Original subtitles

Have you done the right thing, Bea?

Of course, Eden.

We've dreamt about it for years.

I know, but it's not just a trip to Paris.

We've changed our life.

Are you having doubts?

No.

It's just such a big step.

We'll never get this chance again, so let's enjoy it.

What about the House of Elliot?

I know.

They'll manage without us, won't they?

I hope Tilly will be all right.

She's a fighter.

She can look after herself.

What are you thinking about?

I'm just remembering not long after we promoted Tilly to head semstress, how

reacted when I told her she had to be firm and assertive with the girls.

Miss Evie, I know what I'm doing.

Tilly, you have to show them who's in charge.

You see that?

Don't need it.

A few kind words will always do the trick.

You're becoming quite a diplomat, Tilly.

Who?

Never mind.

Just be firm with them.

Oh, yeah, Mrs. Ramby's always going on about that.

Well, we were lucky to get a head of work from with her experience.

But she needs your help to manage the girls, Tilly.

Oh, yeah, I know that. Tilly, I'm in here.

Tilly? In the fitting room.

What does she want now?

Remember those few kind words.

Now, Tilly, I... Oh,

Miss Elliot.

I'm sorry, I didn't realise.

Florence, isn't it about time you started calling me Evie?

That's very kind.

I'm so used to the formality.

Old habits die hard.

Well, perhaps, Miss Evie, that's half formal.

I'll try to remember.

A word, Tilly. Yes, Mrs Wanby.

I've been thinking.

I want to establish a proper routine for checking and ordering stock.

I've got some changes that we need to discuss after work this evening.

Oh, I promised to take my little brother to the pictures this evening.

This is more important.

Unless, of course, that you consider the pictures must come before the house of

Elliot? No, Mrs. Rambey. Good.

I won't keep you long.

Good, good.

That all looks very healthy to me, does it? Yes.

Oh, Desmond.

Desmond, do you think we might discuss those long -term plans you mentioned?

There's plenty enough time for that, Beatrice.

The capital of your collection has provided enough financial security for

present. Thank you. I'm very pleased.

Well, yes, but you yourself said we need to keep growing and... Oh, in good

time. By the way, I received a letter from your Aunt Lydia the other day. Yes,

so did we. Did she tell you she's decided to stay in America?

They are treating her like royalty.

Well, Aunt Lydia wouldn't love that.

I'm afraid I must dash. I shall telephone you soon.

Keep up the splendid work, Joseph.

Yes, sir. Goodbye, Betty.

Goodbye. We must dine again soon. Yes, that would be nice.

Joseph, we must finalize the order for the printer before the end of the day.

Yes, Miss Elliott.

Hide part 0092.

I shan't be too long.

Goodbye.

Jack. Just give me one moment.

Still no news?

No, the studio said they'd telephone me by now. I hate all this waiting.

Why don't you telephone them?

I already have.

I don't think it helps badgering them. It's strange, they seem so impressed at

the interview.

And in the meantime, you don't know what to do with yourself, do you?

No, you're looking at me like that. I do not regret closing down my studio.

Sorry, your studio.

I, of course, I'm just the tenant.

Well, we're not going to throw you out or charge rent.

Thank you very much.

But what I want to know is what time we expect at Lady Bruton's.

Oh, no, is it tonight? Yeah.

Jack, I don't want to go. Be... Oh, we've done nothing but socialise since

collection. I'm worn out with it. You and Evie are the toke of the town.

Everyone wants to meet you. It's all part of the business. You...

You should be glad things are going so well for you. You have to capitalise on

it while you can.

Oh, I can't help it. I just find the whole social round so tedious.

Tedious? When you're always escorted by a man who loves you to distraction, who

is waiting impatiently for you to marry him. Check.

Joseph's too emergent. He's dropping in. Oh, Mrs Delcourt.

Shall we go straight to the theatre? Thank you.

I'll be ready at seven.

It's the third time I have escorted Evangeline to one of these meetings, and

it's the third time I have hardly seen her.

It's the same with you and Beatrice, isn't it? How do you stand it, Jack?

Beatrice needs as much support as she can get, and I intend to provide as much

of that support as I can.

And Evangeline?

Evangeline can look after herself.

I know.

I find it difficult to get close to her.

You've known her a long time, Jack.

What should I do to make her pay more attention to me?

I don't know, Richard. I'm trying to find the answer with Beatrice.

Can I fetch you another drink?

No, I'm fine for the moment, thank you.

When will the new collection be?

Oh, well, luckily we've been so inundated since the last collection that

really haven't had time to think about it seriously.

No, though we've had a few ideas.

But we've not really developed them yet.

Couldn't you just give us a little indication of what you might be

It's too early, Lady Bruton. Oh, that's not fair.

Perhaps if I give the House of Elliot my patronage, you might reveal a trifle

more. Then you'll be coming to see us, Lady Bootham. I shall make an

tomorrow, and we shall look forward to that.

And then, will you tell me? Something that nobody else knows, that I promise.

I'm Margaret.

Who are you?

Jack Maddox.

Maddox. Didn't you used to be a photographer?

That's right.

You made my mother look wonderful.

Good.

Do you think you can do the same for me?

I'm afraid I'm not in the same line of business anymore.

Oh, well, what do you do then? I'm a director of moving pictures.

Really?

Well, do let me know when you go back to taking photographs.

Oh, we don't go that way.

His brother Albert's just started collecting stamps.

Oh, Evie, there's an article on Gilles Carignac about his collection he's

showing in New York. It's a photograph.

Hasn't he strong features?

He does look French. It's a silly thing to say.

Well, he does, doesn't he?

I suppose you're right.

Mr. Lexington's coming to London next week.

I know, by special invitation only.

Jill Karaniak is the best. For the last three years, his designs have broken new

ground.

Everyone's looking to him for the next innovation. We must get to see it.

we creep in secretly?

And disguise ourselves as a couple of clients?

I don't think that would work.

Well, we'll just have to wait and see it with everyone else much later in the

magazines. No, I know what I'll do.

I'll telephone and request for an invitation.

Bea, you can't. Why not? They can only refuse.

Let's all do that now before we go down, then I won't disturb Joseph.

Agnes, when are you working on that white evening blouse?

Oh? You didn't ask Mr Wint to try it on for size, did you?

Did he?

You want to keep your answer to yourself, my girl.

Joseph is a married man.

Oh, my God!

That's enough. Back to work, please. We are working. No, you're not.

Convent in here?

What did you just say, Agnes?

Nothing.

It's what, kids? Oh, no, I'm ever so sorry, Mr Wink. You see... Quiet,

Lily, could you come here a moment?

Sorry about all that. Later.

Whose work is this?

Jenny's. Aren't you sure?

It's Jenny's.

It's not good enough.

Uneven stitching. Look.

Oh, but that's only on the inside.

No one's ever going to see it. That is not the point.

It's careless workmanship.

This is the second time I've had to point out something that Jenny's not

correctly. Oh, she's only new.

It's hardly an excuse, Tilly.

It's your job as head censor to make sure that the girls do their jobs

I have other things to worry about.

Now, let's have no more of this.

Invitations to the London launch of Maison Gilles' Paris collection. No.

My telephone call works.

Well done.

Good morning, Sally. Good night.

It is a good night, isn't it, Joseph?

Well, I think it might rain.

A hundred designs. I know.

I know. It makes our collection seem so insignificant.

I could kick myself for not having the courage to just go up and congratulate

him. Oh, B, you couldn't get near him.

I still would like to have met him.

So would I.

Taxi! That's all right. I'd quite forgotten about it.

Sorry, you'd like to see me again?

No, no, I don't mind at all.

I'll just check in my diary.

B, it's deemed a privilege to be invited to one of Mrs. Van Olsen's soirees.

She's a generous patron of the arts.

Well, I'm not at the beck and call of anyone.

Would you tender my apologies?

Say I'm not feeling well.

You look wonderful, Evie.

Thank you. Who's escorting you this evening? Richard.

Again? He must be the favourite.

The only one available at such short notice.

Lucky Richard.

Hello, Jack. Hello.

If you're not doing anything tonight, I thought we could go out for a quiet meal

for a change.

Yeah.

That would be nice. Does that mean you're definitely not coming? No. Coming

where? I'll explain later.

Yes?

Yes, it is.

Mrs. Van Olsen.

Yes, we did.

Unfortunately, my sister is unwell, but I shall be there.

Yes.

I beg your pardon?

Jill Karaniak will be there.

You wanted to meet us both?

Um, just one moment, Mrs. Van Olsen.

Mrs Van Olsen, my sister has just come in. It seems as if we both shall be able

to come there.

Yes, of course.

We shall look forward to it.

Yes, goodbye.

That was horrible. I keep telling you things like that.

Jill Karen Yak wants to meet us, Evie. What's going on here?

It's a very last -minute invitation by Mrs Van Olsen, who's a terribly

influential woman, and we can't turn it down.

In France, we are just as interested in what is happening in England with

couture. And my friend, Captain Molina, is a good rival.

Now, we have the two beautiful Elliot sisters.

Two of the Elliot sisters.

Mr.

Kalanick, we have only just started.

No, talent does not just start.

You wake up and it is there.

Talent is born and it develops, and you both have it.

The collection of evening wear was magnificent.

Well, thank you.

The nocturne in blue and gold was my particular favorite.

Matching the border of gold stencil lace with the blue -green armor chiffon was

an inspiration.

I don't know what to say.

Say nothing.

Gilles is very careful with his compliments.

He has not once told me how beautiful I look.

It goes without saying, Mrs. Bonhoeffer.

I might be one of your biggest admirers.

But a lady still likes to be flattered.

Tell me, it's not from Maison Gilles.

You don't like it, do you?

Don't do justice, madame, if I want to be honest.

And what do you think, Richard?

Well, you look nice.

Jack, you're a man of taste.

You look very impressive.

Well, if you came to Adenville by Northam, we would make something that

would be pleased with.

Really? Yes, in a color and a fabric that would express your true

Gilles, I like these girls. You have competition.

I'm afraid these evenings can be rather dull sometimes.

Sometimes?

Sometimes it's good. It's no consequence.

Our friend Carignac certainly liked the pig that they had.

Don't you find him a little too clever?

Gilles possesses so many qualities, including being a wonderful lover.

I'm sorry.

Obviously, you didn't know.

I'm his mistress.

At least when he's in London.

Without his wife.

When are you returning to Paris?

In one or two times.

But before I go, may I have the pleasure of visiting Maison Elia?

You'd like to come and see us?

Yes. Of course.

Whenever you like.

I'm terribly sorry, but there appears to be a slight confusion.

Not of my making.

It's never happened before.

It has happened now. I really find this most inconvenient.

Yes, I do understand. Would you excuse me for just one moment?

Evie, the appointments have got mixed up. I don't know how, but we are double

booked. Mrs. Kerritch and Mrs. Rouse both want their fittings now.

Well, I suppose it had to happen sometime.

When I attend to Mrs. Kerritch in the fitting room, could you try and placate

Mrs. Rouse? Tell her I'll be as soon as I can.

All right.

Mrs.

Rouse, sorry to keep you waiting.

Would you like a cup of tea or coffee?

No, I would like a fitty.

Yes, well, Beatrice, it won't be long.

Um, we have some of the latest magazines from France. I'll get them for you.

Don't bother, Miss Elliot.

Mrs. Rouse, please, sit down.

No, Miss Elliot, I do not like to be kept waiting.

I made an appointment and I expect it to be kept.

Good day to you.

It's very nice.

Bonjour. It is not inconvenient?

No, no, of course not.

It was just a small misunderstanding.

We're just terribly busy, that's all. What would life be without complications

now?

We didn't expect you. No, please, don't let me keep you from your business.

I'm in no hurry.

I will sit and wait.

Go.

Go, go.

Just put them in there.

Oh,

just a minute. There's more to come than that, isn't there?

No, that's the lot.

Well,

not according to this, there isn't.

No, I think you're wrong.

Listen, miss, I deliver what's written on this sheet. If you've got cause to

question, you'd better do it with my employer, all right?

Oh, Tilly, they can't stay there.

Well, some black velvet's missing, I'm sure. If you had bothered to check the

pending delivery notes, you would have known that it came yesterday.

Oh. Precisely. All right?

Everybody happy now?

There's no need to be sarcastic, my man. Yeah, but I know what I'm doing.

Do you?

What do you think of the house of Elliot?

You are ladies who like to be told the truth, no? Yes.

So sit down.

I want to be honest with you.

It's very, very small.

And some of your methods are a little old -fashioned.

Well, we hope to, actually. And the organization is a bit disorganized. But

caught us on rather a bad moment.

No, no, no. With careful thinking, there are less bad moments.

Now, please, don't look so unhappy.

I have great admiration for what you both achieved with Solitaire.

Well, we do want to learn.

Yes. Life is always learning.

Good. I have to return to Paris in two days.

Oh, before I go, may I have the pleasure of inviting you for a small talk at my

favorite nightclub tomorrow?

Yes, we would be delighted.

Good.

Right then, Jack.

That's a wonderful story.

Can I be in your film? When I get it off the ground, you will be my leading

lady.

Jack, you must come on to Reading Perth.

The film will be the perfect location. What a bad idea.

And Beatrice and Evangeline could be in it as well. Oh, I'm not falling in the

same for anyone.

I don't know. It'll be great fun.

Well, I think I'll watch you off from behind the camera if you don't mind,

Jack, shall we dance?

Oh.

Oh, come on.

You don't mind, do you? No, no, certainly not.

Good.

I would be good to part.

I would like you both to come and work for me at Maison Gilles in Paris.

And what about the house of Elliot?

I don't know where to go.

It's not enough just to create and design dresses.

The business itself demands that much attention.

Well, you don't think that we can manage?

No, no, no.

Look at it this way.

Would you rather just spend all your time researching and designing than the

trouble of also trying to run a business?

We have put so much into the house of Elliot.

Yes, I know. Which is another reason why I make this offer to you, Evangeline.

When I open with all of you next year in London, I would like you both to run it

for me.

That's very flattering, but... Well, we've been working under your name.

running someone else's fashion house. No, no, no, no. No, not forever.

After a time, you will be free to open your own house, if you wish.

Really? Yes.

How long do we have to wait for you?

Five years. Five years?

You can come back.

When you're in Paris, I'll give you the rest of my new house.

Such a big decision.

I know.

But you have time to think.

I return to Paris in five days, so give me your answer before I go.

We would be working in the heart of the fashion world.

We'd be mixing with the very best, researching, studying.

But what about everybody else?

We can't take them with us.

The House of Elliot would have to close or be sold. Have you thought of all

that? Yes.

No.

Oh, it is such a responsibility, Bea.

I'll agree with whatever you decide.

Now you're leaving the decision to me. That makes things worse.

You're the eldest.

Easy.

Why does it always have to be so complicated?

You throw away everything you've built up. You abandoned your photographic

Entirely different. My decision was a necessity.

Jack, we might never be offered this chance again. She'll care and yack as I

give it. It's more than that, isn't it?

I've seen the way you look at him.

You must understand, my work comes first. Yes.

Are you sure it's work?

Jack.

Jack, you're not making this easy for me. How easy do you want it?

Probably had a bit of an argy -bargy. I wouldn't be surprised if he packed her

in. I think he deserves better.

Me.

Oh, has this Tilly been let off for good behaviour?

Oh, don't. I'm glad to get out of there for once.

Things haven't been the same lately, eh?

There's something going on.

I've never seen Miss Evie any more.

She's more upstairs in the flat than she is down in the workroom.

She used to tell me everything that was happening.

So they haven't been letting you in on all their little secrets?

Tilly, you are slipping.

Come on, Agnes, we've got to catch that bus.

Well, are you going to turn me down?

Gilles, we really need more time.

I know, I understand.

It took me a few months to decide to offer you this job.

I beg your pardon?

I never make important decisions just like that.

I'm sorry, you've only known us for a week.

I've known your work longer.

Since your collection, I've made a lot of inquiries about you, and everything I

heard was good.

I was looking for a new designer, and you both fitted the requirements

perfectly.

I knew I was right when I met you.

But I don't understand. It was only by chance that we were introduced to you,

Mrs. Van Orsen. No, it was no chance.

She and I organized the sway for your benefit.

We were the reason for the party.

I was very happy that you came to my collection, but it was impossible to

you after the show, so I made sure that we would do so on the story.

It was all specially planned?

Yes. I didn't have much time.

It had to be arranged quickly.

What if we hadn't come?

I would have found another way.

You're very determined, Mr. Carignac. Yes.

Only about what I know is right.

But of course, in the end, it's your decision.

Yes, well, we haven't...

Made our decision yet.

I'm sorry.

Maybe I can make it easier for you to decide.

How?

Why don't you come to Paris as my guest for a week?

You will be able to spend some time at Maison Gilles, which will give you a

idea how we work.

And then you could decide if you want to take my offer.

It's a very tempting offer.

Of course it is, Beatrice.

You have the luxury of spending a week finding out before having to decide.

What if we agree to accept?

Naturally. Giving up the house of Elliot is a major step, a decision that

requires careful consideration.

There will be many matters to attend to.

Desmond, what should we do?

Enjoy your week first.

Come and talk to me when you return.

All right.

Could I ask you to keep an eye on things while we're away?

Florence and Joseph are extremely capable, but I can't really ask Jack,

Leave everything to me. Thank you.

Edmund, I've been meaning to say, you were looking very tired.

Is everything all right?

A few late nights.

We bankers sometimes have to work hard to make sure your money is looked after

properly.

Goodbye, Beatrice. Goodbye, and thank you.

Well, goodbye, Jack.

We'll

only

be for a week.

That's all.

But you still might accept his offer.

I don't know, Jack.

We're only going to have a look. I'll probably hate it. You might love it, and

might never see you again. Now, don't be so dramatic.

Evie and I need a holiday.

And anyway, you and I... What, you think we need a break from each other?

Now, don't keep twisting what I say.

This holiday will do us all good.

And when we get back, you and I will seriously talk about our future.

We will come back.

Do you think it was fair that we didn't tell the girls the real reason for those

baths?

It might all come to nothing.

Oh, I know.

I still feel guilty.

Don't.

Evie, it's really happening.

We are going to Paris.

What should we do?

Just let him meet us.

Wait a bit longer.

Then he'll attack us, won't he?

I'm sorry we are late.

Jill has to attend to some business.

I'm sorry. I'm so sorry. I was not there to meet you, I promise.

A little trouble with some supplies in Lyon. Not at all. Your wife has made us

feel very welcome.

I do not know what I would do without her.

I think you would manage.

She knows all my secrets.

Sit down.

So, welcome to Paris to Bertrand and Evangeline.

And it's your stay.

Thank you. We're very pleased to be here.

Good. We shall have a...

family meal tonight.

Will that suit you? We shall look forward to that.

Bien. Alors, comment on dit en France?

Santé?

Santé.

Bea, when I have money, this is the kind of house I want to live in. It is

absolutely wonderful.

Well, when our fortunes change, do we?

Fortunes always change.

I once owned a house, quite a large, 20 servants.

Now I am alone in a small apartment.

Yes, fortunes change.

Enjoy your evening.

Thank you.

You know, Dimitri is working for us for three years now. But do you know he was

really a grand duke?

There are many, many emigres from Russia now.

Most of them with title and some with royal blood.

They had to escape during the revolution. They lose everything.

And they come to Paris with nothing.

But to end up being a chauffeur.

Ah, no, no, no. I treat Dimitri like a grand duke.

Oh, I didn't mean that. I mean... You know, Beatrice, people have to survive

whatever they were before.

They are a con.

Princes, very general, working as head waiters, store men, taxi drivers.

They want to

say good night to Beatrice and Evangeline.

You have

beautiful children.

It's because they have Yvette's looks.

Why did you both meet?

I came to work for Gilles.

He stole me from Chanel. No, no, no, no, no. I never stole you.

I made you a better offer.

That was the best mannequin in Paris.

I only won the best.

Which is the reason why you are both here.

We're very flattered.

Gilles never does anything... without careful thought.

Patrick, did you meet Dorothy in London?

Well... Oh, yes.

Of course I did.

We are very open to each other.

Gilles is not in London a lot.

I hope we don't shock you.

Oh, no.

Good.

To other matter, tomorrow I have arranged a grand tour of Médongere.

And... Dimitri will pick you up at night at your hotel.

You drank more than I did. I did not.

Hello?

Hello?

Hello?

Hello?

What?

No idea.

How many people do you actually employ?

Nearly a thousand.

A thousand?

How do you manage them all?

With directrices.

Of course.

What is this?

If you so choose, it would be your design studio.

Of course you will have your honesty to help, leaving you total freedom to

design. All this?

And more.

Is it acceptable?

We never imagined.

Good. And now I will take you for a small trip in the car.

Cheers. It's absolutely wonderful.

Oh, what a wonderful moment.

It's yours.

What do you mean?

If you accept my offer, this apartment will be at your disposal for as long as

you want from me in Paris.

That is more than generous.

Jill, what can we say? Say nothing for now.

I suggest for the next day you enjoy Paris.

It will give you time to seriously consider my promise.

I only make one condition.

Bill? I want to know before you return to England.

Hello?

Jack?

What?

Hello? Hello?

Well?

Oh, Jack.

And what did he want?

He said he loved me and he missed me.

And then he hung up.

Hello? Yes.

Thank you.

Who are they from?

Jack.

How did he manage that?

Excusez -moi, the mademoiselle would like a special guide through a romantic

paris. No, thank you. What about you and your sister being expertly photographed

by the staff of the court?

Jack!

You don't mind?

This sudden appearance.

I arrived last night. I managed to put myself in here. I'm treating myself to a

few days' holiday because I've had some good news.

That film studio I had a couple of interviews with has hired me to make a

film. It's not one of my own, but it's a start.

Oh, Jack, it's marvellous. I'm so pleased for you.

Anyway, you mustn't let me intrude on you. I know you must have lots to do.

Perhaps we could have a meal tonight.

And if you're not already engaged, that is. Well, actually, we have the whole

day to ourselves, and we were just going to do some sightseeing for you to join

us. You sure? Of course we are, Jack. Come on, we can perish together.

Dimitri.

And please, I caught you.

What's the matter?

M. Gilles has instructed me to have myself and the car at your disposal, if

so wish.

Well, that's very kind of him, but I think we'd be just as happy walking.

I'm sorry if you would have wasted your journey.

It's my job.

No, no, no. I have a better idea. Why don't you and Jack go off on your own

I'll take the car?

Well, have a lovely time.

Oh, don't argue.

We won't.

Oh,

my God.

Jack! Jack, can you stop?

Oh, really?

We haven't seen the Palais de Luxembourg or the Tuileries. We haven't looked at

the Lightning Court. No more, please.

What about a carriage ride in the Blood of Boulogne?

I'd like a drink.

Can we go in here?

I have had

such a

wonderful day.

So have I.

I don't want it to end.

It doesn't have to.

You know what I mean.

Yeah?

I will marry you, Jack.

I will marry you, Jack Maddox.

I have witnesses.

I came prepared.

Just in case. No, no, I've had it for some time.

Oh, oh, Jack, it doesn't fit.

Can I be altered?

Yes, of course.

B,

I wanted to get married now. Not in three months' time. Not after the next

collection. Now.

What, here in Paris?

Yes, here in Paris.

You're positive, aren't you?

I've never felt more positive in my life.

We all went to the Folly Bergère.

B, that show is so daring.

And then that didn't feel very well, so Dimitri took her home.

And Jill and I ended the day on a beautiful boat trip down the Seine.

It was perfect.

B, are you all right?

Evie, I'm getting married.

What?

To Jack.

In Paris, in the next day or two, if we can make the arrangement.

Fee, that is wonderful news.

Oh, don't flee, Feebo. Thank you.

It's about time.

It does mean that I am going to turn down Gilles' offer.

Ah, I see.

But it doesn't mean that because I have that you have to.

What's important now is your wedding.

Oh, you and Jacques were made for each other.

Do you want to take your wife, Miss Elliot Beatrice, who is here?

Yes.

Miss Elliot Beatrice, do you want to take Mr.

Madoc Jacques, who is here?

In the name of the law, I declare you united by the ties of marriage.

I present to you the public, congratulations.

Thank you.

Where's Evie? I don't know. I told her we were leaving at nine o 'clock sharp.

I hope she's overslept.

I hope she remembered to pack last night.

I'll just go and see if she's all right.

That's it.

Evie, someone bringing your luggage. No, don't worry. The thing is... Evie, come

along. We're going to be late.

What?

Evie! I've decided to stay.

I telephoned Gilles this morning and accepted his offer.

I've realized my future lies here in Paris.

You're staying now?

There's no point in returning to England.

I want to start afresh today.

I'm sorry.

So am I.

Hello. Where are your bags?

Evie won't be coming, Mrs. Jack. She's decided to stay in Paris.

Ah.

You saw about this?

Yes.

Right.

I'll wait for you outside.

Goodbye, you.

Goodbye, Jack.

You hate me.

I could never hate you, Evie.

You're old enough to know what you want to do.

It's a chance I never had at your age.

You will be all right, Evie. I mean, shall I stay? No, no.

I'll be fine.

Oh, please.

Hurry, we're going to miss your train.

Look after yourself. I will.

I will.

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