Original subtitles

[SILENCE]

♪

[Narrator] tired of living a Marriage of appearance,

actress Claudia Toledo plans death Of the husband, the

industrialist Henrique Ribeiro, in fact, A homosexual.

[Claudia] You want to leave, PLEASE?

What a boring thing, Stay looking at me like that!

[Henrique] I want to see if

He left some mark on his body.

[Narrator] The crime is outlined In the smallest

details with the help of Thomas, Claudia's lover.

[Thomas] I already know how It will be. It will

be in construction. You have to take him there.

[Narrator] in companies From Henry, a scandal.

The discovery of a great EMBEZZLEMENT.

[Junqueira] We don't have A boring

dollar deposited in our account in New York!

[Man] I don't believe.

[Junqueira] I want Henry in jail.

I want Henry in jail!

[Narrator] MURDER. Henrique retaliates Tomás's

attack. And it's Claudia Who fires the revolver.

[SHOT]

♪ Tension music ♪

[SHOT]

♪ Tension music ♪

[Narrator] The body is buried Under the floor of the new home.

The crime looks perfect. Claudia Thinks of inheriting the

fortune of her husband, until she receives The police visit.

[Claudia] I can know why What am I being questioned?

[Junqueira] Because Henrique It's a thief!

A ... a shameless!

Stole millions Dollars of industries. AND THAT!

[Claudia] If he took this

All money, I'll find a track.

♪ Tension music ♪

[Ciro] Sorry to bother.

♪ Tension music ♪

[Ciro] What a beautiful cleaning you It's doing it here.

♪ Tension music ♪

[Ciro] I have to thank The effort you

are making to discover some clue Dollars.

When I stopped there at the door and saw you

rummaging everything, It looked like I was in

the movies watching a scene Of "ambush of sex".

[Claudia] Did you watch?

[Ciro] eight times.

[LAUGHTER]

[Claudia] was one of the first. I did in São Paulo.

[TILIFY WITH DISHES]

[Ciro] was still an investigator At that time, I was chasing

Some traffickers and we received Information that the

muamba would be delivered in a cinema. Then I went For the

cinema and I was there in the campaign, right?

[Laugh] Passing your movie. And I stayed there watching

while waiting The bad guys. I watched one, twice, nothing of the guys Appear.

[Laugh] Then I was interested

in history. By your way.

You are a great artist.

[Claudia] [laugh] Thank you. Arrested traffickers?

[Ciro] [laugh] No. But on the day Next I returned

to the movies and watched the movie more TWICE.

[Claudia] [laugh] that great.

[Ciro] I really like cinema, Mainly

Brazilian cinema. I think we make great movies.

But I ...

I don't think it's your best Movie, "ambush of sex".

[Claudia] I agree, NEITHER.

[Ciro] I prefer "Strength of desire".

[Claudia] [laugh] I love this too.

[Ciro] Very well done. It Foreign tape.

[Laugh] That scene ... when we See you

like this, below, coming down from the stairs,

And it becomes clearer, Clearer, and you get

closer and closer From the screen, beautiful,

with that transparent outfit. It's too much.

What a beauty, right?

[Claudia] Henry wants I pass everyone to the video.

Some I already passed, But I really prefer on movie.

[FILM PROJECTOR MECHANISM]

[Ciro] I never imagined that I To

watch this movie fair by your side.

[Claudia] It was a pleasure.

[Ciro] I will end up getting CUSTOMER.

[Claudia] [laugh] that great. [LAUGHTER]

[Ciro] You also have That ... is ...

That you make a woman Disturbed, who sees

some pigeons ... I don't remember the name.

[PHONE TOUCH]

[Claudia] One minute.

HELLO?

Yes, a moment. To the Lord.

[Ciro] Thank you. HELLO? AND.

♪ Tension music ♪

[Ciro] I know, I know.

♪ Tension music ♪

[Cyrus] I'm going to Praí.

[PHONE AT THE HOOK]

[Ciro] found the car of Your husband in Sao Paulo.

[Claudia] And Henry?

[Ciro] The car was empty.

Was abandoned near the MARGINAL.

[Claudia] It was a abduction.

[Cyrus] If it were, the abductors already They

would have contacted you or the industries. [SIGH]

Sorry, but I have to go. It was a pleasure.

[Claudia] I am at your orders.

[JUNQUEIRA] I think the Cláudia

took you in the beak straight, Ciro.

We should not forget That she is an actress.

[Ciro] Great actress, by the way.

[Tavinho] She said it was With her

husband on the work to keep the cement, is it?

[Junqueira] is, he said.

[Ciro] is, and the neighbor confirmed THAT.

Said she arrived by car With her husband,

got out of the car, stayed there At the gate

of the house and he followed, just as she said.

[Tavinho] is weird. Weird them go to the work,

if it rained the watchman kept The cement, right?

[JUNQUEIRA] is, if I had A watchman there, right, Tavinho?

[Tavinho] But I had. [Ciro] had it?

[Tavinho] Hey, I spoke to him.

[Tomás] Doctor Henrique doesn't want No one sleeping here on the work.

He said this is not Hostel, you don't

want anyone sleeping here AT NIGHT.

[Ciro] Why?

[Thomas] I don't know, ask him.

[Tavinho] Hey, you told me that It was the watchman.

[Thomas] I said, but I am not.

♪

[Tomás] I am a contractor FROM HERE.

It's because I don't want to No one knows I'm

sleeping here at night. It may not be good to my side.

[Ciro] You were here when the Mr. Henrique

and the woman came to cover the bag of cement?

[Tomás] [sigh] It was everything there on the other side.

That's why the friend there Did not see.

They covered everything and were ALTHOUGH.

Now, I wanted to ask You, please, not to

say anything to anyone I'm sleeping here.

I promise to take off a place soon.

[Ciro] Does this bricklayer WAS BRING WOMAN IN WORK?

[Tavinho] Yeah, I don't know. When I

had there, it looked like he was alone.

[Ciro] is, very strange.

The owner didn't want anyone at Work

Watching at night. Very strange.

[SHOT]

♪

[PANTING BREATHING]

♪

[Claudia] The corpse, the button

on my cover will be In his hand.

[Tomás] The police were Squeeze me on the work.

[Claudia] What did you HE SPOKE?

[Thomas] What we combined, that your

husband doesn't want me Sleeping in the work.

And that I saw you two covering The cement bags.

♪

[Claudia] But I'm cismou.

[Thomas] cismou with what?

♪

[Claudia] looks like he knew That was going to disappear.

[Thomas] Know how?

♪

[Claudia] The drawer of the table It is empty.

He kept the videos there, The photos ...

And the revolver.

♪

[Claudia] disappeared everything.

Why he was going to take All that there?

♪

[Claudia] [sigh] I already I knew, I had already seen it.

The revolver. I already reviewed The whole house.

♪

[Claudia] Unless he ... Unless he knew he was

going to escape. I was going to flee with everyone ...

[Thomas] Listen here, Claudia. You're going into a wrong.

He could not know That was going to disappear.

We killed Henry.

♪

[Thomas] Listen here, boy, You're going to play ball there, are you?

Hit the girl, You can hurt. Go.

♪

[Thomas] Look here, Claudia. Who took the

money was not the deceased, It was his partner.

♪

[Claudia] His partner?

[Thomas] is. Otherwise you already had Discovered some role.

♪

[Tomás] this junqueira must Know everything from the life of the package.

He has known him from a kid.

Even I am silly He knew, Claudia.

It's in the face that he gave a Tip for maid and entered

there and shaved the drawer. Disappeared with the money.

And if your husband were to squeak, He

was going to open his beak to the whole city.

There was no photography there With other men?

Naked man, magazine ...

[Claudia] As you see, Junqueira, it is

impossible for Henry to have Missing with that money.

Even if it had happened, I have nothing to do with it.

I don't know what to think anymore.

More than two weeks No news.

Neither a letter, nor a note, No phone call.

How do you think I'm Feeling with you accusing me of

an accomplice and the police without Give me news, huh?

I need to buy material To continue the construction and ...

By the way, I don't even have

Money to pay the home expenses.

The money you had on the bank It's over, I'm zero.

I have your Henry Power of Attorney that

gives me full powers to Move his money.

[HANDLE PAPER]

[Junqueira] You came to ask me MONEY.

[Claudia] I didn't come Ask you anything.

Henry is your partner, He is

as entitled to profit as you.

How not?

[Junqueira] Henry has no More

right in the Rio Negrense Steel.

[Claudia] You're not wanting Discount these

millions of dollars of the equity From Henry.

It wasn't he who took this Money, Junqueira.

[Junqueira] I am not Speaking of dollars.

I'm talking Of these roles here.

Receipts, duplicates.

Your husband has nothing more In the Rio Negrense Steel.

After you got married, He gradually sold

me the properties, actions, properties.

You should know that. He always said that you

were a very expensive woman. HE WAS Ending his money.

[Claudia] is a lie.

[Junqueira] Your husband is in Most complete misery, Claudia.

And that's why I know That he fled with the dollars.

♪ Tension music ♪

[HANDLE PAPER]

[Lawyer] is, really All these roles

are absolutely legal, Dona Claudia.

♪ Tension music ♪

[Lawyer] Your husband sold All the

actions of the factory, the farms and

even this house he sold To his partner.

♪ Tension music ♪

[Lawyer] Absolutely. Your husband has every right

to dispose of his assets How best to seem to you.

I already explained to you That everything

he brought to the wedding continues Being his.

The lady fits what the couple Accumulate after the union.

There is no way to invalidate These transactions.

They are perfectly cool.

[Claudia] I can't accept Such a thing, Junqueira.

How does he sell everything Without consulting me?

If he's so ruined As you say,

why he wants to build That house?

Why does he continue With the boat?

He never commented to me anything,

that he had difficulty, No money.

[Carminha] The Truth It's just that

you spend much more than you can, right?

[Junqueira] I don't know if you You know, but Henry plays a lot.

[Claudia] He sold everything To pay game debt?

[Junqueira] too.

The fact is that you could not Be building that house.

And I just bought the work Because

Henry owes me so much that it was the

only way I found to recover A little my money.

[Carminha] For me The construction was as it is.

What do we want A house in the dam?

[JUNQUEIRA] This is a way, Carminha. We sell.

[Claudia] If he had all These dollars, he had

already commented on Thing with me. I'm sure.

[Junqueira] Who is sure It's me, Claudia.

[Carminha] A boy who was Created as a son of our people.

[Claudia] Millions of dollars

and I never saw that money. NEVER.

[THUNDER]

[RAIN]

[OPEN DOOR]

[STEPS]

[THUNDER]

[SILENCE]

[Man] Preparing to take The clothes and yvete

goes down and come here, right here at the

end, Here Yvete, here in this one, exactly,

there, And that's it, exactly there, right?

The moment she arrives and that she ... she fa ... Who's there?

♪ Tension music ♪

[Man] ô yvete, It's the same police

officer as yesterday, I think it's with you.

[Yvete] The Claudia received The flowers was being invoked.

One day he spoke to her there At the bus stop, the

two understood themselves And decided to get married.

[Sigh] Look, I ... I never saw Claudia again,

I don't even want to see. After dirt That she did here with us ...

[Ciro] "dirt"?

[Yvete] is, when she saw Even if I was getting

married, she was going to be full of money, Left us in hand.

The director even gave ... He complained to the

union, she had a contract signed And everything.

Her husband really disappeared, is it?

[Ciro] disappeared.

[Yvete] [laugh] What a strange story.

In a moment she is asking Pinical there at the door.

♪ Tension music ♪

[Ciro] I find it difficult. I did a totally

contrary idea about it By Claudia Toledo.

[Yvete] Imagine, That is no good.

For money, put it to the mother At the butcher's door.

[Man] sorry, Is that the iris arrived

and we have To continue the rehearsal.

♪ Tension music ♪

[Claudia] No one will never Discover that he is

buried under the house. Neither do we Know

where the millions of dollars went. It was useless.

♪

[Claudia] We have killed him, nothing.

♪

[Thomas] "Shh"!

[Claudia] You think I'm Crazy of calling you

here if I hadn't alone?

If anyone asks you ...

[Thomas] I already know. You say that I came to see the money with you.

His partner will continue The work, won't you?

[Claudia] [sigh] I think it goes, I don't know.

Until that house the bastard Sold.

[SILENCE]

[Claudia] It seems that you are not

Calling a lot for what is happening.

[Tomás] who is in the mood for money It is you, not me.

[Claudia] [sigh] And now?

There will be an hour and I I'll have to

leave this house and I have nowhere to go. [SIGH]

I should have gone away LIKE YOU. [SIGH]

[Thomas] You didn't want to.

[Claudia] And now we It can no longer run away.

I have to stay here Waiting for some news

from Henry as if he had ALIVE. [Sigh] I'm stuck.

[Sigh] I should have gone Although with you. I owed it.

[SILENCE]

[Claudia] [laugh] and one hour This we were in Rio.

Who knows I wouldn't have Getting a role on

Globo or ... [laugh] a play.

[SILENCE]

[Claudia] We didn't have Killed him.

[Thomas] us?

♪ Tension music ♪

[Thomas] [muxoxo] I didn't kill anyone.

♪ Tension music ♪

[Claudia] What?

[Thomas] I killed no.

♪ Tension music ♪

[Thomas] I was just there.

♪ Tension music ♪

[Thomas] Who filled your husband Of shooting it was you.

♪ Tension music ♪

♪

♪

[Claudia] Didn't you kill? OF COURSE.

[Thomas] negative.

♪ Tension music ♪

[Claudia] Of course. I agreed.

We are together from the beginning.

[Thomas] I didn't shoot In no one.

♪ Tension music ♪

[Claudia] Cê was there with me, You bury him.

[Thomas] was helping you.

Won't put the blame On top of me.

[Claudia] I'm not putting The blame on you.

[Thomas] Of course it is!

[PANTING BREATHING]

[Claudia] Take your body out.

[TOMÁS] NÃO, NÃO TÔ NÃO.

[CLÁUDIA] CLARO QUE TÁ!

[GRITANDO] A GENTE MATOU JUNTO. EU E VOCÊ, JUNTO!

[TOMÁS] NÃO. EU NÃO ATIREI EM NOBODY. QUEM MATOU FOI VOCÊ.

[CLÁUDIA] [GRITANDO] CACHORRO!

[TOMÁS] ESCUTA AQUI.

♪ Tension music ♪

[TOMÁS] A FAMOSA AQUI É VOCÊ. VOCÊ É A MADAME.

♪ Tension music ♪

[TOMÁS] SE A POLÍCIA DESCOBRIR, QUEM VAI SE ESTREPAR SOU EU.

♪ Tension music ♪

[TOMÁS] SOU EMPREITEIRO, POBRE.

♪ Tension music ♪

[TOMÁS] EU TÔ FRITO.

[CLÁUDIA] A GENTE TÁ JUNTO DESDE O INÍCIO.

♪ Tension music ♪

[CLÁUDIA] EU NÃO IA TE TRAIR.

[TOMÁS] CLARO QUE IA. CLARO QUE IA.

[CLÁUDIA] NÃO...

[TOMÁS] PRA TIRAR O TEU DA RETA,

VOCÊ COLOCARIA O MEU DIREITINHO.

[CLÁUDIA] NÃO, CLARO QUE NÃO.

[TOMÁS] QUER APOSTAR?

[CLÁUDIA] NÃO, CLARO QUE NÃO, TOMÁS.

[TOMÁS] CÊ QUER APOSTAR?

[CLÁUDIA] CLARO QUE NÃO, TOMÁS!

[TOMÁS] TEM CERTEZA?

[Claudia] No, Thomas!

[Thomas] Sure. CERTAINTY Absolute.

[Claudia] No!

[Thomas] I remember well, I'm

sure you are capable of this.

[Claudia] No! No, Thomas! [Screaming] No!

♪ Tension music ♪

[Claudia] Good afternoon. I'm Claudia

Toledo, I have an interview With Daniel Filho.

[Receptionist] your document, PLEASE.

[OFFICE AMBIENCE]

[Soninha] My God, Where's my car, huh?

[Claudia] Hi, how are you? [Soninha] Hi.

[Claudia] You are not remembered From me? We work together.

[Soninha] I'm not ... It's Claudia Toledo, sorry. Hi, how are you?

ALL GOOD? Wow, but you disappeared, Huh?

[Laugh] Oh, I'm going to an external. You John takes the car to me

that I'm going to an external, Imagine you in Barra Bonita.

They send us to each External, night.

[Claudia] I know. [Soninha] But the soap

opera is great, isn't it? Are you seeing?

Oh, I'm so happy with the Gilberto Braga, he wrote ...

Girl, you need to see, each Scene, it's an event, right?

The largest audience of the house. BUT Wait, didn't you marry?

[Claudia] Casei. [Soninha] Ah, good! AND THERE?

[Claudia] [laugh] more or less. You know how, right?

[Soninha] is. Is, more or less I know how it is.

[Stuttering] and you're back Here in Rio?

[Claudia] I'm trying. I KNOW That so

climbing the next soap opera.

I came here Talk to Daniel to see if I can Thing for me.

[Soninha] Yeah, it's kind of Russian, right? Yeah,

but Daniel told you to wait for you? You wait HE?

[Claudia] Wait.

[Soninha] Ah, so wait. Go Everything works out.

Oh, good, you John, wait my car Arrived and I'm going.

Sorry, okay? I'm up Time.

Look, I'm rehearsing a piece, you'll love it.

Go Everything is well for you. Bye, dear.

[Claudia] Bye. [Soninha] Bye, until tomorrow.

Your John, thank you.

[Tony] Hi, Soninha. [Soninha] Hi, Tony,

Okay, dear? I'm going to External, okay?

[Tony] and me coming. Good to see you THERE.

[Soninha] Thank you. GOODBYE. [Tony] Sorry, huh?

[STEPS]

♪ Dramatic Music ♪

[Claudia] [crying] What I Did I do it there in that door?

I didn't have to go there. THAT ONE Hole is horrible.

I won't go back there. GOD That forgive me.

I was never so humiliated!

I sat there all day, No one looked at my face.

♪ Dramatic Music ♪

[Claudia] If I got Some role in a soap opera,

I was known again. I I was saved, I was known,

Could go back to Rio de Janeiro.

Could get a role in a FILM. Everything is a dream.

♪ Dramatic Music ♪

[Claudia] No one will give me No role.

[Embargoed voice] No one will Give no role.

♪ Dramatic Music ♪

[Thomas] Look, Claudia, I don't I understand

very well with this television

business Neither ... nor of cinema, but I

think with a Good money you could make a movie For you, right?

[Claudia] with a good money, Thomas?

[Thomas] could. Could you or couldn't?

[Claudia] with a good money, We can do everything.

♪ Dramatic Music ♪

[Tomás] You get this Money, you take off.

[Claudia] Cryns nothing, Thomas.

[Thomas] Of course, take off, Claudia. Of course it takes off.

If these millions of dollars do not So with

the bichona, you can only have a partner FROM HIM.

[Claudia] Who is going TO KNOW?

[Thomas] [laugh] You know.

[KISS CRACK]

[Thomas] Of course you know. The other day, there in

the firm, I asked a guy how it is This story of money abroad.

He told me that It has two ways, one

person takes straight out, or Then send it to the account.

This was not, because you saw The paperwork. And run away, he

didn't run away with the money either. It's in the face that

this money is not with the deceased, Claudia. He has his partner.

Sure that if we Ask, he will

say no. He is smart, he is alive.

I already sang this ball several

Times and you don't enter mine.

[KISS CRACK]

[Thomas] But you told me That

once he gave you a sung, huh?

♪ Tension music ♪

[Thomas] and you are a woman BEAUTIFUL. Intelligent. Gets

something with that kind of Man, this kind of muggle.

♪ Tension music ♪

[Claudia] means that Have you

ever thought of investing in cinema?

[Junqueira] is, thought. THEY ARE Ideas

that come and go to our minds.

But it's hard I enter a business that I don't know.

[Claudia] I know. I have experience in the business.

I know all the directors, Writers. Bruno Barreto,

Cacá, Jabô, Nelson Pereira. I worked with them

all and they love me. I guarantee Your investment.

[Junqueira] Look, Claudia ...

[Claudia] I guarantee, Junqueira. Well

-managed cinema is a great INVESTMENT.

[Junqueira] I am not Interested in cinema.

[Claudia] What a pity.

I...

I thought I could count on YOU.

Once you told me that a Woman like me ...

Could get ANYTHING.

Too bad this is not true.

Too bad.

Because an abandoned woman

And needy like me ... It could be very generous.

[SILENCE]

[Junqueira] You and that Peederasta

think I'm an asshole, is it?

[Claudia] What?

[JUNQUEIRA] You came here To curl me.

[Claudia] "Peederasta"?

[Junqueira] You don't Fool, no. When he arrived

here with you in love, Married, I knew it was all a frame.

His father was My greatest friend, Claudia.

And how many times have I seen that Poor poor

guy crying on my shoulder because His son was a ...

[Sigh] Why do you Do you think he left here?

Work for us abroad? And it doesn't make that face of sound, no.

You are a very Tried not to have

discovered this in the first NIGHT. You set everything.

He came here married, with A hot, coveted woman, no

one could speak ill of him, Won the board.

And then he can disappear quietly With the dollars.

And you looked like a woman Abandoned. What are you thinking?

If you put it all fragrant and come Here to see if it curls me, is it?

How he knows I'm a male For no one to put defect, he

sent you here to see if I Fell on yours.

But in this sweater I don't fall, no, because I I'm male, but I'm not dumb!

Look, for you to shut up Mouth and disappear

with these dollars needs much more Than a bimbada!

[Claudia] I don't know From Henry!

I don't know about these dollars!

[Junqueira] It's a lie!

No one disappears like this,

DAY NIGHT DAY, LOYLY SMOKE!

And the day I find out His scams.

What you have is an informant Here in

industries, but I'll find out who it is!

LOOK, You talk to that crazy

fag that I'm not imbecile, no.

In more day, the less day, the

police put their hands In you both.

And I spent penn Of everything I

have, but I want to see you Two in jail!

[Junqueira] Thief Without a green.

♪ Tension music ♪

[Claudia] Junqueira thinks That I'm

Henry's accomplice, but I am not.

I don't know that money, I've never seen these dollars.

[Sigh] I want to leave Of that city.

I know my obligation It's staying here waiting

for my husband to come back, But I want to leave.

I already sold some jewelry And I think

you can live a while In a tramp hotel, and ...

[Sigh] I want to leave From this city, disappear from here.

[Ciro] I don't think it's A good idea.

[Claudia] [laugh] Sooner or later, I

will have to leave this house, Anyway.

Junqueira only gave me a month Term.

[Ciro] [sigh]

Do you want advice?

It does not leave the city.

Just leave here If you are thanks.

[Sigh] except May you be sure

that your husband won't come back.

[Claudia] How can I Make sure?

[Ciro] I didn't say That you

have, but everyone will think that.

News from your husband we will Get, have no doubt.

Sometimes it takes a while.

The real life ... [laugh] It's

not like the cinema, you know that.

[Ciro] You trust that CONTRACTOR?

♪ Tension music ♪

[Claudia] What contractor?

[Ciro] Tomás, That works there in the

construction of the house of the dam.

♪ Tension music ♪

[Claudia] [laugh] I don't know ... Trust it?

♪ Tension music ♪

[Claudia] Why?

♪ Tension music ♪

[Claudia] [laugh] Well, I think so.

He always fulfilled With your obligations.

In fact, Henry is that I implied a little with him.

♪ Tension music ♪

[Ciro] doesn't imply anymore? [Claudia] How?

[Ciro] You said: "I implied" in the past.

[Claudia] [laugh] well, do so much Time

my husband disappeared, disappeared that ...

[Ciro] who could even be dead, IT'S NOT THAT?

♪ Tension music ♪

[Claudia] Dead?

[Ciro] is ... a possibility.

♪ Tension music ♪

[Ciro] You also thought about it, Right?

[Claudia] [sigh] No, I never thought.

♪ Tension music ♪

[Claudia] [sigh]

You think he may have been Robbed because of the dollars?

♪ Tension music ♪

[Ciro] No ... Someone who knew That he had the dollars

and intended to escape, Took advantage of the occasion.

Deleted your husband And it got the dollars.

We find the money, Find the killer.

[Claudia] [sigh]

You know what this can be SAME?

♪ Tension music ♪

[Ciro] It's very in the face.

Funny, I thought That when you imagined

your husband could be dead, Going to be shocked.

♪ Tension music ♪

[Claudia] I'm shocked, INSPECTOR.

[Ciro] Delegate.

♪ Tension music ♪

[Claudia] What is the difference?

[Ciro] 1,480 BTN per month. I think better You do not leave town.

At least I will be able to watch "Ambush of sex" by your side.

[Laugh] You have

the movie, don't you?

[Claudia] I have. [Ciro] I'm waiting for the invitation.

♪ Tension music ♪

♪

♪

[MARKET AMBIENCE]

[URBAN AMBIENCE]

♪ Tension music ♪

♪ How many nights I don't sleep ♪

♪ Rolling me in bed ♪

♪ Feeling so many things ♪

♪ We can't explain ♪

♪ When you love ♪

♪ The heat of the covers ♪

♪ Don't warm me right ♪

♪ There is nothing in the world ♪

♪ That can ward off this cold ♪

♪ From my chest ♪

♪ Back, come live again ♪

♪ By my side ♪

♪ I can't sleep ♪

♪ Without your arm ♪

♪ because my body is used to ♪

♪

♪ Back ♪

[Claudia] By that cabaret

singer in front of me!

[Thomas] What "drooling", what?

[STEPS]

[Claudia] What are you doing? Where are you going?

[Thomas] I will send myself.

[Claudia] And leave me

alone here in this stale?

[Tomás] You didn't want one Hidden place?

May no one see you Entering not even leaving?

What are you complaining about?

[Claudia] You are slutty me.

[Thomas] Ah, Claudia, cut this one!

[Cláudia] You're slutty me!

We are increasingly distant! You don't care More

for me, you don't want to know anything, Thomas.

[OPEN BOTTLE]

[TILITAR WITH A GLASS]

[Tomás] I can't take a woman Boring.

[BOTTLE IMPACT ON THE TABLE]

[CUP IMPACT ON THE TABLE]

[Tomás] [sigh]

[SWITCH OF GLASS]

♪ Tension music ♪

[Thomas] What is that?

♪ Tension music ♪

[Thomas] Did you go crazy?

[Claudia] I want you now.

[Thomas] Is it crazy?

[Claudia] kneel.

[Thomas] What?

♪ Tension music ♪

[Claudia] [shouting] kneeling there, Thomas!

[Thomas] Did you go crazy?

[Claudia] Kneel!

[Thomas] Claudia, Stop with this madness ...

[Claudia] [Screaming] Come on! Kneel ...

[Thomas] Stop with this madness! [Claudia] [Screaming] Come on!

♪ Tension music ♪

[Claudia] hugs me. Tight me!

And I want you to love me the same The first time, Thomas.

♪ Tension music ♪

♪

[CLOSE WITH DOOR]

[Claudia] Nilza! Nilza!

Nilza!

Nilza! Nilza!

♪ Tension music ♪

[Claudia] Nilza? Nilza!

♪ Tension music ♪

[Nilza] I don't know anything, No, Dona Claudia.

I left the house alone, because I had to go to my aunt.

And ... and ...

why I was going Leave the lady's shower on?

[Claudia] And the bed?

[Nilza] The bed? I DON'T KNOW. I think when I

was taking powder, I sat on her. I don't remember.

[Claudia] someone lay down In bed, Nilza.

[Nilza] Ah, bedtime didn't lay down, No, ma'am, no. I SWEAR.

[Claudia] You brought someone Here home, wasn't it, Nilza?

[Nilza] Me?

[Claudia] A man!

[Nilza] Creed, Dona Claudia!

[Claudia] You had fun Here in the living room

and then climbed to my bedroom, wasn't it, Nilza?

[Nilza] I'm not like that, No, see, Dona Claudia?

I'm poor, But I am family.

[BELL]

[Thomas] is already going!

[BELL]

[Thomas]

[BELL]

[OPEN DOOR]

[Ciro] Police. [Tomás] [sigh]

♪ Tension music ♪

[Ciro] It's good to answer me Soon all

the questions, without toasting my bag.

You walk With Claudia Toledo?

[Thomas] [muxoxo] "Meeting" What?

[Ciro] That friend of yours from Market said you

rented this apartment here Because it got a cool thing.

[Thomas] is true, I got a cool thing, yes.

Only I blocked And she left.

[Ciro] I know. It was sent without leaving Name, address?

[Tomás] No, left address, Left name.

But I don't have to give you.

[SIGH]

I wish this madam was Just like Dona Claudia, see?

Woman, right?

But Dona Claudia is not For me, no.

It's not for my beak. I am a poor guy.

Lots of sand to my truck, IT SAW?

[DOOR MECHANISM]

[STEPS]

[KNOCK ON THE DOOR]

[STEPS]

♪ Tension music ♪

[Thomas] [distant voice] You think that

if I had a woman like the owner Claudia,

I was going to bring For this pimp here?

It's in the face that I was going to lose The woman right away.

[Ciro] Before working As a

contractor in the work, what did you do?

[Tomás] Let me open pro Lord, who is defective.

[OPEN DOOR]

♪ Tension music ♪

[Ciro] "What did you do?" I asked.

[Tomás] worked with Biscate, Right? One thing here, another there.

I mean, I was always A very

unlucky guy with work business.

Now that I was doing In

the job, you are invoking me.

[Ciro] No one is invoking With you, this is routine.

Does not disturb my work, That I don't disturb yours.

[Thomas] Yes, Lord.

[Ciro] If you can move From here, leave me the address.

[Thomas] The Lord already has The address is there in the work.

I just changed my boss.

[Ciro] I want to find you Where I want.

♪ Tension music ♪

[Ciro] Ah, I left my notebook ON THE TABLE. Take it there.

♪ Tension music ♪

[Woman] already inside, Your little bestin.

Ah, today I kill you. Ih, so looking at what, huh?

The son is mine, I put his hand How much I want.

Let's go inside, now! Already inside!

Already, already, already in, Vambora. Oh, what a thing!

♪ Tension music ♪

[Thomas] Bora.

♪ Tension music ♪

[KNOCK ON THE DOOR]

♪ Tension music ♪

[Claudia] He knows some THING?

[Thomas] No, just suspects.

But you can't come here anymore. It's giving a lot of flag.

[Claudia] I'm leaving.

[Thomas] No. Stay here. He can be there watching.

♪ Tension music ♪

[Claudia] Oh, I'm afraid.

♪ Tension music ♪

[Thomas] is now late.

What's done, it's done.

♪ Tension music ♪

[Carminha] My God from heaven!

[JUNQUEIRA] with a master of Works? A bricklayer?

[Muxoxo] This woman is very LOW.

[Cyrus] It's not so either.

[Carminha] If it falls in the mouth From the city, how will it be?

[JUNQUEIRA] "How will Being? "It will be as it will be.

What we have to do THEREFORE?

[Carminha] as "What is the Guys have it with it? "

I am the president of the Rio League Negrense. We gave

her a party, remember? With priest, Mayor, everything.

For her and for that little thief SHAMELESS.

[Junqueira] little thief, is it?

THE Blood made me millions of dollars.

[Ciro] is ... that's where the thing It is very weird.

[Tavinho] really, see, ciro?

[IRO] You, by chance, heard Something there in the city ...

A gossip. That there was some Thing between Claudia

Toledo and the bricklayer before the Henry disappearance?

[Carminha] Oh, I didn't hear anything. NEVER.

Imagine if I knew that this without a green is jumping Surround, was

I going to mix it with my family? We have two daughters.

[Ciro] means that they Do you get well then?

[Carminha] I don't know. I THINK Yes. Well,

he's crazy about her. Do everything Bandit wants.

Spends much more than it can. She must make him cat

and shoe, see? I think the Junqueira is right.

They combined everything. I bet It was her idea.

[Ciro] is. This is where It really fits right.

Why does a woman give a Blow like that with her

husband, who could live in a good This money, will

meet a bricklayer In a disgusting building like that?

[Junqueira] Look, Ciro, I ... I think I can better

understand this problem of Henry of what you, you know?

[Tavinho] Murder? You think, AND?

[Ciro] What else can it be? Nor shadow of the Henry.

Must have hidden the body very Well hidden to

disappear that way. If the guy had Live, we would

have some clue, nothing. Or the guy is A genius to hide, or .

.. they erased him and They got the money.

[Tavinho] The money, why

didn't they send themselves?

[Ciro] So waiting for the thing COOL. So being in

Vagabond location to look like So hard. [Sigh] The story is

assembled. The missing piece It was the husband fagot.

The two must have planned everything Very well, no?

What she had to get in With that bricklayer, hey?

I didn't want it to be so, Tavinho.

I was hoping for her not to have BLAME.

I like Claudia so much Toledo.

[Tavinho] Hey, do you like it?

[Ciro] Of course I like it. I saw all Her movies. [Laugh] bag.

It was just debuting a movie, I ... Debuted a

movie of that woman, I saw First session, always.

There was movies that I saw, like this, I don't know how many times. THE...

[Laugh] even soap opera she made I followed.

A drug. But I watched Whenever I gave.

I didn't want her to get her Bad. I didn't want to, no.

[Muxoxo] why she had What to get in with

that bricklayer? It was he who He made her head.

An artist like Claudia Toledo,

stuck in a story Sordid of these!

[Tavinho] Oh ...

[URBAN AMBIENCE]

[Tavinho] Are you going to arrest?

[Ciro] I have no proof.

But I will make it.

Unfortunately, I will make it.

[CAR ENGINE]

[RAIN]

[OPEN DOOR]

[PHONE TOUCH]

[Claudia] I think the maid Get out, I'll have to answer.

[Ciro] But just now, In this piece?

[PHONE TOUCH]

[Claudia] Hello? HELLO? No, you can talk.

HELLO? Hello, I'm not listening. HELLO?

[WIND]

[PHONE AT THE HOOK]

♪ Tension music ♪

♪

[Narrator] In the next EPISODE.

[Claudia] [Scream]

[Carminha] Slip! The men All running

after her like a dog behind the smell.

[Junqueira] What is that? Modes Speaking are these, Carminha?

♪

.