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REPORTER:
A runner is gunned down
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out of nowhere today on
the road near Wells Lake.
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In custody is one man,
24-year-old John Suleski.
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MAN: There's a thing
inside of me, it's like...
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the appetite --
it's like a wolf that's...
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feeling...the hunger.
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Going into the interview,
the detectives
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might have been wondering,
given the way that
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Brett Morrison was killed,
was this a personal vendetta?
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Was this some revenge
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that he was trying to get
against this specific target?
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Or was it just completely
at random?
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If so, what's the reason
for that?
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SAHNI: The victim
was Brent Morrison,
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a 44-year-old professional --
he was an avid runner.
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What his wife
confirms is that Suleski doesn't
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really have any friends
or a social routine in town,
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and so that helps detectives to
realize that there really is
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even less of a nexus to
the victim, and it appears that
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this may have been a crime of
a complete stranger.
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RAGHAVAN:
The marriage is failing.
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His wife doesn't know
what's going on with him.
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He's very introverted --
it sounds like
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this is not a connected
relationship, and that he's
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critical of his wife's
appearance, and that he is very
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focused on his own appearance.
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She says he's at
the gym all the time,
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and he's commenting
about her being fat -- speaks to
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some perspective that maybe
this is where we begin to see
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some of the narcissism
in Suleski,
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that he has an idea of
what people should be,
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and that most people don't
live up to that standard.
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Why would you kill someone
you didn't know,
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and why would you kill him
so cold bloodedly?
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And one possibility that comes
to mind is this is a man who is
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completely repressed,
he is sort of tightly coiled up,
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and he doesn't express himself.
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SAHNI:
She's just overwhelmed by
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the whole situation,
but her reaction is also still,
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at the same time, somewhat
deflated and restrained.
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And that restrained reaction
makes me wonder
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if there is more going on.
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She's had concerns but
dismissed them, and now, when
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you look at those concerns
overlaid on this crime, she has
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some things
she's starting to put together.
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Ultimately,
for any spouse,
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this would be
a nightmare situation.
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Suleski's ability to stay calm
and to stay in control
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of his narrative is
somewhat striking.
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He knows
he's committed this crime.
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He knows he's given authorities
permission to search
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his vehicle,
and they found the firearm.
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He seems to just be
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going about business as usual,
he wants to preserve the story
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that he's telling authorities,
and that quality is more
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consistent with what we see in
psychopathic individuals.
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There's a shallowness to
their affect or emotion.
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There's a lack of willingness
to take responsibility
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for what they've done.
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There's generally a cool
and calm about how they handle
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stress, and it's their own
narcissism to some degree.
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They believe and confidently
feel they can pull this off.
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He's on a sinking ship
and he, you know, he doesn't
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really know how to create
a good story, so he comes up
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with a terrible story --
he's trying to figure out how to
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get out of this mess.
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TUSSEY: So yes,
they've searched his car,
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they found the bullets, and
the best story that he can come
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up with is that he was trying
to shoot a squirrel.
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Maybe he thinks he's so smart,
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and these detectives
are so dumb,
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they couldn't possibly put
two and two together.
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That sort of grandiosity
is also a trait of psychopathy.
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They manipulate,
they lie,
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and they do what they need to,
to get out of
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the responsibility of whatever
it is that they've done.
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What's interesting is Suleski's
body language
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shifts at this point
in the interview, and now,
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he starts nodding in agreement
with the detective in
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the affirmative, as in
the detective is saying,
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"I don't believe this BS story,"
and he's nodding, "Yes."
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In other words,
"I agree with you. This is BS."
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TUSSEY: The detective said,
"You have
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a chance to take the floor now."
He's feeding into Suleski's
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narcissism
and grandiosity, basically,
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and saying, "Here you lead."
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It's like the detectives are
baiting him, and he's taking it.
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Once he has taken the stage,
he literally takes the stage.
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He pours on the theatrics,
so now we see these shallow
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tears, we see him acting like
he's overcome with emotion at
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certain parts of this, that
he can't even tell the story.
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Individuals with psychopathy
tend to have a callousness
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and a shallow affect,
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meaning they know what
to say or how to act,
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but it's not
necessarily genuine.
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He's saying what he thinks
they want to hear.
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He's acting upset --
It's unclear
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if he's even upset that
an innocent man was shot,
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or if he's really just upset
that he's caught,
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and everything leans
toward the latter.
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Ultimately, it just doesn't
hold true that this is someone
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who would switch from being
suicidal to suddenly homicidal.
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We see this in the field often,
that somebody, in order to
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either gain sympathy from
the people who are interrogating
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them or to start to lay
the foundation for some kind of
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an insanity defense, might make
a claim of suicidal ideation
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or an attempt to kill themselves
when, in fact, they were not
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attempting to kill themselves at
all -- it's nothing other than
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another tactic of manipulation,
and it's just one of the tools
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they use in that toolbox.
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We start to see
the callousness
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with which Suleski
engaged in this crime.
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He's talking about the victim's
reaction after being hit
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the first time with this firearm
and this bullet, and it almost
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seems like Suleski's offended
by the fact that the victim
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didn't give him a more
spectacular reaction, that all
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he did was say, "Ow," as if
it was a bee or a bug bite.
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SAHNI: Suleski shot
the victim nine times.
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It's such a level of excess
violence that he was getting
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a thrill out of what he did --
there was no reason to continue
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to shoot this innocent
individual who never fought
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back, didn't even see
his perpetrator coming.
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You have to just think
that not only was he
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on an adrenaline high
and just kept going,
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but he wanted to be absolutely
certain he hit his target.
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TUSSEY: He's losing control
of his finances.
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He's losing control
of his marriage,
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and rather than
react in a way a healthy
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individual might, by taking
steps to improve those
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problems, he decides to go to
the extreme, and he reacts in
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rage toward an innocent victim.
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SAHNI: Suleski's decision
to shoot and kill
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the victim speaks to how he
sees people -- they're objects,
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they're replaceable,
they're substitutable.
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It's no different than a person
choosing to line up soda cans
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or beer cans on a wall
and engage in target practice.
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That's what he wanted in that
moment, and that's what
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he decided to give himself.
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[sobbing]
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TUSSEY: He shot this man,
and now he's claiming,
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very theatrically so,
by the way,
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that he wanted to help
him with a first aid kit.
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It just doesn't mesh together --
using what he knows to try to
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manipulate the detectives
even more.
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He knows he should be
upset by this.
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That's the right response,
to be crying and to
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say you wanted to help someone.
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[quietly sobbing]
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It feels like
there's an internal conflict.
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He's been thinking
of hurting someone,
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because he's so angry
at himself and the world,
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both of these things kind of
meshing with each other,
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and he snaps, and so there's
a suspension at the moment of
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the feelings that make us
human, that make us be angry
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but not kill, that make us,
you know, understand what
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the taking of a life is,
and so in that moment,
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the suspension of these feelings
led him to act in ways that
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were really psychopathic.
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[sobbing]
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It's possible he is trying
to rein himself back in
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from the theatrical show that
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he just put on, and he's trying
to calm himself back down.
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It looks as if he's looking up
at the camera at one point --
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intentionally and thinking,
I'm gonna look a certain way.
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I'm gonna present myself
a certain way here while
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the cameras are rolling and no
one else is in here, and maybe
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this will be helpful later on
down the line.
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How many times do we all
wake up every single day,
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we go about our normal routine,
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and we have no thought that
we're not coming home that day?
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You're just out there
running on a Saturday morning,
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probably before you do laundry,
you go get your groceries,
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you meet friends for lunch
or dinner.
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That is what
the victim's life was.
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And that morning,
he never made it home.
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You don't see it coming --
we don't expect to run into
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a John Suleski.
15232
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