All language subtitles for Relic Hunter S02e11 The Real Thing

And cut.

That's the print.

That's what you wanted, Frederick. Yeah.
I can give you another if there's... It

was fine, Sean. Fine.

Okay, listen, people. I want to move in
for a close -up of the open sacrifice.

And I want this right.

So tech advisor here.

Tech advisor.

I cannot work like this.

I'm right here.

Thanks for showing up. Take a look at
this. Is he holding those things right?

has to be.

Accurate. Go.

Nigel!

I'm in affair with Brad Pitt.

Nigel! It's all right. I haven't got too
well. Bye.

Sorry, I was just... Check out the
props.

Right. Checking out props.

Wrapping aged perfectly and arms are
crossed. Everything is as it should be.

The crook and flail.

Oh, the crook and flail.

And flail.

Sitting can't be.

It is, Nigel.

Something wrong?

The crook and flail, they're real.

What are you talking about?

They belong to Amun II.

I'm on the second.

He's probably the most important pharaoh
of the New Kingdom.

These are real relics from his tomb,
which, until this moment, was thought

to have been found.

The propman pulled the crockenslayer
from stock.

Stock? The prop department.

This is a big discovery.

isn't it?

Huge.

What are you thinking?

Whether to let the press have it now...
No!

I mean, I understand how important
publicity is, but I have to figure out

real relics got mixed up in props.

Besides, there might be an even bigger
story here.

Egyptian pharaonic crook and flail.

Condition excellent.

One each, no doubles.

From The Pharaoh's Revenge.

Not a film buffet.

The Pharaoh's Revenge was a classic
silent film. One of the first to shoot

location.

In Egypt.

Egypt?

Produced and directed by Sir Cyril Reid
in 1924.

How did the props get from Egypt back to
the studio?

Hold on.

After the shoot, 46 crates left the port
of Alexandria.

This is strange.

All I have on record is the receipt of
39 crates delivered back to the studio.

What happened to the other seven?

I've been here a long time, but not that
long.

You mentioned the filmmaker, Sir Cyril
Reid.

Any chance he's still around?

He died in the 70s.

Yeah, I guess anyone associated with the
film would be dead by now.

Thank you for your help. I'll return
these later.

I think his granddaughter still lives on
the family estate.

Maybe she knows something.

I don't think you realize the
predicament you've put yourself in.

You're my barrister, not my father, and
there is no predicament.

You are facing serious jail time if you
don't cover the margins which are due

next week.

I have a buyer for the estate.

This place is not worth half what you
need to come up with, my dear.

You may well be surprised.

And what does your brother have to say
about this offer?

Malcolm will do what I tell him, as will
you, Crispin.

I think it's time for you to go.

You know where the servants' entrance
is, don't you?

Malcolm, I need to see you tomorrow.

Rearrange your schedule, Malcolm.

I'll see you tomorrow at ten.

I've got to go.

Hi, my name is Sidney Fox.

Are you Jacqueline Reeves?

I'm sorry to drop in like this. The gate
was open.

I'd like to talk to you about your
grandfather.

Regarding what?

The making of his film, The Pharaoh's
Revenge.

I don't have the time. I'm not a film
buff.

I'm a professor of antiquities.

I've come across a find that I think may
somehow involve Sir Cyril.

What do you mean by find?

Do you have any knowledge of the relics
other than the Crook and Flail?

Well, I've seen the Pharaoh's Revenge a
few times, but that's about it.

Did your grandfather keep any records?

I'm sorry I can't be of help.

He was a very private person.

I don't have anything.

Any luck?

These look like directions for the soul
of the deceased to find their way to the

afterlife. Precisely. These two scepters
don't just symbolize power.

Well, they're like a map out of the
tomb.

I think if someone followed these
directions backwards, they might just

a way in to a millisecond's burial
place.

Check the flights for Egypt.

I did. There's one leaving for Cairo at
9 .30.

How did Jalegwa go?

We're going to have to go to Egypt.

Egypt? What about this thing?

Well, Frederick, think of all the
publicity you'll get if I actually find

funeral chamber.

If you just keep it under your hat until
we return, the press will be swarming

all over you. But what will I do about
the technical advisor?

Well, for what you need, my assistant's
more than capable.

You mean I get to stay here and talk to
pretty actresses and you have to go on

your hands and knees through dirty, trap
-ridden tunnels?

Her name's Claudia. She'll be arriving
in the morning.

Claudia?

Claudia? Of course.

I don't know why I didn't think... That,
uh, Claudia, does she know her stuff?

Oh, well, you have no idea.

Checking in?

Fox? Sidney Fox.

Sidney Fox.

Your room is ready. Give me one moment.

I can't believe you stuck Frederick with
Claudia.

Oh, she'll be fine. I left her my notes.

Did you remember to write them in short
sentences?

Nigel. I don't mean to be unkind, but
this is Claudia.

She's going to take one look at
Frederick and go, oh, my God.

One look at your notes and go, bloody
hell.

I don't think Claudia would say bloody
hell.

No, she wouldn't.

Great. Frederick couldn't wait for the
publicity.

We're just going to have to get moving a
little faster, that's all.

Yeah.

I've stored 3D copies of the crook and
flail.

It's almost as good as having the real
thing with us.

No way.

Claudia. The director is a tyrant.

He's not that bad. Did you get my notes?
Yeah, and they are no help.

They're not as complicated as they seem.
Just try reading them slowly and maybe

break them up into smaller sentences.

We're only going to be gone for another
day or two. You'll be fine.

I don't know.

Just go with your instincts, Claudia.

You've got good instincts.

Good luck.

She'll be fine.

Didn't say anything.

I'll get it.

It fit me full.

We've been informed that one or both of
you is in possession of an artifact

stolen from the Cairo Museum.

That's ridiculous.

We have nothing to hide.

Just where did this tip come from?

You can explain this.

What's that?

That's not art. No, it is not.

It belongs to the Egyptian people.

We were set up. You can bet on it. Once
that story was leaked to the press,

every relic hunter in the world became
our competition.

I wonder what the penalty is for
smuggling antiquities out of Egypt.

You don't want to know.

It's not working, Frederick.

It is working fine, Sean. It's working
fine. No, I can feel it.

Sean.

So, is it the dialogue? It's not the
dialogue.

There's just something that doesn't ring
true about the theme, Frederick.

Claudia!

Claudia.

You've been watching the rehearsal.

Is there anything, anything in this
scene that is not correct?

No.

Can we shoot now?

I'm sorry, Frederick. Something is still
not right.

His shirt.

What about his shirt?

We should take it off.

Pyramid tunnels were...

hot and humid and sweaty, I would have
taken his shirt off for sure.

Go with me on this one?

By the end of the scene, his hair should
be dripping wet and every

curve of his shirtless torso should be
glistening with sweat.

Yeah.

Yeah.

Okay, lose the shirt.

Let's go.

What are you doing there? You know, we
really don't have time for this sort of

thing. Sorry, but today, what are you
doing?

Nigel, get out of the car!

Now would be a good time to leave.

We're never going to get away with this.

The two of us stand out like sore
thumbs.

You know what? You're right.

When you get up, meet me in the hall.

Get up? Get up for what?

Oh, dear.

I'm on my head.

Are you all right?

Let me help you, sir.

Thank you.

Thank you.

Thank you. A thousand apologies.

Thank you very much. Appreciate it. No,
no, no, no.

Was that completely necessary?

Find something in your collar.

Find them.

I don't care what it takes.

And then I want to have a long talk with
them.

Alone.

I can't see.

Nigel, where'd you put your laptop?

It's gone.

Well, it was here the last time I used
it.

The hard copies, thank God.

We can still locate the tomb.

Let's hope the competition's not already
there.

What are we going to do with these?

Throw him over the balcony. We'll get
him later.

If you only developed as much passion
for objects with a heartbeat, you might

have emerged as somewhat interesting,
Malcolm.

Do you talk to them as you tinker? What
do you want, Jacqueline?

I've got an offer on the estate.

Look, I told you before, I don't want to
be involved in any of this. Yes, but

you already are involved, Malcolm.

Unless, of course, you decide to sell
all your cars and become a real

Crispin said it wouldn't cover the
trouble you're in.

Crispin doesn't know what he's talking
about.

And Crispin doesn't know what we know.

That's not right.

We shouldn't have kept the secret.

Well, we did keep the secret.

And we'll both die with that secret.

Now, here's the contract.

I want it signed and notarized.

You can do that on your own, can't you?

You enjoy belittling me, don't you?

Only because you're so pathetic,
Malcolm.

Do you know what would be a miracle,
Malcolm?

To witness my brother not being a
gutless wonder.

I would work up some respect for you. I
loathe you, chaplain.

I know.

Have that contract signed and notarized
and bring it back to me.

This is it. Stop.

Stop. Yes, sir.

Thank you.

Amun was to follow the Bektab.

Well, the Bektab's a tributary of the
Nile that no longer exists.

Well, this is the dry riverbed.

Amun's spirit was to ascend to the
heavens when he was between the great

at Keprin and the Jerephrae pyramid at
Abirosh.

This is definitely the right spot.

Okay, so what's next?

This is where the stick comes in.
According to the hieroglyphs, when Amun

the tomb, he placed his staff in the
ground when Ra was over his head.

And Ra's dark cousin would point the way
to where we are now.

Ra's dark cousin?

Well, Ra is the sun god.

His dark cousin must be... the shadow.

You said when Ra was over his head.

Noon.

It's four o 'clock now.

Amun's spirit was only to appear on the
summer solstice.

Considering what day it is today, when
Amun stuck his staff in the ground...

His shadow would have pointed 30 degrees
north of where ours is now, in that

direction.

And if we're following it backwards,
we're headed that way.

So, we follow the compass to that ridge.

Who do you think set us up?

Someone who knew exactly who to call to
get us arrested.

Rival relic hunter?

Well, with that picture splashed all
over the papers.

It didn't take long to find out that I
was consulting on the film. Anyone that

knows me knows that I would have headed
straight to Egypt with a clue like that.

Right there.

There are two of them.

Well, they're the only entrances for a
long way.

I'm pretty much on the compass course,
but which one do we take?

I'm not sure yet.

It is possible for me to calculate a
more precise angle.

to the exact medium between the two
monuments. The ancient Egyptians had

sophisticated ways of judging distance.

And what with Amun's father being
worshipped... That way.

How do you know that?

I just do.

You just do?

What do you mean, you just do?

It's hardly scientific.

Watch your step.

These rocks are pretty loose.

Yes. God forbid I should be injured for
when they hang us back in Luxor for

assaulting the local police.

Looks like this tunnel goes on for a
little while.

Well, I guess we made the right choice
then, huh?

I'm not that one up to instinct, eh?

Once the priesthood sealed up the main
tunnels after the burial, they must have

left this opening for the soul to
escape.

Considering back then the Bechtel was
running freely, it would have been good

cover against grave robbers.

Well, someone broke in here after that
river dried up and stole that crook and

flail. Yeah.

Nigel.

The tomb of Amon.

That door is definitely not the work of
New Kingdom tomb builders.

No.

I doubt they had welding torches back
then.

Freshly broken.

Someone got here first.

Be careful.

I don't think so.

What do you mean?

Pharaoh's got a Timex.

I wonder when the tomb was looted.

Look at this.

2 July, 1924, S .F.

Evening Star.

Reed.

What went on here in 1924?

Well, 1924 was the year that Sir Cyril
Reed shot the pharaoh's revenge.

Reed.

The S .S. Evening Star.

And who was he?

His name was Gamal Nassim.

Sidney Fox.

You don't disappoint.

You are as beautiful as I have heard.

And as good.

Your interpretation of the hieroglyphs
was quite helpful. Thank you for the

computer. And you are?

Omar Nazim.

And to answer your question, he was my
grandfather.

Your grandfather?

The famous.

Or as others might have said, the
infamous Tomb Raider of the 1920s.

I should take my inheritance.

You see, he claimed to have discovered
the tomb of Amon II, but no one believed

him. And then he disappeared,
mysteriously, in 1924.

Now I know where he's been all this
time.

And who did this to him?

Reed.

Yes, Miss Fox.

The director of The Pharaoh's Revenge.

Quite fitting.

Now, if you'll excuse me, I need to
reclaim the rest of my inheritance.

Don't make this more painful than it has
to be.

Phone! Come on!

We are ready!

Hey, Frederick, what's up?

We're working on my dialogue.

We're working on his dialogue.

I just found out I've been
mispronouncing the pharaoh's names.

We'll only be a few more minutes.

There's no way we're going to get a
signal for the cell phone down here.

too far into the cliff.

Nothing of you has been here.

Only this grave was built to last
forever. Come on.

Built?

What?

You said built.

Who built this tomb?

I've no idea.

Well, it's classic New Kingdom.

There's one... One, two, three...

Nigel. What is this? I've seen this
before.

It's a... It's the mark of Ignatius, the
tomb builder.

Right. What was his architectural
signature?

No, um, wasn't he the guy that built air
shafts above the sarcophagus in his

burial chambers?

Air shafts?

The shafts were meant for spirits to
pass through, not humans.

There's something else about the

Inex's tomb.

I just can't remember what it is. When
you figure it out, let me know.

Okey -dokey.

Where'd you go?

Sid?

Is everything all right?

A little tight.

5 ,000 years worth of dust.

Sydney, I remember what it is about the
tomb.

What is it?

Traps. Traps?

He built traps into all the entrances
and exits.

What about the airships?

I don't know.

This is not a good thing to not know.

What kind of trap?

I'm not sure.

You're not... sure?

It's been a long time, Sid. I didn't
spend a lot of time on his work.

Maybe fire?

Fire?

No. Wait, that was a ronk.

Water, maybe.

Water, like in flooding or drowning?

Yes. Yes, that's it.

No. I can't be sure.

Well, unless you'd like to add
starvation to our list of possible

think I'll keep going.

Of course.

Spike!

Sidney!

Sidney!

Space. It's all beginning to make sense
now.

It all goes back to 1924, when Pharaoh's
Revenge finished shooting.

Reed transported the props back to
London.

Now, I bet if I took another look at
that prop department invoice, it would

the vessel as the SS Evening Star.

Well, what are you saying?

Well, what if Gamal, the old Tomb
Raider, actually found Amun's funeral

like Omar said, then approached Reed
with a scheme to smuggle its contents

of Egypt?

Studio props.

That's a pretty clever way of smuggling
antiquities past Egyptian customs.

Let me guess the ending.

Reed double -crosses Gamal and seals him
in the tomb.

It's possible, isn't it? We've got to
get back to London. Give me the cell

phone.

Before we make plane reservations, need
I remind you that we're escapees wanted

by the Egyptian police who confiscated
our passports?

How do we get out of the country?

How did you get in here?

This is not a robbery, Miss Reed.

Who are you?

My name is Omar Nassim.

I came all the way from Cairo regarding
something that happened years ago.

During the filming of The Pharaoh's
Revenge.

He was quite a man.

Very impressive estate.

All this priceless British
respectability.

Your gun is making me nervous.

I know what happened in

1924.

What are you talking about?

Your grandfather double -crossed and
murdered mine over the treasure of Amun

a pharaoh of the new kingdom.

You can't be serious.

Very serious.

Misread. You see, my grandfather, Gamal,
was a tomb raider who made a deal with

your grandfather to sneak the
antiquities out of Egypt.

I'm here to discuss our inheritance.

Why should I trust you?

I don't think you have a choice.

Now, what happened?

To Armand II's treasures.

Misread.

Maybe I should show you what's in the
basement.

Let me get the keys.

There you are. I thought your plane got
in at eight.

We were delayed getting out of Cairo.

How'd it go?

Well, other than being entombed, left
for dead, and having to sneak out of the

country, everything was fine, isn't it?

How's everything going here?

Even worse. We're already in second meal
penalty. They're going to have to push

tomorrow's call, and it looks like
Sean's not even going to get his proper

turnaround.

Oh, by the way, Clyde, the prop guy,
he's been looking for you.

I got your message.

The Evening Star was the ship that
brought the props back to England.

According to the Bill of Lading, these
were among the items that went in the

same crate as the Crook and Flail.

Sidney, these are authentic as well.

So, everything, the props from the film
as well as the contents of Almond's

tomb, were all shipped back to England
on the Evening Star.

Well, what if one of those crates of
artifacts...

It was mislabeled and ended up at the
studio.

Instead of disappearing with the other
crates full of smuggled relics.

But where are they now?

You know, last time I was here,
something struck me as curious.

What?

Well, for a wealthy man who's a noted
Egyptologist, he had nothing from Egypt

display. Well, he has been dead a long
time.

Maybe it's all in storage.

Maybe his dad sold it. Anyway, why are
you so suspicious?

I don't know.

Something's just not right.

What do you mean, something's just not
right?

I have a feeling.

There's no feeling in the thing again.

Doesn't look like there's anybody home.

We're going to have to go in.

Of course we are.

Vinny, come take a look at this.

The blood leads right down the stair.

It's odd.

The Victorian architecture.

It just becomes a stone wall.

A newbie.

Finally something Egyptian.

A watcher of the dead.

And at the end of the tunnel, it seems.

You know, we should have found this in
Egypt, where the steel door was outside

the two of them in the second.

I can't believe it.

We found the lost tomb of Amun II.

But not in the Valley of the Kings, in
the English countryside.

Nigel, what do you say we open her up,
see how old Amun's holding up?

My God.

Sir Cyril.

He gave himself a pharaoh's burial.

He's been dead for 30 years. Look at
him.

It's an embalming job.

The question is, where's the real
pharaoh?

Omar must have confronted Reed's
granddaughter.

So she kills them and dumps them here.

Oh, almost killed them.

I must confess, I've never been very
good at finding a pulse.

So, uh, freeze -dried Cyril in the
basement?

Does he come with the rest of the
treasure?

Amazing, isn't it?

Ancient embalming techniques.

Much better than the most sophisticated
modern methods.

Fascinating. You are going to take
greater care when checking out, aren't

Yes, I am.

And this time I'm not going to rush with
you two.

I thought so.

Nigel, you remember Monaco?

I hope this has a point.

Nigel.

Miracles do happen, Jacqueline.

And it is notarized.

That's it. Hold it.

Jolly good. One more.

Excellent. Big smiles now.

There, that's it. One more.

One more.

That's it. Great.

Thank you very much.

Let me get this straight. We escape the
Egyptian police. We get left for dead in

a pharaoh's tomb.

We almost get shot by some deranged
woman, and they get all the credit.

Welcome to show business.

What do we get out of this?

We get our passports back.

Come on, we better go.

Wait, wait, wait, wait, wait, wait,
wait. I got to thank you for Claudia.

you so much. She's terrific. She really
knows her stuff. Thanks.

Why are those extras in the nude?

Oh, the sons of nubes, you mean.

Thanks to Claudia, we caught it in time.

They were wearing robes.

But they did wear robes.

I love this job.

Come on, we're late.

Where are you going?

We're heading off to the Reed estate. We
have to meet the emissary from the

Cairo Museum.

He's cataloging the Amun II collection.

Have they found the mummy of Amun II
yet?