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When you fall asleep, you are unaware of
sleeping until you're awake.
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During those missing hours, a whole
other world comes alive.
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Welcome to the night shift.
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My name is Ben Willis, and three nights
a week I work the night shift at
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Sainsbury's.
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For me, the supermarket is a trading
facility.
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00:00:55,530 --> 00:00:59,330
Apart from the obvious trade in food and
household products, the supermarket
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trades in time.
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During the hours most normal people are
sleeping, I am trading my time.
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I trade this time for money.
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I give them eight hours, and they give
me money.
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Cash back.
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Hi, Ben.
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Oh, hi.
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I'm late again.
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Jenkins is going to kill me.
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See you later.
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Yeah, see you.
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Sharon!
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Please, Mr. Jenkins.
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Late again, Miss Sharon. I'm sorry, Mr.
Jenkins.
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Second time this week.
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I know, Mr. Jenkins. I'm sorry it won't
happen again.
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Okay.
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This eight -hour trade gives me the
money I need to pay my way through art
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college, where most of my first year was
devoted to the fundamentals of still
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life.
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00:02:11,150 --> 00:02:12,430
Don't just stare at it, Ben.
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Clean it up.
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00:02:23,410 --> 00:02:25,010
You see, I've always wanted to be a
painter.
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And like many artists before me, the
female form has always been a great
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of fascination.
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I've always been in awe of the power
they unknowingly possess.
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Are you going to clean them up or not?
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This is Sharon Finty.
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Sharon knows that there is an art to
dealing with an eight -hour shift.
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00:03:05,270 --> 00:03:08,070
An art to putting your mind somewhere
else so that it becomes unaware of the
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00:03:08,070 --> 00:03:09,070
trade -off.
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00:03:09,650 --> 00:03:12,270
All the people that work here have
perfected their own individual art.
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Sharon knows rule number one.
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The clock is the enemy.
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The basic rule is this.
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The more you look at the clock, the
slower the time goes.
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It will uncover the hiding place of your
mind and torture it with every second.
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This is the basic art in dealing with
the trade of your time.
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Any cash back?
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This is Barry Brickman.
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You see, Barry thinks of himself as a
bit of a daredevil stuntman.
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For a start, Barry's quite well known.
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When one of Barry's bike tricks went
wrong, the cameraman put it on the
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internet.
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Barry's stuck to his scooter ever since.
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Matt Stevens is also a keen scooterer.
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And what was the other thing?
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And what was the other thing?
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Justice!
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Oh, yeah.
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Now, Barry met good friends. There you
go.
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Take care. Between them, they came up
with a very different way of dealing
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the trade of their time. Barry. What?
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00:05:05,660 --> 00:05:06,660
Look.
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Look.
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Theirs is not finding anything to do
that isn't work.
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That was their final warning for
pursuing something to do other than
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A few weeks earlier, Barry and Matt had
been reported for what they called
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helping the ladies.
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It was these shampoo bottles that sent
them on their quest.
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Barry and Matt knew what they looked
like.
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and they knew that the women in the
supermarket knew what they looked like.
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Their theory was that even though it was
a sex toy masquerading as a bottle of
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shampoo, women would like to try it as a
sex toy but were embarrassed to buy it
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because they knew what it looked like.
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The decision to buy it would be an
easier one if they were already at the
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checkout.
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If they didn't object, then Barry and
Matt knew they'd help the bottle find a
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happy home.
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00:06:04,200 --> 00:06:06,660
What they didn't know was that the
bottle was the best -selling shampoo on
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market.
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00:06:08,660 --> 00:06:11,580
Barry had challenged Matt to a scooter
race in which they would sprint down one
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aisle and up the next.
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They would do all 14 aisles and then
back to the starting line.
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They'd been waiting for the day the
manager called in sick.
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00:06:19,240 --> 00:06:22,180
The art of doing something else other
than the work you're supposed to do is
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00:06:22,180 --> 00:06:26,160
addictive. The excitement of doing
something that you shouldn't be doing,
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with the consequences of your court
doing it, are so strong that it often
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00:06:29,160 --> 00:06:30,320
others away from their own art.
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On your marks.
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Get set.
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Go!
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When
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you've
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perfected the art of placing your mind
somewhere else, eight hours will go as
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fast as this.
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Time manipulation is not a precise
science.
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Like any art, it's personal to the
individual.
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00:06:57,450 --> 00:07:00,430
Send them out into the world fulfilled
and joyful.
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00:07:03,880 --> 00:07:04,880
Not a one.
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00:07:07,960 --> 00:07:10,960
I've got to tell you, Sharon, I'm a
modest guy.
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I feel fantastic.
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00:07:14,620 --> 00:07:15,620
I love you.
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What's in your face?
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Huh?
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You inspire me.
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Perhaps more than I inspire myself.
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Yeah? You like it?
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On the pitch.
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With the boys.
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I look like a god.
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I'm an Adonis.
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I keep myself in good shape.
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I know that.
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I see the looks.
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I ignore them.
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Carry on, you know.
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Try. Make your own mark.
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I feel like that.
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I feel like a real man.
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Like real men do.
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00:09:03,160 --> 00:09:05,280
So what does the art making my shift go
so far?
120
00:09:10,220 --> 00:09:11,820
I imagine the opposite.
121
00:09:13,600 --> 00:09:14,680
The time is frozen.
122
00:09:16,520 --> 00:09:19,040
I imagine that the remote control for
life has been paused.
123
00:09:57,270 --> 00:10:00,090
Within this frozen world, I'm able to
walk freely and unnoticed.
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00:10:04,270 --> 00:10:05,990
Nobody would even know that the time had
stopped.
125
00:10:13,450 --> 00:10:16,690
And when it started back up again, the
invisible join would be seamless except
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00:10:16,690 --> 00:10:17,730
for a slight shudder.
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00:10:20,970 --> 00:10:23,310
Not unlike the feeling of somebody
walking over your grave.
128
00:10:36,910 --> 00:10:39,750
When you see somebody walking down the
street who's so beautiful that you just
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00:10:39,750 --> 00:10:40,750
can't help but stare.
130
00:10:43,330 --> 00:10:47,470
Well, imagine as I do that with the
world on pause, it becomes very easy to
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00:10:47,470 --> 00:10:48,710
understand the concept of beauty.
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00:10:50,130 --> 00:10:51,870
To have it frozen in front of you.
133
00:10:53,110 --> 00:10:54,730
That precise moment captured.
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00:10:56,970 --> 00:10:57,970
Unawares.
135
00:11:08,520 --> 00:11:11,000
For me, this fascination with beauty
started at a very young age.
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00:11:12,060 --> 00:11:15,000
I was six or seven and my mum and dad
had taken on a foreign student.
137
00:11:16,100 --> 00:11:18,720
She was in her late teens and was
studying English at a nearby school.
138
00:11:20,460 --> 00:11:23,700
Being Swedish, the walk from the shower
to a room didn't need to be a modest
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00:11:23,700 --> 00:11:24,700
one.
140
00:11:25,220 --> 00:11:27,820
It was at that moment that something
very profound happened to me.
141
00:11:29,620 --> 00:11:32,320
I was exposed to the female form in a
way I'd never experienced.
142
00:11:33,620 --> 00:11:36,460
I felt fascination and wonder at the
beauty of her nakedness.
143
00:11:38,440 --> 00:11:41,280
And I wanted to freeze the world so I
could live in that moment for a week.
144
00:11:42,580 --> 00:11:44,480
I've never had a feeling of such
completeness.
145
00:11:46,640 --> 00:11:49,440
To this day, I still think it was one of
the most beautiful things I've ever
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00:11:49,440 --> 00:11:50,440
seen.
147
00:12:08,910 --> 00:12:09,910
You got these?
148
00:12:26,570 --> 00:12:27,570
You know what would be wrong?
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00:12:28,670 --> 00:12:29,670
Would they hate me?
150
00:12:30,990 --> 00:12:31,990
For seeing them.
151
00:12:32,650 --> 00:12:33,970
I mean really seeing them.
152
00:12:35,340 --> 00:12:38,480
I read once about a woman whose secret
fantasy was to have an affair with an
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00:12:38,480 --> 00:12:39,480
artist.
154
00:12:41,580 --> 00:12:43,160
She thought that he would really see
her.
155
00:12:44,540 --> 00:12:51,520
He would see every curve, every line,
every indentation, and love them
156
00:12:51,520 --> 00:12:53,340
because they were part of the beauty
that made her unique.
157
00:15:20,000 --> 00:15:24,260
And when I'm ready, the only thing I
need to do at that time again is crack
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00:15:24,260 --> 00:15:25,260
finger.
159
00:15:29,740 --> 00:15:30,740
Barry!
160
00:15:49,280 --> 00:15:55,340
me tight never dreamed anybody could
kiss that away bring me bliss that away
161
00:15:55,340 --> 00:16:01,420
with a kiss that away what a wonderful
feeling to feel that away tell me where
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00:16:01,420 --> 00:16:07,800
have you been all my life oh what you do
to me
163
00:16:07,800 --> 00:16:14,400
it's so new to me what you do to me hot
diggity dog diggity what you do to me
164
00:16:14,400 --> 00:16:16,280
when you're holding me tight
165
00:16:18,700 --> 00:16:24,140
Never knew that my heart could go zing
that away, ding -a -ling that away, make
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00:16:24,140 --> 00:16:29,580
me sing that away, and goodbye to my
troubles, they went that away, ever
167
00:16:29,580 --> 00:16:35,960
you came into my life. Oh, hot diggity
dog diggity, what you do to me,
168
00:16:36,160 --> 00:16:42,360
it's so new to me, what you do to me,
hot diggity dog diggity, what you do to
169
00:16:42,360 --> 00:16:44,140
me, when you're holding...
170
00:16:58,990 --> 00:17:02,030
There's a cute little party for two that
way.
171
00:17:02,270 --> 00:17:03,690
Guys are blue that way.
172
00:17:03,930 --> 00:17:09,430
Dreams come true that way. If you say I
can share it with you that way. I'll be
173
00:17:09,430 --> 00:17:11,530
happy the rest of my life.
174
00:17:11,910 --> 00:17:18,369
Oh, hot diggity dog diggity boom. What
they do to me. It's so new to me. What
175
00:17:18,369 --> 00:17:23,770
you do to me. Hot diggity dog diggity
boom. What you do to me. When you're
176
00:17:23,770 --> 00:17:24,829
holding me tight.
177
00:17:25,170 --> 00:17:28,190
Oh, hot diggity dog diggity boom.
178
00:17:28,410 --> 00:17:34,830
What you do to me, it's on you to me.
What you do to me, hot diggity dog
179
00:17:34,830 --> 00:17:41,670
boom. What you do to me, how much you
will shine from the moment you mine.
180
00:17:41,930 --> 00:17:46,350
Hot diggity, hot diggity, hot diggity,
hot diggity. Hot diggity dog diggity
181
00:17:46,350 --> 00:17:47,350
boom.
13697
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