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The thing
inside of me, it's like...
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the appetite,
It's like a wolf that's...
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feeling...
the hunger.
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{\an8}What we do know about
Mr. Johnson is that,
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{\an8}at the age of 18,
he was convicted of rape,
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and served
10 years in prison for that.
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Knowing his history,
and then hearing this story
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in the context
of a missing person situation
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is the fact that, you know,
the story already
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doesn't really fit together, right?
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She broke her neck
in the shower, like,
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you would have
a reaction to that.
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But then the response being,
like, "Oh, so I cut her up
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and put her in several
different storage bins."
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It's just such a... disconnect.
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But then, when you add in
the layer of, like,
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this is somebody who has
a history of disregard
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for somebody else's
bodily autonomy.
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That's the piece that sort of,
I think is the most relevant.
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He gets distressed
a little bit
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whenever he's picked up by
the police to be interviewed,
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but until then,
he's really not doing much
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about his wife missing.
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{\an8}That-- leads into this idea
that he has this mask,
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{\an8}so to speak,
of being one person,
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this caring, loving, doting
husband and father.
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But in reality, there's a very
different side to him
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underneath that mask.
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He's trying to figure
out how he wants to play this.
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He's neither paying attention
to what's going on around him,
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nor is he really
paying attention to
his feelings and emotions,
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which we probably suspect
that he probably doesn't have
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the ones that we might be
expecting for
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somebody whose wife is missing.
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But it's more like he's trying
to figure things out.
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And that's, like, occupying
so much of his computing power
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that he's got to put the rest
of the stuff just on autopilot.
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2
{\an8} The fact that
he uses the phrase,
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{\an8}"He doesn't really care,"
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{\an8}is the almost dictionary irony,
in that he probably
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{\an8}has no connection to it.
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{\an8}But he's, again, probably
in his mind, trying to implicate
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his friend, and just sort of
tossed off this phrase.
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But from what we know
about what happened, it is...
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incredibly poignant for him
to use those words,
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because he's the one
who doesn't seem to care.
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{\an8}It's kind of like he's decided,
"I'm gonna to have
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"this very sort of poster
child perfect family life,
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"but I still want to do what
I want when I want to do it.
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"And so I'm gonna to sneak off,
and have that thrill seeking,
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"and that indulgence,
because that's what we know
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psychopaths crave."
They want that stimulation.
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They want to have
that gratification.
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So he's gonna do what he wants,
but the way that he's sort of
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utilized his charisma,
if you will, is to kind of
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have created these
two separate lives
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that he gets to live,
kind of almost in parallel.
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{\an8}Even though
he's the perpetrator,
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{\an8}he actually seems, like he's
trying to elicit some sympathy.
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But it's interesting,
because here he's accused
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of murdering her, yet
he's talking negatively about
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some of her characteristics
that he perceives.
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{\an8}When he says her words hurt,
and she's so cold,
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{\an8}it really seems, like,
a narcissistic injury.
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His fragile ego
is getting impaled
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by these cold words
that she's saying.
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And when Johnson
is constantly talking about
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what she was doing to him,
he's trying to portray
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this victim scenario
and he's trying to really curate
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what the detectives are
thinking about him and saying,
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"OK, this is a man
who was at his wit's end
because his wife
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was trying to be overly
controlling of him."
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2
He can't help but see things
through the lens
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{\an8}of his own interest,
because I think he's trying
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{\an8}to come across as sympathetic
by kind of acknowledging, like,
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"Oh, what have I done?"
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But then it has that
narcissistic overlay,
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'cause it's told
in that way of, like,
"I lost this, I lost this,"
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as opposed to, like, "What
have I done to her family?"
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But he just can't help himself.
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He just can't get out
of his own point of view.
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The truest things he said,
the most kind of direct from
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the psychopath's mouth, "I was
angry, I wanted some control,"
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and sort of,
"Well, she had the card."
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I think the baby represented
sort of a trophy in a way.
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Like, he didn't want her to be
able to exert that kind of
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mastery over the situation.
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If anybody's
gonna be in control,
it's supposed to be him.
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And I think that's what
he found difficult to tolerate.
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{\an8}The separation between
what he does,
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{\an8}and his actions after,
especially when he is
in Menards,
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that just sticks out
to me the most.
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He doesn't look stressed.
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The level of callousness,
the lack of responsibility
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or emotion that goes along with
that is almost unfathomable.
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2
He's talking at the end about,
"'I'm sorry' just being words."
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But the way he has been talking
throughout this entire interview
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seems, like, just words.
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It's not clear that there's
remorse or true sorrow
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for what he has done.
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And there's no indication that
Johnson has any amount
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of empathy for the pain that
he has caused,
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and will cause his son as
his son gets older,
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and realizes what's happened.
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But also the pain that
he's caused both families,
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whom he just described
as wonderful.
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For psychopaths,
they exist in the world
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solely seeking out
their own interests.
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{\an8}And so, as long as somebody
is serving their interests,
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{\an8}they'll get the benefit of
being treated sort of
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{\an8}externally the way the person
in that role would be treated.
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{\an8}And so, i.e., in this case,
he treated her like his wife,
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{\an8}so long as she played
the character of his wife
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{\an8}in the way that
he wanted and needed.
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{\an8}But as soon as
that stopped happening,
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{\an8}the character to which
he has no emotional connection
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{\an8}now becomes expendable.
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]
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