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1
00:00:02,836 --> 00:00:04,072
(police radio chatter)
OLIVER, YOU DIDN'T HAVE
TO DRIVE ME.
2
00:00:04,105 --> 00:00:05,673
OH, YOU KNOW,
IT'S FRANK'S ORDERS.
3
00:00:05,706 --> 00:00:07,641
NOTHING GETS IN THE WAY
OF DATE NIGHT.
4
00:00:07,675 --> 00:00:08,742
YOU KNOW, HE DIDN'T WANNA
LOSE THE TABLE,
5
00:00:08,776 --> 00:00:09,943
SAID HE'LL BE DOWN
AS SOON AS HE CAN.
6
00:00:09,977 --> 00:00:12,346
YOU KNOW WHAT?
I COULD HAVE JUST TAKEN A CAB.
OH, COME ON.
7
00:00:12,380 --> 00:00:13,447
WHAT USE IS A FAST CAR
WITH FLASHING LIGHTS
8
00:00:13,481 --> 00:00:16,484
IF IT CAN'T GET YOU
TO A DINNER RESERVATION ON TIME?
9
00:00:16,517 --> 00:00:17,418
(chuckles)
10
00:00:17,451 --> 00:00:19,453
YOU MISS ROLLING AROUND
IN THESE?
NOPE.
11
00:00:19,487 --> 00:00:21,289
(radio static crackles)
(male dispatcher) Um, 15-05,
12
00:00:21,322 --> 00:00:23,657
can you attend 11 Cooper Street
for a possible 10-54?
13
00:00:23,691 --> 00:00:26,560
(static crackles)
10-54?
POSSIBLE DOUBLE HOMICIDE.
14
00:00:26,594 --> 00:00:28,096
WHAT TIME'S
YOUR RESERVATION?
15
00:00:28,129 --> 00:00:29,330
WHAT RESERVATION?
(static crackles)
16
00:00:29,363 --> 00:00:30,731
MARK 15-05. RESPONDING.
(static crackles)
17
00:00:30,764 --> 00:00:33,467
(siren wailing)
18
00:00:33,501 --> 00:00:36,737
(police radio chatter)
19
00:00:36,770 --> 00:00:38,206
(siren whoops)
20
00:00:42,210 --> 00:00:45,146
(radio chatter continues)
21
00:00:48,216 --> 00:00:50,118
(sighs)
22
00:00:50,151 --> 00:00:51,519
WHAT'S SHE DOING HERE?
23
00:00:51,552 --> 00:00:53,321
COULDN'T SHAKE HER.
24
00:00:53,354 --> 00:00:55,123
SUCH A SENSELESS WASTE.
25
00:00:55,156 --> 00:00:58,492
YOUNG KIDS.
CLEAN DOUBLE TAP.
26
00:00:58,526 --> 00:01:00,128
(rustles)
27
00:01:00,161 --> 00:01:01,229
(gasps) MY GOD!
28
00:01:01,262 --> 00:01:03,264
WASN'T MY IDEA.
29
00:01:03,297 --> 00:01:04,832
DON'T BLAME ME.
30
00:01:04,865 --> 00:01:08,102
WHAT IS GOING ON?
THIS IS NOT FUNNY.
31
00:01:08,136 --> 00:01:09,103
OLIVER!
32
00:01:09,137 --> 00:01:10,371
(whirring)
33
00:01:10,404 --> 00:01:13,107
(whirring)
34
00:01:18,346 --> 00:01:20,581
FRANK...
RECOGNIZE THE PLACE?
35
00:01:20,614 --> 00:01:23,151
YES. IT'S WHERE WE BROKE UP
THAT HOMECOMING RAVE
36
00:01:23,184 --> 00:01:24,385
TEN YEARS AGO.
37
00:01:24,418 --> 00:01:27,521
WE WERE BOTH
WITH OTHER PEOPLE BACK THEN,
38
00:01:27,555 --> 00:01:31,125
BUT STILL... AFTER THAT NIGHT,
I HAD A FEELING
39
00:01:31,159 --> 00:01:32,726
THAT MY LIFE
WAS GONNA CHANGE.
40
00:01:32,760 --> 00:01:34,728
I JUST DIDN'T KNOW
HOW MUCH.
41
00:01:40,734 --> 00:01:42,803
YOU'RE NOT--
I AM.
42
00:01:42,836 --> 00:01:44,238
NOELLE WILLIAMS,
43
00:01:44,272 --> 00:01:48,376
YOU ARE THE MOST AMAZING PERSON
I'VE EVER MET,
44
00:01:48,409 --> 00:01:50,411
MY BEST FRIEND IN THE WORLD.
45
00:01:50,444 --> 00:01:53,914
AND IF I'M LUCKY,
46
00:01:53,947 --> 00:01:55,716
YOU'LL ALSO AGREE
TO BE MY WIFE.
47
00:01:55,749 --> 00:01:57,785
I'M GONNA KILL YOU.
48
00:01:57,818 --> 00:01:59,253
I KNOW.
49
00:01:59,287 --> 00:02:01,755
(Oliver) IS THAT A "YES"?
50
00:02:01,789 --> 00:02:03,324
YES! (laughs)
51
00:02:03,357 --> 00:02:04,725
(cheering)
YES!
52
00:02:04,758 --> 00:02:06,327
(Oliver) IT'S A "YES"!
53
00:02:06,360 --> 00:02:08,362
(laughter)
54
00:02:11,899 --> 00:02:16,870
(police radio chatter)
55
00:02:16,904 --> 00:02:18,906
(woman) * FEEL
THE PITCH BLACK SKY ABOVE *
56
00:02:18,939 --> 00:02:21,409
* DON'T BE SCARED...
(laughs) OKAY.
57
00:02:21,442 --> 00:02:22,610
ALL RIGHT, YOU WIN.
58
00:02:22,643 --> 00:02:24,745
YOU'RE READY TO GET BACK
ON THE STREET.
59
00:02:24,778 --> 00:02:25,879
UNDERCOVER WASN'T ALL
WATCHING CHEESY MOVIES
60
00:02:25,913 --> 00:02:27,448
AND HANGING OUT AT THE BAR.
61
00:02:27,481 --> 00:02:29,283
NICK AND I RAN 5K
EVERY OTHER MORNING.
62
00:02:29,317 --> 00:02:31,252
'CAUSE YOU'RE A KEENER.
SHUT UP.
63
00:02:31,285 --> 00:02:32,353
SO YOU'RE BACK.
YEAH.
64
00:02:32,386 --> 00:02:33,887
YEAH? WHAT'S IT LIKE?
I DON'T KNOW.
65
00:02:33,921 --> 00:02:35,689
THE SAME, I GUESS,
66
00:02:35,723 --> 00:02:37,691
YOU KNOW, OTHER THAN
FRANK AND NOELLE GETTING MARRIED
67
00:02:37,725 --> 00:02:40,294
AND CHRIS MOVING
TO TIMMINS,
68
00:02:40,328 --> 00:02:42,963
SAM BEING A DETECTIVE,
WHICH IS REALLY COOL.
69
00:02:42,996 --> 00:02:44,732
YOU KNOW WHAT ELSE
IS REALL COOL?
70
00:02:44,765 --> 00:02:46,567
SAM'S NEW GIRLFRIEND.
71
00:02:46,600 --> 00:02:48,602
I KNOW, I KNOW.
I DIDN'T KNOW.
72
00:02:48,636 --> 00:02:50,271
HAVE YOU HAD A CHANCE
TO TALK TO HIM YET?
73
00:02:50,304 --> 00:02:52,540
LET'S JUST GET IT
OVER WITH, OKAY?
74
00:02:52,573 --> 00:02:53,741
WHAT IS SHE LIKE?
75
00:02:53,774 --> 00:02:56,444
NINE YEARS ON THE SQUAD.
FIVE YEARS S.W.A.T.
76
00:02:56,477 --> 00:02:57,878
I MEAN, SHE SEEMS LIKE
PRETTY SOLID POLICE--
77
00:02:57,911 --> 00:02:59,813
BAD DRESSER?
CAN'T TELL A JOKE?
78
00:02:59,847 --> 00:03:02,550
YOU KNOW, RUNS FUNNY?
SOMETHING?
79
00:03:02,583 --> 00:03:04,985
ACTUALLY,
SHE RUNS JUST FINE.
80
00:03:05,018 --> 00:03:06,987
HEY.
81
00:03:07,020 --> 00:03:08,389
MORNING, NASH.
82
00:03:08,422 --> 00:03:10,824
HEY. (laughs) MORNING.
McNALLY, RIGHT?
83
00:03:10,858 --> 00:03:12,826
YEAH.
PLEASURE TO MEET YOU.
MARLO CRUZ.
84
00:03:12,860 --> 00:03:14,895
DIDN'T GET A CHANCE
TO MEET LAST WEEK.
YEAH, REAL PLEASURE.
85
00:03:14,928 --> 00:03:16,797
HEARD A LOT ABOUT YOU.
OH.
86
00:03:16,830 --> 00:03:19,433
SO, UH... GOT ANOTHER 10K
TO GET IN BEFORE SHIFT.
87
00:03:19,467 --> 00:03:20,534
SEE YOU GUYS THERE.
88
00:03:20,568 --> 00:03:21,635
ALL RIGHT.
OKAY.
89
00:03:21,669 --> 00:03:23,237
HAVE A GOOD RUN.
ACTUALLY,
SHE RUNS KINDA FUNNY.
90
00:03:23,271 --> 00:03:24,305
10K.
91
00:03:24,338 --> 00:03:26,574
WE'RE DOING ANOTHER LAP
RIGHT NOW.
92
00:03:26,607 --> 00:03:27,741
* EVERYWHERE
93
00:03:27,775 --> 00:03:29,977
* YOU GOT TO GET OUT
YOUR CHAIR *
94
00:03:30,010 --> 00:03:32,413
* THIS IS A LOVE AFFAIR
95
00:03:32,446 --> 00:03:34,648
(scoffs)
* EVERYBODY EVERYWHERE
96
00:03:34,682 --> 00:03:36,817
WHAT ARE YOU DOING HERE?
97
00:03:36,850 --> 00:03:38,952
BACK ON DUTY.
THOUGHT YOU MIGHT WANT A RIDE?
98
00:03:38,986 --> 00:03:40,588
UNLESS YOU LIKE
DRIVING IN WITH YOUR DAD.
99
00:03:40,621 --> 00:03:41,789
I DON'T KNOW.
100
00:03:41,822 --> 00:03:44,258
I'M NOT REALLY SUPPOSED
TO ACCEPT RIDES FROM STRANGERS.
101
00:03:44,292 --> 00:03:45,993
GAIL, COME ON.
I LEFT YOU FOUR MESSAGES.
102
00:03:46,026 --> 00:03:47,027
I'VE BEEN SITTING
IN A CONFERENCE ROOM
103
00:03:47,060 --> 00:03:48,195
IN MISSISSAUGA FOR A WEEK,
GOING OVER EVERYTHING
104
00:03:48,228 --> 00:03:51,399
FROM THE LAST SIX MONTHS.
CHIEF, DRUG SQUAD, HANDLERS--
105
00:03:51,432 --> 00:03:53,534
OKAY, OKAY, WE GET IT.
YOU'RE 007.
106
00:03:53,567 --> 00:03:56,604
GOT YOU A DOUGHNUT.
107
00:03:56,637 --> 00:03:58,339
IT'S IN THE CAR, THOUGH,
SO IF YOU WANT IT,
108
00:03:58,372 --> 00:03:59,540
YOU GOTTA GET IN.
109
00:03:59,573 --> 00:04:02,843
* COME ON
(car door opens)
110
00:04:02,876 --> 00:04:05,413
* COME ON
(car door closes)
111
00:04:05,446 --> 00:04:07,415
* EVERYWHERE
112
00:04:07,448 --> 00:04:08,782
* YOU GOT TO GET OUT
113
00:04:08,816 --> 00:04:09,983
I DON'T LIKE
HAWAIIAN ANYMORE.
114
00:04:10,017 --> 00:04:11,885
* THIS IS A LOVE AFFAIR
115
00:04:11,919 --> 00:04:13,053
**
116
00:04:13,086 --> 00:04:15,389
HOW LONG
YOU GONNA STAY MAD?
117
00:04:15,423 --> 00:04:17,325
SIX MONTHS.
118
00:04:17,358 --> 00:04:19,360
SIX MONTHS.
119
00:04:19,393 --> 00:04:22,496
YOU COULDN'T CALL ME ONCE?
YOU COULDN'T TEXT ME?
120
00:04:22,530 --> 00:04:24,698
UH, I D--I DON'T KNOW
WHAT THAT SAYS ABOUT US.
121
00:04:24,732 --> 00:04:27,335
WASN'T ABOUT US.
(starts engine)
122
00:04:27,368 --> 00:04:28,902
GAIL, I THOUGHT
YOU WERE GOING TO FRANCE.
123
00:04:28,936 --> 00:04:30,704
(mouth full)
THIS DOUGHNUT'S STALE.
124
00:04:30,738 --> 00:04:32,706
**
125
00:04:32,740 --> 00:04:33,941
* EVERYBODY EVERYWHERE
126
00:04:33,974 --> 00:04:36,677
* EVERYONE, COME ON
127
00:04:44,117 --> 00:04:46,387
SAMMY...
(car door closes)
128
00:04:46,420 --> 00:04:49,690
HOW DO YOU ALWAYS LOOK
SO COOL ON SUCH A HOT DAY?
129
00:04:49,723 --> 00:04:51,425
MY PEOPLE COME
FROM A WARM CLIMATE.
130
00:04:51,459 --> 00:04:53,394
YOUR PEOPLE
COME FROM SCARBOROUGH.
131
00:04:53,427 --> 00:04:54,828
WELL, IT'S A VERY HUMID
NEIGHBORHOOD.
132
00:04:54,862 --> 00:04:57,865
SO, UM,
McNALLY'S BACK TODAY.
133
00:04:57,898 --> 00:04:59,567
YES, SHE IS.
YEAH.
134
00:04:59,600 --> 00:05:01,369
SO... DID YOU GUYS
TALK YET?
135
00:05:01,402 --> 00:05:02,770
ABOUT WHAT?
136
00:05:02,803 --> 00:05:06,807
YOU, MARLO. YOU THINK
IT'D BE GOOD TO CLEAR THE AIR.
137
00:05:06,840 --> 00:05:08,509
McNALLY MADE HER CHOICE.
SHE LEFT.
138
00:05:08,542 --> 00:05:09,710
NOTHING ELSE TO TALK ABOUT.
139
00:05:09,743 --> 00:05:10,944
SEE?
140
00:05:10,978 --> 00:05:12,513
THE AIR IS TOTALLY CLEAR.
141
00:05:12,546 --> 00:05:14,548
(sighs)
142
00:05:14,582 --> 00:05:18,786
IT'LL BE ANOTHER
BEAUTIFUL, CLEAR DAY.
143
00:05:18,819 --> 00:05:20,854
(door buzzes in distance)
144
00:05:20,888 --> 00:05:22,556
UNIFORM STILL FITS.
145
00:05:22,590 --> 00:05:23,557
WHAT?
146
00:05:23,591 --> 00:05:25,493
WELL, I WAS A LITTLE WORRIED.
147
00:05:25,526 --> 00:05:26,760
BURRITO PLACE
ACROSS FROM THE APARTMENT--
148
00:05:26,794 --> 00:05:27,861
I KNOW YOU HAD A WEAKNESS.
149
00:05:27,895 --> 00:05:29,897
YEAH. HOW'S YOUR EYE?
150
00:05:29,930 --> 00:05:31,699
IT'S NOT BAD.
IT'S HEALED, MOSTLY.
151
00:05:31,732 --> 00:05:32,700
OH, YEAH.
152
00:05:32,733 --> 00:05:34,735
NO SCAR.
THAT'S TOO BAD.
153
00:05:34,768 --> 00:05:36,537
MIGHT'VE ACTUALLY MADE YOU
LOOK LIKE A MAN.
154
00:05:36,570 --> 00:05:37,938
AHH.
(chuckles)
155
00:05:37,971 --> 00:05:38,739
COLLINS. McNALLY.
DETECTIVE SWAREK.
156
00:05:38,772 --> 00:05:40,107
CONGRATULATIONS
ON THE PROMOTION.
157
00:05:40,140 --> 00:05:40,974
WELL DESERVED.
158
00:05:41,008 --> 00:05:43,076
I HATE WEARING UNIFORMS
IN THE SUMMER.
159
00:05:43,110 --> 00:05:45,446
THE MATERIAL'S ITCHY.
THE BELTS ARE WAY HIGH.
160
00:05:45,479 --> 00:05:48,416
YEAH. I'LL, UH,
SEE YOU GUYS IN THERE.
161
00:05:48,449 --> 00:05:49,683
OKAY.
YEP.
162
00:05:49,717 --> 00:05:51,719
(radio chatter)
163
00:05:51,752 --> 00:05:54,855
(lock rattles)
164
00:05:54,888 --> 00:05:56,590
SO...
HOW ARE YOU?
165
00:05:56,624 --> 00:05:57,591
GOOD.
GOOD?
166
00:05:57,625 --> 00:05:58,592
REALLY GOOD, YEAH. YOU?
167
00:05:58,626 --> 00:06:00,561
YEAH. I'M, UH, I'M GOOD.
168
00:06:00,594 --> 00:06:02,863
OH. THAT'S GREAT. SORRY.
SORRY.
169
00:06:02,896 --> 00:06:04,432
THAT'S OKAY.
GO AHEAD, PLEASE.
GO AHEAD. NO, I'M FINE.
170
00:06:04,465 --> 00:06:07,835
COOL.
OKAY. ALL RIGHT. LET'S GO.
OKAY. THANK YOU.
171
00:06:07,868 --> 00:06:11,405
(cheering)
172
00:06:13,741 --> 00:06:15,108
(man) WAY TO GO, FRANK.
173
00:06:15,142 --> 00:06:18,612
ALL RIGHT. OKAY, OKAY. OKAY.
IT'S TRUE. IT'S TRUE.
174
00:06:18,646 --> 00:06:21,482
I PROPOSED. SHE SAID YES.
WE'RE GETTING MARRIED.
175
00:06:21,515 --> 00:06:23,116
DON'T WORRY, FRANKIE.
THIRD TIME'S A CHARM.
176
00:06:23,150 --> 00:06:24,485
(laughter)
177
00:06:24,518 --> 00:06:25,853
ALSO, McNALLY, COLLINS,
178
00:06:25,886 --> 00:06:28,756
FIRST ROTATION BACK
FROM UNDERCOVER.
179
00:06:28,789 --> 00:06:29,923
YOU WERE MISSED BY ALL,
BUT MOSTLY BY ME.
180
00:06:29,957 --> 00:06:32,426
I WAS TWO OFFICERS SHORT
FOR SIX MONTHS.
181
00:06:32,460 --> 00:06:34,862
WASN'T VERY HAPPY.
WELCOME BACK.
182
00:06:34,895 --> 00:06:35,896
I'M GONNA MAKE THIS
SHORT AND SWEET.
183
00:06:35,929 --> 00:06:37,498
YOU GOT A JOB TO DO.
GO DO IT.
184
00:06:37,531 --> 00:06:38,432
AND DO NOT FORGET,
185
00:06:38,466 --> 00:06:40,434
TONIGHT THERE IS A PARTY
AT THE BLACK PENNY
186
00:06:40,468 --> 00:06:42,102
FOR THE HAPPY COUPLE.
187
00:06:42,135 --> 00:06:43,771
YOU ALL SAW THE FLIERS.
188
00:06:43,804 --> 00:06:45,973
ALL RIGHT,
FRIENDS AND FAMILY,
189
00:06:46,006 --> 00:06:48,041
DRINKS ARE BEING PAID FOR
OUT OF THE CHRISTMAS FUND
190
00:06:48,075 --> 00:06:50,143
BECAUSE SANTA CAME TO ME
IN A DREAM
191
00:06:50,177 --> 00:06:51,779
AND TOLD ME TO DO SO.
192
00:06:51,812 --> 00:06:53,847
(laughter)
ALL RIGHT.
GO DO YOUR JOBS.
193
00:06:53,881 --> 00:06:55,816
ASSIGNMENTS ARE ON THE BOARD.
THANKS, SARGE.
194
00:06:55,849 --> 00:06:59,453
(indistinct conversations)
195
00:06:59,487 --> 00:07:02,523
AW, DESK DUTY. HEY, AT LEAST
WE'RE WORKING TOGETHER.
196
00:07:02,556 --> 00:07:04,492
I KNOW. MY IDEA. I FIGURED
YOU ONLY GOT A MONTH LEFT.
197
00:07:04,525 --> 00:07:05,959
YOU MIGHT AS WELL
MAKE THE BEST OF IT.
198
00:07:05,993 --> 00:07:07,795
(indistinct conversations
continue)
199
00:07:07,828 --> 00:07:10,063
McNALLY, LOOKS LIKE
YOU'RE RIDING WITH ME TODAY.
200
00:07:10,097 --> 00:07:11,865
I'M JUST GONNA GO BACK,
GET MY, UM...
201
00:07:11,899 --> 00:07:15,102
ACTUALLY, I, UM, I THINK
I'LL TAKE McNALLY TODAY.
202
00:07:15,135 --> 00:07:16,937
I THINK SHE'S PROBABLY
PRETTY RUSTY,
203
00:07:16,970 --> 00:07:18,138
AND I WOULDN'T WANNA IMPOSE HER
ON ANYONE
204
00:07:18,171 --> 00:07:20,073
BEFORE SHE'S BACK UP TO SPEED.
205
00:07:20,107 --> 00:07:23,176
ABSOLUTELY. BE MY GUEST.
206
00:07:23,210 --> 00:07:25,245
(woman speaking indistinctly
over P.A.)
207
00:07:25,278 --> 00:07:26,847
YOU KNOW,
IT FEELS REALLY WEIRD.
208
00:07:26,880 --> 00:07:29,483
I-I BARELY RECOGNIZE
THE CITY ANYMORE.
209
00:07:29,517 --> 00:07:31,752
WELL, YOU WERE GONE
FOR A WHILE.
210
00:07:31,785 --> 00:07:33,987
I'LL GIVE YOU THE TALK
AGAIN.
211
00:07:34,021 --> 00:07:36,123
OLIVER SHAW.
I'M YOUR TRAINING OFFICER.
212
00:07:36,156 --> 00:07:37,257
HEY. HOW ARE THE GIRLS?
213
00:07:37,290 --> 00:07:38,726
THEY'RE GREAT.
THEY'RE GREAT.
214
00:07:38,759 --> 00:07:40,794
I AM ACTUALLY BACK HOME.
NO WAY.
215
00:07:40,828 --> 00:07:43,263
YEAH. ZOE AND I DECIDED
TO GIVE IT ANOTHER SHOT.
216
00:07:43,296 --> 00:07:45,198
OLIVER, THAT'S FANTASTIC.
YEAH.
217
00:07:45,232 --> 00:07:46,233
YEAH.
218
00:07:46,266 --> 00:07:48,869
YOU KNOW, IT FEELS GOOD
TO BE BACK HOME AGAIN.
219
00:07:48,902 --> 00:07:50,137
I BET.
WHAT ABOUT YOU?
220
00:07:50,170 --> 00:07:51,572
ARE YOU GLAD TO BE BACK?
221
00:07:51,605 --> 00:07:52,773
MM-HMM.
222
00:07:52,806 --> 00:07:54,808
ISN'T THAT LEMONADE PLACE
UP HERE?
223
00:07:54,842 --> 00:07:57,077
THIRSTY?
224
00:07:57,110 --> 00:08:00,280
YEP. IT--IT'S AROUND HERE.
FRESH PRESSED.
225
00:08:00,313 --> 00:08:02,983
I GOT A CUSTOMER CARD
THAT LOVES TO BE PUNCHED.
226
00:08:03,016 --> 00:08:05,753
GREAT. LET'S PUNCH IT.
227
00:08:07,621 --> 00:08:11,124
ALL RIGHT, SO I'M GONNA BE
ABOUT FIVE MINUTES.
228
00:08:11,158 --> 00:08:12,259
YOU STAY ON THE RADIO,
OKAY?
229
00:08:12,292 --> 00:08:13,594
(shifts gears)
OH, HOLD ON.
230
00:08:13,627 --> 00:08:15,295
WHAT?
LET ME BUY.
231
00:08:15,328 --> 00:08:16,630
JUST A SMALL, PLEASE.
232
00:08:16,664 --> 00:08:17,731
JUST A SMALL. $5. YEAH.
233
00:08:17,765 --> 00:08:19,867
WELL, THAT'S OVERSTATING
THE OBVIOUS.
234
00:08:19,900 --> 00:08:22,670
YEAH. (laughs)
235
00:08:22,703 --> 00:08:24,171
OKAY.
236
00:08:25,806 --> 00:08:28,776
(passing vehicles rumbling)
237
00:08:28,809 --> 00:08:31,779
(horn honks,
siren wailing in distance)
238
00:08:39,987 --> 00:08:40,954
(radio chatter)
239
00:08:40,988 --> 00:08:42,089
(unfastens seat belt)
240
00:09:06,346 --> 00:09:08,315
(man shouting indistinctly
in muffled voice)
241
00:09:08,348 --> 00:09:11,685
EVERYONE, DOWN! DOWN!
GET DOWN ON THE FLOOR.
242
00:09:11,719 --> 00:09:13,153
(continues
shouting indistinctly)
243
00:09:13,186 --> 00:09:14,755
(radio static)
(lowered voice)
OLIVER, DISPATCH.
244
00:09:14,788 --> 00:09:16,890
THERE'S 10-42 IN PROGRESS
AT HUDSON TRUST.
245
00:09:16,924 --> 00:09:17,958
KING AND DUNCAN.
246
00:09:17,991 --> 00:09:18,959
(man) COME ON! LET'S GO!
247
00:09:18,992 --> 00:09:21,729
LOOSE BILLS ONLY.
LOOSE BILLS ONLY, I SAID!
248
00:09:21,762 --> 00:09:23,731
GO, NEXT DRAWER,
NEXT DRAWER. NOW!
(whispers) GO, GO.
249
00:09:23,764 --> 00:09:27,267
(man) OKAY. OKAY.
JUST TAKE IT EASY.
(man) COME ON! OPEN IT!
TAKE IT EASY?
250
00:09:27,300 --> 00:09:28,602
YOU REALLY DON'T WANNA TELL ME
WHAT TO DO RIGHT NOW.
251
00:09:28,636 --> 00:09:30,137
I'M JUST SAYING,
THE MONEY'S INSURED.
252
00:09:30,170 --> 00:09:31,705
NO ONE HERE
NEEDS TO GET HURT.
253
00:09:31,739 --> 00:09:33,340
YOU HEAR THAT, EVERYBODY?
254
00:09:33,373 --> 00:09:35,142
YOUR MANAGER HERE...
GO, GO, GO.
255
00:09:35,175 --> 00:09:36,176
DARREN.
256
00:09:36,209 --> 00:09:38,178
DARREN SAYS NOBODY
NEEDS TO GET HURT.
257
00:09:38,211 --> 00:09:39,179
(cocks gun)
258
00:09:39,212 --> 00:09:40,881
POLICE.
PUT THE GUN DOWN NOW.
259
00:09:43,283 --> 00:09:44,952
OR WHAT?
260
00:09:44,985 --> 00:09:46,353
YOU'LL SHOOT US?
261
00:09:46,386 --> 00:09:48,355
PUT THE GUN DOWN
ON THE FLOOR.
262
00:09:48,388 --> 00:09:50,958
OH, I DON'T THINK SO.
I'M TAKING IT WITH ME.
263
00:09:54,127 --> 00:09:55,929
(static crackles)
OLIVER, I GOT HIM.
ONE SUSPECT. HE'S ARMED.
264
00:09:55,963 --> 00:09:58,766
DARREN,
WHERE'S THE BACK DOOR?
265
00:09:58,799 --> 00:10:00,968
DOWN THERE.
MOVE!
266
00:10:01,001 --> 00:10:02,202
YOU'RE NEVER GONNA
GET OUTTA HERE.
267
00:10:02,235 --> 00:10:03,804
I'M ALREADY GONE.
268
00:10:03,837 --> 00:10:04,838
IT'S OKAY, EVERYBODY.
HE'S LEAVING.
269
00:10:04,872 --> 00:10:07,207
WE'RE GONNA BE OKAY.
JUST RELAX.
270
00:10:07,240 --> 00:10:09,843
(people screaming)
271
00:10:09,877 --> 00:10:12,012
(indistinct shouting)
272
00:10:12,045 --> 00:10:13,180
15-20, SHOTS FIRED!
273
00:10:13,213 --> 00:10:15,749
WE NEED E.M.S. AT THIS LOCATION
RIGHT NOW!
274
00:10:15,783 --> 00:10:18,786
GET DOWN, GET DOWN!
GET BACK, GET BACK!
HE WENT OUT THE BACK!
275
00:10:26,994 --> 00:10:28,929
YOU WANNA WALK ME THROUGH IT
FROM THE BEGINNING?
276
00:10:28,962 --> 00:10:30,698
ALL RIGHT. OLIVER AND I
WERE STOPPED UP THE STREET.
277
00:10:30,731 --> 00:10:32,232
I SAW A COUPLE PEOPLE RUNNING,
CHECKED IT OUT.
278
00:10:32,265 --> 00:10:34,167
OKAY, AND THAT'S WHEN
YOU CALLED IT IN?
279
00:10:34,201 --> 00:10:35,435
YEAH. WHEN I SAW THE GUY,
280
00:10:35,468 --> 00:10:37,037
AND THE MANAGER
WAS FILLING THE BAG.
281
00:10:37,070 --> 00:10:38,706
WHY DIDN'T YOU WAIT
FOR BACKUP?
282
00:10:38,739 --> 00:10:40,373
'CAUSE IT ESCALATED.
I DIDN'T HAVE TIME.
283
00:10:40,407 --> 00:10:42,175
MASK, COVERALLS.
ANYTHING ELSE?
284
00:10:42,209 --> 00:10:45,679
I MEAN, MEDIUM BUILD,
UH, CAUCASIAN, I THINK.
285
00:10:45,713 --> 00:10:47,014
I-I DON'T REALLY KNOW.
YOU THINK?
286
00:10:47,047 --> 00:10:47,948
WELL, YEAH, AS SOON
AS I SAW THE BABY,
287
00:10:47,981 --> 00:10:51,018
I... I DIDN'T REALLY
NOTICE ANYTHING ELSE.
288
00:10:51,051 --> 00:10:52,886
FOUND THESE BEHIND SOME BOXES
OUT BACK.
289
00:10:52,920 --> 00:10:55,155
YOU'RE KIDDING.
THEY'VE COME A LONG WAY
SINCE I WAS A KID.
290
00:10:55,188 --> 00:10:56,323
I THINK THIS ONE EVEN POOPS.
291
00:10:56,356 --> 00:10:59,092
OKAY, WELL, MAYBE WE CAN GET
IDENT TO LIFT SOME PRINTS
292
00:10:59,126 --> 00:11:01,461
AND FIND OUT WHO'S THE DADDY.
OKAY.
293
00:11:01,494 --> 00:11:02,830
UH, I CHECKED THE CAMERAS.
294
00:11:02,863 --> 00:11:04,164
I'M GETTING THE FOOTAGE
COPIED NOW,
295
00:11:04,197 --> 00:11:05,766
BUT IT LOOKS LIKE HE HAD
HIS MASK ON THE WHOLE TIME.
296
00:11:05,799 --> 00:11:07,467
HOW MUCH DID HE GET?
I DON'T KNOW
THE EXACT NUMBER YET,
297
00:11:07,500 --> 00:11:09,436
BUT IT'S IN THE BALLPARK
OF 6, MAYBE $7,000.
298
00:11:09,469 --> 00:11:10,437
DO WE HAVE AN I.D.
ON THIS VICTIM?
299
00:11:10,470 --> 00:11:14,842
YEAH. IT'S, UH,
BRANCH MANAGER DARREN KUDLOW.
300
00:11:14,875 --> 00:11:15,943
AND MEDICS AREN'T SURE
HE'S GONNA MAKE IT.
301
00:11:15,976 --> 00:11:17,711
NO ONE CAN REACH HIS WIFE.
302
00:11:17,745 --> 00:11:18,846
ALL RIGHT, WOULD YOU GET
COLLINS AND PECK
303
00:11:18,879 --> 00:11:21,314
TO TRACK HER DOWN AND TAKE HER
TO THE HOSPITAL, PLEASE?
304
00:11:21,348 --> 00:11:23,250
IN THE MEANTIME, LET'S GO
TALK TO SOME MORE WITNESSES
305
00:11:23,283 --> 00:11:24,752
AND SEE IF WE CAN GET
A BETTER DESCRIPTION
306
00:11:24,785 --> 00:11:26,019
ON THE SHOOTER, YEAH?
307
00:11:31,324 --> 00:11:33,093
(dog barks in distance)
308
00:11:35,963 --> 00:11:38,932
(radio chatter)
309
00:11:40,934 --> 00:11:42,369
CYNTHIA KUDLOW?
YEAH.
310
00:11:42,402 --> 00:11:43,937
CAN I HELP YOU?
311
00:11:43,971 --> 00:11:45,172
WE'RE HERE
ABOUT YOUR HUSBAND DARREN.
312
00:11:45,205 --> 00:11:47,307
WHY? WHAT'S GOING ON?
313
00:11:47,340 --> 00:11:48,408
THERE WAS A ROBBERY
AT HIS BANK THIS MORNING,
314
00:11:48,441 --> 00:11:49,977
AND DARREN WAS INJURED.
INJURED?
315
00:11:50,010 --> 00:11:51,478
HE WAS SHOT. I'M SO SORRY.
316
00:11:51,511 --> 00:11:53,080
SHOT?
317
00:11:53,113 --> 00:11:54,982
HE'S ALIVE.
HE'S AT MEMORIAL HOSPITAL.
318
00:11:55,015 --> 00:11:56,416
WE'RE GONNA TAKE YOU THERE
RIGHT NOW.
OH, MY GOD.
319
00:11:56,449 --> 00:11:59,052
WE'RE GONNA GET YOU THERE
AS FAST AS WE CAN, ALL RIGHT?
IS HE OKAY?
320
00:11:59,086 --> 00:12:01,188
CHECK IT OUT.
321
00:12:01,221 --> 00:12:02,455
IT WAS ON THE BOARD
IN THE LOUNGE.
322
00:12:02,489 --> 00:12:03,423
(paper rustles)
323
00:12:03,456 --> 00:12:04,925
WHAT, ARE YOU GETTING
A NEW PLACE?
NO, NO.
324
00:12:04,958 --> 00:12:06,093
IT'S FOR YOU.
325
00:12:06,126 --> 00:12:08,929
ME? I'M TRANSFERRING
BACK HOME.
326
00:12:08,962 --> 00:12:11,198
IT'D BE KINDA DUMB TO RENT
A PLACE LIKE THAT FOR A MONTH.
327
00:12:11,231 --> 00:12:12,766
YEAH, BUT IF YOU HAD
A PLACE LIKE THIS,
328
00:12:12,800 --> 00:12:14,768
YOU WOULDN'T NEED
TO TRANSFER BACK TO TIMMINS.
329
00:12:14,802 --> 00:12:15,869
THINK ABOUT IT.
330
00:12:15,903 --> 00:12:17,070
YOU LIVE IN ONE OF THE GREATEST
CITIES IN THE WORLD.
331
00:12:17,104 --> 00:12:19,807
I MEAN, YOU--YOU LIVE IN A CITY
WHERE YOU CAN TAKE THE BUS
332
00:12:19,840 --> 00:12:21,141
OR THE STREETCAR
OR THE SUBWAY...
DOV.
333
00:12:21,174 --> 00:12:22,910
A CITY WHERE THEY HAVE
CHINESE FOOD
334
00:12:22,943 --> 00:12:25,012
LIKE THEY ACTUALLY HAVE
IN CHINA.
335
00:12:25,045 --> 00:12:26,914
YOU KNOW, A CITY WHERE...
336
00:12:26,947 --> 00:12:29,049
WHERE A BEAUTIFUL WOMAN
WALKS INTO YOUR OFFICE
337
00:12:29,082 --> 00:12:32,052
AND WANTS TO MAKE
SWEET, SWEET, SWEET LOVE...
338
00:12:32,085 --> 00:12:36,323
(speaking Italian)
339
00:12:38,458 --> 00:12:41,962
OKAY, OKAY. SLOW DOWN.
DO YOU SPEAK ENGLISH?
340
00:12:41,995 --> 00:12:47,267
(continues speaking Italian)
341
00:12:47,300 --> 00:12:49,136
WOULD YOU, UH, MAKE SURE
YOU TAKE SNAPS
342
00:12:49,169 --> 00:12:51,071
OF ALL THE DRAWERS
AND THE VAULT?
343
00:12:51,104 --> 00:12:52,305
GOT IT.
344
00:12:52,339 --> 00:12:54,007
(camera shutter
clicking and beeping)
(woman) THANK YOU.
345
00:12:54,041 --> 00:12:55,943
(man) YES, WE'VE GOT
STATEMENTS FROM EVERYONE.
346
00:12:55,976 --> 00:12:57,911
(radio chatter, camera shutter
continues clicking and beeping)
347
00:12:57,945 --> 00:12:59,980
WELL, WITNESSES ALL SAY
THE SAME THING.
348
00:13:00,013 --> 00:13:03,116
SLEEPING BABY
IS ALL THEY REMEMBER.
349
00:13:03,150 --> 00:13:04,251
MM. IT'S KINDA TRUE,
YOU KNOW.
350
00:13:04,284 --> 00:13:06,119
I USED TO CARRY THE GIRLS
AROUND IN ONE THOSE THINGS
351
00:13:06,153 --> 00:13:07,220
WHEN THEY WERE LITTLE.
352
00:13:07,254 --> 00:13:08,421
MM-HMM.
353
00:13:08,455 --> 00:13:09,222
HE COULD HAVE BEEN WEARING
CLOWN MAKEUP
354
00:13:09,256 --> 00:13:11,324
FOR ALL THAT ANYONE
LOOKED AT ME.
355
00:13:11,358 --> 00:13:12,459
(indistinct conversations,
radio chatter)
356
00:13:12,492 --> 00:13:14,394
NOT LIKE NOW.
357
00:13:14,427 --> 00:13:16,029
NOW THEY CAN'T KEEP
THEIR EYES OFF ME.
358
00:13:16,063 --> 00:13:17,197
IT'S VERY WEIRD--
359
00:13:17,230 --> 00:13:19,332
HE HAD THE MONEY.
HE SHOT HIM ANYWAY.
360
00:13:19,366 --> 00:13:23,971
I KNOW. IT'S... MESSED UP.
BUT WE'LL GET HIM. COME ON.
361
00:13:24,004 --> 00:13:26,106
WE'LL GET HIM.
362
00:13:26,139 --> 00:13:27,107
SO HE DOESN'T WANT
INTO THE VAULT,
363
00:13:27,140 --> 00:13:28,942
JUST WHAT'S ON HAND.
364
00:13:28,976 --> 00:13:30,911
WELL, IT'S MOST AMOUNT OF CASH,
LEAST AMOUNT OF TIME.
365
00:13:30,944 --> 00:13:32,179
EXCEPT HE DOESN'T TAKE
ANY OF THE BANDED STACKS,
366
00:13:32,212 --> 00:13:33,914
JUST, UH, THE LOOSE BILLS.
367
00:13:33,947 --> 00:13:35,248
SO HE'S A PRO. DIDN'T WANNA
RISK GETTING A DYE PACK.
368
00:13:35,282 --> 00:13:37,150
RIGHT, BUT CHECK THAT OUT.
369
00:13:37,184 --> 00:13:38,151
MAGNETIC PLATE'S EXPOSED.
370
00:13:38,185 --> 00:13:40,921
SO MAYBE McNALLY COMES IN,
DISTRACTS OUR GUY,
371
00:13:40,954 --> 00:13:42,990
MANAGER SLIPS A COUPLE
OF THE DYE PACKS INTO THE BAG
372
00:13:43,023 --> 00:13:44,157
WHEN HE'S NOT LOOKING.
373
00:13:44,191 --> 00:13:46,226
WOULDN'T HAVE MADE IT
TWO, THREE BLOCKS
374
00:13:46,259 --> 00:13:47,928
BEFORE THEY WENT OFF.
375
00:13:47,961 --> 00:13:52,065
15-20. 2-BLOCK PERIMETER
WEST OF THE BANK.
376
00:13:52,099 --> 00:13:54,067
THERE'S NO SIGN
OF OUR GUY.
377
00:13:54,101 --> 00:13:56,236
(sighs)
378
00:14:04,544 --> 00:14:07,080
YEAH, SAMMY.
379
00:14:07,114 --> 00:14:09,616
YEAH, I THINK
WE GOT SOMETHING HERE.
380
00:14:09,649 --> 00:14:12,552
(Oliver) SO COVERALLS.
GUN IS ALSO HERE,
381
00:14:12,585 --> 00:14:15,055
BUT THE MONEY'S GONE.
HE LEFT A LITTLE BIT.
382
00:14:15,088 --> 00:14:18,358
NOT THAT THE DUMBASS IS GONNA BE
ABLE TO SPEND IT ANYTIME SOON.
383
00:14:18,391 --> 00:14:20,293
TAGS ARE REGISTERED
TO A KEVIN SHAFFER.
384
00:14:20,327 --> 00:14:21,494
1642 DOWLING.
385
00:14:21,528 --> 00:14:23,396
HE'S IN THE SYSTEM.
MULTIPLE B&Es.
386
00:14:23,430 --> 00:14:24,998
C.S. FROM THE DYE PACK
FILLS THE CAR.
387
00:14:25,032 --> 00:14:27,167
MAYBE THAT'S WHY HE DITCHED IT.
388
00:14:27,200 --> 00:14:28,168
OKAY, LET'S HOPE HE DIDN'T
MAKE IT TOO FAR.
389
00:14:28,201 --> 00:14:30,003
YOU GUYS
TAKE A LOOK FOR HIM.
390
00:14:30,037 --> 00:14:31,438
MAYBE YOU'LL GET ANOTHER CRACK
AT HIM AFTER ALL.
391
00:14:31,471 --> 00:14:32,505
I HOPE SO.
392
00:14:32,539 --> 00:14:34,374
(Oliver) ALL RIGHT, McNALLY,
I'M GONNA GO THIS WAY.
393
00:14:34,407 --> 00:14:36,276
ALL RIGHT.
394
00:14:36,309 --> 00:14:40,347
(dog barking in distance,
radio chatter)
395
00:14:45,318 --> 00:14:47,120
(man coughing)
396
00:14:47,154 --> 00:14:49,422
HEY.
(unholsters gun)
397
00:14:49,456 --> 00:14:52,325
PUT YOUR HANDS UP.
GET UP SLOWLY. WALK OUT.
398
00:14:52,359 --> 00:14:54,928
OKAY. OKAY.
399
00:14:54,962 --> 00:14:56,063
DON'T SHOOT.
400
00:14:56,096 --> 00:14:59,066
(static crackles)
IT'S ANDY.
I GOT HIM IN THE ALLEY.
401
00:15:01,034 --> 00:15:03,170
SLOWLY TURN AROUND.
KEEP YOUR HANDS UP.
402
00:15:03,203 --> 00:15:05,138
(crash)
403
00:15:05,172 --> 00:15:06,706
(thud)
404
00:15:06,739 --> 00:15:08,375
(laughs)
405
00:15:08,408 --> 00:15:11,144
McNALLY!
406
00:15:13,246 --> 00:15:14,614
HE GOT SIX BLOCKS.
407
00:15:14,647 --> 00:15:16,349
NOT EXACTLY A RECORD,
BUT NOT BAD.
408
00:15:16,383 --> 00:15:18,351
HE SEEMED BIGGER
AT THE BANK.
409
00:15:18,385 --> 00:15:21,621
THEY ALWAYS SEEM BIGGER WHEN
THEY HAVE A GUN IN THEIR HAND.
410
00:15:21,654 --> 00:15:23,556
(telephone ringing in distance)
HIS NAME'S KEVIN SHAFFER.
411
00:15:23,590 --> 00:15:26,493
DID TIME IN MAPLEHURST
FOR A STRING OF B&Es.
412
00:15:26,526 --> 00:15:28,695
GOT OUT A YEAR AND A HALF AGO,
BUT HE'S BEEN CLEAN SINCE.
413
00:15:28,728 --> 00:15:31,364
BUNCH OF B&Es, GETS OUT,
CLEAN FOR A YEAR AND A HALF,
414
00:15:31,398 --> 00:15:33,366
AND NOW IT'S ARMED ROBBERY
AND ATTEMPTED MURDER?
415
00:15:33,400 --> 00:15:36,736
(door buzzes and beeps)
416
00:15:36,769 --> 00:15:38,938
(buzzer in distance)
417
00:15:40,240 --> 00:15:42,142
I DON'T HAVE ANYTHING
TO SAY.
418
00:15:42,175 --> 00:15:44,377
YEAH? HAVE YOU TAKEN
A GOOD LOOK AT YOUR MUG LATELY?
419
00:15:44,411 --> 00:15:46,079
I MEAN, HAVE YOU EYEBALLED IT?
420
00:15:46,113 --> 00:15:48,448
KEVIN, WHAT IF WE JUST HAD
A CONVERSATION?
421
00:15:48,481 --> 00:15:51,051
NO. NO, I'VE HAD YOUR "WHAT IF"
CONVERSATIONS BEFORE.
422
00:15:51,084 --> 00:15:54,187
YOUR "WHAT IF" CONVERSATION
GOT ME TWO YEARS IN MAPLEHURST.
423
00:15:54,221 --> 00:15:55,522
AND HERE WE THOUGHT IT WAS
THE 11 BREAK AND ENTERS.
424
00:15:55,555 --> 00:15:58,458
OKAY, YOU WANNA PLAY "WHAT IF"?
425
00:15:58,491 --> 00:16:00,093
WHAT IF I WAS JUST SITTING
IN MY OWN CAR...
(pounds table)
426
00:16:00,127 --> 00:16:01,494
MINDING MY OWN BUSINESS?
427
00:16:01,528 --> 00:16:03,096
AND WHAT IF I HEAR
SOME GUNSHOTS,
428
00:16:03,130 --> 00:16:07,234
AND THEN SOME GUY BURSTS
OUT OF AN ALLEY WEARING A MASK?
THAT SOUNDS PRETTY SCARY.
429
00:16:07,267 --> 00:16:09,269
YEAH, AND WHAT IF THAT SAME GUY
JUMPS IN MY CAR,
430
00:16:09,302 --> 00:16:12,605
PUTS A GUN IN MY FACE,
AND THEN TELLS ME TO DRIVE?
431
00:16:12,639 --> 00:16:15,242
WELL, I GUESS THEN
YOU'D BE THE VICTIM.
EXACTLY.
432
00:16:15,275 --> 00:16:16,276
EXCEPT THE VICTIM'S ACTUALLY
A GUY NAMED DARREN KUDLOW
433
00:16:16,309 --> 00:16:19,146
WHO'S IN SURGERY RIGHT NOW
HAVING BULLETS REMOVED
434
00:16:19,179 --> 00:16:20,580
FROM HIS CHEST.
435
00:16:20,613 --> 00:16:22,149
AND IF HE DOESN'T MAKE IT,
436
00:16:22,182 --> 00:16:23,683
YOU'RE LOOKING
AT A MURDER CHARGE.
437
00:16:23,716 --> 00:16:26,219
WHAT IF I WANT A LAWYER?
438
00:16:26,253 --> 00:16:27,454
(door buzzes and beeps)
439
00:16:27,487 --> 00:16:29,689
I'LL GET BALLISTICS ON IT AS
SOON AS WE GET THE SLUGS BACK.
440
00:16:29,722 --> 00:16:31,091
(Sam) AND PLEASE LET ME KNOW
WHEN HIS LAWYER GETS HERE.
441
00:16:31,124 --> 00:16:32,225
IT WASN'T HIM.
442
00:16:32,259 --> 00:16:34,094
I BEG YOUR PARDON.
443
00:16:34,127 --> 00:16:35,695
I DON'T THINK HE'S THE ONE
WHO PULLED THE TRIGGER.
444
00:16:35,728 --> 00:16:37,497
THE GUY WITH THE MASK
WAS DIFFERENT.
445
00:16:37,530 --> 00:16:38,765
WHAT DO YOU MEAN,
WAS DIFFERENT?
446
00:16:38,798 --> 00:16:39,999
I DON'T KNOW.
MAYBE IT WAS HIS VOICE.
447
00:16:40,033 --> 00:16:43,036
YOU KNOW, IT'S JUST, THE OTHER
GUY SEEMED EXTREMELY CONFIDENT.
448
00:16:43,070 --> 00:16:44,037
THAT'S BECAUSE HE HAD
THE UPPER HAND.
449
00:16:44,071 --> 00:16:45,038
NOW WE'VE GOT IT.
450
00:16:45,072 --> 00:16:46,039
OKAY, McNALLY,
451
00:16:46,073 --> 00:16:47,240
HE HAD THE MONEY
AND THE GUN.
452
00:16:47,274 --> 00:16:48,641
HE'S COVERED
WITH THE EXPLODED DYE PACK.
453
00:16:48,675 --> 00:16:51,378
UNTIL WE HAVE MORE THAN
THIS MOUNTAIN OF EVIDENCE,
454
00:16:51,411 --> 00:16:52,645
HE'S OUR GUY.
455
00:16:52,679 --> 00:16:55,248
OKAY.
456
00:16:55,282 --> 00:16:58,451
(woman over P.A.)
...PLEASE PICK UP LINE ONE.
457
00:16:58,485 --> 00:17:00,220
CYNTHIA,
DARREN'S STILL IN SURGERY.
458
00:17:00,253 --> 00:17:01,221
AND IT COULD BE A WHILE,
459
00:17:01,254 --> 00:17:03,490
BUT THEY ARE DOING
EVERYTHING THAT THEY CAN.
460
00:17:03,523 --> 00:17:06,359
WHAT DOES THAT MEAN?
HE'S GONNA DIE?
NO, IT--IT MEANS
HE'S IN AMAZING HANDS.
461
00:17:06,393 --> 00:17:07,494
CYNTHIA, IS THERE ANYONE
WE CAN CALL?
462
00:17:07,527 --> 00:17:09,129
SOMEONE YOU WANT DOWN HERE
WITH YOU?
463
00:17:09,162 --> 00:17:10,430
(voice breaking) NO,
OUR FAMILIES ARE OUT OF TOWN.
464
00:17:10,463 --> 00:17:13,766
UM... OH, GOD.
I HAVE TO CALL HIS PARENTS.
465
00:17:13,800 --> 00:17:16,369
I NEED MY PHONE.
MY PHONE IS AT MY HOUSE.
IT'S OKAY.
466
00:17:16,403 --> 00:17:17,370
YOU KNOW WHAT? I'LL HEAD BACK.
467
00:17:17,404 --> 00:17:19,106
I'LL PICK IT UP FOR YOU,
BRING IT BACK FOR YOU.
468
00:17:19,139 --> 00:17:20,340
OKAY.
ACTUALLY, YOU KNOW WHAT?
I'M--I'LL GO.
469
00:17:20,373 --> 00:17:21,408
(keys jangle)
'CAUSE WHEN MY PARTNER LEAVES,
470
00:17:21,441 --> 00:17:24,311
YOU NEVER REALLY QUITE KNOW
WHEN HE'S COMING BACK.
471
00:17:24,344 --> 00:17:28,115
THE ONLY PRINTS IDENT
FOUND IN THE CAR MATCH THE--
472
00:17:28,148 --> 00:17:28,948
SHAFFER.
YES, SHAFFER.
473
00:17:28,981 --> 00:17:30,517
I KNOW, BUT HIS PARTNER
WORE GLOVES.
474
00:17:30,550 --> 00:17:32,652
OH. PARTNER IS YOUR THEORY?
475
00:17:32,685 --> 00:17:34,321
OKAY. I WAS IN THE BANK.
YEAH.
476
00:17:34,354 --> 00:17:36,323
I'M TELLING YOU,
IT WASN'T HIM.
477
00:17:36,356 --> 00:17:38,125
SO SHAFFER GETS IN THE CAR.
RIGHT?
478
00:17:38,158 --> 00:17:39,626
AND HE WAS ALONE,
OR MAYBE SOMEONE WAS WITH HIM.
479
00:17:39,659 --> 00:17:41,461
I-I DON'T KNOW.
OKAY.
480
00:17:41,494 --> 00:17:43,130
EITHER WAY,
THE DYE PACK GOES OFF.
YEAH.
481
00:17:43,163 --> 00:17:44,764
RIGHT?
HE DITCHES THE CAR.
482
00:17:44,797 --> 00:17:46,866
AND HE RUNS DOWN HERE.
483
00:17:46,899 --> 00:17:49,469
OKAY.
484
00:17:49,502 --> 00:17:51,571
SO WE ARE LOOKING FOR WHAT?
485
00:17:51,604 --> 00:17:53,640
I DON'T KNOW YET.
486
00:17:55,808 --> 00:17:57,076
THAT.
487
00:17:58,278 --> 00:18:00,113
(siren wailing in distance)
488
00:18:00,147 --> 00:18:04,317
(lid creaks and clanks)
489
00:18:04,351 --> 00:18:06,419
WELL, IT'S YOUR THEORY.
490
00:18:08,721 --> 00:18:10,690
OKAY.
491
00:18:10,723 --> 00:18:14,227
(speaking Italian)
492
00:18:17,397 --> 00:18:20,167
OKAY, OKAY, OKAY. OKAY.
493
00:18:20,200 --> 00:18:23,836
I THINK WHAT YOU'RE SAYING
IS YOU... WERE... ROBBED.
494
00:18:23,870 --> 00:18:24,904
(Italian accent) ROB? ROB?
IS THAT--
495
00:18:24,937 --> 00:18:26,239
IS THAT WHAT HAPPENED?
496
00:18:26,273 --> 00:18:30,543
(resumes speaking Italian)
497
00:18:30,577 --> 00:18:31,611
OKAY. ALL RIGHT.
498
00:18:31,644 --> 00:18:34,347
UH, NOBODY IN THE DIVISION
RIGHT NOW THAT'S WORKING
499
00:18:34,381 --> 00:18:35,748
SPEAKS ITALIAN.
500
00:18:35,782 --> 00:18:36,816
ITALIAN. ITALIAN.
501
00:18:36,849 --> 00:18:38,318
YEAH, 27 DIVISION HAS LUPICCINI,
502
00:18:38,351 --> 00:18:39,652
BUT HE'S TIED UP
FOR THE NEXT COUPLE HOURS.
503
00:18:39,686 --> 00:18:41,788
THAT'S OKAY. WE CAN--
WE CAN HANDLE THIS.
504
00:18:41,821 --> 00:18:43,190
DO YOU WANT A COFFEE?
505
00:18:43,223 --> 00:18:44,224
CAFFÈ. SÌ, SI, GRAZIE.
506
00:18:44,257 --> 00:18:45,158
OKAY. ONE SECOND.
507
00:18:45,192 --> 00:18:47,760
CAFFÈ. GRAZIE.
CREAM? SUGAR? NO?
508
00:18:47,794 --> 00:18:50,230
(tone chimes over P.A.)
(woman) OFFICER ANDREWS,
PHONE CALL FOR YOU ON LINE 3.
509
00:18:50,263 --> 00:18:54,667
UH... BET YOU DON'T GET
TOURISTS LIKE THIS IN TIMMINS.
510
00:18:54,701 --> 00:18:56,736
(scoffs) WHATEVER.
511
00:18:56,769 --> 00:18:58,438
I THOUGHT YOU TOOK
A VOW OF CELIBACY ANYWAY.
512
00:18:58,471 --> 00:19:00,340
WELL, WHAT GOOD IS A VOW
IF IT'S NOT TESTED
513
00:19:00,373 --> 00:19:02,242
EVERY ONCE IN A WHILE?
514
00:19:02,275 --> 00:19:03,343
(inhales deeply)
515
00:19:03,376 --> 00:19:06,613
YOU'RE JUST A POLICE OFFICER
HELPING A WOMAN IN NEED.
516
00:19:08,548 --> 00:19:09,916
(telephone ringing in distance)
517
00:19:09,949 --> 00:19:11,251
(sighs)
518
00:19:11,284 --> 00:19:13,220
THERE YOU GO.
GRAZIE.
519
00:19:13,253 --> 00:19:14,721
YOU'RE WELCOME.
OKAY, FRANCESCA,
520
00:19:14,754 --> 00:19:18,658
DO YOU REMEMBER THE NAME
OF YOUR HOTEL?
521
00:19:18,691 --> 00:19:21,661
OKAY. (speaking Italian)
522
00:19:33,573 --> 00:19:35,408
YEAH, I DON'T THINK
I KNOW THAT ONE.
523
00:19:35,442 --> 00:19:36,809
(exhales)
524
00:19:36,843 --> 00:19:39,312
McNALLY, I'M REALLY GLAD
THAT YOU'RE BACK.
525
00:19:39,346 --> 00:19:41,414
IT WAS NOT THE SAME
WITHOUT YOU.
526
00:19:41,448 --> 00:19:43,783
I'M SERIOUS. I HAVEN'T BEEN
IN THIS NEIGHBORHOOD IN MONTHS.
527
00:19:43,816 --> 00:19:47,787
DIGGING THROUGH GARBAGE,
STANDING IN SOMEONE ELSE'S PEE.
528
00:19:47,820 --> 00:19:48,921
(clatter)
529
00:19:48,955 --> 00:19:50,857
WHAT?
530
00:19:57,730 --> 00:19:58,831
THE TECH DESK.
531
00:19:58,865 --> 00:20:00,400
(beep)
532
00:20:00,433 --> 00:20:02,335
HEY, IT'S SHAW. I'M GONNA
NEED YOU TO RUN A TRACE
533
00:20:02,369 --> 00:20:05,705
ON SOME CALLS
MADE FROM A MOBILE PHONE.
534
00:20:07,774 --> 00:20:09,276
I KNEW IT.
535
00:20:09,309 --> 00:20:11,711
HEY, WHERE'S SAM?
536
00:20:11,744 --> 00:20:15,315
HE'S UP THERE.
WHAT'S GOING ON?
YEAH. THANKS.
537
00:20:15,348 --> 00:20:17,384
(indistinct conversations)
538
00:20:17,417 --> 00:20:20,987
SAM, OLIVER AND I WENT BACK TO
THE ALLEY WHERE WE GOT SHAFFER.
539
00:20:21,020 --> 00:20:22,422
LOOK WHAT WE FOUND.
540
00:20:22,455 --> 00:20:23,523
YOU TWO WENT DUMPSTER DIVING?
541
00:20:23,556 --> 00:20:25,392
UH, McNALLY DID THE DIVING.
I JUST GAVE HER A BOOST.
542
00:20:25,425 --> 00:20:28,295
IT'S A DISPOSABLE.
TWO INCOMING CALLS--
543
00:20:28,328 --> 00:20:29,762
ONE FROM ANOTHER DISPOSABLE
544
00:20:29,796 --> 00:20:31,764
AND ANOTHER ONE
FROM A ROOMING HOUSE ON LOGAN.
YEAH, I KNOW THE PLACE.
545
00:20:31,798 --> 00:20:33,333
ONE OF THE TENANTS
IS TIMOTHY McRAE.
546
00:20:33,366 --> 00:20:34,601
HE JUST GOT OUT
OF MAPLEHURST.
547
00:20:34,634 --> 00:20:35,768
SPENT SIX YEARS THERE
548
00:20:35,802 --> 00:20:37,704
FOR AGGRAVATED ASSAULT
AND ROBBERY.
549
00:20:37,737 --> 00:20:38,805
HUH.
550
00:20:38,838 --> 00:20:40,773
GUESS WHO WAS HIS CELL MATE.
551
00:20:40,807 --> 00:20:45,011
(door buzzes and beeps)
552
00:20:45,044 --> 00:20:46,646
MY LAWYER HERE?
553
00:20:46,679 --> 00:20:48,948
(door closes)
THAT'S THE THING
ABOUT PUBLIC DEFENDERS.
554
00:20:48,981 --> 00:20:50,917
THEY'RE BUSY PEOPLE.
555
00:20:50,950 --> 00:20:53,786
IT COULD BE A WHILE.
556
00:20:53,820 --> 00:20:57,324
I FIGURED I'D GIVE YOU ONE MORE
CHANCE TO HELP YOURSELF.
557
00:20:57,357 --> 00:20:59,959
YEAH. WE FOUND YOUR PHONE.
558
00:20:59,992 --> 00:21:01,694
LOOKS LIKE
YOU'VE BEEN IN TOUCH
559
00:21:01,728 --> 00:21:03,963
WITH YOUR OLD, UH,
CELL BUDDY, TIM McRAE.
560
00:21:03,996 --> 00:21:05,432
SO?
SO?
561
00:21:05,465 --> 00:21:07,033
I HAVE A NEW THEORY.
562
00:21:07,066 --> 00:21:09,001
I'D LIKE TO KNOW
WHAT YOU THINK, OKAY?
563
00:21:09,035 --> 00:21:11,671
WHAT IF YOU DIDN'T ACTUALLY
PULL THE TRIGGER TODAY?
564
00:21:11,704 --> 00:21:14,974
WHAT IF IT WAS JUST SUPPOSED
TO BE A SIMPLE BANK JOB?
565
00:21:15,007 --> 00:21:17,944
McRAE GRABS THE CASH.
YOU DRIVE THE CAR,
566
00:21:17,977 --> 00:21:20,680
EXCEPT THINGS DON'T GO
QUITE ACCORDING TO PLAN
567
00:21:20,713 --> 00:21:23,483
WHEN YOUR PARTNER HERE
SHOOTS SOMEBODY.
568
00:21:23,516 --> 00:21:26,052
WHAT IF
THAT'S WHAT HAPPENED?
569
00:21:26,085 --> 00:21:28,488
ALL YOU GOTTA DO
IS GIVE ME McRAE.
570
00:21:29,889 --> 00:21:31,424
I'M NOT SAYING ANYTHING.
571
00:21:33,426 --> 00:21:35,094
WE DON'T HAVE ENOUGH
FOR A WARRANT.
572
00:21:35,127 --> 00:21:35,995
YEAH, UH, GET NASH.
573
00:21:36,028 --> 00:21:38,331
SEE IF YOU CAN FIND
ANY MORE ON McRAE
574
00:21:38,365 --> 00:21:39,966
AND SEE IF IT WAS CONNECTED
TO ANYONE ELSE ON THE INSIDE.
575
00:21:39,999 --> 00:21:41,934
I'M GONNA TRACK DOWN
HIS PAROLE OFFICER,
576
00:21:41,968 --> 00:21:43,035
FIND OUT WHAT I CAN.
577
00:21:43,069 --> 00:21:45,037
YOU KNOW WHAT, SAMMY?
LET ME DO THAT.
578
00:21:45,071 --> 00:21:46,539
WHY DON'T YOU TWO PAY A VISIT
TO McRAE?
579
00:21:46,573 --> 00:21:48,475
SEE IF HE HAS ANYTHING
TO SAY ABOUT HIS, UH,
580
00:21:48,508 --> 00:21:49,642
HIS OLD CELL MATE.
581
00:21:49,676 --> 00:21:52,345
YOU UP FOR A RIDE?
582
00:21:52,379 --> 00:21:53,680
HELL, YEAH.
583
00:21:53,713 --> 00:21:56,015
I'LL DRIVE.
584
00:21:58,785 --> 00:21:59,919
(door buzzes and beeps)
585
00:21:59,952 --> 00:22:01,554
MY CLIENT ISN'T GONNA ANSWER
ANY MORE OF YOUR QUESTIONS,
586
00:22:01,588 --> 00:22:03,089
SO FROM NOW ON,
YOU CAN TALK TO ME.
587
00:22:03,122 --> 00:22:04,591
WELL, HE DOESN'T HAVE TO.
588
00:22:04,624 --> 00:22:07,093
I JUST WANTED TO SHARE
SOME OBSERVATIONS--
589
00:22:07,126 --> 00:22:08,795
OBSERVATIONS THAT MIGHT
HELP YOU HELP YOUR CLIENT
590
00:22:08,828 --> 00:22:11,130
OUT OF THIS HOLE HE'S BEEN
DIGGING FOR HIMSELF.
591
00:22:11,163 --> 00:22:14,000
KEVIN HERE DID TWO YEARS
FOR BREAK AND ENTER.
592
00:22:14,033 --> 00:22:15,468
NOTHING VIOLENT.
593
00:22:15,502 --> 00:22:16,703
OUT IN A YEAR AND A HALF.
594
00:22:16,736 --> 00:22:19,572
WORKS AT A SHIPPING YARD.
MODEL EMPLOYEE.
595
00:22:19,606 --> 00:22:20,707
HIS CELL MATE--
596
00:22:20,740 --> 00:22:25,578
TIMOTHY McRAE, SIX YEARS,
AGGRAVATED ASSAULT, BATTERY,
597
00:22:25,612 --> 00:22:27,580
STABBED A FELLOW INMATE.
598
00:22:27,614 --> 00:22:28,848
WHAT DOES THIS HAVE TO DO
WITH ANYTHING?
599
00:22:28,881 --> 00:22:30,049
WELL, IT TURNS OUT THE GUY
THAT McRAE STABBED
600
00:22:30,082 --> 00:22:33,820
HAD JUST BEEN DISCIPLINED
FOR BREAKING YOUR CLIENT'S ARM,
601
00:22:33,853 --> 00:22:36,423
WHICH GOT ME THINKING
MAYBE KEVIN
602
00:22:36,456 --> 00:22:38,024
WASN'T OUTSIDE THE BANK TODAY
BECAUSE HE WANTED TO BE.
603
00:22:38,057 --> 00:22:41,661
MAYBE HE HAD A DEBT
TO REPAY.
604
00:22:41,694 --> 00:22:44,531
SOMETHING LIKE THAT
MIGHT MAKE A DIFFERENCE.
605
00:22:46,032 --> 00:22:48,034
(mouths words)
606
00:22:48,067 --> 00:22:49,836
McRAE CALLED.
607
00:22:49,869 --> 00:22:51,103
SAID HE NEEDED A FAVOR.
608
00:22:51,137 --> 00:22:52,839
WHY DIDN'T YOU SAY NO?
YOU CRAZY?
609
00:22:52,872 --> 00:22:57,810
I SPENT TWO YEARS IN A 10x12 BOX
WITH THAT GUY.
610
00:22:57,844 --> 00:23:00,847
MADE ME SICK TO MY STOMACH
WHEN HE CALLED.
611
00:23:00,880 --> 00:23:05,184
I FIGURED IF I DO THE FAVOR,
THEN... WE'D BE SQUARE.
612
00:23:05,217 --> 00:23:06,486
AND IT WAS HIS IDEA
FOR THE ROBBERY?
613
00:23:06,519 --> 00:23:08,588
WHY THAT BANK?
614
00:23:08,621 --> 00:23:11,023
(sighs) DIDN'T ASK.
615
00:23:12,725 --> 00:23:14,561
(telephone ringing in distance)
616
00:23:14,594 --> 00:23:15,828
(monitor beeping steadily)
617
00:23:15,862 --> 00:23:18,197
(Cynthia) HE'S GONNA DIE,
ISN'T HE?
618
00:23:18,230 --> 00:23:19,999
HE'S GETTING
THE BEST POSSIBLE CARE.
619
00:23:23,135 --> 00:23:24,771
SO HOW'D YOU TWO MEET?
620
00:23:24,804 --> 00:23:28,007
(ventilator whooshing)
621
00:23:28,040 --> 00:23:32,745
DARREN AND I DATED YEARS AGO
BACK IN COLLEGE.
622
00:23:32,779 --> 00:23:34,781
AND THEN WE BROKE UP.
623
00:23:36,883 --> 00:23:38,184
IT WAS MY FAULT.
I WOULDN'T COMMIT,
624
00:23:38,217 --> 00:23:41,187
SO I-I STRUNG HIM ALONG
UNTIL HE DUMPED ME.
625
00:23:41,220 --> 00:23:43,790
WHAT WERE YOU
HOLDING OUT FOR?
626
00:23:43,823 --> 00:23:47,827
FIREWORKS, I GUESS.
627
00:23:47,860 --> 00:23:49,996
AND I FOUND THEM...
628
00:23:50,029 --> 00:23:51,230
BUT WITH SOMEONE ELSE.
629
00:23:51,263 --> 00:23:55,201
I WAS YOUNG, AND--AND I JUST
WANTED SOMETHING MORE EXCITING,
630
00:23:55,234 --> 00:24:00,072
BUT HE WAS CONTROLLING
AND HE ACTED LIKE HE OWNED ME.
631
00:24:00,106 --> 00:24:02,575
THEN I FOUND DARREN AGAIN.
632
00:24:02,609 --> 00:24:07,013
I WISH I'D KNOWN WHAT I HAD WHEN
IT WAS RIGHT IN FRONT OF ME.
633
00:24:08,581 --> 00:24:10,483
WE WOULD'VE HAD
A LOT MORE TIME TOGETHER.
634
00:24:14,286 --> 00:24:16,055
ALL RIGHT,
WHAT ABOUT THIS ONE?
635
00:24:16,088 --> 00:24:19,058
JOURNEY'S END?
636
00:24:19,091 --> 00:24:22,028
(speaking Italian)
637
00:24:24,030 --> 00:24:25,565
FRANCESCA.
SÌ?
638
00:24:25,598 --> 00:24:26,365
I KNOW YOU'RE HAVING
A ROUGH TIME,
639
00:24:26,398 --> 00:24:27,867
BUT JUST GIVE IT
A COUPLE OF DAYS.
640
00:24:27,900 --> 00:24:29,135
I PROMISE YOU'RE GONNA
LOVE IT HERE.
641
00:24:29,168 --> 00:24:30,870
WE HAVE SO MUCH TO OFFER,
YOU KNOW?
642
00:24:30,903 --> 00:24:33,573
THE--THE HARBOURFRONT,
ST. LAWRENCE MARKET,
643
00:24:33,606 --> 00:24:36,576
THE TALLEST FREESTANDING
STRUCTURE IN THE WORLD--
NOT ANYMORE.
644
00:24:36,609 --> 00:24:37,910
TRUE, BUT IT'S VERY NICE,
AND IT'S VERY TALL,
645
00:24:37,944 --> 00:24:39,746
AND YOU CAN SEE THE WHOLE CITY
FROM UP THERE.
646
00:24:39,779 --> 00:24:41,948
DOV, ENOUGH, OKAY?
647
00:24:41,981 --> 00:24:44,116
NO, I'M JUST TRYING TO POINT OUT
WHAT OUR CITY HAS TO OFFER
648
00:24:44,150 --> 00:24:47,253
AS OPPOSED TO A SMALLER TOWN
LIKE, SAY, TIMMINS.
649
00:24:47,286 --> 00:24:49,956
YOU THINK THIS IS EASY FOR ME?
I DON'T KNOW.
YOU'RE THE ONE DOING IT.
650
00:24:49,989 --> 00:24:52,158
I'M LEAVING A JOB I LOVE,
MY FRIENDS,
651
00:24:52,191 --> 00:24:54,861
TO GO BACK TO A PLACE
I COULDN'T WAIT TO GET OUT OF
652
00:24:54,894 --> 00:24:58,097
WITH A WOMAN I ONLY HAD THINGS
IN COMMON WITH WHEN I WAS 17.
653
00:24:58,130 --> 00:25:00,232
IT'S NOT ABOUT WHAT'S EASY.
IT'S ABOUT WHAT'S RIGHT.
654
00:25:00,266 --> 00:25:02,569
AND IT'S NONE
OF YOUR DAMN BUSINESS.
655
00:25:02,602 --> 00:25:03,836
COME ON, MA'AM.
656
00:25:03,870 --> 00:25:06,038
WE'RE GONNA GO FOR A DRIVE
AND FIND YOUR HOSTEL.
657
00:25:06,072 --> 00:25:08,641
OKAY?
658
00:25:08,675 --> 00:25:11,911
DRIVE. FIND YOUR HOTEL.
COME ON.
DRIVE?
659
00:25:13,212 --> 00:25:16,048
TIMOTHY McRAE?
660
00:25:16,082 --> 00:25:19,118
THIS IS THE POLICE.
WE'VE GOT A FEW QUESTIONS.
661
00:25:24,023 --> 00:25:26,593
YOU SMELL SMOKE?
662
00:25:26,626 --> 00:25:27,994
UH, YEAH, I THINK I DO.
663
00:25:28,027 --> 00:25:30,597
(unholsters gun)
HMM.
664
00:25:30,630 --> 00:25:32,565
(door creaks)
665
00:25:36,268 --> 00:25:38,571
(sighs) CLEAR.
CLEAR.
666
00:25:38,605 --> 00:25:40,873
HOW LONG HAS THIS GUY
BEEN OUT?
LESS THAN A MONTH.
667
00:25:40,907 --> 00:25:44,711
HUH. LOOKS LIKE COMING HOME
HASN'T EXACTLY BEEN EASY.
668
00:25:44,744 --> 00:25:46,345
(chuckles)
669
00:25:46,378 --> 00:25:48,881
HEY, McNALLY.
670
00:25:48,915 --> 00:25:50,149
WHAT?
671
00:25:52,785 --> 00:25:56,923
LOOKS LIKE McRAE
WAS AT THE BANK AFTER ALL.
672
00:25:56,956 --> 00:26:00,292
OKAY. SO THEN WHY IS SHAFFER
TAKING THE BLAME?
673
00:26:00,326 --> 00:26:02,795
AT THIS POINT, SHAFFER'S A LOT
MORE AFRAID OF McRAE
674
00:26:02,829 --> 00:26:04,163
THAN HE IS
OF GOING BACK TO PRISON.
675
00:26:05,832 --> 00:26:08,267
WHAT ARE WE LOOKING FOR?
FRIENDS? ASSOCIATES?
676
00:26:08,300 --> 00:26:12,338
ANYTHING THAT MIGHT GIVE US
AN IDEA WHERE THE HELL HE IS.
677
00:26:16,008 --> 00:26:17,276
(rustles papers)
SAM.
678
00:26:17,309 --> 00:26:19,912
YEAH?
DARREN KUDLOW--YOU KNOW,
THE BANK MANAGER THAT GOT SHOT?
679
00:26:19,946 --> 00:26:21,013
YEAH.
(rustles papers)
680
00:26:21,047 --> 00:26:24,016
I THINK McRAE
KNEW EXACTLY WHO HE WAS.
SO?
681
00:26:24,050 --> 00:26:26,686
WELL, HE HAD THE MONEY.
HE DIDN'T HAVE TO SHOOT HIM.
682
00:26:31,123 --> 00:26:34,293
SO? MAYBE IT WASN'T
JUST A ROBBERY.
683
00:26:34,326 --> 00:26:35,494
INTERESTING PLAN.
684
00:26:35,527 --> 00:26:37,830
GET SOME CASH. MANAGER HAPPENS
TO GET SHOT IN THE PROCESS.
685
00:26:37,864 --> 00:26:38,898
WE'RE OFF INVESTIGATING
A BANK JOB
686
00:26:38,931 --> 00:26:41,133
INSTEAD OF SOMEONE WHO'S GOT
A BEEF AGAINST KUDLOW.
687
00:26:41,167 --> 00:26:42,134
ALL RIGHT,
SO WHAT'S THE CONNECTION?
688
00:26:42,168 --> 00:26:43,302
WITNESS?
OR MAYBE, YOU KNOW,
689
00:26:43,335 --> 00:26:44,436
SOMEONE WHO TRIED
TO PUT HIM AWAY?
690
00:26:44,470 --> 00:26:47,339
McRAE'S NOT GONNA BE THE FIRST
EX-CON TO HOLD A GRUDGE.
691
00:26:48,841 --> 00:26:50,409
NASH, GET E.T.F. OVER
TO MEMORIAL.
692
00:26:50,442 --> 00:26:52,745
LOOKS LIKE THE BANK MANAGER
COULD HAVE BEEN TARGETED.
693
00:26:52,779 --> 00:26:53,813
YEAH,
I THINK I MIGHT KNOW WHY.
694
00:26:53,846 --> 00:26:55,948
JUST GOING OVER McRAE'S FILE.
BEFORE HE WENT IN,
695
00:26:55,982 --> 00:26:57,283
HE LIVED
WITH A CYNTHIA THORPE,
696
00:26:57,316 --> 00:26:59,686
AND CYNTHIA THORPE
IS NOW CYNTHIA KUDLOW.
697
00:26:59,719 --> 00:27:02,154
BANK MANAGER'S WIFE
IS McRAE'S EX.
698
00:27:02,188 --> 00:27:04,223
DO WE KNOW
WHAT THIS GUY DRIVES?
699
00:27:04,256 --> 00:27:06,425
I'LL GET THE TAGS,
GET A B.O.L.O. OUT.
GREAT. DO IT.
700
00:27:06,458 --> 00:27:08,094
(coins clatter,
cell phone rings)
701
00:27:08,127 --> 00:27:10,062
(ring, beep)
COLLINS.
702
00:27:10,096 --> 00:27:11,297
COLLINS, IT'S SWAREK.
YOU STILL AT MEMORIAL?
703
00:27:11,330 --> 00:27:13,065
Yeah. Her husband just
got out of surgery.
704
00:27:13,099 --> 00:27:14,767
E.T.F.'s COMING YOUR WAY.
705
00:27:14,801 --> 00:27:15,835
WE THINK KUDLOW MIGHT BE
THE SUBJECT
706
00:27:15,868 --> 00:27:17,069
OF A SPECIFIC THREAT.
707
00:27:17,103 --> 00:27:18,070
I need you to stay
with the Kudlows
708
00:27:18,104 --> 00:27:20,740
until they get there.
(beep)
709
00:27:20,773 --> 00:27:23,042
(women screaming)
710
00:27:23,075 --> 00:27:25,344
(shouting indistinctly)
711
00:27:25,377 --> 00:27:28,414
WHOA! WHOA, WHOA, WHOA,
WHOA, WHOA!
DON'T MOVE! DON'T MOVE!
712
00:27:28,447 --> 00:27:29,281
(screams)
(shouting indistinctly)
713
00:27:29,315 --> 00:27:31,183
LOOK AT ME. DO NOT POINT
THE RIFLE AT ME!
714
00:27:31,217 --> 00:27:34,020
E.T.F. IS EN ROUTE!
E.T.F. IS ON ROUTE!
715
00:27:34,053 --> 00:27:35,454
(shouting indistinctly)
BE SMART. BE SMART.
716
00:27:35,487 --> 00:27:37,023
BE SMART.
717
00:27:37,056 --> 00:27:38,424
(shouting indistinctly)
QUIET DOWN!
718
00:27:38,457 --> 00:27:39,391
(Cynthia screaming)
719
00:27:39,425 --> 00:27:41,761
(alarm sounding)
STAIRS! WHERE'S THE STAIRS?
720
00:27:41,794 --> 00:27:43,662
(woman) DOWN THERE!
DOWN THE HALL!
721
00:27:45,732 --> 00:27:47,299
(radio static)
722
00:27:47,333 --> 00:27:48,334
THIS IS COLLINS. I LOST 'EM.
723
00:27:48,367 --> 00:27:51,370
WITNESSES SAY THEY GOT OFF
ON THE SECOND FLOOR.
724
00:27:51,403 --> 00:27:54,841
Heads up. He's armed
with an assault rifle.
725
00:27:54,874 --> 00:27:57,043
(static crackles)
OKAY, STAY THERE
UNTIL E.T.F. ARRIVE
726
00:27:57,076 --> 00:27:59,478
AND MAKE SURE
THE HUSBAND'S SAFE.
727
00:27:59,511 --> 00:28:01,380
(male dispatcher) All units,
we're in pursuit of a white van,
728
00:28:01,413 --> 00:28:04,817
tag's Alpha, Yankee, Victor,
Juliette, Niner, One, Niner.
729
00:28:04,851 --> 00:28:07,019
Subject is armed
and holding one...
730
00:28:07,053 --> 00:28:08,187
(speaks indistinctly)
...heading west on Crenshaw.
731
00:28:08,220 --> 00:28:10,089
WEST ON CRENSHAW.
HE'S COMING RIGHT AT US.
732
00:28:10,122 --> 00:28:13,325
(switch clicks, siren wailing)
733
00:28:13,359 --> 00:28:14,761
THERE.
734
00:28:14,794 --> 00:28:16,963
(wailing continues)
735
00:28:16,996 --> 00:28:19,465
(tires screech)
736
00:28:19,498 --> 00:28:20,900
(static crackles)
737
00:28:20,933 --> 00:28:22,969
15-19. WE GOT EYES
ON THE SUSPECT'S VEHICLE,
738
00:28:23,002 --> 00:28:24,170
ALBION BRIDGE.
739
00:28:24,203 --> 00:28:28,107
(speaking Italian)
740
00:28:28,140 --> 00:28:30,376
FRANCESCA, CALM DOWN.
(clank)
741
00:28:30,409 --> 00:28:33,145
(tires peal)
742
00:28:33,179 --> 00:28:35,314
HE'S HEADING EAST
BACK ACROSS THE BRIDGE.
743
00:28:35,347 --> 00:28:38,050
ALL RIGHT, HOLD YOUR POSITION.
THIS IS 15-20. WE'LL BOX HIM IN.
(siren wailing)
744
00:28:38,084 --> 00:28:41,387
(tires screech)
745
00:28:41,420 --> 00:28:43,990
(gears shift,
seat belts unfasten)
746
00:28:46,826 --> 00:28:48,060
SO WHAT NOW?
747
00:28:49,796 --> 00:28:53,800
(siren wailing)
748
00:28:53,833 --> 00:28:55,768
ARE YOU OKAY?
749
00:28:55,802 --> 00:28:59,171
(bullets ricochet)
(shouting in Italian)
750
00:28:59,205 --> 00:29:01,073
OKAY, DON'T BE SCARED,
FRANCESCA. JUST STAY DOWN.
751
00:29:01,107 --> 00:29:02,909
(Francesca continues shouting
in Italian)
752
00:29:02,942 --> 00:29:04,977
15-20.
OFFICERS UNDER FIRE.
753
00:29:05,011 --> 00:29:06,212
ALBION BRIDGE.
754
00:29:08,948 --> 00:29:11,050
(static crackles)
(amplified voice)
McRAE, DON'T BE AN IDIOT!
755
00:29:11,083 --> 00:29:13,485
YOU GOT NOWHERE TO GO!
GET OUT OF THE VAN,
756
00:29:13,519 --> 00:29:16,055
PUT THE RIFLE DOWN,
AND GET ON THE GROUND!
757
00:29:16,088 --> 00:29:17,824
(whispers) OKAY.
758
00:29:21,227 --> 00:29:23,429
OKAY. GO AHEAD.
BE AN IDIOT.
759
00:29:23,462 --> 00:29:25,064
(static crackles)
760
00:29:25,097 --> 00:29:26,565
DIAZ, DO YOU SEE ANYBODY ELSE
IN THE VAN?
761
00:29:26,598 --> 00:29:28,868
(static crackles)
I CAN'T SEE HER.
YOU GUYS OKAY?
762
00:29:28,901 --> 00:29:30,336
WE'RE GOOD.
TELL HIM WE'RE GONNA
HAVE TO WAIT IT OUT.
763
00:29:30,369 --> 00:29:31,370
OKAY, LOOKS LIKE WE'RE
GONNA HAVE TO WAIT IT OUT,
764
00:29:31,403 --> 00:29:34,073
SO JUST HOLD YOUR POSITION
UNTIL E.T.F. GET HERE.
765
00:29:34,106 --> 00:29:37,409
(engine hissing)
766
00:29:40,346 --> 00:29:42,314
ALL RIGHT, LET'S MAKE SURE
HE ISN'T GOING ANYWHERE, OKAY?
767
00:29:51,991 --> 00:29:55,227
(shell casings clatter)
GOT A MAG?
768
00:29:55,261 --> 00:29:57,897
(clicks)
769
00:29:57,930 --> 00:29:59,465
(screams)
770
00:29:59,498 --> 00:30:01,033
(whispers) CRAP.
771
00:30:01,067 --> 00:30:02,234
(Cynthia screams)
(McRae) STAY DOWN!
772
00:30:02,268 --> 00:30:04,236
SOMEBODY, HELP!
773
00:30:11,944 --> 00:30:12,945
(exhales)
774
00:30:12,979 --> 00:30:15,181
ALL RIGHT.
MAYBE HE'S OUT OF AMMO.
775
00:30:24,556 --> 00:30:27,393
(Cynthia screaming)
SHUT UP!
776
00:30:27,426 --> 00:30:29,061
ALL RIGHT.
(coughing)
777
00:30:29,095 --> 00:30:31,931
MAYBE HE'S NOT.
778
00:30:31,964 --> 00:30:32,932
SHOULD'VE KNOWN
THIS WOULD HAPPEN.
779
00:30:32,965 --> 00:30:34,934
MY FIRST SHIFT BACK,
I'M ALREADY GETTING SHOT AT.
780
00:30:34,967 --> 00:30:36,502
YOU MISSED ME, DIDN'T YOU?
781
00:30:36,535 --> 00:30:39,906
(static crackles)
(amplified voice) McRAE!
782
00:30:39,939 --> 00:30:43,309
LET'S END THIS BEFORE ANYBODY
GETS HURT, ALL RIGHT?
783
00:30:43,342 --> 00:30:44,510
(static crackles)
784
00:30:48,214 --> 00:30:50,249
GOOD JOB.
785
00:30:50,282 --> 00:30:51,884
THINK YOU CAN DO BETTER?
YEAH, I KINDA DO.
786
00:30:51,918 --> 00:30:52,952
PLEASE DO. HERE.
IT'S ALL YOURS.
ALL RIGHT.
787
00:30:52,985 --> 00:30:54,020
(static crackles)
788
00:30:54,053 --> 00:30:56,422
(amplified voice) YO, McRAE!
789
00:30:56,455 --> 00:31:00,893
LOOK... IT MUST BE REALLY HARD
TO COME BACK, YOU KNOW?
790
00:31:00,927 --> 00:31:04,430
AFTER BEING AWAY FOR SO LONG
AND EVERYTHING'S DIFFERENT.
791
00:31:04,463 --> 00:31:05,464
(static crackles)
792
00:31:05,497 --> 00:31:07,466
(normal voice)
I DON'T KNOW.
793
00:31:07,499 --> 00:31:08,534
HEY, COPS!
794
00:31:10,369 --> 00:31:11,503
I THINK HE LIKES YOU.
795
00:31:11,537 --> 00:31:13,472
HUH.
796
00:31:13,505 --> 00:31:15,507
YOU WANT HER?!
797
00:31:15,541 --> 00:31:18,377
FINE. GO! GO! GET OUT!
798
00:31:18,410 --> 00:31:20,212
GET OUT!
799
00:31:20,246 --> 00:31:21,347
DON'T SHOOT!
800
00:31:21,380 --> 00:31:22,481
YOU DON'T WANNA BE WITH ME
ANYMORE?
801
00:31:22,514 --> 00:31:24,516
NO! (sobbing)
THEN JUST GO.
802
00:31:24,550 --> 00:31:26,452
RUN, CYNTHIA!
COME TO THE CAR!
(continues sobbing)
803
00:31:26,485 --> 00:31:28,988
(Andy)
ALL RIGHT, JUST COME HERE!
804
00:31:29,021 --> 00:31:31,690
(sobbing)
805
00:31:31,723 --> 00:31:33,492
(speaks indistinctly)
806
00:31:33,525 --> 00:31:36,695
TIM, COME ON! YOU LET HER GO!
JUST PUT THE RIFLE DOWN!
807
00:31:36,728 --> 00:31:40,332
(sirens wailing in distance)
808
00:31:40,366 --> 00:31:42,034
(gun cocks)
POLICE! DON'T MOVE!
809
00:31:42,068 --> 00:31:43,936
PUT THE GUN DOWN NOW!
PUT THE GUN DOWN!
810
00:31:43,970 --> 00:31:45,237
PUT YOUR HANDS
IN THE AIR NOW!
811
00:31:45,271 --> 00:31:46,338
PUT IT DOWN NOW!
812
00:31:46,372 --> 00:31:48,975
NOW! HANDS UP!
HANDS UP IN THE AIR!
813
00:31:50,009 --> 00:31:51,077
GET OUT OF THE VAN!
814
00:31:51,110 --> 00:31:53,479
GET OUT NOW.
KNEES ON THE GROUND.
815
00:31:53,512 --> 00:31:54,947
GET DOWN ON THE GROUND.
816
00:31:54,981 --> 00:31:57,583
GET DOWN ON THE GROUND NOW!
817
00:31:57,616 --> 00:32:01,620
(sirens continue wailing,
helicopter whirring)
818
00:32:04,090 --> 00:32:05,691
(siren wailing)
819
00:32:07,559 --> 00:32:08,961
McRAE GIVE YOU
ANY MORE TROUBLE?
820
00:32:08,995 --> 00:32:12,198
UH... E.T.F. HELPED US
WITH THE ESCORT.
821
00:32:12,231 --> 00:32:14,133
HOW'D IT GO
WITH FRANCESCA?
822
00:32:14,166 --> 00:32:16,068
GOOD. YOU KNOW,
WE FOUND HER HOSTEL.
823
00:32:16,102 --> 00:32:17,336
SHE WAS PRETTY STOKED
ON THE TAKEDOWN.
824
00:32:17,369 --> 00:32:18,337
ALTHOUGH SHE WAS
A LITTLE DISAPPOINTED
825
00:32:18,370 --> 00:32:19,471
TO FIND OUT
IT WASN'T THE GUY
826
00:32:19,505 --> 00:32:21,240
WHO STOLE HER PASSPORT
AND WALLET.
827
00:32:21,273 --> 00:32:24,643
OH. SHE WAS SUPER HOT, MAN.
828
00:32:24,676 --> 00:32:26,412
YOU SURE ABOUT
THAT WHOLE VOW OF CELIBACY?
829
00:32:26,445 --> 00:32:28,547
YEAH. I'M SURE.
830
00:32:28,580 --> 00:32:30,249
ALSO, I MET HER BOYFRIEND.
831
00:32:30,282 --> 00:32:32,218
HIS NAME'S ROCCO,
AND HE'S AN OLYMPIC WRESTLER.
832
00:32:32,251 --> 00:32:33,719
(exhales) SORRY, DUDE.
833
00:32:33,752 --> 00:32:36,222
TAKEDOWN WAS PRETTY COOL,
HUH?
834
00:32:38,657 --> 00:32:41,260
YOU GET IT NOW?
GET WHAT?
835
00:32:41,293 --> 00:32:42,294
WHY DENISE AND I
DON'T WANNA RAISE OUR SON
836
00:32:42,328 --> 00:32:46,498
IN A CITY WHERE PEOPLE
ARE ROBBED AT GUNPOINT?
837
00:32:46,532 --> 00:32:48,700
I MEAN, WHERE A GUY SHOOTS
THE HELL OUT OF THE POLICE?
838
00:32:48,734 --> 00:32:51,003
YOU CAN'T MAKE THAT DECISION
BASED ON ONE BAD DAY.
839
00:32:51,037 --> 00:32:53,405
I'M NOT NEW, DOV.
840
00:32:53,439 --> 00:32:55,207
OKAY?
(shoes clatter)
841
00:32:55,241 --> 00:32:57,309
BEEN AROUND LONG ENOUGH TO KNOW
THAT THEY'RE ALL BAD DAYS,
842
00:32:57,343 --> 00:32:58,410
AT LEAST FOR SOMEBODY.
843
00:32:58,444 --> 00:33:02,614
I MEAN, I LOOK AT CHRISTIAN,
AND I LOOK AT THE STUFF
844
00:33:02,648 --> 00:33:06,752
THAT PEOPLE DO TO EACH OTHER,
AND I JUST FEEL LIKE
845
00:33:06,785 --> 00:33:08,087
I GOTTA GET HIM OUTTA HERE.
846
00:33:08,120 --> 00:33:12,158
WELL...
TIMMINS P.D. IS LUCKY.
847
00:33:12,191 --> 00:33:13,359
THEY'RE GETTING A HELL
OF A COP.
848
00:33:15,261 --> 00:33:16,362
THANKS.
849
00:33:16,395 --> 00:33:17,763
BUY YOU A BEER?
850
00:33:17,796 --> 00:33:20,499
NO. UH, I CAN'T.
I, UM...
851
00:33:20,532 --> 00:33:23,202
(sniffs)
I GOTTA HEAD HOME.
852
00:33:28,807 --> 00:33:32,678
(ventilator whooshing,
monitor beeping steadily)
853
00:33:32,711 --> 00:33:35,614
DON'T EVER GET SHOT.
854
00:33:35,647 --> 00:33:38,250
OKAY.
THAT'S GOOD ADVICE.
855
00:33:38,284 --> 00:33:40,052
NO, I'M SERIOUS.
856
00:33:40,086 --> 00:33:41,120
YOU'VE ALREADY
LEFT ME TWICE,
857
00:33:41,153 --> 00:33:42,454
AND IF YOU EVER
GET SHOT AND DIE,
858
00:33:42,488 --> 00:33:44,723
I'LL NEVER FORGIVE YOU.
859
00:33:44,756 --> 00:33:49,428
HEY, IS THERE ANYTHING I CAN DO
THAT DOESN'T MAKE YOU MAD?
860
00:33:49,461 --> 00:33:51,763
SHE WAS WITH A GUY
NAMED DARREN. DARREN.
861
00:33:51,797 --> 00:33:54,200
LIKE, IT JUST SOUNDS WRONG.
LIKE, "HI. I'M DARREN.
862
00:33:54,233 --> 00:33:56,668
I'M AN IDIOT,
AND I WORK AT A BANK."
863
00:33:56,702 --> 00:33:58,770
YOU SEE THE GUY?
THERE'S NO WAY
864
00:33:58,804 --> 00:34:02,374
SHE WAS IN LOVE WITH A GUY
LIKE THAT. NO WAY.
865
00:34:02,408 --> 00:34:07,479
(laughs) YOU SHOULD'VE SEEN
THE LOOK ON HIS STUPID FACE.
866
00:34:07,513 --> 00:34:09,415
(switch clicks)
867
00:34:11,217 --> 00:34:12,284
(buzzer in distance)
868
00:34:12,318 --> 00:34:15,687
HEY.
TRACI STILL IN WITH HIM?
869
00:34:15,721 --> 00:34:18,490
OH, YEAH. THEY'LL BE
IN THERE FOR A WHILE.
870
00:34:18,524 --> 00:34:22,094
OH. YOU GOING TO THE PENNY?
YEP.
871
00:34:22,128 --> 00:34:24,630
'CAUSE I COULD USE A LIFT.
OKAY. AM I GONNA GET SHOT AT?
872
00:34:24,663 --> 00:34:26,832
I'LL SEE.
873
00:34:32,904 --> 00:34:35,841
**
874
00:34:43,715 --> 00:34:44,816
(shifts gears, turns off engine)
875
00:34:44,850 --> 00:34:46,252
OH, HEY.
876
00:34:46,285 --> 00:34:48,620
YOU MIGHT WANNA VISIT
THE RANGE.
877
00:34:48,654 --> 00:34:50,522
REALLY?
878
00:34:50,556 --> 00:34:52,658
YEAH. TODAY ON THE BRIDGE,
YOU WERE TEA CUPPING.
879
00:34:52,691 --> 00:34:54,626
IT WAS A LITTLE OFF.
OFF? I WASN'T OFF.
880
00:34:54,660 --> 00:34:56,628
IT'S UNDERSTANDABLE.
YOU'VE BEEN AWAY FOR A WHILE.
881
00:34:56,662 --> 00:34:58,164
NO, I WASN'T OFF.
IT'S GONNA HAPPEN.
882
00:34:58,197 --> 00:34:59,365
I HIT THE GUY'S TIRE.
YOU DIDN'T HIT HIS TIRE.
883
00:34:59,398 --> 00:35:00,732
IT WASN'T YOU THAT HIT
HIS TIRE. IT WAS ME.
NO, NO, NO.
884
00:35:00,766 --> 00:35:03,235
NO, I'M NOT GONNA SAY IT
WAS ME, BUT, YEAH, IT WAS ME.
885
00:35:03,269 --> 00:35:04,570
(laughs)
WHAT?
886
00:35:04,603 --> 00:35:07,506
(siren wailing in distance)
887
00:35:07,539 --> 00:35:08,774
WHAT HAPPENED WITH US?
888
00:35:08,807 --> 00:35:10,376
WHAT HAPPENED WITH US?
889
00:35:10,409 --> 00:35:12,444
YOU WALKED AWAY FROM US AGAIN.
THAT'S WHAT HAPPENED.
890
00:35:12,478 --> 00:35:14,413
NO, THAT'S... THAT'S NOT.
891
00:35:14,446 --> 00:35:16,248
YEAH, NO,
THAT'S WHAT HAPPENED.
NO, YOU BROKE UP WITH ME.
892
00:35:16,282 --> 00:35:18,384
AND I TOLD YOU I WAS SORRY,
THAT I MADE A MISTAKE,
893
00:35:18,417 --> 00:35:19,718
THAT I WOULD DO ANYTHING
TO MAKE IT UP TO YOU,
894
00:35:19,751 --> 00:35:22,821
TO MAKE US WORK.
YOU DID NOT FEEL THE SAME WAY.
895
00:35:22,854 --> 00:35:24,456
I DID FEEL THE SAME WAY.
896
00:35:26,625 --> 00:35:29,528
I MEAN, SAM,
YOU BROKE MY HEART.
897
00:35:29,561 --> 00:35:32,464
WELL, YOU GOT ME BACK.
898
00:35:37,703 --> 00:35:38,870
WHY HER?
899
00:35:41,440 --> 00:35:43,642
SHE'S... WE GET ALONG.
900
00:35:43,675 --> 00:35:45,411
AND SHE'S SMART AND FUN.
901
00:35:45,444 --> 00:35:46,412
MM.
902
00:35:46,445 --> 00:35:48,514
IT'S NOT, UH, COMPLICATED.
903
00:35:49,815 --> 00:35:51,283
SHE'S NOT YOU.
904
00:35:55,821 --> 00:35:56,822
OKAY.
905
00:36:04,630 --> 00:36:06,164
(door closes)
906
00:36:08,367 --> 00:36:11,337
(indistinct conversations,
laughter)
907
00:36:11,370 --> 00:36:13,839
**
908
00:36:13,872 --> 00:36:16,275
HEY.
HOW YOU DOING?
909
00:36:16,308 --> 00:36:18,777
CONGRATULATIONS.
OH, IT'S SO NICE TO SEE YOU.
910
00:36:18,810 --> 00:36:20,746
(laughing)
911
00:36:20,779 --> 00:36:23,549
(door closes)
912
00:36:26,985 --> 00:36:30,589
UGH! ALL THIS CELEBRATION
AND HAPPINESS.
913
00:36:30,622 --> 00:36:32,658
CAN YOU PLEASE TELL ME
THIS IS A DOUBLE?
914
00:36:32,691 --> 00:36:33,525
MOVE IN WITH ME.
915
00:36:33,559 --> 00:36:35,427
WHAT, ARE YOU DRUNK
ALREADY, COLLINS?
916
00:36:35,461 --> 00:36:37,429
NO.
917
00:36:37,463 --> 00:36:40,532
I'M SERIOUS.
918
00:36:40,566 --> 00:36:42,000
I WANNA BE WITH YOU
AS LONG AS YOU'LL HAVE ME,
919
00:36:42,033 --> 00:36:43,402
EVEN IF YOU STAY MAD.
920
00:36:43,435 --> 00:36:47,406
**
921
00:36:47,439 --> 00:36:50,776
SO I GUESS
WE'RE MOVING IN TOGETHER?
922
00:36:50,809 --> 00:36:53,512
NAH. I ALREADY TOLD DOV
I'D MOVE INTO CHRIS' ROOM
923
00:36:53,545 --> 00:36:54,813
WHEN HE MOVES OUT.
924
00:36:54,846 --> 00:36:56,882
SO WHY ARE YOU SO HAPPY?
925
00:36:56,915 --> 00:36:58,784
(laughs)
YOU'RE SUCH AN IDIOT.
926
00:36:58,817 --> 00:37:00,886
BECAUSE YOU ASKED ME.
927
00:37:00,919 --> 00:37:03,889
(door buzzes in distance,
telephone rings)
928
00:37:03,922 --> 00:37:05,657
HEY.
YOU GOING TO THE PENNY?
929
00:37:05,691 --> 00:37:07,793
(sighs) NAH. YOU?
930
00:37:07,826 --> 00:37:09,261
CAN'T.
931
00:37:09,295 --> 00:37:10,762
YOU'RE ALWAYS WORKING LATE.
932
00:37:10,796 --> 00:37:13,365
I MEAN,
YOU SHOULD SKIP A NIGHT.
933
00:37:13,399 --> 00:37:16,935
WORK'S KINDA THE EASIEST THING
FOR ME RIGHT NOW.
934
00:37:16,968 --> 00:37:18,870
HELPS KEEP MY MIND
OFF EVERYTHING ELSE.
935
00:37:20,472 --> 00:37:21,907
I'LL SEE YOU TOMORROW.
936
00:37:24,643 --> 00:37:25,977
(telephone rings)
937
00:37:26,011 --> 00:37:28,980
(woman speaking indistinctly
over P.A.)
938
00:37:33,084 --> 00:37:35,687
(indistinct conversations)
939
00:37:35,721 --> 00:37:36,688
HEY.
940
00:37:36,722 --> 00:37:38,924
**
941
00:37:38,957 --> 00:37:42,628
(man) * JUST LET ME KNOW
942
00:37:42,661 --> 00:37:46,398
* CAN WE DO THIS?
943
00:37:46,432 --> 00:37:47,933
* OR SHOULD WE JUST KEEP...
944
00:37:47,966 --> 00:37:50,035
YEAH. (speaks indistinctly)
945
00:37:50,068 --> 00:37:54,973
**
946
00:37:55,006 --> 00:37:58,944
(stool scrapes floor)
947
00:37:58,977 --> 00:38:02,414
HEY. YOU'RE IN, UH,
15 DIVISION, RIGHT?
948
00:38:02,448 --> 00:38:03,915
I JUST--I HEARD SOME
OF YOUR GUYS TOOK DOWN
949
00:38:03,949 --> 00:38:05,551
THAT CRAZY SHOOTER TODAY.
950
00:38:05,584 --> 00:38:08,420
UH, YEAH. ACTUALLY,
IT WAS ME AND MY PARTNER,
951
00:38:08,454 --> 00:38:09,988
BUT, UH, HE'S NOT HERE
RIGHT NOW.
952
00:38:10,021 --> 00:38:12,358
YEAH, ACTUALLY, I KNOW.
I ASKED AROUND.
953
00:38:12,391 --> 00:38:16,495
THAT'S WHY I'M HERE, YOU KNOW,
PRETENDING LIKE I DON'T KNOW.
954
00:38:16,528 --> 00:38:18,497
OKAY.
I'M CHLOE.
955
00:38:18,530 --> 00:38:20,832
HI, CHLOE. DOV.
NICE TO MEET YOU.
956
00:38:20,866 --> 00:38:23,502
"DOVE"? OH, I GET IT.
CODE NAMES. FUN.
957
00:38:23,535 --> 00:38:25,937
UM, I'LL BE...
958
00:38:25,971 --> 00:38:27,539
"JELLYFISH."
959
00:38:27,573 --> 00:38:28,607
(laughs)
960
00:38:28,640 --> 00:38:29,941
(chuckles)
SO, UM...
961
00:38:29,975 --> 00:38:33,412
(stool scrapes floor)
HOW'D YOU GET 'EM, "DOVE"?
962
00:38:33,445 --> 00:38:35,981
UH, YOU KNOW, IT WAS
PRETTY STANDARD, REALLY.
963
00:38:36,014 --> 00:38:37,282
RIGHT TIME, RIGHT PLACE.
964
00:38:37,315 --> 00:38:39,951
WE WERE ESCORTING THIS
ITALIAN WOMAN WHO WAS LOST...
MM-HMM.
965
00:38:39,985 --> 00:38:41,820
OR AT LEAST WE THINK
SHE WAS LOST--
966
00:38:41,853 --> 00:38:43,389
YOU KNOW WHAT
MAKES ANY STORY BETTER?
967
00:38:47,025 --> 00:38:48,059
(lowered voice) TEQUILA.
968
00:38:48,093 --> 00:38:50,696
(normal voice)
TEQUILA, PLEASE.
(slams counter)
969
00:38:50,729 --> 00:38:52,431
THANK YOU.
970
00:38:52,464 --> 00:38:54,132
HEY.
(applause)
971
00:38:54,165 --> 00:38:57,035
(cheering)
972
00:38:57,068 --> 00:38:58,670
(laughs)
973
00:39:00,472 --> 00:39:04,410
I'M CELEBRATING MY ENGAGEMENT.
I MEAN, HOW CRAZY IS THAT?
974
00:39:04,443 --> 00:39:05,644
(cheering)
975
00:39:05,677 --> 00:39:08,480
WHOA! OH-HO-HO, CRAZY!
976
00:39:08,514 --> 00:39:12,418
FOR THE LAST TEN YEARS,
I WAS A HARD-CORE COP.
977
00:39:12,451 --> 00:39:14,486
I MEAN, EVERYBODY IN HERE
KNOWS THAT.
978
00:39:14,520 --> 00:39:18,457
RELATIONSHIPS--
THEY WERE DISTRACTIONS.
979
00:39:18,490 --> 00:39:20,659
I MEAN, I HAD LOTS
OF LONELY NIGHTS,
980
00:39:20,692 --> 00:39:24,029
EATING IN FRONT OF THE TV,
FALLING ASLEEP WITH MY SOCKS ON,
981
00:39:24,062 --> 00:39:27,466
BUT THANK GOD
FOR MY BIOLOGICAL CLOCK.
982
00:39:27,499 --> 00:39:29,100
(laughter)
983
00:39:29,134 --> 00:39:35,607
BECAUSE IF THERE IS ANYTHING
THAT I LOVE MORE THAN MY JOB...
984
00:39:35,641 --> 00:39:37,509
IT'S MY BABY GIRL.
985
00:39:37,543 --> 00:39:38,944
(man) AW.
986
00:39:38,977 --> 00:39:40,512
AND MY MAN.
987
00:39:40,546 --> 00:39:43,014
AND NOW WHEN I, UH,
988
00:39:43,048 --> 00:39:46,785
FALL ASLEEP ON THE COUCH
WITH MY SOCKS ON,
989
00:39:46,818 --> 00:39:50,088
I HAVE SOMEONE
TO TAKE THEM OFF,
990
00:39:50,121 --> 00:39:53,158
AND HE'S MY BEST FRIEND.
991
00:39:53,191 --> 00:39:56,528
AND SOON...
992
00:39:56,562 --> 00:39:58,196
HE'S GONNA BE MY HUSBAND.
993
00:39:58,229 --> 00:40:01,166
(cheers and whistles)
994
00:40:06,137 --> 00:40:07,473
(laughs)
995
00:40:07,506 --> 00:40:08,707
(applause continues)
996
00:40:08,740 --> 00:40:11,710
(Donovan Woods' "Don't Deny It"
playing)
997
00:40:11,743 --> 00:40:13,512
TAKE IT DOWN.
NO, NO, NO.
998
00:40:13,545 --> 00:40:14,880
NO, YOU HAVE TO.
I CAN'T.
999
00:40:14,913 --> 00:40:17,182
ONE MORE, OKAY?
1000
00:40:17,215 --> 00:40:19,017
DOWN. CHEERS.
1001
00:40:19,050 --> 00:40:20,018
(clink)
1002
00:40:25,190 --> 00:40:28,059
HEY. COMING TO BED?
1003
00:40:28,093 --> 00:40:29,595
SURE. I'LL BE RIGHT THERE.
1004
00:40:31,997 --> 00:40:35,200
* BOYS AND GIRLS,
WOMEN AND MEN *
1005
00:40:37,002 --> 00:40:38,570
(sighs)
1006
00:40:38,604 --> 00:40:39,871
* WHEN YOU SWORE
1007
00:40:39,905 --> 00:40:43,609
* NOT TO LOVE AGAIN
1008
00:40:43,642 --> 00:40:44,610
GET A ROOM.
1009
00:40:44,643 --> 00:40:48,146
* BUT YOU KNOW YOU WILL
1010
00:40:48,179 --> 00:40:50,649
* SHE SAYS, "DON'T DENY IT"
1011
00:40:50,682 --> 00:40:52,618
(door rattles)
1012
00:40:52,651 --> 00:40:55,020
* YEAH, YEAH
1013
00:40:55,053 --> 00:40:57,489
(door knob rattling)
* DON'T DENY IT
1014
00:40:58,890 --> 00:41:01,226
* OH
1015
00:41:01,259 --> 00:41:04,530
* DON'T DENY IT
1016
00:41:04,563 --> 00:41:06,732
* YEAH, YEAH
1017
00:41:06,765 --> 00:41:07,866
OOH.
1018
00:41:07,899 --> 00:41:11,102
* DON'T DENY IT
1019
00:41:11,136 --> 00:41:12,137
* NO
1020
00:41:12,170 --> 00:41:15,206
THAT WAS A GOOD NIGHT, HUH?
1021
00:41:15,240 --> 00:41:16,274
YEAH.
1022
00:41:16,307 --> 00:41:18,877
YEAH? YOU HAD A GOOD NIGHT?
YEAH. IT WAS ALL RIGHT.
1023
00:41:18,910 --> 00:41:20,612
I TOLD YOU ABOUT ZOE,
RIGHT?
1024
00:41:20,646 --> 00:41:23,248
YEAH, EVERYTHING'S GREAT.
YOU GUYS ARE BACK TOGETHER.
1025
00:41:23,281 --> 00:41:27,586
I LIED. IT'S NOT GREAT.
IT'S... REALLY HARD.
1026
00:41:27,619 --> 00:41:30,822
BUT I'M BACK 'CAUSE I HAD
TO GIVE IT ANOTHER CHANCE.
1027
00:41:30,856 --> 00:41:33,725
THANKS, OLIVER. I GET IT.
1028
00:41:33,759 --> 00:41:34,893
YOU DO?
YES.
1029
00:41:34,926 --> 00:41:36,862
YEAH. YOU GET IT?
YES.
1030
00:41:36,895 --> 00:41:38,897
YOU KNOW, BUT MAYBE
I MISSED MY CHANCE.
1031
00:41:38,930 --> 00:41:43,535
NO. YOU DIDN'T--YOU DIDN'T--
IT'S NOT ABOUT THAT.
1032
00:41:43,569 --> 00:41:46,137
YOU AND SAM WERE GREAT,
1033
00:41:46,171 --> 00:41:47,606
AND YOU ALWAYS WILL BE.
1034
00:41:47,639 --> 00:41:50,809
* DON'T DENY IT
(horn honks)
1035
00:41:50,842 --> 00:41:53,912
HEY, LOOK.
1036
00:41:53,945 --> 00:41:55,647
YOU'RE ANDY McNALLY.
1037
00:41:55,681 --> 00:41:57,115
YOU DON'T GIVE UP.
1038
00:41:57,148 --> 00:42:00,118
RIGHT.
1039
00:42:00,151 --> 00:42:01,987
* DON'T DENY IT
1040
00:42:02,020 --> 00:42:03,254
THANK YOU.
1041
00:42:03,288 --> 00:42:06,825
HAVE A GOOD NIGHT.
1042
00:42:06,858 --> 00:42:09,160
* DON'T DENY IT
YOU, TOO.
1043
00:42:11,262 --> 00:42:13,665
* OH
75053
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