All language subtitles for Highway to Heaven S01E12 Hotel of Dreams

[theme music]

This is as good
a place as any.

All right, ladies and
gentlemen, last stop.

Go forth and multiply.

Come on.

I think they
already knew that.

Come on.

Yeah, come on.

Get, come on.

Yeah.

Come on.

Come on.

[goat bleats]

Come on, billy goat, you
don't want to be left behind.

Ah, I'm not sure any
of them is his mother.

Could be he got separated
from that last batch.

He would last
just about one day

and a night out
here without her.

[helicopter blades]

Frank, what are
you doing out here?

The old man wants
to see you, Barry.

All right, I'll drive
into town in a few days.

Today, he wants to see ya.

He-- he told me not to come
back without you, Barry.

So do me a favor and
get in the chopper, OK.

OK.

I got to go, Mossy.

I'll see you later!

Barry, c-- come on.

You're not going to take that--

that-- what is it anyway?

A sheep or something?

It's a goat.

And I'm its adoptive mother.

So either he goes with me,
or I stay here with him.

Which is it?

Get in.

Ah, nuts.

Sorry.

Sorry?

I've been working on that
thing for over an hour.

All right, I'll
make it up to you.

How's that?

How's what?

The castle.

MARK GORDON: Yeah,
that's cute, cute.

Ah, where are they?

Hey, what are you looking for?

MARK GORDON: I'm looking
for my cigarettes.

I thought you
told me you quit.

I said I would try to quit.

I tried.

Ah, here we go.

What are you looking at?

Come on, we all die
sometime or other.

Now, take you, I bet
you didn't smoke.

You died.

I smoked.

MARK GORDON: You did?

Mm-hmm, I smoked.

Hmm, what did you die of?

I died of lung cancer.

Well, I probably
wouldn't have started again

if we hadn't been waiting
around here for three

days for our next assignment.

I mean, if we're
going to wait, why

can't we wait in a nice hotel
instead of a dump like this?

The wait's over.

Pack up, were checking out.

What the devil is that?

They look like bellboy suits.

Well, you're the one
that said you wanted

to stay in a better hotel.

[knocking]

Come in!

Hi, Dad.

Barry, Barry, Barry,
Barry, it's about time son.

How have you been?

I'm fine, Dad.

It's good to see you.

Boy, it's been a long time.

Oh, much too long.

We've got to change all that.

Oh, I almost forgot.

Louella, come on in
and meet your stepson.

You got married?

Again?

How many times is that now?

Let's see, seven?

Who keeps count?

[goat bleats]

What's that?

Uh, it's a goat.

Cute, isn't he?

Oh, yeah.

Hi, Barry.

Your father's told
me all about you.

Oh, I'm sorry, but he hasn't
told me anything about you.

Oh.

Well, that's OK because it
happened kind of sudden.

You see, I was working
at this sushi bar

that your father bought, and--

That's OK, Louella, no
use going into details.

Now, why don't you
go in the other room

and, uh, pet the goat while
Barry and I have a talk?

All right.

Oh, I just love animals.

Come on, son.

Let's sit down.

I'll get straight to the point.

I've been doing a
lot of thinking.

And I've decided
it's time for you

to settle down and start
making something of your life.

You've decided?

Well, you're my only child.

Who am I going to leave
everything to when I pass on?

You.

Well, I want to
make sure that I'm

passing it on into good hands.

Dad, I am making
something of my life.

For once I am doing
something worthwhile.

You come walking in here,
looking like yesterday's

bad news with a
goat in your arms,

and you want me to believe
that you got a handle on life?

Son, I want to be proud of you.

Dad, I want that too, but--

Hear me out.

I'm giving you this
hotel, total ownership.

It's yours.

You're giving
me the Mayflower?

But Dad, this was
your first hotel.

And you're my only son.

I'm giving it to
you because I want

you to live here, right here.

This penthouse is yours.

I want you to run the Mayflower,
manage it, operate it,

make it work, make me proud.

Dad, please.

I don't--

You know, I'm not
going to live forever.

And I'd like to see my dream
come true before I die.

Dad, are you sick?

I mean, did the-- did
the doctor say anything?

No, no, no, no, but
you can never be sure.

Please, son?

Hmm?

For your father?

Dad, I know that I've been
a disappointment to you.

I mean, I've horsed
around a lot.

And maybe I've--
I've never finished

anything that I've started.

And I guess I've never
really, you know,

amounted to much of anything.

All right, Dad, if it'll make
you really happy, I'll do it.

Happy?

I'm delirious.

You can move right in and
get started right away.

Dad, wait.

Where do I start?

I don't know the first
thing about running a hotel?

Sealy does.

He's the general manager.

I've already told
him what's what

and he's going to
show you the ropes.

Sealy, get up here.

And we'll begin with
the front desk, Mr. Rudd.

Of course, we're
totally computerized.

Of course.

You there.

Yes, sir.

You're new.

Yes, sir, I just
started today.

Barry Rudd.

Oh, Jonathan Smith.

A pleasure to meet you.

Nice uniform, Smith.

The shoes could
use a good buffing.

Yes, sir, I'll
take care of it.

Carry on.

I'll show you how we make
our registration, sir.

How's it going?

I'm Barry Rudd.

Oh, yes, Senor Rudd.

I'm the assistant
manager, Robert--

Roberto, management trainee.

Oh, how long have you
been training, Roberto?

Five years, sir.

[thud]

Roberto, who is that man?

He's one of the new
bellman I just hired, sir.

Bellman.

Are you talking to me?

I certainly am.

I am the manager of this hotel.

And you should know that
I have a definite disdain

of facial hair of any kind.

Oh, well, don't
worry about that.

A lot of people don't
look good in a beard.

I'm not speaking of myself.

I'm referring to my employees.

And you will remove your
beard if you wish to remain

in the employ of this hotel.

You mean shave?

Ah, Mr. Sealy, is
that really necessary?

That's a good looking beard.

I think he should keep it.

Very well, sir.

I'm certain you know best.

Carry on.

Ah, thank you.

[shouting]

It's that Wells kid.

You!

Hmm?

SEALY: Don't just
stand there, catch him.

Hmm, here.

[music playing]

Help!

Help me!

I'm drowning.

Oh, no.

Help me!

Don't worry, kid.

I'm coming.

[music playing]

I always cry when
I see this movie.

Wasn't Darrel Palmeri
devilishly good-looking?

And you.

You were so beautiful, Helen.

Every time he took you in his
arms and said, "hi, ya, kid,"

I just turn to water.

He was romantic.

But it never happens that
way in real life, does it?

What do you mean, dear?

Girl meets boy of her dreams.

They fall in love, dance off
across the ballroom floor,

and live happily ever after.

It happens, sweetie.

It'll happen to you.

You just give it time.

Time.

Oh, dear, look what time it is.

I gotta go to work.

Thanks, Elena, for watching
my own movies with me.

They're no fun to watch alone.

Nothing is much fun alone.

It's going to happen.

One day you look up,
and there he'll be.

I'll dream about it.

Oh, I'm sorry.

You should be!

Be more careful next time.

There's no need
to shout at her.

It was no one's fault.

No, it was my fault.

Well, no, really, if
anything, it was my fault.

I should have watched
where I was going.

Shall we continue, sir?

Sure.

Uh, Mr. Rudd, uh, have
you given any thought to,

um, upgrading your wardrobe?

No, Mr. Sealy, I have not.

Excuse me.

Jeans and flannel
shirts suit me.

That lady just now, who is she?

Oh, um, Miss Rutledge,
Allison Rutledge.

She just flew in
from New York City

for her high school reunion.

Reunion?

Yes, James Madison High
School, class of '70.

Well, I'll be.

Hi, Elena, I wonder if
you could do me a favor.

I'm running away behind
on room service orders.

Can you take us up to
Mr. Rudd's suite, please?

- OK.
- I appreciate it.

I'll return the favor.

[knocking]

Uh, come on in.

It's open.

Oh, the bottle, yeah, thanks.

Um, just leave it anywhere.

You are Mr. Rudd,
the new owner?

Yeah.

Oh, you're the-- the girl that
I almost tackled in the hall

today.

I'm-- I'm sorry.

I hope Mr. Sealy didn't
give you a hard time.

No.

How old is your baby?

What baby?

Huh?

Oh, no, the bottle,
no, I'm not married.

Um, it's for Billy.

He's in the box over there.

A baby goat.

May I feed him?

Sure, if you want to.

My goodness,
you're a hungry one.

Yeah, he should be.

He got separated from
his mother somehow

while we were transplanting
him out in the desert.

Transplanting them?

Well, yes, there's--
um, there's a herd

of about 500 goats on this tiny,
little island off the coast.

The Spanish explorers
brought them

over there maybe 400 years ago.

Anyway, the island can't
support that many goats.

And the state wanted to
kill half of them off.

But I talked them
into letting me

and some friends transplant
them over to the mainland.

It sounds like important work.

Yeah.

See, I-- I thought so too.

Oh, he's finished already.

I'll go get him another bottle.

Oh, no, that's enough.

He's had plenty.

You better, um, put
him on the floor.

He's going to want to go.

Well, goodnight then.

BARRY RUDD:
Goodnight, goodnight.

Ah.

[goat bleats]

Allison Rutledge.

Mm.

[music playing]

The flowers are beautiful.

They're from the owner
of the hotel, Mr. Rudd.

He seems to be such a darling.

[knocking]

Oh, that might be him.

Get that, please.

Oh, hi.

Is Miss Rutledge here?

Yes, she is in the--

Oh, is that you, Mr. Rudd?

I'm Allison Rutledge.

Miss Rutledge.

I'm Barry Rudd, owner
of the Mayflower.

Well, Mr. Rudd, do come in.

Oh, your flowers
were lovely, just

what a lonely girl
needed to lift

her spirits in a strange city.

May I offer you a drink?

BARRY RUDD: If it's no trouble.

So you're a stranger
in our city?

ALLISON RUTLEDGE:
Well, not really.

I grew up here.

But, uh, I left years ago, and--

[music playing]

If I were you, I'd have a
talk with my friend, Donny.

[knocking]

I want to see your
mother or your father,

whoever is in charge of you.

Nobody's here.

I'm alone.

No, you're alone, huh?

Don't hand me that.

Look, I, uh--

Where's your mom?

I don't have a mother.

She died when I was a kid.

Well, how about your father?

You got one of those?

He's at work.

He's always at work.

They leave you
here alone all day?

What's it to you?

This looks like a toy store.

My dad bought me all this.

He loves me, so he buys
me anything I want.

Yeah.

Hey, you want to stay?

I got some new video games.

No, I can't.

We can work a puzzle, play
cards maybe, anything you want.

I'm sorry, I got
to get back to work.

Yeah, well, good.

I didn't want you
to stay anyway.

I'll see you later.

Oh, I'm sorry.

I didn't know
anyone was in here.

Maybe you could come back.

I'm having a problem with Billy.

Is he not feeling well?

I don't know.

He's not eating.

He's getting weak.

I'm afraid he's going to die.

My grandfather raised goats.

I have seen him nurse
the animals back who

are much worse off than that.

[goat bleats]

Do you have any
oatmeal and syrup?

Uh, I think there's
some in the kitchen.

I'll be right back.

Yeah, hello, Allison.

I'm sorry, uh, can I have
a rain check for tonight?

Yeah, it's-- uh, a friend
of mine is-- is very sick.

Uh, yeah, I do have someone
here, but I can't leave him.

He's just a kid.

[music playing]

He's a latchkey kid.

With his-- his father
working all the time,

his mother not living, there's
nobody looking after the boy.

I just can't believe
his father hasn't hired

somebody to look after him.

He has.

According to Roberto, there's
been well over two dozen,

but they all quit
two days later.

I guess I can't blame them.

I don't blame them.
I blame the old man.

You know, I think that kid just
looks for trouble so he can get

some attention from his father.

Could be.

You dyed my hair!

Madame, I don't know how
this could have happened.

You're incompetent,
that's how.

The solutions must have
got mixed to reverse.

This has never happened before.

You're going to
pay dearly for this.

I'm going to speak
to the manager.

Madame, please!

I-- oh, please.

It looks like one
of those punk rockers.

Hey, that's your friend.

See you in a little bit.

Turn that thing off.

What do you want?

I came here to tell you you're
not so smart as you think.

I know you're the
one that caused

that lady's hair to turn green.

Oh, yeah?

Prove it.

So what are you going to do?

Tell my dad?

He's not here.

I didn't come to
talk to your dad.

I came to talk to you.

There is a
hairdresser downstairs

who might lose his job
because of what you did.

So what?

So what?

Listen, your father's
got a lot of money.

You don't have to worry about
paying the rent or buying food.

Well, that guy downstairs does.

Then why don't
you just turn me in?

Because I shouldn't
have to, that's why.

OK, I'll go tell
them I did it.

Hey, listen, I bought
this little sailing ship.

You know anybody who can
help me put it together?

You mean it?

MARK GORDON: Sure, I mean it.

Be right back.

Sorry to wake you, but
it's almost 9 o'clock.

9 o'clock?

In the morning?

Mm-hmm, in the morning.

You fell asleep.

I didn't have the
heart to wake you.

Oh, my gosh, I got to go.

I'm late.

Mr. Sealy will fire me.

He can't fire you.

I own the joint.

I forgot.

Yeah, so did I for a while.

Um, at least stay
for some coffee.

It's all ready.

All right.

How do you take it?

Black, please.

Billy looks better.

Mm, he should.

He ate all the oatmeal and he
slept in your arms like a baby.

I was jealous.

You have a way with animals.

And they can sense
a good person.

You have a way
with animals too.

Elena, there's a dance in
the ballroom tomorrow night.

It's my high school reunion.

Would you go with me?

Me?

But I thought you and--

I didn't ask you
what you thought.

I asked if you'd go.

Please?

Well, um, yes.

Yes, I will go.

Yes.

I got to go.

Why?

Don't worry about Sealy.

Oh, I'm not.

I got so much to
do, dress, shoes.

Elena, it's just a dance.

No, it's much more.

Goodnight.

Forget something?

I don't think so.

Did you?

Allison, uh, uh, come in.

I thought you
were going to call.

Oh, uh, sorry.

I know.

You were taking care
of a little friend.

Yeah.

So how's he doing?

Look for yourself.

A goat?

But you said you were--

I said a kid.

Barry, you are funny.

Look, you owe me
one for last night.

How would you like to take me
to my class reunion Friday?

I can't.

I have a date already
for the dance.

No, no, you don't understand.

It's my high school reunion.

It's mine too.

You really don't
remember, do you?

Barry Rudd.

We went through four years
of high school together.

No, I don't.

Oh my-- I don't believe it.

You're Rudd the dud?

Oh my.

Well, you just never know.

OK, now wait a minute.

You knew who I was.

Why didn't you say something?

I'm not sure.

I-- well, I guess I
wanted to prove something.

I wanted to show you and
everyone else a thing

or two about the
ironies of life.

[chuckles]

Rudd the dud was going to
escort miss Allison Rutledge

to the high school reunion.

I see.

Well, why not?

I mean, it doesn't matter
what you were then.

It's what you are now.

You mean rich?

Hey, look, I'm sorry
about all of this.

It wasn't fair for
me to fool you.

You're right.

It wasn't.

Oh, um, your date, the
little chambermaid?

Yes.

Yes.

Yes.

I'll look into it immediately.

Oh, I will.

You, Elena, come here.

Where are you going?

Home.

I don't start until 2:00 today.

Oh, you're not going anywhere.

I just received a call
from Miss Allison Rutledge.

Apparently there is
a valuable ruby ring

missing from her room.

Mr. Sealy, I don't
know anything--

Give me your bag.

Give me your bag!

All right, where is it?

Mr. Sealy, I didn't take it.

You were the only maid in
her room since last night.

Come along, we'll have
a look in your locker.

JONATHAN SMITH: Mr. Sealy.

What?

I couldn't help but
overhear what you were saying.

It might be a good idea if
I went along as a witness.

It's always good policy.

All right, Smith.

It's a good idea.

We'll stop at Miss
Rutledge's on the way.

Come on.

Yes, Mr. Rudd.

This time of year we usually
run about 85% occupancy.

It is difficult
to get very much--

I thought you screened
your help in this hotel.

What's going on?

This maid has stolen a
ring from Miss Rutledge.

I didn't, I swear.

I have never stolen anything.

That's all right.

Did you find the ring?

No.

We're going to search
her locker now.

Well, then you're not sure.

I mean, Allison, you
could have misplaced it.

No, I couldn't.

It was on my nightstand,
in plain sight.

I didn't do it.

I believe you.

Mr. Rudd, you're certainly
not going to take this girl's

word over Miss Rutledge.

And what is wrong
with her word?

Well, sir, she's a--

She's what?

Nothing, sir.

Look, why don't we
just search her locker

and find out who's right?

After you.

There.

Nothing.

But it has to be there.

No one else has been in my room.

JONATHAN SMITH:
Uh, Miss Rutledge?

What?

Did you say that was
an expensive ruby ring?

ALLISON RUTLEDGE: Yes.

Well, I--

I think it's on your finger.

Oh, don't be
embarrassed about it.

You know, I-- I had
a friend who was

always losing his eyeglasses.

He would look for
them for hours,

and they'd be right on
his face the whole time.

I believe an
apology is in order.

Um, I'm sorry.

Sealy?

Oh, yes, of course.

I apologize.

Accepted.

Oh, Miss Rutledge.

What?

If I were you, I'd
check on your jeweler.

What are you talking about?

Well, if he told you that
was a genuine ruby ring,

he's a crook.

That's glass.

That's ridiculous.

Oh, we could go down to
lobby and check it out.

There's a jewelry
store down there.

I could have your job.

Ah, you wouldn't want it.

The trays are heavy.

Mr. Sealy.

Uh, yes, Mr. Wells.

Have you seen Donny?

Why no.

Is he missing?

He's not in his room.

Have security check around.

Oh, uh, yes, sir.

Uh, Mr. Wells?

Yes

Are you looking for
Donny by any chance?

Well, yes, I am.

Well, I believe
he's out in the garden

with a friend of mine.
I'd be happy to show you.

Oh, thank you.

It sails great.

Well, you did a
good job making it.

Well, you helped.

Oh, not very much.

You know something?

This is the first
thing I've ever built.

No, you're kidding me.

No, I'm not.

MARK GORDON: How come?

DONNY WELLS: It's no fun
building stuff alone.

MARK GORDON: It would
keep you out of trouble.

DONNY WELLS: Yeah.

How come you do bad
stuff all the time?

I don't know.

You know, when I was a
kid, I used to bad stuff too.

Mostly it was just to get my
parents to pay attention to me.

I figured even if they
were mad, you know,

it was better than nothing.

Yeah, I know.

But my dad's never around
enough to ever get mad at me.

He's been that way
ever since mom died.

Maybe he blames me sometimes.

MARK GORDON: Nah,
I don't think so.

I think maybe he
works that hard so he

doesn't have to think about it.

He's probably got a
lot of pain inside,

you know, he doesn't
want to deal with.

You think so?

Sure I do.

I wish I could
help him somehow.

I love him a lot, you know?

MARK GORDON: Yeah, I know.

Donny.

Father, what are you
doing home already?

I-- I don't know.

It's such a nice day, I--

I thought maybe we
could go to the park

and, uh, play ball or something.

You and me?

Yeah, you and me.

Well, yeah, sure.

I got to go, Mark, with my dad.

You have a good time.

You bet.

Oh, girl.

Yes, ma'am.

There are no
washcloths in my room.

Oh, I am sorry.

Here.

I don't carry towels.

That's your job.

Yes, ma'am.

[knocking]

Come in.

You wanted to see me, sir?

Yes, I've had some
complaints about guests

paying under the table
for preferred suites.

Oh, no.

Oh, yes.

It doesn't surprise me, sir.

Oh?

Yes, sir.

They're hard to train
and hard to trust.

They?

Yes.

I mean, who else but Roberto
would do something like this?

I mean, he's a Mexican.

Roberto.

Of course.

I knew you'd understand.

I wasn't accusing him, Sealy.

I was calling him.

Roberto.

Roberto brought
me a few letters.

They appear to be
addressed to you.

Guests quoting how much they
paid you before, how much

they're willing to pay you now.

I already called and checked.

The guests were
very cooperative.

These letters are forgeries.

I burned them.

You're fired, Sealy.

Roberto will be managing
the hotel from now on.

As you wish.

Do me a favor, Roberto.

Thank Jonathan for
finding those letters.

Oh, I will, sir.

I will.

But this is the dress we
altered for Miss Rutledge.

It's a 4.

Oh, what can I tell you?

Now she wants a size 8.

That's patently absurd.

The woman would swim in an 8.

She's a beanpole.

You want to tell her that?

All right, I may still
have the dress in an 8.

Here it is.

That's fine.

Oh, one other thing, the shoes.

She would like a size 6.

Size 6?

But she takes a 9.

What is she going to do?

Put them on her Barbie doll?

Look, friend, I'm
just following orders.

All right, I'll
get you the 6 shoes.

But might I suggest you deliver
the other dress and shoe to her

also, just to be
on the safe side?

You know, I was going
to suggest the same thing.

Oh, Elena, are you sure
you won't change your mind?

We can find something
for you to wear.

No, I have nothing.

Besides, it's too late.

There'll be other dances.

Not for me.

I felt like-- like Cinderella.

Why?

Why did this have to happen?

Hey, a delivery for Elena.

What's the matter?
What's going on?

The iron burnt her dress.

She can't go to the ball.

Well, that must
explain it then.

What?

Well, the dress and the
shoes I just picked up.

Mr. Rudd must have found out.

But I didn't tell him.

Yeah, well, he must
have found out somehow.

I got a size 8 dress
and size 6 shoes.

That's me.

Here you are, me.

But it's so late.

The dance has started.

Well, you start getting ready.

I'll go down and tell Mr.
Rudd you'll meet him there.

Come on, start getting ready.

[music playing]

Hi.

Buy me a drink?

Sure.

It looks like we're
both without a date.

Well, mine's
just a little late.

Of course.

You know, Barry, you really
misjudged me the other day.

Really?

Yeah.

When I said, it only
matters what you are now,

and you said, you mean, rich?

Look, I told you I
was sorry about that.

Yeah, I know.

But I just want you to know
that money means nothing to me.

I've done very well.

This, uh, dress is an original.

So you see, money
isn't what I'm after.

Like my clothes, I
look for one of a kind.

Well, I don't
think you found one.

Oh, I think you are.

I didn't mean me.

I meant your dress.

Well, if you'll excuse me.

Hi ya, kid.

Darrel Palmeri

Helen, it is you.

My driver said you were here.

Your driver?

Yes.

I was on my way over to
my hotel and he somehow

managed to recognize me.

And he said my favorite
leading lady was here.

You haven't changed.

Neither have you.

Shall we?

We weren't invited.

We crashed the dancing
love song didn't we?

[music playing]

Dad?

Son?

How's it going?

Ah, fine.

I tried to reach you.

Yes, we've been, uh,
shopping for a few weeks.

Elena, this is my father.

Dad, my wife.

You got married?

Yeah.

I thought it was my turn.

[chuckles]

I love you, Dad.

Oh, we've got to run.

Where are you going?

Uh, to save the goats.

It's what I want.

What about the hotel?

The hotel is going to be fine.

Check with Roberto.
He's the new manager.

See ya, Dad.

He's so much like you.

He's so impetuous.

Come on, honey, we have to
get in because the stores

closed at 6:00.

OK?

[music playing]

[theme music]