All language subtitles for 2025 Madonna The Celebration Tour in Rio Behind the scenes 1080p Eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American) Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,600 --> 00:00:07,520 Tonight, I need you all to turn up 2 00:00:07,520 --> 00:00:10,480 because this is not just a show. This is 3 00:00:10,480 --> 00:00:14,679 not just a concert. This is not just a 4 00:00:14,679 --> 00:00:18,380 party. It's a celebration, [ __ ] 5 00:00:18,380 --> 00:00:36,480 [Applause] 6 00:00:36,480 --> 00:00:38,800 Madonna. Madonna. Madonna. Madonna. 7 00:00:38,800 --> 00:00:40,879 Madonna. Madonna. When Madonna puts on a 8 00:00:40,879 --> 00:00:42,320 show, it's a pretty big deal. The 9 00:00:42,320 --> 00:00:44,320 Material Girl making history. Pop 10 00:00:44,320 --> 00:00:46,559 superstar Madonna will end one of her 11 00:00:46,559 --> 00:00:48,559 biggest tours with a free concert in 12 00:00:48,559 --> 00:00:51,280 Brazil. It is a full-blown emergency. 13 00:00:51,280 --> 00:00:53,120 Setting the record for the largest 14 00:00:53,120 --> 00:00:55,920 standalone concert audience ever by any 15 00:00:55,920 --> 00:00:59,520 artist in history. 1.6 million people 16 00:00:59,520 --> 00:01:01,680 heading out for the material girl. 17 00:01:01,680 --> 00:01:03,920 Singers Brazilian fans are already eager 18 00:01:03,920 --> 00:01:05,840 to welcome her. Many have already 19 00:01:05,840 --> 00:01:08,320 gathered in front of the hotel where she 20 00:01:08,320 --> 00:01:10,240 is reciting. 21 00:01:10,240 --> 00:01:12,560 I come from Switzerland. I literally 22 00:01:12,560 --> 00:01:14,960 showed my boobs for you, Madon. I love 23 00:01:14,960 --> 00:01:17,960 you. 24 00:01:19,200 --> 00:01:24,880 Everything I hear in you all comes back 25 00:01:24,880 --> 00:01:27,330 to 26 00:01:27,330 --> 00:01:30,459 [Music] 27 00:01:32,720 --> 00:01:35,520 So he has the scheming and we have been 28 00:01:35,520 --> 00:01:37,840 working on this show since October of 29 00:01:37,840 --> 00:01:39,840 2022. I'm here because I wanted to talk 30 00:01:39,840 --> 00:01:41,880 to you about 31 00:01:41,880 --> 00:01:45,040 us and all that we've been through. This 32 00:01:45,040 --> 00:01:47,759 was intense. Remember when we first met? 33 00:01:47,759 --> 00:01:51,280 You didn't know who you were yet. 34 00:01:51,280 --> 00:01:54,240 I didn't know who I was. We're doing the 35 00:01:54,240 --> 00:01:56,560 show like over and over. More fun with 36 00:01:56,560 --> 00:01:59,960 anyone else. 37 00:02:00,000 --> 00:02:02,159 I have the same expectations of my kids 38 00:02:02,159 --> 00:02:05,040 as I do everyone else. Expect them to be 39 00:02:05,040 --> 00:02:07,959 professional, do their best. 40 00:02:07,959 --> 00:02:11,440 Slay so much pride and joy seeing my 41 00:02:11,440 --> 00:02:14,400 children performing as if they've been 42 00:02:14,400 --> 00:02:16,560 doing it all their lives. Those who 43 00:02:16,560 --> 00:02:19,040 Madonna is demanding. 44 00:02:19,040 --> 00:02:21,440 You guys want me to work my ass off and 45 00:02:21,440 --> 00:02:24,319 nobody else does the same [ __ ] Oh, 46 00:02:24,319 --> 00:02:26,720 let's be real. This is like an elephant 47 00:02:26,720 --> 00:02:29,920 for every song. Every song takes a 48 00:02:29,920 --> 00:02:33,680 booty. Make it clap. It's hot as a B. 49 00:02:33,680 --> 00:02:36,400 I'm so tired. There's been really lots 50 00:02:36,400 --> 00:02:38,959 of high and then some down and some 51 00:02:38,959 --> 00:02:42,000 moments that were just, you know, where 52 00:02:42,000 --> 00:02:44,560 we even doubt that we could do this, you 53 00:02:44,560 --> 00:02:46,640 know. So the fact that no it's we 54 00:02:46,640 --> 00:02:48,480 finally got there is actually kind of a 55 00:02:48,480 --> 00:02:51,360 miracle. We finally finished by real Rio 56 00:02:51,360 --> 00:02:54,879 de Janeiro Cababana. I'm panicking right 57 00:02:54,879 --> 00:02:57,599 now. Belgian stress. No, it's going to 58 00:02:57,599 --> 00:02:59,519 be a great show. Prepare yourselves. 59 00:02:59,519 --> 00:03:01,760 We're going to kill it. We're finally 60 00:03:01,760 --> 00:03:03,360 the reason why we're not stressed and 61 00:03:03,360 --> 00:03:04,800 we're not like anything like that cuz 62 00:03:04,800 --> 00:03:07,120 it's just what we do. This is like the 63 00:03:07,120 --> 00:03:10,239 dawning of the age of Aquarius. So, the 64 00:03:10,239 --> 00:03:11,840 baby we're going to give birth to on the 65 00:03:11,840 --> 00:03:14,400 Copa Cabana Beach 66 00:03:14,400 --> 00:03:18,280 is going to be a mother bugger. 67 00:03:19,599 --> 00:03:21,680 Well, I feel like this would be a really 68 00:03:21,680 --> 00:03:23,360 great time to rip it all up and just 69 00:03:23,360 --> 00:03:24,440 start 70 00:03:24,440 --> 00:03:26,879 again. My name's Rob Sinclair. I'm the 71 00:03:26,879 --> 00:03:28,800 lighting designer for the celebration 72 00:03:28,800 --> 00:03:31,440 tour. 73 00:03:31,440 --> 00:03:32,879 What we're doing here is we're taking 74 00:03:32,879 --> 00:03:35,599 the existing show and adapting it for 75 00:03:35,599 --> 00:03:36,799 outdoors where we have a lot of 76 00:03:36,799 --> 00:03:38,720 practical concerns, making it feel 77 00:03:38,720 --> 00:03:41,440 bigger, but also trying to create the 78 00:03:41,440 --> 00:03:43,920 same feel that we've had throughout. And 79 00:03:43,920 --> 00:03:45,840 of course, my main priority is to make 80 00:03:45,840 --> 00:03:48,799 the doll look amazing. 81 00:03:48,799 --> 00:03:50,640 The challenge of Rio is really the same 82 00:03:50,640 --> 00:03:52,319 challenge as anytime you come to a new 83 00:03:52,319 --> 00:03:55,120 venue is is that you walk in, you don't 84 00:03:55,120 --> 00:03:56,319 know what you're going to get. You can 85 00:03:56,319 --> 00:03:58,319 walk into audio heaven or you can work 86 00:03:58,319 --> 00:04:00,239 into audio hell and you don't know. But 87 00:04:00,239 --> 00:04:01,599 the thing you have to know is that 88 00:04:01,599 --> 00:04:03,280 you're going to listen and you do 89 00:04:03,280 --> 00:04:04,720 everything you can to improve it and 90 00:04:04,720 --> 00:04:06,599 make it work. So in that 91 00:04:06,599 --> 00:04:09,760 sense, no, I'm not concerned at all. So 92 00:04:09,760 --> 00:04:11,280 we've been working on this for about 3 93 00:04:11,280 --> 00:04:13,519 months now um together with our our 94 00:04:13,519 --> 00:04:15,200 touring team who've been in America and 95 00:04:15,200 --> 00:04:17,919 a local team here in Brazil to try and 96 00:04:17,919 --> 00:04:19,600 recreate the stage show as well as we 97 00:04:19,600 --> 00:04:21,840 can outdoors to give us some more 98 00:04:21,840 --> 00:04:24,000 options. We're also going to show the 99 00:04:24,000 --> 00:04:26,000 scale of the event. We have a lot of 100 00:04:26,000 --> 00:04:28,560 lights around the stage, see both onto 101 00:04:28,560 --> 00:04:30,960 an avenue and out to sea. And then we 102 00:04:30,960 --> 00:04:32,960 have lights go a mile back along the 103 00:04:32,960 --> 00:04:34,639 beach and all of those lights are going 104 00:04:34,639 --> 00:04:36,639 to be programmed in with the stuff that 105 00:04:36,639 --> 00:04:38,960 we have on stage. If we're in a moody 106 00:04:38,960 --> 00:04:41,040 moment on stage, they'll be moody all 107 00:04:41,040 --> 00:04:42,560 the way along the beach. If we're 108 00:04:42,560 --> 00:04:45,040 strobing on stage, it'll be strobing all 109 00:04:45,040 --> 00:04:47,199 along the beach. And if in the finale, 110 00:04:47,199 --> 00:04:49,840 we're going nuts in bitcho. the lights 111 00:04:49,840 --> 00:04:51,040 along the beach are going to be gone. 112 00:04:51,040 --> 00:04:54,600 Nuts of the same. 113 00:04:55,440 --> 00:04:58,120 I think Rio is is is an incredible 114 00:04:58,120 --> 00:05:00,639 opportunity to do something with scale 115 00:05:00,639 --> 00:05:03,120 for a lot of people. The difference 116 00:05:03,120 --> 00:05:05,520 being this tour has had people who've 117 00:05:05,520 --> 00:05:08,080 traveled around with it, who spent a lot 118 00:05:08,080 --> 00:05:09,840 of their savings to come to see it. Rio 119 00:05:09,840 --> 00:05:11,759 is a really different proposition. Rio 120 00:05:11,759 --> 00:05:13,919 is free on the beach. It's if you can 121 00:05:13,919 --> 00:05:15,199 get there, you can get there and 122 00:05:15,199 --> 00:05:16,720 experience something. So, here we are 123 00:05:16,720 --> 00:05:20,080 backstage. On this side we have cameras 124 00:05:20,080 --> 00:05:22,560 and the other side the sound. As we come 125 00:05:22,560 --> 00:05:23,800 through here we start to see the 126 00:05:23,800 --> 00:05:26,400 backstage all the quick change. We've 127 00:05:26,400 --> 00:05:28,000 taken the whole touring stage where we 128 00:05:28,000 --> 00:05:30,639 sit it on top of this structure. So this 129 00:05:30,639 --> 00:05:32,160 whole stage is a meter higher than 130 00:05:32,160 --> 00:05:34,400 normal. But basically because the the 131 00:05:34,400 --> 00:05:36,560 show is so complex with the roots of the 132 00:05:36,560 --> 00:05:38,160 stage and everything else, we had to 133 00:05:38,160 --> 00:05:40,400 build this on a floor. So to make it 134 00:05:40,400 --> 00:05:42,240 level so we're not sinking into the sand 135 00:05:42,240 --> 00:05:44,080 etc. Then the other reason for raising 136 00:05:44,080 --> 00:05:46,639 up the floor, at least in this area, we 137 00:05:46,639 --> 00:05:48,080 want all the fans in between the 138 00:05:48,080 --> 00:05:50,479 catwalks to feel the same relationship 139 00:05:50,479 --> 00:05:53,039 to M. Here we have our follow spot. It's 140 00:05:53,039 --> 00:05:54,479 recreating everything that means that 141 00:05:54,479 --> 00:05:56,160 the lighting comes in for the same angle 142 00:05:56,160 --> 00:05:58,000 as it does on the arena. The cameras for 143 00:05:58,000 --> 00:06:00,240 the tour are all here. The stage gets 144 00:06:00,240 --> 00:06:02,880 slippy. So, we had to carpet prepared 145 00:06:02,880 --> 00:06:04,639 with knowing that we have to cover the 146 00:06:04,639 --> 00:06:06,160 stage. So, tonight we will rehearse on 147 00:06:06,160 --> 00:06:07,680 the carpet to the stage for the first 148 00:06:07,680 --> 00:06:09,520 time. Right now, we've fenced off around 149 00:06:09,520 --> 00:06:11,280 the site so that people can't see while 150 00:06:11,280 --> 00:06:12,720 we're rehearsing the show night. All 151 00:06:12,720 --> 00:06:14,080 these silver fences will be gone. It's 152 00:06:14,080 --> 00:06:17,319 going to be a thing. It's going to be a 153 00:06:17,319 --> 00:06:19,160 celebration 154 00:06:19,160 --> 00:06:22,199 [Music] 155 00:06:22,199 --> 00:06:24,800 [ __ ] And my name is Rita. I'm a 156 00:06:24,800 --> 00:06:28,400 Donna stylist and also costume designer 157 00:06:28,400 --> 00:06:30,720 for a whole show. 158 00:06:30,720 --> 00:06:33,759 Em has been doing this for 40 years. And 159 00:06:33,759 --> 00:06:35,600 so being able to learn from her, 160 00:06:35,600 --> 00:06:37,360 especially costumewise, you know, how 161 00:06:37,360 --> 00:06:38,720 can we make something that's still 162 00:06:38,720 --> 00:06:40,800 really amazing, but make it work so she 163 00:06:40,800 --> 00:06:42,919 can change out of it in 10 164 00:06:42,919 --> 00:06:45,600 seconds. The dancers represent her 165 00:06:45,600 --> 00:06:47,680 entire life and have her represent her 166 00:06:47,680 --> 00:06:50,080 entire life. It's been a really deep 167 00:06:50,080 --> 00:06:51,680 dive into her history and even just 168 00:06:51,680 --> 00:06:54,080 fashion history from the 80s until 169 00:06:54,080 --> 00:06:56,479 current day. So, it's all a big 170 00:06:56,479 --> 00:06:59,880 challenge, but I love the challenge. 171 00:06:59,880 --> 00:07:02,639 Honestly, each look takes about three to 172 00:07:02,639 --> 00:07:04,319 four fittings. This is an 173 00:07:04,319 --> 00:07:06,400 understatement. No waste yet. Hi, I'm 174 00:07:06,400 --> 00:07:09,680 the Brazilian frag in bling on it. Oh, 175 00:07:09,680 --> 00:07:12,160 we're we're done. There's so much stuff. 176 00:07:12,160 --> 00:07:15,039 We're not into suffocation mode yet. 177 00:07:15,039 --> 00:07:17,280 This is the first layer. What helps give 178 00:07:17,280 --> 00:07:19,560 the illusion of everything is all the 179 00:07:19,560 --> 00:07:23,360 line and this doesn't have it. Yeah. M 180 00:07:23,360 --> 00:07:25,360 is very specific. I need to make sure 181 00:07:25,360 --> 00:07:27,440 that everything is right. cur hair, my 182 00:07:27,440 --> 00:07:29,680 new corset, my new skirt. Everything is 183 00:07:29,680 --> 00:07:31,599 right. Everything has to be right. And 184 00:07:31,599 --> 00:07:34,000 it's never just, okay, we're just going 185 00:07:34,000 --> 00:07:36,280 to put this on and go on stage. I'm 186 00:07:36,280 --> 00:07:38,639 wearing it. By measurement, it's the 187 00:07:38,639 --> 00:07:41,440 same. No, he has to fix it. He still has 188 00:07:41,440 --> 00:07:43,520 sewing to do. You can go a little short 189 00:07:43,520 --> 00:07:47,199 if you want. Mhm. I do. Of course. I 190 00:07:47,199 --> 00:07:51,280 think it's sexier. Just like like this. 191 00:07:51,280 --> 00:07:54,720 God is in the details. This is a serious 192 00:07:54,720 --> 00:07:57,120 production and getting everything to be 193 00:07:57,120 --> 00:07:58,800 absolutely perfect. And I really feel 194 00:07:58,800 --> 00:08:01,039 like we achieved that. Looks fab. 195 00:08:01,039 --> 00:08:03,039 Fierce, beautiful, gorgeous. Much 196 00:08:03,039 --> 00:08:06,240 better. Hot. It's too stiff. Latina. 197 00:08:06,240 --> 00:08:07,599 Well, it's cuz you have to. I can't 198 00:08:07,599 --> 00:08:10,240 move. Rich. I'd rather be comfortable. 199 00:08:10,240 --> 00:08:12,440 My fabulous since 200 00:08:12,440 --> 00:08:15,440 when? Fabulous is comfortable. Put 201 00:08:15,440 --> 00:08:17,199 Maddie in it. Tell her to walk around in 202 00:08:17,199 --> 00:08:19,360 it. Tell her to sweat in it. And tell 203 00:08:19,360 --> 00:08:21,520 her to go to my gym and work out. Okay. 204 00:08:21,520 --> 00:08:23,919 Jump on a trampoline. 205 00:08:23,919 --> 00:08:27,120 Get on the pelons. We do. Somebody tell 206 00:08:27,120 --> 00:08:29,440 us too. 207 00:08:29,440 --> 00:08:33,680 No, I don't I don't wear new in a show. 208 00:08:33,680 --> 00:08:35,200 Working with Jean Paul Goautier was a 209 00:08:35,200 --> 00:08:37,360 dream. You kind of just give him an idea 210 00:08:37,360 --> 00:08:39,680 and he comes back with magic. And it was 211 00:08:39,680 --> 00:08:41,440 so important to bring him into this just 212 00:08:41,440 --> 00:08:43,440 because from Blonde Ambition till now 213 00:08:43,440 --> 00:08:45,279 he's done I think every single tour he's 214 00:08:45,279 --> 00:08:47,120 had him look for her. Versace did the 215 00:08:47,120 --> 00:08:48,880 ray of light look which is so fun. And 216 00:08:48,880 --> 00:08:51,600 she looks like this robotic alien that 217 00:08:51,600 --> 00:08:54,080 just kind of came up from we don't even 218 00:08:54,080 --> 00:08:56,240 know where. And we love Delara. Delara 219 00:08:56,240 --> 00:08:58,240 is a independent young designer from 220 00:08:58,240 --> 00:09:00,000 London. Madonna wears a lot of her 221 00:09:00,000 --> 00:09:02,000 clothing. So we really had a great mix 222 00:09:02,000 --> 00:09:03,440 of designers and we loved working with 223 00:09:03,440 --> 00:09:06,370 them. It's been incredible. 224 00:09:06,370 --> 00:09:13,460 [Applause] 225 00:09:14,640 --> 00:09:18,440 Don't go back. 226 00:09:30,980 --> 00:09:34,119 [Applause] 227 00:09:47,490 --> 00:09:50,539 [Music] 228 00:09:55,900 --> 00:09:58,980 [Music] 229 00:10:05,900 --> 00:10:08,980 [Music] 230 00:10:10,240 --> 00:10:14,680 It's so [ __ ] hot in here. 231 00:10:17,279 --> 00:10:20,160 I'm Pablo. I'm from Brazil and I'm here 232 00:10:20,160 --> 00:10:23,839 in Rio de Janeiro doing he hersels for 233 00:10:23,839 --> 00:10:27,440 performance with the queen 234 00:10:27,480 --> 00:10:31,040 Madonna sing a song for Rio music makes 235 00:10:31,040 --> 00:10:33,519 the people come together so we got to 236 00:10:33,519 --> 00:10:35,210 rehearse something fun 237 00:10:35,210 --> 00:10:36,399 [Music] 238 00:10:36,399 --> 00:10:41,839 keep it funky keep it funky is so full 239 00:10:41,839 --> 00:10:44,320 I don't feel my body I don't feel my 240 00:10:44,320 --> 00:10:46,480 brain is like a dream come true I love 241 00:10:46,480 --> 00:10:48,320 Madonna 242 00:10:48,320 --> 00:10:52,480 always and this concert has, you know, a 243 00:10:52,480 --> 00:10:54,720 special flavor and I'm feel so blessed 244 00:10:54,720 --> 00:10:58,040 to be here. 245 00:10:58,079 --> 00:11:00,959 Touches everything I'm in. Got to have 246 00:11:00,959 --> 00:11:02,740 it every 247 00:11:02,740 --> 00:11:08,040 [Music] 248 00:11:08,040 --> 00:11:12,040 day. Yeah. 249 00:11:19,850 --> 00:11:22,929 [Music] 250 00:11:26,170 --> 00:11:27,760 [Music] 251 00:11:27,760 --> 00:11:29,920 Are you happy to be doing this? I'm so 252 00:11:29,920 --> 00:11:32,000 happy that I can describe. Thank you so 253 00:11:32,000 --> 00:11:34,480 much. Give up on Thank you. This chick's 254 00:11:34,480 --> 00:11:37,519 a mess. Yes. Might are never going to 255 00:11:37,519 --> 00:11:40,519 forget.17580

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.