All language subtitles for My Chemical Romance - Famous Last Words [Making Of The Video]
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1
00:00:01,260 --> 00:00:06,800
Hi, we're in Downey, California,
shooting the second video off the Black
2
00:00:06,900 --> 00:00:12,360
The director is Sam Baer, and there's
fire everywhere, and this is gonna
3
00:00:12,360 --> 00:00:13,360
rip.
4
00:00:38,000 --> 00:00:39,900
That's great. Can you guys kind of play
in there?
5
00:00:42,680 --> 00:00:44,300
Do it!
6
00:00:45,080 --> 00:00:46,080
Hi, I'm Frank.
7
00:00:46,120 --> 00:00:48,460
You may know me from My Chemical
Romance. I play guitar.
8
00:00:48,720 --> 00:00:52,140
We are about to blow up a set right now
for our new video.
9
00:00:52,900 --> 00:00:55,480
Oh, wait, we don't know the name yet, so
whatever.
10
00:00:56,360 --> 00:00:57,360
For our new video.
11
00:00:58,760 --> 00:01:01,640
Basically, I don't know if you guys have
seen the Black Parade.
12
00:01:01,840 --> 00:01:02,960
We did that with...
13
00:01:03,400 --> 00:01:08,740
Sam Bayer, who is an amazing artist and
director, yells at us a lot and gets
14
00:01:08,740 --> 00:01:09,760
great performances out of us.
15
00:01:17,800 --> 00:01:18,240
We
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00:01:18,240 --> 00:01:26,800
decided
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00:01:26,800 --> 00:01:30,600
to take everything that we did for Black
Braid and burn it to the ground,
18
00:01:30,620 --> 00:01:31,620
basically.
19
00:01:32,240 --> 00:01:36,580
That is our concept for insert name
here.
20
00:01:37,200 --> 00:01:41,440
We are starting yet another video.
21
00:01:44,060 --> 00:01:49,820
Brought some stuff back from a previous
video, which is the Black Parade. And
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00:01:49,820 --> 00:01:52,260
there's a float out there and there's
fire everywhere.
23
00:01:52,820 --> 00:01:58,080
It basically was earlier, it was this
big empty, just pretty much an empty
24
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parking lot pretty much. And now...
25
00:02:00,220 --> 00:02:03,320
We were kind of gone for a little bit.
We came in and all this is going on, so
26
00:02:03,320 --> 00:02:06,420
was pretty shocked when we walked in.
27
00:02:07,320 --> 00:02:10,100
And I'm excited because there's going to
be explosions and fire.
28
00:02:11,420 --> 00:02:16,980
And they told me that they were going to
have to cover my back in some sort of
29
00:02:16,980 --> 00:02:18,400
jelly so I didn't catch on fire.
30
00:02:18,620 --> 00:02:21,600
My name is Jeremy Hayes. I'm with the
effects group, and I'm doing the
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00:02:21,600 --> 00:02:25,400
pyrotechnics on My Chemical Romance,
that there's going to be fire effects
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00:02:25,400 --> 00:02:28,920
around the float and in front of it, and
we have fireballs going off behind the
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00:02:28,920 --> 00:02:29,879
float.
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00:02:29,880 --> 00:02:33,680
while the band's performing on it, and
then eventually we'll take the band off
35
00:02:33,680 --> 00:02:36,040
the float and burn the float to the
ground.
36
00:02:37,180 --> 00:02:41,800
Mostly the concerns for tonight's
activities is actually just the wind and
37
00:02:41,800 --> 00:02:45,980
obviously keeping the band safe from the
heat that comes off the fire.
38
00:02:46,280 --> 00:02:49,180
But for the most part, we've got a good
crew here, and we're going to surround
39
00:02:49,180 --> 00:02:53,340
the set with water and CO2
extinguishers, so we should be pretty
40
00:02:53,800 --> 00:02:56,580
All right, guys, just so everyone knows
what's going on, obviously we're going
41
00:02:56,580 --> 00:02:59,080
to have the band set up in front of this
debris and rubble.
42
00:02:59,800 --> 00:03:04,060
Our pyro technicians have set up some
propane mortars in the back, and they've
43
00:03:04,060 --> 00:03:07,360
treated the wood. There's going to be
fire that's happening during this.
44
00:03:07,640 --> 00:03:11,160
In a few minutes, we're going to start
testing levels, setting fire levels and
45
00:03:11,160 --> 00:03:17,460
exposures. Myself and my guys have
control of the flame levels on the float
46
00:03:17,460 --> 00:03:18,460
stuff in the background.
47
00:03:18,520 --> 00:03:22,660
So we can raise and lower those levels
accordingly when we feel that we need
48
00:03:22,720 --> 00:03:24,360
whether for safety reasons or when
there's cut.
49
00:03:25,400 --> 00:03:29,000
There is some debris in here that we've
begun fireproofing most of that stuff.
50
00:03:29,300 --> 00:03:34,120
The concept is we're going to light
everything on fire that we just
51
00:03:34,120 --> 00:03:39,680
on. And a lot of the pieces from the set
will also be lit on fire.
52
00:03:40,420 --> 00:03:44,600
It's our first ever sort of straight
performance video.
53
00:03:45,840 --> 00:03:49,940
We've never actually just had a
performance video, so we're actually
54
00:03:49,940 --> 00:03:52,280
excited. Sam's the best at that.
55
00:03:53,450 --> 00:03:54,670
You're going to have just the
performance.
56
00:03:55,350 --> 00:03:56,510
You want that guy doing it.
57
00:03:57,150 --> 00:03:59,010
I want to try to get the video done in
about two hours.
58
00:03:59,270 --> 00:04:00,530
Okay. To be a world record.
59
00:04:01,030 --> 00:04:04,370
Great. We can get through this
beginning, and I feel like I'm covering
60
00:04:04,370 --> 00:04:08,170
when I start really burning the float.
Okay. For that last, like I'm stopping
61
00:04:08,170 --> 00:04:10,750
three and a half minutes in, so I think,
what's the song, five?
62
00:04:11,230 --> 00:04:15,670
Yeah, five. So the last minute and a
half, we'll cover later tonight when we
63
00:04:15,670 --> 00:04:17,209
really burn this float and feel
consistent.
64
00:04:17,790 --> 00:04:22,070
Hey guys, it's Sam talking. Listen,
everybody just quiet down a bit.
65
00:04:22,990 --> 00:04:26,350
Be safe. I don't want anyone to get
hurt. I think what we'll do on this next
66
00:04:26,350 --> 00:04:28,590
one, three cameras, let's burn them up.
67
00:05:01,390 --> 00:05:04,130
My name is Chuck Seeley. I work for the
City of Downey Fire Department.
68
00:05:04,530 --> 00:05:07,450
We're the agency having jurisdiction
here at Downey Studios.
69
00:05:08,510 --> 00:05:12,950
This particular music video is going to
have some special effects, specifically
70
00:05:12,950 --> 00:05:19,470
some fire techniques that's going to
involve some propane flame, some
71
00:05:19,650 --> 00:05:26,470
and actually going to have some flaming
pot deflammable liquid that will fly
72
00:05:26,470 --> 00:05:27,369
up in the air.
73
00:05:27,370 --> 00:05:29,130
It's kind of a finale out here in the
field.
74
00:05:56,150 --> 00:05:57,470
The thing that, um...
75
00:05:58,730 --> 00:06:02,110
The guys that nobody really knows about
me is I had a real problem with fire
76
00:06:02,110 --> 00:06:03,110
when I was a kid.
77
00:06:03,250 --> 00:06:06,050
I wasn't afraid of it, but I lit a lot
of things on fire and I got in a lot of
78
00:06:06,050 --> 00:06:07,050
trouble.
79
00:06:07,450 --> 00:06:13,210
I haven't ever, like, it's just this
thing to it. I stare at it for hours, so
80
00:06:13,210 --> 00:06:15,230
was right away into the idea.
81
00:06:16,250 --> 00:06:18,710
Everybody, like, they got goosebumps in
the meeting.
82
00:06:19,150 --> 00:06:22,750
You're talking to this guy, we talk
about the black braid video, and then he
83
00:06:22,750 --> 00:06:24,730
says, yeah, now we're going to light it
all on fire.
84
00:06:26,010 --> 00:06:27,730
Everybody just got goosebumps, so.
85
00:06:28,570 --> 00:06:29,690
That's when he knew it was the right
idea.
86
00:06:32,590 --> 00:06:36,410
We're shooting two videos at once. The
first song, it's called Welcome to the
87
00:06:36,410 --> 00:06:39,410
Black Parade. It encompasses the theme
of the entire record.
88
00:06:41,150 --> 00:06:47,570
It's very much the concept of the record
captured in a nutshell in one video.
89
00:06:47,790 --> 00:06:54,710
The second song, which is kind of
unnamed right now, it was written at, I
90
00:06:54,710 --> 00:07:00,380
say, the darkest period in this
band's... career which was um staying in
91
00:07:00,380 --> 00:07:07,360
haunted mansion people losing their
minds people having really giant
92
00:07:07,360 --> 00:07:13,280
problems mental issues uh in the middle
of making this album writing this album
93
00:07:13,280 --> 00:07:20,080
it was the bleakest time it was the
darkest day so this song comes from a
94
00:07:20,080 --> 00:07:24,200
pure pure place um and uh
95
00:07:25,350 --> 00:07:28,030
It's undeniably powerful because of
that, I feel.
96
00:07:29,890 --> 00:07:34,010
So, guys, let's feel on back, please. If
you're an observer of all this, you can
97
00:07:34,010 --> 00:07:36,530
go to the monitors over there. Those are
going to be up shortly.
98
00:07:36,810 --> 00:07:40,270
If you're not, just go back behind these
chairs over here just for safety,
99
00:07:40,390 --> 00:07:41,390
please.
100
00:07:43,730 --> 00:07:48,210
No, I know that I can make you stay.
101
00:07:49,390 --> 00:07:52,150
But where's your heart?
102
00:07:53,130 --> 00:07:56,170
But where's your heart?
103
00:07:56,530 --> 00:08:00,150
But where's your... No!
104
00:08:00,430 --> 00:08:07,170
There's nothing I can say to change
that!
105
00:08:39,720 --> 00:08:40,880
You know, we wrote the song.
106
00:08:42,100 --> 00:08:46,180
It was a really hard time in writing the
record.
107
00:08:46,460 --> 00:08:53,180
And it was definitely a song that came
together surprisingly fast and came
108
00:08:53,180 --> 00:08:58,940
together really well for us. And I think
we all got the shot of inspiration when
109
00:08:58,940 --> 00:09:03,380
that song came together. And it gave us
a new life, new hope.
110
00:09:04,680 --> 00:09:09,060
And it really put us back in the mindset
of making a great record.
111
00:09:09,580 --> 00:09:11,920
They play me the record. I go, I got to
do this other song.
112
00:09:12,980 --> 00:09:17,460
So I put myself out there and said, I
can do two videos in two days. And I did
113
00:09:17,460 --> 00:09:20,000
it with Green Day last year with Holiday
and Boulevard of Broken Dreams.
114
00:09:20,280 --> 00:09:25,000
And, you know, it just put, you know, I
need two or three days to do a video. So
115
00:09:25,000 --> 00:09:30,760
I'm doing two videos in two days. So,
you know, I'm going to pack it like a
116
00:10:35,240 --> 00:10:36,240
One camera.
117
00:10:36,600 --> 00:10:37,600
Slow -mo still.
118
00:10:38,180 --> 00:10:39,180
Uh -oh.
119
00:10:40,880 --> 00:10:41,880
Oh, no.
120
00:10:42,880 --> 00:10:43,880
No, no, no.
121
00:10:44,120 --> 00:10:45,120
No, I'm good.
122
00:10:45,440 --> 00:10:46,440
They're in the pocket.
123
00:10:48,120 --> 00:10:49,120
No.
124
00:10:51,440 --> 00:10:53,840
Temperature's good. Your pulses are
good. You want to go ahead and drop us
125
00:10:54,600 --> 00:10:59,080
It just popped so loud.
126
00:11:00,480 --> 00:11:01,480
I got you, Scott.
127
00:11:02,120 --> 00:11:03,120
DMT had me on.
128
00:11:04,400 --> 00:11:06,560
We're going for a third swell.
129
00:11:07,360 --> 00:11:08,980
Then we'll be able to get the boot back
on.
130
00:11:11,440 --> 00:11:15,700
I don't feel it until tomorrow,
probably.
131
00:11:16,300 --> 00:11:17,880
You got tackled, you said?
132
00:11:18,080 --> 00:11:18,759
I think so.
133
00:11:18,760 --> 00:11:19,760
I think.
134
00:11:19,960 --> 00:11:20,960
Who tackled you?
135
00:11:21,660 --> 00:11:22,720
I think it was Frank.
136
00:11:23,400 --> 00:11:26,560
He tackled me a lot, actually, back in
the day. It was like old times.
137
00:11:27,160 --> 00:11:30,120
This is a lot like old times, you know,
except the pyro.
138
00:11:43,880 --> 00:11:50,700
It's been a while since we played, and
my
139
00:11:50,700 --> 00:11:52,660
hands weren't used to it.
140
00:11:53,060 --> 00:11:59,900
Once you get into the routine of playing
every day, you kind of build
141
00:11:59,900 --> 00:12:01,180
up callus and stuff like that.
142
00:12:01,560 --> 00:12:06,720
but it's been a long time since we've
played, so they kind of went away. And
143
00:12:06,720 --> 00:12:11,100
then all of a sudden, it was like 12
hours straight of playing all day, and
144
00:12:11,100 --> 00:12:13,520
kind of shocked them a little bit. I'm
really dirty.
145
00:12:14,900 --> 00:12:18,080
I've been breathing in ashes and dirt
all day long.
146
00:12:18,860 --> 00:12:20,960
Pretty rad, like being in Jersey again.
147
00:12:21,500 --> 00:12:27,140
One of my best memories, too, of the
recording was when the song really
148
00:12:27,140 --> 00:12:29,620
have a chorus, and we all left.
149
00:12:29,950 --> 00:12:34,690
And we come back, like, I don't know,
like an hour later from being out. I
150
00:12:34,690 --> 00:12:39,430
we went to coffee. We went to get coffee
or something. We come back, and Gerard
151
00:12:39,430 --> 00:12:43,250
had done this, like, just awesome
layered chorus that was just, like, so
152
00:12:43,250 --> 00:12:47,750
inspiring. Like, the words that he's
singing and just the melody, it just
153
00:12:47,750 --> 00:12:48,750
out of nowhere, really.
154
00:12:49,070 --> 00:12:52,290
And it just ties this whole song
together. I think it ties the whole
155
00:12:52,290 --> 00:12:53,290
together.
156
00:12:54,330 --> 00:12:57,870
And, you know, hopefully it makes people
want to get out.
157
00:12:58,170 --> 00:13:02,850
you know, their car and just go live
life to the fullest. This song, I guess
158
00:13:02,850 --> 00:13:08,910
more than any other song, just reminds
us of why we get up every day and
159
00:13:08,910 --> 00:13:13,630
us that how great our lives are and how
much music means to us and how much this
160
00:13:13,630 --> 00:13:16,970
band means to us and how much each other
means to us. So that's what this song
161
00:13:16,970 --> 00:13:17,970
means to me.
162
00:13:17,990 --> 00:13:21,410
I don't want to do this stuff, you know,
unless I dig the band.
163
00:13:21,730 --> 00:13:25,090
I dig these guys, you know, it's like,
they're cool.
164
00:13:25,480 --> 00:13:26,880
I mean, it's like, he's going to love
this record.
165
00:13:27,080 --> 00:13:31,360
It's like, I felt this, you know,
they're doing something really
166
00:14:13,290 --> 00:14:14,290
We have one more take.
167
00:14:15,310 --> 00:14:19,250
It's weird. Like, we all, like, hit the
end of it, and we're just, like, in a
168
00:14:19,250 --> 00:14:23,190
shot. But we've done it a lot of times.
169
00:14:24,470 --> 00:14:25,630
Take number is this, Sam?
170
00:14:26,030 --> 00:14:27,970
What take number is this going up?
171
00:14:30,170 --> 00:14:36,490
I mean, you know, come on stop for two
and a half hours.
172
00:14:37,610 --> 00:14:38,610
Like, we're there.
173
00:14:39,030 --> 00:14:44,480
Now. We play the music real low, and
I'll talk about where I want you to hear
174
00:14:44,480 --> 00:14:46,180
it. Play the music low.
175
00:14:50,200 --> 00:14:51,200
Excited, guys?
176
00:14:52,200 --> 00:14:58,300
I think
177
00:14:58,300 --> 00:15:05,160
we should start a minute into
178
00:15:05,160 --> 00:15:06,260
the song. Okay.
179
00:15:07,180 --> 00:15:08,440
And let's give him a cue.
180
00:15:08,940 --> 00:15:09,940
3 .15 in.
181
00:15:10,300 --> 00:15:11,540
Let's burn the float.
182
00:15:19,420 --> 00:15:26,060
Nothing you can say can stop me
183
00:15:26,060 --> 00:15:27,720
going home.
184
00:15:43,850 --> 00:15:44,509
Get it on Bob.
185
00:15:44,510 --> 00:15:45,309
Get Bob.
186
00:15:45,310 --> 00:15:46,310
All right.
187
00:15:46,790 --> 00:15:48,730
Come on. Step on over here, Bob. Come
here, Bob.
188
00:15:50,890 --> 00:15:51,689
Let's get Greg.
189
00:15:51,690 --> 00:15:52,730
Get right here, Bob.
190
00:15:53,730 --> 00:15:54,090
Up with
191
00:15:54,090 --> 00:16:00,970
Bob.
192
00:16:01,230 --> 00:16:02,230
Got it.
193
00:16:36,700 --> 00:16:39,860
We just wrapped shooting for our second
video.
194
00:16:40,420 --> 00:16:42,960
We lit stuff on fire. We broke guitars.
195
00:16:43,240 --> 00:16:44,280
We broke our fingers.
196
00:16:44,620 --> 00:16:47,080
And Bob's leg. And Bob's leg. He burned
himself.
197
00:16:47,380 --> 00:16:49,060
So I hope you enjoyed it. That's a wrap.
198
00:16:56,860 --> 00:16:59,860
But where's your heart?
199
00:17:00,260 --> 00:17:03,760
But where's your heart?
200
00:17:04,200 --> 00:17:11,079
But where's your... I know there's
nothing I can
201
00:17:11,079 --> 00:17:14,819
say to change that.
202
00:17:36,400 --> 00:17:39,180
But can I speak?
203
00:19:47,020 --> 00:19:53,120
next to me with words I thought I'd
never speak awake
204
00:19:53,120 --> 00:19:59,000
and unafraid of sleep or dead
205
00:19:59,000 --> 00:20:05,840
cause I see you lying next to me with
words I thought
206
00:20:05,840 --> 00:20:11,220
I'd never speak awake and unafraid
207
00:21:14,909 --> 00:21:21,090
But can I speak with a heart
208
00:21:21,090 --> 00:21:25,670
understanding I'm incomplete
16948
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