Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
(Přepsáno pomocí TurboScribe.ai. Upgradovat na Neomezený pro odstranění této zprávy.) And now, if the gentlemen of the orchestra
will return to their arrangement, we want to
play on the undisputed king and queen of
Hollywood musicals, Ginger Rogers and Fred Astaire.
Play around with that a while.
Should we, Fred?
No, let him live a little.
You're right.
We're here to present the awards to the
screenwriters for the best screenplay, oh, excuse me,
Fred, based...
Oh, I am my baby.
For the best screenplay based on material from
another medium, the nominees are Bill Norton for
Alfie.
Robert Bolt, a man for all seasons.
Richard Brooks, the professionals.
William Rose, the Russians are coming, the Russians
are coming.
Ernest Niemann, Who's Afraid of Virginia Woolf?
Ginger, would you do the honors?
Thank you.
The winner is Robert Bolt for A Man
for All Seasons.
Thank you very much, ladies and gentlemen.
You really are incredibly generous to aliens.
You've been so generous to me that I
think the time has come for me to
reveal the secret to my success in this
field.
And my advice to any aspiring young writer
for the film medium is very simple.
Just make sure that you write for either
David Dean or Freddie Zinnerman.
I also got a couple of metaphorical Oscars
of my own, which I want to bestow.
One to Bill Graff, our executive producer who
brought Freddie and myself together and suggested that
we have a go at it.
And the other one to Johnny Box, who
on a pretty small budget created mock-ups
of various palaces and castles inside and out,
which was so good that I think in
common with a lot of other people, when
I first saw them on the rushes, thought
they were the real thing.
Thank you very much.
I'm very proud to have this.
For the Best Story and Screenplay written directly
for the screen, the nominations are Blow Up
Story by Michelangelo Antonioni, Screenplay by Michelangelo Antonioni,
Tonino Gura, and Edward Bond.
The Fortune Cookie, Story and Screenplay by Billy
Wilder and I.A.L. Diamond.
Cartoon, Story and Screenplay by Robert Ardrey.
A Man and a Woman, Story by Claude
Lelouch, Screenplay by Pierre Iater-Ovain and Claude
Lelouch.
The Naked Prey, Story and Screenplay by Clint
Johnston and Don Peters.
The winner, please.
Fred, you take it this time.
You always have a winner.
The winners are Claude Lelouch and Pierre Iater
-Ovain.
And a man and a woman.
Thank you
very much.
I would like to have a thought for
my co-screenwriter, Pierre Iater-Ovain, who deserves
this prize as much as I do tonight.
Thank you.
He'll be decorated by the Gaul.
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.