Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
"Start the blender."
[LeBron] You know what the funny thing is?
Every time I play international basketball, we play against Serbia,
we're playing against all these countries.
-Amazing fans. -All type of chants,
[vocalizing]
-Like, going crazy. -Right.
No matter if they're up 20, no matter if they down 20.
[bluesy theme music]
Welcome back to Mind The Game, presented by Uninterrupted and Wondery.
We're still in Indiana,
having a great time here discussing the game.
This episode we dug into the mid-range.
It's so common for people to think the mid-range has left the game of basketball,
which is actually not true.
It's only part of the truth. So we talked about the positive
and the negative of the mid-range,
and why the mid-range has never been more important.
Now, let's get to the episode and I hope you enjoy.
[bluesy theme music]
You know, one of the things I wanted to talk about
-is the mid-range shot. -Hmm.
We talk about it so much generally, right?
-We talk about it-- -Right.
I think the average fan knows, like, the mid-range shot's gone away,
three-point shot in abundance.
-Yep. -But I'd like to dive into
some more like, if not truths,
some context and where are we with the mid-range shot?
Why is the game gone the way it's gone? And I think we've talked about this.
We've talked about this a little bit before
but to start it off with some context,
when I came in the league,
I came into a team with three or four power forwards
who couldn't shoot past the elbow.
You know, that played on the block. Right?
The game was different. Nowadays, those guys don't exist.
Those players are out of the league.
They're either small-ball fives or had to be more skilled play-making
perimeter players.
So there's some context here. One, the evolution. Okay?
Why did we go away from the two bigs, the power forward, throw it in the post.
The center could be high in the parking lot, the way the old rules were.
I came in the league with guys lifted, we took that out.
We took out the lifted players with the illegal defense rules.
Now the illegal defense, 2.9 in the lane.
A little bit more of a hybrid towards international college ball.
We also changed the physicality.
You know, people can no longer hit with the forearm.
-Yep. -Hold.
-Yep. -All the things they used to do.
So now the game's faster, more fluid.
We've talked about a little about our seven seconds or less teams,
we opened it up. We played four out or five out at times,
you know, as a precursor.
And I know they did that in Orlando with Dwight.
Stan did that on those teams.
And some of these teams started to figure out,
"We gotta play differently."
But really what's happened here is that, now everyone,
I think the conversation largely talks about,
for the average fan, we don't shoot mid-range shots anymore.
We've taken them out.
-That's not true. -That's not true.
Role players don't shoot mid-range shots anymore.
The role player in our league nowadays has to be able
-to guard multiple positions, -Correct.
has to be able to make threes. And it's a bonus and growing,
if they can attack a closeout--
-Start the blender. -Start the blender.
So that is what's happened here.
I'm gonna make the argument now, and I want us to talk about this at length
that the mid-range shot has never been more important for your creator
because teams are obviously gonna try to take away.
-Yeah. And the threes. -The rim. And the threes.
Okay? So, let me think of a number now.
Now depending on your model, but a few years ago,
It was made aware to me
that just the numerical value of a mid-range shot.
So, the average points for possession, like I think this year,
the average points per possession of an NBA game
-for the entire league is, like, 1.14. -Mm-hmm.
There was 14 guys in the league
who shot 1.14 efficiency from the mid-range.
Fourteen, right?
Out of 400 some players.
So the value clearly is not a high-value shot.
-Right. -Right?
But really what that's saying is
that it's not a high-value for your non-creator.
So I wanna talk a little bit about, like...
teams know, the number one value's a layup.
Number two's a free throw.
Number three, really probably offensive rebound.
Threes.
Alright, offensive rebounds because you got a chance
at a layup, at an and-one, at free throws--
Or you got the chance of, not a defense.
Defense is closing, right? Threes.
So for anyone who thinks there's too many threes,
I'd like to know your take on this.
That's never going away.
And it's not because we don't take mid-ranges anymore.
Think about it, Luka,
SGA's gonna have...
Shai is gonna have the best mid-range year ever in the NBA,
something like 60% on 15 mid-range shots.
Again, this is likely MVP if not number two MVP race
having an unbelievable season.
And he is shooting more mid-range shots than anyone else.
But the key is, like, Giannis, who's picked up his mid-range game,
Jokić, elite from the mid-range, you know, KD, Luka,
whoever these guys are, top players, you know,
what they are not doing is stopping driving the ball of basket.
So Shai is still an elite, maybe the leader in drives, right?
Saying when push comes to shove,
you, Luka, Jokić, trying to get to the rim.
-Correct. Correct. -So it's not,
I'm gonna settle for mid-range shots.
These are elite players taking the ball to the basket,
taking threes.
But the defense also is gonna say,
"We can't let 'em get in there." What do you do now?
So that's where these mid-range shots are never more valuable from your creators.
No, for sure. And the one thing about the creators,
we're gonna hit all three levels
and in order to be able to hit all three levels,
it gives your teammates even more opportunities
to do what they are out there to do.
You know, by either extending the defense to the three-point,
you're shooting 10, 12 threes a game.
Well, now we're gonna extend our defense.
We're not gonna allow you to shoot the threes,
but we're also gonna protect the rim.
But the creators in our game have always worked on mid-ranges.
Either if it's mid-range pull-ups, mid-range floaters,
you know, turning drives into backdowns,
you know, to be in the mid-range.
Like, you know, for me--
-Even mid-range post-ups. -Even mid-range post-ups.
You getting a lot of guys in,
your former teammate Dirk mastered the nail ISO.
You know, and at the time,
and when Dirk was in his prime and doing his thing,
it was, yeah, I can get all the way to the rim.
I can back you down from here or I can face you up
and shoot, no dribbles, use all my footwork,
use all my pivots.
I'm gonna keep the defense
-so at bay and off balance... -Yes.
...that it's always gonna work to the benefit of our team.
And that's what it is.
I think, you know, like you said,
the common fan will say there's no mid-range in the NBA anymore.
It's just fast breaks, layups--
-Right. -Threes and free throws.
-Yeah. -But,
-it's absolutely not true. -It's not true.
And I think it's just important,
and maybe this is something that a lot of people are like,
"That's obvious." But I think a lot of fans,
it goes all these swings want-- no more mid-range shots.
Where would the Knicks be without Jalen Brunson in the mid-range?
You know, where would Oklahoma City be?
That's the solve for people taking away the rim,
taking away the threes.
You know, I think there's some numbers on Shai
where he's elite, elite, elite in pick-and-roll.
The number drops precipitously when they double him.
But think about this.
They're playing four on three now.
They have a great team.
Right? They have a great team of guys that can put the ball
on the floor, pass, shoot, make plays.
You know, maybe this is largely when Jalen Williams is off the floor,
but when he gets doubled,
they go to, like, one point per possession from elite, elite, elite, right?
Or below one-point possession.
So it shows, like, that should lead to threes and layups
when you're playing four on three.
-Yeah, for sure. -So his ability to exploit
that space in the middle and still be elite is based
on the fact that he is a three-level scorer, like you said,
and that without that they're not efficient--
They're not the number one team in the West.
You could say that about a lot of the top players without them,
because teams are gonna take away the rim, the perimeter, and the threes.
Especially in the postseason, when things become even more dialed-in
and strategic about the game plan. You have...
Throughout the course of the regular season,
if you're playing against a certain team,
you have a shoot-around maybe,
and then you have a pregame 20-minute conversation
-to prepare for a team. -Maybe.
-Maybe. -Yeah.
You know, in the postseason,
you have days and days and days to be able to prepare
and also be able to still prepare throughout the series,
you know,
to be able to lock in on personnel, lock in on keys,
lock in on what we want to try to make you do.
So if you have these three-level guys
that can keep the defense, no matter what you try to implement,
you take away the three,
I get to the mid-range, you're taking the mid-range, I could get to the hole.
You try to press up too much,
now I can draw fouls, I can get the team into the bonus.
So now when we start the blender,
I've gotten our team into the bonus, we start the blender.
Now my teammates are able to be successful too, off closeouts.
Now, they're playing a four-on-three game.
And like you said, if it's OKC and Shai's getting blitzed in the pick-and-roll
and you're hitting Jalen Williams in the pocket
or you hitting Alex Caruso in the pocket,
you're at their mercy, you know?
-You're scrambling. -Yeah.
If you're playing Boston and you're doubling Jayson Tatum
and you're hitting Jrue Holiday in the pocket,
-now this guy is- -[Steve] He's a point guard.
He's a point guard making four-on-three reads,
things he's been doing his whole career. So it's like...
It is very key.
And the mid-range is, I think is very,
-very key to the success of great teams. -For sure.
There's another element of it that I think is really important also
to understand is, the math is the math.
I hundred percent agree that the mid-range shot is low value.
Like I said, let's call it, like, just a concept,
but, like, if only 14, in the teens,
outta 400 something players are efficient versus league average.
-Right, right. -Possession.
It's not a high-value shot.
But there's a human element on both sides of the ball
that I'd love to hear your take on.
One, if, you know,
as most defenses do, we want to protect the rim, right?
We want to take away threes, run people off threes.
But if Shai's punching your lights out
-with mid-range shots... -It gets frustrating.
-You're human. -It gets frustrating
-as a defender, -You're human.
And so what happens is it, you may not even leave the game plan,
but you're leaning,
you're thinking instead of playing, being instinctive.
And so there's the human element defensively
which I'd like to hear how you can break teams a little bit
by getting them out of their defense, by picking people apart here.
And then the other side of it's offensively,
like, a lot of players get their rhythm in the mid-range.
You can't--
And, like, I've talked to some coaches in the league
who have been in the league for, you know, 20, 30, 40 years,
and they're saying, "You always want to find a way
to get your best player shots."
And a lot of times that's just spacing.
Get 'em go one-on-one, get to their spot.
But how can you say, "I want to get them a shot,
I wanna get 'em a bucket," and then say, "Oh, but by the way,
-don't do these ones." -Yeah, don't do that.
You know, could you imagine,
I mean, when I coached, like, I would've loved KD
to take eight, 10, 12 threes a game.
And he's capable, just rising up over people,
but he gets so much rhythm and confidence from the mid-range,
and he's such an assassin in there.
Like, it's a big change that you're probably
not always gonna net out on the positive, right?
And you could say that about a lot of guys in our league,
the top, top players that they know hard dribble,
feet set, up in the air.
When you get that one to go, every other shot
-It's their rhythm. -Is there, right?
It's their rhythm.
You can't take away the guy's rhythm
because the numbers speak for the masses.
-Right. -It just can't happen.
It just can't happen. And to go back to the first point,
the first question as far as the defense,
like, you have to be able to live with something, you know?
And...
-But definitely, it takes a, like-- -Discipline.
It takes a lot of discipline.
Like, when you go into a game
and say, okay, we want to give up contested twos,
like, if we give up contested twos and they make contested twos,
then you tip your hat to 'em and you know,
but it's just certain guys
that are literally assassins at contested twos,
Shai being one of 'em,
DeMar DeRozan being one of 'em.
-Kevin Durant, Kyrie Irving. -Kyrie, yep.
-These guys are... -Those are layups.
They'd much rather you contest than not contest.
-Right. -It's literally their rhythm.
You know, and it's a challenge
for, you know, a player when you're guarding these guys
and you say, shit, I just made him take a contested two
and he keeps making it.
-Yep. -And you have to realize,
you're like, I'm not making him take contested twos.
-Yeah, right. -This is what he wants to do.
-Right. -And you just gotta hope he miss.
And you hope that it wears.
You hope that it wears over time, you know,
to where, you know, fourth quarter come around,
maybe because you've been doing things offensively,
maybe putting 'em in actions,
maybe being a little physical with 'em up and down the court,
and hope that towards the fourth quarter
that contested two that was going through the first three quarters
maybe becomes a little short.
So it's definitely a mind-fuck for you, you know, as a defender.
And then also, at the end of games,
you know, the analytics, you know,
in many scenarios becomes less important.
-Yeah. -Points are points...
-Get a bucket. -...at the end of games, right?
Like, we're talking two, three, four minutes left.
You don't have the opportunity to always pick and choose your shot profile.
-No, you do not. -Especially when the responsibility
is on your shoulders to carry this team home.
If you're finding space in the mid-range,
obviously, teams are gonna try to run you off the line,
teams are gonna try to pack the paint at the rim.
They're also gonna try to spray out on be on a string if you fire it out.
So, sometimes you, as the lead guy,
you have to have the confidence to stop, pull up, and make those shots
because a bucket is a bucket down the stretch.
-Absolutely. -It's a very nuanced conversation.
-It is. -One of the other things I was thinking,
and I think you're like,
in some ways, you can play many different ways,
but the one outlier here,
and I think you're like, at times your profile
when you want it to be
can mirror a little bit is James Harden.
So when he was at his best,
like, it was rim, free throws, grip of free throws,
fooling everyone, you know, unbelievable downhill ability
with size, athleticism, his crossover,
playing on the perimeter, the step-back threes,
and then the floater, which, you know, like, is debatable.
Like, some of those are probably mid-range shots,
but he was so good at the floater too
that he didn't take really, you know, those, right?
-Right. -Like, I can't think of many more.
At times, Steph can be like that. Although he'll never devoid.
You know, he's just so good from three and running off
and then defense makes a mistake or overplays him getting to the paint.
You can do that when you want to,
but you also obviously love the mid-post or elbows wherever you needed to play
against a certain team in different eras even.
But it is fascinating to think, like, how...
What it says to me is how hard it is to stick to that shot profile.
-Yeah. -Like, it's almost impossible.
James is, like, the one outlier that lived off that.
And no offense 'cause he's still great,
but as he's not quite as explosive anymore,
-he's taking more middies. -Yeah.
Like, what does this all say to us about mid-range shot, right, right?
How hard it was for him then
and what an outlier he was shot profile-wise
and efficiency to now when he's not quite the same athlete,
still, you know, an all-star caliber player,
but he's taking more middies, right?
It shows like, one, it's almost impossible,
that profile too.
And then when you gotta get your team a bucket,
you can't just say, "I'm not shooting these."
So it goes back to, like, the creator has to have the freedom
to make and take those or I don't think you can win.
Well, I mean, you just said it.
I mean, you can't have the name of the creator
if you're not gonna let me create.
-Right, right. -And that is,
you can't give me a blank canvas,
but then tell me you can't paint over in that corner.
Right, right, right, right.
Like, I can't be a full artist then.
How can I fully reach my potential as a full artist
if you're gonna lure me on how much I can use the canvas to paint?
[bluesy theme music]
There's one piece of vocabulary, um, or terminology that we use in the NBA
that you may not be familiar with, and that is a three-level scorer.
A three-level scorer is someone who can shoot from deep,
score from the mid-range, or at the basket.
I think that's all you need to know in this episode.
Hopefully, you learn something new.
And of course as always, I hope you enjoy Mind the Game.
Please like and subscribe.
And then we both had this responsibility to close games.
At the end of a game, you gotta create for your team.
You wanna feel in control, right?
You know the feeling. You know when you don't have it
when you're like, for whatever reason, the rhythm,
the match-ups, the defense, you know, who they're not guarding,
whatever it may be, throws something, a wrench in there.
You're trying to find control again.
You know, that was important for me was to be able to find control
by finding a middie or two, finding the soft spot in the defense,
getting some separation from someone making a two.
Okay, I'm back. Like, so, the human side of the responsibility
of your top players to win a game down the stretch,
you want to feel in control.
Can you talk about that feeling a little bit?
-When you're not in control? -Both, both.
Yeah, I mean, obviously we both have been,
you know, very blessed to be in that position
to be in control of late-game situations,
games that come down to the wire.
And it is definitely a great feeling when you, like you said, have that control
and you know, if I go to this set
-or if I run this-- -Or find this spacing.
Yeah, if I get spacing, I know exactly how this is gonna peel out.
I know exactly how it's gonna peel out by...
whatever action that I do. I know the reactions that's coming.
You win your match-up, then there's a dominance.
And it's a domino effect, you know, and that's a beautiful feeling.
And like you said, sometimes every now and then,
you out there and you like,
-shit, it doesn't feel right. -Right.
It doesn't feel right either from I'm not in a rhythm
or, you know, it's-- you know, you might have a teammate
out there that's not in a rhythm, but he's on the floor and you figure,
okay, where do I put him to be able to be best for the other three guys,
or the defense has been...
You know, they've been nagging me all game
and I don't quite have a feeling,
but still the ball is in my hand, and I still have to make a play, you know?
And it's like, where do you get it from?
And just you get it from past experiences.
-Yeah. -You get it
by trusting the work you've just put in,
that you know that no matter
what type of rhythm you've been in,
what type of game you've had,
that you mentioned earlier, the 10,000 hours have been put in.
Right.
Not saying that you're gonna hit the game-winner.
Not saying that you're gonna
actually make the fucking play that makes you guys win.
There's times where even with the 10,000 hours,
you may have a costly turnover, you know?
-Plenty, plenty. -You know, plenty.
You may, you know, feel like, okay, this is the shot
that I finally felt the good rhythm
and I got my feet up underneath me and it didn't go in.
You can have the feeling and not win.
-Right. -But you want the feeling.
You want the feeling. I would much rather have the feeling, good and bad.
-Yes. -Just give me the feeling.
-Let me try to figure it out. -Yes.
That's all.
You know, it's a...
It brings back a lot of memories.
Also like...
You also, when you have that responsibility,
you build up enough scar tissue.
-[laughs] -You know...
-That I can still make the play. -Yeah.
I can still make the play. I haven't made any...
and that takes time, that takes mistakes.
It takes failure. And it takes the mentality of,
-Absolutely. -"I'm gonna step up again."
It's almost like you have to wear that badge of honor.
-"I'm willing to fail." -Yep.
"I've had a terrible night. I still have gotta step up,
and I fail again when it counts in this game,"
and be able to go back in the locker room, hold your hand up,
next game, ready to do it again.
If you have that mentality, you build the scars.
-You're able to overcome tougher times. -No question.
Get back out there. And before you know it,
like, I always felt like for me, there became a time in my career
where close games down the stretch, it felt like a drug.
Like, everything's vibrating,
and you just feel at home, like, now we're really playing,
and almost, like, you're a character, you know?
-Right, right. -You feel like powerful in a way.
-This is the one I've been waiting on. -Right?
It's on the way though.
The rest of the game you're playing and competing,
but then it heightens in those moments.
And I think that has to be developed
-through time and scars... -I agree.
...and failure, and if you have the right approach.
Can you speak a little bit about,
and I know it's a little bit off the mid-range,
but it all boils into the human element,
the psychology of it, a little bit about your way
of getting through the early part of your career?
You had success early. You have failures when you're young.
Yeah, absolutely. I think, like, the most important thing
for me early on in my career was just the...
the feeling of not wanting to let people down.
-I had to get over that. -100%.
You know, when you don't know quite how
to handle that emotion, it's like, "Oh, shit,
if I miss this shot, I've let a lot of people down,"
or if I make a bad play, I'll let so many people down.
I think once I got out of that,
-and it took years... -Sure.
Like, it took years for me.
Like, even my second time in the finals, like my first year with the Heat,
like, I wanted to win so bad
that I also had the fear of letting so many people down.
Yeah, "I came here, we put this thing together, Pat."
And if it doesn't happen, I've let so many fucking people down.
And the hours that I put into my craft,
the commitment that I gave to my craft wasn't even like...
it wasn't even the thought, which it should have been.
-Right. -It was more like,
"Oh, shit, if I go out and I make a mistake,
I let them down.
If I go out and fuck up, I let him down,"
instead of just, like, going out there and just be like,
"Who gives a fuck?
-They don't care." -Right, right.
You are in the position because of that,
and if you do, so be it.
And you still feel bad
-Absolutely. -if you don't get it done,
but now you have the resolve to push through.
So next night, I'm doing the same thing, right?
-Exactly. -It's interesting.
It's funny, I think I'm probably butchering this,
but I think the Chinese call it a paper tiger.
The Buddhists call it a double arrow, and it's basically...
Mark Twain has this quote,
like, "I went through an awful lot in my life and some of it actually happened."
[laughs]
-It's, like, our reaction, right? -That's great.
You're reacting not to the work you've put in.
-Right. -You're reacting to the perception.
-Yeah. -I don't wanna let people down.
We're similar in that way, whereas other people,
like, I don't think Kobe gave a shit, I don't think Michael gave a shit.
Like, that's a part of their brilliance,
you know, and in a way, you know, other people,
we had to get the scars through that stuff, right?
And so I was the same way.
I think you perseverate on the negative
rather than I'm building towards something here.
I'm building towards something here.
I'm putting in the time. Rely on the work.
-Don't rely on the perception. -Yeah, for sure.
This false reality, and I think it's fine.
We're getting into the mind here a little bit, but like--
-For sure. Mind the Game. -Mind the Game.
No, I mean, but I agree.
Like, it takes, like...
You know, like the best teacher in life is experience.
It takes time, it takes time for you depending on--
Everybody is a different individual.
Everybody's mindset and the way we're wired,
our wiring are all different,
and it takes more time
for certain individuals to get to that point to be able to have that...
you need the scar tissue built up and able to... and able
for you to be able to persevere through.
-That's right. -And it took me time,
you know, six, seven, eight years
into my professional career to finally get to a point
where even if I did kind of zone out a little bit,
I knew, okay, exactly how to like, [snaps] okay.
I know how to get back in there and back into the rhythm of things.
-Like, it was a flick. -Refocus right away.
Refocus. I've been there before.
You've been there before. What is it that you can refocus?
-You know what I'm saying? -Yeah.
So, I think it took time for where,
you know, for me to get to that point,
but I think experience, man.
We all will get to a point, you know,
for the younger generation ball players, when you guys coming up, men and women,
you will know when that moment is for you
that it just clicks, [snaps]
and you be able to go about it that day, that night you playing.
-You can lean on that feeling. -You can lean on that.
It don't matter if you win, lose, or draw.
If you're put in that position the next night,
"Okay, boom, I know what to do now."
And if it don't go that way, "Okay, we play again in two days.
I'm ready for that moment."
We all get to the point where we feel it,
we know it, and we know how to handle it.
How did you handle...
I remember earlier in your career
you used to take criticism for not taking the last shot
when you made the right play. Like, how did you handle that?
That always bothered me.
I was like, he could force something right now.
He's drawn two and a half defenders, or he can make the right play.
Like, how did you navigate all the noise
versus being true to who you are, which is a basketball player
that plays with intelligence, feel, makes the right read?
I just stayed true to what got me to that point.
Like, I knew I was taught the game the right way
as a kid because when... we won.
-It worked. -It worked.
It really worked.
Like, I realized that, like, when I got into the NBA,
I won three state championships in high school,
and I thought it was something that, like, all NBA players did.
I thought, like, if you were one of the best players in the world
or one of the best players on your high school team,
like, you should be able to win a state championship.
And I got in the NBA and it was a lot of guys
that never won a state championship,
that never won a AAU national finals, that never...
And I was like, "Oh, my goodness."
I absolutely was taught the game the right way,
and we all succeeded and had fun doing it.
Like, it brought so much enjoyment
to be able to play the game the right way if it was...
I never averaged more than 30 points in high school.
I think my highest average was, like, 27, 28, I believe.
-Sure. -I know for sure looking back--
-It wasn't about that. -Yeah.
I could have averaged 50 points a game if I wanted to
probably my junior and senior year, but it was never about that.
It was about how can I maximize my teammates?
How can I get the most outta my teammates
in order for all of us to be successful?
And we came here to win state championships,
or we came here to win AAU tournaments
and AAU national championships.
And I felt like in order...
for me to win ultimately in the pros, even though it's a different level,
I couldn't give up the essence of what made me fall in love with the game
and how I was taught even if the criticism...
like, it still goes on.
Like, it happened in the 2020 finals.
When I played in the finals and, you know, I had a unbelievable game
in one of the games to close out The Heat in the finals,
and, you know, I drove the ball, two or three defenders came,
and I found Danny Green wide open for a three
and he missed it, and we went to a game...
five, I believe, or game six.
But you take it every time.
And I'll take it every time. I take it every time.
And people like, "Why didn't you take the shot?"
"He should've took the shot."
"There he go again, passing," like...
-Never been there. -[both chuckling]
You know, it's one of the, I don't know the quote verbatim, but...
-Theodore Roosevelt. -Headline.
-You know, the man in arena. -Man in the arena.
The man in arena. It's like one of my favorite quotes about,
you know, "Being mirrored with dust and everything."
And, "It's always the guy that's not in the arena is the one
that's the loudest and talks the loudest."
You've never stepped foot in an arena, so how can you
ever challenge what I am doing? It's like...
I think I talked before about the little ingredients along the way
that make you who you are.
You don't know why, but this thing ended up being really important later.
It's like, you know, if you just look at your profile
as a high school player, like,
essentially biggest, strongest, fastest, most athletic kid out there,
but you still were taught the game the right way
and valued playing the right way.
Because if you had of just been
score, score, score, you'd have never been LeBron James.
I would've never been who I am.
And, also don't think I would've played
this amount of, I would've never played this amount of years either.
It's a great point in that
you constantly are changing how you're playing.
You don't have to have the ball all the time.
Your numbers are like, MVP-caliber numbers,
but it's not with the ball all the time.
You're adapting and playing.
Like, I don't think you can do that if you weren't
someone that tried to play the right way all the time,
or was single-minded on scoring.
You know, one dimensional, right?
There's many facets, many dimensions.
You know, I said it before with you here, like,
with Luka having the ball, you know, a lot of the time,
your willingness to space intelligently,
to cut intelligently, to screen intelligently,
to play out the short rule.
Like,
not everyone is willing or able to adapt in that way.
Yeah. And that's what I hope that, like, a lot of the people get,
you know, from our conversations, watching me play.
You don't have to be the leading scorer on the team,
or you don't have to be
the guy that's handling the ball all the time
in order to make an impact.
Or, you can be that guy early on
and then be able to have a growth mindset.
Like, it's okay to still be able to make an impact
at a high level,
and change your game over the course of time
-to be able to evolve. -And vice versa develop into.
If you don't play the right way, have the right motives,
it's harder to evolve into a better, like a winning player.
I think that's a big word. "Winning."
-No, I agree. -Winning plays,
-winning player. -Winning plays, winning players.
Yeah, for sure, like, just having that mindset that
I am willing to...
to do whatever,
you know, I am willing to grow, and be uncomfortable
in order for me to still be successful and be...
you know, a thing on the team.
Uncomfortable is a great word.
Like that's, that's what, you know,
or another way to say it is, "What are we avoiding?"
As human beings, but also as athletes, like we should always be...
Young players, always ask yourself, "What am I avoiding?"
"What do I not want to do because it's uncomfortable?"
"Because it's outta my comfort zone."
"It's not something I... identify with."
Don't let your,
you know, this perception of your identity,
ruin being a winning basketball player, right?
Oh, that was, that was...
"Don't let your
perception of what you think your identity is
ruin yourself of being a winning..."
That was, that was, that was a bar right there.
We gonna have to put that shit on a hoodie.
-Yeah. -Yeah.
We gotta have to put that on a hoodie right there.
That was amazing right there.
[bluesy theme music]
-Think it's good? Done? -We got some good shit.
You gotta do ad reads.
I gotta do ad reads.
-You gotta go rest. -I'm gonna get something to eat.
-Go to the hotel, put my feet up. -[Steve] There you go.
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.