All language subtitles for Perception.S03E07.WEBRip.x264-ION10

HOW MANY OF YOU
ARE ELITISTS?

REALLY? NOBODY?
[ LAUGHTER ]

THOSE, UH, DESIGNER JEANS --
THEY REALLY WORTH 200 BUCKS?

AND YOU, BASKETBALL JONES --

THOSE CUSTOMIZED HIGH-TOPS
MAKE YOU DUNK LIKE LeBRON?

[ LAUGHTER ]
CLEVER MARKETING
HAS CONDITIONED US TO BELIEVE

THAT WE GET WHAT WE PAY FOR.

IN FACT,
RESEARCHERS AT STANFORD

USED AN MRI TO GAUGE
BRAIN ACTIVITY

WHILE PARTICIPANTS SIPPED
SAMPLES OF RED WINE.

GUESS WHAT THEY FOUND.

WHEN PEOPLE THOUGHT THAT
THEY WERE DRINKING $5 MERLOT,

THE MEDIAL
ORBITOFRONTAL CORTEX --

PART OF THE BRAIN INVOLVED
WITH PLEASURE AND REWARD --

WAS MINIMALLY ACTIVE.

BUT WHEN TOLD THAT SAME WINE

WAS A $100 BOTTLE
OF CHâTEAUNEUF-DU-PAPE,

THE PLEASURE CENTER LIT UP
LIKE THE LAS VEGAS STRIP,

WHICH TELLS US
EVEN THOUGH WE MAY NOT BE SNOBS,

OUR MEDIAL
ORBITOFRONTAL CORTICES ARE.

DOC, WHERE ARE YOU GOING?

YOU HAVE AN APPOINTMENT
WITH ROSENTHAL IN HALF AN HOUR.

YOU CAN CANCEL THAT.

I CAN, BUT I WON'T.

LAST WEEK, YOU TOLD ME
NOT TO LET YOU OFF THE HOOK.

I NEVER SAID THAT.
HUH?

Daniel: NO POSTPONING,
NO CANCELING, NO EXCUSES.

I MEAN IT, LEWICKI.

NSA's GOT NOTHING ON ME,
DOC.

IT'S A WASTE OF TIME.
I'M DOING FINE.

Natalie: THAT'S YOUR
DEFENSE MECHANISM TALKING.

YOU'RE COPING, BUT YOU'RE NOT
MAKING ANY PROGRESS.

OF COURSE I AM.
I MANAGE MY DIET.

I-I-I STICK TO MY ROUTINE.

DANIEL.

JUST TO BE CLEAR,

YOU DON'T BELIEVE
YOU NEED TO BE IN THERAPY,

BUT YOUR...HALLUCINATION
DISAGREES?

[ SCOFFS ] THAT'S --
THAT'S OVERSIMPLIFYING.

YOU'VE BEEN COMING TO ME OFF
AND ON FOR, WHAT -- FIVE YEARS?

YOU'RE STILL MORE
COMFORTABLE TALKING TO
NATALIE THAN YOU ARE TO ME.

YOU'RE THE ONE THAT ENCOURAGED
ME TO ENGAGE MY HALLUCINATIONS.
YES.

IT'S BEEN A HELPFUL TECHNIQUE
IN MANAGING YOUR SYMPTOMS.

BUT YOU'RE STAGNATING.

YOU NEED TO ENGAGE
WITH REAL PEOPLE.

I ENGAGE WITH REAL PEOPLE
EVERY DAY --

WITH -- WITH PAUL
AND LEWICKI AND KATE.

THAT'S WORK.
YOU NEED TO SOCIALIZE.

THAT'S WHAT
I KEEP TELLING YOU.

WHAT ARE YOU,
IN CAHOOTS WITH HIM?

ARE YOU -- ARE YOU TWO
GANGING UP ON ME?

TIME.
THIS ISN'T COUPLES COUNSELING.

THIS IS
INDIVIDUAL TREATMENT.

I'D LIKE YOU TO STOP
SPEAKING TO NATALIE.

FINE.
YOU HAVE THE FLOOR.

I DON'T THINK
YOU'RE HEARING ME.

I DON'T MEAN I WANT YOU
TO STOP TALKING TO NATALIE

DURING THE SESSION.

I MEAN I WANT YOU
TO STOP TALKING TO HER PERIOD.

WELL, I-I NEED HER.
IT'S EXACTLY THE OPPOSITE.

YOUR INTIMATE RELATIONSHIP
WITH NATALIE IS PREVENTING YOU

FROM HAVING AN INTIMATE
RELATIONSHIP WITH SOMEBODY REAL.

THAT'S -- WHAT --
WHAT ABOUT MIRANDA?

I MEAN, NATALIE DIDN'T
PREVENT ME FROM -- FROM

FLYING OFF TO PARIS
AND HAVING MY HEART RIPPED OUT.

BECAUSE
THAT DIDN'T WORK OUT,

YOU'RE RETREATING
TO SOMETHING FAMILIAR.

OH, BULLSHIT.
OH, REALLY?

WHAT DID YOU DO
ON SATURDAY NIGHT?

WATCHED "REAL SPORTS"
WITH ME...TWICE.

GET OUT IN THE WORLD,
DANIEL.

HAVE SOME FUN.

[ INDISTINCT CONVERSATIONS ]
[ JAZZ MUSIC PLAYS ]

RIGHT THERE.

COME ON, BUDDY.
YOU GOT TO MINGLE.

DON'T SAY "MINGLE."
I HATE THAT WORD.

MAKES ME THINK
OF BACTERIA.

CAN WE PLEASE
GET THE HELL OUT OF HERE?

WOW.

SHE IS SMOKIN'.

I WANT HER.

ALREADY SOLD.

YOU'RE GONNA HAVE TO STICK
WITH "DOGS PLAYING POKER."

BUT DON'T YOU THINK
SHE'S STUNNING?
I THINK THE PAINTINGS
ARE STUNNING.

I THINK SHE'S A NARCISSIST.
WHERE ARE YOU GETTING THAT?

LOOK AT
HER FACIAL EXPRESSION.

SHE'S COMPLETELY IN LOVE
WITH HERSELF.
I TOTALLY DISAGREE.

De LUCA CLEARLY SAW HER

AS THE EPITOME
OF YOUTHFUL INNOCENCE.

REALLY?

SO WHY IS SHE SO THOUGHTFULLY
ADMIRING HER OWN BREASTS?

WELL, SHE'S CONFUSED
AND SURPRISED

BY HER BURGEONING SEXUALITY,
LIKE THE VIRGIN MARY.

IT'S WHY De LUCA CHOSE THE SAME
SHADE OF ULTRAMARINE BLUE

AS RAPHAEL USED TO PAINT
HIS "MADONNA."

WOW, YOU OBVIOUSLY KNOW
A LOT ABOUT ART.

AND YOU OBVIOUSLY DON'T KNOW
VERY MUCH ABOUT WOMEN.

[ GUITARS SCREECHING ]

[ CROWD GROANING ]

[ CROWD GASPS ]

NICK?

[ SCREECHING CONTINUES ]

TURN THAT VIDEO OFF!

CALL AN AMBULANCE.
SOMEBODY CALL AN AMBULANCE.

COME ON, DANIEL.
I'LL GIVE YOU A RIDE HOME.

NO, I -- YOU -- YOU --
YOU GO AHEAD. I'LL CATCH A CAB.

REALLY? ALL RIGHT.
YEAH.

I'M -- I'M SORRY
FOR YOUR LOSS.

WE WAITED SO LONG TO BE ABLE TO
GET MARRIED, AND NOW...

YOU THINK
HE WAS IN MUCH PAIN?

I THINK HE DIED WHEN HE HIT
HIS HEAD. HE DIDN'T SUFFER.

DID YOU KNOW THAT NICK WAS
A PHOTOSENSITIVE EPILEPTIC?

OF COURSE I KNEW.
SO WHY WOULD YOU BE SHOWING A
VIDEO LIKE THAT IN YOUR GALLERY?

WE WOULDN'T. IT'S BEEN RUNNING
ON A LOOP FOR DAYS.

THERE WASN'T ANY FLASHING
OR STROBING.

[ KNOCK ON DOOR ]

IS EVERYTHING OKAY?

I THINK I JUST
WITNESSED A MURDER.

T-THE VIDEO WAS HACKED.

THAT'S GOT TO QUALIFY
AS SOME KIND OF CYBER CRIME.

SO, WHAT YOU'RE SAYING IS

THAT THE MURDER WEAPON WAS
A DOCUMENTARY FILM?

I KNOW IT'S A LONG WAY TO GO
TO KILL SOMEONE, BUT...
MAYBE IT'S JUST A PRANK.

WELL, PRANK OR NO, THIS GUY,
NICK PERRI, IS DEAD.

WE COULD BE LOOKING AT
INVOLUNTARY MANSLAUGHTER.

BUT EITHER WAY,
IT'S NOT A FEDERAL CASE.

OH, IF I TAKE MY THEORY
TO CHICAGO P.D.,

THEY'LL LAUGH ME
OUT OF THE SQUAD ROOM.

Kate:
THANK YOU FOR MEETING US.

I CAN'T IMAGINE HOW DIFFICULT
THIS MUST BE FOR YOU.

WHO ELSE KNEW ABOUT
YOUR HUSBAND'S CONDITION?

WE HOLD AN ANNUAL FUNDRAISER
FOR EPILEPSY RESEARCH,

SO A-A LOT OF PEOPLE.

NOW, DID NICK HAVE
ANY ENEMIES?

HE, UH, WAS WHAT YOU MIGHT CALL
A, UH, POLARIZING FIGURE.

NEVER AFRAID TO STAND UP
FOR WHAT HE BELIEVED IN,

EVEN IF IT WAS,
UH, UNPOPULAR.

WHAT DID HE BELIEVE IN?

GAY MARRIAGE, OBVIOUSLY.

BUT I GUESS HE --
HE WAS MOST VOCAL

ABOUT, UH,
FREEDOM OF EXPRESSION.

AND HAVE ANY OF YOUR EXHIBITS
BEEN DISRUPTED BEFORE?

THE BORTELL OPENING
A FEW MONTHS AGO.

UH, A GROUP CALLED...
[ SCOFFS ]

...CHICAGOANS FOR DECENCY
PROTESTED IT.

THE COPS BROKE IT UP,
BUT IN THE MIDDLE OF THE NIGHT,

ONE OF THE DEMONSTRATORS
CAME BACK

AND TRIED TO SET THE GALLERY
ON FIRE.

IT WAS AFTER THEN
THAT I INSISTED

WE INSTALL
SECURITY CAMERAS.

IF YOU DON'T MIND,

I'D LIKE TO SEE SOME
OF THE FOOTAGE FROM LAST NIGHT.

IT'S DRAFTY IN HERE.

IF YOU WERE REAL, I'D TELL YOU
TO PUT ON SOME CLOTHES.

DO I LOOK FAT TO YOU?
BODY DYSMORPHIA.

UH, Y-YOU REALLY ARE
SELF-ABSORBED.
NO, SILLY.

MY BODY'S JUST FINE.

IT'S THE ONE IN THE MIDDLE
THAT'S OFF.

THE RIGHT LEG IS SO THICK.
IT'S DISGUSTING.

KATE?

KATE!

YEAH?

THIS MIDDLE PAINTING
IS A FAKE.

THAT'S IMPOSSIBLE.

WE HAD THEM ALL AUTHENTICATED
BEFORE THE EXHIBITION WAS HUNG.

OF COURSE.
IT WAS A DISTRACTION.

DANIEL,
WHAT ARE YOU TALKING ABOUT?

THIS WASN'T JUST A MURDER.
THIS -- THIS WAS AN ART HEIST.

I DON'T KNOW WHAT YOU'RE TALKING
ABOUT. THEY ALL LOOK REAL TO ME.

THAT'S 'CAUSE YOUR BRAIN
IS FILLING IN THE GAPS

BASED ON
WHAT YOU EXPECT TO SEE.

BUT UPSIDE DOWN, YOUR BRAIN
DOESN'T RECOGNIZE THE IMAGE

SO IT CAN SPOT THE PROPORTIONS
THAT ARE OFF.

SEE?

OH, MY GOD.

THE THIGH IS BIGGER.
YOU'RE RIGHT.

Kate: SO,
A THIEF PAINTS A FORGERY,

HACKS THE VIDEO
TO INDUCE NICK'S SEIZURE.

AND THEN WHEN
EVERYONE'S DISTRACTED,

HE SWAPS OUT THE FAKE
FOR THE REAL DEAL

AND MAKES OFF
WITH A VALUABLE PAINTING

THAT NO ONE KNOWS
HAS BEEN STOLEN.

SMART, SO LONG AS THE THIEF
DOESN'T WANT TO SELL IT,

SINCE EVERYBODY THINKS
THE REAL "RECLINING MUSE"

IS HERE AT THE GALLERY.

WELL, YOU'D BE SURPRISED
JUST HOW MANY

SHADY DEALERS
AND COLLECTORS

ARE WILLING TO BUY
ON THE BLACK MARKET...

AND APPARENTLY KILL MY HUSBAND
TO GET WHAT THEY WANT.

[ GUITARS SCREECHING ]
Kate: THERE'S OUR THIEF.

WE'LL ENHANCE THE IMAGE,
SEE IF WE CAN GET AN I.D.

COULD WE SEE
THE ALTERED TRIBUTE VIDEO?

UH, IT'S GONE.
I DON'T UNDERSTAND.

I'LL HAVE OUR TECH GUYS
TAKE A LOOK.

COMPUTERS WERE NICK'S ARENA,
ALONG WITH BALANCING THE BOOKS

AND DEALING WITH THE...

THE BUYERS. OH, GOD.
WHAT IS IT?

THE GALLERY HAS BEEN
HANGING ON BY A THREAD.

LANDING THE De LUCA SHOW
WAS A-A COUP.

THE SALE OF THE "MUSES" WAS
GONNA GET US OUT OF DEBT.

NOW I HAVE TO TELL THE --
THE BUYERS ONE'S BEEN STOLEN.

HE'S PROBABLY GONNA
CANCEL THE SALE.

MY INVESTMENT'S
IN THE TOILET.

MR. SINGH, ONLY ONE
OF THE PAINTINGS WAS STOLEN.

DOESN'T MATTER.
IT'S A TRIPTYCH.

ONE GOES MISSING --
THAT'S IT.

DIMINISHES THE VALUE
OF THE OTHER TWO.

AND I KNEW I SHOULD HAVE
TAKEN THEM OUT OF THE GALLERY

THE MINUTE I BOUGHT THEM.
SO WHY DIDN'T YOU?

THOSE DAMN GALLERY OWNERS
CONVINCING ME

THAT ART WAS
MEANT TO BE SEEN.

ISN'T IT?
I'D RATHER
PROTECT MY ASSETS.

WELL, YOU MUST GET PLENTY OF
ENJOYMENT OUT OF THEM THAT WAY.

I PAID $800,000
FOR THOSE MUSES,

AND MY ART CONSULTANT SAID

THEY'RE GONNA BE WORTH
$2 MILLION IN 10 YEARS,

SO JUST SPARE ME
YOUR SMUG COMMENTARY, ALL RIGHT?

LOOK, WE ARE DEVELOPING
SEVERAL LEADS.
WAIT -- WAIT. YOU KNOW WHAT?

I BET I KNOW WHO TOOK
MY PAINTING.

WHO?
JOSEPHINE CARSWELL.

THAT DELUSIONAL BITCH
THINKS THE MUSES ARE HERS.

[ KNOCK ON DOOR ]

WELL...IF IT ISN'T
MY FAVORITE ART CRITIC.

YOU TWO KNOW EACH OTHER?
NO.
YES.

UH, SORT OF.
WE MET LAST NIGHT BRIEFLY.

LONG ENOUGH FOR YOU
TO INSULT ME.

I DIDN'T INSULT YOU.

Muse:
OH, YES, YOU DID.

YOU'RE
"THE RECLINING MUSE."

IN THE FLESH.

[ SCOFFS ]

Josephine:
"MIA AMORUCCIA" --

I-IT MEANS
"MY LITTLE LOVE" --

"FIELDS OF SUNFLOWERS
INSPIRED VAN GOGH.

"MONET WAS MOVED
BY WATER LILIES,

"BUT YOU, JOSEPHINE,
ARE MY MUSE.

"MY WORK CAME ALIVE
WHEN I PAINTED YOU.

"SO DID MY HEART.

"PLEASE ACCEPT
'THE RECLINING MUSES'

"AS A SYMBOL OF OUR LOVE
AND REMEMBER ME ALWAYS.

PER SEMPRE TUO,
VINCENZO."

THERE'S THE PROOF.
THE PAINTINGS ARE MINE.

SO HOW DID THEY WIND UP FOR SALE
IN THE PERRI GALLERY?

VINCENZO AND I HAD 15 WONDERFUL
YEARS TOGETHER IN UMBRIA.

BUT TOWARD THE END,
HE BECAME PARANOID.

HE THOUGHT I'D MET SOMEONE ELSE,
WHICH WAS NONSENSE.

BUT HE LEFT, AND HE TOOK
THE PAINTINGS TO SPITE ME.

THEN YOU READ ABOUT THE EXHIBIT.
THAT MUST HAVE BEEN A SHOCK.

I CALLED THE GALLERY
RIGHT AWAY.

NICK PERRI SAID HE'D ALREADY
SOLD THE MUSES ON CONSIGNMENT

FOR VINCENZO'S NIECE, WHO
APPARENTLY GOT THEM IN THE WILL.

SO I GRABBED THE FIRST FLIGHT
OUT OF ROME

AND HIRED A LAWYER.

DO YOU THINK
YOU HAVE A CASE?

"PER SEMPRE"
MEANS "FOREVER."

THOSE PAINTINGS ARE MINE.

SO YOU THOUGHT YOU'D TAKE
MATTERS INTO YOUR OWN HANDS?

EXCUSE ME?
Daniel: WELL, SHE -- WELL, UM --
DURING THE COMMOTION,

UH, LAST NIGHT, WHEN --
WHEN NICK HAD HIS SEIZURE,

SOMEBODY STOLE
ONE OF THE MUSES.

IT WAS STOLEN?
I'M SORRY. YES.

AND YOU THINK I DID IT?

NO -- NO, I DON'T -- I DON'T
THINK WE'RE SAYING THAT.
A LOT QUICKER AND CHEAPER
THAN A LAWSUIT.

I THINK WE'RE -- WE'RE
JUST FOLLOWING UP ON --
ON SEVERAL LEADS.

MY ATTORNEY SAID
WE WERE GONNA WIN.

I WAS GONNA GET
ALL THREE PAINTINGS LEGALLY.

WHY WOULD I STEAL ONE?

YOU WERE PRETTY QUICK
TO JUMP TO HER DEFENSE.

I JUST DON'T THINK
SHE'S OUR THIEF.

BASED ON WHAT?
GUT FEELING.

[ ELEVATOR BELL DINGS ]
WAS IT YOUR GUT OR SOME
OTHER PART OF YOUR ANATOMY?

[ CHUCKLES ]
THAT'S RIDICULOUS.

FIRST OF ALL, SHE'S NOT MY TYPE,
AND EVEN IF SHE WERE,

I WOULD NEVER LET THAT CLOUD
MY JUDGMENT.

BUT THE QUESTION
WE SHOULD BE ASKING IS,

WHY DID GRAHAM PERRI
NEVER MENTION THIS LAWSUIT?

I DIDN'T KNOW
ANYTHING ABOUT IT.

I MEAN, LIKE I TOLD YOU,
NICK HANDLED THE BUSINESS SIDE.

MR. PERRI, YOU TOLD US THAT
THERE WERE BLACK-MARKET DEALERS

WHO WOULD BE INTERESTED IN
ACQUIRING THE STOLEN PAINTING.

COULD YOU TELL US WHO SOME
OF THOSE INDIVIDUALS MIGHT BE?

UM -- UM,
I WAS SPEAKING THEORETICALLY.

I-I DON'T ASSOCIATE
WITH CRIMINALS.

BUT, THEORETICALLY, IF YOU DID,
YOU'D BE ABLE TO COMMAND

A PRETTY GOOD PRICE FOR ONE
OF "THE RECLINING MUSES," NO?

WHAT ARE YOU IMPLYING?

THAT I ARRANGED AN ELABORATE
HEIST FROM MY OWN GALLERY

AND KILLED MY HUSBAND
IN THE PROCESS?

MAYBE YOU DIDN'T MEAN
FOR HIM TO DIE.

MAYBE IT WAS JUST A DESPERATE
ATTEMPT TO SAVE YOUR GALLERY

WHEN YOU REALIZED
THAT JOSEPHINE'S LAWSUIT

PUT THE SALE OF THE MUSES
IN JEOPARDY.

YOU'RE RIGHT.

NOW THAT NICK IS GONE,

MY FINANCIAL PROBLEMS
ARE OVER...

BUT NOT BECAUSE
I SOLD A PAINTING

ON THE BLACK MARKET.

I'M THE BENEFICIARY OF NICK'S
LIFE-INSURANCE POLICY.

SO HALLELUJAH --
THE GALLERY IS SAVED.

BUT IF YOU DON'T THINK
I'D GIVE UP EVERY PENNY

TO GET MY HUSBAND BACK,
YOU'RE CRAZY.

[ TELEPHONE RINGS ]

MORETTI.

GREAT.
WE'LL BE RIGHT THERE.

CYBER JUST RECOVERED THE VIDEO
THAT CAUSED THE SEIZURE.

[ GUITARS SCREECHING ]

THIS REMINDS ME
OF WHY I HATE NIGHTCLUBS.

WAIT. WAIT. STOP.
CAN YOU GO BACK?

UH, FRAME BY FRAME?

THERE. RIGHT THERE.

YOU THINK IT MEANS
SOMETHING?

IT'S A SYMBOL
FOR "CHAOS."

LIKE SOME SORT
OF A SIGNATURE?
MAYBE.

MAYBE A CALLING CARD FOR SOME
GROUP PROTESTING THE EXHIBIT.

GRAHAM SAID THEY HAD BEEN
TARGETED BEFORE.

COULD YOU GOOGLE
"SYMBOL FOR CHAOS"

PLUS "PROTEST"
PLUS "ART"?

THERE.
"CHICAGO ART WORLD."

COULD YOU CLICK ON THAT,
PLEASE?

"KAOS HAS MADE WAVES
RECENTLY

"WITH HIS ICONOCLASTIC
VIDEO INSTALLATIONS

"DECRYING
THE CRASS COMMERCIALISM

"OF THE TRADITIONAL
ART SCENE.

"I SAT DOWN WITH KAOS
UNDER THE CONDITION

THAT I KEEP
HIS IDENTITY SECRET."
HMM.

ARTICLE WRITTEN
BY TEDDY BRENNAN.

MY EDITOR TOLD ME
WHAT HAPPENED TO NICK.

SUCH A TERRIBLE LOSS.

MR. PERRI'S SEIZURE
WAS USED

AS A DISTRACTION
FOR AN ART HEIST.

WE BELIEVE THAT KAOS
WAS INVOLVED.

WHAT DOES THAT HAVE TO DO
WITH ME?

WELL, YOU WROTE
AN ARTICLE ON KAOS.

WE NEED YOU TO TELL US
HIS REAL NAME.

IT TOOK ME MONTHS TO LAND
THAT INTERVIEW.

YOU'RE SUGGESTING I BETRAY
HIS CONFIDENCE?

MR. BRENNAN,
KAOS IS A SUSPECT

IN A FEDERAL MURDER
INVESTIGATION.

AND YOU'RE NOT EXACTLY WOODWARD
OR BERNSTEIN.

YOU'RE AN ART CRITIC.

IT'S STILL MY LIVELIHOOD.

IF I TELL YOU,
NO ONE WILL TRUST ME.

I WON'T BE ABLE TO GET
INTERVIEWS.

WELL, IT'LL BE EVEN MORE
DIFFICULT FROM BEHIND BARS.

WE'LL GET A WARRANT.

THEN YOU CAN EITHER TELL A JUDGE
OR GO TO JAIL FOR CONTEMPT.

[ SIGHS ]

OKAY.

OKAY.

BUT YOU DIDN'T HEAR IT
FROM ME.

HIS NAME IS
JARED TENNENBAUM.

WE'RE LOOKING
FOR JARED TENNENBAUM.

YOU FOUND HIM. NEIGHBORS HEARD
GUNSHOTS A COUPLE HOURS AGO.

GIRLFRIEND JUST GOT HOME
FROM WORK. POOR KID.

I DON'T KNOW.

[ SIGHS ]

I DON'T THINK THIS ONE
WASN'T AN ACCIDENT.

Kate: WE BELIEVE
THAT JARED'S DEATH

COULD BE RELATED
TO THE ART HEIST,

SO ANY INFORMATION
YOU CAN GIVE US

MIGHT HELP US CATCH
HIS KILLER.

DID HE HAVE
ANY ENEMIES?

EVERYBODY LOVED HIM.

HE NEVER MADE TROUBLE,
AND HE WORKED ALL THE TIME.

YOUR LANDLORD SAYS YOU
GUYS ARE THREE MONTHS
BEHIND ON THE RENT.

SO?
SO YOU NEEDED THE CASH.

HE HACKED THE VIDEO
SO HE COULD STEAL THE
PAINTING AND SELL IT.

HE HACKED THAT VIDEO 'CAUSE
SOME JERK PAID HIM TO DO IT.

DID THIS JERK
HAVE A NAME?

NEVER TOLD ME.

WAS IT THE SAME GUY

WHO ASKED HIM TO FORGE
THE De LUCA PAINTING?

FORGE A PAINTING?
ARE YOU KIDDING ME?

JARED NEVER DID
REPRESENTATIONAL WORK,

NEVER MIND PORTRAITS.

HE THOUGHT
IT WAS JUST A BULLSHIT WAY

TO IMMORTALIZE RICH PEOPLE.

ONE LAST THING --

DO YOU KNOW
WHERE JARED WAS LAST NIGHT?

AT HOME PLAYING Xbox WITH ME.

I CAN SHOW YOU THE TIME STAMPS

ON HIS
"ASSASSIN'S CREED" SCORES.

IF I'D HAVE KNOWN
HE WAS GONNA DIE,

I WOULD HAVE LET HIM WIN.

KAOS COULDN'T HAVE BEEN
THE THIEF

IF HE WAS AT HOME
WITH HIS GIRLFRIEND.

SO WHOEVER HIRED HIM MUST HAVE
STOLEN THE PAINTING.

AND MAYBE FORGED IT,
TOO.

AND THEN KILLED KAOS
TO COVER HIS TRACKS.

SO WE NEED TO FIND THE FORGER.
BUT HOW?

DANIEL?

DANIEL?

ARE YOU OKAY?

DANIEL?

ULTRAMARINE BLUE.

WHAT?
De LUCA PAINTED
"THE RECLINING MUSES"

WITH A RARE SHADE OF
BLUE PAINT -- THE SAME
ONE USED BY RAPHAEL.

T-THE FORGER
MUST HAVE USED IT, TOO.

CAN YOU TRACE THAT?
SPECIALTY ART SUPPLIERS, MAYBE?
I'LL MAKE SOME CALLS.

[ LOUNGE MUSIC PLAYS ]

Muse:
YOU PLAY VERY WELL.

THANK YOU.
SEE?

I'M NOT SUCH A NARCISSIST.

I APPRECIATE
OTHER PEOPLE'S TALENT.

WELL,
MAYBE I MISJUDGED YOU.

DANIEL,
WHAT ARE YOU DOING?

WHAT DOES IT LOOK LIKE I'M
DOING? I'M PLAYING THE PIANO.

FOR A HALF-NAKED
HALLUCINATION?

I THINK SHE'S JEALOUS.

ROSENTHAL WOULD
HAVE A FIELD DAY WITH THIS.

TO HELL WITH ROSENTHAL.
I'M ENJOYING MYSELF.

JUST LIKE YOU DID WITH ME
IN COLLEGE.

[ PLAYING STOPS ]
WHAT ARE YOU TALKING ABOUT?

YOU WERE SCARED TO STRIKE UP
A CONVERSATION WITH CAROLINE,

SO YOU CAME HOME AND STARTED AN
IMAGINARY RELATIONSHIP WITH ME.

WELL, IT WORKED OUT
PRETTY WELL.
DANIEL, DON'T MAKE
THE SAME MISTAKE TWICE.

LOOK, THE REAL JOSEPHINE
HAS MADE IT CLEAR

SHE DOESN'T LIKE ME
VERY MUCH.

YOU GOT OFF ON THE WRONG FOOT.
GO APOLOGIZE.

EVEN IF I WANTED TO, SHE'S
A SUSPECT IN AN INVESTIGATION.

YOU DON'T BELIEVE THAT
SHE HAS ANYTHING TO DO WITH IT.

DON'T BE
SUCH A BOY SCOUT.

SHE'S RIGHT.

I'D LOVE TO SEE YOU...
IN THE FLESH.

LEWICKI!

[ SIGHS ]

I NEED A LIFT
TO THE GRAND REGENT.

YOU AGAIN.

HI. UH,
I'M SORRY TO BOTHER YOU.

I KNOW -- I KNOW IT'S LATE.
I JUST --

WHEN WE MET AT THE GALLERY,
I, UM --

I DIDN'T REALIZE
THAT YOU WERE...YOU,

AND I-I-I THINK
I MAY HAVE SAID SOME THINGS

THAT SOUNDED A LITTLE JUDGMENTAL
AND -- AND HARSH AND --

AND VERY PERCEPTIVE.

I'M SORRY?

YOU SAW RIGHT THROUGH ME.

I WAS OBSESSED WITH MYSELF
WHEN I WAS 19.

OH, WELL...
YOUR INTERPRETATION WAS
PRETTY IMPRESSIVE, ACTUALLY.

IT WAS?

OH.

YOU WANT TO COME IN?

HAVE A DRINK?

OH, I-I-I GOT -- SURE.
[ CHUCKLES ]

Daniel: SO, I GUESS
NEUROSCIENCE TURNED OUT TO BE

A PRETTY GOOD
FALLBACK PLAN.

THOUGH MY FIRST CHOICE WAS TO
PLAY CENTER FIELD FOR THE CUBS.

OH. [ CHUCKLES ]
BUT...

WELL, I WANTED TO BE A --
A PRINCIPAL DANCER

FOR THE CHICAGO BALLET.

I STUDIED
AT THEIR CONSERVATORY.
WHAT HAPPENED?

VINCENZO De LUCA
HAPPENED.

AH. HE CONVINCED YOU

TO TRADE IN YOUR BALLET TIGHTS
FOR A BEDSHEET?

[ CHUCKLES ] YEAH.

YEAH, HE WAS
PRETTY PERSUASIVE

AND HANDSOME...
AND PASSIONATE.

HAD AN ITALIAN ACCENT.
AH, IT DIDN'T HURT.

I WAS DATING ANOTHER ART STUDENT
AT THE TIME. POOR GUY.

SUGGESTED I, UH --
I COULD MAKE SOME EXTRA MONEY

BY MODELING
FOR PAINTING CLASSES,

WHICH WAS A BIG MISTAKE FOR HIM,
'CAUSE ONE DAY,

VINCENZO WALKS INTO THE STUDIO,
TAKES ONE LOOK AT ME,

AND TELLS ME
I'M HIS MUSE.

NEXT THING YOU KNOW,

WE'RE RUNNING OFF TO ITALY
TOGETHER.

HMM.

YOU EVER DO ANYTHING
THAT CRAZY?

EVERY DAY OF MY LIFE.

DANIEL PIERCE, DO I DETECT
A TWINKLE IN YOUR EYE?

I DON'T TWINKLE, PAUL.

THEN WHAT YOUNG MAX TOLD ME
ISN'T TRUE?

WHAT, EXACTLY,
DID YOUNG MAX TELL YOU?

OH, JUST THAT I DROVE YOU
TO THE GRAND REGENT HOTEL,

AND YOU SAID
YOU'D BE RIGHT BACK,

AND THEN I WAITED FOR YOU
TO COME OUT UNTIL 6:00 A.M.

I DEMAND DETAILS.

I AM NOT GONNA BE FODDER
FOR YOUR WATER-COOLER GOSSIP.

AND YOU ARE FIRED.

WHATEVER YOU SAY,
DOC.

O-OKAY, SO YOU DON'T
WANT TO SHARE? FINE.

I'M JUST GLAD YOU'RE GETTING
OUT THERE AGAIN.

MIRANDA WAS A REAL PUNCH
IN THE GUT.

AH,
MIRANDA WAS A MISTAKE.

I WAS TRYING TO REKINDLE
SOMETHING FROM 20 YEARS AGO.

THIS IS...NEW.
THIS IS EXCITING.

WELL, WHO IS SHE?

IT'S THE WOMAN FROM THE GALLERY
THE OTHER NIGHT.
WHAT WOMAN?

I WAS JUST --
UH, JUST TELLING PAUL

THAT SHE TURNED OUT TO BE

THE -- THE MODEL
FROM THE PAINTINGS.

OH, WELL,
SPEAKING OF THE PAINTINGS,

YOU WERE RIGHT
ABOUT THE ULTRAMARINE BLUE.

ONLY ONE PLACE IN TOWN
SELLS IT,

AND ONE GUY BOUGHT
ALL THEY HAD.

Kate: I'M LOOKING FOR
MARTIN GRANT.

HE, UM -- HE DOESN'T
LIVE HERE ANYMORE.

DO YOU KNOW WHERE
WE MIGHT BE ABLE TO FIND HIM?

HE MOVED INTO SOME DUMP AT
THE CORNER OF HALSTED AND 19th.

HE SAID
THE LIGHT WAS PERFECT.

IS HE A PAINTER?
EVERYTHING'S FINE FOR 20 YEARS,
AND THEN OUT OF THE BLUE,

HE QUITS HIS JOB
AT THE EXCHANGE TO MAKE ART.

HE STOPPED TALKING TO ME,
IGNORED THE KIDS.

AND THEN ONE DAY,
HE WAS GONE.

WE CAN'T PAY OUR BILLS,

SO THE BANK FORECLOSED
A MONTH AGO.

IS YOUR HUSBAND AWARE THAT
YOU'RE IN FINANCIAL TROUBLE?

I'VE LEFT HIM
DOZENS OF MESSAGES.

WHEN YOU SEE HIM,
TELL HIM HE SHOULD KEEP A ROOF

OVER HIS KIDS' HEADS INSTEAD OF
DOING ARTS AND CRAFTS.

[ KNOCK ON DOOR ]

SPECIAL AGENT KATE MORETTI,
FBI.

YOU MARTIN GRANT?

SIR?
ARE YOU MARTIN GRANT?

Kate: WE CHECKED EVERY PAINTING
IN YOUR STUDIO.

WE DIDN'T
FIND THE ORIGINAL.

WHAT DID YOU DO
WITH "THE RECLINING MUSE"?
CAN I GO?

NO. YOU FORGED A PAINTING THAT
WAS USED IN A FEDERAL CRIME.

THAT CRIME LED
TO TWO MURDERS.

YEAH, THAT'S MINE.

OKAY. LET'S START
AT THE BEGINNING.

WHY DID YOU FORGE
THE PAINTING?

THE GUY WANTED IT.

WHAT GUY?
THE GUY.

YOU'RE GONNA HAVE TO DO
BETTER THAN THAT. I NEED A NAME.

HEY!

[ KNOCK ON WINDOW ]

I THINK HE HAS
FRONTOTEMPORAL DEMENTIA.

IT'S A NEURODEGENERATIVE
CONDITION,

AND IT WOULD CERTAINLY EXPLAIN
HIS SOCIAL DISINHIBITION.

YOU'RE GETTING ALL THAT
FROM HIM TRYING TO COP A FEEL?

FOR SOME PEOPLE, THE
DISINHIBITION UNMASKS CREATIVITY

THAT --
THAT WAS PREVIOUSLY STUNTED,

WHICH WOULD ACCOUNT FOR
HIS SUDDEN ARTISTIC ABILITY

AND HIS COMPULSION TO PAINT,
BUT IF I'M RIGHT,

HE COULDN'T POSSIBLY BE
THE THIEF OR THE KILLER.

I MEAN, HE WOULDN'T HAVE
THE COGNITIVE CAPACITY

TO PULL OFF SOMETHING
SO INTRICATE.

WELL,
THAT'S A GREAT THEORY.

OR MAYBE HE'S JUST
A BELLIGERENT PERVERT.

[ SIGHS ]

ATROPHY OF THE FRONTAL
AND TEMPORAL LOBES CONFIRMS FTD.

SO, WHAT --
HE'S NOT OUR MASTERMIND?

NO, THE DISEASE
HAS PROGRESSED TO THE POINT

WHERE HIS -- HIS MIND IS STUCK
ON A LOOP.

ALL HE CARES ABOUT IS PAINTING
"THE RECLINING MUSE."

BUT HE CAN'T REMEMBER
WHO ASKED HIM TO PAINT
IT IN THE FIRST PLACE?

THAT OR HE HAS PRIMARY
PROGRESSIVE APHASIA...

EITHER THE NONFLUENT VERSION
OR SEMANTIC DEMENTIA.

MY MONEY'S ON THE LATTER.
IN ENGLISH, PLEASE.

WORDS BEGIN TO HAVE LESS
AND LESS MEANING, CAUSING --

CAUSING THE PERSON TO USE
BROAD TERMS

LIKE "ANIMAL"
WHEN HE MEANS "CAT"

OR -- OR "FRUIT"
WHEN HE MEANS "PEAR."

OR "GUY" WHEN HE MEANS
A PARTICULAR PERSON?
EXACTLY.

BUT I MIGHT BE ABLE TO GET HIM
TO BE MORE SPECIFIC.

CAN -- CAN YOU PLAY MUSIC
ON THAT THING?
YEAH. WHY?

IT MIGHT HELP HIM FOCUS.

[ MAURICE RAVEL'S
"BOLERO" PLAYS ]

Daniel: MARTIN, I KNOW
YOU'VE BEEN HAVING A HARD TIME

WITH YOUR MEMORY,
BUT I NEED YOUR HELP.

CAN YOU TELL ME WHO ASKED YOU
TO FORGE "THE RECLINING MUSE"?

YOU LIKE THE MUSIC?

IT'S CALLED "BOLERO"
BY MAURICE RAVEL.

HE HAD FTD, TOO.

DID HE DIE?

YES,
BUT WHEN HE WAS VERY SICK,

HE COMPOSED
THIS MASTERPIECE.

HE HAD AN INCREDIBLY CREATIVE
AND PRODUCTIVE PERIOD.

YOU CAN, TOO.

[ MUSIC CONTINUES ]

DO YOU REMEMBER ANYTHING

ABOUT THE GUY WHO WANTED YOU
TO FORGE THE PAINTING?

ANYTHING AT ALL?

CAN YOU THINK OF HIS NAME
OR -- OR THE WAY HE LOOKED?

MARTIN?

PLEASE? ANY DETAIL AT ALL.
WAS HE FAT?

WAS HE THIN?
WAS HE -- WAS HE --

TELL ME ABOUT MARTIN GRANT.

Teddy:
NEVER HEARD OF HIM.

REALLY?
WELL, HE SURE KNOWS YOU --

EVERY DETAIL OF YOUR FACE,
IN FACT.

YOU HIRED HIM TO FORGE
"THE RECLINING MUSE."

YOU MASTERMINDED
THE ART HEIST.

THAT'S RIDICULOUS.

YOU KNEW ABOUT
NICK'S EPILEPSY

SO YOU HIRED KAOS
TO MAKE THE VIDEO.

THEN, WHEN EVERYONE WAS
DISTRACTED BY HIS SEIZURE,

YOU SWAPPED THE PAINTING
WITH THE FORGERY.

THEN YOU KILLED KAOS
TO COVER YOUR TRACKS.

THAT IS TWO COUNTS OF FELONY
MURDER -- LIFE WITHOUT PAROLE --

UNLESS, OF COURSE, YOU DIDN'T
INTEND FOR NICK TO DIE.

THEN MAYBE YOU COULD
GET OUT OF PRISON

WHILE YOU STILL HAVE
A FEW GOOD YEARS LEFT.

NICK'S DEATH WAS AN ACCIDENT.
I SWEAR.

START AT THE BEGINNING.

I MET MARTIN AT A MUSEUM.

HE WAS COPYING
A REMBRANDT PORTRAIT.

IT WAS FLAWLESS.

SO YOU KNEW HE COULD FORGE
A De LUCA?

I SHOWED HIM
"THE RECLINING MUSE."

HE FIXATED ON IT
RIGHT AWAY.

IT DIDN'T TAKE
MUCH CONVINCING.

HOW DID YOU ROPE KAOS
INTO YOUR GRAND PLAN?

I KNEW HE WAS BROKE.

HE AGREED TO HACK THE VIDEO
FOR A FEW HUNDRED BUCKS.

[ GUITARS SCREECHING ]

NO ONE SAW ME TAKE
THE PAINTING.

SOMEBODY CALL AN AMBULANCE.

I THOUGHT I HAD
THE PERFECT PLAN.

I NEVER THOUGHT THE SEIZURE
WOULD KILL NICK.

BUT THEN YOU PUT
THREE ROUNDS IN KAOS.

WHAT, ARE YOU GONNA TELL ME
THAT THAT WAS AN ACCIDENT, TOO?

KAOS HEARD ABOUT NICK'S DEATH
ON TWITTER AND PANICKED.

SO HE HACKED INTO THE GALLERY'S
SYSTEM AND DELETED THE VIDEO?

YES, BUT HE WAS
STILL FREAKING OUT.

HE SAID HE WAS GONNA
TURN HIMSELF IN.

I TRIED TO TELL HIM THAT
EVERYTHING WOULD BE ALL RIGHT,

BUT HE JUST
WOULDN'T LISTEN.

HE KEPT SAYING
HE HAD TO CALL THE POLICE,

TELL THEM WHAT WE DID.

I COULDN'T LET HIM DO THAT.

IT WAS AWFUL,
BUT I HAD NO CHOICE.

SO YOU KILLED TWO PEOPLE
FOR WHAT -- A FEW HUNDRED GRAND?

YOU DON'T UNDERSTAND.

THEN EXPLAIN IT TO ME.

IT WAS MY DREAM...
TO BE A PAINTER.

I WAS GONNA HAVE
THIS BRILLIANT CAREER.

BUT YOU BECAME A CRITIC.
NO WONDER YOU'RE BITTER.

I WORKED MY ASS OFF
AT ART SCHOOL.

AND THEN ONE DAY,
De LUCA WALKS INTO THE STUDIO,

THROWS SOME PAINT
ON A CANVAS, AND...

I SAW
WHAT REAL TALENT WAS,

AND I KNEW
THAT I DIDN'T HAVE IT.

Muse: POOR TEDDY.

THAT'S WHY HE DIDN'T GET
THE GIRL.

WHAT GIRL?

WHAT OTHER GIRL IS THERE?

THERE'S ONE THING
THAT'S BOTHERING ME.

YOU NEVER TOLD US
THAT YOU KNEW De LUCA.

OH, HE KNEW HIM.
HE KNEW HIM.

De LUCA STOLE JOSEPHINE
AWAY FROM YOU.

WHAT ARE
YOU TALKING ABOUT?

LET HIM TELL YOU.

SHE BROKE YOUR HEART,
DIDN'T SHE, TEDDY?

THAT MUST HAVE BEEN SO PAINFUL,
SO UNFAIR.

SHE WAS BROKE --

TRYING TO PAY HER WAY
THROUGH BALLET SCHOOL.

I LET HER
MOVE INTO MY APARTMENT.

I GOT HER A JOB MODELING
AT THE STUDIO.

AND THEN ONE DAY
I CAME HOME...

...AND THERE THEY WERE.

SO YOU STOLE
"THE RECLINING MUSE,"

WHAT --
AS SOME KIND OF REVENGE?

NO.
HE STOLE IT FOR LOVE.

ISN'T THAT RIGHT, TEDDY?
YOU STOLE IT FOR HER.

I HEARD ABOUT
JOSEPHINE'S LAWSUIT

AND FOUND OUT SHE WAS IN TOWN,
SO I WENT 'ROUND TO SEE HER.

CAN I HELP YOU?

JOSEPHINE. IT'S ME.

SHE DIDN'T EVEN
REMEMBER ME.

TEDDY BRENNAN.

TEDDY?
[ CHUCKLES ]

WHAT ARE
YOU DOING HERE?

I TOLD HER
HOW SORRY I WAS

TO HEAR ABOUT
VINCENZO PASSING AWAY,

AND THEN I POURED
MY HEART OUT TO HER.

I'VE THOUGHT ABOUT YOU
EVERY SINGLE DAY

SINCE OUR SUMMER
IN BUCKTOWN.

MAYBE THERE'S A SILVER LINING
TO ALL OF THIS --

YOU AND I FINALLY GET OUR TIME
TOGETHER.

TEDDY.
I DON'T THINK SO.

JUST SPEND
SOME TIME WITH ME...

AND YOU'LL REMEMBER
HOW GOOD WE ARE TOGETHER.

TEDDY, STOP THIS.
THIS -- THIS IS CRAZY.

I DIDN'T COME BACK FOR YOU.
I-I CAME BACK FOR THE PAINTINGS.

I TOLD HER
THAT WAS NEVER GONNA HAPPEN.

WHY NOT?

BECAUSE I KNOW RAVI SINGH.
HE'S INFAMOUS ON THE ART SCENE.

I TOLD JOSEPHINE HE'D NEVER
GIVE UP ON THAT PAINTING.

HE'D HIRE
A TEAM OF LAWYERS,

TIE THE THING UP IN COURT
FOR YEARS.

SO, YOU FIGURED IF YOU STOLE
ONE OF THE MUSES FOR HER,

SHE'S BE GRATEFUL
AND TAKE YOU BACK?

SO YOU BROUGHT
THE PAINTING TO HER.

BUT IT DIDN'T WORK.
SHE THOUGHT I WAS CRAZY.

TOLD ME TO TAKE THE PAINTING
AND NEVER COME BACK.

SO WHERE IS IT NOW?

I BURNED IT.

[ KNOCK ON DOOR ]

DANIEL. HI.
CLOSE THE DOOR.

WHY DIDN'T YOU TELL ME
ABOUT TEDDY BRENNAN?

WHAT ARE YOU TALKING
ABOUT?

HE'S IN CUSTODY
AT THE FBI.

HE JUST CONFESSED
TO STEALING THE PAINTING.

HE SAYS
HE BROUGHT IT TO YOU.

WELL, I-I DON'T KNOW
WHAT HE TOLD YOU,

BUT I WOULDN'T BELIEVE
A WORD OF IT.

THAT GUY'S CRAZY.
YEAH. YEAH. I KNOW.

HE BURNED THE DAMN THING.

HE BURNED IT?
ONE OF THE --

ONE OF THE PRECIOUS MUSES
THAT VINCENZO GAVE YOU

ALL THOSE YEARS AGO -- IT'S --
IT'S A PILE OF ASHES NOW.

OH, MY GOD.

BUT, YOU KNOW, THAT --
IT DOESN'T MAKE SENSE.

IT DOESN'T MAKE SENSE.
WHAT DO YOU MEAN?

I MEAN, HE -- HE --
HE LOVED YOU.

HOW --
HOW COULD HE BURN YOU?

MAYBE IT WAS SYMBOLIC.

HE WAS ANGRY WITH ME FOR --
FOR REJECTING HIM.

POSSIBLY. POSSIBLY.
BUT I-I DON'T THINK SO.

I DON'T THINK SO. MAYBE
HE DIDN'T DESTROY IT AT ALL.

YOU KNOW, MAY-- MAY--
MAYBE HE WAS LYING.

YOU THINK HE STILL HAS
THE PAINTING?

WELL, YOU JUST SAID
HE -- HE WAS ANGRY AT
YOU FOR REJECTING HIM.

WERE -- WERE YOU TALKING
ABOUT 20 YEARS AGO...

OR LAST NIGHT?

I-I DON'T KNOW WHAT --

OH, MY GOD.
HE'S PROTECTING YOU.

FROM WHAT?
[ SIGHS ]

COME ON. AGENT --
AGENT MORETTI IS SMART.

SHE'S GONNA -- SHE'S GONNA
FIGURE OUT WHAT I JUST DID.

I MEAN, RIGHT NOW,

SHE'S PROBABLY GIVING TEDDY
A POLYGRAPH.

IF IT SHOWS UP THAT --
THAT HE'S -- THAT HE'S
TELLING THE TRUTH

ABOUT BRINGING YOU THE PAINTING
BUT LYING ABOUT BURNING IT,

SHE'S GONNA SHOW UP HERE
WITH A SEARCH WARRANT.

THERE'S NO WAY I CAN HELP YOU
UNLESS YOU'RE HONEST WITH ME.

OKAY,
TEDDY DID COME HERE.

HE DID TRY AND GIVE ME THE
PAINTING, BUT I DIDN'T TAKE IT.

YEAH, I KNOW, AND YOU DIDN'T
TELL THE FBI, EITHER, OR ME.

WHY?
BECAUSE I JUST -- I-I COULDN'T
DESTROY TEDDY TWICE.

THE POOR GUY WAS --
WAS IN LOVE WITH A GHOST.

HE -- HE -- HE -- CAN YOU
IMAGINE WASTING YOUR ENTIRE LIFE

ON A RELATIONSHIP
THAT ISN'T EVEN REAL?

I CAN IMAGINE BEING SO IN LOVE
WITH A WOMAN LIKE YOU

THAT I'D DO ANYTHING
FOR HER.

BUT I CAN'T IMAGINE TRYING
TO WIN YOU BACK BY BRINGING YOU

A PAINTING THAT WOULD ONLY
REMIND YOU OF SOMEBODY ELSE.

WELL, YOU'RE OBVIOUSLY

A LOT MORE IN TOUCH
WITH REALITY THAN TEDDY.

I WISH THAT WAS TRUE.

IT WAS YOUR IDEA FOR HIM
TO STEAL THE MUSE, WASN'T IT?

NO.
DO YOU NOT UNDERSTAND?

I'M RISKING EVERYTHING
BY BEING HERE.

IF YOU WANT ME
TO HELP YOU,

YOU HAVE TO TELL ME
THE TRUTH -- ALL OF IT.

I TOLD TEDDY
I WASN'T INTERESTED IN HIM.

I JUST WANTED THE MUSES.

HE CONVINCED ME TO LET HIM IN
TO TALK ABOUT IT.

Teddy: JOSEPHINE,
I KNOW RAVI SINGH.

HE'S GOT MILLIONS OF DOLLARS
AND A TEAM OF LAWYERS.

HE WILL BANKRUPT YOU BEFORE YOU
EVER GET ONE OF THOSE PAINTINGS.

IT WAS A COLD DOSE
OF REALITY.

I KNEW HE WAS RIGHT, BUT I
JUST -- I-I COULDN'T LET IT GO.

TEDDY, YOU KNOW EVERYBODY,
LIKE YOU SAID.

THERE MUST BE SOME WAY YOU CAN
HELP ME GET MY PAINTINGS BACK.

Teddy: WELL,
THERE MIGHT BE A WAY

I COULD GET MY HANDS ON
ONE OF THEM.

WOULD YOU DO THAT
FOR ME?

IF I DID...
WOULD YOU GIVE US A CHANCE?

YES.

SO, WHEN HE CAME BACK HERE
LAST NIGHT WITH THE PAINTING

BEFORE I GOT HERE,
DID THE TWO OF YOU, UH...

NO. OF COURSE NOT.

I'M NOT INTERESTED IN HIM,
DANIEL.

SO YOU -- YOU USED HIM.

IT WAS WRONG. I KNOW.

I-I JUST WANTED
MY PAINTING BACK.
AND YOU USED ME, TOO.

YOU -- YOU SLEPT WITH ME
SO THAT I WOULDN'T SUSPECT YOU.

NO, THAT'S NOT TRUE.
DANIEL.

MY FEELINGS FOR YOU
ARE REAL.

THEN WHY DIDN'T YOU TELL ME
THE TRUTH?

WHAT, DID YOU --
YOU THINK I WOULD TURN YOU IN?

WOULDN'T YOU?

I'M FALLING FOR YOU.
WHY WOULD I DO THAT?

SO WHAT CAN WE DO?

WE CAN LEAVE.

YOU'RE LEAVING, RIGHT?
WE CAN LEAVE TOGETHER.

DANIEL, I-I DON'T
WANT TO PULL YOU INTO THIS.

I'M ALREADY IN IT.

[ SIGHS ]

BUT WE -- WE GOT TO GO.
WE GOT TO GO NOW.

[ CHUCKLES ]
ALL RIGHT.

BEAUTIFUL.

YOU'RE GONNA
LOVE UMBRIA.

THE WAY THE SUN SETS
ON THE HILLS --

IT'S LIKE A DIFFERENT PAINTING
EVERY DAY.

AGENT MORETTI.

THE PAINTING'S
IN THE SUITCASE.

JOSEPHINE CARSWELL,
YOU'RE UNDER ARREST.

YOU SON OF A BITCH.

DANIEL,
I'M SO PROUD OF YOU.

FOR BEING
A GREAT LIAR?

NO. FOR PUTTING YOURSELF
OUT THERE.

YEAH, RIGHT. JUST LIKE
YOU AND ROSENTHAL WANTED.

AND WHAT DID I FIND?

A NARCISSISTIC
MANIPULATOR

WHO GETS MEN TO STEAL
AND KILL FOR HER.

FANTASTIC.

I SEE IT
AS A POSITIVE EXPERIENCE.

YEAH, WELL,
IT'S CERTAINLY EYE-OPENING...

AND NOT JUST
ABOUT JOSEPHINE.

[ SIGHS ]

WHAT DO YOU MEAN?

JOSEPHINE IS WRAPPED UP
IN HERSELF.

AND I'M WRAPPED UP IN YOU,
NATALIE.

I GOT TO FIND SOME -- SOME KIND
OF MIDDLE GROUND, YOU KNOW?

AND, UH...

I DON'T THINK I'M CAPABLE
OF THAT WITH YOU IN MY LIFE.

WHAT ARE
YOU TRYING TO TELL ME?

I...

I NEED TO ASK YOU
TO LEAVE.

I'VE BEEN WAITING FOR YOU
TO SAY THAT TO ME

FOR A VERY LONG TIME.

YOU HAVE?

I HAVE.

WELL, W-WAIT,
WAIT, WAIT, WAIT.

THIS --
MAYBE THIS IS A BAD IDEA.

NO. YOU'RE DOING
THE RIGHT THING.

Daniel: WHY ARE BREAKUPS
SO DAMN EXCRUCIATING?

MAYBE BECAUSE
EVERYTHING REMINDS YOU

OF YOUR LOVER
AND HENCE YOUR LOSS.

HEARING YOUR FAVORITE
SMITHS SONG ON THE RADIO,

EATING HOT DOGS
ON THE LOPSIDED PARK BENCH

WHERE THE FIRST
"I LOVE YOUs" WERE SPOKEN.

IT'S NO WONDER
YOU CAN'T GO 24 HOURS

WITHOUT BURSTING INTO TEARS.

WHEN PEOPLE SEE IMAGES
OF THEIR LOVED ONES,

THE CAUDATE NUCLEUS
OF THEIR BASAL GANGLIA

FLOODS WITH DOPAMINE.

NICOTINE AND OTHER DRUGS ALSO
STIMULATE INCREASES IN DOPAMINE

SO THAT WHEN YOU TRY
TO QUIT SMOKING OR SUGAR,

YOUR BRAIN CRAVES
THAT SUBSTANCE THE SAME WAY

IT CRAVES THE PERSON
WHO BROKE YOUR FREAKING HEART.

YOU'LL DO CRAZY,
IDIOTIC THINGS TO GET YOUR FIX.

THAT'S BECAUSE
WHEN YOU'RE IN LOVE,

IT'S NOT AS IF YOU'RE AN ADDICT.

YOU ARE AN ADDICT...LITERALLY.

AND AS WE ALL KNOW...

...GOING COLD TURKEY
IS A BITCH.