Original subtitles

[Tom] A one, two, three, four.

Whoo! Yeah! That's right.

♪ Heading home to the country ♪

♪ To a place I've always been ♪

♪ Goodbye, California And all the things I've seen ♪

♪ Goin' back to Canada To live my American dream ♪

♪ On a hundred acres Where the grass is always green. ♪

[guitar music]

Hello?

[Mary Jane] Hello.

What did you buy, steaks or something?

-Hi. -Hello.

-Hello. How are you? -Good.

-Yummy! -Hello. Hello.

[Tom] So, I wanted to get the canoe.

And I can borrow it?

-Sure. -Sure.

What are you gonna do with it?

Well, there's a lot of other lakes around that I want to go hit with that canoe.

-It's light weight. -It's a little lighter than your canoe.

-It is lighter than my canoe, yeah. -Okay.

[Mary Jane] Do you need a paddle?

I do need one, yeah. I'm planning on going up shit creek.

So I'll need a paddle.

-[Richard laughs] -But I thought you had paddles.

-Do you get the joke? -[Mary Jane] I do.

It's a funny joke, right?

I don't think that's where you were going, though.

You said, "Do you have a paddle?" And I said, "I'll need one

'cause I'm going up shit creek."

And I don't want to be up shit creek without a paddle.

Do you suppose you're belaboring this joke?

That's that old saying, "up shit creek without a paddle."

-Right? It's funny, right? -Yeah, yeah.

Maybe this is the funny part.

[Mary Jane] Could be.

So maybe I'm one step ahead of you.

[Mary Jane] It's doubtful.

Anyway, let's go find the canoe.

-Okay, well... -Oh, okay.

[Tom] Do you have a paddle, though?

How old is this canoe?

[Richard] This canoe goes back to when I was 50 years old,

which was '91, I guess, eh?

We've put a lot of miles on this baby.

Where'd you go?

Well, mostly Algonquin Park.

Here we go. I haven't done this in a while, but...

Now, you're facing this way, so you'll have to turn around.

-Yeah. -The yoke is...

-The yoke? There's eggs on it? -Yeah. That's no yoke.

-Yeah. -It's a yoke.

Are you yoking?

Are you yoking? [chuckles]

Oh, excellent.

Okay, just spin around, Tom.

[Tom] Okay, watch yourself.

Watch yourself. Don't let me hit you.

Yeah, this isn't so bad. Mine is so much heavier.

-Mm. -Yeah. It's 20 pounds heavier.

[Richard] How's the yoke on yours?

[Tom] It's a good yoke.

[country music]

I saw this on the Internet, and I bought it.

It was like, not expensive. It's Styrofoam.

What is it? An F-22.

It's an F-22 Battle Sequence.

Cool.

[whirs]

-Oh, shit. -That's awesome.

Oh, shit, oh, shit. Oh, it's in the tree. Shit!

[laughs] Did you bring your ladder?

Shit.

[clucking]

-[Tom] Want a hard-boiled egg? -[Ryan] Sure, I'll have a hard-boiled egg.

There we go. This is the way I've been eating eggs, lately.

You been getting any triple yolks?

I've had some triple-yolkers, yeah.

I had one that was like an ostrich egg.

Poor Loretta. She didn't come out of the coop for a couple of days.

Couldn't walk right for a week.

Then I walked in there and there was this egg, like this.

Been going good, though. Everything's turned out great.

The barns are great.

Fanny's enjoying herself.

Thank you so much again for all the help.

You're welcome. It's been fun to bring life back to the old farm.

It's neat seeing the animals in the barns.

The barns are being used for what they're meant to be used for.

-Yep. -You want another one?

-No? You sure? -Two's my limit.

This is my fifth egg this morning.

It's not even noon.

[sighs]

[laughs]

[funky music]

-[Tom] Awesome. This is great. -[Shane] Yeah.

Just ran into you on the street, what, the other day after my show.

Just after the show there in Kingston, yeah.

Just was sort of perfect, 'cause you said that you're a mural artist.

Yeah.

And I have a giant storage container that says "China Shipping" on it.

Because it's such a natural setting here,

it'd be cool if we could just make it look like the trees behind it.

[Shane] Right, right, yeah. No, I agree. That would look great.

I'll take what's around here, throw a bit of sky.

And just bring some of these trees in.

-You'll be here for a few days, right? -Oh, yeah, I'll be here a few days.

I got a lot of paint. So, we're gonna have to do some priming.

[Tom] This is where you see the shipping container most,

'cause it's on the trail.

So, yeah, so it'd be kinda cool if, like, you come up over here

and it's just, that's the first thing you see, so that...

You know those, like, Cracker Jack boxes?

-The toys in the Cracker Jack box? -Yeah.

-You pull it out and you get a zebra. -Yeah.

And you go like that, and like that. It's like, oh, the zebra's moving.

-The zebra's moving, you know? -Right, yeah.

It'd be kinda cool if you come up over here

and you don't see it right away.

And then, when you move, it's like, oh, then you sorta start to see it.

-Like the moving zebra. -Yeah, yeah.

Can you do something like that?

Yeah, I'll try.

[Tom] We've got the saddle here on the fence.

What are we doing here?

Because we need to teach you how to tack up Fanny.

We need to teach you how to get a saddle to swing up and high over something.

Okay.

Lift it up against yourself kinda tight.

And there's this swinging throw motion going on.

Right... whoop, over.

-Up and over. -I see.

-You want to place it gently. -Yeah. Right.

You don't want to go up and over and slam it in the back with the saddle.

A horse is not... A mule won't like that.

-Okay, so, let me try that? -Yeah.

I can do that, I think.

Oh, my God! It's... jeez!

You want to just...

That is heavy. Sorta...

When you're first new at this, one of the easiest ways to help yourself

-with the swing over... -Mm-hmm.

-is to take these parts... -Uh-huh.

Put 'em up here.

When I get good at it, I don't do that?

Well, you learn how to swing it in such a way that it just lands gently.

-Some sort of centrifugal force? -[Kaija] Yes.

Cool. Okay, so, I'm just gonna... [grunts]

-Look at you go. -Beautiful.

Ooh, that's not good, right?

[Kaija] Well, that was a good little lesson because it wasn't actually Fanny.

Put it up like that so that it doesn't slam down on her other side,

and then we just walk around to the other side and gently...

And then gently lower it down. Let me try that again.

Hold on. All right...

-Beautiful. -So gentle.

Like, at this point...

does Fanny know what's happening?

[Kaija] Yes, Fanny's very used to this.

-Nice. -[Kaija] Yeah.

-Should we try the real thing? -I think we should.

[Tom] Good, Fanny.

[Fanny nickers]

-Equine's hair goes from the front, back. -Mm-hmm.

If you're adjusting something, you decide it's too far back

and you want to slide it forward, you wouldn't just slide it forward,

'cause it pushes... So, you lift up,

a little bit too far forward, and then, slide it back.

All right. So, we're ready for the saddle.

[Duke] She's like, "Who's the new guy?"

-[Kaija] Yep. -[Duke laughs]

[Kaija] Everything's looking a little bit discombobulated.

-It is? -But that's no big deal.

Because she's tall, and a lot of times, we don't get the saddle on perfect

the first time that we swing it on.

All you have to do is hold this part,

-and then, you can adjust the saddle. -Okay, yeah.

Nice. Okay.

So far, I actually feel like I can figure this out.

This is gonna be the trickiest part for you to learn on your own.

Yeah.

-[Kaija] You slide the bit into her mouth. -Oh, that goes in her mouth.

[Tom] There ya go. Yay.

I like that bridle. It looks nice.

So, now... Now, you would get on the horse at this point.

Yeah, we're ready to ride.

[Tom] You want to wash the canoe off?

-[Richard] Yeah. -[Tom] Okay.

-Ohh... -What?

Can't get it off. Why do you think you can do it, Mom?

-You're turning the wrong part. -Ohh.

All right, turn the thing.

-No... -Other way... wait...

Turning it the wrong way the whole time.

Oh, you got it. Dad figured it out.

[Richard] There we are.

It all worked out.

-Filled up a lot of film there. -Yeah.

-Oh, yeah. -[laughs]

That'll be the best scene of all.

Okay, come over here. We're not in this, Charlie.

I'll just go turn the hose on.

Make sure you turn it the right way, Tom.

[Tom] Yeah, okay.

-[laughs] -All right.

Watch my Brown-eyed Suzies with that hose.

-You're Brown-eyed Suzies? -Yes.

-Black-eyed Susans? -[Mary Jane] Yeah, same thing.

What's that named after? Domestic violence?

-[laughs] -Is it?

It's obviously a domestic violence joke from like the '30s, or something.

When they still joked about that kind of thing.

-I don't think that's allowed anymore. -Huh?

Now everybody just calls them Black-eyed Susans 'cause they think it's all cute.

Oh, yeah, it does actually look nice. It does looks better.

You got it, okay.

Wait, wait, don't touch it. Don't touch it.

Okay, yeah, so, let's line up the rubber things at the bottom.

It's sticking out too far, though, Tom.

We don't want it out the front too much.

The wind gets under it and then it blows it off.

I would definitely have a rope from the front of that canoe

to the front of your bumper, yeah.

I'm satisfied with this.

Michael Thomas, it's sticking out too far.

Can't we just... Can't we just celebrate this?

We've got these straps, we can strap down tight. You don't have to go front to back.

But it's too far back.

No, no, it's not too far back. No, this is fine. Everything's fine.

It's our canoe.

[laughs] We have more vested interest.

I'm more worried about the truck, though, to be honest with you.

-Yeah, I know. -We're fine. Everything's gonna be fine.

It's all gonna work out in the end.

-[Mary Jane] Why don't you Google? -Maybe we should just forget it.

[Mary Jane] "How to put a canoe on my car."

-Maybe I should just put it back. -Okay. All right.

This is not the kind of show I want to make.

Where it's like a reality show where people are arguing about stuff.

[Mary Jane] Oh, okay.

[Tom] I don't want the show to be like that.

[Mary Jane] Well, then, just do what I tell you and then we won't argue.

No, let's just not even film this.

-[Mary Jane] Okay. All right. -Let's just argue off camera.

[host] Let's give a warm welcome and a loud round of applause

for Tom Green, everybody!

[audience cheering]

[Tom] What's up, Ottawa?

[cheers and applause]

I started doing stand-up when I was 16 years old in Ottawa at Yuk Yuk's.

And then, I started doing a radio show at Ottawa University radio.

And then, a public access TV show at Rogers Cable.

Then, the show got picked up by MTV and I moved to New York,

and then Los Angeles.

And I was on the cover of Rolling Stone magazine.

I got to host Saturday Night Live.

And now, I'm back here in the basement at Yuk Yuk's.

[audience laughs]

So, things are goin' good.

[country music]

-[Tom] How's it going, Shane? Wow. -Not too bad.

-Holy hell, look at that. -Yeah, we're ready to go.

-So, that's just the primer though, right? -Just the primer, yeah.

Cool. So, you're ready to start painting?

-Ready to start painting. -Cool.

Nice!

We're just gonna carry this ridge all the way down here.

You know what'd be cool is, after you paint it all green,

if you could write "China Shipping" on it.

I like that. Oh, that looks awesome!

I do not have a future fork. What's a future fork?

A lightweight pitchfork that's designed to pick up horse poop, especially.

-Ah, see, I don't have one of those. -[Kaija] Yeah.

Oh, yeah, that picks it up nice, huh?

That really does do a nice job.

I actually think this is kind of relaxing.

What do you think of that, Charlie? It's a lot of fun.

[Kaija] Know what we call that, Tom?

What's it called?

[Kaija] Shit shovel therapy.

Shit shovel therapy, huh?

[Kaija] All my best decisions are made while I'm shoveling poop.

All your best decisions are made while you're shoving shit?

-[Kaija] Yes. -Wow.

Look at that, huh?

-It's fun sitting here, though. -[Kaija] Mm-hmm.

And so, we were talking earlier...

A mule will look into you differently than a horse.

[Kaija] They're seeking to make a connection with you.

So, they're gonna look in your eye.

And most often, in my experience anyways,

when they're looking in my eye, they're looking from the side.

I'm standing to their side. And I can see them looking into my eyes.

And it makes me feel as though they're looking into my soul.

So, you're saying this is just something that will just happen one day...

Whoa, she's looking at me different right now.

-Really? -Yeah.

You'll feel almost judged.

I've had a few women in my life like that.

[guitar music]

This is something I've been doing lately. I've been doing shots of your maple syrup.

-Okay. -This is your family's maple syrup.

Conboy Maple Syrup.

-Cheers. Good times. -Cheers.

Mmm.

Mm-hmm.

I don't think people around the world understand how delicious maple syrup is.

No. Real maple syrup.

Yeah, real maple syrup. It's not some processed...

-Just a little bit... yep. -[chuckles]

It's good stuff.

-One more... I don't wanna... -I gotta drive home.

-I don't want to be a bad influence. -I gotta drive home, don't forget.

When did you guys start doing the maple syrup?

My kids are like the sixth generation doing it.

[Tom] So, it's like 100 years?

-[Ryan] Yeah, I guess. -[Tom] Wow!

So, what year did your family start making maple syrup?

In like the early 1900s, or something like that?

[Ryan] The original farm, I think it's like 1857.

And someone in my family has been making it there ever since.

I'm getting a rush right now from that sugar.

That actually... I was sort of kidding around having three shots of it,

I don't normally do that many shots in a row,

but wow, that's actually kicking in right now.

This is it. This is the moment of truth.

-There we go. -[Kaija] Like, the perfect mount.

Nice.

When you go to ask her to walk, you just gently put your legs in and squeeze.

-And there you go. -Here we go.

Look where you're going 'cause your body will tell her where you want to go next.

-Okay. -Pull right with your right hand.

-[Lisa] There you go. -[Kaija] Yeah, there you go.

You're just gonna guide her nose in the direction you want her to steer it.

[Tom] Okay, I see.

Mm-hmm. Whoa.

Pull evenly with both reigns till she stops. There you go.

How 'bout we ride over to the other pasture?

Okay, follow me, guys.

[country music]

Whoa.

So, I just like this spot 'cause I like this hill here.

It's a nice hill, you know.

-[Kaija] Oh, she has to pee. -[Lisa] She's gonna pee with you on her.

-Is that bad? -[Kaija] No.

-But get some good film of that. -[Lisa laughs]

[braying]

-[Kaija] You can hear... -Oh, that's Kia.

[Kaija] "I'm all by myself!"

Look at her. Her ears turn around when she's listening.

When she heard Kia, her ears turned around.

[braying]

Good timing. [laughs]

"I'm right here, Kia."

Ohh, so, that's what, she's telling Kia where she is?

-[Lisa] Yeah. -[Kaija] Yeah.

[Tom] You think she wants to go back and see Kia now?

Well, that's always gonna be up to you.

Because that call's gonna happen almost every time that you separate them.

Okay. So, I don't want...

You would not want to teach her that if she were to call out for Kia,

that you were gonna respond by going back.

Rock on. R... I don't know. [chuckles]

[country music]

I just saw a bear up here, so I turned around.

We're gonna try to get a video of it, but we just saw a bear.

There it is! See it?

That was cool. We just saw a bear.

We're goin' into a remote area now. We're gonna get the canoe out.

My parents' canoe that my mom got for my dad on his 50th birthday.

It's a meaningful canoe to me

'cause my parents did all sorts of canoe trips throughout the Canadian wilderness.

They're quite proficient canoeists themselves. Outdoors people.

So, it's gonna be nice to now have this up here at the farm

and take it out to some remote, serious secret lakes.

[easy guitar music]

Looks like we're having a good day of fishing today.

Oh, my gosh. A sunfish.

Oh!

I did that on purpose.

[geese clucking]

[Charlie barks]

Charlie.

[Charlie growling]

There's a fox. There's two foxes.

If you were quiet, we'd get to look at it for longer.

When you bark like that, you scare them away every time.

[barks]

[clucking]

-I know you like Larry. -Yeah, we met Larry the other day.

-Hey, Ryan. -Hey, Larry.

-How's it going? -Good to see you again.

What's going on?

Still hanging out with this guy?

The thing is, I've been hanging out with Tom for, like, 15 years.

Charlie comes along, and, like, I'm basically in a closet.

Now, the donkey, it's the new shiny object.

The donkey. The donkey!

Larry, you're embarrassing yourself.

Yah!

I'm gonna put him away 'cause he's embarrassing.

You're embarrassed, are ya? You're an asshole.

Come on, you're pushing this a little too far, Larry.

Asshole!

You're just saying that

because it's easy for you to say without me moving my lips.

Asshole.

I'll be right back.

[Tom, as Larry] Asshole! Donkey, donkey, donkey!

Quiet, Larry. I said, quiet!

[Tom, as Larry, muffled]

Donkey, donkey, donkey!

Quiet! Quiet!

[Tom, as Larry] Donkey, donkey!

You're embarrassing me!

You're embarrassing me in front of my friends!

[Tom, as Larry] Donkey, donkey!

[funky music]

[Tom] Wow!

The colors are totally blending with the background and everything?

[Shane] I'm gonna continually add to that

and sort of make it look a little more three-dimensional with some of that.

[Tom] Rad. Super cool, man!

-Thanks. -Super cool.

[funky music continues]

Charlie. How are you?

-[Tom] Hello, hello. -Hey, Tom.

-How are you, Eddie? -[Eddie] Good. You?

Good. Hey, Amy.

Good morning, Tom. How are you this morning?

So good. Thank you so much for coming.

You're welcome.

Great, awesome. I'm so excited you're here.

Can't wait for you to meet Fanny and Kia.

You brought a couple of your horses.

I brought Martina.

I figured that you could... I'd swap you for a little bit.

Oh, okay, yeah, that'll be fun.

-You want to go tack up? -[Amy and Eddie] Yes.

[Tom] Hi, Martina. Remember me?

[Eddie] Say, "Hi, Tom."

Don't be stuck up just 'cause you're beautiful.

She is, too.

Yeah.

Follow me.

We're right beside each other right now. Is that okay?

-Yeah, you're good. -They're not gonna freak out?

-No. You go ahead, I'll stay in back. -I'm freaking out.

-How am I doing? -[Amy] You're doing good.

This is kind of the opposite of most TV shows where people ride horses.

'Cause usually when people are riding horses on a television show,

they're pretending that they really are an expert horseback rider.

Whereas I'm openly acknowledging that I have no idea what I'm doing.

-[Amy] That you're not. -[Tom] Yeah.

Here, come have a look at the lake here.

Fanny, this is the lake.

You like the lake, Fanny?

[chuckles]

-[Amy] Look, she loves it! -[Tom] Oh, yeah!

She does love it.

So, what is that an indication of, when she's moving...

-She's just enjoying it. -Oh, good.

Okay.

Hi, how are you?

I'm your new best friend. Yes, look at you.

-Hi. -Hi.

-This is Rory. -Isn't she a cutie?

-Yes. -Wow.

Hello!

-[Mary Jane] Hi! -[Richard] Oh, there they are. Wow.

Yeehaw.

[Mary Jane] Oh, my.

How are you, man?

Pretty good. I'm not in Los Angeles anymore.

-[laughs] -I was gonna say.

[Mary Jane] That is so cool!

You have a good ride with my mom and dad?

-I learned a lot about you, buddy. -[Tom] Uh-oh.

I want you to meet Fanny.

[Mary Jane] Yeah, wow!

Hi.

She's huge.

But you want to see, I know how to ride her a little bit.

-Wanna see really quickly? -I wanna see if you know how to get off.

So, the trick that I learned is you gotta look where you're going.

-Oh, well, that's a concept. -[Tom] That's what Amy told me.

You gotta look where you're going.

Like, if I just pull, she won't turn. But when I look... she turns.

-[all] Ohh! -They're intuitive.

Okay. Oh, neat.

[Amy] Swing that leg over, Tom. There ya go.

-[Mary Jane] You can do it. -[Richard] Wow.

-[Eddie] Perfect. That was perfect. -[Mary Jane] This'll keep you in shape.

Say hi to Rory. Isn't she nice?

Yeah. Hello, sweetheart. How are you?

[Tom] This is kind of exciting, though.

[Rory] Very exciting.

[Tom] I'm so glad you're here.

[Rory] This place is gorgeous.

I remember the day COVID started, sitting at home.

Then we got that van.

I mean, show business shut down for 18 months.

Yeah. I got the van because I didn't want to get on an airplane.

-I remember. -So, I wanted to know,

if I had to fly home to see my family,

I could drive all the way from Los Angeles to Canada.

And you were missing your parents a lot, and your brother.

And because you spent you career in show business,

living in New York, and when you were producing Everybody Loves Raymond,

you would fly down to Los Angeles every week.

Wednesday to Friday.

And I asked you, "Do I have to live in Los Angeles to keep doing my comedy?"

And what did I say?

-You said, "No, you don't have to." -You don't.

Rory, I really appreciate all the support you've given me, sincerely.

You know, I know it's been... It means a lot.

It's been... It's been a lot of fun.

You're welcome, but it's my pleasure, too.

It really has been just a lot of fun.

-Awesome. Thanks, Rory. -Okay, man.

-Love you, man. -Love you, too.

Thank you.

[country music]

[Tom] I like the idea of getting a new saddle pad.

Price point reflects quality.

Mm, yeah.

So, these are inexpensive pads down here.

Okay, we'll get one of those. I'm just joking.

-What's, uh... -Or a couple.

-I like this one. -Yeah?

I think that would look really nice on.

Okay. And I pull it with the grain of her hair and all that stuff, right?

[woman] You got it.

Yeah, I've been sort of learning about this.

I wanted to get a saddle bag, too.

Just something that I could put my, you know, phone in it.

I like this leather one, though. That looks pretty nice.

Put two cans in there, and two cans in there.

You could put a beer in that?

Probably. Yeah, it's got a gusset in it.

That's what's most important, really.

You can drink and ride a horse?

That's good. The horse can't drink, though.

-I'm not a cop. -Yeah, yeah, yeah.

-I have no idea. -Yeah, yeah.

But I mean, it's a good way to get home from the bar.

-On the horse, right? -Yeah, you could. Yeah.

That's good, that's a little loophole.

[guitar music]

-Good to see you, Rob. -Good to see you, too.

-Thanks for coming. Awesome. -Thanks for having me back.

It looks like things have really changed around here.

-Yeah? -Yeah.

No, Charlie.

[chickens clucking]

Oh, Charlie, no! No!

Jeez. That would, um...

That was almost our first massacre.

No, hey. Come on. Hey, no.

What's changed?

[laughs] I can't put it into words, but it feels different.

How's Charlie managing the other guests?

She's doing good. She's doing good. Look. Go see the chickens. Don't eat them.

Go see them, go play with them.

-This is Fanny. Hi, Fanny. -Fanny. Hello.

Aren't you... ginormous.

You like eggs?

-I love eggs. -That's good. Okay.

We're gonna make music and eat eggs.

This is Loretta, Patsy, Shania, June, Dolly and Ann.

Shania's got the attitude.

You can just pick them up?

Here, here's Loretta there. That's right.

I don't think I've ever been this close to chickens.

You've never been this close to a chicken?

-No. -Here. There you go.

Oh, my goodness!

-Even closer. -I am holding a chicken.

-Don't hold it too tight, though. -Okay.

Watch they don't claw you. They could claw your eye out.

Watch she doesn't claw your eye out.

-Okay. -Nothin' but love.

See? It's fine.

Hi.

Wow, look at that. It flew.

[Rob] Great to see you doing your thing, man.

Yes, it's great. Check it out.

Whoa! Whoa, whoa, whoa! That looks great!

[Shane] Oh, thanks, man.

Come on, Charlie, let's go. Let's go look.

Wow! It turned out amazing.

[Shane] Thanks, thanks.

[Tom] I like the sunbeams. You added the sunbeams.

How long has this taken, now? You've been here, like, all week, right?

Three... four days?

-[Tom] Three or four days? -Yeah, yeah, yeah.

-[Tom] Thank you so much. I just love it. -[Shane] Thank you. Thank you.

[country music]

What I was really looking forward to in my mind,

like I had this dream that I could ride Fanny around at sunset

and Charlie would run along beside us.

Seeing how calm they are with each other,

I thought maybe we could take a chance at this.

So, maybe we could walk up there, and then walk back,

-and I'll keep her on the leash. -[Kaija] Okay.

But, like, she won't actually...

Oh, she likes to roll in cow manure, or horse manure, by the way.

That's your problem.

She does like to roll in it. Don't do that, Charlie.

Don't do that right now. Yeah, let's go. Come on, Charlie, let's go for a walk.

So, you want to turn around and walk back towards where we came from now?

Sure.

Even just for me to go walk her off-leash, she does tend to like to run...

run off into the woods and stuff.

This time, I'm gonna actually drop her leash.

Okay.

And let's go this way, okay?

[Kaija] Well, she's definitely got a healthy respect for Fanny

-and her space. -This way. Come here.

Ready? Let's go for a walk.

This is confusing. Go see Dad.

[Tom] Thank you, so much, for everything.

It's, I mean, this has been a great day.

And the sun's going down, it's the end of the day here.

You're off to Thunder Bay. You want to...

-take a moment to say... -[laughs]

not goodbye, but we'll see you a little later?

We look forward to watching what you do with her.

Well, yeah, you're always welcome to come visit and stay and hang out,

and, you know, show me what I'm doing wrong.

[laughs]

Well, if you guys want to just take a minute, and I'll just step back,

and you guys want to just kinda hang with her for a minute?

Don't start that.

-That's terrible. -[crying]

[Kaija] You have to be a good girl, for Tom.

All right, make us proud.

-There is no other mule like Fanny. -Nope.

I would have never imagined when I got her

that this would be where I leave her.

But it's pretty... it's pretty cool.

Yeah.

Well, I think she's happy.

-Yep. -[Duke] Oh, yeah.

[Tom] Well, we'll be in touch.

I'll be calling you in about 45 minutes.

[all laugh]

-[Tom] Drive safe. Okay, bye. -Bye, guys.

[emotional music]

Come here. You were good today.

You were so good. Mm?

Wow. I, uh...

I don't know why I'm getting emotional. It's this...

[emotional music]

I think it's just the fact that now I realize that...

I'm on my own here, now, with these two.

So...

It's a beautiful thing. Beautiful thing.

♪ I want to live ♪

♪ With my feet on the ground ♪

♪ Grass under my toes ♪

♪ Where the wind blows The leaves fall down ♪

♪ People I know say hello In my hometown ♪

♪ These big city dreams May be taking me down ♪

♪ I want to live With my feet on the ground ♪

♪ Grass under my toes ♪

♪ Where the wind blows And the leaves fall down ♪

♪ People I know say hello ♪

♪ In my hometown ♪

♪ These big city dreams ♪

♪ May be taking me down Taking me down ♪

♪ Taking me down ♪

♪ So funny how in the city of stars And Hollywood lights ♪

♪ Make it nearly impossible ♪

♪ To see real stars at night. ♪