Original subtitles

SOUTH HAVEN, THIS IS MOONEY-THREE-THREE-GULF.

Mooney-three-three-gulf, South Haven.

We have you level at 5,000.

ROG. REQUEST VECTORS, FULL-STOP LANDING RUNWAY THREE-TWO.

COPY, THREE-THREE-GULF.

TURN RIGHT HEADING TWO-SEVEN-ZERO

descend to 3,000.

Altimeter two-niner-niner-two.

THREE-THREE-GULF

RIGHT TO TWO-SEVEN-OH

IN THE DESCENT TO 3,000.

TWO-NINE-NINE-TWO.

( beeping )

( opera music playing )

HOW FAR APART ARE THEY?

EXACTLY ONE MILE.

THEY'RE BOTH INBOUND.

ON A CONVERGENT PATH?

VERY... GOOD.

TURN IT UP.

( music playing louder )

Three-three-gold, you are cleared final runway three-two.

Winds three-three-zero at 15.

Be advised

visibility is reduced on final

to half a mile.

ROG, SOUTH HAVEN.

I DON'T SEE THE FIELD. CONTINUE VECTORS.

Turn left two-seven-zero.

Descend to 800.

ROG. IN THE DESCENT TO EIGHT.

( beeping )

HOW MUCH LONGER?

ANY SECOND NOW.

Three-three-gulf

you're lined up runway three-two.

Cleared to land.

I HAVE THE FIELD VISUAL, SOUTH HAVEN.

CLEARED TO LAND.

( shouting and cheering )

( cheering )

IT BEGINS.

Captioning sponsored by WARNER BROS.

CHERCHEZ LA FEMME.

CHERCHEZ LA FEMME.

DANS LA NUIT

DANS LA NUIT.

( knocking )

( knocking )

CARLA, WHAT'S WRONG?

MMM...

OH...

I JUST NEED SOMEONE TO TALK TO.

WHAT'S WRONG?

WELL, HE'S GETTING MARRIED.

MARRIED?

YEAH... TO HIS EX-GIRLFRIEND

WHO HE ALSO HAPPENED TO BE DATING

THE LAST THREE MONTHS THAT WE WERE GOING OUT.

WHEN I THINK OF ALL THE EXCUSES

THAT HE MADE TO CANCEL.

HE'S THE ONE THAT TOLD ME

THAT HE DIDN'T WANT THE COMMITMENT.

( phone ringing )

I'M SORRY, CARLA.

I'VE GOT TO GET IT.

HELLO.

Man: Josephine.

AS YOU KNOW, THE INTERNET IS FREQUENTLY MONITORED

FOR ANY COMMUNICATION THAT IS INTERPRETED

AS A NATIONAL BREACH OF SECURITY.

TWO DAYS AGO

WE DETECTED THE RECRUITING EFFORTS

OF A GROUP WE'VE ENCOUNTERED IN THE PAST--

GLASS CURTAIN.

I THOUGHT

THEY WERE INACTIVE.

SO DID WE.

UNFORTUNATELY

THEY'RE NOT

JUST RECRUITING.

THERE HAS BEEN AN INCIDENT.

WHICH WAS ORIGINALLY THOUGHT

TO BE AN ACCIDENT CAUSED BY HUMAN ERROR

BUT GLASS CURTAIN

HAS CLAIMED RESPONSIBILITY.

THIS POLITICS

OF CHAOS AND DESTRUCTION

IS THE BRAINCHILD OF THIS MAN HERE--

ERROL SPARKS.

HIS MESSAGE IS ANARCHY

AND HIS WEAPON IS TECHNOLOGY.

HE HAS A CAPABLE GROUP OF MALCONTENTS

WHO DO ALL HIS DIRTY WORK.

THESE ARE COLLEGE STUDENTS, MENSA MEMBERS

DROPOUTS...

THEY'RE ALL HIGHLY SKILLED

AND WILLING DEVOTEES.

SPARE US THE HISTORY. JUST GIVE US THE RELEVANT DATA

AND LET'S MOVE.

THE LAST TIME I CHECKED

ON THE PROTOCOL FOR BRIEFINGS

IT DIDN'T INCLUDE DISRUPTIVE BEHAVIOR.

BIRKOFF IS MONITORING

THE SITUATION NOW.

WE HOPE TO HAVE A HOOK

ON IT SOON.

NOW, UNTIL THEN, WE'RE GOING

TO BE ON CLOSE-QUARTER STANDBY.

NO ONE LEAVES THE SECTION.

MORRISON, YOU AND KOI REPORT TO COMM.

SEE BIRKOFF.

Michael: I SHOULD BE FIRST TEAM ON THIS.

YOU AND NIKITA WILL ANCHOR FOR ME HERE.

YOU DON'T THINK I CAN DO THIS?

NO, I DON'T.

YOU'RE TOO EMOTIONALLY VESTED.

LISTEN. IF YOU CAN CONVINCE ME IN TEN SECONDS

THAT YOU CAN DO IT, MICHAEL...

JUST LOOK ME IN THE EYE.

DON'T SAY A DAMN WORD.

FINE.

MORRISON

YOU AND KOI WILL BE TEAM TWO.

NIKITA, YOU GO WITH MICHAEL.

WHO'S GLASS CURTAIN, MICHAEL?

YOU HEARD OPERATIONS.

THIS GUY SPARKS-- DO YOU KNOW HIM?

I'LL FILL YOU IN WHEN I'M READY.

THEN WHAT WAS THAT ABOUT?

WHAT HAVE YOU GOT?

IT'S AN I.R.C. IN PROGRESS.

WHAT'S AN I.R.C.?

SOMEONE WASN'T PAYING ATTENTION IN COMPUTER CLASS.

NOT TODAY.

IT'S A CHAT ROOM.

A PLACE WHERE SOCIAL MISFITS

LOG ONTO THE INTERNET AND ARGUE WITH EACH OTHER.

WHICH ONE OF THEM IS GLASS CURTAIN?

THIS GUY RIGHT HERE-- HESTER.

THE DUDE IS LAYING SOME HEAVY IDEOLOGY ON THESE FREAKS.

ANYTHING ABOUT THE PLANE CRASH?

YEAH. HE BRAGS ABOUT IT

EVERY OTHER MINUTE.

THEY'RE EATING IT UP.

HOW DO WE GET TO THIS GUY HESTER?

WE CAN'T FROM HERE.

HE'S USING A DYNAMIC ADDRESS SCHEME.

CAN WE LOG INTO THE CONVERSATION?

PRETEND TO BE A NEW RECRUIT?

FROM WHAT I CAN TELL, YOU HAVE TO HAVE A SPONSOR--

SOMEONE ON THE INSIDE.

THEY GIVE YOU

A PASSWORD. THAT LETS YOU

INTO THE GROUP.

CAN WE LOCATE ONE OF THEM?

ALREADY DID.

THIS GUY RIGHT HERE-- J.B.

ALL RIGHT. LET'S GO.

Birkoff: J.B.'s IN THERE.

WHERE?

I FLAGGED HIS SCREEN.

IT'LL FLASH RED, JUST LIKE MINE.

Nikita: I DON'T SEE ANY

FLASHING RED.

Michael: COVER THE EXITS. WE'RE GOING IN.

WOW!

HEY!

NOTHING THIS END OF THE BALCONY.

GOT HIM, MICHAEL.

FLUSH HIM, BIRKOFF.

( laughing )

F.B.I.?

GOING SOUTH.

LET GO OF ME!

WHO'S YOUR CONTACT AT GLASS CURTAIN?

I DON'T KNOW!

I WASN'T GOING TO JOIN.

I WAS JUST GOOFING WITH THEM.

YOU WERE IN THE I.R.C.

HOW DID YOU GET THE PASSWORD?

THEY CONTACTED ME.

I NEVER EVEN MET ANY OF THEM.

WHO IS

YOUR CONTACT?

I SAID I DON'T KNOW!

NO!

MICHAEL...

WHAT ARE YOU DOING?

TAKE HIM TO BIRKOFF.

GET THE PASSWORD.

WHY?

WHY?!

GLASS CURTAIN KILLED SIMONE.

WHO'S SIMONE?

MY WIFE.

( keys clattering )

OH, LOOK AT YOU.

( opera music playing )

DID LEON ASK ANY QUESTIONS?

HE WAS TOO BUSY COUNTING THE MONEY.

LET'S PUT YOU

IN.

HOW LONG BEFORE YOU CAN Q-A IT?

THIS BABY'S PLUG-AND-PLAY.

( keys clattering )

THERE IT IS--

O'HARE AIRPORT.

EVERY ELECTRONIC PATHWAY FROM RADAR CONTROL

TO MEN'S ROOM LIGHT SWITCH.

IS IT LIVE?

LET'S SEE.

Woman: O'Hare Maintenance.

YEAH. THIS IS THE CAFETERIA.

DID YOU GUYS JUST ORDER SOME SANDWICHES?

( laughing )

Sandwiches?

Uh, I didn't, but hang on.

I'll check.

( keys clattering )

Is that the fire alarm?

( breaking connection )

IT'LL BE 20 MINUTES BEFORE THEY

REALIZE IT'S A FALSE ALARM.

SIOBHAN

I LOVE YOUR FLAIR FOR THE DRAMATIC.

O'HARE IS YOURS.

JUST TELL ME WHAT YOU WANT.

IT'S BEEN 24 HOURS.

WHAT NOW?

WAIT UNTIL J.B.'s CONTACT GETS ON-LINE.

DO YOU WANT ME HERE?

WHATEVER YOU WANT.

DID SIMONE WORK FOR THE SECTION?

MICHAEL, YOU CAN'T TELL ME YOU HAD A WIFE AND SHE WAS KILLED

THEN JUST DROP IT, GET BACK TO BUSINESS.

SIMONE... WAS AN OPERATIVE.

SHE DID WORK FOR THE SECTION.

IT WAS SUPPOSED TO BE A COLD MISSION.

THE TWO OF US WENT IN TO GATHER INFORMATION

ABOUT GLASS CURTAIN.

BEFORE WE LEFT, SHE ASKED FOR A BACKUP TEAM.

I SAID IT WASN'T NECESSARY.

I WAS WRONG.

WAS IT SPARKS?

I DON'T KNOW.

WE WERE AMBUSHED.

THERE WAS A LOT OF SHOOTERS.

IT WAS THREE YEARS AGO.

IT STILL HURTS, DOESN'T IT?

LISTEN, NIKITA, YOU ASKED ME WHAT HAPPENED...

AND I TOLD YOU.

YOU TOLD ME THE FACTS.

MICHAEL, I WANT TO KNOW HOW YOU FEEL.

SOMETIMES YOU HAVE TO LET YOURSELF TRUST SOMEONE.

I'M RIGHT HERE.

HESTER'S FINALLY LOGGED IN.

IT TURNS OUT J.B. HAS SOMETHING THEY WANT.

WHAT IS IT?

AN ELECTRICAL LAYOUT TO ORLY AIRPORT.

HOW DID J.B. GET THAT?

HE STOLE IT FROM HIS FATHER-- CIVIL ENGINEER.

HESTER WANTS TO SEE J.B.

IN THREE HOURS.

GOOD.

LET'S GET READY.

OPERATIONS WANTS NIKITA

POSING AS J.B., NOT YOU.

FEELS THAT NIKITA WOULD BE

MORE BELIEVABLE AS DISAFFECTED YOUTH.

Nikita: What's J.B.'s favorite writer's name?

WHO WAS HE?

TYRANNY OF THE STATE?

BAKUNIN.

That's right. Bakunin.

DON'T WORRY.

IF YOU'RE STUCK, WE'LL FEED YOU.

( whirring )

Birkhoff: Tilt your head higher.

I don't have all of it.

Birkhoff, can you see him?

THAT'S IT.

YOU J.B.?

HESTER?

Nope. Name's Ray.

Franklin Charter.

I'm supposed to pick up J.B.

Nikita: I'm J.B.

You alone?

Yep. Just me.

GET CLOSER TO HIM. STAND STILL.

WE NEED TO VERIFY THIS GUY.

What are you waiting for?

Get in.

I'VE NEVER BEEN IN A HELICOPTER BEFORE.

I'M A LITTLE NERVOUS.

Don't be. You're in good hands.

NOT YET, NIKITA.

Come on. I haven't got all day.

COME ON, COME ON.

THERE IT IS.

THAT'S HIM.

YOU'RE CLEAR.

Nikita: Where are we going?

I CAN'T TELL YOU THAT.

PUT THESE ON.

ZERO MARGIN FOR ERROR.

Sparks: J.B., I presume.

HELLO.

Sparks: Interesting.

From the transcript, you sound more like a man.

IS THIS HESTER?

CLOSE ENOUGH.

DO YOU HAVE ORLY?

Yeah.

TELL ME ABOUT YOURSELF, J.B.

I'M NOT COMMITTING TO ANYTHING YET.

OH... YOU'RE COMMITTED, ALL RIGHT.

I understand you spiked

THE PUNCH BOWL WITH L.S.D. AT YOUR JUNIOR PROM.

Nikita: Where'd you hear that?

Sparks: Tell me about it.

NEVER HAPPENED.

NOTHING TO TELL.

Didn't do it.

MY APOLOGIES.

I MISTOOK YOU FOR ONE OF MY RECRUITS.

TELL ME ABOUT YOUR EIGHTH GRADE MATH TEACHER.

I PUT HER IN JAIL FOR FAILING ME.

HOW ON EARTH DID YOU DO THAT?

YOU HACKED INTO THE COUNTY RECORDS

and issued a bench warrant.

I HACKED INTO THE COUNTY RECORDS

and issued a bench warrant.

ONE MORE QUESTION, J.B.

WHAT KIND OF MUSIC DO YOU LIKE?

( softly ): MUSIC?

NOTHING HERE.

I DON'T LISTEN TO MUSIC.

WHY NOT?

MUSIC EVOKES EMOTION.

EMOTION SPAWNS GENIUS.

EMOTION BLURS JUDGMENT.

Man: Jet Ranger 45-Alpha--

descend immediately.

WHAT?

Drop the nose fast.

WHERE THE HELL DID HE COME FROM?

SEE YOU IN A FEW MINUTES, J.B.

WHAT'S J.B. STAND FOR?

"JUICY BOD"?

WHAT IS THIS PLACE?

YOU'LL SEE.

( click )

( opera music playing )

SO THIS IS J.B.

WHAT'S WRONG?

SOMETHING ABOUT THE WAY YOU LOOK.

WHY? WHAT'S WRONG WITH THE WAY I LOOK?

LIKE SOMEBODY THAT'S BEEN FORGIVEN HER ENTIRE LIFE.

I DON'T NEED FORGIVENESS

FROM ANYONE

INCLUDING YOU.

YOU SEE, SIOBHAN

IT'S IN THE EYES.

THERE IT IS.

GOOD.

SHE BROUGHT THE PLANS.

CHECK IT OUT, SIOBHAN.

DON'T RUN A VIRUS SCAN.

THE HEADER BLOCK'S

DESIGNED TO LAUNCH ITSELF...

DON'T TELL ME WHAT TO DO.

...IF IT DETECTS A PROBE.

LET'S GO.

J.B.

YOU'RE A LONG WAY FROM HOME...

UNDERGROUND, AT THE MERCY

OF A CRAZED REVOLUTIONARY.

WHY AREN'T YOU AFRAID?

WHO SAYS I'M NOT?

I DON'T LIKE HER.

I DON'T LIKE YOU.

( woman screams )

WHAT WAS THAT?

THAT?

THAT'S SIMONE.

SIMONE?

YEAH, GOVERNMENT AGENT SPARKS GRABBED A COUPLE OF YEARS AGO.

HE KEEPS HER ALIVE... JUST IN CASE.

HONEYMOON SUITE.

WHERE DO YOU SLEEP?

LOOKS LIKE I HAVE THE BEST BED IN THE HOUSE.

SORRY.

NO CABLE.

AH... GUESS I'LL HAVE TO FIND

SOME OTHER WAY TO ENTERTAIN MYSELF.

NEED SOME HELP?

YOU'RE EASY.

I'M JUST NICE.

( rapid chirping beeps )

GOT HER.

WHERE?

BRILLIANT.

AN ABANDONED MILITARY INSTALLATION.

GOT ITS OWN GENERATOR AND IT'S AIRTIGHT.

WHERE CAN WE PUT THE MOBILE COMM?

UH... LET ME STROLL AROUND THE NEIGHBORHOOD

FOR A NICE, QUIET PLACE.

MICHAEL.

WHEN ARE YOU LEAVING?

AS SOON AS WE READY THE VAN.

JUST BE PREPARED FOR ANYTHING.

( woman moaning )

SIMONE...

SIMONE, I WORK FOR THE SECTION.

I'M GOING TO GET YOU OUT OF HERE

BUT I HAVE TO GET SOME HELP.

DO YOU UNDERSTAND?

MICHAEL'S HERE.

HE STILL LOVES YOU, SIMONE.

( distant door opens )

( opera music playing )

Siobhan: FLIGHT 19 IS IN THE AIR.

HOW LONG UNTIL IT'S OVER THE WATER?

18 MINUTES.

GOOD.

( keys clattering )

( beeping )

MOBILE COMM, CAN YOU HEAR ME?

Mobile comm, can you hear me?

REPORT.

SPARKS IS GOING TO DOWN SOME PLANES TODAY.

ALL RIGHT. GET TO YOUR EXIT POINT, NIKITA.

WE'RE PROCEEDING.

THERE'S SOMETHING ELSE.

WHAT?

UH, THERE'S AN INNOCENT DOWN HERE.

A HOSTAGE?

YES.

Acceptable collateral.

FORGET IT. JUST GO. WE'RE ABOUT TO LAUNCH.

NO, YOU CAN'T.

LET'S NOT GET INTO IT.

MOVE, NOW!

IT'S SIMONE.

WHAT?

I SAW HER.

SHE'S ALIVE.

Operations: This is a potential air disaster, Michael.

Don't even blink.

Nikita: Michael?

GET TO YOUR EXIT POINT, NIKITA.

I'M GOING TO NEED YOU.

Siobhan: ALL RIGHT. FLIGHT 135 IS IN THE AIR.

OKAY...

FLIGHT 135, YOU'RE ABOUT TO MEET FLIGHT 19.

SEVEN MINUTES, 13 SECONDS.

ALL RIGHT.

WHAT HAVE YOU GOT?

I COUNTED 24, INCLUDING SPARKS-- ALL ARMED.

THEIR POWER LINE RUNS UNDERNEATH THE SEWAGE CANAL.

CAN'T GET TO IT.

INGRESS AND EGRESS?

ONLY WAY IN'S THROUGH THE FRONT DOOR.

IS THAT GOING TO BE A PROBLEM?

NOT IF YOU GOT THIS.

HOW IS SHE?

NOT GOOD, MICHAEL.

WHERE?

Nikita: THEY WERE HERE. THEY WERE RIGHT HERE.

BIRKOFF, WE'VE GOT A PROBLEM.

We got 48 seconds before something happens. What do I do?

ALL RIGHT.

LOOKS LIKE CONVERGING TRAJECTORIES ON A TIMER.

I see a power switch.

SHOULD I TURN IT OFF?

NO! THE PROGRAM'S BEEN SENT.

WE HAVE TO CORRECT IT ON-LINE.

WHAT'S GOING ON IN THERE?

NOTHING! NOW, COME ON, BIRKOFF.

WE'VE GOT 30 SECONDS.

SIT DOWN AT THE MAIN KEYBOARD.

TYPE EXACTLY WHAT I TELL YOU.

Birkoff: PS dash E.

PS DASH...

ALL RIGHT.

THAT'S GOT TO BE IT.

IT'S THE ONLY PROCESS

I don't recognize.

All right. Type this in:

KILL, SPACE

minus-nine, space, 313.

Okay?

You got that?

That should do it.

NOTHING'S HAPPENING.

JUST WAIT.

BIRKOFF

18 seconds!

IT'LL WORK.

IT JUST HAS TO FILTER THROUGH.

Birkoff...

BIRKOFF!

OH, GOD.

SIMONE?

( screams )

( yells )

IT'S ME, SIMONE.

( moans softly )

DO YOU REMEMBER ME?

YOU'RE OKAY NOW.

YOU'RE SAFE NOW.

IT'S OKAY.

( cries softly )

YOU'RE SAFE NOW.

YOU'RE SAFE.

IT'S OKAY.

IT'S OKAY.

I THOUGHT...

I WOULD HAVE NEVER STOPPED LOOKING FOR YOU.

NEVER STOPPED LOVING YOU.

OH, MY GOD...

WE'VE GOT TO GET OUT OF HERE.

COME BACK TO ME, SIMONE.

COME BACK TO ME, SIMONE.

I CAN'T FIND SPARKS.

I'M HERE.

IT'S OKAY.

I KNOW WHERE HE IS.

OKAY.

OKAY. LET'S GO.

( groans )

HE'S IN UNIT B.

DON'T MOVE.

YOU STAY HERE.

OKAY.

UNIT B.

HE'S MINE.

( distant yelling )

SIMONE!

SIMONE?!

Sparks: GO ON. GO AHEAD AND DO IT.

Sparks: SIMONE...

HESTER.

SIMONE.

SIMONE...

GO. GET OUT OF HERE.

TAKE HER OUT, MAN. SHE'S CRAZY!

Simone: IT'S TOO LATE, MICHAEL.

I'M ALREADY DEAD.

AFTER ALL THE YEARS YOU'VE KEPT ME HERE

WE'RE GOING TO GO TOGETHER, SPARKS.

NO, SIMONE!

I'M SORRY, MICHAEL.

SIMONE, PLEASE DON'T DO THAT.

IT'S THE ONLY WAY IT CAN BE.

PLEASE, SIMONE!

DON'T!

I LOVE YOU, MICHAEL.

( Sparks screaming )

The building will destruct in 30 seconds.

This is not a drill. Please evacuate.

MICHAEL!

MICHAEL!

28, 27...

SIMONE!

26, 25...

SIMONE!

THERE'S NOTHING YOU CAN DO!

22... 21...

MICHAEL!

THE OTHERS, MICHAEL.

19... 18...

EVACUATE NOW.

17... 16... 15...

14... 13...

12... 11...

ten... nine... eight...

seven...

six... five...

four... three...

two... one.

WHEN HE THOUGHT SHE DIED THREE YEARS AGO

HE JUST SHUT HIMSELF RIGHT OFF.

HE DIDN'T TALK TO ANYONE UNTIL...

UNTIL YOU CAME ALONG, SUGAR.

LET'S HOPE IT'S NOT SO BAD THIS TIME.

THANKS, WALTER.

Michael: NIKITA.

I WANTED TO THANK YOU.

I'M SO SORRY.

IF IT WASN'T FOR THE SECTION, NONE OF US WOULD HAVE A LIFE.

WHAT RIGHT DO I HAVE TO FEEL CHEATED?

YOU HAVE A RIGHT

TO FEEL ANY WAY YOU WANT.

DO YOU WANT TO HAVE A CUP OF COFFEE?

I'D LOVE TO.

GOOD.

( rock music playing )

WHY CAN'T YOU TELL ME WHAT HAPPENS

WHEN THE PHONE RINGS?

THAT'S PRETTY.

I... I HAVE TO...

I'VE MADE SOME PROMISES TO KEEP SOME THINGS...

CERTAIN THINGS, UH... CONFIDENTIAL.

SO DO YOU ALWAYS KEEP YOUR PROMISES?

I TRY TO.

I LIKE THIS SONG.

Captioning sponsored by WARNER BROS.