All language subtitles for The Last Frontier (1961)

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Original subtitles

[Music]

Heat.

[Music]

Heat.

[Music]

Does my brother fear me? He guards

himself of warriors. No, but you've come

swiftly.

Look,

>> Redcloud has given his word.

War.

>> When?

>> Soon. You will tell that to the butcher.

If the blue coats stay, we will fight

them.

>> Why don't you tell them yourself?

>> They are your people.

>> Don't hang them on me, Fire Knife. I'm

no soldier boy.

There's civilization for you.

>> You'll take the message.

>> The soldiers have their women and

children.

Make war on them. Our women and children

were at Sand Creek,

but they will have the chance to leave.

Give this to the butcher.

Wait, Adam.

My father gave me this.

He said when I wish a strong friendship

to find the man who can string the bow.

I give it to you, Adam.

Thanks, Fire Knife.

[Music]

Well, good morning.

>> Fine morning. Will you do me the

courtesy of going away?

Well, that's a lot to ask of a thirsty

man. I haven't seen water the likes of

this in many a day.

>> You intend to sit there gawking?

>> That's it.

>> Then you're no gentleman.

>> That's it again.

Now, not being one to stand in the way

of conversation, uh, I'll ask you your

name and place of birth.

>> Katherine Bowen from Boston. And by

heaven, I'll not unpride myself by

running from you.

>> Kate Balden from Boston will pass a

pleasant day.

>> Then let my drowning be on your head.

[Music]

[Music]

[Music]

[Music]

[Applause]

Well, now you great sheep Oh,

>> have you had your fill of looking?

>> No, but at least we've had a swim

together. That's fair enough for the

first meeting.

>> Gate, you're bold enough for both of us.

Bet your husband and Cap's a nervous

man.

[Music]

Number

two, all

>> number one squad present counter for

>> work details.

Continue as ordered and today you dog

soldiers put some beef in it.

Dismiss.

Say Sunny, where will I find Major Ives?

>> Sergeant Bandini is the name.

>> Well, I tell you, Sergeant,

wasting your time with all this building

nonsense.

>> Major Ives, center tent, front row.

>> Thank you.

>> You're the major's orderly.

No, no. I'm the president of the United

States.

Mind holding this horse? Mr. President.

>> A message from the Cheyenne.

>> By what right, sir do you? That yellow

paint means get out. Personal to the

butcher.

>> Who are you?

>> Adam Reed.

>> Are you an Indian scout?

>> You might say.

>> For whom, may I ask?

>> Adam Reed.

>> You may remove that, Mr. Reed.

That scar healed smooth before the

Cheyenne forget San Creek.

Exaggerate, Mr. Reed,

>> I was in Denver, Major Ives.

I saw the scalps you sent back from your

massacre.

They cost a nickel to go into the

theater and count them. A hundred of

those scalps came from women and

children.

They'll attack you if you don't get out.

>> Mr. Marine

>> because of me. Is that why?

>> No.

Redcloud has a treaty

and he'll abide by that agreement just

as long as the army does. But the army

is breaking it under your command. What

are you building here, Major?

>> Wyoming is United States territory. The

army has a right.

>> The army has only one right in this

valley, and that's to escort settlers on

the way to the Columbia River. Morning.

>> Just get in.

>> Mr. Reed, Mr. Keat, civilian engineer.

>> You don't happen to be in my profession.

>> Nope. Pity. I seem to have misplaced my

book of trigonometrical functions. It

It's very vital. Delayed my work. Time

lost.

>> Well, I'll have the arsenal survey

finished tomorrow.

>> Mr. Keats, our plans for the fort will

be postponed.

It seems we must prepare for immediate

attack.

>> Redcloud will snuff out this post like a

candle.

Mind understand that I won't be allowed

to build.

I I've completed all my calculations,

you know, without tables, everything by

hand. Zits,

>> you will obey my instructions.

You're a savage, Mr. Reid. A savage

herself.

You don't understand what this table

means. It's part of our culture, an end

product. It took a thousand years to

make.

And the Indian can destroy it in an

instant if we're weak.

We're in contact with a supreme

destroyer.

He cannot change.

Either we must eradicate him or sink to

his level.

You must realize that and join us.

If it's a massacre you want, that's what

you'll get. I'll promise you that.

>> You promise.

You and Red Cloud and his warrior fire

knife.

Thank you, Mr. Reed.

Say, I couldn't help overhearing. Are we

going to have some trouble?

>> You've already got it.

>> Gentlemen, in here.

>> He's not for everybody. This bowl was a

gift. Cheyenne bowl. I know the custom.

You have a friend knife.

This camp is a very lonely place for a

man like you. Now me, I have a sensitive

soul. It it shutters at the sight of all

these soldiers. You and I, we will have

breakfast together. You be my guest.

>> Honor, Mr. President.

>> Oh, no. No, not Mr. President. Antonio

Perez, a a rider of wild horses, a a

lover of women, a man of very tender

feeling.

Adam Reed, a man of great hunger. We go

have breakfast. Come on.

[Music]

Sure in his fate that we meet again.

Mrs. Bandini,

look.

Indian signals.

See lots of them around here. Aren't

they dangerous?

Sometimes, but mostly not. Anyway, my

dear, it's best not to worry. You'll

find that out after you're married to

your lieutenant a few years.

>> So, the major is going to stay and make

the big fight, huh?

>> Yeah, that's right.

There's only two kinds of men make a

fight against odds like that. those who

feel very good or or those who feel very

bad. Now, now me, I always feel good.

But not that good.

Ah, now we take care of breakfast.

Hey,

you've been thieing off the army long

enough. Now, get your hooks off that

meat before I pair your fingernails off.

Well, now that we've taken care of

breakfast, maybe we better go.

>> Antonio,

>> come quickly, my friend.

>> Quickly,

>> Antonio.

I'm not hungry, Hunter. I am.

What's she want?

Me.

I thought you were such a great lover of

women.

>> Women, sure. But kids

u please

speak English.

This being a door takes too much out of

a man.

>> Cheyenne.

>> Cheyenne.

>> No, this purse.

>> Cheyenne wiped out the village of her

people. Ever since then, she had been

wandering all around this country.

Finally, she find this place. Oh, find

me, too.

Look, Honey Bear, you you go away,

please, will you? Go on. Go away.

This is one Cheyenne raid. Nobody's

going to escape.

>> Cheyenne here.

>> Oh, maybe they come. Maybe not. Who

knows? They'll come.

>> You think so? Huh? You know that there's

a wagon train coming in from the east. I

think maybe I ride out tonight and warn

them.

>> You will take me with you,

>> Danny Bear. If you don't get out of my

sight this instant, I'm going to leave

you to be eat up by the Cheyans. Now,

Underly,

>> you're very charitable man, Antonio.

Charitable? Listen, Compano. You have

yet to learn the difference between

charity and insanity.

>> How many more women are here?

Five.

Oh, there's one brighteyed bit by the

name of Katherine Bolan.

>> Oh.

>> Oh, yeah. She she come in on the last

wagon. Going to marry that Lieutenant

Baskam. Very fortunate man.

>> Yes, indeed.

>> Good day.

[Music]

Oh,

>> Cheyenne

with three of us killed one.

>> Let's get him in the tent.

[Music]

Please come. Take it easy.

>> We'll get that toothpick out of you

right away. I brought them as fast as I

could.

>> There's nothing you meant to do here.

Get back to your job.

>> Break it up.

>> Get major.

Get them

in their lungs. Better get some hot

water.

I better go find some liquor to pour

into him. He's going to need it.

>> Yeah.

>> Won't hurt much longer, will he?

No. No. No. No. No.

He's dead.

>> Never mind. The man is dead. Carry on,

Sergeant.

>> Thanks. Yeah.

>> How many Indians were there, Mr.

>> Sawyer?

Five, six, I don't know. Ambush.

>> Cheyen arrow. All right.

>> Where were you? Prospecting the three of

us. They jumped us.

>> Would you be wanting a detail to hunt

them down, sir?

>> Sure.

>> I want your duties. We'll make our fight

here.

>> Fight?

>> Redcloud has threatened this post.

See

how'd you get away from them?

>> They ran out when I started using my

rifle. I waited till dark and rode fast.

Of course, it's done in a better

unsaddling.

Did you find any gold out there?

>> No,

nothing.

>> Are you prepared to join us now, sir?

Unless you order your troops out of

here, I'll be leaving for Ellis at

Sunup.

>> You're a traitor, Mr. Reed.

>> I'll talk some sense to General Faulner.

That'll be my treason.

>> The general will get a report from one

of my men. It'll explain the Cheyenne

lied even in their warning. Their attack

began last night when they shot that

arrow.

No war party shot this. It's a hunting

arrow.

Sergeant,

>> that message to Fort Ellis is going to

take you right through Redclouds

country.

>> I know that.

>> Do you now?

Well, if I were you, I'd be thinking

about muffling that horse's hooves with

rawhide.

Soldier boys.

[Music]

Well, it's Kate from Boston

and the bridegroom. My compliments,

Lieutenant Baskin.

>> They won't be necessary.

>> Well, here you are caught between

nothing and nowhere with a bloody battle

on your hands for a wedding present. No

one to tie the knot. Now, if it's any

help, I can fix you up with a whopping

fine Indian ceremony. Of course, it's

only temporary, but uh that goes for all

of us right now.

>> We have no need for your jokes, Mr.

Reed.

There's been a change in our plans.

Now,

>> I wonder who changed him.

>> He's a fine boy. He'll not be insulting

him with gests when he thinks of his

first battle.

>> For that, I'm sorry, Catherine,

but from the looks of things, you've

done little enough to set his mind at

ease.

Now, if a free man can ask a free woman,

what might your plans be?

>> To remain alive as long as possible.

leaving tonight.

>> See, I go tonight. I going to take the

women who want to go.

>> I hear you're riding down the valley to

Fort Ellis.

>> I figure I will. Mind if I ride along?

Suit yourself.

>> What the sh

the guard

You know this game?

>> I've played it.

Oh. Oh.

Antonio,

let us talk.

My brother calls me to his side.

Since you came to the butcher's camp, he

makes ready for a fight. I fear that you

have not spoken well.

>> I did the best I could. You won't go.

Then it is he who makes war. You must

leave this place.

Tomorrow I go to Fort Ellis to talk to

General Faulner.

Give me that much time and I'll have

Major Ives out of here.

The council has given its word.

>> You waste the lives of your warriors.

>> No, Adam. They die for their land and to

take a revenge.

What will the blue coats die for?

I have called you here to give you a

choice. You know our position.

>> Mr. Perez is leaving tonight to divert a

wagon train that is due into the valley

tomorrow on its way to Oregon. Those

wives who wish to accompany him may do

so, but I warn you, it will then be

necessary to remain with the wagon

train.

I'm sorry I can't send all of you back

to Fort Ellis. But that would mean going

deeper into enemy country. Now, you must

decide between two possible

alternatives.

To go on to Oregon or to stay here.

I'll find you again if I have to walk

all the way to Oregon. You'll find me if

you can walk as far as our tent.

>> Please, Ray, don't make me go. I'd be

afraid.

>> You always said with a good sergeant,

nothing can go wrong.

I wish to go.

>> We leave one ready. Perez have one

passenger for you.

Oh, the beautiful one from Boston. She's

escaped from the bravery sickness.

>> Yeah. And a lieutenant loses his

frightened bride.

>> Uh, fear is no sin, Kanto. The important

thing is that a person must be free to

pick their own time and their own place

for dying.

>> Too bad the girl's not going to the

fort.

>> She is.

>> You go, Antonio.

>> I have no wish to go to Oregon. From the

fort, I can return to Boston.

>> Maybe that can be arranged. Heading east

myself.

>> It's for him to say.

>> I won't be going. Make your plans with

Sawyer.

>> Why did you change?

>> It's getting to be my war whether I like

it or not.

>> Will you take me to the fort?

>> Sure, I'll be glad to.

Good night, mister.

So now you got the bravery sickness,

huh?

Well, I got a job to do. When I'm

finished, may we meet again, huh?

Sometime we conquer the world together,

huh? But not this time. You're not going

to forget Honey Bear, are you?

Can a man forget a broken leg?

Vista

>> Daniel.

[Music]

[Music]

[Music]

You and a girl may run into trouble

getting down the valley. If you do, come

back

>> to a slaughter house.

>> It's better than being caught out in the

open.

>> I'll remember that.

>> Ready?

>> Almost.

>> There'll be no stopping for a swim.

A good ride, Kate, and a safe one.

build it better if you want to live.

>> Build it better.

>> Control a 3m radius, sir. All clear.

It's a fine day, gentlemen. the enemy

not get in sight. Finish the barricades

by midafter afternoon. We'll wipe the

Cheyenne out of existence. Oh, and I'll

need a wagon and two men for an escort.

>> Yes, sir.

>> Mad Bliss, get a wagon ready for the

major.

>> Yes, sir.

Hey,

>> sir. I checked the ammunition stores.

We're not very well prepared.

>> I promise you before many hours, you'll

have your ammunition.

>> The fort's two days ride, sir. Where can

we

>> The Earth The Earth will provide.

Corporal. Ooh.

>> I can't quite make out where we

>> It's another mile ahead.

>> May drive, sir.

Look,

[Music]

>> we'll move on.

>> Yes, sir.

[Music]

Sergeant.

>> Well, don't you think it's about time he

put some pickets out on the hills?

>> Scouting party reports no enemy in

sight. The majors ordered every man on

the barricades.

>> You listen to Major Ira's orders and the

Cheyenne will hit you before you know

it.

>> I agree with you, Mr. Reed.

Unfortunately, he's a major. I'm only a

sergeant.

[Music]

There's

a

[Music]

[Music]

You got the lights, sir.

[Music]

That's the only box.

You

>> positive?

>> My wife and children are back there. You

think I'd say it if it wasn't the truth?

Major, they're behind you.

[Music]

[Music]

Sound the alarm.

[Music]

Major arms. Where's Major? Where's Major

Arms? You'll have to fight this one

yourself, Lieutenant. You better send

half of these men to cover the other

side of the camp. No. No. They're cut us

to pieces.

[Music]

[Music]

Heat. Heat.

[Music]

[Music]

I'm coming.

[Music]

[Applause]

[Music]

Get inside.

[Music]

Come on, give me over.

[Music]

[Music]

Woohoo!

Woohoo!

[Music]

[Applause]

[Music]

Heat. Heat.

[Music]

Heat.

[Music]

Heat.

[Music]

Yeah.

Heat.

[Music]

[Music]

[Music]

It's time.

[Music]

Oh,

[Music]

heat, heat.

[Music]

Oh, You're alive.

>> Yeah.

>> Smoke signals down the valley came back.

Only a few of us left.

>> You all right?

>> Yeah. Yeah.

>> Have you seen him?

>> No.

Come on.

[Music]

[Music]

Have you got ammunition? I

You

You helped those murderers.

You got your massacre. Go on out and

look at it. Touch it. Smell it.

[Music]

[Music]

[Music]

I should have built faster.

If only I hadn't lost my book, I could

have built the fort.

Any more life?

That woman, she shouldn't look.

[Music]

I don't even know if it's him.

I just know.

Savages. Oh, Lord in heaven. How could

they do it?

>> Once we did it to them, Kate,

>> may the army destroy them for it.

Will another bloodbath make your dreams

easier?

>> You'll not defend them.

>> No. But if massacre breeds massacre,

where's the end of it? Ives asked for

this. He slaughtered like they did. He

was building a fort here to do it again.

The Cheyenne took their revenge. Now

who's to blame? Ives. The Cheyenne. How

far back do you go to find the real

enemy? You stand with your own people.

The

>> Cheyenne were as much my people as you.

You'll find this hard to believe,

Catherine. But they love their children.

They're loyal to their friends.

And their women don't run away when

their men are in danger.

[Music]

Might I remind you that I'm still in

command here. You will obey my orders

until a detachment from Fort Ellis

arrives.

>> What are you telling?

You made your men fight when they didn't

have a chance. Not a chance.

>> You

You kill my family.

>> We'll need every bullet we've got.

We'll need him, too.

>> And to what purpose? To turn me over to

your Indian friends?

Ask him, Mr. Sawyer. Ask him why he's

the only one that lived.

>> You need have no fear on that. Mr.

Sawyer and I found him wounded.

>> Sooner we get started, the better. It's

a long, hard ride to Fort Ellis.

>> Back through Cheyenne country.

>> Right through. There's a less dangerous

way out of the valley

>> with a thousand miles of nothing on the

other side of it. My business is at Fort

Ellis with you. We'll both have a chance

to say our peace.

The rest of you are free to go. If any

of you want to go alone, you better say

so now.

>> I just want to hang on to my scalp. I'll

go with you.

>> We're attached to Fort Ellis.

I have no choice now.

Shh. Turn out the lamp.

Mario

Ed. Oh. Oh, how I would have hated

myself if if I killed you.

>> What brings you back?

>> Oh, I could see the smoke for 20 miles.

Besides, didn't I pull a bowl of

friendship with you? Anyway, all those

women on the wagon train were married.

Sooner or later, one of those husbands

is going to shoot me.

>> And Honey Bear.

In

fact, divine punishment. She's always

with me.

We were lucky this time. We'll spend the

rest of the night in the hills.

What are you reading?

>> A book of magic.

>> Good magic.

>> There are many charms if a person can

understand.

Now, what does a girl like you want with

a book like that?

>> Well, first I will teach myself the

secrets. Then I will prepare a great

love spell. And then I will work the

magic, Antonio, and he will love me.

>> Oh, say that's a handy thing to know.

Perhaps you'll let me look.

see anything?

>> No, nothing except the Boston lady. She

was taking a little swim in the creek.

Uh, being a man of great sensitivity, I

only watch for a few minutes.

How goes it, little one?

>> Was she so beautiful in your eyes?

>> Listen much.

>> All women are beautiful in my eyes,

but you you are the eyes themselves.

>> I thought I told you not to leave the

camp

tonight. I only wanted to be clean.

Can that be understood?

>> Memory of death doesn't wash out so

easily.

I'm sorry about what I said this

afternoon about you in basketball.

Everybody wants to live.

>> If I had loved him, I would have stayed

with him.

You were engaged to be married?

>> Yes, we were engaged

three years ago. We were both very

young.

Then the army sent him away.

We wrote to each other,

but I forgot how his face looked when he

smiled,

how his hands were when they touched me.

I couldn't tell him that in a letter,

matter. So I came to the camp.

If it had been otherwise, I would have

died there.

>> Does that thought frighten you?

>> Yes, it did. When I saw the death at the

camp

just now,

I felt the water around me. The air was

sweet and fresh.

I wasn't afraid anymore.

>> Not even of tomorrow's danger?

>> No,

not now.

Adam, is it a terrible thing to say?

Right now, this moment, I've never been

more alive.

I don't want to spoil that.

Not with fear.

Not with anything except what's good and

right.

Just want to be.

[Music]

What's the matter, Gabby?

>> Perhaps there's so little time.

>> You promise not to think about it.

[Music]

This is my guard.

Be daylight pretty soon. Wake everybody

at dawn.

>> All right.

[Music]

[Music]

Somewhere in those hills, there's still

a war party.

>> Cheyenne don't linger by a battlefield.

Mr. Reed, after the slaughter, they run.

>> The main force is probably miles from

here, but there's proof they left some

behind.

>> Proof. Soldier shot by an arrow.

You pride yourself on your bow, Mr.

Reed. How do we know you didn't use it?

>> How about it, Reed? How much do you love

those Redskins?

>> One white man doesn't murder another one

by putting an arrow on his back. Yeah,

well, I'm not dying now. Not for you.

>> Curry, my brave one. Maybe you're going

to die right now. Turn him loose.

Pick up that gun.

You may need it before the day is over.

>> It's true folly to go on. You say

yourself the Indians are in the hills.

They'll kill us one by one. Adam, you

can't fight an enemy you can't see.

>> You can't run away from one either.

[Music]

Sergeant Howard Glover.

That mean anything to you?

>> My messenger to Fort Ellis.

>> Hey, Adam.

[Music]

[Music]

[Music]

[Music]

There's your message, major.

Ashes are still warm.

Don't run. There's no place to run to.

[Music]

There's a feeling of being watched like

like bugs under a man's shirt.

How [ __ ] little flower?

>> I think there is a curse on us

of black magic.

>> You You think maybe there's an evil

spirit, huh?

>> You know, I I think maybe you're right.

I think I see him now. There's a great

big devil out there. He's got a a tall

hat and and green suspenders. I'm going

to kill that devil. I'm going to get

him. He was take your devil and that and

there I I kill him now. See, now he will

no longer bother us. We will no longer

have any curse at all.

>> You laugh at me like a child. I

>> I don't laugh at you, little honey bear.

>> Sometimes a good magic can become very

bad. That is the curse.

I bring it with me.

I have a great need for this magic,

don't you?

But now I must destroy it.

[Music]

[Music]

I found it. Look, I can prove that I

lost.

Get down that ravine.

[Music]

[ __ ] you.

[Music]

Stampede the horses.

When they come, they'll have cover.

>> Must be something mighty important in

there.

>> Man saves what he values most. I noticed

you sent her beloved Indian bow.

Why, Adam? Why do they want to kill us?

>> Everything you've been through up to now

is to make you strong for this. Why is

it happening? I've lived here all my

life, and I don't know, but it's

happening here and now.

So, take it that way, T.

Adam

>> sending for their friends.

>> I don't think so. Main bunch is many

miles away by now.

>> The signal could be for us.

>> Of course, you can read it.

I'm not sure.

I think they want to talk.

>> Will you go?

>> You have to. Or all of us.

>> By all means, Mr. Reed. Go to them. Join

them.

>> You fools. Don't you understand? He's

one of them. He's one of them.

>> You crazy.

>> Our only chance is for Reed to talk to

them.

>> Why should he go? Maybe he'll die over a

fire like that soldier did. Why should

he do it for you?

I I regret my words, Mr. Reed.

>> You will go.

>> We both go, amigo.

>> They'll need you here in case that

signal isn't an invitation.

>> Come back quickly.

>> We won't let them take our lives now,

Kate. But they've just begun.

[Music]

[Music]

[Music]

My brother once gave me a gift.

>> I return it.

>> The gift was given in friendship.

>> I doubt our friendship now.

>> Did you doubt it then?

You will keep the bow at him.

What has been cannot be wiped out.

Neither love nor hatred. The Cheyenne

remember well.

>> I saw the mark of your memory in a

soldier's camp.

>> You knew such a thing would happen. It

was the payment of a debt.

>> In the torture of a soldier and the

slaying of those in my party. Is this

also a debt to be paid?

>> We take no pleasure in your blood, Adam.

Once we welcomed your people to this

valley, they betrayed that welcome. If

we must do terrible things now, it is

because they are the only things your

people understand. They will have a

great fear.

Never again betray us.

I wish to take my party to the fort.

They are free to go.

>> All right. Thanks, Fire Knight.

We want only one of them. Give us the

butcher.

Major Ives goes with me.

>> You have nothing but hatred for this

man. Why do you speak for him?

>> So I may take him to Fort Ellis where he

can speak of his crimes against our

people.

>> They will put colored iron on his

breast.

>> Maybe.

And maybe in his guilt we'll find an end

to the fighting in your country.

>> I will make my own justice.

I offer you your lives for the butchers.

I ask you in friendship.

>> And I ask in friendship that we go in

peace.

>> Then go to them, Whiteface.

Tell them to prepare for the fire. When

next we meet, it would be to steal each

other's lives.

I bargain for the chance of fighting our

way out of here.

>> You bargained our lives for the majors.

>> Thank you, Mr. Reed. I've misjudged you.

I I'll see you receive a citation for

this.

>> You'll never reach the fort. Hasn't that

penetrated yet? We're all dead.

>> We have guns and ammunition.

>> How much? Reed says there's six of them

out there. Well, I can talk to him, too.

Only I won't sell us out.

>> Oh, sure. All you got to do is take a

little hunting trip. Then when you find

the Indians, you have a little talk.

>> How about you? You willing to die for

your glorious officer?

>> I want to see him hang,

>> but I won't turn the uniform over to the

Indians.

I'm all right. Doesn't hurt at all.

>> Don't try to move.

Adam,

give me his rifle.

I can fight. Give me credit for that.

That one's yours, Reed.

>> Your partner,

you killed him.

>> Both of them. Just so we understand each

other.

>> You giving this away?

>> Buying something? You and me are going

over those rocks.

>> Turn around.

>> You won't last 5 minutes out there

>> now. gamble when this is at stake. Now I

said turn around.

You stay here.

Soya's out there.

There's some more of these.

>> Something moving. Shoot. Could be

Sawyer.

>> That's another chance he took.

Well, we're one less

Sawyer's gone. Her last shot in India.

>> See anything? Nothing.

>> Adam there.

Raid,

please,

please,

please, please.

How can he stay alive?

>> They gave him just enough of that arrow

in the back. He's a living trap.

Read for the love of heaven. Had me.

>> If I live to reach eternity, I I can't

take that voice with me.

>> Help me.

>> A man must be free to pick his own place

of dying.

>> Man doesn't do such things alone. Keep

his covered. Keep firing.

Heat.

Heat.

We're out of ammunition.

Honey bear.

Teddy bear.

[ __ ]

useless.

>> I counted six Indians on the mountain.

They're

all dead, but one

fire knife.

>> Fire knife.

He'll kill you. Yes, but it'll be worse

for me. This is what they've waited for

since Sand Creek.

Fire knife.

Fire knife. Look, you mustn't torture

me. I'm one of you, Cheyenne.

I've got your blood. I know you hate me,

but Fire and one of you.

>> Is that the truth?

>> No one knew I had the blood. None of the

officers, the army, none of my friends

in the east. If they knew, I

I couldn't let them go.

>> So, you slaughtered the Cheyenne and

killed the past.

We're out of bullets, but we still have

a weapon. You got no arrows. There's

plenty out there.

[Music]

[Music]

Major eyes. I'll see if General Faulner

is ready for it.

>> These place are soldiers. It It makes me

feel like I got those bugs under my

shirt again. Where you beheading?

>> Oh, I I think now I go back to Mexico

now that I have found my woman.

>> Did she finally grow up for you,

Antonio?

>> Oh, I think it was me grew up for her.

Well, goodbye, Senorita.

Sometime we conquer the world together.

Huh?

Adios.

>> So long.

>> Mr. Reed,

>> if you should be inclined to reveal the

secret of my ancestry, remember it's my

word against yours.

>> There's only one thing that concerns us

here, and that's your story to General

Faulner.

>> But perhaps I can justify my story.

What then?

And your kind will go on murdering until

someone else stops you.

>> And you will be stopped, Major I.

>> But who will win out in the end, Mr.

Reed? My kind, as you call us, or yours?

Suppose we let the general decide. And

history?

>> General Faulner will see you now, sir.

[Music]

Heat. Heat.

[Music]

Heat.

[Music]

[Music]

Heat.

[Music]

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