All language subtitles for 2005 - Kristy Comes Home

Thank you.

Carl Christie.

Isn't she glorious?

She's everything I told you, isn't she?
Come on, speak up.

Don't be shy. She's going to be your
star, right?

She's going to be your star. You've got
to have confidence. You've got to have

energy. You've got to talk to her. He's
the one I told you about. Bakersfield

Film Festival.

Best short feature.

This is Carl.

He's brilliant. He's fantastic. Isn't
she?

What do you think? You've got to connect
with her. You've got to connect. If you

are going to have a psychosomatic
connection with your actress to

Fine, beautiful art. You've got to dial
in. You've got to see her eyes. You've

got to see the spirit dwelling within
those eyes. Let's see it. Let's see if

there's a connection. What do you think?

Does your boy know how to give good toe?

Give good toe?

Oh, he's from Bakersfield. That's all
they do in Bakersfield is give good toe.

They've got nothing else to do. It's
just desert and oil fields and a bunch

cows and dairies.

They're the best toe givers you can
possibly imagine. Right, Carl?

Toe? Well, show her.

See what you can do.

Sometimes you have to sacrifice for your
art.

I had to sacrifice when I was young. I
had to sacrifice a lot. There are things

I will never tell you about.

It's important.

It's very important because from that
sacrifice builds character.

The symbols that you devise from those,
the mythological symbols.

Excuse me.

Can you just rub my toes?

You heard her. Rub her toes.

Just rub your toes.

Yes, now.

Carl, you have to admit, they're
glorious toes.

Well, I mean, she's great.

But, I mean, rubber toes?

So you see, Christy, I'm training him.
I'm training him. And the man, the boy

obviously gives great toe.

Beautiful toe.

Come on, Carl. Come on. Let's see the
work. Let's see the work.

World -renowned toeing.

Deep, deep, deep.

Yes.

They're very sore. I was out late last
night. And I had to entertain.

So many directors and everybody wants
me.

I'm just so tired. I'm just so
exhausted.

The rubbish.

I really would like it if he would wipe
my ass.

Of course. What was I thinking? You've
got to wipe her ass.

There's no doubt about you. Absolutely.

You've got to wipe her ass.

Carl, what's the hesitation here?

You're getting an opportunity to wipe
this ass.

Not just any ass. This ass.

Hold it. Right here.

Right here.

There we go.

There it is.

Wonderful.

She'll sign the contract.

I'm a star.

And when I tell you to wipe my ass, you
wipe my ass.

Okay? Come on.

Wait.

This is the sacrifice I have spoken of
so many times in my lectures that show

that they just don't listen.

Beautiful. Wonderful.

Wonderful.

Well, what do you think?

I... I wiped your ass.

I think I need to take a shower.

I'm a little tired.

I need to be rejuvenated.

I'm going to go take a shower.

And I'd like little director boy to come
with me.

Come on, little director boy. Let's go.

Carl, what's that hesitation?

Was that not the finest thing you've
ever seen?

Was that, was it, was it... Carl, I want
to make the film.

Come on. I'll show you how to make your
film. Come on, come on, come on. Follow

me, follow me. Let's do this.

um

This is really important for the
project.

Really, really. Look, I know you're kind
of freaking out. You're wondering

what's going on.

We have a little problem. Not a big
deal. Not a big deal.

Christy is in Cancun right now.

And she's not coming back.

She's not coming back. So we're going to
have to get you a new lead.

We're not coming back.

Well, she's, I don't know.

She's got some sort of past things, some
sort of emotional things,

psychosomatically. She's just not there.
We know she's not there anyway. Let's

do it next week. We knew going into
this. Are you getting short with me?

man, I know this is your film, but this
is my money. I've got a million dollars

in this thing. I believe in you.

Don't get hostile with me. I'm telling
you, man, just don't get hostile with

What are we going to do? We've got to
get into the group. What are we going to

do? The reason we're here, if you'll
just let me speak.

is I have some girls for you to see.

We're going to do a little casting
thing. I want you to read some new

Give them a shot. Look, you're tensing
up.

Don't do that.

When you're on the set, man, you've got
to be a pillar of strength.

You've got to be the wise man, the sage.
You have to be the Obi -Wan Kenobi. You

have to be Yoda.

Be Yoda.

Be reserved.

passionate, and show great strength,
okay? So just keep that in your mind.

that in your mind, okay? Don't freak
out. You're freaking out. You can't do

this. I'm freaking out? This is your
shot.

You just told me Christy's not going to
be here. I mean, it's a little weird.

I think our first girl is here, okay?
I'm going to bring her in. Her name is

Brittany, okay? She's a little shy.

I want you to read her. We'll put her in
something nice to wear.

Read her.

We'll have a new lead, and your film
will be fine, okay? Don't worry. Don't

worry.

Trust me. Trust me. Your film will be
beautiful. It'll be fine.

Okay? Okay? I'm going to get Brittany.

I'm going to get... Relax.

Relax. Okay?

Okay? Remember, Obi -Wan Kenobi.

Brittany? Brittany?

This is Carl.

Hi, Carl. Hello, Brittany.

Okay? Carl is the director.

And we brought you in to do a little
read. We have a little casting issue,

it's okay, right?

It's great. We're going to find
somebody. Our casting issue is just

We're going to be fine. That's why I
hope I can help.

Did your agent tell you what this is
about, what the movie is about?

No, you know, I just really got a last
minute call to be here today. Did you

bring sides for her to read?

No?

Carl,

come on, come on. You've got to be
thinking ahead here. You've got to be

step ahead of the ballgame here. Oh,
okay.

You've got to bring sides to the session
if you're going to read for the new

lead. Look at her. She's gorgeous. She
needs paper. She needs words. She needs

ink. We've got to leave. The girl's got
to have ink.

I don't know what we're going to do.

So there's no script? Oh, you know what?

Here.

We're going to pick a page out of here
and you can read this, but I think we

have a problem here.

I think we have a problem we need to
deal with.

She's beautiful, but we've got to send
this tape to the studio for approval,

she might be a little bit too done up,
so we need to get her in some different

wardrobe. Here, I'll take this. Let me
have the script, and we'll choose a page

later. We don't need that. Now, would
you stand in control? Just relax.

Okay, relax.

It'll all be good.

Let's pick something out for her to
wear, and we'll put her on tape in

special.

Someone should have told me specific
things to bring. I mean, I could have

brought my own stuff.

Carl. Carl, help her out.

This will work.

How about this?

Okay. What do you think?

I don't know. What kind of part is this?
It's a little see -through.

Well, I mean, there might be.

Okay. That's fine.

Let's see. Let's see this. Let's just
stand up.

Step back there, Carl, so we can see.

I think this is good, don't you?

This is good. Look, it's flowery. It's
floral.

The roll is very Midwestern, and they
like that. They like flowers. They like

texture and flowers and things.

This will be perfect for that, don't you
think? Okay, sure. I think it'll be

wonderful. I think it'll work. Okay,
listen. We have a lot to talk about.

having a panic attack today. He's
fucking out of control.

I've got to calm him down, okay? This is
not a bad situation.

We'll work this out. Look, look. We know
she's not coming back from Cancun, but

don't stress it, dude. It'll be cool.

Who knows? Brittany might work out.

She's going to change into this thing.
You change into this darling, honey. You

look wonderful. We love what you came
in, but we think this might feel a bit

better for our Midwestern audience.

So you put that on, and you and I go
talk, and then we'll come back and we'll

put her on tape, okay? I need to calm
down.

She's got to be done. Now this outfit's
got to be done. Oh, look it. She's done.

Yeah, I'm ready.

How's that? What do you think, Carl?

Fabulous. Carl, speak up. It's your
fucking show for Cry 6. What do you

She looks fabulous.

Okay. All right. I think this will work.

You like the hair up? The hair up feels
good?

Does the hair up feel good?

Feels good. You want it down or you want
it up? Up is good. Up is good? Let's

keep it up. Okay. All right. Do a little
turn for us. Let's see.

Okay. All right. All right. Hold that
for just a second. Let's see. Let's turn

to page 52. 52.

Let's have her read. She needs to read
from page 52.

52 is the page. Let's see what we got
there.

Let's hear a few lines before we take
you in the room.

Connor, you're going to have to work
with her here.

We're going to put her on tape. If you
want her to be your lead, you're going

have to work with her. What do we have
on 52?

A conversation between.

Peter and Sabrina?

Peter and Sabrina?

Read a few lines. Let's hear a Sabrina
line. What does Sabrina say?

Okay.

Your friend is mine, Peter.

Well, Carl, what do you think?

What do you mean?

Come on, man. You're the director.
You're like the executive. You're like

CEO of a major corporation here, except
it's my million fucking dollars you're

spending. So let's hear, what do you
think?

She had a good line.

Yeah. Okay,

the page is wrong.

The page is completely wrong.

Go to page 94.

It's got to be page 94. It's just the
wrong page.

I mean, 94.

It wasn't 52. It's got to be 94.

What is that script?

That's Return of the Man. It's a great
script for reads. It's really wonderful.

I'd never make the fucking film, but for
reads, it's really good. It's got

snappy dialogue, very quirky.

It's a period piece. The Zell and Bug.

Bug. Bug. What do you think? What do you
think?

It'll show range.

She'll be a great book. How to read bug.

Okay.

Yes.

He had tiara.

What the fuck are you doing?

Well, that's the line for bug. It's like
Indian or something. What did you think

of that?

Carl, this is like, it's like Navajo.

Look, ah, here we go. House of the
Lunatic.

House of the Lunatic.

All right, look, look, look. I can't do
everything. Okay, Carl, I can't.

You choose a page for her, okay? You
choose a page, and I want to see you on

set. Let's see, can she read it? You got
that camera ready? I want to see you on

the set in about ten minutes.

Do a little rehearsal with her. Pick a
page. Ten minutes, we're on the set, and

we shoot this thing, okay?

Winter stand?

Okay?

Yeah. All right, okay.

It seems a little unorganized around
here.

Well, I mean, the guy's out of control.
He's got the money.

The film's going to be great.

Okay. It's kind of making me a little
uncomfortable. It's not the script. That

wasn't the script.

Where's the script?

Well, we'll pick a scene from here.
We'll get you on tape.

We'll get it to the studio.

Okay. Yeah, I guess that's really
important, right? Yeah.

Okay.

They're going to pick the girl. And, you
know, of course, I'm the director, so,

you know, I'll be able to help out. But
we'll just get something on camera.

Okay.

And hopefully avoid that nutcase.

I don't have all day, you know. Let's
pick it up, guys. Come on.

We should probably hurry, right?

Are you familiar with the script at all?
Yeah, there's a great scene here

between Heidi and Paul.

It starts right here.

Yeah, I'll do this one.

I'll give it a chance to read it over a
couple times.

So, ready to read something?

Sure. Would you like me to do that same
line that I did a little earlier?

Yeah, just try a little bit of the
Sabrina.

I'll play the other two parts, right?

Yeah, that's what you do, right? Why
don't you... No, no, no. You read

the other parts, right?

Right, and she'll read Sabrina, and then
you give her direction.

You get her energized, and we'll do it a
couple different ways. And then what

we'll do is we'll choose.

We'll choose which one, two, three.
We'll choose which one of those three,

that's the one that we'll send to the
studio, okay?

Oh, right. Okay, so let's see it. Let's
see it. Bobby, roll camera, okay?

And when we're done with this, turn the
camera off.

God. Jesus.

Wow. Okay, all right, okay, okay. And,
and, you know, I'm not the director.

You're the, you have to call action. I'm
not going to call it from back there,

man. So let's, let's, let's, let's hear
it. Whenever you're ready.

Go ahead.

Action.

I wonder what Peter and Ben are doing
right now.

Working, like you said.

No, I mean right now.

You want some grapes?

What's going on there? I want some.

Your read's horrible.

Thank God you're the actress and this
guy's just like some lowly director

He probably wishes he was an actor. All
actors just want to be directors anyway,

don't they? And then actors want to be
directors. Nobody wants to do what they

really should be doing. It's a
clusterfuck, I'm telling you.

Listen, have her do it a different way.
You've got to change.

Well, we didn't even finish.

Try it with a Midwestern accent.

And I'll try... You know.

Go ahead.

Okay.

Bobby, are you wrong? Okay, good. All
right. When you two are ready.

Okay.

Um... We don't have all day here. I
mean... Can I, like, get my thoughts

together? All right, go, go. Just go.
Just go. All right. I've got people

up outside. Let's go. Let's go.

Okay, you guys called me, so don't
forget that, okay?

Have I told you how beautiful you are?

You're gorgeous.

Isn't she beautiful? Give her a second.

I'll have flowers and champagne when
you're done.

Okay.

I wonder what Peter and Ben are doing
right now.

Working, like you said.

No, I mean right now.

You want some grapes?

God, she's good, don't you think?

What do you think?

The Midwestern accent was dead on. Yeah,
well, you've got to give her another.

She's got to do something else, and
we've got to have a choice.

Right? Right? Listen, he's brilliant.

I'm telling you. He's brilliant.

He's brilliant.

Have her do it another way.

Forget the Midwest.

Okay.

Try... Your mom just died right before
this scene. Go ahead. Try

it.

I wonder what Peter and Ben are doing
right now.

Working, like you said.

No.

I mean, I mean right now.

You want some grapes?

I want some.

Oh, God.

That was brilliant.

You made the perfect... Would you have
sex with her?

What? That was... I was back here
thinking, you know, I was thinking, if

guy 18 to 35, that's our demographic, 18
to 35 males, Midwest, remember.

If I'm back there and I'm watching this,
I'm thinking, I want to have sex with

this woman.

So I think that your direction was
brilliant. I think that you pulled the

sensuality. She was dry.

No, she was bad.

But that time.

But that time, you see, that's the magic
between you as a director, and she is a

wonderful actress, is you pulled that
out.

You pulled that out, right?

I mean, I do know what I'm doing. I
think that you should give her a little

direction, and we'll do another read.
I've got to run. I think that we've got

few more girls outside. I'm going to go
talk to them. You two discuss it. We'll

put one more on tape, and then we'll see
the others, and we'll move on from

there. All right? Okay. Okay,

so are you frightened yet?

A little.

But I don't mind.

And there's some good people involved in
this film. You know.

Yeah, I can tell you're definitely one
of them. You'll get paid. That's what

saying. And you won't get hurt in the
process.

So what do you do for fun? I mean,
besides.

For fun?

I don't know.

Stuff. Really?

Yeah.

You know.

Yeah, you think I'm too... Despite his
insanity. Yeah, I think you're doing

great. The dress looks...

Perfect. You like it on me?

Yeah, I love it.

How does it look on my breasts?

I knew it would fit perfect when I saw
it hanging there, so it looks great.

Is there any topless parts in here? I
mean, maybe you need to have a better

at them.

Well, there's, yeah, there's a couple of
love scenes, and we're probably going

to need to, you know, eventually.

What do you think?

Perfect. I mean, they're... What about
from the side?

Well, I mean... Do you like my nipples?

Do you want me to get them hard for you?

I bet you could make them really hard.

Well,

I... Why don't you feel them for me?
Tell me what you think.

Well, they... They feel real, don't
they?

They feel really great.

Wow.

We're not going to need a body double, I
can tell. No.

No.

Yeah. Do you want to see more?

I mean... I'd really like to show you
more.

Whatever you'd like. You're in control
here.

Whoops.

Um, so what do you think?

I... Yeah.

Yeah? You passed the body check.

How do you feel?

So far, no complaints.

You look good.

Are you ready to play with it this
morning?

Well, my agent's been coming for a bit,
so...

Not yet.

What's taking you so long? I've got
other people waiting out there. Honey,

were great. I don't think you're going
to make it.

Maybe you can do B -movies or something,
okay? What? There's a girl in here

you've got to see. I think you're going
to make it. I haven't made our decision

yet. Come on, come on, come on.

Okay, so I don't get the part now? We
haven't made our decision yet.

What did I do? He hasn't even seen the
tape. You were great on it. All right.

Believe me, we'll be in touch.

Amanda, wonderful, wonderful. I'm glad
you could make it on such short notice.

We have a little bit of a situation. We
need you to read for this part. It's the

lead in the film.

Okay. In the film. It's a great film.
It's awesome. You'll absolutely love it.

Carl. Carl.

Carl.

Come on in.

Amanda.

Amanda. Carl. Hi. Carl. The director.

Phenomenal young talent.

Great short.

Almost won first place fantasy genre
Bakersfield Film Festival. I was there.

You know.

Yeah. Oh, no, no.

What do you think? I think she's the
one. Don't you think? She's absolutely

gorgeous. Well, she looks great. Yeah.

Probably have to have you read
something. Carl, are you talking back?

Seriously. I mean, look at this. Oh,
gosh.

Look at her eyes. Wait. Look right into
his eyes. Look, look, look, look, look.

Okay. See sparkles?

Like flames. They're like flames of
sensual things. They're wonderful. Don't

think? You're like the shmarmy nightclub
guy who walks up to a girl and says,

hey, you'd be great. What?

Let's have her read.

Yeah. I don't mind.

Yeah, Carl, that's a great idea, Carl.

All right, let's have her read. Here,
have her read something out of this.

What's this?

Page 59.

59, the man says. Page 59.

Let's have her take a look and see
what's on 59.

Let's have her read that.

It'll be good. She's going to be
phenomenal.

I've heard great things about you.
Weren't you in that film, Attack of the

Killer?

What was it? No, no, that was, no, what
was, what was, never mind, it doesn't

matter. She's been in great films. Her
films are phenomenal.

She has a great persona on stage,
incredible magnetism, and I think that

going to, okay, what do you think, Carl?

Come on. I need something from you here.
Look, I'm throwing a lot of money in

the line here. I really need something
from you here.

I'm on board with you. She looks great.

See?

I told you. Thank you. He sees it. He
sees your beauty. He sees the glory.

But you know what? She's going to have
to. We've got to get her into a

outfit first.

So let me take the script away from you.
You can't have that.

Okay, we've got to get her. She used to
be in something different. You know her

demographic. We've talked about this
before, Carl. What do you think, man?

I think she's the one. I think she's
absolutely the one.

I thought those were pretty cute.

This might work.

That's great. She has phenomenal taste.
I love her taste.

In fact, that's why that film that you
did.

It's escaping me right now, but it was
magnificent.

It was great. I can't remember the title
because I was so overwhelmed with her

beauty. It was like, you know, it was
like Welch in that movie, A Million

B .C. You know, cavewoman running around
in bikinis that were like all low -cut.

You know, I'm talking about like 72 -ish
or something like that. It was great.

She was just like that.

Absolutely just like that, yeah. So what
we're going to do is, Carl, come on.

What is she going to do?

Well, I guess try those.

Pants on, and we'll read. Okay, we're
going to let you go.

We're going to walk away.

You change into the pants, okay? When
you're ready, we'll come right back in.

We're going to get you to read for the
camera.

Come on, come on.

Let's talk about this rewrite you're
doing tonight.

You've got about 40 pages you've got to
rewrite.

You've got to be ready now.

Oh, oh.

You're almost there.

You're going to get the roll. You're
going to get the roll. And it's sexy.

got to see anyway so it doesn't really
matter. Those are really, what do you

think, Carl? Those are really nice.
Yeah. Good choice.

Is that going to work? I think it's
going to work, huh?

Yeah.

She's got the figure for it.

Yeah.

Okay, so what do we say? 59? Yeah.

Let's get 59.

59.

59.

Let's go. Okay, 59.

All right, there you go.

You know the scene?

How the fuck would I know the scene?

I got 8 ,000 scripts on my fucking desk.
How am I going to know what page 59 of

this one is? How am I going to know what
that is?

I mean, if you're sort of in charge, you
might know the scene.

Let's just read this. It says I'm hiding
and I look sleepy. Okay, she's hiding

and she looks sleepy.

You're brilliant. Take control.

Why didn't you return my letters?

Letters?

I've been quite busy.

That is no excuse.

Sorry.

Okay, this is great.

I'm overwhelmed.

I'm so inspired. I want to go out and I
just want to buy tissues because I'm

going to cry a lot. That's what I want
to do. I want to buy tissues because I'm

going to cry a lot because I'm so
inspired.

But you need to bring it up some, okay?
Remember our demographic. We've got boys

18 to 35 who really want to watch this
film and certainly want to watch her.

I don't want to be crying. I don't want
to be crying. So why don't you give her

something else? Give her some direction.

Look, I saw the film in Bakersfield. It
was phenomenal.

He's brilliant.

He's brilliant.

Show us some of that. All right. All
right.

Yeah.

All right, so 59.

59. Let me ask you something.

Have you ever... Did you go to college?

No. No?

No.

That's not going to work then. Carl.

Carl.

Look.

Carl, did you go to college, Carl?

Carl?

It's not going to work.

You know, I'm really... You know, I love
you. You're like my son. You're like my

son I never had. I love you to death.

You're fucking off. You're way off.
You're way off.

I'm going to go get like a power drink
or, I don't know, a coffee or something.

You guys just work this shit out. You
work this shit out.

The guy's out of control. This isn't the
script.

I don't even know what the fuck this is.

He has some money. That's about all.

He wants to hire you. We're going to
make a good film. I just have to bite my

tongue when I'm around this jackass.

Well,

you know, I really did love your film.

Well, this is going to be quite a bit
bigger production.

Really? Oh, I'd really like to be in it.

Yeah.

We do have to get you on camera for
something, but we'll worry about that

I mean, what do you do for fun?

What kind of person are you?

I don't know.

So what can we do? It's like being in
your film.

Well, I mean, I like you.

You're perfect. When I pictured the lead
role, I pictured you. And, I mean, so

far, I don't see any reason why you
couldn't be that girl.

Okay. Yay.

Thank you.

Thank you, maybe.

Well.

This is an interesting parenting
session. This is what normally happens.

That's the inspiration.

We need this kind of inspiration for our
show.

I'm impressed.

I'm encouraged.

I feel the energy.

I feel like there's hope. We can pull.
We don't need Christy. We don't need...

Come on. Come on. Come on. Carl. Carl.
Carl. This is Kelly.

Kelly. Carl.

Carl is the director.

I'm Kelly.

She's the one. Yeah, she's the one. This
has to be the one. Yeah, Tara is... No,

Kelly.

Kelly. Kelly, yeah. Kelly was in
everybody's agency.

Look,

she's gorgeous. She's absolutely
gorgeous. I will play the part great,

ready to learn my script and everything.
Do they send you sides? Do you have

sides? They didn't send me anything yet,
so I don't really have an idea. Oh,

God. I just know it's a romance.

It's unbelievable.

Is that a novel? Look, you're going to
have to dial in.

Get in. You're going to dial in, okay,
because she hasn't seen anything yet.

right? So you get into her head, and
we'll feed her something great, and

do her screen test. We'll do it on the
gel set.

The gel.

The gel. Wow.

Imprisoned female form needs to be
liberated.

What do you think, man?

No, no, no. It's your show. You tell me.

I'm tired.

She has to be the one. I told you. I'm
it.

I told you. I'm the one.

He's brilliant.

He's absolutely brilliant. Wow. It's
been a long day.

What's your problem? You got bugs in
your hair?

I thought I saw a fly.

Bobby?

The pest control people have been here
yet?

I need a medication.

Are you feeling okay? No, I'm feeling
completely fine. In fact, I'm inspired

right now. He is such an inspirational
person. I'm completely inspired. I know

he's going to do great.

Listen, I've got a bunch of people
waiting out there. I've got to go talk

them. I've got to get them dialed into
what we're doing. Okay?

Right? Right? What?

What we're doing.

Okay, yeah.

Teach me. Now, so what I want you to do.
Oh, I'm learning. That's great. We know

the routine, Carl. You're the man.

Pick out a nice out for her.

Get in the outfit.

We'll take some scripts with us. We'll
feed her some lines in the jail set, put

her on tape, send her to the executives,
and we'll have our movie.

Look, look.

We don't need Christy.

We don't need Christy. Me, me.

Christy's in Cancun.

Oh, well, I'm right here. She's drinking
margaritas. Very well. She's looking at

my imperative.

She's getting blitzed right now. She's
watching Seagulls.

Margaritaville. She's a bitch. Yeah,
she's out.

She's out.

She's a bitch.

Yes. Yes. Right? Yes. She's out because
we have you. We have me. You. Yes. You.

You. Yes. Okay. Bobby. Bobby. You pick
an outfit. You pick an outfit and I'll

back in, you know, 10. I'll put it right
on. Right? Okay.

Okay. Bye. Great. Yeah.

Yeah.

Hopefully you're not thrown off by
the... Like a... Am I going to be

like a beautiful woman or a young girl
or something? How comfortable are you

with... Can I be sexy?

Maybe lingerie.

Lingerie, that's sexy. There's going to
be some, not a lot of nudity, but some

in the movie. Okay.

Carl.

Yeah.

Looks great, doesn't it?

Stubble.

I've been bad.

First time this guy's been silent.
Probably, I don't know, the last three

I've known him. Oh, my God.

Finally, I shut him up.

Thank God he came to rescue me.

Take me out of this prison.

He's crazy his whole life.

One time I did something.

Just let me out of here.

You're amazed by the brilliance, aren't
you?

Have you chosen the scene?

Um, yeah, you did.

Twenty -three.

Remember, uh, yeah, wait, twenty -three,
uh, yeah, how about we do this, and,

uh, we read, we'll put you on camera,
and then, uh... Okay.

Okay.

Remember? Twenty -three.

She's in a jail.

So... Okay.

Take your clothes off, please.

That's... That's good.

Got gel, gel cell.

I have to put this big orange thing on?

Apparently. I'm in high security now?

Oh my gosh.

What have I done wrong?

I've been a good girl, I swear.

I'll tell you what, Carl.

Ruger.

Let's hear the reading.

What? Now I look ugly. I'm not sexy
anymore.

Zip it all the way up, too.

And button it.

Carl? Rober?

Yes? I guess, let's just read.

It's been there a long time. My
grandfather says before.

Even his grandfather.

What does it mean?

Everything. The man with the fire on his
face?

And your thoughts?

That's Mathsaw.

He knows about this.

What is the purpose of the car view?
Carl.

I love you.

Peter. I love you too.

Am I the only one that...

Do we have to keep studying the script?

No, this doesn't make any sense. I was
trying to piss him off. It didn't work.

But I'm going to get this picture made.
It's going to be great. Okay. The script

is great.

Cool. Not this, but everything will be
great. Don't worry.

Absolutely. And, you know, you're okay
with working with somebody who's a

off? Oh, yeah. That's okay. I don't
mind.

Well, that's good. No problem.

I already know him already, so.

As long as he lets me out of here. Get
over here. I know you didn't want to

read that script to me.

Sit down.

So, what do you think? What I think is,
I want to get down to the real business

that I came for.

That's what I think it's time for right
now.

See, this is what I'm really going to
try to do.

Christy, Ruger sent me over.

You know, sitting on the beach in Cancun
drinking margaritas all day got really,

really boring.

So, I've decided to do your movie.

Great.

Yeah. It's really great, isn't it?

It is. It's gonna be great.