Original subtitles

(dramatic orchestral music)

- [Joseph] What do you dream?

- [Sarah] There's a horseman.

And the sun is setting and he's all alone

with the world on his back.

And I just want to say to him,

"Don't be afraid of what's to come.

Don't be afraid of a darkness.

That there is light.

There is light."

(pen scratching)

(dramatic orchestral music)

(intense music) (rain pattering)

(Sarah groans)

(creature growling)

(Sarah panting)

(Sarah panting)

(door creaks and clacks)

(intense music continues)

(footsteps thudding) (rain pattering)

(Sarah gasping)

(window shattering) (creature snarling)

(Sarah screaming)

(gun fires)

(Sarah yelping) (creature shrieking)

(windshield shattering)

(Sarah gasping) (creature snarling)

(spike whooshes) (flesh squelching)

(creature humming)

(reel rattling)

(creature snarling) (reel rattling)

(blades clicking) (creature shrieking)

(body bangs) (Sarah gasping)

(creature shrieking)

(body slams)

(Sarah gasps)

- Get up!

(creature snarling)

(Sarah groans)

(hammer clicks)

(creature snarling) (gun firing)

(intense music)

(creature snarls)

(gun fires)

(gun clacks)

(gun fires)

(Sarah breathes heavily)

Are you hurt?

- I'm okay.

- You're hurt.

- I, uh...

I must've hit my head, but I'll, I'll live.

(gun firing)

(hammer clicks) (wind howling)

(soft dramatic music)

- Wait here.

- I don't have to listen to you.

I don't know you.

- I just saved your life.

Do me a favor and wait here.

(thunder rumbling)

- Who are you?

- Do you know, if I have to count all the times

that I saved your life or you saved my life...

(men chattering)

(intense music)

(men chattering)

Thanks for everything.

(men chattering)

(rain pattering) (soft dramatic music)

Let's go. We need to get moving.

- We?

- Yes, we.

If you wanna make it out there on your own,

be my guest.

But if I was the one with the foggy memory,

I'd want some company .

Just in case.

(thunder rumbling) (wind whistling)

- He's not coming with us?

- He's looking for the other men in this squad.

- Are we at war?

- Here, take this.

We need to get moving.

We have a long way to go.

And we don't want to be traveling at night.

(thunder rumbling) (rain pattering)

(soft dramatic music)

(insects chirping)

(suspenseful music)

(insects chirping)

(floor creaking)

(sighs) This will have to do.

They got lights,

which means they might have power.

I'll look around. See if I can't find a generator.

(wood creaking)

I know. I know.

Look, I'm sorry. Okay?

(dramatic music)

Just a little longer.

- What?

- Nothing. Stay here.

- The least you could do is tell me your name.

(floor and door creaking)

(footsteps thudding) (suspenseful music)

(insects chirping)

(birds cooing)

(wings flapping)

(floor creaking)

(barn creaking)

(generator part squeaking)

(generator part clattering)

(suspenseful music)

(insects chirping)

(Joseph sighs)

(generator part clattering)

(intense music) (Joseph groans)

- (exhales creepily) Joseph.

Don't look here.

(insects chirping)

(Joseph sighing)

(generator rumbling)

(Sarah screams)

- What happened?

(soft dramatic music)

Don't worry. They're not gonna hurt you.

- [Sarah] What do you think happened to them?

- Whatever happened, it happened a long time ago.

You want me to move them? (flies buzzing)

- Please.

(crickets chirping)

(Joseph grunting)

- I'll bury your wife,

but your work's not done yet.

You can thank me for her proper burial

(shovel scraping) by serving as a warning.

You stand watch over her and us.

Show the monsters outside

that there are monsters inside.

(soft dramatic music)

(crickets chirping)

(thunder rumbling)

(generator rumbling)

Generator should last us through the night.

I'll stand watch.

- How did she know?

- Know what?

- That my memory was foggy.

- I never- - No, when you found me,

you said that if you were the one with the foggy memory,

that you'd want some company.

How did you know?

- You hurt your head. I assumed.

- That's a hell of an assumption to make

based on a little blood.

- You'll need to learn to ration.

We don't have much left.

- Oh, I'm sorry. If I'd have know, I would have-

- It's okay, you needed it.

Goodnight.

(soft dramatic music)

- Can I ask you something about what happened?

I can't remember before you found me,

but I know deep down it was different.

Tell me, the world, how did the world end?

- It didn't. It just changed.

Like everything, things change

and you have to change with them,

Adjust, carry on.

Make the decisions that keep you going.

No matter how difficult those decisions may be.

- "Though wise men at their end know dark is right,

because their words had forked no lightning,

they do not go gentle into that good night."

(soft dramatic music continues)

I think I was a teacher.

- Try to sleep.

Maybe you'll remember more tomorrow.

- I think he remember.

My name, my name is Sarah.

- Goodnight, Sarah.

(crickets chirping)

(generator rumbling)

(ominous music)

(floor creaking)

You can come out now.

She's asleep.

(creepy breathing)

- [Caitlin] Well, it's about time.

What about you? How bad are you?

- Not too bad.

I think one of your stitches came undone.

- [Caitlin] Oh, and that's my fault?

Didn't I see you jumping off a school bus?

Fucking ballsy, boss.

- Watch your language. - I'm just shocked.

Half my time is usually spent patching you up.

Waste of time if you keep taking stupid risks.

- You don't have to be so mean about it.

- [Caitlin] And you don't have to be a little bitch

about hearing some constructive criticism.

You weren't the one stuck in a bag

the whole goddamn day. - I know.

But things happen fast. I had to make a call.

- What call? We're partners, remember?

We take care of each other. That's how it's always been.

- [Joseph] But I found her, see?

I found Sarah. - I don't believe it.

After all this time, now you find her? How?

Come on boss, you gotta tell me.

(intense music)

What the you fuck are you looking at?

(Sarah screams)

Whoa, whoa, whoa. Where do you think you're going?

She's it, boss.

If she starts screaming,

she's gonna give away our location

and then the monsters will come.

She's dangerous. I can sew her mouth shut, if you want.

(Sarah gasping)

- Sarah.

(Sarah gasping)

- Where do you think you're going, lady?

- Let me go! - I can smell it on you.

The food. You have food, don't you?

(Sarah gasping) I will find it on you.

I promise.

- Please! - Please?

No, no, no. No, pleases.

I'm gonna eat your face

after I carve you up into-

(Sarah screams) - Let her go.

- Oh, whoa, whoa, whoa, whoa.

Don't you go sneaking up behind Tommy like that, bad.

Bad things will happen.

- That woman means a lot to me.

- She smells like raspberries.

- Let her go.

(suspenseful music)

- She means a lot to you. (gun fires)

(Sarah screams) (body thuds)

(crows cawing)

- Yeah, she does.

(Sarah sighs)

Come on. Let's get back inside.

(soft dramatic music)

You don't trust me.

- How can I trust you?

- In this world,

you gotta choose to trust someone.

Take it.

I trust you.

(ominous music)

- Did I miss anything? Come on, boss.

Fill me in.

Was it another monster? Ugh!

I knew she was trouble! - Shut up, Caitlin.

- First she eats all our food,

who knows that else she's capable of?

(hammer clicks)

Oh, good. The crazy woman has her gun.

(suspenseful music)

- I want some answers.

- Okay.

- Why did you tell him I was so important to you?

What am I to you?

- (sighs) Everything.

You're everything to me. - I don't know you.

I've never met you before today.

- That's not entirely true.

- What are you talking about?

Tell me what's going on!

- She's freaking out again, boss.

- And what the hell is she?

- The name's Caitlin.

And I've been Joseph's friend here

for a lot longer than you have.

- Give her some time, Caitlin.

- I'm just saying, she should drop the whole bitch attitude.

- The doll, she called you Joseph.

- Yes.

- That's your name?

- God, J, is the bitch deaf and stupid?

- Caitlin! - I'll be quiet.

(soft dramatic music)

- I knew a Joseph.

Meant a lot to me. I know that.

- He was your husband.

- Yes, eh, no. He...

He is my husband.

- Do you remember your house?

- I remember.

- [Joseph] Do you remember the rain?

- [Sarah] Yes.

- Do you remember your husband?

- I...

(dramatic music)

You.

- Do you remember me?

- I do.

Joseph.

- I found you, baby. - Joseph!

(dramatic music)

I remember you.

I remember our life together.

I remember our lives.

I remember.

(somber music) Oh, my...

I died?

- Yes, you did.

(Sarah gasping)

- Joseph, where are we?

(ominous music)

(crickets chirping)

Tell me how I died.

You know, help me remember.

Please, Joseph.

- You had cancer.

(soft dramatic music)

The treatments weren't working.

You were leaving me and I couldn't stop you.

I remember it like it was yesterday.

Hey.

You're so beautiful.

- Do you think Margaret will join me

for cards later today?

I really do miss her laugh.

- Margaret?

- Yes, she's my friend. You know that.

Don't tell me you've forgotten.

- I haven't forgotten about Margaret.

(somber music)

I watched as the nightmares took over.

- Joseph.

- I'm right here, baby.

- You need to save me, Joseph.

Don't leave me like this.

- Sarah...

- Save me, Joseph.

Promise me that you'll save me.

- I promise.

- Promise?

- I promise.

(Sarah breathes uneasily)

It's okay, Sarah. It's okay.

(sniffs) I'm here. Here.

(Sarah gasps)

Okay?

- (gasps) Okay.

- You died the next morning.

(dramatic music)

Don't leave me.

(Joseph cries)

And everything that made sense to me

about the world died with you.

- [Sarah] What about you?

How did you die?

- Alone.

(dramatic music)

- [Sarah] These symbols we have.

What are they? - They helped me find you.

Bound us together forever.

(Sarah moans)

- Never let me go.

(rain pattering)

(thunder rumbling)

(intense music)

(Joseph gasping)

(Joseph gasping)

- Sarah?

(defibrillator thuds)

(Joseph breathes heavily)

Go ahead, Joseph. Just breathe.

Deep breaths. Good.

(Joseph breathes heavily)

(ominous music)

(soft dramatic music)

Good, Joseph, good.

(Joseph breathes heavily)

Good.

Welcome back to the land of the living.

(Joseph groaning)

- Oh. - Easy, easy.

Drink.

Glad you're back, Joseph.

Once you're recuperated, we can talk all about it.

(camera beeps)

(Joseph sighs)

- I found her, Ray.

(soft dramatic music)

Sarah. I found her.

(Ray chuckles)

(traffic whirring)

Come on. (sighs) (cat meows)

- You should eat.

- Not hungry.

- Still gotta eat.

- It's weird, Ray. (cat meows)

It's like time has no meaning there.

Even though she died five years ago, when I found her,

it's like she was new to the world.

- You'd mentioned time anomalies before, but why now?

Where was Sarah before? What's bringing you together now?

- Maybe I misread the translation and the tattoos

limit the spiritual coupling to space.

Not like I'm complaining.

And it would make for an interesting chapter of your book.

(Ray chuckles)

- Do you know where you guys are on the map?

- Yeah.

As far as I can tell, here.

- But means that you were heading...

- Northeast. To the ocean.

- And that is gonna take you precariously close

to Hat Territory.

- It's the only way across.

And the safest place I've found for us.

- For her. Safest place for her, you mean.

- Yeah, that's what I said.

- If you hug the forest line, you might be able

to slip by without getting noticed.

- That's what I'm thinking.

- Okay. You should get some rest.

- There's something else.

The Grey Lady, she made contact again.

- The Grey Lady?

What happened? - She scared the shit

out of me is what happened.

- That's four sightings out of the last five trips down.

You think she's got a lock on you?

- Not sure, but...

- What are you not telling me, Joseph?

- She kind of threw me. - You mean she physically

affected you? - She threw me

across the room.

(Ray sighs)

- Grey Lady's just always been a nuisance.

A boogeyman, but if you're telling me

that she's becoming more..

This is too dangerous. Joseph.

- Too dangerous, Ray?

I've died once a week for the past year.

You've administered the Last Rites to me, what? 50 times?

- I know what I've done.

- I found her, Ray.

That's all that matters.

- And the risk?

(soft dramatic music)

- I made a promise.

(door closes)

(pen scratching)

(boxing gloves thumping)

(Joseph grunting)

- So, have you told her yet?

- Told her what? (gloves thumping)

- Big secret. - She knows she's dead.

She's gotten over the shock. She's dealing with it.

(gloves thumping) (Joseph grunting)

- So you haven't told her the whole truth then.

- Never came up.

(Ray scoffs)

(sighs) I didn't think it mattered.

- So it doesn't matter that you're not actually dead?

Do you think Sarah would want that for you?

That she'd let you keep doing this to yourself?

- It's not her choice.

And it's not yours either.

I'm going dark again tonight.

(gloves thumping) Huh!

(soft dramatic music)

- [Woman] What are you looking for, stranger?

What do you want here?

- [Joseph] I wanna help.

There's so much I can do here.

(bag crinkling)

- You think you can help what is going on here?

Is that what you think?

(laughs) Why are you here?

And do not lie again.

- Like I said, I just wanna-

- No! Lies.

Lies again.

I've seen you.

Our children are dying.

And you watch.

You watch them go.

May I ask, when you watch them go,

what do you see?

- Nothing.

- Were you expecting to see anything else?

- I don't know.

I'm not sure.

- You are wounded, my friend.

(soft dramatic music)

Your eyes betray the strength you want

with that weakness that you are.

You have come to seek my help?

Do not lie.

- Yes.

- You seek the answer to a question better left unasked.

You seek death.

(intense music)

- Yes.

(liquid trickling)

(granules pattering)

(mortar scraping)

- Drink.

- What is this?

- The answer to your question.

Drink.

Your search has only one possible ending.

You know this. Correct?

(intense music)

(Joseph groans)

- (breathes heavily) What did you give me?

- A taste of what you wanted.

A taste of death.

(Joseph groaning)

So?

- I want some more.

(suspenseful music)

This is Joseph Morgan, Project: Per Chance to Dream.

I'm doing this on my own accord,

of my own free will, without coercion or force.

Should something happen, a copy of my updated

will and testament is being held

at the law offices of Parks and Veil Associates.

- Are you ready?

- Always.

(dramatic music)

(Joseph inhales)

Thank you.

- Just come back. Again.

(dramatic music)

(liquid dripping)

"For I have said, Mercy shall be built up forever.

Thy faithfulness shalt thou establish in the very heavens.

I have made a covenant with my chosen,

and I have sworn unto David my servant.

I command thee into the arms of our Lord of earth,

preserver of all mercy and reality.

Father, creator, we give him glory,

as we give you into his arms an everlasting peace,

to the edge of eternity

to the answer of reality of God the Father, Creator."

Amen.

Amen.

(dramatic music)

(insects and birds chirping)

(soft guitar music)

(water trickling)

(soft dramatic music)

(bag crinkling)

- You can't talk me out of it, Joe. I'm leaving.

It's time to make my own way.

Have my own adventures.

Do you remember the valley? That was a lot of fun.

- Fun?

I think you and I remember the valley very differently.

- Maybe, but the valley was where I met you.

Remember, you're close to Hat Territory.

Don't fire your gun or they'll hear you.

And make sure you have shelter before nightfall.

It's not safe here at night.

And that's that.

Go. Get out of here.

- I wouldn't have found Sarah without your help.

I'm indebted.

- There is one thing.

I want you to find my parents.

(soft dramatic music)

(thunder rumbling)

- I never got the chance to ask you about her.

What was she?

- She was a friend.

(dramatic music)

(ominous music)

(flies buzzing)

(crows cawing)

(bones clink)

(suspenseful music)

- Joseph?

(intense music)

(indistinct chattering)

- Nobody even has to know we were here.

(man laughing)

(object whacking)

Hey, Joseph. - Please, just take it!

- Life is all about choices.

(foot whacks) - Oh, no, please!

- We can't just do nothing.

- Those men are bad men. - Oh no, no!

If they find us, they will take us to the Hat,

whose territory we're currently trespassing.

And trust me when I say

that you do not want that.

- No, please! Please!

(foot whacks) (girl screams)

(intense music)

- (sighs) Stay down and stay quiet.

- Okay.

- And you made a bad choice to go in the Hat's property.

(men laughing) - No!

- Let him go.

(intense music)

- Hey, you!

Get over here!

You, stay with them. I'll follow him.

(suspenseful music)

(birds chirping)

(gun fires)

- He's coming for you.

- Shut up, kid! - She's right.

(gun fires) (body thuds)

Don't scream.

Take your family and get out of here.

- Thank, thank you. - Quiet.

Just go. - Thank you.

- Go.

(intense music) (gun fires)

(body thuds)

- There was one more.

- I think we made a terrible mistake.

We shouldn't have gotten involved.

- Joseph, I just saved your life.

- Pray it isn't temporary.

(intense music)

- So what do we have here, Morgan?

(fire crackling) (crickets chirping)

(soft piano music)

He had some food, some tools, not much.

He was carrying some kind of spear gun.

And this.

- [The Hat] Hmm.

- Let me know as soon as they turn up

or you find 'em.

You, uh, wouldn't happen to know anything

about my missing patrol, now would you?

(door opens) (soft piano music)

- The Hat will see you now.

- Joseph, so nice to see you again.

Oh, and you brought a friend.

What's your name? - Sarah.

- It's a pleasure, Sarah.

Are you hungry?

What's mine is yours. Hmm.

- Thank you.

(liquid pours) - Joseph, sit.

Eat, drink.

The food isn't poisoned, you know.

Paranoid as ever.

If there's one thing about you, Joseph, you're consistent.

(chuckles) Quite an appetite.

It looks like my men found you just in time.

When did you last eat? - Couple days.

- So, what brings you to my territories?

- Just passing through. - Really?

Where to?

(soft piano music)

Oh. It's a secret.

I like secrets.

That's why I like you. (door opens)

So dark and mysterious.

(footsteps tapping)

Okay. Thank you, Bryl.

You really should try this meat, Joseph.

So tender, perfectly cooked, (door closes)

worth dying for. - I'm fine.

- We haven't talked about your tribute as of yet.

I get anything I want here.

I routinely have and do.

- I ask you to not make me do what I will

if you make that request.

- Are you trying to intimidate me? Is that a threat?

- Not a threat.

- I can see you like her. (chuckles)

I rescind my request.

Tomorrow, you will leave here.

You will not come back.

Good night.

Pleasure.

(tense music)

- You could have been nicer to him.

(fire crackling)

He did let us stay the night.

He's a little eccentric, but...

- Don't mistake his charisma for compassionate.

We're not safe here.

He took our weapons, our supplies.

We're defenseless.

- We've been traveling for days.

We finally have a decent bed.

Is it too much to ask for one night with my husband?

(soft music)

(pencil scraping)

(ominous music)

(intense music)

(Joseph screaming)

- Joseph!

My God, what are you doing?

Dear Lord.

(Joseph grunting)

Joseph! Joseph, it's me!

It's the amphetamine, Joseph!

- Ray?

(Ray breathes heavily)

Ray, what's happening to me?

(Ray breathes heavily)

- Stop the bleeding.

You'll have a scar, but you'll live.

(Ray sighing)

So, what were you thinking?

Joseph?

- I don't remember doing it.

- You don't remember taking a knife to your face?

You're lucky you didn't lose your eye.

- It was the knife I used to carve the markings into Sarah.

- (sighs) I'm worried, Joseph,

This isn't right. You can't keep doing this to yourself.

It's affecting you too much and you're not in control.

- I know it appears as- - Appears?

Joseph, you tried to kill me.

- I'm sorry.

I don't know what happened.

- (sighs) Look, I know you don't wanna hear this right now,

but even you said it before.

What if it's all inside your head?

When you go dark, you're someplace between life and death.

What if your brain is filling in all the blanks?

- After everything you've seen.

- Heard from you.

- Yes, from me.

(soft dramatic music)

We're in this together.

- Joseph, how do you know it's real?

- It's real.

(door opens)

- Yes?

- I'm looking for a Mrs. Bennett.

- I'm Mrs. Bennett.

- What if you're wrong? If we are wrong?

- What's this about? - Mr. Bennett,

you don't know me, and this is all gonna sound

a little weird, but does the name Caitlin

mean anything to you?

(soft dramatic music)

Well, anyhow, I just wanted to tell you

that Caitlin says she's okay.

She wanted you both to know that.

- How...

- I don't know who you are or what you're doing here.

It's taken this long for us to come to terms with the fact

that we're not having children.

And now you show up. - I didn't-

- We were going to name her Caitlin.

How could you possibly know that?

- Get off my property before I call the police.

- Yeah.

Do you believe in angels, Mrs. Bennett?

Well your daughter, Caitlin, she's my angel.

(soft dramatic music)

- Let's go inside, sweetie.

- "He took with him Peter, James, and John

and began to be distressed and agitated,

and he said to them, 'I am deeply grieved even to death,

(door opens) remain here and keep awake.'

He came and found them sleeping.

'Simon, are you asleep?', he said.

'Keep awake, and pray that you may not come

into the time of trial.

The spirit is indeed willing, but the flesh is weak.'

The Gospel of the Lord."

(soft dramatic music)

In the shadows of the Garden, we find a place

of unfulfilled dreams, of broken promises.

Faced with what he knows will be a horrific death,

Jesus asks his apostles the simplest of all tasks:

to simply stay awake.

Not to help him fight, not to help him escape,

but to simply stay awake and keep him company

in his last moments.

It is so easy to wage war on behalf of something,

on behalf of an ideal,

but to simply stand guard and witness an end...

Sometimes faithfulness fails,

sometimes the night's cries are far too soothing to some,

that their embrace fades away all commitment

and that all the best intentions are lost

in a blanket of fear and tiredness.

Stay awake.

That's all he asks of us.

Stay awake, and stand watch.

(dramatic music)

(Ray sighs)

Do what you have to, make your peace,

'cause after tonight, there's no more going back.

(Joseph breathes heavily)

This is the last. - Thank you.

- I'm serious, Joe. - I know.

- "We give him glory as we give you into his arms

everlasting peace.

To make him bear to return into the depths of reality,

God the Father, pray for us."

Amen.

Amen.

Amen.

(intense music)

- I'm so afraid.

- Hello, Joe.

(door opens)

(Sarah gasp)

- Get her dressed the way he likes it.

There's gonna be a show tonight at the pit.

(door closes)

- Are you okay? - Yeah.

- Well, what do we have here?

(dramatic music)

What's your name?

- Sarah.

(woman clicks tongue)

- It's okay. We'll be gentle.

- My husband. They took him.

- Your husband's gone.

Honey, no one leaves the pit.

- It'll be okay.

You're with us now.

- The Hat has claimed you. (water dripping)

Like us, you're his now.

(ominous music)

(crowd cheering) (horn wailing)

(dogs growling and snarling)

(dog whining) - Woo, woo, woo!

Woo, woo, woo, woo, woo, woo!

(chains jangling) (crowd cheering)

(chains jangling)

(Joseph gasps) (intense music)

(Sarah gasps)

(crowd cheering and chanting)

- What's the matter, Angel?

I thought you enjoyed watching them squirm.

(crowd cheering)

You're, uh, not thinking about leaving now.

(dramatic music)

- What do you think, Joe?

I've changed her style.

Something I can really get behind.

- Let her go! - You may have noticed

I let you have your armor back.

I'm not a heartless monster. Oh, no.

But you're about to meet one.

(crowd cheering) (intense music)

Armageddon has arrived!

(intense music)

(crowd chanting)

(creature snarling)

(footsteps thumping)

(creature snarling)

(creature growling)

(crowd cheering) (intense music)

(Joseph screaming)

(arm whacks)

(Joseph groaning)

(creature snarling)

(Joseph screaming) (body slams)

(creature snarling)

(metal clanks) (Joseph groans)

(intense music)

(creature snarling) (sword stabbing)

(creature growling)

(wire snaps)

(creature growling and shrieking)

(Joseph screaming) (sword stabbing)

(intense music)

Well that was fucking impressive.

You fought well. I'll give you that.

But here's the rub, you crossed me.

You challenged me.

And these people, they need to know the rules.

The rules don't change.

The rules don't change. Never.

(knife scrapes) There's no crossing

The Hat!

- No!

- No?

She says no.

What says you?

(intense music)

I have my answer. Sorry, doll face.

(knife stabs) (Joseph groans)

It is done.

You don't have anything to worry about anymore, Joe.

Your woman friend, I'll take care of her.

(dramatic music) (crowd cheering)

You can count on that.

(metal rattling)

- Let me outta here!

(chains jangling) - Oh, oh, darling,

don't do that.

You'll hurt yourself.

And there's plenty of time for hurt later.

(intense music)

(fists pounding)

- Sarah!

(horn blaring)

(crowd cheers) (crickets chirping)

(Joseph breathes heavily) (dirt pattering)

(coffin creaking)

(Joseph groaning)

(Joseph screaming) (dirt pattering)

(coffin creaking)

Hey!

(dirt pattering)

Let me out!

Sarah!

Let me out! (dirt pattering)

(intense music)

(gasping) No.

(Joseph gasping)

I'm sorry.

I'm sorry.

(Joseph gasping)

- Joseph!

Joseph, it's okay. You're back.

Just snap out of it. - Sent me back.

I have to go back. - Joseph, just calm down.

- Send me back! (breathes heavily)

- It's okay, Joseph. I've got you.

I'm just gonna give you a mild sedative to calm you down.

(Joseph breathes heavily)

(soft dramatic music)

Just relax. You're safe now.

(receiver clacks)

(rotary clattering)

(Ray sighs)

Yes.

I don't think I'll be able to handle him by myself.

Thank you, Jim.

(receiver clacks)

(Joseph breathes heavily)

(fire crackling)

(chain jangling) (Sarah grunting)

(The Hat sighs)

(lever rattling)

(record skipping) - You should be

terrified right now, but you're not.

(soft piano music)

What's your dirty little secret?

- We're already dead.

- That's it?

Oh, that's really disappointing.

I've known that little truth for a long, long time.

(indistinct singing)

Knowledge is power.

That important piece of knowledge

will make me a king among men.

You can give yourself freely to me.

I could make you my queen.

We could together rule

wherever the hell it is we are.

(chain jangling)

Have it your way.

Eternity can be a long time.

(ominous music)

(chains jangling)

(objects rustling)

- What are you doing? - There.

I can make it to one of my weapons caches, load up,

prepare an all out assault on The Hat's lair.

Get her back. - Joe.

- She needs me, Ray. I have to go back.

- You can't.

- I'll do it without your help.

- You can't, Joe.

Not this time.

- Why?

What did you do, Ray?

- You're destroying yourself, Joseph.

I did what I had to.

- Where did you put it, Ray?

Where did you put it?

Do you know what you've done?

- I'm saving a life.

I had your formula analyzed.

You're ingesting a drug called scopolamine.

- How dare you? - Better known

as Devil's Breath.

Scopolamine is known to cause hallucinations, memory loss.

And it's part of the compound that you're taking.

You're not well, Joseph, you're sick.

And I wanna help you.

- I'm sorry that you feel that way,

but Sarah needs me

and I will not let her down.

- What are you doing?

Joseph, I've already called my friends at the hospital.

They'll be here any minute.

Look, we're gonna get you help.

All of us, together.

(intense music)

- You think I'm insane. Is that it?

- No, but, but I think you're not well.

(bullets clicking) And I should have been

a better friend.

- You helped me.

- I shouldn't have.

- It doesn't matter anyway.

All you've done is prevented me from coming back.

- Joseph.

- Not from dying. (barrel clicks)

- No, no! Wait, wait!

How do you know you'll go back to the same place?

If you take your own life in this manner,

you might end up somewhere different.

Wherever it is you go, where you've been,

there's a process, but this?

- This, this is a leap of faith.

(hammer clicks) - No!

(intense music)

(gun fires)

Ray.

(dramatic music)

No, no, no, no.

Ray.

(intense music)

- Drop the gun. Now!

- You don't have to do this.

(gun firing)

(dramatic vocalizing)

(soft dramatic music)

(indistinct chattering)

(machinery beeping)

- You're so beautiful.

- Do you think Margaret will join me for cards later today?

I really do miss her laugh.

- Margaret?

- Yes, she's my friend. You know that.

Don't tell me you've forgotten.

- No, I haven't forgotten.

(machinery beeping)

(Sarah breathes uneasily) (dramatic music)

- Joseph.

You need to save me, Joseph.

- Sarah?

- Do it. Save me.

Save me, Joseph.

Promise me that you're going to save me.

- I promise.

- Promise?

- I promise.

(Sarah breathes uneasily) (dramatic music)

It's okay. It's okay.

(sniffs) I'm here.

I'm here.

Okay?

I promise.

(Joseph breathes heavily)

(Joseph grunting) (coffin creaking)

(intense music)

- [Grey Lady] Joseph.

- What do you want?

- You need me.

- I need to get outta here.

- You're too weak.

You need my help.

- Do it.

Do it!

(intense music) (Grey Lady breathes heavily)

(Joseph gasping)

(insects chirping) (leaves pattering)

(soft dramatic music)

(Joseph grunting)

- Well look who finally decided to show up.

What took you so long?

I've been waiting here for a fucking hour.

- The ground is heavier than I thought.

- Leave you alone for five minutes. I swear to God.

- You came back for me.

- Don't be stupid. Joseph. I never left.

(Joseph grunting)

(dramatic music) (fire crackling)

- It gets easier as time goes on.

(soft dramatic music)

(tools clattering)

(scissors click)

- That's it. It's ready.

- Good. My foot was starting to fall asleep.

Hey Joe, be honest.

Does this ball make me look fat?

- You don't have to do this.

You know that, right?

- I see you the way you look at her.

I want someone to look at me that way one day.

And besides, you said energy can't be destroyed, right?

It just finds another place to exist.

Name another spark plug you know like me.

- You're one of a kind, Caitlin.

(gun clacks) - Damn right.

- Caitlin, thank you for everything.

- Just like you, I never had a choice

because I love you.

Always have.

(soft dramatic music)

Enough of this pussy shit.

Let's get your wife back.

(suspenseful music)

Yo, dipshit.

Honestly, over here.

Bang.

(gun fires)

(intense music)

- The shots came from here! - Over here, over here!

- Yeah, yeah, keep moving here!

Over here!

(guns firing)

(guns firing)

(intense music)

(guns firing)

(guns firing)

(men groaning)

(guns firing) (man groaning)

(intense music)

(gun clacks)

(foot whacks)

(elbow thuds)

(gun firing)

(barrel clicking)

(magazine clicks)

(suspenseful music)

(guns firing) (man groaning)

(guns firing)

(trigger clicks)

(knife scrapes)

(man screaming)

(knives clinking)

(fist whacking) (man groaning)

(arm cracking) (knife stabs)

(flesh tearing)

(flesh squelching)

(man groans)

(knife clacks)

(man groaning)

(suspenseful music)

(man groaning)

(pump clicks)

(gun fires)

(man grunts) (fist whacks)

(Joseph groaning)

(foot thuds)

(heads whack)

(Joseph groaning) (wood shattering)

(intense music)

(fist thuds)

(fist whacks)

(hook clanks)

(fist thuds)

(Joseph groans)

(fist whacks)

(body thuds)

(Joseph groans)

(man spits)

(wood whacking)

(both grunting)

(gun fires)

(dramatic music)

(objects clattering)

- What are you doing? - Looking for a weapon.

Anything that'll help. - I think we should

just stay here.

- There was never any hope.

- Hat!

(intense music)

Hat!

Hat! - Ask and ye shall receive.

(guns firing)

(The Hat chuckles) (Joseph retching)

(intense music)

Hello, Joe.

(Joseph groaning)

You're a persistent fucker, aren't you?

(Sarah breathes heavily)

- Joseph!

- Your wife and I had some quiet time,

and she let me in on a few things

while you were six feet under.

Most pertinent would be we're all dead.

Wherever the hell we are.

We have long since shuffled off the mortal coil.

That is a fact that you know, she knows,

and I know.

Less pertinent would be that I was the best lay

your wife ever had. (Sarah grunting)

I've had my fun,

and since we're all dead anyway.

- No! Please, don't.

- Why, why are you afraid?

Why should you care if I put this imaginary bullet

into her imaginary head?

I do whatever I want, whenever I want

because there are no repercussions ever.

There's no magic man up in the sky judging good and bad.

wherever the hell we are,

there's no God here.

And in his absence, I nominate me.

(soft dramatic music)

- Just let her... (gun fires)

- No!

(intense music)

(Joseph gasping) (hammer clicks)

- And now for the silence.

(suspenseful music)

- So you're The Hat?

(footsteps tapping)

In all honesty, I thought you'd be taller.

Last chance. Leave my friends alone.

I'm warning you.

- Are you actually threatening me?

What the fuck?

- Oops. It looks like The Hat lost his hat.

Although now I see why you wear it.

You should probably put it back on.

- Who do you think you are?

- Me? Oh, I'm the bomb.

Boom.

(doll exploding) (glass shattering)

(Sarah gasping)

(intense music)

(gun firing)

(Sarah breathes heavily)

(defibrillator humming) (Joseph gasping)

(defibrillator thudding) (Joseph gasping)

- (sighs) Joseph. - Sarah.

I don't have much time.

I need to tell you...

(defibrillator thuds) (Joseph gasping)

(Sarah gasps)

(Joseph groaning)

I'm not like you.

I'm not dead.

- What?

What are you talking about?

- I, I'm still alive. I...

- Clear! (defibrillator thuds)

(Joseph groaning)

- Joseph, what did you do?

- I needed to find you no matter what.

I wanted to help.

You told me to save you.

Do you remember?

(soft dramatic music)

- I remember.

- I couldn't let you go. I couldn't leave you.

(defibrillator thuds) (Sarah gasps)

(Joseph groaning) - Joseph, I'll be okay.

I promise.

- I couldn't lose the both of you.

- Both?

- Do you remember our house?

- (chuckles) It's beautiful.

- Do you remember the rain?

- Why is this happening to us?

Yes.

- Do you remember our son?

(dramatic music)

- Our son?

- Before you left me,

he left us.

(defibrillator thuds) (Joseph gasping)

- I remember.

- You remember?

- I do.

(defibrillator thuds) (Joseph groaning)

Joseph.

(dramatic music)

(defibrillator thuds)

(Joseph gasping)

- Find our boy.

Walk him back from...

(defibrillator thuds)

- No, whatever you think you have to do,

cannot be done.

We'll be here waiting for you

when it's your time.

(defibrillator thudding)

Please, Joseph.

(defibrillator thudding)

(Joseph groaning)

Live your life for both of us.

- Sarah?

- Live your life.

(dramatic music)

- You are my life.

(Joseph gasping)

(haunting vocalizing)

(Joseph breathes uneasily)

(wind whistling)

(soft guitar music)

- [Joseph] Why am I here?

- Mr. Morgan, you murdered a priest.

You exhumed your wife's body

and carved symbols in her flesh.

Where else do you think you should be?

(eerie music)

It says here they have you on haloperim shots.

Pretty strong stuff.

- They're for my hallucinations.

- We both know they're not hallucinations.

- Are you lost?

- I don't know.

I think I'm looking for someone.

- Everyone's looking for someone here.

We can look together, if you want.

- I know you lost your son and then your wife.

I know how hard that can be.

The places it takes you.

I lost my daughter.

(soft dramatic music)

- I'm Sarah.

(man sighs)

- I don't remember my name.

- It'll all come back.

I promise.

- I know what you've done, Mr. Morgan.

What you've accomplished.

Will you help me?

- Where am I?

- We should get moving.

Long way to go.

We don't wanna be traveling at night.

(dramatic music)

- [Joseph] What do you dream?

- There's a horseman.

And the sun is setting.

And he's all alone with the world on his back.

And I just wanna say to him,

Don't be afraid of what's to come.

Don't be afraid of the darkness.

That there is light.

(dramatic music)

There is light.

(bright music)

(dramatic vocalizing)

(melancholy music)

♪ The star light shines down like angels falling ♪

♪ To feel what you feel ♪

♪ Maybe still their call ♪

♪ All fall to kneel before her ♪

♪ All fall to kneel before her ♪

♪ Before her there was dark ♪

♪ Before her there was night ♪

♪ And with her comes the light ♪

♪ In the garden of tears ♪

♪ We all fall through your fears ♪

♪ Before her there was dark ♪

♪ And with her comes the light ♪

♪ The night's sweet song, the cries, they go on ♪

♪ With love's last taste, we wait for the dawn ♪

♪ I fall to kneel before you ♪

♪ I fall to kneel before you ♪

♪ Before you there was dark ♪

♪ Before you there was night ♪

♪ And with you comes the light ♪

♪ The light tires in the night ♪

♪ When love dies, the light tries to live on ♪

♪ Live on ♪

♪ The light tires in the night ♪

♪ When love dies, the light tries to live on ♪

♪ Live on ♪

♪ The light tires in the night ♪

♪ When love dies, the light tries to live on ♪

♪ Live on ♪

♪ But it's hard to go on ♪

♪ Old man of night ♪

♪ You're search is with the dawn ♪

♪ She waits for you ♪