All language subtitles for Good Times s03e19 Sweet Daddy Williams

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,540 --> 00:00:09,280 Good times, any time you need a payment, good times, any time you feel free, 2 00:00:09,640 --> 00:00:15,240 good times, any time you're up and under, not getting hassled, not getting 3 00:00:15,240 --> 00:00:18,300 hustled, keeping your head up for water, 4 00:00:19,240 --> 00:00:24,900 making a way when you can, temporary layoffs, good times. 5 00:00:52,360 --> 00:00:54,100 Hey, can I fix your assignment? Just a minute, Ma. 6 00:00:54,400 --> 00:00:58,060 I'm painting an eyebrow on this chick here, and it's a very delicate job. I 7 00:00:58,060 --> 00:00:59,720 to have absolute quiet. 8 00:01:04,560 --> 00:01:05,560 Ah! 9 00:01:06,820 --> 00:01:09,140 Now instead of an eyebrow, she's got a mustache. 10 00:01:10,880 --> 00:01:13,760 Michael, you have to slam the door like that. That's the only way I know how to 11 00:01:13,760 --> 00:01:14,760 slam it. 12 00:01:16,240 --> 00:01:17,520 Real wise guy, huh? 13 00:01:17,920 --> 00:01:20,900 Well, I would punch y 'all, but y 'all weigh me by 15 pounds. 14 00:01:23,720 --> 00:01:25,880 Well, a broomstick outweighs you by five. 15 00:01:27,400 --> 00:01:29,480 You got something on your cantaloupe hair. 16 00:01:30,060 --> 00:01:31,060 That's enough. 17 00:01:32,680 --> 00:01:33,880 That's right. Be quiet. 18 00:01:34,260 --> 00:01:38,240 I need to have to look quiet for this painting because I got to get this 19 00:01:38,240 --> 00:01:39,980 just right. 20 00:01:44,780 --> 00:01:48,680 Now instead of an eyebrow, she's got a goatee. 21 00:01:52,680 --> 00:01:55,060 I'm trying to paint this chick here, and she's turning out to look like Bill 22 00:01:55,060 --> 00:01:56,060 Russell. 23 00:01:57,180 --> 00:02:00,240 That still makes her better looking than any chick you've ever taken out. 24 00:02:02,180 --> 00:02:05,960 Look who's talking. The girl whose face looks like Dog Day Afternoon. 25 00:02:07,040 --> 00:02:09,880 That's right, your mahogany face. Get out of here. 26 00:02:10,680 --> 00:02:13,940 Now, if anybody else slams that door, they're going to hear from me, and 27 00:02:13,940 --> 00:02:14,940 going to hear from me good. 28 00:02:15,240 --> 00:02:16,240 Because I'm mad. 29 00:02:33,260 --> 00:02:35,580 You have just disturbed the artiste. 30 00:02:36,220 --> 00:02:37,520 Hey, Junior, who's the fox? 31 00:02:37,740 --> 00:02:39,480 She looks a little bit too old to be one of yours. 32 00:02:39,860 --> 00:02:43,620 Oh, it's nobody, Dad. It's just the face in the crowd. 33 00:02:44,200 --> 00:02:47,040 Yeah? Well, it looks like somebody I've seen around. 34 00:02:47,720 --> 00:02:49,840 It looks like someone who's been around. 35 00:02:51,840 --> 00:02:54,600 Now that you mention it, James, she does look familiar. 36 00:02:55,300 --> 00:02:57,180 Like somebody in the neighborhood. 37 00:02:57,660 --> 00:02:58,439 Mm -hmm. 38 00:02:58,440 --> 00:03:01,020 Tell you what, Junior, tack another eyebrow on and... 39 00:03:01,370 --> 00:03:02,770 Maybe we'll be able to recognize him. 40 00:03:05,390 --> 00:03:11,430 Oh, it's nobody in particular, Dad. It's just a face that developed in my head. 41 00:03:12,110 --> 00:03:13,430 Ah, that figures. 42 00:03:13,670 --> 00:03:15,650 Your head is a darkroom. 43 00:03:15,990 --> 00:03:19,130 All right, don't stop hassling him and let him finish his work. 44 00:03:21,370 --> 00:03:22,370 All right. 45 00:03:23,930 --> 00:03:24,990 I'm sorry, baby. 46 00:03:25,660 --> 00:03:28,360 Somebody must have put the booba trap on the beer again. It's warm. 47 00:03:28,660 --> 00:03:31,560 No. That refrigerator is out again. 48 00:03:33,520 --> 00:03:36,180 This is the third time this week, James. 49 00:03:37,340 --> 00:03:38,340 Hi, everybody. 50 00:03:38,840 --> 00:03:39,840 Hey. Hey, 51 00:03:41,240 --> 00:03:43,560 Picasso, creating another masterpiece? 52 00:03:44,020 --> 00:03:45,840 Well, you know, what can I say? 53 00:03:46,440 --> 00:03:49,160 What are you doing painting Savannah Jones? 54 00:03:49,960 --> 00:03:51,040 Savannah Jones? 55 00:03:51,360 --> 00:03:52,360 Yeah, that's sweet. 56 00:03:56,040 --> 00:03:57,720 I knew I'd seen that face around here somewhere. 57 00:03:58,000 --> 00:03:59,200 JJ, why are you painting now? 58 00:03:59,420 --> 00:04:01,480 And how come you didn't want to talk about the painting before, huh? 59 00:04:01,740 --> 00:04:03,680 Uh, how come I didn't want to talk about it, huh? Yeah. 60 00:04:04,100 --> 00:04:07,780 Well, uh, uh, Dad, you always say that I have a big mouth, so this time I 61 00:04:07,780 --> 00:04:09,780 thought I'd keep it shut. Uh, ha, ha. 62 00:04:12,120 --> 00:04:15,000 Uh, that's what I did. Out of respect to you, Dad. 63 00:04:15,220 --> 00:04:17,320 Now, come on, Junior. What's the story behind this painting? 64 00:04:18,040 --> 00:04:22,220 Well, uh, you know, Sweet Daddy Williams digs my artwork. Now, are you out of 65 00:04:22,220 --> 00:04:23,880 your mind doing business with that hoodlum? 66 00:04:24,400 --> 00:04:26,520 He's the biggest number runner in the project. 67 00:04:26,780 --> 00:04:29,940 Yeah, that's right. He's great to all the black people in this community. 68 00:04:30,560 --> 00:04:34,220 JJ, you should have more sense than to associate with a man like that. 69 00:04:34,760 --> 00:04:38,220 Ma and Dad, you're both right. But this is my big opportunity. 70 00:04:40,140 --> 00:04:42,720 This is not for me. I'm doing this for my country. 71 00:04:44,620 --> 00:04:46,020 What are you talking about? 72 00:04:46,560 --> 00:04:50,100 Well, you see, Sweet Daddy Williams is paying me money to do this painting. And 73 00:04:50,100 --> 00:04:51,420 this money can go into the economy. 74 00:04:51,980 --> 00:04:56,020 Now... Y 'all may not dig it, but President Ford will be thrilled. 75 00:04:57,980 --> 00:04:59,800 How much are you getting paid? 76 00:05:00,580 --> 00:05:06,360 One never discusses money when dealing in services with Sweet Daddy Will. 77 00:05:07,600 --> 00:05:09,180 I'm sure Savannah does. 78 00:05:12,880 --> 00:05:14,480 You ever seen those ladies, baby? 79 00:05:14,880 --> 00:05:17,300 Boy, she's about 5 '4", pure dumb. 80 00:05:19,820 --> 00:05:21,900 The original UFO, too. 81 00:05:22,280 --> 00:05:23,900 Ugly, quickie, and obnoxious. 82 00:05:28,480 --> 00:05:31,320 Well... Well, June, you got to be out of your mind doing business with that 83 00:05:31,320 --> 00:05:32,320 hoodlum. 84 00:05:32,820 --> 00:05:36,000 One thing we don't need is money from that parasite. 85 00:05:49,180 --> 00:05:53,910 Say, is J .J. Neal... Tell him that Sweet Daddy Williams is here. 86 00:05:58,050 --> 00:05:59,190 Sweet Daddy! 87 00:05:59,570 --> 00:06:01,430 Hey, hey, there he is, kid. 88 00:06:02,250 --> 00:06:04,350 Dynamite himself. What's happening, my man? 89 00:06:05,010 --> 00:06:08,490 I'm more concerned with what's going to be happening. 90 00:06:09,550 --> 00:06:10,750 Come on in. 91 00:06:10,990 --> 00:06:13,570 You can come on in. You can make a U -turn and go on out. 92 00:06:14,810 --> 00:06:17,010 Say, baby, why the hostile attitude? 93 00:06:20,689 --> 00:06:21,689 attitude. 94 00:06:22,670 --> 00:06:23,670 I'm hostile. 95 00:06:26,170 --> 00:06:29,750 Well, peace, I mean, peace, brother. I mean, sweet daddy ain't here for no 96 00:06:29,750 --> 00:06:31,970 hassle. I come to see how bloody it was doing. 97 00:06:32,370 --> 00:06:34,890 Well, he's doing just fine, Mr. Williams. 98 00:06:35,250 --> 00:06:38,190 But there's one thing you might as well know right out front. 99 00:06:38,550 --> 00:06:43,210 We don't want our son doing business with you. Oh, I love doing business with 100 00:06:43,210 --> 00:06:45,850 him, you know. I mean, you got a son who is too much. 101 00:06:46,110 --> 00:06:48,430 I done seen the dude's painting. Here's what you call... 102 00:06:48,840 --> 00:06:49,840 Out of sight. 103 00:06:50,740 --> 00:06:53,780 Well, we'd both feel better if you was out of sight. 104 00:06:56,360 --> 00:07:00,000 Say, son, you gonna be an artist like J .J. when you grow up? 105 00:07:00,400 --> 00:07:03,900 No, man, I'm gonna be a lawyer, and I'm gonna clean the ghetto out of all the 106 00:07:03,900 --> 00:07:05,080 lowlifes like you, turkey. 107 00:07:18,000 --> 00:07:19,260 How's the painting coming, ma 'am? 108 00:07:19,540 --> 00:07:23,020 It's almost done. Oh, far out. See, because Savannah's going to be in from 109 00:07:23,020 --> 00:07:26,860 in a couple of days. You know, I want to surprise her. So, like, can I steal a 110 00:07:26,860 --> 00:07:27,860 look? 111 00:07:28,040 --> 00:07:30,760 Why not? You steal everything else. 112 00:07:33,060 --> 00:07:35,280 Oh, look here, Mama. We haven't met. 113 00:07:35,740 --> 00:07:36,960 I don't think so. 114 00:07:37,360 --> 00:07:39,440 I've never been in Leavenworth. 115 00:07:42,660 --> 00:07:43,980 She don't know what she missed. 116 00:07:45,200 --> 00:07:46,980 All right, let's look at the masterpiece. 117 00:07:48,400 --> 00:07:49,259 Oh, yeah. 118 00:07:49,260 --> 00:07:52,020 Mm -hmm. It's sweet. I dig that, J .J. I dig it, man. 119 00:07:52,240 --> 00:07:55,340 Thanks, man. Thanks. Let me tell you something else. I'm paying good money. 120 00:07:55,340 --> 00:07:58,460 understand me. Good money for this. So does it have two coats of paint? 121 00:08:01,800 --> 00:08:04,340 Yeah, anything you want, sweet daddy. 122 00:08:04,560 --> 00:08:05,560 Right on. 123 00:08:06,620 --> 00:08:09,080 Say, my throat's a little dry. Can I get a beer or something? 124 00:08:09,340 --> 00:08:13,200 Yes, sweet daddy. We got beer, but our refrigerator... Now, you heard the man. 125 00:08:13,320 --> 00:08:15,460 Show some hospitality, son. He wants a beer. 126 00:08:15,660 --> 00:08:16,660 Give him a beer. 127 00:08:18,990 --> 00:08:22,290 I really hate to bother you, but I like it. Dusting these old funky buildings 128 00:08:22,290 --> 00:08:24,310 always gets in my throat and makes me choke. 129 00:08:24,990 --> 00:08:27,150 Too bad the condition ain't permanent. 130 00:08:28,870 --> 00:08:29,870 It's true. 131 00:08:29,890 --> 00:08:33,789 Uh, Sweet Daddy, here's your beer, but I told you before. Junior, how many times 132 00:08:33,789 --> 00:08:36,190 have I got to tell you? You're going to show somebody what you're trying to do. 133 00:08:36,510 --> 00:08:37,770 Just give me a beer. 134 00:08:42,510 --> 00:08:48,970 I'm sorry about that, Sweets, but we forgot our... Refrigerator's broken. Oh, 135 00:08:49,090 --> 00:08:53,650 yeah. Well, no sweat, man. No sweat. Because I got 27 more suits like this at 136 00:08:53,650 --> 00:08:54,650 apartment. 137 00:08:55,670 --> 00:08:58,230 But this show is a cold way to treat J .J. 138 00:08:58,570 --> 00:08:59,750 Sponsor. Sponsor? 139 00:08:59,970 --> 00:09:01,130 What you talking about sponsor? 140 00:09:01,660 --> 00:09:04,900 Well, for the truth, I brought by the lady big news on you. You see, I have 141 00:09:04,900 --> 00:09:08,660 rented the Rose Room. You understand me. The Rose Room at the Majestic Hotel. 142 00:09:09,140 --> 00:09:15,200 And in a week, there is going to be a one -man art show featuring none other 143 00:09:15,200 --> 00:09:17,140 than James Evans Jr. 144 00:09:17,420 --> 00:09:20,760 himself. The ghetto answer to, I don't know, Van Gogh. 145 00:09:21,300 --> 00:09:25,920 A one -man art show? Me? 146 00:09:26,400 --> 00:09:28,040 Mr. Williams, are you serious? 147 00:09:28,400 --> 00:09:30,860 I don't jive about things like this, Mrs. Evans. 148 00:09:31,210 --> 00:09:34,930 You see, when Sweet Daddy Williams is behind somebody, he backs them all the 149 00:09:34,930 --> 00:09:39,730 way. Now, I send out invitations to all the most important people in Chicago's 150 00:09:39,730 --> 00:09:43,830 art world. And when Sweet Daddy calls, you better believe they're going to, oh, 151 00:09:43,970 --> 00:09:45,090 come on down. 152 00:09:47,550 --> 00:09:50,570 Wow, Dad, I can dig them invitations. 153 00:09:51,090 --> 00:09:52,510 Now, wait a minute, wait a minute. 154 00:09:52,730 --> 00:09:55,570 Let me get this straight. This ain't no con you're really going to put on a one 155 00:09:55,570 --> 00:09:57,710 -man art show for Junior? If you don't believe me. 156 00:09:58,300 --> 00:10:00,820 Why don't you call the Majestic Hotel and check it out? 157 00:10:01,920 --> 00:10:03,960 And you still won't speak daddy to leave. 158 00:10:04,660 --> 00:10:05,660 Yeah. 159 00:10:05,920 --> 00:10:09,140 Dad! Now, Junior, now, just be cool. I don't like the idea of you taking no 160 00:10:09,140 --> 00:10:11,500 favors from no low -life honky -tonk hoodlum. 161 00:10:12,120 --> 00:10:15,300 That show is cold, brother, but you lucky I don't get insulted easy. 162 00:10:16,120 --> 00:10:19,220 Look here, J .J., look here, man. There's going to be a lot of big people 163 00:10:19,300 --> 00:10:20,580 huh, who could buy a lot of paintings. 164 00:10:20,800 --> 00:10:22,000 You could be on your way, brother. 165 00:10:23,160 --> 00:10:24,640 Now, it's your move, Pop. 166 00:10:25,020 --> 00:10:26,020 Hey, hey. 167 00:10:29,439 --> 00:10:32,220 Maintain your cool and peace. 168 00:10:43,100 --> 00:10:45,420 Well, James, it is a chance. 169 00:10:46,460 --> 00:10:50,620 Florida, he's a hoodlum and it would be hoodlum money. I know it's bad money, 170 00:10:50,740 --> 00:10:53,380 but for once, maybe it could be put to some good use. 171 00:10:54,040 --> 00:10:57,540 Besides, you know how we've always dreamed of J .J. getting his big break. 172 00:10:58,080 --> 00:11:00,240 That's right, Daddy. This could be a big picture for JJ. 173 00:11:00,860 --> 00:11:03,060 Okay, now you all be quiet now. 174 00:11:03,320 --> 00:11:04,320 Please, James. 175 00:11:04,560 --> 00:11:05,560 Just for JJ. 176 00:11:12,040 --> 00:11:13,320 All right, all right. 177 00:11:13,840 --> 00:11:16,500 As much as I'm against this character, Junior, I ain't going to be the one to 178 00:11:16,500 --> 00:11:17,500 stand in your way. 179 00:11:17,660 --> 00:11:20,840 Thanks, Dad. I knew you would come through because you're the greatest dad 180 00:11:20,840 --> 00:11:23,180 the whole world. You're kind, you're considerate, you're compassionate. 181 00:11:27,720 --> 00:11:30,460 to think I couldn't wait till he said his first words when he was a baby. 182 00:11:41,280 --> 00:11:42,280 Hi. 183 00:11:42,880 --> 00:11:44,400 Michael, what are you doing home so early? 184 00:11:44,600 --> 00:11:46,560 I got a ride in Sweet Daddy Williams' car. 185 00:11:47,620 --> 00:11:51,240 Check it out, Mama. Two of his dudes picked me up in his silver and avocado 186 00:11:51,240 --> 00:11:54,580 Cadillac. Mama, that is one bad set of wheels. 187 00:11:54,960 --> 00:11:59,540 It's got tiger skin, upholstery, a stereo, a TV, a built -in bar, and check 188 00:11:59,540 --> 00:12:01,420 out, they even got a telephone in the car. 189 00:12:01,700 --> 00:12:02,700 A telephone? 190 00:12:02,960 --> 00:12:06,220 Yeah, I guess that's just in case, you know, they run out of gas, they can just 191 00:12:06,220 --> 00:12:08,080 dial up and order another capsule. 192 00:12:11,240 --> 00:12:14,120 Michael, I don't want you riding with them anymore. 193 00:12:14,720 --> 00:12:18,360 Now, we let Sweet Daddy make a fuss over J .J. because of that one -man show, 194 00:12:18,540 --> 00:12:20,860 but we don't want anything else to do with him. 195 00:12:21,360 --> 00:12:25,960 And he sure is making a fuss over J .J., too. The other day, J .J. told Sweet 196 00:12:25,960 --> 00:12:28,580 Daddy he couldn't work on the painting because he had to deliver chickens for 197 00:12:28,580 --> 00:12:32,140 the chicken shop. Do you know Sweet Daddy ordered all the chickens they had? 198 00:12:33,100 --> 00:12:34,600 400 of them. 199 00:12:35,140 --> 00:12:36,400 And they had to close up. 200 00:12:37,180 --> 00:12:40,400 But what in the world would he do with 400 chickens? 201 00:12:40,700 --> 00:12:41,860 The next day, he... 202 00:12:51,150 --> 00:12:52,350 from that character. 203 00:13:12,930 --> 00:13:14,770 Nora, forgive him. 204 00:13:15,150 --> 00:13:17,930 He's trying to imitate one of your rainbows. 205 00:13:23,600 --> 00:13:25,440 you look like you fell into a box of paint. 206 00:13:27,480 --> 00:13:31,320 Enough of the admiration and accolades around here. 207 00:13:32,560 --> 00:13:36,100 Sweet Daddy thought I should go to his town to get some custom -made threads. 208 00:13:36,600 --> 00:13:39,240 It must have been tough making threads for a thread. 209 00:13:41,760 --> 00:13:45,320 Now, them clothes may be super fly, but you're still super flea. 210 00:13:48,220 --> 00:13:52,840 I should have expected that from you. The ugly sister being jealous of... 211 00:13:59,320 --> 00:14:02,620 J .J., are you really serious about wearing those clothes? 212 00:14:03,060 --> 00:14:06,900 Well, you know, now that I've arrived in the art world, Sweet Daddy says I 213 00:14:06,900 --> 00:14:09,520 should wear threads more becoming of my stature. 214 00:14:09,780 --> 00:14:12,140 I'm wearing this to the one -man show. 215 00:14:12,620 --> 00:14:17,600 With that outfit on, you are a one -man show. 216 00:14:22,510 --> 00:14:27,190 about your one -man show but your daddy and i are not happy about all the 217 00:14:27,190 --> 00:14:32,350 presents sweet daddy is giving you nor about the way you're trying to imitate 218 00:14:32,350 --> 00:14:39,350 him you just remember who that man is and how he makes his money now we 219 00:14:39,350 --> 00:14:45,750 don't want any more presents from him this refrigerator is compliments of 220 00:14:45,750 --> 00:14:49,190 daddy williams he don't want nobody having to drink warm beer 221 00:14:56,080 --> 00:14:58,140 can't keep that thing. We've got to send it back. 222 00:14:58,460 --> 00:15:01,780 We can't do that, Ma. We can, and we will. You understand? 223 00:15:02,580 --> 00:15:06,780 Ma, we can't do that. Sweet Daddy's very sentimental about the presents that he 224 00:15:06,780 --> 00:15:10,060 gives. Matter of fact, when one of his business associates died, he made sure 225 00:15:10,060 --> 00:15:11,560 the widow hits the number for a week. 226 00:15:13,160 --> 00:15:14,600 That's very touching, JJ. 227 00:15:15,000 --> 00:15:17,760 But what is your father going to say when he sees this thing? 228 00:15:18,180 --> 00:15:19,220 He'll be furious. 229 00:15:19,840 --> 00:15:22,600 Well, my witness tell him the truth. He tried to make them take it back, but 230 00:15:22,600 --> 00:15:23,439 they wouldn't. 231 00:15:23,440 --> 00:15:25,480 Yeah, Ma, we'd be foolish to give this back. 232 00:15:25,920 --> 00:15:26,920 I mean, look at this. 233 00:15:27,500 --> 00:15:28,680 Automatic ice cubes. 234 00:15:29,000 --> 00:15:30,000 Crushed ice. 235 00:15:30,220 --> 00:15:31,220 Ice water. 236 00:15:31,400 --> 00:15:34,120 I bet you there's even a spigot for Kool -Aid inside here. 237 00:15:41,200 --> 00:15:42,940 Lord have mercy. 238 00:15:43,920 --> 00:15:47,600 Well, you know, they say in that commercial, you only go around once. 239 00:15:49,580 --> 00:15:52,500 But the way this is stocked, once is enough. 240 00:15:54,920 --> 00:15:57,060 Your father isn't going to like this at all. 241 00:15:58,060 --> 00:16:01,020 And JJ, take off those silly clothes. 242 00:16:01,700 --> 00:16:05,020 Oh, Ma, can't keep it on just a little while longer. I'm getting used to this 243 00:16:05,020 --> 00:16:06,460 silk lining inside here. 244 00:16:12,520 --> 00:16:16,080 I think I'll go in the bathroom and give the mirror a three. 245 00:16:29,630 --> 00:16:32,170 That might be the hottest cold refrigerator you ever saw. 246 00:16:35,190 --> 00:16:36,250 Oh, hi, honey. 247 00:16:36,650 --> 00:16:37,650 James, 248 00:16:37,850 --> 00:16:39,090 about that refrigerator. 249 00:16:39,370 --> 00:16:42,690 Please, I am not in the mood to hear a whole lot of yang -yang about no 250 00:16:42,690 --> 00:16:46,390 refrigerator. I spent half the day loading up a truck. After I unloaded the 251 00:16:46,390 --> 00:16:47,390 truck, it broke down. 252 00:16:47,490 --> 00:16:50,210 Then I had to unload it while they fixed it. The last thing I need to talk about 253 00:16:50,210 --> 00:16:51,290 is some raggedy refrigerator. 254 00:16:51,590 --> 00:16:53,950 What I need is a beer. I wouldn't even mind a warm one. 255 00:16:54,590 --> 00:16:57,310 I'm telling you, if I got to go through another day like today, I wouldn't do it 256 00:16:57,310 --> 00:16:58,310 today, boy. 257 00:17:05,740 --> 00:17:06,920 What the hell is that? 258 00:17:09,760 --> 00:17:13,079 Sweet Daddy sent it over. They put the old one down the basement. Yeah, well, 259 00:17:13,099 --> 00:17:14,119 they can get it out of here. 260 00:17:38,680 --> 00:17:39,680 Naturally. 261 00:17:40,420 --> 00:17:43,780 Junior, only because he's giving you this one -man show am I not interfering. 262 00:17:44,200 --> 00:17:47,380 But that refrigerator's got to go. I ain't taking nothing from that hoodlum. 263 00:17:48,660 --> 00:17:50,840 Now, what's this phone number? I'm going to call him and tell him to come over 264 00:17:50,840 --> 00:17:52,320 here and get his oversized beer cooler. 265 00:17:52,640 --> 00:17:56,040 We can't call him. He's going to get mad. I don't care if he gets mad. 266 00:18:14,760 --> 00:18:18,260 Cool pots. You don't have to thank me, my friend. It was my pleasure. 267 00:18:19,200 --> 00:18:22,540 Everybody, I want you to meet Sweet Daddy Main Lady. 268 00:18:22,820 --> 00:18:26,580 This is Miss Savannah Jones. 269 00:18:28,100 --> 00:18:29,360 Hi, y 'all. 270 00:18:29,760 --> 00:18:31,740 Just flew in from Vegas. 271 00:18:32,100 --> 00:18:33,520 D .C. 10. 272 00:18:33,900 --> 00:18:34,940 First class. 273 00:18:35,440 --> 00:18:38,600 Window seat right next door. Billy Eckstein. 274 00:18:39,220 --> 00:18:41,000 He's a real gentleman. 275 00:18:41,660 --> 00:18:45,660 Billy. Got up for me every time I had to go to the jar. 276 00:18:48,360 --> 00:18:49,360 Ain't she something? 277 00:18:50,020 --> 00:18:52,020 Yep, she's something all right. 278 00:18:53,620 --> 00:18:57,760 Look, man, about that refrigerator... Hey, cool, cool, Pops. You don't have to 279 00:18:57,760 --> 00:19:00,740 thank me. Hey, baby, that's J .J., the one I was telling you all about. 280 00:19:00,960 --> 00:19:02,920 Your official portrait painter. 281 00:19:03,280 --> 00:19:06,240 Ooh, I can tell you a real artist. 282 00:19:06,440 --> 00:19:09,000 Well, you know... You look like you're starving. 283 00:19:18,760 --> 00:19:21,480 You ain't got no idea how excited I am. 284 00:19:21,680 --> 00:19:27,200 This is the first time I've ever been immoralized on camera. 285 00:19:27,940 --> 00:19:31,740 All right. All right. If she is dying, you hear me dying to see the picture. 286 00:19:31,740 --> 00:19:32,900 yeah. Hey, is it finished? 287 00:19:33,300 --> 00:19:34,300 It's done. 288 00:19:34,380 --> 00:19:36,880 All right. Well, go get it. Let's see the masterpiece. 289 00:19:37,360 --> 00:19:39,520 Man, I bought that refrigerator. Cool, man. 290 00:19:39,880 --> 00:19:41,580 Well, here's the painting. 291 00:19:51,500 --> 00:19:53,500 Only me. You jive and me suck. 292 00:19:55,400 --> 00:19:59,340 Well, I, uh, took it from the photograph that sweet daddy gave me. 293 00:20:01,000 --> 00:20:04,160 See? I don't look like that. 294 00:20:04,400 --> 00:20:09,460 And I ain't got no hard lines in my face like that. I'm sweet. 295 00:20:10,480 --> 00:20:12,360 Ain't I sweet, sweet daddy? 296 00:20:12,720 --> 00:20:15,700 Yeah, baby, you sweet. You real sweet. Well, 297 00:20:16,400 --> 00:20:20,170 I figured they, uh... retouched the photograph a little bit, so I un 298 00:20:20,170 --> 00:20:21,710 it to make it look like the real you. 299 00:20:24,910 --> 00:20:27,670 You skinny alligator. 300 00:20:29,310 --> 00:20:34,370 If this purse didn't cost me 150 bucks, I'd... 301 00:20:56,620 --> 00:21:01,780 have to buy me a couple of more of them first souls before I forget this here 302 00:21:01,780 --> 00:21:02,780 one. 303 00:21:05,240 --> 00:21:10,640 And as for you, Beanpole, 304 00:21:10,800 --> 00:21:15,480 you ought to know a lady when you see one. 305 00:21:17,720 --> 00:21:20,580 Well, when he sees one, he'll paint one. 306 00:21:40,720 --> 00:21:43,940 do something else, I could really make her look good. Hey, man, look here. In 307 00:21:43,940 --> 00:21:47,860 organization, nobody, you understand, gets a second chance, man. 308 00:21:48,060 --> 00:21:53,080 You made Sweet Daddy look like a fool in front of his woman. And listen, Sweet 309 00:21:53,080 --> 00:21:57,940 Daddy is finding it hard, you understand, very hard to maintain his 310 00:21:58,540 --> 00:22:02,040 Dig. The other day, you liked that painting. 311 00:22:02,860 --> 00:22:03,860 Dig. 312 00:22:05,840 --> 00:22:07,220 Well, I plead temporary insanity. 313 00:22:07,660 --> 00:22:10,500 Now, you get yourself another back of your skin and stick. 314 00:22:11,460 --> 00:22:13,840 Hey, but what about my brother's one -man show? 315 00:22:14,060 --> 00:22:15,060 It's canceled. 316 00:22:15,660 --> 00:22:18,700 Hey, you going back on your word, man? What you think you're doing here? 317 00:22:20,800 --> 00:22:22,060 Oh, I see what you're doing. 318 00:22:24,360 --> 00:22:26,080 Hey, boy, go get my stuff. 319 00:22:26,700 --> 00:22:27,700 Hey, 320 00:22:29,280 --> 00:22:34,140 what's going on here? Hey, I do not give no peasants and no losers the hat and 321 00:22:34,140 --> 00:22:35,140 the watch. 322 00:22:43,950 --> 00:22:45,810 The overcoat and the undercoat. 323 00:22:50,410 --> 00:22:52,470 The shirt and the shoe. 324 00:22:53,670 --> 00:22:55,750 The shirt and the shoe. 325 00:23:55,379 --> 00:23:58,680 Peace. It's a case of bad news and good news. 326 00:23:59,540 --> 00:24:02,320 The bad news is that you're not going to have a one -man show. 327 00:24:02,640 --> 00:24:07,680 Yeah. And the good news is that those could have been sweet daddy's drawers. 328 00:24:40,520 --> 00:24:46,220 Just looking out of the window, watching the asphalt road, 329 00:24:46,540 --> 00:24:51,180 thinking how it all looks when we die. 330 00:24:51,460 --> 00:24:56,340 Good times, good times, keeping your head above water, 331 00:24:57,040 --> 00:24:59,500 making a wave when you can. 332 00:25:00,260 --> 00:25:03,080 Temporary layoffs, good times. 333 00:25:03,400 --> 00:25:06,700 Good Times is recorded on tape before a live audience. 26817

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