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These are the user uploaded subtitles that are being translated: 1 00:00:44,000 --> 00:00:45,991 The directers. 2 00:00:47,000 --> 00:00:50,993 Bernardo Bertolucci 3 00:00:52,000 --> 00:00:56,000 Mike Figgis 4 00:00:56,000 --> 00:00:57,991 Jirí Menzel 5 00:01:01,000 --> 00:01:05,000 István Szabó 6 00:01:05,000 --> 00:01:08,993 Claire Denis 7 00:01:10,000 --> 00:01:14,000 Volker Schlondorff 8 00:01:14,000 --> 00:01:17,993 Michael Radford 9 00:01:19,000 --> 00:01:22,993 Jean-Luc Goddard 10 00:01:27,000 --> 00:01:31,000 That seems like the mountains. 11 00:01:31,000 --> 00:01:32,991 Cross millions of years. 12 00:01:35,000 --> 00:01:36,991 Up and down. 13 00:01:39,000 --> 00:01:43,000 Just like a water ripple. 14 00:02:03,880 --> 00:02:07,873 Ten Years Old 15 00:02:08,000 --> 00:02:09,991 The Cello 16 00:02:49,000 --> 00:02:52,993 Director:Bernardo Bertolucci 17 00:02:57,000 --> 00:02:58,991 Histoire d'eaux 18 00:03:04,000 --> 00:03:07,993 Come down, come down. 19 00:03:11,000 --> 00:03:12,991 Get damn down. 20 00:03:50,000 --> 00:03:53,000 Wait! Where are you going? 21 00:03:53,000 --> 00:03:56,993 Hey! Where are you going? 22 00:04:19,000 --> 00:04:22,000 Brue, this is my name. 23 00:04:22,000 --> 00:04:25,993 You will know me. 24 00:05:20,000 --> 00:05:23,993 I cannot believe this. 25 00:05:27,000 --> 00:05:30,993 The damn rubbish car. 26 00:05:39,000 --> 00:05:40,991 I can help you. 27 00:06:56,000 --> 00:06:57,991 Put it down. 28 00:07:13,000 --> 00:07:16,993 Want some drink? 29 00:07:21,000 --> 00:07:25,000 Really nice...good. 30 00:07:25,000 --> 00:07:29,000 Really nice...good! I can't understand your words. 31 00:07:29,000 --> 00:07:33,000 You'd better speak Italian, Italian. 32 00:07:33,000 --> 00:07:34,991 Italian? 33 00:07:43,000 --> 00:07:45,000 John Wayne. 34 00:07:45,000 --> 00:07:49,000 What? Name, I am John Wayne. 35 00:07:49,000 --> 00:07:50,991 What, me? 36 00:07:54,000 --> 00:07:55,991 Nothing. 37 00:08:02,000 --> 00:08:03,991 Follow me. 38 00:10:14,000 --> 00:10:15,000 Honey. 39 00:10:15,000 --> 00:10:19,000 Honey, my water broke. 40 00:10:19,000 --> 00:10:20,991 Did you see that? 41 00:10:51,000 --> 00:10:52,991 Come on! 42 00:12:21,000 --> 00:12:22,991 Here! 43 00:14:13,000 --> 00:14:15,000 Brue! 44 00:14:15,000 --> 00:14:18,000 I know you will come, and we have a long way to go. 45 00:14:18,000 --> 00:14:21,993 There should be some trouble on the road. 46 00:15:51,000 --> 00:15:54,993 Director: Mike Figgis 47 00:34:23,000 --> 00:34:24,991 Ten minutes 48 00:34:26,000 --> 00:34:29,993 Our lifes are not longer 49 00:37:10,000 --> 00:37:11,991 Ten minutes 50 00:38:08,000 --> 00:38:11,993 Director 4 : Istvan Szabo 51 00:38:17,000 --> 00:38:18,991 Ten Minutes After 52 00:38:22,000 --> 00:38:25,993 My grandma is buying fish in the market 53 00:38:28,000 --> 00:38:31,993 Buy fish in the market 54 00:38:33,000 --> 00:38:36,993 My grandma is buying fish in the market 55 00:38:38,000 --> 00:38:40,000 My grandma is buying fish in the market 56 00:38:40,000 --> 00:38:42,000 Fish.... 57 00:38:42,000 --> 00:38:45,000 Your grandma is buying fish in the market 58 00:38:45,000 --> 00:38:48,000 His grandma is buying fish in the market 59 00:38:48,000 --> 00:38:50,000 Her grandma is buying fish in the market 60 00:38:50,000 --> 00:38:53,000 Our grandma is buying fish in the market 61 00:38:53,000 --> 00:38:56,000 Your grandma is buying fish in the market 62 00:38:56,000 --> 00:38:59,993 Their grandma is buying fish in the market 63 00:39:12,000 --> 00:39:13,991 Cake! 64 00:39:37,000 --> 00:39:40,000 I wish my sister was here... 65 00:39:40,000 --> 00:39:42,000 I wish 66 00:39:42,000 --> 00:39:45,993 I wish my sister was here 67 00:39:48,000 --> 00:39:50,000 You wish your sister was here 68 00:39:50,000 --> 00:39:53,993 He wish his sister was here 69 00:40:06,000 --> 00:40:07,991 Coming! 70 00:40:09,000 --> 00:40:10,991 I'm coming! 71 00:40:14,000 --> 00:40:17,993 You are back. We bring him back! 72 00:40:19,000 --> 00:40:21,000 Thank you! No problem,we are leaving. 73 00:40:21,000 --> 00:40:24,993 No problem, come in. Thanks 74 00:40:27,000 --> 00:40:28,991 Darling 75 00:40:31,000 --> 00:40:32,991 Have you drunk? 76 00:40:37,000 --> 00:40:38,991 I want wine! 77 00:40:41,000 --> 00:40:43,000 Wine? 78 00:40:43,000 --> 00:40:45,000 Why you still want wine? 79 00:40:45,000 --> 00:40:46,991 Give me the wine 80 00:40:48,000 --> 00:40:52,000 Come on,darling,today is our commemoration day. 81 00:40:52,000 --> 00:40:53,991 Commemoration day? 82 00:41:00,000 --> 00:41:04,000 Wait! What's wrong with you? 83 00:41:04,000 --> 00:41:07,993 Wait! Where's the wine?Come on 84 00:41:16,000 --> 00:41:19,000 What's wrong with you? 85 00:41:19,000 --> 00:41:23,000 Don't be like this,where's the wine? 86 00:41:23,000 --> 00:41:26,000 Stop drinking,darling,today is a special day to us,isn't it? 87 00:41:26,000 --> 00:41:27,991 Where's the wine? 88 00:41:29,000 --> 00:41:33,000 Something happen to you,right? 89 00:41:33,000 --> 00:41:36,993 Tell me. Cake. 90 00:41:41,000 --> 00:41:42,991 What? 91 00:41:46,000 --> 00:41:48,000 What? Get away! 92 00:41:48,000 --> 00:41:51,993 But..... Don't touch me! 93 00:42:34,000 --> 00:42:37,993 What happen to you? 94 00:42:40,000 --> 00:42:41,991 What? 95 00:42:45,000 --> 00:42:46,991 Forget it 96 00:42:50,000 --> 00:42:52,000 Go sleep! 97 00:42:52,000 --> 00:42:53,991 How about you going to sleep? 98 00:42:55,000 --> 00:42:59,000 Take a rest. 99 00:42:59,000 --> 00:43:01,000 Sleep.... 100 00:43:01,000 --> 00:43:04,993 Then you'll feel better,right? 101 00:43:09,000 --> 00:43:12,993 Sit down. Let me help you take off the shoes, then just lie down in the bed... 102 00:43:14,000 --> 00:43:15,991 Sleep. 103 00:43:17,000 --> 00:43:18,991 Have a sweet dream 104 00:43:21,000 --> 00:43:24,000 I wanna drink. Lie down,don't move. 105 00:43:24,000 --> 00:43:28,000 No,no no! 106 00:43:28,000 --> 00:43:30,000 Lie down,don't go. Let go of me 107 00:43:30,000 --> 00:43:32,000 Gábor, have a good sleep. 108 00:43:32,000 --> 00:43:35,993 Let go of me,let go! Or I'll kill you,you hear me? 109 00:43:41,000 --> 00:43:43,000 What's wrong with you,tonight is our... 110 00:43:43,000 --> 00:43:46,000 Let go! Get out... 111 00:43:46,000 --> 00:43:50,000 What's wrong with you? Get out,don't you hear me? 112 00:43:50,000 --> 00:43:53,993 Get out,understand? Get out! 113 00:43:59,000 --> 00:44:00,991 Let go! 114 00:44:27,000 --> 00:44:29,000 What's wrong? 115 00:44:29,000 --> 00:44:32,993 Gábor,what's wrong with you? 116 00:44:43,000 --> 00:44:46,993 Hello! Please come here! There's an accident here.... 117 00:44:49,000 --> 00:44:51,000 The address is George Uptown 118 00:44:51,000 --> 00:44:55,000 Left side cells,16th mansions 119 00:44:55,000 --> 00:44:56,991 4th room,3th floor. 120 00:44:59,000 --> 00:45:01,000 Gábor Máté 121 00:45:01,000 --> 00:45:02,991 What? 122 00:45:04,000 --> 00:45:06,000 Mrs. Máté 123 00:45:06,000 --> 00:45:09,000 My husband 124 00:45:09,000 --> 00:45:12,993 Anything,anybody.... 125 00:45:20,000 --> 00:45:23,993 I don't talk about anything with anybody 126 00:45:25,000 --> 00:45:26,991 Calm down. 127 00:45:32,000 --> 00:45:35,993 You don't talk about anything with anybody... 128 00:45:42,000 --> 00:45:45,993 Are they coming? 129 00:45:49,000 --> 00:45:50,991 Gábor! 130 00:45:55,000 --> 00:45:57,000 Gábor,no...come on,over here! 131 00:45:57,000 --> 00:46:00,000 Where's the wounded people? Over here. 132 00:46:00,000 --> 00:46:03,993 Over here,come on,here. 133 00:46:05,000 --> 00:46:06,991 He won't die 134 00:46:11,000 --> 00:46:12,991 He won't die 135 00:46:16,000 --> 00:46:17,991 Come on! 136 00:46:20,000 --> 00:46:21,991 Come on! 137 00:46:23,000 --> 00:46:26,993 He won't die,right? 138 00:46:51,000 --> 00:46:54,993 Bring his coat 139 00:47:05,000 --> 00:47:06,991 He won't die 140 00:47:10,000 --> 00:47:11,991 He won't die 141 00:47:47,000 --> 00:47:50,993 Is it here? Yes. A lady stabbed her husband. 142 00:47:52,000 --> 00:47:54,000 Is it her? Yes 143 00:47:54,000 --> 00:47:58,000 Lady! Please come here! 144 00:47:58,000 --> 00:48:01,993 Is that you stabbed your husband? 145 00:48:03,000 --> 00:48:07,000 Please come with us,we need to make some notes. 146 00:48:07,000 --> 00:48:11,000 No! I've to look after my husband! 147 00:48:11,000 --> 00:48:14,993 No,no! Let go! 148 00:48:21,000 --> 00:48:23,000 The crime scene is here, right? Yes. 149 00:48:23,000 --> 00:48:24,991 Go in. 150 00:48:28,000 --> 00:48:29,991 No. 151 00:48:31,000 --> 00:48:34,993 In. NO! 152 00:48:36,000 --> 00:48:38,000 What's wrong with you? You must cooperate with us. 153 00:48:38,000 --> 00:48:41,000 Hey? Help her in. 154 00:48:41,000 --> 00:48:42,991 Go in. 155 00:48:52,000 --> 00:48:55,000 No one has ever noticed. 156 00:48:55,000 --> 00:48:55,989 Is there someone that noticed he smoked? 157 00:49:56,000 --> 00:49:59,993 Director:Claire Denis 158 00:50:04,000 --> 00:50:05,000 Facing Nancy. 159 00:50:05,000 --> 00:50:07,000 There were many times in the past. 160 00:50:07,000 --> 00:50:08,991 I wanted to come here. 161 00:50:11,000 --> 00:50:14,000 Came to France, because... 162 00:50:14,000 --> 00:50:17,993 ...it has a good impression on my heart, and I don't know. 163 00:50:21,000 --> 00:50:25,000 It's just like a love. 164 00:50:25,000 --> 00:50:28,000 Yes, I can understand. 165 00:50:28,000 --> 00:50:30,000 But to this... 166 00:50:30,000 --> 00:50:32,000 ...it is not easy... 167 00:50:32,000 --> 00:50:36,000 ...to describe within several words. 168 00:50:36,000 --> 00:50:39,993 Not the things on the surface. 169 00:50:41,000 --> 00:50:42,991 It's hard to explain. 170 00:50:44,000 --> 00:50:46,000 But now you are stepping to the hope. 171 00:50:46,000 --> 00:50:50,000 At this moment what are you thinking? 172 00:50:50,000 --> 00:50:52,000 This is very complex. 173 00:50:52,000 --> 00:50:55,993 Becasue it is pale to use the words to express that. 174 00:50:59,000 --> 00:51:02,993 Because something deposits... 175 00:51:05,000 --> 00:51:08,993 ...under the surface and it cannot be through. 176 00:51:11,000 --> 00:51:14,993 But my feeling is totally exciting. 177 00:51:16,000 --> 00:51:19,000 The excitement in the travel. 178 00:51:19,000 --> 00:51:22,993 From one place to the other. 179 00:51:24,000 --> 00:51:26,000 Though these travels make me a little tired, 180 00:51:26,000 --> 00:51:29,993 yet I have the feeling of satisfaction. 181 00:51:32,000 --> 00:51:34,000 It's the normal human feelings. 182 00:51:34,000 --> 00:51:37,000 And including the travel in the time. 183 00:51:37,000 --> 00:51:41,000 From one space to the other. 184 00:51:41,000 --> 00:51:45,000 This deed, it's just the happiness that the life journey brings. 185 00:51:45,000 --> 00:51:49,000 So you can do whatever you like. 186 00:51:49,000 --> 00:51:53,000 This is a kind of extrication of the thought. 187 00:51:53,000 --> 00:51:56,993 It's the satisfaction in the process. 188 00:51:58,000 --> 00:52:00,000 It's beyond the form of the surface. 189 00:52:00,000 --> 00:52:03,993 When you are in a strange environment, 190 00:52:06,000 --> 00:52:09,000 Can you have that kind of feelings? 191 00:52:09,000 --> 00:52:12,993 Can you feel strange? 192 00:52:14,000 --> 00:52:18,000 First, you centainly will have that feeling. 193 00:52:18,000 --> 00:52:21,993 But when the time let you enjoy yourself slowly... 194 00:52:24,000 --> 00:52:26,000 ...you will forget something. 195 00:52:26,000 --> 00:52:29,000 You won't separate yourself from that environment. 196 00:52:29,000 --> 00:52:32,993 This is your gain whenm you come to the strange place. 197 00:52:34,000 --> 00:52:38,000 And then, you will feel.. 198 00:52:38,000 --> 00:52:41,000 ...that's a "stable point". 199 00:52:41,000 --> 00:52:45,000 I know it's hard to describe that. 200 00:52:45,000 --> 00:52:47,000 But the fact is just like this. 201 00:52:47,000 --> 00:52:51,000 When you do something, the feeling of you... 202 00:52:51,000 --> 00:52:54,000 ...lies in the process. 203 00:52:54,000 --> 00:52:57,000 It's only you who can realize that. 204 00:52:57,000 --> 00:53:01,000 The other people cannot replace your feeling. 205 00:53:01,000 --> 00:53:03,000 But it truly exists and there's no need to prove that. 206 00:53:03,000 --> 00:53:06,993 You have more words on this aspect than the others. 207 00:53:10,000 --> 00:53:13,993 These words are very serious. 208 00:53:16,000 --> 00:53:20,000 How about the time-space change in the life? 209 00:53:20,000 --> 00:53:21,000 I like this feeling. 210 00:53:21,000 --> 00:53:24,993 France gives me so many feelings, and not merely France. 211 00:53:28,000 --> 00:53:31,000 Because they make me know myself. 212 00:53:31,000 --> 00:53:34,993 Anf I can choose my suitable space after that. 213 00:53:38,000 --> 00:53:41,000 I also agree with that point. 214 00:53:41,000 --> 00:53:44,000 Do you have muck ecperience? Because... 215 00:53:44,000 --> 00:53:47,000 That depends on the age, doesn't that? 216 00:53:47,000 --> 00:53:50,993 Yes, if you try to keep with one thing. 217 00:53:53,000 --> 00:53:56,993 For instance on the aspect of learning French. 218 00:53:58,000 --> 00:54:01,993 I just pratice by speaking. 219 00:54:04,000 --> 00:54:07,993 French is the one that you need the courage to express. 220 00:54:10,000 --> 00:54:14,000 You must have the courage to say it out, whether it is good or bad. 221 00:54:14,000 --> 00:54:17,993 There are many things like that, just keep trying. 222 00:54:20,000 --> 00:54:24,000 To try and you will gain much. 223 00:54:24,000 --> 00:54:27,993 This is where the interest lies. 224 00:54:29,000 --> 00:54:32,000 No matter how long you have kept trying... 225 00:54:32,000 --> 00:54:35,993 ...something is not satisfactory, and you must force yourself. 226 00:54:37,000 --> 00:54:40,993 That is different with what you said. 227 00:54:43,000 --> 00:54:46,993 That makes me sad...I don't know how to express. 228 00:54:49,000 --> 00:54:52,993 Is there any effective ways to solve that? 229 00:54:54,000 --> 00:54:57,993 Because I have some experience like that. 230 00:55:01,000 --> 00:55:03,000 Of course. 231 00:55:03,000 --> 00:55:07,000 The key to solve these things is themselves. 232 00:55:07,000 --> 00:55:10,000 What the others say is just the indirect experience. 233 00:55:10,000 --> 00:55:13,993 That is not something uncessary that I mentioned just now. 234 00:55:16,000 --> 00:55:17,991 It's connected. 235 00:55:20,000 --> 00:55:24,000 In fact it is also another way. 236 00:55:24,000 --> 00:55:28,000 Transfer between two different space. 237 00:55:28,000 --> 00:55:32,000 Even change the identity. 238 00:55:32,000 --> 00:55:36,000 To release one's own heart. 239 00:55:36,000 --> 00:55:39,993 When you are in a space, you just escape from the other. 240 00:55:41,000 --> 00:55:44,993 And it gives you time to solve that. 241 00:55:46,000 --> 00:55:49,993 Because to the space you are not connected. 242 00:55:52,000 --> 00:55:56,000 This is my thought. 243 00:55:56,000 --> 00:55:59,993 I think that would help. 244 00:56:01,000 --> 00:56:04,000 So I did this. 245 00:56:04,000 --> 00:56:08,000 One time in a space and change the time. 246 00:56:08,000 --> 00:56:11,993 You come to another space and feel good. 247 00:56:15,000 --> 00:56:18,993 The experience of life. 248 00:56:20,000 --> 00:56:23,000 I maybe understand something. 249 00:56:23,000 --> 00:56:26,000 It showed me some resonance. 250 00:56:26,000 --> 00:56:28,000 Did you have some bad time? 251 00:56:28,000 --> 00:56:32,000 Of course, and for instance. 252 00:56:32,000 --> 00:56:36,000 There are some accidents that make you wordless. 253 00:56:36,000 --> 00:56:39,000 It's a complete abnormal track. 254 00:56:39,000 --> 00:56:42,993 Sometimes you can call that abnormity. 255 00:56:45,000 --> 00:56:47,000 You have to accept that. 256 00:56:47,000 --> 00:56:50,993 Because that cannot happen only once or two times, and you cannot avoid that. 257 00:56:52,000 --> 00:56:55,993 So you must find the key and solve that. 258 00:56:57,000 --> 00:57:00,993 Especially when it was severe you must be patient. 259 00:57:04,000 --> 00:57:06,000 Of course, it is not that easy. 260 00:57:06,000 --> 00:57:09,993 I feel your words are a little theoretical. 261 00:57:11,000 --> 00:57:14,993 But the fact is just like this, and you will feel that actually. 262 00:57:16,000 --> 00:57:19,000 That's the same thing, perhaps. 263 00:57:19,000 --> 00:57:22,993 Maybe they are just my personal summary. 264 00:57:24,000 --> 00:57:27,993 That's my experience, and they truly exist. 265 00:57:29,000 --> 00:57:32,993 Though it is a little theoretical. 266 00:57:37,000 --> 00:57:40,000 I should say it is suitable, because... 267 00:57:40,000 --> 00:57:43,993 ...the experience of everyone are the same. 268 00:57:47,000 --> 00:57:50,993 This makes the communication between people lack of limits. 269 00:57:54,000 --> 00:57:57,993 The two completely different worlds always have something in common. 270 00:58:00,000 --> 00:58:03,993 Because it is necessary. 271 00:58:05,000 --> 00:58:08,993 This is necessary in large scales. 272 00:58:10,000 --> 00:58:13,993 Though it is very delicate, yet it's actual. 273 00:58:15,000 --> 00:58:18,993 Yes, you are right. And what's more... 274 00:58:20,000 --> 00:58:24,000 ...many things are beyond their imagination, right? 275 00:58:24,000 --> 00:58:27,993 Yes, for instance, acception and rejection, rejection and acception. 276 00:58:30,000 --> 00:58:34,000 Not merely the surface meaning. 277 00:58:34,000 --> 00:58:37,993 Sometimes, perhapse. 278 00:58:39,000 --> 00:58:40,991 It's just opposite. 279 00:58:44,000 --> 00:58:46,000 Or some hint. 280 00:58:46,000 --> 00:58:50,000 And there are genius in this crowd. 281 00:58:50,000 --> 00:58:54,000 There are some things that only genius can complete. 282 00:58:54,000 --> 00:58:55,991 This is correct. 283 00:58:57,000 --> 00:59:00,993 But there are some other aspects of them... 284 00:59:04,000 --> 00:59:07,993 ...under the surface. 285 00:59:09,000 --> 00:59:12,993 According to what you said strangeness has some other aspects. 286 00:59:14,000 --> 00:59:17,000 The aspect that is familiar. 287 00:59:17,000 --> 00:59:20,993 Something enthusiastic. 288 00:59:22,000 --> 00:59:25,993 We welcome you and that's the lot. 289 00:59:28,000 --> 00:59:30,000 This is true. 290 00:59:30,000 --> 00:59:32,000 But may not be completely possible. 291 00:59:32,000 --> 00:59:35,993 Because in my opinion I need something. 292 00:59:37,000 --> 00:59:41,000 Something mystic. 293 00:59:41,000 --> 00:59:45,000 This is the normal life. 294 00:59:45,000 --> 00:59:47,000 There are some curiosity there. 295 00:59:47,000 --> 00:59:50,993 So I cannot deny its strange aspect. 296 00:59:52,000 --> 00:59:56,000 Especially in such a place. 297 00:59:56,000 --> 00:59:59,000 My feeling is pretty right, OK? 298 00:59:59,000 --> 01:00:02,000 I think it no problem here. 299 01:00:02,000 --> 01:00:05,000 I also think so, no problem. 300 01:00:05,000 --> 01:00:08,000 And you can enjoy that very much. 301 01:00:08,000 --> 01:00:11,993 Yes, but that's not enough. 302 01:00:13,000 --> 01:00:16,993 I think that's a process full of familiary and strangeness. 303 01:00:19,000 --> 01:00:22,000 All is in the process. 304 01:00:22,000 --> 01:00:25,993 All kinds of flavor in the life. 305 01:00:27,000 --> 01:00:31,000 I always feel happy about that. 306 01:00:31,000 --> 01:00:34,993 What I can do is about the regulations. 307 01:00:39,000 --> 01:00:42,000 No, you won't. 308 01:00:42,000 --> 01:00:45,993 That will make you lose interest. 309 01:00:57,000 --> 01:00:59,000 Are we on the stop? 310 01:00:59,000 --> 01:01:02,993 We will get to the stop soon, the final stop? Ten miniutes later. 311 01:01:05,000 --> 01:01:09,000 Yes? What a good talk you have. 312 01:01:09,000 --> 01:01:12,993 But time can finish this, is that right? 313 01:02:03,000 --> 01:02:06,993 Director 6 : Volker Schlöndorff 314 01:12:44,000 --> 01:12:47,993 Director 7 : Michael Radford 315 01:23:50,000 --> 01:23:53,993 Director:Jean-Luc Goddard 316 01:23:57,000 --> 01:24:01,000 During the time.... 317 01:24:01,000 --> 01:24:02,000 Why light the torch? 318 01:24:02,000 --> 01:24:03,991 The noon of darkness. 319 01:24:07,000 --> 01:24:10,993 Maybe this world lacks of brightness. 320 01:24:12,000 --> 01:24:16,000 It needs the torch to light. 321 01:24:16,000 --> 01:24:19,993 Drive something away and bring something back. 322 01:24:22,000 --> 01:24:26,000 Especially facing the crowd. 323 01:24:26,000 --> 01:24:29,993 I always think it necessary. 324 01:24:36,000 --> 01:24:39,993 The last minutes... 325 01:24:41,000 --> 01:24:42,991 ...of the youth. 326 01:24:45,000 --> 01:24:48,000 Among these several guns... 327 01:24:48,000 --> 01:24:51,000 ...which one should I choose? 328 01:24:51,000 --> 01:24:54,993 I want to finish someone's life with it. 329 01:24:56,000 --> 01:24:59,000 I really don't know. 330 01:24:59,000 --> 01:25:01,000 Whether he will like this. 331 01:25:01,000 --> 01:25:02,991 I want you to choose. 332 01:25:04,000 --> 01:25:07,993 You like to die slowly or quickly? 333 01:25:09,000 --> 01:25:10,991 Come on now. 334 01:25:15,000 --> 01:25:17,000 Mom. 335 01:25:17,000 --> 01:25:21,000 He just left like that. 336 01:25:21,000 --> 01:25:22,991 Taking with everything. 337 01:25:27,000 --> 01:25:28,000 Oh, Paula, I don't know whether you're fearful. 338 01:25:28,000 --> 01:25:32,000 The courage. 339 01:25:32,000 --> 01:25:33,991 The last minutes. 340 01:25:59,000 --> 01:26:03,000 THe thought. 341 01:26:03,000 --> 01:26:04,991 The last minutes. 342 01:26:16,000 --> 01:26:19,000 "With the thought I'm happy" 343 01:26:19,000 --> 01:26:22,993 The happy thought and the happiness of thought. 344 01:26:25,000 --> 01:26:26,991 Why? 345 01:26:31,000 --> 01:26:34,993 Maybe I will betray this "happiness". 346 01:26:38,000 --> 01:26:41,000 When I betray the thought, 347 01:26:41,000 --> 01:26:44,993 I think I cannot possess this "happiness". 348 01:26:46,000 --> 01:26:50,000 Oh, so many books have been treated as the rubbish. 349 01:26:50,000 --> 01:26:53,000 Some of them... 350 01:26:53,000 --> 01:26:57,000 ...seem to be pretty new. 351 01:26:57,000 --> 01:27:00,993 Think it clearly that whether to give up all or not. 352 01:27:02,000 --> 01:27:05,993 Once you give up it will never come back again. 353 01:27:09,000 --> 01:27:12,993 Rubbish car is its end-result. 354 01:27:16,000 --> 01:27:19,993 The last minutes... 355 01:27:21,000 --> 01:27:22,991 ...of memory. 356 01:27:31,000 --> 01:27:32,991 It will never expire. 357 01:27:40,000 --> 01:27:43,000 The love. 358 01:27:43,000 --> 01:27:44,000 Tell me you won't leave. 359 01:27:44,000 --> 01:27:45,991 The last minutes. 360 01:27:48,000 --> 01:27:50,000 We will have the smile. 361 01:27:50,000 --> 01:27:54,000 OK, the past and all the past, stop now. 362 01:27:54,000 --> 01:27:57,000 This is our finale, bye. 363 01:27:57,000 --> 01:28:01,000 I always have nothing, nothing. 364 01:28:01,000 --> 01:28:05,000 Before you tell me I know I have nothing. 365 01:28:05,000 --> 01:28:09,000 But I hoe that you won't become like that. 366 01:28:09,000 --> 01:28:12,000 We cannot do this and this is our destiny. 367 01:28:12,000 --> 01:28:15,993 The silent... 368 01:28:17,000 --> 01:28:18,991 ...and the last minutes. 369 01:28:32,000 --> 01:28:35,000 They are here, aren't they? 370 01:28:35,000 --> 01:28:37,000 What's the number? 371 01:28:37,000 --> 01:28:40,993 What's the number? 372 01:28:46,000 --> 01:28:49,993 What's the number? 373 01:28:54,000 --> 01:28:57,993 They are in your hand, aren't they? 374 01:29:01,000 --> 01:29:02,991 What's the number? 375 01:29:04,000 --> 01:29:07,993 What's the number? 376 01:29:19,000 --> 01:29:22,993 The last minutes... 377 01:29:24,000 --> 01:29:25,991 ...of the story. 378 01:29:27,000 --> 01:29:30,000 We are lead upward. 379 01:29:30,000 --> 01:29:33,993 That place is full of brightness and effulgence. 380 01:29:35,000 --> 01:29:39,000 I know agian that I have the new desire. 381 01:29:39,000 --> 01:29:42,000 Something rise from my heart. 382 01:29:42,000 --> 01:29:45,993 Just like the horse that steps on the road first time. 383 01:29:49,000 --> 01:29:52,993 To be against you I will taste the bitter. 384 01:29:54,000 --> 01:29:55,991 The new way. 385 01:29:58,000 --> 01:29:59,991 Oh, death. 386 01:30:01,000 --> 01:30:02,991 She left forever. 387 01:30:10,000 --> 01:30:11,991 She left forever. 388 01:30:14,000 --> 01:30:17,993 She left forever, I know, she left alone. 389 01:30:19,000 --> 01:30:22,993 I know that someone left means he died. 390 01:30:29,000 --> 01:30:32,993 The horrible... 391 01:30:34,000 --> 01:30:35,991 and the last minutes. 392 01:30:53,000 --> 01:30:55,000 Cruety, war. 393 01:30:55,000 --> 01:30:58,993 But it's the vision we often see and the horror just lies in it. 394 01:31:00,000 --> 01:31:03,000 They seem not to shock the people. 395 01:31:03,000 --> 01:31:07,000 But they make me so shocking. 396 01:31:07,000 --> 01:31:10,993 If I can escape and reject, if I can... 397 01:31:13,000 --> 01:31:16,993 I would rather believe this is just fake. 398 01:31:19,000 --> 01:31:23,000 The last minutes... 399 01:31:23,000 --> 01:31:24,991 ...of the forever. 400 01:31:53,000 --> 01:31:54,991 Immortal. 401 01:32:02,000 --> 01:32:05,993 The last minutes... 402 01:32:07,000 --> 01:32:08,991 ...of the movie. 403 01:32:43,000 --> 01:32:44,991 The last imago. 404 01:32:48,000 --> 01:32:49,000 The last imago. 405 01:32:49,000 --> 01:32:50,991 The last imago. 406 01:32:59,000 --> 01:33:01,000 He said, dark night. 407 01:33:01,000 --> 01:33:03,000 She said, dark night. 408 01:33:03,000 --> 01:33:06,993 They said, dark night. 409 01:33:26,000 --> 01:33:29,993 The End. 27821

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