? 924 00:37:39,558 --> 00:37:40,659 NIGHT, McNALLY. 925 00:37:40,692 --> 00:37:42,060 NIGHT. 926 00:37:42,093 --> 00:37:45,030 (Jon Bryant's "David Livingstone" playing) 927 00:37:50,436 --> 00:37:51,837 SEE YOU TOMORROW. 928 00:37:53,705 --> 00:37:55,941 * YOU BE A MYSTERY 929 00:37:55,974 --> 00:37:59,311 * AND I'LL UNCOVER THE TRUTH 930 00:37:59,345 --> 00:38:00,479 (horn honks in distance) 931 00:38:00,512 --> 00:38:01,713 (man speaks indistinctly) 932 00:38:01,747 --> 00:38:02,914 (thunderclap) 933 00:38:02,948 --> 00:38:05,517 * YOU BE THE CHORUS AND I'LL BE... * 934 00:38:05,551 --> 00:38:09,355 EPSTEIN. JUST THE MAN I WAS LOOKING FOR. 935 00:38:09,388 --> 00:38:11,923 WHAT DO YOU SAY WE HIT THE PENNY TONIGHT? 936 00:38:11,957 --> 00:38:13,659 DRINKS ARE ON ME, AND I AM TALKING-- 937 00:38:13,692 --> 00:38:16,595 I'M TALKING TWO, MAYBE EVEN THREE 938 00:38:16,628 --> 00:38:17,996 IF YOU PLAY YOUR CARDS RIGHT. 939 00:38:18,029 --> 00:38:19,365 YEAH, I KNOW WHAT YOU'RE TRYING TO DO, 940 00:38:19,398 --> 00:38:23,001 AND I APPRECIATE IT, BUT... YOU'RE RIGHT. 941 00:38:23,034 --> 00:38:24,069 I SAW THIS COMING. 942 00:38:24,102 --> 00:38:25,771 I KNEW HE WAS GONNA LEAVE. 943 00:38:25,804 --> 00:38:28,340 ALL RIGHT. 944 00:38:28,374 --> 00:38:29,641 I LEFT ZOE LAST NIGHT. 945 00:38:29,675 --> 00:38:31,109 I FILED FOR DIVORCE THIS MORNING. 946 00:38:31,142 --> 00:38:34,079 IT'S, UH... I'M FINE. 947 00:38:34,112 --> 00:38:35,947 FINE. IT IS WHAT IT IS. IT WAS INEVITABLE. 948 00:38:35,981 --> 00:38:36,915 ZOE'S IN LOVE WITH SOMEONE ELSE. 949 00:38:36,948 --> 00:38:39,084 THERE'S NOTHING I CAN DO... (inhales deeply) 950 00:38:39,117 --> 00:38:41,853 EXCEPT YOU MOVE ON, I GUESS. THAT'S WHAT THE BOOKS SAY. 951 00:38:41,887 --> 00:38:44,723 WE MOVE ON. RIP OFF THE BAND-AID, RIGHT? 952 00:38:44,756 --> 00:38:46,858 ARE YOU OKAY? 953 00:38:46,892 --> 00:38:48,494 I KNOW YOU MISS YOUR FRIEND. I JUST, YOU KNOW, 954 00:38:48,527 --> 00:38:50,496 I THINK I COULD USE ONE TODAY. 955 00:38:50,529 --> 00:38:52,764 OH, DON'T MAKE THIS ANY WEIRDER THAN IT IS, ALL RIGHT? 956 00:38:52,798 --> 00:38:54,633 DON'T MAKE ME FEEL WEIRD, EPSTEIN. 957 00:38:54,666 --> 00:38:56,568 WE'VE DONE THIS BEFORE, YOU KNOW? 958 00:38:56,602 --> 00:38:59,004 TALK ABOUT OUR FEELINGS. WE'RE GROWN-UPS. 959 00:38:59,037 --> 00:39:00,939 WE GET TRASHED, TALK ABOUT OUR FEELINGS. 960 00:39:00,972 --> 00:39:03,509 NO, NO, IT'S... IT'S NOT THAT. 961 00:39:03,542 --> 00:39:05,777 YOU KNOW, I WAS JUST THINKING ABOUT WHAT WE WERE GONNA DRINK. 962 00:39:05,811 --> 00:39:07,078 FUZZY NAVEL. 963 00:39:07,112 --> 00:39:08,647 OH, THAT'S LAME. SEX ON THE BEACH. 964 00:39:08,680 --> 00:39:09,815 FOR YOUR SORORITY SISTERS? 965 00:39:09,848 --> 00:39:13,084 (chuckles) 18-YEAR-OLD SINGLE MALT. 966 00:39:13,118 --> 00:39:15,821 YEAH. GOOD. 967 00:39:15,854 --> 00:39:16,955 I'M GONNA FIND ANOTHER FRIEND. 968 00:39:16,988 --> 00:39:18,524 (both chuckle) 969 00:39:18,557 --> 00:39:20,392 (sighs) 970 00:39:20,426 --> 00:39:22,494 YOU WILL FINISH THAT AT THE BAR. 971 00:39:22,528 --> 00:39:25,096 WE'LL DO OUR HOMEWORK AT THE BAR. 972 00:39:25,130 --> 00:39:28,400 (thunder rumbling) 973 00:39:28,434 --> 00:39:29,868 * YOU BE JOHN LENNON 974 00:39:29,901 --> 00:39:33,439 * AND I'LL BE THE WORLD THAT HE SEES * 975 00:39:33,472 --> 00:39:37,175 (thunderclap) 976 00:39:37,208 --> 00:39:42,080 * SWEET MIDSUMMER NIGHTS 977 00:39:42,113 --> 00:39:43,081 * WITH YOU 978 00:39:43,114 --> 00:39:45,050 ARE WE GONNA TALK ABOUT THIS? 979 00:39:45,083 --> 00:39:48,587 (rainfall) 980 00:39:48,620 --> 00:39:50,789 YOU KNOW, I REMEMBER THE FIRST TIME I MET YOU. 981 00:39:53,725 --> 00:39:55,694 YOU WERE A LOUSY WAITRESS, 982 00:39:55,727 --> 00:39:57,095 AND YOU STILL HAD THE NERVE TO YELL AT US 983 00:39:57,128 --> 00:39:58,630 FOR GIVING YOU A BAD TIP. 984 00:39:58,664 --> 00:40:01,433 OKAY. 985 00:40:02,668 --> 00:40:04,002 YOU WERE SO COLD. 986 00:40:04,035 --> 00:40:06,104 IT DROVE ME CRAZY, AND I THOUGHT TO MYSELF, 987 00:40:06,137 --> 00:40:08,607 THAT GIRL'S GONNA BREAK YOUR HEART. 988 00:40:12,744 --> 00:40:13,945 AND HERE WE ARE. 989 00:40:13,979 --> 00:40:17,148 * I'LL BRING YOU IN FROM THE COLD * 990 00:40:17,182 --> 00:40:18,817 SO IS THIS HOW YOU WANNA DO IT? 991 00:40:20,952 --> 00:40:23,021 * YOU BE THE AMBULANCE 992 00:40:23,054 --> 00:40:24,823 YOU DIDN'T COME HOME. 993 00:40:24,856 --> 00:40:27,092 * BACK DOWN THAT OLD... 994 00:40:27,125 --> 00:40:31,129 AND BLACKSTONE SAID THAT HE GAVE YOU TIME OFF, 995 00:40:31,162 --> 00:40:33,665 AND... YOU COULD'VE COME HOME. 996 00:40:33,699 --> 00:40:35,734 INSTEAD YOU WENT ON HOLIDAY WITH ANDY. 997 00:40:35,767 --> 00:40:39,838 NOTHING HAPPENED WITH US. IT WAS ONE WEEKEND. 998 00:40:39,871 --> 00:40:41,573 WHAT DID YOU WANT ME TO DO, COME HOME, UPROOT YOUR LIFE, 999 00:40:41,607 --> 00:40:42,708 AND THEN DISAPPEAR AGAIN? 1000 00:40:42,741 --> 00:40:44,109 YES. 1001 00:40:44,142 --> 00:40:46,678 SO THAT GIVES YOU LICENSE TO SLEEP WITH SOMEONE ELSE. 1002 00:40:49,848 --> 00:40:51,750 GAIL, I DIDN'T COME HOME. 1003 00:40:51,783 --> 00:40:53,652 THAT DOESN'T MEAN I DON'T WANNA BE WITH YOU. 1004 00:40:53,685 --> 00:40:56,488 (thunderclap) 1005 00:40:56,522 --> 00:41:00,258 NO, IT JUST MEANS YOU WANTED TO BE WITH HER MORE. 1006 00:41:00,291 --> 00:41:03,094 YOU WERE JUST GONNA KEEP LYING TO ME 1007 00:41:03,128 --> 00:41:04,830 AND TO YOURSELF. 1008 00:41:04,863 --> 00:41:07,666 IT WAS A CRUSH. 1009 00:41:07,699 --> 00:41:08,700 I THOUGHT IT'D GO AWAY. 1010 00:41:08,734 --> 00:41:10,602 * YOU BE NEW LAND 1011 00:41:10,636 --> 00:41:12,604 HOW LONG WERE YOU GONNA WAIT? 1012 00:41:12,638 --> 00:41:14,506 * YOUR ARMS 1013 00:41:16,875 --> 00:41:17,943 I GUESS WE'LL NEVER KNOW. 1014 00:41:17,976 --> 00:41:21,146 GOOD NIGHT, GAIL. 1015 00:41:21,179 --> 00:41:26,718 * IN THE EARLY WINTER BLUE 1016 00:41:26,752 --> 00:41:30,622 * YOU BE MY LADY AND I'LL BE YOUR MAN * 1017 00:41:30,656 --> 00:41:32,157 * THROUGH AND THROUGH 1018 00:41:35,894 --> 00:41:37,863 * YOU BE MY LADY 1019 00:41:37,896 --> 00:41:42,634 * AND I'LL BE YOUR MAN THROUGH AND THROUGH * 73417

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