Original subtitles

Thank you.

Carl Christie.

Isn't she glorious?

She's everything I told you, isn't she? Come on, speak up.

Don't be shy. She's going to be your star, right?

She's going to be your star. You've got to have confidence. You've got to have

energy. You've got to talk to her. He's the one I told you about. Bakersfield

Film Festival.

Best short feature.

This is Carl.

He's brilliant. He's fantastic. Isn't she?

What do you think? You've got to connect with her. You've got to connect. If you

are going to have a psychosomatic connection with your actress to

Fine, beautiful art. You've got to dial in. You've got to see her eyes. You've

got to see the spirit dwelling within those eyes. Let's see it. Let's see if

there's a connection. What do you think?

Does your boy know how to give good toe?

Give good toe?

Oh, he's from Bakersfield. That's all they do in Bakersfield is give good toe.

They've got nothing else to do. It's just desert and oil fields and a bunch

cows and dairies.

They're the best toe givers you can possibly imagine. Right, Carl?

Toe? Well, show her.

See what you can do.

Sometimes you have to sacrifice for your art.

I had to sacrifice when I was young. I had to sacrifice a lot. There are things

I will never tell you about.

It's important.

It's very important because from that sacrifice builds character.

The symbols that you devise from those, the mythological symbols.

Excuse me.

Can you just rub my toes?

You heard her. Rub her toes.

Just rub your toes.

Yes, now.

Carl, you have to admit, they're glorious toes.

Well, I mean, she's great.

But, I mean, rubber toes?

So you see, Christy, I'm training him. I'm training him. And the man, the boy

obviously gives great toe.

Beautiful toe.

Come on, Carl. Come on. Let's see the work. Let's see the work.

World -renowned toeing.

Deep, deep, deep.

Yes.

They're very sore. I was out late last night. And I had to entertain.

So many directors and everybody wants me.

I'm just so tired. I'm just so exhausted.

The rubbish.

I really would like it if he would wipe my ass.

Of course. What was I thinking? You've got to wipe her ass.

There's no doubt about you. Absolutely.

You've got to wipe her ass.

Carl, what's the hesitation here?

You're getting an opportunity to wipe this ass.

Not just any ass. This ass.

Hold it. Right here.

Right here.

There we go.

There it is.

Wonderful.

She'll sign the contract.

I'm a star.

And when I tell you to wipe my ass, you wipe my ass.

Okay? Come on.

Wait.

This is the sacrifice I have spoken of so many times in my lectures that show

that they just don't listen.

Beautiful. Wonderful.

Wonderful.

Well, what do you think?

I... I wiped your ass.

I think I need to take a shower.

I'm a little tired.

I need to be rejuvenated.

I'm going to go take a shower.

And I'd like little director boy to come with me.

Come on, little director boy. Let's go.

Carl, what's that hesitation?

Was that not the finest thing you've ever seen?

Was that, was it, was it... Carl, I want to make the film.

Come on. I'll show you how to make your film. Come on, come on, come on. Follow

me, follow me. Let's do this.

um

This is really important for the project.

Really, really. Look, I know you're kind of freaking out. You're wondering

what's going on.

We have a little problem. Not a big deal. Not a big deal.

Christy is in Cancun right now.

And she's not coming back.

She's not coming back. So we're going to have to get you a new lead.

We're not coming back.

Well, she's, I don't know.

She's got some sort of past things, some sort of emotional things,

psychosomatically. She's just not there. We know she's not there anyway. Let's

do it next week. We knew going into this. Are you getting short with me?

man, I know this is your film, but this is my money. I've got a million dollars

in this thing. I believe in you.

Don't get hostile with me. I'm telling you, man, just don't get hostile with

What are we going to do? We've got to get into the group. What are we going to

do? The reason we're here, if you'll just let me speak.

is I have some girls for you to see.

We're going to do a little casting thing. I want you to read some new

Give them a shot. Look, you're tensing up.

Don't do that.

When you're on the set, man, you've got to be a pillar of strength.

You've got to be the wise man, the sage. You have to be the Obi -Wan Kenobi. You

have to be Yoda.

Be Yoda.

Be reserved.

passionate, and show great strength, okay? So just keep that in your mind.

that in your mind, okay? Don't freak out. You're freaking out. You can't do

this. I'm freaking out? This is your shot.

You just told me Christy's not going to be here. I mean, it's a little weird.

I think our first girl is here, okay? I'm going to bring her in. Her name is

Brittany, okay? She's a little shy.

I want you to read her. We'll put her in something nice to wear.

Read her.

We'll have a new lead, and your film will be fine, okay? Don't worry. Don't

worry.

Trust me. Trust me. Your film will be beautiful. It'll be fine.

Okay? Okay? I'm going to get Brittany.

I'm going to get... Relax.

Relax. Okay?

Okay? Remember, Obi -Wan Kenobi.

Brittany? Brittany?

This is Carl.

Hi, Carl. Hello, Brittany.

Okay? Carl is the director.

And we brought you in to do a little read. We have a little casting issue,

it's okay, right?

It's great. We're going to find somebody. Our casting issue is just

We're going to be fine. That's why I hope I can help.

Did your agent tell you what this is about, what the movie is about?

No, you know, I just really got a last minute call to be here today. Did you

bring sides for her to read?

No?

Carl,

come on, come on. You've got to be thinking ahead here. You've got to be

step ahead of the ballgame here. Oh, okay.

You've got to bring sides to the session if you're going to read for the new

lead. Look at her. She's gorgeous. She needs paper. She needs words. She needs

ink. We've got to leave. The girl's got to have ink.

I don't know what we're going to do.

So there's no script? Oh, you know what?

Here.

We're going to pick a page out of here and you can read this, but I think we

have a problem here.

I think we have a problem we need to deal with.

She's beautiful, but we've got to send this tape to the studio for approval,

she might be a little bit too done up, so we need to get her in some different

wardrobe. Here, I'll take this. Let me have the script, and we'll choose a page

later. We don't need that. Now, would you stand in control? Just relax.

Okay, relax.

It'll all be good.

Let's pick something out for her to wear, and we'll put her on tape in

special.

Someone should have told me specific things to bring. I mean, I could have

brought my own stuff.

Carl. Carl, help her out.

This will work.

How about this?

Okay. What do you think?

I don't know. What kind of part is this? It's a little see -through.

Well, I mean, there might be.

Okay. That's fine.

Let's see. Let's see this. Let's just stand up.

Step back there, Carl, so we can see.

I think this is good, don't you?

This is good. Look, it's flowery. It's floral.

The roll is very Midwestern, and they like that. They like flowers. They like

texture and flowers and things.

This will be perfect for that, don't you think? Okay, sure. I think it'll be

wonderful. I think it'll work. Okay, listen. We have a lot to talk about.

having a panic attack today. He's fucking out of control.

I've got to calm him down, okay? This is not a bad situation.

We'll work this out. Look, look. We know she's not coming back from Cancun, but

don't stress it, dude. It'll be cool.

Who knows? Brittany might work out.

She's going to change into this thing. You change into this darling, honey. You

look wonderful. We love what you came in, but we think this might feel a bit

better for our Midwestern audience.

So you put that on, and you and I go talk, and then we'll come back and we'll

put her on tape, okay? I need to calm down.

She's got to be done. Now this outfit's got to be done. Oh, look it. She's done.

Yeah, I'm ready.

How's that? What do you think, Carl?

Fabulous. Carl, speak up. It's your fucking show for Cry 6. What do you

She looks fabulous.

Okay. All right. I think this will work.

You like the hair up? The hair up feels good?

Does the hair up feel good?

Feels good. You want it down or you want it up? Up is good. Up is good? Let's

keep it up. Okay. All right. Do a little turn for us. Let's see.

Okay. All right. All right. Hold that for just a second. Let's see. Let's turn

to page 52. 52.

Let's have her read. She needs to read from page 52.

52 is the page. Let's see what we got there.

Let's hear a few lines before we take you in the room.

Connor, you're going to have to work with her here.

We're going to put her on tape. If you want her to be your lead, you're going

have to work with her. What do we have on 52?

A conversation between.

Peter and Sabrina?

Peter and Sabrina?

Read a few lines. Let's hear a Sabrina line. What does Sabrina say?

Okay.

Your friend is mine, Peter.

Well, Carl, what do you think?

What do you mean?

Come on, man. You're the director. You're like the executive. You're like

CEO of a major corporation here, except it's my million fucking dollars you're

spending. So let's hear, what do you think?

She had a good line.

Yeah. Okay,

the page is wrong.

The page is completely wrong.

Go to page 94.

It's got to be page 94. It's just the wrong page.

I mean, 94.

It wasn't 52. It's got to be 94.

What is that script?

That's Return of the Man. It's a great script for reads. It's really wonderful.

I'd never make the fucking film, but for reads, it's really good. It's got

snappy dialogue, very quirky.

It's a period piece. The Zell and Bug.

Bug. Bug. What do you think? What do you think?

It'll show range.

She'll be a great book. How to read bug.

Okay.

Yes.

He had tiara.

What the fuck are you doing?

Well, that's the line for bug. It's like Indian or something. What did you think

of that?

Carl, this is like, it's like Navajo.

Look, ah, here we go. House of the Lunatic.

House of the Lunatic.

All right, look, look, look. I can't do everything. Okay, Carl, I can't.

You choose a page for her, okay? You choose a page, and I want to see you on

set. Let's see, can she read it? You got that camera ready? I want to see you on

the set in about ten minutes.

Do a little rehearsal with her. Pick a page. Ten minutes, we're on the set, and

we shoot this thing, okay?

Winter stand?

Okay?

Yeah. All right, okay.

It seems a little unorganized around here.

Well, I mean, the guy's out of control. He's got the money.

The film's going to be great.

Okay. It's kind of making me a little uncomfortable. It's not the script. That

wasn't the script.

Where's the script?

Well, we'll pick a scene from here. We'll get you on tape.

We'll get it to the studio.

Okay. Yeah, I guess that's really important, right? Yeah.

Okay.

They're going to pick the girl. And, you know, of course, I'm the director, so,

you know, I'll be able to help out. But we'll just get something on camera.

Okay.

And hopefully avoid that nutcase.

I don't have all day, you know. Let's pick it up, guys. Come on.

We should probably hurry, right?

Are you familiar with the script at all? Yeah, there's a great scene here

between Heidi and Paul.

It starts right here.

Yeah, I'll do this one.

I'll give it a chance to read it over a couple times.

So, ready to read something?

Sure. Would you like me to do that same line that I did a little earlier?

Yeah, just try a little bit of the Sabrina.

I'll play the other two parts, right?

Yeah, that's what you do, right? Why don't you... No, no, no. You read

the other parts, right?

Right, and she'll read Sabrina, and then you give her direction.

You get her energized, and we'll do it a couple different ways. And then what

we'll do is we'll choose.

We'll choose which one, two, three. We'll choose which one of those three,

that's the one that we'll send to the studio, okay?

Oh, right. Okay, so let's see it. Let's see it. Bobby, roll camera, okay?

And when we're done with this, turn the camera off.

God. Jesus.

Wow. Okay, all right, okay, okay. And, and, you know, I'm not the director.

You're the, you have to call action. I'm not going to call it from back there,

man. So let's, let's, let's, let's hear it. Whenever you're ready.

Go ahead.

Action.

I wonder what Peter and Ben are doing right now.

Working, like you said.

No, I mean right now.

You want some grapes?

What's going on there? I want some.

Your read's horrible.

Thank God you're the actress and this guy's just like some lowly director

He probably wishes he was an actor. All actors just want to be directors anyway,

don't they? And then actors want to be directors. Nobody wants to do what they

really should be doing. It's a clusterfuck, I'm telling you.

Listen, have her do it a different way. You've got to change.

Well, we didn't even finish.

Try it with a Midwestern accent.

And I'll try... You know.

Go ahead.

Okay.

Bobby, are you wrong? Okay, good. All right. When you two are ready.

Okay.

Um... We don't have all day here. I mean... Can I, like, get my thoughts

together? All right, go, go. Just go. Just go. All right. I've got people

up outside. Let's go. Let's go.

Okay, you guys called me, so don't forget that, okay?

Have I told you how beautiful you are?

You're gorgeous.

Isn't she beautiful? Give her a second.

I'll have flowers and champagne when you're done.

Okay.

I wonder what Peter and Ben are doing right now.

Working, like you said.

No, I mean right now.

You want some grapes?

God, she's good, don't you think?

What do you think?

The Midwestern accent was dead on. Yeah, well, you've got to give her another.

She's got to do something else, and we've got to have a choice.

Right? Right? Listen, he's brilliant.

I'm telling you. He's brilliant.

He's brilliant.

Have her do it another way.

Forget the Midwest.

Okay.

Try... Your mom just died right before this scene. Go ahead. Try

it.

I wonder what Peter and Ben are doing right now.

Working, like you said.

No.

I mean, I mean right now.

You want some grapes?

I want some.

Oh, God.

That was brilliant.

You made the perfect... Would you have sex with her?

What? That was... I was back here thinking, you know, I was thinking, if

guy 18 to 35, that's our demographic, 18 to 35 males, Midwest, remember.

If I'm back there and I'm watching this, I'm thinking, I want to have sex with

this woman.

So I think that your direction was brilliant. I think that you pulled the

sensuality. She was dry.

No, she was bad.

But that time.

But that time, you see, that's the magic between you as a director, and she is a

wonderful actress, is you pulled that out.

You pulled that out, right?

I mean, I do know what I'm doing. I think that you should give her a little

direction, and we'll do another read. I've got to run. I think that we've got

few more girls outside. I'm going to go talk to them. You two discuss it. We'll

put one more on tape, and then we'll see the others, and we'll move on from

there. All right? Okay. Okay,

so are you frightened yet?

A little.

But I don't mind.

And there's some good people involved in this film. You know.

Yeah, I can tell you're definitely one of them. You'll get paid. That's what

saying. And you won't get hurt in the process.

So what do you do for fun? I mean, besides.

For fun?

I don't know.

Stuff. Really?

Yeah.

You know.

Yeah, you think I'm too... Despite his insanity. Yeah, I think you're doing

great. The dress looks...

Perfect. You like it on me?

Yeah, I love it.

How does it look on my breasts?

I knew it would fit perfect when I saw it hanging there, so it looks great.

Is there any topless parts in here? I mean, maybe you need to have a better

at them.

Well, there's, yeah, there's a couple of love scenes, and we're probably going

to need to, you know, eventually.

What do you think?

Perfect. I mean, they're... What about from the side?

Well, I mean... Do you like my nipples?

Do you want me to get them hard for you?

I bet you could make them really hard.

Well,

I... Why don't you feel them for me? Tell me what you think.

Well, they... They feel real, don't they?

They feel really great.

Wow.

We're not going to need a body double, I can tell. No.

No.

Yeah. Do you want to see more?

I mean... I'd really like to show you more.

Whatever you'd like. You're in control here.

Whoops.

Um, so what do you think?

I... Yeah.

Yeah? You passed the body check.

How do you feel?

So far, no complaints.

You look good.

Are you ready to play with it this morning?

Well, my agent's been coming for a bit, so...

Not yet.

What's taking you so long? I've got other people waiting out there. Honey,

were great. I don't think you're going to make it.

Maybe you can do B -movies or something, okay? What? There's a girl in here

you've got to see. I think you're going to make it. I haven't made our decision

yet. Come on, come on, come on.

Okay, so I don't get the part now? We haven't made our decision yet.

What did I do? He hasn't even seen the tape. You were great on it. All right.

Believe me, we'll be in touch.

Amanda, wonderful, wonderful. I'm glad you could make it on such short notice.

We have a little bit of a situation. We need you to read for this part. It's the

lead in the film.

Okay. In the film. It's a great film. It's awesome. You'll absolutely love it.

Carl. Carl.

Carl.

Come on in.

Amanda.

Amanda. Carl. Hi. Carl. The director.

Phenomenal young talent.

Great short.

Almost won first place fantasy genre Bakersfield Film Festival. I was there.

You know.

Yeah. Oh, no, no.

What do you think? I think she's the one. Don't you think? She's absolutely

gorgeous. Well, she looks great. Yeah.

Probably have to have you read something. Carl, are you talking back?

Seriously. I mean, look at this. Oh, gosh.

Look at her eyes. Wait. Look right into his eyes. Look, look, look, look, look.

Okay. See sparkles?

Like flames. They're like flames of sensual things. They're wonderful. Don't

think? You're like the shmarmy nightclub guy who walks up to a girl and says,

hey, you'd be great. What?

Let's have her read.

Yeah. I don't mind.

Yeah, Carl, that's a great idea, Carl.

All right, let's have her read. Here, have her read something out of this.

What's this?

Page 59.

59, the man says. Page 59.

Let's have her take a look and see what's on 59.

Let's have her read that.

It'll be good. She's going to be phenomenal.

I've heard great things about you. Weren't you in that film, Attack of the

Killer?

What was it? No, no, that was, no, what was, what was, never mind, it doesn't

matter. She's been in great films. Her films are phenomenal.

She has a great persona on stage, incredible magnetism, and I think that

going to, okay, what do you think, Carl?

Come on. I need something from you here. Look, I'm throwing a lot of money in

the line here. I really need something from you here.

I'm on board with you. She looks great.

See?

I told you. Thank you. He sees it. He sees your beauty. He sees the glory.

But you know what? She's going to have to. We've got to get her into a

outfit first.

So let me take the script away from you. You can't have that.

Okay, we've got to get her. She used to be in something different. You know her

demographic. We've talked about this before, Carl. What do you think, man?

I think she's the one. I think she's absolutely the one.

I thought those were pretty cute.

This might work.

That's great. She has phenomenal taste. I love her taste.

In fact, that's why that film that you did.

It's escaping me right now, but it was magnificent.

It was great. I can't remember the title because I was so overwhelmed with her

beauty. It was like, you know, it was like Welch in that movie, A Million

B .C. You know, cavewoman running around in bikinis that were like all low -cut.

You know, I'm talking about like 72 -ish or something like that. It was great.

She was just like that.

Absolutely just like that, yeah. So what we're going to do is, Carl, come on.

What is she going to do?

Well, I guess try those.

Pants on, and we'll read. Okay, we're going to let you go.

We're going to walk away.

You change into the pants, okay? When you're ready, we'll come right back in.

We're going to get you to read for the camera.

Come on, come on.

Let's talk about this rewrite you're doing tonight.

You've got about 40 pages you've got to rewrite.

You've got to be ready now.

Oh, oh.

You're almost there.

You're going to get the roll. You're going to get the roll. And it's sexy.

got to see anyway so it doesn't really matter. Those are really, what do you

think, Carl? Those are really nice. Yeah. Good choice.

Is that going to work? I think it's going to work, huh?

Yeah.

She's got the figure for it.

Yeah.

Okay, so what do we say? 59? Yeah.

Let's get 59.

59.

59.

Let's go. Okay, 59.

All right, there you go.

You know the scene?

How the fuck would I know the scene?

I got 8 ,000 scripts on my fucking desk. How am I going to know what page 59 of

this one is? How am I going to know what that is?

I mean, if you're sort of in charge, you might know the scene.

Let's just read this. It says I'm hiding and I look sleepy. Okay, she's hiding

and she looks sleepy.

You're brilliant. Take control.

Why didn't you return my letters?

Letters?

I've been quite busy.

That is no excuse.

Sorry.

Okay, this is great.

I'm overwhelmed.

I'm so inspired. I want to go out and I just want to buy tissues because I'm

going to cry a lot. That's what I want to do. I want to buy tissues because I'm

going to cry a lot because I'm so inspired.

But you need to bring it up some, okay? Remember our demographic. We've got boys

18 to 35 who really want to watch this film and certainly want to watch her.

I don't want to be crying. I don't want to be crying. So why don't you give her

something else? Give her some direction.

Look, I saw the film in Bakersfield. It was phenomenal.

He's brilliant.

He's brilliant.

Show us some of that. All right. All right.

Yeah.

All right, so 59.

59. Let me ask you something.

Have you ever... Did you go to college?

No. No?

No.

That's not going to work then. Carl.

Carl.

Look.

Carl, did you go to college, Carl?

Carl?

It's not going to work.

You know, I'm really... You know, I love you. You're like my son. You're like my

son I never had. I love you to death.

You're fucking off. You're way off. You're way off.

I'm going to go get like a power drink or, I don't know, a coffee or something.

You guys just work this shit out. You work this shit out.

The guy's out of control. This isn't the script.

I don't even know what the fuck this is.

He has some money. That's about all.

He wants to hire you. We're going to make a good film. I just have to bite my

tongue when I'm around this jackass.

Well,

you know, I really did love your film.

Well, this is going to be quite a bit bigger production.

Really? Oh, I'd really like to be in it.

Yeah.

We do have to get you on camera for something, but we'll worry about that

I mean, what do you do for fun?

What kind of person are you?

I don't know.

So what can we do? It's like being in your film.

Well, I mean, I like you.

You're perfect. When I pictured the lead role, I pictured you. And, I mean, so

far, I don't see any reason why you couldn't be that girl.

Okay. Yay.

Thank you.

Thank you, maybe.

Well.

This is an interesting parenting session. This is what normally happens.

That's the inspiration.

We need this kind of inspiration for our show.

I'm impressed.

I'm encouraged.

I feel the energy.

I feel like there's hope. We can pull. We don't need Christy. We don't need...

Come on. Come on. Come on. Carl. Carl. Carl. This is Kelly.

Kelly. Carl.

Carl is the director.

I'm Kelly.

She's the one. Yeah, she's the one. This has to be the one. Yeah, Tara is... No,

Kelly.

Kelly. Kelly, yeah. Kelly was in everybody's agency.

Look,

she's gorgeous. She's absolutely gorgeous. I will play the part great,

ready to learn my script and everything. Do they send you sides? Do you have

sides? They didn't send me anything yet, so I don't really have an idea. Oh,

God. I just know it's a romance.

It's unbelievable.

Is that a novel? Look, you're going to have to dial in.

Get in. You're going to dial in, okay, because she hasn't seen anything yet.

right? So you get into her head, and we'll feed her something great, and

do her screen test. We'll do it on the gel set.

The gel.

The gel. Wow.

Imprisoned female form needs to be liberated.

What do you think, man?

No, no, no. It's your show. You tell me.

I'm tired.

She has to be the one. I told you. I'm it.

I told you. I'm the one.

He's brilliant.

He's absolutely brilliant. Wow. It's been a long day.

What's your problem? You got bugs in your hair?

I thought I saw a fly.

Bobby?

The pest control people have been here yet?

I need a medication.

Are you feeling okay? No, I'm feeling completely fine. In fact, I'm inspired

right now. He is such an inspirational person. I'm completely inspired. I know

he's going to do great.

Listen, I've got a bunch of people waiting out there. I've got to go talk

them. I've got to get them dialed into what we're doing. Okay?

Right? Right? What?

What we're doing.

Okay, yeah.

Teach me. Now, so what I want you to do. Oh, I'm learning. That's great. We know

the routine, Carl. You're the man.

Pick out a nice out for her.

Get in the outfit.

We'll take some scripts with us. We'll feed her some lines in the jail set, put

her on tape, send her to the executives, and we'll have our movie.

Look, look.

We don't need Christy.

We don't need Christy. Me, me.

Christy's in Cancun.

Oh, well, I'm right here. She's drinking margaritas. Very well. She's looking at

my imperative.

She's getting blitzed right now. She's watching Seagulls.

Margaritaville. She's a bitch. Yeah, she's out.

She's out.

She's a bitch.

Yes. Yes. Right? Yes. She's out because we have you. We have me. You. Yes. You.

You. Yes. Okay. Bobby. Bobby. You pick an outfit. You pick an outfit and I'll

back in, you know, 10. I'll put it right on. Right? Okay.

Okay. Bye. Great. Yeah.

Yeah.

Hopefully you're not thrown off by the... Like a... Am I going to be

like a beautiful woman or a young girl or something? How comfortable are you

with... Can I be sexy?

Maybe lingerie.

Lingerie, that's sexy. There's going to be some, not a lot of nudity, but some

in the movie. Okay.

Carl.

Yeah.

Looks great, doesn't it?

Stubble.

I've been bad.

First time this guy's been silent. Probably, I don't know, the last three

I've known him. Oh, my God.

Finally, I shut him up.

Thank God he came to rescue me.

Take me out of this prison.

He's crazy his whole life.

One time I did something.

Just let me out of here.

You're amazed by the brilliance, aren't you?

Have you chosen the scene?

Um, yeah, you did.

Twenty -three.

Remember, uh, yeah, wait, twenty -three, uh, yeah, how about we do this, and,

uh, we read, we'll put you on camera, and then, uh... Okay.

Okay.

Remember? Twenty -three.

She's in a jail.

So... Okay.

Take your clothes off, please.

That's... That's good.

Got gel, gel cell.

I have to put this big orange thing on?

Apparently. I'm in high security now?

Oh my gosh.

What have I done wrong?

I've been a good girl, I swear.

I'll tell you what, Carl.

Ruger.

Let's hear the reading.

What? Now I look ugly. I'm not sexy anymore.

Zip it all the way up, too.

And button it.

Carl? Rober?

Yes? I guess, let's just read.

It's been there a long time. My grandfather says before.

Even his grandfather.

What does it mean?

Everything. The man with the fire on his face?

And your thoughts?

That's Mathsaw.

He knows about this.

What is the purpose of the car view? Carl.

I love you.

Peter. I love you too.

Am I the only one that...

Do we have to keep studying the script?

No, this doesn't make any sense. I was trying to piss him off. It didn't work.

But I'm going to get this picture made. It's going to be great. Okay. The script

is great.

Cool. Not this, but everything will be great. Don't worry.

Absolutely. And, you know, you're okay with working with somebody who's a

off? Oh, yeah. That's okay. I don't mind.

Well, that's good. No problem.

I already know him already, so.

As long as he lets me out of here. Get over here. I know you didn't want to

read that script to me.

Sit down.

So, what do you think? What I think is, I want to get down to the real business

that I came for.

That's what I think it's time for right now.

See, this is what I'm really going to try to do.

Christy, Ruger sent me over.

You know, sitting on the beach in Cancun drinking margaritas all day got really,

really boring.

So, I've decided to do your movie.

Great.

Yeah. It's really great, isn't it?

It is. It's gonna be great.